Pixel Scroll 8/10/23 Pick A Peck Of Pixels

(1) MICHELE LUNDGREN ARRAIGNED. Nine of the 16 Michigan Fake Trump electors were arraigned today on felony charges including Michele Lundgren, wife of sff artist Carl Lundgren. The other seven have already been in court, and all 16 now have entered not guilty pleas. CNN covered today’s proceedings: “Michigan’s fake GOP electors arraigned on state charges”.

The 16 Michigan Republicans who served as fake electors in 2020 have pleaded not guilty to the first-of-their-kind felony charges stemming from the Trump-backed election subversion plot.

Nine of the defendants were arraigned on the state charges Thursday at a virtual court hearing in Lansing. The other seven defendants already pleaded not guilty in the past few weeks.

The group of GOP activists were hit with state charges last month over their role former President Donald Trump’s seven-state plan to subvert the Electoral College and overturn the 2020 election results by supplanting lawful Democratic electors with fake Republican electors.

Each of the fake Michigan electors were charged with eight state felonies, including forgery, conspiracy to commit election law forgery, and publishing a counterfeit record. Some of their defense attorneys have already said they’ll challenge the novel prosecution and will try to get the charges dropped. The case is unfolding in Ingham County District Court.

The defendants were released on a $1,000 bond, after state judges determined that they weren’t a danger to the community and didn’t pose a flight risk. The next hearing in the case is scheduled for August 18, where prosecutors will need to show probable cause of the crimes….

Today’s arraignment was livestreamed from the judge’s courtroom, with some persons participating remotely. You can see Michele Lundgren’s appearance starting at about 43 minutes into this video.

Carl Lundgren left this comment about the charges on File 770 on August 7. (His identity was verified before it was posted.)

Hello, to all my former friends in science fiction.

I guess we forget that there are two sides to every story.

I’ve been with my wife Michele, through all of this, and I know that she did nothing wrong. (Outside of being a camera hog).

Two sets of 3 FBI Agents (One a member of the National Archives). Came to the house and spent two hours each interviewing her a couple of years ago.

They went through all of her correspondence found that she committed no crime.

The AG in Michigan has other ideas, seemingly political.

Michele has a brain condition called CAA and her mental functions are deteriorating, but I know that she did nothing wrong.

Thanks for listening, and stop believing the commie news.

(2) STRIKE’S HUNDREDTH DAY. They reached the century mark on August 9. Someone told The Hollywood Reporter “’Picketing Disney Is More Fun Than Writing a ‘Star Wars’ Movie’: Scribes Mark 100 Days of the Strike”.

…referring to the so-called “talks about talking” meeting Friday between the Alliance of Motion Picture and Television Producers and the Writers Guild executives to discuss if there was a path back to restart negotiations […the] WGA said in a briefing to members afterward that the AMPTP is offering the 11,000-member WGA the same deal that the DGA ratified on pattern issues and increases on a few writer-specific TV minimums. Scribes have since voiced their frustration with the AMPTP’s unwillingness to engage on such core issues as the minimum size of writers rooms or success-based residuals, among other topics. (The AMPTP has not commented on the meeting.)

Showrunner Damon Lindelof walked the humid picket line outside Disney in Burbank with Justin Britt-Gibson — the two were recently fired off a Star Wars movie they had been scripting for Disney-owned Lucasfilm — and shared that they both feel a new sense of resolve. “Ninety-nine days of steps under my belt and I don’t know if there’s any end in sight, but I’m feeling good, strong, convinced and unified,” said Lindelof. “Justin and I wrote a Star Wars movie together and picketing Disney is a lot more fun than writing a Star Wars movie,” said the Lost and Watchmen creator. Added Britt-Gibson: “This will not be in vain. This will be done so we have a better future for writers, for actors, for everybody out here on the line. … Strike the Empire back!”

(3) BEATLES CONSPIRACY THEORIST. Connie Willis reminded fans that August 8 is the anniversary of the day the four Beatles walked across the road at an Abbey Road zebra crossing. But was Paul actually dead? “The Abbey Road Zebra Crossing Today” at Facebook.

…Back when my daughter was in high school, she went to see a Beatles cover band and became obsessed with the Beatles. She and her friends dubbed themselves the Fab Four, and she began reading all about the Beatles. One day she came to me and said, “Did you know that there’s a rumor that Paul’s dead?”

“Are you KIDDING?” I said, incensed. “I was there when that rumor started. I helped SPREAD that rumor!”…

(4) IS THE CORPSE NO LONGER THE GUEST OF HONOR AT ITS OWN PARTY? New York Times essayist Amor Towles mourns that “Once at the center of the murder mystery, the cadaver has become increasingly incidental to the action and now figures as little more than a prop” in “The Corpse in the Library” .

…But in the golden age, the cadaver didn’t simply get things going. It maintained its position at the center of the story from the moment of its discovery until the denouement. As Hercule Poirot often pointed out, it was the psychology of the victim that was paramount. In life, was the cadaver lascivious? Unscrupulous? Greedy? To understand who had most likely monkeyed with the brakes of her car or poisoned her cup of tea, one first had to understand whom she had loved and whom she had spurned; whom she had enriched and whom she had cheated.

In the golden age, while the cadaver gave its life fairly early in the story, it could take comfort that it would remain of primary concern to the writer and reader until the book’s very last pages. This was no small consolation. As Lord Henry observed in Oscar Wilde’s “The Picture of Dorian Gray, “There is only one thing in the world worse than being talked about, and that is not being talked about.”

BUT TIME MOVES on. In the years before World War II, a new kind of mystery, spearheaded by Dashiell Hammett and refined by Raymond Chandler, rose to prominence: the hard-boiled detective story.

Unlike the detectives of the golden age, who were often aristocratic in bearing and schooled in etiquette, the hard-boiled detectives were men who disdained artifice and favored plain speaking. They hung their hats in shabby offices, gathered information in flophouses and bars, and went home to one-bedroom apartments. Leading rugged lives, earning meager livings, prepared to expect the worst of everyone, the hard-boiled detectives were consummate professionals in the most world-weary of industries.

But when Hammett and Chandler opted to foreground the gritty, quotidian life of the detective-for-hire, one consequence was that the role of the cadaver shrank in importance. For these detectives were not hired to solve murders (that task was the purview of the police). Instead, they were hired to solve messy domestic problems….

(5) SVENGOOLIE AND JOE BOB TOGETHER. [Item by Michael Toman.] This certainly brings back a lot of Good Memories of Seeing Bad Movies. “Svengoolie and Joe Bob Briggs’ panel at Flashback Weekend ’23 pt. 1” at MeTV.

… the highlight of the event, the crown jewel of Flashback Weekend, was a panel hosted by horror legends Svengoolie and Joe Bob Briggs. Together, the hosts regaled guests with tales of TV, from their onscreen lives to their hopes for the future of horror hosts. With attendance limited to seating capacity, the intimate conversation will be fondly remembered by everyone in the room…. 

Joe Bob: I’m the spokesperson for the 90th birthday of the drive-in!

Sven: I also think it’s the 90th anniversary of somebody driving off with the speaker still attached to their window.

Joe Bob: I’m sure it is! Although, at the very first drive-in, in Camden, New Jersey, in 1933, the owner, Richard Hollingshead, thought he could just put up a big screen, park the cars in front of the screen, and get the most powerful speaker he could find — some kind of military-grade, industrial speaker, and put it by the screen and just shoot it out at the cars. That was actually what they did for the first — I don’t know — at least the first year. And then they went, “Now we’re gonna have to try some other solution, this is not working with the romantic comedies.”…

(6) WEAR YOUR DUDS WITHOUT BEING A DUD. Today Scott Edelman reminded people about David Hartwell’s classic “Three Laws of Fashion”.

His Three Laws are:

1. To dress in ignorance of fashion is to dress badly.

2. To dress knowingly in fashion is to be invisible.

3. To dress knowingly in opposition to fashion is to have your own style.

(7) ON BOARD THE TARDIS. The Companions of Doctor Who, edited by David Bushman (Conversations with Mark Frost) and Ken Deep (Showrunner of L.I Doctor Who con), is coming in February 2024. Preorder here.

Gallifrey One’s Shaun Lyon wrote the article on Donna Noble. (Yay Shaun!)

The Doctor should never be alone. With companions like these, why would he? The follow up to The Villains of Doctor Who essay book is right here. Donna, Clara, Amy, Rose, Ace, Sarah Jane and more are waiting for you in this sequel book which covers a diverse group of author’s take on the ones who travel alongside of The Doctor

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 10, 1896 John Gloag. His first SF novel, Tomorrow’s Yesterday, depicts a race of cat people from the distant future observing human society. It was one of five SF novels and a double handful of short stories he wrote in the Thirties and Forties. Kindle has almost all of his non-fiction. Really they do. Alas the SF no one has. (Died 1981.)
  • Born August 10, 1902 Curt Siodmak. He is known for his work in genre films for The Wolf Man and Donovan’s Brain, the latter from his own novel. ISFDB notes the latter was part of his Dr. Patrick Cory series, and he wrote quite a few other genre novels as well. Donovan’s Brain and a very few other works are available from the usual suspects. (Died 2000.)
  • Born August 10, 1903 Ward Moore. Author of Bring the Jubilee which everyone knows and several novels more that I’m fairly sure almost no one knows. More interestingly to me was that he was a keen writer of recipes as ISFDB documents four of his appeared in Anne McCaffrey’s Cooking Out of This World. Kidneys anyone? Or tripe anyone?  (Shudder.) (Died 1978.)
  • Born August 10, 1932 Alexis A. Gilliland, 92. He won the John W. Campbell Award for Best New Writer in 1982, edging out Brin and Swanwick for the honor. Gilliland also won four Hugo Awards for Best Fan Artist in the early Eighties and won the Tucker Award for Excellence in Partying in the late Eighties. What the Hell is that?  He’s got two series, Rosinante and Wizenbeak.
  • Born August 10, 1944 Barbara Erskine, 79. I’m including her because I’ve got a bit of a mystery. ISFDB lists her as writing over a dozen genre novels and her wiki page says she has a fascination with the supernatural but neither indicates what manner of genre fiction she wrote. I’m guessing romance or gothic tinged with the supernatural based on the covers but that’s just a guess. What do y’all know about her?
  • Born August 10, 1952 David C. Smith, 71. He is best known for his fantasy novels, particularly those co-authored with Richard L. Tierney, featuring characters created by Robert E. Howard, most notably the six novels which involved Red Sonja. Those novels are available on iBooks but not on Kindle. 
  • Born August 10, 1955 Eddie Campbell, 68. Best known as the illustrator and publisher of From Hell (written by Alan Moore), and Bacchus, a series about the few Greek gods who have made it to our time. Though not genre, I highly recommend The Black Diamond Detective Agency which he did. It’s an adaptation of a most likely never to be made screenplay by C. Gaby Mitchell. 
  • Born August 10, 1955 Tom Kidd, 68. Genre illustrator, he’s won an impressive seven Chelsey Awards. Though he didn’t win a Hugo for Best Professional Artist, he was nominated  at Aussiecon Two, Nolacon, Conspiracy ‘87 and ConFiction. Since I’m fond of this Poul Anderson series, I’m giving you his cover for Maurai & Kith.

