Pixel Scroll 8/3/21 No One Will Be Watching Us, Why Don’t We Pixel In The Scroll?

(1) NEW CLIMATE IMAGINATION FELLOWSHIPS. ASU’s Center for Science and the Imagination has announced a new Climate Imagination Fellowship, which brings together an international team of science fiction authors to craft positive visions of climate futures, grounded in real science and local realities. The inaugural fellows are Libia Brenda, Xia Jia, Hannah Onoguwe, and Vandana Singh. Learn more at climateimagination.org, or check out the full announcement, “Climate Imagination Fellows inspire visions of resilient climate futures”.

The Climate Imagination Fellowship, hosted by the Center for Science and the Imagination at Arizona State University, seeks to inspire a wave of narratives about what positive climate futures might look like for communities around the world.

The first four climate fellows are talented sff authors from all around the world “will generate hopeful stories about how collective action, aided by scientific insights, culturally responsive technologies, and revolutions in governance and labor, can help us make progress toward inclusive, sustainable futures.”

Hannah Onoguwe, Xia Jia, Vandana Singh, Libia Brenda. (Photo credits: Greatman Shots and Claudia Ruiz Gustafson.)
  • Libia Brenda is a writer, editor and translator based in Mexico City. She is one of the co-founders of the Cúmulo de Tesla collective, a multidisciplinary working group that promotes dialogue between the arts and sciences, with a special focus on science fiction; and Mexicona: Imagination and Future, a series of Spanish-language conversations about the future and speculative literature from Mexico and other planets. She was the first Mexican woman to be nominated for a Hugo Award for the bilingual and bicultural anthology “A Larger Reality/Una realidad más amplia.”
  • Xia Jia is a speculative fiction author and associate professor of Chinese literature at Xi’an Jiaotong University in Xi’an, a city in the Shaanxi province in northwest China. Seven of her short stories have won the Galaxy Award, China’s most prestigious science fiction award. She has published a fantasy novel, “Odyssey of China Fantasy: On the Road” (2009), and four collections of science fiction stories: “The Demon-Enslaving Flask” (2012), “A Time Beyond Your Reach” (2017), “Xi’an City Is Falling Down” (2018), and “A Summer Beyond Your Reach” (2020), her first collection in English. Her stories have appeared in English translation in Nature and Clarkesworld magazine. 
  • Hannah Onoguwe is a writer of fiction and nonfiction based in Yenagoa, Bayelsa State in southern Nigeria, a region famous for its oil industry. Her short stories have been published in the anthologies “Imagine Africa 500” (2016), from Pan African Publishers, and “Strange Lands Short Stories” (2020), from Flame Tree Press. Her work has appeared in publications including Adanna, The Drum Literary Magazine, Omenana, Brittle Paper, The Stockholm Review and Timeworn Literary Journal. In 2014, “Cupid’s Catapult,” her collection of short stories, was one of 10 manuscripts chosen to kick off the Nigerian Writers Series, an imprint of the Association of Nigerian Authors (ANA).
  • Vandana Singh is an author of speculative fiction, a professor of physics at Framingham State University and an interdisciplinary researcher on the climate crisis. She is the author of two short story collections, “The Woman Who Thought She Was a Planet and Other Stories” (2014) and “Ambiguity Machines and Other Stories” (2018), the second of which was a finalist for the Philip K. Dick Award. Her short fiction has been widely published, including the short story “Widdam,” part of the interdisciplinary climate-themed collection “A Year Without a Winter” (2019). She was born and brought up in New Delhi and now lives near Boston.

Each fellow will write an original piece of short climate fiction, building on local opportunities, challenges, resources and complexities, and drawing on conversations with experts in a variety of fields, ranging from climate science to sociology to energy systems to biodiversity. They will also write a set of shorter “flash-fiction” pieces. These pieces of short fiction will be collected, along with essays, interviews, art and interactive activities, in a Climate Action Almanac, to be published in 2022.

(2) YOUNG PEOPLE READ OLD SFF. James Davis Nicoll is having the young people read old Hugo finalists. And now it is Niven’s turn in the barrel. “Neutron Star”.

