Tag Archives: Bruce D. Arthurs

2017 Derringer Awards Shortlist

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Congratulations to Bruce D. Arthurs whose story in the December Alfred Hitchcock’s Mystery Magazine, “Beks and the Second Note”, is a 2017 Derringer Awards finalist.

The Derringer Awards have been given out annually since 1998 by the Short Mystery Fiction Society. Society members will vote during April and the winners will be announced on May 1, 2017.

For Best Flash (up to 1,000 words)

  • “Aftermath” by Craig Faustus Buck (Flash Bang Mysteries, Spring 2016)
  • “The Phone Call” by Herschel Cozine (Flash Bang Mysteries, Summer 2016)
  • “A Just Reward” by O’Neil de Noux (Flash Bang Mysteries, Winter 2016)
  • “The Orphan” by Billy Kring (Shotgun Honey, March 18, 2016)
  • “An Ill Wind” by R.T. Lawton (Flash Bang Mysteries, Spring 2016)

For Best Short Story (1,001 to 4,000 words)

  • “Beks and the Second Note” by Bruce Arthurs  (Alfred Hitchcock’s Mystery Magazine, December 2016)
  • The Way They Do It in Boston by Linda Barnes (Ellery Queen’s Mystery Magazine, September/October 2016)
  • “YOLO” by Libby Cudmore (BEAT to a PULP, May 2016)
  • The Woman in the Briefcase by Joseph D’Agnese (Ellery Queen’s Mystery Magazine, March/April 2016)
  • The Lighthouse by Hilde Vandermeeren (Ellery Queen’s Mystery Magazine, March/April 2016)

For Best Long Story (4,001 to 8,000 words)

  • “Walking the Dog” by J.L. Abramo  (Brooklyn Justice: A Novel in Stories, Down & Out Books, February 2016)
  • “Swan Song” by Hilary Davidson (Unloaded: Crime Writers Writing Without Guns ed. Eric Beetner, Down & Out Books, April 2016)
  • “Effect on Men” by O’Neil De Noux, (The Strand Magazine, Issue XLVIII, Feb-May 2016)
  • “The Cumberland Package” by Robert Mangeot (Alfred Hitchcock’s Mystery Magazine, May 2016)
  • “Murder Under the Baobab” by Meg Opperman (Ellery Queen’s Mystery Magazine, November 2016)

For Best Novelette (8,000 to 20,000 words)

  • “Coup de Grace” by Doug Allyn (Ellery Queen’s Mystery Magazine, September/October 2016)
  • “The Chemistry of Heroes” by Catherine Dilts (Alfred Hitchcock’s Mystery Magazine, May 2016)
  • “Inquiry and Assistance” by Terrie Farley Moran (Alfred Hitchcock’s Mystery Magazine, January/February 2016)
  • “The Educator” by Travis Richardson (44 Caliber Funk: Tales of Crime, Soul, and Payback ed. Gary Phillips and Robert J. Randisi, Moonstone, December 2016)
  • “The Last Blue Glass” by B.K. Stevens (Alfred Hitchcock’s Mystery Magazine, April 2016)

Pixel Scroll 3/18/17 Your Mother Was A Scroller And Your Father Smelt Of Pixelberries

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(1) CLARIFICATION. In my report about Sunil Patel the other day I conflated two separate social media comments that were each about two different newly-published Patel stories that came out very recently.

Just before Twitter started circulating angry anti-Diabolical Plots tweets (because of the story published there), there had been a complaint about Patel’s story “The Tragedy of the Dead Is They Cannot Cry” in Mike Resnick’s Galaxy’s Edge, view-able from the front page.

https://twitter.com/TristinaWright/status/842805333928099842

Whether or not Galaxy’s Edge can accurately be called “sad-puppy-adjacent,” it makes more sense that somebody might apply the label there than to David Steffen, who published the Long List anthologies as a very deliberate middle finger to the Puppies.

(2) MORE THAN HEY YOU. Steven Brust on “Fantasy Writing and Titles of Nobility”.

For Americans there is an element of the romantic and the exotic about titles of nobility, about Baron Soandso, or Count Thisandsuch, that I suspect is missing, or at any rate different, for who were raised in places where a feudal aristocracy was part of history..  In reality, the feudal landlords were vicious bloodsuckers—when not for personal reasons, than simply because of the nature of the property relations that ultimately defined everyone’s life.  What I am not about to do is suggest is that American fantasy writers ignore the exotic and romantic elements—your readers have them in their heads, and unless you see your job is primarily pedagogical (which I do not), what is in the reader’s head is key: it is easier to play with the reader’s head if you work with what you know is rattling around in there.

