Tag Archives: time travel

Pixel Scroll 2/17/25 We All Need Somebody To Scroll On

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(1) DOCTOR WHO EARLY DAYS. Charlie Jane Anders’ recent Happy Dancing newsletter, titled “Hope Is Important, But So Is Curiosity”, shares some discoveries made while reading The Doctor Who Production Diary: The Hartnell Years by David Brunt.

…Brunt managed to get access to all the paperwork on the making of Doctor Who from 1963 to 1966, the earliest years when people endlessly debated whether the show could last another 13 weeks or just be canceled immediately.

I’ve just been reading about the turmoil the Doctor Who team went through in 1964, around the time they were making “The Dalek Invasion of Earth.” This is a super important story, because it’s where the Daleks really cement themselves as epic villains — but also because it sees the show’s first departure: the Doctor’s granddaughter Susan leaves the ship, not entirely by choice.

I had never known that Terry Nation, the story’s writer, had included a new character in “The Dalek Invasion of Earth” to replace Susan aboard the TARDIS. This would have been Saida, “a beautiful Anglo-Indian girl, who will eventually replace Susan.” At the end of the story, in Nation’s original scripts, the Doctor leaves Susan behind on Earth, only to be startled to find “a bright and smiling Saida” has snuck aboard the TARDIS. Imagine if Doctor Who had introduced its first BIPOC companion, over forty years before Martha Jones. Alas, the character of Saida was aged up and turned into a white woman named Jenny, who does not join the TARDIS crew after all.

Also, around that same time, William Hartnell, William Russell and Jacqueline Hill were all asking for money — and there was talk about either canceling the show or writing Ian and Barbara in the same episode as Susan. One BBC higher-up even suggested putting the show on a short hiatus and replacing the entire cast, including Hartnell, with new actors. This doesn’t seem to have gone far, but it still boggles the mind. Would the Doctor have regenerated in 1964, two years early? Or would they have found another way to recast the role? It’s hard to imagine.

I clicked the link to the book and found more things you will discover in it:

  • Which future Doctor Who scriptwriter was the first person approached to write for the series?
  • How major was the overhaul to the BBC Drama Department under Sydney Newman in 1963, and who first suggested the idea before he even joined the BBC?
  • How did the series manage to get made, when several people inside the BBC tried to get it cancelled before it even went into production?
  • How many people turned down the offer of becoming the series’ producer before Verity Lambert was hired?
  • How long before he appeared as Steven Taylor was Peter Purves contracted for the role?
  • Was Vicki going to appear in ‘The Daleks’ Master Plan’?
  • Was Katarina originally going to survive that same story?
  • When was Vicki planned to be burned as a witch?
  • Was Anne Chaplet going to appear in ‘The Celestial Toymaker’?
  • On what date was it first decided to write out William Hartnell as the Doctor?
  • Exactly when was Patrick Troughton contracted to replace him?

(2) MELBOURNE CLUB FINDS NEW MEETING PLACE. Melbourne Science Fiction Club President Alison Barton delivered “Some exciting news for the MSFC” to the group on Facebook today.

We are moving to a new home soon!

As regular members and readers will know, the MSFC was forced to move from its much beloved West Brunswick location about 10 years ago. At the time the (quite extensive) library went into storage, an arrangement which we thought would be temporary. Finding a venue that was willing to home us *and* the library proved to be much more difficult than imagined however. The library has often been a focal point for members, both socially, but also in that “Hey wow, I’ve been wanting to read the final volume in this series for years, but it’s out of print everywhere!” kind of way.

With much thanks to Terencio (whom some might recall as our trivia master extraordinaire of some year), we have settled on a deal with a new location that will enable us to bring the whole library out of storage once more. I’m sure this will be welcome news to many.

Not wanting to leave the library in ‘limbo’ has been one of the reasons I have continued on as President of the club for such a long time, but as mentioned above, I didn’t think it would take quite this long. I announced at last year’s AGM that I would be stepping down at this year’s AGM (which will be held in July), as I need to focus more time on other things. I was a little sad that I might be stepping down before we accomplished this particular goal, so I am very very pleased to know that by the time I leave the library will be in full swing once more.

Please stay tuned for further information about the new venue address and meeting dates. Until we get everything finalised we will continue to meet at St Augustine’s Church Hall, 100 Sydney Rd, Coburg on the third Friday of each month so please keep watching for announcements so that you don’t turn up at the wrong place sometime.

(3) SEATTLE 2025 RATE HIKE MARCH 1. Adult attending membership rates for Seattle Worldcon 2025 are set to increase by $30 on March 1, to a total of $280 ($50 WSFS membership + $230 attending supplement).

Full registration information and a link to the registration portal can be found on the membership page on their website.

(4) SEATTLE 2025 COMMUNITY FUND. Seattle Worldcon 2025 has completed the first round of grants from their Community Fund which offers eligible people memberships and financial stipends to help defray the expenses of attending this year’s Worldcon.

Their news release also said:

If you have applied and haven’t yet been awarded a grant, you are still in consideration for future rounds. The next round of grants will be awarded in March.

We are still accepting applications. You can find details about our focus groups and the application link on our Community Fund web page.

In order to help as many fans as possible attend the event from the Pacific Northwest and around the world, the community fund is still accepting tax deductible donations. You can donate when you register, or by this direct donation link. Thank you to everyone who has donated so far. You are making a difference!

(5) FURTHER REPLY BY DANIEL GREENE. While Naomi King’s YouTube videos charging Daniel Greene with sexual assault have been taken down, Greene has used his archival copies of some of her videos to produce another denial titled “Proving Naomi King Lied With Their Own Words”.

(6) FILMGOERS ASSEMBLE. Apparently, somebody’s surprised. The New York Times reports “Marvel’s New ‘Captain America’ Is No. 1, Despite a Backlash and Poor Reviews”. (Behind a paywall.)

So Disney slowed the pace. Last year, Marvel released one movie (the megasuccessful “Deadpool & Wolverine”) and two Disney+ series. To compare, in 2021 Marvel churned out four movies (with mixed results) and five Disney+ series.

Factory problem fixed?

Maybe: Marvel’s “Captain America: Brave New World” was a runaway No. 1 at the global box office over the weekend. The movie, which cost at least $300 million to make and market worldwide, was on pace to sell roughly $100 million in tickets from Thursday through Monday in the United States and Canada, according to Comscore, which compiles box office data. Moviegoers overseas were poised to chip in another $92 million or so.

Maybe not: “Brave New World” received the Marvel Cinematic Universe’s lowest-ever grade (B-minus) from ticket buyers in CinemaScore exit polls. Reviews were only 50 percent positive, according to Rotten Tomatoes, which resulted in a “rotten” rating from the site. Just two Marvel movies rank lower on the Rotten Tomatoes meter, and both quickly ran out of box office steam after No. 1 starts that were driven by die-hard fans and marketing bombast.

“Brave New World” outperformed analyst expectations amid a racist backlash from some internet users and right-wing pundits, who criticized Marvel’s decision to refresh the “Captain America” franchise by giving the title role to a Black actor. (A “D.E.I. hire,” they maintained in numerous X posts, a reference to diversity, equity and inclusion initiatives.) Anthony Mackie, who took over the character from Chris Evans, also came under attack as “anti-American” for a comment he made while promoting the film overseas….

 (7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

February 17, 1912 — Andre Norton. (Died 2005.)

By Paul Weimer: I blame my own eagerness to get to the adult’s book as the reason why I neglected reading Andre Norton for a long long time. 

Back in the days of yesteryear, when I first got a library card, I was always clamoring to be allowed out of the children’s section and to be able to get into the adult section. I made such a racket about it that my parents and the librarian consented, and so for years, I went to the adult section of the New Dorp Public Library and left the children’s section behind.

As a result, a number of genre books and entire authors were missed by me. I didn’t read most of the Heinlein juveniles for years, because they were, unbeknownst by me, in the children’s section, and once I had gotten out of that small section of the library, I was not going to go back. 

And so, too, Andre Norton. 

So I did not come to Andre Norton as a teenager, it wasn’t until I was an adult, and kept hearing her name and seeing references to her work that I started picking it up and reading it. The Time Traders was in retrospect a great place for me to start her work, because it let me scratch my love of history at the same time. So I hunted her work. 

I picked up Star Man’s Son 2250 AD, which was actually in the adult section, because of the title, and the image of this poor guy pushing a raft. How could I not want to know what had happened to the world to reduce it to its parlous state? I found it an amazingly detailed, immersive and striking post-apocalyptic story with mutants, a clan looking to claw its way back to prominence and power with the ruined remnants of the old, implacable foes, and a big cat companion all in the bargain. 

I read a fair swath of Norton’s novels at that point, enjoying her characters, her worlds, and her ideas (even as recently as a couple of years ago, I am still catching up on her oeuvre now and again to try and plug the gaps. 

But the novel that remains with me the most is not a science fiction, or time travel, or fantasy, or post apocalyptic novel at all. And no, not even the expansive and sprawling Witch World novels, which are cromulent science fantasy fun (we all know my love of that subgenre by now, yes?) No, in the heady days of the early 1990’s when I was branching out into historical fiction, sometimes with some fantasy (hello Judith Tarr), it was a historical fictional fantasy novel that poleaxed me in a good way.

I think my interest in the Roman Empire (in a non ironic way, I do think about the Roman Empire frequently) helped fuel my interest (especially the striking cover) of Norton’s co-written Empire of The Eagle novel . I didn’t realize it was one of a series, because the story is so expansive in its self containment. Quintus is a tribune of the empire in the mid 40’s BC.  He goes off with the army of Crassus to fight the Parthians. If you know your history, you know that army got pummeled at Carrhae and the army destroyed and Crassus killed. But was that the entire story?  Norton invents a march of the survivors far to the east, to China, and a new life for the remnant soldiers. Quintus wants to regain the lost Eagle, but in the meantime he and his comrades need to make a new life impossibly far away from Rome, and deal with the dangers and problems there, including a dread sorcerer. There is magic, a reincarnation romance, and a lot of historical detail, and it wasn’t until I encountered Howard Lamb that I encountered any historical fiction set in this fascinating area. (I would many years later get Historical Atlases of Central Asia and trace Quintus adventures).  

Ave Atque Vale, Andre Norton.

Andre Norton

(8) MEMORY LANE.

[Written by Paul Weimer.]

February 17, 1989 — Bill and Ted’s Excellent Adventure released

By Paul Weimer: I admit to having slept on Bill and Ted’s Excellent Adventure when it came out in the theaters back in 1989. That was senior year in High School and I had other concerns on my mind at the time that winter.  So it was not until many years later and DVDs became a thing that I was even tempted to try and catch up on it. 

And the reason why I did wasn’t even the original movie, but the sequel, Bill and Ted’s Bogus Journey.  A friend of mine told me that, despite all appearances, Bogus Journey actually showed some clever use and thought in time travel, doing the things that you wondered why people with time machines never thought to do, especially in the middle of conflicts and fights.  So I dutifully put in both movies into my Netflix queue and watched both back-to-back. The fact I was living in California at the time only added to the surrealism of watching these two Southern California slackers be seemingly the basis of future society was all the more surreal for me as a viewer. 

Also, this was after The Matrix, so I was, in effect, looking back at the early work of Keanu Reeves that I had missed in the process. Whoa, right?

I found Bill and Ted’s Excellent Adventure to be a lighthearted and extremely funny comedy that never takes itself too seriously, but its inclusive message is one solely needed in this day and age.  It wasn’t high art in the least, but the sight gags, the purposefully caricatured portrayals of historical figures, to comedic effect (Napoleon at Waterloo!) and the sense of fun the entire cast was having meant that I watched both movies a couple of times over before returning them.  And I kept renting it again and again every couple of years. There is a weird innocent magic to the movie (the sequel is very good but a slightly different kettle of fish) that makes me think of movies like Time Bandits, except for a slightly older target audience. 

Bill and Ted’s Excellent Adventure is coming to Prime in a couple of weeks as of the time of the writing of this.  I think a rewatch is in order, don’t you?

(9) COMICS SECTION.

(10) WEDNESDAY’S CHIA. Why yes, this is a real product, hard as it is to believe: “Addams Family Wednesday Chia Pet®”.

(11) TOO CLOSE FOR COMFORT? [Item by SF Concatenation’s Jonathan Cowie.] A recent issue of Nature’s cover story looks at asteroid detection and how it’s improving. Bruce Willis would be impressed… “Sight Unseen”.

The detection and monitoring of asteroids is key to protecting Earth from impacts. Large bodies (1 kilometre or more) in the main asteroid belt are relatively easy to spot and monitor but smaller objects (those down to 10 metres in diameter), which have the potential to move closer to Earth more frequently, are far more elusive. In this week’s issue Artem Burdanov, Julien de Wit and colleagues report the detection of 138 small asteroids in the main belt that were previously invisible to standard detection methods. The researchers made use of the JWST’s infrared capabilities that, when combined with synthetic tracking techniques such as merging multiple images, allowed them to spot the unidentified asteroids. The team suggests the JWST’s ability to monitor and study objects that have the potential to strike Earth, such as asteroid 2024 YR4, could make it an important part of future planetary-defence efforts.

The primary research is here. 

What they have observed is a distribution of a range of asteroid sizes.  All fair enough, but there is an apparent break in sizes at those with a diameter of about 100 metres. This, the researchers say, is suggestive of “a population driven by collisional cascade”.

(12) HELP WANTED. And as a result of such information as that in the previous item, the Guardian reports, “China opens recruitment for ‘planetary defence force’ amid fears of asteroid hitting Earth”.

China has begun recruiting for a planetary defence force after risk assessments determined that an asteroid could conceivably hit Earth in 2032.

Job ads posted online by China’s State Administration of Science, Technology and Industry for National Defence (SASTIND) this week, sought young loyal graduates focused on aerospace engineering, international cooperation and asteroid detection.

The recruitment drive comes amid increasing focus on an asteroid with a low – but growing – likelihood of hitting earth in seven years. The 2024 YR4 asteroid is at the top of the European and US space agencies’ risk lists, and last week analysts increased their probability assessment of it hitting Earth from 1.3% to 2.2%. The UN’s Space Mission Planning Advisory Group, comprising countries with space programs including China, have been meeting regularly to discuss a response.

The ads, posted to WeChat earlier this week, listed 16 job vacancies at SASTIND, including three for a new “planetary defence force”. They invited applications from recent graduates aged under 35, with professional and technical qualifications and “a firm political stance” supporting the Chinese Communist party and an ideology aligned with its leader, Xi Jinping…

(13) GIVE A DOG A BAD NAME. Nature considers “From viral variants to devastating storms, how names shape the public’s reaction to science” in the What’s in a Name podcase.

Categorizing things is central to science. And there are dozens of systems scientists have created to name everything from the trenches on the sea bed to the stars in the sky.

But names have consequences. In our series What’s in a name we explore naming in science and how names impact the world — whether the system of naming species remains in step with society, how the names of diseases can create stigma, or even how the names of scientific concepts can drive the direction of research itself.

In episode two, we’re looking at how the names chosen by scientists help, or hinder, communication with the public.

Well chosen names can quickly convey scientific concepts or health messages — in emergency situations they can even save lives. We’ll hear how the systems of naming tropical storms and Covid-19 variants came to be, and how they took different approaches to achieve the same outcome.

We’ll also consider the language used to talk about climate change, and how the ways of describing it have been used to deliberately introduce uncertainty and confusion….

(14) YOUR CELESTIAL CALENDAR. The Late Night With Seth Myers host is watching the skies, and shares what he expects to see this year in “Seth Lays Out 2025’s Major Astronomical Events”. Many of these will be really happening. Some are facetious….

(15) VIDEO OF THE DAY. “David Tennant on playing an evil character in Jessica Jones and geeks out on Doctor Who” on YouTube.

David Tennant rolls the BAFTA dice to break down some of the iconic characters he’s played so far in his career including the Doctor in Doctor Who, The Purple Man in Jessica Jones and Alec Hardy in Broadchurch as well as … himself.. David looks back on how his acting methodology has evolved, which of his characters would vibe the most together and develops a brand new Pet Detective TV show (reluctantly) featuring Michael Sheen.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 2/4/25 Cause We Are Materializing In A Living World (From The Soundtrack To “Kirk and Spock Beam To Ego The Living Planet”[1])

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(1) DOWN THESE MEAN TWEETS. Less than 24 hours after The Self-Published Science Fiction Competition announced its new “SPSFC Code of Conduct” (linked in yesterday’s Scroll), the SPSFC management announced they were removing a writer named Devon Eriksen from the contest for violating the CoC. They did not specify why, which in these post-JDA-lawsuit times is regarded as wisdom. However, it’s clear what the host of Indie Book Spotlight believed:

And this exchange being on X.com, large numbers of people claimed to be unable to understand the problem, beginning with this fellow:

So the Indie Book Spotlight host put up a screenshot with a lengthy quote by Eriksen showing what they had in mind, which I’m not going to repost but which can be read here.

Devon Eriksen’s public response to being banned was (1) to claim he wasn’t aware he was even entered in the contest, and (2) to mock the whole proceeding at length, which you can read at X.com or in File 770’s screencaps — image-1, image-2, image-3, image-4, image-5, image-6. Or not at all, if you prefer.

(Credit Camestros Felapton with the scoop: “Different Thing”.)

(2) THIS IS THE END, MY FRIEND. “Apocalypse stories: Everything Must Go by Dorian Lynskey explores why we love skipping to the end” – a review and commentary by Slate’s Laura Miller

“The worst is not. So long as we can say ‘This is the worst,’ ” go the lines from King Lear quoted in Emily St. John Mandel’s 2014 novel Station Eleven. Any stories we tell about the end of the world will have to be fictional, since once the real thing occurs, no one will be around to describe it. As the British journalist Dorian Lynskey relates in his erudite, delightfully witty, and strangely cheering new book, Everything Must Go: The Stories We Tell About the End of the World, the fact that we can only ever speculate on the subject makes us speculate all the more frantically. “There is simply no end of ends,” Lynskey writes of the books, movies, TV shows, pop songs, and video games we’ve created to depict the apocalypse—or its near misses and the aftermaths thereof….

