Tag Archives: BSFS

Pixel Scroll 9/5/20 Astronauts In The Weightlessness Of Pixelated Space

Posted on by

(1) BSFS MAKES GRANT TO 2020 WORLD FANTASY CON. The membership of the Baltimore Science Fiction Society has granted $1000 to the 2020 World Fantasy Convention, Salt Lake City, Utah, which will be held virtually this year.

The grant may be used to defray any of the considerable fixed expenses that are required to hold the annual event, which awards the prestigious World Fantasy Awards to the best Fantasy or Dark Fantasy works published in the previous year.

The 2020 World Fantasy Convention will be held virtually, October 19 – November 1.

More information about the Baltimore Science Fiction Society (BSFS) can be found here.

(2) HORROR IN EVERYDAY LIFE. Shiv Ramdas livetweeted a family crisis he was following by phone. Thread starts here. (Since it already had 69K retweets and almost 300K likes by the time I saw it, you’ve probably already read it!)

(3) INCONCEIVABLE. Rolling Stone reports “‘The Princess Bride’ Cast to Reunite for Virtual Table Read” as a political fundraiser.

The cast of the beloved comedy The Princess Bride will reunite for a one-night-only virtual table read to raise money for the Democratic Party of Wisconsin.

“A Virtual Princess Bride Reunion” will features original cast members Cary Elwes, Robin Wright, Chris Sarandon, Mandy Patinkin, Wallace Shawn, Carol Kane, the film’s director Rob Reiner and “special guests.” In addition to the table read, the reunited cast will partake in a virtual Q&A moderated by Patton Oswalt.

The virtual table read will livestream only once, on September 13th at 6 p.m. CST. Fans of the film can RSVP at Act Blue to watch the livestream. “Anything you donate will be used to ensure that Trump loses Wisconsin, and thereby the White House,” organizers promise; both Elwes and Reiner have been vocal in their criticism of Donald Trump on social media.

(4) CANON FIRE. Chris Nuttall, in “Some Thoughts On The SF Canons” at Amazing Stories, offers his own outlook on genre history.

…Second, the average writer in the early era worked under a set of very harsh restrictions. There were lots of issues that were taboo, from sex and mating to race and racism; there were morality clauses in contracts that could and would be enforced if the writer stepped too far out of line. Heinlein, for example, wrote coloured characters … but he had to give himself plausible deniability He did this so well in one book – Tunnel in the Sky – that he managed to raise suspicions of miscegenation instead. By modern standards, this is insane as well as stupid. But we’re talking about an era that was worried about Mr. Spock’s ears!

Third, the average writer did not know where technology was going. They made a lot of guesses and got some things right, but they also got a lot of things wrong. Heinlein’s predictions regarding computer development, for example, were absurd. He assumed a lot of easy things would be very hard, if not impossible, and vice versa. Asimov’s predictions were even worse, to the point he has wood-burning stoves co-existing with atomic power plants and FTL drives.

Fourth, the average writer lived in a far more limited world. There was both relatively little awareness of other cultures and a certain sense that the Anglo-American way was the best. It isn’t until fairly recently, thanks to the internet, that we have really become aware of alternatives. They drew on their awareness of the world to shape their future worlds, hence the number of very traditional societies in fantastic worlds….

However, it seems unclear why 20th Century sff writers would be unaware of alternatives that Wilberforce, Lincoln, and Susan B. Anthony already knew about in the 19th Century. In fact, they probably weren’t unaware of them. It’s hard not to simply enjoy the status quo when it works in your favor.

(5) THE RETURN OF HYPER COMICS. A book-length collection of Steve Stiles’ Hyper Comics, in the works when he died earlier this year, was released in August. One of the places it can be ordered is Barnes and Noble.

The last project of legendary underground cartoonist and Hugo Award-winner Steve Stiles, who passed away in 2020, is a September release from Thintwhistle Books, a company formed by Steve’s widow, Elaine Stiles. 

Packed with more than 150 pages of Steve’s classic work from Hyper Comics, Heavy Metal, Stardate, and a host of other publications, it’s an essential part of any cartoon collector’s library !

Krupp Comic Works founder Denis Kitchen called Steve “one of the funniest and cleverest goddamn cartoonists on the planet.” Mark Schultz said of Steve’s back-up stories in Xenozoic Tales, “It was a joy to collaborate with him – if he made any adjustments to my scripts they were invariably improvements.” Heavy Metal editor Ted White called Steve’s contributions to the magazine “Phil-Dickian in their SF surrealism, wicked in their observations, and Firesign Theatre-like in their mocking details.” 

In The Return of Hyper Comics, you’ll thrill to the adventures of Jim Baxter, Marijuana Detective. You’ll share Steve’s nightmares as he meets Nixon and Trump. You’ll smile along with Mr. Smile when he accidentally kills a girl he is trying to save. “If only I could stop smiling,” he says. You’ll get an advance look at next month’s QAnon conspiracy when Steve reveals, “Joe Stalin Tells Me What to Draw!” And you’ll barf as Steve’s first orgy ends with tainted oysters and a group emergency room visit. 

Steve had a particular genius for chronicling life’s humiliating moments, and fortunately for his fans, Steve had enough humiliating moments in his life to fill volumes. He stands up to fellow students after one of them writes a racist insult on the blackboard, and in revenge they finger him as the culprit. A dealer spikes Steve’s coffee with LSD, leaving him on a bicycle in Queens in rush hour. But through it all, Steve faces life’s traumas with self-mocking humor and a core of optimism that nothing manages to quite extinguish. 

