Peabody for Doctor Who

Peabody Award accepted by Matt Smith, Jenna-Louise Coleman and Steven Moffat.

Peabody Award accepted by Matt Smith, Jenna-Louise Coleman and Steven Moffat.

Doctor Who has been presented with a Peabody Award , one of the top honors in American television.

The George Foster Peabody Awards recognize distinguished achievement and meritorious service by broadcasters, cable and webcasters, producing organizations, and individuals. Selection is made by the Peabody Board, a 16-member panel of distinguished academics, television critics, industry practitioners and experts in culture and the arts.

The citation reads:

Seemingly immortal, 50-years-old and still running, this engaging, imaginative sci-fi/fantasy series is awarded an Institutional Peabody for evolving with technology and the times like nothing else in the known television universe.

[Thanks to David Klaus for the story.]

Starship Century Symposium: Peter Schwartz

Peter Schwartz

Peter Schwartz

Peter Schwartz, who presented “Starships and the Fates of Humankind” is an internationally renowned futurist and business strategist, Senior Vice President for Global Government Relations and Strategic Planning for Salesforce.com, and the former head of scenario planning for the Royal Dutch/Shell Group of Companies in London (1982-1986.)

Speaking with buoyant enthusiasm and charm, Schwartz listed an array of possible outcomes to critical issues that control whether humanity will ever break out of the solar system.

Propulsive Energy: (1) No. (Won’t be enough for interstellar travel.) (2) Slow. (Voyages lasting more than a human lifetime.) (3) FTL. Are we constrained by physics/relativity? Schwartz argued that we don’t know all that is going on – perhaps the hard-to-explain things that seem symptoms of a complex universe may be explained by a fundamentally new insight about how it works, and open a possibility for faster travel. (But a questioner in the audience asked skeptically, “Are we really going to reinvent the universe?”)

Life Support: (1) Generation ships. (2) Sleep ships. (3) Relativistic ships. (4) Download ships. Schwartz commented about the last option that it would be a big leap to replicate our awareness.

Why Go? Humanity’s willingness and resources to go interstellar will be influenced by population growth. He looked at three predictions, each providing its own reasons for looking outward.

One prediction holds that by 2300 the population will be 36 billion. He titled this alternative “religious” and drew a laugh saying, “The biggest mistake I ever made in my career was assuming the world was going to become more secular.” In this scenario the world may live in Paolo Soleri-type arcologies. The world may look like Manhattan.

Another prediction is the world population may remain around 9 billion. We may solve all the problems of sustainability. Or we may fail to solve the social, political and environmental problems.

A third prediction is that population will fall to around 2 billion. Very few children. Ecological decay. Vast wealth.

Wild Card: ET? (1) None. (2) Extraterretrial life consists only of scum/biosphere. (3) Intelligent life.

Schwartz felt all these possibilities played into four major scenarios. (1) Stuck in the mud. We can’t get out. Don’t have enough energy. (2) God’s galaxy. There’s an interstellar race to evangelize aliens via a generational ship. After all, the Vatican has its own astronomer and a binder titled “What to do if aliens appear.” They have considered how to respond if the question comes up. (3) Escape from a dying planet. Save the species via sleep ship. Dealing with huge volumes of people and organic matter they’ll want to move into space. (4) Trillionaires in space. Explore the universe. Relativistic, download or FTL. The wealthy aren’t going in generation ships – like today’s rich people, they want to be out there.

He concluded there are many pathways, however, most of them lead to humanity reaching the stars. A galactic civilization is almost inevitable.

In the question period that followed, David Brin teased, if this is the historic day when starship planning began it will be watched by millions in the future (presumably using time-travel broadcasting). “Shouldn’t we turn and wave at the wall?” And having said it, he turned to the side wall and waved.

Schwartz answered someone else’s question saying he based his confidence on the inventive capacity of our society. That elicited an audience member’s critique — we’re enjoying a technological peak right now which suggests a positive outcome, but if we were looking at the future from the vantage of the ecological collapse of Easter Island we would say collapse was inevitable.

[This post is part of a series about the Starship Century Symposium held May 21-22, 2013.]

Starship Century Symposium: Day 1 Begins

“Is this the century we begin to build starships? Can we? Should we?” James Benford opened the Starship Century Symposium by repeating the key questions. And he warned, “Do not expect simple answers. Do not expect complete ones.”

The two-day event, held on the UC San Diego campus, was collaboratively organized by the new Arthur C. Clarke Center for Human Imagination with Gregory and James Benford. When Sheldon Brown, Director of the Clarke Center, tallied off the first day’s speakers — Paul Schwartz, Freeman Dyson, Robert Zubrin, Neal Stephenson, Patti Grace Smith, Chris Lewicki, Geoffrey Landis, Allen Steele, a living highlight reel of people who have influenced space exploration over the past several decades – the audience knew they could expect brilliantly creative answers.

