The 48th annual Jack Williamson Lectureship, hosted by Eastern New Mexico University, will be held April 10-12 in Portales, NM. Darcie Little Badger will be the guest of honor and Connie Willis will be the emcee.
Darcie Little BadgerConnie Willis
Darcie Little Badger is a Lipan Apache writer with a PhD in oceanography. Her critically acclaimed debut novel, Elatsoe, was featured in Time Magazine as one of the best 100 fantasy books of all time. Elatsoe also won the Locus award for Best First Novel and is a Nebula, Ignyte, and Lodestar finalist. Her second fantasy novel, A Snake Falls to Earth, received a Nebula Award, an Ignyte Award, and a Newbery Honor and is on the National Book Awards longlist.
Connie Willis has been publishing science fiction and fantasy works for more than 50 years. After her first novel was published in 1982, she was able to quit her teaching job and become a full-time writer. She’s won multiple Hugo, Nebula, and Locus awards, been inducted into the Science Fiction Hall of Fame, and named a Science Fiction and Fantasy Writers of America Grand Master. Themes in her works include time travel, romantic comedy, history, and Christmas – to name a few. Her 2016 novel Crosstalk was named one of the Best Books of the Year by NPR. Her most recent novel is The Road to Roswell which was released in June 2023 by Random House. Click here to watch author Melinda Snodgrass interview Connie at the Jean Cocteau Cinema in Santa Fe in 2017. Click here to visit Connie’s blog.
The annual Jack Williamson Lectureship includes a luncheon with presentations by the guest of honor and toastmaster, readings by guest authors, time for book sales and signing, and panel discussions on a variety of science fiction and fantasy topics. All events are open to the public and the luncheon is the only event that requires advance reservations and a fee.
The lectureship, named for the prolific sff author and academic, was established by the university when Dr. Jack Williamson retired from his position as professor of English at Eastern New Mexico University in 1977. Ever since then writers, editors, artists and other speakers have gathered at ENMU every spring to share ideas, insights and their work with students, readers, viewers, creators, collectors and fans.
Disney, 20th Century, and Sony just did something that major studios haven’t done in two decades: Released a brand new film on VHS. Boutique physical media labels and collectors online have been selling new movies on VHS for a while, and occasionally a smaller indie studio like A24 will put a specific movie out on tape. When it comes to the big studios, though, there hasn’t been an official VHS release since A History of Violence back in 2006.
That changed this month with the home debut of Alien: Romulus. In honor of the success that Alien found on VHS back in the ’80s and ’90s, the team behind Romulus wanted to produce a nostalgic replica that movie fans could appreciate. So Disney (whose physical media now runs through Sony) put out a very limited release of Alien: Romulus on VHS. The preorders sold out quickly and now the only way to find an official copy is to look for resellers online, so you’ll likely pay a bit of a premium….
(2) THE IMMORTAL SHORTS OF SFF. New Scientist has posted a list of “The 26 best sci-fi short stories of all time – according to New Scientist writers”. Lots of legitimate picks here – classics by Bradbury, Clarke, Heinlein, Russ, plus more recent candidates for sf immortality by Jemisin, Roanhorse, Martha Wells. Here’s an example:
Fire Watch by Connie Willis (1982)
There is a popular what-if scenario of going back in time to assassinate Adolf Hitler before he can start the second world war. Connie Willis’s 1982 novelette Fire Watch takes a completely different tack by immediately plunging its time-travelling narrator into confusion as he appears in London during the Nazi German Luftwaffe’s bombing raids in 1940. The narrator is tasked with joining fellow volunteers in the seemingly Sisyphean task of putting out incendiary bombs on the roof of St Paul’s Cathedral that threaten to burn down the hallowed landmark, even as he struggles with his real assignment of trying to figure out why his history professors have chosen to send him back to that harrowing period without adequate education or preparation. As an added complication, the narrator begins to suspect a fellow fire watch member of subversive wartime activities while he himself struggles to blend in and avoid blowing his cover with the locals. As the narrative follows a series of dated diary entries from the increasingly paranoid and exhausted narrator, Willis’s story shines by treating time travel as a tool used judiciously by historians to bear witness and deepen their understanding of humanity, rather than depicting it as a superpower for manipulating the past or future. Jeremy Hsu
Nearly a decade ago, my now-husband first introduced me to the Star Trek franchise by way of the series Star Trek: Enterprise. “You’ll like this one,” he assured me, “it’s got a dog in it.”
Porthos, the dog belonging to Captain Jonathan Archer, portrayed by Scott Bakula, is one example of Star Trek’s odd pets. They’re cute and lovable, but there’s something just not quite right about them. It wasn’t until 2009’s Star Trek cinematic reboot when Scotty, played by actor Simon Pegg, says that he tested the particle beam on “Admiral Archer’s prized beagle” that I realized why. The dogs, cats, fish, Targs (Klingon boars), and other animals of Star Trek are portrayed as individual domestic pets of their owners when they are in fact maritime animals.
In 1898, the Southern Cross Expedition took around ninety dogs to Antarctica.1 The dogs were brought for their power, for their ability to carry people around camp in the most inhospitable conditions. As the first canines to set foot in the South Pole, though, these dogs were also agents of colonization – proven by a massacre of penguins that magnetic scientist William Colbeck described as “heartbreaking.”2 But this doesn’t feel like any of the pets I know of in the Star Trek universe. Despite being a Beagle, Porthos isn’t known for his hunting abilities. Captain Picard’s fish, Livingstone, certainly isn’t much of a threat. Grudge the cat from Star Trek: Discovery is, perhaps, the closest match, but still not an obvious representation of colonial domination.3
As I read more about the Southern Cross Expedition, I realized the dogs’ roles were much more complicated. During a particularly harrowing part of the expedition, some of the men were pushed to the limits of exploration. Left with limited options and dangerous conditions, the explorers measured their humanity by how each man treated the dogs. Physicist Louis Bernacchi wrote of his disdain for commanding officer and surveyor Carsten Borchgrevink’s “barbaric” treatment of the dogs after the especially tragic death of the dog Bismark. In his own writing, Borchgrevink described scientist Anton Fougner as “noble” for working to dig a grave in the frozen earth for his puppy.4 The role these dogs played during the most intensive part of the journey was to reflect the scientist explorer’s humanity back to them.
In this lens, the Trek pet who best symbolizes these dogs is Data’s cat, Spot. On a traditional maritime ship, Spot’s role as a cat would be pest control. He would spend his time hunting rats and cockroaches. He might even share this role with other animals like chickens or a small terrier. On the Enterprise, Spot’s role is to humanize Data, both to others on the ship and to Data himself. The odd thing about Spot, though, is that this is largely where his story line ends. At the risk of being too punny, we don’t ever “see Spot run” – down the corridor, to his friends, or into trouble. Unlike other maritime animals, Spot isn’t everyone’s cat – a mascot….
Earlier this year we invited scientists from across the world to send in their images in the categories of Astronomy, Behaviour, Earth Science and Climatology, Ecology and Environmental Science, and Microimaging. We are delighted to now present the winners and runners-up, including our overall winner from the Behaviour category Angela Albi for her image “The hunt from above”.
“We’re known as the bumper sticker couple now, I’m sure,” said Brian Gebhart, 32, who, with his fiancée, Alyssa Walker, 30, runs Frog Mustard, one of the most prolific creators of this genre of bumper stickers. They release a handful of new ones each week to their more than 35,000 Instagram followers, whom they call the Frog Army.
The couple started the company last winter, after Mr. Gebhart had a mountain biking accident and needed extra money to pay for a surgery. They came up with Frog Mustard — a moniker as nonsensical as many of their designs — by using a random name generator.
Their first designs included a sticker that read “E.T. for City Council” and another with a crying kitten and an appeal to fellow drivers: “Sorry for speeding! But my cat is at home alone!”
By the spring, after a series of viral TikTok posts, the business was growing ever faster. Soon, the couple was investing in an industrial vinyl printer and operating out of their basement home office in Kent, Wash. The business is now a full-time job for Mr. Gebhart, and Ms. Walker maintains a corporate tech job while producing many of the designs.
Frog Mustard now averages 1,200 orders a month with a stock of about 350 designs, they said.
In American culture, where cars are often seen as physical extensions of their owners’ personality, bumper stickers have long been a way to make a vehicle distinctly your own, reflecting your politics and interests. They used to represent earnestness and authenticity: This car really did climb Mount Washington; I do support this presidential candidate; my child actually is an honor student….
Sing to me, muse! Details of Christopher Nolan‘s star-studded next project at Universal have finally been revealed.
According to a new X post from Universal Pictures, the filmmaker’s next project “is a mythic action epic shot across the world using brand new IMAX film technology. The film brings Homer’s foundational saga to IMAX film screens for the first time and opens in theaters everywhere on July 17, 2026.”…
(7) A ROOM OF HIS OWN. George R.R. Martin was feted when he visited his childhood hometown of Bayonne, NJ: “A Day to Remember” at Not A Blog.
…Bayonne has changed some over the years…the city has lost all its movie houses, and Uncle Milty’s Amusement Park where I had my first job… but the projects are still there, and Brady’s Dock, and Mary Jane Donohoe School on 5th Street… the candy store on Kelly Parkway where I bought my comic books and Ace Doubles is still there, and so is the Fifth Street Deli-Ette… oh, and Hendrickson’s Corner, and Judicke’s sprinkle Donuts…
And the public library remains… changed some, yes… but better than ever.
I remember the library. I always will.
And it would seem that the library remembers me. They have just completed some renovations, and did me the honor of naming one of the new rooms after me: the George R.R. Martin Room for Popular Fiction. To mark the occasion, they declared October 15 to be George R.R. Martin.
That is… so cool, so… so… well, words fail me….
…The library also added a wonderful mosaic dragon to its decor.
(8) NICE HOLIDAY MILK STOUT AND NAUGHTY EGG NOG ALE. [Item by Denise Kitashima Dutton.] I love a good stout. Hell, I’ll even take a mediocre stout if I’m really desperate. Because there’s nothing like the full-bodied flavor of a dark beer. So when Flying Dog Brewery here in Maryland decided to repeat their “Naughty” and “Nice” brews this year, I was excited to learn that “Nice” would be a Holiday Milk Stout. When I found out that “Naughty” would be an Egg Nog Ale? I was a bit iffy. But I’ll cop to a particular bias here; as a Marylander, I like to play favorites with my breweries. Doesn’t mean I don’t have favorites elsewhere – hello there, Shiner and Three Floyds – but the brewers in my home state do get a special benefit of the doubt. So I decided to tuck into both.
First off, let’s go Naughty, shall we? Medium-tall head, nice and foamy, quick to dissipate. Beautifully clear and golden (a much lighter color than their press images), with an almost champagne-like carbonation effervescence. While the “yellow beer” is something that everyone can recognize, there’s a warmth to this golden color, and the long-lasting fizz makes me want to keep tipping it back, if only to get yet another look at those tiny bubbles.
Then there’s the aroma. A nose that sends out the spices, but not with a wallop; a scent that invites rather than demands. That comes with the tasting. There’s a strong allspice and nutmeg hit on first sip, and while the spices are definitely loud and proud, it didn’t shock me out of a second sip. Or a third. There’s no rum notes here, though the idea of a barrel-aged Egg Nog Naughty wouldn’t be amiss. It’s just spice, spice and a touch of fizz.
As with Shiner’s Texas Warmer, this is a beer that ain’t afraid to get right up in your face. And I respect that. While the heavy spice may put off some, if you’re having a cheese and charcuterie evening, a sugar cookie sampling, or just want a bit of holiday spice while watching A Christmas Carol for the umpteenth time, Naughty‘s got your back.
Then there’s Nice, which starts off with a light, quick to dissipate head. And is that a hint of cascading that I see? Absolutely. Who doesn’t love watching their beer move in the glass like that? The beer itself is an absolutely gorgeous, clear, deep chocolate brown color I could get lost in. And with a 7.2 ABV, that’s not necessarily a figurative statement.
Nice is almost creamy, as a milk stout should be. The chocolate is a strong nib flavor, with a hint of toasty/smokiness that balances out the sweetness. This is a rough-trade sweetness; think the umami of cocoa rather than the overkill of candy. The creaminess of the mouthfeel and the bitter tang of the chocolate combine nicely, giving Nice a wonderful drinkability.
Another sip, and I catch a hint of Nice‘s fizzy, almost sharp, carbonation. But it’s such a fine bubble that it’s buzzy rather than off-putting. There’s no effervescence here, but with such a deeply colored beer, it’d be almost impossible to see anyway. Plus, anything overly fizzy would get in the way of the robust flavors in this stout.
I’d recommend this for dessert binges, a hearty brunch with pancakes and maple sausage, or as a dessert in and of itself. I’d also love to be able to find a six-pack of this to take camping; I’m betting s’mores would be a wonderful go-with. Nice is exactly that; robust but not heavy, flavorful but not too “busy”, smooth but substantial.
And yeah, I decided to do a half-and-half. And let’s just say that while these two beers play well with my tastebuds separately? It’s like sucking back a mouthful of Christmas tree if you combine ’em. I just can’t hang with that much powerful flavor all at once.
Naughty Egg Nog Ale Style: American Strong Ale ABV/Alcohol By Volume: 8.4%
[Reprinted fromGreen Man Reviewbecause it’s too good not to share.Denise Kitashima Dutton has been a reviewer since 2003, and hopes to get the hang of things any moment now. She believes that bluegrass is nothell in music form, and that beer is better when it’s a nitro pour. You can find her at Atomic Fangirl, Movie-Blogger.com, or at that end seat at the bar, multi-tasking with her Kindle.]
(9) GWYNETH JONES SF WRITER ON CHESTNUTS. [Item by Gwyneth Jones.]
Gwyneth Jones
Chestnuts, I’m obsessed with chestnuts at Christmas.
The obsession dates back to childhood, when chestnuts roasted over the coals on a fire-shovel were a winter treat, back in the primitive and labour intensive days when my parents’ house was heated by an Aga (solid fuel range) in the kitchen, and coal/wood fires elsewhere. And marrons glacees were the ultimate in sophistication… until I finally tried them, and wondered what the fuss was about. (I’m sure they’re very nourishing, by the way.)