(3) RACISM TAKES EXTRA WORK. Justina Ireland offers one more reason why “Writing is Hard: Racism in a Fantasy Landscape”. The excerpt covers the first of her four points.

I touched on the idea of dismantling racism within a fantasy setting on twitter earlier this week.  Authors, especially white authors, like to tackle ideas of racism within fantasy settings by creating fake races for the point of view characters to be racist against.  This seems like a good idea in theory, but it is actually harder than just writing fantasy cultures that have a correlation to real world cultures and deconstructing real world racism within a fantasy setting.

Here’s why:

  1. You have to teach a reader about the power structures in your fantasy world. And then deconstruct them.  Part of writing fantasy is about teaching a reader how to read your book.  This involves setting up scenes that illustrate the possible outcomes that can exist in your fantasy world.  Can your characters use magic? Great, now you have to show the reader the price of that magic, or the societal ramifications of that magic.  But you also will have to do that for the racism against the made up races within your book.  So creating a made up race creates more work to be done on the page.

(4) A BETTER TANGLED WEB. Aidan Doyle begins his explanation of the Twine program in “Writer’s Guide to Twine” at the SFWA Blog.

Twine was created by Chris Klimas in 2009 and is “an open-source tool for telling interactive, nonlinear stories.” Simply put, it’s a program that makes it easier for writers to make their own “Choose Your Own Adventure” style fiction. There are a number of tools for writing interactive fiction, but Twine is one of the simplest and most popular.

Interactive Fiction (IF) comes in many forms, including text-based parser games such as Zork where the player types in commands (Go north. Eat chocolate. Talk to green wizard). If you want to make this style of game, then Inform is probably your best option. Ken Liu’s Clockwork Soldier is an example of a traditional story which has IF-like commands embedded within it.

In contrast, stories written in Twine generally present the reader with choices in the form of hypertext links. Although there are many systems available for writing IF, Twine in particular has been celebrated for its ease of use. Twine is more focused on stories as opposed to games and produces HTML files, allowing anyone with a modern browser to read your story.

(5) BERRY OBIT. Rock’n roll legend Chuck Berry passed away today.

(6) THE FORCE IN ARIZONA. Phoenix public radio station KJZZ had a six-minute piece about Jedi-ism’s rise. (Listen at the link.)

The Star Wars universe has been a vital part of popular culture for more than 40 years, and that passion was renewed by the box-office smash “The Force Awakens.”

And thousands of people have decided that they want the force to be with them, even when they’re not watching one of the films.

They have decided to practice Jedi-ism. And here with me to explain its tenets and more is Jodie Vann, an instructor in ASU’s School of Historical, Philosophical and Religious Studies.

(7) MONOPOLY BROKEN. Or improved. It alll depends on how you feel about the change.

The boot has been booted, the wheelbarrow has been wheeled out, and the thimble got the thumbs down in the latest version of the board game Monopoly. In their place will be a Tyrannosaurus rex, a penguin and a rubber ducky.

More than 4.3 million voters from 146 countries weighed in on which tokens they wanted to see in future versions of the property-acquisition game, which is based on the real-life streets of Atlantic City. Pawtucket, Rhode Island-based Hasbro announced the winners Friday morning.

(8) QUANTUM OF STROLLERS. Bruce Arthurs came across some of these “quantum physics for babies” books by Chris Ferrie listed on Goodreads Giveaways and thought they might be quirky enough for a Pixel Scroll mention: Books.

Quantum Physics for Babies is a colorfully simple introduction to the principle which gives quantum physics its name. Baby will find out that energy is “quantized” and the weird world of atoms never comes to a stand still. It is never too early to become a quantum physicist!

The author, Chris Ferrie, is an actual quantum theorist who self-published the original Quantum Physics For Babies; surprise, it took off well enough Sourcebooks Jabberwocky (childrens books division of Sourcebooks) will be coming out with an entire series starting in May.

Ferrie’s recently-started blog is fun too. Here’s an excerpt from “Milking a new theory of physics”:

For the first time, physicists have found a new fundamental state of cow, challenging the current standard model. Coined the cubic cow, the ground-breaking new discovery is already re-writing the rules of physics.