… Apocalyptic narratives are, of course, always more about the vexing present than the enigmatic future. Everything Must Go encompasses the stories told by doomsday cults, scientific Cassandras, pulp novelists, video game designers, and Hollywood movies. The idea that the world will one day come to an end is an especially Western notion, Lynskey points out, with its roots in the Book of Revelation. That strange document, with its psychedelic signs and portents, Lynskey writes, “supplies the Bible with a narrative arc and gives humanity’s story a theatrical finale.” Other cultures steeped in different religions may view time as cyclical, but the Judeo-Christian tradition sees it as an arrow, going in one direction, to an inevitable conclusion. As terrifying as the prospect of apocalypse can be, Lynskey writes, “it rescues believers from the endless mess of history by weaving past, present and future into a coherent, satisfying whole with an author, a message and an ending.”…

(3) THOUGHTS ABOUT AWARDS VOTING. BSFA’s Vector has republished Jo Lindsay Walton and Polina Levontin’s article “Gender, Democracy, and SF/F Literary Awards” from Foundation 149 (winter 2024).

This article explores cultural and design dimensions of non-governmental voting systems, focusing on science fiction and fantasy (SFF) literary awards voted for by fans, with a focus on the British Science Fiction Awards. The design of such voting systems needs to juggle a range of goals, one of which is fairness with regard to gender — acknowledging that ‘fairness’ is not straightforward to define, particularly given such awards are embedded within broader gender inequalities. Our analysis suggests that men have been more likely than women to vote for works by men, and also more likely to vote in ways that amplify the influence of men’s votes under an Alternative Vote System. We suggest that SFF awards are cultural spaces which lend themselves to experimentation with new democratic forms, and briefly offer potential sources of inspiration. Just as SFF has aspired to be a space to think about the future of technology, gender, the environment, and many other issues, SFF award spaces could be spaces for thinking about the future of democracy. We also offer recommendations to SFF awards designers and communities to address gender bias (emphasising reflective practices over technical solutions), and to continue to explore how aesthetic and cultural values and identities are constructed and negotiated within SFF award spaces, and beyond….

(4) ADRIAN TCHAIKOVSKY RECOMMENDED. [Item by Steven French.] In “What we’re reading: writers and readers on the books they enjoyed in January” authors and readers tell the Guardian which were their favorite books read last month and first up is …

Eimear McBride, author

Everyone else got there a long time ago but I’ve only recently read Adrian Tchaikovsky’s sci-fi masterpiece Children of Time. Cautionary, richly imaginative and deeply, unexpectedly humane, it was both utterly unputdownable and a welcome relief from the current resignation to dystopia.

I’ve also been taking delight in Edward Carey’s glorious novel Edith Holler. Set in a Norwich that is at once fictional, historical and fantastical, he transports the reader into the world of brilliant 12-year-old Edith who is cursed to never leave her family’s tumbledown theatre … until fate decides otherwise. Filled with the author’s witty, curious observations and alive with his own illustrations, it’s a novel like no other.

(5) CARL BRANDON SOCIETY 2024 ACCOMPLISHMENTS. SFWA distributed this report with the latest Singularity newsletter.

Thanks so much for your continuing support of and interest in the Carl Brandon Society. In these parlous times, we depend on you, and we want you to be able to depend on us. In the past several years, we’ve all been through a lot. Our focus—as individuals, as an organization, as countries within the world—has shifted. At the Carl Brandon Society, we’re slowly working through how we need to position ourselves during and after that shift.

We’re moving from a small, social organization of readers and writers with big dreams but essentially no money to a still-small organization with some tools to accomplish some of those large goals. With Covid reduced but still circulating, we’re figuring out how to be safe at in-person events, while expanding our online events, which allow us to serve writers and readers in the wider world, not just in the United States.

2024 Accomplishments

  • Awarded Octavia E. Butler scholarships to students at Clarion and Clarion West workshops
  • Held three online workshops: Cosmic Horror with Premee Mohamed, DIY workshop with Suzan Palumbo, and Decolonial Worldbuilding with Helen Gould
  • Held a children’s book fair in conjunction with Seattle Public Library and Mam’s Book Store
  • Distributed books left after book fair to several Seattle area school libraries
  • Hired Program Director Isis Asare out of a pool of outstanding qualified applicants

We are determined to stay focused on our work despite the current political climate. We believe it’s important, and we believe you think so, too.

Sincerely,
K. Tempest Bradford, Jaymee Goh, Susheela Bhat Harkins, Shiv Ramdas, Victor Raymond, Kate Schaefer, Nisi Shawl, and Yang-Yang Wang
The Carl Brandon Society Steering Committee

P.S. We’re sending a donation of $1000 to Octavia’s Bookshelf, the Black-owned bookstore in Los Angeles that has stepped up as a community resource in the wake of the devastating fires. Octavia was one of our founding members. Please consider donating to the bookstore to help rebuild that community.

And please consider supporting us with a donation as well. Thanks so much!

P. O. Box 23336
Seattle, WA 98102

The Carl Brandon Society is recognized by the IRS as a qualified 501(c)3 organization, and all donations to it are tax-deductible to the full extent of the law. No goods or services were provided in exchange for this donation. Our federal tax I.D. number is 27-0140141. 

(6) MEMORY LANE.

[Written by Paul Weimer.]

February 4, 1993 — Groundhog Day film (premiered this day)

By Paul Weimer: One of the pinnacles of time travel movies is a movie that doesn’t think that it’s a genre movie: Groundhog Day. 

Consider: We have no reason, no mechanism, nothing we can point to as to why Phil Connors (Bill Murray in peak mode, having shed some of the questionable elements of his Ghostbusters character and just playing an unpleasant weatherman but without some of the sleazier elements from the prior movie). We are not meant to like Phil at the beginning. He is dismissive, arrogant, cruel and I wouldn’t want to spend an hour, much less a day, with him on a road trip.

And so, after getting trapped in Punxsutawney the night of Groundhog Day thanks to a blizzard he didn’t accurately predict, he wakes up on the morning of February 2nd again. And again. And again and again. 

Murray’s Phil does what many of us would do in this situation at first. He tries to escape the town by any which means he can. When that fails, when his universe shrinks to the horizon of the town, he then takes subtle advantage of the situation, seeing what he can do. He goes through cycles of mania and depression and tries to kill himself, to no avail. He tries to kill Phil the Groundhog, figuring he is the reason for the time loop. 

Nothing works.

And then comes the slow turn. Phil decides, with an eternity of the same day, to make use of his gift. He learns things, ranging from flipping cards to literature to French to chiropractic back adjustment to playing the piano. What starts as a sleazy way to seduce Andie McDowell’s Rita turns into a genuine romance. The wacky comedy of the first part of the movie turns into a more considered romantic-comedy-drama of a man who over thousands of days learns to do better and be better. 

But the movie shows it can’t all go his way, and is surprisingly nuanced for it. Consider Phil’s multiple attempts to save a dying homeless man’s life, to no avail. No matter what Phil does, the man ultimately dies, each and every time. It’s a poignant philosophical, or even religious look at fate, destiny, and the limits of what we can change…but an acknowledgement that, what we can change for the better, we MUST change for the better. 

Fantasy, comedy, philosophy. And wonderful performances all around. A beautifully filmed movie of a town that was already locally famous (I had long heard of it and its annual celebration but it was too far away to ever visit) but it became globally famous thanks to the movie. The movie is a pinnacle of early 1990’s filmmaking. It never thinks it’s a genre movie but it is genre enough that we are invested in Phil’s slow transformation. 

And so, after thousands of tries, after a day spent helping the town, Phil finally breaks free of his time loop, ending his purgatory (or maybe it’s a Bardo) as inexplicably as it began. 

One of the pinnacles of time travel movies is a movie that doesn’t think that it’s a genre movie: Groundhog Day.

Consider…

(7) COMICS SECTION.

(8) TOP 5 OVERRATED SF WRITERS? [Item by SF Concatenation’s Jonathan Cowie.] The Outlaw Bookseller has a bit of a click-baity offering on his followers’ most over-rated SF writers. (Actually, I have some sympathy with a couple of their choices — but what do I know?). This came out just a couple of days ago but already has had nearly 8,000 views… “Your Top 5 Most OVERRATED SCIENCE FICTION WRITERS- I respond to your comments”.

Steve asked for your views on which SF authors and books receive undue praise and here are the results…and as ever, he responds to your comments in kind….

(9) COMIC RELIEF. Camestros Felapton has had a busy day. Thanks to another of his posts, “Extra Scuttlebutt”, we’re now aware of the insulting things that Larry Correia has been saying about Jon Del Arroz, and the low esteem in which Vox Day holds Correia – because Vox publishes comics by JDA and therefore feels obliged to run interference for one of “his” authors. Below is Vox’s rationalization for violating omerta; then you can read a selection of Correia’s vituperative quotes at Vox Popoli’s post “Churchill, FDR, and Stalin” [Internet Archive link].

Back in the days when the Sad Puppies were the #GamerGate of the science fiction world, I reached a gentleman’s agreement with Larry Correia and Brad Torgersen, two of the first three leaders of the Sad Puppies, after they decided that they did not want to be directly connected to me or the group that became known as the Rabid Puppies. I told them at the time that this separation was a mistake for them, and that there were more Rabid Puppies than Sad Puppies, but they refused to believe that and insisted it was necessary for reasons that I will leave to them to explain.

However, they did agree that given the amount of media scrutiny we were all under, it would serve little purpose for us to attempt to speak for, or about, each other in public. All three of us knew that the media was going to try very hard to utilize anything that we would say to undermine the others. To their credit, and to mine, none of us gave the media any material for ten years.

Unfortunately, I have now concluded it is time to end that gentlemen’s agreement because a) it is now clear and undeniable that these are two men who are not, and perhaps never were, on the side of what is right or what is true, b) they are not gentlemen, and c) they have been repeatedly lying about one of my authors for several years….

… Now, to a certain extent, this is a tempest in a teapot. Literally no one in our greater community has given a quantum of a damn about what Larry Correia thinks ever since he opted out of leading the Sad Puppies more than a decade ago. Being a flagrant Never-Trumper, a civic nationalist, and a Mormon, he’s as irrelevant to the tens of thousands of Castalia, Arkhaven, and Unauthorized fans as I am to his readership. And I doubt more than two percent of our community has ever even heard of Brad Torgersen.

But nevertheless, as we’ve seen again and again, what permits wickedness to thrive is the tolerance and the silence of those who know better. And what Larry and Brad have been doing for years, the twisted rhetoric they have been repeatedly attempting to pass off as the truth, is neither good, nor beautiful, nor true. They no longer merit respect or restraint on my part….

(10) NOT JUST ANY RUBBLE. [Item by Steven French.] An elegiac and timely piece on collecting space rocks: “It came from outer space: the meterorite that landed in a Cotswolds cul-de-sac” in the Guardian.

 With a population of 5,000, Winchcombe is a pretty town of honeycomb-coloured limestone and timber-framed buildings. The Wilcock family home is a neat 1960s detached house on a quiet cul-de-sac on the outskirts of town. Early in the morning of 1 March, Cathryn Wilcock, a retired primary school teacher, opened the curtains of her living room and noticed a pile of dark lumps and powder at the edge of her driveway. It looked as though someone had upended an old barbecue.

The Winchcombe meteorite had probably travelled more than 100m miles to reach our planet. Had it landed just a few metres to the left it would have fallen into a thick privet hedge and probably never been discovered. Had it landed a few metres closer to the road, Cathryn would have assumed it was rubbish churned up by a passing car and swept it away. Instead, her husband, Rob, went out to investigate.

Rob immediately recognised that something strange had occurred. He got together some rubber gloves, old yoghurt pots and plastic bags and went outside to pick up the stones.

(11) FANTASTIC 4 TRAILER LIVE RELEASE EVENT. [Item by Marc Criley.] I think this pretty much caught most all of us in Huntsville by surprise!

The Fantastic 4: First Steps Trailer release was held at the US Space and Rocket Center in Huntsville, Alabama — the “Rocket City” — and was live-streamed on YouTube. All four stars were present beneath the Saturn 5 rocket exhibit as they and the crowd counted down to the trailer release.

The trailer is shown at the end of the release event video. However, if you want to cut to the chase…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Marc Criley, Jeffrey Smith, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern. Title footnote [1] From Marvel comics/movie: “Ego the Living Planet” in the Wikipedia.]

Pixel Scroll 1/23/25 Scrolls On Fire Off The Shoulder Of Orion

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(1) NATIONAL BOOK CRITICS. There seem to be only a couple works of genre interest among the 2025 National Book Critics Circle Finalists. Put the lists under your microscope, maybe you’ll find some more.

Fiction

  • Beautyland by Marie-Helene Bertino (Farrar, Straus and Giroux)

The triumphant latest from Bertino (Parakeet) offers a wryly comic critique of social conventions from the perspective of a woman who also happens to be an alien from another planet. Adina, born in 1977 Philadelphia to an indefatigable and supportive “Earth mother,” is “activated” at age four by her extraterrestrial “superiors.” Her mission is ­to “report on the human experience” to her bosses on Planet Cricket Rice. They teach her to read and write in English before she starts school, and in one of her early communiques, she expresses a precocious insight into adult psychology after a store clerk is rude to her mother (“Human beings don’t like when other humans seem happy”)…. 

Nonfiction

  • Challenger: A True Story of Heroism and Disaster on the Edge of Space by Adam Higginbotham (Avid Reader)

(2) THIS TIME. We know what Frodo said. And what Gandalf said: “All we have to decide is what to do with the time that is given us.” Here’s what Kameron Hurley says: “Adrift on the Sea of History: Hope for Realists”.

…I’ve already done that emotional work, and lost years of my life to rolling around coming to grips with the reality of where exactly I was in history. That’s not to say I didn’t have hope this year! I did! Life is chaos! We could have gone full FDR. But I was fully prepared for how wind was blowing. Even a win meant just papering bandaids over wound getting larger and larger.

I compared last 10 years to being Hodor at the door, just being crushed by weight of the mad army while horrors slipped through. Now door is open. And honestly? It was almost a relief. Because I could stop worrying about it and papering over it and just turn and face it. This is the current world.

The truth is, my grandma got up every day in Vichy France and stood in rationing lines. She found a Nazi boot with a foot still in it by the river and threw it back in because if SS found it, they’d shoot 10 people. My great-grandfather was disappeared for months by the SS and came back broken.

She would often show us the scar on her head from when an Allied and Nazi plane were shooting above her and a bullet grazed her temple and landed in the shed behind her. She kept the bullet! It was chaos and near misses and misery and death and you survived on luck. But you got up every day.

*You got up every day.* Because truth is – no matter what anyone tells you – no one has any idea what’s going to happen or who is going to make it or what world will look like in 30 years. And in meantime, all you have NOW is this one great and glorious life. You get to decide how to spend this time….

(3) ROUGHEST QUIZ EVER? The New York Times, in “When A.I. Passes This Test, Look Out” (behind a paywall) discusses “Humanity’s Last Exam”.

…For years, A.I. systems were measured by giving new models a variety of standardized benchmark tests. Many of these tests consisted of challenging, S.A.T.-caliber problems in areas like math, science and logic. Comparing the models’ scores over time served as a rough measure of A.I. progress.

But A.I. systems eventually got too good at those tests, so new, harder tests were created — often with the types of questions graduate students might encounter on their exams.

Those tests aren’t in good shape, either. New models from companies like OpenAI, Google and Anthropic have been getting high scores on many Ph.D.-level challenges, limiting those tests’ usefulness and leading to a chilling question: Are A.I. systems getting too smart for us to measure?

This week, researchers at the Center for AI Safety and Scale AI are releasing a possible answer to that question: A new evaluation, called “Humanity’s Last Exam,” that they claim is the hardest test ever administered to A.I. systems.

Humanity’s Last Exam is the brainchild of Dan Hendrycks, a well-known A.I. safety researcher and director of the Center for AI Safety. (The test’s original name, “Humanity’s Last Stand,” was discarded for being overly dramatic.)…

At the Humanity’s Last Exam website they explain further:

Benchmarks are important tools for tracking the rapid advancements in large language model (LLM) capabilities. However, benchmarks are not keeping pace in difficulty: LLMs now achieve over 90% accuracy on popular benchmarks like MMLU, limiting informed measurement of state-of-the-art LLM capabilities. In response, we introduce Humanity’s Last Exam, a multi-modal benchmark at the frontier of human knowledge, designed to be the final closed-ended academic benchmark of its kind with broad subject coverage. The dataset consists of 3,000 challenging questions across over a hundred subjects. We publicly release these questions, while maintaining a private test set of held out questions to assess model overfitting.

Humanity’s Last Exam (HLE) is a global collaborative effort, with questions from nearly 1,000 subject expert contributors affiliated with over 500 institutions across 50 countries – comprised mostly of professors, researchers, and graduate degree holders.

Here’s an example question. (Dang, the answer is right on the tip of my tongue!)

(4) SATURN HONORS ANNOUNCED. “Saturn Awards: William Shatner, ‘Back to the Future’ Receive Honors” says Variety. The awards ceremony will livestream on February 4.

William Shatner and the “Back to the Future” cast are some of the honorees that will be recognized at the 52nd Saturn Awards, which will incorporate fundraising for California wildfire relief efforts.

The awards, hosted by the Academy of Science Fiction, Fantasy & Horror Films, take place Feb. 2 at the Hilton Los Angeles/Universal City hotel. The ceremony will include QR codes that will allow both in-person attendees and viewers at home to donate. Viewers can watch the ceremony for free on ElectricNow and Roku Channel….

…Shatner, who played Captain Kirk in the “Stark Trek” franchise, will receive the Lifetime Achievement Award. “Back to the Future” will be honored for its 40th anniversary through the George Pal Memorial Award, which recognizes achievement in specific genres. Actors Christopher Lloyd and Lea Thompson, composer Alan Silvestri and writer and producer Bob Gale, will be the film’s representatives….

…The Spotlight Award, which the Academy gives to standout works, will go to the stars and team behind “Fallout.” …

(5) BIG DEALS. Without requiring a time machine to do it, Kali Wallace takes us back to 2004 in “Primer: A Film for People Who Would Use Time Travel for Day Trading” at Reactor. It’s a fascinating study of filmmaking with plenty of entertaining clips. Here’s a brief quote.

…Primer is about two corporate tech bros who hate their jobs and accidentally invent a time machine. Aaron (Carruth) and Abe (David Sullivan) are working with some friends of theirs to invent a device that will make them a lot of money. They do the work in Aaron’s garage, using parts they steal from their day jobs or scavenge from cars and household appliances. What they are aiming for is a sort of superconductor-adjacent device for reducing the weight of objects, but at some point Abe notices that the machine actually creates a time loop. He tells Aaron, and the two immediately decide to use it to accomplish their original goal: making a lot of money.