Now I live in Sussex, I expect to forage a kilo or so of sweet chestnuts in October or November. After that it’s hit or miss. One year I slung them in the freezer wet and still in the shell & they defrosted as mush. Another year I left them in a copper bowl in a corner they went mouldy & the bowl suffered too. The supermarket then provides, boring!
Still, enough times the chestnuts survive, and then it’s the awful day of reckoning. People will tell you (e.g. Elizabeth David, see below) that there is a knack to peeling chestnuts and once you know it you will never look back. They lie. Usually it’s pure masochism, burned fingertips, outbursts of rage.
Then you eat them with sprouts and crispy bacon or put them in the stuffing. But this is one of the best rewards for all the pain:
Chestnut and Chocolate Cake.
Shell and skin 1lb (450g) of chestnuts.
Cover them with milk (either skimmed milk or half and half milk & water), and simmer until very soft — about an hour. Drain off the liquid & sieve or mash the chestnuts to a smooth puree. Save the liquid, it’s a beautiful stock base.
Make a syrup with 3 oz (100g) sugar and 2-3 tablespoons of water. Add this to puree, with 2 oz (about 70g) softened butter. When you have these ingredients well mixed leave to stand. Brush a small loaf tin, or other half litre/1 pt rectangular mold, with sweet oil (almond oil or similar), and fill it with the soft “dough”. Set to chill in a refrigerator for 24hrs.
Next day, make a chocolate coating with around 100g dark chocolate, adding a couple of teaspoons of sugar to the melted chocolate, & let the paste cool slightly. Turn the chestnut cake out of the mold, use a smooth-edged knife dipped in water to coat it with chocolate. Leave to chill again before serving.
This recipe is from Elizabeth David, French Provincial Cooking. You will find the lies about chestnut peeling on p. 265, blotted with my tears.
[From the Archives of the Sleeping Hedgehog.]
(10) MEMORY LANE.
[Written by Cat Eldridge.]
December 23, 1960 — Twilight Zone’s “Night of The Meek”
On December 23, 1960, Twilight Zone’s “The Night of the Meek” first aired. It was one of the six episodes of the second season which was shot on videotape in a failed attempt to cut costs. Networks and their bean counters.
This was a Christmas-themed story with Art Carney as a Santa Claus fired on Christmas Eve who finds a mysterious bag that gives an apparently unlimited stream of gifts. But before we learn that we have this opening scene and narration:
“As snow begins to fall, a drunk Henry Corwin (Carney) wearing his Santa Claus suit, leans against a curbside lamppost. He is approached by two tenement children begging for toys, a Christmas dinner, and ‘a job for my daddy.’ As he begins to sob, the camera turns to Rod Serling standing on the sidewalk:
“This is Mr. Henry Corwin, normally unemployed, who once a year takes the lead role in the uniquely popular American institution, that of the department-store Santa Claus in a road-company version of ‘The Night Before Christmas’. But in just a moment Mr. Henry Corwin, ersatz Santa Claus, will enter a strange kind of North Pole which is one part the wondrous spirit of Christmas and one part the magic that can only be found… in the Twilight Zone.”
The script would be reused in the Eighties version of this series, and on the radio program as well.
Serling ended the original broadcast with the words, “And a Merry Christmas, to each and all”, but that phrase was deleted in the Eighties for reasons never made clear and would not be back until Netflix started streaming the series. The series runs on Paramount+ now in its original full, uncensored version. The line is still missing from all the DVD versions.
John Fielder who is Mister Dundee here would have a second Twilight Zone appearance in “Cavander is Coming” in which he has the lead as the Angel Harmon Cavender.
Oh, and let’s note that it’s a cat that mysteriously starts off this tale by knocking down a large burlap bag full of empty cans, which when Corwin trips over it, is then filled with gifts. See cats are magical!
Serling ends with this narration:
“A word to the wise to all the children of the Twentieth Century, whether their concern be pediatrics or geriatrics, whether they crawl on hands and knees and wear diapers or walk with a cane and comb their beards. There’s a wondrous magic to Christmas and there’s a special power reserved for little people. In short, there’s nothing mightier than the meek. And a Merry Christmas to each and all.”
One morning in early 1985, the comic strip creator Berkeley Breathed received a call from an unlikely fan: Ronald Reagan.
Breathed had started “Bloom County,” the wily tale of several eccentric middle-American animals — human and otherwise — five years earlier. Its cast included an emo penguin named Opus as well as Bill the Cat, a droopy-tongued, occasionally comatose former presidential candidate with a penchant for Tender Vittles and cocaine.
On its surface, “Bloom County” didn’t seem particularly Gipper-friendly. But a recent installment had featured a flattering image of the first lady, Nancy Reagan, and the president wanted to express his gratitude.
When Reagan finally reached Breathed at his home in Iowa City, the cartoonist had stepped out of the shower. “Mr. President,” Breathed told Reagan, “you should probably know I’m not wearing any pants right now.” Their chat went well, and not long afterward, Breathed found himself seated with Reagan at a state dinner, where the two discussed the president’s film career….
(13) WHEN THE MOON IS IN THE SEVENTH HOUSE. “Particle Could Be Portal to Fifth Dimension: What Is Dark Matter?” at Popular Mechanics. I had to run a link to a headline about the “Fifth Dimension”. I didn’t know any more about the subject once I finished the article, but it did leave me humming the “Wedding Bell Blues”.
Scientists say they can explain dark matter by positing a particle that links to a fifth dimension.
Our knowledge of the physical universe relies on the idea of dark matter, which takes up the vast majority of matter in the universe. Dark matter is a kind of pinch hitter that helps scientists explain how gravity works, because a lot of features would dissolve or fall apart without an “x factor” of dark matter. Even so, dark matter doesn’t disrupt the particles we do see and “feel,” meaning it must have other special properties as well….
…Could dimension-traveling fermions explain at least some of the dark matter scientists have so far not been able to observe? “We know that there is no viable [dark matter] candidate in the [standard model of physics],” the scientists say, “so already this fact asks for the presence of new physics.”…
Wishing you a holiday season full of light and laughter as we flip over into the new year!
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mark Roth-Whitworth, John A Arkansawyer, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
…“Treehouse of Horror” won’t be the only spooky “Simpsons” event this season, as the producers announced that a “second scary trilogy” will focus on a trio of stories inspired by Ray Bradbury. Dubbed “Simpsons Wicked This Way Comes,” Selman said the stories will be “dark and funny and in the Halloween spirit.”
Conrad noted it is under the umbrella of “Treehouse Presents.” Inspired by Selman reading Bradbury, she and other writers found several more episodes to parody. Among guest stars on that episode: Andy Serkis.
Groening noted that Bradbury once slammed the show in the press after its launch. He eventually met Bradbury, who said he had a bone to pick with the show because it borrowed from a “Twilight Zone” episode he had written. “He was mad,” Groening said of the late writer. “I wonder what Ray Bradbury would think about this episode. Oh wait!”
Quipped Selman: “Hopefully his estate is equally loving.”
As currently scheduled, the 35th “Treehouse” will run right after Halloween, while the Ray Bradbury episode will air in November….
Today, based on a suggestion from reader Fred K., I take a look at the time that Supergirl had to solve Ray Bradbury’s abduction!
Julius Schwartz, the then-editor of the Superman titles, was Ray Bradbury’s first science fiction agent and Schwartz was acquaintances with a lot of those writers, which explains why Isaac Asimov also has appeared in this feature during Schwartz’s time on the Superman titles.
The story, written by Jack C. Harris and drawn by Don Heck and Joe Giella, opens with Supergirl awaiting a flight carrying famed author Brad Reynolds (Ray Bradbury) into town…
However, shockingly enough, Reynolds/Bradbury VANISHES!…
“Obstacles,” said Henry Ford, “are those frightful things you see when you take your eyes off the goal.”
Actually, that thought alone would be worth the price you paid to read it here. But I get paid to write, so here’s a little bit on Ray Bradbury, the Wright brothers, and Albert Claude.
Surely everyone knows who the Wright brothers were and most of us have read the books of Ray Bradbury. (I would hope.) But who was Albert Claude, what’s he got to do with the other guys, and why should we care?
They were all giants, pioneers, overachievers, and civilization changers. And they all faced obstacles that could probably stop any one of us. But not them….
…[Ray] Bradbury’s success and stature were unequalled, but this was not a given, considering his journey. He reached his teens and then young adulthood during the Great Depression, and his family’s finances were in a bad way when he graduated high school. As a result, he could not attend college. That didn’t stop young Ray.
“When I graduated from high school,” he said, “it was during the depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.” He added, “Libraries raised me. I am indeed a child of the libraries.”
And the rest has been history: Fahrenheit 451, The Martian Chronicles, The Illustrated Man. Who hasn’t read them?
…Ray Bradbury was born in Waukegan on Aug. 22, 1920, and died June 5, 2012. He was an author and screenwriter in fantasy, science fiction, horror and mystery. Some of his most famous works include “Something Wicked This Way Comes” and his short-story collection, “The Martian Chronicles.”
“It’s really exciting. He got his love for writing and reading at the Carnegie Library — which is going to be opening this fall,” she said. “The park district had bought the old library and has been working furiously on renovations and restoring the library and adding on to it. Re-creating the library where Ray Bradbury went as a kid and was in the library for hours. This is an exciting time to celebrate. He is a hometown hero.”
The Waukegan History Museum at the Carnegie will feature the Bradbury room, which will be designed to look the way it was when the author frequented the library as a child. It will contain his personal papers willed to the Waukegan Public Library and an interactive element to the permanent exhibit…
(6) CONNIE WILLIS. Connie Willis’ novel Roswell included this dedication page, (Click for larger images.)
Before PCs and word processors, coin-operated typewriters were an option for people who couldn’t afford their own machines. You could find them in places like train stations, libraries, and hotels. These typewriters offered a pay-as-you-go typing service, making them accessible to travelers, students, and writers.
To use the typewriter, you would insert a coin or token, and it would unlock for a specific period of time. Once the time was up, the machine would lock again, requiring another coin to continue typing. Typically, these typewriters had a timer mechanism that would stop the carriage return when time ran out, ensuring that users paid for every minute of use.
In 1949, Ray Bradbury typed a short story, “The Fireman,” on a coin-operated typewriter. He spent $9.80, which is equivalent to around $110 today, over a span of nine days in the basement of UCLA’s Powell Library to complete his manuscript. The story was the basis for his novel, Fahrenheit 451….
Sir Elton said: ‘Rocket Man was our first ever number one record I think. And it was on the Honky Chateau record.
‘It was a pretty easy song to write a melody to, because it’s a song about space so it’s quite a spacious song.’
The hit was certified as Double Platinum and was listed in Rolling Stone’s greatest 500 songs of all time.
It’s space theme is obvious, with many comparing it to David Bowie’s Space Oddity.
But Bernie [Taupin] then revealed an additional source of inspiration.
He said: ‘It was actually a song inspired by Ray Bradbury from his book of science-fiction short stories called The Illustrated Man.
‘In that book there was a story called The Rocket Man, which was about how astronauts in the future would become sort of an everyday job so I kinda took that idea and ran with it.’
Shocked, his friend replied: ‘Do you know, I never knew that…’
(9) BOTH FEET ON THE GROUND. Michael Caines’ review of Remembrance: Selected correspondence of Ray Bradbury, edited by Jonathan R. Eller, starts with an ironic anecdote: “Remembrance: Selected correspondence of Ray Bradbury” in the Times Literary Supplement.
The joke was not lost on him: Ray Bradbury, whose imagination was always winging away to Mars or the fantastical future, suffered for much of his life from a fear of flying. Flying by aeroplane, at least. “Balloons are more my speed”, he confessed in 1966 to François Truffaut, who had urged him to come to the Venice Film Festival for a screening of Fahrenheit 451.
A couple of years later Bradbury had to decline another invitation, this time to receive two literary awards in Florida. One of them was for his essay “An Impatient Gulliver Above Our Roofs”, published in Life, which he had written after spending some time with astronauts at the Manned Spacecraft Center in Houston. He had travelled to Houston to meet “all those fast people”, he explained, “via a very slow train”. But his schedule at the time of the awards was “full to the brim”, and getting to Florida, for this non-flyer, “would be a task that would put strain on Jules Verne’s hero in Around the World in 80 Days”. He suggested that one of those fast people should stand in for him.
Sergei Bondarchuk directed an 8‑hour film adaptation of War and Peace (1966–67), which ended up winning an Oscar for Best Foreign Picture. When he was in Los Angeles as a guest of honor at a party, Hollywood royalty like John Wayne, John Ford, and Billy Wilder lined up to meet the Russian filmmaker. But the only person that Bondarchuk was truly excited to meet was Ray Bradbury. Bondarchuk introduced the author to the crowd of bemused A‑listers as “your greatest genius, your greatest writer!”…
… Another one of Bradbury’s shorts, There Will Come Soft Rain, has been adapted by Uzbek director Nazim Tyuhladziev (also spelled Nozim To’laho’jayev). The story is about an automated house that continues to cook and clean for a family of four unaware that they all perished in a nuclear explosion. While Bradbury’s version works as a comment on both American consumerism and general Cold War dread, Tyuhladziev’s version goes for a more religious tact. The robot that runs the house looks like a mechanical snake (Garden of Eden, anyone?). The robot and the house become undone by an errant white dove. The animation might not have the polish of a Disney movie, but it is surprisingly creepy and poignant….
(11) PLAYING WITH FIRE. Here’s a 1981 op-ed by Ray. (Click for larger image.)
(12) CENTENNIAL DOCUMENTARY. Four years ago, WaukeganTV produced a documentary for the Bradbury centennial: “Bradbury 100 – A Green Town Story”.
[Thanks to John King Tarpinian and Alan Baumler for these stories.]
The 47th Annual Jack Williamson Lectureship, hosted by Eastern New Mexico University, will be held April 11-13 in Portales, NM with guest of honor Martha Wells and emcee Connie Willis.