A team of physicists at Stanford and Harvard University have nothing to do with this but you are probably already impressed by the name drop. Dr. Chris Ferrie, who is currently between jobs, together with a team of his own children stumbled upon the discovery, which was recently published in Nature Communications*.

The spherical theory of cow had stood unchallenged for over 50 years—and even longer if a Russian physicist is reading this. The spherical cow theory led to many discoveries also based on O(3) symmetries. However, spherical cows have not proven practically useful from a technological perspective. “Spherical cows are prone to natural environmental errors, whereas our discovery digitizes the symmetry of cow,” Ferrie said.

(9) MORE MARS BUZZ. Buzz Aldrin, the second man to set foot on the Moon, has launched a virtual reality movie detailing his plan to get humans to Mars. The BBC has the video — Buzz Aldrin takes you to Mars in VR.

The film – Cycling Pathways to Mars – lasts just under 10 minutes and features the astronaut as a hologram narrating the experience.

Mr Aldrin’s plan involves using the moons of Earth and Mars essentially as pitstops for people travelling to and from the Red Planet – a trip that will take about six months each way.

(10) FOR THE ROUND FILE. Chip Hitchcock says, “If you thought the jet-boarder wasn’t extreme enough, somebody pushing circular runways. He says it’s to prevent crosswind landings — but airports that could afford such a mishegoss can certainly afford enough runways to avoid this hazard, and as a former lightplane pilot (who had to learn about heavy ops to get an instrument rating) I see so many things wrong with this idea.”

(11) IN A COMMA. The BBC notices the Oxford-comma case, and provides several other examples of expensive errors in comma use.

(12) FROM BBC TO BB-8. “Droids Interrupt Darth Vader Interview” is a parody of the “Children Interrupt BBC Interview” viral video.

[Thanks to Chip Hitchcock, Bruce Arthurs, Martin Morse Wooster, Cat Eldridge, Gregory N. Hullender, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 6/16/16 Schroedinger’s Kzin

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(1) ARM-WRESTLING WITH A PUBLISHER. Kristine Kathryn Rusch sees writers as too prone to follow rules, and too prone to think themselves as powerless in the face of contractual language: “Business Musings: Thus, Lawyers, and Writers (Contracts/Dealbreakers)”.

Lawyers aren’t afraid of thugs and goons and cartoon characters that go bump in the night. They’re not afraid of someone who plays the Big Dog and says, You’ll never work in this town again. Lawyers generally say, Well, let’s see.

Lawyers know there’s usually a solution—and it’s often as simple as standing up and saying to the person on the other side of the contract, I’m not playing your silly game. No. I’m not doing it. Now, what are you going to do?

…. Here’s the bottom line, people. I know a bunch of you are stuck in contracts you don’t like. Publishers are reinterpreting contracts in whole new ways, ways that they never looked at in the past.

The big shift is that publishers no longer see themselves as manufacturers and distributers of books. They’re running a rights management business, which means taking advantage of the full copyright on a property, instead of licensing a tiny part of that copyright. (If you don’t understand that sentence, get a copy of the Copyright Handbook. If you’re too damn lazy or cheap to do that, at least see this blog post of mine.)

(2) ATWOOD. “Margaret Atwood awarded 2016 PEN Pinter Prize”.

Canadian poet, novelist and environmental activist Margaret Atwood has been awarded the 2016 PEN Pinter Prize. She will receive her award at a public event at the British Library on the evening of Thursday 13 October, where she will deliver an address.

Margaret Atwood was chosen by this year’s judges Vicky Featherstone, Zia Haider Rahman, Peter Stothard, Antonia Fraser and President of English PEN and Chair of Judges, Maureen Freely.

The judges praised Atwood as a ‘consistent supporter of political causes’, adding ‘her work championing environmental concerns comes well within the scope of human rights … she is a very important figure in terms of the principles of PEN and of Harold Pinter’.

Atwood said:

I am humbled to be the recipient of the 2016 PEN Pinter Prize. I knew Harold Pinter and worked with him – he wrote the scenario for the film version of The Handmaid’s Tale, back in 1989 – and his burning sense of injustice at human rights abuses and the repression of artists was impressive even then. Any winner of such an award is a stand-in for the thousands of people around the world who speak and act against such abuses. I am honoured to be this year’s stand-in.

(3) GUY WITH A GUN. Bruce Arthurs wrote about this army experience in 2012 after the Aurora theater shooting, and it’s relevant again this week: “Shots In The Dark, or, How I Became A Sharpshooter”.