Continuing his introduction, James Benford illustrated a point about the dimensions of our galaxy by cradling in the palm of his hand a clear plastic cube of the size used to hold a baseball. He said if that cube represented the area containing the nearest star systems, to model the depth of the galaxy would require enough cubes to reach the high ceiling of the auditorium. Travel to Centauri A and Centauri B within human lifetimes – a destination that would give you two solar systems for the price of one – will require reaching speeds 10,000 times higher than achieved to date. It would take a continuous output equivalent to H-bomb energy to reach a small percentage of the speed of light. Despite these challenges some remained optimistic — he quoted Freeman Dyson who, in 1968, predicted that within 200 years, barring a catastrophe, interstellar travel will begin. Applause followed, for 89-year-old Dyson was in the audience.

Gregory Benford opened his comments by displaying a simple map of America in 1812, and repeating Thomas Jefferson’s prediction that it would take a thousand years to push the frontier to the Pacific. Yet at that time the first railroad engine already existed. He suggested the possibility that a combination of technologies nearly within our grasp like nuclear rockets, space robots and 3-D printers might effect an equally rapid leap to interstellar space.

[This post is part of a series about the Starship Century Symposium held May 21-22, 2013.]

Celebrating 30 Years of Return of the Jedi

Another video made specially for the Cape Town Film Festival has been posted at EW.com (with a caution they’ll only have it available through Monday) – click here.

The Return of Return of the Jedi: 30 Years and Counting, which shows elite geeks — among them Kevin Smith, Seth Green, Chris Hardwick, Jaime King, Topher Grace, Fall Out Boy, Eli Roth, and Jason Mewes — revisiting the movie in which tribal Teddy Ruxpins put down an Imperial invasion force with rocks, logs, and other Gilligan’s Island-esque props. Who saw that coming?

[Thanks to John King Tarpinian for the story.]

Star Wars Rebels – A First Peek

Star Wars Rebels, Lucasfilm’s new animated series, is coming to Disney Channel in 2014.

The action-filled series is set between the events of Episode III and IV — an era spanning almost two decades never-before explored on-screen. Star Wars Rebels takes place in a time where the Empire is securing its grip on the galaxy and hunting down the last of the Jedi Knights as a fledgling rebellion against the Empire is taking shape.

Executive producer Dave Filoni offers some general thoughts about Rebels to Pablo Hidalgo in this video from StarWars.com:

[Thanks to John King Tarpinian for the story.]

Spectrum 20 Award Winners

The 20th Annual Spectrum Awards ceremony was held at the Midland Theatre in Kansas City, MO, on May 18. The gold and silver award winners in the eight categories (and the 2013 Spectrum Grand Master) are:

SPECTRUM 2013 GRAND MASTER
Brom

ADVERTISING
Gold Award: Dan dos Santos, “Dragon Empress”
Silver Award: Android Jones, “Ganesatron”

BOOK
Gold Award: Dave Palumbo, “Fed”
Silver Award: Charles Vess, “Tanglewood: I Didn’t Know She Was a Bottle Witch”

COMICS
Gold Award: Paolo Rivera, “Daredevil #10”
Silver Award: David Petersen, “Mouse Guard: Black Axe #4, pg. 19”

CONCEPT ART
Gold Award: Allen Williams, “Tree of Tales”
Silver Award: Daniel Dociu, “Guild Wars 2, Norn Lodge”

DIMENSIONAL
Gold Award: Virginie Ropars, “Acanthopis III”
Silver Award: David Meng, “Sashimi”

EDITORIAL
Gold Award: Sam Bosma, “Stability”
Silver Award: Sam Weber, “Cancer Monster”

INSTITUTIONAL
Gold Award: Kekai Kotaki, “Stampede”
Silver Award: Lucas Graciano, “Dragon Swarm”

UNPUBLISHED
Gold Award: Cory Godbey, “The Fish Master”
Silver Award: Andrew Mar, “Tell-Tale Heart”

Get Ready To Read Tolkien’s “The Fall of Arthur”

British readers are reminded by Tolkien Society chairman Shaun Gunner that a brand new J.R.R. Tolkien epic, The Fall of Arthur, will be released in that country on May 23. (The book was released in the U.S. yesterday.)

Gunner comments:

We are all used to seeing Tolkien’s stories set in Middle-earth, but this is the first time we’ve ever seen Tolkien write about legendary Britain. We know Tolkien loved the powerful alliterative verse of Anglo-Saxon epics so Tolkien’s own re-imagining of Arthur’s downfall in this format will make for an interesting read. This is fundamentally important in terms of considering Tolkien’s academic career and his wider creative process, but it will also be fascinating to see how The Fall of Arthur – written before The Hobbit – may have parallels in Tolkien’s other stories.