There is something grimly hilarious about this and what it says about the characters. They don’t care that they don’t understand the machine they’ve built; they’re more concerned about the number of stock shares they trade while time traveling. They try very hard to ignore signs that time travel is giving them brain damage—bleeding from their ears, developing tremors so severe they can’t write—and focus instead on how they will steal their own passports to leave the country. They’ve created something strange and incredible, and they devote a lot of time and effort to working out the fiddly details of how to make the time loops work, but they have very little broader curiosity or awe about what they are doing….

(6) MEMORY LANE.

[Written by Cat Eldridge.]

January 23, 1947 — The Lady in The Lake film

Seventy-eight years ago today in New York City, the Lady in The Lake film opened. Based on the Raymond Chandler novel of the same name, it was the directing debut of Robert Montgomery who also played Phillip Marlowe here. The rest of the cast is Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames and Jayne Meadows. 

It was just Meadows second film.  Metro-Goldwyn-Mayer signed Jane Cotter to a movie contract in 1944 giving her this professional name. Her first film was Undercurrents, a film noir affair.

Steve Fisher, a pulp writer, who published in far too many pulps to list here but I’ll note that wrote some of The Shadow stories, wrote the screenplay. His most significant stories, however, would be published in Black Mask.

Montgomery’s desire was to recreate the first-person narrative style of the Marlowe novels. As the film is up legitimately on YouTube as part of their film series, you can judge yourself if he succeeded in that. 

So how was the reception? Well critics didn’t like it. Really they didn’t it at all. As BBC critic George Perry much later put it: “This is the only mainstream feature ever to have been shot in its entirety with the subjective camera. Which means that you, the viewer, sees everything just as the hero Philip Marlowe does. Every so often the camera pauses by a mirror and looking at you in the reflection is Robert Montgomery, who also directed, for it is he who is playing Marlowe.” And I think that’s reflected in the audience reviewers at Rotten Tomatoes who give an ambivalent rating of fifty percent. I think it’s still worthwhile as it is Marlowe after all.

He would play Marlowe once more in Robert Montgomery Presents The Big Sleep, an hour-long version of that novel that aired on September 25th, 1950.  Robert Montgomery Presents ran for eight seasons. As near as I can tell it is not up to be viewed. If you can find a copy that is in the public domain, note that provision, please give a link. 

(7) COMICS SECTION.

  • Carpe Diem is still perfecting the disguise.
  • Lio decides to help.
  • Rubes finds a bargain for Kermit.
  • Tom Gauld goes with the simpler answer.

A timely cartoon for @newscientist.bsky.social

— Tom Gauld (@tomgauld.bsky.social) 2025-01-22T18:13:41.976Z

(8) MORENO-GARCIA BOOK TO TV. “Silvia Moreno-Garcia’s Novel ‘The Daughter of Doctor Moreau’ To Be Adapted For TV” – and the author will be one of the executive producers. Deadline has details.

Debra Moore Muñoz  (Mayans M.C., DMZ) is developing Silvia Moreno-Garcia ’s 2022 novel The Daughter of Doctor Moreau for television from UCP, a division of Universal Studio Group, Atomic Monster and Telemundo Studios.

The Daughter of Doctor Moreau is a retelling of the classic Island of Dr. Moreau by H. G. Wells from the perspective of his coming-of-age daughter, Carlota — a sheltered girl raised to believe her father is a genius. When the charming son of Moreau’s patron, Eduardo, arrives at their estate, he threatens to upend the long-simmering feelings between Carlota and the estate’s overseer, Montgomery Laughton, and causes Carlota to question everything she’s been told — forcing her to reckon with some dark truths about her father and his work. 

“The Daughter of Doctor Moreau is a mixture of science fiction, historical fiction and drama set in lush, 19th century Yucatan, and I’m excited to see this part of Mexico come to life on the screen in all its beauty and complexity,” Moreno-Garcia shared in a statement.

The Spanish/English project is executive produced by Moreno-Garcia, Moore Muñoz, and James Wan, Michael Clear and Rob Hackett for Atomic Monster….

(9) ASIMOV ROBOT MOVIE COMING. The Milwaukee Journal-Sentinel elaborates on reports that “Oscar winner John Ridley is adapting Isaac Asimov’s ‘Caves of Steel’”.

…Deadline.com reported Tuesday that Ridley, who won an Academy Award for his screenplay for 2013’s “12 Years a Slave,” is adapting Isaac Asimov’s 1954 science-fiction novel “The Caves of Steel,” with plans to direct the feature film as well for Twentieth Century Studios.

According to Deadline, Ridley wrote a recent draft of the screenplay with “Luke Cage” creator Cheo Hodari Coker.

The first novel in sci-fi master Asimov’s “Robot” series, “Caves of Steel” is set in a future world where humanity lives in huge domed cities to protect themselves from what’s in the outside world. There, a police detective reluctantly joins forces with a humanoid robot to solve the murder of a scientist who’s descended from humans who have colonized other planets — a case that reveals the clash between factions in society that resent and support robots and their role.

…Ridley’s last feature film to make it to theaters was “Needle in a Timestack,” a 2021 time-travel thriller set in a near future where people can travel to their past and alter their present. He’s also contributed to a slew of comic books and graphic novels, including “Future State: The Next Batman” and “The Other History of the DC Universe.”…

(10) ATTENTION GETTERS. History Facts is getting its clicks today by reminding us about “The Strangest Fads Throughout History”. One was “phone booth stuffing” – and those booths definitely weren’t bigger on the inside. Here’s another I haven’t thought about for a long time:

The Pet Rock

The Pet Rock seems, on its surface, like the most frivolous fad on record. This simple Mexican beach stone was sold in a box (with air holes!) that included a satirical-sounding manual with instructions on what to do if the rock “appears to be excited.” Created by California advertising professional Gary Dahl in August 1975, the rock was an instant hit as a fuss-free pet….

(11) PURSUING THE POLE. CNN tells us, “Earth’s magnetic north pole is on the move, and scientists just updated its position”. (OMG, it’s headed for Russia!. What happens when it gets there? Will the Russians keep the rest of us from using it? That and other dumb questions today on File 770…)

If you are using your smartphone to navigate, your system just got a crucial update. Scientists have released a new model tracking the position of the magnetic north pole, revealing that the pole is now closer to Siberia than it was five years ago and is continuing to drift toward Russia.

Unlike the geographic North Pole, which marks a fixed location, the magnetic north pole’s position is determined by Earth’s magnetic field, which is in constant motion. Over the past few decades, magnetic north’s movement has been unprecedented — it dramatically sped up, then in a more recent twist rapidly slowed — though scientists can’t explain the underlying cause behind the magnetic field’s unusual behavior.

Global positioning systems, including those used by planes and ships, find magnetic north using the World Magnetic Model, as it was named in 1990. Developed by the British Geological Survey and the National Oceanic and Atmospheric Administration, this model notes the established position of magnetic north and predicts future drift based on the trajectory of the past few years. To preserve the accuracy of GPS measurements, every five years researchers revise the WMM, resetting the official position of magnetic north and introducing new predictions for the next five years of drifting….

(12) FUSION RECORD. “China’s ‘artificial sun’ shatters nuclear fusion record by generating steady loop of plasma for 1,000 seconds” reports LiveScience.

…Nuclear fusion offers the potential of a near-unlimited power source without greenhouse gas emissions or much nuclear waste. However, scientists have been working on this technology for more than 70 years, and it’s likely not progressing fast enough to be a practical solution to the climate crisis. Researchers expect us to have fusion power within decades, but it could take much longer.

EAST’s new record won’t immediately usher in what is dubbed the “Holy Grail” of clean power, but it is a step towards a possible future where fusion power plants generate electricity.

East is a magnetic confinement reactor, or tokamak, designed to keep the plasma continuously burning for prolonged periods. Reactors like this have never achieved ignition, which is the point at which nuclear fusion creates its own energy and sustains its own reaction, but the new record is a step towards maintaining prolonged, confined plasma loops that future reactors will need to generate electricity.

“A fusion device must achieve stable operation at high efficiency for thousands of seconds to enable the self-sustaining circulation of plasma, which is critical for the continuous power generation of future fusion plants,” Song Yuntao, director of the Institute of Plasma Physics responsible for the fusion project at the Chinese Academy of Sciences, told Chinese state media.

EAST is one of several nuclear fusion reactors worldwide, but they all currently use far more energy than they produce….

(13) WORST CASE SCENARIO. [Item by SF Concatenation’s Jonathan Cowie.] They say it is a good thing to kill two birds with one stone.  Well, back in the day there was one stone that killed countless bird ancestors, and their cousin family of species, the dinosaurs.  That was an asteroid strike some 66 million years ago, on a Tuesday, around tea time. That event used to be known as the K/T extinction with K/T being Cretaceous/Tertiary.  But then the youngsters came alone, and we had decimalisation which among other things in new money K/T became K/Pg (Cretaceous/Palaeogene) extinction… (A change in nomenclature which to my mind is as bad as Worldcon organisers failing to follow the WSFS constitution…)  Anyway, as said, that event wiped out the dinosaurs. (I don’t know if I have ever told you, but I have never really forgiven the dinosaurs for what they did to Raquel Welch…)

OK, so here’s the thing. Could you have survived the K/T (K/Pg) event?  This is the question the wonderful folk over at PBS Eons have asked.

66 million years ago, an asteroid hit our planet triggering global wildfires, an impact winter, and the end of the Age of Dinosaurs. Could you make it through the darkest days of planet Earth?

(14) TENTACLES EVERYWHERE. The Late Show with Stephen Colbert invites the President to switch to “The Cult Of Cthulhu”.

In this cult we do not answer to bureaucrats in Washington.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 1/19/25 Also Spock Zarathustra

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(1) AND KEEPS ON TICKING. It didn’t need three days to rise again. “TikTok Starts Working Again After Trump Says He Will Stall a Ban” – New York Times link bypasses the paywall.

TikTok flickered back to life in the United States on Sunday after President-elect Donald J. Trump said that he would issue an executive order to stall a federal ban of the app.

The abrupt shift came just hours after major app stores removed the popular social media site and it stopped operating for U.S. users as a federal law took effect on Sunday. The company said in a post on X that in “agreement with our service providers, TikTok is in the process of restoring service.”

Mr. Trump said in a Sunday morning post on Truth Social that he would “issue an executive order on Monday to extend the period of time before the law’s prohibitions take effect, so that we can make a deal to protect our national security.”

The ban stems from a 2024 law that requires app stores and cloud computing providers to stop distributing or hosting TikTok unless it is sold by its Chinese parent company, ByteDance. Lawmakers passed the law over concerns that the Chinese government could use the app, which claims roughly 170 million United States users, to gather information about Americans or spread propaganda….

(2) IT’S TIME-WIMEY. [Item by SF Concatenation’s Jonathan Cowie.] Time travel is a major trope of SF. This week’s Radio 4 cinema programme Screenshot examined time travel…

Groundhog Day (1993) gets a mention but 12:01 (1993 film, “12:01 P.M.” 1973 story) ???

How does film and TV make time travel real? Ellen E Jones and Mark Kermode take a quantum leap into the world of time travel and time loops on screen, from Back To The Future to Groundhog Day.

Mark speaks to theoretical physicist Sean Carroll about how films like Bill & Ted’s Excellent Adventure and Interstellar have handled the science of time travel – and whether it really is just the stuff of fantasy….

Personally speaking, I have been time travelling all my life. For most of it this has been at the rate of one second per second, but recently I have speeded things up to one minute per minute…  That’s the way I roll!

You can download the Radio 4 programme here.

(3) IT’S QUANTUM TIME-WIMEY. [Item by SF Concatenation’s Jonathan Cowie.] Parallel universes and the multiverse are firmly established SFnal tropes. Younger fans not into science may be forgiven in thinking that multiverses were largely an invention of Marvel and even the ‘Marvel Cinematic Universe’, but actually you can trace it way back to the ancient Greeks.

And of course even if there are multiverses, each with their own realities, what is real?  Is reality real?  In quantum physics, particles may not even be located in one space but smeared across a region of space until observed and then somehow they become fixed in one specific place: it is as if the act of observing is key to the nature of real reality. And can you even ‘shift’ between realities?

This week, BBC Radio 4’s Sideways programme takes a half-hour deep-dive into alternate realities and the multiverse…

You can download the programme here.

In 2020, a curious trend went viral on social media, especially among teenagers and young adults. As much of the world stayed at home to curb the spread of CoVID-19, Reality Shifters began claiming they could move from one reality to another, referencing multiverse theory.

Beyond the actual possibility of switching between realities, this craze raised intriguing questions about the fabric of the reality we experience. Philosophers and scientists have long speculated about the existence of multiple realities. Today, Matthew Syed explores the blurry line between what we perceive as reality and what may lie beyond it, inviting us to question the very nature of existence.

(4) WHY NOT SAY WHAT HAPPENED? Episode 15 of Scott Edelman’s Why Not Say What Happened? podcast takes listeners back to “My Mysterious Mid-’70s Comic Con Meeting with Anthony Bourdain”.

Shredding hundreds of pages torn from notebooks filled by my teen and twentysomething self causes me to reminisce about my collaboration with artist P. Craig Russell which could have been, the poem 18-year-old me wrote about Action Comics #1, my mysterious mid-’70s New Jersey comic convention meeting with Anthony Bourdain, why when it comes to the process of writing I’m a voyeur but not an exhibitionist, the complete lyrics to a song I had Rick Jones sing way back in Captain Marvel #50, my joy upon seeing Superman co-creator Joe Shuster’s name in my old address book, how the Grim Reaper might have prevented my Scarecrow from being born, and much more.

And here’s where to find a dozen places where the episode can be heard, depending on taste.

(5) EATON FIRE AND JPL. The LA Times reports “NASA’s Jet Propulsion Laboratory unscathed by Eaton fire, but not its workforce” (behind a paywall).

With its physical buildings and structures intact, the La Cañada Flintridge institution escaped the worst of the fire unscathed. The same can’t be said for its workforce.

At the height of the emergency, about 20% of the institution’s 5,500 employees were evacuated from their homes, director Laurie Leshin said.

About 210 employees lost their homes in the fire and an additional 100 — Leshin included — will likely be displaced long term by the extent of the damage to their house or neighborhood. Many more evacuees have yet to receive clearance to return home….

NASA has posted a satellite photo showing that “Eaton Fire Leaves California Landscape Charred”. (Click for larger image.)

On the afternoon of January 11, 2025, NASA’s AVIRIS-3 (Airborne Visible/Infrared Imaging Spectrometer-3) flew aboard a B200 aircraft over Los Angeles County, where it captured images of several areas affected by wildland fires.

These false-color images show areas burned by the Eaton fire in Altadena and parts of Pasadena, Arcadia, and Sierra Madre. Charred trees and buildings in developed areas appear dark brown, whereas the burned wildland areas, particularly in Angeles National Forest, are shades of orange.

The Eaton fire ignited in the hills of Eaton Canyon, near Altadena, on the evening of January 7. By 10:30 a.m. the next day, the fire had quickly grown to cover more than 10,000 acres (40 square kilometers), according to Cal Fire. Around the time of this image on January 11, it had expanded to 14,117 acres (57 square kilometers), and the Los Angeles County Fire Department reported it was about 15 percent contained…

(6) WHY OCTAVIA BUTLER SEEMS PRESCIENT. “As California Burns, ‘Octavia Tried to Tell Us’ Has New Meaning” says New York Times contributor Veronica Chambers. (Link bypasses the NYT paywall.)

In the wake of the devastating fires in Los Angeles, many people are referencing the work of the science fiction writer Octavia Butler. Butler, who grew up in Pasadena, was the daughter of a housekeeper and a father who was a shoeshiner. She went on to become the first science fiction writer to win a MacArthur “genius” award. Her book “Parable of the Sower,” published in 1993, paints a picture of a California ravished by the effects of climate change, income inequality, political divisiveness and centers on a young woman struggling to find faith and the community to build a new future.

The phrase “Octavia tried to tell us,” which began to gain momentum in 2020 during the pandemic, has once again resurfaced, in part because Butler studied science and history so deeply. The accuracy with which she read the shifts in America can, at times, seem eerily prophetic. One entry in “Parable of the Sower,” which is structured as a journal, dated on “February 1, 2025” begins, “We had a fire today.” It goes on to describe how the fear of fires plague Robledo, a fictional town that feels much like Altadena, a haven for the Black middle class for more than 50 years, where Butler lived in the late ’90s.

In 2000, Butler wrote a piece for Essence magazine titled, “A Few Rules for Predicting the Future.” She wrote: “Of course, writing novels about the future doesn’t give me any special ability to foretell the future. But it does encourage me to use our past and present behaviors as guides to the kind of world we seem to be creating. The past, for example, is filled with repeating cycles of strength and weakness, wisdom and stupidity, empire and ashes.”…

(7) DIDN’T PKD LIKE GRASS, TOO? [Item by Daniel Dern.] Not quite sure where androids would fit in here, and these would be either non-electric sheep, or perhaps hybrid electric/biofuel sheep… Perhaps: Do Android Farmers Dream Of Hybrid Electric/Biofuelled Sheep? “Large-Scale US Solar Farms Brings ‘Solar Grazing’ Work for Sheep” at Slashdot. (Clipped from ABC News.)

In Milam County, outside Austin [Texas], SB Energy operates the fifth-largest solar project in the country, capable of generating 900 megawatts of power across 4,000 acres (1,618 hectares). How do they manage all that grass? With the help of about 3,000 sheep, which are better suited than lawnmowers to fit between small crevices and chew away rain or shine. The proliferation of sheep on solar farms is part of a broader trend — solar grazing — that has exploded alongside the solar industry. Agrivoltaics, a method using land for both solar energy production and agriculture, is on the rise with more than 60 solar grazing projects in the U.S., according to the National Renewable Energy Laboratory….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Pan’s Labyrinth (2006)

Nineteen years ago, Pan’s Labyrinth premiered. In Spanish, it was called El laberinto del fauno which means The Labyrinth of the Faun. It was written, directed and co-produced by Mexican-born and raised Guillermo Del Toro. 

Other producers were Bertha Navarro, Alfonso Cuarón, Frida Torresblanco and  Álvaro Augustin. 

It was narrated by Pablo Adán with a primary Spanish language cast (Sergi López, Maribel Verdú, Ivana Baquero, Ariadna Gil and Álex Angulo) with the exception of Doug Jones as the Faun and the Pale Man who of course has a very long relationship with Del Toro going back to Mimic which was based on the Donald Wollheim story of the same name. 

The “Mimic” story was nominated for a Retro Hugo at Worldcon 76.

Reception for it was excellent. It won the Hugo for Best Dramatic Presentation, Long Form, at Nippon 2007 which had dual Toastmasters in the guise of George Takei and Nozomi Ohmori. Children of Men, The Prestige, V for Vendetta and A Scanner Darkly were also nominated for this Award.

