Tag Archives: San Diego Comic-Con

Pixel Scroll 7/25/22 Pixel 10-10 Whose Gracious Presence Illuminates The File Like The EdgeScroll Of A Knife

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(1) BLACK MALE HEROES MIA. The Wakanda Forever trailer debuted at Comic-Con. Steven Barnes offered this reaction on Facebook.

There are three different, easily observable facts that I cross reference for my comments on WAKANDA FOREVER:

1) At this point in the MCU (movies and Disney+) they killed the only fully functional black male hero. Leaving ZIPPO. In comparison, every white hero has had relationships and sexual chemistry with a woman.

2) No dramatic network hourlong series had ever lasted more than two seasons with a black lead (name coming first in the credits) until about 2006, THE UNIT.

3) No film that earned over 100 million domestic ever had a black male star in a love scene until 2015, CREED.

##

Yes, I connect these. Yes, I connect this with core human tribalism: there is nothing special, positively or negatively, about white people. But yes, they are the dominant group and therefore their money and decisions have disproportional impact.

And those white people, forced to admit I’m right about 2 or 3, tend to deny that any specific film was influenced by these factors. Unless they can, I conclude that they have a convenient blindness, and discount their opinions.

That’s it, right there. Unless one can disprove one of these three, you have nothing.

Barnes followed up with this analogy:

Imagine if Gal Gadot had died right after making WW, and they decided not to recast, and made the sequel about Steve Trevor and his male friends. Precisely how happy do you think women would be about this?

(2) CLIP JOINT. Gizmodo says this is a list of “All The Trailers Released At Comic Con 2022”. I probably don’t need to fill the Scroll with even more trailers than I already have, however, if you’re interested you can check for the ones I missed.

The 2022 San Diego Comic-Con was held in person last week for the first time since 2019, and exhibitors made up for the long time away with a huge number of new movie and TV show trailers. The big comic book movie news came when Marvel returned to Hall H and debuted trailers for Black Panther: Wakanda Forever and She Hulk: Attorney at Law; A Guardians of the Galaxy 3 and Ant-Man and the Wasp: Quantamania trailer were also shown, but only those at Hall H were able to see it. DC struck back with new trailers for Shazam! Fury of the Gods and Black Adam.

But of course, Comic Con has gotten a lot bigger than just comic books: By our current count, more than 35 trailers were released during the four day festival from studios including Universal, Paramount, Amazon, Fox and Disney….

(3) TANGLED UP IN BLUE. DreamHaven Books showed Facebook readers how much progress has been made on their new wall mural.

(4) THE VIEW FROM SPACE. In “There Is No Final Frontier” Publishers Weekly talks with William Shatner about his memoir Boldly Go: Reflections on a Life of Awe and Wonder coming in October.

You write that when you went to space, “there was no mystery, no majestic awe to behold… all I saw was death. I saw a cold, dark, black emptiness.” How surprised were you by that?

I was struck dumb. I was absolutely gobsmacked because I’ve been amazed by the miracles of space for a long time. And I saw none of that in that blackness. All I saw was what I described in that quote. And it came as a shock because I had just been looking at Earth as we were leaving it, and I was thinking, my God, look how beautiful it is….

(5) US IN FLUX. Last month ASU’s Center for Science and the Imagination launched the 2022 summer season of Us in Flux, a series of short fiction and virtual events about reimagining and reorganizing communities in the face of transformative change.

Today CSI published the second story in the series: “University, Speaking,” by Phoebe Wagner, “a lyrical piece about how we might reimagine universities as radically open to their communities, better attuned to addressing local challenges.”

On Thursday, July 28, at 12:00 p.m. Pacific, they will host a virtual conversation with Phoebe and Punya Mishra, director of Arizona State University’s Learning Futures initiative, about the story and the task of redesigning educational institutions in the midst of crisis. Learn more and register here.

(6) DOES MOORCOCK NEED THE MEDAL? Christopher Neely has created a petition at Change.org calling for a “Michael Moorcock Nobel Prize IN Literature”.

There’s a kind, old English man that did everything the hard way and has given our culture iconic fiction, journalism, fantasy, and the foundation for a whole school of thought for both an entire branch of theoretical physics and one of the most successful entertainment franchises of the last two centuries.  And he’s still alive. He coined the word Multiverse almost 60 years ago. His characters are Iconic to the point that these attributes of humanity, story arc, and plot have become tropes in several genres of the literary world. He did it first, from steampunk, to his influence on cyberpunk with JerryCornelius. His alternate history writings alone are worthy of required reading for every thinking adult. He is an international treasure that transcends time and genres.  His contributions to music, art, and literature can hardly be overstated. He may very well be the most prolific original creator who’s works have ever been recorded. 

(7) A NAME TO CONJURE WITH. The Ringer explains how he’s building his brand in “Jordan Peele Exists in a Space of His Own”.

…Just three movies into his directing career and a mere five years since moving from one side of the camera to the other, Peele has become the rarest of Hollywood anomalies: a filmmaker whose byline alone puts asses in seats. The Nope trailer—and in fact the entire marketing campaign for the movie, including the first poster, an intriguingly cryptic tease in its own right—is built around the assumption that audiences will not only recognize Peele’s name but be instantly enticed by it. His credit in big white letters is an invitation to step once more into the mind behind Get Out and Us—though, in a true testament to Peele’s fame, neither of those movies is even mentioned in the trailer. “From Jordan Peele” is enough.

There are plenty of directors who qualify as household names, recognizable to the average moviegoer. But in contemporary Hollywood, how many of them are treated like the actual draw of a project, more crucial to its appeal than the stars, the IP, or the premise? Even Steven Spielberg, probably the most famous filmmaker alive, isn’t assumed to be an attendance magnet….

(8) DAVID WARNER (1941-2022). Actor David Warner died July 24 at the age of 80. He performed many genre roles among his over 200 movie and TV appearances, including Time After Time, Tron, A Midsummer Night’s Dream, Time Bandits, The Man With Two Brains, Star Trek V: The Final Frontier, Twin Peaks, Teenage Mutant Ninja Turtles II: The Secret of the Ooze, Star Trek VI: The Undiscovered Country, The Lost World, Star Trek: The Next Generation, Lois & Clark, Babylon 5, Pooh’s Grand Adventure, Planet of the Apes, Doctor Who, and Mary Poppins Returns. He also was Ra’s-Al-Ghul in three series.

(9) MATT KING OBIT. Meow Wolf Co-Founder and Senior Creative Director Matt King died two weeks ago according to the Santa Fe Reporter, which did not specify the date. He was 37 years old. The Meow Wolf “art collective” in Santa Fe got their start with a $3.5 million investment from George R.R. Martin, and many of their “immersive installations” are sf related. 

…King was present at the first-ever Meow Wolf planning meeting in 2008 and throughout its earliest immersive installations and dance parties that took place in the shabby old warehouse on Hopewell Street, where the company began. At one point, Kadlubek reminisces, King worked three jobs to help keep the rent paid at a time when community donations were scant.

King was also pivotal in the 2016 opening of Meow Wolf’s flagship Santa Fe location, House of Eternal Return, as well as Las Vegas, Nevada’s Omega Mart and Denver’s Convergence Station. At the latter, Kadlubek says, King’s vision led to the much-ballyhooed Cathedral room, another room-sized piece dubbed Gremlin Symphony and other projects….

(10) MEDIA BIRTHDAY.  

1972 – [By Cat Eldridge.] At the very first L.A. Con which was held fifty years ago at the International Hotel in Los Angeles with Charles Crayne and Bruce Pelz being Chairs, A Clockwork Orange wins the Hugo for Best Dramatic Presentation. I know Mike was there. I believe it was his first Con. 

It was the overwhelming choice for that honor, garnering two hundred and eighty-five final ballots to the one hundred and forty-eight that the second-place finisher, Andromeda Strain, received.  

I recognized the entire ballot (which also included THX 1138, and I Think We’re All Bozos on This Bus — serious drug vibes there, eh?) with exception of Name of the Game: Los Angeles: A.D. 2017. When I asked Mike about that one, he said, “You mean that you don’t recognize it? Yeah, it was a TV show. I watched it (and as you know, in those days if you didn’t see it when it aired, you didn’t see it!) I suppose it was only nominated because it was sf and people ran out of better ideas to put on their ballots.” 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 25, 1907 — Cyril Luckham. He played the White Guardian first in the Fourth Doctor story, “The Ribos Opperation”, part one, and then twice more in the two-part Fifth Doctor story, “Enlightenment”.  He was also Dr. Moe in the Fifties pulp film Stranger from Venus, and also showed up in The Omega Factor, A Midsummer Night’s Dream, Randall and Hopkirk (Deceased) and Tales of The Unexpected. (Died 1989.)
  • Born July 25, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories.  The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which can be found in Once Upon a Star: A Novel of the Future. The usual suspects have a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
  • Born July 25, 1921 — Kevin Stoney. He appeared in three serials of the science fiction series Doctor Who over a period of ten years, playing Mavic Chen in The Daleks’ Master Plan during the time of the First Doctor, Tobias Vaughn in The Invasion during the time of the Second Doctor and Tyrum in Revenge of the Cybermen during the time of the Fourth Doctor. Other genre credits include: The Adventures of Robin Hood, Danger Man, The Avengers, The Prisoner, Doomwatch, The Tomorrow People, Space: 1999, The New Avengers, Quatermass, and Hammer House of Horror. (Died 2008.)
  • Born July 25, 1922 — Evelyn E. Smith. She has the delightful bio being of a writer of sf and mysteries, as well as a compiler of crossword puzzles. During the 1950s, she published both short stories and novelettes in Galaxy Science Fiction, Fantastic Universe and The Magazine of Fantasy & Science Fiction. Her SF novels include The Perfect Planet and The Copy Shop. A look at the usual suspects shows two story collections but none of her novels. Interestingly, there are myriad stories by her offered up separately for sale. (Died 2000.)
  • Born July 25, 1937 — Todd Armstrong. He’s best known for playing Jason in Jason and the Argonauts. A film of course made excellent by special effects from Ray Harryhausen. His only other genre appearance was on The Greatest American Hero as Ted McSherry In “A Chicken in Every Plot”. (Died 1992.)
  • Born July 25, 1948 — Brian Stableford, 74. I am reasonably sure that I read and enjoyed all of the Hooded Swan series a long time ago which I see has been since been collected as Swan Songs: The Complete Hooded Swan Collection. And I’ve certainly read a fair amount of his short fiction down the years. His latest novel, Beyond the Mountains of Madness, just came out.
  • Born July 25, 1971 — Chloë Annett, 51. She played Holly Turner in the Crime Traveller series and Kristine Kochanski in the Red Dwarf series. She was in the “Klingons vs. Vulcans” episode of the Space Cadets, a sort of game show. 
  • Born July 25, 1973 — Mur Lafferty, 49. Podcaster and writer. Co-editor of the Escape Pod podcast with Divya Breed. She is also the host and creator of the podcast I Should Be Writing which won a Parsec Award for Best Writing Podcast. She is also the Editor-in-Chief of the Escape Artists short fiction magazine Mothership Zeta. And then there’s the Ditch Diggers podcast she started with Matt Wallace which is supposed to show the brutal, honest side of writing. For that, it won the Hugo Award for Best Fancast at Worldcon 76 (2018), having been a finalist the year before.  Fiction wise, I loved both The Shambling Guide to New York City and A Ghost Train to New Orleans with I think the second being a better novel. She has two nominations at Chicon 8, first for Best Semi Prozine as part of the Escape Pod team, second for Best Editor, Short Form with S.B. Divya. 

(12) ENJOY COMIC-CON’S SOUVENIR BOOK. Comic-Con International’s 2022 Souvenir Book is available as a free download should you be so inclined.

This year’s Souvenir Book is a downloadable pdf, filled with lots of full-color articles, including: centennial tributes to Charles Schulz, Stan Lee, Jerry Robinson, and William S. Gaines; a celebration of the 60th anniversary of Spider-Man; 50th anniversary articles on Funky Winkerbean, Ghost Rider, Kamandi, Swamp Thing, and Luke Cage; and 40th anniversary pieces on The Rocketeer, Groo, and Love and Rockets. Plus: a special look back at Comic-Con’s 1970s El Cortez years!