(9) FANDOMS – SF/F AND BEYOND. [Item by SF Concatenation’s Jonathan Cowie.] This week’s BBC Radio 4 edition of Word of Mouth discusses fandoms writ large.  It looks at things like fan fic – its origins seem close to Sherlock Holmes over a century ago – cosplay, cons etc.  “Fandom”.

You can download the 28-minute episode here and you do not have to have a BBC Sounds account to download.

(10) MAKE YOUR PITCH. “’Stray Gods: The Roleplaying Musical’ lets players perform an interactive Broadway show” on WBUR. The audio recording of the 8-minute news item can he heard at the link.

Video games stories often shift and splinter based on a player’s unique actions.

But “Stray Gods: The Roleplaying Musical” goes a step further: Not only does it present branching paths through an urban fantasy, but it’s also bursting with interactive music.

Unlike other games that focus on shooting, spells or swordplay, “Stray Gods” is all about singing. Forced to clear her name after being accused of murder, protagonist Grace has to use her newfound powers as a muse to investigate the game’s modern-day Greek gods, swapping styles depending on the player’s approach. You can sing compassionately in one verse then get angrier in the next. Each choice will solicit divergent reactions and progress the story differently.

“I would say it’s hundreds or maybe thousands of really noticeably discrete versions, and then it gets into the millions once you start getting into the more subtle variations of this instrument versus that instrument,” says “Stray Gods” composer Austin Wintory…

(11) MARK YOUR CALENDAR. “Star Wars: Ahsoka Streaming Schedule Released”. Here is the essence of Comicbook.com’s post:

…According to the official Star Wars social media accounts, Ahsoka will be released every Wednesday, starting with two episodes on August 23rd. The series will feature eight episodes and span seven weeks into October. You can check out the full schedule announcement below.

(12) PROMISES, PROMISES. Abigail Nussbaum reviews “The Saint of Bright Doors by Vajra Chandrasekera” at Asking the Wrong Questions.

“The moment Fetter is born, Mother-of-Glory pins his shadow to the earth with a large brass nail and tears it from him. This is his first memory, the seed of many hours of therapy to come.” So begins Vajra Chandrasekera’s remarkable debut novel The Saint of Bright Doors. It’s a good beginning, full of promise. The shock of that sudden violence. The strangeness of the fantastical act. The lurch towards modernity right at the end. It is also, however, an opening whose promises—including one that we are not even aware is being made—the novel will spend most of its length breaking…

(13) THE MARTIAN SKY’S THE LIMIT. Gizmodo draws our attention to the good news on Mars: “NASA’s Mars Helicopter Resumes Flights After Untimely Landing”.

NASA’s Ingenuity helicopter has had a rough few months, first losing communication with its home planet and later suffering a glitch that interrupted its flight. But you can’t keep a good chopper down. Ingenuity soared above the Martian terrain once again as its team on Earth tries to figure out what went wrong with its previous flight.

The Mars helicopter briefly flew for a 25-second hop on August 3, logging in its 54th flight above the planet’s surface to provide data that could help determine why its 53rd flight ended prematurely, NASA revealed this week….

The space agency has full details: “NASA’s Ingenuity Mars Helicopter Flies Again”.

Flight 53 was planned as a 136-second scouting flight dedicated to collecting imagery of the planet’s surface for the Perseverance Mars rover science team. The complicated flight profile included flying north 666 feet (203 meters) at an altitude of 16 feet (5 meters) and a speed of 5.6 mph (2.5 meters per second), then descending vertically to 8 feet (2.5 meters), where it would hover and obtain imagery of a rocky outcrop. Ingenuity would then climb straight up to 33 feet (10 meters) to allow its hazard divert system to initiate before descending vertically to touch down.

Instead, the helicopter executed the first half of its autonomous journey, flying north at an altitude of 16 feet (5 meters) for 466 feet (142 meters). Then a flight-contingency program was triggered, and Ingenuity automatically landed. The total flight time was 74 seconds.

“Since the very first flight we have included a program called ‘LAND_NOW’ that was designed to put the helicopter on the surface as soon as possible if any one of a few dozen off-nominal scenarios was encountered,” said Teddy Tzanetos, team lead emeritus for Ingenuity at NASA’s Jet Propulsion Laboratory in Southern California…

The Ingenuity team is confident that the early landing was triggered when image frames from the helicopter’s navigation camera didn’t sync up as expected with data from the rotorcraft’s inertial measurement unit. The unit measures Ingenuity’s acceleration and rotational rates – data that makes it possible to estimate where the helicopter is, how fast it is moving, and how it is oriented in space. This was not the first occasion on which image frames were dropped by the helicopter’s Navcam during a flight. Back on May 22, 2021, multiple image frames were dropped, resulting in excessive pitching and rolling near the end of Flight 6.

After Flight 6, the team updated the flight software to help mitigate the impact of dropped images, and the fix worked well for the subsequent 46 flights. However, on Flight 53 the quantity of dropped navigation images exceeded what the software patch allows.

“While we hoped to never trigger a LAND_NOW, this flight is a valuable case study that will benefit future aircraft operating on other worlds,” said Tzanetos. “The team is working to better understand what occurred in Flight 53, and with Flight 54’s success we’re confident that our baby is ready to keep soaring ahead on Mars.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 4/16/22 Or Is It But A Pixel Of The Mind, A False Creation, Proceeding From The Scroll-Oppressed Brain?

(1) SCRIPT DOCTOR. “Ditch the Tardis! Seven ways Russell T Davies could revive Doctor Who” according to the Guardian. Here’s one of the ideas on their list:

A ‘Doctor of the week’ every week

What if there was no one new Doctor? With a quick narrative device to produce an unstable regeneration, you could have a new high-profile Doctor every week. Suddenly it’s possible to hire Hugh Grant, Judi Dench or Riz Ahmed at the Tardis controls, when you only need to persuade them to do a few weeks’ filming – rather than a three-series commitment. Plus, you get all the publicity of the reveal of a new Doctor, over and over again.

(2) LET’S YOU AND HIM FIGHT. Rosemary Jenkinson is missing the old verbal slapfights between literary writers: “A Room with a Feud” in The Critic Magazine. Well, we still have plenty in genre, but if they stopped would you miss them?

Oh, where to find the fabulous spats that used to enliven every writers’ circle? It’s no coincidence that the drab rise of cancel culture has contributed to the demise of colourful literary disagreements. In my own case, my publisher, Doire Press, rescinded their offer to publish my debut novel after I wrote an article contending that Northern Irish authors should focus on contemporary matters rather than the Troubles. As the Sunday Independent rightly questioned in the aftermath, “Is the Irish literary world really so fragile and full of itself that it can’t cope with the odd dose of healthy impertinence?”

Many of the writing greats enhanced their reputations with a critical bon mot. As the poet and critic Dorothy Parker vaunted, “The first thing I do every morning is brush my teeth and sharpen my tongue,”… 

…Naturally, no one wants to see hatchet jobs on writers, but one can’t help wondering where the entertainment is in a bland anodyne literary world. Many writers don’t have the robust constitution to engage in the art of the literary skirmish, but the difficulty for the few who do is that those they write about are likely to claim victim status…. 

(3) SAWYER HEALTH UPDATE. Robert J. Sawyer told Facebook followers in a public post today that he tested positive for Covid-19, but has “no symptoms to speak of.” Best wishes for him to continue feeling well.

(4) UKRAINE BIRD STAMP. A stamp featuring the image of an armed and armored Ukrainian soldier with his middle finger raised to a Russian vessel went on sale this week. Borys Sydiuk says they’re already sold out. “Ukraine postal service issues ‘Russian warship, f***k you!’ stamp” in the Jerusalem Post.

…”Russian warship, f***k you…!” was the response to demands to surrender given to Russian naval forces by Ukrainian border guards stationed on Snake Island early in the war. The Ukrainian marine who uttered the phrase, Roman Grybov, was present at a ceremony issuing the postage stamp along with the illustrator….

(5) ROOTS FOUND. Damon Lindelof and Regina King appeared on the April 12 episode of Finding Your Roots with Henry Louis Gates, Jr. “’Lost’ and ‘Watchmen’ screenwriter Damon Lindelof gets emotional learning about his family’s tragic Holocaust story” at Jewish Telegraph Agency. (PBS offers that Finding Your Roots episode “Watchmen” for viewing online at the link.)

Acclaimed screenwriter Damon Lindelof learns that several members of his family tree died in the Bialystok ghetto during the Holocaust on Tuesday night’s episode of the celebrity genealogy show “Finding Your Roots.”

With help from the archives at Yad Vashem, Israel’s Holocaust memorial and museum, the “Finding Your Roots” team found six pages of testimony detailing the fate of a branch of Lindelof’s family.

Lindelof, who created HBO’s 2019 “Watchmen” series and co-created “Lost,” reads from the show’s compiled pages about his family tree, repeating “circumstances of death: ghetto Bialystok” after several relatives: his great-granduncle — the brother of his great-grandmother — and his wife and their four children.

(6) GHOSTING. Past HWA President Lisa Morton recommends “The best collections of classic ghost stories” at Shepherd.

Who am I?

I’ve always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James’s The Turn of the Screw) and The Haunting (adapted from Shirley Jackson’s The Haunting of Hill House). As a ghost historian and editor, I’ve discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening….

(7) TRANSPORTATION FUTURES. Arizona State University’s Future Tense will host an online event “Imagining Transportation Futures with Sec. Pete Buttigieg” on April 20 (10:30 a.m.-12:00 p.m. Pacific). Register at the link.

Future Tense is asking Sec. Pete Buttigieg what role imagination plays in managing a federal department as sprawling and impactful as the Department of Transportation. We’re also asking three of our accomplished Future Tense Fiction authors to talk about how they see their work inspiring visions of futures that might come to pass.  

Featuring:

Pete Buttigieg, @SecretaryPete; U.S. Secretary of Transportation

Annalee Newitz, @Annaleen; Author, When Robot and Crow Saved St. Louis, Future Tense Fiction Author, Four Lost Cities: A Secret History of the Urban Age

Linda Nagata, @LindaNagata; Author, Ride, Future Tense Fiction Author, Pacific Storm

Tochi Onyebuchi, @TochiTrueStory; Author, How to Pay Reparations: A Documentary, Future Tense Fiction Author, Goliath

Moderators: Paul Butler, President, New America; Ed Finn, @zonal; Founding Director, Center for Science and the Imagination, Arizona State University

(8) MORE ABOUT CHRISTINE ASHBY. [Item by David Grigg.] Christine Ashby, long-time Australian fan, died at home on Tuesday 29 March 2022. She was 70 years of age. She is survived by her husband Derrick Ashby.

Christine was a member of the Monash University SF Association, alongside such well-known names as John Foyster and Carey Handfield. After graduating as a lawyer she began work as a solicitor and developed considerable expertise in legal costings. 

She was involved in organising and running several Melbourne SF conventions in the 1970s and 80s and was the Guest of Honour at Q-Con in Brisbane in 1973. She and Derrick were members of ANZAPA for many years.

Christine was Treasurer of two Worldcons: Aussiecon in 1975 and Aussiecon Two in 1985.

