Pixel Scroll 3/31/20 Back In The Future I Was On A Very Famous Pixel Scroll

Illo by Teddy Harvia and Brad Foster.

(1) THE DOCTOR IS BACK IN. In 2013 Russell T. Davies was asked to write a magazine contribution filling in a blank about the Ninth Doctor’s regeneration. His piece got spiked – for Reasons. Read it now at the official Doctor Who blog: “Russell T Davies writes a prequel to Doctor Who – Rose.”

So I wrote this. It even starts mid-sentence, as if you’ve just turned to the last pages. Lee Binding created a beautiful cover. We were excited! And then Tom said, I’d better run this past Steven Moffat, just in case…

Oh, said Steven. Oh. How could we have known? That the Day of the Doctor would have an extra Doctor, a War Doctor? And Steven didn’t even tell us about Night of the Doctor, he kept that regeneration a complete surprise! He just said, sorry, can you lay off that whole area? I agreed, harrumphed, went to bed and told him he was sleeping on the settee that night.

So the idea was snuffed a-borning. Until 2020….

This chapter only died because it became, continuity-wise, incorrect. But now, the Thirteenth Doctor has shown us Doctors galore, with infinite possibilities.

All Doctors exist. All stories are true. So come with me now, to the distant reefs of a terrible war, as the Doctor takes the Moment and changes both the universe and themselves forever…

(2) FUTURE TENSE. The March 2020 entry in the Future Tense Fiction series is “Paciente Cero,” by Juan Villoro. Tagline: “A stirring short story about China turning Mexico into a massive recycling plant for U.S. garbage.”

It was published along with a response essay, “How China Turns Trash Into Wealth” by Adam Minter, a columnist for Bloomberg Opinion and an expert on recycling and waste issues.

… Guo Guanghui, vice chairman of a scrap metal recycling trade association in Qingyuan, a thriving industrial town roughly two hours north of us, took the podium. Guo wanted to talk about a government policy that roughly translates as “going out,” designed to help Chinese businesses set up operations abroad. He thought it a good idea for the government to help recycling companies “go out” to foreign countries where they could buy up recyclables and ship them back to China. “We need to get rid of the ability of the other countries to control the resources,” he declared from the podium, “and seize them for ourselves.”

(3) EELEEN LEE Q&A. “Interview: Eeleen Lee, author of Liquid Crystal Nightingale”, with questions from Nerds of a Feather’s Andrea Johnson.

NOAF: What inspired you to write Liquid Crystal Nightingale? How different is the finished product from your original concepts?

EL: The novel began as a simple exercise years ago: write about a few fictional cities, in the style of Italo Calvino’s Invisible Cities. As soon as I started writing about a city that looked like a cat’s eye from space I couldn’t stop at a few paragraphs. The style and tone were initially very literary, reminiscent of Primo Levi’s The Periodic Table and the layered stories of Jorges Luis Borges.

(4) IMPERILED CITY. Cate Matthews did an interview for TIME with N.K. Jemisin as “Author N.K. Jemisin On Race, Gentrification, and the Power of Fiction To Bring People Together.”

TIME: The tone of The City We Became is more light-hearted than much of your previous work, but the novel still addresses serious issues—including the perils of gentrification. Why did you want to tell this story?

Jemisin: I’ve always thought of my writing as therapy. I do have a therapist, but there was a time I couldn’t afford one and writing was the way I vented anger and stress and fear and longing and all of the things that I did not have a real-world outlet for. A lot of times I don’t really understand what it is that I’m trying to cope with until after I’ve finished the book. With the Broken Earth trilogy, I realized belatedly that I was processing my mom’s imminent death. She did pass away while I was writing The Stone Sky. Mid-life crises are not always triggered by getting old, they’re also triggered by an event. And Mom’s death did spur a period of [needing] to grow new things and try new things. I started to think about buying a house. I wasn’t going to be able to buy in Crown Heights, which was the New York neighborhood I had been in, because Crown Heights had hit, like, fourth stage gentrification. Over the time I was here, I watched it change.

(5) HIGH DUDGEON. Wendy Paris demands to know “If marijuana is essential during the coronavirus shutdown, why not books?” in an LA Times op-ed.

Mayor Eric Garcetti and Gov. Gavin Newsom’s stay-at-home edicts let dispensaries stay open but force bookshops to shutter indefinitely. Chevalier’s in Larchmont will take phone orders. Skylight Books in Los Feliz, Book Soup in West Hollywood and Vroman’s in Pasadena are “closed temporarily” but forwarding online orders to Ingram, a wholesaler that will ship direct to buyers. The Last Bookstore, downtown, is seeing customers by appointment.

…Books are essential goods and that ought to mean bookstores are exempt from shutting down during the coronavirus pandemic. As are bread and milk, gas and aspirin, alcohol and marijuana, books should be available, with safety precautions in place, at the usual places we buy them in our neighborhoods.

(6) WHILE THE GETTING IS GOOD. ShoutFactoryTV has made available the complete documentary released last year: “What We Left Behind: Looking Back At Star Trek: Deep Space Nine”.

Ira Steven Behr explores the legacy of Star Trek: Deep Space Nine (1993).

(7) BE PREPARED. “Max Barry on how science fiction prepares us for the apocalypse” at BoingBoing.

My favorite theory on why we dream is that we’re practicing for emergencies. Asleep, unguarded, our minds conjure threats and dilemmas so that once we wake, we’ve learned something. Maybe not very much—maybe only what not to do, because it rarely goes well. But we learn more from our failures than our successes, and this is what our minds serve up, night after night: hypothetical dangers and defeats. Whether we’re fleeing a tiger or struggling to persuade a partner who won’t listen, we fail, but we also practice.

