Pixel Scroll 8/21/21 Marvel’s Pixels Of S.C.R.O.L.L.

(1) NEW SOLUTION FOR X. Louisiana convention CONtraflow X has been cancelled for 2021 due to the pandemic, and been rescheduled to 2022.

Some unfortunate news to pass on- CONtraflow Faithful, Friends, and Fen- with the recent Delta-Variant COVID-19 surge not yet peaking in our region and after working with/looking at all of our options with our host hotel and city/parish/state leadership, the board of directors of CONtraflow has come to the following conclusion. We must once again postpone/reschedule CONtraflow X. Pandemic conditions and restrictions, as they currently are and will be for the foreseeable future, make it next to impossible to host the convention in even a close approximation to what you all expect from a CONtraflow. Our only responsible, reasonable, and possible choice is to reschedule CONtraflow X….

(2) UK PROZINE LAUNCHES. ParSec Digital Magazine – Issue 1 has been released by PS Publishing, which announced plans for the new title after failing to acquire Interzone. See the table of contents at the link.

(3) FOURTH DOCTOR CONFESSES. “Tom Baker: ‘I didn’t know what to do with Doctor Who’” he tells Radio Times.

Tom Baker first played the Doctor almost 50 years ago – and to hear the acting legend tell it, he’s never really stopped.

“I got it right out of the blue,” he tells RadioTimes.com of his 1974 casting as Jon Pertwee’s Doctor Who replacement. “There we were, and I thought… I didn’t know what to do with it. And I still don’t know what to do with it! Because of course, the problem is it’s not really an acting part. In fact, I don’t really do acting parts, because they just embarrass me.

“I try to inhabit these kind of crackpot people who I play, and find a crackpot niche in my crackpot brain… I slot them in and off we go!”

…From storytelling structure to music and sound design, these new stories – adapted from Hinchcliffe’s initial ideas by writer Marc Platt – seek to recapture the flavour and feel of Doctor Who’s Hammer Horror-influenced TV outings from the 1970s. Recapturing his performance wasn’t a problem for Baker, chiefly because he claims playing the Doctor wasn’t for him a performance at all.

(4) HORROR POET. “Life Between This World and the Next: An Interview with Poet Corrine De Winter” at the Horror Writers Association Blog.

On the latest HWA Horror Poetry Blog, Bram Stoker winning author Corrine De Winter shares thoughts on the craft of poetry, being mentored by William Packard and discusses an upcoming new volume of verse “Awakening Persephone.”

(5) ON THE RADIO. A short audio SF play that filers might like, recommended by SF Concatenation’s Jonathan Cowie: BBC Radio 4 – Angst!, Gaia

Gaia.  It’s a job, cleaning the fusty man’s laboratory.
But a job that could hold the fate of humanity in the balance….

In today’s ‘zeit’, the ‘geist’ is everywhere – environmental catastrophe, conspiracy theories, populism, fake news, the age of the algorithm, nationalism, racism, social exclusion. Not to mention pandemics.

As the world teeters on the edge of various self-made apocalypses, Angst! takes a satirical sideways look at our own naked fears. Five separate but connected half-hour ‘what if?’ stories all told under the watchful eye of the enigmatic Timor Greer.

What if the planet is, in reality, a single sentient organism, intent on ridding itself of the poisonous human parasites living on its surface? And what if a way is found to communicate with this ‘intelligence’? And what if the person put in charge of negotiations is a refugee cleaner from Darfur?

(6) TORRID TOURISM. [Item by Darrah Chavey.] Clearly an SF poster, and should have been a book cover! This really was produced by NASA, but I had no idea they had an “Exoplanet Travel Bureau”. “55 Cancri e: Skies Sparkle Above a Never-Ending Ocean of Lava”. This poster from the NASA Exoplanets Exploration Program’s Exoplanet Travel Bureau was recently Wikipedia’s Picture of the Day.

A global ocean of lava under sparkling, silicate skies reflecting the lava below: what better choice for an extreme vacation? Planet Janssen, or 55 Cancri e, orbits a star called Copernicus only 41 light years away. The molten surface is completely uninhabitable, but you’ll ride safely above, taking in breathtaking views: the burning horizon, Janssen’s sister planet Galileo hanging in a dark sky, and curtains of glowing particles as you glide across the terminator to Janssen’s dark side. Book your travel now to the hottest vacation spot in the galaxy, 55 Cancri e.