Martha WellsConnie Willis
Martha Wells is a science fiction and fantasy writer. She has written novels, short fiction, young-adult novels, and non-fiction in addition to tie-in fiction for Star Wars, Stargate: Atlantis, and Magic: the Gathering. Her work has appeared on the USA Today Bestseller List, the Sunday Times Bestseller List, and the New York Times Bestseller List. Her novella All Systems Red: The Murderbot Diaries (Tor.com) won the Hugo Award for Best Novella, the Nebula Award for Best Novella, and a Locus Award. Artificial Condition: The Murderbot Diaries (Tor.com) was a Nebula Award finalist, a Locus Award winner, and a Hugo Award winner. Exit Strategy:Network Effect (Tor.com) was a Nebula Award Winner for Best Novel, a Hugo Award Winner for Best Novel, and The Murderbot Diaries as a whole won a Hugo Award for Best Series. System Collapse (Tor.com), the seventh book in the Murderbot Diaries series, was released in November 2023. More information about Martha Wells can be found on her website: www.marthawells.com .
Connie Willis has been publishing science fiction and fantasy works for more than 50 years. After her first novel was published in 1982, she was able to quit her teaching job and become a full-time writer. She’s won multiple Hugo, Nebula, and Locus awards, been inducted into the Science Fiction Hall of Fame, and named a Science Fiction and Fantasy Writers of America Grand Master. Themes in her works include time travel, romantic comedy, history, and Christmas – to name a few. Her 2016 novel Crosstalk was named one of the Best Books of the Year by NPR. Her most recent novel is The Road to Roswell which was released in June 2023 by Random House. Click here to watch author Melinda Snodgrass interview Connie at the Jean Cocteau Cinema in Santa Fe in 2017. Click here to visit Connie’s blog.
The annual Jack Williamson Lectureship includes a luncheon with presentations by the guest of honor and toastmaster, readings by guest authors, time for book sales and signing, and panel discussions on a variety of science fiction and fantasy topics. All events are open to the public and the luncheon is the only event that requires advance reservations and a fee.
The lectureship, named for the prolific sff author and academic, was established by the university when Dr. Jack Williamson retired from his position as professor of English at Eastern New Mexico University in 1977. Ever since then writers, editors, artists and other speakers have gathered at ENMU every spring to share ideas, insights and their work with students, readers, viewers, creators, collectors and fans.
(1) LUKYANENKO NOT AT WORLDCON. There’s no sign of the Chengdu Worldcon’s Russian GoH Sergey Lukyanenko in social media coverage of the con. And the latest posts to his blog on his official website (devoted to anti-Israel remarks, and a report that his wife rescued a migrating woodcock in the backyard) suggest he’s at home. Although he made two other professional visits to the Far East earlier in 2023 he hasn’t mentioned Chengdu on his blog this year.
(2) 2023 HUGO BASE. This year’s Hugo base was debuted at the Chengdu Worldcon Opening Ceremonies by Hugo Administrator Dave McCarty. Here’s a screencap from the video. There are much better closeup photos of the base at his Facebook page.
(3) CHENGDU WORLDCON SOUVENIR BOOK. The “Member Guidebook” Member Guidebook for 2023 Chengdu World Science Fiction Convention has been released. It’s a publicly available download here (PDF).
The member guidebook for the 2023 Chengdu World Science Fiction Convention is available online. The guidebook consists of the welcome message from the co-chairs, an introduction to the main venue, notes for participants, an introduction to theme activities, a brief introduction of Chengdu, and an appendix.
(4) UYGHURS REMEMBERED. Andrew Gillsmith moderated a pre-Worldcon panel for the “World Uyghur Congress” which can be viewed on X.
(5) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Unofficial (?) Bilibili video of the opening ceremony
This seems to have been ripped from the stream, as it has a jump near the start where the video froze for me and others and audio glitches later on. It is mostly in Chinese.
I don’t think that opening ceremony video is complete; there was a section at the end where a bunch of the VIPs came up on stage to declare the con open. Most of that is in this 2-minute video, but it also has bits chopped out for some reason.
Donald Eastlake, Kevin Standlee, Chris M. Barkley and Nicholas Whyte are amongst several Western fandom figures pictured in this Xiaohongshu photo gallery.
Kevin Standlee and Don Eastlake III. Chris BarkleyNicholas Whyte
Longer fannish reports on Weibo
(Note: in the last couple of weeks or so, Weibo has added a “Translate content” link to posts, similar to what you get for foreign language tweets on Twitter. However, for long-form posts like these, it tends to time out, so you might instead want to use any translation tools built into browsers such as Chrome to read the following links.)
For those not keen on the more commercial or “mainstream” stuff in some of the prior links, Best Fan Writer and Fanzine finalist RiverFlow has a long Weibo post going over his activities today, which included meeting various fans and pros, and being on a panel about university SF societies.
From left to right: Hua Wen, Wei Ran, Bei Yu, RiverFlow (Best Fan Writer and Best Fanzine finalist), Tian Tian, San Ma, Dan Fan.(left) Best Fan Writer finalist Arthur Liu; (middle, in blue polo shirt) Ling Shizhen, who worked on the Best Fanzine finalist, Zero Gravity SF
SF Light Year aka Adaoli, who has commented here on File 770, has also posted some long reports on Weibo, such as this one.
English language promo video from Chengdu Museum
This 6-minute English language video is for the most part covers things that are more likely to appeal to general tourists, but is framed within a time-travel story featuring the Kormo mascot, and ends with the SF museum.
Xiaohongshu videos and photo galleries
As is to be expected with the con now underway, there are loads of these out there, and there’s a lot of repetition of material. These are a fairly arbitrary selection of the ones that showed up in search results:
Various panels, with a nice text summary of the poster’s impressions if you push it through browser translation tools
(6) LE GUIN VIDEOS. Available for viewing on Literary Hub, The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author. Here are the fifth and sixth installments.
In the fifth of the series, Theo Downes-Le Guin introduces “Where I Write,” an intimate peek into Ursula’s study and her writing process.
…Recently I viewed an online video titled “I Tried Ursula K. Le Guin’s Writing Schedule,” one of many such links. The production was snappy and well-intentioned, but the writer-presenter lost me when she described preparation of a “fancy breakfast.” The fried egg, tomato, and rocket sandwich bore no resemblance to mornings in my childhood home. Note to content creators: if you geek out on someone’s routine, do your research. Ursula wrote an entire essay about how to properly soft-boil an egg. That’s what she ate for breakfast. Not fancy.
In the final installment of the series, Julie Phillips reflects on “He’s My First Reader,” in which Ursula and her husband, Charles, discuss how their division of household labor helped Ursula thrive.
…When Ursula Kroeber met and fell in love with Charles Le Guin, their meeting, on a ship bound for France, seemed to her almost magically improbable. “Obviously this sort of thing doesn’t happen,” she wrote him six weeks after they met. “I mean, conceivably you might exist, but you would never sit at Table 30 at 2nd sitting for dinner in tourist class on the Queen Mary on Sept 23rd 1953; I ask you, now would you?”
Charles felt the same, though he didn’t recognize true love quite as quickly as she. “I thought she was awfully snooty and shy the first meals; and she thought that I was British and very reserved. But after those first misapprehensions were displaced, we have scarcely been apart at all the last month,” he wrote his parents. “How do I tell you all this without it seeming silly or impossible? It is neither—not impossible because it has happened; not silly because it is too deep and too wonderful. Ursula and I are going to be married.”…
Lately I feel like everyone is talking about masculinity and what it means to be a good dude. The other day, I was on a panel at the Pride on the Page book festival with Jacob Tobia (Sissy) who was saying that we’ve spent decades expanding gender roles for women in mainstream society — women won the right to wear pants in the workplace (for now) — but meanwhile, most men remain trapped, unable to express healthy emotions or process all of their trauma.
As someone who was so successful at being a man that I actually graduated, I want to help!
So it’s a really good thing that science fiction and fantasy offer us so many excellent examples of guys who are secure in their masculinity and ready to do the right thing, even when it’s tough….
Take for example —
11) Henry Deacon (Eureka)
In a “town full of geniuses,” Henry Deacon might just be the smartest of them all — but when this underrated show begins, he’s working as a mechanic because he has ethical objections to the work that Global Dynamics is doing. Henry isn’t just the guy who steps in and fixes things when all the out-of-control science goes off the rails, he’s also the town’s moral center. (And eventually, he becomes its mayor.) Emmy-winning actor Joe Morton, who plays Henry, also plays a resourceful, kind alien refugee in the movie The Brother From Another Planet.
(8) LARA PARKER (1938-2023). Actress Lara Parker, age 28 when she was cast as Dark Shadows’ beautiful and evil witch Angelique Bouchard Collins, died October 12. She was 84. The Deadline tribute also mentions her writing career:
…In her later years, Parker turned to writing and teaching — her novels include Angelique’s Descent (1998), The Salem Branch (2006), Wolf Moon Rising (2013) and Heiress of Collinwood (2016). The books proved popular among Dark Shadows‘ still-devoted, conventions-attending fan base, as well as devotees of romance and horror genre novels.
(9) MEMORY LANE.
1992 — [Written by Cat Eldridge from a suggestion by Mike Glyer.]
So let’s talk about Connie Willis’ Doomsday Book which is where our Beginning is from this Scroll.
It’s a novel in her series about Oxford time-traveling historians, which consists of Fire Watch, Doomsday Book, To Say Nothing of the Dog, or How We Found the Bishop’s Bird Stump and Blackout/All Clear.
It was published thirty-one years ago by Bantam Spectra with the cover art being by Tim Jacobus.
The series has an extraordinary history when it comes to awards. Fire Watch started off with a Best Novelette Hugo at ConStellation, along with winning a Nebula and being nominated for Balrog. Next up was a BSFA nomination for this novel followed by a Hugo win (a tie with with Vernor Vinge’s A Fire Upon the Deep) at ConFrancisco and a Nebula as well as picking up Clarke and Mythopoeic nominations.
To Say Nothing of the Dog, or How We Found the Bishop’s Bird Stump at Last won a Hugo at Aussiecon Three and also picked a Nebula nomination too.
Blackout/All Clear got a Hugo at Renovation and Nebula, plus a Campbell Memorial nomination.
So now that we’ve got those out of the way, let’s turned to the Beginning….
Mr. Dunworthy opened the door to the laboratory and his spectacles promptly steamed up.
“Am I too late?” he said, yanking them off and squinting at Mary.
“Shut the door,” she said. “I can’t hear you over the sound of those ghastly carols.”
Dunworthy closed the door, but it didn’t completely shut out the sound of “O Come, All Ye Faithful” wafting in from the quad. “Am I too late?” he said again.
Mary shook her head. “All you’ve missed is Gilchrist’s speech.” She leaned back in her chair to let Dunworthy squeeze past her into the narrow observation area. She had taken off her coat and wool hat and set them on the only other chair, along with a large shopping bag full of parcels. Her gray hair was in disarray, as if she had tried to fluff it up after taking her hat off. “A very long speech about Mediaeval’s maiden voyage in time,” she said, “and the college of Brasenose taking its rightful place as the jewel in history’s crown. Is it still raining?”
“Yes,” he said, wiping his spectacles on his muffler. He hooked the wire rims over his ears and went up to the thin-glass partition to look at the net. In the center of the laboratory was a smashed-up wagon surrounded by overturned trunks and wooden boxes. Above them hung the protective shields of the net, draped like a gauzy parachute.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 18, 1917 — Reynold Brown. Artist responsible for many SF film posters. His first poster was Creature from the Black Lagoon with other notable ones being Attack of the 50 Foot Woman, I Was a Teenage Werewolf and Mothra vs. Godzilla. (Died 1991.)
Born October 18, 1925 — Walter Harris. He wrote a New Avengers novel, To Catch a Rat, and novelized Creature from the Black Lagoon and The Werewolf of London. ISFDB lists four more genre novels by him, The Mistress of Downing Street, The Day I Died, The Fifth Horseman and Salvia. (Died 2019.)
Born October 18, 1944 — Katherine Kurtz, 78. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, the final volume of The Childe Morgan Trilogy, was published several years back. As medieval historical fantasy goes, they’re damn great.
Born October 18, 1951 — Jeff Schalles, 72. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
Born October 18, 1964 — Charles Stross, 59. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series especially the recent Empire Games and Dark State novels. Other favored works include the early Laundry Files novels and both of the Halting State novels though the second makes me cringe.
Born October 18, 1965– Kristen Britain, 58. She is writing the Green Rider series of which Green Rider was nominated for the Crawford Award and Blackveil was nominated for the David Gemmell Legend Award. It’s now a dozen novels deep.
(11) COMICS SECTION.
The Far Side — This is mainly about Mrs. Frankenstein’s monster?
(12) THAT POPEYE FILM. Daniel Dern (as a longtime fan of the movie) encourages Filers to watch “Popeye – It’s Not THAT Bad – The Insane True Story Behind the Movie”. Interesting enough. One notable item early in: the initial leads casting offer went to Dustin Hoffman (for Popeye) and Gilda Radner (for Olive Oil).
The final selections were Robin Williams and Shelley Duvall, both delightfully great… but I would still love to have seen Radner’s take on Ms. Oil, particularly playing opposite Robin Williams.
(13) DOWNLOAD VECTOR’S “CHINESE SF” ISSUE. The British Science Fiction Association opens issues of Vector to the public after about two years. The 2021 issue on Chinese SF is now available to download here.
‘ Vector 293 is a collaboration with guest editors Yen Ooi and Regina Kanyu Wang. Yen Ooi introduces the issue as well as many of its recurring concepts, such as techno-orientalism. Regina Kanyu Wang takes us through the history of women writing SF in China. Artist and curator Angela Chan interviews Beatrice Glow about her work with colonial histories and the ability of science fiction to ‘tell truthful histories and envision just futures together’ through art. The conversation about history, futures, science fiction and art continues in Dan Byrne-Smith’s interview with Gordon Cheung. Chinese SF scholars Mia Chen Ma, Frederike Schneider-Vielsäcker and Mengtian Sun offer glimpses of their recent and ongoing research. Authors Maggie Shen King (An Excess Male) and Chen Qiufan (Waste Tide) interview each other about their recent novels. Feng Zhang introduces us to the SF fandom in China, while Regina Kanuy Wang brings us up to speed with accelerating Chinese SF industry. Dev Agarwal questions the maturity of the Chinese SF blockbuster as can be judged from Shanghai Fortress and The Wandering Earth (both available on Netflix). Virginia L. Conn explores Sinofuturism, while Emily Xueni Jin delves into the implications of translating a growing body of SF work from Chinese into English. We learn about the global perspectives on Chinese SF from an illustrious panel assembled at WorldCon 2019, and about transnational speculative folklore of the Uyghur people from Sandra Unerman. Niall Harrison completes the issue with an illuminating survey of Chinese short SF in the 21st Century.’