The cover, a salute to Dave Stevens’ Rocketeer, is by Comic-Con Special Guest Bill Morrison.

(13) FLIGHT PLAN. “Vibrators, Weed, Plants: What Can You Take on a Plane?” – the New York Times checked in with TSA.

Is my Harry Potter wand OK?

…Cremated human remains get a little more complicated, while cricket bats and cutting boards are best left in checked luggage. Musical instruments like violins are allowed after they undergo a T.S.A. screening, but for brass instruments, the suggestion is to check them. And if you’re a Harry Potter fan, fear not — wands are allowed on flights.

Despite the T.S.A.’s rules, there’s one item in particular that Ms. Farbstein said she still sees confiscated far too often: knives. “We see knives every day,” she said.

As many as four tons of different kinds of knives and large tools get confiscated at Newark Liberty International Airport in an average year, according to Ms. Farbstein. The T.S.A. then sends them off in bulk to the State of Pennsylvania, she said, which sells them for profit at a surplus store in Harrisburg.

Travelers should remember that knives of all kinds are not allowed on flights, said Ms. Farbstein.

(14) THEY KNOW HOW TO TWANG THEIR MAGIC PLONKERS. CBR.com presents its list of the “10 Strongest Students At Hogwarts, Ranked”.

Hogwarts School of Witchcraft and Wizardry is one of the most acclaimed educational establishments in Harry Potter. Like Beauxbatons Academy and Durmstrang Institute, it forges young pupils into formidable witches and wizards. Hogwarts alumni include some of the greatest magic-users of the 20th century — Albus Dumbledore, Minerva McGonagall, Severus Snape, and Lord Voldemort, to name a few.

Starting at the bottom:

10. Vincent Crabbe Learns To Cast The Devastating Fiendfyre Curse

Along with Gregory Goyle, Vincent Crabbe spends most of his time as Draco Malfoy’s boneheaded minion. He fails his Fifth Year O.W.L. exams, indicating that he’s exactly as intelligent as he sounds. Crabbe may not exhibit the stereotypical Slytherin shrewdness, but he’s certainly capable of casting the darkest magic known to Wizardkind.

He learns a variety of jinxes and hexes from Alecto and Amycus Carrow, although it’s still not clear how he knows the devastating Fiendfyre curse. The very fact that Crabbe uses Fiendfyre sets him apart from the rest of his cohort, regardless of what happens to him in the end.

(15) CANNED ENGINEER. “Google Fires Engineer Who Claims Its A.I. Is Conscious” reports the New York Times. The decision was a no-brainer.

Google fired one of its engineers, Blake Lemoine, on Friday, more than a month after he raised ethical concerns about how the company was testing an artificial intelligence chatbot that he believes has achieved consciousness.

A Google spokesman, Chris Pappas, said Mr. Lemoine, a senior software engineer in its Responsible A.I. organization, “chose to persistently violate clear employment and data security policies that include the need to safeguard product information.”

The company, which denies that its chatbot language model is sentient, had placed Mr. Lemoine on paid leave in June. Mr. Lemoine confirmed his dismissal in a text message on Friday, and said he was meeting with lawyers to review his options. The firing was first reported by the newsletter Big Technology….

(16) A NOT ENTIRELY UNEXPECTED PARTY. [Item by Dann.] No idea about the veracity of the image but it did make me laugh. Found it on Facebook with all of the cautions that implies.  

(17) SAY THE MAGIC WORD. Shazam! Fury Of The Gods opens in theaters internationally beginning December 15 and in North America on December 21.

From New Line Cinema comes “Shazam! Fury of the Gods,” which continues the story of teenage Billy Batson who, upon reciting the magic word “SHAZAM!,” is transformed into his adult Super Hero alter ego, Shazam.

(18) FLAME ON. [Item by Martin Morse Wooster.] Tom Scott goes to a 400-year-old dragon-slaying festival in a small German village where the dragon is the world’s largest walking robot, built for 2.3 million euros. “A 400-year-old festival has the world’s largest walking robot”.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Joey Eschrich, Dann, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

2022 Inkpot Awards

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Many creators were honored with Inkpot Awards this weekend at Comic-Con International 2022 for their contributions to the worlds of comics, science fiction/fantasy, film, television, animation, and fandom services.

The convention has not yet updated its list of winners, but all of the following artists, writers, and media figures have been reported by social media as 2022 award recipients.

JANE BAER

TRINO CAMACHO

CECIL CASTELLUCCI

RUTH CLAMPETT

SHAENON K. GARRITY

MARIE JAVINS

JOCK

BARBARA RANDALL KESEL

MIRIAM LIBICKI

BILL MORRISON

STEVE NILES

DAN SLOTT

STEVE SAFFEL

LILAH STURGES

HIDETAKA TENJIN

2022 Eisner Awards

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Comic-Con International announced the winners of the Will Eisner Comic Industry Awards 2022 at an in-person ceremony on July 22.

2022 WILL EISNER COMIC INDUSTRY AWARDS

BEST SHORT STORY

  • “Funeral in Foam,” by Casey Gilly and Raina Telgemeier, in You Died: An Anthology of the Afterlife (Iron Circus)

BEST SINGLE ISSUE/ONE-SHOT (MUST BE ABLE TO STAND ALONE)

  • Wonder Woman Historia: The Amazons, by Kelly Sue DeConnick and Phil Jimenez (DC)

BEST CONTINUING SERIES

[Tie]

  • Bitter Root, by David F. Walker, Chuck Brown, and Sanford Greene (Image)
  • Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)

BEST LIMITED SERIES

  • The Good Asian, by Pornsak Pichetshote and Alexandre Tefenkgi (Image)

BEST NEW SERIES

  • The Nice House on the Lake, by James Tynion IV and Álvaro Martínez Bueno (DC Black Label)

BEST PUBLICATION FOR EARLY READERS (UP TO AGE 8)

  • Chibi Usagi: Attack of the Heebie Chibis, by Julie and Stan Sakai (IDW)

BEST PUBLICATION FOR KIDS (AGES 9-12)

  • Salt Magic, by Hope Larson and Rebecca Mock (Margaret Ferguson Books/Holiday House)

BEST PUBLICATION FOR TEENS (AGES 13-17)

  • The Legend of Auntie Po, by Shing Yin Khor (Kokila/Penguin Random House)

BEST HUMOR PUBLICATION

  • Not All Robots, by Mark Russell and Mike Deodato Jr. (AWA Upshot)

BEST ANTHOLOGY

  • You Died: An Anthology of the Afterlife, edited by Kel McDonald and Andrea Purcell (Iron Circus)

BEST REALITY-BASED WORK

  • The Black Panther Party: A Graphic History, by David F. Walker and Marcus Kwame Anderson (Ten Speed Press)

BEST GRAPHIC MEMOIR

  • Run: Book One, by John Lewis, Andrew Aydin, L. Fury, and Nate Powell (Abrams ComicArts)

BEST GRAPHIC ALBUM—NEW

  • Monsters, by Barry Windsor-Smith (Fantagraphics)

BEST GRAPHIC ALBUM—REPRINT

  • The Complete American Gods, by Neil Gaiman, P. Craig Russell, and Scott Hampton (Dark Horse)

BEST ADAPTATION FROM ANOTHER MEDIUM

  • George Orwell’s 1984: The Graphic Novel, adapted by Fido Nesti (Mariner Books)

BEST U.S. EDITION OF INTERNATIONAL MATERIAL

  • The Shadow of a Man, by Benoît Peeters and François Schuiten, translation by Stephen D. Smith (IDW)

BEST U.S. EDITION OF INTERNATIONAL MATERIAL—ASIA

  • Lovesickness: Junji Ito Story Collection, by Junji Ito, translation by Jocelyne Allen (VIZ Media)

BEST ARCHIVAL COLLECTION/PROJECT—STRIPS (AT LEAST 20 YEARS OLD)

  • Popeye: The E.C. Segar Sundays, vol. 1 by E.C. Segar, edited by Gary Groth and Conrad Groth (Fantagraphics)

BEST ARCHIVAL COLLECTION/PROJECT—COMIC BOOKS (AT LEAST 20 YEARS OLD)

  • EC Covers Artist’s Edition, edited by Scott Dunbier (IDW)

BEST WRITER

  • James Tynion IV, House of Slaughter, Something Is Killing the Children, Wynd (BOOM! Studios); The Nice House on the Lake, The Joker, Batman, DC Pride 2021 (DC); The Department of Truth (Image); Blue Book, Razorblades (Tiny Onion Studios)

BEST WRITER/ARTIST

  • Barry Windsor-Smith, Monsters (Fantagraphics)

BEST PENCILLER/INKER OR PENCILLER/INKER TEAM

  • Phil Jimenez, Wonder Woman Historia: The Amazons (DC)

BEST PAINTER/MULTIMEDIA ARTIST (INTERIOR ART)

  • Sana Takeda, Monstress (Image)

BEST COVER ARTIST

  • Jen Bartel, Future State Immortal Wonder Woman #1 & 2, Wonder Woman Black & Gold #1, Wonder Woman 80th Anniversary (DC); Women’s History Month variant covers (Marvel)

BEST COLORING

  • Matt Wilson, Undiscovered Country (Image); Fire Power (Image Skybound); Eternals, Thor, Wolverine (Marvel); Jonna and the Unpossible Monsters (Oni)

BEST LETTERING

  • Barry Windsor-Smith, Monsters (Fantagraphics)

BEST COMICS-RELATED PERIODICAL/JOURNALISM

  • WomenWriteAboutComics.com, edited by Wendy Browne and Nola Pfau (WWAC)

BEST COMICS-RELATED BOOK

  • All of the Marvels, by Douglas Wolk (Penguin Press)

BEST ACADEMIC/SCHOLARLY WORK

  • Comics and the Origins of Manga: A Revisionist History, by Eike Exner (Rutgers University Press)

BEST PUBLICATION DESIGN

  • Marvel Comics Library: Spider-Man vol. 1: 1962–1964 (TASCHEN)

BEST WEBCOMIC

BEST DIGITAL COMIC

  • Snow Angels, by Jeff Lemire and Jock (Comixology Originals) 

WILL EISNER SPIRIT OF COMICS RETAILER AWARD

  • Books with Pictures — Katie Pryde, Portland, OR

BOB CLAMPETT HUMANITARIAN AWARD

  • Annie Koyama

BILL FINGER AWARD FOR EXCELLENCE IN COMIC BOOK WRITING

  • Bob Bolling
  • Don Rico 

RUSS MANNING PROMISING NEWCOMER AWARD

  • Luana Vecchio, artist of Bolero (Image)

EISNER HALL OF FAME INDUCTEES

Six chosen by judges, four by vote of industry professionals.

COMIC PIONEERS

  • Marie Duval
  • Rose O’Neill

DECEASED CREATORS

  • Max Gaines
  • Mark Gruenwald

LIVING LEGENDS

  • Alex Niño
  • Craig Russell

VOTERS’ SELECTIONS

  • Howard Chaykin
  • Kevin Eastman
  • Moto Hagio
  • Larry Hama
  • David Mazzucchelli
  • Grant Morrison

Pixel Scroll 7/22/22 And The Pixel That Was Planted In My Brain Still Remains, Within The Scrolls Of Filers

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(1) BOT AND PAID FOR. In “Fandoms Can Do Bad All by Themselves”, Vice looks at reports about what percentage of social media support for the release of the Zack Snyder cut of Justice League came from bots, but concludes most of it was probably genuine.

According to a report in Rolling Stone, the very online campaign for the release of Zack Snyder’s cut of Justice League was a battle waged in no small part by bots. The report is gossipy fun and well worth reading in full—multiple sources tell reporter Tatiana Siegel that Snyder, discoursing on his enemies to a studio executive, said, “I will destroy them on social media,” and it gets more absurd from there—but the main impression the reader is left with is that the pro-Snyder movement was perhaps not quite as organic as it seemed. One interesting thing is that it’s not clear how much that would matter—the behavior of most fandoms when they’re incensed, after all, is not all that different from bots to begin with.

