Your Tribbles Grow Bald But Not Your Kzin

Posted on April 11, 2025 by Mike Glyer

(1) SINKING THE NAVAL ACADEMY LIBRARY. The New York Times reveals “Who’s In and Who’s Out at the Naval Academy’s Library?” (Behind a paywall). “An order by Defense Secretary Pete Hegseth’s office resulted in a purge of books critical of racism but preserved volumes defending white power.”

Gone is “I Know Why the Caged Bird Sings,” Maya Angelou’s transformative best-selling 1970 memoir chronicling her struggles with racism and trauma.

Two copies of “Mein Kampf” by Adolf Hitler are still on the shelves.

Gone is “Memorializing the Holocaust,” Janet Jacobs’s 2010 examination of how female victims of the Holocaust have been portrayed and remembered.

“The Camp of the Saints” by Jean Raspail is still on the shelves. The 1973 novel, which envisions a takeover of the Western world by immigrants from developing countries, has been embraced by white supremacists and promoted by Stephen Miller, a senior White House adviser.

“The Bell Curve,” which argues that Black men and women are genetically less intelligent than white people, is still there. But a critique of the book was pulled.

The Trump administration’s decision to order the banning of certain books from the U.S. Naval Academy’s library is a case study in ideological censorship, alumni and academics say.

Political appointees in the Department of the Navy’s leadership decided which books to remove. A look at the list showed that antiracists were targeted, laying bare the contradictions in the assault on so-called diversity, equity and inclusion policies….

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to wolf down lamb with Carolyn Ives Gilman in Episode 251 of the Eating the Fantastic podcast.

Carolyn Ives Gilman was one of my earliest guests of the podcast, appearing all the way back on Episode 5. Nine years and two days later, the night she was taking part in the latest Charm City Spec, we decided it was time to chat and chew for you again.

Gilman’s books include her first novel Halfway Human, which has been called “one of the most compelling explorations of gender and power in recent SF;” Dark Orbit, a space exploration adventure; and Isles of the Forsaken and Ison of the Isles, a two-book fantasy about culture clash and revolution. Some of her short fiction can be found in Aliens of the Heart and Candle in a Bottle, both from Aqueduct Press, and in Arkfall and The Ice Owl, from Arc Manor.

Her short fiction has also appeared in Analog, Tor.com, Lightspeed, Clarkesworld, Fantasy and Science Fiction, The Year’s Best Science Fiction, Interzone, Universe, Full Spectrum, Realms of Fantasy, and others. She has been nominated for the Nebula Award three times and for the Hugo twice. Gilman lives in Washington, D.C., and works as a freelance writer and museum consultant. She is also author of seven nonfiction books about North American frontier and Native history.

We discussed the way her ideas aren’t small enough to squeeze into short stories, how she shelved a novel she’d written because she felt her imagination at its wildest wasn’t ridiculous enough to match reality, whether our personal archives will be trashed or treasured, the reason she doesn’t feel she can teach writing, why authors need to respect what the story wants, why she’s terrible at reacting to writing prompts and how she does it anyway, how she generally starts a story not with character or plot but with setting, the ethics and morality of zoos and museums, how she manages to makes the impossible seem possible, our shared inability to predict which stories editors will want, and much more.

(3) TUTTLE BOOK REVIEWS. Lisa Tuttle’s “The best science fiction, fantasy and horror – reviews roundup” for the Guardian covers Sleeper Beach by Nick Harkaway; Some Body Like Me by Lucy Lapinska; City of All Seasons by Oliver K Langmead & Aliya Whiteley; Rose/House by Arkady Martine; and The Cat Bride by Charlotte Tierney.

(4) THE NEBUGO AWARD. When it comes to the Hugo’s novella category, Eddie believes in “Casting the net a little wider” at Borrowed and Blue. Or at least as widely as the titles on Eddie’s own list of faves of 2024. (And if nothing else, you might find something that belongs on your own TBR pile.)

…I shall now proceed to suggest that the collective wisdom of the Hugo jury this year was, in one meaningful way, somewhat questionable. The novella category for this year consists entirely of nominees from a single publisher, with all but one from a single imprint. That seems to me to be a rather myopic view of the field; I think we can look much more widely than that.

Without further ado, the Nebugo Awards Novella & Novel shortlists (commentary for the books that were on my favourite of the year list for 2024 is cribbed from there; comment for those which weren’t is new)….

(5) SLAN. [Item by SF Concatenation’s Jonathan Cowie.] When the eldest (a 90-year-old) member of our local SF group came to last month’s meeting with a suitcase of books, there were some interesting titles. I grabbed four including Slan by van Vogt. When I got home, I found I already had a copy on my unread bookshelf that had embarrassingly been there unread for nigh on four decades (I’m getting on a bit myself)… Anyway, waste not want not, I dived in and then after generated a review for SF² Concatenation which has been posted ahead of its next season edition due to go up next week.

Van Vogt’s Slan is his first novel and something of a minor SF classic. Minor, because it has not really stood the test of time despite winning the Retro-Hugo for 1941 in 2016 at the MidAmeriCon II Worldcon in Kansas City. ‘The Retro for 1941’ I hear you cry? Well, yes, because the novel was originally serialized in the Astounding Science Fiction over their September–December editions in 1940. But is it any good? Well, truth be told, opinion is divided. First, the story…

The review is here.

(6) SOUNDS LIKE A GREAT JOB. [Item by Steven French.] The Doctor’s new companion is interviewed in advance of the new season kicking off tomorrow: “’I can’t believe I’m paid to watch Ncuti Gatwa!’: Doctor Who’s boundary-pushing new companion, Varada Sethu” in the Guardian.

Most teenagers rebel against their parents in small ways: sneaking out, stealing a nip of Cointreau, arriving home past curfew. Not Varada Sethu, the Newcastle-raised actor who’s about to grace screens as new companion Belinda Chandra in the forthcoming season of Doctor Who. Her rebellion took on a go-big-or-go-home attitude befitting a future screen star: when she was 18 she entered, and subsequently won, the Miss Newcastle beauty pageant. “Oh my God, I thought that was gonna be buried somewhere!” she exclaims when I bring it up. The whole thing was “kind of an accident”, she explains: “My sister and I were walking around in Eldon Square shopping centre, and they asked us if we wanted to enter, and I thought: ‘Yeah, I’ll give it a go’ – I thought it might piss off my parents a bit!”

The decision to enter definitely caused “a bit of friction”, but Sethu’s parents didn’t raise a quitter. “On the day we had the rehearsals, I called my mum up and said: ‘I don’t want to do this, can you please take me home?’ And Mum was like: ‘Well, you’ve signed up for it, so you’re doing it,’” she recalls. “None of us expected me to win – the whole thing was a bit of a bodge job for me!”

Now 32, the beauty pageant world “doesn’t really align with” Sethu’s value system, and her chosen vocation is miles – galaxies, really – away from that world of tiaras and special skills. In recent years, thanks to a starring role in the acclaimed Star Wars series Andor and her forthcoming turn as Belinda, as well as a part in the 2018 BBC drama Hard Sun, she’s become known as a go-to British sci-fi actor. “You don’t often see brown people in space – well, you do more than in other genres, because they’re futuristic – but I don’t think I necessarily saw myself as part of the sci-fi world,” she says. “So I don’t quite know how I ended up here, but I love it, and I’m very, very happy to be here.”…

(7) THE MOUSE AND THE TARDIS. “Has Disney+ Changed ‘Doctor Who’? U.S. and U.K. Fans Discuss.” in the New York Times. Link bypasses NYT paywall. Perhaps a spoiler warning is a good idea here.

…So the stakes are high this season. Four “Doctor Who” fans from the United States and Britain spoke to The New York Times via video calls to share their views on Gatwa’s performance, on Davies’s return, and on how the show has changed since Disney+ got involved. Their comments have been edited for length and clarity….

Vera Wylde, 43. Vermont.

As a performer — and I do not say this lightly — [Gatwa] is the most charismatic person who has taken on the role. He commands the camera immediately.

I do have an issue, in that I feel like I don’t truly know him as well as I would like. The surface level is complete charisma, bright as the sun. I got that. What’s underneath that? I’m still working on that.

I had far, far more feelings about [Davies] coming back as showrunner than I did about Disney being involved. At a fundamental level, I am frustrated with him because I had hoped that he wouldn’t just slip back like it’s 2005 again and approach seasons in the same way — which is exactly what he did. It’s mostly standalone, and there’s a mystery box that is really blatant, and it ends in a two-part finale with the return of a classic-era villain….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 11, 1963 — Gregory Keyes, 62.

By Paul Weimer: I started reading Gregory Keyes at the very start of my reviewing life. This was in 1999, and I was just started to test the waters of connecting with reviewers and publishers and talking about books to people I didn’t know (I’ve always talked about books to people I did know). In an electronic newsletter put out by Barnes and Noble in those days, they mentioned the forthcoming alternate history fantasy book by an author new to me, J. Gregory Keyes. (Aas Keyes styled himself, for these books).

The idea of an alternate world where Newton discovered the laws of Magic was instant catnip for me, and I got the book as soon as it came out, and the sequels as well. Come for the alternate history with magic and angels, stay for an alternate United States with Bluebeard as a founding father.

His oeuvre since has mellowed out a bit, with lots of big phat fantasy of the first water, the doorstoppers that he knows the minor and major keys and plays them well (The Briar King series, for example,The High and Faraway series, The Basilisk Throne, and even Elder Scrolls novels). He’s done a bunch of other tie-ins and novelizations, from Marvel to Godzilla to Star Wars).

I talk of mellowing out because I eventually went back to his first novels, before Newton’s Cannon…the Waterborn duology. And like Newton’s Cannon, they are inventive, strange and weirdly wild in a way some of his post-Cannon fiction is not. The world of the Waterborn is something you don’t see so much — a relatively young fantasy world, that hasn’t had the thousands of years of history in the past yet, but that future is definitely stretching ahead of it.

I can’t fault the fact that he has found success in more traditional fantasy novels, but I do kind of miss the author who had Goddesses of Rivers begging lovers to kill the river they emptied into, and the idea of Benjamin Franklin doing alchemy. (To be fair, The High and Faraway does capture a bit of that early wildness once more). Like the realms of faerie in many of his books, Keyes’ work has been somewhat tamed…but not quite completely. Not quite. But if I think of authors who write to fantasy doorstopper length, sure there is Martin and Williams and Jordan and Elliott…but there is also Keyes as well. He should always be part of that conversation.

I have not yet tried his latest novel, The Wind that Sweeps the Stars.

Happy birthday!

(9) COMICS SECTION.

Saturday Morning Breakfast Cereal proposes a cure that is more work than the syndrome.
Bizarro is ready for tax season in Oz.
Bound and Gagged needs more tech to solve this problem.
Dinosaur Comics discusses titles.
Dog Eat Doug complains about overpowered D&D characters.
Ink Pen shouldn’t taunt.
Pearls Before Swine has a friendship tip.

(10) BUTTERBEER OREOS. These started out as a viral fake. They might still be, although there’s a new wave of claims they’re really going to show up in stores.

(11) CHARITY AUCTION. [Item by Froonium Ricky.] Maureen Ryan, genre-loving tv critic and author of Burn It Down: Power, Complicity, and a Call for Change in Hollywood, is currently holding an eBay auction (see “Moryanwatcher on eBay”) of various TV items, including a Star Trek: Strange New Worlds “Subspace Rhapsody” T-Shirt, some X-Files promo items, a “Warrior” hoodie, some Game of Thrones magnets, and a Farscape script and actual piece of the Moya set. All the proceeds go to various excellent Mo-chosen charities!

(12) GETTING TO THE BOTTOM. “3D scan of Titanic sheds new light on doomed liner’s final moments” at CNN.

A new documentary reveals the incredible results of a project to create 3D underwater scans of the doomed ocean liner RMS Titanic, which sank 113 years ago.

“Titanic: The Digital Resurrection” tells the story of how deep-sea mapping company Magellan created “the most precise model of the Titanic ever created: a full-scale, 1:1 digital twin, accurate down to the rivet,” according to a statement from National Geographic, published Tuesday….

… The 90-minute National Geographic documentary allows filmmaker Anthony Geffen “to reconstruct the ship’s final moments—challenging long-held assumptions and revealing new insights into what truly happened on that fateful night in 1912,” according to the statement.

In the film, Titanic analyst Parks Stephenson, metallurgist Jennifer Hooper and master mariner Chris Hearn walk around a full-scale reproduction of the ship, highlighting previously hidden details.

One key finding is a visibly open steam valve, which corroborates accounts that engineers manned their stations in Boiler Room Two for more than two hours after Titanic hit the iceberg.

This maintained the electricity supply and allowed crew to send distress signals, meaning the 35 men in the boiler room may have sacrificed themselves to save hundreds of other people.

The team also reconstruct hull fragments found scattered around the site, revealing that Titanic didn’t split in two, but “was violently torn apart, ripping through first-class cabins where prominent passengers like J.J. Astor and Benjamin Guggenheim may have sought refuge as the ship went down.”

The scan also helps to exonerate First Officer William Murdoch, who has been accused of abandoning his post. The position of a lifeboat davit, a piece of equipment used to lower the craft, corroborates testimony that Murdoch was, in fact, washed out to sea as the crew prepared to launch it….

(13) MIKHAIL TIKHONOV Q&A. [Item by Steven French.] As the man says, the possibilities are indeed vast … “Q&A: How to (theoretically) spot an alien” at Phys.org

Are we alone in the universe? The answer to one of humanity’s biggest questions is complicated by a basic reality: If there is life on other worlds, it may not look familiar. A sample of rocks from Mars or another planet almost certainly won’t have recognizable fossils or another similarly obvious sign of living organisms, said Mikhail Tikhonov, an assistant professor of physics in Arts & Sciences at Washington University in St. Louis who studies microbial communities.

But just because we might not recognize signs of life on a distant moon or planet doesn’t mean it’s actually lifeless. “There could be life forms out there that defy our imagination,” Tikhonov said.

Searching for life that we don’t understand may seem like an impossible mission. In a paper published in Nature Communications, Tikhonov and co-author Akshit Goyal of the International Centre for Theoretical Science in Bengaluru, India, propose a new idea. Instead of looking for particular molecules or compounds associated with life as we know it, scientists can look for telltale patterns of energy.

Tikhonov discusses his out-of-this-world idea in this Q&A.

(14) REACHING THE FINISH LINE. Mr. Sci-Fi, Marc Scott Zicree, gives his comments about the publication history of Last Dangerous Visions and the late Harlan Ellison in “The Book on the Edge of Forever Finally Arrives!”

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Froonium Ricky, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Burma Shave” Dern.]

Pixel Scroll 3/4/25 I’ve Grown Accustomed To Their Scroll

Posted on March 4, 2025 by Mike Glyer

(1) GAIMAN MOVES FOR DISMISSAL. Neil Gaiman’s attorney’s today filed a motion in US federal court in Wisconsin to dismiss the sexual assault and trafficking complaint recently brought by former live-in nanny Scarlett Pavlovich. The Wrap has the story: “Neil Gaiman Says Texts With Rape Accuser Show ‘Enthusiastic,’ Consensual Relationship: ‘She Is a Fantasist’”.

Neil Gaiman answered sexual assault and trafficking allegations made by former live-in nanny Scarlett Pavlovich on Tuesday, filing a motion for dismissal that included text messages he says show they engaged in an “enthusiastic” and consensual sexual relationship.

“None of Pavlovich’s claims are true,” Gaiman wrote in the motion filed in a Wisconsin federal court. “She is a fantasist who has fabricated a tale of abuse against me and Ms. Palmer.”

Gaiman provided screenshots from a number of WhatsApp messages in hopes of furthering his point. The first was from February 2022 – shortly after the pair’s first interaction in a bathtub in New Zealand.

“Thank you for a lovely lovely night – wow x,” Pavlovich said.

She followed up a couple days later saying, ““Let me know If you want me to run a bath… I am consumed by thoughts of you, the things you will do to me. I’m so hungry.”

Pavlovich filed a complaint against Gaiman and Amanda Palmer on Feb. 3, accusing his now-estranged wife of “procuring and presenting Plaintiff to Gaiman for such abuse,” including physical harm, emotional distress and disturbing non-consensual sex acts, pushing her to become suicidal.

“The Defendants knowingly recruited, enticed, harbored, transported, and/or obtained Scarlett for labor or services while knowing she would be forced to engage in sexual acts as a condition of receiving the pay and housing they promised her,” the suit stated. Pavlovich “endured those acts because she would lose her job, housing, and promised future career support if she did not.”

Gaiman’s filing Tuesday also included messages where he initially confronted Pavlovich about her rape accusations and plans to “MeToo” him.

“Oh my God. Neil! I never said that,” she wrote. “But I’m horrified by your message – me too you? Rape? WHAT? This is the first I have heard of this. Wow. I need a moment to digest your message… I have never used the word rape, I’m just so shocked, I honestly don’t know what to say.”

Later texts show Gaiman expressing concern he was being painted as a “monster” when he assumed their relationship was consenting. Pavlovich’s responses seemed to provide reassurances she thought the same.

“This is beyond out of control and as I said I only have fondness and kindness for you,” she wrote. “It was consensual – how many times do I have to f–king tell everyone.”

Five women initially accused Gaiman of sexual misconduct as part of the podcast series “Master: The Allegations Against Neil Gaiman.” Four more women later shared their experiences with with New York Magazine…

Deadline’s story adds that everything claimed to have happened occurred in New Zealand and argues therefore a US court lacks jurisdiction over the complaint. “Neil Gaiman Says Texts Prove Rape Claims Are ’False’”.

…“In no uncertain terms, Pavlovich’s accusations are false,” a brief in support of motion to dismiss filed Tuesday in federal court in Wisconsin proclaims in language similar to blog post reactions he issued to such allegations last year. “The sexual scenarios she describes deliberately in graphic detail are invented. Any sexual conduct that occurred was in all ways consensual. Law enforcement authorities in New Zealand thoroughly investigated the same claims Plaintiff makes here, found no merit, and declined to file any charges against Gaiman. There was no credible evidence of wrongdoing.”

…“No matter what Plaintiff says happened, it all happened in New Zealand between a New Zealand citizen and a New Zealand permanent resident,” the brief asserts. “There is no legal authority to adjudicate her lawsuit in federal court in Wisconsin, or in other federal courts around the United States,” the filing adds, with a declaration from Gaiman listing over a dozen people in NZ and the USA who will back his version of events. “Pavlovich’s claims are false, but there is no dispute that all of the conduct alleged in the Complaint occurred in New Zealand, the proper forum, if any, for this lawsuit.”…

(2) BALATRO HIT A BIG BUMP IN THE ROAD. The Guardian presents a case study about what happens “When video game age ratings go wrong”.

Over the last few months, the makers of a popular card game have been wrestling with the byzantine process that surrounds video game age classifications. Age ratings are intended to help parents determine whether or not a game is appropriate for their children. But in practice, an erroneous label doesn’t just mislead consumers – it can be the difference between success or failure.

Balatro is an award-winning poker game made by an anonymous game developer known as LocalThunk, in which the only guiding principle is chaos. In each match the player must divine the best possible poker hand out of a randomised draw, but the conditions fluctuate constantly. In one round, the game might prevent you from using an entire suit or junk all your face cards, while the next round might challenge you to achieve an eyebrow-raising score with only a single hand. As the game progresses, players accrue jokers for their deck that add yet more wild rules.

It’s an ingenious premise that has allowed a game that began as a small side-project to sell millions of copies since its release in February 2024. Though players win in-game money to buy new cards between rounds, Balatro’s version of poker is fictional, and only bears a faint resemblance to the classic card game. Yet shortly after launching, Balatro hit a snag: it was classified as a gambling game.

At first, Balatro went on sale with a classification that deemed it appropriate for audiences ages three and up. But then, the classification was revised to an adults-only 18 rating. The reasoning? The Pan-European Game Information (Pegi), the organisation that determines age classifications, claimed that Balatro “contains prominent gambling imagery and material that instructs about gambling”.