It is always important when a new book is published by such a well-known and much-loved author, but this is particularly special due to the poetic format and subject matter. I am in no doubt that we will see the same skill and creativity on display in The Fall of Arthur as in Tolkien’s other works – this book will be a permanent feature of the Arthurian canon for centuries to come and will add to Tolkien’s own reputation as one of the most brilliant writers this country has ever produced.

HarperCollins says Tolkien set aside this work to write The Hobbit. It was left untouched for 80 years:

The Fall of Arthur recounts in verse the last campaign of King Arthur who, even as he stands at the threshold of Mirkwood is summoned back to Britain by news of the treachery of Mordred. Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries.

Christopher Tolkien edited the manuscript and wrote three essays for the book, (1) about the literary world of King Arthur, (2) the deeper meaning of the verses, and (3) his father’s work to bring it to a finished form.

LSC3 Memorial Day Weekend Membership Sale

LoneStarCon 3 will offer a discount on all Adult Attending membership purchases made over the Memorial Day weekend.

From Friday, May 24, through Monday, May 27, Adult Attending membership rates will be $200, a $20 saving. Anyone joining or upgrading their membership online will automatically receive this special discount. The offer will also be available to fans buying LoneStarCon 3 memberships in person at ConQuest in Kansas City, MO; Balticon in Hunt Valley, MD; and BayCon in Santa Clara, CA.

The con also reports there are now over 170 confirmed program participants, including David Brin, Ben Bova, Phil and Kaja Foglio, Joe Haldeman, Charlaine Harris, Robin Hobb, Steve Jackson, George R.R. Martin, Elizabeth Moon, John Picacio, Tim Powers, Alastair Reynolds, Robert Silverberg, Howard Tayler, Harry Turtledove, and Gene Wolfe.

The Exhibits Hall plans to feature presentations on Robert E. Howard, the genome of science fiction author Jay Lake, and the Texas-Israeli War of 1999 (based on the award-winning book by Jake Saunders and Howard Waldrop).

The full press release follows the jump.

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Dan Dare Operations Manual

dan-dare-bookThere’s now a Dan Dare Pilot of the Future – Space Fleet Operations Manual for devotees of the Dan Dare comic that appeared in Britain’s Eagle magazine during the 1950s and 1960s. The book, which can be ordered from Haynes Publishing, includes —

  • A personal introduction by the Controller of Space Fleet, Dan Dare.
  • A history of spaceflight, propulsion systems and our first steps to the Moon and Mars.
  • Comprehensively annotated cutaway drawings of the principal ISF spaceships, space stations and installations, along with many of the alien craft that Space Fleet has encountered, by cutaway artist Graham Bleathman.
  • Profiles of ISF personnel, and the aliens they have faced over the years.
  • Space Fleet history: a guide to ISF’s missions and Dan Dare’s adventures.

Artist Frank Hampson created Dan Dare

and assembled around him a team working at fever pitch in Epsom, Surrey, to script his stories, design his space-craft and gadgets and bring the character and his adventures to life.

Hampson used family, friends and colleagues to pose up in costumes for photographs which formed the basis of the finished drawn strips.

But it wasn’t pure fantasy, with as much care taken with the science – as far as was known or hinted at at the time – as with the fiction.

A Daily Mail reporter writing about the new book seems to feel Star Trek got credit for a bunch of ideas it looted from Dan Dare –

Indeed many technologies which appeared in Star Trek in the mid 1960s had their first outing in Dan Dare more than a decade earlier. For example, ‘Beam me up Scottie’ became a catch-phrase in the transporter room of the Starship Enterprise.

But the teleportation technology was seen as early as 1950 in Dan Dare where it was called a ‘telesender’ – technology which scrambled and unscrambled atoms to send people vast distances.

Hampson, who died in 1985 aged 66, commented in later life that Star Trek had ‘really cleaned out’ Dan Dare’s technology cupboard of ideas.

Although there’s a reason Hollywood is notorious for thieving other people’s material, and who knows where Star Trek first saw the idea, teleportation was already part of the canon of science fiction by the time Hampson started using it.    

Arthur Conan Doyle’s “The Disintegration Machine” (1927) is a story in the Professor Challenger series about an invention that can dissolve matter and reassemble it.

Arthur C. Clarke – said to have been a science advisor for Dan Dare – described a technology in “Travel by Wire!” (1937) that disassembles an object and transmits the information to a receiving device at the destination where it is reassembled out of thin air.

Just how far back can this idea be traced? Richard Wagner’s Der Ring des Nibelungen features the Tarnhelm, a magic helmet which confers, among other things, the power of teleportation. Siegfried makes use of that capability in Götterdämmerung.

I find it appealing to think that coincidence inspired Clarke’s famous quote, “Any sufficiently advanced technology is indistinguishable from magic.”

And I bet Hollywood lawyers have a corollary — “Any idea that can be traced to the public domain is indistinguishable from mine.”

[Thanks to John King Tarpinian for the story.]