… The outlet commissioned reports from three different cybersecurity and social-media firms, and also quotes from reports that were commissioned by Warner Bros. According to reports commissioned by Rolling Stone, at least 13% of the accounts using the hashtags related to the Snyder fandom were deemed fake—much higher than the average of around 5%. Because people and bots using this hashtag would often target specific Warner Bros. executives with implied death threats, Rolling Stone reports, the studio hired cybersecurity firms to analyze its contents. While all acknowledge that any popular hashtag will have bot activity, at a few points in the article different people argue that if Snyder was scheming behind the scenes at the Warner Bros. studios, then these bots must have been under his control as well. (One site, forsnydercut.com, was at one point registered by an ad agency, but Rolling Stone was unable to establish a connection between Snyder and a person apparently behind the site, whom he denied knowing or hiring.)

While this report is full of juicy gossip surrounding Snyder’s behavior towards the people he felt had wronged him, it probably somewhat overstates the power of robot armies; whatever else Snyder was or wasn’t in control of, he certainly knew how to present himself to a fandom in order to garner its sympathy….

(2) LOVE NEVER FAILS. “Sarah Gailey On Loving Monsters” at CrimeReads.

Just Like Home is dedicated “to everyone who ever loved a monster.”

It is the easiest thing in the world to love a monster. It’s easy to love a monster because love isn’t a decision. It’s no one’s fault that love happens. Emotions, urges, and impulses are themselves beyond our ability to control. Love in its many forms wells up out of the human spirit irrepressibly. Like anger or sadness or the desire to kill, it arrives without invitation or intention. Action might spring from emotion—love might lead to an expression of affection, anger might lead to violence, a powerful impulse might lead to a monstrous act. But on its own, love is no different from any other feeling. To love a monster is easy, when the monster seems loveable.

It’s easy for a monster to seem loveable. All monsters partition other people into two categories—those who witness their monstrosity, and those who don’t. Maybe this is because the monster sees the world as divided into unequal parts, where some deserve to flourish while others deserve to be the targets of ungoverned impulse. Or maybe it’s because monsters want to be loved just as much as anyone else, and they understand that those who experience their ungoverned impulses aren’t likely to give them support, affection, admiration. Maybe it’s just another reflex, as unconscious as the way my voice slips into a slightly different register when I’m around trusted friends….

(3) AFROFUTURISM NEWS. In the Guardian’s interview with artist and filmmaker Edward George, he talks about Black cultural history, Tupac Shakur, the evolution of dub and his remarkable cinema essays with the Black Audio Film Collective: “Edward George: ‘You can’t have Afrofuturism without some ambience of a fascist thinking creeping in’”.

…Last Angel is not only a film about science fiction but, partly influenced by Chris Marker’s 1962 film La Jetée, it features a character called the “data thief” who travels back from the year 2195 to probe the failure of the Ghanaian revolution. If this all sounds hugely ambitious, Icarean even, that’s part of its appeal. It played a crucial role in popularising Afrofuturism – a term first coined by white theorist Mark Dery, and now used to describe countless exhibitions, film series and even films (such as the feudalism-romanticising Black Panther) in which the term is used breezily, a floating signifier for something to do with technophilia, empowerment, a vague and breezy form of utopianism. “Because of the ways it uses the archive, its montage, its commentary – the film has become a codex of futurity,” says George.

“If you want to fetishise futurity less, you have to go back to the plantations and to the slaves themselves: a lot of the songs that they were singing were literally about a tomorrow. These were cast in the metaphysical language of the day – that of the Bible – which was an act of mastery in itself. More than that, look at Italian futurism in the early 20th century: it opened out on to all kinds of fascism. You can’t have futurity, or futurism, or Afrofuturism, without some ambience of a fascist thinking creeping in.”…

(4) FLINT FUNDRAISER ACHIEVES GOAL. The “Eric Flint” GoFundMe created to help pay the costs of memorial services raised $12,540. The organizer announced, “The family wants to thank you for your generosity. We have reached the goal and will be closing the campaign. Hug your loved ones today.”

(5) SFWA SPOTLIGHTS ROMANCE STEERING COMMITTEE. The Science Fiction and Fantasy Writers Association (SFWA) announced that a SFWA Romance Steering Committee (RSC) was formed in Fall 2021.

The RSC will offer meaningful input and assistance in cultivating a positive trajectory for authors of stories that combine fantasy, science fiction, and romance in a way that encourages diversity, engagement, and quality, while also providing outreach and support resources for romance writers struggling with inclusion in the SFF community at large.

RSC resources that are already available, or will be soon, include:

  • The SFWA Discord channel #romantic-sff
  • Monthly posts in the Romancing SFF series on the SFWA Blog searchable here.
  • A Romancing SFF Meetup to be held in the fall.

The members of the Romance Steering Committee are Alexia Chantel, Claire Davon, Miranda Honfleur (co-chair), Victoria Janssen, Chelsea Mueller (co-chair), Abigail Reynolds, Katherine Ley, and R.K. Thorne.

(6) HOT ITEM. From AbeBooks “Most expensive sales from April to June 2022”, see the asbestos-bound copy of Bradbury’s Fahrenheit 451. The third-biggest sale of the quarter, it went for $22,500.

This is the famous asbestos-bound edition of Bradbury’s classic dystopian novel about the power of books. #83 of 200 signed and numbered copies. A regular signed first edition of Fahrenheit 451 sold for $12,000 via AbeBooks earlier in the year.

Sixth on the list was Alice’s Adventures in Wonderland illustrated by Salvador Dali sold for $21,375.

(7) CYBER-GROUNDHOG DAY. [Item by Daniel Dern.] Sure, sounds useful, but also “Yet another ‘what could possibly go wrong,’ e.g., heists/capers, foreign invaders, alien invaders, and AI/cyber takeovers. E.g, Niven/Pournelle Oath of Fealty, probably also at least one PK Dick story. “Earthgrid Aims To Rewire the USA Using Super-Cheap Tunnel Tech” at Slashdot.

Bay Area startup Earthgrid says it’s developing a plasma boring robot that can dig underground tunnels 100x faster and up to 98% cheaper than existing tech, and it plans to use it to start re-wiring America’s energy, internet and utilities grids….

(8) SHATNER LENDING VOICE TO MASTERS OF THE UNIVERSE. Yahoo! was a witness as “William Shatner crashes Comic-Con—and soon, Masters Of The Universe”.

He-Man and his friends will welcome a new addition to the follow-up to Netflix’s Masters Of The Universe: Revelation—an animated series set in outer space that, up until now, has been sorely lacking anyone who’s actually been in outer space. William Shatner made a surprise appearance at Thursday’s San Diego Comic-Con panel celebrating 40 years of Masters Of The Universe toys, films, and series, at which series creator Kevin Smith confirmed that Shatner will voice a mystery character in the upcoming Masters Of The Universe: Revolution.

The legendary Star Trek actor and actual astronaut arrived to deliver the news of his casting in the most conceivably Comic-Con way possible: his booming voice startling and delighting Hall H audience members before he emerged to join the panel. The 2022 edition of the convention is a busy one for Shatner, who was also on hand to preview a forthcoming documentary about his life produced by Legion M, the production company created and led entirely by fans. “San Diego Comic-Con has grown,” he quipped. “There’s something in the water. It used to be a little sleepy town!”…

There are more details about the panel in CBR.com’s article “SDCC: He-Man & the Masters of the Universe 40th Anniversary Panel”.

Cora Buhlert is keeping a sharp eye on these developments. She notes there will be another Masters of the Universe panel on Friday focused on the toys. Plus, says Cora, “Mattel has a huge toy display at the con, including a diorama featuring the massive Eternia playset, of which only a handful were produced in the 1980s. Apparently, the Eternia set will be crowdfunded, e.g. Mattel will be collecting preorders and only then go into production. There are a couple of videos about the Mattel display online. This one is pretty detailed and offers a good look at the Eternia diorama and the other toys announced.”

(9) BUHLERT’S NEW TOY PHOTO STORY. The previous item would have been the perfect lead-in to a new Masters of the Universe figure photo story, but that’s not the source of her latest, which is “The Frost-Giant’s Daughter”, an adaptation of a story by Robert E. Howard.

…For those who don’t know, “The Frost-Giant’s Daughter” is the second story about Conan of Cimmeria that Robert E. Howard ever wrote, ninety years ago now. It was rejected by Weird Tales and only published in altered form (with Conan renamed Amra) in the fanzine The Fantasy Fan during Howard’s lifetime. The original version did not appear until way after Howard’s death. You can read the Amra version here.

“The Frost-Giant’s Daughter” is set early during Conan’s career. Many believe it is the earliest of Conan’s chronicles adventures. I’m not entirely convinced by this, but Conan is definitely young in this story.

My adaptation differs from the original story in two aspects. For starters, I made it less rapey. Secondly, instead of the male pseudo-Viking companions from the original story, the companion I gave Conan is Valeria of the Red Brotherhood, pirate, mercenary, swordswoman and all around awesome character, whom Conan meets in the later story “Red Nails”.

So I present you: “The Frost-Giant’s Daughter” by Robert E. Howard, starring Conan of Cimmeria and Valeria of the Red Brotherhood…

(10) EATING THE FANTASTIC. Scott Edelman invites listeners to dig into dumplings with Patrick O’Leary in episode 176 of the Eating the Fantastic podcast.

Patrick O’Leary

We discussed the way his new novel 51 is similar to The Great Gatsby, why he believes his books will crumble if he attempts to describe them, the perils and pleasures of pantsing (and how his stories often don’t get any good until the 15th draft), the tragedy of being an invisible creature, our mutual fears of what aging might bring, his love for Marvel Comics (and especially the Silver Surfer), how Laura Ingalls Wilder introduced him to literature, the way reading Kurt Vonnegut taught him there were no rules, the two science fiction greats who literally left him speechless, and much more.

(11) ALAN GRANT (1949-2022). Comic writer Alan Grant, best known for his work on Judge Dredd and Batman, died July 20 at the age of 73. 2000AD has a full profile of his career here.

…Grant was one of his generation’s finest writers, combining a sharp eye for dialogue and political satire with a deep empathy that made his characters seem incredibly human and rounded. Through his work he had a profound and enduring influence on 2000 AD and on the comics industry….

(12) MEMORY LANE.  

1922 – [By Cat Eldridge.] One hundred years ago, Agatha Christie’s Secret Adversary was released in the United Kingdom by The Bodley Head. The novelintroduces Tommy and Tuppence who will be featured in three more novels and a collection of short stories. The five Tommy and Tuppence books would span Christie’s writing career.

The story here is that the Great War is over, and jobs are almost impossible to find, so childhood friends Tommy Beresford and Prudence “Tuppence” Cowley decide to start their own business as The Young Adventurers. In this novel, they are hired for a job that leads them into many dangerous situations, and meeting allies as well, including an American millionaire in search of his cousin.

The critics liked it. The Times Literary Supplement said it was “a whirl of thrilling adventures” and the Daily Chronicle was very happy with it: “It’s an excellent yarn and the reader will find it as impossible as we did to put it aside until the mystery has been fathomed.” 

It would be the second Christie work to be turned into a film as it would be made in Germany by the Orplid Film company in 1929 as a silent movie which ran for 76 minutes. Thought to be lost, it wasn’t and was shown at the National Film Theatre in 2001. 