(7) MEMORY LANE.

  • 1982 – Thirty-nine years ago, the animated film Flash Gordon: The Greatest Adventure of All premiered on NBC as produced by Filmation who did The New Adventures of Superman and Star Trek: The Animated Series. It was written by Samuel A. Peeples whose first season script, “Where No Man Has Gone Before”, was actually the one that sold Paramount on that series. It was produced by Don R. Christensen who did illustrations for such comic book titles as Donald Duck, MagnusRobot Fighter, and Uncle Scrooge. Critics consider this movie one of the most faithful adaptations of the original Flash Gordon material. IMDB reviewers give an excellent seventy seven percent rating. Oddly there’s no rating at Rotten Tomatoes. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 21, 1872 Aubrey Beardsley. Best remembered for his often highly erotic art, ISFDB lists him as having a genre novel, The Story of Venus and Tannhäuser, which bear one of the longest subtitles I’ve encountered (“The story of Venus and Tannhäuser in which is set forth an exact account of the manner of State held by Madam Venus, Goddess and Meretrix under the famous Hörselberg, and containing the Adventures of Tannhäuser in that Place, his Repentance, his Journeying to Rome, and Return to the Loving Mountain”). He has two genre novellas as well, “Catullus: Carmen Cl.“ and “Under the Hill”.  And yes, he was just twenty-five when he died of tuberculosis. (Died 1898.)
  • Born August 21, 1888 Miriam Allen deFord. Almost all of her genre fiction was published at Magazine of Fantasy & Science Fiction under the editorship of Anthony Boucher. It can be found in two collections, Xenogenesis and Elsewhere, Elsewhen, Elsehow. Her “A Death in the Family” story was adapted in Night Gallery‘s second season. Other than scattered short stories, nothing’s available at the usual suspects. (Died 1975.)
  • Born August 21, 1911 Anthony Boucher. Rocket to the Morgue is of course a really great read. If you can find a copy, The Compleat Boucher: The Complete Short Science Fiction and Fantasy of Anthony Boucher is a most excellent read. Fortunately The Compleat Werewolf and Other Stories of Fantasy and Science Fiction is available at the usual suspects and it’s quite delicious. Award-wise, he would win Hugos at Solacon (1958) and the next year at Detention for Best Professional Magazine for his editing of F&SF. (Died 1968.)
  • Born August 21, 1943 Lucius Shepard. Astounding Award for a Best New Writer winner of 1985. His Life During Wartime  is one seriously weird novel. And his World Fantasy Award winning The Jaguar Hunter is freaking amazing as are all his short collections. I don’t remember reading “Barnacle Bill the Spacer” which won a Best Novella Hugo at ConFrancisco. (Died 2014.)
  • Born August 21, 1953 Rev Ivan Stang, 68. Best known as the author and publisher of the first writings of the Church of the SubGenius. He’s credited with founding the Church with friend Philo Drummond in 1979. ISFDB only lists “The Scepter of Praetorious” as genre but really isn’t the entire Church genre? (Ducks really quickly to avoid anything thrown at him.)
  • Born August 21, 1956 Kim Cattrall, 65. Gracie Law in John Carpenter’s amazing Big Trouble in Little China. She also played Justine de Winter in The Return of the Musketeers, Paige Katz in Wild Palms, Lieutenant Valeris in Star Trek VI: The Undiscovered Country and Linday Isley in Good v. Evil. Series wise, she was one offs in Tales of the Gold MonkeyLogan’s RunThe Incredible Hulk and The Outer Limits
  • Born August 21, 1968 Carrie-Anne Moss, 53. I first saw her as Tara McDonald in the Dark Justice series. Not genre, just her first video I think. She later played Monica Howard in the “Feeding the Beast” episode of Forever Knight as her first genre role. Oddly enough her next role was as Liz Teel in the Canadian series called Matrix which has nothing to do with the Matrix film franchise where she’s Trinity. Her latest genre role was playing Jeryn Hogarth in the now defunct Netflix based Marvel Universe, most notably Jessica Jones. She reprising her Trinity role in the forthcoming Matrix 4 film.
  • Born August 21, 1975 Alicia Witt, 46. Her first role was at age eight as Alia Atreides in David Lynch’s Dune. She next, genre wise at least, voices Caitlin Fairchild in the animated Gen¹³ film which I’ve not seen but want to. She has series one-offs in Twilight ZonePerson of InterestElementaryThe MentalistWalking DeadSupernatural and The Librarians. She showed up in an episode of the original Twin Peaks and reprised that role nearly thirty years later in Twin Peaks: A Limited Event Series. She had a recurring role in The Exorcist series as Nikki Kim.