Outside of fandom, Christine served for several years on the board of the Paraplegics and Quadriplegics Association of Victoria and for a short while was its Chairperson.

(9) MEMORY LANE.

2007 [Compiled by Cat Eldridge.] Fifteen years ago, a special citation went to Ray Bradbury from the Pulitzer Board for his distinguished, prolific and deeply influential career as an unmatched author of science fiction and fantasy.

But the Pulitzer Board doesn’t give out such an Award without picking a specific work and this is the full language of their announcement:

Bradbury came of age as a writer before the postwar ascendancy of the paperback book as a publishing medium. Instead, during the Golden Age of Science Fiction, short stories published in pulp magazines like Astounding Science-Fiction, Thrilling Wonder Stories and Amazing Stories stood at the forefront of the field. As such, many of his novels are actually “fixups”—a term coined by SF legend A.E. van Vogt to describe novels assembled from previously published short stories that were buttressed with new interlinking material.   

Culled from Bradbury’s late 1940s output, The Martian Chronicles is a sweeping account of the colonization of Mars amid nuclear war on Earth. Its literary structure (patterned after Sherwood Anderson’s Winesburg, Ohio) earned plaudits from such notable critics like Christopher Isherwood, who read the book after a fortuitous encounter with the younger writer (and fellow Angeleno) at a bookstore. In his review, Isherwood deemed Bradbury “a very great and unusual talent,” a tastemaking assessment that charted the course of the rest of his career.

Columbia University President Lee C. Bollinger (on the left) presents Michael Congdon (accepting for Ray Bradbury) with the Pulitzer Prize Special Citation.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 16, 1905 Charles G. Finney. Writer and Editor. It’s rare that I pick writers whose main accomplishment is one work which has defined them, but his one such work is, well, phenomenal. His first novel and most famous work, The Circus of Dr. Lao, was a Hugo finalist at Loncon II and won one of the inaugural National Book Awards, the Most Original Book of 1935; it is most decidedly fantasy. Ray Bradbury liked the novel so much that he included it as the headline story in his anthology The Circus of Dr. Lao and Other Improbable Stories; it is said that the carnival in his Something Wicked This Way Comes is modelled upon The Circus of Dr. Lao. (Died 1984.)
  • Born April 16, 1917 William “Billy” Benedict. Singled out for birthday honors as he was Whitey Murphy in Adventures of Captain Marvel. Yes, that Captain Marvel.  Back in 1942, it was a 12-chapter black-and-white movie serial from Republic Pictures based off the Fawcett Comics strip. You can watch the first chapter, “Curse of The Scorpion,” here. (Died 1999.)
  • Born April 16, 1921 Peter Ustinov. I’ve done his Birthday in the past and profiled his extensive genre work there but I’m going to limit this write-up to just one role he did. In half a dozen films, he played Agatha Christie’s detective Hercule Poirot, first in Death on the Nile and then in Evil Under the SunThirteen at Dinner (a television film), Dead Man’s Folly (another television movie), Murder in Three Acts (yet another television movie), and finally in Appointment with Death.  An impressive take on that role indeed! (Died 2004.)
  • Born April 16, 1922 Kingsley Amis. So have you read The Green Man? I’m still not convinced that anything actually happened, or that rather everything including the hauntings were really in Maurice Allington’s decayed brain. I’m not seeing that he did much else for genre work other outside of The Anti-Death League and The Alteration but he did write Colonel Sun: A James Bond Adventure under the pseudonym of Robert Markham and his New Maps of Hell: A Survey of Science Fiction which was published in the late Fifties sounds fascinating as he shares his views on the genre and makes some predictions as there’ll never be a SF series on the boob tube despite there already being so. (Died 1995.)
  • Born April 16, 1922 John Christopher. Author of The Tripods, an alien invasion series which was adapted into both a excellent radio and a superb television series. He wrote a lot of genre fiction including the Fireball series in which Rome never fell, and The Death of Grass which I mention because it was one of the many YA post-apocalyptic novels that he wrote in the Fifties and Sixties that sold extremely well in the U.K. The film version would be nominated for a Hugo at Noreascon I, a year where No Award was given. (Died 2012.)
  • Born April 16, 1962 Kathryn Cramer, 60. Writer, editor, literary critic. She co-founded The New York Review of Science Fiction in 1988 with David G. Hartwell and others, and was its co-editor until 1991 and again since 1996. She edited with her husband David G. Hartwell Year’s Best Fantasy one through nine, and Year’s Best SF seven through seventeen with him as well.  They did a number of anthologies of which I’ll single out The Hard SF Renaissance and The Space Opera Renaissance as particularly superb. She has a most excellent website Kathryncramer.com.
  • Born April 16, 1975 Sean Maher, 47. Doctor Simon Tam In the Firefly ‘verse. And Dick Grayson (Nightwing) in a staggering number of  animated DCU films, to wit Son of BatmanBatman vs. RobinBatman: Bad Blood, Justice League vs. Teen TitansTeen Titans: The Judas Contract,  Batman: Hush and Teen Titans Go! vs. Teen Titans. He showed up on Arrow as Shrapnel in the “Blast Radius” and “Suicide Squad” episodes. He also had a one-off on Warehouse 13 as Sheldon in the “Mild Mannered” episode. 

(11) COMICS SECTION.

  • The Flying McCoys illustrates a problem caused by something you can easily understand Superman wouldn’t know he was doing.

(12) A FAN FUND AUCTION OF YESTERYEAR. Fanac.org’s video time machine has returned from 1976 with a clip from the first MidAmeriCon.

MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976.  In this very short video excerpt from the Fan Funds Auction at Big Mac, auctioneer Rusty Hevelin shows just how far fans will go to be supportive of the Fan Funds.  In this clip, it’s not books or vegemite up for bid, but currency. The second item is the one to watch, with Rusty skillfully extracting bids from the crowd. You’ll also see fellow auctioneer jan howard finder making a brief appearance…

This video is brought to you by the FANAC Fan History Project, with video from the Video Archeology project (coordinated by Geri Sullivan, with technical work by David Dyer-Bennet).  

(13) IT’S BEEN AWHILE. Ethan Alter of Yahoo! Entertainment interviews Ke Huy Quan, who starred in Indiana Jones and the Temple Of Doom and The Goonies as a teen, dropped out of acting, and is now back as a lead in the new sf film Everyone Everywhere Everything At Once. “Ke Huy Quan looks back on ‘Indiana Jones’ and ‘The Goonies’ and reveals what made him finally return to acting”.

Was it strange to go from being the only child on the set of Temple of Doom to being constantly around other young actors while making The Goonies?

It was weird, because coming off of Indiana Jones … I got all the attention versus being on a set with six other kids, and honestly they were all hams! [Laughs] They really knew what they were doing. So I found myself constantly having to fight for attention. But that was very familiar to me, because I grew up in a big family and that’s what my home was like. I got some great friendships out of that movie, including Jeff Cohen, aka Chunk. He’s my entertainment lawyer and we’re great friends, as I am with Sean [Astin] and Corey [Feldman]. We’re Goonies for life…

(14) NOSFERATU. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Nigel Andrews reflects on the centennial of F.W. Murnau’s great horror film Nosferatu.

The film’s poetry of terror comes from real locations, mostly shot in daytime.  Cityscapes:  the unforgettable, hollowed-out tenement building (filmed in Lübeck) in which the vampire finds his last-act townhouse.  Nature: dark monuments and bristling forests.  castles:  the stone arches and beetling walls of Nosferatu’s Carpathian home.  Those arches become a master touch.  In shot after shot, Max Shreck’s hideous Count, dressd to kill and made up likewise, emerges from the inverted U of dark tunnels or from frame-fitting Gothic doorways, like a creature serially birthed or rebirthed from vertical coffin-wombs.

Schreck was a distinguished stage actor made out for the movie. The nightmarishly thin body (for which he dieted), with long arms and extended fingers,is crowned with a rat-toothed bat-eared head, bald and cadaverously thin.  The dark, hollowed eyes are a premonitory rhyme with the Lübeck buildings.  The frock coat is like a sartorial shroud, which seems sewn straight on to the skin.  Sometimes he wears a skewy turban-style nightcap:  a touch of bleak farce among the grand guignol.

(15) JUST A PINCH. [Item by Mike Kennedy.] The Apollo 11 sample return bag saga gets another chapter.  “The bizarre drama behind a pinch of moon dust that just sold for $500,000” at National Geographic.  

Today’s auction is the culmination of a sordid saga involving Apollo astronauts, multiple lawsuits, and scientists aching for a chance to study rare lunar materials.

…NASA has long maintained that the lunar rocks and dust collected during the Apollo missions are government property that’s not allowed to be owned by private citizens. The space agency has gone to great lengths to recover any stray lunar materials, including a sting operation in 2011 that seized—from a 74-year-old woman in a Denny’s Restaurant—a rice-size moon rock embedded in a paperweight.

The lunar dust that sold today is a rare exception to the rule, a quirk due in part to a combination of fraud, mistaken identity, and a series of legal disputes….

(16) VIDEO OF THE DAY. In Jurassic World Dominion, two generations of cast members unite for the first time. Chris Pratt and Bryce Dallas Howard are joined by Oscar-winner Laura Dern, Jeff Goldblum and Sam Neill.

From Jurassic World architect and director Colin Trevorrow, Dominion takes place four years after Isla Nublar has been destroyed. Dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators on a planet they now share with history’s most fearsome creatures.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, David Grigg, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 2/26/21 Got My Mjolnir Working

(1) IF YOU LOVED THEM IN GOOD OMENS… A finalist for RadioTimes.com Awards 2021– TV Moment of the Year is Judi Dench slamming David Tennant and Michael Sheen in Staged, a British comedy series set during the COVID-19 pandemic and primarily made using video-conferencing technology.

David Tennant and Michael Sheen playing exaggerated versions of themselves (actors) in 2020 trying to get work is already hilarious, but add in Dame Judi Dench and you’ve got a work of art. Tennant and Sheen aren’t exactly enthusiastic about their new role in a play, and Dench is on hand to remind them they have said yes to a job so they should “stop f**king about” and “do the bloody job”. That’s them (and us) told.

The series premiered on BBC One last summer, and another eight-episode series was released January 4. The first series synopsis is —

David Tennant and Michael Sheen (playing themselves) were due to star in a production of Six Characters in Search of an Author in the West End. The pandemic has put paid to that, but their director (Simon Evans – also playing himself) is determined not to let the opportunity pass him by. He knows how big a chance this is for him and turns his attention to cajoling his stars into rehearsing over the internet. All they need to do is read the first scene, but throughout the series they come up against a multitude of oppositional forces: distraction, boredom, home-schooling and their own egos.

(2) THE MAN FROM UNCLES. Don Blyly is interviewed by Carz Nelson in “Down But Not Out: The Future of Uncle Hugo’s” at The Alley Newspaper.

…Deciding whether to reopen the stores won’t be easy. At 70 years young, many assumed owner Don Blyly would retire from retail business after the fire. Such assumptions are premature, however. It takes a lot of drive to start over from nothing, but Blyly seems to be equal to whatever tasks he sets himself.