(15) TRAILER PARK. Beacon 23 – a series coming on MGM+. The series, based on a book by Hugh Howey, is set to premiere its first two episodes on MGM+ on Sunday, November 12 at 9:00 p.m. EST/PST.
Aster (Lena Headey) and Halan (Stephan James) are drawn to Beacon 23 and face an onslaught of threats. When an object called The Artifact appears, they begin to unravel its mysteries, and develop a deep bond just in time to face a deadly AI.
The recent “ring of fire” solar eclipse looked stunning across portions of North and South America and we now have a new view of the stellar event. The Deep Space Climate Observatory (DSCOVR) satellite created the image of the eclipse on Saturday October 14, depicting the mostly blue Earth against the darkness of space, with one large patch of the planet in the shadow of the moon.
Launched in 2015, DSCOVR is a joint NASA, NOAA, and U.S. Air Force satellite. It offers a unique perspective since it is close to 1 million miles away from Earth and sits in a gravitationally stable point between the Earth and the sun called Lagrange Point 1. DSCOVR’s primary job is to monitor the solar wind in an effort to improve space weather forecasts.
A special device aboard the satellite called the Earth Polychromatic Imaging Camera (EPIC) imager took this view of the eclipse from space. According to NASA, the sensor gives scientists frequent views of the Earth. The moon’s shadow, or umbra, is falling across the southeastern coast of Texas, near Corpus Christi….
[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, Lise Andreasen, Daniel Dern, Steven French, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter, for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
(1) GOOD NEWS. My mother is back to her usual self and physically has regained enough ground for the doctor to send her home to the skilled nursing facility where she lives. She’ll go back tonight. And it’s hard to break the Scroll habit when I have a couple hours left to work on one!
(2) A LEADER WHO LOOKS TO THE FUTURE. [Item by Danny Sichel.] As a result of the October 3 election, Wab Kinew of Manitoba — winner of the 2022 Aurora Award for Best Young Adult Novel, for his Walking in Two Worlds — has joined the late Julius Vogel of New Zealand in a very exclusive club: SFF authors who are also heads of government. “Wab Kinew becomes Canada’s 1st First Nations premier of a province”CBC Kid News.
(3) FUTURE TENSE. The September entry in the Future Tense Fiction series: is“Little Assistance,” about the first judge on the Moon, by Stephen Harrison, a Slate columnist and lawyer.
The other homesteaders, mostly engineers and technicians, seemed to enjoy outings in the lunar rover. “Joyrides,” they called them. But for Eugene, this was a grinding chore that frayed his nerves. As he trundled across the powdery surface, he recounted a litany of risks: razor-sharp regolith puncturing the tires, a power failure in his EVA suit, a freak meteor hurtling through the chassis …
Just got back from a research trip to England. It was great, even though Oxford was experiencing a terrible heat wave, so hot the tour guides were telling people NOT to take the walking tours but to instead go inside one of the museums (even though those weren’t air-conditioned either).
We spent a lot of time in the History of Science Museum, which is most famous for having Einstein’s blackboard, but also has Lawrence of Arabia’s camera, Lewis Carroll’s photographic equipment, and the actual penicillin specimen that Florey and his team worked with when developing the drug during World War II.
Alexander Fleming was the one who’d originally discovered penicillin, but he’d never been able to do anything with it, and it was Howard Florey, Ernst Chain, Margaret Jennings, and other Oxford scientists who developed it into a practical medicine and the “miracle drug” that saved millions of lives during the war, using bedpans and every other container they could find to grow the vast quantities of penicillin needed….
(5) GENIUS GRANTS. The 2023 MacArthur Fellows were announced to me. The descriptions did not indicate to me that any of them have genre connections. Perhaps you will have better luck spotting some.
(6) CROWDFUNDING APPEAL. Fan and former Worldcon chair (1983) Michael Walsh has started a GoFundMe for “Car repair and storage”.
Over the weekend my car died. Got it to the dealer. New battery, starter, and alternator need to be replaced. Doing that leaves no money until mid month.
(7) MOSLEY AND OATES. Andrew Porter took these photos of Walter Mosley and Joyce Carol Oates being interviewed at St. Ann’s Church, Brooklyn Heights, during last weekend’s Brooklyn Book Festival. (You can also see more photos in the Brownstoner’s article about “Literary Crowds at the Brooklyn Book Festival”.)
Walter Mosley, left. Joyce Carol Oates, right. Moderated by Olivia Rutigliano (Editor, Lit Hub and CrimeReads). Photo by and (c) Andrew PorterWalter Mosley, left. Joyce Carol Oates, right. Photo by and (c) Andrew Porter
At the Festival, Porter also spotted a copy of this book with its tribute to my friend, the late Fred Patten (1940-2018).
On the one hand, it is unlikely that three hundred years in the future, a group of space marauders (or six hundred years ago in Ruritania, or on the third 5,000-year resurrection cycle on an alternate Earth that looks suspiciously like the Dalmation Coast) is going to rely on the same profanity as twenty-first-century North Americans. But on the other hand, everything else sounds worse. Unless you’re willing to create an entirely new language with its own complex set of rules, don’t bother coming up with a ten-word vocabulary of invented oaths. The best this can sound is stupid….
(9) MEMORY LANE.
1944 — [Written by Cat Eldridge from a selection by Mike Glyer.]
Fredric Brown is the writer who offers up our Beginning this time. Despite the story that is told of his wife claiming that he hated to write, he would write four novels and somewhere in excess of a hundred short stories and quite a few poems. That really takes dedication to writing, doesn’t it?
So what do I like by him?Martians, Go Home which I think is one of the finest comical SF novels ever done, and I realized that I’d read What Mad Universe a long time ago, it’s quite a fun read. And what I’ve read of his short stories are quite excellent indeed.
So who has read his mysteries? They look like they could be worth an evening or two. I noticed that his first one, The Fabulous Clipjoint, won the Edgar Award for outstanding first mystery novel. Very impressive!
Our Beginning this time is that of his “Arena” short story published in the June 1944 issue of Astounding Science Fiction.
The Star Trek episode called “Arena” had similarities to his story. So who here can tell me what those were? In order to avoid legal entanglements, it was agreed that Brown would receive payment and a story credit.
It is available in the Robert Silverberg edited The Science Fiction Hall of Fame, Volume One, 1929-1964 which is available from the usual suspects.
Now our Beginning…
CARSON OPENED HIS EYES, and found himself looking upwards into a flickering blue dimness.
It was hot, and he was lying on sand, and a rock embedded in the sand was hurting his back. He rolled over to his side, off the rock, and then pushed himself up to a sitting position.
‘I’m crazy,’ he thought. ‘Crazy — or dead — or something.’ The sand was blue, bright blue. And there wasn’t any such thing as bright blue sand on Earth or any of the planets. Blue sand under a blue dome that wasn’t the sky nor yet a room, but a circumscribed area — somehow he knew it was circumscribed and finite even though he couldn’t see to the top of it.
He picked up some of the sand in his hand and let it run through his fingers. It trickled down on to his bare leg. Bare?
He was stark naked, and already his body was dripping perspiration from the enervating heat, coated blue with sand wherever sand had touched it. Elsewhere his body was white.
He thought: then this sand is really blue. If it seemed blue only because of the blue light, then I’d be blue also. But I’m white, so the sand is blue. Blue sand: there isn’t any blue sand. There isn’t any place like this place I’m in.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 4, 1860 — Sidney Edward Paget. British illustrator of the Victorian era, he’s definitely known for his illustrations that accompanied Arthur Conan Doyle’s Sherlock Holmes stories such as the one in “The Adventure of Silver Blaze” which appeared in The Strand Magazine in December 1892, with the caption “Holmes game me a sketch of the events”. He also illustrated Arthur Morrison’s Martin Hewitt, Investigator, a series of short stories featuring the protagonist, Martin Hewitt, and written down by his good friend, the journalist Brett. These came out after Holmes was killed off, like many similar series. (Died 1908.)
Born October 4, 1904 — Earl Binder. Under the pen name of Eando Binder, he and his brother Otto published SF stories. One series was about a robot named Adam Link. The first such story, published in 1939, is titled “I, Robot”. A collection by Asimov called I, Robot would be published in 1950. The name was selected by the publisher, despite Asimov’s wishes. As Eando Binder, they wrote three SF novels — Enslaved Brains, Dawn to Dusk and Lords of Creation. (Died 1966.)
Born October 4, 1928 — Alvin Toffler. Author of Future Shock and a number of other works that almost no one will recall now. John Brunner named a most excellent novel, The Shockwave Rider, after the premise of Future Shock. (Died 2016.)
Born October 4, 1932 — Ann Thwaite, 91. Author of AA Milne: His Life which won the Whitbread Biography of the Year, as well as The Brilliant Career of Winnie-the Pooh, a scrapbook offshoot of the Milne biography. (And yes, Pooh is genre.) In 2017 she updated her 1990 biography of A.A Milne to coincide with Goodbye Christopher Robin for which she was a consultant.
Born October 4, 1956 —Bill Johnson. His writing was strongly influenced by South Dakota origins. This is particularly true of his “We Will Drink a Fish Together” story which won a Hugo for Best Novelette in 1998. (It got a Nebula nomination as well.) His 1999 collection, Dakota Dreamin, is quite superb. (Died 2022.)
Born October 4, 1975 — Saladin Ahmed, 48. His Black Bolt series, with Christian Ward as the artist, won an Eisner Award for Best New Series and the graphic novel collection, Black Bolt, Volume 1: Hard Time, was a finalist at Worldcon 76 for Hugo Award for Best Graphic Story.
(11) COMICS SECTION.
Popeyeunexpectedly includes the phrase “pocket dimensions”.
Arturo Serrano’s review of the webcomic Strange Planet and the Apple TV+ show adapted from it is titled “Trite Planet”, which is a hint at his opinion. On the other hand, the review includes numerous examples of the comic which you may like more than he does.
With the webcomic Strange Planet, first published on Instagram and then in book format, cartoonist Nathan W. Pyle has become the rare success story where a comedian has proved able to sustain a career based on knowing exactly one joke. His featureless blue aliens lead entirely ordinary lives, doing the same things humans do, but speaking with a degree of technical precision that exposes how abnormal our assumptions of normality truly are. Pyle has discovered how to milk the same gimmick a million times, creating a surprisingly caustic style of humor clothed in pastel. From innocent slice-of-life scenarios, Strange Planet can go into some really dark insights, a remarkable feat of tonal balancing without which it wouldn’t have become so explosively popular….
The comic book author and graphic novelist Bobby Joseph has become the first person of colour to be appointed the UK’s comics laureate.
Joseph, who was one of the first authors to create a British comic with black characters, was appointed to the role at the Lakes international comic art festival (LICAF) in Bowness-on-Windermere in the Lake District on Saturday.
He is the fifth person to hold the post, which was created in 2014 to raise awareness of the impact comics can have on increasing literacy and creativity. One of the laureate’s key focuses is to increase the acceptance of comics as a tool for learning in schools and libraries.
Joseph, 51, who grew up in south London, told the Guardian he hoped to spend his two-year stint tackling the lack of diversity in the comics industry.
“This award is a huge achievement. I am very honoured to get it. That said, one of the key things I want to do is change things with regards to diversity, representation and the unheard voices of comics. This is my main focus. There is no point being in this role unless I am able to help others,” he said….
A new author income study released by the Authors Guild provides a dizzying array of numbers and breakdowns about how all types of authors—traditionally published and self-published, full-time and part-time—fared financially in 2022. With such a deep trove of statistics, the survey offers something for everyone, but the main takeaway is that most authors have a hard time earning a living from their craft.
The survey, which drew responses from 5,699 published authors, found that in 2022, their median gross pre-tax income from their books was $2,000. When combined with other writing-related income, the total annual median income was $5,000. The median book-related income for survey respondents in 2022 was up 9% from 2018, adjusted for inflation, with all the increase coming from full-time authors, whose income was up 20%, compared to a 4% decline for part-time authors….
(14) SNAPPING THE SUSPENDERS OF DISBELIEF. Camestros Felapton does a pretty entertaining review of the movie in “Review: 65”.
…”But…” you might say and sure there is a lot we could nitpick about the setup but that would be a category error. If you are choosing to watch this film, you are choosing to watch Adam Driver shoot dinosaurs with a hi-tech gun. “But why is he flying into this solar system if he is flying these people to a completely different planet somewhere else?” is not a legitimate question. The film comes pre-exempt from such criticism just as you can’t ask a rom-com to not depend so much on random coincidences or misunderstandings, or why cars are so prone to exploding in an action movie, or what the actual murder rate was among wealthy British people in a period murder mystery….
[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, Sean Wallace, Lise Andreasen, Daniel Dern, Olav Rokne, Danny SIchel, Bill, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) IMAGINARY PAPERS 15. The latest issue of Imaginary Papers, ASU Center for Science and the Imagination’s quarterly newsletter about science fiction worldbuilding, futures thinking, and imagination, is out today.
In this issue, Hispanic studies scholar Mateo Díaz Choza writes about the 1968 speculative fiction story “Tesis,” by José B. Adolph; film studies student Devan Hakkal writes about the gloriously strange 2010 video game Nier: Replicant; and we cover UNESCO’s new open-access book Reporting on Artificial Intelligence: A Handbook for Journalism Educators.
Tesis (1968)
A spacecraft is crossing some indeterminate region of outer space. Inside, a group of students presents their final projects to Professor Locust. His favorite student, Andros, introduces a case study: an unknown planet will be struck by a comet, and violent precipitation and inundations will follow. Andros describes the planet as a primitive place where civilization is in its early stages, though its inhabitants have developed agriculture, modes of transportation, and small cities. When Professor Locust asks Andros how he will resolve the issue of preserving this young civilization, Andros enigmatically answers, “solution B.”…
The full archive of Imaginary Papers is available to read here.