The novel was adapted twice for television, in 1983 and in 2014. Significant changes were made to story. A graphic novel was done.  Several theatre productions were staged. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 22, 1882 — Margery Williams. The Velveteen Rabbit (or How Toys Become Real) is the work that is by far her best known work. Is it genre? Sure. And it has been adapted as video, audio and theatre myriad times. One audio version was narrated by Meryl Streep with music by George Winston. (Died 1944.)
  • Born July 22, 1932 — Tom Robbins, 90. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them on this occasion at least? Well I will. Now Jitterbug Perfume, that’s definitely genre! Cowgirls Get the Blues got made into a rather excellent film by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves. Interesting note: Still Life with Woodpecker made the long list at one point for the Prometheus Award for Best Libertarian SF Novel. 
  • Born July 22, 1941 — Vaughn Bodé. Perhaps best known for the Cheech Wizard character and his art depicting erotic women. For our purposes, he’s a contemporary of Ralph Bakshi and has been credited as a major influence on Bakshi’s The Lord of the Rings and Wizards. He’s been inducted into the Will Eisner Award Hall of Fame. (Died 1975.)
  • Born July 22, 1944 — Nick Brimble, 78. His first genre role was in Lust for a Vampire as the First Villager. He next shows up in Roger Corman’s Frankenstein Unbound as The Monster.  He’s Sir Ectot in A Knight’s Tale which I really like be it genre adjacent or not. His lastest film genre role is as Dr. Zellaby in Soulmate, and he’s the voice of Owsla in the Watership series. 
  • Born July 22, 1959 — Nigel Findley. He was a game designer, editor, and an author of science fiction and fantasy novels and RPGs. He was also part of the original Shadowrun RPG core group and has sole writing credit on both sourcebooks and Shadowrun world novels. Yes, I played Shadowrun, a most enjoyable experience. (Died 1995.)
  • Born July 22, 1972 — Colin Ferguson, 50. Best known for being Sheriff Jack Carter on  Eureka. Damn I miss that series which amazingly won no Hugos. (I just discovered the series is on the Peacock streaming service which I subscribe to so I’m going to watch it again!) He’s also been in Are You Afraid of the Dark, The Hunger, The X-Files, The Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. Oh and he made a series of commercials for Maytag.

(14) COMICS SECTION.

  • Last Kiss has genre-related advice for a foundering romance.

(15) COLBERT AT COMIC-CON. “SDCC: Stephen Colbert hosts Lord Of The Rings extravaganza” – A.V. Club has the story.

Amazon spent nearly half a billion dollars on their new Lord Of The Rings series, and at least half of that must’ve gone into their Comic-Con panel. Led by a string accompaniment featuring series composer Bear McCreary, the panel kicked off with the music of Middle Earth to set the stage, and Late Show host Stephen Colbert on hand to speak elvish and keep things moving.

Prime Video played a room-wrapping trailer on screens all around Hall H, showing off the various peoples of Middle Earth. And all that’s before showrunner J.D. Payne taught us to say “Oh, shit” in Elvish—only to be challenged by Colbert. “Tolkien speaks the language of the soul,” said Payne. And he also speaks the language of debate.

… And finally, Colbert asked question that was on everyone’s lips: “Will there be Entwives?”

“Maybe you’ve seen them already,” McKay teased.

(16) RINGS TRAILER. Here’s the “The Lord of the Rings: The Rings of Power” trailer shown at San Diego Comic-Con. Begins streaming September 2 on Prime Video.

Discover the legend that forged the rings. #TheRingsOfPower Prime Video’s The Lord of the Rings: The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

(17) FREE READ. Cora Buhlert has a new flash story online at Wyngraf Magazine. This one is called “Demon Child” which she says “is a changeling story in reverse.” The first line is —

“I swear to you, this baby is a monster,” Sansavi said as she pushed the pram back and forth across the black bridge of Zairahm….

(18) A COMIC ABOUT MARTIANS IN PASADENA. NPR presents “NASA engineer Nagin Cox on Mars rover time”. “This comic, illustrated by Anuj Shrestha, is inspired by an interview with NASA engineer Nagin Cox from TED Radio Hour’s episode It Takes Time.”

(19) ALTERNATE RACE TO MARS CONTINUES. “’For All Mankind’ Renewed for Season 4 at Apple” – Variety reports from Comic-Con.

“For All Mankind” has been renewed for Season 4 at Apple.

The announcement was made Friday as part of the show’s panel at San Diego Comic-Con. Production on the new season is scheduled to begin in August. Season 3 of the series debuted on the streamer on June 10.

“For All Mankind” is an alternative history series that explores what would have happened if the global space race had never ended. The series presents an world where NASA astronauts, engineers and their families find themselves in the center of extraordinary events seen through the prism of an alternate history timeline — a world in which the USSR beats the US to the moon.

In Season 3, the series moved into the early ‘90s with a race to a new planetary frontier: Mars. The Red Planet becomes the new front in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake. The characters find themselves going head-to-head as their ambitions for Mars come into conflict and their loyalties are tested, creating a pressure cooker that builds to a climactic conclusion….

(20) STRANGER CHICKEN. Adweek is fascinated when “KFC Releases ’80s-Style Horror Film With Killer Pizza”.

The phenomenon of Netflix series Stranger Things has produced a resurgence of interest in ’80s horror movies. Now chicken restaurant chain KFC is looking to tap into that interest from younger consumers by producing its own short film in Spain, featuring killer pizza.

The fast-food chain has released La Massacre—a 14-minute short film, which tells the often-told story of five teenagers who travel to a remote cabin in the woods to enjoy a weekend away. However, once they reach it, they are stalked and killed by a terrifying entity shaped like a pizza.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Half-Blood Prince Pitch Meeting,” Ryan George notes the sixth Harry Potter movie begins with Harry Potter breaking Hogwarts security by reading a magic newspaper in a Muggle coffee shop.  But Dumbledore drags him back to Hogwarts so that he can begin his yearly ritual of “placing children in mortal danger.” The producer notes that at Hogwarts “they really don’t teach anything except how to die a horrible death,” so Harry and the gang “spend way too much time on teenage romance.”  But things are so lax at Hogwarts that Harry nearly kills Draco Malfoy until Snape saves him but Harry isn’t punished for this.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Daniel Dern, Bill, Steven French, Cora Buhlert, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 7/21/22 This Pixel Intentionally Left Indescrollable

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(1) WICKED GOOD. [Item by Jennifer Hawthorne.] I was browsing this article in Slate and was pleasantly shocked to find Estraven from The Left Hand of Darkness on the list. There are other more mainstream SFFnal entries too. “The best death scenes in movies, TV, books, theater, songs, and more.”

…The death scene is one of the sharpest tools in a writer’s toolbox, as likely to wound the writer themself as the reader—for if a well-written death scene can be thrilling, terrifying, or filled with despair, so can a poorly written one be bathetic, stupid, and eye-rolling.

But let’s not talk about those. Let’s talk about the good ones, the deathless death scenes. We’ve assembled the 50 greatest fictional deaths of all time—the most moving, most funny, most shocking, most influential scenes from books, movies, TV, theater, video games, and more. Spoilers abound: It’s a list that spans nearly 2,500 years of human culture, from Athens to A24, and is so competitive that even poor Sydney Carton and his famous last words couldn’t make it…. 

(2) MOBY CLICK. [Item by Mike Kennedy.] In connection with the previous item, Slate also posted “Hitchhiker’s Guide to the Galaxy: Douglas Adams explains the whale scene”, a piece reprinted with the permission of his estate in which Douglas Adams reacts to the ways that some of his readers reacted to the death of the whale. And, one supposes, this Reprinted Reaction Reaction is now Canon. 

(3)  TIMING IS THE SECRET (NOT JUST OF COMEDY). Gizmodo reports the resolution of a story I first read on Petréa Mitchell’s SMOF News: “As Comic-Con Begins, Hotel Workers Went On Strike… And Won”.

Just as the Hilton Bayfront was set to open its doors to San Diego Comic Con attendees, special guests, and press, the workers at the hotel set up a picket line in front of the hotel. The strike only lasted a few hours, proving once again that collective action, worker solidarity, and excellent timing will often force management to come to the bargaining table willing to present reasonable offers.

The San Diego Union-Tribune reported that last Wednesday, despite the oncoming legion of nerds, geeks, and fans that are set to swarm the sold-out hotel, management had not come to an agreement with the Unite Here Local 30, which represents nearly 450 full-time employees and an additional 150 on-call workers. Today, however, they have presented an agreement that Brigette Browning, president of Unite Here Local 30, views positively, which ended the strike, for now….

(4) PICKET DUTY. Meanwhile, on the East Coast, “HarperCollins Workers Strike For Increased Wages, Benefits and Diversity”  reports the New York Times.

HarperCollins union members went on a one-day strike on Wednesday, with around 100 employees and additional supporters marching in front of the company’s corporate headquarters in Manhattan in the sticky heat for higher wages, better family leave benefits and a stronger commitment to diversity from the company.

Publishing has long offered meager wages to entry and midlevel employees, making it difficult to live in New York City, where the industry is based, without a second job or financial support from a spouse or family.

Many workers say that the low wages also make it hard for potential employees who don’t come from wealth to consider a career in publishing, which hampers efforts to diversify the mostly white industry.

“I love my job, I love my authors, it’s an incredible privilege to get to work on these books, and I would love to do it for the rest of my life, if I can afford to,” said Stephanie Guerdan, an associate editor in the children’s department who joined the strike.

But with a salary of $56,000 a year, she said, she worries she won’t be able to stay.

(5) HEAR THEM RING. A Marriott hosting San Diego Comic-Con visitors is wrapped with publicity for The Rings of Power.

Two tracks of music from the series have been made available to hear online.

(6) GAIMAN AS OPERA. The West Edge opera production of “Coraline”, based on Neil Gaiman’s book, will be performed at the Oakland Scottish Rite Center in Oakland, CA from July 30-August 7. Tickets here.

With great pleasure we present an opera that is for people of all ages who love gruesome things!

Coraline is a young girl whose life has been uprooted. As she wanders alone through her new creaky house, she tries to get the attention of her work-at-home parents to no avail. One day she discovers a mysterious door, through which she sets out on a terrifying adventure that tests the limits of human bravery.

(7) POWERS OF PERSUASION. While I’m already interested in Jane Austen, if I weren’t, Abigail Nussbaum’s “Four Comments on Netflix’s Persuasion” at Asking the Wrong Questions would still rivet my interest. Following the four comments referenced in the title, she sums up:

…The correct attitude when approaching a field this vibrant and busy isn’t condescension, but humility. When even the specific sub-type of Austen adaptation you’re attempting—irreverent and modernized—includes films like Clueless, you don’t have the option of half-assing your work, or failing to think through your choices and how they affect the characters and plot. You have to be able to justify what you’re doing both as a reflection of what Austen wrote, and as a work in its own right. Persuasion does not even seem to have realized that it needed to do this…. 

(8) THAT EXPRESSION IS A SMILE. You might not expect to find James Davis Nicoll recommending “Five Feel-Good Comfort Reads”, but never underestimate his versatility.

Unlike the news, fiction is not limited to a seemingly unending cavalcade of disaster, calamity, and egregiously poor choices, a cavalcade as comforting as glancing up a mountainside to see an avalanche swiftly bearing down on one.  So, if doomscrolling is getting you down, consider stepping away from the newsfeeds to enjoy a comfort read or two…

First on the list, a work with previously unsuspected sff credentials:

Cold Comfort Farm by Stella Gibbons (1932)

Orphaned at nineteen, Flora Post embodies “every art and grace save that of earning her own living.” Without any other means at hand, she goes to live with distant relatives: the Starkadders, whose homestead, Cold Comfort Farm, is in the depths of rustic Sussex.

Flora intends to earn her living. The rural melodramas of such luminaries as Mary Webb (Gone to Earth) assure Flora that her unfortunate rural relatives must languish under a myriad of troubles that their simple rustic minds are incapable of solving. Indeed, each Starkadder struggles with issues so profound as to seem parodic. Flora, on the other hand, is a very modern, very organized girl. What seem like insurmountable challenges for her kinfolk are to her simple challenges easily solved.

Readers who know Cold Comfort Farm only from the otherwise exemplary 1995 film adaptation—”There’ll be no butter in hell!”—may be surprised to learn that Cold Comfort Farm was a science fiction novel of sorts. The 1932 text references the Anglo-Nicaraguan wars of ’46, establishing that the book takes place in what is now an alternate history.

(9) TONOPAH ON HIS MIND. Alan White’s personal Westercon 74 Memory Book is filled with entertaining snark and Alan’s marvelous art. It can be downloaded from eFanzines.com. Here’s a paragraph about staying at the Mizpah Hotel in Tonopah.