“Neutron Star” or at least the collection of which it is the title story enjoys the distinction of being the piece most likely to entice new readers to read more Niven. To quote:

“It seemed to (Spike McPhee) that he should suggest to readers that they try a different Niven book first, as an introduction to Known Space. He tried out his theory: Of a sample set of about 60 or so readers, he got them to first try the Neutron Star collection before attempting Ringworld. Doing so improved the sample set’s desire to continue on to other Known Space books?—?from one-third to approximately two-thirds.”

It certainly worked for me: having encountered the collection, I hoovered up every other Niven work I could find in the mid-1970s. However, if there is one thing this series has taught me in the last five years, it is that material that appealed to people half a century ago does not appeal to young people today. Will this be the exception? 

Oh, you sweet summer child….

(3) WORLDCON MASQUERADE SIGNUPS. DisCon III is taking registrations for both the Virtual and In-Person Worldcon Masquerades. Click on the link for full details: Masquerade.

Virtual Dates

  • Online registration for the Virtual Masquerade is OPEN now. Register here.
  • Online registration for the Virtual Masquerade CLOSES: 11:59 PM EDT on Wednesday, September 1, 2021
  • Videos must be SUBMITTED BY: September 1, 2021 via the addresses on the registration forms.

In Person Dates

  • Online registration for the in person Masquerade OPENS: July 1, 2021. Register here.
  • Online registration for the Masquerade CLOSES: 11:59 PM EDT on Wednesday,  December 15 , 2021
  • In-person registration OPENS: 3 PM on Wednesday, December 15, 2021
  • In-person registration CLOSES: Noon on Friday, December 17, 2021

(4) SPACE: THE VINYL FRONTIER. Arun Shastri looks at the reason why some products look familiar: “Read Before Assembly: The Influence Of Sci-Fi On Technology And Design” at Forbes.

In 1966 a television series called “Star Trek” introduced the communicator, a device Captain Kirk flips open to talk to his crew remotely.

Decades later, in the mid-1990s, Motorola released its StarTAC model phone—credited as the first flip phone and clearly inspired by the communicator device from the science fiction series.

… Sci-fi writers have been instrumental in imagining our present and our future—so much so that large tech firms have sponsored lecture series where fiction writers give talks to employees and commissioned “design fiction” projects to develop more sophisticated products and experiences.

For instance, Arizona State University has founded the Center for Science and the Imagination, whose goal is to ignite collective imagination for a better future. The Center created Project Hieroglyph, a web-based project that provides “a space for writers, scientists, artists and engineers to collaborate on creative, ambitious visions of our near future”—and presumably also to steer us away from dystopian futures worsened by irresponsible technology use.

(5) CLOTHES CIRCUIT TELEVISION. [Item by Kevin Standlee.] Lisa Hayes found the VHS video tape buried in one of my boxes that had the ConAdian 1994 Worldcon Masquerade video on it, digitized it, and I’ve uploaded it to the Worldcon Events YouTube channel.

Unfortunately, the last part of the credits didn’t make it onto the 2 hour VHS tape. Also, due to YouTube copyright reasons, there is at least one entry that has its sound muted.

(6) SPECIAL BOOKS WILL COMMEMORATE MUSEUM OPENING. The Academy Museum of Motion Pictures will publish three debut catalogs on the work of legendary moviemakers Hayao Miyazaki , Spike Lee, and Pedro Almodóvar, whose careers will be celebrated when the museum opens its inaugural exhibitions to the public on September 30, 2021.

Bill Kramer, Director and President of the Academy Museum, said, “These first Academy Museum publications are a lasting record of our extraordinary inaugural exhibitions and our dynamic collaborations with Hayao Miyazaki and Studio Ghibli and filmmakers Spike Lee and Pedro Almodóvar. Like the exhibitions, these catalogs will bring readers closer to the filmography, art, influences, and careers of these remarkable artists.”