The Return of Hyper Comics is 150 pages of wicked social satire, bizarre sex, science fiction, violence, drugs, and personal humiliation, all with brilliant art by a master cartoonist. Thintwhistle Books disclaims responsibility for damage resulting from excessive laughter.

(6) RADIO REENACTMENT. “Daniel Dae Kim to Lead All-Star Recreation of ‘The Adventures of Superman’ 1940s Radio Serial” – Yahoo! Entertainment has the story.

Daniel Dae Kim will lead an all-star cast in a recreation of the original “The Adventures of Superman” radio serial during the second installment of DC FanDome, Warner Bros. announced Friday.

Kim is one of three actors who will voice Superman in the one-hour production, which is being produced using original scripts recently found in Warner Bros. archives. The event is being held in support of The Creative Coalition, a Hollywood nonprofit that aims to address entertainment industry issues as well as urgent social issues.

Joining Kim as Superman in the production is Wilson Cruz (“Star Trek: Discovery”) and current Creative Coalition president Tim Daly (“Madam Secretary’)….

The performance of “The Adventures of Superman” will be available beginning on demand for 24 hours beginning Sept. 12 at 10:00 AM as part of DC FanDome: Explore the Multiverse, the second installment of the successful virtual Comic-Con alternative, which debuted in August. The event can be accessed at DCFanDome.com.

(7) NICHOLS MACIOROWSKI DIES. Influential animation visual development and story artist Sue Nichols Maciorowski died on September 1 at the age of 55 reports Animation Magazine.

The family obituary notes:

Sue graduated from California Institute of Arts with a visual animation degree in 1987. There she was part of a team that won an Emmy for work on The Muppet Babies. After graduation, Sue worked for Jim Henson on The Muppet Babies, Marvel production, and taught classes at CalArts. She then started her long career with Disney Studios working on animation films where she was best known for her expertise in character development. A few of her favorite works that she contributed to were Hercules, Beauty and the Beast, and the Princess and the Frog. More information on her career may be found on her website, Mothernichols.com.

Disney tweeted its own tribute. Thread starts here.

(8) MEDIA BIRTHDAY.

  • September 5, 1952 — Tales of Tomorrow’s “Seeing-Eye Surgeon” –

Does Doctor Xenon really exist? I don’t know. For that matter, do we three standing in this room really exist? Who knows? The real and the unreal. Where does one stop and the other begin. Maybe we’re just a figment or product of someone else’s fevered imagination. Someone from another world perhaps. — Doctor Bob Tyrell

On this day in 1952, Tales of Tomorrow first aired “Seeing-Eye Surgeon” which is the only SF credits for co-writers Michael Blair and Ed Dooley. The cast was  Bruce Cabot as surgeon Bob Tyrell, Constance Towers as Martha Larson,  Edwin Jerome                as Doctor Foyle and Joseph Holland as the possibly mythical Doctor Xenon. Towers would later be in  episodes of The Outer Limits, The 4400 and Deep Space Nine. You can see it here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 5, 1774 – Caspar Friedrich.   Leading Romantic painter; known for great landscapes with human presence small.  Here is a Frankenstein using CF’s Wanderer Above the Sea of Fog; here is another using The Sea of Ice; here is another using Cromlech in the Snow.  Here is a Dracula using Man and Woman Contemplating the Moon.  (Died 1840) [JH]
  • Born September 5, 1913 – Sheilah Beckett.  Illustrated seventy fairy-tale titles for Little Golden Books.  First woman illustrator at the Charles E. Cooper studio, N.Y.  Commercial work e.g. Necco Wafers, Whitman’s Chocolates, but preferred children’s books and Christmas cards.  Lived to be 100.  Here is a cover for Rapunzel.  Here is an interior for Sleeping Beauty.  Here is Jane Werner’s retelling of The Twelve Dancing Princesses.  Here is an interior from John Fowles’ retelling of Cinderella.  Here is a book of Beauty and the Beast stickers.  Here is Lowell Baird’s translation of Candide.  (Died 2013) [JH]
  • Born September 5, 1921 — Paul L. Payne. He edited both Jungle Stories (three years in the Forties) and the better known Planet Stories (five years in the same period) but there’s very little on him on the web. ISFDB notes that he wrote one novel for us, The Cructars Are Coming, which is available in an Armchair Fiction print edition along with Frank Belknap Long’s Made to Order novel. (Died 1993.) (CE) 
  • Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played a series of androids in I, Mudd, a classic Trek episode. Both appeared as police women in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They only acted for three years and every appearance but one was with the other. (Died 2009 and 2005, respectively.) (CE)
  • Born September 5, 1936 —Joseph A. Smith, 84.  Two dozen covers, half a dozen interiors for us; many others.  Here is Hercules in his lion’s skin.  Here is The Adventures of King Midas (look at the rock!).  Here is Stopping for a Spell and here is Year of the Griffin.  Here is Witches.  Here is Gregor Mendel.  Here is Circus Train.  [JH]
  • Born September 5, 1939 — George Lazenby, 81. He is best remembered for being James Bond in On Her Majesty’s Secret Service which I’m sure I’ve seen if I’ve completely forgotten it now. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. (CE) 
  • Born September 5, 1940 — Raquel Welch, 80. Fantastic Voyage was her first genre film though she made One Million Years B.C. thatwith her leather bikini got her more notice. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy. (CE)
  • Born September 5, 1953  – Paul Stinson, 67.  Seventy covers, a few interiors, for us; more for commercial clients.  Here is Jesus on Mars. Here is Gunn’s Road to SF vol. 2.  Here is the first issue of Beyond.  Here is Ice Hunt.  Here is Pillars of Salt.  [JH]
  • Born September 5, 1959 — Carolyne Larrington, 61. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation. (CE)
  • Born September 5, 1964 — Stephen Greenhorn, 56. Scriptwriter who written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He also wrote Marchlands, a supernatural series whichJodie Whittaker and Alex Kingston appeared in. He also wrote the Mind Shadows strip which was featured on the Who website. (CE)
  • Born September 5, 1964 – Olga Dugina, 56.  Teacher, illustrator (sometimes with Andrej Dugin).  Here is an image from The Three Oranges; here is another.  Here is Dragon Feathers.  Here is an interior from The Adventures of Abdi (Brazilian ed’n; text shown is in Portuguese).  Here is one from The Brave Little Tailor.  [JH]
  • Born September 5, 1981 – Dina Djabieva, 39.  Three images in Star*Line vol. 36 no. 2, cover for vol. 36 no. 3.  Here is “Pan”.  Here is “Warrior Monk”.  Here is “Elysium”.  Here is “The Maiden”.  She says, “I find myself living between two worlds, the dreaming and the waking.  Too often I am not able to distinguish between the two.”  [JH]