Several ammo clips later, I and the other trainees have finished the Night Firing exercise and gather around to get our scores. I get a high score.  I get a surprisingly high score.  I get an astonishingly high score, far above the type of scores I’d gotten during daytime firing exercises.  I get a score so high that suddenly I’ve moved up into Sharpshooter-level numbers. That Holy Shit guy?  He skunked it.  Didn’t hit a single target. Well, let’s revise that statement, because it doesn’t take much time or brains to figure out what happened.  In the dark, with everyone firing around him, with multiple targets and multiple dim flashes, he’d gotten his orientation just slightly off and had been shooting at the wrong target.  The target of the guy next to him.  At my target.

(4) HOWARD TAYLER’S TAKE ON GUN OWNERSHIP.

(5) FIRST FIFTH. Joe Sherry continues his series at Nerds of a Feather with “Reading the Hugos: Novel”. Number five on his ballot is: The Aeronaut’s Windlass:

Butcher’s novel is the only finalist not on my nomination ballot. Prior to last year, I was completely unfamiliar with Butcher’s work. I knew that it existed, but until Skin Game‘s nomination, I had never read anything Butcher wrote. Happily, Skin Game was a solid read and one that I vastly preferred over the eventual winner, The Three-Body Problem. The Aeronaut’s Windlass is the first volume in a steampunk epic fantasy series from Butcher. I like it more than Skin Game, and I’m happy to be getting in on the ground floor of the series rather than jumping in at Book 15 like I did with the Dresden Files. The setting was fantastic (airships and insanely tall towers), but what drew me in was the characters. Gwen, Benedict, Brother Vincent, Bridget Tagwynn, Rowl, Captain Grimm, and pretty much everyone across the board are what sold me on this book. These are characters I would love to spent more time with.

This is one of those spots on my ballot that I could realistically swap positions with the next one up. I think Seveneves is an overall a better book, but I enjoyed The Aeronaut’s Windlass just about as much as I did Seveneves, just in different ways. They are two very different sorts of novels, and I’m down for more of Butcher’s Cinder Spires series, but Seveneves gets the nod today.

Sherry’s first installment was – “Watching the Hugos: Dramatic Presentation Long Form”.

(6) CONCLUSION OF FROZEN SKY. “Jeff Carlson has finished his Frozen Sky trilogy and the third book is by far the biggest and most ambitious of the 3 books,” reports Carl Slaughter. Frozen Sky 3: Blindsided was released June 11.
Carl interviewed Jeff in 2014 for Diabolical Plots. He was nominated for the John Campbell and Philip Dick awards and has been published in Asimov’s.

The aliens in The Frozen Sky are intelligent, but they look a bit like squids, they don’t speak and they don’t have sight. Why not bipedal aliens like Vulcans or Klingons or Romulans with vocal cords and eyes?

Because I’m not constrained by a production budget! Ha. “Let’s glue some ears on him. We’ll glue some forehead thingies on them. Okay, we’re done.”

Star Trek is good fun but limited in presentation. That’s the beauty of being a novelist. The medium requires the reader’s imagination. Yes, I direct the action, but hard sf readers are smart readers. They want to be strangers in a strange land. So I can say, well, I have this claustrophobic three-dimensional low-gravity environment like the mazes of an ant farm inside Europa’s icy crust. What would kind of creatures would evolve here? Six-foot-tall bipedal creatures like people? Heck no.

Jeff’s other series is the Plague series.

(7) GREAT GHOSTBUSTERS POSTER.

(8) EARLY WRITING. Jami Gray gets a great interview — “Hugo award winner, Seanan McGuire visits with latest InCryptid novel!”

Many writers have that first novel which will never see the light of day. Out of curiosity, do you have one stashed somewhere? Inquiring minds want to know: what was your first attempt at writing and how old were you?

My first serious attempt at writing was a fourteen-page essay when I was nine, explaining to my mother why she had to let me read Stephen King. It had footnotes and a bibliography. I finished my first book when I was twelve. It was called Dracula’s Castle, and if I knew where it was, I’d probably put it online.

(9) MORE STORIES. Editor Glenn Hauman’s Indiegogo appeal to fund the Altered States of the Union anthology has an update – “We’re annexing new territory!”