…The richly illustrated catalogue Hayao Miyazaki is published in partnership with Studio Ghibli. It will be available through the Academy Museum Store on September 7, 2021. Marking the museum’s eponymous inaugural temporary exhibition, the publication features hundreds of original production materials, including artworks never seen outside of Studio Ghibli’s archives in Japan. The 288-page hardcover book illuminates Miyazaki’s creative process and animation techniques through imageboards, character designs, storyboards, layouts, backgrounds, and production cels from his early career through all 11 of his feature films, including My Neighbor Totoro (1988), Kiki’s Delivery Service (1989), Princess Mononoke (1997), Spirited Away (2001), and Howl’s Moving Castle (2004). The bookfeatures a foreword by producer and Studio Ghibli cofounder Toshio Suzuki along with texts by Pixar Chief Creative Officer Pete Docter, Cologne-based journalist and film critic Daniel Kothenschulte, and Academy Museum Exhibitions Curator Jessica Niebel. Hayao Miyazaki is designed by Jessica Fleischmann/Still Room and copublished with DelMonico Books.

(7) MEMORY LANE.

1973 – Forty-eight years ago at Torcon II, Slaughterhouse-Five won the Hugo for Best Dramatic Presentation. Other finalists that year were The PeopleSilent Running and Between Time and Timbuktu (also based on a number of works by Vonnegut). The novel it was based on, Slaughterhouse-Five or The Children’s Crusade: A Duty-Dance with Death, had been nominated for a Hugo three years earlier at Heicon ’70. Ursula K. Le Guin’s Left Hand of Darkness would win that year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 3, 1904 Clifford Simak. [By Paul Weimer.] I first encountered Clifford Simak in the story whose last four lines haunts me to this day, the tale of a man, his dog and Jupiter: “Desertion”.  From this singular story, I discovered the wealth of his work, the rest of the stories besides Desertion in the City cycle, Way StationThe Goblin Reservation, and a host of short stories. Many things strike me about his work, in reading and re-reading his work: his abiding love of dogs, his aliens, funny, amusing, well drawn and yet sometimes inhumanly incomprehensible. (Not Explaining Everything is a feature, not bug, of Simak’s fiction) And time travel. Not in the traditional sense of a Time Patrol, but much of Simak’s fiction sends his protagonists forward and backward in time, or they’ve found they already HAVE done so, and it did not go well. Pastoral is the other note that Simak’s work evokes for me, the rural midwest setting of many of his stories and novels, his backcountry characters vividly and sometimes a bit tetchily deal with the issues they are faced with.  But there is a fundamental sense of themes of independence and autonomy and being true to oneself that inhabits his fiction, including those last four lines:   

“I can’t go back,” said Towser.
“Nor I,” said Fowler.
“They would turn me back into a dog,” said Towser.  
“And me,” said Fowler, “back into a man.”

(Simak died in 1988.)

  • Born August 3, 1920 P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?”. Made into a film which she said she really liked despite it being substantially different than her novel. I like authors who can do that. ISFDB lists her as having done a short story called “Murder, 1986” which they say is genre but I’ve not read it. (Died 2014.)
  • Born August 3, 1940 Martin Sheen, 81. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie.
  • Born August 3, 1950 John Landis, 71. He’d make this if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which is the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. Neat fact: he was the puppeteer for Grover in The Muppet Movie, and he later played Leonard Winsop in The Muppets Take Manhattan
  • Born August 3, 1954 Victor Milán. New Mexico author who specialized in media tie-in fiction. He had work in BattletechForgotten RealmsOutlanders UniverseStar Trek and Dinosaur Lords franchises to name but a few. His universe was The Guardians series. And a lot of stories in the Wild Card Universe. Craig W. Chrissinger has a remembrance here. (Died 2018.)
  • Born August 3, 1972 Brigid Brannagh, 49. Also credited as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish red headed colleen in a genre role? Well she apparently would do. She shows up in Kindred: The EmbraceAmerican GothicSliders, Enterprise (as a bartender in one episode), RoarTouched by an AngelCharmedEarly EditionAngel (as Virginia Bryce in a recurring role), GrimmSupernatural and she had a run in Runaways in the main role of Stacey Yorkes.
  • Born August 3, 1980 Hannah Simone, 41. She was Mera, the lead, in the film remake of The Greatest American Hero. She was also Leena Param  in The H+ series in which humanity is nearly wiped and addicted to the internet, and host for several seasons of the WCG Ultimate Gamer series.