(10) COMICS SECTION.

  • Tom Gauld on the possibilities of sci-fi (in The Guardian).
  • Another Tom Gauld sff cartoon —

(11) INSIDE COMICS. The Numlock News’ Walt Hickey interviews a comics industry expert: “Numlock Sunday: John Jackson Miller on the comic book shutdown”.

You alluded to this a little bit, but one thing that’s so interesting about this particular industry is there are two very large well-capitalized companies and then several other smaller companies producing the core product. Then there’s one middleman. And then there’s zillions of tiny little mom and pops. And as a result, the one middleman was able to functionally shut everything down.

Most responsible retailers in the business saw that this needed to happen because we could not have stuff being shipped that couldn’t be sold. The bills would keep mounting up. The problem simply is that this is a system where it expects that there’s cashflow coming in constantly. Diamond was in a situation where they needed to try to pay off their suppliers for the books that they had already sold, and they knew that there was not going to be any more money coming in at the same time. Diamond did get a credit line with Chase, Steve Geppi has said this is not going to be a problem going forward.

But there are many different kinds of comic shops. There are many that focus on graphic novels, and they’re much more insulated against these problems, because the graphic novels have continued shipping from other other distributors outside the comics industry like Random House. There are stores that have games or toys or something else like that they’re also doing.

Then, of course, let’s say you’re a pure comic shop, that means you probably also have a back issue section and many have a mail order, online stores or eBay stores, and there’s over 10 billion comic books already in existence so not having the new ones for a few weeks, you know, that’s not that big a deal.

But there are some shops, they’re suburban in nature, they tend to be more superhero-centric stores and those are the people that are more concerned about a disruption to the habitual nature of comics reading. My response to that would be, “yeah, but is the comics habit going to break any faster than the professional basketball watching habit will break, or the movie-going habit will break?” I think when you have every alternative also shutting down, you’re less likely to have people respond to this as, “the comics, they’ve left me, they’ve abandoned me.” No, it’s that the comet has struck, and we’re all going to just catch our breath here for a while, and we’re going to try to figure out how to restart this thing.

I’ve used the metaphor of Apollo 13 that they have to bring these systems up one at a time, systems that were never designed to shut down.

(12) NE$$IE. And now that you’ve finished that business survey, InsideHook hopes you want to know “How Much Does the Loch Ness Monster Boost Scotland’s Economy?”

When the effect of tourist attractions on local economies comes to mind, what are some of the first places one can think of? Historical sites, perhaps, or cultural events. But what happens when the thing that helps drive a local economy might not exist at all?

This isn’t a brain-teaser or a deep dive into epistemological thinking; instead, it’s a precursor to the way the Loch Ness Monster hosted the Scottish economy. Which, it turns out, is by a lot. A new article by Michele Debczak at Mental Floss delves into the way one of the world’s most famous cryptids has helped shape the local economy in Scotland. Nessie might not be real, but its impact certainly is.

How much of an impact is there on Scotland’s economy? According to a study commissioned by accountant and Loch Ness Monster fan club founder Gary Campbell, the economic boost of Nessie tourism heads into the 8 figures.

(13) RADIO FREE DRACULA. The University of Delaware’s Resident Ensemble Players will be doing a five-part radio play adaptation of Dracula. Hear a member of the company speak about “Dracula: About the Project” at Soudcloud.

A free audio presentation by the Resident Ensemble Players, in partnership with WVUD 91.3 FM.

Much more than just a gothic horror story, DRACULA is a love story, a mystery, and a globe-trotting adventure tale. The REP partners with radio station WVUD for a free, five-episode audio drama of this classic to be presented every Friday night in October.

Beginning in the forbidding mountains of Transylvania, a mysterious night-stalking beast entraps and seduces his way to England in search of new blood. A group of colleagues and companions unearth the horrible secrets of this life-sucking creature as they launch a heart-pounding chase across Europe, only to find themselves in the fight for their lives to save both themselves and the ones they love.

WVUD will broadcast/stream DRACULA in October on Friday nights at 7:00 PM:

  • Oct. 2, 7:00 PM — Episode 1: Listen, What Sweet Music 
  • Oct. 9, 7:00 PM — Episode 2: The Coming Storm
  • Oct. 16, 7:00 PM — Episode 3: Of Nature and Supernature 
  • Oct. 23, 7:00 PM — Episode 4: Master and Servant 
  • Oct. 30, 7:00 PM — Episode 5: Chasing Nightfall

Listeners can tune into WVUD’s Friday night broadcasts on 91.3 FM on radio or stream from computer or digital devices at http://www.wvud.org/

(14) NO DEPOSIT, NO RETURN OF THE KING. GameSpot recommends you use your Labor Day Weekend free time studying this extra-long list: “Lord Of The Rings Rewind: 49 Things You Didn’t Know About The Return Of The King”. Lots of things I didn’t know here.