A lot of Ace Double science fiction books. There’s no single book I’ve bought for the cover, but many. But the Ace Doubles were great. You got two books for the price of one, short books, and these really outstanding covers that were sometimes better than the contents. I remember one book I bought because of a giant lizard man approaching a human. They were both on a netting in the trees–and I think they were armed–and from there I filled in the story. When I actually read the book, it was nowhere as good as in my imagination. But there were many that fulfilled my expectations. Philip José Farmer was one.
(3) SMOFCON REMINDER. Smofcon, an annual conference for convention planners, will be held December 1-3 in Providence, RI. The event will be fully hybrid convention so members can attend from anywhere. Tammy Coxen explained on Facebook:
At Smofcon, we gather to discuss many aspects of convention planning, at both the local level and at the Worldcon and other large conference level. We look for old friends, make new ones, attend panels on a variety of subjects about convention running, and express our views on best ways to do something. We often get recruited to work on other conventions — or recruit others to come work on our next convention.
While Smofcon covers a variety of topics, this year’s program will have a particular focus on running hybrid conventions.
(4) LEARNEDLEAGUE. [Item by David Goldfarb.] Another SFF question cropped up in the ”Notable Women of Asia” mini-league.
Persis Khambatta was the winner of the 1965 Miss Femina India pageant, a contestant in that year’s Miss Universe pageant, and the first Indian person to present at the Academy Awards. But you may also know her as Deltan Starfleet officer Lt. Ilia in what 1979 science fiction film, a role for which she shaved her head.
This is of course Star Trek: the Motion Picture. It had a 57% get rate, with 13% giving the most common wrong answer of Alien.
(5) A CONDUCTOR’S LIFE. While looking up info about Somtow Sucharitkul for a post today I came across one of the maestro’s anecdotes in Martin Morse Wooster’s 2015 “Operacon Report”:
…Somtow also told about the time he tried to bring an elephant for a performance of Aida. He didn’t know that elephants in Bangkok had to be licensed, and was surprised when the pachyderm police showed up and arrested the elephant, taking him to the elephant impoundment lot or wherever it is that unlicensed elephants in Bangkok go. The resulting performance of Aida was elephant-free….
(6) AUSSIE FANHISTORY IN THE WORKS. Leigh Edmonds announced on Facebook he finished drafting the first part of the history of Australian science fiction fandom.
This project was ordered on my during Aussiecon 4 in 2010 and has taken 13 years to get this far partly because of the necessities of daily life. Partly also because I had expected the entire project of writing a history of Australian fandom up to Aussiecon in 1975 would run to around 50,000 words and the part that I have just completed, which covers the period from 1936 to about 1960, runs to just on 75,300 words. Now it’s time to write an introduction, polish up the text, find some photos, an editor and indexer (hint, hint) and get it published. I still have no idea what to call it.
The eclipse itself is very short, you know… Then I remember as the sun started to reappear people yelling out “Encore!” and I did not know what that word meant. And everyone around me laughed and I remember turning to my parents and saying “What does encore mean, what does that mean?” And they said it means “You are so good. We wanted you to do it again.”
(8) MEMORY LANE
2016 – [Written by Cat Eldridge from a choice by Mike Glyer.]
David Hutchison’s Fractured Europe Sequence is a brilliant telling of a Europe fractured into hundreds, maybe thousands, of political polities. Europe in Winter was published by Solaris seven years ago. It was the third of the five Fractured Europe Sequence novels. There may a sixth novel someday Hutchison says.
It’s an interesting series as the novels share the same setting but aren’t connected though the characters are common to the series except the final novel which has an all new cast of characters.
There are also two stories. Remember my wish that more stories were sold separately? Good luck on reading these two — one is in Barcelona Tales, the other is in London Centric: Tales of Future London which I actually have.
Our Beginning comes from Europe in Winter that won a BSFA. The series actually nominated for a lot of Awards include a Campbell Memorial, a Clarke, multiple BSFAs, a Dragon and even a Kitschies.
And now for our Beginning….
TRANS-EUROPE EXPRESS
THEY ALMOST MISSED the train. They had always planned to arrive close to departure time, so that Amanda had to spend as little time as possible on her feet, but there was a flash mob on the Place de la Concorde and all the streets leading into it were blocked.
“What the hell is this?” muttered William, who was driving. “Anti-Union protesters,” Kenneth said, reading the placards being carried by the crowds boiling between the traffic.
“Well, God has a sense of irony, anyway,” muttered Amanda, shifting uncomfortably on the back seat.
William looked back at her. “How are you feeling?”
“I’m all right,” she said. “Don’t worry about me. Can we go another way?”
They were in a make of vehicle nicknamed La Rage by the French, basically a looming black mediaeval fortress festooned with bullbars and lights and antitheft devices. Kenneth had wanted something more anonymous, but William said the only thing Parisian drivers understood was force. It had one obvious drawback; although its defensive systems could cause epileptic fits and rectal bleeding in anyone stupid enough to try to steal or attack it, it was too large to go down many of Paris’s lesser thoroughfares.
“We’re stuck,” William said, twisting left and right to look out of the windows and hovering his finger over the icon on the dash display which triggered a 10,000 volt charge through the skin of the car, as protesters bumped and pushed by between the line of vehicles.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 23, 1868 — Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it? Well, I think so even if you don’t, so there. (Died 1950.)
Born August 23, 1927 — Peter Wyngarde. Not a lead actor in any genre series but interesting nonetheless. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
Born August 23, 1929 — Vera Miles, 94. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight Zone, Alfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E.
Born August 23, 1931 — Barbara Eden, 92. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors, and she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. She was Angela Benedict in The Seven Faces of Dr. Lao, the wonderful film version of Charles Finney’s novel, The Circus of Dr. Lao. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch. Her latest genre was just two years ago, Mrs. Claus in My Adventures with Santa.
Born August 23, 1944 — Karl Alexander. Author of Time after Time which was filmed as Time after Time as directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. Time after Time was nominated for a Hugo at Noreascon II, the year Alien won. (Died 2015.)
Born August 23, 1966 — Charley Boorman, 57. He played a young Mordred in Excalibur which was directed by his father (and he was joined by his older sister Katrine Boorman who played Ygraine, Mordred’s grandmother) He was Tommy Markham in The Emerald Forest, and had an uncredited role in Alien.
…One of the most notable things about Invasion is its structure. The show follows a handful of characters spread across the globe, each dealing with the invading aliens in different ways. Season 1 was all about survival for pretty much the whole cast, whether it was a mother in America trying to keep her kids alive, a bus full of students stranded and alone in England, or a Japanese communications expert desperately trying to contact a lost astronaut who also happened to be her secret girlfriend. But in season 2, most everybody has a bit more direction, and it makes the show move forward with more purpose and intensity.
The new season picks up a few months after the spiky alien blobs first made their presence known, and things aren’t going so well. Major cities look like war zones, with most people having fled or died, while those who remain struggle to fight against the very tough to kill invaders. If it weren’t for the looming spaceships on the horizon, the show could be mistaken for any number of postapocalyptic series early on…
… Professor Huyang is a droid who made his first appearance in the animated series Star Wars: The Clone Wars. He appeared in a total of three episodes in season 5, accompanying Yoda (Tom Kane) and Tano (Ashley Eckstein) to the planet Ilum with a group of younglings so they could find Kyber crystals to assemble their lightsabers. This is an important rite of passage for a youngling on their journey to becoming a Jedi. Huyang has been aiding younglings at this stage of their training for centuries and was specifically built to serve this purpose….
…Not much is known about Huyang’s role in Ahsoka, but we can probably expect him to be just as loyal and filled with stories and wisdom as ever. Additionally, we’re expecting a top-notch performance from Tennant, who took home an Emmy award for Outstanding Performer in an Animated Program for his role as Huyang in Star Wars: The Clone Wars. Tennant’s performances brings so much depth, mystery, and allure to the character. Whether it’s another award-winning performance or adding further context to this ancient droid, Huyang’s role in Ahsoka holds quite a bit of potential.
Oscar-winning VFX supervisor and VES founding member Tim McGovern will receive the 2023 VES Founders Award, and the group has awarded lifetime VES memberships to McGovern, archivist and curator Sandra Joy Aguilar, producer and AMPAS Governor Brooke Breton and VFX artist agent and executive Bob Coleman.
(13) RYAN GEORGE VIDEO. It’s great to be a genius, of course, but that’s not who we’re talking to here: “The First Guy To Ever Own A Bird”.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, David Goldfarb, Joey Eschrich, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Russell Letson.]
(1) MICHELE LUNDGREN ARRAIGNED. Nine of the 16 Michigan Fake Trump electors were arraigned today on felony charges including Michele Lundgren, wife of sff artist Carl Lundgren. The other seven have already been in court, and all 16 now have entered not guilty pleas. CNN covered today’s proceedings: “Michigan’s fake GOP electors arraigned on state charges”.
The 16 Michigan Republicans who served as fake electors in 2020 have pleaded not guilty to the first-of-their-kind felony charges stemming from the Trump-backed election subversion plot.
Nine of the defendants were arraigned on the state charges Thursday at a virtual court hearing in Lansing. The other seven defendants already pleaded not guilty in the past few weeks.
The group of GOP activists were hit with state charges last month over their role former President Donald Trump’s seven-state plan to subvert the Electoral College and overturn the 2020 election results by supplanting lawful Democratic electors with fake Republican electors.
Each of the fake Michigan electors were charged with eight state felonies, including forgery, conspiracy to commit election law forgery, and publishing a counterfeit record. Some of their defense attorneys have already said they’ll challenge the novel prosecution and will try to get the charges dropped. The case is unfolding in Ingham County District Court.
The defendants were released on a $1,000 bond, after state judges determined that they weren’t a danger to the community and didn’t pose a flight risk. The next hearing in the case is scheduled for August 18, where prosecutors will need to show probable cause of the crimes….
Today’s arraignment was livestreamed from the judge’s courtroom, with some persons participating remotely. You can see Michele Lundgren’s appearance starting at about 43 minutes into this video.
…referring to the so-called “talks about talking” meeting Friday between the Alliance of Motion Picture and Television Producers and the Writers Guild executives to discuss if there was a path back to restart negotiations […the] WGA said in a briefing to members afterward that the AMPTP is offering the 11,000-member WGA the same deal that the DGA ratified on pattern issues and increases on a few writer-specific TV minimums. Scribes have since voiced their frustration with the AMPTP’s unwillingness to engage on such core issues as the minimum size of writers rooms or success-based residuals, among other topics. (The AMPTP has not commented on the meeting.)
Showrunner Damon Lindelof walked the humid picket line outside Disney in Burbank with Justin Britt-Gibson — the two were recently fired off a Star Wars movie they had been scripting for Disney-owned Lucasfilm — and shared that they both feel a new sense of resolve. “Ninety-nine days of steps under my belt and I don’t know if there’s any end in sight, but I’m feeling good, strong, convinced and unified,” said Lindelof. “Justin and I wrote a Star Wars movie together and picketing Disney is a lot more fun than writing a Star Wars movie,” said the Lost and Watchmen creator. Added Britt-Gibson: “This will not be in vain. This will be done so we have a better future for writers, for actors, for everybody out here on the line. … Strike the Empire back!”
(3) BEATLES CONSPIRACY THEORIST. Connie Willis reminded fans that August 8 is the anniversary of the day the four Beatles walked across the road at an Abbey Road zebra crossing. But was Paul actually dead? “The Abbey Road Zebra Crossing Today” at Facebook.
…Back when my daughter was in high school, she went to see a Beatles cover band and became obsessed with the Beatles. She and her friends dubbed themselves the Fab Four, and she began reading all about the Beatles. One day she came to me and said, “Did you know that there’s a rumor that Paul’s dead?”
“Are you KIDDING?” I said, incensed. “I was there when that rumor started. I helped SPREAD that rumor!”…
(4) IS THE CORPSE NO LONGER THE GUEST OF HONOR AT ITS OWN PARTY? New York Times essayist Amor Towles mourns that “Once at the center of the murder mystery, the cadaver has become increasingly incidental to the action and now figures as little more than a prop” in “The Corpse in the Library” .
…But in the golden age, the cadaver didn’t simply get things going. It maintained its position at the center of the story from the moment of its discovery until the denouement. As Hercule Poirot often pointed out, it was the psychology of the victim that was paramount. In life, was the cadaver lascivious? Unscrupulous? Greedy? To understand who had most likely monkeyed with the brakes of her car or poisoned her cup of tea, one first had to understand whom she had loved and whom she had spurned; whom she had enriched and whom she had cheated.
In the golden age, while the cadaver gave its life fairly early in the story, it could take comfort that it would remain of primary concern to the writer and reader until the book’s very last pages. This was no small consolation. As Lord Henry observed in Oscar Wilde’s “The Picture of Dorian Gray,”“There is only one thing in the world worse than being talked about, and that is not being talked about.”
BUT TIME MOVES on. In the years before World War II, a new kind of mystery, spearheaded by Dashiell Hammett and refined by Raymond Chandler, rose to prominence: the hard-boiled detective story.
Unlike the detectives of the golden age, who were often aristocratic in bearing and schooled in etiquette, the hard-boiled detectives were men who disdained artifice and favored plain speaking. They hung their hats in shabby offices, gathered information in flophouses and bars, and went home to one-bedroom apartments. Leading rugged lives, earning meager livings, prepared to expect the worst of everyone, the hard-boiled detectives were consummate professionals in the most world-weary of industries.
But when Hammett and Chandler opted to foreground the gritty, quotidian life of the detective-for-hire, one consequence was that the role of the cadaver shrank in importance. For these detectives were not hired to solve murders (that task was the purview of the police). Instead, they were hired to solve messy domestic problems….
… the highlight of the event, the crown jewel of Flashback Weekend, was a panel hosted by horror legends Svengoolie and Joe Bob Briggs. Together, the hosts regaled guests with tales of TV, from their onscreen lives to their hopes for the future of horror hosts. With attendance limited to seating capacity, the intimate conversation will be fondly remembered by everyone in the room….
… Joe Bob: I’m the spokesperson for the 90th birthday of the drive-in!
Sven: I also think it’s the 90th anniversary of somebody driving off with the speaker still attached to their window.