Critics really liked it. Roger Ebert at the Chicago Sun Times said of it that “Nothing I am likely to see, however, is likely to change my conviction that the year’s best film was Pan’s Labyrinth.” And Mark Kermode writing in The Observer exclaimed that it is “an epic, poetic vision in which the grim realities of war are matched and mirrored by a descent into an underworld populated by fearsomely beautiful monsters.”

Box office was quite superb as it cost just under twenty million to produce and made over eighty million. Audience reviewers at Rotten Tomatoes currently give a near perfect ninety five percent rating. 

Usually I don’t note the figures made for a film but the Faun got some great ones including the NECA eight inch version which you see here in all its nightmarish glory. The Pale Man got his own figure as well.

(9) COMICS SECTION.

(10) YOU CONTROL THE HORIZONTAL. YOU CONTROL THE VERTICAL. THEY CONTROL THE OFF SWITCH. Inverse remembers“60 Years Ago, The Most Sneakily Influential Sci-Fi Series Came To An Inglorious End”.

…The Outer Limits was ahead of its time — and misunderstood accordingly.

By the time it went off the air, however, the show was a shadow of its former self. Its season-and-a-half, 49-episode run (can you imagine a modern genre show producing nearly 50 episodes in less than two years?) came to a close with “The Probe.” Directed by Felix Feist, who helmed the 1953 sci-fi B-movie classic Donovan’s Brain, the story concerned three men and a woman who survive a plane crash, only to find themselves aboard an automated alien laboratory.

The series had already been canceled, and writers and crewmembers were literally walking out the door as “The Probe” went into production. The episode reflected that with wooden acting, cheap-looking sets and effects, and an exposition-heavy plot, all sad aspects of the truncated second season that drag it dangerously close to Ed Wood levels of amateurishness. Even the episode’s monster, a microbe that grows to an alarming size, was a large, silvery blob of rubber pulled over a man who crawled around on the floor (the stuntman inside the costume, Janos Prohaska, pulled off a much more successful version of the same idea two years later as the Horta in the classic Star Trek episode “The Devil in the Dark”)….

(11) UNKNOWN INDY. ComicBook.com contends they can name “10 Indiana Jones Adventures You Didn’t Even Know About”. There are definitely some I hadn’t heard about before. Let’s start with –

Indiana Jones and the Army of the Dead

Steve Perry’s 2009 novel Indiana Jones and the Army of the Dead acts as a prequel to Indiana Jones and the Kingdom of the Crystal Skull and provides some backstory for Indy’s relationship with his friend George “Mac” McHale (Ray Winstone) in the movie. Taking place in 1943, Indy and Mac team up on an adventure to Haiti to find a mysterious voodoo artifact known as the Heart of Darkness. However, Indy and Mac must battle both Nazi and Japanese soldiers also pursuing the artifact.

Kingdom of the Crystal Skull provided an unexplored backstory of Indy’s military background when the United States officially entered World War II, revealing that he and Mac worked as double agents for the U.S. government during the war. Indiana Jones and the Army of the Dead not only takes Indy on a gripping literary adventure but also fleshes out his relationship with Mac before the latter joins forces with Soviet military leader Irina Spalko (Cate Blanchett) in Kingdom of the Crystal Skull, which makes the novel a great read for Indiana Jones fans.

(12) DEFENSE ADVICE FROM SF WRITERS. Reminiscent of Dr. Arlan Andrews’ Sigma Forum of the last decade, the Guardian takes note as “UK Ministry of Defence enlists sci-fi writers to prepare for dystopian futures”.

It’s a scenario that would make Tesla’s CEO, Elon Musk, shudder: a future where self-driving cars are the norm but a catastrophic electronic breakdown traps thousands of people inside them.

This dystopian vision of the future was one sketched out by science fiction writers at an event this week where experts were asked to prepare Britain for threats ranging from pandemics to cyber and nuclear attacks.

The writers joined researchers and policymakers working in crisis management and resilience at the gathering organised by RBOC (Resilience Beyond Observed Capabilities), a network of academics whose funders include the Ministry of Defence (MoD).’

Emma Newman, a sci-fi novelist who was at the event, said: “Taking a very character-based approach can help reveal aspects of future scenarios that you might not necessarily get from a more pulled-out approach.”…

(13) THE HEAT IS ON. [Item by SF Concatenation’s Jonathan Cowie.] Hot stuff from the last edition of the Astronomical Journal of 2024. With dayside temperatures hot enough to sustain a magma ocean and a silicate atmosphere, lava planets are the best targets for studying the atmosphere of a rocky world.  Some rocky exoplanets orbit so closely to their host star that the dayside temperature is high enough to melt rock!

Such planets are thought to have a magma ocean surface on their dayside, which is tidally locked to always face the star. Outgassing from the magma should produce an atmosphere on the dayside only, which freezes out on the nightside.  

“Clouds in Partial Atmospheres of Lava Planets and Where to Find Them”, Nguyen et al have simulated cloud formation in the partial atmospheres of five previously observed lava planets. These simulations indicate that clouds of silicate vapour form on the dayside and they would cast shadows on the magma ocean, so cooling it slightly…  Hal Clement’s Iceworld (1953) anyone?

(14) VIDEO OF THE DAY. Ryan George takes us inside “Mufasa: The Lion King Pitch Meeting”.

(15) VIDEO OF AN EARLIER DAY. The Zombie Apache Trailer dropped in May 2024.

The story of ZOMBIE APACHE unfolds as a greedy real estate developer desecrates a sacred Viking burial ground, unleashing a comical nightmare upon the unsuspecting locals. This perfect blend of absurdity and horror, highlighted by the stellar performances of our lead actors, promises an unforgettable and wildly entertaining film. experience.”

 [Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/7/25 The Fortress Of Scrollitude

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(1) CHANGE MY WORDS? Ira Nayman discusses the elements of “The Professional Editor/Writer Relationship” at the SFWA Blog.

…Many writers resist the editorial process for a variety of reasons. It takes a lot of time, thought and, ultimately, work to craft effective prose fiction; it can be galling to allow a stranger to come along and tell you that it has to be changed. In addition, it can be hard to accept that what you have put so much of yourself into is not perfect exactly as you wrote it. These issues can be overcome with experience. All you need is one great editor to help you see the flaws in a story and guide you through the process of correcting them to see the value in the process….

… My practice as an editor is to couch interpretive input as either a suggestion (“You might want to try…”) or a question (“This is unclear. Might it be better as…?”). If the writer makes a reasonable argument for why the change isn’t necessary, I’m usually willing to accept it (although it is also true that 90% or more of the changes I ask for are accepted by authors). I try to keep in mind that, in matters of artistic interpretation, there aren’t always clear-cut right or wrong answers. While my input makes sense to me given my understanding of how stories work, it is always possible that the writer is in a better position to judge what works for their specific story….

(2) DEPARTMENT OF REDUNDANCY DEPARTMENT. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 is ready to mourn “The Strange Death of Cultural Originality”. The above was quite interesting. Basic thesis is that before 2000 only 25% of top box office films were sequels or franchise related but after 2000 it is 50%.  Worryingly, it also applies to TV and films. There is an explanation. Competition due to the growth in content delivery formats means that platform deliveries cannot afford to take chances. Conversely, it is possible to argue philosophically, that little is new and that most is a variation, re-hash, mix-n-match of old material….

These days, when you turn on the TV or visit the cinema do you ever think, hang on, I’m sure I’ve seen this before? Maybe you’ve bought the latest crime thriller after seeing it in the bestseller lists and, 50 pages in, you’re overcome with a weird feeling of deja vu? And when you put the radio on in the car, does all the music sound, well, the same? 

If so, don’t worry. It’s not just you. Something strange seems to be happening.

Statistics show that the number of top 20 highest grossing Hollywood films each year which are either sequels or spin-offs has risen from 25% to 50% in the past two decades.

In the 1960s, most TV shows were original formats. Today, a third are spinoffs or multiple broadcasts.

In music, the number of artists on the Billboard Hot 100 has been falling for some time, meaning the big established acts are getting more and more exposure while new acts struggle to break through.

Existing best-selling authors are becoming increasingly dominant in publishing sales.

So is it fair to say that cultural originality is in rather poor health?

Might it even be dead?

Ben Chu spends spends a lot of time thinking about economics, numbers and why the world works in the way it does. In this programme he’s going to ask – if cultural originality is dead, who or what killed it?

(3) SOME STATES RESIST CENSORSHIP OF LIBRARIES. “Librarians gain protections in some states as book bans soar” reports the South Dakota Searchlight.

… Amid a national rise in book bans in school libraries and new laws in some red states that threaten criminal penalties against librarians, a growing number of blue states are taking the opposite approach.

New Jersey joined at least five other states — California, Illinois, Maryland, Minnesota and Washington — that have passed legislation within the past two years that aims to preserve access to reading materials that deal with racial and sexual themes, including those about the LGBTQ+ community.

Conservative groups have led the effort to ban materials to shield children from what they deem as harmful content. In the 2023-24 school year, there were 10,000 instances of book bans across the U.S. — nearly three times as many as the year before, according to a recent report by PEN America, a nonprofit that advocates for literary freedom.

The New Jersey measure not only sets minimum standards for localities when they adopt a policy on how books are curated or can be challenged but also prevents school districts from removing material based on “the origin, background, or views of the library material or those contributing to its creation.”

The law also gives librarians immunity from civil and criminal liability for “good faith actions.”

New Jersey state Sen. Andrew Zwicker, a Democrat who introduced the legislation, said until recently he thought that book bans were a disturbing trend, but one limited to other states. But early last year, he went to a brunch event and met a school librarian who told him she faced a torrent of verbal and online abuse for refusing to remove a handful of books with LGBTQ+ themes from her library’s shelves.

https://southdakotasearchlight.com/2024/12/15/state-library-budget-cut-would-hamstring-local-libraries-opponents-say/embed/#?secret=AmvBI5LLAe#?secret=3GwRz4n2Kt “That’s when I realized that I was so horribly mistaken, that these attacks on librarians and on the freedom to read were happening everywhere,” Zwicker told Stateline. “I went up to her and asked, ‘What can I do?’”…

… Legislation differs by state, including in enforcement and how to penalize noncompliant localities.

In Illinois, for example, school districts risk losing thousands of dollars in state grant funding if they violate the state’s new law discouraging book bans. But as the Chicago Tribune reported last month, that financial penalty was not enough to persuade many school districts throughout the state to comply, with administrators saying they are concerned about giving up local control on school decisions.

Several school districts in other states have similarly rebelled.

North of Minneapolis, St. Francis Area Schools’ board last month decided it would consult with conservative group BookLooks to determine which books it will buy for its school libraries. BookLooks uses a 0-through-5 rating system that flags books for violent and sexual content.

Under its rating system, books that have long had a place in school libraries — such as the Holocaust memoir “Night” by Elie Wiesel or “I Know Why the Caged Bird Sings” by Maya Angelou — would require parental consent to read….

(4) CALLING LA COUNTY HIGH SCHOOL STUDENTS. The Light Bringer Project is putting together the first-ever student edition of their literary journal, Locavore Lit. Los Angeles County high school students looking to publish their original fiction are invited to submit original fiction in any genre, between 500 and 5,000 words, through February 21.

Show us your fantastical worlds, your daring adventures, your tragic endings, and your strangely compelling characters.

We will be publishing between five and seven stories, and each chosen author will be paired with a professional illustrator who will work to highlight the story’s themes and imagery.

(5) DRONES FOR THE PROFESSIONAL ARMY. [Item by Francis Hamit.] A glimpse of the future courtesy of the US Army.  I follow this stuff the way other people follow sports. “Imagining a US Army Drone Corps” at the Modern War Institute.

In February 2024, Ukrainian President Volodymyr Zelenskyy announced the creation of the Unmanned Systems Forces. It is no secret that the Ukrainian military has used drones to great effect. Its units continue to innovate with drone tactics, techniques, and procedures and effects in the air, land, and maritime domains. Both belligerents in the Russia-Ukraine War have pledged to build over a million aerial drones each year to fill the skies. Even with the extremely innovative use of the drones (mine laying, incendiary delivery) already observed in Ukraine, history will show that the most important attribute of drones has been their ability to serve as economy-of-force systems. In a grinding war of attrition, drones have allowed the Ukrainian military to protect its limited combat power and threaten a much larger combat force across multiple domains.

The Unmanned Systems Forces that Zelenskyy announced amount, effectively, to a drone corps. US policymakers have taken note of the effectiveness of drones in the conflict and a drone corps may also be coming to the US Army….

… As an Army we are at a critical inflection point and have an opportunity to build a lethal enabling force. A more expansive course of action would involve creating drone units that can operate independently or augment brigade formations to fully leverage the situational awareness and strike capability of the systems. In a zero-growth environment with no major budgetary reallocations, the ready solution is the consolidation of the human-machine integration platoons across a division to build a robotics recon strike squadron (R2S2).,,, 

(6) PETER YARROW (1938-2024). “Puff the Magic Dragon” composer Peter Yarrow, part of the group Peter, Paul and Mary, died January 7. The New York Times tribute says in part:

Peter Yarrow, whose caring and righteous vocals for the trio Peter, Paul and Mary helped establish them as one of the most popular folk acts of the 1960s, died on Tuesday at his home on the Upper West Side of Manhattan. He was 86.

His death was confirmed by Ken Sunshine, his publicist. Mr. Sunshine said the cause was bladder cancer, which Mr. Yarrow had been battling for the past four years.

On many of the trio’s recordings they split the vocal parts equally, braiding Mr. Yarrow’s precise tenor around Noel Paul Stookey’s gentle baritone and Mary Travers’s warm contralto. But Mr. Yarrow also had some prominent lead vocals as well, fronting such well-known group recordings as “Puff the Magic Dragon,” “Day Is Done” and “The Great Mandala,” all of which he either wrote or co-wrote. “Puff” became a No. 2 Billboard hit, while “Day Is Done” grazed the Top 20….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

January 7, 1912 — Charles Addams. (Died 1988.)

Charles Addams

Ahhh, Charles Addams. No doubt you’re now thinking of the Addams Family and you’ve certainly reason to do so, but let’s first note some other artistic endeavors of his. 

His first published book work in the early Forties was the cover for But Who Wakes The Bugler by Peter DeVries, a silly slice of life novel.  He previously sold some sketches to the New Yorker. 

Random House soon thereafter contracted him for anthologies of drawings, Drawn and Quartered and Addams and Evil. (Lest you ask, the term “anthology” is from his website.)  Four more anthologies, now on Simon & Schuster will follow. 

And there was The Chas Addams Mother Goose, really there was. Here’s his cover for it.

Based on his characters that had appeared in his New Yorker cartoons, 1964 saw The Addams Family television series premiere on ABC. It would star, and I’m just singling them out, John Astin as Gomez and Carolyn Jones as Morticia. 

It lasted just two seasons of thirty-minute episodes. Mind you there were sixty-four episodes. Yes, I loved every minute of it. I have watched it at least three times, as recently as several years ago and it as great now as was when I first watched it decades ago.

Halloween with the New Addams Family is a follow-up film with the primary cast back. No idea why the New is in there.  We also had The Addams Family, an animated with a voice cast with some of the original performers, yet another Addams Family series (each of these largely had just John Astin from the original series).

Think we’re done? Of course, there is The Addams Family with Raúl Julia as a most macabre Gomez and Anjelica Huston as Morticia Addams with Carol Struycken playing Lurch for the first of several times.  I really, really adore this film. 

It was followed by the Addams Family Values which for some reason that I can’t quite figure out I just don’t adore.

Are we finished? No. The New Addams Family which aired for one nearly a quarter of a century after the original series went off the air after but a single season but lasted an extraordinary sixty-five episodes. I need to see at least the pilot for this. 

And then there’s the Addams Family Reunion which had the distinction of Tim Curry as Gomez. I’ve not seen it, so who has? It sounds like an intriguing role for him…

There will be two animated films as well, The Addams Family and The Addams Family 2, neither of which I’ve seen.

Finally let’s talk about licensing. After his death, his wife, Tee Addams, was responsible for getting his works licensed. To quote the website, “The Addams Family, both its individual characters and the Family in its entirety, have a long history of selling products, in print ad campaigns and television commercials alike – from typewriters to Japanese scotch, from designer showcases to perfume, from paper towels to chocolate candies, and all that lies in between.” 

So I went looking for use of the characters. I think the best one I found is the claymation one for M&Ms Dark Chocolate. (And please don’t ask me about the Wizard of Oz M&Ms commercial. That one is still giving me nightmares. Though the FedEx Wizard of Oz commercial is just silly. I mean dropping a FedEx truck on that witch…)

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 7, 1929: Three comic strips debuted

I’ve no idea why three newspaper comic strips were first published on this date. Before you think that can’t be possible, I’ve double-checked and yes, they were. I think it has to do with traditional Christmas holidays at that time in American history, so they’d be launched after those holidays. 

January 7, 1929 — The Buck Rogers in the 25th Century A.D. comic strip premiered. Philip Francis Nowlan Was the writer for the first decade with Dick Calkins and Russell Keaton being the artists for the first three years. At its peak in 1934, Buck Rogers appeared in 287 U.S. newspapers. Like many other popular comic strips of that day, Buck Rogers was reprinted in Big Little Books in a reformatted form. 

January 7, 1929  — The Tarzan of the Apes strip was first published.  It was drawn by Hal Foster (the first decade of strips) and Rex Mason (nearly twenty years’ worth) with Don Kraar adapting Edgar Rice Burroughs story.  A full-page Sunday strip began on March 15, 1931, with artwork by Rex Maxon. A dozen artists would draw the strip including Gil Kane and Mike Grell in its waning years. Russ Manning’s portrayal of Tarzan Is considered by many to be the definitive one. We’ve included two strips here, one with him as artist, the first with Hal Foster. 

January 7, 1934 — First published on this date, the Flash Gordon comic strip was inspired by the success of, and created rather obviously to compete with, the already established Buck Rogers strip. The story goes that King Features tried to purchase the rights to John Carter of Mars from Burroughs who refused, so King Features then turned to Alex Raymond, one of their staff artists, to create a similar story. The rest is history. Raymond’s strip would run until 1943 with the various artists and strips continuing for decades.

(9) COMICS SECTION.

  • Carpe Diem has a mirror with a gripe.
  • Loose Parts applies cartoon logic to civil engineering.
  • Rhymes with Orange shows a famous inventor was more ambitious than we knew.
  • xkcd charts the “features of adulthood”.