11. This elf is an in-joke

The elf who tells Arwen that she “cannot delay” her journey to the Undying Lands was played by Bret McKenzie, who subsequently became famous as half of musical comedy duo Flight of the Conchords, alongside Jemaine Clement. McKenzie very briefly appeared in Fellowship of the Ring, and his character became known as Figwit among admiring fans–an acronym for “Frodo is great… who is THAT?” Jackson decided to put him in Return of the Ring and give him some dialogue “just for fun for the fans.”

(15) MEDIA TIE-IN. Who knew there was Forbidden Planet merch out there? A buddy of John King Tarpinian’s stopped off at the Walmart in Bakersfield for supplies on his way to the Sequoias found this on the shelves —

(16) VIDEO OF THE DAY. “Double King” on YouTube is a 2017 film by Australian animator Felix Colgrave about a murderous monarch that has been viewed 42 million times but has never shown up on File 770! (Although I don’t think there’s a rule that it has to.)

[Thanks to Bill, Jeff Smith, John Hertz, Martin Morse Wooster, JJ, Mike Kennedy, Andrew Porte, Cat Eldridge, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day MaineYooper.]

Pixel Scroll 4/30/20 A File And Scroll Reunion Is Only A Pixel Away

Posted on by

(1) CATS TRIUMPHANT. Naomi Kritzer has had a big week. Her YA novel Catfishing on Catnet won an Edgar Award today, and won a  Minnesota Book Award on Tuesday. Here’s an excerpt of the Q&A she did for the St. Paul Library:

How does it feel to be a Minnesota Book Award finalist?

It is a huge honor and feels amazing!

Tell us something about your finalist book that you want readers to know?

It is loosely based on my (Hugo Award-winning) short story Cat Pictures Please, which you can still find online:

Share something about your writing process and preferences. For instance, where is your favorite place to write?

When I’m outlining or brainstorming, I use a notebook of unlined paper, like a sketch diary. I like to write in my sunny living room but discovered at some point that the ergonomics of a couch, hassock, and lap desk will lead quickly to back problems, so I usually write at a desk in my home office.

(2) BOOKSTORE LOVE. LitHub tells the world “Now you can use your favorite indie bookstore as your Zoom background.” Like this shot of Vroman’s – where John King Tarpinian and I got John Scalzi to sign our copies of The Collapsing Empire a few years ago. The complete list of bookstores with notes on each one can be found on the Lookout + Ecotone blog.

(3) INGENIOUS. The Science Fiction and Fantasy Association of New Zealand blog gives a good rundown of Alison Scott’s plans for “The Virtual GUFF Tour”, since she can’t travel there in person this year. It’s an effort completely worthy of a former editor of the fanzine Plokta, “The journal of superfluous technology.” 

Alison Scott is the recently elected European GUFF delegate. The plan was for the winning delegate to travel down under to meet local fans and addend the 2020 Worldcon – CoNZealand. Of course because of you-know-what the borders are closed and CoNZealand has gone virtual. But Alison appears undaunted – she now plans to take a virtual tour of Australasia visiting Australian and New Zealand places and fans before attending the virtual worldcon. There will be a proper itinerary mimicking a physical journey and Alison even plans to adhere to the local timezones (yay jetlag!). You can read more about her plans and follow her progress over on the facebook group dedicated to the trip.

(4) RAMPING UP TO THE APOCALYPSE. The Baltimore Science Fiction Society has completed the ADA compliant ramp in front of their building. The January 20 Pixel Scroll ran details about the permits coming through. Club President Dale S. Arnold said today –

Although the COVID-19 emergency and related closures caused some delays, eventually the weather and logistics worked to allow completion. Many years ago when the plan for renovations to the BSFS Building was announced the author Jack Chalker commented that if a bunch of SF Fans were able to pull off that complex of a plan it would be a sign of the coming apocalypse.  With the completion of this ramp (except final painting the door which was altered in the ramp design) we have now realized the dream from 1991 having completed everything planned when we bought the building.

And BSFS didn’t finish a moment too soon, because the apocalypse appears to be just around the corner.

(5) NOT GENTEEL. Errolwi points out how well today’s Merriam-Webster tweet complements James Davis Nicoll’s famous quote about the English language:

(6) AIMLESS, IF NOT LOST, IN SPACE. And by no coincidence whatsoever, the next item is about James Davis Nicoll’s latest Tor.com post, “Far From Any Star: Five Stories About Rogue Worlds”.

It’s been weeks since you last socialized (in the flesh) with anyone outside your household…or with anyone, if you live alone. Loneliness is tough. But things could be worse: you could be a rogue world, ejected from your home system billions of years ago. You could be a pitiful world formed far from any star. Such worlds are commonplace in our galaxy. They are not quite so common in science fiction. Still, a few of them feature in books that you may have read…

(7) JEMISIN AND GAIMAN. The Fisher Center will present “UPSTREAMING: Neil Gaiman in Conversation with N. K. Jemisin” on May 2 at 7:30 p.m. EST. However, the website says, “Tickets are not currently on sale. Call the box office for more information, 845-758-7900.” So if you’re interested, call.

Join Professor in the Arts Neil Gaiman for a remote, live streamed conversation with Hugo Award-winning author N. K. Jemisin (Broken Earth trilogy), whose new work The City We Became was released in March to great acclaim. The conversation is part of an ongoing Fisher Center series in which Gaiman discusses the creative process with another artist.