The response to the concept behind Altered States has inspired a lot of authors to join in the fun, so we’re proud to announce we’re expanding the book by almost 60%, adding new stories by:

  • Russ Colchamiro
  • Peter David
  • Keith R.A. DeCandido
  • Robert Greenberger
  • Meredith Peruzzi
  • Aaron Rosenberg
  • David Silverman & Hildy Silverman
  • Anne Toole

(10) A BOOKSTORE NEAR YOU. Dutch writer Thomas Olde Heuvelt will be on a book tour in the US in June and July, courtesy of TOR. The trip includes three appearances in California, including an LA-vicinity stop at Dark Delicacies Bookstore in Burbank on the evening of Tuesday, July 19.

TOH-US-Tour-2016

(11) MEDIA STRATEGY. Vox Day’s tells followers at Vox Popoli that his new philosophy is “Don’t talk to the media!”

In light of my ridiculous experience with Wired and after seeing how multiple media outlets turned to George RR Martin and John Scalzi to ask them to interpret my actions, I now turn down most media requests. I do so literally every week; I just turned down two yesterday alone. The media is not in the business of reporting the news, they are in the business of selling their masters’ Narrative.

(12) A MAD GENIUS ON THE HUGOS. Kate Paulk devotes half of “Hugo Awards – The Nominee Highlights – Best Fanzine” to criticizing Gregory Benford’s intention to vote for Steve Stiles in the Best Fan Artist category. Yet his reasons for supporting Stiles — Steve’s years of accomplishment as a cartoonist — parallel my reasons for voting for Toni Weisskopf as Best Pro Editor in 2015.

(13) PRINCE OF TIDES, THE GREAT SANTINI. George R.R. Martin urges readers to donate:

Pat [Conroy] passed away in March… but his books will live on, and so will his memory. In his memory, his family has now establishing a Pat Conroy Literary Center in his beloved home town of Beaufort, South Carolina. You can read about it here: http://patconroyliterarycenter.org/ A worthy project, I think. I’ll be donating. I urge all of you who love good writing to do the same.

(14) LOOKING FOR LAUGHS? The B&N Sci-Fi & Fantasy Blog is enthusiastic about Joe Zieja’s humorous Mechanical Failure.

Comedy is a tricky beast, especially in science fiction. The Hitchhiker’s Guide to the Galaxy is unquestionably a towering achievements of the form, but after than, opinions vary wildly (we’d wager John Scalzi has equal numbers of fans who either want him to stop trying to be funny, or to stop writing books that are so serious). It’s rare in genre to find a book that can do satire without being preachy, comedy without being entirely silly (not that a little silliness is a bad thing), and still manage toss a little “science fiction” into the mix. Joe Zieja’s debut novel, Mechanical Failure (the first part of the Epic Fail trilogy, which gives you a hint as to what you’re in for) makes as good a bid as we’ve seen in quite some time, diving headfirst into full-on military SF parody and making it look easy.

(15) UPJOHN OUTPACED BY REALITY? Alexandra Erin’s facing a challenge that reminds me of the one Garry Trudeau faced while producing Doonesbury during the Watergate era — it’s hard to be more absurd than real life.

Mr. Upjohn’s post-con report from WisCon is still forthcoming; it’s evolved and grown a few times since the con actually ended as I took reality onboard , which once again has made parody seem tame. When actual flesh and blood con attendants are decrying the “dystopian” tape lines designating travel lanes on the crowded party floor, I clearly need to step up the game.

Meanwhile, Erin writes, “I’d really love to close out my WorldCon fundraiser” – still needs $375.

(16) CHANGE OF ADDRESS. Juliette Wade has ported her TalkToYoUniverse content to her Dive Into Worldbuilding site.

Introducing the Dive into Worldbuilding Workshop at Patreon!

Dive into Worldbuilding started in 2011 – five years ago – when Google+ introduced their hangouts feature and I decided it would be fun to hang out with fellow writers and talk about worldbuilding. Since then, it has grown and changed, from just a bunch of friends meeting online with no record except my written summaries, to a meeting that got recorded and sent to YouTube, to a show featuring a wide variety of guest authors as well as regular topic discussions. With each change, my goal has been to reach a wider variety of interesting people, listen to more interesting views on worldbuilding, and share insights with as many people as possible.

Today, I’m taking it a step further with the Dive into Worldbuilding Patreon – which is also the Dive into Worldbuilding Workshop.

This Patreon will do more than just support my research into panel topics. It will help me to pay my guest authors for their time and expertise – but it will also let me help more of you.