I suspect that’s also why we read fiction. We don’t seek escapism—or, at least, not only that. We read to inform our own future behavior. No matter how fanciful the novel, in the back of our minds, something very practical is taking notes….

(8) MORE TBR FODDER. Lucy Scholes points to another example of the kind of book a lot of people are seeking out lately: “What’s It Like Out?” in The Paris Review.

…Seems like none of us can get enough of stories that echo our current moment, myself included. Fittingly, though, as the author of this column, I found myself drawn to a scarily appropriate but much less widely known plague novel: One by One, by the English writer and critic Penelope Gilliatt.

Originally published in 1965, this was the first novel by Gilliat, who was then the chief film critic for the British newspaper the Observer. It’s ostensibly the story of a marriage—that of Joe Talbot, a vet, and his heavily pregnant wife, Polly—but set against the astonishing backdrop of a mysterious but fatal pestilence. The first cases are diagnosed in London at the beginning of August, but by the third week of the month, ten thousand people are dead….

(9) THE VIRTUE OF VIRTUAL. [Item by Mlex.] In light of the proposed “virtual cons” for Balticon and Worldcon 2020, CoNZealand, I wanted to suggest as a model a new conference that started on March 30th called “Future States,” about the history of periodical culture.

It was planned from the beginning as a “carbon neutral” event to be held completely online.  Now that I have logged in and see how it is set up, I am really impressed by the thought that went into it.

There are keynotes, panel sessions, and forums, which are neatly linked to the video presentations, and the Q&A sessions.  All of the participants can join in to pose questions and comment on the individual presentation threads. 

There is a also a Foyer and a Noticeboard, where you can contact the panelist, or for the con to push updates.  

For those planning virtual cons, take a look:  https://www.futurestates.org/

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 31, 1844 Andrew Lang. To say that he is best known as a collector of folk and fairy tales is a bit of understatement. He collected enough tales that twenty five volumes of Andrew Lang’s Fairy Books for children were published between 1889 and 1913. That’s 798 stories. If you’re interested in seeing these stories, you can find them here. (Died 1912.)
  • Born March 31, 1926 John Fowles. British author best remembered for The French Lieutenant’s Woman but who did several works of genre fiction, The Magus which I read a long time ago and A Maggot which I’ve not read. (Died 2005.)
  • Born March 31, 1932 John Jakes, 88. Author of a number of genre series including Brak the Barbarian. The novels seem to fix-ups from works published in such venues as FantasticDark Gate and Dragonard are his other two series. As Robert Hart Davis, he wrote a number of The Man From U.N.C.L.E. novellas that were published in The Man from U.N.C.L.E. Magazine. The magazine apparently only existed from 1966 to 1968.
  • Born March 31, 1934 Richard Chamberlain, 86. His first dive into our end of reality was in The Three Musketeers as Aramis, a role he reprised in The Return of Three Musketeers. (I consider all Musketeer films to be genre.) Some of you being cantankerous may argue it was actually when he played the title character in Allan Quatermain and the Lost City of Gold which he did some years later. He’s listed as voicing the Jack Kirby created character Highfather on the superb Justice League: Gods and Monsters but that was but a few lines of dialogue I believe. He was in the Blackbeard series as Governor Charles Eden, and series wise has done the usual one-offs on such shows as Alfred Hitchcock PresentsBoris Karloff’s ThrillerChuck and Twin Peaks
  • Born March 31, 1936 Marge Piercy, 84. Author of He, She and It which won the Arthur C. Clarke Award for Best Science Fiction novel. Of course, she also wrote Woman on the Edge of Time doomed to be called a “classic of utopian speculative sf”. 
  • Born March 31, 1943 Christopher Walken, 77. Yet another performer whose first role was in The Three Musketeers, this time as a minor character, John Felton. He has a minor role in The Sentinel, a horror film, and a decidedly juicy one in Trumbull’s Brainstorm as Dr. Michael Anthony Brace followed up by being in Cronenberg’s The Dead Zone as Johnny Smith. Damn, I’d forgotten he was Max Zorin, the villain in A View to a Kill! H’h, didn’t know he was in Gibson’s New Rose Hotel but then I haven’t then I haven’t actually seen it yet. And let’s wrap this up by noting his appearance in The Stepford Wives as Mike Wellington.
  • Born March 31, 1960 Ian McDonald, 60. I see looking him up for this Birthday note that one of my favorite novels by him, Desolation Road, was the first one. Ares Express was just as splendid. Now the Chaga saga was, errr, weird. Everness was fun but ultimately shallow. Strongly recommend both Devish House and River of Gods. Luna series at first blush didn’t impress me me, so other opinions are sought on it.
  • Born March 31, 1971 Ewan McGregor, 49. Nightwatch, a horror film, with him as lead Martin Bell is his first true genre film.  That was followed by The Phantom Menace with him as Obi-Wan Kenobi, a role repeated in Attack of the Clones, Revenge of the Sith and The Force Awakens. His latest role of interest, well to me if to nobody else, is as Christopher Robin in the film of the same name.

(11) GET YOUR GOJIRA FIX. “Resurfaced Godzilla Film Goes Viral for One Fan Playing All the Parts”Comicbook.com points the way. (The video is on YouTube here.)

We’ve been waiting for the final part of Legendary’s Monsterverse quadrilogy, Godzilla vs. Kong, for quite some time. Initially scheduled for a release this March before being moved to a Fall 2020 release (and potentially even more so if delays over the coronavirus pandemic continues into late in the year), there’s been a hunger for more of the Godzilla films ever since King of the Monsters released. But as it turns out, this has been a problem fans of the famous kaiju for several decades now as they continue to wait for the next big film of the franchise.