Joe Bob: I’m sure it is! Although, at the very first drive-in, in Camden, New Jersey, in 1933, the owner, Richard Hollingshead, thought he could just put up a big screen, park the cars in front of the screen, and get the most powerful speaker he could find — some kind of military-grade, industrial speaker, and put it by the screen and just shoot it out at the cars. That was actually what they did for the first — I don’t know — at least the first year. And then they went, “Now we’re gonna have to try some other solution, this is not working with the romantic comedies.”…
(6) WEAR YOUR DUDS WITHOUT BEING A DUD. Today Scott Edelman reminded people about David Hartwell’s classic “Three Laws of Fashion”.
His Three Laws are:
1. To dress in ignorance of fashion is to dress badly.
2. To dress knowingly in fashion is to be invisible.
3. To dress knowingly in opposition to fashion is to have your own style.
(7) ON BOARD THE TARDIS. The Companions of Doctor Who, edited by David Bushman (Conversations with Mark Frost) and Ken Deep (Showrunner of L.I Doctor Who con), is coming in February 2024. Preorder here.
Gallifrey One’s Shaun Lyon wrote the article on Donna Noble. (Yay Shaun!)
The Doctor should never be alone. With companions like these, why would he? The follow up to The Villains of Doctor Who essay book is right here. Donna, Clara, Amy, Rose, Ace, Sarah Jane and more are waiting for you in this sequel book which covers a diverse group of author’s take on the ones who travel alongside of The Doctor
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 10, 1896 — John Gloag. His first SF novel, Tomorrow’s Yesterday, depicts a race of cat people from the distant future observing human society. It was one of five SF novels and a double handful of short stories he wrote in the Thirties and Forties. Kindle has almost all of his non-fiction. Really they do. Alas the SF no one has. (Died 1981.)
Born August 10, 1902 — Curt Siodmak. He is known for his work in genre films for The Wolf Man and Donovan’s Brain, the latter from his own novel. ISFDB notes the latter was part of his Dr. Patrick Cory series, and he wrote quite a few other genre novels as well. Donovan’s Brain and a very few other works are available from the usual suspects. (Died 2000.)
Born August 10, 1903 — Ward Moore. Author of Bring the Jubilee which everyone knows and several novels more that I’m fairly sure almost no one knows. More interestingly to me was that he was a keen writer of recipes as ISFDB documents four of his appeared in Anne McCaffrey’s Cooking Out of This World. Kidneys anyone? Or tripe anyone? (Shudder.) (Died 1978.)
Born August 10, 1932 — Alexis A. Gilliland, 92. He won the John W. Campbell Award for Best New Writer in 1982, edging out Brin and Swanwick for the honor. Gilliland also won four Hugo Awards for Best Fan Artist in the early Eighties and won the Tucker Award for Excellence in Partying in the late Eighties. What the Hell is that? He’s got two series, Rosinante and Wizenbeak.
Born August 10, 1944 — Barbara Erskine, 79. I’m including her because I’ve got a bit of a mystery. ISFDB lists her as writing over a dozen genre novels and her wiki page says she has a fascination with the supernatural but neither indicates what manner of genre fiction she wrote. I’m guessing romance or gothic tinged with the supernatural based on the covers but that’s just a guess. What do y’all know about her?
Born August 10, 1952 — David C. Smith, 71. He is best known for his fantasy novels, particularly those co-authored with Richard L. Tierney, featuring characters created by Robert E. Howard, most notably the six novels which involved Red Sonja. Those novels are available on iBooks but not on Kindle.
Born August 10, 1955 — Eddie Campbell, 68. Best known as the illustrator and publisher of From Hell (written by Alan Moore), and Bacchus, a series about the few Greek gods who have made it to our time. Though not genre, I highly recommend The Black Diamond Detective Agency which he did. It’s an adaptation of a most likely never to be made screenplay by C. Gaby Mitchell.
Born August 10, 1955 — Tom Kidd, 68. Genre illustrator, he’s won an impressive seven Chelsey Awards. Though he didn’t win a Hugo for Best Professional Artist, he was nominated at Aussiecon Two, Nolacon, Conspiracy ‘87 and ConFiction. Since I’m fond of this Poul Anderson series, I’m giving you his cover for Maurai & Kith.
(9) FANDOMS – SF/F AND BEYOND. [Item by SF Concatenation’s Jonathan Cowie.] This week’s BBC Radio 4 edition of Word of Mouth discusses fandoms writ large. It looks at things like fan fic – its origins seem close to Sherlock Holmes over a century ago – cosplay, cons etc. “Fandom”.
You can download the 28-minute episode here and you do not have to have a BBC Sounds account to download.
Video games stories often shift and splinter based on a player’s unique actions.
But “Stray Gods: The Roleplaying Musical” goes a step further: Not only does it present branching paths through an urban fantasy, but it’s also bursting with interactive music.
Unlike other games that focus on shooting, spells or swordplay, “Stray Gods” is all about singing. Forced to clear her name after being accused of murder, protagonist Grace has to use her newfound powers as a muse to investigate the game’s modern-day Greek gods, swapping styles depending on the player’s approach. You can sing compassionately in one verse then get angrier in the next. Each choice will solicit divergent reactions and progress the story differently.
“I would say it’s hundreds or maybe thousands of really noticeably discrete versions, and then it gets into the millions once you start getting into the more subtle variations of this instrument versus that instrument,” says “Stray Gods” composer Austin Wintory…
…According to the official Star Wars social media accounts, Ahsoka will be released every Wednesday, starting with two episodes on August 23rd. The series will feature eight episodes and span seven weeks into October. You can check out the full schedule announcement below.
“The moment Fetter is born, Mother-of-Glory pins his shadow to the earth with a large brass nail and tears it from him. This is his first memory, the seed of many hours of therapy to come.” So begins Vajra Chandrasekera’s remarkable debut novel The Saint of Bright Doors. It’s a good beginning, full of promise. The shock of that sudden violence. The strangeness of the fantastical act. The lurch towards modernity right at the end. It is also, however, an opening whose promises—including one that we are not even aware is being made—the novel will spend most of its length breaking…
NASA’s Ingenuity helicopter has had a rough few months, first losing communication with its home planet and later suffering a glitch that interrupted its flight. But you can’t keep a good chopper down. Ingenuity soared above the Martian terrain once again as its team on Earth tries to figure out what went wrong with its previous flight.
The Mars helicopter briefly flew for a 25-second hop on August 3, logging in its 54th flight above the planet’s surface to provide data that could help determine why its 53rd flight ended prematurely, NASA revealed this week….
Flight 53 was planned as a 136-second scouting flight dedicated to collecting imagery of the planet’s surface for the Perseverance Mars rover science team. The complicated flight profile included flying north 666 feet (203 meters) at an altitude of 16 feet (5 meters) and a speed of 5.6 mph (2.5 meters per second), then descending vertically to 8 feet (2.5 meters), where it would hover and obtain imagery of a rocky outcrop. Ingenuity would then climb straight up to 33 feet (10 meters) to allow its hazard divert system to initiate before descending vertically to touch down.
Instead, the helicopter executed the first half of its autonomous journey, flying north at an altitude of 16 feet (5 meters) for 466 feet (142 meters). Then a flight-contingency program was triggered, and Ingenuity automatically landed. The total flight time was 74 seconds.
“Since the very first flight we have included a program called ‘LAND_NOW’ that was designed to put the helicopter on the surface as soon as possible if any one of a few dozen off-nominal scenarios was encountered,” said Teddy Tzanetos, team lead emeritus for Ingenuity at NASA’s Jet Propulsion Laboratory in Southern California…
The Ingenuity team is confident that the early landing was triggered when image frames from the helicopter’s navigation camera didn’t sync up as expected with data from the rotorcraft’s inertial measurement unit. The unit measures Ingenuity’s acceleration and rotational rates – data that makes it possible to estimate where the helicopter is, how fast it is moving, and how it is oriented in space. This was not the first occasion on which image frames were dropped by the helicopter’s Navcam during a flight. Back on May 22, 2021, multiple image frames were dropped, resulting in excessive pitching and rolling near the end of Flight 6.
After Flight 6, the team updated the flight software to help mitigate the impact of dropped images, and the fix worked well for the subsequent 46 flights. However, on Flight 53 the quantity of dropped navigation images exceeded what the software patch allows.
“While we hoped to never trigger a LAND_NOW, this flight is a valuable case study that will benefit future aircraft operating on other worlds,” said Tzanetos. “The team is working to better understand what occurred in Flight 53, and with Flight 54’s success we’re confident that our baby is ready to keep soaring ahead on Mars.”
[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]
(2) KGB. Ellen Datlow has shared her photos from the Fantastic Fiction at KGB reading on June 14 where “Nathan Ballingrud read from his novel The Strange and Dale Bailey read from his story ‘I Married a Monster from Outer Space’ and both made the crowd very happy.”
(3) COVER ART UNCOVERED. Alex Shvartsman has revealed the cover for The Digital Aesthete. See preorder information at the link.
We now have a cover for the anthology of stories about artificial minds interacting with art. The stories and the art are created by humans (the cover is drawn and designed by the spectacular K.A. Teryna!)
(4) NO, NO, IT WOULD BE A LITERARY SOCIETY. Norman Spinrad’s first attempt to explain his idea was completely successful. Everybody knew exactly what he meant. Now he tries to remedy that with a cagier post, “SFS and SFWA”.
I think I should this make this clear. SFWA means Science Fiction and Fantasy Writers Association. SFS means Speculative Fiction Society. SFWA has existed for a long time and I was elected its president three times. Speculative Fiction Society is something that does not yet exist, it is something that may or may not exist in a possible future, it is, well, speculative fiction.
SFS is not an enemy of SFWA nor would it be mean to replace it. SFS is not a new invention. SFWA was born as society of speculative fiction writers. Damon Knight and Kate Wilhelm invited writers of their choice to their large house in Milford annually to meet each other and bring stories of theirs to read his small society. Stories of which they were proud, stories they felt had literary problems, and to some extent, stories that they had trouble finding proper publication.
Although we all well knew that the price of liberty was taking care of business, this was primerily a literary society. The core was to help each other create better literature. But business being what it was, Damon said that we should create something that could also help writers take care of business. Not quite a union like the Screen Writers of America, but something that could act like one when called to, a Science Fiction Writers of America.
The SFWA.
The SFWA, now calls itself the Science Fiction and Fantacy Writers Association. As such, it sometimes does act like a union when it comes to the rights and economic problems of its members. But it no longer functions as a literary society devoted to the literary health and evolution of speculative fiction.
Indeed it has now become a legally non-profit corporation, whose bottom line is not literature, but the bottom line, dedicated to maximum numbers of various levels of memberships, selling various fandom goods like baseball or soccer teams, behaving more like the Science Fiction and Fantasy Fandom Association.
An SFS, a Speculative Fiction Society, could never take the place of this Science Fiction and Fantasy Fandom Associaton. It could not do it, it would not want to do it, it would not want to destroy it. It would not be a corporation, not-profit or not.
The literary concept of speculative fiction is at least as ancient as Plato’s REPUBLIC and it was captured as “science fiction,” “sci-fi,” and yes, SF, by publishing fluke, and the purpose of a Speculative Fiction Society would be to rescue what should be a central literature of any dynamic society.
A famous and almost you might say snotty French publisher that calls itself “Less Belles Lettres” wanted to publish a book celebrating its hundredth birthday. They wanted to publish a book called “Les Futures des Belles Lettres,” a double meaning in French, the future of the publisher and the future of serious literature.
They asked me to write whatever I wanted to as long as the story I did that. I wrote a story called BELLES LETTRES AD ASTRA. A hundred years in the future the central literature would have to be be speculative fiction
…Centered on Francie, a young woman traveling to New Mexico to stop her college roommate’s UFO-themed wedding, Roswell is a kind of self-learning punchline algorithm. A skeptic regarding all things flying saucer, Francie is of course abducted. From there on out, the novel’s escalation through repetition is unceasing. The way Monument Valley has been mislocated in old western films, the way playing solitaire invites unsolicited advice, the way language empties itself semiotically if explained for too many hours to a cute, terrifying little alien: all turn the plot forward like fine teeth in a gearbox.
Francie eventually helps her captor, a pretty decent non-humanoid fellow, learn English thanks to the aforementioned western films. “I AINT NEVER GULLED A PARDNER,” the alien initially repeats without understanding; astute readers will hear another turn of the machine. The idea of “PARDNERS” becomes vital not only for surviving Las Vegas hotels and an Elvis-themed wedding, but essential to Francie saving her friends and at least one planet….
I mentioned Tochi Onyebuchi’s Goliath in my Hugo ballot post, and reviewed it on my blog. But the further I get away from it, the more convinced I become that this is one of the major science fiction novels of 2022, and that neither I nor the fandom as a whole have done enough to promote or discuss it. I was therefore thrilled when Strange Horizons reviews editor Dan Hartland proposed a roundtable discussion of the novel. Along with A.S. Lewis, Archita Mittra, and Jonah Sutton-Morse, it was a thrill to go deep into this remarkable, challenging book….
… Jonah Sutton-Morse: Thanks for gathering us—I’m really looking forward to this.
I have, I think, an answer to what the book is “about,” and moreso to “where did your focus wind up landing,” but I’m not sure they’re particularly satisfying, so I’m looking forward to reading other answers to this.
My focus in Goliath wound up landing on the moments and edges outside the stories that the book tells. There’s a way that Goliath is straightforwardly a story about ecological collapse, capitalism scavenging on leftover fragments, and the destructive impulses of gentrification and racism that we can see in national US news stories every day. But it struck me that, while the book was aware of that story, and expected the reader to be able to follow it (and this is a book that I found hard to follow), my focus kept falling on the pieces outside that story. The impulse to scavenge the remnants of a city is less interesting than the people who do the basic manual work of hammering the bricks. The people who leave ecological collapse are less interesting than those who remain—and even among those who left, the most interesting are those at the margins who eventually return. The mechanics of living in climate collapse, and enduring the policing that comes with the intrusion of wealth, are acknowledged but less interesting than an adventure collecting wild horses, or a group of people playing Spades and talking trash.