(17) TODAY IN HISTORY

  • June 16, 1816 — At the Villa Diodati, Lord Byron reads Fantasmagoriana to his four house guests—Percy Shelley, Mary Shelley, Claire Clairmont, and John Polidori—and challenges each guest to write a ghost story, which culminates in Mary Shelley writing the novel Frankenstein, Polidori writing the short story The Vampyre, and Byron writing the poem Darkness.

[Thanks to Petréa Mitchell, Vincent Docherty, Michael J. Walsh, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The Left Paw of Darkness 5/16

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aka An alternate dimension based on String Theory.

Vox Day, Lela E. Buis, Bob Nelson, Jack Hastings, Floris M. Kleijne, Martin Wisse, John Scalzi, Brian Niemeier, Steve Green, Bruce Arthurs, Ampersand, Immanuel Taal, Lis Carey, Larry Correia, Spacefaring Kitten, Elisa Bergslien, Brandon Kempner and Pip R. Lagenta and Pab Sungenis. (Title credit belongs to File 770’s contributing editors of the day Laura Resnick and John King Tarpinian.)

Vox Day on Vox Popoli

“#GamerGate has more fun” – May 16

#GamerGate has got to be the first consumer revolt that managed to bring together unequivocally evangelical Christians, unabashed porn stars, and undeniably fabulous homosexuals. Among many, many others. How evil are the SJWs, how universally loathsome is their ideology, that it can inspire such diverse tribes to unite against them? We need a word to describe anti-SJWism. Then again, I suppose we’ve already got one. And that word would be “freedom”.

 

Lela E. Buis

“Establishing a brand with controversy” – May 16

Before this month, how many people had heard of Theodore Beale (aka Vox Day)? Come on, let’s have a show of hands. Nobody? Same here. I had never heard of the man. Somehow his accomplishments had escaped my notice. However, he is on the national radar now, as he has managed to subvert the Hugo Awards. Not only has he received two nominations for his own work, but his publishing house has won nine nominations. He accomplished this through a political and financial campaign that took advantage of how the awards are run.

 

Bob Nelson

“Hugos, Sad Puppies and The Game of Thrones” – May 16

The Baen Books website includes a forum called Baen’s Bar. I was banned for not agreeing with Mr Ringo’s vision of the universe. That really pissed me off, because I had in fact bought several of his early books, before he went completely wingnut… In fact, I bought books by just about every one of Baen’s considerable stable. Eric Flint is still a favorite of mine.

Which brings us to Sad Puppies… this time for real.

A couple years ago, a Baen writer named Larry Correia, on the belief that the Hugo Awards had been kidnapped by radical left-wingers whom he calls “Social Justice Warriors”, decided to recruit enough John Ringo True Believers to effectively take control of the Hugo Award ballot process. This year, his successor at the head of the Sad Puppies movement, Brad Torgerson, was brilliantly successful. The Ringo Faithful successfully packed the nominating process, ensuring their victory in the final voting. Baen authors won everything.

I am a Vietnam vet. That war was epitomized by a young lieutenant’s phrase, “We had to destroy the village to save it.” The Sad Puppies had to destroy the Hugo to save it. It is not clear whether the Hugo Awards will ever carry the kind of aura that they had before the Sad Puppy coup d’état.

 

Jack Hastings on Half-Forgotten

“The Great Hugo Kerfuffle of 2015” – May 16

Disclaimer

Let it be said at the outset that I am an armchair socialist who very much dislikes Tea Party apparatchiks, Fox News demagogues, religious zealots, Rush Limberger and the Sad and Rabid Puppies who have mounted a campaign to hijack Science Fiction Fandom’s Hugo Awards. Furthermore, I am not going to provide links to any of Correia’s, Torgersen’s or Beale’s (the Sad and Rabid Puppies, see below) web posts because I don’t have to and that’s what Google is for anyway. You’ll just have to trust me that the quotes provided are accurate and not taken too far out of context. You can do that, can’t ya?

 

Floris M. Kleijne on Barno’s Stables

“The Modified No Award Proposal: SPUNARPU” – May 15

To put it bluntly: I accept Brad Torgersen’s Sad Puppies, and I reject their Rabid cousins. And to put my money where my mouth is, I’m proposing the SPUNARPU voting approach: Sad PUppies, No Award, Rabid PUppies.