(9) COMICS SECTION.

(10) THE CAPTAIN WHO FELL TO EARTH. “Capt. Janeway” is joining the cast of the remake of The Man Who Fell to Earth.  No, she will not be playing the David Bowie role. Gizmodo has the story.

…Mulgrew is just the latest in an increasingly impressive list of additions to the cast of the adaptation of Walter Tevis novel and inspired by the iconic 1976 film adaptation by Nicolas Roeg. The movie starred the legendary and dearly missed David Bowie as Thomas Jerome Newton, an alien being who comes to Earth from his devastated homeworld, Anthea, in search of water supplies that could save the planet from a deadly drought. Mulgrew joins Chiwetel Ejiofor, who will play the new alien being who has fallen to earth in a time of great upheaval for humanity, and Naomie Harris in the main cast, alongside Sonya CassidyClarke Peters, and Jimmi Simpson. All this goes a long way to saying we’re not quite sure it can live up to Bowie’s turn, but even then, it’s clear Showtime’s taking a big swing at attempting to follow up on Roeg’s and the music icon’s take on Tevis’ work….

(11) METAVERSE TRAITOR! Alexandra Petri thinks it’s a bad idea to tell office workers they’re characters in the metaverse! “Do you ever think … that Facebook’s virtual-reality office is stupid?” in the Washington Post.

… “Do you ever think …” a voice said from what sounded like Greg’s right. Greg turned his cartoon avatar to look in the direction of the voice, “ … that maybe the Metaverse is a stupid waste of everyone’s time?

The voice was coming from a cartoon avatar of a bald man in small, 2000s-era sunglasses and a trench coat, although the trench coat only extended to his waist because everyone’s avatars stopped there, so it looked more like a trench jacket….

(12) ‘SHIPS AHOY. Sarah Z does a very thorough investigation of the “Proshippers” and “Antishippers” in a wide variety of fandoms:

…All of these is an undercurrent of something… more. Something beyond just the basic aspect of pairing two characters together. Because no matter how simple a fictional character pairing may seem, the truth is that it is almost never that simple. There is almost always going to be discourse of some kind, be it because people find the ship offensive, because they find it unappealing, or because they don’t like the people doing  the ship itself. And soon what happens is that the very basic concept of shipping two characters becomes the breeding ground for something deeper and darker and messier. It brings you into the world of proshippers and antis….

(13) BOMBADIL AWAY! And an older vid of Dominic Noble’s:”The coolest character in LOTR that didn’t make it into the movies” — and it’s not Tom Bombadil.

The Lord of the Rings adaptations were amazing, but no film can include EVERY character from the book. In this video we take a look at five creations of J. R. R. Tolkien that didn’t make the cut, including the coolest one of all.

(14) TIME DILATION. “Vacation Warp Speed, Mr. Sulu!” “Let’s Get the Hell Out of Here!” In “Why Time Slows Down When We’re Afraid, Speeds Up as We Age, and Gets Warped on Vacation” we revisit a 2013 Brain Pickings post. (Just how old does that feel to you?)

…Among the most intriguing illustrations of “mind time” is the incredible elasticity of how we experience time. (“Where is it, this present?,” William James famously wondered“It has melted in our grasp, fled ere we could touch it, gone in the instant of becoming.”) For instance, Hammond points out, we slow time down when gripped by mortal fear — the cliche about the slow-motion car crash is, in fact, a cognitive reality. This plays out even in situations that aren’t life-or-death per se but are still associated with strong feelings of fear. Hammond points to a study in which people with arachnophobia were asked to look at spiders — the very object of their intense fear — for 45 seconds and they overestimated the elapsed time. The same pattern was observed in novice skydivers, who estimated the duration of their peers’ falls as short, whereas their own, from the same altitude, were deemed longer.

