Pixel Scroll 3/23/19 Pixelon File Was Dream Given Scroll

(1) OUT OF SCHOOL. Nineties throwback comedy series Schooled did an episode last week about the premiere of Star Wars: The Phantom Menace. LA fan Shawn Crosby made an appearance, and several 501st and Rebel Legion members were extras, portraying costumed Star Wars fans at the theater audience.

Shawn is here holding a Yoda puppet —

Here’s a snippet:

Here’s a one-minute scene.

(2) TOOL RECOGNITION. Kristine Kathryn Rusch uses the comma to pry open a discussion of a writer’s “voice”: “Business Musings: Punctuation, Voice, and Control”

…Writers feel like they got enough of that “grammar crap” in school, when they probably got very little at all. And what they did get, usually, was a turgid discussion of hard and fast rules which aren’t really hard and which certainly aren’t fast.

So, (she writes, with an introductory comma and a second grammatically unnecessary comma), here’s the short version of my comma rant.

The manuscript you have just finished writing is not your story. Your story lives in your mind. The manuscript is a tool that takes the story from your head and puts it in my head.

The very best writers use that manuscript tool so effectively that readers can actually hear the writer’s voice as they read. That’s why so many readers have a visceral response to writers like Stephen King or Nora Roberts. (Oh, I hate them. They can’t write. Or Oh, I love them. They could tell me stories forever.) That’s why so many English students and unsophisticated writers will complain that certain bestsellers “can’t write their way out of a paper bag.” Those reviewers, students, readers, and writers are all reacting to upper-level voice, without realizing it.

(3) WHO’S TO BLAME? (Re)Generation Who 5, a Doctor Who convention due to be held in Rockville, Maryland next weekend, just canceled today, less than a week ahead. Their short. rather detail-lacking press release here blames the decision on cancellations by the actors.

As a result of a string of last minute cancellations, we see no alternative but to cancel (Re)Generation Who 5. We want to apologize for this as we tried every way possible to move forward, but could not find a way to produce an event of the quality you have come to expect from us.

We will be working with our team to determine if there are any options moving forward.

Please note you will need to contact the hotel directly if have guest room reservations.

Onezumi Events inc.

Names were not specified apart from Paul McGann, the only actor cancellation announced on the convention’s website.

(4) FEARSOME POET. From the Horror Writers Association blog, “Nightmares and Haiku: An Interview with Bram Stoker Award Winning Poet Christina Sng”.

A: The home I grew up in was situated opposite a World War II torture chamber. Long had there been rumors about it being haunted, with one aunt refusing to ever return when she saw a spectre and another hearing chains being dragged down the hallway. You can imagine what effect this had on a child. It was a shadowy apartment unit on the ground floor and I was often left to play by myself in the large bedroom my siblings and I shared. It was sectioned in parts by tall cupboards that seemed to loom over me. I had lots of imaginary friends and time to think and ponder about life, which perhaps has influenced how I write and the stories I tell.

(5) GUIDED DETOUR. Andrew Liptak, who already posted links to the stories that inspired the short films, has made additional reading recommendations at The Verge: “Want more Love, Death + Robots? Read these 17 short stories online”.

Last week, Netflix released its 18-episode animated anthology Love, Death + Robots, a decidedly NSFW series that adapted a number of short stories from well-known science fiction authors. It’s clear from watching the series that there’s a nearly endless supply of source material out there for another season, if Netflix green-lights one. While we wait to see whether that happens, we’ve rounded up some recommendations for a good season 2, and we’ve got 17 recommendations that you can read online now (along with a couple of deep cuts that you’ll have to hunt for.)