Without warning, Balatro was pulled from sale on some digital storefronts in Europe and Asia.

“This was obviously a crucial moment and we had two options,” says Wout van Halderen, the communications director at PlayStack, Balatro’s publisher. “Be de-listed, or take the 18+ rating and get back in the store Asap. We opted for the second and started preparing an appeal to have the rating changed.”

The appeal was initially declined – and issues began to snowball. In Korea, the rating outright barred Balatro from being sold. In December, when Balatro won Game of the Year at The Game awards, the team was also ramping up for a physical release. Another appeal was filed by that version’s distributor, Fireshine. It is only now, a year later and after a handful of updates, that the dust has settled and Balatro has been bumped down to a 12+ rating by Pegi.

… Pegi, for its part, reiterated that it seeks to apply a fair criteria for ratings in a press release, and that any game that teaches or glamorises gambling will automatically lead to an 18+ rating. The board that oversaw the appeal also ceded that Pegi is a system that “continuously evolves in line with cultural expectations and the guidance of independent experts who support our assessment process”. To that end, Balatro’s dilemma has led Pegi to create a more granular classification system for games that depict gambling. The 18+ rating will now only apply to games that simulate the type of poker people play at actual casinos….

(3) THREE NEBULA AWARDS SHOWCASES OUT IN MARCH. The SFWA anthology team, led by Editor Stephen Kotowych, will have three more Nebula Awards Showcase editions ready for launch on Tuesday, March 25.

Nebula Awards Showcases 57, 58, and 59 span work published in 2021, 2022, and 2023, which then became celebrated as Nebula-finalist and award-winning materials in 2022, 2023, and 2024. The prestigious Nebula Awards anthology series has published reprints of winning and nominated works annually since 1966, as voted on by SFWA members, and we’re deeply thankful to return to that strong tradition this year. It is a great privilege to celebrate the work of these authors, and we hope you’ll join us in honoring their achievement when these volumes launch as one.

Going forward, our new workflow will also allow us to celebrate Nebula Awards Showcase 60 at this year’s Nebula Awards in Kansas City, Missouri.

(4) MORE MAGAZINE HISTORY. [Item by Steven French.] There’s a strong dose of nostalgia here! “Typewriters, stinky carpets and crazy press trips: what it was like working on video game mags in the 1980s” – the Guardian’s Keith Stuart remembers.

In the summer of 1985, I made the long pilgrimage from my home in Cheadle Hulme to London’s glamorous Hammersmith Novotel for the Commodore computer show. As a 14-year-old gamer, this was a chance to play the latest titles and see some cool new joysticks, but I was also desperate to visit one particular exhibitor: the publisher Newsfield, home of the wildly popular games mags Crash and Zzap!64. By the time I arrived there was already a long queue of kids at the small stand and most of them were waiting to have their show programmes signed by reigning arcade game champion and Zzap reviewer, Julian Rignall. As an ardent subscriber, I can still remember the thrill of standing in that line, the latest copy of the mag clutched in my sweaty hands. I wouldn’t feel this starstruck again until I met Sigourney Weaver a quarter of a century later.

It turns out I’m not the only one who remembers that day. In his wonderful new book, The Games of a Lifetime, Rignall himself recalls the shock of being swamped by fans. “We just didn’t expect anything like that,” he writes. “I had no idea readers would be so interested in us. But I loved it.”

I’m not sure he should have been so surprised, though. Back in the mid-80s, the boom era of the C64 and ZX Spectrum home computers, magazines such as Crash, Zzap and Computer & Video Games were the only sources of news and opinion about new games. At the time, information about game developers was scarce, so magazine reviewers, with their photos plastered in every issue, were the stars of the industry, the social media influencers of the era….

(5) IS REMORSE A DESIRABLE GAME FEATURE? The New York Times discusses a video game where players are “Slaying Monsters With Swords and Sympathy”. (Behind a paywall.)

Gigantic reptiles are lounging on warm rocks as yellow grass sways in a gentle breeze.

You may be a monster hunter, feller of beasts with a razor-sharp sword, yet a companion has encouraged you to first stop and observe this flora and fauna. Press a button to gaze intensely at these lustrous creatures, learning that it is a gaggle of females gathered around a spiked, larger male. As the camera zooms in, tiny critters scuttle past your feet toward their next meal, a carcass in the distance.

The majestic scale and teeming ecological detail in Monster Hunter Wilds can make it feel as if you are playing a fantastical version of a David Attenborough documentary.

But there is no ignoring the title of this celebrated Japanese series: These are foremost monster-slaying games that have cultivated bloodlust for more than 20 years. The franchise’s inherent tension is that the allure of battling prehistoric behemoths and exploring their detailed, entwined habitats leaves a sour aftertaste when you are carving up the remaining cadavers for loot.

“There is a bizarre feeling at the center of Monster Hunter,” said Jacob Geller, a critic and YouTube video game essayist. “Unlike most other video games, it’s made pretty clear that the creatures you’re killing are not evil, and so it does feel undeniably bad hunting them.”

More than any other entry in the series, Monster Hunter Wilds, which was released for the PC, PlayStation 5 and the Xbox Series X|S on Friday, reckons with the interplay between the exceptional beauty of these animals, the ecosystems they are part of, and the player’s core task of dispatching them….

(6) FIRST BRUSH WITH FAME. Artist Michael Whelan’s autobiographical post takes us back to his professional beginnings: “1976: Year in Review (Part One)”

Staking everything on a letter from Donald Wollheim, bolstered by recent success selling his work at conventions, Michael packed his VW Beetle and with trailer in tow headed to New York City to pursue illustration in 1975.

His parents may not have been happy about his career choice, but by that time they lived in New Jersey, and he was able to stay with them for a short time while he scoured bookstores, studying science fiction and fantasy book covers. He spent 18 hours a day polishing a portfolio that he felt compared favorably to what he saw on the shelves.

His first professional sale was to Marvel Comics, who bought pieces right out of his portfolio and hired him for more cover work. Like many young New York area artists, Michael worked out of Neal Adams Studio. That was only a brief stop as the fast turnaround and revolving deadlines of comics didn’t appeal to him.

Fortunately Donald Wollheim came through on his offer and gave Michael his first book cover assignment. Regular work with DAW Books would follow.

At the same time, Neal Adams kindly arranged an interview with Ace Books, who also hired Michael to do cover work. With a second client secured, Michael was never without an assignment after that….

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Robert Bloch’s “That Hell-Bound Train”

So let’s talk about Robert Bloch’s “That Hell-Bound Train” which many decades after reading it remains my favorite piece of fiction by him. I read it at least once a year.

It was first published in The Magazine of Fantasy & Science Fiction in September of 1958. That issue also has the second part of three of Heinlein’s Have Space Suit – Will Travel (and which is the story shown on the cover).

I’d stick a spoiler alert in here but surely every Filer here knows the story of Martin, a hobo, who one dark night has a large black train pulls up beside him. The conductor says Martin can have anything he wants in exchange for which he will ride that “Hell-Bound Train” when he dies. He hands Martin a watch which he tells him will stop time when Martin reaches he perceives to be the absolute perfect moment in his life.

Y’all know what that moment turns out to be…

It would win the Hugo Award at Detention in a field of other nominees which was rather large as here they are with nominated works: They’ve Been Working On …” by Anton Lee Baker, “The Men Who Murdered Mohammed” by Alfred Bester, “Triggerman” by J. F. Bone, “The Edge of the Sea” by Algis Budrys, “The Advent on Channel Twelve” by C. M. Kornbluth, “Theory of Rocketry” by C. M. Kornbluth, “Rump-Titty-Titty-Tum-TAH-Tee” by Fritz Leiber, “Space to Swing a Cat” by Stanley Mullen and “Nine Yards of Other Cloth” by Manly Wade Wellman.

What an amazing selection of reading that is! The only author that I do not recognize is Stanley Mullen. For the purpose of this piece I am not going to look him up on ISFDB and instead I’m going to ask y’all to tell me about him.

I love every word of the story from what Martin does with his life until he finally stops time, it is truly an extraordinary story. Yes.

William Tenn says in Immodest Proposals: The Complete Science Fiction of William Tenn, volume 1, that he helped shape the story while at the magazine as it was “an absolutely fine piece of work that just didn’t have a usable ending”. He had come to the magazine after Boucher retired.

I know there’s at least three audio versions that have been done, so it’s possible that one might actually does this story justice, but I wouldn’t know as so far I’ve not tracked any of them down. Anyone heard any of them?

Now to my surprise, though I should not have been as it is great source material for one, it became an opera staged in (at least) workshop form at the University of Texas.

It’s available from the usual suspects in Tim Pratt’s excellent anthology Sympathy for the Devil. It was included a number of times in another anthologies before that, but that’s near as I can tell the only one in print right now, either from the usual suspects or in the old-fashioned paper version.

I wondering did anyone wrote a filk off of it?

So here’s the first words to savor…

When Martin was a little boy, his daddy was a Railroad Man. Daddy never rode the high iron, but he walked the tracks for the CB&Q, and he was proud of his job. And every night when he got drunk, he sang this old song about That Hell-Bound Train.

(8) COMICS SECTION.

Carpe Diem evolves technologically.
Cornered has the latest in overseers.
Dinosaur Comics chronicles the artificial sweetening of language.
Tom Gauld is a fan of danger.

My latest cartoon for @newscientist.com #science #mathematics
— Tom Gauld (@tomgauld.bsky.social) 2025-03-04T11:16:31.251Z

Tom Gauld also brings us an example of the repression inherent in the system.

A cartoon for #worldbookday (coming on Thursday 6th) for this week’s @theguardian.com books.
— Tom Gauld (@tomgauld.bsky.social) 2025-03-01T10:28:08.408Z

(9) DISNEY ANIMATION BAILS ON LONGFORM STREAMING CONTENT. “Disney Cancels ‘Tiana’ Animated Series and Jumps Ship on Longform Streaming Toons” reports Animation Magazine.

The Walt Disney Animation Studios are no longer cooking up longform streaming content, according to The Hollywood Reporter. The first title to be culled from the lineup is Tiana, the Disney+ series based on the 2009 movie The Princess and the Frog, which introduce the studio’s first Black Disney Princess.

A source revealed that WDAS was also shelving an unannounced feature project destined for Disney+, and confirmed that there will be layoffs at Disney’s Vancouver animation studio. This shift follows Pixar’s announcement last year that it will not be prioritizing longform episodic content after launching the Inside Out spinoff Dream Productions and recent original Win or Lose on Disney+

A short-form special set in the world of The Princess and the Frog is reportedly still in development. Tiana‘s Joyce Sherrí (staff writer on Midnight Mass) and Steven Anderson will be directing….

(10) HERZOG LAUNCHES ANIMATION FEATURE PROJECT. “Werner Herzog Announces First Animated Feature ‘The Twilight World’ with Psyop & Sun Creature” – Animation Magazine has the story.

The acclaimed German writer, producer and filmmaker, Werner Herzog, behind celebrated work such as Grizzly Man, Fitzcarraldo and Aguirre, The Wrath of God, announces his first animated film, The Twilight World. Herzog will direct the narrative feature, with animation and production support from renowned animation studio, Psyop, in partnership with Sun Creature Studio, producers of the Bafta- and triple Oscar-nominated film, Flee.

Sun Creature will also be providing animation services for the film out of its Bordeaux-based studio, and has brokered discussions with several potential French animation directors to collaborate with Herzog on the project.

Adapted from Herzog’s best selling novel of the same name, The Twilight World tells the true story of Hiroo Onoda, a Japanese intelligence officer who refused to believe that World War II was over, and continued to fight a personal, fictitious war in the jungles of the Philippines for 30 years. Part fictionalized history, part war drama and part dream log, the film is a meditation on the nature of reality, the illusion of time, and the conflict between the external world and our inner lives.

Herzog worked closely with writers Michael Arias (Tekkonkinkreet, The Animatrix) and Luca Vitale on the screenplay adaptation of the book. He will also narrate the film…

(11) HAIR APPARENT. “Scientists aiming to bring back woolly mammoth create woolly mice” reports the Guardian.

A plan to revive the mammoth is on track, scientists have said after creating a new species: the woolly mouse.

Scientists at the US biotechnology company Colossal Biosciences plan to “de-extinct” the prehistoric pachyderms by genetically modifying Asian elephants to give them woolly mammoth traits. They hope the first calf will be born by the end of 2028.

Ben Lamm, co-founder and chief executive of Colossal, said the team had been studying ancient mammoth genomes and comparing them with those of Asian elephants to understand how they differ and had already begun genome-editing cells of the latter.

Now the team say they have fresh support for their approach after creating healthy, genetically modified mice that have traits geared towards cold tolerance, including woolly hair. “It does not accelerate anything but it’s a massive validating point,” Lamm said….

(12) MR. SCI-FI ON SF FILMS. Marc Scott Zicree – Mr. Sci-Fi – brings us “Mr. Sci-Fi’s History of Science Fiction Films — The 2000s Part One!” No film clips – it’s entirely a talking head presentation.

(13) SF WORLD. [Item by SF Concatenation’s Jonathan Cowie.] “Are we Living In a Science Fiction World?” the question Moid asks over at Media Death Cult…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/24/24 Pixel Impossible Things Before Breakfast?

Posted on December 24, 2024 by Mike Glyer

(0) Heading back to spend Christmas Eve at my brother’s. Thanks to Cat for doing some heavy lifting today providing items to suit the season!

(1) THE POINT. Charlie Jane Anders discusses paid sff book reviewing in “What Are Book Critics For?” at Happy Dancing.

…In any case, my sense is that a healthy book-review ecosystem would include both cheerleading and harsh criticism. Possibly from the same person in the same place, possibly in different places for different audiences. We need to bang a drum in support of the great books that are possibly slipping through the cracks — which is also an increasing problem, as I wrote about a while ago. But we also need to point out the ways in which authors and publishers are short-changing us by failing to deliver the best versions of their stories.

One bedrock principle that I think applies for both cheerleading and harsh criticism? You have to review the story someone wrote, not the book you wish they had written. If someone wrote a book about pirates, there’s no point in complaining that you wish they’d written a book about circus performers instead. You chose to pick up a book that wasn’t your cup of tea, and you could have known in advance that it was about pirates if you’d bother to read the back cover. Get over it! (Also, if you hate books with yellow covers, just don’t read books with yellow covers. It’s not that hard.)…

As a bonus, Anders circulated gift links to a pair of her recent columns for the Washington Post.

“Space operas are more exciting than ever. These three books prove it.”

“The 11 best science fiction and fantasy books of 2024.”

(2) WHY NOT SAY WHAT HAPPENED? Scott Edelman is back talking about mid-‘70s Marvel again on episode 12 of the Why Not Say What Happened? podcast — “Uri Geller and the Marvel Comics Men’s Room Mishap”.

A stack of mid-’70s Marvel Comics memos reminds me which Golden Age greats Stan Lee didn’t want invited to the 1975 Mighty Marvel Con, my discomfort with what is probably a comic book editor’s most important role, the day I donned a Spider-Man suit and crawled around the Bullpen, how Uri Geller destroyed my key to the Marvel Comics men’s room, my snarky response when a publisher wanted me to find the smoking gun which would shut down our competition, why our softball team dubbed me the “Most Improved Player for a Boy,” and much more.

And here’s where to find multiple places to download.

(3) A CROW GIRLS CHRISTMAS. Cat Eldridge has a look at Charles de Lint’s Newford Stories: The Crow Girls where he says of the Crow Girls of ‘all the immortal shapeshifting being that inhabit the Newford stories, the most charming at least for me are Maida and Zia, the two crow girls, who look like pinkish teenagers all in black naturally. After you read that review, you can experience them firsthand in A Crow Girls Christmas written by Charles de Lint and charmingly illustrated by his late wife, MaryAnn Harris.

“We have jobs,” Maida told Jilly when she and Zia dropped by the professor’s house for a visit at the end of November.
Zia nodded happily. “Yes, we’ve become veryvery respectable.”
Jilly had to laugh. “I can’t imagine either of you ever being completely respectable.”…

(4) MEMORY LANE.

[Written by Cat Eldridge.]

Ellen Kushner’s The Golden Dreydl

Someday I’ll get blasé about the amazing things that show up unexpectedly in the post.

But that won’t happen for quite some time if exquisite things such as Ellen Kushner’s The Golden Dreydl (Charlesbridge, 2007) keep showing up here! This short novel holds wonders which will brighten up anyone who reads it. It’s that good.

A golden dreydl is, in case you haven’t encountered one, a toy, the name being Yiddish, dreydl for ‘to turn or twist’. It is a 4-sided toy marked with Hebrew letters and spun like a top in a game of chance. It’s common enough that many children not Hebrew have played with one in the days when such simple toys were all there were for entertainment. (I am not being nostalgic — just stating what was. Times change, toys change.) This dreydl, this golden dreydl, is not a simple toy but rather one capable of true magic. Indeed for one small girl, Sarah by name, on a winter’s night at her family’s Chanukah party, this toy will bring wonders.

But before this charming book, there was a wonderful CD and Judith Gennet who reviewed that recording for us back a few years ago tells what this story is about:

The plot to the story is as follows. One Chanukah night, a tradition-weary child named Sarah receives a magic golden dreydl (a clever cross between a top and a die) from her Aunt Miriam. While fighting with her brother, the dreydl is catapulted disastrously into the TV screen. Crack! Later, Sarah finds the dreydl laying on the floor in the form of a girl, and they then leap through the injured screen into the golden dreydl’s world, sort of like an Oz or Wonderland. (A TV screen? How symbolic!)

Oh, but not all is well in the world that the golden dreydl comes from, as here be dragons which are most unfriendly.

The Golden Dreydl was inspired by the music of the renowned band Shirim, who created a klezmer version of Tchaikovsky’s ‘Nutcracker Suite’ for Chanukah. (Really — it does work rather well!) Did I mention that what appears to be a toy is really a princess? Thought not. Suffice it to say that Sarah has a guide to this world — that princess. Is a good story. Indeed it is. As Judith said in her review of the recording, ‘be a fun album for kids, for those interested in Jewish heritage, and for adults who like fairy stories. The Golden Dreydl could easily evolve into a holiday tradition.’ I agree.

Like Jane Yolen’s The Wild Hunt, I adore this novel. Both the text by Ellen Kushner and the design of book itself are perfect. Each novel has illustrations that add to the enjoyment of the text; each is a short enough read (as is any great fairy tale) that it lends itself to repeated reading either for your own pleasure or loud to others. Though both are too recent to be classics yet in children’s literature, they should be within a few years.

Oh, do buy the recording as well. You’ll find it just as charming.

[Reprinted from Sleeping Hedgehog.]

(5) SPEAKING OF THAT RECORDING. Learn all about “Ellen’s Musical Picks for the Holidays” at (the modestly-named) Ellen Kushner’s Bad Advice newsletter. “…with an exceptional number of footnotes, even for me, including but not limited to a whole separate substack about the life and times of public radio in America, + some other stuff.”

…I love a live audience like a dog loves a bone. In fact, one of them, The Golden Dreydl: a Klezmer Nutcracker for Chanukah, which I created and performed with Boston’s Shirim Klezmer Orchestra, has had more lives than an empty jam jar: first it was a holiday radio special, then an album, then a book, then a kids’ play in NYC. You can hear the album on streaming services like Spotify, with my narration….

Here’s one example: “Joseph Spence: ‘Santa Claus is Coming to Town’”.

For my money you cannot possible do better for Christmas Cheer than going to the Bahamas for the great singer/guitarist Joseph Spence’s attempt to remember the words to “Santa Claus is Coming to Town,” and finally deciding no one really cares, and just doing it his way.

It will make you laugh. It has been test-driven in the Kushner/Sherman household is how I know.

(6) COMICS SECTION.