…He admits that he has a knack for bouncing back from adversity, “I’ve noticed that I seem to have more resilience than most other people and I’ve wondered why. Partly it is stubbornness. Partly it is because the more of a track record you have at overcoming previous difficulties, the more confidence you have of overcoming the latest difficulty.”

Blyly says the city has a lot to answer for when it comes to the uprising, “Back in 2015 the Department of Justice made recommendations for reforming the Minneapolis Police, but the City Council has done nothing to implement those recommendations. The judge in the trial of Mohamed Noor for the murder of Justine Damond raised issues about problems with the Minneapolis Police that have never been addressed.” 

Since the uprising and subsequent looting, he’s concerned that many people think the area is too dangerous to visit, “About half of my sales were to people outside the I-495/ I-694 loop, and they are now scared to come to Minneapolis to spend their money. Customers in South Minneapolis told me that they would be scared to return to the Uncles if I rebuilt in the old location. The city is going to have to actually work on fixing the problems with the Minneapolis Police instead making ‘defunding’ speeches before people will feel comfortable about spending their money in Minneapolis again.”

(3) IT PAYS TO BE POSTHUMOUS. Julie Phillips, in “Born to Be Posthumous” at 4Columns, reviews Mark Dery’s Born To Be Posthumous:  The Eccentric Life And Mysterious Genius Of Edward Gorey.

By his mid-twenties, the artist and illustrator Edward Gorey had already settled on his signature look: long fur coat, jeans, canvas high-tops, rings on all his fingers, and the full beard of a Victorian intellectual. His enigmatic illustrations of equally fur-coated and Firbankian men in parlors, long-skirted women, and hollow-eyed, doomed children (in The Gashlycrumb Tinies, among other works) share his own gothic camp aesthetic. Among the obvious questions for a reader of Gorey’s biography are: Where in his psyche, or in the culture, did all those fey fainting ladies and ironic dead tots come from? And, not unrelatedly: Was Gorey gay?

…Gorey described himself as “undersexed” in a 1980 interview, and equivocated: “I’ve never said that I was gay and I’ve never said that I wasn’t. A lot of people would say that I wasn’t because I never do anything about it.” Did he reject a gay sexuality, or was his particular sexuality, perhaps asexuality, not yet on the menu? Dery isn’t out to judge, and encourages us instead to look at how Gorey’s arch imagery, flamboyant self-presentation, and “pantheon of canonically gay tastes” (ballet, Marlene Dietrich records, silent film) allow him to be read in the context of gay culture and history, whatever his praxis in bed…. 

(4) TOO MANY NOTES. Vox’s Aja Romano investigates a kerfuffle at Archive Of Our Own (AO3) about the issues of a million-word fanfic with 1,700 tags. “Sexy Times with Wangxian: The internet’s most beloved fanfiction site is undergoing a reckoning”.

… Since it first appeared in October 2019, “Sexy Times With Wangxian,” or STWW, has become notorious across AO3. That in itself is unusual, because most AO3 users stick to their own fandoms and don’t pay much attention to what’s happening in others. STWW belongs to the fandom for the wildly popular Chinese TV series The Untamed, and the “Wangxian” in the title refers to the ship name for the show’s beloved main romantic pairing. It’s a very long fanfic, over a million words, and contains more than 200 chapters of porn featuring The Untamed’s large cast in endless permutations and sexual scenarios.

All that, by itself, isn’t enough to make STWW remarkable — not on a website as wild and unpredictable as AO3. Yet the fic has become impossible for many AO3 users to ignore thanks to a unique quirk: Its author has linked it to more than 1,700 site tags (and counting).

A quick note about AO3’s tagging system: It is designed to let users tag creatively and freely. So you can add useful tags, like pairing labels and character names, but you can also toss in personalized tags for fun and creative expression, from “no beta readers we die like men” to “I wrote this at 4am on three bottles of Monster Energy and zero sleep don’t judge.”

The tagging system is in service of the site’s total permissiveness — you can write anything you want in tags. But for the site to function, tags still need to be useful for navigation. So AO3 has hordes of volunteers known as “tag wranglers” whose sole job is to sort through the massive number of fic tags on the site and decide which ones will actually help users find what they’re looking for.

Those tags are then made “canonical,” which means they’ll become universal tags that every user can sort through. They’ll also appear within a list of suggested tags as you type. If I start to type “hospital” while tagging a fic, AO3 will return canonical tag suggestions like “Alternate Universe — Hospital,” “Hospital Sex,” and “Hogwarts Hospital Wing.” That makes it easy to determine whether your fic fits tags the community is already using.

AO3’s tagging system is so organized and thorough that it has won widespread acclaim from fields like library science and internet infrastructure. But it still has its limits — and with more than 1,700 tags, “Sexy Times With Wangxian” has revealed what some of those limits look like — in some cases quite literally….

The tags are so numerous, they can’t fit into a single screenshot on a large monitor. Here’s a quick scroll through the entire thing…

(5) THEY’RE FEELING BETTER. Jen Chaney, in “No, They Weren’t Dead the Whole Time” at Vulture, has an oral history of the last episode of Lost, which reveals that showrunners Carlton Cuse and Damon Lindelof had the ambiguous ending in mind the whole time and that the show was so important that the State of the Union in 2010 was moved because it conflicted with the final season opening episode.

…When the finale aired, it sparked divided responses (understatement) from fans. Some loved the emotional way in which Jack’s journey and that of his fellow survivors of Oceanic Flight 815 came to a close. Others were extremely vocally angry about not getting more direct answers to the show’s many questions. Still others came away from it all convinced that the castaways had been dead the whole time. (They were not dead. They really weren’t.)

What was semi-clear at the time and is even clearer now is that the broadcast of the Lost finale would mark the end of something else: the truly communal broadcast television experience. Subsequent finales would be major events (see HBO’s Game of Thrones) and even draw larger audiences (2019’s final Big Bang Theory attracted 18 million viewers, compared to the 13.5 million who tuned in for the Lost farewell). But nothing else since has felt so massively anticipated and so widely consumed in real time the way that the end of Lost, the Smoke Monster Super Bowl, did in 2010.

Vulture did extensive interviews with writers, cast, and crew members, who reflected on the development of “The End,” the making of the still hotly debated episode, and the cultural conversation it continues to generate. Because, yes, of course, we had to go back.

(6) AT HOME WITH SFF. Aidan Moher conducts a lively and revealing Q&A with Yoon Ha Lee, Brian Staveley, Kate Elliott, Aliette de Bodard in “Blood Matters: Growing Up in an SF/F House” at Uncanny Magazine.

…An appreciation for speculative fiction isn’t always handed down from within a family. Sometimes it grows on its own, or is introduced by a friend or a teacher. Or a child is uninterested, despite their parents’ best efforts to sway them to the side of elves and proton cannons. I recently reached out to several writers to ask them about their experience growing up, their parents’ relationship to speculative fiction, and the impact that parenthood has had on them as writers….

…There are also emotional sacrifices that come along with parenthood. After the birth of her first child, de Bodard’s tolerance for stories featuring child abuse or endangerment “went from weak to zero” immediately. “I had to put off reading a book I was much looking forward to because I couldn’t get past the violence against a child.” As the father of a daughter, I’ve had a similar experience to de Bodard, and have also become even more aware of and angered by the pervasive sexism that continues to plague speculative fiction and fandom.

Personal writing of any sort reveals layers to a person that even their close friends and loved ones might not recognize. My wife often finds it odd to read my writing—not because of the subject matter, but because it’s told in a voice that doesn’t sound familiar to her ear.

“My children have all read at least some of my writing,” said Elliott. “I often consult them about plot, character, and world–building because I like to hear their feedback, because they know me so well, and because they have fascinating and deep imaginations. They are probably my most valuable writing resource, with my cherished writer and reader friends a close second.”…

(7) EATING THE FANTASTIC. Scott Edelman offers listeners the opportunity to “Savor Stan Lee’s favorite sandwich with comics writer Jo Duffy” in episode 139 of the Eating the Fantastic podcast.

Jo Duffy

My old Marvel Bullpen pal Jo Duffy had a lengthy, celebrated run back then on Power Man and Iron Fist, where she also wrote Conan the BarbarianFallen AngelsStar Wars, and Wolverine. She also wrote Catwoman for DC and Glory for Rob Liefeld’s Extreme Studios imprint of Image Comics. Additionally, she worked on the screenplays for the horror films Puppet Master 4 and Puppet Master 5.

We discussed why she knows what Superman will look like when he’s 100, the many reasons our kid selves both thought Marvel had D.C. beat, the genius of Marie Severin, how I may have inadvertently been responsible for her getting a job as an Assistant Editor in the Marvel Bullpen, what it was like to work with Steve Ditko, the firing she still feels guilty about 40 years later, how she approached the challenge of writing Power Man and Iron Fist, the letter she wrote to Stan Lee after the death of Jack Kirby, the two-year-long Star Wars story arc she was forced to squeeze into a few issues, the best writing advice she ever got, and much more.

(8) FIRST THERE IS NO MOUNTAIN, THEN THERE IS. Sarah Gailey, in “Building Beyond: Move Mountains” at Stone Soup, gets an assist from Alex Acks and nonwriter Kacie Winterberg to illustrate how easy a particular facet of sff creation can be:

Building Beyond is an ongoing series about accessible worldbuilding. Building a world doesn’t have to be hard or scary — or even purposeful. Anyone can do it. To prove that, let’s talk to both a writer and a non-writer about a worldbuilding prompt.

How do you go about communicating with a mountain to prevent it from pursuing its ambition of becoming a volcano?

(9) MEDIA BIRTHDAY.