(10) JESSE HOLLAND Q&A. At WBUR, “Here and Now” host Celeste Headlee speaks with journalist Jesse Holland, author of the forthcoming Marvel/Titan Books anthology Captain America: The Shield of Sam Wilson, about the state of the Black superhero universe: “Taking stock of the Black superhero universe”. There’s also an excerpt from the book at the link.

(11) WEREWOLF? THERE PUB. [Item by Steven French.] Of marginal genre interest perhaps, but the Tan Hill Inn in North Yorkshire, where that famous pub scene in An American Werewolf in London was filmed, regularly gets snowed in during the winter. Here’s the Guardian’s amusing account of the latest ‘lock in’, including this reference to the classic movie: “Popcorn, pints and a pooch’s birthday: life snowed in at the Tan Hill Inn” from the Guardian.

7pm

Headlights are approaching! There’s a knock on the door. In step Chelsey Frankland and Luke Batty, who have somehow managed to get here in a 4×4 from Doncaster. Silence falls as we stare at them, gobsmacked, reminiscent of that scene in the 1981 film An American Werewolf in London. In fact, it’s identical to that scene because we are in the exact room where it was filmed.

(12) SET IN THE PRESENT? Slashfilm invites you to discover “Eight Classic (And Not-So-Classic) Sci-Fi Movies Set In 2025”.

We are all interested in the future, for that is where you and I are going to spend the rest of our lives. Welcome to 2025. It’s the future….

…Now we’re actually here in 2025, though, and we can see that few of those old writings came to pass. Indeed, from our standpoint, the future is looking positively bleak. There is a lot of authoritarianism to look forward to, and the curtailing of human rights seems to be on the docket worldwide. As such, we would do well to look back at the sci-fi of the past, perhaps merely as a sociological exercise. What did the writers of previous decades think 2025 would look like? Would we be fighting future Nazis, falling in love with computers, or piloting 100-foot Rock-Em-Sock-Em Robots?

One of the films they picked only looked three years into the future – and it’s a future peculiar to The Asylum.

2025 Armageddon (2022)

Schlock-lovers everywhere are likely intimately familiar with The Asylum, a low-budget film studio best known for their mockbusters (that is; clear and open imitations of contemporary blockbuster movies). Just as there was a “Pacific Rim,” The Asylum churned out the zero-budget knockoff “Atlantic Rim.” They did their own “Aladdin.” Their sales model seems to be based on tricking consumers into renting their movies, confusing them for the genuine article. 

At least “2025 Armageddon” acknowledged that model, as one of the film’s opening plot points was two twin sisters (Jhey Castles and Lindsey Marie Wilson) bonding over the Asylum movie “Snakes on a Train,” which their grandmother rented for them, thinking it was “Snakes on a Plane.” 

The purpose of “2025 Armageddon” was to gather the many absurd monsters from multiple other Asylum films, and assemble them in a single gigantic crossover event akin to “Destroy All Monsters.” The film features the Mega Piranha from “Mega Piranha,” the Mega Shark from “Mega Shark,” robot monsters from both “Atlantic Rim” and “Transmorphers,” and the croc monster from “Mega Shark Versus Crocosaurus.” There’s even a Sharknado for good measure. These creatures are all manifesting in the real world after a species of aliens watched a bunch of Asylum movies, and mistook them for reality. They used their high-tech monster-making machines to populate the Earth with Asylum monsters, as God intended. 

Michael Paré appears, of course, because it was either him or Eric Roberts.

(13) GOOD NEWS, BAD NEWS. “Mathematician Reveals Strange New Enigmas for Time Travelers” – Discover Magazine says it’s time you knew.

First, the good news for time travelers. Physicists have long recognized that nothing in the laws of physics specifically forbids time travel. As far as they can tell, these laws don’t care whether time is running forwards or backwards; they work just as well either way….

…Now the bad news, which comes from Lorenzo Gavassino, a mathematician at Vanderbilt University in Nashville. Gavassino has discovered some previously unknown side effects of time travel.

He says the laws of physics may not forbid it but if it is possible, these laws lead to some outlandish consequences, one of which is that any human who made the journey would not be able to remember it. The laws of physics suggest this person’s memory would be wiped clean as soon as they returned to the present….

(14) GALACTIC SQUINTING. “How astronomers used gravitational lensing to discover 44 new stars in distant galaxy” at ABC News.

NASA’s James Webb Space Telescope, history’s largest and most complex space observatory that serves thousands of astronomers around the world, has captured a unique image that revealed 44 individual stars in a galaxy 6.5 billion light-years away from the Milky Way, according to a paper published Monday in Nature Astronomy.

Astronomers used Webb’s high-resolution optics and distortion in space to reveal the existence of dozens of previously unknown stars, the researchers said. The detection of a “treasure trove” of stars was only possible because the light from the 44 new stars was magnified by a large cluster of galaxies, called Abell 370, in front of it, according to the Center for Astrophysics.

The technique is known as gravitational lensing, which is when a massive amount of matter — like a cluster of galaxies — creates a gravitational field that distorts and magnifies the light from distant galaxies that are behind it but in the same line of sight, according to NASA. The effect is essentially like looking through a giant magnifying glass….

(15) VIDEO OF THE DAY. Exits Examined delves into “The Bizarre History of Dragonriders of Pern”.

What do you get when epic fantasy crashes violently into science fiction? The Dragonriders of Pern baby! This legendary series is packed with telepathic dragons, daring riders, and a world that’s as dangerous as it is fascinating. Set on the planet Pern, where humanity’s survival hinges on their bond with dragons to fight a deadly menace from the skies, these books are a wild mix of adventure, survival, and discovery. In this video, we’re diving into the history of Dragonriders of Pern, exploring its incredible worldbuilding, unforgettable characters, and why it’s still matters.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Andrew (not Werdna), Francis Hamit, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/8/24 If I Were King Of Thesaurus

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(1) NETHERLANDS WORLDCON BID. An exploratory 2032 Worldcon bid for Maastricht, Netherlands was announced at Smofcon this weekend. That’s one of the many news items in Vincent Docherty’s roundup: “Bidders for Future Worldcons and Smofcons Heard from in Smofcon 41 Q&A Session”.

(2) BRISBANE 28 BID NEWS. Random Jones, chair of the bid to hold the 2028 Worldcon in Brisbane, Australia, has submitted their answers to Smofcon 41’s questionnaire: “Worldcon 2028 ‘Aussiecon 5’” [PDF file.]

(The other active 2028 bid is for Rwanda, Africa: “ConKigali 2028 Bid to Hold Worldcon in Africa Sends Update”.)

(3) CITY TECH SF SYMPOSIUM. The Ninth Annual City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI will take place in the City Tech Academic Building at 285 Jay Street in downtown Brooklyn, New York on Tuesday, December 10, 2024 from 9:00am to 5:00pm in Room A-105.

The event is free and open to the public. Pre-registration for this in-person event is not required. Participants and attendees who are not affiliated with the college will need to sign-in at the security desk before entering and walking down the hallway to the right to room A-105.

The Program is at this link.

(4) PICKET LINE. “Workers go on strike at NYC’s iconic Strand Books, ask owners to pay more than minimum wage” – Gothamist has details.

Workers at Strand Books — one of New York City’s most famous book shops — walked off the job Saturday as part of a labor strike demanding they make more than minimum wage.

The store’s 110 unionized workers went on strike in the middle of the busy holiday season, leaving the shop’s “18 miles of books” to be run by a skeleton staff made up of a mix of store managers, part time non-union workers and other non-union administrative staff, according to labor organizers. The union wants their base pay to increase from $16 an hour, which is minimum wage in New York City, to $18 an hour in the first year of the contract. The workers voted to authorize a strike late last month….

…Shop steward and bookseller Brian Bermeo said the union and management are hung up over wage proposals. The union has demanded a $2 hourly raise in their first year of the contract, followed by $1.50 per hour raise in each of the second and third years.

Strand Books’ management has offered 50 cents less for each year, according to Bermeo. The two sides are due back at the bargaining table on Monday, according to a spokesperson for the store.

(5) RUOXI CHEN MOVES UP. Two-time Hugo winning editor Ruoxi Chen has joined Putnam as Executive Editor reports Publishers Weekly.

Ruoxi Chen has joined Putnam as executive editor. Chen was most recently an editor at Tordotcom Publishing, where she spent seven years editing speculative fiction, including the Hugo Award–winning novels Some Desperate Glory by Emily Tesh, The Empress of Salt and Fortune by Nghi Vo, and Riot Berry by Tochi Onyebuchi. Chen has also been recognized by the Hugo Awards for her work as an editor.

In her new role, Chen will be acquiring crossover fantasy, romantasy, and science fiction. She will report to Putnam VP and editor-in-chief Lindsay Sagnette. 

(6) DISCORDANT NOTES. [Item by Steven French.] Isaac Asimov drafted a screenplay based on McCartney’s idea of an alien musical but the former Beatle turned it down: “’It’s like they were smoking something potent’: the ‘bizarre’ Paul McCartney alien musical that never was” in the Guardian.

It is the film that never was – an unlikely sci-fi musical about aliens dreamed up by Paul McCartney half a century ago. The aliens would have landed in a flying saucer, but the project never got off the ground.

Now the former Beatle’s treatment for the film – and an expanded version by the American sci-fi writer Isaac Asimov that McCartney turned down – have been unearthed in a US archive by the authors Allan Kozinn and Adrian Sinclair, while researching a forthcoming book.

The treatment’s discovery is revealed in The McCartney Legacy, Volume 2: 1974-80, published by HarperCollins on 10 December….

…The Fab Four had made several films, including A Hard Day’s Night, and McCartney wanted his new band [Wings] to star in one. He came up with a story about a band of aliens who arrive on Earth, morphing into the members of Wings before challenging the real Wings musicians.

Spanning almost 400 words, his treatment began: “A ‘flying saucer’ lands. Out of it get five creatures. They transmute before your very eyes into ‘us’ [Wings]. They are here to take over Earth by taking America by storm and they proceed to do this supergroup style. Meanwhile – back in the sticks of Britain – lives the original group, whose personalities are being used by the aliens…”

“Nothing ever came of this because McCartney couldn’t recognize good stuff,” said Asimov in a grumpy handwritten note on the manuscript.

(7) HEADS FOR SALE. BBC checks in when “Star Wars fan from Swindon sells toy collection after job loss”.

A man who changed his name to Luke Skywalker has sold his collection of Star Wars memorabilia after losing his job.

The sale included signed items from the films, life-sized models of the cast, creatures and droids from the films.

“I need to survive. This stuff is just in a warehouse just collecting dust all the time,” Mr Skywalker said.

The auction, at Wessex Auction Rooms in Chippenham, was described as “extremely unique”….

… Mr Skywalker said: “My van blew up last week and I need a new one, so I thought I’ve still got lots.

“I’ve got the memories and I’ve got the photos, you know?”

Some of the collection included rare replica helmets, Mr Skywalker said.

“They only released 200 each in the world,” he said.

Tim Weeks, director and auctioneer at Wessex Auction Rooms and Bargain Hunt expert, said: “We had a packed room and more than 500 live online bidders from around the world….

(8) DEVIL AT A BLUE ADDRESS. “How Easy Rawlins Built a Real Estate Empire, One Crime Novel at a Time” in the New York Time. (Link bypasses paywall.)

…Easy is a Black World War II veteran who fled the Jim Crow South for a better life in Los Angeles. In “Devil in a Blue Dress,” the 1990 classic that started both the series and Mosley’s career, Easy takes his first case so he can pay his mortgage and uses a windfall to add a rental property. The ups and downs of real estate continue as a recurring theme and story engine, especially in the early books, where the remedy for some tax lien or underwater mortgage is often to solve whatever mystery is driving the plot.

Now, two decades of buying and holding later, Easy is flush. As he explains in “Farewell, Amethystine,” his 12 buildings have a total of 101 rental units that a friend manages for a 0.8 percent fee. Subtract that commission along with mortgage payments and general upkeep, and his take-home is $26,000 a year in 1970 (the year the novel takes place), which, adjusted for inflation, would be about $217,000 today.

“I wasn’t rich,” Easy says. “But I sure didn’t need to be going out among the hammerhands and scalawags in the middle of the night.”

Let’s dispense with the obvious: Easy Rawlins is a fictional character [created by Walter Mosley]. Nevertheless, I’m here to tell you that his story has much to teach us about small landlording — America’s most enduring side hustle…

(9) TODAY’S DAY.

(10) MEMORY LANE.

[Written by Paul Weimer.]

By Paul Weimer: Once there was a shared world anthology. In a real sense, it was the ur-shared world anthology, created by several fantasy writers and written by many authors. A creation of one of the Great Cities of fantasy, a city of contradictions. A City on the edge of Empire. A city that was sprawling. A city that was cramped. A city with more reprobates, dark magicians, heroes, villains, witches, and more per square block than any other. A city of endless adventure. 

That city, the City of Sanctuary, that anthology and its many sequels, was Thieves’ World, created by Robert Asprin which was published forty years ago.

I came to Thieves’ World in the first rush of playing AD&D in the early 1980’s. Thieves’ World was tailor-made for a D&D locale, and in fact my brother and I had the boxed set of the RPG module before we actually touched the module. That early module, as unforgiving and sometimes spartan as other modules of the time meant that we really had to read the books in order to understand the setting deeply, even given all the maps, encounter tables and the like (it really was and is one of the best setting modules) My brother read the first two, first, before I did. I remember looking at the cover of the first one and asking my brother who these people were (it’s the cover with Lythande, Hanse and a mystery character, with One Thumb ready to serve them a round) .

At the time, Discworld was an ocean away and I would not encounter it for more than a decade. There was of course Lankhmar (and, no surprise, we had that D&D module too) . So Thieves World was, for me, for many years, the definitive and one true fantasy city.  Lots of invented fantasy cities in games I ran (and my brother ran) that didn’t take place in Sanctuary and its environs took place in expys of it. 

And then there were the stories themselves. A wide range of fantasy authors, some of whom I followed into other work (Asprin, for instance, right into the Myth series) and others that would become heart authors later (like Poul Anderson). Janet Morris. Jody Lynn Nye. And many, many others, borrowing, using and changing these characters.  My older brother, who played thieves in D&D more than I liked the shades of grey characters and series even more than I did. I was always interested in the high magic and magical doings in the stories. Hanse Shadowspawn, son of a God, who kills another God. Lythande, whom today we might call a trans man, keeping his birth gender a secret, but as a result having quite potent magical powers. The strange spell that hits One-thumb, a dastardly magical trap. Again, for many years, other than Lankhmar, and some of the work of Zelazny (whom I only learned recently was invited but didn’t get to write in Thieves World), Thieves’ World’s anthologies were the sword and sorcery standard for me, with an emphasis on the dark sorcery. My brother might have been interested in thiefly doings, dark magic and fighting (and sometimes using it) was my deal.

Eventually the series petered out after a respectable number of volumes, side novels and the like. It did inspire a lot of other shared world series (such as Heroes in Hell) , and very probably, the most enduring of the shared worlds, Wild Cards. 

But it occurs to me that the story of Sanctuary, of an edge-of-the-empire garrisoned town (with apologies to Sting) in a Empire that itself eventually topples and falls, leaving Sanctuary to its own devices is a story that is timeless. And given very recent events (hello, Syria), ever-fresh.

Meet you for a drink at the Vulgar Unicorn? My treat. Just bring your sword (or if you have a handy spell, then that) and your wits, the Maze is a dangerous place.

(11) COMICS SECTION.

(12) STRANGER THINGS ON STAGE. Entertainment Weekly keeps track of casting in “’Stranger Things’ Broadway play adds season 5 newcomer, ‘Grey’s Anatomy’ alum T.R. Knight”.

The Upside Down continues taking over Broadway as the cast for the U.S. version of Stranger Things: The First Shadow continues to grow.

Louis McCartney will reprise his role of young Henry Creel/future Vecna from the London West End production when the show makes its stateside debut in New York next year. But among the new batch of casting unveiled Wednesday is Alex Breaux, who’s already playing a mysterious series regular character in Stranger Things season 5, which premieres on Netflix in 2025. Fans only caught a glimpse of him on the show in a behind-the-scenes sneak peek, revealing him in a black militarized uniform holding an automatic rifle.

On stage, Breaux will play the new Dr. Martin Brenner, a role played by Patrick Vaill in the London stage version and Matthew Modine on the Netflix series.

Another piece of interesting casting: Grey’s Anatomy alum and The Flight Attendant actor T.R. Knight will hit the stage as Victor Creel, Henry’s father. Horror icon Robert Englund played the character on the series, while Michael Jibson took the role for the London production.

Also joining the Broadway cast are Alison Jaye (Shameless) as young Joyce Maldonado, Burke Swanson (Back to the Future: The Musical) as young Jim Hopper Jr., Broadway newcomer Nicky Eldridge as young Bob Newby, Emmy nominee Gabrielle Nevaeh (Nickelodeon’s That Girl Lay Lay) as Bob’s sister Patty, Rosie Benton (Patriots) as Henry’s mother Virginia, and Andrew Hovelson (Lucky Guy) as Hawkins High Principal Newby.

The production will give U.S. audiences a look at the prequel to Stranger Things that also ties into the events of the highly anticipated fifth and final season of the show. The play follows Henry Creel’s arrival in town with his family in 1959 Hawkins. It’s based on an original story by Stranger Things creators Matt and Ross Duffer, Jack Thorne, and Kate Trefry. Stephen Daldry and Justin Martin serve as director and co-director, respectively….

(13) ABOUT TABLETOP GAMES. [Item by Steven French.] Tim Clare, who was diagnosed as autistic while researching a book on how games connect people, discusses how board games offer a refuge from a noisy, chaotic world and lists his top five: “’Playing games turns me into a person who makes sense’” in the Guardian.

As a phenotype, autism is very loosely defined (“If you’ve met one autistic person, you’ve met one autistic person,” goes the old saying). It has a lot in common with Ludwig Wittgenstein’s conception of games; there’s no single trait, he said, common to all games that excludes everything not a game. Rather, we must rely on “family resemblances”. The best we can do is point to a bunch of activities and say: “These things, and things like them, are games.”

Tabletop games are a vast, sprawling island chain of loosely federated states, each with its own laws and customs. Trying to sum them all up in a neat little Baedeker feels measly, incomplete. Again, there are miles of open water between chess and Crokinole, Dungeons & Dragonsand Votes for Women. Each offers me different ways to unmask and connect….

(14) BACK IN ROTATION. We learn from The Hollywood Reporter that “’The Wheel of Time’ Season 3 Has a Premiere Date and Teaser”.