A fan film featuring the Kaiju from the 1990s has resurfaced online, and has gone viral among fans of the famous kaiju for featuring a single actor playing all of the roles. Even more hilariously, the actor not only continues to wear the same suit for each part but even takes on the roles of inanimate objects such as the electrical pylons as well. You can check it out in the video above:

(12) SIX PACK. Paul Weimer pages through “Six Books with Ryan Van Loan”, author of The Sin in the Steel, at Nerds of a Feather.

1. What book are you currently reading? 

The Blacktongue Thief by Christopher Buehlman. It’s about a newly minted thief who has to pay off their student loan debts to the guild (relatable), a witch-in training, and a kickass knight with a war raven who go on an adventure together. It’s dark, but delightful in a gritty way that hits some of my favorite adventure fantasy notes. Fans of Nicholas Eames, Douglas Hulick, and V.E. Schwab will enjoy this one…unfortunately Christopher’s fantasy debut doesn’t land on shelves until next year.

I hate when someone names a book that’s not out on shelves right now, so let me also plug the book I read before this one: The Steel Crow Saga by Paul Kreuger. It’s a tight, standalone fantasy–think Pokemon in the immediate aftermath of World War II with half a dozen richly imagined cultures that reminded me of southeast Asia and a cast who all have mysteries they hope none discover.

(13) NOT WORKING FROM HOME? NPR’s news isn’t fake, but can you count on that being true about the next item you read? “Facebook, YouTube Warn Of More Mistakes As Machines Replace Moderators”.

Facebook, YouTube and Twitter are relying more heavily on automated systems to flag content that violate their rules, as tech workers were sent home to slow the spread of the coronavirus.

But that shift could mean more mistakes — some posts or videos that should be taken down might stay up, and others might be incorrectly removed. It comes at a time when the volume of content the platforms have to review is skyrocketing, as they clamp down on misinformation about the pandemic.

Tech companies have been saying for years that they want computers to take on more of the work of keeping misinformation, violence and other objectionable content off their platforms. Now the coronavirus outbreak is accelerating their use of algorithms rather than human reviewers.

(14) BUT SOME DISCRETION. Maybe you can! “Coronavirus: World leaders’ posts deleted over fake news”.

Facebook and Twitter have deleted posts from world leaders for spreading misinformation about the coronavirus.

Facebook deleted a video from Brazilian President Jair Bolsonaro that claimed hydroxychloroquine was totally effective in treating the virus.

He has repeatedly downplayed the virus and encouraged Brazilians to ignore medical advice on social distancing.

It follows Twitter’s deletion of a homemade treatment tweeted by Venezuelan President Nicolás Maduro.

Both social networks rarely interfere with messages from world leaders, even when they are verifiably untrue.

Twitter, for example, says it will “will err on the side of leaving the content up” when world leaders break the rules, citing the public interest.

But all major social networks are under pressure to combat misinformation surrounding the coronavirus pandemic.

(15) TAIL TALES. Nerds of a Feather’s Adri Joy goes “Questing in Shorts: March 2020”. First up:

The Voyages of Cinrak the Dapper by A.J. Fitzwater (Queen of Swords Press)

This collection, featuring a capybara pirate captain in a world full of anthropomorphic animals and magical creatures, is definitely more of a short fiction collection than a novel, but it’s also a bit of an odd duck when trying to review as short stories, as there’s a strong through narrative between each tale (or “tail”) that makes it hard to speak about them individually. After an opening story (the aptly titled “Young Cinrak”) that sees Cinrak take her first steps into piracy (in this world, apparently respectable career for those seeking freedom and a good community around them), the rest of the collection deals with her time as an established captain, taking on an increasingly mythological set of exploits, all while maintaining the affections of both opera prima donna Loquolchi, and the Rat Queen Orvillia, and looking after her diverse and entertaining crew of rodents and affiliated creatures…..

(16) HISTORY ON THE ROCKS. Pollution and politics were entangled even in ancient days; the BBC reports — “Thomas Becket: Alpine ice sheds light on medieval murder”.

Ancient air pollution, trapped in ice, reveals new details about life and death in 12th Century Britain.

In a study, scientists have found traces of lead, transported on the winds from British mines that operated in the late 1100s.

Air pollution from lead in this time period was as bad as during the industrial revolution centuries later.

The pollution also sheds light on a notorious murder of the medieval era; the killing of Thomas Becket…

(17) TUNE IN. Enjoy a BBC archival video clip: “John Williams scoring ‘Empire’, 1980”. (16 min.)

John Williams at work, preparing the score for The Empire Strikes Back. This Clip is from Star Wars: Music by John Williams. Originally broadcast 18 May 1980

(18) ICONOCLAST. Writing for CinemaBlend, Mick Joest shares what may prove to be a controversial opinion: “Face It, Luke Skywalker Peaked With The Death Star’s Destruction.”

With the Skywalker Saga now finished and opinions being handed out left and right in regards to the Star Wars Sequel Trilogy, I think it’s time for a take that, frankly, is long overdue. During a recent re-watch of the Original Trilogy I had a blast and still love those movies as much as I ever have. That said, looking back now on all that’s come after and what came before, I don’t believe Luke Skywalker ever did anything greater than destroying the first Death Star.