Inversely, time seems to speed up as we get older — a phenomenon of which competing theories have attempted to make light. One, known as the “proportionality theory,” uses pure mathematics, holding that a year feels faster when you’re 40 than when you’re 8 because it only constitutes one fortieth of your life rather than a whole eighth. Among its famous proponents are Vladimir Nabokov and William James. But Hammond remains unconvinced…

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Stunt Man Tutorial” at Screen Rant, written by Ryan George. Samuel Brisson plays stunt man Chuck Fluster, who’s trying to be Tom Cruise’s stunt double and knows he’ll hear from Tom soon because whoever runs tomcruise at gmail.com asked for his Social Security number!  And if you need a stunt man to wrestle in a Planet of the Apes movie, Chuck’s ready!

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Jennifer Hawthorne, Darrah Chavey, SF Concatenation’s Jonathan Cowie, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Ingvar.]

Pixel Scroll 10/25/19 Oh, Nicky, I Love You Because You Scroll Such Lovely Pixels

(1) $$$ FOR JANEWAY MONUMENT. ScienceFiction.com spotlights a fundraiser — “Fans Are Collecting Money To Dedicate A Monument To Captain Janeway”.

Fans of ‘Star Trek: Voyager‘ are hoping to raise money to erect a monument in honor of lead character Captain Janeway in her future hometown Bloomington, Indiana.  Kate Mulgrew portrayed the Captain for seven seasons on ‘Star Trek: Voyager’ from 1995-2001.  She is the only female starship captain to serve as the focus of a ‘Star Trek’ series.  The fictional character’s backstory included the fact that she was born and raised in Bloomington in the 24th century.

The Captain Janeway Bloomington Collective is raising funds to install a monument to the Star Trek: Voyager character in her “future” birthplace, Bloomington, IN. Donate between Oct. 22 – Dec. 22, and your contribution will be DOUBLED! www.janewaycollective.org/donate

(2) WRITERS, YOU’RE ON YOUR OWN. Science Fiction and Fantasy Writers of America responds to a ruthless business practice with a bromide: “SFWA Contracts Committee Advisory on No-advance Contracts”.

Recently, SFWA’s Contracts Committee was made aware of a situation in which a well-liked publisher canceled the publication of a number of books it had contracted to publish….

A publisher so well-liked that it cannot be named. (But see item #3 at the link).

And with this example of a ruthless business practice fresh in their minds what does SFWA advise writers to do?

Publishers of all sizes may find themselves unable to live up to their contractual commitments for a wide variety of reasons, some of which could not have been reasonably anticipated. Hence, the Contracts Committee urges writers to think carefully about signing a contract that provides no advance, or only a nominal advance, while tying up their work for a lengthy period of time.

So think carefully.

(3) LINE UP, SIGN UP, AND REENLIST TODAY. “Netflix’s ‘Space Force’ Enlists Noah Emmerich, Fred Willard And Jessica St. Clair”ScienceFiction.com has the story.

Netflix’s already-in-production comedy ‘Space Force’ has added three new cast members to an already impressive cast, fronted by Steve Carell and John Malkovich.  They will now be joined by Noah Emmerich, Fred Willard, and Jessica St. Clair.  Carell stars as Mark R. Naird, “a General tapped by the White House to lead a new branch of the Armed Forces with the goal of putting American ‘Boots on the Moon’ by 2024.”  Carell co-created the show with Greg Daniels (‘The Office’, ‘King of the Hill’).

Emmerich will portray the… *ahem* interestingly named Kick Grabaston, Naird’s old commanding officer, who is now the U.S. Air Force Chief of Staff.  Jealous of Naird’s new position, he does “everything in his considerable power to make Naird’s life difficult.”

(4) BUT IS IT ART? Cora Buhlert sums up the cinematic kerfuffle in “Old Directors Yell at Clouds – Pardon, Superheroes”.