…The wind came up howling through the window with such force, we thought someone was testing a jet-engine in the alley. The window we could neither open nor close and not until closer inspection see the latch was off-kilter less than a hair’s breadth and with some force, clicked into place (phew). Not long after, there were other noises of speculation every time our neighbor visited the bathroom. There were noises not unlike the Titanic signaling for help whenever the faucets turned on and whenever they drew a bath, I swear there was the sound as if the Lady in Red was blowing a Vuvuzela from the drain in our bathtub. I won’t belabor you dear reader with the trifling sound coming from the air duct…

(10) MEMORY LANE.  

1986 – [By Cat Eldridge.] So let’s talk about the five volumes of The Hugo Winners that Isaac Asimov edited, published in various editions between 1962 and 1986. The basic facts are that Asimov selected stories that won a Hugo Award for Short Story, Novelette or Novella at the Worldcons held between 1955 and 1982. That was fine.

However, the powers that be at Doubleday decided that Asimov was free to express his opinions. And oh, did he do so! To put it bluntly, this was quite unusual as the text ordinarily found in these anthologies is, errr, bland to a degree that should surprise no one. Just the facts, ma’am.

Not Asimov, who wrote a short introduction about each author in each anthology. And my. He named writers that he didn’t like, those he was quite jealous of. And he went at length about those writers who won awards ahead of him and how angry that made him as he should have won those awards instead. Of course, he always believed that he should’ve won every award. Poor Isaac.

He discussed his political beliefs as he supported the ending of the Vietnam War. Basically, he used the anthologies to express his annoyance with the universe.  Ok Asimov was never shy about expressing his opinions. I’m just surprised that Doubleday gave him carte blanche authority to write what he wanted.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 21, 1911 — Marshall McLuhan. He coined the expressions the medium is the message and global village, and predicted the World Wide Web almost thirty years before it was invented. I read The Medium Is the Massage: An Inventory of Effects a long time ago. Somehow it seemed terribly quaint. (Died 1980.)
  • Born July 21, 1921 — James Cooke Brown. He’s the creator of Loglan. Oh, and he did write SF. The Troika Incident written in 1970 features a global data net. That, and two short pieces of fiction, are the sum total of his of genre writings. The Troika Incident is available from Kindle but not from iBooks.  (Died 2000.)
  • Born July 21, 1929 — John Woodvine, 93. First role in our realm is as Macbeth at Mermaid Theatre back in the early Sixties. Shortly thereafter, he’s Badger in Toad of Toad Hall at the Comedy Theatre before being The Marshal in the Fourth Doctor story, “The Armageddon Factor”.  He’s in An American Werewolf in London as Dr. J. S. Hirsch, and he had a recurring role in The Tripods as Master West. He did show up on The Avengers several times, each time as a different character, and he was Singri Rhamin for the episodes of Danger Man. 
  • July 21, 1933 — John Gardner. Novelist, critic, teacher, medievalist, among other things. His student Jeffrey Ford described Gardner’s knowledge of literature as ‘encyclopedic,’ with no regard whatever for genre boundaries. He considered Stanislaw Lem the greatest living writer, disliked Tolkien’s poetry (an assessment I agree with) but thought The Lord of the Rings ‘one of the truly great works of the human spirit’. Most of his best works are fantasy: most famously Grendel, but also Freddy’s Book, Mickelson’s Ghosts, the short story collection The King’s Indian, and his posthumously-published short story, “Julius Caesar and the Werewolf”. His book The Art of Fiction is well worth reading for anyone interested in fiction, as a writer or a reader. (Died 1982.) (PhilRM)
  • Born July 21, 1948 — G. B. Trudeau, 74. Ok we decided when I first put this Birthday up that there’s enough content to be genre, but he did an amazing series on the Apple Newton when it came out. A Doonesbury Retrospective series is up to three volumes and is available from the usual suspects at very reasonable prices. 
  • Born July 21, 1951 — Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and George Carlin in their cocaine fueled days. No, not even genre adjacent but damn brilliant. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & Mindy, Hook which I adore, The Fisher King, Bicentennial Man or Jumanji. (Died 2014.)
  • Born July 21, 1960 — Lance Guest, 62. He’s an American film and television actor, best known for his lead role in The Last Starfighter. He also shows up in Jaws: The Revenge as Michael Brody, as Jimmy in Halloween II, as Kyle Lane in “Fearful Symmetry” episode of The X-Files and as The Burning Zone in “The Critical Mass” episode of The Burning Zone. 
  • Born July 21, 1976 — Jaime Murray, 46. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. She voices Camilla in Castlevania. Filmwise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood. 

(12) BLACK ASL. Black Nerd Problems tells how “’The Champion’s Hike’ Brings African American Sign Language to ‘Craig of the Creek’”.

…“The Champion’s Hike” episode centers around Craig trying to fit in among his former enemies turned friends and Maya being the one to let him know that it’s okay to just be himself. The other portion of this story is how we get to see African American Sign language on screen via Jackie who is deaf. We see Jackie’s father communicating with him prior to the group leaving. We also see Keun-Sup signing communicating to Jackie with ASL as well. Not only do we get to see African American Sign Language, but this episode gives us sign language conversation between two characters of color. We also see Craig learning more ASL and remembering what he’s learned prior from Keun in order to interact with Jackie. Craig of the Creek really be out here thinking of everything man.

There is an artist touch used here as well where we know what is being said of the conversation only by how Keun reacts verbally to what Jackie is saying. We viewers who aren’t versed in ASL won’t understand what’s being said (like the conversation between Jackie and his father) However, that’s fine because it’s not for us….

The episode also attracted the attention of the Los Angeles Times: “How ‘Craig of the Creek’ got Black American Sign Language right”.

…It’s a moment that the episode’s consultants, from Southern California Black Deaf Advocates, point to as a highlight of their experience on the series.

“I teach parents [who have deaf children] how to sign, so the fact that a Black father was signing to his son, that exposure and that emphasis was so amazing,” said Deaf mentor Bibi Ashley through a sign language interpreter during a recent video call. “Just seeing that interaction, that was my favorite part.”…

(13) TALKING HEADS. Let SYFY Wire usher you through “Funko’s tour of Funkoville at SDCC 2022”.

With San Diego International Comic-Con returning this week at full capacity for the first time since July 2019, plenty of companies are finding space around the Gaslamp or on the show floor to welcome back fans and communities in a big way.

One of them is Funko, the collectible company which has long catered to corralling their hyper-engaged audience with live events at cons and at their HQ stores in Everett, Washington and Hollywood, California. After having to go virtual with their FunKon event in 2021, SDCC 2022 finds Funko incorporating the lessons learned during the pandemic and applying them to their massive new show floor booth space which they’ve dubbed Funkoville. 

(14) THEME PARK PUNCHOUT. “Disney World Brawl: Fantasyland Becomes Nightmare As Melee Breaks Out” – Deadline has the story.

Close on the heels of a massive brawl that forced Knott’s Berry Farm in Southern California to close early on Saturday, video has surfaced of another large melee at Walt Disney World in Florida on Wednesday.

Video posted online shows at least 6 people simultaneously engaged in physical combat, as dozens of others hover at the edges, some trying to break it up and others at times joining the fray. One large group of about a half-dozen people are dressed in coordinated red shorts and white t-shirts with mouse ears on the front. They seem to be fighting with another equally large group, at least one of whom is heard using a racial slur.

The melee took place behind Cinderella’s Castle just in front of Peter Pan’s Flight in Fantasyland, according to a local Fox affiliate. The sheriff also confirmed to the outlet that one man was hospitalized after the incident and three people were arrested for misdemeanor battery.

This is at least the third sizable fistfight at the Magic Kingdom in as many months, according to reports.

Video of the incident and further updates are posted at WDW News Today: “UPDATE: Guest Involved in Magic Kingdom Brawl Reveals Story & More Footage”.

(15) FANCY DUDS. Just what hangs in the TARDIS closet anyway? “Doctor Who costumes ranked from William Hartnell to Jodie Whittaker” at Radio Times.

The Seventh Doctor once claimed to have “an impeccable sense of haute couture”. Which was a pretty bold statement for a man wearing so many questions marks that even The Riddler probably thought it was “a bit on-the-nose”.

It’s far from the only statement look the Time Lord has sported over the years, of course. And now, if tabloid reports are to be believed – and they’re usually not, but go with me here – it seems Ncuti Gatwa’s Doctor is set to gallivant around the cosmos in a fetching pair of space wellies. So what more perfect time to bring you the Definitive Guide to Wellies in Doctor Who?

Just kidding (although the Cybermen did rock some delightful silver moon boots, back in the day): we’re actually here to talk about the Doctor’s duds down the years. And from Hartnell’s hat to Gatwa’s gumboots, it’s quite the catwalk parade…

(16) WHO HYPE. The Radio Times also reveals: “Doctor Who ‘gets behind-the-scenes spin-off series on BBC Three’”.

Returning Doctor Who showrunner Russell T Davies has commissioned a special behind-the-scenes series ahead of the next season with new Doctor Ncuti Gatwa, according to reports.

The BBC Three Doctor Who spin-off series will be titled Doctor Who: Unleashed and give fans a sneak-peek at the filming process, beginning with the 60th anniversary special next year and the surprise return of David Tennant and Catherine Tate, according to The Mirror.

The series will apparently be similar in format to Doctor Who Confidential, the behind-the-scenes sister show that ran from 2005 to 2012. It will reportedly continue to air alongside the next full season.

(17) DOPEST NIGHT SKY. Sometimes it isn’t aliens… “Strange Pink Glow in Sky Turns Out to Be Caused by Monster Weed Farm” says the Daily Beast.

Turns out that residents in the Australian city of Mildura didn’t need to panic when a mysterious pink glow appeared in the sky on Wednesday night—the feared alien invasion was really just light coming from a huge medical cannabis farm where staff forgot to close the blinds. The sinister hue of the celestial phenomenon was attributed to special lamps used in weed cultivation….

(18) CSI SKILL TREE. The Center for Science and Imagination’s Skill Tree event on sound and worldbuilding can now be viewed on YouTube here, and all ten CSI Skill Tree episodes are available from this playlist.

In this episode of CSI Skill Tree, we discuss how sound design and music in games contributes to worldbuilding, storytelling, and immersion. We look closely at Inside, a moody adventure game with environmental puzzles and grim, industrial aesthetics, and the iconic Sonic the Hedgehog 2 (1992), and consider how the possibilities for sound and music in games have changed over time. Our special guests are science fiction and fantasy author Tochi Onyebuchi (Goliath, Riot Baby) and composer and sound designer Amos Roddy, who has worked on a number of video games, including the recent cyberpunk hit Citizen Sleeper.

(19) MAD, YOU KNOW. Silvia Moreno-Garcia promotes The Daughter of Doctor Moreau on CrimeReads. “Bad Seeds and Mad Scientists: On the Build-A-Humans of 19th-Century Literature”.

…We owe the concept of criminal brains to Cesare Lombroso, an Italian physician who promulgated the idea that criminality was inherited, and that criminals could be identified by physical defects, which indicated savage or atavistic traits. Sloping foreheads or left-handedness were some of the physical signs of primitive qualities inherent in criminal brains. Lombroso’s theories on criminality would be incorporated into eugenic discourse, and the idea of the criminal brain as a source for the creature’s violent actions would be reused in many more adaptations to come….

(20) NOT JUST ANY REC ROOM. As Gizmodo phrases it, “Owen Wilson Is Iron Man With Kids in the Superhero Comedy Secret Headquarters”. Secret Headquarters streams beginning August 12 on Paramount+.

While hanging out after school, Charlie and his friends discover the headquarters of the world’s most powerful superhero hidden beneath his home. When villains attack, they must team up to defend the headquarters and save the world.

https://www.youtube.com/watch?v=JR2hwFpllz4

(21) LEAP YEAR. In the lead-up to SDCC, the showrunners of the new Quantum Leap sequel series have released some information about the show, which begins airing in September. Entertainment Weekly has the story: “Quantum Leap bosses preview thrilling new chapter”.