(9) COMICS SECTION.

  • Bizarro — You wouldn’t think Dr. Frankenstein could make this mistake.

(10) HORSEBLEEP. Although the topic has been in the Scroll before, this June 2020 article may still be fresh for a lot of us — The Atlantic looks at how “’My Little Pony’ Fans Confront Their Nazi Problem”.

… For years, this has been the status quo in the world of My Little Pony. In supposed deference to principles of free speech and openness on the internet, the presence of self-described Nazis within a fandom that idolizes compassion-oriented cartoon characters has become a coolly accepted fact. The community has sorted itself largely into two camps: those who think anything goes as long as someone finds it funny, and those who would rather ignore toxic elements than admit that not everything is perfect.

Until now. Following a new wave of Black Lives Matter protests across the United States, the fandom is in an all-out civil war, forced to either confront or deny what it’s let go on for so long. The abrupt reckoning has raised an existential question for internet spaces large and small: If you’ve gone online to live in a fantasy space, can you avoid taking responsibility when the real world finds its way in?…

… Now the real world and Equestria are colliding. Over the past few weeks, some My Little Pony fans have mocked the protests with racist fan art, most of which was posted to Derpibooru,  then massively upvoted by /mlp/ users. One much-discussed image was a pony version of a white-nationalist meme that circulated after the launch of a SpaceX rocket to the International Space Station: a photo of the two white astronauts side by side with a photo of black protesters “rioting.” The artist replaced the black people in the image with cartoon zebras—which are awkwardly coded as African in the real My Little Pony universe, but often referred to on 4chan with a portmanteau of zebra and the N-word. “Beautiful,” one user responded to the image. “Perfect for subtle messaging.”

At the same time, My Little Pony art that was supportive of the Black Lives Matter protests was being hit with hundreds of downvotes—an apparently coordinated action that is against the site’s rules….

(11) FAMILIARS. The Guardian interviews the artist about the project in “Rankin designs covers for Philip Pullman’s His Dark Materials trilogy”. More covers at the link.

Portraying Marisa Coulter, who has “tortured and killed without regret”, Rankin juxtaposed her with her golden monkey dæmon so that their eyes appear almost superimposed.

He said: “I wanted to create this amalgamation of the dæmon and the person. It’s really trying to embody the darkness of the series.”

The photographer said book covers should be more dramatic: “With classics, there’s a lot of playing safe … because one aesthetic or another might not be liked … What’s great about His Dark Materials is that the publisher and Philip went for the stronger, darker, more mysterious images.”

(12) DEATH WARMED OVER. Ars Technica’s Jennifer Oullette says “Post Mortem is the Norwegian vampire procedural dramedy we need right now”.

… The trailer opens with Live waking up in a hospital. Odd tells her that everyone thought she was dead after her body was found in a field. The responding officers processed the scene and transported her body to the morgue—at which point she woke up on the autopsy table. Officers Judith and Reinert are beside themselves about the mix-up, although Judith adds, “In our defense, you seemed really dead.”

Live soon realizes she isn’t quite herself. There’s the sudden onset of insomnia, and her senses are strangely heightened—so much so that she can hear a person’s pulse. Also, her eyes have changed color to a rich emerald, and she finds that she is significantly stronger. Then there’s her growing thirst for blood, culminating in a shot of Live waking up with her mouth covered in it—hopefully from the local blood bank, but Officer Judith has her suspicions that something stranger is going on. Odd, for his part, is happy to admit that he wishes there were a serial killer on the loose, as at least that would drum up some much-needed business for his funeral home….

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Jungle Cruise Pitch Meeting” on Screen Rant, Ryan George has, in a spoiler-packed episode, has the producer interrupt the pitch by taking a call from Dwayne Johnson, who says he has to be in every movie with “jungle” in the title and you can’t question Dwayne Johnson because he’ll raise an eyebrow at you!

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Joey Eschrich, Paul Weimer, Jennifer Hawthorne, Kevin Standlee, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Iphinome.]