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 23, 1904 H. Beam Piper. I’m reasonably sure that the first thing I read and enjoyed by him was Lord Kalvan of Otherwhen followed by Little Fuzzy and related works which are damn fun reading. Didn’t Scalzi write a new novel in this series a few years back? (Died 1964.)
  • Born March 23, 1934 Neil Barron. Certainly best known for Anatomy of Wonder: A Critical Guide to Science Fiction which actually is still a damn fine read. If memory thirty years on serves me right, his Fantasy Literature and Horror Literature guides were quite good too. (Died 2010.)
  • Born March 23, 1935 Michael Emmet Walsh, 84. He’s been in a lot of genre work, some of it good and some of it not, Blade Runner being great, Wild Wild West being just plain shit and The Iron Giant being fantastic. In the latter, he voices Earl Stutz, a sailor and the first man to see the robot. He also had appearances on Twilight Zone, Amazing Stories, Tales from the Crypt, Outer Limits, X-Files and Adventure Time
  • Born March 23, 1952 Kim Stanley Robinson, 67. If the Mars trilogy was the only work that he’d written, he’d rank among the best sf writers ever. But then he went and wrote the outstanding Three Californias Trilogy. I won’t say everything he writes I consider top-flight, the Science in the Capital series just didn’t appeal to me. His one-off novels I think are without argument The Years of Rice and Salt and New York 2140. I should note he has won myriad awards I including the Hugo Award for Best Novel, BSFA Award for Best Novel, the Nebula Award for Best Novel and the World Fantasy Award. And the Heinlein Society gave him their Robert A. Heinlein Award for his entire body of works! 
  • Born March 23, 1957 Amanda Plummer, 61. Best known for her work in as Joe Versus the Volcano, The Fisher King and The Hunger Games: Catching Fire. And she apparently was in Freejack as a Nun. 
  • Born March 23, 1976 Michelle Monaghan, 43. Best known I’ve no doubt for playing Julia Meade in Mission: Impossible III, Mission: Impossible: Ghost Protocol and Mission: Impossible: Fallout but she was in In much more hardcore genre film, to wit Constantine as Ellie. Now admittedly it was initially an uncredited cameo but… now she does get credit for her work in Justice League: War for voicing Wonder Woman. She also Violet van Patten in Pixels, a very strange SF film.

(7) COMICS SECTION.

Here’s a bouquet of Bob the Angry Flowers:

(8) CRAVING HISTORY. MeTV sighs, “Oh, how we want these 8 Hostess snack cakes to come back”. Number 3 includes a Marvel reference —

The official Hostess site touts its Cherry, Apple and Lemon varieties of Fruit Pies. That’s great and all, but what about Blueberry, Blackberry, Peach and Pineapple? 

(9) MYTHING IN ACTION. Time to go back — “Planet Venus: Hopes rise of new mission to the hothouse world”.

The longstanding idea that Venus is geologically dead is a “myth”, scientists say.

And new research may be on the verge of ending that perception forever.

Hints of ongoing volcanic and tectonic activity (activity in the planet’s outer shell) suggest that, while different to the Earth, the planet is very much alive.

Now scientists are building new narratives to explain the planet’s landscape.

This includes an idea that proposes the existence of “toffee planets”. This theory incorporates knowledge accumulated through studying exoplanets.

(10) SCIENCE WITHOUT THE -FI. The editorial in this week’s Science brings together some sff with science: “The future of science in film”.

Film is a universal language of modern societies. Larger-than-life images, stories, ideas, and characters portrayed in films can speak across the globe. This makes science and technology—which have shaped the modern world but remain little understood and poorly integrated into mainstream culture—a rich subject for film and a goldmine for filmmakers.

(11) VIDEO OF THE DAY. In “Mythos” on Vimeo, Stephen Kelleher gives short animations of classic Greek myths.

[Thanks to Chip Hitchcock, JJ, Cath Jackel, John King Tarpinian, Andrew Liptak, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dale Arnold, Carl Slaughter, Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

Harlan Ellison Tribute Roundup

Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.

Stephen King

Samuel Delany on Facebook

Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.

Patton Oswalt

Arthur Cover on Facebook

As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.

He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.

I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.

Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.

Barbara Hambly on Facebook

Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.

Michael Cassutt on Facebook

A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.

Jaym Gates on Facebook

Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.

As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.

Wil Wheaton on Twitter

Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.

David Gerrold on Facebook

Harlan didn’t drink. I rarely drink.

Today I will drink.

Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.

He knew how much I loved him. I told him more than once.

The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.

Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.

Charles de Lint on Facebook

I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.

Cory Doctorow on Boing Boing

Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).

Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).

Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.

Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.

John Scalzi in the Los Angeles Times

…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.

Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.

In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.

Jeff VanderMeer on Facebook

He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.

In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.

Richard Pini on Facebook

There are no words. He used them all anyway, and far better than most.

Robert Crais on Facebook

We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.

David Brin on Facebook

Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.

John Hertz

I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.

It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.

I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.

David Doering

I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.

To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.

The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.

The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.

Deadline.com“Harlan Ellison Dead: Legendary ‘Star Trek’, ‘A Boy And His Dog’ Sci-Fi Writer was 84”

Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.

ComicBook.comSci-Fi Writer Harlan Ellison Dies At 84

…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.

Variety Harlan Ellison Dead: Sci-Fi Writer Was 84

…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.

Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.

Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.

Shawn Crosby

[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]

Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.

Godspeed, gentlemen…

Mark Barsotti

A great voice silenced.

Until you pick up one of his books…

 

Pixel Scroll 12/17 We Also Walk T. Rexes

(1) TALES OF LONG LONG AGO. Ethan Mills knows it’s “The Most Wonderful Time of the Year: Getting Ready for Star Wars!”

In watching The Empire Strikes Back, I was reminded of this post from several months back: “The Dress: Episode V – Han Solo’s Jacket.”  It turns out the science fiction fans have their own version of that dress that destroyed the internet in February of 2015.  In the Hoth scenes, there is some dispute about whether Han’s jacket is brown or navy blue.  On my TV last night it looked brown to me, but now in this picture it looks navy blue.  Go figure.

(2) THE LIST’S AFOOT. Miriam Burstein has posted a list of the interesting things she read this year, “My Year in Books” at The Little Professor. Sf is among the many genres she covers. Holmes pastiches are another.

Most self-sabotaging novel: Dan Simmons’ Sherlock Holmes pastiche The Fifth Heart, whose characters are awfully insistent that the Holmes stories aren’t very good.

Really, you can stop now: The Sherlock Holmes pastiche industry, which is not improving in quality as it goes along.

…Well, perhaps except for you: Robert Ryan’s Watson series is quite enjoyable.

(3) VINTAGE LINES. “Here’s What the 1977 Star Wars Line Looked Like In Los Angeles” from LAist.

Lines were forming to see Star Wars films right in the very beginning, when the first installment of what would become a massive franchise hit screens in 1977.

They also have a compilation video of news reports about Star Wars lines as the series progressed.

(4) SLOW-PACED COURTSHIP. And how long did people wait in line for the opening of The Force Awakens in Hollywood? Here’s a clue: local fan Obishawn (Shawn Crosby) officiated at a Star Wars wedding today by the entrance of the Chinese theater in Hollywood

(5) PUNCHBOWL FLOATER. Guess who will cheer Stephen L. Miller’s “Star Wars: Revenge of the Social Justice Warriors” at National Review Online? It’s about PC types who are prepared to bash the new Star Wars film and finding little to bash.

With the long-anticipated Star Wars: The Force Awakens opening tomorrow, news outlets and social media have been abuzz with the expectations of a new generation of fans. But with The Force Awakens as the first of the films to be released in the age of social justice, the question must be asked: At a time when the slightest violation of PC orthodoxy can set off a deluge of listicles, cable-news segments, and general media outrage, can Star Wars survive such an onslaught launched from the Social Justice Media’s veritable Sarlacc Pit — more commonly referred to as Twitter?

(6) CONCESSIONS LAST STAND. Washington Post writer Drew Harwell, in “The business of ‘Star Wars’ comes with a huge catch”, tells how movie theaters are responding to Disney’s giant slice of the revenue pie by offering Star Wars-related swag and snacks (Marcus Theaters in the Midwest offers the “Wookiee Smash Burger” for only $12.59).

“Star Wars: The Force Awakens” may become the highest-grossing premiere in history, but it comes with a huge catch. Disney is demanding movie theaters hand over a much bigger cut of box-office revenue than usual, carving into cineplexes’ profits at a time when they need all the help they can get.