Bizarro finds the Peter Principle applies at the North Pole.
Bliss passes the blame.
Dinosaur Comics makes computer security a virtue.
Saturday Morning Breakfast Cereal shows prayer is always answered.
Peanuts by Charles Schulz for March 24, 1958 looks up into the sky.

(7) HOLIDAY SHOPPING. [Item by Cat Eldridge.] It’s a decade old but worth linking to: “Small, Strange Businesses” at Kathleen, Kage and the Company.

Christmas was a great time for Kage [Baker]. Before we began working Dickens, she had me drive her to favourite malls or department stores, where she would spend a happy afternoon working her way through her Christmas list. It was always enormous – she was one of 6 true-born and a few foster siblings, most of whom had also promptly had offspring; she was a several-times-over honourary aunt, too. The pile under our Christmas tree was always huge – at least until we took most of it over to someone’s house on Christmas morning….

… She ranged from Halcyon to Cambria-By-The-Sea when we lived on the Central Coast, a 50 mile arc through vineyards and meadows full of white cattle and egrets and matillja poppies … from the post office across the street from the Temple of the People (you could buy essential oils and activated crystals in both places), via the lead soldier store by Moonstone Beach to Heart’s Ease Nursery: the small businesses Kage favoured outshone Harry Potter’s Diagon Alley. And they were real….

(8) SERLING CENTURY. Mr. Sci-Fi – Marc Scott Zicree – marvels to see them “Celebrating Rod Serling’s 100th Birthday with Anne Serling on … Fox News?!” His video includes her interview.

(9) VIDEO OF THE DAY. From a vintage episode of The Muppets: “John Denver & The Muppets – 12 Days of Christmas”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Scott Edelman, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 8/18/24 The Golden Pixels Of The Scroll

Posted on August 18, 2024 by Mike Glyer

(1) LOOK OUT FOR YOURSELF. The Horror Writers Association blog continues its “Nuts & Bolts” series with “Author Todd Keisling on Self-Advocacy for Writers”.

Nobody becomes a writer because they had childhood dreams of negotiating contracts. Like it or not, according to author Todd Keisling, it’s part of the job for authors without an agent. In this month’s edition of Nuts & Bolts, Todd talks about what authors – particularly beginners – should know about self-advocacy.

Q: What do you mean by self-advocacy, where writers are concerned?

A: I mean just that: You have to advocate for yourself. Not every writer has the luxury of an agent to review and negotiate contractual matters. I certainly didn’t, not for many years, and over time I learned from others what to watch out for, what was acceptable, and when to walk away. If a writer has no representation, it’s necessary to be their own advocate and speak up when a publisher isn’t doing what they said they would, or if a contract isn’t worded to your liking. No one else is going to speak up for you, so you have to do it yourself.

Q: What mistakes do beginning writers tend to make in that regard?

A: The biggest mistake I’ve seen (and one that I’ve made myself) is jumping into a contract as soon as it’s offered. Contracts are legally binding agreements, but many young writers are so enamored by an offer of publication that they will sign it without reading it. Another mistake is not taking the time to research the publisher, or to research the market and determine if what said publisher is offering is a standard deal or not. I’m talking about pay rates, percentages, rights, and more.

Q: What are some red flags that writers should look out for?

A: Any legal language that says the writer is financially responsible for any part of the process. That’s a huge red flag. Money flows to the writer, always.

Rights grabs are a big one. If a publisher is seeking all rights — worldwide print rights (regardless of language and region), film, audio, graphic novel — with little or no compensation, that’s a huge red flag. Especially if the publisher has no history of acting on those rights.

Term limits are another — you don’t want a publisher to own the publishing rights in perpetuity. Those terms should be spelled out in the contract. Lack of a rights reversion clause is another one I look for. A reversion clause will spell out how and when your rights revert back to you in the event the publisher files bankruptcy or goes out of business….

(2) BOMBADIL FINALLY GETS HIS 15 MINUTES OF FAME. In an Interview with actor Rory Kinnear, the Guardian reporter reveals that they haven’t read LoTR very carefully (hello, Barrowdowns?!!): “Rory Kinnear: ‘I congratulate everyone who is on the brink of baldness’”.

… Kinnear’s next appearance will be in the second season of Prime Video’s The Lord of the Rings: The Rings of Power. He’s playing Tom Bombadil, a mysterious, magical, much-beloved character from JRR Tolkien’s classic, but one never before seen on screen. Viewed by Tolkien as a personification of nature, and the oldest being in Middle-earth, Bombadil doesn’t intervene in any of the goings-on in the books. Having been around since the dawn of time, he’s above the petty notions of good and evil.

That makes him a tricky character to adapt. Neither Ralph Bakshi, director of the 1978 animated retelling of the story, nor Peter Jackson, the film-maker behind the multi-Oscar-winning Lord of the Rings trilogy, thought him worthy of inclusion in their versions. Bakshi said Bombadil “didn’t move the story along”, a view shared by Jackson. Even JD Payne, co-showrunner of The Rings of Power, told Vanity Fair that the character was “anti-dramatic … the characters kind of just go there [to Bombadil’s home] and hang out for a while, and Tom drops some knowledge on them.”

What drew Kinnear to a character so inconsequential no director ever wanted to go near him before? His partner, it turns out. Kinnear had been approached by the producers of the series in late 2022 about joining the cast. But having never read the books or seen any adaptations, he was in the dark about the significance of the character. He got off the phone and went downstairs to tell his partner, fellow actor Pandora Colin, about some character called Tom Bombadil.

“She looked at me and said: ‘You’re kidding?’” he recalls. “It’s her favourite part of the books. I usually like her taste, so I thought I’d better read them and start preparing. It was mainly from her reaction that I was interested. Inconsequential, dramatically, as Tom may be, he’s obviously left an impression on fans.”’

(3) OCTOTHORPE. Winner of the 2024 Best Fancast Hugo Octothorpe has dropped episode 116: “I’m Not Absolutely Sure I Voted”.

The live episode from Glasgow 2024 is here! We know you all expect the live episodes to be a bit less structured and organised than the recorded ones, but the three of us had had even less sleep than usual and so it’s a bit more chaotic than usual… normal service will resume in 117!

Spontaneously generated transcript here.

John, Liz and Alison (I know, listener, I know) are looking off to the right holding their Hugo Awards as people take photographs of them on the stage at the SEC Armadillo.

(4) FRESH HORROR. Gabino Iglesias, author of House of Bone and Rain, reviews three new horror books in the New York Times: Nicholas Belardes’s The Deading (Erewhon Books, 280 pp., $28); Cherie Priest’s The Drowning House (Poisoned Pen Press, 418 pp., paperback, $16.99); and Chuck Tingle’s Bury Your Gays (Tor Nightfire, 294 pp., $26.99).

(5) FURTHER PERSPECTIVES ON NEIL GAIMAN. Maureen Ryan, a critic, journalist and contributing editor at Vanity Fair, has thoughts on Neil Gaiman, creative gods, American Gods and rotten pedestals at Burner Account.

…It sounds like some of these women approached the media before and didn’t get anyone to take on their stories. If you’ve wondered, I’ve never been approached by anyone with allegations like the ones that recently came to light. And while I would be very surprised if there is not further coverage of this matter, I know from extensive experience that these kinds of investigations take time. A lot of time.

Time, care and attention are required to do this kind of reporting properly, in ways that show compassion and consideration to the survivors, and in ways that pass muster with fact-checkers, editors and lawyers. (Legal review of my book, for example, took about a year, and some stories I’ve done have gone through several months of legal review, especially when the subject of a story has the resources to hire a lot of lawyers, spin doctors and crisis PR firms. Having to engage for months with all those hired guns is about as pleasant as you’d think.)

Because folks have asked, I am not working on any kind of Gaiman followup. In part because I have other commitments that take precedence. In part because what I have to say about these kinds of behaviors, patterns, dynamics and abuses is in my book (and in my previous decades’ worth of in-depth reporting on Hollywood).

And in part because I have already reported on Gaiman, somewhat indirectly, and I did not enjoy a significant aspect of the fallout of that experience.

In 2018, I began hearing about massive issues affecting the TV adaptation of Gaiman’s book American Gods. The debut season’s showrunners had been fired abruptly, and the second season, according to my sources, was in deep trouble. I pitched a story to Lesley Goldberg, a friend and a longtime reporter/editor at The Hollywood Reporter — and it turned out she’d been hearing similar things, so we teamed up. As it happened, our sources didn’t overlap much, which was actually a good thing: Between us, we’d gathered a large array of people with a wide range of perspectives, all of whom were saying similar things about the acrimonious chaos behind the scenes.

We worked really hard on that piece, and I felt — and still feel — confident of our sourcing and diligence. What we published, I believe, was not just accurate but prophetic. American Gods certainly wasn’t perfect in its first season, but it was bold, stylish, had a lot of potential and was a solid televisual interpretation of the book. Gods was a far inferior drama in Season 2, and the chaos behind the scenes apparently continued until it was finally cancelled after three seasons. At one point, the following became a running joke among myself and a couple of journalist friends: The shortest roster in Hollywood was the one listing experienced showrunners who hadn’t been asked to take over American Gods.

People are allowed to react to reported pieces however they want, and the folks at or near the center of a story may well have a very different perspective than I do as a journalist. That’s all fine, and that’s not something I generally get worked up about. What I want you to understand about what follows is that I wasn’t upset by the fact that Gaiman had a reaction to that story, or that he appeared to have a reaction that didn’t align with my own impressions. What pissed me off was the nature of that reaction and how it made me feel as an experienced professional.

After the story came out, and then when Season 2 of American Gods finally emerged months later, on social media and in interviews, Gaiman had things to say about our reporting. What pissed me off were remarks that made us sound like pesky little irritants who didn’t know what we were doing. Speaking for myself, I felt he conveyed the impression that we didn’t talk to anybody important or deeply informed or who had knowledge of the real story. (We did.)…

…When I saw Gaiman’s comments in various spheres, I felt some kind of way about this supposed champion of women being so gratingly, condescendingly dismissive of the work of two women who had, at that point, half a century’s worth of journalism experience between them. (Two queer women as well, though anyone reading the piece may not have known that.)

After that, whenever I saw his “approachable cool guy” routine on social media, or saw him touted as an ally or feminist, I rolled my eyes pretty hard. Back when all this was going on, I thought about saying some of the above online, because for a while there, I was pretty angry about the way our work was dismissed so arrogantly. But I didn’t say anything in public, in part because I knew it might come off as sour grapes or pettiness.

An even bigger reason I stayed silent was that, after more than 30 years of acclaim, attention and adoration in comics, film, book publishing and TV, Neil Gaiman has a lot of strident defenders and superfans, and …honestly, that intimidated me. Having had other stan armies hatemob me in the past, I did not have the bandwidth to potentially endure a lot of enraged superfans coming after me….

(6) MEMORY LANE.

[Written by Cat Eldridge.]

August 18, 1950 – Destination Moon. Seventy-four years ago on this date, Destination Moon, produced by George Pal and an uncredited Walter Lantz premiered in the United Kingdom. (It premiered earlier in New York City on June 27.)

It’s based off Heinlein‘s Rocketship Galileo novel. That novel, one of his juvenile works, had been published by Charles Scribner’s Sons just three years before the film came out. Heinlein wrote in Expanded Universe that publishers initially rejected the script feeling that journeying to the Moon was “too far out”.

It was directed by Irving Pichel from the screenplay by Alford Van Ronkel, Robert Heinlein and James O’Hanlon. Heinlein was also the technical adviser.

It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. Oh, and an appearance by Woody Woodpecker, who helps explain how rockets work. Really, he does appear here.

Matte paintings by Chelsey Bonestell, already known for similar artwork, was used for the lunar landscapes. These were used for the departure of the Luna from Earth; its approach to the Moon; a panorama of the lunar landscape; and the spaceship’s landing on the lunar surface.

I can’t find any production notes so I’m unable to tell you about how the SFX was done. A pity that. If anybody knows, do tell.

Critics were mixed with Bob Thomas of the Associated Press saying, “Destination Moon is good hocus-pocus stuff about interplanetary travel” whereas Isaac Asimov meanwhile not surprisingly said in In Memory Yet Green that it was “the first intelligent science-fiction movie made.”

Audience reviewers at Rotten Tomatoes give it a so-so 48% rating. It however did rather well at the box office returning ten times its half million-dollar production budget.

It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon.

It is not in the public domain, but the trailers are and here is one for you. So as always in such circumstances, do not offer up links to it.

(7) COMICS SECTION.

Saturday Morning Breakfast Cereal discusses curse breaking.
The Argyle Sweater leaves everybody wondering where they are.
From Rasmus Julius:

A joke in any language.@File_770 pic.twitter.com/gRzzJKiE8K
— Lise (?????????Massachusetts-havet) Andreasen (@lise_andreasen) August 18, 2024

(8) FICTION TAXONOMY. [Item by Steven French.] Mark Haddon on the difference between ‘literary’ and genre fiction: “Author Mark Haddon: ‘Bodies are such a good source of drama’” in the Guardian.

…One difference between what you might loosely call literary fiction and genre fiction is a kind of decorous avoidance of the overly dramatic. I always think of the sex scene in The Well of Loneliness: “And that night they were not parted.” Come on! Let’s see what happens! Or the Hilary Mantel story The Assassination of Margaret Thatcher, which pulls away at the end. In genre fiction – horror, police procedural, whatever – that’s where the story would start, isn’t it? Keep the camera running. You get to the end of Claire Keegan’s Small Things Like These and think the drama is about to start: now the real difficulties will happen; now you have a family….

(9) SHAKE AND BAKE. “Pompeii Wrecked by Earthquake at Same Time as Vesuvius Eruption, Research Shows” – an unlocked New York Times article.

…“The effects of seismicity have been speculated by past scholars, but no factual evidence has been reported before our study,” Dr. Sparice said, adding that the finding was “very exciting.”

The team focused on the Insula of the Chaste Lovers. This area encompasses several buildings, including a bakery and a house where painters were evidently interrupted by the eruption, leaving their frescoes uncolored. After excavation and careful analysis, the researchers concluded that walls in the insula had collapsed because of an earthquake.

First, they ruled out hazards such as falling debris as a primary cause of the destruction — a deposit of stones under the wall fragments in the insula suggested it did not crumble during the eruption’s initial stage. Then they compared the damage to known effects of seismic destruction — for example, on historical buildings.

The excavation also revealed a pair of skeletons covered with wall fragments in the insula. One skeleton even showed signs of having attempted to take cover. According to the researchers, bone fracture patterns and crushing injuries observed in modern earthquake victims are evidence that these unfortunate Romans were killed by a building collapse….

(10) KILLING THE MESSENGER. “’Incredibly rare’ dead sea serpent surfaces in California waters; just 1 of 20 since 1901” – Yahoo! has the story.

Nothing marks the sign of impending doom like the appearance of the elusive oarfish, according to Japanese folklore. Hopefully it’s just a myth, since one was recently found floating in Southern California waters for only the 20th time in nearly 125 years.

A team of “sciencey” kayakers and snorkelers found the dead sea serpent while they were out for a swim at La Jolla Cove in San Diego over the weekend, according to Lauren Fimbres Wood, a spokesperson for the Scripps Institution of Oceanography at the University of California, San Diego.

A number of people, including the team of scientists and lifeguards, worked together to get the oarfish from the beach to a National Oceanic and Atmospheric Administration facility, Fimbres Wood told USA TODAY on Friday.

Only 20 oarfish have washed up in the state since 1901, making the sighting of the deep-sea fish “incredibly rare,” according Scripps’ in-house fish expert Ben Frable.

…The belief that the sight of an oarfish in shallow waters is an omen of an impending earthquake dates back to 17th century Japan, according to reporting by Atlas Obscura.

The fish, also know as “ryugu no tsukai,” were believed to be servants of the sea god Ryūjin, according to Japanese folklore.

It’s believed that “Ryugu no tsukai,” which translates to “messenger from the sea god’s palace,” were sent from the palace toward the surface to warn people of earthquakes, USA TODAY reported.…

(11) ALL M. NIGHT LONG. NPR celebrates as “The Sixth Sense’ turns 25”.

Twenty-five years ago this month, one film and one filmmaker became synonymous with the big plot twist.

(SOUNDBITE OF FILM, “THE SIXTH SENSE”)

HALEY JOEL OSMENT: (As Cole Sear) I see dead people.

MA: Now, after all this time, if you still have not seen “The Sixth Sense,” we are not going to ruin it for you. But it’s no spoiler to say that the film became a phenomenon, and its director, M. Night Shyamalan, an overnight sensation. His career has had some ups and downs since then. He currently has a film out called “Trap.” But it was his breakthrough film that reimagined the psycho thriller….

But if you don’t mind spoilers, I offer my review “Sixth Sense and Sensibility”.

…I think everyone went to see Sixth Sense twice: the second time to admire the way they’d deceived themselves about what was happening when they saw it the first time….

(12) VIDEO OF THE DAY. “Mr. Sci-Fi” Marc Scott Zicree has posted a Space Command Rough Cut with no finished VFX, music, color correction, sound mix, etc. He’s still gathering funding:

To find out about purchasing shares in Space Command, email marcicree@gmail.com — Thanks!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Lise Andreasen, John Coxon, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Bruce D. Arthurs.]

Pixel Scroll 5/8/24 Ansible And Grendel

Posted on May 8, 2024 by Mike Glyer

(1) TOMLINSON AND ROBINSON SUE MILWAUKEE. In February, Patrick Tomlinson and his partner, Niki Robinson filed a lawsuit against the City of Milwaukee over the multiple instances of swatting: “Robinson v. City of Milwaukee, 2:24-cv-00264”. At the link you can download (free) the original and amended complaints.

The amended complaint filed May 1 details several experiences with swatting, and in addition to the City of Milwaukee names 10 police officers as defendants. Here is an excerpt:

1. Niki Robinson and Patrick Tomlinson are the targets of a vicious campaign of domestic terrorism, carried out at the hands of a group of bullies who hide behind the anonymity of the internet.

2. The bullies’ main weapon of choice is something called “swatting,” which is when someone who wants to endanger the life and safety of another calls 911 and lies to provoke a dangerous police response to the victim’s home….

…11. Niki and Patrick have tried to work with the City of Milwaukee to stop this, but the City of Milwaukee failed to adopt a policy or train its officers on how to prevent Niki and Patrick’s stalkers from using the police department as a tool of terror.

12. And while many of the police officers who have responded to Patrick and Niki’s home have been kind, understanding, and compassionate, others have not.

13. The worst offender is Sergeant Lyndon Evans.

14. On three occasions, Sergeant Evans responded to a swatting call with abuse and violence.

15. Sergeant Evans told Niki and Patrick that he was “well aware” of the situation, but still demanded to be let inside their home, going so far as to threaten to break down the front door if he was not allowed inside.

16. Niki and Patrick live in a constant state of fear, worried that the next encounter they have with the police will be their last.

17. Every knock on the door or police car that drives by leaves them terrified that they are about to be staring down an officer’s gun or that they will be paraded outside in handcuffs to their further humiliation.

18. This lawsuit seeks to end the madness and vindicate the violation of Plaintiffs’ constitutional rights. It seeks to effect change through punitive damages by punishing the Defendants for their egregious conduct with the hope that the punishment is significant enough to prevent this from happening again in the future…

(2) SPACE COMMAND ARRIVES. “Crowdfunded ‘Space Command: Redemption’ Released, Features Star Trek’s Doug Jones, Robert Picardo & More” at TrekMovie.com.

A dozen years after its first crowdfunding campaign, the first installment of Marc Scott Zicree’s Space Command has been released, with several Star Trek actors in the cast. “Space Command: Redemption” is out now on Tubi, VOD, and physical media, with more installments from the series in the works.