February 26, 1977 — On this day in 1977, Doctor Who’s “The Talons Of Weng-Chiang, Part 1” first aired. It featured Tom Baker, considered the most popular of all the actors who’ve played The Doctor, and Leela, the archetypal savage that British Empire both adored and despised, played by Louise Jameson. The villain was most likely a not-so-accidental take off of Fu Manchu. Cat Eldridge reviewed the episode at A Green Man Review. You can watch the first part online here with links to the rest of the story there as well. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 26, 1874 – Katherine Cameron.  Member, Glasgow Society of Lady Artists (Women Artists after 1975).  A dozen illustrated books for us.  This is in Stories from the Ballads (M. Macgregor, 1906).  Here are Snowdrop and the Seven Dwarfs.  Here is Celtic Tales.  Here is Undine.  This is in The Enchanted Land.  (Died 1965) [JH]
  • Born February 26, 1916 – Clifford Geary.  A dozen covers, two dozen interiors for us; many others.  Noteworthy in particular for illustrating Heinlein’s “juveniles”.  Here is a frontispiece for Starman Jones.  Here is an interior for Between Planets.  This is in Space Cadet.  Here is one from outside our field.  (Died 2008) [JH]
  • Born February 26, 1918 Theodore Sturgeon. I hadn’t realized that he’d only written six genre novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — he was quite good at it. (Died 1985.) (CE)
  • Born February 26, 1945 Marta Kristen, 76. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in  the original Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and  Alfred Hitchcock Presents. (CE)
  • Born February 26, 1945 – Alex Eisenstein, age 76; 1946 – Phyllis Eisenstein (Died 2020).  Active fannish couple; P also an active pro, a dozen novels, twoscore shorter stories with A collaborating on half a dozen; so far as I know The City in Stone, completed, remains unpublished.  AE co-edited Trumpet.  Here is his cover for More Issues at Hand.  PE was Guest of Honor at Windycon XXX, Capricon 26, ConQuesT 38; a soft-sculpture of her was part of the Fanzine Lounge at Chicon VI the 58th Worldcon.  AE, a noted SF art collector, has organized many displays including that Chicon.  [JH]
  • Born February 26, 1948 Sharyn McCrumb, 73. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements.  If you like mysteries, all of them are highly recommended.  Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print and available from the usual suspects which is interesting as I know she took them out of print for awhile. (CE) 
  • Born February 26, 1952 – Bob Devney, F.N., age 69.  Eight-time finalist for Best Fanwriter.  Fellow of NESFA (New England SF Ass’n; service).  Lover of SF movies – some of them, anyway.  When I remarked to him I hadn’t seen The Devniad in a while, he muttered something about Twitter; but quite possibly he still hasn’t recovered from Noreascon 4 the 62nd Worldcon, where he worked very hard, as I saw and maybe you did too.  [JH]
  • Born February 26, 1957 – John Jude Palencar, age 64.  A hundred ninety covers, five dozen  interiors.  Artbook Origins.  Here is Rhinegold.  Here is Kushiel’s Avatar.  Here is The Dark Line.  Here is Mind of My Mind.  This picture led to The Palencar Project – David Hartwell did such things.  Five Chesleys.  American Water Color Society Gold Medal.  Hamilton King Award.  Spectrum Grand Master.  Also National GeographicSmithsonianTime.  [JH]
  • Born February 26, 1963 Chase Masterson, 57. Fans are fond of saying that she spent five years portraying the Bajoran Dabo entertainer Leeta on  Deep Space Nine which means she was in the background of Quark’s bar a lot though she hardly had any lines. Her post-DS9 genre career is pretty much non-existent save one-off appearances on Sliders, the current carnation of The Flash and Star Trek: Of Gods and Men, a very unofficial Tim Russ project. She has done some voice work for Big Finish Productions as of late. The series there features here as Vienna Salvatori, an “impossibly glamorous bounty hunter” as the publicity material including photos of her puts it. (CE) 
  • Born February 26, 1965 Liz Williams, 56. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic city Singapore Three, its favorite paranormal police officer Chen and his squabbles with an actual Chinese-derived Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read. (CE)
  • Born February 26, 1968 – Lynne Hansen, age 53.  Half a dozen novels, ten dozen covers.  Here is Strangewood.  Here is Things That Never Happened (hello, Scott Edelman).  Here is A Complex Accident of Life.  Here is The High Strangeness of Lorelei Jones.  [JH]

(11) COATES TO SCRIPT SUPERMAN MOVIE. Trey Mangum, in “Ta-Nehisi Coates To Write Upcoming Superman Film From DC And Warner Bros.” on Shadow and Act, says Coates will write a script for a Superman movie to be produced by J.J. Abrams’s Bad Robot, but with no director or stars attached at this time.

…We’re hearing that no director is attached as of yet and plot details remain under wraps. Additionally, the search for an actor to play Kal-El / Superman hasn’t started yet.

“To be invited into the DC Extended Universe by Warner Bros., DC Films and Bad Robot is an honor,” said Coates in a statement received only by Shadow and Act. “I look forward to meaningfully adding to the legacy of America’s most iconic mythic hero.”

“There is a new, powerful and moving Superman story yet to be told. We couldn’t be more thrilled to be working with the brilliant Mr. Coates to help bring that story to the big screen, and we’re beyond thankful to the team at Warner Bros. for the opportunity,” said J.J. Abrams in the statement to S&A.

“Ta-Nehisi Coates’s Between the World and Me opened a window and changed the way many of us see the world,” added Toby Emmerich, Chairman, Warner Bros. Pictures Group. “We’re confident that his take on Superman will give fans a new and exciting way to see the Man of Steel.”

(12) SANS RIDES ET SANS REPROCHE. Los Angeles Times columnist Mary McNamara finds this is a rhetorical question: “Is Disney California Adventure, with no rides, worth $75?”

…If you think Disney’s recent announcement that it will soon be charging $75 a head for the thrill of wandering around California Adventure to buy and eat things while admiring the entrances to still-closed rides is nuts, I am here to tell you that it is not.

At least not if my recent visit to Downtown Disney and Buena Vista Street is any indication.

…It was absolutely clear right away. Desperate for even the faintest tang of the Disney experience, thousands of us apparently are quite willing to settle for the elements of the Disney experience we normally complain about the most: waiting in line, overpriced food and the siren call of way too much Disney merch.

Late on a recent Wednesday afternoon, it was a 45-minute wait simply to enter the Downtown Disney area, 50 if you count the five-minute walk from the car, which cost 10 bucks to park.

To be fair, the line that snaked through an entire parking lot could be construed, at least in these coronavirus-plagued times, as a Disney experience in and of itself. The now-ubiquitous six-feet-apart marks created a socially distant conga line that involved far more walking than standing: “Well, we’re getting our steps in,” one of my daughters remarked.

…As the sun set over the Simba parking lot and our group advanced through the temperature-taking station and the bag-check station, then past a police presence prominent enough to make any mask-shirker think twice, one could at least imagine a world returning to something approaching normal.

Listen to the piped-in music! Yes, once upon a time it did indeed drive some of us insane. But now, after a yearlong lifetime of home-office work — concentration broken on an hourly basis by the maddening syncopated roar of leaf blowers and brain-drilling hum of the neighbors’ home improvement project — all those Disney tunes fell around us like the singing of a heavenly host….

(13) MARTINE’S SEQUEL. In a review at Fantasy Literature, Bill Capossere makes the book sound irresistible: “A Desolation Called Peace: Wonderfully rich and nuanced”,

…Beyond the plot reasons, I loved that it was more a cultural conflict because that concept is at the heart of this duology: the way the Empire doesn’t simply conquer via its military but swamps others with its pervasive, relentless, invasive cultural tentacles (hmm, sound familiar?), the way the question of “who counts as human” (or more broadly, who can be considered a person) runs throughout the Empire on a macro level, and throughout the relationship between Mahit and Three Seagrass on a micro level.

… It’s impossible to read these moments and not relate them to everyday existence for those forced to swim in the sea of a majority culture. This fraught tension is made all the richer for how Martine portrays (realistically) how seductive such cultural power is even for those it threatens to swamp, like falling in love with the waves that are trying to drown you. And then it gets under the skin and into the brain so it becomes almost second nature: “Mahit laughed, a raw sound … She couldn’t do it all. She thought in Teixcalaanli, in imperial-style metaphor and overdetermination. She’d had this whole conversation in their language.”

(14) HARD TIME. Will it be at least seven more years before Galactic Journey’s Gideon Marcus has something good to say about the monthly issue of Analog? “[February 26, 1966] Such promise (March 1966 Analog)”.

… It all came down to this month’s Analog.  If it were superb, as it was last month, then we’d have a clean sweep across eight periodicals.  If it flopped, as it often does, the streak would be broken.

As it turns out, neither eventuality quite came to pass.  Indeed, the March 1966 Analog is sort of a microcosm of the month itself — starting out with a bang and faltering before the finish….

(15) FROM BROADWAY TO BROADBAND. [Item by Martin Morse Wooster.] In the February 19 Financial Times, Sarah Hemming reviews “online interactive theatre shows” which try to capture some of the spontaneity of live theatre.

Collaboration is key to success with all these show: the quicker an audience learns to share tasks, the better.  In Sherlock In Homes:  Murder At The Circus (from the Wardrobe Theatre and Sharp Teeth Theatre), this turns out to be a group of small girls from Wales with a formidable line in questioning,  (The same companies have also created Sherlock In Homes 2:  Murder On Ice.)

Another Sherlock-inspired show, Murder At The Circus is a droll, family-friendly affair, low on tech high in audience-actor interaction. Sherlock is missing (again), leaving behind a rum case involving a dead circus clown and a plate of potted meat.  We, the impromptu detectives, must quiz a line-up of dubious suspects with names like Glenda Flex (acrobat) and Rory McPride (lion tamer), all of whom are adept at juggling the truth.

After several rounds of unfocused interrogation from our team, the Welsh 10-year-olds spring into action. “Where were you location-wise when you were kissing?’ demands one, sternly, of a particularly evasive character,  It would take a hardened criminal not to crack.”

The websites for this are sharpteeththeatre.orgthewardrobetheatre.com, and sherlockimmersive.com.

(16) MALZBERG ON PKD. A year ago on the DickHeads Podcast: “Interview #12 – Barry Malzberg – Malzberg Spectacular Part 1”.

David must have done something right because author Barry Malzberg was willing to sit down for a lengthy phone conversation with him. In this interview, Barry leads David through his experiences with multiple authors including PKD, the in’s and out’s of the publishing industry of the 60s and 70s, and more. Also, don’t forget to check out part 2 of our Barry Malzberg Spectacular where author James Reich joins David in an in-depth look at the award-winning novel Beyond Apollo, which garnered the first ever John W. Campbell Memorial Award for Best Science Fiction Novel.

(17) POTATO HEAD, THE MORNING AFTER. The London Economic has an entertaining collection of tweets about yesterday’s kerfuffle: “Best reactions as usual mouthpieces are foaming over a genderless Potato Head”. Here are a few —

When it was all over but the shouting, Reason’s Robby Soave announced:  “Mr. Potato Head will remain the strong, masculine figure he always was.”

(18) IN MELODY YET GREEN. The Washington Post’s Tim Carman reviews Lady Gaga Oreos. They’re pink! (With green filling!) “Lady Gaga Oreos are an extra-sweet mystery wrapped in an enigmatic pink wafer”.

…One of the promotions tied to Gaga’s cookies is a Sing It with Oreo feature. You can make personal recordings, transform them into “musical messages of kindness” and send them to folks you love and support. The pink foil packaging for Gaga Oreos features a QR code, which provides instant access to the recording function. You probably have to give up countless pieces of personal information in the process, but go ahead, “Just sing from the heart, and make someone’s day a little brighter.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Michael Toman, Cat Eldridge, JJ, John Hertz, Andrew Porter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/30/20 The Master And Margaritas

(1) THE DC COMICS SALE TO END ALL. Comicbook.com says “Sotheby’s Selling Most Complete DC Comics Collection Ever Featuring Rare Batman and Superman Comics”.

Today Sotheby announced that is will auction DC Complete: The Ian Levine Collection, a comic book collection that includes every comic book published by DC Comics from 1935 through 2016, including complete runs of SupermanBatmanAction Comics, and Detective Comics. The collection includes more than 40,000 comics that also feature Wonder Woman, The Flash, Green Lantern, Aquaman, and the Justice League. The collection is available to view now on the Sotheby’s website. Sotheby’s chose today to start the private sale as it marks the 81st anniversary of the release of Detective Comics #27, which included the first appearance of Batman.