That’s it, there’s the take, but of course I’m not going to just throw that out there and let the hellfire of disgruntled Star Wars fans rain down. I have a lot more to say about Luke Skywalker, his biggest achievement and how nothing he ever did after really came close to it…

[Thanks to Chip Hitchcock, John King Tarpinian, Ben Bird Person, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Mlex, Michael Toman, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]

Pixel Scroll 2/29/20 Pixel, Dixel, File, My Scroll John, Did His Reading With His Sockses On, One Flew Off, One Stayed On, Does The Book Get A Hugo Nom?

(1) STÅLENHAG ARRIVES ON SMALL SCREEN. Amazon Prime dropped a trailer for Tales from the Loop.

Inspired by the wondrous paintings of Simon Stålenhag, Tales from the Loop explores the mind-bending adventures of the people who live above the Loop, a machine built to unlock and explore the mysteries of the universe – making things previously relegated to science fiction, possible.

(2) HUGO DEADLINE APPROACHING. CoNZealand sent members a reminder that the end of the Hugo nomination period is March 13, 2020 at 11:59 p.m. Pacific Daylight Time (2:59 am Eastern Daylight Time, 06:59 Irish time, and 8:59 pm March 14, 2020 New Zealand time.)

(3) IRISH COMICS AWARDS. The “Irish Comic News Awards Winners 2019” are out. Unfortunately Dublin 2019, nominated for Best Irish Comic-Related Event, did not win.  

BEST ARTIST (SMALL PRESS)

  • Kevin Keane (Nazferatu)

BEST WRITER (SMALL PRESS)

  • Wayne Talbot (Nazferatu)

BEST IRISH ARTIST (MAJOR PUBLISHER)

  • Will Sliney (Star Wars: Galaxy’s Edge)

BEST IRISH WRITER (MAJOR PUBLISHER)

  • Michael Carroll (2000AD)

BEST COLOURIST (SMALL PRESS)

  • Rebecca Reynolds (Plexus)

BEST COLOURIST (MAJOR PUBLISHER)

  • Ellie Wright

BEST LETTERER

  • John Cullen (NHOJ)

BEST WEBCOMIC

  • Twisted Doodles

BEST IRISH CREATOR COMIC (SMALL PRESS)

  • Nazferatu

BEST IRISH CREATOR COMIC (MAJOR PUBLISHER)

  • 2000AD

BEST NEWCOMER / BREAKTHROUGH 

  • Cian Tormey

BEST IRISH COMIC RELATED EVENT

  • Enniskillen Comic Fest

BEST IRISH COMIC SHOP

  • Comic Book Guys

BEST IRISH ANTHOLOGY

  • Sector 13

OVERALL BEST IRISH COMIC

  • Nazferatu

BEST IRISH COMIC COVER

  • Nazferatu (Kevin Keane)

BEST PUBLISHER

  • Rogue Comics Ireland

BEST COMIC RELATED/FEATURED ONLINE CONTENT

  • Dublin City Comics Weekly Update

BEST IRISH WRITER (NON-FICTION)

  • Michael Carroll (Rusty Staples)

(4) FUTURE TENSE. The latest free read in the Future Tense series is Max Barry’s “It Came From Cruden Farm” a short story about humanity’s first encounter with a very disturbing alien.

And, as always, there’s a response essay – this time by Sarah Scoles, author of “Why Would the Government Lie About Aliens?”.

If you think the government has more information about UFOs than it’s letting on, you’re not alone. In fact, you’re in the majority. A 2019 Gallup poll revealed 68 percent of people feel that way. Thirty-three percent of all respondents said that they believe UFOs were built by aliens from outer space.

The Venn diagram center of those two groups clings to one of the most enduring conspiracy theories: The Government (it’s always with a capital G for believers) is squirreling away information about alien spacecraft. This idea appears, and has for years, on internet forums, social media, TV shows, memes, movies, and, of course, fiction, like Max Barry’s “It Came From Cruden Farm.”

(5) FLAT PACK. NPR’s Amal El-Mohtar tells us that “‘Finna’ Warns: Beware Of The Fuzzy Chairs”.

There isn’t a word wasted in Nino Cipri’s Finna. For a book about travelling through nightmarish labyrinths that cut and twist between worlds, it’s remarkably straightforward.

Ava works at LitenVärld, an IKEA-like giant box store where “the showrooms sat together uneasily, like habitats at a hyper-condensed zoo.” Her day begins with relatively minor inconveniences — being forced to come in on her day off, worrying about having to work with Jules, her ex as of a week ago — but these escalate significantly when a young woman reports that her elderly grandmother’s gone missing. It turns out that something about the haphazardly organized chaos of LitenVärld makes it an especially likely place for wormholes to open up between dimensions — to the point where there are corporate instructions (on VHS) on what to do when that happens. But corporations being what they are, the in-house division for wormhole-patrol was cut a decade ago as a cost-saving measure, so it falls to the two most junior members of staff — barely able to speak to each other, the wound of their breakup still raw — to venture into the other worlds themselves and retrieve the lost grandmother.

I tore through this book in knuckle-biting delight. The contrast between the wacky extra-dimensional (and often terrifying) hijinks and LitenVärld’s soul-depleting mundanity is fresh and lovely, and you’re never quite able to forget the fact that person-eating chairs and blood-drinking Hive Mothers are more enjoyable to spend time with than the grinding misery of minimum-wage work in our late capitalist modernity. But the shenanigans are not the point; they function best as a sly, winking backdrop to the deeply moving character work.

(6) MORE UNSEEN KUDOS. NPR’s Scott Tobias reports on “‘The Invisible Man’: When Danger Is Present — And Clear”.