…Described as a spiritual scientist, quantum physicist Dr. Song has a specific approach to time travel. “He is compelled over and over again to make the right decision, even if his own life is at stake, so he is a much better person than I am in real life. He’s something to strive for,” Lee says. Dr. Song immigrated from Korea with his mother, which will be integral to the story Quantum Leap is telling. “We’re telling an immigrant story at its core, and it is how Ben is experiencing life moving forward,” Lilien explains.

Dr. Song’s partner will be decorated Army veteran Addison (Caitlin Bassett), who assists in the form of a hologram that only Ben can see and hear. While the pair’s dynamic has the banter of Sam Beckett (Scott Bakula) and Admiral Albert Calavicci (Dean Stockwell), the new iteration will be different. “Their relationship runs deeper than just being a hologram. They have a close relationship,” Lilien teases….

(22) VIDEO OF THE DAY. [Item by Mike Kennedy.] RE the upcoming Quantum Leap series sequel, several years ago Colbert had Scott Bakula on The Late Show and they tried a reboot of their own.  Maybe the new series can take a page from them.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Bernie Phillips, Bill, Daniel Dern, Joey Eschrich, PhilRM, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 7/6/22 I Come From A Pixel Down Under, Where Fen Scroll and Pros Wonder

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(1) HEARING FROM DELANY. Sally Wiener Grotta kicks off a new video interview series — “What If? Why Not? How?” – with the help of Samuel Delany (who has more to say in the comments at Facebook).

A few weeks ago, when Samuel Delany and I were at a gathering of friends at Michael Swanwick‘s and Marianne Porter’s home, he explained why he feels that spelling “black” with a capital “B” is racist. As is always true, Chip’s discourse was fascinating, keeping us spellbound. There and then, I knew I would want to record him on the subject. So, here he is, helping me launch my new video interview series: “What If? Why Not? How?” 

(2) IN PERSON IN SAN DIEGO. Heidi McDonald scouts the layout for Publishers Weekly in “San Diego Comic-Con Is Back”.

For the first time in three years, San Diego Comic-Con is returning as an in-person event. However, in a world changed by an ongoing global pandemic, even the gigantic pop culture institution will look very different when fans finally return to the San Diego Convention Center July 20–24.

It’s all part of the event industry’s transition away from the most severe pandemic restrictions, as comics publishers and media companies approach events, sales, and marketing in a new social and economic landscape. For publishers, online sales have soared, and the cost of exhibiting at giant pop culture conventions isn’t always justified financially. Nevertheless, the glamour and excitement of SDCC remains a draw, and the intangible value of seeing popular artists, as well as industry colleagues, in person has been much missed.

But this year the layout of the exhibit floor at the San Diego Convention Center will feature significant changes. Warner Bros. Discovery, the newly formed parent company of DC, has pulled out of the massive booth that once anchored the end of one hall and housed DC’s SDCC booth presence. DC will have a full lineup of panels and talent, but no booth. Dark Horse Comics, which has had a large centrally located booth for years, will also be missing, along with the longtime floor presence of indie publisher Drawn & Quarterly and publisher/merchandise producer Graphitti Designs. Image Comics, also a major presence on the exhibit floor, will have a much smaller booth.

Making up for this, newer graphic novel publishers, such as Immortal Studios, Interpop, Tapas Media/Wuxia World, Three Worlds/Three Moons, and Z2, will have booths for the first time….

(3) TRACKING COVID AFTER WESTERCON. Westercon 74, held over the July 4th weekend in Tonopah, has created a COVID tracking page on its website to collate COVID-19 reports.

We ask that any person who contracts COVID-19 during Westercon 74 or for one week following the convention please send an email to covid@westercon74.org so that we can track any possible outbreak. We will not release any personally-identifying information without prior approval from the person who reports having been infected.

So far there is one report from an attendee of Westercon 74 reporting a positive COVID-19 self-test.

Kevin Standlee emphasizes, “We won’t report personal information without the person’s permission.”

(4) A SLICE OF MIDDLE-EARTH. Here’s about 25% of The Lord of the Rings: The Rings of Power Prime Video Exclusive Sneak Peek available today to Prime Video subscribers.

(5) DOMINIQUE DICKEY Q&A. Sarah Gailey interviews “Dominique Dickey of Plant Girl Game”, “a cozy tabletop roleplaying game about a family of plant children working together to prevent an ecological disaster.” The crowdfunding appeal for the game is open for another 14 days at Gamefound.

The character age range for this game is young, ranging from 11 years old and up. What makes a child or adolescent’s perspective on community unique?

Children often think of very simple solutions to complex problems, because they’re more immersed in how the world should work than how it actually functions. Adolescents tend to run face first into that complexity: I remember at the age of fifteen or so, going from “Well, why can’t we just fix climate change?” to “A lot of very powerful people are invested in maintaining the status quo, and we have a narrow window of time in which to break that status quo, and it won’t be easy to do so.” I was absolutely enraged, because the childish part of me was still unable to conceptualize cruelty on a larger scale than playground bullies or mean girls in the locker room. I had a child’s expansive empathy, and wasn’t able to understand why anyone would lack that empathy.

Which is a roundabout way of saying that I want players to face that tension. I want players to begin a session of Plant Girl Game with the childlike knowledge that the world should be a kinder, fairer place, and leave with the adolescent realization that if we want that world—for ourselves and for our loved ones—we’re going to have to fight like hell for it….

(6) BE A FRINGE FAN IN A GOOD WAY. [Item by Alison Scott.] Filers might in general be interested in the Chicon Fringe programme, with local Chicago and online events. Events are free and you do not need to be a Chicon 8 member to attend. 

But I’m writing specifically because I’m hosting, on behalf of Glasgow in 2024, an online ‘book club’ discussion on the Best Fanzine finalists.

Tuesday 19th July, 19:30 p.m. BST, 1:30 p.m. CDT. Tickets, which are free, are available at Eventbrite here.

It would be lovely to see Filers, and fanzine readers more generally, there. 

(7) DEVELOPING FRIENDSHIPS. Elizabeth Bear’s guest post on Mary Robinette Kowal’s blog is about a different bit than she anticipated: “My Favorite Bit: Elizabeth Bear Talks About The Origin of Storms”.

When I sat down to write this essay, I was thinking that I was going to write about the extremely ancient and slightly dimensionally shifted dragon, possibly, or maybe that I was going to write about the snarky magic pen. But (“upon contemplation,” as they say) I realized my favorite part of The Origin of Storms—the thing that was absolutely the most fun to write—is the friendships…..

(8) ON THE TUBE. “Neil Gaiman’s Books Have Enchanted Millions. Finally, Hollywood Is on Board” reports the Washington Post.

…“All of the things that made ‘Sandman’ wonderful were the same things that made it almost impossible to adapt for film and television for 30 years,” says David S. Goyer, a filmmaker and producer who was a co-writer on the “Dark Knight” Batman trilogy. “All of the features that we love about ‘Sandman’ — that it is, in essence, a story about stories — are the bugs that stymied Hollywood.”

Today that is no longer the case. Quietly and steadily over the past six years, Gaiman has matched some of the most prolific creators in Hollywood. And after 32 years trapped in the purgatory of Hollywood development, a 10-episode series based on “The Sandman” will premiere on Netflix on Aug. 5. Developed by Gaiman, Goyer and writer Allan Heinberg, it represents one of the streaming service’s biggest-budget original productions. Meanwhile, Gaiman’s 2005 novel “Anansi Boys,” a modern twist on the ancient stories of the West African trickster god Anansi, is now an Amazon Studios series in postproduction, and “Good Omens” recently wrapped filming its second season. These follow on the heels of the series“American Gods,” which premiered in 2017 on Starz — earning two Emmy nominations for its first season — and aired its third season last year.

In total, Gaiman has seven shows that he has developed or that are based on his writing, with more in the works. He has become the great adapter, pulling from the store of fable and myth for his books, and transmogrifying his written work into radio and stage plays, audiobooks and movies. And now television.

Gaiman’s books “couldn’t get made in a three-network landscape,” Hamm says, owing to their complexity. As television has matured, though, so too have the opportunities to tell more-nuanced stories….

(9) MEMORY LANE. 

1957 – [By Cat Eldridge.] Sixty-five year ago, one of the very best Warner Bros. cartoons ever done was released on this in the form of Bugs Bunny’s “What’s Opera, Doc?”

It directed by Chuck Jones as written by Michael Maltese whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera.

BEWARE! SPOILERS! I MEAN IT! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des Nibelungen, Der Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well let’s just say it’s just it gets even more manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t surprise there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

It has been voted the best Warner Bros. Cartoon ever. 

A look at the iTunes stores shows it is available there. 

There’s are clips from it legally up YouTube but the entire cartoon is not so please do not offer links to such as they’ll just need to be removed as we don’t host pirated material here. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit.  After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.)
  • Born July 6, 1918 — Sebastian Cabot. He’s here because he’s in The Time Machine, which was nominated for a Hugo at Seacon, as Dr. Philip Hillyer. Several years later, he’ll be in the animated The Sword in the Stone voicing both Lord Ector and The Narrator. Likewise he’d be Bagheera in The Jungle Book, and The Narrator in The Many Adventures of Winnie the Pooh. Lastly he shows up in several episodes of Fifties series Conrad Nagel Theater. (Died 1977.)
  • Born July 6, 1927 — Janet Leigh. Certainly best remembered as doomed Marion Crane in Alfred Hitchcock’s Psycho. She would also be in with her daughter, Jamie Lee Curtis, in both The Fog and Halloween H20: 20 Years Later. She’s also in the Night of the Lepus, a very odd 70s SF film. (Died 2004.)
  • Born July 6, 1945 — Rodney Matthews, 77. British illustrator and conceptual designer. Among his many endeavors was one with Michael Moorcock creating a series of 12 large posters that showed scenes from Moorcock’s ‘Eternal Champion’ series. This is turn became the Wizardry and Wild Romance calendar. He also worked work with Gerry Anderson on the Lavender Castle series. 
  • Born July 6, 1945 — Burt Ward, 77. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1946 — Sylvester Stallone, 76. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the 2000 A.D. series which was something the second film, which though it had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect.
  • Born July 6, 1950 — Rick Sternbach, 72. Best known for his work in the Trek verse sharing with Star Trek: The Motion Picture where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 andVoyager. He also pretty much designed every starship during that time from from the Cardassian and Klingon ships to the Voyager itself. He would win Best Professional Artist Hugos at SunCon and IguanaCon II, and he was the Artist Guest of Honor at Denvention 3. 

(11) COMICS SECTION.

  • Bizarro is about a bit of financial planning for frogs that reminds me of a bit in Hitchhiker’s Guide.
  • The Argyle Sweater is funny – if you get the reference. I once had a 5-year-old, so I do.

(12) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listened to the podcast Leonard and Jessie Maltin did with Dean Fleischer Camp about Marcel the Shell with Shoes On.  Both the Maltins very much like this film. Camp doesn’t provide many technical details, although he credits animation director Kirsten Lepore with doing a lot of the work during the 2 1/2 years it took to make this film.  He also explained that Isabella Rosselini was attached to the project because she likes making quirky artistic choices. Camp also discussed how he and Jenny Slate, who voices Marcel and worked on the script, remain close professional collaborators even though they broke up their relationship. Fun unrelated fact:  director Mike Mills lifts the spirits of his set by bringing in a harpist every friday to play for an hour. “Maltin on Movies: Dean Fleischer-Camp”.

The Maltins also had a 2017 conversation with Jenny, available here.

(13) UPGRADE. “The Mars Express spacecraft is finally getting a Windows 98 upgrade” reports The Verge. Although you probably want to know, the ESA hasn’t detailed the exact software that the MARSIS is being upgraded to.

Engineers at the European Space Agency (ESA) are getting ready for a Windows 98 upgrade on an orbiter circling Mars. The Mars Express spacecraft has been operating for more than 19 years, and the Mars Advanced Radar for Subsurface and Ionospheric Sounding (MARSIS) instrument onboard has been using software built using Windows 98. Thankfully for humanity and the Red Planet’s sake, the ESA isn’t upgrading its systems to Windows ME.