What does that mean in practice? I will read/watch/listen to all nominated works and artists that were either on the Sad Puppies slate (regardless of their presence on the Rabid slate), or on neither slate. I will neither peruse nor vote for works and artists that were only on the Rabid Puppies slate.

Therefore, my amended SPUNARPU approach to this year’s Hugo vote is thus:

  1. Slush-peruse (read, watch, listen until I’ve had enough) all nominated works and artists except the ones slated by Vox Day and his Rabid Puppies.
  2. Vote for the works and artists I believe are Hugo-worthy in order of how much I think of them.
  3. If voting slots remains, put No Award
  4. If voting slots still remain, vote for the works and artists I believe are not Hugo-worthy below No Award, in order of how little I think of them.
  5. If voting slots remain even after this exercise, put the Rabid Puppies nominees in there.

This approach minimizes the chance of works and artists slated by Vox Day and not by Brad Torgersen winning a Hugo

 

Martin Wisse on Wis[s]e Words

”Puppy-Proofing the Hugos” – May 16

LonCon3 had over 10,000 members: get all those to nominate and slate buying becomes slightly more expensive. But how do you get them to vote? Once LonCon3 was over, it was up to Sasquan to rally voters, but that only started in January, or four months later, far too late for those not into core Worldcon fandom to remember to nominate. What’s needed therefore is for the nomination process to open earlier, something which the WSFS rules don’t say anything about, so which can be done without needing that lengthy rule changing process. And while it is easier for a Worldcon to only start considering nominations in January, I think this is important enough to justify that added difficulty.

What I would like to see is having electronic nomination ballots open as soon as possible, either in January of the eligible year (e.g. January 2015 for 2016 nominations) or, if that’s too confusing, too much of a hassle, perhaps after the previous Worldcon has finished (September 1 for the most part). That way it also becomes easier for those already involved to keep a running tally for the year. It would also need not just opening the nominations, but promoting the nomination process as well. Get the members of the previous Worldcon involved, get them enthusiastic about nominating. It’s something next year’s Worldcon, MidAmeriConII, could start up already.

 

John Scalzi on Whatever

“Reader Request Week 2015 #10: Short Bits” – May 16

Noblehunter: “What are your thoughts on bad actors in anarchic/unorganized social movements? From looters hi-jacking civil rights protests to gamergate (some people seem to actually believe it’s about ethics in video game journalism) and Puppies (likewise), the stated goals of the group are undermined or by those calling themselves members of the group while acting in counter-productive ways. Can these groups police themselves despite a lack of central authority? Do you have any suggestions for people who are genuinely concerned about ethics in videogame journalism or other populist causes?”

Well, I’d first note that in the cases of Gamergate and the Puppies, the “stated goals” of the group were tacked on as afterthoughts/justifications for the precipitating action (harassment of women — and of a specific woman — in the case of Gamergate, personal desire for a bauble in the case of the Puppies). That’s not an insignificant thing, and it’s not something the fig leaf of a “stated goal” is going to cover up. This is a different situation, obviously, than looters attaching themselves to a protest movement already underway.

If I were truly interested in ethics in video game journalism — which is a laudable goal — or in seeing more representation of the sort of SF/F subgenres I liked in awards — less concretely laudable, but sure, why not — or whatever, I would probably start fresh, far away from those already tainted movements.

 

Brian Niemeier on Superversive SF

“Transhuman and Subhuman Part IV – Science Fiction: What Is It Good For?” – May 16

According to Wright, the end of science fiction and fantasy’s exile was decreed by the advent of a single film: George Lucas’ cultural juggernaut Star Wars. “When…the President of the United States can make casual references to Jedi mind-powers or the One Ring from Mordor, then space opera and fantasy epic have sunk into the marrow bones of the popular imagination.”

Having examined how genre fiction’s banishment came about, and how it ended, Wright turns to the questions of where sci-fi is going, and what it’s for.

 

Steve Green

My latest mug/t-shirt/poster/tattoo design. As a republican, I’d rather not have included the crown, but it’d look odd otherwise.

THIS SPACE INTENTIONALLY LEFT BLANK
ED COX DOODLE HERE
 

Bruce Arthurs on Undulant Fever

“Mad Libs: Sad Puppies Edition” – May 16

The Wall Street Journal published a recent story about the Sad Puppies/Rabid Puppies gaming a vulnerability in the Hugo Awards nomination procedure to almost completely dominate the 2015 ballot with their own, ah, particular point of view. I was reading the comments (yes, I should know better than to read comments on posts about this subject by now; doing so mostly just raises my blood pressure)….