Of the Universal classic monsters — Dracula, Frankenstein, The Wolf Man, The Mummy, et al. — The Invisible Man is by far the most destructive, the most psychotic, and, not coincidentally, the most recognizably human of them all. (As played by Claude Rains, he’s also the wittiest.) When a man doesn’t have to look at himself in the mirror, he divorces himself from the moral accountability that curbs his worst instincts. Arrogance and contempt are his defining character traits, and invisibility has the effect of weaponizing them, because his scientific genius has both isolated him from other people and heightened his superiority complex.

With his ingenious updating of The Invisible Man, writer-director Leigh Whannell changes perspective from the mad scientist to the terrified victim he’s stalking, which effectively turns the film into Gaslight with a horror twist. And with an actress of Elisabeth Moss’ caliber in the lead role, the film has a psychological realism that’s unusual for the genre, with Moss playing a woman who’s withstanding a form of domestic abuse that may have a supernatural component, but feels sickeningly familiar in many respects. Invisibility has the effect of elevating a person’s worst instincts, so it follows that the manipulation and torment she experiences is just a more extreme version of common behaviors.

…As Cecelia gets pushed to the brink of madness — as much by not be believed as being stalked — Whannell gives the suspense set pieces plenty of room to breathe and take on a paranoid flavor. Moss and the camera are co-conspirators in horror: She imagines Adrian watching her silently from some empty corner of a room and the camera seems to affirm her worst fears, suggesting a presence through odd angles and pans across the space. Where another actor might look foolish swatting and wrestling thin air, Moss sells it as part of the overall choreography between an immensely powerful, destructive husband and a wife struggling to leverage control over a desperate situation.

(7) MORE ABOUT DYSON. Freeman Dyson, who passed away yesterday, gave a TED Talk in 2003 which can be viewed here — “Let’s look for life in the outer solar system”.

Physicist Freeman Dyson suggests that we start looking for life on the moons of Jupiter and out past Neptune, in the Kuiper belt and the Oort cloud. He talks about what such life would be like — and how we might find it.

And Axios Future Issue #2 carried this information about him:

Dyson never won a Nobel Prize for his work. He never even bothered to earn a PhD. 

Instead, he spent the rest of his career pursuing whatever caught his interest, migrating from atomic reactor design to nuclear bomb-powered space exploration to the mathematics of baseball

He achieved popular renown as a gifted scientific writer, publishing his final book in 2018 at the age of 95.

A dedicated contrarian, later in his career he came under fire for doubting the danger of human-made climate change.

The bottom line: Few scientists can be said to have played as important a role in the making of our present than Dyson — and even fewer could so brilliantly envision the future.

(8) TODAY IN HISTORY.

  • February 29, 1952 Tales Of Tomorrow first aired “The Children’s Room”.  A secret Children’s Room at a college attracts the attention of intellectual advanced youths. A professor uncovers that his son and other children are mutants being groomed to assist an alien race in a distant part of the galaxy. It was written by Mel Goldberg by a story by Raymond F. Jones who you’ll know as the author of This Island Earth novel. It starred Claire Luce, Una O’Connor and John Boruff. You can see it here.
  • February 29, 2000— Episode three, “Crunchy Munchy” of The Strangerers would air. This SF comedy about two plant beings who assume human form on Earth to accomplish their mission. The series was by Rob Grant, the creator of Red Dwarf. It would last nine episodes and unsurprisingly ends on a cliffhanger as it was canceled. Jack Docherty and Mark Williams played Cadet Flynn and Cadet Niven. You can see this episode here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 29, 1920 Arthur Franz. He played Dr. Stuart Kelston in the early Fifties Invaders from Mars. He was also Jim Barker in Flight to Mars, and, on a much lighter note, Tommy Nelson in Bud Abbott and Lou Costello Meet the Invisible Man. He’ll have six appearances on Science Fiction Theater in six roles, play a hideous monster in Monster on the Campus, and have one-offs on The Invaders, Voyage to the Bottom of The Sea, Land of The Giants, Mission: Impossible and The Six-Million Dollar Man. (Died 2006.)
  • Born February 29, 1928 Joss Ackland, 92. A very long history of genre involvement starting with Ghost Ship, an early Fifties horror film. He’d soon after play Peter Quince in A Midsummer Night’s Dream, and makes a stop on The Avengers. (I’m skipping over a lot of horror he did.) he’s Sapten in Royal Flash but I’ll bet you won’t consider that genre though Kage loved that scoundrel. He shows up in Brett’s Sherlock Holmes, and he he’s in a Jekyll and Hyde film in that time period as well. I think I’ll stop with him voicing Black Rabbit in the Watership Down film…
  • Born February 29, 1948 Patricia A. McKillip, 72. If I was to recommend a short list of essential readings of her, I’d start with The Riddle-Master trilogy which is absolutely amazing, toss in the Cygnet series, and add in the linked novels of Winter Rose and Solstice. (The latter has the most cool stitching circle you’ll ever encounter.)  For her tasty short stories, there’s Harrowing the Dragon, Wonders of the Invisible World and Dreams of Distant Shores.
  • Born February 29, 1948 Yanti Somer, 72. Finnish-born actress who appeared in a spate of French and Italian genre films in the late Seventies: Star Odyssey, Battle of the Stars, War of the Robots and Cosmos: War of the Planets. She retired from acting in the early Eighties. 
  • Born February 29, 1952 Tim Powers, 68. He’s won the World Fantasy Award twice for Last Call and Declare, the latter of which I think is awesome. I’m also fond of The Anubis Gates and On Stranger Tides.
  • Born February 29, 1952 Albert Welling, 68. He played Adolph Hitler in the Eleventh Doctor story, “ Let’s Kill Hitler”. It’s one of the stranger stories they told for that Doctor. He had one-offs on Tales of The Unexpected and Outlander.
  • Born February 29, 1984 Rakhee Thakrar, 36. She also plays the Eighth Doctor’s companion, Bliss, in Big Finish’s Doctor Who: The Time War audio dramas. Have I ever noted that what I admire about the Whoverse is how expansive the the definition of accepted storytelling is? Big Finish has done hundreds of hours of new stories, all adding to the original mythos. 