Space Command is a sci-fi series inspired by Star Trek. The ensemble cast for “Space Command: Redemption” features Star Trek: Discovery’s Doug Jones in a leading role. Other franchise stars include Robert Picardo (Voyager), Armin Shimerman (Deep Space Nine), Faran Tahir (J.J. Abrams’ Star Trek), and the late Nichelle Nichols (TOS). The cast also includes several Babylon 5 stars including Bill Mumy, Bruce Boxleitner, and the late Mira Furlan….

(3) I, THE JURY. Alec Nevala-Lee shared with Facebook readers that he was part of a Pulitzer Prize jury this year.

Now that the list of winners has been announced, I can reveal a very cool fact: I served on the jury for the 2024 Pulitzer Prize for Biography! I spent much of last year reading through dozens of books with four other jurors, and I’m delighted to finally share the titles we chose: KING by Jonathan Eig, MASTER SLAVE HUSBAND WIFE by Ilyon Woo, and LARRY MCMURTRY by Tracy Daugherty.

(4) SFF POETS TAKE UP AI ISSUE. The Science Fiction & Fantasy Poetry Association (SFPA) Executive Committee and key volunteers have put together two options for the SFPA to adopt as its policy regarding works derived from generative tools (including AI, large language models, etc).

Members have been sent an introductory statement and have until May 22 to vote for one of three options:

A limited AI ban
A complete AI ban
Neither statement

(5) ADVANCED RELEASE OF NOAF HUGO VOTER PACKET SUBMISSION. The Nerds of a Feather 2024 Hugo Packet and Introduction can be downloaded at the link. It’s available in PDF and EPUB formats.

The Voter’s Packet for the Hugo Awards will be released shortly and made available to all members of Glasgow Worldcon. As is traditional, Nerds of a Feather has put together a compilation of what we feel represents the best and the breadth of our collective work published in 2023. While the purpose of the Voter’s Packet is to help eligible voters make an informed decision when casting their ballots, we are also making the packet available to all of our readers who may want to take a look back at what we did last year….

(6) BLIND LEADING THE BLIND? A highly skeptical Philip Athans says “Beware Of Friends Bearing Feedback” at Fantasy Author’s Handbook.

…If you have a trusted beta reader, someone who you know knows books, knows story, knows the genre you’re writing in, and you know that person to be smart and creative, capable of giving you solid advice, then wow—congratulations. Hold that person close. Give them gifts of frankincense and myrrh.

But unfortunately, most of the people we know can not reasonably be described in such glowing terms. I wish I could remember who it was, decades ago that, in a documentary about screenwriting, described the focus group as:

The uninformed reporting on the unknowable to the unimaginative.

…but that pretty much nails it. And what are beta readers or our writers group friends but a focus group? In Story Trumps Structure, Steven James wrote on the subject of beta readers:

I can’t think of any other field in which people who aren’t experts critique other people who aren’t experts in the hope of everyone becoming an expert.

Yes, people chosen at random or from a pool of friends and family may have opinions, but do they have informed opinions? And if they say something akin to “I didn’t get it,” “I liked it, I guess,” “It was really creative!” and so on (you know you’ve seen stuff like this) sans detail or actionable advice, well… does that help?…

(7) FIVE UNEASY PIECES. Maya St. Clair makes a confession and reviews a hard-to-forget New Wave anthology in “FIVE FATES: Sci-Fi’s Nightmare Blunt Rotation”.

I’m in a weird place professionally. To get a job in publishing, it’s pretty much imperative that you stay abreast of recent trends and read voraciously from current frontlist books. And I certainly try. But left to my own devices, I inevitably end up crawling back to New Wave sci-fi like a starving flatworm whose only brain cell yearns for stream-of-consciousness novellas about interdimensional alien sex written fifty years ago by chainsmokers in dagger-collared shirts.

If you share my foibles, or if you’re simply in a reading rut, you’d be hard-pressed to find something more exciting than Five Fates. Not only does it boast a sci-fi supergroup (Frank Herbert, Harlan Ellison, Poul Anderson, Gordon Dickson, and Keith Laumer), it provides a fascinating snapshot of where speculative fiction was “at” during a pivotal moment of the genre’s history….

…Five Fates, published in 1970, positions itself firmly in this mindfuck vein of the New Wave. Per the jacket copy, it’s “one of the most bizarre and original fictional concepts ever created,” a showcase opportunity for five of spec fic’s foremost writers to go absolutely wild. Its biggest names are red-hot at the time of publication: Frank Herbert has just finished Dune Messiah, and Harlan Ellison is in the midst of his decade-long, nearly-unbroken Hugo streak (he’s hard at work, the back cover informs us, on Again, Dangerous Visions.)

The central concept of Five Fates is this: all five contributors were sent the same disturbing prompt — in some dystopic world, a man named William Bailey is admitted to a Euthanasia Center and killed. The surrounding questions — how did he get there? how did society descend to this point? is there an afterlife? — are left up to the writers to flesh out. Each of the five resulting novelettes (which average around 30 pages) offers a vastly different concept, style, and literary goal. It’s a literary blunt rotation/samsara, a hallucinogenic journey that produces several great tales and one masterpiece….

(8) AI LIKES MIKE. Reason set the AI program Grok the task of reviewing a Heinlein book: “Review: ‘The Moon Is a Harsh Mistress’ Highlights Technology’s Role in Freedom”. Grok homed in on the book’s supercomputer character. The full two-paragraph review is at the link. Here’s the introduction:

For Reason’s June 2024 special issue on AI, all of our brief reviews involve AI in some form or another. Of course, we decided to ask an AI to write one of the reviews. Since X’s AI is named Grok, after the term coined by sci-fi author Robert Heinlein in Stranger in a Strange Land, it was only natural that we’d ask Grok to write a review of another Heinlein novel, The Moon Is a Harsh Mistress. See what Grok wrote for us below….

(9) RTD ON THE RADIO. The Planetary Society’s Planetary Radio did a “TARDIS Talk: Space, Time, and ‘Doctor Who’ with Russell T. Davies”. Hear the audio on YouTube.

This week on Planetary Radio, we celebrate the longest-running science fiction show in history, “Doctor Who.” We explore how this iconic series has influenced the scientific community and look forward to the new season of the show with Russell T. Davies, the past and present showrunner of “Doctor Who.” Then, space fans from around the world share how the show has impacted their lives and space careers. We close out with Bruce Betts, our chief scientist, as we discuss what we would do with a time machine in What’s Up.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 8, 1940 — Peter Benchley. (Died 2006.) Yes, Peter Benchley, the writer responsible for Jaws. I’ll get to that in a minute. Really I will. Trust me.

Although Jaws is what he’s best remembered for, his work that has been adapted for film and television includes genre: Beast, Creature, The Deep, The Island and White Shark. He has one film work of interest at least to me that’s non-genre, Mrs. Parker and the Vicious Circle, about writer Dorothy Parker and the members of the Algonquin Round Table.

So, let’s look at some of his novels other than Jaws. Jaws was his first and his second was a more or less an adventure genre novel, The Deep, of treasure hunters who discover Spanish treasure. Well and drugs. Then it gets complicated. Columbia Pictures purchased the rights to it even before its publication, hiring Benchley to write a screen adaptation.

The Island, several years later, is effectively genre as it has two elements that are fantastic. One is that is a lost colony of pirates that have remained undetected since the establishment of their pirate enclave by Jean-David Nau, the notorious buccaneer L’Olonnais, in 1671; second is a sort of Logan’s Run premise is that the pirates kill anyone over thirteen that they capture. It too would be filmed.

In Beast — and none of his titles will win awards for originality, will they? — a fishing community in Bermuda is disrupted by a series of mysterious disappearances at sea. Think large sea monster and you wouldn’t be wrong. Yes once again it became a film.

White Shark does not feature a shark, despite what the title suggests. It has Nazis and biological weapons with nary a shark to bite into anyone, not even a Nazi, the pity. To avoid confusion and to capitalize on the miniseries adaptation, the book was republished as Creature. It was also a film called, errr, White Shark.

Which brings us to Jaws. It was published fifty years ago, his first novel. It was an outgrowth of his interest of the experiences of Montauk, New York shark fisherman Frank Mundus. Doubleday gave him a rather nice advance to write the novel while he was he was still a freelance journalist.

Despite critics generally hating it, it did exceptionally well with the reading public as Doubleday undertook an extraordinary publicity campaign including getting it adopted by book clubs everywhere. As a result, it stayed on bestseller lists for nearly a year, and millions of copies of the paperback edition were sold.

Jaws is definitely horror. With Very Big Teeth. Lots Of Sharp Pointy Ones. Now that we’ve got that Very Important Fact out of the way, let’s talk about it.

It premiered forty-seven years ago on this date. It was Spielberg’s first major film after directing such things as episodes of Night Gallery, The Name of the Game, Columbo, and the rather excellent Sugarland Express.

The screenplay is credited to Peter Benchley. He wrote the first draft here, and actor-writer Carl Gottlieb who’s Harry Meadows here and was Ugly John in the MASH series (and I can still picture him in that role with his rather full mustache), then continuously rewrote the script during principal photography. That must have been an annoying thing to the director!

It had a kickass cast of Roy Scheider as Chief Martin, Robert Shaw as Quint, with Richard Dreyfuss as Matt Hooper as the studio didn’t get any Really Big Names that they wanted so badly — which was as Speilberg intended, and he got what he wanted here, for the “the superstar was gonna be the shark of the film” as he stated in interviews. Very Big Teeth. Lots Of Sharp Pointy Ones was going to be the Superstar. Yes, that did make a very good superstar. Well of multiples these together did as there were lots of mechanical sharks. They broke down a lot. The mechanics of this wasn’t quite there yet.

It was the first major motion picture to be shot on the ocean and if something could go wrong, it did. Repeatedly. And of the multitude of mechanical sharks added immensely to the budget woes so the film apparently went four to five million over its eight million budget. Or more. The studio has never actually released accurate production costs. That really didn’t matter as it made nearly a half billion in its first run at the theatre. Repeat — it made a half billion dollars.

I discovered that there are three sequels, Jaws 2, Jaws 3-D and Jaws: The Revenge. I can happily admit that I’ve seen none of them. Who here has? I think y’all know my admittedly low opinion of sequels and the idea of a sequel to this perfect film leaves me, well, sea sick.

(11) COMICS SECTION.

Baldo appreciates libraries.
Nancy prefers to demonstrate.
Off the Mark delivers the wrong message.
The Argyle Sweater – if you get this one, you’ve played too many video games.

(12) PROUDLY LESS NOBLE THAN THE SCA. The University of Maryland’s Maryland Today publication asks “Whatever Happened to … the Maryland Medieval Mercenary Militia?” The truth is out there.

Charging across the hilly terrain, swords raised, shields gripped against their chests, the Normans and the Anglo-Saxons faced off, their bodies protected only by chain mail cobbled together from … wire clothes hangers. Just beyond the grassy battlefield, students strolled by on their way to class.

This was the fall of 1969, when a group of Terps marked the 903^rd anniversary of the Battle of Hastings with a re-enactment on South Chapel Lawn. It was the fitting official launch of a new group on the University of Maryland campus called the Maryland Medieval Mercenary Militia (MMMM), in which members gave themselves archaic names, learned English country dances and meticulously studied the military strategies of the Middle Ages so that they could recreate historical battles for kicks.

“Nowadays, re-enactment is a big thing. Back then, it was Confederates, Union, Revolutionary War and that’s it,” said Bruce Blackistone ’72, one of the founders of the group. “This was way off-center for the average re-enactment group.”…

… Blackistone, who by then was the self-designated first warlord, hoped to have a dozen soldiers on each side of the battle, but in the end, it was a six-on-seven fight. (Blackistone came down with a 104-degree fever the night before and had to stay home.) They carried shields made from lids of peach baskets and wore hand-sewn tunics. Nucker also threw on a sheepskin leather jacket borrowed from her mother.

After the Battle of Hastings’ re-enactment, the group grew, doing swordplay demonstrations on campus and branching out to recreating medieval life more broadly with feasts and dances. They began gathering in a small space under the steps of Francis Scott Key Hall, though they’d often “spill out onto the front or back lawns and womp on each other’s shields a bit,” said Blackistone.

Like any warring faction, the group developed rivals. A few years after MMMM’s founding, a chapter of the Society for Creative Anachronisms (SCA), which started in Berkeley, Calif., in 1966, popped up in the area. “They were high medieval upper class, and we were low medieval lower class,” said Blackistone. “Everyone who belonged (to SCA) was some kind of nobility. We had very little nobility, and a lot of Vikings and peasants and riffraff.”…

…As more of the club’s members graduated, an offshoot formed: Markland Medieval Mercenary Militia, which eventually ballooned to some 600 members across the mid-Atlantic. Just as Privé graduated, the university moved the club to a smaller office in a distant corner of campus. These two events, Privé speculated, led to a dwindling of the club’s presence on campus. Sometime in the years following the office move, MMMM died a quiet death at UMD.

For some, though, MMMM was just the beginning of a lifelong madness for the medieval. Nucker and Blackistone still sail Viking ships together through the Longship Company, a nonprofit organization inspired by the vessel they converted out of a Navy Motor Whaleboat in a parking lot behind the North Campus residence halls during their college years. Now, they take the public out on their 39-foot, 12-oarred Sae Hrafn (“sea raven” in Norse) to teach guests about Viking seafaring. (They’ve also commissioned two other boats, the tall ship Fyrdaca, or “fire drake,” and the smaller Gyrfalcon, named after a type of Arctic falcon.)…

(13) LOOKS AWFULLY FAMILIAR. “China Releases CGI Video of Moon Base and It Contains Something Very Strange” says Futurism.

The China National Space Administration (CNSA) has shown off a CGI video of its vision of a lunar base, a vastly ambitious plan the country is hoping to realize in a matter of decades.

The showy — albeit dated-looking — render shows plans for the International Lunar Research Station, a Chinese and Russian endeavor that was first announced in 2021.

The video is also raising eyebrows for a bizarre cameo: a NASA Space Shuttle taking off from a launch pad in the distance, as spotted by Space.com.

It’s either some next-level humor from the Chinese space program or a hilarious oversight, since the Shuttle has been retired for more than a decade — not to mention that China and NASA aren’t even allowed to talk to each other, nevermind collaborate.

As space reporter Jack Kuhr later spotted, the state-run China Global Television Network came up with an equally hilarious fix to hide the Shuttle taking off in the background.

“Boom problem solved,” Kuhr tweeted. “CGTN went ahead and slapped an ol’ reliable blur bar over the Shuttle.”

The Shuttle (now properly blurred) appears at about the :40 second mark in the video.

(14) PRESIDENTIAL MEDAL OF FREEDOM FOR FORMER ASTRONAUT. “Ellen Ochoa, Former NASA Astronaut and First Hispanic Woman in Space, Receives Presidential Medal of Freedom” – Smithsonian Magazine has the story.

Ellen Ochoa, the first Hispanic woman to go to space and one of NASA’s most decorated astronauts and leaders, was awarded the Presidential Medal of Freedom on Friday, the country’s highest civilian honor. Across her 30-year career, Ochoa flew on four space shuttle missions and led operations as director of NASA’s Johnson Space Center in Houston.

Ochoa is the tenth astronaut, and second female astronaut, to receive the Medal of Freedom. She was presented the award at the White House along with 18 other honorees, including Jane Rigby, an astrophysicist at NASA’s Goddard Space Flight Center who played a large role in the James Webb Space Telescope’s mission….

(15) AN INFLATED PROJECT. Scientific American invites readers to “Meet HELIX, the High-Altitude Balloon That May Solve a Deep Cosmic Mystery”.

This spring NASA will launch what could become one of this decade’s most transformative missions in astrophysics. But you’ve almost certainly never heard of it—and it’s not even going to space. Dubbed the High-Energy Light Isotope eXperiment (HELIX), the mission seeks to solve a long-standing mystery about just how much antimatter there is in the universe and where it comes from—all from a lofty perch in Earth’s stratosphere, slung beneath a giant balloon set for long-duration flights above each of our planet’s desolate poles.

Led by Scott Wakely, an astrophysicist at the University of Chicago, HELIX is designed to study cosmic rays—subatomic particles that pelt our planet from the depths of interstellar and even intergalactic space. These particles include those of ordinary matter’s opposite-charge version, called antimatter. Scientists suspect the sources for the antimatter showering Earth from space could be almost anything, ranging from emissions by conventional astrophysical objects to the esoteric behavior of dark matter, the invisible stuff that seems to govern the large-scale behavior of galaxies. Figuring out which explanation is right may depend on a deceptively simple measurement: gauging how much time each of two specific particles spent hurtling through the galaxy. It’s like carbon-dating cosmic rays. “The models are all over the place. A measurement of this ratio is what everybody wants,” says Nahee Park, an astrophysicist at Queen’s University in Ontario and a member of the HELIX team….

(16) DUBIOUS KICKS. Stephen Graham Jones is a bit skeptical about the footwear in this new Superman publicity photo.

(17) VIDEOS OF THE DAY. [Item by Mike Kennedy.] Boston Dynamics has a new humanoid robot, so they say goodbye to the outgoing HD Atlas…

And then say hello to All New Atlas with a freaky lil’ routine…

Maybe to take an edge off of All New Atlas, Boston Dynamics then dresses up Spot as Sparkles…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Bill, Michael J. Walsh, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who says his title “feels like it should be an anthology of ‘future fairy tales’ (perhaps edited by Jane Yolen)”.]

Pixel Scroll 3/3/24 And Did Those Filers In Ancient Times Scroll Upon Glyer’s Pixels Green?

Posted on March 3, 2024 by Mike Glyer

(1) SIGN FROM A FELINE. Mary Robinette Kowal’s “Rude Litterbox Space” is a free read at Sunday Morning Transport to encourage people to subscribe. Bonnie McDaniel says it is based on the author’s real-life communication-board-using cat.

… Language was hard. Bending space-time was not….

(2) A HITCH. P. Djèlí Clark’s blog post makes you want to read “The Dead Cat Tail Assassins”, then tells you why you’ll need to wait ’til summer’s end.

…Okay, now for the not so good news. The Dead Cat Tail Assassins was supposed to drop this month, March. But… yadda, yadda, yadda.. we got a new pub date: August, 6 2024.

What happened? Stuff. Stuff happened. Putting a book together requires lots of hands: me the author, editors, copyeditors, publicists, printers, centaurs, goblins, magical creatures from Fillory. And, for a myriad of reasons, sometimes things go pear shaped and stuff gets pushed back. You’re probably like, yeah but from March to August? That’s a big pushback! Hey, what can I tell you… lose your place in line, and you don’t just get a back-cut. There are other books by other authors waiting to be worked on, books coming out that can’t clash with your own, gotta find a new place in the queue at the printing warehouse, and all kinds of arcane alchemy I don’t pretend to understand…

(3) LIVESTOCK BY MAIL. I think the anecdote that starts Brian Keene’s “Letters From the Labyrinth 370” really happened, though I won’t be surprised if it finds its way into a book.

“I’m here about the dead chicks.”

That was what the woman butting in front of me and another customer at the post office said. I turned, intrigued. She was short, thin, blonde hair fading with age to the color of straw. I placed her at older than me — probably mid-sixties but then I remembered the day before when my postal carrier, whom I’d thought was in her seventies, told me she was the same age as me — 56. I can’t gauge age anymore. When I look in the mirror, I don’t see 56. But I’m also smart enough to know that how I see myself isn’t necessarily how others see me. In my mind, I’m still as suave and charming as Diamond David Lee Roth, but I suspect others look at me and think “Look at that silly old man. How sweet.”

But I digress….

Makes me remember when I was surprised to learn you could order live honeybees through the Sears catalog. (Which I wasn’t allowed to do. Just as well.)

(4) HUGO NEWS ROUNDUP AND MORE. Jason Sanford’s “Genre Grapevine for February 2024” on Patreon is free to the public.