The Amazon-owned streamer has set a March 13 premiere date for the fantasy drama’s third season. Prime Video also released a first teaser for the coming season at São Paulo’s CCXP24 convention.

In the teaser (watch it below), Moiraine (Rosamund Pike) warns that she has seen “a thousand thousand futures” — and that there are none in which both she and Rand al’Thor (Josha Stradowski), the young man who may hold the future of humanity in his hands as the Dragon Reborn, survive….

(15) DIM PROSPECTS. “The world asked NASA for help in its greatest crisis: They just said that “it’s not possible” reports EcoNews.

…Solar power from space has been an interesting concept since Isaac Asimov first described it in the context of 1940s science fiction. The concept is simple: put solar panels in an area with constant daylight, and the transformed solar energy is converted to microwaves and transmitted to the earth, where it is transformed back to electricity.

This approach would provide a constant and uninterrupted power supply, unlike the ground-based solar power dependent on sunlight. Although it seems the perfect answer to the world’s energy problems, the technical and financial issues have proved too difficult.

NASA’s Office of Technology, Policy, and Strategy published a catastrophic report on SBSP’s vision. The findings were clear: SBSP will not be economically feasible shortly. The report shows that the costs of deploying space-based solar power systems remain prohibitive, and current research indicates that prices can be as much as 80 times more costly than on-ground solar systems.

In this case, the total lifecycle cost of these systems would be astronomical and much higher than that of land-based renewable technologies such as solar and wind power. NASA’s report also discussed the environmental effects of SBSP….

(16) HARD TO BELIEVE. Variety sets the scene: “Dick Van Dyke Sings and Dances Again at 98 in Coldplay Music Video”. Dick Van Dyke will be 99 on December 13 (coincidentally my sister’s birthday, too).  

Dick Van Dyke is the star of Coldplay‘s music video for the band’s latest single, “All My Love,” which sees the 98-year-old Hollywood legend dancing barefoot and duetting with frontman Chris Martin.

Directed by Spike Jonze and Mary Wigmore, the seven-minute video is more like a short film as Van Dyke — who turns 99 on Dec. 13 — reflects on his nearly eight-decade career…. 

[Thanks to Mike Kennedy, Andrew Porter, N., Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel (cue Bert Lahr on vocals) Dern.]

Pixel Scroll 10/14/24 Pixelling Pigeons In The Scroll

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(1) SEATTLE WORLDCON 2025 SHORT STORY CONTEST. The Seattle Worldcon 2025 today announced a short story writing contest with adult and young adult entry categories. The winners in each category will be recognized at the convention, receive free memberships to the convention, and have their stories published in an upcoming anthology by Grim Oak Press. Full details at the link: “Writing Contest – Seattle Worldcon 2025”.

Stories must draw inspiration from the Worldcon theme: Building Yesterday’s Future–For Everyone. This theme was selected to invoke nostalgia for the hopeful science-fictional era of the early 1960s, when Seattle held its first (and until now, only) Worldcon, followed up by the Century 21 Exposition (a.k.a. 1962 World’s Fair), showing the world a vision of its technological future, complete with freshly built Monorail and Space Needle.

(2) WHEN BAD NEWS IS BIG NEWS. Charlie Jane Anders answers the question “Why Are Toxic ‘Superfans’ Such a Nightmare for Hollywood?”

…But even if @Fanboy3997 is not a king-maker, he can do a certain amount of damage to a franchise. This is at least partly a reflection of the fact that the internet, like so many other media before it, does a better job of boosting negativity and hate than spreading anything positive. (“If it bleeds, it leads.”)

Disgruntled fans can help to shape the narrative about a project in various ways.

1) They can drown out the people who actually like it.

2) They can even harass anybody who expresses enthusiasm for a project they don’t like.

3) They can do the aforementioned review bombing, and harass actors and creators.

4) They can create the appearance of a major backlash, even if it’s really just five people and an swarm of bots.

5) And, though journalists will never admit it, a angry fans have a major ally in the journalistic profession, which will assist in blowing their complaints way out of proportion and creating a fake controversy in order to manufacture drama that in turn will lead to eyeballs on news sites.

To some extent, this is what happened with Star Wars: The Last Jedi, a movie that was a massive financial success and one of the most successful movies of all time, with an “A” on Cinemascore (signifying that audiences in theaters overwhelmingly loved it.) What I’m convinced were a relatively small number of fans had a meltdown, which probably would’ve had a limited impact if journalists hadn’t chosen to run with it and create a news cycle around the backlash. That, in turn, led to the notion that 

(3) IDENTIFYING DANGER. “INTERVIEW: J. Michael Straczynski” at Grimdark Magazine asks JMS in the context of his work on Last Dangerous Visions.

[GdM] Can you explain your perspective, and, by extension, Ellison’s, on what makes a story “dangerous” in speculative fiction?

[JMS] The distinction you draw is correct, in terms of how this relates to speculative or science fiction. There has been a lot of hard-edged, socially challenging writing in other forms and genres. Alan Ginsberg’s Howl, Jack Kerouac’s On the Road, the raw emotionalism of Lawrence Ferlinghetti’s A Coney Island of the Mind, JD Salinger’s Catcher in the Rye…all of them pushed the frontiers of writing, and many of them got banned or ended up in court on obscenity charges. But they kept on writing, because it was necessary to take a stand for literary freedom.

The SF genre was (and to a degree still is) fairly conservative and, seeing what happened to the writers noted above, tended to steer clear of controversy. This persisted up until the time of Harlan’s first Dangerous Visions anthology and the slow birth of New Wave Science Fiction (with writers like Michael Moorcock, Ursula K. Leguin, Samuel R. Delany and others poking at the walls of conservatism) which DV codified from individual efforts into a movement.

What makes a story dangerous in speculative fiction? Anyone who is willing to risk controversy, to speak to the flaws of society, to sexual and political issues even though they might get in trouble as a result. Harlan once wrote that “the chief commodity a writer has to sell is their courage,” and for me, that’s what a dangerous vision is all about: a story that requires a modicum of courage to tell it.

(4) FIRST FANDOM ANNUAL 2024. Editors John L. Coker III and Jon D. Swartz invite fans to order the First Fandom Annual 2024, devoted to a “History of the Sam Moskowitz Award”.

Sam Moskowitz, I-Con XIV (1995), Long Island, NY. Photo by John L. Coker III
  • Remembering Sam Moskowitz
  • The Sam Moskowitz Archive Award
  • The Sam Moskowitz Collection

Articles by Sam, photographs With Hal W. Hall, David A. Kyle, Robert A. Madle, Julius Schwartz, Jon D. Swartz, Ph.D., Joseph Wrzos

Fifty-six pages, 28# paper, heavy gloss color covers, printed endpapers, face-trimmed, saddle-stitched, B&W interiors, with color illustrations throughout.

Limited to (26) copies, available for $35. each (includes packaging, Priority Mail, insurance).  Please send check or money order for $35 (payable to John L. Coker III) at 4813 Lighthouse Road, Orlando, FL – 32808.

(5) ALTERNATE BATMAN. [Item by Danny Sichel.] Paul Dini found some notes in his car on which he had long ago written alternate ideas for the resolution to Batman Beyond.

(6) ART HENDERSON (1942-2024). Virginia fan Art Henderson died October 12 at the age of 82. He is survived by his wife, Becky.   

Art and Becky Henderson at the 1974 Worldcon. Photo by and (c) Andrew Porter.

(7) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born October 14, 1952 – Charlie Williams. (Died 2021.) Fan artist Charlie Williams first came to prominence as a regular contributor to Chat, the Chattanooga clubzine published by Rich and Nicki Lynch. He also later appeared in all 30 issues of their Hugo-winning genzine Mimosa.

Williams was a member of the Knoxville Science-Fantasy Federation and in the 1970s, he owned a comics store in Knoxville and taught cartoon illustration at the University of Tennessee. At one time he was a member of the Spectator Amateur Press Association. He was guest of honor at Imagincon ’81 (1981), Con*Stellation II (1983), and Roc*Kon 8 (1983).

Williams loved to draw complex, inventive scenes several of which are displayed below, including a cover for an issue of File 770 from the Eighties.

A “Homage to Howard”
A “Homage to Howard”

(8) COMICS SECTION.

  • Brewster Rockit discovers the reason for a recent space event.
  • Eek! obviously thinks it’s “threat or treat”.
  • Lio has a classic reference.
  • The Argyle Sweater missed an update.
  • Macanudo underrates genre reading.
  • Tom Gauld knows about speed reading.
  • And he’s had better days.

(9) POLITICAL COMICS. The makers of the “Stop Project 2025 Comic” website say:

We’re a group of comic book writers & artists who are furious about Project 2025, The Heritage Foundation’s plan to consolidate power under authoritarian rule. So we made a bunch of comics to explain their agenda and move you to vote against it.

(10) VIDEO GAME WITH NUANCE. “Metaphor: ReFantazio is the rare fantasy game that goes beyond racism 101” declares The Verge’s reviewer.

…But Metaphor is more than just a stylish, dynamic RPG — it’s also the rare fantasy story that tackles discrimination with nuance.

In a lot of fantasy, I’m annoyed by the storytelling conceit of using discrimination against fantasy races as an allegory for real-world racism. Stories featuring this trope usually stop at the “racism is bad” surface level, demonstrating that with ugly over-the-top displays of violence (hey there, Dragon Age) while ignoring the subtleties that make racism so heinous and pervasive. Metaphor manages to incorporate and tackle both aspects of this reality. 

There’s a moment when you’re reading a fantasy book with a companion, and they mention that realizing their goal of a world where everyone is treated equally won’t be enough. “Equal competition doesn’t mean equal footing,” Heismay says. It’s the first time I’ve seen a video game acknowledge that simply stopping the big bad evil racist won’t magically make up for the countless generations of oppression. The game does the same with class and wealth. There’s a character vying for the throne who wishes to essentially “eat the rich” and redistribute their wealth at the point of a guillotine. But by virtue of her extremely low status, she sees everybody with more than a few coins to rub together as her ideological enemy. It’s just like when people in poverty lash out at other people a little bit less in poverty when their real enemies are the wealthy powerholders who exploit that animosity. It’s awesome that the game calls that out….

(11) SPACE DETECTIVE WORK. NASA’s JPL announces “First Greenhouse Gas Plumes Detected With NASA-Designed Instrument”.

The imaging spectrometer aboard the Carbon Mapper Coalition’s Tanager-1 satellite identified methane and carbon dioxide plumes in the United States and internationally.

Using data from an instrument designed by NASA’s Jet Propulsion Laboratory in Southern California, the nonprofit Carbon Mapper has released the first methane and carbon dioxide detections from the Tanager-1 satellite. The detections highlight methane plumes in Pakistan and Texas, as well as a carbon dioxide plume in South Africa.

The data contributes to Carbon Mapper’s goal to identify and measure greenhouse gas point-source emissions on a global scale and make that information accessible and actionable.

(12) ANNUAL APPARITION. “It’s Spirit Halloween season. How does the retailer stay afloat year-round?” NPR tried to find the answer.

SELYUKH: It is unusual. To be clear, it is a private company – Spirit Halloween – so we don’t know for sure, all of the under-the-hood stuff. They do skip the most expensive parts of being a retailer. That’s kind of how they save a lot of money on rent, utilities, workers. If you think about it, their stores – most of them are not permanent. Most of the store workers are temporary. Much of the year, Spirit Halloween mainly pays a big team to scout real estate locations, looking for empty store fronts. Then in late summer, the hustle starts for new stores to materialize. They’ve built over 1,000 of them.

RASCOE: That has to be a really big operation, like, turning all of these empty spaces into stores.

SELYUKH: It is, and it is very fast, too. You know, last year, I talked to a woman who worked at a mall where Spirit Halloween took over shuttered Sears, and she was describing an insane speed, like a matter of days. And I should say, I have tried a few times to get a tour of how Spirit Halloween works in an empty store or at least an interview with some official, and they don’t do interviews.

RASCOE: So you got ghosted. You see what I did there….

(13) EUROPA CLIPPER LAUNCHES. “NASA spacecraft rockets toward Jupiter’s moon Europa” and AP News wishes it bon voyage.

A NASA spacecraft rocketed away Monday on a quest to explore Jupiter’s tantalizing moon Europa and reveal whether its vast hidden ocean might hold the keys to life.

It will take Europa Clipper 5 1/2 years to reach Jupiter, where it will slip into orbit around the giant gas planet and sneak close to Europa during dozens of radiation-drenched flybys.

Scientists are almost certain a deep, global ocean exists beneath Europa’s icy crust. And where there is water, there could be life, making the moon one of the most promising places out there to hunt for it.

Europa Clipper won’t look for life; it has no life detectors. Instead, the spacecraft will zero in on the ingredients necessary to sustain life, searching for organic compounds and other clues as it peers beneath the ice for suitable conditions…

(14) COMET A3 FROM THE DC SUBURBS OF MARYLAND. [Item by Rich Lynch.] An iPhone photo…I just held the phone as steady as I could and hoped for the best. I’m actually amazed that it worked!

For those wanting to see the comet, this evening it’s located halfway between Venus and Arcturus, and remains visible for probably a couple of hours after the sun has set.

(15) TAKE INSPIRATION FOR YOUR HALLOWEEN BAKING. “Swedish chef making a pumpkin pie” – a Muppets excerpt.

(16) IN NO TIME AT ALL. Boing Boing says “’Skip Danger vs the Space-Time Continuum’ is a hilarious anti-time travel movie”.

…A  wonderfully self-aware homage to Back to the Future and Hot Tub Time Machine — minus, perhaps, the actual time machine. 

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, N., Danny Sichel, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 9/8/24 I’ve Grown Accustomed To The Doors of Your Face, the Lamps of Your Mouth

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(1) OFF THE CLOCK. “Critical Choices: Time Travel and Identity” by Rjurik Davidson at Speculative Insight.

…Psychologists suggest that your sense of self is constructed interpersonally, in relationship with others, and hence also in relationship to the social world. Individualism is nothing but a liberal myth. For example, people who venture into nature to “find themselves” typically discover the opposite: they lose any sense of their self. Isolated from society, they dissolve into their surroundings, become one with daily tasks: “catch fish,” “start fire,” “sleep.” They no longer exist. “All You Zombies” brilliantly illuminates this dissolution, counterintuitive to those schooled in Thoreau’s Walden or other such romantic myths. In the story, the main character (Jane) takes painkillers for her perpetual headache but discovers that without the pain everyone else disappears. It is as if the veil is torn from a false reality, revealing the true world beneath, seen before as through a glass darkly but now face to face – a premonition of one of Philip K. Dick’s enduring fascinations. Without mother, father, a social world, Jane’s existence manifests as a headache of existential dread. Either way, with headache or not, she experiences her plight as a pain of isolation. She is “alone in the dark.” Her declaration, “I know where I came from,” is replete with irony. Her somewhat desperate affirmation is made precisely because there is nothing but doubt. Neither she, nor the reader, actually knows where she came from – methinks that Jane dost protest too much….

(2) REWARDING TRANSLATION. Anton Hur analyzes “Literature that expands the borders of what ‘international’ can mean” in the Washington Post. (Usually there’s a paywall, but I was able to read this article. Hopefully, so will you.)

…But why have a translated literature category [for the National Book Awards] at all? Neil Clarke, the editor of the science fiction magazine Clarkesworld, had the same thought; he has argued against creating a translation category at the Hugo Awards, claiming that it would serve to further marginalize translated literature. A quick glance at the history of nominees for best novel at the Hugos reveals that a translation has been a finalist only twice, and for the same team: the redoubtable Cixin Liu, author of “The Three-Body Problem,” and his translator Ken Liu. As someone who reads translations primarily and prodigiously, you can’t make me take Clarke’s fears of “further” marginalization seriously. And it has to be said that this also applies to the National Book Awards, which simply stopped taking translated literature into consideration for more than three decades. (In writing this article, I was asked to consider what works may have been overlooked by the awards during the 2010s and, well, imagine me madly gesticulating at all the works in translation published in the eligibility periods between 2009 and 2017.)…

(3) THE DOCTOR IS IN. Jon Del Arroz proclaimed yesterday over a photo of Kirk and Spock that “Star Trek is an inherently right-wing concept. It upholds man’s greatness as being designed in the image of God and promotes manifest destiny and dominion of God’s creation.” Robert Picardo (who memorably played Voyager’s Emergency Medical Hologram) took him to task. Admittedly, the kind of attention Jon always hopes somebody will give him.

(4) FULL MOON VOTERS. “In Michigan, an ‘Unhinged Werewolf’ Will Make It Clear Who Voted” says the New York Times. (Behind a paywall.)

Plenty of the submissions in a statewide contest to design Michigan’s next “I Voted” sticker featured cherry blossoms or American flags fluttering in the wind.

Only one entry, however, depicted a werewolf clawing its shirt to tatters and howling at an unseen moon. A smattering of stars and stripes poke out from behind its brawny torso.

“I Voted,” reads a string of red, white and blue block letters floating above the creature’s open maw.

The illustration, which was created by Jane Hynous, a 12-year-old from Grosse Pointe Farms, Mich., was revealed on Wednesday as one of nine winning designs that the Michigan Department of State will offer local clerks to distribute to voters in the November election.

The werewolf sticker received more than 20,000 votes in the public contest, beating every other entry by a margin of nearly 2,000 votes, said Cheri Hardmon, a spokeswoman for the Michigan Department of State. The design gained traction on social media among those who found it fitting for an intense, and at times bewildering, moment in national politics….

(5)  FANAC FAN HISTORY ZOOM: PLOKTA. [Item by Joe Siclari.] It’s a fannish mystery how this jumped from nothing to an everyday phrase all over fandom.

The FANAC Fan History Zoom Series starts off its new season with what promises to be a fun, interesting, historical and important session as it brings back together the Plokta Cabal. The group was known for its weird news, quirky humour and radical graphics. 

September 22, 2024 – The Secret Origins of Plokta, with Steve Davies, Sue Mason, Alison Scott, and Mike Scott

Time: 2PM EDT, 1PM CDT, 11AM PDT, 7PM London (BST) & too early in Melbourne

This fannish group burst on the scene in May 1996 with the fanzine Plokta, which went on to receive two Best Fanzine Hugos, 2 Nova Awards for Best Fanzine, and Hugo nominations each year from 1999 to 2008. They are energetic, quirky and very, very funny. They are writers, artists, con runners, Worldcon bidders and fan fund winners. Join us and learn more about their secret origins, fannish impact and what they are doing now.