(10) COMICS SECTION.

(11) JOHN SCHOENHERR MASTERPIECE. One of the most iconic magazine covers in sff history is on the new – in 1965 – issue of Analog. Tweeted by Galactic Journey:

(12) CONTINUOUS UPROAR. “Telescopes detect ‘biggest explosion since Big Bang'” reports the BBC.

Scientists have detected evidence of a colossal explosion in space – five times bigger than anything observed before.

The huge release of energy is thought to have emanated from a supermassive black hole some 390 million light years from Earth.

The eruption is said to have left a giant dent in the Ophiuchus galaxy cluster.

Researchers reported their findings in The Astrophysical Journal.

“I’ve tried to put this explosion into human terms and it’s really, really difficult,” co-author Melanie Johnston-Hollitt told BBC News.

“The best I can do is tell you that if this explosion continued to occur over the 240 million years of the outburst – which it probably didn’t, but anyway – it’d be like setting off 20 billion, billion megaton TNT explosions every thousandth of a second for the entire 240 million years. So that’s incomprehensibly big. Huge.”

(13) THEY’RE BACK. But under wraps ‘til the official unveiling next month: “Rocky And Bullwinkle Statue Returns To Its Home On The Sunset Strip”.

The WEHO TIMES reported the statute’s return today, capturing its image in a brief moment during installation before it was covered. An official unveiling is planned for the end of March, but no date has been set.

The spinning statue depicts Bullwinkle holding his friend Rocky. It stands on the corner where Sunset Boulevard splits into Holloway Drive. The statue was removed in 2013 for restoration work.

Today, a giant crane placed the 14-foot, 700-pound statue on its pedestal. The statue dates to 1961, but the original creator is not known. The statue was restored by Ric Scozzari with funding by Twentieth Century Fox and Dreamworks, and donated by the Jay Ward family for the City of West Hollywood’s Urban Art Collection. It was last seen at the Paley Center’s Jay Ward Legacy Exhibit in 2014.

(14) DEEP BLUE NOISE. BBC looks into the possibility of “Protecting whales from the noise people make in the ocean”.

There is a rising din in the oceans – and whales are having to struggle to compete with it.

“They’re spending more time or energy trying to communicate… by essentially screaming at each other – what we would have to do at a nightclub,” explains says Mark Jessopp at University College Cork.

Dr Jessopp was recently involved in a research project to study the effects of marine seismic surveys on animals such as whales and dolphins.

He and his colleagues found a “huge decrease” in sightings of such species when the work was going on, even when accounting for other factors such as weather.

Seismic surveys are carried out by a range of organisations, including oil and gas companies, as a means of mapping what lies beneath the seafloor.

Shockwaves fired from an air gun – like a very powerful speaker – are blasted down towards the seabed. The waves bounce off features below and are detected again at the surface. The signal that returns reveals whether there is, for instance, oil locked in the rock beneath.

The process creates a tremendous racket. “It’s like an explosion,” says Lindy Weilgart at Dalhousie University in Nova Scotia. She says that there is now plenty of evidence to show that many marine animals are negatively affected by the clamour.

…And yet a technology exists that could be far less harmful. It is called marine vibroseis and is a low-energy alternative to air guns. Instead of explosive blasts, vibroseis uses smaller vibrations to transmit waves down to the seabed. It actually emits a similar amount of energy overall but spreads it over a longer period, meaning the survey has a less “shocking” impact.

(15) BY THE NUMBERS. “Google asked to justify Toronto ‘digital-city’ plan” – maybe it’s not just the cats that need to be wary of this much curiosity.

The “appropriateness” of Google’s sister company’s plan for a “digital city” in Toronto has been questioned.

A panel set up to scrutinise Sidewalk Labs’s plan has asked it to explain what the benefits would be for citizens in collecting large amounts of data.

The company wants to build a sensor-laden, eco-friendly neighbourhood with all the latest technology innovations.

But it has faced opposition locally. A final decision on whether it can proceed is due next month.

Public asset

Sidewalk Labs’s plans for a “city… built from the internet up” include sensors to monitor traffic, noise, weather, energy use and even rubbish collection.

But now, the Waterfront Toronto’s digital strategy advisory panel has questioned the “appropriateness and necessity” of some of its innovations and asked whether “sufficient benefits had been identified to justify the proposed collection or use of data”.

(16) THERE’S ALWAYS SOMEONE. “Coronavirus: Amazon removes overpriced goods and fake cures”.

Amazon has banned more than one million products which claim to protect against the coronavirus – or even cure it.

The online retailer told Reuters it had also removed “tens of thousands” of overpriced health products from unscrupulous sellers.

The World Health Organisation (WHO) expressed concern about some misleading Amazon listings earlier this month, including fake treatments.

The virus, which causes Covid-19, has killed about 2,800 people worldwide.

The WHO said fake coronavirus claims online were causing mass confusion, and urged tech giants to combat the spread of misinformation.

A search for “coronavirus” on Amazon brought up results for face masks, disinfectant wipes and newly-published books on viral infections, revealing how some sellers are cashing in on the health crisis.

It also offered results for vitamin C boosters – a fake cure for the virus that has been widely disseminated online.

(17) VIDEO OF THE DAY. “Charles M. Schulz Interview on Peanuts (1997)” on YouTube is an interview Charles  Schulz did on The Charlie Rose Show.