In early February, Chris Barkley contacted me and said he’d received emails and documents related to the 2023 Hugo Awards from Diane Lacey, one of the award administrators. I’d seen Chris only two weeks earlier at the ConFusion convention in Detroit, where we sat at the bar discussing that weekend’s release of the Hugo nomination and voting stats. We were both shocked by the works and authors deemed “not eligible” and kept off the final ballot for no stated reason. We also were surprised so few Chinese authors and works made the Hugo longlist.

While talking in Detroit, Chris and I felt shenanigans had likely happened during last year’s Hugos. However, we also feared the truth of what happened might never come out.

Two weeks later, Chris shared the leaked emails and documents and I realized we’d been wrong. The truth would indeed come out….

(5) FAITH. Abigail Nussbaum walks readers through “The 2024 Hugo Awards: My Hugo Ballot” at Asking the Wrong Questions. She says in a preamble to the nominations:

We’ve spent so much of the last six weeks talking about the debacle that was last year’s Hugo awards, that it was easy to forget that another awards season was gearing up at the same time. So here we are, with less than a week left to nominate for this year’s Hugos, and to be honest it feels a bit strange to make this post. I always love to talk about the things I enjoyed in the fantastic genres over the last year, and to encourage my readers to consider them for a Hugo nomination. But doing it this year, with the shadow of an award whose nominations and results we can have no faith in, can feel a bit pointless.

Another way of putting it is that this is an act of faith–in the administrators of this year’s award, who have been doing their utmost to project reliability and distance themselves from last year’s inexcusable actions; in the fandom, which continues to care about this award and try to make it the best it can be; and in the award itself, and the idea that it can overcome this blow to its reputation and start moving back to what it was….

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and Moses Ose Utomi on Wednesday, March 13 starting at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

Christopher Rowe

Christopher Rowe’s most recent novella, The Navigating Fox, published by Tordotcom was described by The Wall Street Journal as a “modern Aesop’s fable.” His other books include the novella These Prisoning Hills and a collection, Telling the Map. Over the last 25 years, his stories have been published, anthologized, and translated around the world and he has been a finalist for the Hugo, Nebula, World Fantasy, Theodore Sturgeon, Neukom, Seiun, and other awards. He lives in Kentucky.

Moses Ose Utomi

Moses Ose Utomi is a Nigerian-American fantasy writer and nomad currently based out of San Diego, California. He has an MFA in fiction from Sarah Lawrence College and short fiction publications in Fantasy Magazine, Sunday Morning Transport, and other venues. He is the author of the young adult fantasy novel Daughters of Oduma and The Forever Desert, the fantasy novella series that includes the acclaimed The Lies of the Ajungo. When he’s not writing, he’s traveling, training martial arts, or doing karaoke—with or without a backing track.

(7) FILM EDITING AWARDS. Deadline has the “ACE Eddie Awards Winners List”.

Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th ACE Eddie Awards Sunday….

Here are all the winners of genre interest:

BEST EDITED FEATURE FILM (Drama, Theatrical)

Oppenheimer — Jennifer Lame

BEST EDITED ANIMATED FEATURE FILM

Spider-Man: Across the Spider-Verse — Michael Andrews, ACE

BEST EDITED DRAMA SERIES

The Last of Us: “Long, Long Time” — Timothy A. Good, ACE

(8) HERE WE GO AGAIN. “Hollywood Teamsters, IATSE Hold Solidarity Rally Ahead of AMPTP Negotiations” – The Hollywood Reporter was there.

A coalition of Hollywood’s below-the-line unions rallied Sunday on the eve of their latest contract negotiations. They threatened a historic strike against the Alliance of Motion Picture and Television Producers if their demands weren’t met. Such a work stoppage would follow a pair of strikes in 2023 by industry writers and actors which crippled the entertainment industry and have left it limping into the new year.

“I hope they’re paying attention right down the road at the AMPTP,” IATSE vice president Michael Miller announced from the stage to the crowd of around a thousand people at Woodley Park in Encino. (Nearly a thousand more watched a live-stream online.) He then invoked a slogan repeated throughout the event: “Nothing moves without the crew.”

For the first time since 1988, the Hollywood Basic Crafts group — which includes Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78 — and the crew union IATSE are joining this year to negotiate their health and pension benefits with the Hollywood trade group the AMPTP, which represents studios and streamers. Those talks begin Monday.

The “Many Crafts, One Fight” rally served mainly as an opportunity for members to express solidarity and hype each other up. So-called “above-the-line” unions SAG-AFTRA and the WGA made strong shows of force with their sign-wielding members and leaders expressing gratitude. (Teamster cooperation was key in the WGA’s production shutdown strategy early in its stoppage.) WGA West vice president Michele Mulroney drew applause when she acknowledged crew support which “sustained us through our own long and arduous fight,” and noted that “without all of you our words would just languish on the page.”…

(9) ARRAKIS DELIVERS BIG B.O. “’Dune 2′ Nears $100 Million Overseas, Surpasses $150 Million Globally” according to Variety.

“Dune: Part Two” is turbocharging the international box office.

Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

The movie, starring Timothée Chalamet and Zendaya, has been embraced in the U.S. and Canada. But the backers of “Dune 2” need overseas audiences to keep the ticket sales flowing as freely as spice on the desert planet of Arrakis. That’s because Warner Bros. and Legendary Entertainment spent $190 million to produce and roughly $100 million more to promote the film to global audiences. Those hefty fees mean the tentpole will require outsized admissions to turn a profit.

(10) MARK DODSON (1960-2024). The voice actor Mark Dodson died of a heart attack while staying in Evansville, IN to appear at Horror Con. Deadline pays tribute: “Mark Dodson Dies: ‘Star Wars’ And ‘Gremlins’ Voiceover Artist Was 64”.

Mark Dodson, whose unique voice characterizations propelled creatures in the films Star Wars: Return of the Jediand Gremlins, has died at 64.

His daughter told TMZ that he died while in Evansville, Indiana, to attend Horror Con. He checked into a hotel and suffered a “massive heart attack” while sleeping, she said.

Dodson was the voice of Salacious Crumb, the scruffy little creature who was a cackling crony of Jabba the Hut in Star Wars: Return of the Jedi.That memorable voice led to a gig in Gremlins, where he became the voice Mogwai, much-imitated in school yards.

He worked continuously for several decades in film, video games, radio and commercials as a voice artist. .

His daughter, Ciara, told TMZ that her father “never ceased making me proud.” a

The Evansville Horror Con, where Dodson was scheduled to appear, posted a tribute to Facebook.

“We are heartbroken to announce the sudden passing of Mark Dodson last night. Mark was not only a talented voice actor but also a cherished member of the horror community. Our thoughts and prayers are with his family, friends, and fans during this incredibly difficult time. We hope that you can take a moment out of your day to reflect on the joy and laughter that Mark brought into the world. His legacy will live on through his work.”

Survivors include his daughter and several grandchildren.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 3, 1920 — James Doohan. (Died 2005.) James Doohan, a Canadian, is of course remembered best for being the original Montgomery “Scotty” Scott on the first version of the Enterprise. And doesn’t it say something about the franchise that I had to write the sentence that way?

He played, definitely way too much in my opinion, the archetypal Scotsman. He even had a Dress Uniform Kilt, something I’m dead certain doesn’t exist in the modern Navy, as on display in “Is There in Truth No Beauty?” and “The Savage Curtain”. And I forget how many characters he drank literally to the floor. No don’t get me wrong, I loved the character, but the depiction was seriously over the top.

So my favorite episode involving him? That had to be when he defended the honor of the Enterprise in a bar brawl with a Klingon in “The Trouble with Tribbles” after that Klingon called his beloved ship a garbage scow. Perfect, just perfect.

So what else has he done? His first major genre role (he had previously appeared in one episode of Tales of Tomorrow) was as Paul Mitchell on Space Command, an early Fifties Canadian children’s sf series. It only lasted two years but they did one hundred and fifty episodes! Shatner would appear there.

A decade later, he entered the Twilight Zone playing Johnson, by no means a major role, in the “Valley of the Shadow”. Around the same time, on Outer Limits he played Police Lt. Branch in “Expanding Human”, this time a lead role.

He showed up twice in The Man from U.N.C.L.E (in different roles), Bewitched, Fantasy Island, MacGyver and Knight Rider 2000.

Need I say Next Generation’s “Relics” was wonderful? And I’m not talking about Trials and Tribble-ations even though it’s a stellar story as he’s only there in existing footage of him.

Filmwise, Trek was his major gig as I see very little genre undertakings at all. He had an uncredited role in The Satan Bug, an sf thriller. It’s so short that IMDB gives the time that he’s in the film.

His only other genre role that I can see in a film outside of Trek was as Judge Peterson in Skinwalker: Curse of the Shaman. If you’ve not seen it don’t feel bad. It’s obscure enough that no one on Rotten Tomatoes has either.

I think that covers it for him. Now keep in mind that I did love him, despite my criticism of his portrayal of a Scottish character, on Trek as he’s really likeable. He and Nichelle Nichol’s always seems to be the two most, well, truly warm, likeable individuals there.

I think I’ll go watch both of the Tribbles episodes on Paramount + now. Yes, I know there’s the animated episode as well, “More Tribbles, More Trouble”, but it just doesn’t have the charm the actual ones with live actors do.

(12) COMICS SECTION.

Wallace the Brave is being hopeful.

(13) CACHING IN. [Item by SF Concatenation’s Jonathan Cowie.] If my memory serves (and it is not that reliable though I constantly amaze myself in recalling a science paper from years ago out of the recesses of my mind) I have a feeling that File770 covered the demise of Google’s readily available Cache. Then this piece might interest you — “Why Is Google Hiding Its Cached Search Results?” at Tedium.

I have to imagine that Google did not make a lot of money from people pinging its search engine for cached website results, but making it convenient to access was a service to searchers.

It was also somewhat of a service to society. Often, when information-related scandals broke—such as content with egregious errors, evidence of deleted social media statements, or information at risk of appearing offline in short order—it was a great backstop that worked more effectively than the Internet Archive for capturing fresh information.

And yet, for some reason, Google has treated this feature like it was embarrassed of it. Over the years, it has increasingly come to bury the feature in its search interface, making it harder and harder to find, despite me finding it just as useful as it was the day it launched.

Recently, the company started removing it entirely…

… To be clear, the cache is not gone—it is simply hidden from public view. (I don’t see it on my end, either.) You can access it manually by typing in a specialized URL…

For example, here’s the URL to access the cache for File 770: https://webcache.googleusercontent.com/search?q=cache:file770.com

(13) A TRUTH NOT YET UNIVERSALLY ACKNOWLEDGED. Would Jane herself have turned thumbs down on this idea? “Winchester plan for £100,000 Jane Austen statue triggers ‘Disneyfication’ fears” reports the Guardian.

The idea was to celebrate one of the greatest British authors with a beautiful statue set up in a cathedral for the 250th anniversary of their birth.

But at a public meeting to discuss the erection of a Jane Austen sculpture close to her final resting place at Winchester Cathedral, concerns were raised that it would lead to the “Disneyfication” of the place of worship and become a magnet for tourists keen to get a selfie.

Elizabeth Proudman, an Austen expert and leading light in the Jane Austen Society, also suggested the author herself would not have approved of the statue and the fuss surrounding it.

She said: “We don’t know what she looked like, but we do know that she was a very private person. She despised publicity.”

Austen is buried in the north nave aisle of Winchester Cathedral under a memorial stone, which mentions “the extraordinary endowments of her mind” but does not provide any more detail about her career.

(15) IN CASE YOU WONDERED. Everyone who’s read the history of the first atomic bomb saw this was missing from the movie. SYFY Wire’s James Grebey gives his opinion “Why Oppenheimer Doesn’t Include the Deadly “Demon Core” Accidents”.

… The ominously named demon core, a sphere of plutonium used in the development of atomic bombs after the success of the Trinity Test, was responsible for the deaths of two scientists who worked on the Manhattan Project. The core, which weighed 14 pounds and measured just 3.5 inches in diameter, was all set to be turned into a third bomb that could have been used against Japan had they not surrendered following the bombings of Hiroshima and Nagasaki in August 1945….

(16) THE HILLS ARE UNDEAD WITH THE SOUND OF MUSIC. Mitch Benn mashes up “Gilbert & Sullivan’s Francis Ford Coppola’s Bram Stoker’s Dracula” for YouTube viewers.

Now with on-screen libretto, my “restoration” of Gilbert & Sullivan’s operetta version of Dracula married to the sumptuous visuals of Coppola’s masterful 1992 film adaptation… Have fun with it before someone has it taken down

(17) VIDEO OF THE DAY. In a 2018 video Mr. Sci-Fi, Marc Scott Zicree, explains “WHY DIDN”T WE GET THIS?! Unreleased Sulu Star Trek Series!”

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Bill, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 12/31/23 The Fewer Pixels, The Less Scrolling

Posted on December 31, 2023 by Mike Glyer

(1) PARENTS OF THE YEAR. Cora Buhlert has posted a wonderful pair of articles explaining her selections for two annual awards she presents.

First: “The 2023 Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents”.

…The cartoonishly evil parents, meanwhile, show kids that no matter how bad their relationship with their parents may be, at least their parents are not Darth Vader and don’t blow up entire star systems. But these characters also serve another purpose, namely to show kids that they need not be defined by who their parents are. They can be different, they can be more. Luke Skywalker could grow up to become a Jedi knight, even though his biological father did his utmost to exterminate them. Adora could overcome a lifetime of gaslighting to become She-Ra, the heroine she was always meant to be. Particularly to kids growing up in less than ideal circumstances, these are very powerful messages….

The winner is:

Miro of the House of Niros, High King of Eternia

Some of you may now be asking, “Who?”, while others may be wondering “Why?” Like I said, this winner will probably be a little controversial….

For the reasons Cora gives I didn’t feel much was spoiled by naming the winner here. Because now you want to go and read the post just to find out who the heck that is.

However, when it comes to the winner of “The 2023 Jonathan and Martha Kent Fictional Parent of the Year Award”, I don’t want to steal any thunder from the presentation:

… As for why I felt the need to introduce a companion award, depictions of parenthood in popular culture have been undergoing a paradigm shift in the past few years with more positive portrayals of supportive and loving parents and fewer utterly terrible parents. Personally, I believe that this shift is a very good thing, because the reason that I started the Darth Vader Parenthood Award in the first place is because I was annoyed by all the terrible parents in pop culture. For while most real world parents may not be perfect, at least they do their best….

(2) HONOURS LIST 2024. The UK’s New Year Honours List 2024 includes a number of celebrities, a couple of them of genre interest. In the Guardian: “Glastonbury founder and TikTok organist make new year honours list”.

…The author Kate Mosse received a CBE, which she said was a recognition of the importance of the Women’s prize for fiction, of which she is a co-founder.

The novelist, 62, whose books have been translated into 38 languages and published in more than 40 countries, is best known for the Languedoc Trilogy – Labyrinth, Sepulchre and Citadel – and The Joubert Family Chronicles – The Burning Chambers, The City Of Tears and The Ghost Ship.

She has been made a CBE for services to literature, to women and to charity.

The Women’s prize for fiction is now one of the biggest literary prizes in the world. Mosse said everybody involved in it “deserves all the accolades they could have”, as she applauded the “group effort”.

She added: “Quite often those things do get overlooked, not deliberately, but just there isn’t a system for them.

“So it does feel that although obviously this is for me, it’s very much an acknowledgment of the importance of the Women’s prize, and that it matters that women support other women.”

Elsewhere in literature, the bestselling author Alexander McCall Smith was knighted. The creator of The No 1 Ladies’ Detective Agency series as well as the 44 Scotland Street novels has been given a knighthood for services to literature, academia and charity.

In film and television, the director and producer Sir Ridley Scott, whose works include Gladiator, Alien and Napoleon, is made a Knight Grand Cross, upgrading his previous knighthood, while Game Of Thrones actor Oliver Ford Davies has said he is “honoured” to be made an OBE. The performer, 84, best known for his Shakespearean stage work, found new fans as Maester Cressen in the HBO fantasy series and as Sio Bibble in the Star Wars prequel trilogy films released in 1999, 2002 and 2005. He has been recognised for services to drama….

(3) ABDICATING IN JANUARY. “Queen Margrethe II of Denmark to Step Down” reports the New York Times. And why is that story part of today’s Scroll? Keep reading.

…Much of the queen’s popularity has been tied to her personality and artistic streak. Even after she entered the line of succession at 13, she pursued her interest in art, earning a diploma in prehistoric archaeology at the University of Cambridge and studying at Aarhus University in Denmark, the Sorbonne and the London School of Economics.

She also produced her own artwork, including paintings shown in museums, decoupages — a type of cut-and-paste artwork — and drawings. (Her illustrations were adapted for a “Lord of the Ring” book under a pseudonym, Ingahild Grathmer; the book’s publisher approached her after she sent copies to J.R.R. Tolkien as fan mail in 1970.)

More recently, she served as the costume and production designer for “Ehrengard: The Art of Seduction,” a Netflix film adapting a fairy tale, that includes wardrobes and sets based on her drawings and other artworks. “I work when I can find the time,” she told The New York Times this past year, “and I seem usually to be able to find the time.”…

(4) WHO’S TO BLAME FOR BILLIONAIRES’ PET PROJECTS. Noah Smith offers a post “In defense of science fiction” at Noahpinion.

As everyone who reads this blog knows, I’m a big fan of science fiction (see my list of favorites from last week)! So when people start bashing the genre, I tend to leap to its defense. Except this time, the people doing the bashing are some serious heavyweights themselves — Charles Stross, the celebrated award-winning sci-fi author, and Tyler Austin Harper, a professor who studies science fiction for a living. Those are certainly not the kind of opponents one takes on lightly! (And I happen to like and respect both of them.)

So yes, I’m still going to leap to science fiction’s defense, but I’m going to do it very carefully….

… Instead of billionaires mistaking well-intentioned sci-fi authors’ intentions, Stross is alleging that the billionaires are getting Gernsback and Campbell’s intentions exactly right. His problem is simply that Gernsback and Campbell were kind of right-wing, at least by modern standards, and he’s worried that their sci-fi acted as propaganda for right-wing ideas.

This is a much simpler argument, but it’s also harder to evaluate. Where does the causality lie? Do right-wing billionaires arrive at their political convictions by reading right-wing sci-fi? Or do they simply prefer literature that’s aligned with their existing values? This is really hard to know. For what it’s worth, my impulse says it’s the latter — there’s such an ideological and stylistic diversity of sci-fi out there in the world that anyone who reads it widely will encounter a very wide range of political viewpoints. For every Robert Heinlein there’s an Ursula K. LeGuin, for every Vernor Vinge there’s an Iain M. Banks. Heck, there’s even a Charles Stross….

(5) SPUFFORD ON ‘THE BOOKS OF MY LIFE’. [Item by Steven French.] “Francis Spufford: ‘It was the sorrow of my life at age 10 that there wasn’t one more Narnia book to read’” he tells the Guardian. Spufford is a prize-winning non-fiction and fiction author who gives several shout-outs to SFF works here.

(Regarding the “one more Narnia book”, according to Wikipedia, “In March 2019, it was reported that Spufford had written an unofficial novel, The Stone Table, set in the universe of C. S. Lewis’s Narnia series. This takes place during a gap in fictional fiction between The Magician’s Nephew and The Lion, the Witch and the Wardrobe. Spufford distributed self-printed copies to friends. The novel was praised as a ‘seamless recreation of Lewis’s writing-style’. The author hoped to obtain permission from the C. S. Lewis estate to publish it commercially. In the absence of permission, the earliest publication date would be 2034, seventy years after Lewis’s death, when the copyright on the original books will expire in the UK.”)

My earliest reading memory
Tolkien’s The Hobbit, read around the time of my sixth birthday, when I was home from school with mumps. It turned me from a painstaking decoder of printed letters into someone flying through a new medium. Books have been portals for me ever since. Many other things too, but portals first.