…Because for all their flaws, today’s superhero movies are a lot more diverse in front and behind the camera, then the highly touted movies of the New Hollywood era, which were made by and for a very narrow slice of people. It’s no accident that directors, actors and characters of those movies are all white and male and either Italian-American or members of some other immigrant group (the characters in The Deer Hunter are all descendants of Russian immigrants). There are a lot of people who never saw themselves reflected in those movies – women, people of colour, LGBTQ people, people who are not American – and who likely never much cared for those movies either, because the big Scorsese or Coppola fanboys are mostly white dudes themselves.

Saladin Ahmed says it best in the following tweet:

(5) POP! SIX! SQUISH! Eneasz Brodski mourns a convention experience in “Why Are Your So Bad?” at the Death Is Bad blog.

I had a saddening encounter this weekend. On a panel about civil verbal disagreement, an audience member asked what to do when people use terms that are viewed by one side in a debate as slurs (such as “climate-denier”) and was told that in such a case, rather than getting upset one should stay quiet and introspect on their situation and see if they can understand why the other party would say such things….

(I know that “climate denier” is obviously drastically different. No one’s ever been kicked out of their house or beaten to death for being a climate denier. But after a failed attempt using a more analogous example, I found this was the only one that could get my co-panelist to consider how someone from the outside would view her call to ponder “why am I so bad?” rather than anything remotely realistic.)

Importantly, afterwards the panelist told me privately that she didn’t mean to be unfair or anything. It’s just that the person who asked the question was a White Man, he obviously needed to reflect on himself. And implicit both in her words and the “you know…” look she was giving me was that white men can have no legitimate complaints about how they are treated, and that was the basis of her answer. They are a class that can only ever do violence, and no verbal abuse can be visited upon them that is not morally justified. The only thing she knew about the question-asker was that he was white and male and somewhere north of his 40s, and that was enough.

(6) CARRIE FISHER BIO ON THE WAY. “Author of unauthorized Carrie Fisher biography defends it against family disavowal”Entertaiment Weekly has statements from both sides.

A new biography on the late actress and writer Carrie Fisher is generating controversy ahead of its release next month.

On Thursday, Fisher’s daughter, Billie Lourd, and her father, Bryan Lourd, issued a statement disavowing Carrie Fisher: A Life on the Edge, by Sheila Weller. Set to be published through the Farrar, Straus and Giroux imprint Sarah Crichton Books, which falls under Macmillan — one of the Big 5 publishing houses in the U.S. — the book has generated strong buzz in the form of starred trade reviews and praise from award-winning writers including Rebecca Traister and David Maraniss.

Bryan Lourd wrote the statement. He calls the biography “unauthorized,” writing, “I do not know Ms. Weller. Billie does not know Ms. Weller. And, to my knowledge, Carrie did not know her.” He adds that Weller sold the book “without our involvement,” and that he has not read the book. “The only books about Carrie Fisher worth reading are the ones Carrie wrote herself,” he concludes. “She perfectly told us everything we needed to know.”

(7) HE’S DEAD JIM. The Guardian reports “Plan to exhume James Joyce’s remains fires international ‘battle of the bones’”. Seven cities claimed Homer dead, and all that.

… Joyce left Ireland in 1904 to live in Trieste, Paris and Zurich, never returning to his homeland after 1912. The writer had a complex relationship with the country, which in effect banned Ulysses over its “obscene” and “anti-Irish” content. He “decries Irish society’s conservatism, pietism and blinkered nationalism” in his writing, according to an essay from the Irish Emigration Museum curator Jessica Traynor. One of the characters in his novel A Portrait of the Artist as a Young Man describes Ireland as “the old sow that eats her farrow”.

Although Joyce “couldn’t bear to live in Dublin”, Traynor continues, his “spiritual and artistic engagement with the city continued until the end of his life”. When he lived in Paris, his “favourite pastime was to seek out visitors from Dublin and ask them to recount the names of the shops and pubs from Amiens Street to Nelson’s Column on O’Connell Street”.

When Joyce died aged 58 after undergoing surgery on a perforated ulcer, Ireland’s secretary of external affairs sent the order: “Please wire details about Joyce’s death. If possible find out if he died a Catholic.” Neither of the two Irish diplomats in Switzerland at the time attended his funeral, and the Irish government later denied Barnacle’s request to repatriate his remains.