 

Ampersand on Alas

“In Which Amp Realizes That Two Arguments That Frustrate Me Are Actually The Same” – May 16

As regular readers know (and by “know,” I mean, “are probably sick of hearing”), I’m against it when folks organize to economically punish others for their political views.

Very frequently, when I write or talk about this, I’ll run into some fellow lefty1 who doesn’t see any substantive difference between an organized boycott or blacklist against (say) hiring Orson Scott Card, and an individual reader choosing not to buy Card’s books.

Then I realized that one of the Sad Puppy/Rabid Puppy arguments about the Hugo awards that I find most frustrating, is really the exact same argument. One side is saying that collective organization – be it an anti-OSC petition or slate voting – is substantively different than individuals making individual decisions. The other side is denying that there’s any meaningful difference.

 

Immanuel Taal on Medium

“An Ode To Flatland” – May 16

Good Science Fiction answers a “what if” question with the guiding hand of its author. A good social message that grows naturally out of this story can help make the setting that much more rich, the characters that much more realistic, and the themes that much more intriguing. But a good social message imposed on a story contrived to push the author’s social views is bad Science Fiction. It comes down to the “science” part of Science Fiction. Good science starts with evidence and reaches conclusions. Good Science Fiction starts with imaginary evidence and reaches imaginary conclusions. Bad science and bad Science Fiction alike start with the conclusion and try to support it with flimsy (and often imaginary) evidence. The author has complete control over their created world and the social message, if any, they wish to convey. If that world doesn’t naturally grow to show the message it’s probably a boring world and a weak social message.

 

 

Lis Carey on Lis Carey’s Library

“The Journeyman: In the Stone House, by Michael F. Flynn” – May 16

Structurally, this isn’t a bad story. The plot is a little thin, with much of the little that happens relying on events in the prior story.

 

Spacefaring Kitten on Spacefaring, Extradimensional Happy Kittens

“’The Journeyman: In the Stone House’ by Michael F. Flynn” – May 16

The main character is an adventurer who has been adventuring in some earlier Analog story as well. He isn’t terribly interesting in any way, and nothing of interest happens in the story, so I was left wondering what was the point, really. There’s some military training, sword-fighting and snappy dialogue that is meant to be smart-ass (I guess).

I didn’t enjoy it at all and have trouble seeing why it’s on the ballot.

 

Elisa Bergslien on Leopards and Dragons

“A peak into The Goblin Emperor” – May 15

The one ‘fun’ thing I have managed to do in the past few weeks is to start reading works nominated for a Hugo award. All of the short works I have read so far have ranged from meh down to yuck!  Thankfully the novel category has some lovely rays of light.  I have been reading The Goblin Emperor by Katherine Addison and greatly enjoying it.

 

Brandon Kempner on Chaos Horizon

‘Hugo Award Nomination Ranges, 2006-2015, Part 5” – May 16

Let’s wrap this up by looking at the rest of the data concerning the Short Fiction categories of Novella, Novelette, and Short Story. Remember, these stories receive far fewer votes than the Best Novel category, and they are also less centralized, i.e. the votes are spread out over a broader range of texts. Let’s start by looking at some of those diffusion numbers:

 

Pip R. Lagenta on Facebook – May 16

First Sad

My Hugo burns at both ends.
It will not last the night.
But ah, my foes, and oh, my friends—…
Those Puppies are a blight

 

Pab Sungenis on The New Adventures of Queen Victoria – May 16

queen victoria naqv150516

https://twitter.com/yetregressing/status/599620774081728512

Arthurs Breaks Arm

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Just  three days after Bruce Arthurs finished his first sf short story since 2006 he fell and broke his arm. That’s going to slow his typing for awhile. Horrible timing. Bruce reports —

For whatever newsworthiness a mostly-inactive old fan has, I broke my arm Monday morning at my security guard job. Much as I’d like to report it got broken while I was defending the place from invading hordes of ninjas and zombies, in actuality I took a bad fall on a concrete sidewalk. The sidewalk won.

Broken on Monday, surgery on Tuesday, home Thursday night. Sling and PT for some weeks to come.

Also took a good hit to the face, barely noticeable compared to the pain from the arm, but producing a spectacular shiner. Will be posting photos to my blog….

When that happens, you’ll find the photos at Undulant Fever.