My favourite book growing up
CS Lewis’s Narnia books. It was the sorrow of my life at the age of 10 that there wasn’t one more of them to read. A few years ago I found myself in a position to do something about that, at least for myself, but (cough) I am under legal obligations not to talk about it.

The book that changed me as a teenager
The Left Hand of Darkness by Ursula K Le Guin, which did things I didn’t know were allowed with gender and with the shape of story, and showed me that an imagined setting, a built world, could ring as true narratively as anything observed in the rooms or the streets of this world.

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 31, 1949 — Ellen Datlow, 74. I first encountered her stellar editing when I picked up the first volume of what would Year’s Best Fantasy and Horror but was then just Year’s Best Fantasy, then edited by both her and Terri Windling (who with volume two explicitly took over the the horror selection.) (From the sixteenth volume to the last one, the twenty-second, Windling was replaced by Kelly Link and Gavin Grant.) Any volume has enough excellent fiction for many evening of great reading.

(The packager for these told me in an email conversation that there were discussions about bring these out as epubs. Unfortunately as those rights weren’t incorporated in the original contracts with the authors, that wasn’t possible.)

Not surprisingly, the series picked up multiple World Fantasy Awards. And a Stoker as well.

Speaking of Awards, let’s do this now. Ellen Datlow has won the Hugo for Best Professional Editor twice, and the Hugo for Best Editor – Short Form six times. Her editing work has garnered five Bram Stoker Awards, two International Horror Guild Awards for Best Anthology, three Shirley Jackson Awards for Best Anthology, as well as ten World Fantasy Awards. She was named recipient of the Karl Edward Wagner Award, given at the British Fantasy Convention, for “outstanding contribution to the genre”. And she has received the Lifetime Achievement Award by the Horror Writers Association. I’m very, very impressed.

Now back to her actual editing work. So what else should we be looking at? Well everything she’s edited is top notch but that goes with saying, so let’s narrow down just a bit by dealing with what I like the best.

Thirty years ago, she and Terri Windling (no surprise who her co-editor was) started out their Fairy Tale anthologies which I’m going to list all of their titles here because I adore them — Snow White, Blood Red, Black Thorn, White Rose, Ruby Slippers, Golden Tears, Black Swan, White Raven, Silver Birch, Blood Moon and Black Heart, Ivory Bones. As always their choices in stories are exquisite.

Next for me in terms of how great they are is the Mythic Fiction anthologies, again edited with Windling. There’s four and I’ll single out The Green Man: Tales from the Mythic Forest and The Coyote Road as the ones I like the best.

Ok, so there’s one-offs of which she’s done at least three dozen to date. My absolute favorite? Another one she edited with Windling — Salon Fantastique: Fifteen Original Tales of Fantasy. No theme, just great stories. Haunted Legends edited with Nick Mamatas is themed obviously and you can tell that theme; it is deliciously scary, and the Hauntings anthology which edited by no one but herself is darker and has more of a bite to it.

Supernatural Noir, another one of her solo efforts, is worth reading just for Caitlín R. Kiernan’s “The Maltese Unicorn”. Seriously it is.

She’s knee deep in the blood associated with editing, sorry I couldn’t resist, her ongoing The Best Horror of The Year anthology series, now fourteen volumes long. And if you want to see what she thinks is interesting for genre books, she does that over at Cemetery Dance in The Last Ten Books I’ve Read column, the last being the March issue of this year as that publication isn’t known for its regular date of coming out. Ever.

David G. Hartwell, left, Ellen Datlow, right, at the 2015 World Fantasy Con. Photo by and © Andrew Porter.

(7) COMICS SECTION.

Eek! covers all the monsters’ New Year’s Resolutions.

(8) TOPICS IN ANIME. A new episode of Anime Explorations has dropped just in time to wrap up the year:: “Anime Explorations Podcast: Episode 15: Anime Music Videos & Arcadia of My Youth”.

This month we memorialize Leiji Matsumoto and the creator of the Anime Music Video (not necessarily in that order).

We also talked about the Macross II Kickstarter,

(9) VIDEO OF THE DAY. Mr. Sci-Fi – Marc Scott Zicree – joins a tour of Hollywood sff props in “Space Command Coolest Props Ever!!!”

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Michael Burianyk, Alexander Case, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jan Vaněk Jr.]

Pixel Scroll 11/9/23 If You Tape Bacon To A Pixel Scroll Does It Always Fall Bacon Side Down?

Posted on November 9, 2023 by Mike Glyer

(1) WHEN GRAVITY FAILS. [Item by Mike Kennedy.] Chuck Jones’ rules for Coyote cartoons said it works best when gravity is what defeats him. Instead, the change in management at Warner Bros seems to be what has claimed his long-awaited film. The mixed live/animated Coyote Vs. Acme is rumored to have been consigned to the dustbin, despite being a finished product. There it will join Bat Girl and Scoob Holiday Haunt!, both already brought to an ignominious end by the Bros. “‘Coyote Vs. Acme’: Finished Live/Action Animated Pic Shelved Completely By Warner Bros As Studio Takes $30M Tax Write-off” – Deadline has the astonishing story.

In another maneuver by the David Zaslav-run Warner Bros Discovery to kill movies, we hear on very good authority that Warner Bros will not be releasing the live-action/animated hybrid Coyote vs. Acme with the conglom taking an estimated $30M write-down on the $70M production. We understand the write-down for the pic was applied to the recently reported Q3.

This reps the third time that Zaslav’s Warner Bros has pulled the plug on a movie greenlit by the previous Warner Media administration; the other two being the Max destined Bat Girl and the animated Scoob Holiday Haunt!.

The difference here is that Coyote vs. Acme is a completed movie with very good test scores, 14 points above the family norm. We’re told that the cash-strapped Warners finds that it’s not worth the cost to release theatrically, or to sell to other buyers (and there are parties who are interested for their own streaming services; we hear Amazon kicked the tires). After reporting a mixed third quarter, the best means for Warners money is a tax write-off. At one point, Coyote vs. Acme was dated on July 21, 2023 for theatrical release before getting pulled; that date placed by the ultimate $1.4 billion grossing Warner Bros biggest hit of all-time, Barbie….

(2) LEAVING THE EXPANSE BEHIND. Gizmodo is on hand as “The Expanse’s James S.A. Corey Announces a New Sci-Fi Trilogy”.

… Daniel Abraham and Ty Franck—who write together as James S.A. Corey—have nixed any return to the world of The Expanse, [but] they’re still working on sci-fi projects together, as today’s big announcement attests.

Fans can look forward to the arrival of The Mercy of Gods, a space opera trilogy “that sees humanity fighting for its survival in a war as old as the universe itself,” according to a press release from publisher Orbit. This book will kick off the Captive’s War trilogy, and it will be released August 6, 2024….

(3) SOMETHING’S MISSING. Victoria Struass posts a “Contest Caution: Lichfield Institute Writing Contest” at Writer Beware.

Just about every temptation for a hungry writer is here. Big bucks for the winners. Feedback on every submission from distinguished judges–at least, one assumes they’re distinguished, since they’re finalists for important literary awards. Monthly stipends! Consideration by literary agencies! What more could a contest offer, even if it does charge a $15 submission fee?

Well…

You’ll probably already have noticed some…oddities…both in the screenshot above and on the contest page. The mis-spelling of Hemingway, to start (plus, it’s PEN–it’s an acronym–not Pen). The curious absence of judges’ names. Guidelines that fail to state when winners will be announced and how they will be notified. An entry form with a copy-and-paste box for submitting your entry (have fun reading, no-name judges)….

(4) IN A MIRROR, VERY DARKLY. “Murky reflections: why sci-fi needs to stop imitating Black Mirror” argues Adrian Horton in the Guardian.

…Black Mirror knock-offs are a scourge of the streaming era, which unfortunately incentivizes dressed-up spins on previous successes over truly cerebral or ambitious imaginations of the future….

(5) JEOPARDY! Last night’s episode of Jeopardy! devoted an entire category to science fictional worlds. Andrew Porter found these responses noteworthy.

Category: At a Loss for Worlds

Answer: Survivors escape to Bronson Beta in the 1933 Philip Wylie & Edwin Balmer novel “When” this happens

Wrong question: What is “When Tomorrow Comes”?

No one could ask, “When Worlds Collide”

Same category: It’s the real name of the planet referred to in the title of a 1965 Frank Herbert novel.

He bet it all, got it wrong: “What is Dune?”

Correct question: What is Arrakis?

Same category: At the end of Arthur C. Clarke’s “Childhood’s End” this world is destroyed.

No one could ask, “What is the Earth?”

(6) OCTOTHORPE. Episode 96 of Octothorpe, “A Less QR-Code-Using Society”, is ready for listeners.

John Coxon didn’t, Alison Scott would’ve done, and Liz Batty tried. We round up the rest of the news we didn’t talk about in Episode 95, featuring a discussion of how the Chengdu Worldcon went, and the much-anticipated reappearance of THE LIZ BAT. Listen here!

(7) FEED ME. “John Lewis Christmas Ad Stars a Playful Venus Flytrap” explains Adweek.

In the U.K., watching retailer John Lewis’ Christmas ad is as much of a festive ritual as decorating the tree or exchanging gifts. This year, with a different agency and marketing strategy, the brand is hoping to cement its role in both old and new holiday traditions.

The new ad, titled “Snapper,” follows the unusual tale of a Venus flytrap. While at a flea market with his family, a boy discovers a seed packet promising to grow into the “perfect Christmas tree.”

Instead, a carnivorous plant emerges from the soil. Though the boy loves Snapper, the mischievous plant causes disruption and is eventually banished outside after it grows too big for the house.

On Christmas morning, the boy leaves his family’s normal tree to bring a gift to the Venus flytrap. Snapper spits out confetti and gifts in return, inspiring the family to embrace an unconventional addition to the festivities. …

(8) FRANK BORMAN (1928-2023). “Astronaut Frank Borman, commander of the first Apollo mission to the moon, has died at age 95” reports Yahoo!

Astronaut Frank Borman, who commanded Apollo 8’s historic Christmas 1968 flight that circled the moon 10 times and paved the way for the lunar landing the next year, has died. He was 95.

Borman died Tuesday in Billings, Montana, according to NASA.

Borman also led troubled Eastern Airlines in the 1970s and early ’80s after leaving the astronaut corps….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 9, 1921 — Alfred Coppel. Have I ever mentioned how much I love pulp? Everything from the writers to the artwork to the magazines themselves are so, so cool. And this writer was one of the most prolific such authors of the Fifties and Sixties. That he was also a SF writer is an added bonus. Indeed, his first science fiction story was “Age of Unreason” in a 1947 Amazing Stories. Under the pseudonym of Robert Cham Gilman, he wrote the Rhada sequence of galactic space opera novels aimed at a young adult market. Wiki claims he was writing under A.C. Marin as well but I cannot find any record of this. (Died 2004.)
Born November 9, 1924 — Lawrence T. Shaw. A Hugo Award-winning fan, author, editor and literary agent. In the Forties and Fifties, Larry Shaw edited Nebula, Infinity Science Fiction and Science Fiction Adventures. He received a Special Committee Award during the 1984 Worldcon for lifetime achievement as an editor. His Axe fanzine (co-edited with his wife Noreen) was nominated at Chicon III for a Hugo. (Died 1985.)
Born November 9, 1954 — Rob Hansen, 69. British fan, active since the Seventies who has edited and co-edited numerous fanzines including his debut production Epsilon. And he was the 1984 Trans-Atlantic Fan Fund delegate. His nonfiction works such as Then: Science Fiction Fandom in the UK: 1930-1980, lasted updated just a few years ago, are invaluable.
Born November 9, 1988 — Tahereh Mafi, 35. Iranian-American whose Furthermore, a YA novel about a pale girl living in a world of both color and magic of which she has neither, I highly recommended it. Whichwood is a companion novel to this work. She also has a young adult dystopian thriller series.
Born November 9, 1989 — Alix E. Harrow, 34. Winner at Dublin 2019 of the Best Short Story Hugo for “Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” which also was nominated for a BSFA and Nebula Award. Other Hugo-nominated work: The Ten Thousand Doors of January was nomination at CoNZealand; “A Spindle Splintered” novella and “Mr. death” short story at Chicon 8; and “A Mirror Mended” novella this year. She has three excellent novels to date, The Ten Thousand Doors of January, The Once and Future Witches which was nominated for a WFA and the just released Starling House. She has a double handful of short stories not yet collected anywhere. More’s the pity.

(10) COMICS SECTION.

Foxes in Love features a Dune crossover.

pic.twitter.com/DyafREoUeS
— Foxes in Love (@foxes_in_love) November 9, 2023

(11) BRING ME THE HEAD OF C-3PO. “Star Wars C-3PO actor Anthony Daniels is selling film memorabilia” reports BBC News.

The actor who played C-3PO in Star Wars said “it feels like it is time” to sell the costumes, props and scripts he kept from the iconic films.

Anthony Daniels, 77, is parting company with items from his personal collection via Hertfordshire-based auctioneer Propstore from Thursday.

The famous gold helmet he wore for his character in the first film from 1977 is estimated to sell for up to £1m.

Daniels said he was excited for his collection to “find a good home”.

“I realised I had these items and they’re not unloved but they are unlooked at – we don’t have them crowding the sitting room,” he said, explaining why he has chosen to sell the items now.

“Will I feel sad to part with them? No. I will enjoy the fact people will cherish and display them.”…

Propstore marked the Screen-matched Light-up C-3PO Head as sold, however, the press has not yet revealed the amount of the winning bid.

(12) FANHISTORY ART ZOOM ON YOUTUBE. Fanac.org’s two-part Zoom with a panel of fanartists now can be viewed on YouTube.

Part 1

Title: Evolution of Art(ists) (Pt 1 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan

Description: In part 1 of this 2-part session, you’ll hear their “origin stories”, their influences, how they found science fiction fandom, and what they perceive as the unique benefits of fandom to young artists. You’ll find out why artists should avoid hecto, and torturous tales of justifying margins by hand. There are intriguing insights into adjusting one’s art to the reproduction medium, and how fandom helped people along, especially towards professional careers. Larger than life figures make their appearance, including several stories of Bill Rotsler.

There’s plenty more, including their views on Carl Barks, why Dan started “Lizard Inn”, Jim’s take on the slippery slope to having a fanzine too big to staple without an industrial stapler, Tim on his deep desire to tell stories, and Grant’s opinion of “Starling”. The fun continues in Part 2.

Part 2

Title: Evolution of Art(ists) (Pt 2 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan

Description: In part 2 of this 2-part session, the fan art discussion continues, with more on professional careers as well. The conversation ranges from Tolkien’s house to Harlan Ellison’s house, from “The Last Dangerous Visions” to Bill Gibson, from Harlan Ellison stories to BNFs that had an impact. There are more Rotsler stories too. You’ll hear about silent jam sessions, “Esoteric Fan Art Tales”, and the impact that conventions had on artists who worked in isolation. A real treat is the slideshow of samples of our panelists’ art, with their live comments on what each piece represents.

Q&A starts about 45 minutes into the video, with comments as well as questions, including Ted White’s discussion of the impact of Mondrian’s work on modern magazine design. Lest you believe that fanzines are a thing of the past, the video wraps up with a plug for an upcoming paper fanzine by faned Geri Sullivan.

(13) A COSMIC EVENT. FirstShowing introduces “US Trailer for French ‘Cosmic Event’ Sci-Fi Thriller Film ‘The Gravity’”.

“After the alignment, the world will change forever. Everything will start over.” Dark Star Pictures has released an official US trailer for an indie sci-fi action thriller film from France titled The Gravity, made by filmmaker Cédric Ido. This intially premiered at the 2022 Toronto Film Festival last year and it already opened in France earlier this year. Finally set for a US release on VOD starting in November. A mysterious cosmic event upsets the Earth’s gravity and sets the sky ablaze in a red hue, creating chaos in a futuristic Parisian suburb. This French “genre-busting” thriller is more of a story about street culture in the suburbs, following a local band of teenagers and their feud with other residents in the area….

(14) SPACE COMMAND. Marc Scott Zicree has dropped “Why Science Fiction Matters! Unreleased Space Command Full Scene”.

Meantime there five days remain in the Kickstarter to raise funds for “Space Command Forgiveness: Post-Production”. At this time fans have pledged almost $52,000 of the $60,000 goal.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Lise Andreasen, Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 9/7/23 Like Pixels Through The Hourglass, So Are The Scrolls Of Our Lives

Posted on September 7, 2023 by Mike Glyer

(1) NECESSITY IS THE MOTHER OF INVENTION – AND UNOFFICIAL HUGO FANZINE AND FAN WRITER PACKETS. There is less than one month until the Hugo Awards voting deadline and yet the Hugo Voter Packet is still missing the content for the Fanzine and Fan Writer categories without any explanation or progress. Chinese fans are taking their own initiative to make them available.

Two days ago Arthur Liu (“Heaven Dule”) posted a compilation of fan Hugo finalist packet material currently accessible from public links: “Worldcon Special | Hugo Award Fan Magazine & Fan Author Vote Reading Pack”. He says in his introduction [machine translated from Chinese to English]:

On August 2023, 8, the Hugo Awards Voting Reading Pack (Issue 17) was released, which did not include voting references for the three categories of Best Fan Magazine, Best Fan Author and Best Dramatic Performance. As of September 9, less than a full month before the voting deadline, there is no follow-up announcement. In this connection, we have compiled a list of public reading reference materials for voters to compile the Best Fan Magazine and Fan Author Winners. Let the official belong to the official, and the fans to the fans.

Note: that intro was also quoted in a Weibo post by Kehuan Guang Nian/SF Light Year, who occasionally comments on File 770 under a handle. He has over a third of a million followers, so the concerns being voiced by some people in China are being widely heard.

Ersatz Culture has updated their own comprehensive index to 2023 Hugo Award Voter Packet Contents. (The direct link to the Fanzine and Fan Writer categories is here.) Here is a screencap from that website.

(2) JOURNEY PLANET VOTER PACKET CONTENTS. Journey Planet has taken their own steps to remedy the Hugo Voter Packet’s failure (so far) to distribute their material, which is now available at this website.

(3) CHENGDU WORLDCON VENUE UPDATE. The Chengdu urban blogger skyxiang1991 posted some photos from the convention center construction, which have been tweeted by Ersatz Culture.

I think I'd seen some earlier posts that indicate the lake had been filled with water a week or so ago?

[2/2] pic.twitter.com/aFpqThgEJR
— ErsatzCulture (@ErsatzCulture) September 6, 2023

(4) YOU CONTROL THE VERTICAL. Ursula Vernon is running a choose-your-own-adventure game on Tumblr: “The Book Of The Gear”, with audience polls used to pick which alternative is pursued.

Long, long ago, before Twitter descended into its end-stage hellscape, I ran a few iterations of a weird little choose-your-own-adventure game there, where I used the poll functions to offer options as we traversed a strange concrete labyrinth. I’d like to do that again. But as the shortest poll I can run is one day, this is more like a play-by-mail than a real-time on-the-fly. Fewer choices, but hey, you do get much longer descriptions!…

Here’s an excerpt from the first installment.

Let’s begin, shall we?

You, friend, are the latest graduate of the Wentworth School Of Exploration and Adventure (Goooo Fighting Codfish!) the second-best explorer’s school in the city. You left behind your grandmother’s cabbage farm in pursuit of higher, better, possibly more fatal things.

It was at Wentworth that you first came across a reference to the works of Eland the Younger, that wandering naturalist, historian…okay, occasionally out-and-out liar…and his great fragmentary work, the Book of the Gear. It detailed his descent into a great clockwork labyrinth, filled with strange creatures and stone gears. Even for Eland, it’s a bit weird. Most scholars dismiss it outright as a fabrication, and the few professors who would talk to you about it strongly suggested that it was dangerous and you should ignore any rumors about its location and do something else. (Possibly on one of their projects! For course credit, obviously, not money.)

You didn’t listen….