If the Dublin city councillors’ motion is passed, the next step will be to ask the Irish government to request the remains be returned before the centenary celebrations around the publication of Ulysses in 2022. A spokeswoman for culture minister Josepha Madigan told theJournal.ie it was “a matter in the first instance for family members and/or the trustees of the Joyce estate”.

(8) COLLECTIBLE FANZINES. PoopSheet Foundation has details about the sale of the “Steve Ogden Fanzine Collection on eBay”.

Some of you know fanzine publisher/collector Steve Ogden passed recently. Per his wishes, I’ve begun listing his massive collection which includes comic fanzines, sf fanzines, mini-comics, underground comix, comic books and more.

Here are the current auctions and there are many, many more on the way. Please add me as a favorite seller if you’d like to stay on top of the new listings.

(9) TODAY IN HISTORY.

Science Fantasy was a British fantasy and science fiction magazine, launched in 1950 by Nova Publications. John Carnell edited the magazine beginning with the third issue, typically running a long lead novelette along with several shorter stories….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 25, 1909 Whit Bissell. You most likely know him as Station Manager Lurry on “The Trouble With Tribbles”,  but his major contribution to the SFF genre was being in all thirty episodes of The Time Tunnel as Lt. Gen. Heywood Kirk. He also did one-offs on The Invaders, I Dream of Jeannie, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Science Fiction Theater, The Incredible Hulk and The Outer Limits. And yes, in The Time Machine film. (Died 1996.)
  • Born October 25, 1940 Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties.  Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also known for the Scavenger’s Newsletter which featured a number of noted writers during its long run including Linda Sherman, Jeff VanderMeer and Jim Lee. (Died 2009.)
  • Born October 25, 1955 Gale Anne Hurd, 64. Her first genre work was as Corman’s production manager on Battle beyond the Stars. (A decent 42% at Rotten Tomatoes.) From there, we’ve such films as Æon Flux, the Terminator franchise, AliensAlien NationTremorsHulk and two of the Punisher films to name just some of her genre work. Have any of her films been nominated for Hugos? 
  • Born October 25, 1955 Glynis Barber, 64. Soolin on Blake’s 7 for a series. She also appeared in The Hound of the Baskervilles (Ian Richard and Donald Churchill were Holmes and Watson) and a Sherlock Holmes series I didn’t know about, Sherlock Holmes and Doctor Watson starring Geoffrey Whitehead and Donald Pickering. 
  • Born October 25, 1971 Marko Kloos, 48. Lines of Departure was nominated for the 2015 Hugo Award for Best Novel on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors. 
  • Born October 25, 1989 Mia Wasikowska, 30. She’s Alice in Tim Burton’s creepy Alice in Wonderland and equally creepy Alice Through the Looking Glass. Rotten Tomatoes gave the first a 53% rating and the second a 29% rating.

(11) THE BOX SCORE. The Hollywood Reporter hears cash registers ringing: “Box Office: ‘Joker’ Passes ‘Deadpool’ as Top-Grossing R-Rated Pic of All Time”. I didn’t know they kept statistics for this.

To date, Joker has earned $258.6 in North America and $529.5 million internationally. It is is expected to ultimately take in close to $900 million globally, with some thinking it has a shot at approaching $1 billion. The film is an enormous win for Warner Bros., particularly considering it faced security concerns ahead of its release and that it is not a traditional comic book movie. Ultimately, Joker is expected to turn a profit north of $400 million. Village Roadshow and Bron each have a 25 percent stake in the film.

The new record for Joker puts it atop an R-rated all-time list that, in addition to Deadpool, includes 2003’s The Matrix Reloaded ($738.6 million), 2017’s It‘s ($697 million) and 2003’s The Passion of the Christ ($622.3 million), not adjusted for inflation.

(12) YOUR MONEY’S NO GOOD HERE. However, one studio is strangling a traditional revenue stream. Vulture reports “Disney Is Quietly Placing Classic Fox Movies Into Its Vault, and That’s Worrying”.

Joe Neff knew there was trouble when the horror films started vanishing.