It’s a private sale, which means there is no public auction, just negotiations between Sotheby’s specialists and one or more private buyers.* Bids are being taken starting today – here’s the Sotheby’s link. Download the catalog here [PDF file]. A quote about how the collection was assembled, from the auction house’s article —

For a decade, Levine purchased a new copy of every DC issue he could find, while trying to fill in earlier issues. However, in pre-internet 1987, Levine despaired of finding many Golden Age comics he lacked, and decided to sell many of his best issues in order to fund his collection of Northern Soul records and Doctor Who film prints. However, reviewing his stacks of comic books with the purchaser reawakened his passion for this pop art form, and Levine bought his comics back from the dealer he had sold them to—at a 50% premium. Amassing about half of the comics DC had ever published, Levine determined to form a complete collection. Sacrificing his incomparable collection of Northern Soul records and Doctor Who prints, along with the assistance of the nascent internet and dealer, advisor, and author of The Comic Book Paul Sassienie, he achieved this ambition, which would essentially be impossible to replicate. In 2010, Levine’s paramount, unique collection was utilized to supply the illustrations for Taschen’s monumental publication 75 Years of DC Comics: The Art of Modern Mythmaking by Paul Levitz, the former president and publisher of DC.

(2) ASK THE EXPERTS. The Boston Globe asks futurists and SF writers to look ahead: “It actually may be the end of the world as we know it”. Beware paywall.

…ANNALEE NEWITZ, science-fiction and nonfiction author, podcaster

I have a couple of scenarios I’ve been batting around in my head, which both feel equally plausible at this point.

Scenario One: As more people hunker down at home, more of our most vital and personal activities will have to go online. Lots of people are learning how to have serious meetings remotely, and how to work as teams in group chat.

Then there’s the arguably more psychologically vital stuff: I’ve been playing Dungeons & Dragons with my gamer group using videoconferencing, and watching TV with a housebound, high-risk loved one by hitting play at the same time on a TV episode and videochatting with him at the same time.

I’m not alone. A lot of us are cut off from our loved ones right now, and online connection is all we have. Suddenly “online” doesn’t feel like a fantasy realm. It’s our social fabric. The online world is going to become a fully robust public space, and we won’t want to see garbage and detritus everywhere. We will finally start to see social media companies taking responsibility for what’s on their platforms — information will need to be accurate, or people will die.

…Scenario Two: The pandemic rips through the population, aided in part by contradictory messages from state and federal governments, as well as misinformation online. As social groups and families are torn apart by disease and unemployment, people look increasingly to social media for radical solutions: violent uprisings, internment camps for immigrants and other “suspicious” groups, and off-the-grid cults that promise sanctuary from death.

(3) HAS THE JURY REACHED A VERDICT? James Davis Nicoll’s Young People Read Old SFF panel considers “Rediscovery: Of All Possible Worlds, Rosel George Brown”.

This is the second Brown featured in Rediscovery. As mentioned last month, Brown was a promising author whose career was cut short by her death in 1967. I don’t have much to add to that, except to wonder if my Young People will enjoy this story more than they did the previous one.

(4) WHO WAS THAT MASKED FAN? John King Tarpinian has already ordered “Classic Monster Aloha Safety Mask”. Get yours for a mere $9.95. More styles here. And they sell matching shirts for some of them — Daniel Dern says “I’ve got the first two in that were shown in this post.”

Introducing Aloha Safety Face masks!! Hawaiian Printed Masks that are fashionable , fun, and made in the USA!!

And just like that, my shirt factory has shifted production, retooled, and is making much needed face masks for hospitals and clinics. We are all proud to be part of the effort to in the corona-virus fight and provide protective gear to Doctors, Nurses, and hospital staff, who in my eyes are the front line soldiers in this global pandemic.Due to the unprecedented demand for masks, healthcare system completely lacks the needed supplies and we are on a mission to outfit them. 

While they are our priority so is  the safety of my friends, neighbors, and countrymen. Many people with elderly parents, respiratory illnesses, diabetes, are at high risk, or want to protect their families have reached out. I know it’s hard to find masks of any kind anywhere.

(5) NEW ZEALAND. This year’s Worldcon, CoNZealand, has already announced they’re going virtual. The need for the decision can only be reinforced by the Prime Minister’s statement today: “Coronavirus: Jacinda Ardern warns border restrictions will exist for some time”.

Prime Minister Jacinda Ardern has warned New Zealanders should get used to border restrictions in New Zealand and overseas, saying they’re likely to be in place “for some time”.

She said border restrictions overseas would likely persist until a vaccine for the novel coronavirus, believed to be one year to eighteen months away at the earliest – some vaccines take a decade to develop. 

“We will be having to manage covid-19 for months, until of course there is a vaccine and that will be many months,” she said.

Ardern told RNZ: “I’m anticipating border restrictions for some time.”

(6) WRITING THEIR WAY OUT. Melinda Snodgrass, Robert Vardeman, and Walter Jon Williams answered the Albuquerque Journal’s questions in “Science fact & fiction: Three New Mexico authors see parallels between the genre they write and the current world situation”.

Life as it is now – with most of us confined to home, getting out only for a walk in the sunshine or a quick trip to pick up mail, prescriptions, another bottle of water, an extra loaf of bread – is something we might have read about in a science fiction novel, seen on TV or at the movies but never before experienced personally to the extent we are dealing with now.

“I feel like I’m in what (science fiction author) Brian Aldiss called a cozy catastrophe,” said Walter Jon Williams, a writer of science fiction and fantasy who lives in Belen. “We have clothing, shelter, enough food in the fridge to last a month, and everything works. But everyone is gone. We just don’t see people. I went for a walk to the park today and saw one person.”

(7) SWIPER, NO SWIPING. Publishers Weekly boosts the signal as “Authors Guild, AAP Outraged by IA’s ‘National Emergency Library'”.  

The outcry from publisher and author groups has been swift and furious after the Internet Archive announced last week the launch of it’s National Emergency Library, which has removed access restrictions for some 1.4 million scans of mostly 20th century books in the IA’s Open Library initiative, making the scans available for unlimited borrowing during the Covid-19 Outbreak.

“We are stunned by the Internet Archive’s aggressive, unlawful, and opportunistic attack on the rights of authors and publishers in the midst of the novel coronavirus pandemic,” reads a March 27 statement from Association of American Publishers president and CEO Maria Pallante, adding that publishers are already “working tirelessly to support the public with numerous, innovative, and socially-aware programs that address every side of the crisis: providing free global access to research and medical journals that pertain to the virus; complementary digital education materials to schools and parents; and expanding powerful storytelling platforms for readers of all ages.”

The Authors Guild said it too was “appalled” by the program. “[The Internet Archive] is using a global crisis to advance a copyright ideology that violates current federal law and hurts most authors,” reads a March 27 statement. “It has misrepresented the nature and legality of the project through a deceptive publicity campaign. Despite giving off the impression that it is expanding access to older and public domain books, a large proportion of the books on Open Library are in fact recent in-copyright books that publishers and authors rely on for critical revenue. Acting as a piracy site—of which there already are too many—the Internet Archive tramples on authors’ rights by giving away their books to the world.”

In a statement on March 24, Edward Hasbrouck, co-chair of the National Writers’ Union ‘s book division also accused the IA of “using the coronavirus pandemic as an excuse” to redistribute copyrighted works without permission or payment.

“So much for authors’ incomes in a time of crisis. Do librarians and archivists really want to kick authors while our incomes are down?” Hasbrouck writes. “The argument is that students need e-books while they are staying home. But that’s an argument for spending public funds to purchase or license those resources for public use — not putting the burden of providing educational materials for free on writers, illustrators, and photographers. Authors also need to eat and pay rent during this crisis.”

The Internet Archive announced the National Emergency Library project on March 24, in response to the closures of libraries during the Covid-19 crisis, building upon the Internet Archive’s “Controlled Digital Lending” program. …

(8) MANDEL OBIT. Playwright and screenwriter Loring Mandel died March 24. His 1959 script ”Project Immortality” for Playhouse 90 got him his first Emmy nomination: “Key defense scientist Doner has cancer. Schramm is assigned to code Doner’s thinking into a computer. He gets to know him as a friend, a husband and father. The project is successful, but he now knows identity is not programmable.”

He was the screenwriter for Countdown, released in 1967, the year before the first Moon landing: “Desperate to reach the moon first, N.A.S.A. sends a man and shelter separately, one-way. He must find it to survive. He can’t return until Apollo is ready.” The movie starred James Caan and Robert Duvall.

However, as The Hollywood Reporter tribute notes, he was more famous for non-genre work: “Loring Mandel, Screenwriter and ‘Advise and Consent’ Playwright, Dies at 91”. “Mandel earned five Emmy nominations during his career, winning twice: in 1968 for his work on an installment of CBS Playhouse and in 2001 for penning the BBC-HBO telefilm Conspiracy.”

(9) TODAY IN HISTORY.

  • March 30, 2013 Orphan Black premiered on BBC America in the USA and Space in Canada. Starring Tatiana Maslany as the clones, it run for five seasons and fifty episodes. It would win a Best Dramatic Presentation, Short Form Hugo at Sasquan for “By Means Which Have Never Yet Been Tried”.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 Herbert van Thal. Editor of the Pan Book of Horror Stories series that ran twenty-four volumes from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1927 Greta Thyssen. Labeled Queen of the B-Movies she appeared in a number of genre films such as The Beast of Budapest,  Creature from Blood Island andJourney to the Seventh Planet. (Died 2018.)
  • Born March 30, 1928 Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads a lot a similar Heinlein would. (Died 1993.)
  • Born March 30, 1933 Anna Ruud. Dr. ingrid Naarveg in the Three Stooges film Have Rocket — Will Travel. Hey, it is genre of a sorts. On a more serious note, she was Doctor Sigrid Bomark in 12 to the Moon. She had one-offs in Voyage to the Bottom of The SeaThe Girl from U.N.C.L.E. and The Man from U.N.C.L.E.  (Died 2018.)
  • Born March 30, 1943 Dennis Etchison. As editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
  • Born March 30, 1948 Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing ‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1958 Maurice LaMarche, 62. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of) with Pinky modelled off Orson Welles, the entire cast as near as I can tell of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials. 
  • Born March 30, 1990 Cassie Scerbo, 30. Nova Clarke in the Sharknado film series alongside Ian Ziering and Tara Reid (2013–2018). And one site listed her as being a member of the cast of Star Trek: Progeny, yet another of those video Trek fanfics.

(11) COMICS SECTION.

(12) FROM COMIC BOOKS TO HISTORY BOOKS. “Overlooked No More: Kate Worley, a Pioneer Writer of Erotic Comics”. The New York Times says “Worley, who wrote Omaha the Cat Dancer, about a feline stripper, ‘injected a woman’s point of view’ that helped the comic stand out from others in the 1980s.”

…At the heart of the series was the writer Kate Worley, who gave the comic its distinctive voice and helped cultivate its wide-ranging fan base.

The character Omaha, created by the writer and artist Reed Waller, made her debut in 1978 as part of a fanzine. She eventually found her way into her own comic book, beginning in 1984. But then Waller got writer’s block.

“He wasn’t sure he wanted to continue,” Worley wrote in an introduction to a 1989 collected edition of Omaha. So she offered some suggestions. “I chattered for some time about possible plot directions, new characters,” she said.

When she was finished, Waller asked, “Would you like a job?” Worley took over as the writer, while Waller continued to draw the comic.