(5) FRANK TALK ABOUT A TOXIC HISTORY. Kristine Kathryn Rusch doesn’t just talk about the latest F&SF kerfuffle, but surveys decades of issues in “Business Musings: My Magazine. My Voice. My Rules”.

…I have been quite reluctant to weigh in on the F&SF mess for personal reasons. I believe that rescinding that contract was the absolute right thing to do, and I will get to that in a moment.

But let me say this first:

I try very hard not to discuss The Magazine of Fantasy & Science Fiction. I think Sheree Renée Thomas is a fantastic editor. She’s done a spectacular job at F&SF. I think she’s managed to honor the magazine’s traditions and bring it solidly into the 21^st century.

I wish she had a better boss. But I have remained mostly quiet about Gordon Van Gelder. The transition between my editorship and his was ugly, with him sending a form letter to everyone with a story in inventory, telling them that the editing on their stories was poor and the stories needed to be re-edited. That was but one thing that he did when he came on board. The microaggressions continued for decades, including leaving me out of as much of the history of the magazine as possible (including the Wikipedia page, except as a name, until people complained).

The behind-the-scenes stuff got so ugly that a friend of mine, a big-name corporate lawyer, wanted to take my case for free because he said it was a textbook case of tortious interference. I did not let my friend or, later, another lawyer who offered, take the case because I was not going to edit any longer. I didn’t need editing work. If I had, I would have had to take them up on going to court.

But I was no longer interested in editing. I was more concerned with my fiction career. If Gordon and his friends managed to destroy my reputation under the Rusch name, I could—and did—write under pen names. I didn’t want to spend time in court, even though a few other lawyers (and one appellate court judge) who learned the story agreed that the case was a slam dunk.

But let’s just say that I have very little good to say about Gordon, and the lack of respect he showed, not just me, but most women in his orbit….

…Sheree has to walk a tight line between her boss and her own voice. She’s been doing so for three years now. But this conflict spilled into the open, and Gordon, acting in a typically insensitive manner (at best), left her out to dry for nearly six weeks.

That’s the problem here.

Not rescinding the acceptance.

No magazine should ever be forced to buy something from anyone they find abhorrent. Or from anyone who espouses different views than the magazine itself.

Every magazine has a voice and a perspective. Sheree’s assignment is to maintain the voice of a seventy-three year-old magazine while making that magazine relevant to 2023. She has brought in new voices while keeping some of the old ones. She has maintained the reading experience for long-time subscribers and has managed to bring in new ones along the way.

She’s doing an amazing job.

It’s a balancing act that all editors face….

(6) IN THE TRENCHES. And if you can take it, here’s some more publishing truth. On the Publishing Rodeo Podcast, Sunyi Dean and Scott Drakeford interview Kameron Hurley: “Why Don’t We Just Quit?”. Transcript at the link.

…Kameron
I couldn’t quit my job. There was no way that that was going to happen. We actually got married because his health insurance is this is before Obamacare. His health insurance was going to went out. We were going to be screwed. He was like, I’m going to die. For me, I needed to realize, I wanted to be transparent that just because someone seems to be successful, quote-unquote, there are some years I’ll make $5,000 writing that year, right? With patron now, I make much more, but that’s because of patron. I make way more than I do in book advances every year, let me tell you, especially because I’m way behind this current book. Because let me tell you, you get behind because of a pandemic or something like that. You don’t get paid until you send them the rest of the book. So you’re just sitting there going, Crap, I need to finish a book or I’m not going to get paid. So it’s understanding the way that those economics actually work. And just because someone has written a seminal novel or has written 25 novels does not mean that they’re not waking up at 06:00 a.m. And going to be a marketing strategist and getting yelled at by clients all day.

Kameron
That’s what I did today. So it’s understanding that there’s a lot more going on the background than a lot of people will present. And I think that it gives, especially newer writers, this really warped view of what success means, of what that trajectory is. Martha Wells was putting out book after book after book since I was a teenager. And not really like it was… She was just this reliable, wonderful storyteller and nothing broke out until Murderbot. And she even said at one point, she’s just like, I didn’t realize it until I looked up one day that my career was almost over. And she ended up signing with one of the publishers that I did that went bankrupt, just how I met her. But I think that people forget that sometimes you can go, Victoria Schwab talks about this. She refers to what? Eleven books were midlist books that was out of print within two years, her first book. And I like those stories because they are much more typical of the actual experience that the vast majority of writers have….

(7) BOUCHERCON COVID INFECTION REPORT. Lee Goldberg has been tracking Covid infection reports among people who attended last weekend’s Bouchercon. “My informal tally is up to 20 #Bouchercon2023 attendees announcing their infection on Twitter. I wouldn’t be surprised if the actual total of infected attendees is at least 3 times as many…”

(8) THE WRONG KIND OF GREEN. [Item by Bruce D. Arthurs.] Lauren Panepinto’s essay, “The Envy of Non-Creatives” on Muddy Colors addresses an important aspect of AI art generation and why some people are in favor of it.

…. Some of you will read this and say, duh, I have experienced this first hand. It’s very common for artists and authors to lose friends when they make the jump to “going pro” and finding success. I work with so many authors, and it’s a given that when you publish your first book you lose a good number of friends. And it’s almost always the friends who also wanted to become an author. It’s because those friends were fine encouraging you when you were all amateurs together…but if you put the work in and level up, then it can be a harsh wake-up call to the folks in your life who haven’t put the same work and time into their own dreams. And many of hem would rather project that self-hatred onto someone else. I know many professional artists have experienced this as well. If you haven’t experienced this, then I think it is still important to think about. It’s been disheartening to see how many non-artists have leaped to defend the AI platforms, and I struggled to understand why. Put aside the businesses who want to save money — I’m talking about individuals who have nothing to gain financially from these platforms. It’s also something important to keep in mind when people try to convince us of that pesky myth that an artist must starve, must suffer, must be partially insane to make good art. That that’s the price we pay for creativity. It’s not true. Yes, there can be a correlation between mental illness and creativity (I’ve written on that before) but it’s not a causation. There’s deeper meaning there and it’s important for us as artists to see that clearly, not fall into the self-defeating traps society can often set for us….

(9) IT’S GREAT TO BEAT YOUR FEET. Cory Doctorow, in a New York Times opinion piece, says “Burning Man Is Always a Challenge, but Burners Like Me Know This Time Is Different”.

… Obviously, the weather at the ending was also one for the history books — for very different reasons. Not only did we get more heavy rains, compounding rarity upon rarity, but they arrived at the worst possible time, near the end of the event, when everyone’s supplies of food, water and fuel were low.

The storm turned the playa’s microscopic dust into a bedeviling clay that mired everything in clinging mud. Just walking was a challenge: The mud stuck to your shoes and turned your feet into tragicomic irregular spheres that grew heavier with each step. Worse, all this movement churned up the playa, marring the surface and creating pockmarks that retained water, slowing the drying out and stranding attendees for longer.

Though such rainstorms are all but unheard-of, harsh weather at Burning Man is absolutely normal. I’ve been caught in at least one white-out dust storm every year. This is how the playa teaches patience. Whatever pleasurable thing you find yourself doing is every bit as fun as the thing you were planning to do, so enjoy it.

This is how the playa teaches solidarity. The ultrafine dust infiltrates every bearing of every machine. The gusting winds blow over shelters and tear reinforced grommets. Your goggles break and the blowing, burning dust gets into your eyes. You help your neighbors. Your neighbors help you. The “radical self-reliance” of Burning Man isn’t the final word — it is counterpart to the event’s “radical inclusion.”…

(10) GOOGLE TWEAKS POLITICAL AD RULES. BBC News reports a new policy: “Google: Political adverts must disclose use of AI”.

Google will soon require that political ads on its platforms let people know when images and audio have been created using artificial intelligence (AI).

The rules have been created as a response to the “growing prevalence of tools that produce synthetic content”, a Google spokesperson told the BBC.

The change is scheduled for November, about a year ahead of the next US presidential election.

There are fears AI will supercharge disinformation around the campaigns.

Google’s existing ad policies already ban manipulating digital media to deceive or mislead people about politics, social issues, or matters of public concern.

But this update will require election-related ads to “prominently disclose” if they contain “synthetic content” that depicts real or realistic-looking people or events.

Google suggested labels such as “this image does not depict real events” or “this video content was synthetically generated” will work as flags….

(11) POPULAR MARYLAND SFF CON HOTEL CLOSING. [Item by Dale Arnold.] The Delta Hunt Valley Hotel (Formerly the Hunt Valley Inn) which was the location of many past Balticons, once a World Fantasy Con, and present convention hotel for the SF genre media cons Shoreleave, Farpoint and Mid-Atlantic Nostalgia Convention will be closing permanently at the end of October 2023. Once upon a time the Hunt Valley Inn was considered the best hotel for SF cons in the area with a sea of free parking that the fans loved. Unfortunately, that sea of free parking on 29 acres in a desirable spot right off an interstate interchange proved so attractive that a development group bought the hotel in 2018 and although they were guarded about future plans it is now confirmed they have created a plan for mixed use office, retail etc. and will now demolish the hotel and rebuild. Many fans noticed the hotel was not being invested in since 2018, but we all hoped the grand old facility would bounce back, but alas it is not to be.

(12) IT’S A THEORY. Electoral-vote.com took note of a sff reference in coverage of Texas Attorney General Ken Paxton’s impeachment trial:

…state senator Angela Paxton, Ken Paxton’s wife, whom he cheated on, and is required to attend the proceedings by the state constitution, showed up in a red dress. I’ll suggest that this is not to show support for Republicans, but rather a reference to the Wheel of Time‘s Red Aja, the notoriously misandrist faction, and whose TV series just launched its second season. She’s out for blood.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 7, 1795 — John William Polidori. His most remembered work was “The Vampyre”, the first modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story was his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
Born September 7, 1921 — Donald William Heiney. Under the pseudonym of MacDonald Harris, which he used for all of his fiction, wrote one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects. (Died 1993.)
Born September 7, 1924 — Gerry de la Ree. He published fanzines such as Sun Spots which ran for 29 issues from the Thirties through the Forties, and as editor, he published such work as The Book of Virgil Finlay, A Hannes Bok Sketchbook, and Clark Ashton Smith – Artist. He was inducted into the First Fandom Hall of Fame. (Died 1993.)
Born September 7, 1955 — Mira Furlan. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least## briefly in Marc Zicree’s Space Command. She died of the West Nile virus. Damn. (Died 2021.)
Born September 7, 1956 — Mark Dawidziak, 67. A Kolchak: Night Stalker fan of the first degree. He has written The Night Stalker Companion: A 30th Anniversary Tribute, Kolchak: The Night Stalker Chronicles, Kolchak: The Night Stalker Casebook and The Kolchak Papers: Grave Secret. And more additional works than I care to note here. To my knowledge, he’s not written a word about the rebooted Night Stalker series. Proving he’s a man of discriminating taste.
Born September 7, 1961 — Susan Palwick, 62. She won the Rhysling Award for “The Neighbor’s Wife,” the Crawford Award for best first novel with Her Flying in Place, and the Alex Award for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. She was one of the editors of New York Review of Science Fiction which was nominated for the Best Semiprozine Hugo at Noreascon 3.
Born September 7, 1960 — Christopher Villiers, 63. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
Born September 7, 1973 — Alex Kurtzman, 50. Ok, a number of sites claim he single-handedly destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. And I’m fascinated that he was Executive Producer on Hercules: The Legendary Journeys and Xena: Warrior Princess!

(14) COMICS SECTION.

Thatababy gets a media tie-in gift that even surprises Mom.

(15) MARVEL AT NY COMIC CON. “Marvel Announces 2023 New York Comic Con Panel Line-Up”. See details at the link.

This October, Marvel is returning to New York Comic Con with a line-up of fan-favorite panels, can’t-miss activations, exciting announcements, New York Comic Con convention-exclusive merchandise, all-star talent signings, and countless fan experiences at the Marvel booth from Thursday, October 12 through Sunday, October 15.

Marvel will be on the ground to host the exciting events in the Marvel Booth and fans at home can experience it all by watching the exclusive livestream broadcast hosted by Ryan Penagos, Josh Saleh, Langston Belton, Ray Lowe, and Mikey Trujillo. Fans can stay up to date on the biggest stories and breaking news by tuning in on Marvel.com, YouTube, X (formerly Twitter), Facebook and Twitch….

(16) ALIEN BREAKTHROUGH. The Guardian profiles “Jewelle Gomez: the Black lesbian writer who changed vampire fiction – and the world”.

Ridley Scott’s Alien holds a special place in the heart of Jewelle Gomez, but not simply because Sigourney Weaver’s Ellen Ripley was just her type. “If you were going to come out, that was the movie to come out to,” she says with a chuckle over video call from her home office in San Francisco. The year was 1979, Gomez was 31, and her mother, Dolores, and grandmother, Lydia, were in New York City for a visit when they went to see the sci-fi horror at a cinema near Times Square. “We were in the bathroom after and my mother started reading graffiti on the bathroom stall,” Gomez says. “My mother says: ‘Oh, here’s one. It says Dykes unite!’ And I was like, should I speak? Should I not speak? What do I say?” Her grandmother didn’t give her a chance to answer: “She says: ‘Oh, that’s nothing. Jewelle has an ink stamp on her desk at home and it says Lesbian money!’ All three of us cracked up and I breathed a sigh of relief. It was lovely.”

(17) FRESH INTERPRETATION OF DRACULA. “New blood: Scotland to stage all-woman and non-binary Dracula play” – the Guardian has the story.

The first major staging of Dracula with an all-woman and non-binary cast aims to “reclaim and subvert” gothic tropes of fragile and corruptible females by retelling the genre classic through the eyes of Mina Murray.

In Bram Stoker’s 1897 novel, Murray’s fiance, the solicitor Jonathan Harker, clumsily embroils Mina and her friend Lucy in Dracula’s bloodlust when he travels to Transylvania to assist the count in a property purchase. However, the new National Theatre of Scotland production puts Mina at the centre of the action.

Set in a psychiatric hospital in Aberdeenshire in 1897, Dracula: Mina’s Reckoning is a unique Scottish adaptation that tells the familiar story through her eyes, assisted by an ensemble of asylum inmates led by a non-binary Renfield, the Count’s devoted servant.

“The novel is wonderful,” says director Sally Cookson, Olivier award-winner and associate artist at Bristol Old Vic. “But I was always very aware of how the male characters had all the power.”

Bram Stoker hinted at Mina’s fascination with the New Woman, the feminist ideal of independence embodied in the suffragette movement, Cookson explains, “but he never really allows her to become one; she’s not allowed to join in the vampire hunt, he continually locks her up for her own safety, and then tidily marries her off [to Harker] at the end of the story”.

“What would happen if Mina’s ambition was not to get married and have children?”…

(18) FREDDIE MERCURY AUCTION. [Item by Lis Riba.] This week, Sotheby’s is auctioning off Freddie Mercury’s estate. In addition to his music memorabilia, wardrobe, and truly gorgeous works art and furniture, I noticed several lots the File 770 readership might find interesting.

A collection of books from his personal library, with several SFF novels including Chapter House Dune, Friday, Eon, and World of Krypton;
Comic books;
Freddie’s sketch of cover design for News of the World (based on, and final version drawn by Frank Kelly Freas);
Books on fantasy & fairytales: fantasy and fairy tales;
Books on cats, many inscribed to him.

(19) AT HOME IN A TESSERACT. Did we cover this in 2021? Well, let’s link to it again just in case: “Jonathan Lethem on Robert Heinlein and Other Influences” in the New Yorker.

…The story’s protagonist, Mull, has found himself living in a once spectacular tesseract house—an architect’s grandiose solution to L.A.’s housing crisis—which has collapsed yet is still habitable. The structure keeps shifting and Mull struggles to find his way around. A corridor he used one day may have vanished the next. When did you first imagine this building? Do you see it as a three-dimensional space in your mind’s eye? Do you know it better than Mull? Or as well as Mull?

The idea of a tesseract as building comes from Robert Heinlein’s famous 1941 short story, “—And He Built a Crooked House—” (an influence my story wears on the sleeve of its title). It was one of my favorite stories growing up, and, for a lot of readers my age, it might be as responsible for the introduction of the idea of a tesseract as Madeleine L’Engle’s “A Wrinkle in Time.” It’s also an L.A. story, and Heinlein was a resident when he wrote it. The house in the story is across the street from his own address, if I’m remembering right.

That people in Los Angeles live outside right now, in tents and under overpasses, is such a cruel and overwhelming reality that it may be atrocious to make reference to it in passing (though it probably isn’t better to leave it unmentioned at all, which is what happens constantly). I’ll try saying simply that I sometimes find it easiest to let certain realities express themselves in my thinking when I give them a surreal or allegorical expression. I grew up reading Stanisław Lem and the Brothers Strugatsky, and also Kafka and Anna Kavan and Kōbō Abe, so I may be predisposed to place the severest subjects into this kind of indeterminate fictional space….

(20) ALL STACKED UP AND NOWHERE TO GO. [Item by Mike Kennedy.] After their April “rapid, unplanned disassembly,“ SpaceX is ready for its next Starship launch attempt. The vehicle is stacked on top of one of their super heavy boosters, and they’re raring to roar. There’s one teeny tiny problem. The FAA has not given permission for another attempt nor publicly said when it might. Could Elon Musk be suffering from failure to launch? “Starship is stacked and ready to make its second launch attempt” at Ars Technica.

…”The SpaceX Starship mishap investigation remains open,” the agency stated. “The FAA will not authorize another Starship launch until SpaceX implements the corrective actions identified during the mishap investigation and demonstrates compliance with all the regulatory requirements of the license modification process.”…

(21) VIDEO OF THE DAY. Marc Scott Zicree invites everyone to enjoy video of the “Space Command Creature Test”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Ersatz Culture, Lis Riba, Bruce D. Arthurs, Dale Arnold, Kathy Sullivan, Steven French, Michael J. “Orange Mike” Lowrey, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 3/27/23 When The Fifth Is Found To Be Lies, And All The File Within You Dies, Don’t You Want Some Pixel To Scroll?

Posted on March 27, 2023 by Mike Glyer

(1) 2023 NASFIC. Pemmi-Con, the 2023 NASFiC, has posted Progress Report 1, a free download.

This Progress Report includes information about programming, our venues, exhibits, accessibility, NASFiC site selection, how to check and confirm your membership level, and a brief Q&A about Winnipeg with our Co-Chair, Linda Ross-Mansfield. Are you a book lover? We feature an article about used book and music stores in Winnipeg. And more.

(2) SFF FOR PEDESTRIANS. [Item by Dale Arnold.] The Baltimore Science Fiction Society successfully deployed a Little Free Library in front of our building at 3310 East Baltimore Street on March 25. The library features a two-compartment design with the lower one for children’s books and the upper for YA+ books. Books will be suitable SF and fantasy duplicates donated to our library (our holdings are over 17,000 titles inside the building) and other children’s books donated specifically to assist in improving reading skills in a fun way. The design of this library fits to the odd available location available at our building and criteria specified by our friends in Baltimore City Government. (And still look like a typical little library as much as possible.)

(3) WILL THE WGA STRIKE? The New York Times investigates “Why There Is Talk of a Writers’ Strike in Hollywood”.

What are the writers’ complaints?

Every three years, the writers’ union negotiates a contract with the major studios that establishes pay minimums and addresses matters such as health care and residuals (a type of royalty), which are paid out based on a maze of formulas.

And though there has been a boom in television production in recent years (known within the industry as “Peak TV”), the W.G.A. said that the median weekly pay for a writer-producer had declined 4 percent over the last decade.

Because of streaming, the former network norms of 22, 24 or even 26 episodes per season have mostly disappeared. Many series are now eight to 12 episodes long. At the same time, episodes are taking longer to produce, so series writers who are paid per episode often make less while working more. Some showrunners are likewise making less despite working longer hours.

“The streaming model has created an environment where there’s been enormous downward pressure on writer income across the board,” David Goodman, a co-chair of the guild negotiating committee, said in an interview.