I don’t really like saying that this novel is “about” the lives and details around the edge of the destructive forces that regularly lead my national headlines (and I realize that the “Winter” section that Dan puts at the heart of the book at least partly complicates my reading), but it is those lives and details that my focus landed on….
(7) MEMORY LANE.
2011 – [Written by Cat Eldridge from a choice by Mike Glyer.]
The author of tonight’s Beginning, Saladin Ahmed is an Eisner Award-winning comic book writer for the debut of the Black Bolt series. He also wrote the Miles Morales: Spider-Man series. He is currently writing Miles Morales: Spider-Man and Exiles. Finally in this vein, I want to note his work on The Magnificent Ms. Marvel series.
His only novel, Throne of the Crescent Moon, where our Beginning is from, was nominated for a Hugo at Chicon 7. Dublin 2019 saw him pick up a Best Graphic Story nomination for Abbot.
He’s written but a double handful of short fiction sff stories, six of which are collected in Engraved on the Eye: Short Fantasy & Science Fiction.
And now his Beginning…
NINE DAYS.
Beneficent God, I beg you, let this be the day I die!
The guardsman’s spine and neck were warped and bent but still he lived.
He’d been locked in the red lacquered box for nine days.
He’d seen the days’ light come and go through the lid-crack. Nine days. He held them close as a handful of dinars. Counted them over and over. Nine days. Nine days. Nine days. If he could remember this until he died he could keep his soul whole for God’s sheltering embrace.
He had given up on remembering his name.
The guardsman heard soft footsteps approach, and he began to cry. Every day for nine days the gaunt, black-bearded man in the dirty white kaftan had appeared. Every day he cut the guardsman, or burned him. But worst was when the guardsman was made to taste the others’ pain.
The gaunt man had flayed a young marsh girl, pinning the guardsman’s eyes open so he had to see the girl’s skin curl out under the knife. He’d burned a Badawi boy alive and held back the guardsman’s head so the choking smoke would enter his nostrils. The guardsman had been forced to watch the broken and burned bodies being ripped apart as the gaunt man’s ghuls fed on heart-flesh. He’d watched as the gaunt man’s servant-creature, that thing made of shadows and jackal skin, had sucked something shimmering from those freshly dead corpses, leaving them with their hearts torn out and their empty eyes glowing red.
These things had almost shaken the guardsman’s mind loose. Almost. But he would remember. Nine days. Nine…. All-Merciful God, take me from this world!
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as Bradbury, Bester, Bloch, Weinbaum, and Lovecraft which included some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two TV horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then came the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known for his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd. : Stories of Science and Fantasy. Neither’s available in digital format. (Died 2005.)
Born June 19, 1947 — Salman Rushdie, 78. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her Feet, Grimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
Born June 19, 1952 — Virginia Hey, 71. Best known for her role as Pa’u Zotoh Zhaan in the fabulous Farscape, series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film.
Born June 19, 1954 — Kathleen Turner, 69. One of her earliest roles was in The Man with Two Brains as Dolores Benedict. Somewhat of a Fifties retro feel with that title. Of course, she voiced sultry Jessica Rabbit in Who Framed Roger Rabbit, one of my favorite all time films. I still haven’t seen all of the Roger Rabbit short films that were done. She voiced Constance in Monster House a few years later, and was in Cinderella, a television film where she was the lead of the Wicked Stepmother Claudette.
Born June 19, 1957 — Jean Rabe, 66. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok, I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.
Born June 19, 1978 — Zoe Saldana, 45. She was born with the lovely birth name of Zoë Yadira Saldaña Nazario. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film. I’ll confess that I’ve not yet seen the other Guardians of the Galaxy films. Should I?
(9) THEY’RE NOT LOSING AN X-MAN, THEY’RE GAINING AN AVENGER. This September, Tony Stark and Emma Frost tie the knot in the X-Men #26 and Invincible Iron Man #10 crossover event.
Today IGN exclusively revealed the upcoming connecting covers for X-MEN #26 and INVINCIBLE IRON MAN #10, which feature the long awaited wedding between Emma Frost and Tony Stark. Debuting in September, both issues are written by Gerry Duggan with art by Stefano Caselli (X-MEN #26), Juan Frigeri (INVINCIBLE IRON MAN #10), and stunning covers by Lucas Werneck.
First, in X-MEN #26, the moment we swore would never happen—heck, the moment EMMA FROST swore would never happen—is here at last! As the Frost/Stark knot is tied, Emma’s mutant family reacts to this surprise news! Then, readers are cordially invited to the wedding of Anthony Edward Stark and Emma Grace Frost in INVINCIBLE IRON MAN #10. Come join the lucky couple as they exchange vows. Attire is Hellfire formal. Orchis raid to follow. Plus some exclusive wedding extras!
To many of our listeners, your dad was an artist who created and designed characters at both Marvel and DC. He’s best known for drawing Spider-Man in the ’60s and ’70s. He had a hand in creating Wolverine, the Punisher and Luke Cage, among others. But who was he to you?
He’s the guy who taught me how to hit a curve ball, and that was almost as [important] to me as learning how to draw Spider-Man’s eyes properly. It was so much more than just the art. I was talking to my brother about the fact that when it rained on the weekends in the summertime, we would watch old movies together and he would tell us what was about to happen. And the scenes in “On the Waterfront” have stuck with me forever since. That’s the part I remember, is how much time he spent with us.
And then he taught us so many things. It was more than just the art mentor to me – and yet he never forced anything on me, as far as art went. He told me, “I’m not gonna tell you what to do. You come to me and ask me a question. If you do something wrong, I’ll proactively act that way.” So the man just did everything right with my brother and me. It was fantastic.
Like I said, as much as he helped with my art-world life, he was that way with all aspects of our lives. He was a brilliant man….
(11) IN ANOTHER FATHER’S DAY. [Item by Cora Buhlert.] Here’s an interesting video about the cargo vessel MS München, which vanished in December 1978 and is believed to have been sunk by a rogue wave: I remember this case very well, though I was only five when it happened. But my Dad worked for Hapag Lloyd, the shipping company which owned the München, at the time and so the search for the missing vessel was a big topic in our home. I’m not sure if my Dad helped to design the München — he was a naval architect for Hapag Lloyd — but he definitely knew some of those who were lost and attended the memorial service for the crew and passengers.The loss of the München also overshadowed the launch celebration for the new Hapag Lloyd cruise liner MS Europa only 8 days after the München vanished. My Mom and many other women opted to wear black evening gowns for the launch banquet.
(12) COMING ATTRACTION. [Item by SF Concatenation’s Jonathan Cowie.] I had only just alerted Filers as to Matt O’Dowd’s safe distance from a supernova (see (16) in the June 15 Scroll) in his PBS Space-Time video when new research indicates that the Red Giant Betelgeuse is in the late stage of core carbon burning, and a good candidate for the next Galactic supernova. It had been thought it might be many centuries away but it could be as close as a few decades. Fortunately Betelgeuse is hundreds of light years away. Nonetheless it should be visible in the day time and maybe some Filers who are on the young side might just witness it. In fact it may have already exploded just that the light has not reached us…! (See the pre-print Saio, H. et al (2023) “The evolutionary stage of Betelgeuse inferred from its pulsation periods”. Monthly Notices of the Royal Astronomical Society.)
(13) DOUBLE YOUR PLEASURE. The Smithsonian Magazine says “Cats May Have Been Domesticated Twice”. You know, given the independent nature of cats that just sounds so likely. However, the headline meant something different than what I first assumed.
Whether they were being worshipped as gods or transformed into memes, the relationship between cats and humans goes back a long ways. There are more than 500 million domestic house cats around the world, all of which are descended from a single subspecies of wildcat. But according to new research, there might have been a second, more recent (and unrelated) instance of cats becoming domesticated in China.
Most archaeologists believe that cats probably domesticated themselves more than 10,000 years ago when the fluffy little murderbeasts realized they could get an easy meal by staking out Neolithic storerooms and farms for the rats and mice that were attracted to human settlements. More cats meant fewer rodents, which meant more crops for the hard-working humans. Over time, our ancestors started taking care of the felines, leading to the modern house cat, Grennan Milliken writes for Popular Science.
But this story of a second line began a few years ago, when researchers uncovered several cat bones near Quanhucun, an early farming village in central China. The bones were about 5,300 years old and analysis of their chemistry showed these felines likely survived on a diet of grain-fed rodents, suggesting they at least hunted for dinner near the town’s millet stores.
The scientists found a few indications of domestication, according to the study recently published the journal PLOS One. First, based on the wear of its teeth, the remains of one of the cats seemed much older than the others, perhaps suggesting that someone took care of the cat as it got older, writes David Grimm for Science. These cats also were all slightly smaller than their wild counterparts, and one was even buried as a complete skeleton.
“That’s evidence of special treatment,” study author Jean-Denis Vigne tells Grimm. “Even if what we’re seeing here is not full domestication, it’s an intensification of the relationship between cats and humans.”
Further analysis showed that these cats did not descend from the same subspecies as the modern house cat, but actually belonged to a species known as “leopard cats,” Grimm reports. This means that the leopard cat lineage is genetically distinct from our modern fuzz balls….
Without getting too technical, 70mm is regarded as the best possible projection for films. Frames are more than three times larger than a typical celluloid, allowing for a much richer and fuller picture than is typically found in modern theaters….
The film about J. Robert Oppenheimer, the theoretical physicist who oversaw the development of first atomic bomb during World War II, drops on July 21. The pristine film formats will be especially pivotal in viewing the Trinity Test, the first detonation of a nuclear weapon.
“We knew that this had to be the showstopper. We’re able to do things with picture now that before we were really only able to do with sound in terms of an oversize impact for the audience, an almost physical sense of response to the film,” said Nolan in a recent interview.
(15) VIDEOS OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s Moid Moidelhoff has just made three mini-documentaries on science fiction. There is nothing really new here for the seasoned SF fan but some of these were shot on location. The first video looks at SF’s origins and includes a trip to Mary Shelly’s grave and Woking’s Martian tripod.
http://www.youtube.com/watch?v=b3KiVzsOhCI
The second video examines SF’s Golden Era with the rise of the classic pulp magazines and the big three – Asimov, Clarke and Heinlein – before moving on to Wyndham.
http://www.youtube.com/watch?v=tzRSwJEw9t8
He ends with the interest in dystopias, autocratic dictatorships and mutually assured destruction. Could Bradbury’s Fahrenheit 451 dumbed-down world ever come about? In part, shot on location at the Jodrell Bank radio telescope and an English village that could be Midwich… The final video ponders on SF’s present-day state. There was the rise of the new wave with Moorcock and then in the US with Ellison. And we also got Dick and cyberpunk before cyberpunk, and Gibson. Could we be about to embark on the most exciting period of science fiction?
http://www.youtube.com/watch?v=v2htpAgpGW0
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Alan Baumler, Cora Buhlert, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) MEMORIAL DAY CONTINUED. Rob Hansen forwarded the link to a Find-A-Grave page devoted to PFC Alden L Ackerman (1924-1945), Forry’s brother, who died in the Battle of the Bulge.
He also sent this link to the Fancyclopedia page on War, which at the bottom has a list of fans and writers who died in World War II that we know of.
Sam Moskowitz paid tribute to them at Newarkon II (1946) the first post-war con: Fantasy Times 12. Read his speech at the link.
(2) GETTING THERE IS HALF THE FUN. Cora Buhlert is still working on her Metropol Con report. However, she has completed her post about her adventures in Berlin before the con began. Includes a visit to an awesome bookstore: “Cora’s Adventures at Metropol Con in Berlin, Part 1: Pre-Con Wanderings”.
…In many ways I was reminded of one of my first visits to Berlin in the spring of 1990, when the Wall was already open, but East Germany still existed as a state. At the time, we decided to walk from the Victory column in (West) Berlin to the Brandenburg Gate. Because the Wall and the Gate were open, we just walked through and had our passports stamped by the friendliest East German border guard I’ve ever seen and just kept walking into East Berlin, walking along famous streets and buildings we knew existed, but had never actually seen, until we reached Alexanderplatz (BTW, I tried to walk that memorable route again from the other side and gave up halfway through, because it’s a very long walk and I’m no longer 16), got tired and decided to take the train back to West Berlin. So we went to Friedrichstraße station and looked at the network plan on the platform, only to find a huge gray hole where West Berlin should be. So I went to a train attendant and told him, “We need to go back to West Berlin to Uhlandstraße station [at any rate, I think it was Uhlandstraße], but West Berlin doesn’t exist on your map, so which train do I need to take?” The East Berlin train attendant apologised for the maps – they hadn’t gotten around to replacing them yet – and told me which train to take….
Whenever a film buff brings up The Philadelphia Story, I like to shock them with blasphemy. A foundational Hollywood picture, the 1940 film stars Cary Grant, Jimmy Stewart, and Katherine Hepburn at the height of their powers, a nuclear trio of contrasting charms, the suave versus the folksy versus the imperious. My sin is that I prefer its slick remake. Released in 1956, High Society is not as edgy, complicated, or electric. The star trio—Bing Crosby, Frank Sinatra, and Grace Kelly—still radiates, but gently and casually. Aside from adding musical numbers, the film’s main goal is to capture an echo of interwar charm in Technicolor.
If this is an elaborate way to introduce Connie Willis, sci-fi’s queen of time travel fiction, we find ourselves already close to the heart of her work, which thrives on unlikely crossovers. A devotee of Golden Age cinema, Willis has authored at least ten standalone novels and dozens of novellas and short stories. She’s the kind of movie enthusiast guaranteed to have an opinion on Bing versus Cary and Grace versus Katherine, and the kind of novelist to include the debate as a plot point.
Her newest, The Road to Roswell(out June 27th from Del Rey), is an ode to westerns, road trip movies, late-night creature features, and any scene where a guy and a gal share a look and know they’re in love. But it’s only the latest in a long line of film-loving fiction. In 1995, her sci-fi satire Remake took aim not only at Hollywood’s IPO vampirism but its faddish moralism as well. This was before there was a single Star Wars prequel….
How did the internet become so puritanical? On social media, outspoken anti-sex advocates increasingly cry “gross” at everything from R-rated rom-coms to fictional characters and queer people having sex to consenting adults with slight age gaps to dating short people. They see oversexualization in just about everything. They often accuse the things they dislike of being coded fronts for pedophilia, and the people who enjoy those things of being sexual predators. These social media users frequently form enclaves that turn as nightmarish and troubling as the things they’re ostensibly trying to police.