So theaters have gotten creative about the moneymakers they control. One small theater chain, Studio Movie Grill, is offering a daily “Star Wars”-themed brunch, including cinnamon-and-sugar Princess Leia Buns, a Tuscan Raider Quesadilla and cocktails such as a $9 tequila Yoda-Rita, with lime wedges hooked on the rim to mimic the Jedi master’s ears.

(7) ESCAPED PATIENT. The Onion found (invented?) the one fan who brings a fair and balanced approach to the movie — “Fan Just Going To Keep Open Mind About Whether New ‘Star Wars’ Best Or Worst Movie Ever”.

(8) ODYSSEY WORKSHOP. “Odyssey Writers Workshop Application Period Opens” – see details at the SFWA Blog or the Odyssey website.

Odyssey is for writers whose work is approaching publication quality and for published writers who want to improve their work.  The six-week program combines an advanced curriculum with extensive writing and in-depth feedback on student manuscripts.  The director and primary instructor, Jeanne Cavelos, was nominated for the World Fantasy Award this year for her work teaching and running Odyssey.  Top authors, editors, and agents have served as guest lecturers, including George R. R. Martin, Jane Yolen, Robert J. Sawyer, Nancy Kress, Ben Bova, Holly Black, Catherynne M. Valente, and Dan Simmons.

This summer’s workshop runs from JUNE 6 to JULY 15, 2016.  Class meets for over four hours each morning, five days a week.  That time is split between workshopping and lectures.  While feedback reveals the weaknesses in students’ manuscripts, lectures teach the techniques necessary to strengthen them.  In-depth lectures provide advanced insights into the elements of fiction writing.  Students spend about eight hours more per day writing and critiquing each other’s work.

The program is held on the beautiful campus of Saint Anselm College in Manchester, NH….

The workshop’s Writer-in-Residence will be Mary Robinette Kowal. Lecturers include Meagan Spooner, Patricia Bray, N. K. Jemisin, Deborah DeNicola, and Scott H. Andrews.

(9) DANIEL CHAPTER THREE. The third installment of Daniel’s Castalia House blog series “Safe Space as Rape Room: Science Fiction Culture and Childhood’s End” is a series of nonsequitur sophistries constructed for the purpose of smearing John Scalzi.

(10) ENTIRELY COINCIDENTAL. Today John Scalzi was not only using his Twitter trolls for cannon fodder but for artistic inspiration. At least I think that’s art….

(11) THE SATANIC VERSUS. “’Star Wars’-themed church service to highlight ‘parallels’” at MSNBC.

Members of the congregation at Berlin’s Zions Church will be greeted with the theme music from the blockbuster series and can expect to hear about “the juxtaposition of good and bad, light and dark” during the one-hour event, church minister Eva-Maria Menard told NBC News.

Short excerpts from trailers and the George Lucas movies will be shown on a screen below the pulpit.

Vicar Ulrike Garve said that the service will expose “the theological motives and parallels in the Star Wars episodes.”

Garve and colleague Lucas Ludewig plan to highlight Romans 12:21 from the Bible, which states: “Do not be overcome by evil, but overcome evil with good.”

(12) DICKINSON OBIT. The SF Site News obituary for British author Peter Dickinson (1927-2015) who died December 16 notes that his novel The Ropemaker won the Mythopoeic Award for Children’s Literature in 2002, and he was twice nominated for the World Fantasy Award. Dickinson was married to author Robin McKinley. More at the post.

(13) CHECKING IN. In the first 10 days, the “We Are ALL SF Con 2016 Startup” Indiegogo appeal has raised $230 to help launch a fan convention inspired by the motto coined by Lou J. Berger and Quincy J. Allen. They need $9,000.

The operational leadership is Spence Smith, convention chair, and Suzy Thommarson, assistant convention chair. Advisors are Pat and Doug Booze of Norwescon, Shawn Marier of Norwescon and Anglicon, and Chris Nilsson, of Anglicon and Rustycon. “Plus we occasionally pick the brains of some of the old time Worldcon con runners,” adds Karen Junker.

They plan to hold the event November 4-6 in Ocean Shores, WA.

(14) JOVIAN AWARDS. SF Site News lists several pros who announced on Facebook that they received Jovian Awards — each of whom posted a photo of the award and wrote that they didn’t know who it came from.