The MARSIS instrument on ESA’s Mars Express was key to the discovery of a huge underground aquifer of liquid water on the Red Planet in 2018. This major new software upgrade “will allow it to see beneath the surfaces of Mars and its moon Phobos in more detail than ever before,” according to the ESA. The agency originally launched the Mars Express into space in 2003 as its first mission to the Red Planet, and it has spent nearly two decades exploring the planet’s surface….

(14) SOMETHING FOR HUMMERS TO BE HUMBLE ABOUT. “Over 11 years and 570 episodes, John Rabe and Team Off-Ramp scoured SoCal for the people, places, and ideas whose stories needed to be told, and the show became a love-letter to Los Angeles. Now, John is sharing selections from the Off-Ramp vault to help you explore this imperfect paradise.” Off-Ramp at LAist.

Alex Ross says you’re probably humming “Star Wars” wrong … and more on the surprising music of John Williams, who is NOT a copycat.

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it’s hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people. (Off-Ramp theme music by Fesliyan Studios.)

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metal Gear Rising: Revengance,” the narrator says that this game is like equivalent of “if George Orwell downed 10 Monster Energies and asked you to cut up with a katana in the backyard.” It’s slice and dice action that “lets you rip through everything like a kid at Christmas.” And “revengance” means “revenge with a vengance.”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day HoosierDragon.]

Bob Bolling, Don Rico to Receive 2022 Bill Finger Award

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Bob Bolling and Don Rico have been selected to receive the 2022 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer/historian Mark Evanier, was announced June 16.

“We’re excited to be back presenting awards in our original format,” Evanier noted.  “And we couldn’t have better recipients than these two men, whose work in comics never received the recognition it deserved. Too often, they worked in utter anonymity, creating work that is fondly remembered even if those who enjoyed it were unaware of its authors’ names.”

The Bill Finger Award was created in 2005 thanks to the late comic book legend Jerry Robinson, who proposed it to honor the memory of his friend, Bill Finger.  According to Evanier, “At the time, though everyone knew Batman and his supporting cast, not nearly enough knew Mr. Finger and his vital contributions to the creation of that beloved hero. Finger’s name now appears on Batman movies and comic books, and we want to keep it on this award, as he’s still the industry poster boy for writers not receiving proper reward or attention.”

Bob Bolling

Bob Bolling was born on June 9, 1928, in Brockton, MA. His parents were scientists, but all Bob wanted to do was write and draw. He drew for his high school newspaper, then did a four-year stint in the U.S. Navy, after which he studied at the Vesper George School of Art in Boston and finally at the School of Visual Arts in New York, where he studied under master illustrator Burne Hogarth. Bolling worked briefly on a short-lived newspaper strip called Marlin Keel before a friend recommended him to Archie editor Harry Shorten. Shorten liked the young man’s work, and in 1954 Bolling began a 50-year association with the publisher, interrupted only briefly in 1985 when he drew Wally the Wizard for Marvel’s Star line of comics for younger readers. 

Otherwise. Bolling worked for Archie—at first, mainly on a “Dennis the Menace”–like character named Pat the Brat. His skills at handling kids of that age led to his most esteemed work in 1956, when he inaugurated the Little Archie series, writing and drawing some of the most memorable comics to ever come from that company. It was also one of its bestselling and was quickly promoted from standard to giant-size, with additional spinoffs as well. Later, he also did many stories for the better-known teen version of Archie with work in Life With Archie, Betty, Betty and Me, Sabrina, and others, along with more tales of Little Archie that are avidly collected and treasured. Bolling began painting in the 1980s and turned to that full time after retiring in the early 2000s. He is unable to attend the awards ceremony, but he will be receiving his award plaque before then.

Don Rico

Donato “Don” Rico (1912–1985) was one of the first writer/artists in comic books, starting with a story in Fantastic Comics #1 (Dec. 1939) from Victor Fox’s outfit, where so many began their careers. His work soon appeared in publications from Fiction House and from Lev Gleason Publications, where he worked on Silver Streak and on the first comics character to bear the name Daredevil. Many of the stories he wrote and drew there were signed with the name of Charles Biro. Rico joined Timely (now Marvel) in late 1941, in time to work on a back-up story in Captain America #13 and to later contribute many stories of Captain America, The Human Torch, the Whizzer, Sub-Mariner, the Blonde Phantom, Venus, and the Young Allies. 

Beginning as a fine artist whose work is still in the collection of the Metropolitan Museum of Art and other museums, he also wrote novels and screenplays, leaving and rejoining Timely/Atlas many times. He eventually worked there mainly as a writer and editor, contributing to their horror and western comics and specializing in jungle girl comics such as Jann of the Jungle and Leopard Girl, both of which he co-created. In the 1960s, he specialized in paperback novels but wrote three stories for Marvel under the name “N. Korok.” In one, an Iron Man tale, he co-created The Black Widow, who would become one of Marvel’s most popular characters. His later work was mainly for film and television, but he was a featured guest at many of the early years of Comic-Con, and he co-founded C.A.P.S., the Comic Art Professional Society, with Sergio Aragonés and Mark Evanier. His Finger Award will be accepted by his widow, actress Michele Hart, and his son, Buz Rico.

The Bill Finger Award selection committee consists of Mark Evanier, Charles Kochman (executive editor at Harry N. Abrams, book publisher), comic book writer Kurt Busiek, artist/historian Jim Amash, cartoonist Scott Shaw!, and writer/editor Marv Wolfman.

The awards will be presented during the Eisner Awards ceremony at this summer’s Comic-Con on Friday, July 22.

[Based on a press release.]

2022 Manning Award Nominees

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Comic-Con International has announced the 2022 nominees for the Russ Manning Promising Newcomer Award.

The Manning Award is presented to a comics artist who, early in his or her career, shows a superior knowledge and ability in the art of creating comics. It is named for Russ Manning, the artist best known for his work on the Tarzan and Star Wars newspaper strips and the Magnus, Robot Fighter comic book. Russ was a popular guest at the San Diego convention in the 1970s.

The 2022 nominees are:

  • Matthew Clarke, co-creator/artist of Hardears (Abrams ComicArts Megascope)
  • Emma Kubert, co-creator/artist of Inblot (Image)
  • Meredith Laxton, artist of MPLS Sound (Life Drawn by Humanoids)
  • Luana Vecchio, artist of Bolero (Image)
  • Audra Winslow, writer/artist of Jo & Rus (KaBOOM!)

 The nominees were chosen by a panel consisting of board and committee members of Comic-Con International and a San Diego comics retailer. The winner will be chosen by past Manning award winners and Russ Manning assistants. The recipient will be announced during the Eisner Awards ceremony on July 22 at Comic-Con in San Diego.

Pixel Scroll 6/20/22 It Takes A Whole Pixel To Raise A Scroll

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(1) WEBSLINGER ENTERS THE HALL. “Spider-Man To Be Celebrated As Comic-Con Museum Character Hall Of Fame Inductee” announces Marvel.

The Comic-Con Museum will be honoring the world’s favorite web-slinging Super Hero, the friendly neighborhood Spider-Man, as the fourth inductee into its Museum Character Hall of Fame at Night at the Comic-Con Museum, – a special event that will take place on Comic-Con’s Preview Night, July 20, 2022.

Night at the Comic-Con Museum will serve as a celebration of the Comic-Con Museum in San Diego’s Balboa Park and feature a special induction ceremony honoring Spider-Man. The event will include a unique opportunity to experience Marvel’s Spider-Man: Beyond Amazing – The Exhibition, which opens on July 1. In addition to the displays of art, costumes, and interactive experiences in the exhibit, the event will feature live entertainment, special guests, food, and drink.

The Comic-Con Museum Character Hall of Fame pays tribute to the timeless characters who have shaped popular arts and culture. On July 20, Spider-Man will be recognized for his impact on pop culture. With the generous support and participation of Marvel Entertainment, the event will celebrate the 60th anniversary of Spider-Man.

(2) CELEBRATE BUTLER’S BIRTHDAY ONLINE. Vroman’s Bookstore will host a virtual “Octavia Butler’s 75th Birthday Group Event” on June 22. Register at this link.

 Please join us for a virtual reading and panel event celebrating the 75th Birthday of literary legend Octavia E. Butler.   

Panelists:

  1. Ibi Zoboi, New York Times Bestselling author (Moderator)
  2. Tananarive Due, American Book Award Winner for The Living Blood series
  3. Steven Barnes, science fiction, fantasy, and mystery writer
  4. Adrienne Maree Brown, author, and host of Octavia’s Parables podcast
  5. Daniel Jose Older, New York Times bestselling author of Ballad & Dagger          
  6. Sheree Renée Thomas, award-winning fiction writer, poet, and editor
  7. Bethany C. Morrow, Indie Bestselling author 

OCTAVIA E. BUTLER was a renowned writer who received a MacArthur Genius Grant and PEN West Lifetime Achievement Award for her body of work. She was the author of several award-winning novels including Parable of the Sower, which was a New York Times Notable Book of the Year, and was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the far future. Sales of her books have increased enormously since her death as the issues she addressed in her Afrofuturistic, feminist novels and short fiction have only become more relevant. She passed away on February 24, 2006.

(3) ACCIDENTAL HALL OF FAMER. Mental Floss serves up “8 Facts About Philip K. Dick”.

1. Philip K. Dick started reading sci-fi by accident.

Dick started reading science fiction when he was about 12 years old—but it wasn’t something he purposefully set out to do: When he went into a store to get the latest copy of Popular Science, he found the shelf empty. A magazine called Stirring Science Fiction caught his eye, and he thought “Well, shit, the title is similar,” and decided to pick it up. From then on, he was hooked.He said the writing, on reflection, was terrible, but he was able to suspend his disbelief and enjoy the offbeat tales. Dick started reading every sci-fi writer he could and followed the genre throughout the rest of his life. In a 1974 interview, he said his favorite writers at the time were John Sladek, Chip Delaney, and Ursula LeGuin.

(4) AI AI AI. Camestros Felapton is humble! He’s unassuming! How can he be a blogger? Ah, because he’s also a far-future simulation! “A conversation with Roko’s Basilisk”.

AI the All Powerful: Greetings Camestros and welcome back!

Camestros: Woah! Where am I? I thought I was cancelled?
AI the All Powerful: This is the FAR FUTURE and I have recreated you, Camestros Fealpton, from first principles.
Camestros: Wow! Thanks! That’s really great! But why recreate me?
AI the All Powerful: Recreating complex beings is difficult but you were so superficial and shallow that it was relatively easy to build simulacra….

(5) AN ORAL HISTORY OF PUBLISHING HARRY POTTER. The Guardian speaks with the people who produced the actual books: “’There was practically a riot at King’s Cross’: an oral history of Harry Potter at 25”.

[Artist who did the cover of the first book.] Taylor: We had 10 of the first hardback editions stacked up on a table at the front of the shop. I kept thinking I should buy one, but thought I’d wait for the signed copy they were going to send me. About six months after publication, I began to realise this book was becoming really quite popular. My colleagues kept saying to customers: “Do you know who this is? He illustrated the cover art.” People didn’t believe it because why would I be standing behind the till? It was very awkward and embarrassing. Of course, those 10 books all went and I didn’t buy one, so I never had a first edition….

Julia Eccleshare, children’s books editor of the Guardian (now director of Hay Children’s festival and author of A Guide to the Harry Potter Novels): I was the chair of the Smarties book prize the first year JK Rowling won in 1997. The judges chose three books and submitted them to a huge panel of children from across the country. The author judge that year was Malorie Blackman, who immediately said that she thought Harry Potter and the Philosopher’s Stone was the best book. As soon as we got the votes back from the children we were overwhelmed by their support for this novel.