Neff is the director of the 24-Hour Science Fiction and Horror Marathons that happen every spring and fall at the Drexel Theater, an independent venue in Columbus, Ohio. For this year’s Horror Marathon, Neff wanted to screen the original 1976 version of The Omen and the 1986 remake of The Fly, two of hundreds of older 20th Century Fox features that became the property of the Walt Disney Corporation after its $7.3 billion purchase of the studio’s parent company, 21st Century Fox, was made official this past spring. In the preceding few months, Neff had heard rumblings in his Google group of film programmers that Disney was about to start treating older Fox titles as they do older Disney titles — making them mostly unavailable to for-profit theaters. More and more film programmers and theater managers were reporting that they had suddenly and cryptically been told by their studio contacts that Fox’s back catalogue was no longer available to show. Some got calls informing them that an existing booking had been revoked.

(13) WATCHMEN AND ITS DISCONTENTS. [Item by Olav Rokne.] A segment of the fan community is voicing grievances about HBO’s Watchmen series that they complain is “too political.” Their grievance is, of course, nonsense, and Alex Abad-Santos of Vox magazine delves into exactly why Watchmen is, and always has been, a seriously political (dare we even say anti-fascist?) work of fiction. “Some Watchmen fans are mad that HBO’s version is political. But Watchmen has always been political.”  

In Moore and Gibbons’ version of Watchmen, giving someone unrestrained authority is a recipe for disaster. Lindelof pushes that question further and glances into American history to draw on that same theme, but from the point of view of black men and women — people who have been ostracized, belittled, dehumanized. People who someone like Rorschach would have loathed.

(14) LET’S GET THIS STRAIGHTENED OUT. Gareth L. Powell will explain it all to you.

(15) FOR ALL MANKIND. WIRED braves the elements to take readers “Inside Apple’s High-Flying Bid to Become a Streaming Giant”.

More than 50 buildings and soundstages sprawl across the 44 acres of the Sony Pictures lot. That’s a lot of window­less oblongs, and even more distance between them. If you need to get from, say, the Jimmy Stewart Building to Stage 15, golf carts and Sprinter vans are the customary mode—even on sunny days. On a particular Saturday in February, while an atmospheric river settled over Los Angeles, those vehicles were a necessity. The downpour was bad luck for the dozens of journalists there that day, but it was also a touch allegorical. After what felt like years of anticipation, Apple was about to take us behind the scenes of a show it was making for its still ­mysterious, still unnamed subscription streaming service. We were going to find out if Apple, maker of so many devices that have redefined the way we consume content, could finally make content—good content—of its own.

After the journalists handed their phones to Apple staffers to be taped up with camera-blockings stickers, the vans shuttled the group to Stage 15. (The Sony complex is also home to HBO’s Insecure and Showtime’s Ray Donovan. Apple may have a near-trillion-dollar market cap, but it still leases soundstages like everyone else in Hollywood.) Dryness maintained, we walked into the control room of NASA’s Manned Spacecraft Center circa 1969.

(16) THE NOTHINGULARITY. Vox makes a recommendation: “Zero Hours is a terrific fiction podcast about the end of the world”.

…But what feels like the end of the world happens millions of times a day on a more personal level. A marriage crumbles into ruin. Somebody loses their job. A child dies. Your favorite baseball team makes some boneheaded managing decisions and misses the World Series. You can’t find the chips you want. None of these is literally apocalyptic, but each one can be metaphorically so. Sometimes, that’s as bad as the real thing.

The space of the personal apocalypse is where the new audio fiction podcast Zero Hours thrives. It’s a seven-episode anthology series set across seven centuries and 594 years, beginning in 1722 and ending in 2316. (In between every episode, 99 years pass, so episode two takes place in 1821, episode three takes place in 1920, etc.)

Every episode depicts one of these smaller, personal apocalypses, but none of them actually end humanity (though the last takes place after we’ve gone extinct). The story is probably most similar to David Mitchell’s novel Cloud Atlas (and the subsequent film based on it), but really, it’s not quite like any other work of fiction.

(17) WHAT’S STREAMING? Zomboat! on Hulu.