Pixel Scroll 8/9/18 I Was A Dream Scroller And I Had Pixels For You

(1) WHAT DO WHILE THE POWER IS OUT. Ursula Vernon’s ideas make scents.

(2) I PRAY FOR ONE LAST LANDING. Adweek covers a company’s creative message about sustainability: “An Astronaut Returns Home in This Gorgeous Film From Impossible Foods”.

“There’s life,” he begins, traversing the varied terrain, from bustling thoroughfares to nearly silent, sun-soaked forest glades, in full spacesuit. “Everything is here. The colors. The beauty. The motion. It looks like a living, breathing organism. It’s so beautiful here.”

That planet, of course, is Earth, and the film launches this week to coincide with the release of Impossible Foods’ first sustainability report. In that study, the creator of the plant-based Impossible Burger discusses its goal of eliminating the need for animals as a food source by 2035. Doing so will help cut greenhouse gas emissions while conserving natural resources.

 

(3) SOCIAL GRACES. Here’s a helpful reminder.

(4) NO BOX FITS THIS GRAPHIC NOVEL. NPR’s Etelka Lehoczky says “Spooky And Off-Kilter, ‘Come Again’ Shows Nate Powell’s Virtuosity”.

Earnest yet unpredictable, Nate Powell’s graphic novel Come Again is a perfect example of what’s possible when a creator roams outside of set conventions. Come Again fits no particular genre, though much of its style and tone resemble the slow-building, true-to-life narratives of Craig Thompson, Lucy Knisley and Mariko and Jillian Tamaki. But a touch of the mystical keeps this book off-kilter, raising the stakes on a story that might otherwise have seemed thin.

(5) 2017 #BLACKSPECFIC REPORT. Fireside Magazine has published its third annual report about the underrepresentation of black writers in sff magazines. There’s a Twitter thread that starts here. And a narrative version here — “The 2017 #BlackSpecFic Report”. The data is available in a spreadsheet here.

Some highlights:

2017

In 2017, the magazines in this dataset are, as with 2016’s report, professional-rate magazines (as defined by the SFWA) that have been in existence for at least two years and are currently open to submissions. They published 1,112 stories by 816 unique writers, 38 of whom are Black and who wrote 48 of the stories. The unique Black author ratio is 4.7%, and the story ratio is 4.3%. Compared with 2015 data, Black representation in this aspect of the field has essentially doubled.

… When we began this initiative, many worried that the majority of the few stories published would be by Black authors with household names; that still is not the case.

They are, however, generally published in the same set of magazines.

 … Most of the magazines portrayed in this image doubled, tripled, or quadrupled their Black representation from 2015-6 to 2017. When combined with 2 magazines that already performed relatively well in publishing stories by Black authors, but that hadn’t improved significantly — namely, Lightspeed and Nightmare — the magazines in this image published about one fourth of all stories in this dataset. Yet, they published close to 90% of this year’s stories by Black authors. In other words, as with 2016, one quarter of the field is publishing the vast majority of its Black work. Field-wide submission rates can’t explain that.

Furthermore, while these magazines’ representation varies individually, when taken as a combined unit, their Black representation approximates U.S. population distribution at 13%. Five of them published Black authors at rates approximating or exceeding it.

(6) SCOOP NEWS. BBC says the world’s largest ice cream parlor is officially Parque Coppelia, but Cubans call it la catedral de helado: “Cuba’s communist ice cream cathedral”.

We’re at Parque Coppelia, the world’s largest ice cream parlour and an iconic institution in Cuba. Taking up an entire block diagonally opposite the Hotel Habana Libre in the once-tony Vedado district, this state-run ‘people’s park’ offers a for-pennies indulgence for the masses and serves an average of 30,000 customers a day – and up to 600 at any one time.

When Havana sizzles, the entire city seems to descend seeking relief. The helado – served with taciturn efficiency by waitresses in 1950s plaid miniskirts – wins no awards. But no other experience speaks so sweetly to Cuba’s revolutionary idealism.