Screenwriters have been hurt by a decline in theatrical releases and the collapse of the DVD market, union leaders said.

Between 2012 and 2021, the number of films rated annually by the Motion Picture Association fell by 31 percent. Streaming services picked up some slack, but companies like Netflix and Warner Bros. Discovery, which owns HBO Max, have been cutting back on film production to reduce costs amid slowing subscriber growth….

(4) AI SINCE 1956. “Throughline’ examines artificial intelligence — and these days AI is everywhere” at NPR.

…ABDELFATAH: Keep in mind, at this point, computers were so big, they took up whole rooms, made tons of noise and had vacuum tubes for data input.

DICK: You know, the most disturbing part of the history of AI for me comes from the fact that these men who were working in artificial intelligence looked at those massive, noisy, hot mainframe computers and saw themselves in it.

ARABLOUEI: One proposed measure of machine intelligence was something called the Turing test, named for its creator, British mathematician Alan Turing.

ABDELFATAH: The way it works is a computer and a human being are put in separate rooms. A judge asks each of them questions without seeing either.

DICK: And then the judge, of course, is meant to be able to figure out whether the machine is the human or the human is the human. And what I have always found so shocking about the Turing test is that it reduces intelligence to telling a convincing lie, to putting on the performance of being something that you’re not…

(5) ROBOTS AT WORK. NPR profiles “The role robots play in getting your online orders to you”.

…Robots are key to helping Amazon sort and send 5 billion packages a year.

At Amazon Air, the company’s global air hub at the Cincinnati Northern Kentucky International Airport, hundreds of self-charging electric robots that look like small scooters go whizzing across a giant concrete floor. As they work to fill your orders, some speed up and others slow down because they all don’t have the same priority.

Director of Operations Adrian Melendez explains how the “drives” know where to go on this robotics sortation floor.

“They primarily use the square stickers on the floor we call ‘fiducials.’ And so the drive unit has a sensor on the bottom of it that reads these fiducials as it makes its way across the floor. And it knows exactly where it needs to speed up and slow down,” he says.

Even a year ago at all its facilities, the company had a half-million drives and more than a dozen types of robots. In Boston, it’s testing a robot called Sparrow. It’s the first Amazon robot that can sort different shapes and sizes. Some worry it might replace people. Melendez says don’t worry about that.

“Robotics can never replace people,” Melendez says. “The robots are really good at algorithms or following a set path. People are problem-solvers and that’s what we want to keep our folks doing.”…

(6) NPR CUTBACKS. And after we link to two items from NPR, what thanks do they get? “NPR Cuts 10% of Staff and Halts Production of 4 Podcasts” – and the New York Times assesses the damage.

…Although production is stopping, she added, “we’re not using the word ‘canceling,’ as the work may continue in other forms.”

“Invisibilia,” a podcast about the invisible forces that guide human behavior, began in January 2015, around the beginning of the podcast boom. It quickly reached No. 1 on Apple Podcasts, and its episodes were streamed or downloaded more than 10 million times in four weeks.

NPR will also halt production of “Everyone & Their Mom,” a comedy spinoff of the company’s weekend news quiz show, “Wait Wait… Don’t Tell Me!”

“Rough Translation,” a podcast that tells stories from places around the world in a relatable manner, will stop production after its new season airs this summer.

“How to say goodbye to a show that you’ve made for 6 years?” Gregory Warner, the host of the show, said on Twitter. “I’ll be trying to figure that out.”

“Louder Than a Riot,” a music podcast, will also cease production after its current, second season. The show explores marginalization in hip-hop and how misogynoir — the combined racism and misogyny against Black women — is embedded in culture….

(7) FLATIRON AUCTIONED. A building once known as home to Tor Books has a new owner:“Empty for years, NYC’s famous Flatiron Building — and its weird narrow passages — may get a fresh start with $190M sale”.

The Flatiron Building is one of New York City’s most recognizable structures, and it now has a new owner after a public auction on Wednesday.

In an auction ordered by the New York Supreme Court, investor Jacob Garlick outbid the building’s current owners and other big names in real estate to secure the Manhattan landmark for $190 million, Smithsonian Magazine reported.

Dozens of onlookers gathered in Lower Manhattan to watch the historic building go on the block with an opening bid of $50 million. It went for nearly four times that to Garlick following a 45-minute bidding war.

“It’s been (a) lifelong dream of mine since I’m 14 years old. I’ve worked every day of my life to be in this position,” Garlick, managing partner at firm Abraham Trust, told NY1. “We are honored to be a steward of this historic building, and it will be our life’s mission to preserve its integrity forever.”…

(8) SHATNER IS PEEVED. “Elon Musk Ruffles William Shatner’s Feathers (And He Has Some Words)” – and The Street will tell you what those words are.

…Before Musk purchased Twitter, the blue check was free and was given to prominent politicians, businesses, journalists and personalities.

Now, the blue badge costs $7.99 per month. But those users who previously had the blue checkmark accompanying their accounts, before Twitter started charging for it, were allowed to keep it for a grace period.

That grace period is over as of April 1, when all legacy checkmarks will disappear.

“Hey @elonmusk, what’s this about blue checks going away unless we pay Twitter? I’ve been here for 15 years giving my time and witty thoughts all for bupkis,” tweeted Shatner. “Now you’re telling me that I have to pay for something you gave me for free? What is this — the Colombia Records and Tape Club?”

(9) MUSIC OF THE FEARS. American Songwriter introduces readers to “5 Songs You Didn’t Know Credit Edgar Allan Poe”.

…Long after his mysterious death at 40 in 1849, the legend, myths and mystery of Poe and his works continue to get reinterpreted and adapted in film, television, stage, books, and other forms of media.

Poe’s words have also been transmitted through music, with many of his poems and stories credited in more contemporary songs….

Here’s number two on the list:

2. “Ol’ Evil Eye,” Insane Clown Posse (1995)
Written by Edgar Allan Poe, Mike E. Clark and Insane Clown Posse

“Ol’ Evil Eye” is an Insane Clown Posse (ICP) retelling of Poe’s more horrid 1843 short story “The Tell-Tale Heart.” Released on the group’s third album, Riddle Box, the track features ICP’s studio vocalist and guitarist Legz Diamond reading an excerpt of the Poe classic.

I ring the doorbell, the door creeps open
And there it was starin’ and scopin’
The man’s left eye, red, big, and drippin’
I was trippin’. “Ahh, seeya!”
I ran home. I couldn’t stop thinking
About his eyeball winking and blinking
And it looked not a damn thing like the other. Ugh!
Shoulda wore a patch on the motherfucker
It hypnotized me, mesmerized me
Traumatized, paralyzed, terrorized me
Creepers, where’d you get that ball?
And tell me how it even fits in your skull

(10) MEMORY LANE.

1933 – [Compiled by Cat Eldridge.]

I’m fairly eclectic in my reading — I like equally fantasies, science fiction of all sorts and a wide range of mysteries, mostly I’ll admit mostly done though the Forties. And this is why the Beginning this Scroll is from Erle Stanley Gardner’s The Case of the Velvet Claws which was published by William Morrow and Company in 1933.

It’s the first of his Perry Mason mysteries which will eventually number eighty two plus four short stories. Many of you will have seen the simply extraordinary Perry Mason series that started in the Fifties which starred Raymond Burr. (I’m watching it right now.) Yes, I know there’s a new HBO Max series but I’ve no interest in seeing it. The Perry Mason series ran for two hundred snd seventy one episodes plus thirty movies.

I like the Beginning has Perry exhibiting some of the traits of the classic private investigators.

And now our Beginning…

AUTUMN SUN BEAT against the window.

Perry Mason sat at the big desk. There was about him the attitude of one who is waiting. His face in repose was like the face of a chess player who is studying the board. That face seldom changed expression. Only the eyes changed expression. He gave the impression of being a thinker and a fighter, a man who could work with infinite patience to jockey an adversary into just the right position, and then finish him with one terrific punch. And now our Beginning…

Book cases, filled with leather-backed books, lined the walls of the room. A big safe was in one corner. There were two chairs, in addition to the swivel chair which Perry Mason occupied. The office held an atmosphere of plain, rugged efficiency, as though it had absorbed something of the personality of the man who occupied it.

The door to the outer office opened, and Della Street, his secretary, eased her way into the room and closed the door behind her.

“A woman,” she said, “who claims to be a Mrs. Eva Griffin.”

Perry Mason looked at the girl with level eyes.

“And you don’t think she is?” he asked. She shook her head. “

“She looks phony to me,” she said. “

“I’ve looked up the Griffins in the telephone book. And there isn’t any Griffin who has an address like the one she gave. I looked in the City Directory, and got the same result. There are a lot of Griffins, but I don’t find any Eva Griffin. And I don’t find any at her address.”

“What was the address?” asked Mason.

“2271 Grove Street,” she said.

Perry Mason made a notation on a slip of paper.

“I’ll see her,” he said.

“Okay,” said Della Street. “I just wanted you to know that she looks phony to me.”

Della Street was slim of figure, steady of eye; a young woman of approximately twenty-seven, who gave the impression of watching life with keenly appreciative eyes and seeing far below the surface.

She remained standing in the doorway eyeing Perry Mason with quiet insistence. “I wish,” she said, “that you’d find out who she really is before we do anything for her.”

“A hunch?” asked Perry Mason.

“You might call it that,” she said, smiling.

Perry Mason nodded. His face had not changed expression. Only his eyes had become warily watchful.

“All right, send her in, and I’ll take a look at her myself.”

Della Street closed the door as she went out, keeping a hand on the knob, however. Within a few seconds, the knob turned, the door opened, and a woman walked into the room with an air of easy assurance.

She was in her early thirties, or perhaps, her late twenties—well groomed, and giving an appearance of being exceedingly well cared for. She flashed a swiftly appraising glance about the office before she looked at the man seated behind the desk.

“Come in and sit down,” said Perry Mason.

She looked at him then, and there was a faint expression of annoyance upon her face. It was as though she expected men to get up when she came into the room, and to treat her with a deferential recognition of her sex and her position.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 27, 1892 — Thorne Smith. A writer of humorous supernatural fantasy. He is best remembered for the two Topper novels — a comic fantasy fiction mix of plentiful drink, many ghosts and sex. Not necessarily in that order. The original editions of the Topper novels complete with their erotic illustrations are available from the usual digital sources. (Died 1934.)
Born March 27, 1901 — Carl Barks. Cartoonist, writer, and illustrator. He is best known for his work in Disney comic books, as the writer and artist of the first Donald Duck stories and as the creator of Scrooge McDuck. He wrote The Fine Art of Walt Disney’s Donald Duck and Walt Disney’s Uncle Scrooge McDuck. He was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame. (Died 2000.)
Born March 27, 1942 — Michael York, 81. I remember him in the Babylon 5 episode “A Late Delivery from Avalon” as a man who believed himself to be King Arthur returned. Very chilling. I also enjoyed him as D’Artagnan in the Musketeers films and remember him as Logan 5 in Logan’s Run. So what in his genre list really impresses you?
Born March 27, 1949 — John Hertz, 74. Winner of the Big Heart Award, presented at the 2003 Worldcon. He’s quite active in the fanzine world publishing the Vanamonde fanzine. Four collections of his fanwriting have been published, West of the Moon, Dancing and Joking, On My Sleeve, and Neither Complete nor Conclusive. He‘s been nominated for the Hugo for Best Fan Writer three times.
Born March 27, 1952 — Dana Stabenow, 71. Though better known for her superb Kate Shugak detective series of which the first, the Edgar Award-winning A Cold Day for Murder is a Meredith moment right now, she does have genre work to her credit in the excellent Star Svensdotter space series, and the latter is available at the usual digital suspects.
Born March 27, 1953 — Patricia Wrede, 70. She is a founding member of The Scribblies, along with Pamela Dean, Emma Bull, Will Shetterly, Steven Brust and Nate Bucklin. Not to be confused with the Pre-Joycean Fellowship which overlaps in membership. Outside of her work for the the Liavek shared-world anthology created and edited by Emma Bull and Will Shetterly, there are several series she has running including Lyra (Shadow Magic), Enchanted Forest Chronicles and Cecelia and Kate (co-written with Caroline Stevermer). She’s also written the novelizations of several Star Wars films including Star Wars, Episode I – The Phantom Menace and Star Wars, Episode II – Attack of the Clones in what are listed as ‘Jr. Novelizations’.
Born March 27, 1969 — Pauley Perrette, 54. Though she’s best known for playing Abby Sciuto on NCIS, a role she walked away from under odd circumstances, she does have some genre roles. She was Ramona in The Singularity Is Near, a film based off Ray Kurzweil’s The Singularity Is Near: When Humans Transcend Biology. Next up is the most excellent Superman vs. The Elite in which she voices Lois Lane. Let’s see… she had a recurring role on Special Unit 2 as Alice Cramer.
Born March 27, 1971 — Nathan Fillion, 52. Certainly best known for being Captain Malcolm “Mal” Reynolds in Firefly ‘verse. An interesting case of just how much of a character comes from the actor. In his case, I’d say most of it. He portrayed Green Lantern/Hal Jordan in Justice League: Doom, Justice League: The Flashpoint Paradox and Justice League: Throne of Atlantis, The Death of Superman and Reign of the Supermen. Oh, and he appeared in a recurring role in Buffy the Vampire Slayer as Caleb. Anyone watch him in the Castle series? Opinions please.

(12) MAIL FROM JRRT. Two recently discovered “Tolkien letters shine new light on writer’s life and work” at The National Archives. The first page of one of the letters can be read in an image at the link.

Two handwritten letters penned by JRR Tolkien have been discovered for the first time, almost 50 years after the death of the Lord of the Rings author.

The previously unrecorded documents were unearthed by a volunteer working at The National Archives in Kew ahead of Tolkien Reading Day on March 25.

Written in 1945, shortly after Tolkien’s appointment as Professor of English Language and Literature at Merton College, Oxford, the letters are part of an exchange with the British Council about funding for his research into early English languages….

(13) ABOUT THOSE PERSONAL APPEARANCES. After a certain point Bob Kane paid other artists to do the work. Which brings up a question. “Batman: How Did Bob Kane Fake Doing ‘Spur of the Moment’ Drawings?” CBR.com knows the answer. You’ll find it at the link.

…However, that certainly did bring up a major problem for Kane. It was one thing to take credit for other artists’ work, but what happens when you have to demonstrate that you can draw yourself? It’s certainly a bit of a pickle, especially since Kane was such a lover of publicity that he WANTED to do as many public appearances as possible. Well, as it turned out, he solved his problem with a little help from Joe Giella (who was inking “Kane” on the Batman titles at the time, and also ghost penciling and inking the Batman comic strip under Kane’s byline)….

(14) DEATH ON BOARD. “Scare Me Once? Great Game. Scare Me Twice? Great Remake.” The New York Times studies the return of “Isaac Clarke” and what is needed to make successful new versions of vintage video games.

Die-hard fans wanted the floating spaceship of their nightmares, one stocked with mutilated zombies, improvised blowtorches and zero-gravity spectacles. The fictional engineer Isaac Clarke navigated this ramshackle vessel in Dead Space, the popular survival horror video game from 2008 that spawned two sequels.

But when developers at Motive Studios, a division of Electronic Arts based in Montreal, revisited the original for a planned remake nearly 15 years later, something was amiss.

What players remembered as terrifying seemed almost campy by modern standards because of technological advancements to graphics and artificial intelligence that have made gaming more immersive. The developers realized they would need to start from scratch, dismantling the spaceship, redesigning the zombies — known as necromorphs — and constructing new story lines.

“We don’t necessarily want to recreate the game as it was, but like you remember it,” said the remake’s creative director, Roman Campos-Oriola, who previously worked on the Ghost Recon franchise. “That often means breaking stuff, which has a ripple effect.”…

(15) HAWKEYE ACTOR RECOVERING. Jeremy Renner is making progress: “Jeremy Renner Walks in New Video of His Snow Plow Accident Recovery, Actor Uses Anti-Gravity Treadmill”.

… The “Hawkeye” star posted a video to his Instagram story in which he walks with the assistance of an anti-gravity treadmill. Renner confirms in the video that he is doing all of “the walking motion” himself, with the anti-gravity treadmill taking off a percentage of his body weight as his legs slowly recover.

The actor captioned the post: “Now is the time for my body to rest and recover from my will.”…

(16) BEADS OF MOISTURE. From the Guardian: “Glass beads on moon’s surface may hold billions of tonnes of water, scientists say”.

…Anand and a team of Chinese scientists analysed fine glass beads from lunar soil samples returned to Earth in December 2020 by the Chinese Chang’e-5 mission. The beads, which measure less than a millimetre across, form when meteoroids slam into the moon and send up showers of molten droplets. These then solidify and become mixed into the moon dust.

Tests on the glass particles revealed that together they contain substantial quantities of water, amounting to between 300m and 270bn tonnes across the entire moon’s surface.

“This is going to open up new avenues which many of us have been thinking about,” said Anand. “If you can extract the water and concentrate it in significant quantities, it’s up to you how you utilise it.”

Hints that the moon might not be an entirely arid wasteland have emerged from previous missions. In the 1990s, Nasa’s Clementine orbiter found evidence for frozen water in deep, steep-sided craters near the moon’s poles. In 2009, India’s Chandrayaan-1 spacecraft spotted what appeared to be a thin layer of water bound up in the surface layer of moon dust.

The latest research, published in Nature Geoscience, points to fine glass beads as the source of that surface water. Unlike frozen water lurking in permanently shaded craters, this should be far easier to extract by humans or robots working on the moon.

“It’s not that you can shake the material and water starts dripping out, but there’s evidence that when the temperature of this material goes above 100C, it will start to come out and can be harvested,” Anand said….

(17) KEEPING THE ART IN ARTESIAN. This water is closer to home, and leans towards fantasy rather than science fiction. “Elven Spring Magic Water”.

(18) ROCK AROUND THE CLOCK. ScienceAlert breaks the news: “Nope, Stonehenge Isn’t an Ancient Calendar After All, Scientists Say”.

… As dawn breaks on summer solstice and the Sun boldly climbs above the Heel Stone that lies northeast of the circle, shining its rays directly into the heart of Stonehenge, it’s hard to deny that the monument was designed with the turning-point of the seasons in mind.

To a number of scholars, there’s more to Stonehenge’s design than a symbolic reverence for the changing lengths of days. It’s a timekeeper of some detail, a ‘Neolithic computer‘ even, tasked with dividing up the year around less significant events.

Last year, Bournemouth University archaeologist Tim Darvill published his claim that the monument operated as some kind of ‘perpetual calendar’, one based on a solar year equivalent to 365.25 days.

Now, Polytechnic University of Milan mathematician Giulio Magli and astronomer Juan Antonio Belmonte from the Institute of Astrophysics of the Canary Islands, Spain, have countered Darvill’s claim, stating it is based on “a series of forced interpretations, numerology, and unsupported analogies with other cultures”….

(19) HIS SHIP COMES IN. Artist Rick Sternbach shared on Facebook how touched he was to have his name added to canon via Star Trek: Picard.

I’ll say one other thing that should be somewhat obvious; my thanks to everyone involved with Picard for making the USS Sternbach a canon thing. I absolutely appreciate it. When I pressed for the name Bussard to be attached to the matter collectors in Star Trek, and it was accepted, Bob Bussard– *Dr. Robert W. Bussard*, whom I had the pleasure of talking with and learning from as far back as 1983, thanked me for the inclusion. I know how it feels. Onward.

(20) SPACE COMMAND. “Mr. Sci-Fi at Wondercon!” encourages viewers to contribute to “Space Command Forgiveness: The Final Shoot” Kickstarter.

We’re filming the final climax to the next installment of Space Command Forgiveness, the epic Sci-Fi adventure created by Marc Zicree.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Murray Moore, Michael J. Walsh, Dale Arnold, JJ, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

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