In this British sitcom available on Hulu, a cheeky group of travelers flee a zombie-infested Birmingham, England, by canal.

Daybreak on Netflix, is a comedy that “revolves around cliquey teens in a post-apocalyptic Glendale, Calif., where a nuclear blast has transformed many grown-ups into zombie-like monsters.” (Hey, John King Tarpinian’s hometown!)

(18) NOT YOUR AVERAGE TAILORS. A company called Full Body Armors offers custom-fitted superhero outfits including Batman, Iron Man, and Deadpool.  “The Iron Man Mark 47 suit can include a motorized mask, a voice changer, and even an integrated cooling system.”  All for five thou a suit!

Even if you order today, The Wearable Armored Batsuit Costume Suit won’t arrive in time for Halloween. Or Christmas. Maybe for Martin Luther King’s Birthday.

(19) SJWCS’ REAL STORY. “Why do we think cats are unfriendly?” If you feed them, they will come. Maybe. Eventually.

Cats are the only asocial animal we have successfully domesticated. We’re disappointed that we don’t bond with them as easily as dogs. But are we just missing the signs?

Dogs seem almost biologically incapable of hiding their inner moods – shuffling, snuffling, tail-wagging clues to contentment, nervousness or sheer, unadorned joy. Despite what the famous painting might want to tell you, dogs would be terrible poker players. We pick up their cues all too easily.

Cats also have sophisticated body language – their moods are signalled through twitching tails, ruffled fur, and the position of ears and whiskers. A purr usually (but not always) signals friendliness or contentment. They’re a usually reliable method of working out if the cat is in friendly mode or best left alone.

…One clue to the cat’s image may come from how they were domesticated in the first place. It was a much more gradual process than that of dogs – and cats were very much in the driving seat. The earliest domesticated cats started appearing in Neolithic villages in the Middle East around 10,000 years ago. They didn’t depend on their early human hosts for food – they were encouraged to fetch it themselves, keeping crops and food stores safe from rats and other vermin. Our relationship with them was, from the outset, a little more at arms’ length than dogs, who helped us hunt and relied upon humans for a share of the spoils.

The cat that may be currently curled up on your sofa or glaring at you from its vantage point on top of the bookcase shares many of its instincts with that of its pre-domestic ancestors – the desire to hunt, to patrol territory, guarding it from other cat; they are much closer to their old selves than dogs. Our taming of cats has only partly removed them from the wild.

(20) THIS ONE’S REAL. Not a link to an Onion surrogate this time: “JK Rowling calls for end to ‘orphanage tourism'”.

JK Rowling has told young people not to become volunteers in overseas orphanages, because of the risk that they might be unwittingly supporting places that are cruel to children.

The Harry Potter author warned that children in orphanages in poorer countries often still had parents – but they had been separated by poverty rather than the death of their parents.

“Do not volunteer in orphanages. Instead, look at what drives children into institutions,” she told a conference in London.

The author set up a charity, Lumos, in response to cases of neglect in Eastern European orphanages, which is campaigning to remove children from orphanages and return them to their families.

It operates in countries including Moldova, Ukraine, Bulgaria, Colombia, Haiti, Ethiopia and Kenya.

(21) NOW IN PAPER. Well, yes, it is a commercial. But this is a pretty book! Star Wars: The Ultimate Pop Up Galaxy preview.

Presented in a dynamic 360-degree format that enables the action to be viewed from all sides, the book also opens up to form a displayable 3D diorama of the entire saga. Packed with amazing Star Wars moments and hidden surprises to discover, Star Wars: The Ultimate Pop-Up Galaxy represents a whole new level of sophistication and interactivity in pop-up books and is guaranteed to thrill fans of all ages. Matthew is the King of Paper Engineering and returns to the franchise with this new, deluxe pop-up.

[Thanks to Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Alan Baumler, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

The Captains’ Favorite Episodes

By Carl Slaughter: The Captain from each Star Trek series was asked to pick the episode he or she liked the most.

  • William Shatner, with Joan Collins: “City on the Edge of Forever”

  • Patrick Stewart: “In Theory”

  • Kate Mulgrew: “Counterpoint”

  • Avery Brooks: “Far Beyond the Stars”

  • Scott Bakula: “Judgement”