To attend, send an email to fanac@fanac.org

Two other Fanac Zoom session already on the calendar are:

  • October 26, 2024, Time 7PM EDT, 4PM PDT, Midnight London (sorry), and 10AM AEDT Sunday, Oct 27 Melbourne, Senior Australian fan Robin Johnson interview, with Robin Johnson, Perry Middlemiss and Leigh Edmonds
  • January 11, 2025, Time 2PM EST, 11AM PST, 7PM GMT London, and 6AM AEDT (sorry) Sunday, Jan 12 Melbourne, Out of the Ghetto and into the University: Science Fiction Fandom University Collections, with Phoenix Alexander (University of California, Riverside), Peter Balestrieri (University of Iowa), Susan Graham (University of Maryland, Baltimore County), and Richard Lynch (moderator)

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary – Star Trek, The Original Series (1966).

On September 8 fifty-eight years ago the first episode of Star Trek aired. I want to talk about my favorite episode in the series, which is “Trouble with Tribbles”. Now there are other episodes that I will go to Paramount+ to watch such as “Shore Leave”, “Mirror, Mirrior” or “Balance of Terror” but is the one that I have watched by far the most and which I enjoy as just the funnest one they ever did.

It was first broadcast in the show’s second season, just after Christmas on December 29, 1967. The previous episode had been another one I also like a lot, “Wolf in the Fold”, written by Robert Bloch. 

This script, which was Gerrold’s first professional sale, bore the working title for the episode of “A Fuzzy Thing Happened to Me…” Writer and producer for the series Gene did heavy rewrites on the final version of the script.  The final draft script can be read in Gerrold’s The Trouble with Tribbles: The Story Behind Star Trek’s Most Popular Episode with much, much more on this episode. 

Memory Alpha notes that “While the episode was in production, Gene Roddenberry noticed that the story was similar to Robert Heinlein’s novel, The Rolling Stones, which featured the ‘Martian Flat Cats’. Too late, he called Heinlein to apologize and avoid a possible lawsuit. Heinlein was very understanding, and was satisfied with a simple ‘mea culpa’ by Roddenberry.”  

It of course is centered on tribbles. Wah Chang designed the original tribbles. Five hundred were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could move. 

According to Gerrold, the tribble-maker Jacqueline Cumere was paid $350. Want a tribble now? Gerrold has them for you in various sizes and colors. So if you’re in seeing these, go here. tribbletoys.com

Let’s talk about why it’s about my favorite episode. I’m watching it now on Paramount+. I’ve to come to the bar scene where Cyrano Jones is trying to sell the Bar Manager a tribble when Chekov and Uhura come in. When Uhura asks if it’s alive, it starts adorably purring (who created that purr?), and the story goes from there.

The next morning Kirk walks. Uhura and a group are admiring that her tribble has reproduced. Where there was one, there are now, I stopped the video to count fourteen in various hues. (Not sure what all of them are as I’ve got color blindness.) Really cute but remarkably not one seems concerned.

Right there it exhibits that It has some of the best script writing in the series including this choice line as Spock holds and strokes a tribble: “Its trilling seems to have a tranquilizing effect on the human nervous system. Fortunately, of course … I am immune … to its effect.” There is an amused look from Uhura and the others. 

Oh, and it has Klingons. Not the Worf-style ones. The ones that look like someone cos-played an Asian military character of a thousand years ago. So naturally that hard to lead to a bar fight, doesn’t it? It does when a Klingon calls Scotty’s Enterprise, his beloved ship, a garbage scow. Well, he actually calls it a lot of things before ending with that. Perfect, just perfect. 

Now let’s segue from that bar brawl to reworking of this episode to the Deep Space Nine episode which I need not talk about as I know you know about it: “Trials and Tribble-ations”. It would be nominated for Hugo at a LoneStarCon 2. It would digitally insert the performers from the original series into that episode. 

I’m assuming y’all know this delightful episode which I think can best have its attitude summed up in this conversation…

Sisko to Bashir: “Don’t you know anything about this period in time?” 

Bashir: I’m a doctor, not an historian.”

Dax in her red short skirt: “In the old days, operations officers wore red, command officers wore gold… (Looks at her outfit.) “And women wore less. I think I’m going to like history.” 

I’ve watched both shows back-to-back several times, which is well worth doing as they did an stellar job of making the DS9 characters work seamlessly in the old episode. (I know they weren’t actually there but still.) No wonder it got nominated for a Hugo. 

I could single out even more scenes like Kirk buried in tribbles, for how he reacts or the very subtle line about Spock’s ears, but I’ll stop here. I just adore it and “Trials and Tribble-ations” as both are entertaining, feel-good episodes. 

(7) COMICS SECTION.

(8) MAR$. The Week contrasts The Martian Chronicles with billionaires’ plans for Mars in its editorial letter, “Martian dreams”.

…Along with other sci-fi staples such as living forever and computerizing consciousness, colonizing Mars is now an obsession of our tech elite. Rocket tycoon Elon Musk has said he wants to establish a “self-sustaining civilization” of 1 million people on our neighboring planet as an insurance policy against humanity’s extinction. Yet I can’t help but think that, like Bradbury and Lowell before them, Musk and his fellow billionaires are really projecting their own beliefs onto Mars’ red vistas….

(9) HIDDEN PROPERTY INSPIRED LOVECRAFT. Charming old NYC architectural history, with a genre link! “Inside a West Village passageway leading to a hidden courtyard and 1820s backhouse” at Ephemeral New York.

…One person who made note of this Evening Post writeup when it appeared was author H.P. Lovecraft. A resident of New York City in the 1920s, this horror and science fiction writer published a short story titled “He,” which involved a narrator taking a late-night, time-traveling sojourn through Greenwich Village.

“At the conclusion of ‘He,’ a passerby finds the narrator—bloodied and broken—lying at the entrance to a Perry Street courtyard,” wrote David J. Goodwin, author of the 2023 book Midnight Rambles: H.P. Lovecraft in Gotham.

In “He,” from 1925, the narrator calls it “a grotesque hidden courtyard of the Greenwich section,” as well as “a little black court off Perry Street.”…

(10) TARA CAMPBELL READING.  Space Cowboys Books of Joshua Tree, CA will host an “Online Reading & Interview with Tara Campbell” on Tuesday September 17 at 6:00 p.m. Pacific. Register to attend for free at Eventbrite.

In the parched, post-apocalyptic Western U.S. of the 22nd Century, wolves float, bonfires sing, and devils gather to pray. Water and safety are elusive in this chaotic world of alchemical transformations, where history books bleed, dragons kiss, and gun-toting trees keep their own kind of peace. Among this menagerie of strange beasts, two sentient stone gargoyles, known only as “E” and “M,” flee the rubble of their Southwestern church in search of water. Along the way, they meet climate refugees Dolores Baker and her mother Rose, who’ve escaped the ravaged West Coast in search of a safer home. This quartet forms an uneasy alliance when they hear of a new hope: a mysterious city of dancing gargoyles. Or is it something more sinister? In this strange, terrible new world, their arrival at this elusive city could spark the destruction of everything they know. Tara Campbell summons fantastical magic in this kaleidoscopic new speculative climate fiction.

Get your copy of the book here.

(11) RADIO ASTRONOMY. [Item by Steven French.] This is pretty much standard stuff but the radio telescope itself is amazing: “Inside the ‘golden age’ of alien hunting at the Green Bank Telescope” at Physics.org.

Nestled between mountains in a secluded corner of West Virginia, a giant awakens: the Green Bank Telescope begins its nightly vigil, scanning the cosmos for secrets.

If intelligent life exists beyond Earth, there’s a good chance the teams analyzing the data from the world’s largest, fully steerable radio astronomy facility will be the first to know.

“People have been asking themselves the question, ‘Are we alone in the universe?’ ever since they first gazed up at the night sky and wondered if there were other worlds out there,” says Steve Croft, project scientist for the Breakthrough Listen initiative.

For the past decade, this groundbreaking scientific endeavor has partnered with a pioneering, US government-funded site built in the 1950s to search for “technosignatures”—traces of technology that originate far beyond our own solar system.

The search for extraterrestrial intelligence, or “SETI,” was long dismissed as the realm of eccentrics and was even cut off from federal funding by Congress thirty years ago.

But today, the field is experiencing a renaissance and seeing an influx of graduates, bolstered by advances in artificial intelligence and machine learning, as well as recent discoveries showing that nearly every star in the night sky hosts planets, many of which are Earth-like.

“It feels to me like this is something of a golden age,” says Croft, an Oxford-trained radio astronomer who began his career studying astrophysical phenomena, from supermassive black holes to the emissions of exploding stars…

(12) MERCHANT OF MENACE. Actor Vincent Price gave an entertaining interview on Aspel & Co in 1984.

(13) VIDEO OF THE DAY. Ryan George invites us step inside the Pitch Meeting that led to The Crow (2024).

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Joe Siclari, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/26/24 Listen To Them, Scrolls Of The Night, What Pixels They Make

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(1) CONGRATULATIONS, MR. MAYOR! We are happy to report that Hungarian Filer Bence Pintér won the mayoral election in his homewtown Győr. Győr is the main city of northwest Hungary, halfway between Budapest and Vienna, home to 130 000 people. It was a tight race against opponents who were, respectively, the incumbent and the former incumbent, a member and an ex-member of the ruling Fidesz party.

(2) SFF IN HUNGARY. And Sci Phi Journal brings us all up to speed on contemporary Hungarian SFF with Éva Vancsó’s article “The Kaleidoscope Of Hungarian Fantastic Literature In The 21st Century”.

Hungarian science fiction dates to the middle-19th century with tales of moon travels and fictional worlds of advanced technology that reflected the spirit of the age more than any other genre. In the years to come, though themes and forms had changed, Hungarian literature mirrored society’s problems, hopes, fears, and dreams. It expressed the terrors of totalitarian regimes and world wars, and later, during the communist culture policy, it either served as a „honey trap” of natural sciences or became the literature of opposition before the change of regime in 1989. For years, only selected Anglo-Saxon/Western SFF works could seep through the crack in the cultural door, but it was swung wide open by the end of the Cold War. The previously encapsulated Hungarian fantastic literature absorbed the influences from outside and started to grow in terms of authors, titles, themes and styles. In this article, I intend not to review Hungarian science fiction and fantasy since the turn of the millennium comprehensively but rather as a kaleidoscope to present the tendencies and genre-defining authors and works in the last twenty-five years….

(3) TWO-YEAR-OLD SUIT MAKING NEWS. [Item by Anne Marble.] The lawsuit involving Entangled Publishing reminds me of the case involving the agent who was dropped — except even more so. It is being discussed on Threads and elsewhere.

An author named Lynne Freeman is suing one of Entangled Publishing’s star authors — Tracy Wolff (the author of the Crave series, a popular YA vampire series). Also being sued are Prospect Agency, LLC as well as Entangled Publishing itself. Other defendants are MacMillan Publishers, LLC and University City Studios, LLC. The court documents were filed in 2022, but most people are only just starting to learn about the case: “Lynne Freeman v. Tracy Wolff – Crave copyright complaint”.

Lynne Freeman is alleging that she sent her novel to Emily Sylvan Kim of Prospect Agency (referred to as “Kim” throughout the document). Kim made Freeman do multiple revisions and create new material — and then (allegedly, of course), Kim sent this material to her client and friend, Tracy Wolff. And Wolff (allegedly, of course) used these materials to create her series, which consists of four books: Crave, Crush, Covet, and Court. Freeman claims “substantial similarities.” Usually, when I see lawsuits that claim “similarities” between two works in the same subgenre, the similarities are usually vague — or they’re thing that are common throughout that subgenre. But in this case … wow. They run from page 13 to page 74 — and some of them include multicolored highlighting. Interestingly, according to this document, the CEO and publisher of Entangled (Liz Pellitier) claimed that she created the storyline of the Crave series and then passed this concept on to Tracy Wolff.

The discussion on Threads is especially passionate.

@ellen_mint_author says:

And @dr.elle_woods’ comment drew heated agreements.  

Entangled Publishing owns Red Tower Books — the imprint that published Fourth Wing and Iron Flame by Rebecca Yarros — among other romantasy books. Entangled (which started out as an indie) is now an imprint of Macmillan Publishers.

(4) OFTEN CHOPPED. Animation World Network interviews a brave writer: “’Inside Out 2’: It’s What Gets Cut That Counts”.

For Inside Out 2 story artist Rebecca McVeigh, her earliest memory of wanting to be a storyteller was a camping trip with her family when she was just five years old.

“I was writing and illustrating, as much as a kid that age can, my own books,” she shares. “On that trip, I remember just sitting with a pencil and crayons and writing a story about a princess who gets turned into a horse. So perhaps I was a writer before I was an artist. But writing and drawing were always intertwined because every time I wrote anything as a child, I also drew it in pictures.”

McVeigh, who is also known for her work on Netflix’s Annie Award-winning film Nimona, says being a story artist on a film as emotionally driven as Pixar’s latest hit film, which follows the complicated and often destructive dynamic of the emotions inside a teenage girl’s head, is not for those without tough skin. In addition to the sheer drafting mileage, creating an incalculable number of story sequences, McVeigh says one of the biggest challenges of the process is accepting the fact that 99 percent of it ends up on the cutting room floor.

“Over the course of the whole film, I couldn’t even begin to guess how many sequences I have done in total,” says McVeigh. “I’ll work on a sequence for two weeks or however long they’ll give me to do something. And then I’ll deliver it to editorial and they do what they need to do. I may not see it again for six months, or ever again if it gets cut. I’ve had scenes where I will do a version of it and then it’s a year before I see it again. Either way, you need to have the humility to let your work go.”…

(5) MEMORY LANE.

[Written by Cat Eldridge.]

June 26, 1962 – King Kong Vs. Godzilla. Sixty-two years ago in Japan two great monsters united when King Kong Vs. Godzilla premiered. Really would I kid you? (Well I would and you well know it, but that’s for a different discussion, isn’t it?)

Not at all surprisingly, this Japanese kaiju film was directed by Ishirō Honda, with the special effects by Eiji Tsuburaya. Nine years previously, Honda directed and co-wrote Godzilla of which Tsuburaya is considered the co-creator. 

The script was Shinichi Sekizawa, mostly known, again not surprisingly, for his work on the Godzilla films but he did some other genre work such as Gulliver’s Travels Beyond the Moon and Jack and the Witch.  

It started out as a story outline written by King Kong stop-motion animator Willis O’Brien in the early Sixties in which Kong battles a giant Frankenstein Monster. The idea was given to the Tojo film company without his permission and they decided Godzilla would be a bigger draw. They were right. 

An individual by the name of Merian C. Cooper filed a lawsuit against the film showing here claiming he had exclusive right to the King Kong character in the United States, a claim that the film distributor quickly refuted as it turned out many individuals did.

It had already been the single most popular Godzilla film in Japan before it showed here and remains so to date. It made nearly three million here, not bad considering its tiny budget of four hundred thousand— two men in suits don’t cost much, do they? — so the film made twenty times that in its first run. Monsters rock! 

The Hollywood Reporter liked it: “A funny monster picture? That’s what Universal has in “King Kong Versus Godzilla.” 

Though the New York Times in an anonymous review grumbled quite loudly stating as only the Old Grey Lady can that“The one real surprise of this cheap reprise of earlier Hollywood and Japanese horror films is the ineptitude of its fakery. When the pair of prehistoric monsters finally get together for their battle royal, the effect is nothing more than a couple of dressed-up stuntmen throwing cardboard rocks at each other.” 

Finally John Cutts of Films and Filming says “Richly comic, briskly paced, oddly touching, and thoroughly irresistible. Outrageous of course, and deplorably acted and atrociously dubbed to boot. “

Audience reviewers at Rotten Tomatoes give a so-so rating of fifty six percent. There is no Japanese version of Rotten Tomatoes to my knowledge which would be fascinating to read in translation of course. 

(6) COMICS SECTION.

(7) MARVEL UNLIMITED LAUNCHES ‘AVENGERS ACADEMY: MARVEL’S VOICES’. Last month, Marvel’s Voices reached its 100th Infinity Comic issue and marked the milestone with a brand-new hero: Justin Jin, a.k.a. Kid Juggernaut. Now Kid Juggernaut is joining a new team and a new adventure in Avengers Academy: Marvel’s Voices, a new ongoing weekly Infinity Comic series written by Anthony Oliveira and drawn by Carola Borelli, Bailie Rosenlund, and guest artists. The first issue is available now, exclusively on Marvel Unlimited.

Avengers Academy: Marvel’s Voices will bring together some of the world’s brightest teen heroes to learn from and train with the best of the best. The Academy’s first recruits include:

  • Moon Girl & Devil Dinosaur, the dynamic duo of Inhuman super genius Lunella Lafayette and her psychically bonded Jurassic giant
  • Red Goblin, the grandson of Norman Osborn, Normie Osborn, bonded with the unpredictable newborn symbiote Rascal
  • Bloodline, Daughter of Blade, the Daywalker Brielle Brooks who inherited vampiric super powers, currently in the middle of Marvel’s blockbuster summer comic book event, Blood Hunt
  • Captain America of the Railways, Aaron Fischer, a protector of fellow runaways who first appeared in United States of Captain America and recently headlined his own Infinity Comic series
  • Escapade, Shela Sexton, the breakout mutant hero who first debuted in Marvel’s Voices: Pride and went on to battle alongside the New Mutants
  • Kid Juggernaut,Justin Jin,the avatar of the demon Cyttorak who also recently headlined his own Infinity Comic seriesKid Juggernaut: Marvel’s Voices, which just wrapped up last week!

 Don’t miss what lies in store for the newest students of Avengers Academy every Wednesday on Marvel Unlimited.  

(8) CITRUS CONTROVERSY. [Item by Steven French.] Is the Earth shaped more like an orange or a lemon? “Royal Society exhibition revives 18th-century debate about shape of the Earth”

…It was a row that split scientists, launched globe-trotting expeditions and for one man, ended in murder: was the Earth shaped like an orange or a lemon?

The 18th-century debate – and the endeavours that settled it –can now be relived by visitors to this year’s Royal Society summer science exhibition, in a display called “Figuring the Earth”.

Opening to the public on Tuesday, and remaining on show in London until October, the exhibition – which is presented in English and French – celebrates the importance of international competition and collaboration.

The citrus fruit conundrum, it seems, is a case in point….

(9) FROM THE MOON TO MONGOLIA. “First ever rocks from the Moon’s far side have landed on Earth” reports Nature.

The first rocks from the far side of the Moon have just landed safely on Earth and scientists can’t wait to study them.