[Thanks to Christian Brunschen, JJ, Cat Eldridge, John King Tarpinian, Brian Z., Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Michael Tolan, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew. Will this be the first time the title is longer than the Scroll?]

Pixel Scroll 3/4/16 Mellon Scrollie and the Infinite Sadness

(1) ABCD16 AWARDS. Ben Summers’ cover design for Lavie Tidhar’s novel A Man Lies Dreaming has won an Academy of British Cover Design Award in the Sci-Fi/Fantasy category.

a-man-lies-dreaming

The complete shortlist with images of all the covers is at ABCD16 Shortlist and Winners. There are more sf/fantasy books among the finalists in other marketing categories.

(2) MAC II LEADERSHIP REORGANIZES. The 2016 Worldcon decided its communications will be better with a single voice at the top and replaced its three-co-chair structure (“Team LOL”) with a single chairperson, Ruth Lichtwardt.

Diane Lacey, another of the co-chairs, will become a Vice-Chair, and the third, Jeff Orth, is said to be deciding among several options for continuing his work on the con. The decision was shared with the division heads at a meeting last weekend.

(3) AMAZING CELE. Mike Ashley chronicles the reign of Amazing editor Cele Goldsmith in “The AMAZING Story: The Sixties – The Goose-Flesh Factor”. Pulpfest is serializing Ashley’s history of the magazine, first published in its pages in 1992.

[Cele] Goldsmith chose all the material, edited everything, selected the title and blurb typefaces and dummied the monthly magazines by herself. [Norman] Lobsenz, who arrived for an editorial conference usually once a week, penned the editorials, read her choices, and wrote the blurbs for the stories. They did cover blurbs together, and Goldsmith assigned both interior and cover art.

Goldsmith had no scientific background but had a sound judgment of story content and development, and this was the key to her success. She accepted stories on their value as fiction rather than as science fiction. “When I read something I didn’t understand, but intuitively knew was good,” she said, “I’d get ‘goose flesh’ and never doubt we had a winner.” That “goose flesh” was transmitted to the readers. I know when I encountered the Goldsmith AMAZING and FANTASTIC in the early 1960s, I got goose flesh because of the power and originality of their content. As I look now at the 150 or more total issues of those two magazines that Cele Goldsmith edited, that thrill is still there.

Other installments already online are:

(4) JAR JAR JERSEYS. The Altoona Curve minor league baseball team will host another Star Wars night – if the team isn’t too embarrassed to take the field….

Last year, the team wore these beautiful Jabba the Hutt jerseys. For our Star Wars Night, we’re following that up with a jersey featuring another controversial Star Wars character, Jar Jar Binks. Like last season, we will have appearances by the Garrison Cardida of the 501st Legion.

 

Meanwhile, the Birmingham Barons have enlisted fans to pick the Star Wars-themed jersey their players will wear during a game this season.

(5) GREAT POWERS. An interview with Tim Powers conducted by Nick Givers has been posted at PS Publishing.

NICK GEVERS: In your new novel, Medusa’s Web, you set out a very interesting and mesmerizingly complex metaphysical scheme, of spider images that draw human minds up and down the corridors of time. What first suggested this scenario to you?

TIM POWERS: I thought it would be fun to play around with two-dimensional adversaries after reading Cordwainer Smith’s short story, “The Game of Rat and Dragon.” I decided that since such creatures would be dimensionally handicapped by definition, why not have them be fourth-dimensionally handicapped too? I.e. they don’t perceive time, and therefore every encounter these creatures have with humans is, from the creature’s point of view, the same event. So by riding along on the point of view of one of them, you can briefly inhabit whatever other encounters it’s had with humans, regardless of when those encounters happened or will happen.

This seemed like an opportunity for lots of dramatic developments, and even one very intriguing paradox for our protagonist to blunder through.

(6) A MOVIE RECOMMENDATION. Zootopia is getting a lot of buzz, and Max Florschutz agrees it’s a winner in a review at Unusual Things.

First, a quick summary for those of you who just want the yay or nay: Zootopia is an excellent, wonderful film with a lot of heart, a lot of adventure, and a wonderful moral at its core that wraps up everything in a fantastic way. Put it on your list.

Now, the longer explanation….

(7) TIM BURTON PROJECT. Entertainment Weekly has a report on “Miss Peregrine’s Home for Peculiar Children (film)”, due in theaters September 30.

In Miss Peregrine’s Home for Peculiar Children, the latest fantasy from director Tim Burton, Asa Butterfield plays Jake, a 16-year-old plagued by nightmares following a family tragedy.

On the advice of his therapist, the teen embarks on an overseas journey to find the abandoned orphanage where his late grandfather claims to have once lived. Not only does the place turn out to be real, it also serves as the gateway to an alternate realm where children with strange powers are looked after by a magical guardian (Penny Dreadful star Eva Green) and time moves of its own accord.

 

(8) POLITICAL SCIENCE FICTION. At the B&N Sci-Fi & Fantasy Blog, Andrew Liptak names “6 Political SF Novels as Bingeable as House of Cards”. One of them is –

Jennifer Government, by Max Barry

Max Barry’s second novel is a fantastic satire of globalized trade and the deregulation of industry. In this alternate future, the United States has taken over much of north and south America, with government and its services privatized. Citizens take on the names of their employers, and the titular Jennifer Government is an agent tasked with tracking down the perpetrators of a series of murders . The crime turns out to be an attempt by Nike to drum up notoriety for a new line of shoes, but the plot quickly escalated beyond what anyone planned. It’s a ridiculous, often funny book that shows off a very different, but scarily plausible, hyper-commercial world.