(8) LE GUIN IN ’75. Fanac.org has posted a video recording of an Aussiecon (1975) Worldcon panel with Ursula K. Le Guin, Susan Wood and others, “Worlds I Have Discovered.”

AussieCon, the 33rd Worldcon, was held in Melbourne, Australia in 1975. This panel centers on questions to Guest of Honor Ursula Le Guin’s on her writing for young adults (or at least classified as for young adults). The panelists, moderated by Fan Guest of Honor Susan Wood, are Ursula herself, Stella Leeds, Peter Nicholls, Anna Shepherd, and Ann Sydhom. The video quality leaves a lot to be desired, but the discussion on Le Guin’s process of writing, the panel’s views on children’s literature, and children’s literature as a literary ghetto remain interesting and very pertinent. Remember, this was decades before the phenomena of Harry Potter.

Andrew Porter sent the link with this reminder that the same year his Algol Press published Dreams Must Explain Themselves, a 36-page chapbook whose title essay is about how Le Guin got ideas for books.

(9) TODAY IN HISTORY.

  • April 30, 1955  — Science Fiction Theatre’s Y.O.R.D. episode first aired. Directed by Leon Benson from a screenplay by him and George Van Marter as based on a story written by Marter and Ivan Tors. Truman Bradley Was The Host and the cast included Walter Kingsford, Edna Miner Louis,  Jean Heydt and DeForest Kelley. The latter would be playing Captain Hall, M.D.  You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge. Bonus typos provided by OGH.]

  • Born April 30, 1913 — Jane Rice. Her first story “The Dream” was published  in the July 1940 issue of Unknown. Amazingly, she’d publish ten stories there during the War. Her only novel Lucy remains lost due to somewhat mysterious circumstances. Much of her short stories are collected in The Idol of the Flies and Other Stories which is not available in digital form. (Died 2003.)
  • Born April 30, 1920 — E. F. Bleiler. An editor, bibliographer and scholar of both sff and detective fiction. He’s responsible in the Forties for co-editing the Best SF Stories with T.E. Dikty. They later edited Best Science-Fiction Stories. He also did such valuable reference guides like The Checklist of Fantastic Literature and The Guide to Supernatural Fiction. (Died 2010.)
  • Born April 30, 1926 — Edmund Cooper. Pulpish writer of space opera not for the easily offended. His The Uncertain Midnight has an interesting take on androids but most of his work is frankly misogynistic. And he was quite prolific with over twenty-four novels and a dozen story collections. A lot of his work is available at the usual digital suspects. (Died 1982.)
  • Born April 30, 1934 — William Baird Searles. Author and critic. He‘s best remembered  for his long running review work for Asimov’s  where he reviewed books, and Amazing Stories and F&SF where he did film and tv reviews. I’m not familiar with his writings but I’d be interested to know who here has read Reader’s Guide to Science Fiction and Reader’s Guide to Fantasy which he did, as they might be useful to own. (Died 1993.)
  • Born April 30, 1938 — Larry Niven, 82. One of my favorite authors to read, be it Ringworld, The Mote in God’s Eye with Jerry Pournelle, or the Rainbow Mars stories which I love in the audiobook version. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon 3 followed by Ringworld at Noreascon 1 followed by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976. 
  • Born April 30, 1973 — Naomi Novik, 47. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won the Astounding Award. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet her Spinning Silver, so opinions are welcome.
  • Born April 30, — Gal Gadot, 34. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production of Murder on the Orient Express which is quite lovely but hardly genre or even genre adjacent. 

(11) SOUNDTRACK. Steve Vertlieb would like to introduce the world to French film composer, Thibaut Vuillermet.

(12) REVENGE OF THE GRINDHOUSE. SYFY Wire reports ”Trolls World Tour Rocks $100 Million On Vod”.

The decision to skip a theatrical release in the age of coronavirus was a wise move that led to big returns for DreamWorks’ Trolls World Tour. 

According to The Wall Street Journal, the animated movie has racked up nearly $100 million in the three short weeks since it arrived on VOD and digital platforms Friday, April 10. With approximately 5 million rentals at $19.99 a pop, Universal has generated over $77 million from a digital release model that allows studios to keep an estimated 80 percent of profits. Since the traditional theatrical model relies on a 50-50 kind of split, a film playing in a physical venue has to make a lot more money in order for a studio to turn a profit. 

The real point here is that Trolls Would Tour has brought in more tangible revenue during its first 19 days on demand than the first movie did during five months in theaters.

However, one theater chain intends to punish Universal for their plans to reproduce the success by simultaneously releasing movies in theaters and through video-on-demand, presumably trimming their revenue. The Hollywood Reporter covered the announcement: “AMC Theatres Refuses to Play Universal Films in Wake of ‘Trolls: World Tour'”.

AMC Theatres on Tuesday delivered a blistering message to Universal Pictures, saying the world’s largest cinema chain will no longer play any of the studio’s films in the wake of comments made by NBCUniversal CEO Jeff Shell regarding the on-demand success of Trolls World Tour and what it means for the future of moviegoing post-coronavirus pandemic….

“The results for Trolls World Tour have exceeded our expectations and demonstrated the viability of PVOD,” Shell told The Wall Street Journal, which first reported the numbers. “As soon as theaters reopen, we expect to release movies on both formats.”

In a strongly worded letter to Universal Filmed Entertainment Group chairman Donna Langley, AMC Theatres chairman and-CEO Adam Aron said Shell’s comments were unacceptable. AMC is the largest circuit in the world.