This dovetails with what we’re being told right now about Gen Z and sex: They’re having less casual sex, they hate dating, they’re more reserved about relationships in general. It’s easy to pigeonhole online anti-sex police as being teens and young adults, a.k.a. “puriteens.” Because so much of this comes down to carnal horror, you might assume that everyone who’s horrified is a teen who just hasn’t arrived at a mature view of sex and other adult activity. Such anti-sex zeal increasingly forces sex-positive communities back into the internet’s underground. It also aids and abets the larger cultural shift toward regressive attitudes and censorship of sexual minorities and sex-positive content.
Yet overwhelmingly, the common thread among this new generation of “antis” — a broad label for people who are opposed to sexual content in media — isn’t that they are minors who are scared of sex. It’s that none of them distinguish between fictional harm and real-world harm. That is, regardless of their ages, they believe fiction not only can have a real-world impact, but that it always has a real-world impact.
(5) TURNING THE PAGE ON A NEW SEASON. Amal El-Mohtar picks new sff novels for summer by authors Fonda Lee, Martha Wells, Nick Harkaway, Kelly Link and Emma Törzs: “The Magic (and Malaise) of Families” in the New York Times.
….Emma Törzs’s INK BLOOD SISTER SCRIBE(William Morrow, 407 pp., $30) is astonishing and pristine, the kind of debut I love to be devastated by, already so assured and sophisticated that it’s difficult to imagine where the author can go from here.
In Törzs’s world, books of magic, all written in human blood, can do incredible things when someone feeds them a drop of blood and reads them aloud. Abe Kalotay collected these books to protect them from falling into the wrong hands, and raised his daughters, Joanna and Esther, as stewards of a beautiful and dangerous library that had to be kept hidden at all costs; in Esther’s infancy, her mother was murdered by powerful people who wanted the books….
The Monty Python crew always looked on the bright side of life when it came to its classic film parody, The Life of Brian.
But Monty Python star John Cleese insists he never said that he would remove a politically incorrect scene from a stage adaptation of Life of Brian, even though the film’s 1979 sensibilities will not draw quite the laughs it once did, owing to the rise of trans issues awareness.
Cleese claims it was “misreported” that he was planning to cut the “Loretta” scene for an upcoming stage adaptation of the religious satire film. Instead, he said he has “no intention” of removing it.
The scene in question features a male character declaring that he wants to be woman named “Loretta,” and wants to have a child. Cleese’s character tells the man that the notion is ridiculous, while another suggests that they all advocate for his right to childbearing.
“I want to be a woman. … It’s my right as a man,” the character claims “I want to have babies… It’s every man’s right to have babies if he wants them.” After Cleese’s protest, the character snaps, “Don’t you oppress me!”
Obviously, times have changed the impact of that humor….
After an eagle-eyed Twitter user (@kojironanjo) realized that the Barbie trailer was ripe for meme-ification, Twitter fandom did what fandom does best, and immediately took the joke to the extreme. Reaching all corners of the world, fandoms immediately drew their favorite pairings using the Barbie mugshot screenshots as inspiration. With Margot Robbie’s concerned Barbie and Ryan Gosling’s cheesing Ken, the absurdity was truly just too good.
The key is having one character look slightly terrified and utterly baffled and possibly regretting every choice that has ever led to them getting their mugshot taken and the second character has to be a complete and total himbo, just an absolute dummy, no thoughts, just vibes….
2013 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Sofia Samatar’s A Stranger in Olondria is the source of our Beginning this time.
It was published by Small Beer Press, the source of oh so many wonderful publications, a decade ago. It’s now available from the usual suspects. Josh Hurley’s the narrator of the outstanding audio version.
It was herfirst novel and it won the William L. Crawford Fantasy Award, the BFA Robert Holdstock Award and the World Fantasy Award. She won the Astounding Award for Best New Writer the same year.
She has now published two genre novels. Oh, and The White Mosque A Memoir by her is outstanding. It’s about a trip to Uzbekistan in search of the followers of a century-gone Russian Mennonite religious leader. (Her bio says she’s Somali and Mennonite.)
And now for the Beginning…
Childhood in Tyron
As I was a stranger in Olondria, I knew nothing of the splendor of its coasts, nor of Bain, the Harbor City, whose lights and colors spill into the ocean like a cataract of roses. I did not know the vastness of the spice markets of Bain, where the merchants are delirious with scents, I had never seen the morning mists adrift above the surface of the green Illoun, of which the poets sing; I had never seen a woman with gems in her hair, nor observed the copper glinting of the domes, nor stood upon the melancholy beaches of the south while the wind brought in the sadness from the sea. Deep within the Fayaleith, the Country of the Wines, the clarity of light can stop the heart: it is the light the local people call “the breath of angels” and is said to cure heartsickness and bad lungs. Beyond this is the Balinfeil, where, in the winter months, the people wear caps of white squirrel fur, and in the summer months the goddess Love is said to walk and the earth is carpeted with almond blossom. But of all this I knew nothing. I knew only of the island where my mother oiled her hair in the glow of a rush candle, and terrified me with stories of the Ghost with No Liver, whose sandals slap when he walks because he has his feet on backwards.
My name is Jevick. I come from the blue and hazy village of Tyom, on the western side of Tinimavet in the Tea Islands. From Tyom, high on the cliffs, one can sometimes see the green coast of Jiev, if the sky is very clear; but when it rains, and all the light is drowned in heavy clouds, it is the loneliest village in the world. It is a three-day journey to Pitot, the nearest village, riding on one of the donkeys of the islands, and to travel to the port of Dinivolim in the north requires at least a fortnight in the draining heat. In Tyom, in an open court, stands my father’s house, a lofty building made of yellow stone, with a great arched entryway adorned with hanging plants, a flat roof, and nine shuttered rooms. And nearby, outside the village, in a valley drenched with rain, where the brown donkeys weep with exhaustion, where the flowers melt away and are lost in the heat, my father had his spacious pepper farm.
This farm was the source of my father’s wealth and enabled him to keep the stately house, to maintain his position on the village council, and carry a staff decorated with red dye. The pepper bushes, voluptuous and green under the haze, spoke of riches with their moist and pungent breath; my father used to rub the dried corns between his fingers to give his fingertips the smell of gold. But if he was wealthy in some respects, he was poor in others: there were only two children in our house, and the years after my birth passed without hope of another, a misfortune generally blamed on the god of elephants. My mother said the elephant god was jealous and resented our father’s splendid house and fertile lands; but I knew that it was whispered in the village that my father had sold his unborn children to the god. I had seen people passing the house nudge one another and say, “He paid seven babies for that palace”; and sometimes our laborers sang a vicious work song: “Here the earth is full of little bones.” Whatever the reason, my father’s first wife had never conceived at all, while the second wife, my mother, bore only two children: my elder brother Jom, and myself. Because the first wife had no child, it was she whom we always addressed as Mother, or else with the term of respect, eti-donvati, “My Father’s Wife”; it was she who accompanied us to festivals, prim and disdainful, her hair in two black coils above her ears. Our real mother lived in our room with us, and my father and his wife called her “Nursemaid,” and we children called her simply by the name she had borne from girlhood: Kiavet, which means Needle. She was round-faced and lovely, and wore no shoes. Her hair hung loose down her back. At night she told us stories while she oiled her hair and tickled us with a gull’s feather.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 30, 1908 — Mel Blanc. Where to begin? Yes, he delightfully voiced Bugs Bunny, Daffy Duck, Porky Pig, and a multitude of other characters from the Looney Tunes and Merrie Melodies cartoons. Blanc made his debut in 1940 “A Wild Hare”. Did you know that he created the voice and laugh of Woody Woodpecker but stopped doing it after the first three shorts as he was signed then to an exclusive Warner contract? His laughs did continue to get used however. Blanc, aware of his talents, fiercely protected the rights to his voice characterizations contractually and legally. (Died 1989.)
Born May 30, 1914 — Bruce Elliott. His fifteen stories in The Shadow magazine in the late Forties are generally held in low esteem by Shadow fans because of his handling of the character, best noted by the three stories in which the Shadow does not appear at all in his costumed identity. Oh, the horror! He also wrote three genre novels — The Planet of Shame, Asylum Earth and, errr, The Rivet in Grandfather’s Neck. And he had stories in The Magazine of Fantasy & Science Fiction including “Wolves Don’t Cry” and “The Last Magician”. (Died 1973.)
Born May 30, 1919 — Ronald Chetwynd-Hayes. British author best known for his ghost and horror stories though his first published work was the SF novel The Man from the Bomb in the late Fifties. The Monster Club, a series of linked tales, is a good place to start with him if you’ve not read him and it became a film with Vincent Price co-starring John Carradine. He won the Bram Stoker Award for Lifetime Achievement, and also a British Fantasy Society Special Award. (Died 2001.)
Born May 30, 1922 — Hal Clement. I’m reasonably sure Mission of Gravity was the first novel I read by him though I’ve not re-read it so the Suck Fairy not been tested. Much to my surprise, his only Hugo was a Retro Hugo for a short story, “Uncommon Sense” which he got at L.A. Con III. He did get the First Fandom Award. My favorite novel by him is Mission of Gravity, and I’m also fond of The Best of Hal Clement which collects much of his wonderful short work. He’s reasonably well stocked at the usual suspects. (Died 2003.)
Born May 30, 1936 — Keir Dullea, 87. David Bowman in 2001: A Space Odyssey and its sequel, 2010: The Year We Make Contact. I know I saw 2001 several times and loved it but I’ll be damned if I can remember seeing 2010. He’s done a number of other genre films, Brave New World, Space Station 76, Valley of the Gods and Fahrenheit 451. And lest we forget he was Devon in Starlost.
Born May 30, 1952 — Mike W. Barr, 71. Writer of comics and sf novels. Created along with Jim Aparo Looker (Emily “Lia” Briggs), a hero in the DC Universe. She first appeared first appeared in Batman & the Outsiders #25. He worked for both major houses though I’d say most of his work was at DC. He wrote the “Paging the Crime Doctor” episode of Batman: The Animated Series.
Born May 30, 1971 — Duncan Jones, 52. Director whose films include Moon (2009) which won a Hugo for Best Dramatic Presentation-Long Form and a BAFTA Award for Outstanding Debut by a British Writer, Director or Producer, and Source Code (2011) which was nominated for both a Hugo and a Ray Bradbury Award. He also directed Warcraft (2016), which up to that year was the highest grossing video game adaptation of all time. He is totally not best known for being David Bowie’s son. (Alan Baumler)
(10) COMICS SECTION.
La Cucaracha depicts how anxious it can make someone to come home and meet the folks.
Speed Bump is about a kind of video some of us might really be willing to watch.
As the strike by unions representing thousands of film and TV writers approaches its second month, the role that A.I. might play in writing scripts remains one of the biggest issues. While the Writers Guild of America has expressed a willingness to work with A.I. as a tool, some producers are dreaming bigger: They want to replace humans with chatbots. What might A.I.-written scripts look like? Here’s a guess:
Prompt: An episode of any “Law & Order” series.
Scene 1
DETECTIVE: Someone has killed this dead body.
Scene 2
DETECTIVE: Did you kill that dead body?
CRIMINAL: No! I’m not a criminal!
Scene 3
DISTRICT ATTORNEY: Did you kill that dead body? And remember, you’re under oath.
CRIMINAL: No! Yes! But it was during a double-cross over a deal for buttcoin.
JUDGE: Spell check!
(12) COSPLAY, BOOKS, AND SCIENCE ALL IN ONE PLACE. The Baltimore Banner has a gallery of photos from last weekend’s convention: “Welcome all aliens to Balticon”. Includes a photo at the autograph table with a kind of what-was-strange-about-the-dog-in-the-night caption that tells about Adam Stemple (often mentioned here on File 770) but doesn’t name the other person in the picture – who happens to be John Scalzi.
Welcome, aliens! Balticon 57 is the area’s oldest science-fiction convention and by far the largest. It’s also the first of such conventions each year.
Balticon can be described as a “Big Tent” four-day celebration of science fiction and fantasy hosted by the Baltimore Science Fiction Society at the at Renaissance Baltimore Harborplace Hotel….
Even 40 years later, V is still getting under people’s skin. The writer, producer, and director Kenneth Johnson has never stopped getting fan mail about the miniseries he created back in 1983, which rattled America with its depiction of cold-blooded authoritarians conquering the world. The invaders in red jumpsuits, dark glasses, and ball caps were actually beings from another planet, but Johnson intended the sci-fi drama to be more than mere escapism. To him, it was a warning.
When he gets new letters from viewers, Johnson opens them hoping they got the message, which seems as obvious to him now as it did back then. “I got to thinking, God, how would everyday people feel if suddenly there was a sea change in our life that turned it all around, if suddenly some hyper power rolled over us, just like the Nazis rolled into Europe?” he says. But in recent years, far-right conspiracy theorists, QAnon followers, and garden-variety lunatics have instead homed in on the fact that V’s extraterrestrials were secretly reptilians disguised as humans to mislead us. Many harbor a sincere belief that a reptoid cabal really does control the world. “I’ve gotten emails over the years and letters from people on the fringes who say, ‘Oh, you get it!’” Johnson says. “‘You know that there are lizards among us!’”…
Fully functional, detailed mini replica of the Atari 2600 game has all the classic features of the system you loved in the 80s! 10 games include Combat, Warlords, Millipede, Tempest, Centipede, Pong, Missile Command, Asteroids, Breakout, and Pac-Man! Includes hi-res TV with adjustable screen, iconic 2600 joystick and classic game console. Req. 3 “AAA” batteries (sold separately). Plastic. Ages 8 years & up. TV is 6″L x 5″W x 4″H.
Outline: In an intriguing narrative, a youthful widow from Britain offers sanctuary to a former medical school comrade who has mysteriously acquired the ability to render himself unseen. As his seclusion intensifies and his mental stability unravels, he plots to unleash a merciless wave of slaughter and dread throughout the city, with the widow serving as the sole harbinger of his existence.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Rob Hansen, Cora Buhlert, Michael J. Walsh, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]