(7) CITY SECURITY. From the Black Hat cyber security conference, “Warning over ‘panic’ hacks on cities”. Chip Hitchcock observes, “Katherine MacLean’s ‘Missing Man’ spoke of ‘city chess,’ in which senior maintenance workers put up plausible point failures that usually ruin the city very quickly — and she was just talking about breakage, not about deliberate attacks.”

Security flaws have been found in major city infrastructure such as flood defences, radiation detection and traffic monitoring systems.

A team of researchers found 17 vulnerabilities, eight of which it described as “critical”.

The researchers warned of so-called “panic attacks”, where an attacker could manipulate emergency systems to create chaos in communities.

The specific flaws uncovered by the team have been patched.

“If someone, supervillain or not, were to abuse vulnerabilities like the ones we documented in smart city systems, the effects could range from inconvenient to catastrophic,” wrote Daniel Crowley, from IBM’s cyber research division, X-Force Red.

“While no evidence exists that such attacks have taken place, we have found vulnerable systems in major cities in the US, Europe and elsewhere.”

The team plans to explain the vulnerabilities at Black Hat – a cyber-security conference – on Thursday.

(8) 1994 HUGO CEREMONY VIDEO. Thanks to Kevin Standlee for the head’s up:

The 1994 Hugo Awards video is online, thanks to us finding a videotape of it among the files here in Fernley, Lisa digitizing it, and Linda Ross-Mansfield on behalf of the parent of ConAdian giving permission to publish it. The quality isn’t great, but that’s in the original on our tape.

 

(9) BAEN FANTASY ADVENTURE AWARD. In addition to the grand prize winner reported here, “Dragon’s Heart” by David VonAllmen, Baen today issued a press release naming the runners-up:

  • Second Place: “Deny the World with a Thought” by Benjamin Scott Farthing
  • Third Place: “The Lady of Pain” by Steve DuBois.

The press release says the winners were selected by Baen editorial staff.

(10) TODAY IN HISTORY

  • August 9, 1930 — Betty Boop premiered in the animated film Dizzy Dishes.
  • August 9, 2004 — Donald Duck received a star on the Hollywood Walk of Fame

(11) TODAY’S BIRTHDAYS

  • Born August 9 — Sam Elliot, 74. Genre roles include The Man Who Killed Hitler and Then The Bigfoot, the Land of the Giants series, the 1999 Hulk film, Ghost Rider, The Golden Compass and The Good Dinosaur animated series.
  • Born August 9 — Melanie Griffith, 61. Hebron roles in Cherry 2000Alfred Hitchcock Presents series, voice work in the second Stuart Little animated film do likewise in the Back to the Jurassic film.
  • Born August 9 — Gillian Anderson, 50. The X-Files of course, roles also in the Harsh RealmHannibal and American Gods series.  Voice work in a number of animated series including Reboot as a character as a Data Nully.
  • Born August 9 — Thomas Lennon, 48. Appeared in Transformers: Age Of Extinction, but more commonly a voice actor with some of his credits being for Justice League Action (most excellent series), one of the computers in The Hitchhiker’s Guide to The Galaxy film, The Dark Knight Rises, ArcherRocky and Bullwinkle and Legend of the Three Caballeros.
  • Born August 9 — Rhona Mitra, 42. First genre role was in a sf update of Beowulf, later roles include Underworld: Rise of the LycansSGU Stargate Universe, The Gates, an urban fantasy set in a gated community where no one is human, The Last Ship post-apocalypse series and The Strain, a Guillermo del Toro vampire series.

(12) SLIGHT UPDATE. While his comments on what happened with Worldcon programming are apt, John Scalzi may not be reading the same sites I do. Thread starts here

Though I feel he’s overly optimistic about the silence of people hoping the Worldcon will eat itself alive — I could list three bloggers who are still writing about that.

(13) PICK THE ROCKET FROM THEIR POCKET. Here’s Russian retaliation for sanctions could include: “Russia targets the U.S. space program after latest round of ‘draconian’ sanctions”Vice News has the story.

…On Wednesday the White House announced it would be imposing fresh sanctions on Moscow over its role in the poisoning of former Russian double agent Sergei Skripal and his daughter, Yulia, in the U.K. earlier this year.