“It is disappointing to us, but Jeff’s comments as to Universal’s unilateral actions and intentions have left us with no choice. Therefore, effectively immediately AMC will no longer play any Universal movies in any of our theaters in the United States, Europe or the Middle East,” Aron wrote.

“This policy affects any and all Universal movies per se, goes into effect today and as our theaters reopen, and is not some hollow or ill-considered threat,” he continued. “Incidentally, this policy is not aimed solely at Universal out of pique or to be punitive in any way, it also extends to any movie maker who unilaterally abandons current windowing practices absent good faith negotiations between us, so that they as distributor and we as exhibitor both benefit and neither are hurt from such changes….” 

(13) CHICKEN EATER OF THE SEA. [Item by Chip Hitchcock.] From the Harvard Gazette: “Water Beast: New paper argues the Spinosaurus was aquatic, and powered by predatory tail”.

New paper argues the Spinosaurus was aquatic, and powered by predatory tail

Back in the Cretaceous period, 145 to 66 million years ago, dinosaurs dominated the land and sky. They also, a new paper argues, terrorized the aquatic realm. Recent fossil evidence has revealed that Spinosaurus aegyptiacus, among the largest of all known carnivorous dinosaurs, was a creature of the water, with a center of gravity and a giant tail fin perfect for swimming. The same paper shares robotic modeling by two Harvard scientists that shows how that large, flexible tail fin — unique among dinosaurs — would have given the giant predator a deadly propulsive thrust in the water, similar to a salamander or crocodile tail.

The paper, “Tail-Propelled Aquatic Propulsion in a Theropod Dinosaur,” in the April 29 issue of Nature, uses new fossil evidence and robotically controlled models created by Harvard co-authors Stephanie E. Pierce and George V. Lauder, professors of organismic and evolutionary biology, to show its power.

Pierce said the new fossils were necessary to make their argument, as much of the fossil evidence of Spinosaurus, unearthed by German paleontologist Ernst Stromer, had been destroyed in World War II. University of Detroit paleontologist Nizar Ibrahim, the Nature paper’s lead author, had located more traces of the dinosaur in Morocco in 2014, and in 2018 he went back, successfully excavating extensive Spinosaurus remains. The fossils included tail vertebrae with meter-long spines that seemed to form an expanded paddle, raising questions as to what the tail was used for.

“The working hypothesis was that Spinosaurus used its tail to swim through water,” said Pierce, Thomas D. Cabot Associate Professor of Organismic and Evolutionary Biology. Ibrahim and his team reached out to Pierce, curator of vertebrate paleontology at the Museum of Comparative Zoology, to test their idea. She was immediately intrigued by the 5-plus-meter-long tail.

Yes, Dave, “Predatory Tail” would be a great name for a band.

(14) YOUR MISSION… “Nasa names companies to develop Moon landers for human missions”

Nasa has chosen the companies that will develop landers to send astronauts to the Moon’s surface in the 2020s.

The White House wants to send the next man and the first woman to the Moon in 2024, to be followed by other missions.

Jeff Bezos’ Blue Origin, Elon Musk’s SpaceX and Alabama-based Dynetics were selected to work on landers under the space agency’s Artemis programme.

The 2024 mission will see astronauts walk on the Moon’s surface for the first time since 1972.

Combined, the contracts are worth $967m (£763m; €877m) and will run for a “base period” of 10 months.

“With these contract awards, America is moving forward with the final step needed to land astronauts on the Moon by 2024, including the incredible moment when we will see the first woman set foot on the lunar surface,” said Nasa’s administrator Jim Bridenstine.

“This is the first time since the Apollo era that Nasa has direct funding for a human landing system, and now we have companies on contract to do the work for the Artemis programme.”

(15) RECIPES WITH CHARACTERS. “Need new recipes for quarantine? Pixar’s YouTube channel is here to help”. Entertainment Weekly shares some examples.

As Pixar taught us, anyone can cook… and now the animation studio is giving you something to cook.

The Pixar YouTube channel features a series called “Cooking With Pixar,” a collection of recipes inspired by the studio’s films. At the moment, the series only has three videos, but they should provide some inspiration if you’re in need of something new to cook — which, it’s fair to say, most of us probably are at this point.

(16) YOU’RE MELTING! “Nasa space lasers track melting of Earth’s ice sheets” – BBC has the story.

Scientists have released a new analysis of how the Greenland and Antarctic ice sheets have changed, from 2003 to 2019.

The study shows that ice losses from melting have outpaced increases in snowfall, resulting in a 14mm rise in global sea-levels over the period.

We’ve had a number of very similar reports to this recently.

What makes this one of interest is that it uses data from the highest-resolution satellite system dedicated to studying the poles – IceSat.

This system flies space lasers over glaciers and other ice fields to track their constantly shifting shape.

The US space agency (Nasa) has now launched two of these altimeter instruments.

The first, IceSat, operated between 2003 and 2009; the second, IceSat-2, was put up in 2018.

Thursday’s report is a first attempt to tie both satellites’ observations together.

(17) BROTHER GUY’S AIR. “Antarctic meteorites yield global bombardment rate”

A team of UK scientists has provided a new estimate for the amount of space rock falling to Earth each year.

It’s in excess of 16,000kg. This is for meteorite material above 50g in mass.

It doesn’t take account of the dust that’s continuously settling on the planet, and of course just occasionally we’ll be hit by a real whopper of an asteroid that will skew the numbers.

But the estimate is said to give a good sense of the general quantity of rocky debris raining down from space.