Jovian Award

Neither The Jovian Award website nor The Jovian Award Facebook page sheds any light on the presenters. What the winners who revealed themselves have in common is that they were Hugo nominees who finished second to No Award.

Hell of a nice looking award, though.

(15) LUKE I AM YOUR FENDER. Jay Leno’s Garage had a visit from Hot Wheels’ real-life Darth Vader car, “which is what you get when you morph Vader’s helmet and other components into a car.”

(16) POSTERS. New Batman v. Superman posters.

(17) ANNOYING COMMERCIAL. James H. Burns asks —

Am I the only one who hates the Geico Peter Pan ad?  I generally really like the company’s spots, and I realize that in some interpretations, Peter can be a real wiseguy…  I wondered why this bugged me so much, and I think it’s two reasons:  One, I just don’t like seeing Pan being such a twerp…  But more importantly, the second worse thing about being Peter would have to be watching your mortal friends pass on…  (There is, however, a pretty neat Tink here!)

 

[Thanks to Steven H Silver, John King Tarpinian, Martin Morse Wooster, and Alan Baumler for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Update 12/19/2015: Corrected name of city to Ocean Shore, after having the typo carefully explained to me (the subtler attempts having gone over my head.)

Pixel Scroll 9/17 Second pixel to the left and straight on till Worldcon

(1) Curbed LA is not alone in thinking “The New Look of the Petersen Automotive Museum is Really Really Bad”.

petersen automotive museum

Shawn Crosby hit the nail on the head – “It looks as if the Petersen had skinned Disney Concert Hall Buffalo Bill style and is wearing its bloody outsides like a dress.”

(2) A critical headline also provides the first clue that Io9’s Germain Lussier is down on another project — “The Latest Stephen King Book To Become a Fatally Disappointing TV Show Is…”

The Mist is about how a group of citizens react when—you guessed it—a mysterious mist takes over their town, filled with horrible monsters. Both the movie and novella mostly take place in a isolated supermarket but the TV show will only use that as inspiration, and will have a larger scope.

(3) Anne and Wil Wheaton are hosting “Fancy Dinner: Burgers, Beer, and a Book” on October 20 from 6:30-9 p.m. at Crossings restaurant in South Pasadena. Admission is $100 per person. Click on the link for menu and other details.

At the end of the evening, you will get your own, autographed, advance copy of our book “A Guide To Being A Dog by Seamus Wheaton.” Proceeds from this event will be donated by Crossings to the Pasadena Humane Society to support our participation in the Wiggle Waggle Walk.

(4) This is a good example of what people look to SFWA for — Jennifer Brozek discusses “How Do You Ask For A Blurb?” on the SFWA Blog.

How do you ask for these blurbs without making a nuisance of yourself? You do your research. Many professional authors have “blurb and review” policies in place on their websites, mostly out of self-defense. An author can read only so many books when they are not writing or doing their own story research. Some of these policies may be “No. I will not blurb your book.” Some of them may be “Talk to my agent.” Whatever the posted blurb policy is… follow it. That’s the polite and correct thing to do.

If you have an agent, you can talk to them about talking to the agent of the author you’d like a blurb from. Your agent should have a decent handle on who can be approached and who should be avoided. If you don’t have an agent, you need to do things the old fashioned way: ask.

(5) Steve Davidson harkens back to his Crotchety Old Fan days with “The Things Robert Heinlein Taught Me” at Amazing Stories

What this little episode did remind me of is the fact that, in many ways, Bob served as a surrogate grandfather for me.  Both of mine passed before I’d been on this planet five years, and as anyone who has read Time Enough For Love can tell you, a rascally, unrepentant and self-assured grandfather is a must have in the proper development of the creatures we euphemistically call little boys.

And of course it then occurred to me that there were quite a few humorous (and not so humorous) lessons to be had from all of Heinlein’s books and, lacking the kind of social restraint that would undoubtedly have been passed on to me by a real-life grandfather, I have decided to share some of them with you.

(6) “The Cold Publishing Equations: Books Sold + Marketability + Love” is Kameron Hurley’s latest autobiographical post based on her royalty statements.