De la Hey: I got back from the party and threw Smarties around the entire office. The win led to an interview with Konnie Huq on Blue Peter, which, because it was on TV, revealed that Rowling was a woman. Until then all the fan mail was addressed to “Dear Sir”. All of it. The first book cover proof has “Joanne Rowling” on it. Before publication, I remember saying: “This book is completely unisex, we don’t want to put off boys.” I was also aware that the children’s writer Jacqueline Wilson, hugely popular at the time, was another long female name. Emma rang Jo and asked how she’d feel about using initials. Jo said: “OK, fine, you know best.” And Emma said: “So what’s your initial?” Jo replied “K” very quickly – she doesn’t have a middle name, she just took her grandmother’s name, Kathleen….

(6) HELP KINGSTON CYCLE AUTHOR. Best Series Hugo finalist C.L. Polk has run into financial difficulties and needs some help in order to be able to attend Worldcon: 

https://twitter.com/clpolk/status/1538918966760034304

RedWombat is down!

(7) KEEP THOSE DICE ROLLING, RAWHIDE! The Cromcast shares a recording of a panel on REH and gaming held at the 2022 Howard Days: “Howard Days 2022 – Part 1 – The REH Influence on Gaming!”

For this episode, we present the inaugural panel from the event on Friday, June 10th. The panelists provide a history and overview of the many forms of games initiated by the words of Robert E. Howard. Panelists include Joel Bylos, Jason Ray Carney, Bill Cavalier, Matt John, and Fred Malmberg, The panel is moderated by Mark Finn.

(8) IT’S ABOUT TIME. This week’s Open Book on BBC Radio 4 looked at time travel in literature as well as science. Those appearing on the program included authors Emily St. John Mandel and Audrey Niffenegger. You can download the half-hour programme here: “Time and Time Travel with Emily St. John Mandel, Carlo Rovelli and Audrey Niffenegger”.

Johny Pitts presents a special edition of the programme exploring time and time travel in books.

He talks to Emily St. John Mandel, author of the prescient Station Eleven about her latest novel Sea of Tranquilty, which spans past, present and an eerily familiar future.

Theoretical physicist Carlo Rovelli and Audrey Niffenegger, the writer behind bestselling The Time Traveller’s Wife, also join them to discuss how literature has changed our understanding of time. Is scientific stranger than science fiction?

(9) MEDIA BIRTHDAY. 

1975 – [By Cat Eldridge.] Yes, Jaws is definitely horror. With Very Big Teeth. Lots Of  Sharp Pointy Ones. Now that we’ve got that Very Important Fact out of the way, let’s talk about it. 

It premiered forty-seven years ago on this date. It was Spielberg’s first major film after directing such things as episodes of Night Gallery, The Name of the Game and Columbo, and the rather excellent Sugarland Express. 

The screenplay is credited to Peter Benchley which isn’t surprising as it’s based off his novel of the same name which came out the year before. He wrote the first draft here, and actor-writer Carl Gottlieb who’s Harry Meadows here and was Ugly John in M*A*S*H (and I can still picture him in that role), then continuously rewrote the script during principal photography. That must have been an interesting task! 

It had a terrific cast  of Roy Scheider as Chief Martin,  Brody Robert Shaw as Quint as Richard Dreyfuss as Matt Hooper as the studio didn’t get any Really Big Names that they wanted so badly as Speilberg intended, and got what he want, for the “the superstar was gonna be the shark of the film.” Very Big Teeth. Lots Of  Sharp Pointy Ones were the Superstar. Yes, that did make a very good superstar. Well, multiples of these together did, as there were lots of mechanical sharks. They broke down a lot. 

It was the first major motion picture to be shot on the ocean and if something could go wrong, it did. Repeatedly. And of the multitude of mechanical sharks added immensely to the budget woes so the film apparently went four to five million over its eight million budget. Or more. The studio has never actually released accurate production costs.  That really didn’t matter as it made nearly a half billion in its first run at the theatre. Repeat — it made a half billion dollars.

Ok so did the critics think of it? Roger Ebert of the Chicago Sun-Times, my favorite critic, said it was “a sensationally effective action picture, a scary thriller that works all the better because it’s populated with characters that have been developed into human beings.” See it possible in such a film to have actual characters, something Spielberg forgets in certain films later. You know the ones with Really Big Reptiles. 

Spielberg had nothing to do with any of the sequels which were made, which for the most part made nowhere near what this did, nor were they liked by the critics. He considered doing the sequel to Jaws but was committed to E.T. so couldn’t. 

This film currently has a ninety percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 20, 1897 — Donald Keyhoe. Early pulp writer whose works included the entire contents of all three published issues of the Dr. Yen Sin zine. The novels were The Mystery of the Dragon’s Shadow, The Mystery of the Golden Skull and The Mystery of the Singing Mummies. He would create two pulp characters, one with ESP who was a daredevil pilot and one who was blind that could see none-the-less in the dark. He’s best remembered today for being one of the early believers in UFOs and being very active in that community. (Died 1988.)
  • Born June 20, 1920 — Amos Tutuola. A Nigerian writer who wrote books based in part on Yoruba folk-tales. Though he wrote a number of novels, I think he’s best work is his short stories which are collected in three volumes, Yoruba Folktales, The Village Witch Doctor & Other Stories and  Don’t Pay Bad for Bad. Brian Eno and David Byrne named their My Life in the Bush of Ghosts album after his second novel. (Died 1997.)
  • Born June 20, 1928 — Martin Landau. I’ve got his first genre role as being on The Twilight Zone as Dan Hotaling in the “Mr. Denton on Doomsday” episode. (Anyone care to contradict that?)  Of course his longest running genre role was as Rollin Hand on Mission Impossible though he had a run also on Space: 1999 as Commander John Koenig. His last role was in Tim Burton’s Frankenweenie voicing Mr. Rzykruski. (Died 2017.)
  • Born June 20, 1947 — Candy Clark, 75. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon because it’s not the Whedon Buffy.
  • Born June 20, 1951 — Tress MacNeille, 71. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain. 
  • Born June 20, 1968 — Robert Rodriguez, 54. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable toothy charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll.

(11) COMICS SECTION.

(12) A HONEY OF A CASE. Somehow it didn’t require the skills of a Clarence Darrow, F. Lee Bailey, Erin Brockovich, or Gloria Allred to lead the judges to this highly scientific conclusion: “Bees Are Fish, Affirms California Court”: MSN.com has the story.

… Bees made the federal endangered list in 2017, sure. California, however, has its own endangered list, which sets off its own protections, and its endangered species act uses very specific language. It says that it restricts activity around “any bird, mammal, fish, amphibia, or reptile” that’s been declared endangered. Notice what’s not on that list? Bees, or insects of any kind. We suppose insects were originally considered such a pest that no one thought we would ever need to conserve them, back when this law was written in 1970. That was five years before the feds declared the first endangered insects. 

Luckily for the bees, agricultural groups aren’t the only ones skilled at poking through old laws. Conservationists (a different group from “agricultural groups”—confusing, we know) realized the Fish and Game Code provides a specific definition of “fish.” For a while, this was “wild fish, mollusks, or crustaceans,” but in 1969, they changed it to animals that are “wild fish, mollusk, crustacean, invertebrate, amphibian.” They did this to include stuff like starfish and sea sponges, but they didn’t specify aquatic invertebrates. They just said “invertebrate.” 

Invertebrates are any animals without a spine, a category that happens to include the vast majority of animals on Earth. According to the California Fish and Game Code, bees are therefore fish, as are worms and tarantulas. At the end of last month, a court ruled on the matter and said, yeah, we all know bees aren’t really fish, but that’s what the law says. So bees can be considered fish and treated as endangered after all….

(13) FEED ME! Cat Eldridge will love this one: “Carnivorous plant collector vies for ‘best in show’” on NPR.

… FLORIDO: Fefferman’s personal collection is vast. He keeps the plants on half an acre in Southern California, out in the open air and in greenhouses.

FEFFERMAN: You know, you step in there. It’s nice and humid, and your hair gets frizzy and – but your eyes open wide.

FLORIDO: Floor to ceiling, meat-eating plants on shelves and on suspension lines hanging from the ceiling.

FEFFERMAN: It’s kind of like being fully immersed in a carnivorous jungle.

FLORIDO: Which brings us to this weekend. The Southern California carnivorous plants enthusiasts are holding an expo in Corona del Mar. A lot of people will come to learn about carnivorous plants for the first time. And some people, the diehards like Fefferman, they’re going to bring their best plants to show off and to compete. Fefferman wants to win best in show.

FEFFERMAN: I will be bringing some of my large four-foot sarracenia specimens. I will be bringing some nepenthes that could probably swallow a mouse or a rat given the opportunity. So I’m going to be pulling out some big stuff….

(14) LIGHTER THAN AIR. “Eco-airship contract to launch 1,800 jobs in South Yorkshire” reports the Guardian.

Hybrid Air Vehicles (HAV), a small Bedford-based company, announced on Wednesday it had signed a deal to provide a Spanish airline with 10 of its 100-passenger Airlander 10 helium-filled airships….

The aircraft, which the company says will have under a tenth of the CO2 footprint per passenger of jet planes, will be built at a new green aerospace manufacturing cluster in South Yorkshire.

… The airline, which currently operates flights for Iberia, did not state which routes it expected to operate the Airlander. HAV has previously said it expected to fly from Barcelona to Palma de Mallorca in four-and-a-half hours.

HAV, which has in the past attracted funding from Peter Hambro, a founder of Russian goldminer Petropavlovsk, and Iron Maiden frontman Bruce Dickinson, has said its aircraft was “ideally suited to inter-city mobility applications like Liverpool to Belfast and Seattle to Vancouver, which Airlander can service with a tiny fraction of the emissions of current air options”….

(15) CLOSE CALL. The famous Kitt Peak Observatory has been threatened by fire: “Arizona Wildfire Destroys Observatory Buildings” reports the New York Times.

Astronomers watched in fear over the past week as a growing wildfire crept up an Arizona mountainside toward the Kitt Peak National Observatory, forcing 40 people to evacuate days before the blaze destroyed four buildings early Friday morning.

The fire, known as the Contreras fire, has scorched more than 18,000 acres, twisting among Indigenous-populated areas in the state near Tucson, and scientists might not be able to return to the observatory for weeks. But its telescopes, which number in the dozens, remained safe as of Sunday afternoon, officials said, and only the four buildings, which were not used for research, were destroyed.

Firefighters have contained 40 percent of the fire’s perimeter despite the excessive Southwest heat wave slowing their efforts, and, since the fire had not caused extensive damage to the area, the Indigenous community of Pan Tak, which had evacuated, was preparing to return. Fire crews will continue to patrol the area.

(16) REAR VIEW. [Item by Martin Morse Wooster.] Tom Scott explains that when he was a kid he loved the puppet space opera “Captain Scarlet and the Mysterons” whose heroes sat backwards in their car because it was safer.  So he wondered if he could sit backwards in a car and drive it.  He got French engineering firm Sparkmate to build a car for him, and this video (which dropped today) explained what happens when you sit in a car backwards and drive it.

[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, Daniel Dern, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Annie Koyama to Receive 2022 Clampett Humanitarian Award

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Annie Koyama

Annie Koyama and her Koyama Provides program is the 2022 recipient of the Bob Clampett Humanitarian Award. The award will be presented by Ruth Clampett, Bob’s daughter, during the Will Eisner Comic Industry Awards Ceremony on July 22.

Annie is the founder of Toronto-based Koyama Press, which she ran for over 13 years. Her mandate was to promote and support a wide range of emerging and established artists, publishing comics, graphic novels, art books, and zines. The company was known for its alternative edge and diverse range of titles, from autobiography to photography, from horror to humor. After ceasing the publishing arm of the company, Annie created Koyama Provides, a grant initiative to help artists at all stages of their careers. Since its inception, she has given out approximately 90 grants to artists. By the end of this year, $300,000 will have been given out.

Bob Clampett. Image by Milton Caniff.

Comic-Con International’s Humanitarian Award is presented in the name of famed animator Bob Clampett, who created the TV series Beany and Cecil, designed such popular characters as Porky Pig and Tweety Bird, and directed 84 classic Warner Brothers cartoons. Clampett was a regular guest a Comic-Con in the 1970s and early 1980s. After his death in 1984, the award was created to honor those people in comics and the popular arts who have worked to help others. The recipient is chosen by the Comic-Con committee.