(18) VIDEO OF THE DAY. Horizon on Vimeo is a short film by Armond Dijcks based on images taken by the International Space Station.

[Thanks to Joyce Scrivner, Mike Kennedy, Andrew Porter, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Michael Toman, Errolwi, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

2020 Compton Crook Award

Posted on by
A Memory Called Empire by Arkady Martine
A Memory Called Empire by Arkady Martine

The Baltimore Science Fiction Society has announced that the 2020 Compton Crook Award winner is A Memory Called Empire by Arkady Martine. The award is given for best first novel in the science fiction, fantasy, and horror genres. Martine will receive a $1,000 prize and an invitation to be the Compton Crook Guest of Honor at Balticon (the BSFS annual convention) for the next two years (in 2021 and 22).

“I’m very honored and pleased,” Martine replied when notified of the win, calling it, “Wonderful news.”

Martine’s book won over four other finalists: Here and Now and Then by Mike Chen; The Ten Thousand Doors of January by Alix Harrow; The Outside by Ada Hoffman; and A Song for a New Day by Sarah Pinsker.

Due to COVID-19, this year’s Balticon will be online only. Martine will participate in that event as well.

Members of BSFS selected the finalists by reading and rating debut novels published between November 1, 2018 and October 31, 2019. The Compton Crook Committee examined nearly 80 debut novels and BSFS members read and rated over 40 books.

A Memory Called Empire was published by Tor Books. In addition to winning the Compton Crook Award, it is a finalist for this year’s Hugo and Nebula awards.

The Baltimore Science Fiction Society (BSFS) has awarded the Compton Crook Award for best first novel since 1983. Last year’s winner was R.F. Kuang for The Poppy War.

BSFS named the award in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. Professor Crook was active for many years in the Baltimore Science Fiction Society and was a staunch champion of new writers.

BSFS is a 501(c)(3), non-profit, charitable, literary, and educational organization, dedicated to the promotion of, and an appreciation for, science fiction in all of its many forms. The Baltimore Science Fiction Society was launched on January 5, 1963 and has been holding Balticon since 1967.

Baltimore Science Fiction Society Announces Compton Crook Finalists

Posted on by

The Baltimore Science Fiction Society (BSFS) released the names of the five finalists for its 2019 Compton Crook Award for best first novel in the science fiction, fantasy, and horror genres. The finalists are:

  • Mike Chen – Here and Now and Then
  • Alix Harrow – The Ten Thousand Doors of January
  • Ada Hoffman – The Outside
  • Arkady Martine – A Memory Called Empire
  • Sarah Pinsker – A Song for a New Day

The award includes a framed award document and, for the novel’s author, a check for $1,000 and an invitation to be the Compton Crook Guest at Balticon, the BSFS annual convention, for this year and the following year.

The 2020 Balticon will be held May 22-25, 2020 at the Renaissance Baltimore Harborplace Hotel. Baltimore, Maryland. For more information visit www.balticon.org.

Members of BSFS selected the finalists by reading and rating debut novels published between Nov 1, 2018 and October 31, 2019. The Compton Crook Committee examined nearly 80 debut novels and BSFS members read and rated over 40 books. The finalist round of reading and rating will close April 10th and the winner will be notified on Sunday, April 12th and announced to the public on Monday, April 13th.

The Baltimore Science Fiction Society (BSFS) has been giving out the Compton Crook Award for best first novel since 1983. Past winners have included Donald Kingsbury, Elizabeth Moon, Michael Flynn, Wen Spencer, Maria Snyder, Naomi Novik, Paolo Bacigalupi, Myke Cole, Charles Gannon, Ada Palmer, and Nicky Drayden. Last year’s winner was R.F. Kuang for The Poppy War.

BSFS named the award in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. Professor Crook was active for many years in the Baltimore Science Fiction Society and was a staunch champion of new works in the fields eligible for the award.

BSFS Receives Permit to Build ADA Ramp at its Headquarters

Posted on by

By Dale Arnold: The Baltimore Science Fiction Society has received a permit to construct an ADA compliant ramp outside its headquarters after a two year process which was delayed by both lost government records (improper hand recopying of data still held on physical index cards) at the Baltimore Zoning and Planning Department Office and not one but two ransomware attacks at that department which brought their computer systems down to the point where they had to rebuild the entire system… After explaining that even though the zoning code did not have a category for science fiction society or literary society, that the Baltimore Science Fiction Society was not like a union hall or a dance club or other things that the zoning folks believed might be similar…  

BSFS is happy to announce we finally received the permit. This ramp will finally allow people using wheelchairs to enter the front of the Baltimore Science Fiction Society Building and not use the steep scary freight ramp at the back of the building.  

The final ramp design is more complex than we had originally hoped adding to some of the approval delays and boosting up the price due to the slope of the property, placement of doors on the building, and location of gas and plumbing lines.  Engineering drawings and fund raising for this project began in 2013 and it has been a long haul, but we now have the funds, permit, and contractors lined up to perform construction in March 2020. (when the weather breaks as concrete sets poorly in the cold)  

All of the surplus funds raised at Balticon 50 where George R. R. Martin was guest of honor, as well as many thousands of dollars raised from fandom at other events will go to cover the total cost of over $30,000.00 for the project.  BSFS thanks everyone in fandom that contributed for their faith and generosity toward this project.   

Vernor Vinge Wins 2020 Robert A. Heinlein Award

Posted on by

Vernor S. Vinge, a four-time Hugo Award-winning science fiction author and retired mathematics and computer science professor, is the 2020 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Vinge’s body of work, including his nine novels, more than two dozen short stories, and many non-fiction articles.