(13) A CLASSIC AGES GRACEFULLY. Tor.com’s prolific James Davis Nicoll goes monster hunting: “Another One of Them New Worlds: Revisiting Forbidden Planet”.

…United Planets cruiser C-57D, under the command of Commander John J. Adams (Leslie Nielsen), was dispatched to Altair IV to find out what had happened to an expedition that had been sent out twenty years earlier. As soon as the starship arrives in orbit, C-57D receives a transmission from the surface. There is at least one survivor of the earlier mission. To Adams’ surprise, the survivor, scientist Dr. Edward Morbius (Walter Pidgeon) doesn’t want to be rescued. Indeed, he warns the craft to go away if it wants to save its crew.

(14) HAULING THE FREIGHT. SpaceX has been selected as a contractor to deliver supplies to NASA’s Lunar Gateway station. “NASA Awards Artemis Contract for Gateway Logistics Services”.

NASA has selected SpaceX of Hawthorne, California, as the first U.S. commercial provider under the Gateway Logistics Services contract to deliver cargo, experiments and other supplies to the agency’s Gateway in lunar orbit. The award is a significant step forward for NASA’s Artemis program that will land the first woman and next man on the Moon by 2024 and build a sustainable human lunar presence.

At the Moon, NASA and its partners will gain the experience necessary to mount a historic human mission to Mars.

SpaceX will deliver critical pressurized and unpressurized cargo, science experiments and supplies to the Gateway, such as sample collection materials and other items the crew may need on the Gateway and during their expeditions on the lunar surface. 

(15) HE AM IRON MAN. [Item by Mike Kennedy.] Should the Marvel Cinematic Universe ever decide to reboot, we may have found our new Iron Man…

(16) BEWARE THOSE DARNED SPOILERS. The Guardian’s Stephen Kelly doesn’t sound like a fan of the show: “Star Trek: Picard is the dark reboot that boldly goes where nobody wanted it to”. And did I mention, this article HAS SPOILERS?

It is the year 2364, and Jean-Luc Picard – the revered captain of the USS Enterprise – has just come face to face with three humans who have been frozen in time since the late 20th century. By this point in the story – the 1988 finale of the first season of Star Trek: The Next Generation – he has met Klingons, Romulans, a pool of black goo, but nothing is as alien as these greedy, selfish relics.

This is Star Trek, after all: the pop-culture behemoth built on the idealistic future envisioned in the 60s by its creator Gene Roddenberry. “A lot has changed in the past 300 years,” Picard tells them. “People are no longer obsessed with the accumulation of things. We’ve eliminated hunger, want, the need for possessions. We’ve grown out of our infancy.”

Or have we? Revisiting the character 30 years later in Star Trek: Picard, Patrick Stewart’s grand return to the role at the age of 79, it seems the world has not progressed as much as we were led to believe. Set during a time in which the Federation – a union of planets with shared democratic values and interests – has turned isolationist in response to a terror attack, it has proved to be a divisively dark, gritty and morally bleak take on the Star Trek universe….

(17) TAKE IT IN STAGES. Harvard’s School of Public Health concludes that “On-again, off-again looks to be best social-distancing option”.

With global coronavirus cases heading toward half a million, Harvard infectious disease experts said recent modeling shows that — absent the development of a vaccine or other intervention — a staggered pattern of social distancing would save more lives than a one-and-done strategy and avoid overwhelming hospitals while allowing immunity to build in the population.

The work, conducted by researchers at the Harvard T.H. Chan School of Public Health and led by Yonatan Grad, the Melvin J. and Geraldine L. Glimcher Assistant Professor of Immunology and Infectious Diseases, and Marc Lipsitch, professor of epidemiology, also shows that if strict social distancing such as that imposed in China — which cuts transmission by 60 percent — is relaxed, it results in epidemic peaks in the fall and winter similar in size and with similar impacts on the health care system as those in an uncontrolled epidemic.

“We looked at how it would affect the thing that matters most — overwhelming the critical-care unit,” Grad said.

The problem, the researchers said, is that while strict social distancing may appear to be the most effective strategy, little population-level immunity is developed to a virus that is very likely to come around again.

(18) PUBLIC SERVICE ANNOUNCEMENTS. A lot of genre figures are getting in on the act – we learned about these three from Comicbook.com:

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Stay safe out there.

A post shared by Damon (@damonlindelof) on

[Thanks to Daniel Dern, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Michael Toman, Michael J. Walsh, Cat Eldridge, Darrah Chavey, and Andrew Porter for some of these stories. (* )Thanks to Bill Burns for the assist. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #45

Who Watches The Watchmen? –  Part One: Episodes 1-3

**BEWARE SPOILERS**

By Chris M. Barkley:

WATCHMEN by Alan Moore and Dave Gibbons, 12 Issues, September 1986 – October 1987, omnibus edition DC Comics/Warner Books, 1987.

“This city is afraid of me…I have seen its true face”

-Rorschach

It is widely regarded that Jack Katz’s The First Kingdom (1974) and the late Will Eisner’s A Contract With God and Other Tenement Stories (1978) should be credited as being among the first great, modern graphic novels. 

Watchmen, by writer Alan Moore and artist Dave Gibbons is, without a doubt, acknowledged as the first masterpiece of this literary form.

This psychological and sociological deconstruction of the nature and mythology of superheroes has been a towering inspiration to nearly everyone who has aspired to work in the comics industry since its publication in the mid-1980’s.

I had the privilege of reading Watchmen in its original twelve issue run when it was first published. I vividly remember being very excited about reading this series. And I, as a jaded 30-year-old-reader, had not been taken by surprise by a graphic novel or comic book since I was nine years old and encountering the Fantastic Four and the Justice League for the first time.   

I was mesmerized as Ozymandias’ (Adrian Veidt) diabolical plan to unite the world by making it fearful of a faked alien invasion played out; the murder of a remorseful ex-hero Eddie Blake (The Comedian), the relentless and brutal investigation of his and other murders by Rorshach (Walter Joseph Kovacs), Doctor Manhattan’s (Jon Osterman) growing alienation from humankind and the personal struggles of Sally Jupiter (Silk Spectre) and Nite-Owl (Dan Dreiberg) and the eventual destruction of a good portion of New York City and a massive death toll., .

And the plan worked. Or did it?

A nuclear war between the Soviet Union and the United States was averted, and the surviving heroes, with the exception of Rorshach, agreed to keep silent. Doctor Manhattan kills Rorshach to ensure his silence. But knowing he might not be able to speak out, he cleverly planted a diary outlining most of plot with a tabloid newspaper. We, the readers, were left with an ironic, ticking time bomb waiting to go off…

Moore and Gibbon’s original contract with DC Comics stipulated that if Watchmen went out of print, the publishing rights and characters would revert back to them to do with them as they wished. But, not only a critical success but a big moneymaker for DC. Moore, citing this and other contractual disputes with DC, is totally estranged from the publisher and has repeatedly refused to have anything to do with Watchmen. And I don’t blame him a bit. If we were all moral and ethical people, we would boycott anything and everything Watchmen-related. 

Unfortunately, we are not very moral or ethical people. Are we?      


WATCHMEN (Director’s Cut: 3 Hours 2 minutes, 4/4 stars, 2009) with Malin Åkerman, Billy Crudup,Matthew Goode,Carla Gugino,Jackie Earle Haley, Jeffrey Dean Morgan and Patrick Wilson. Screenplay by David Hayter and Alex Tse, based on Watchmen by Alan Moore and Dave Gibbons, Directed by Zach Synder.

“People’s lives take them strange places. They do strange things, and sometimes they can’t talk about them… I know how that is.”.

Laurie Jupiter/Silk Spectre II

The film rights to Watchmen were immediately snatched up by renowned producers Lawrence Gordon and Joel Silver. They were the first of many who tried, and failed, to make a movie out of Watchmen. Several writers and directors were employed to give it a go, among them Terry Gilliam of Monty Python fame, who exclaimed at one point it would be better as a mini-series and at another said the graphic novel was “unfilmable”.

In 2005, Gordon and a new partner, Lloyd Levin, tapped director Zach Synder, who had just completed the special effects historical epic, 300, to try to bring it all together. Synder and new screenwriter Alex Tse used elements of an earlier script by David Hayer, restored the Cold War setting of 1985 and an element involving Doctor Manhattan working on an energy conversion project backed by Adrian Veidt.

I saw the film when it premiered a decade ago but hadn’t seen it since then. I remember being impressed with it and thought was a very good adaptation. Looking back, I gave it three out of four stars (on the Leonard Maltin rating scale) because as good as it was, I found the underlying themes of the source material somewhat muted. 

To re-acquaint myself with the film, I purchased a copy of Zach Synder’s director’s cut (which has 24 minutes of additional footage) and found it that it was a more satisfying experience. Sure, it features extended action scenes but it also gives more nuance and character motivation to Laurie Jupiter (Malin Ackerman), her mother, Sally (Carla Gugino) and Nite-Owl (Partick Wilson). Their character arcs actually heighten the performance of Jackie Earle Haley’s Rorshach, whose contrasting performance as the hard ass, uncompromising vigilante burns even brighter. In a fairer world would he have been nominated for an Oscar and aced the winner Christoph Waltz (for Inglorious Basterds) for the award.

Synder and screenwriter Alex Tse received a lot of criticism for changing a vital element of the original story; the conspiracy behind faking the alien invasion. Instead, a subplot involving Doctor Manhattan and Adrian Veidt developing a new source of energy derived from his superpowers and Veidt framing him for a far more heinous crime, the utter destruction of several major global cities. While I thought this was a brilliant way to set the film apart visually from the graphic novel, other critics harped that it was either still too faithful version or or disagreed with the choices storywise. As for me, I think that; filmmakers have a better chance of producing more interesting and innovative art when they bring their perspectives and ideas to an adaptation than being a slave to the original material.

(To get an author’s first-hand perspective on how they viewed an adaptation of their own work, interested readers may want to hunt down David Mitchell’s essay on how his 2004 novel, Cloud Atlas, was handled by its three directors. It was originally published in the 2012 movie tie-in edition and, as of this post, is not available online.)

Watchmen was not the huge financial success Warner Brothers and DC Comics had hoped for at the box office, earning $185 million worldwide against an estimated budget of $138 million. Sales of various home video editions have been moderately good. In bookstores and online, the graphic novel spiked in advance of the film and did so again this past year upon the announcement from HBO that a limited series was in the works. 

Despite the failure of the film, DC embarked on a series of prequel stories called Before Watchmen in 2012, featuring individual characters from the novel.

Naturally, Alan Moore was very unhappy with these developments, stating in a 2012 interview on the Seraphemera (Books & Music) website:

“All the nasty comments that I was making when I was angry–about the comics industry not having had an idea of its own in the last 40 years…it would seem that DC are really going that extra mile in trying to prove me incontrovertibly right.”

and

“What the comics industry has effectively said is, ‘Yes, this was the only book that made us briefly special and that was because it wasn’t like all the other books.’ Watchmen was something that stood on its own and it had the integrity of a literary work. What they’ve decided now is, ‘So, let’s change it to a regular comic that can run indefinitely and have spin-offs.’ and ‘Let’s make it as unexceptional as possible.’ Like I say, they’re doing this because they haven’t got any other choices left, evidently.”     