The latest round of sanctions, due to take effect on August 22, will impose broad restrictions on technology exports to Russia, with further sanctions set to hit Russian airlines and banks. The latest round of sanctions could block hundreds of millions of dollars in exports.

The Kremlin has strenuously denied any involvement in the incident, and on Thursday morning Russian lawmakers fumed over the latest U.S. announcement, calling it “draconian” and “absurd.”

One high-ranking Russian lawmaker then suggested hitting back at the U.S. where it hurts.

Sergey Ryabukhin, a senior Russian senator who is chairman of the Russian Federation Council’s Committee for International Affairs, said Moscow could restrict exports of RD-180 rocket engines to the U.S.

RD-180 engines power the Atlas V rocket, which is used for military satellite launches, interplanetary missions and cargo runs to the International Space Station. The Atlas V has completed more than 75 launches with no major failures to date, and is key to the U.S. space program.

This isn’t the first time RD-180s have been caught in the middle of strained U.S.-Russian relations. Back in 2014, U.S. lawmakers opted to exempt the rocket engine from a ban on Russian military technology due to it importance to the U.S. space program.

(14) GUESS AGAIN. Popular Mechanics shares the revelation: “Weird Prehistoric Plant Turns Out To Be Weird Prehistoric Animal”.

Algae? Fungi? Some other type of plant? The Ediacaran organisms, ancient life forms that were common on in the Earth’s oceans half a billion years ago, have puzzled scientists for decades. Now two paleontologists feel confident that the ancient species were something completely different: animals that were unlike any seen on Earth today.

Scientists have discovered nearly 200 different types of Ediacarans within ancient rocks around the globe since the first discovery in the 1940s. It’s easy to identify an Ediacaran through their unique bodies, which are branched fronds taking the shape of fractals. Looking like long tubes that could grow up to six feet, Ediacaran fronds also had sub-fronds which replicated these patterns.

It’s easy to mistake an Ediacaran for a plant. But Jennifer Hoyal Cuthill at the Tokyo Institute of Technology and the University of Cambridge in the United Kingdom, along with Jian Han at Northwest University in Xi’an, China, has found evidence that says otherwise. They came to their conclusion through studying Stromatoveris psygmoglena, a marine species first discovered in 2006 that dates back to around 30 million years after Ediacarans supposedly died out.

(15) THE BATTLE FOR THE UR-QUAN HIERARCHY. Olav Rokne of Edmonton’s Hugo Award Book Club wanted to be sure I didn’t miss this gaming litigation story:

“Cult classic video game Star Control 2, beloved for its science fiction storylines and diverse cast of alien characters, is the subject of a bitter legal feud over who has the rights to release an official sequel. Original Star Control creators Paul Reich and Fred Ford maintain that their author contract’s rights-reversion clause was triggered more than a decade ago, while games company Stardock claim they bought the rights during Atari’s bankruptcy sale.

“It’s a feud that blazes more hotly than a Thraddash Torch, but is harder to understand than Orz dialogue. Thankfully, copyright lawyer Leonard French has created two excellent YouTube videos to explain it to the layperson.”

Video One:

Video Two: 

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Kevin Standlee, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Andrew Porter: Mike Glicksohn Photo Gallery

toronto corflu

Mike Glicksohn, right, at the Toronto Corflu.

Glicksohn Wood Toronto 1970
Mike Glicksohn and Susan Wood in Toronto (1970)

Glicksohn typing Nerg

Mike Glicksohn typing stencils for Energumen.

95 Worldcon

(Tentative ID) 1987 Worldcon. L-to-R: Ken Bulmer, Ethel Lindsay, ?, George “Lan” Laskowski, Pat Virzi, Mike Glicksohn.

Lieberman Glicksohn at Conadian

Paula Lieberman and Mike Glicksohn chat at Conadian in 1994.

Glicksohn 1981 Susan Wood Best Fan Writer

Mike Glicksohn accepts Susan Wood's 1981 Best Fan Writer Hugo, which she won posthumously.

Update 03/26/2011: Tagged the man on the left of the 1987 Worldcon photo as Ken Bulmer, based on suggestions by Joseph Nicholas and Mark Plummer.