The award will be formally announced on the evening of Friday, May 22, 2020, 8:00 p.m. at opening ceremonies during Balticon 54, the 54th Maryland Regional Science Fiction Convention. Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society. A grant from the Heinlein Society funds half of the costs associated with the award and the family of the late author Dr. Yoji Kondo provides additional funding for the award.

The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robbins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.  

The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein. The current Chairman of the Selection Committee is Michael F. Flynn.

Virginia Heinlein authorized multiple awards in memory of her husband, other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.

More information on the Robert A. Heinlein Award, including past winners, can be found here. More information on Balticon can be found at www.balticon.org.

Vernor Vinge at the 16th Annual Conference on Computers, Freedom and Privacy in 2006.

[Based on a press release.]

Thanksgiving at BSFS

Posted on by
Miriam Winder-Kelly

By Dale S. Arnold: Thanksgiving of 2019 the Baltimore Science Fiction Society opened our building to all SF fans that fate has otherwise made the only practical family their fannish family. For some relatives live far away and for others relatives have passed, but all SF fans who needed a place were invited to our potluck Thanksgiving celebration.  (Note that the holiday Dalek decorations were deployed early this year so our Dalek could be featured as part of the Highlandtown Arts District First Friday in December tour.)

[Dale S. Arnold is President of the Baltimore Science Fiction Society.]

BSFS and Balticon Volunteers
at Work

Posted on by

Fans form a human chain inside the Baltimore Science Fiction Society Building to move out of storage equipment needed to run Balticon, the Maryland Regional Science Fiction and Fantasy Convention.

The 53rd annual Balticon will be held May 24-27 at the Renaissance Baltimore Harborplace Hotel in Baltimore.

The Comet Science Fiction Channel provided t-shirts as a reward for the volunteer’s efforts.

[Thanks to Dale Arnold for the story.]

2019 Compton Crook Award

Posted on by

R.F. Kuang’s The Poppy War has won the 2019 Compton Crook Award for Best Debut Novel presented by the Baltimore Science Fiction Society.

Members of BSFS chose The Poppy War by reading and rating debut novels published between Nov 1, 2017 and October 31, 2018. First, members selected six finalists and then gave The Poppy War their highest rating. The other finalists were:

•    S.A. Chakraborty – The City of Brass
•    Rebecca Roanhorse – Trail of Lightning
•    Rena Rossner – Sisters of the Winter Wood
•    Lauren Teffeau – Implanted
•    Nick Clark Windo – The Feed

BSFS will award R. F. Kuang with a check for $1,000 and an invitation to be the Compton Crook Guest at Balticon (the BSFS annual convention) for two years. This year Balticon will be held May 24-27, 2019 at the Renaissance Baltimore Harborplace Hotel. Baltimore, Maryland.

BSFS has presented the Compton Crook Award for best first novel in the science fiction, fantasy, and horror genres since 1983. Past winners have included Donald Kingsbury, Elizabeth Moon, Michael Flynn, Wen Spencer, Maria Snyder, Naomi Novik, Paolo Bacigalupi, Myke Cole, Charles Gannon, and Ada Palmer. Last year’s winner was Nicky Drayden for Prey of Gods.

Kuang may be the youngest winner of the award. She started writing The Poppy War while still a student at Georgetown University and was only 22 when Harper Voyager published it. The sequel, The Dragon Republic, will be published this summer.

BSFS named the Compton Crook Award in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, after his death in 1981. Professor Crook, an active member of BSFS, was a staunch champion of new works in the speculative genres.

BSFS is a 501(c)(3), non-profit, charitable, literary and educational organization, dedicated to the promotion of, and an appreciation for, science fiction in all of its many forms. BSFS was launched on January 5, 1963 and has been holding its convention, Balticon, since 1967.

2019 Compton Crook Award Finalists

Posted on by

The Baltimore Science Fiction Society (BSFS) released the names of the six finalists for its 2019 Compton Crook Award for best first novel in the science fiction, fantasy, and horror genres. The finalists are:

•    S.A. Chakraborty – The City of Brass
•    R. F. Kuang – The Poppy War
•    Rebecca Roanhorse – Trail of Lightning
•    Rena Rossner – Sisters of the Winter Wood
•    Lauren Teffeau – Implanted
•    Nick Clark Windo – The Feed

The award includes a framed award document and, for the novel’s author, a check for $1,000 and an invitation to be the Compton Crook Guest at Balticon (the BSFS annual convention) for two years. This year Balticon will be held May 24-27, 2019 at the Renaissance Baltimore Harborplace Hotel. Baltimore, Maryland.

Members of BSFS selected the finalists by reading and rating debut novels published between Nov 1, 2017 and October 31, 2018. The finalist round of reading and rating will close April 13 and the winner will be notified on Sunday, April 14 and announced to the public on Monday, April 15th.

The Baltimore Science Fiction Society (BSFS) has been giving out the Compton Crook Award for best first novel since 1983. Past winners have included Donald Kingsbury, Elizabeth Moon, Michael Flynn, Wen Spencer, Maria Snyder, Naomi Novik, Paolo Bacigalupi, Myke Cole, Charles Gannon, and Ada Palmer. Last year’s winner was Nicky Drayden for Prey of Gods.

The Award was named in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. Professor Crook was active for many years in the Baltimore Science Fiction Society and was a staunch champion of new works in the fields eligible for the award.

BSFS is a 501(c)(3), non-profit, charitable, literary and educational organization, dedicated to the promotion of, and an appreciation for, science fiction in all of its many forms. The Baltimore Science Fiction Society was launched on January 5, 1963 and has been holding Balticon since 1967.

[Based on a press release.]