(9) ONCE MORE INTO THE SPEECH. MD Jackson touts favorite examples of “The Rousing Speech” at Amazing Stories.

There’s always a rousing speech.

When the odds are against you, when the forces of darkness, or the alien invaders, or the giant lizards have gathered and your pitifully small band of heroes stand against them, the single vanguard against annihilation, what does your leader do?

Well, if he’s any kind of leader he starts talking.

Motivational speeches keep your team together and focused. Rousing speeches keep your smallish army from losing soldiers due to desertion rather than the upcoming decimation. And it’s got to be a doozy of a speech in order to make otherwise sensible men and women stand with you against almost certain death….

One of my favorite rousing speeches comes from an episode of Star Trek. In Return to Tomorrow, a second season episode from 1968, William Shatner throws all the weight of his dramatic acting into a rousing speech: The infamous “Risk is our business…” speech. It doesn’t come before a battle, but before three of the crew, including Kirk, decide to have ancient powerful aliens take over their bodies. Despite the context and the odd placement of the speech which doesn’t really further the plot, the speech has become iconic for its application to the entire Star Trek universe through all the series and movies. It kind of sums up what Star Trek is all about.

Risk. Risk is our business. That’s what this starship is all about. That’s why we’re aboard her.

And with Shatner`s just-shy-of-bombast delivery, the speech is kind of powerful.

(10) TONY DYSON OBIT. The builder of the original R2-D2, Tony Dyson, died March 4 reports the BBC.

The 68-year-old Briton was found by police after a neighbour called them, concerned his door was open.

He is thought to have died of natural causes. A post-mortem is being carried out to determine cause of death.

Dyson was commissioned to make eight R2-D2 robots for the film series. He said working on it was “one of the most exciting periods of my life”.

The look of R2-D2 was created by the conceptual designer Ralph McQuarrie who also created Darth Vader, Chewbacca and C-3PO.

Prof Dyson, who owned The White Horse Toy Company, was commissioned to make eight models plus the master moulds and an additional head.

He made four remote control units – two units for the actor Kenny Baker to sit in with a seat fitted inside and two throw away units to be used in a bog scene in Empire Strikes Back where a monster spits out the droid onto dry land, from the middle of the swamp.

(11) TODAY IN HISTORY

  • March 4, 1967 — Neal Hefti won a Grammy for our favorite song, the “Batman Theme.”

(12) YO, GROOT! According to the Daily News, Sylvester Stallone has joined the cast of Guardians of the Galaxy Vol. 2

Who might Stallone be playing? Perhaps, Peter Quill’s (Pratt) father. We know that coveted role will appear in the sequel. However, most people assume Kurt Russell already snagged that part and a source for the Daily News says Stallone’s role is just a cameo.

(13) KRYPTON ENNOBLED. As Yahoo! News tells the story, “Polish chemists tried to make kryptonite and failed, but then made a huge discovery”.

Avert your eyes, Superman, because according to news out of Poland this morning, a team of chemists just got awfully close to actually creating the fictional substance of kryptonite. Don’t sweat too much though, Clark — the scientists were only able to bond the element of krypton with oxygen (as opposed to nitrogen) which wound up creating krypton monoxide. Inability to create real kryptonite notwithstanding, the fact the chemists successfully bonded krypton with anything is a revelatory achievement for an element previously known to be entirely unreactive. In light of the success, krypton (which is a noble gas like helium and neon) is no longer considered inert.

Conducted at the Polish Academy of Sciences, a team of chemists ran krypton through a series of various tests to build off a previous study positing that the chemical may react with hydrogen or carbon under extreme conditions. What they discovered — and subsequently published in Scientific Reports — was that krypton, while under severe pressure, also has the ability to form krypton oxides after bonding with oxygen. Thing is, the chemists didn’t actually see the reaction happen, but rather, used genetic algorithms to theorize its likelihood.

(14) GUESS WHY ZINES ARE COMING BACK? News from Australia — “Sticky Institute: Internet trolls sparks resurgence of zines ahead of Festival of the Photocopier”.

Photocopied zines are making a comeback, with some young self-publishers keen to escape the attention of online trolls.

While the internet has democratised publishing, allowing anyone to potentially reach a global audience with the click of a button, vitriolic internet comments are pushing some writers back to a medium last popular in the 1990s.

Zines, or fanzines, are self-published, handmade magazines usually produced in short runs on photocopiers or home printers.

Thomas Blatchford volunteers at Melbourne zine store Sticky Institute, which is preparing for its annual Festival of the Photocopier later this month….

While unsure of the exact reason for the resurgence of zines, Mr Blatchford said it was more than just a “weird nostalgia thing”.

He said some zine-makers had been scared away from online publishing because of unkind comments from people on the internet.

“There’s some horrible people on there,” he said.

(15) BATTLE OF THE BURRITO. John Scalzi is engaged in a culinary duel with Wil Wheaton.

Some of you may be aware of the existential battle that Wil Wheaton and I are currently engaged in, involving burritos. I am of the opinion that anything you place into a tortilla, if it is then folded into a burrito shape, is a burrito of some description; Wil, on the other hand, maintains that if it is not a “traditional” burrito, with ingredients prepared as they were in the burrito’s ancestral home of Mexico, is merely a “wrap.”

Expect someone to write a post soon complaining that Scalzi is doing to Mexican food what he did to sf, by which I mean someone longing for the days when you could tell what you were buying by looking at the tortilla cover…

[Thanks to John King Tarpinian, Brian Z., Martin Morse Wooster, Andrew Porter, and Chip Hitchcock for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]