Being above average is important, because being average sucks —

The average book sells 3000 copies in its lifetime (Publishers Weekly, 2006).

Yes. It’s not missing a zero.

Take a breath and read that again.

But wait, there’s more!

The average traditionally published book which sells  3,000 in its entire lifetime in print only sells about 250-300 copies its first year.

But I’m going indie! you say. My odds are better!

No, grasshopper. Your odds are worse.

(7) Wallpaper Direct has a fun infographic about Doctor Who villains through time.

The role of The Doctor has been assumed by 12 respected actors, each bringing their own quirks and characteristics to the programme. Along with his Mark I Type 40 TARDIS (Time and Relative Dimension in Space), the time travelling rogue has blasted his way across space, but not without gaining some enemies in the process.

From the Daleks to the Cybermen, we take a look at the most notable enemies from the Dr. Who franchise.

And they’d be thrilled to see you some wall covering from their Dr. Who Wall Mural collection.

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Officially licensed wallpaper murals based on the latest BBC series with Doctor Who starring Matt Smith as the Time Lord – from the company Black Dog Murals. The mural is easy to hang – paste the wall product and each is supplied in a box, with full hanging instructions. Please read the hanging instructions carefully. The mural is supplied in pre-cut lengths. The lengths are sometimes reverse rolled due to the manufacturing process. If you are in any doubt regarding direction of pattern please refer to website.

(8) Steve Davidson is back with another installment of what’s eligible for the Retro Hugos that will be voted on by next year’s Worldcon members – Part 4 – Media, specifically, the Long Form category.

Best Dramatic Presentation, Long Form, is well served in 1940.  Not necessarily because there were a lot of worthy films, but only in comparison to Best Dramatic Presentation, Short Form, which has to settle for serial episodes and cartoons.  Television shows were still almost a decade away.

However, when it comes to film there are a few interesting contenders, and, fortunately, the vast majority of eligible works are known and viewable, thanks largely to the Internet Archive, Youtube and copyright law.

I’m looking forward to short form, where there should be a trove of radio shows and phonograph records, too.

(9) Steven H Silver saw this today on Jeopardy!

Category:  “E” Readers

Daily Double Answer: This novel by Sinclair Lewis caused and uproar for its satiric indictment of fundamentalist religion

Question from returning champ: What is Ender’s Game?

Lost $2000.

(10) Francis Hamit’s new book Security Matters: Essays On Industrial Security is available in a Kindle edition from Amazon. Says Francis:

It’s hard reality actually from the security industry; the experiences that inform some of my fiction.  There are some dramatic moments and instances recounted and the writing is some of my best. If it were a poetry book you’d at least look at the sample.

The volume is edited by Leigh Strother-Vien and Gavin Claypool.

A collection of “Security Counterpoint” columns that originally appeared in Security Technology & Design Magazine between 1993 and 2001 about problems and concerns that are still relevant today. Francis Hamit spent 21 years in that industry in operational, sales and consulting positions.

(11) A tough day for the let’s-you-and-him-fight crowd – because John Scalzi begins “How Many Books You Should Write In a Year” with this preamble:

Folks have pointed me toward this Huffington Post piece, begging self-published authors not to write four books a year, because the author (Lorraine Devon Wilke) maintains that no mere human can write four books a year and have them be any good. This has apparently earned her the wrath of a number of people, including writer Larry Correia, who snarks apart the piece here and whose position is that a) the premise of the article is crap, and b) authors should get paid, and if four books a year gets you paid, then rock on with your bad self. I suspect people may be wanting to have me comment on the piece so I can take punches at either or both Wilke or Correia, and are waiting, popcorn at ready.

If so, you may be disappointed. With regard to Correia’s piece, Larry and I disagree on a number of issues unrelated to writing craft, but we align fairly well here, and to the extent that I’m accurately condensing his points here, we don’t really disagree.

(12) “Here’s how the first humans will live on Mars –and why traveling the 140 million miles to get there will be the easy part” – despite the headline, it’s not a story about The Martian. It’s a pointer to an eye-grabbing infographic based on TED speaker and technologist Stephen Petranek’s book on How We’ll Live on Mars.

[Thanks to Mark, Francis Hamit, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]