China’s Chang’e-6 re-entry capsule, containing up to two kilograms of materials scooped and drilled from the Moon’s most ancient basin, touched down in the grasslands of Siziwang Banner in the Chinese northern autonomous region Inner Mongolia at 2.07 p.m. Beijing time on Tuesday, according to the China National Space Administration (CNSA).

“The samples are going to be different from all previous rocks collected by the US, Soviet Union and China,” which came from the Moon’s near side, says Yang Wei, a geochemist at the Institute of Geology and Geophysics in Beijing. “We have very high expectations for them,” Yang says….

(10) VALSPAR TIME TRAVEL COMMERCIAL. [Item by Andrew Porter.] What could go wrong in this commercial for interior house paint? See the video at the link: “Valspar TV Spot, ‘Time Machine’”.

(11) BLAST FROM THE FUTURE. Keep watching the skies — “Once-in-a-lifetime nova will appear in Earth’s sky. Here’s how to spot it.” at Yahoo!

A rare nova explosion will soon be visible in the Earth’s nighttime sky, according to officials at NASA.

The event, which could occur anytime between now and September, is creating a buzz within the astronomy community, as both professional and amateur astronomers alike will be able to see the explosion….

…Located 3,000 light years from Earth, T Coronae Borealis (T CrB), nicknamed the Blaze Star, is a binary star system in the Coronae Borealis (or “northern crown”) constellation.

In this binary system, a white dwarf (a dead star) and an ancient red giant (a slowly dying star) are gravitationally bound to each other. Every 80 years or so, the hydrogen from the red giant fuses with the surface of the white dwarf, causing a buildup of pressure and heat, resulting in a thermonuclear explosion — causing the system to go nova.

The last time a T CrB nova was seen from Earth was in 1946.

(12) VIDEOS OF THE DAY. [Item by Dann.] I came across Studio C on YouTube.  It is a creative effort coming out of BYU.  There were quite a few genre-related pieces that I thought might pique Filers’ interest.

  • Meeting King Triton – Ariel’s dad
  • Indiana Jones swapping out the golden idol

And lastly, something that might be of interest given the discussion about fandom and The Acolyte –

  • Star Wars Fans When the Acolyte Comes Out 

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Lise Andreasen, Dann, Bence Pintér, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 5/10/24 Pride And Prejudice And Pixels

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(1) STAR TREK WINS PEABODY AWARD. The Star Trek franchise was among the Peabody Award winners announced today. Given to television, radio, and other media, the Peabody honors “stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day.”

TrekMovie.com homes in on the story of greatest interest to fans: “Star Trek Franchise Wins Peabody Award” –

… This is actually Trek’s second Peabody. In 1987 the Next Generation episode “The Big Goodbye” won the Entertainment, Children’s & Youth Award. The first season of Star Trek: Discovery was also nominated for the same award.

Here is the full text of the announcement for Star Trek…

The Institutional Award – Star Trek

The original Star Trek television series aired on NBC for only three seasons, from September 1966 to June 1969. It was fresh, prescient, and so ahead of its time that it couldn’t quite capture the mainstream audience required for hits during a particularly insipid time in television. But fast forward nearly 60 years, and creator Gene Roddenberry’s vision is alive and well, having spawned a media franchise of 13 feature films, 11 television series, and numerous books and comics, with a legendary fan following. Today Star Trek is more vibrant, imaginative, funny, entertaining, and progressive than ever. And these days, we’ve got the special effects to make it look stellar.

The original science-fiction series was set aboard a starship, Enterprise, whose mostly human crew encountered alien life as they traversed the stars, led by the iconic Captain James T. Kirk (William Shatner). It was groundbreaking for its diverse cast and for its unapologetically progressive values—exploration over colonialism, cooperation over violence. Its fandom grew over time, and the successors to the original series have updated the franchise without losing its moral core—the dream of a future free from human destruction, poverty, and bigotry. Subsequent captains have served as models of ethical and diverse leadership: The Next Generation’s Jean-Luc Picard (Patrick Stewart), Deep Space Nine’s Benjamin Sisko (Avery Brooks), and Voyager’s Kathryn Janeway (Kate Mulgrew) among them.

With every passing decade, new versions have proliferated, attracting new generations of fans. Film reboots directed by J.J. Abrams and Justin Lin revived Kirk and his crew with new, young actors, zippier dialogue, and vastly improved effects in the 2000s and 2010s. The Streaming Era has brought a raft of reimaginings with a variety of sensibilities, from the dark and complicated Star Trek: Discovery to the crowd-pleasing prequel Star Trek: Strange New Worlds (featuring a young Spock!) to the hilariously meta cartoon Star Trek: Lower Decks. As the latest versions of Star Trek invite in a new generation of viewers, the interstellar travelers still encounter danger and difficulty, of course. But the Starfleet crew always comes out on top— and without sacrificing essential values that seem quintessentially human: valor, self-sacrifice, curiosity, compassion, broadmindedness.

“From a groundbreaking television series to an expansive collection of films, novels, comic books and so much more, Star Trek has been delivering joy, wonder, and thought-provoking stories since the 1960s,” said Jones. “With powerful anti-war and anti-discrimination messages, it has blazed trails for all science fiction franchises while winning over passionate fans across the globe. We’re proud to honor Star Trek with Peabody’s Institutional Award.”

The Hollywood Reporter has the complete list of Peabody Awards 2024 Winners.

Other winners of genre interest are:

CHILDREN’S/YOUTH

Bluey (Disney+)
Creator Joe Brumm’s endearing family of animated Australian dogs have captivated both children and adults for years in episodes equally delightful and heartrending. Very little feels off the table, as Bluey fearlessly tackles topics from death to infertility to fleeting friendships, all while maintaining a sense of innocence and exuberance for the children, and affinity and understanding for the parents, who are allowed to be dynamic, imperfect beings on their own growth journey. 
Ludo Studio, Australian Broadcasting Corporation, BBC Studios

ENTERTAINMENT

The Last of Us (HBO | Max)
In HBO’s post-apocalyptic The Last of Us, a faithful adaptation of the critically-acclaimed Naughty Dog video game, the road trip odyssey of Joel and Ellie (played by Pedro Pascal and Bella Ramsey) functions as a recursive meditation on love and loss—and how love is capable of changing people, for good and for ill. In the hands of showrunner Craig Mazin, who worked in collaboration with Neil Druckmann, a co-director on the original game, this adaptation extracts new layers from the text that expand its meaning—imagining what a life of love and fulfillment, and survival, can look like at the end of the world.
HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog.

(2) MINNESOTA BOOK AWARDS. The Friends of the Saint Paul Public Library announced the Minnesota Book Awards winners. The complete list is at the link.

Emma Törzs’ fantasy novel Ink Blood Sister Scribe is the winner of the Genre Fiction category.

For generations, the Kalotay family has guarded a collection of ancient and rare books. Books that let a person walk through walls or manipulate the elements—books of magic that half-sisters Joanna and Esther have been raised to revere and protect.

All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna’s isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy. In the process, they’ll uncover a world of magic far bigger and more dangerous than they ever imagined, and all the secrets their parents kept hidden; secrets that span centuries, continents, and even other libraries . . .

(3) OUT OF TIME. Jonathan Russell Clark analyzes “Why We Love Time Travel Stories” for Esquire.

…For Wells’s contemporaries, Gleick notes, “technology had a special persuasive power.” For us, now a quarter of the way through the 21st century, things have grown complicated. Technology governs everything we do, but rather than enhancing our lives, our gadgets seem to exploit us, isolate us, box us in. Moreover, the technology itself has moved beyond our understanding, leaving us dependent on the two or three corporate entities producing it. The World of Tomorrow never arrived; no matter how much technology has progressed, it is still frustratingly Today.

Instead of holding out for a future that will solve our problems, contemporary readers now look into the past to address the wrongs inflicted on the less powerful, so what makes a convincing time-travel story in the 21st century isn’t the verisimilitude of the science but rather the morality of the characters’ intentions. In her book on ’80s movies, Life Moves Pretty Fast, Hadley Freeman notes that in Back to the Future, “Marty’s meddling in the past results in his parents living in a nice house, with chicer furnishings, posher breakfast dishes, and even domestic help in the form of Biff Tannen in 1985. Marty’s triumph is to lift his family up to middle-class status.” If Hollywood rebooted the franchise today, Freeman writes, “Marty’s challenge would be to save the world.” I still think a remake would keep Marty’s adventures confined to his personal bubble; it’s just that instead of reuniting his parents to ensure his existence, his mission would instruct him to meddle in his parents’ past because, down the line, this will save the world. Nowadays, to exploit time travel for personal gain—and indeed to tell a story in which such actions are uncritically celebrated—is unacceptable, as is returning to our discriminatory, segregated, slavery-filled history without seriously grappling with those realities. It’s no longer technology but rather moral conviction that now has a special persuasive power on us….

(4) A RARE HEINLEIN CONNECTION. Dave Hook has done fascinating research into a forgotten Heinlein collaborator: “Who is Elma ‘Miller’ Wentz?”

I know I’ve read this story in “Beyond the End of Time” at least once, but I remember nothing about it or even that it existed until seeing this. I found this very interesting for several reasons:

  1. To my knowledge, this is the only fiction published by Heinlein with a co-author during his lifetime.
  2. Heinlein clearly was not fond of it, as he never allowed this and two of his other early stories published as by “Lyle Monroe” to be reissued in a Heinlein collection during his lifetime (per Wikipedia).
  3. I had no idea who “Elma Wentz” was.

…Sometime in the early 1930s, she moved to Los Angeles. Her family did also, although it’s not clear if they moved at the same time or not.

William H. Patterson, Jr.’s “Robert A. Heinlein: In Dialogue with His Century: Volume 1: 1907-1948: Learning Curve” (“Robert A. Heinlein: In Dialogue…”), 2010 Tor, noted that Elma was working for Upton Sinclair on Sinclair’s California 1934 governor’s campaign as his personal secretary. Patterson also notes that she and her husband to be, Roby Wentz, met Robert A. Heinlein when Heinlein joined Sinclair’s related “End Poverty in California” (EPIC) movement in early 1935. The EPIC movement overlapped substantially with Sinclair’s run for governor. This resulted in her and Roby becomes friends with Robert A. Heinlein and his first wife Leslyn (MacDonald) Heinlein, and with journalist (and future SF writer) Cleve Cartmill….

(5) GUARDIAN REVIEW ROUNDUP. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” for the Guardian encompasses The Other Valley by Scott Alexander Howard; A View from the Stars by Cixin Liu; Flowers from the Void by Gianni Washington; The Dark Side of the Sky by Francesco Dimitri; The Hungry Dark by Jen Williams; and To the Stars and Back by various writers.

(6) VANISHING POINT. Atlas Obscura advises “Don’t Stare at the Dark Watchers”.

… There are dozens of similar accounts of so-called dark watchers by hikers in the Santa Lucia Mountains near Big Sur, California. The stories often share details: The figure stands seven to 10 feet tall and has a walking stick and hat, for example. No one has ever been able to interact with the looming figures—they always disappear once the hiker acknowledges them…

…Despite their ephemeral nature—and claims that they only appear to hikers with low-tech, old-school gear—stories of these cryptids go back hundreds if not thousands of years. Some people trace the legend to the pre-colonial oral stories of the Chumash, Indigenous peoples that have lived along the Central Coast of California and the Channel Islands for 13,000 years. But while there are many Chumash accounts of various creatures in December’s Child by Thomas Blackburn—the most complete written record of Chumash stories—it’s unclear whether any describe the dark watchers.

“These entities—whatever they are—have not just influenced the local people,” says Offutt. “They influenced some pretty famous people, too.” The earliest written accounts of dark watchers go back to the 1700s, when Spanish colonists gave the mysterious beings their name: los vigilantes oscuros. Since then, sightings have continued, and in 1937, the creatures made their literary debut….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 10, 1969 — John Scalzi, 55. This is not full accounting of everything that the rather prolific John Scalzi has done, nor is it limited to his fiction. Now that I’ve got that out of the way let’s start…

I was trying to remember what I first read by him and I think it was actually Old Man’s War whereas I expect you know the characters of Old Man’s War are senior citizens who leave Earth to have their brains transplanted into cyborg bodies and sent off to be fight in an interstellar war. Scalzi has said the series was in homage in Heinlein’s Starship Troopers.

John Scalzi in 2019.

I only read further in the series through the “Questions for a Soldier” short story, The Ghost Brigades and the Zoe’s Tale. The latter broke my heart really it. Damn, I so like the main character here, and spoiler alert, what happened to her really did severely distressed me. Effing hell. 

So who here has read and liked The Android’s Dream novels? I liked everything I read by Scalzi save this. Maybe it was the premise itself, maybe the weirdness of the sheep hybrid which I’ll not discuss lest somebody be here who’s keen to read it still, maybe there there was too much Philip K. Dick in it. Whatever it was, I didn’t like it. So tell me why I should have.

Space opera, I knew he had it in him. And the Interdependency series certainly proved that amply. Lovely premise of an Empire, spoiler alert again so go drink Romulan blood wine, as the portals connecting the worlds of their Empire are apparently collapsing. The titles of the final novel in the trilogy sums up the trilogy up nicely, The Last Emperox.

And then there’s the Hugo winning Redshirts. Obviously off the Trek’s infamous oh my he’s a red shirt and will die a horrible death meme, it allowed Scalzi to play around with that delicious premise. No, I’m not saying a word more, so no spoiler alert needed. It’s a great story told well. There’s even something that Scalzi might well have borrowed from the Clue film here.

The last novel I want to talk about involves Fuzzies. Fuzzy Nation, authorized by the estate of H. Beam Piper, was not intended to be a sequel to Little Fuzzy, the Piper novel which was nominated for a Hugo. Scalzi wrote it first and then got permission from the Estate to publish it. It doesn’t feel like something the Piper would have written, but it’s worth reading none the less. 

Now let’s note Whatever, no doubt the most entertaining blog done by any writer, genre or otherwise. Is this what he won a Fan Writer Hugo for? If so, great choice. It’s something I very much look forward to reading every day. I see his Hugo for Best Related Book was related to his blog, Your Hate Mail Will Be Graded: A Decade of Whatever 1998–2008. 

Ok, that’s what I like by him. No, it’s not everything but I did say it would be. As always, I know you’ll give copious comments about what I didn’t mention. 

(8) COMICS SECTION.

  • Off the Mark’s lines up the usual suspects.
  • Shoe lets the name speak for itself.
  • Speed Bump disappoints these readers.
  • Carpe Diem has an unexpected haunting.
  • Nathan W Pyle shows a character resisting inimical forces!

(9) A VICIOUS GANG OF FACTS. Those skeptics at ScreenRant pooh-pooh “8 Sci-Fi Movie Inventions Ruined By Real Science”. First on their list of impossibilities:

8. Lightsabers

The Star Wars Series

One of the most iconic movie weapons ever created, lightsabers need little introduction. The mythical weapons of both the legendary Jedi order and the insidious Sith, these blazing hot swords of pure light can slice through nearly anything in the Star Wars universe, barring specialty-made materials like Durasteel. Not only that, but they’re also capable of deflecting bolts from energy-based blaster weapons, making them an impressive source of offense as well as defense. In the lore of the franchise, the lightsabers are powered by the mysterious Kyber crystals.

The lightsabers operate on different laws of physics than those in reality. Creating a powerful enough beam of light to cut through solid metal would result in a much longer, unwieldy weapon, not limited in its projection to a mere three feet. Even ignoring the issues regarding the lightsabers’ power source, which would easily need to be connected to some kind of power-generating backpack with today’s available technology, the ability of the weapons to physically clash with one another disobeys the properties of light. In reality, crossing lightsabers would simply pass through one another.

(10) BEWARE DOCTOR WHO SPOILER. Is it really? I don’t know, so better safe etc. “Doctor Who’ Star Ncuti Gatwa Filmed With 20 Babies in Season Premiere”.

While filming episode one of “Doctor Who” season 14, entitled “Space Babies,” Millie Gibson had to do the impossible: keep the attention of 20 infants at once. Although she was bearing her soul in a speech integral to her character’s backstory, the babies kept dozing off and losing their attention to the flashing lights of the space-age set. So, to keep their little eyes focused on her, she delivered her lines while a nursery rhyme played on her phone just out of camera view.

“It was so hard honestly,” recalled Gibson. “It was the most bizarre thing but it will stay in my mind forever.”

…“They were such divas,” Gatwa joked about his toddler co-stars. “They had so many demands.”…

(11) FLAME ON! I don’t know how this cooking news item ended up at Popular Mechanics: “’Star Wars’ Fans, Truff’s Latest Super-Spicy Hot Sauce Is for You”.

…That’s right: Truff—the brand behind the decadent truffle-infused hot sauces Oprah has named to her Favorite Things list for the last three years—just dropped a new hot sauce with some serious Star Wars flair. Truff’s Star Wars Dark Side Hot Sauce is nothing to play with, given it’s now the brand’s spiciest sauce, featuring the hot-as-Hades ghost pepper.

Yes, the ghost pepper is certainly quite hot, topping out at over 1 million Scoville Units. That said, it isn’t the hottest. That title only recently belongs to Pepper X, which reaches more than double the ghost pepper’s 1+ million Scoville Units. According to Britannica, though, less than 20 years ago, the ghost pepper actually was the fieriest, most fearsome of them all. But just because there’s one hotter out there now doesn’t mean ghost peppers aren’t still fierce, as you’ll find out when you crack open this hot sauce….

(12) MONSOON Q&A. A BBC interview: “Doctor Who star Jinkx Monsoon on playing ‘zany’ villain Maestro”.

… American drag queen Jinkx Monsoon, who plays the new nemesis, tells BBC Newsbeat her “dreams have been granted in a wonderful way”.

Jinkx is known as the “Queen of Queens” after winning a regular and All Star season of RuPaul’s Drag Race.

And she says moving to the world’s longest-running science fiction show felt like a natural progression for a self-described trans queer actor.

“Sci-fi has always been queer. Anyone who tells you otherwise is delusional,” she says.

“There are prominent writers, directors, producers who are queer in these fields. And it just hasn’t really been able to be talked about and a lot of them nowadays are done being silent.”

She adds there has been “so much queer progress” in society, but feels in the entertainment industry “there’s still been this thing of queer people behind the cameras”.

“And only certain palatable society-approved queer people get to be in front of the camera.

“What I really love about this Doctor Who season is it saying: ‘To hell with that’.”

(13) HOLY SH!T! Aka the video of the day — Hell and Back by Scott Base. A short film based on original Bad Space comic. Mark sent the link with a warning, “I’m not sure I’d want to see a whole movie…”

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Lise Andreasen, Mark Roth-Whitworth, Michael J. Walsh, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]