WATCHMEN: White Rabbit, HBO, DC Comics, based on Watchmen by Alan Moore and Dave Gibbons, with Regina King, Jean Smart, Don Johnson, Tim Blake Nelson,Yahya Abdul-Mateen II, Andrew Howard, Jacob Ming-Trent, Tom Mison, Sara Vickers, Dylan Schombing, Louis Gossett Jr. and Jeremy Irons.

“I’ve got a nose for white supremacy and he smells like bleach.” 

Angela Abar/Detective Sister Night, Episode 1

  • Episode 1: “It’s Summer and We’re Running Out of Ice”, Written by Damon Lindelof, Directed by Nicole Kassell
  • Episode 2: “Martial Feats of Comanche Horsemanship”, Written by Damon Lindelof & Nick Cuse, Directed by Nicole Kassell
  • Episode 3:”She Was Killed by Space Junk”, Written by Damon Lindelof & Lila Byock, Directed by Stephen Williams

Which brings us to Damon Lindelof’s “remix” of the original graphic novel for television.The veteran of high profile genre shows like Lost and The Leftovers, he turned the job down twice before accepting. He went in knowing that he would never get Alan Moore’s approval and that whatever may come, the die-hard fans of the graphic novel (or the film for that matter) would never be satisfied with the results.

Taking a deep creative breath, Lindelof took to Instagram and made the following statement: “I am compelled despite the inevitable pushback and hatred I will understandably receive for taking on this particular project. This ire will be maximally painful because of its source. That source being you. the true fans.”

He also said: “I’m a true fan, too. And I’m not the only one. What I love about television is that the finished product is not the result of a singular vision, but the collective experience of many brilliant minds.”

Among those brilliant minds is Watchmen’s original artist, Dave Gibbons, who signed on with Lindelof as a visual consultant. His contributions are immediately evident in costumes of the characters and the style and feel of the production itself. 

The story begins with one of the most stunning opening sequencing in the history of television; a brutal recreation of the ransacking, murderous rampage and destruction of the Black Wall Street of Tulsa, Oklahoma in 1921. Emerging from the carnage, a young black child rescues an infant and flees the burning city.

We then shift ninety-eight years into the future and thirty four after the events depicted in the graphic novel. Loud rap music drones from of a pickup truck late at night. The middle aged driver become apprehensive when police lights signal for him to pull over and it appears he is a victim of racial profiling. And as the officer questions the driver in an antagonistic manner, it verifies these suspicions with one startling twist; the driver is white and the Tulsa cop is African-American and wearing a mask. When the cop is brutally assaulted and critically injured, it set in motion a series of events that will range far across this alternate universe.

And what a strange universe it is. Over the course of the first three episodes several several passing glances and easter eggs have revealed the following observations and easter eggs:

  • That actor Robert Redford has been President for decades. 
  • That African-Americans were granted some substantial reparations from the government over the years.
  • There are no cell phones or the development of any social media outlets. But electric cars seem to be a standard mode of travel.
  • Author/Attorney John Grisham was appointed to the Supreme Court and is retiring.
  • Masked vigilantes were banned in 1977 but apparently many persist in the practice.
  • A newspaper announces that Adrian Veidt (Ozymandias) has been officially declared dead.
  • Tiny squids fall from the sky on an irregular basis, a stark reminder that mankind is still living under a threat of an impending “invasion:’
  • A dramatization documenting adventures of the first vigilantes called “American Hero Story” is being promoted on television (a clear call out to the Tales of The Black Freighter comics in the original Watchmen AND to Ryan Murphy and Brad Falchuk’s American Horror Story).
  • And Doctor Manhattan has been spotted on Mars, puttering around building and deconstructing things on the surface and, presumably, keeping an eye on Earth.

Tulsa’s police chief, Judd Crawford (Don Johnson) quickly deduces that a white supremist group, the Seventh Kalvary, was responsible. Three years earlier, the force and their families had been targeted in a surprise attack that left them dead and the few that remained demoralized. In response, the state government funded a pilot project that allowed officers to mask themselves and detectives to don elaborate costumes to protect their identities. Unfortunately, as the first episode amply demonstrates, this habitually leads to the abuse of the civil rights of criminal suspects and innocent civilians alike.

Our main protagonist, Angela Abar, is a survivor of the attack and has adopted the guise of a mild mannered, civilian identity of a local baker. But, when she’s alerted via pager to an emergency, she swiftly enters the back room and, like Spiderwoman, the Green Hornet and countless other heroes, transforms herself into Sister Night; with a nun’s habit and balaclava clad, she is a total badass supercop.

Sister Night forcibly brings a suspect into Tulsa’s secret police facility where he is subjected to an interrogation by Detective Wade Tillman, aka Looking Glass (played a droll and sardonic Tim Blake Nelson), who wears a reflective mirror mask. After conducting a very strange method that seems imitate Bladerunner’s Voight-Kampff test, Tillman concludes that while the suspect may not have been directly involved with the attack, he definitely knows something. And Sister Night proceeds to beat the location of the Seventh Kalvary out of him.

Meanwhile, at an undisclosed location, we spy a man (Jeremy Irons) riding horseback through the countryside. (Although he isn’t identified, I immediately suspected this regal looking rogue to be Adrian Veidt. And I was right.) While he seems to be right at home, he gives the appearance of being preoccupied with writing a play called “The Watchman’s Son” and recruiting his servants, Miss Crookshanks (Sarah Vickers) and Mr. Phillips (Tom Mison) to help him bring it to life.

At first, I thought these might be androids, but no, after Mr. Philips is burned alive during the performance of the play, it’s revealed that there are multiple copies of him and Miss Crookshanks, clones, doing his bidding around the castle in various roles. And who knows, they might even be clones of himself!

It also becomes evident that while Veidt lives in relative comfort, he is not at liberty to leave the compound at any time. After another one of his Philips clones expires in a grisly manner during one of his experiments involving a primitive pressure suit and a trebuchet, it is evident that the World’s Smartest Man is trying to escape. And the person who is standing in his way is a mysterious character named “the Game Warden”, who sends Veidt a written warning that he suspects his current activities may be in violation of the terms of his imprisonment. And Veidt, being the person he is, doubles down on his efforts.        

Meanwhile, Sister Night and Chief Crawford lead a nighttime raid on the Kavalry’s remote safehouse, which, like the first two episodes, are thrillingly directed with precision and verve by Nicole Kassell. And while they succeed in breaking up the gang’s current plan, they don’t gain enough intelligence to know exactly what they’re up to. 

Angela goes home only to receive a phone tip from a strange voice who tells her knows who she is and proceeds to demands she drive to a location in a field she knows well. Fearing that her identity and family has been compromised, she drives there only to find Crawford’s body hanging from a tree and a VERY elderly black man in a wheelchair (Louis Gossett, Jr.), proudly claiming to be the murderer.

This man, who calls himself Will, also claims to be Angela’s grandfather and to being 109 years old. Angela takes him to her bakery hideout, handcuffs him and takes a DNA sample to be tested and later is shocked to find out his claim is valid. Having kept Will out of the investigation of Crawford’s death, she decides to formally take him into custody as a material witness. But as she places him in her civilian car under the cover of darkness, a mysterious craft swoops in with an electro-magnetic grapple and spirits Will, and her car (!), away. A paper flutters down from the car; the tattered leaflet with the words “Look After This Boy” scrawled on the back, the same note that was placed in the pocket by the father of the boy who survived the 1921 Tulsa riots. 

The third episode introduces the audience to a middle-aged Laurie Blake (Jean Smart, who is equally snappy and ironically sad in her role) the second Silk Spectre and daughter of Sally Jupiter and Eddie Blake. A hard-bitten veteran of the FBI’s Anti-Vigilante Task Force, she also appears to be trapped in a life she doesn’t enjoy very much. It is heavily implied that her ex-husband, Nite-Owl, is languishing in prison for violating the 1977 federal anti-vigilante act and Laurie feels guilty for receiving a get out of jail free card in exchange for her services. 

Enter Joe Keene Jr., a US Senator from Oklahoma (and an aspiring Presidential candidate) who comes calling on Laurie to do him a favor; he has arranged with the Bureau to send her to Tulsa to investigate the death of Chief Judd Crawford, who he strongly suspects might not have been killed by the Seventh Kalvalry but by a masked vigilante. .Should Laurie succeed and he becomes President, he strongly suggests he just might pardon Daniel Dreiberg.

But Laurie doesn’t only pine for her ex-husband, in her spare time from the investigation, she also records phone messages beamed directly to Mars via special booths for her ex-boyfriend, Doctor Manhattan to “hear”.

As sad and lonely as Laurie seems, her demeanor in public is sharp and professional. In her interactions with Angela, Wade and her nerdy FBI partner Dale Petey (Dustin Ingram) she lets it be known that does not suffer fools gladly and that she has read all of the reports, seen all of the video and is as smart as a very sharp, venomous tack. And if anyone is hiding anything, she’ll be the one to suss it out. Wade seemingly bows to her authority but not Angela, who puts on a brave and defiant face. That’s because she has plenty to hide at this point, including finding evidence that Chief Crawford may have been on the take and is concealing her grandfather’s role in his death.

And at the end of the third episode, as Laurie completes her phone call to Mars that evening, pleading for a sign from Doctor Manhattan that he might still care for her or the human race. As she is walking to her car, a huge clue falls into her lap from the sky above. And as she looks to see where it came from, she catches sight of Mars, glowing ominously in the distance. We leave Laurie as she laughs maniacally at the night sky and the audience wondering what the hell is going to happen next.

I must admit that I have been fairly overwhelmed by what Damon Lindelof has done with this production of Watchmen. He clearly reveres the source material but is totally unafraid in taking it in unexpected and startling directions.

There has been some blow back from fans who have complained at great length that Lindelof has made Watchmen too “political”, which is laughable because a more discerning reader should have caught on to those themes in the very first issue back in 1986. 

Others have vociferously objected to Rorschach being held up as a modern-day symbol of white supremacy. Well, those people thought he was the “hero” of previous iterations of Watchmen, when in fact, he was a damaged human being who was given the worst aspects of Batman, which were then magnified to the nth degree. A nihilistic, psychotic and inflexible, Walter Kovacs was the perfect character for other nihilistic, psychotic and inflexible racists to glom onto as their object of adulation.

Furthermore, Lindelof and his crew of creators are daring the audience to immerse themselves in a world where they may have to either root for, understand or have empathy for people, especially police officers, who are going about their jobs and lives in a completely aberrant and disgusting manner as they try to grapple with forces and circumstances they are having a hard time comprehending.

Also, in an era where more television shows and films are telling more diverse stories, it is utterly refreshing to see a gerne-oriented show tackle racial and political issues head on for a mainstream audience. These are exactly the sort of entertainment vehicles we need more of in these confusing and turbulent times; confounding, controversial and profound, they excite the intellect and stir meaningful conversations about who we are and what we should be doing.

This past spring, I stated that I was only going to list HBO’s magnificent techno-horror miniseries Chernobyl as my lone entrant on my Best Dramatic Presentation-Long Form Hugo award ballot. Well, I think may have been a bit premature saying that; if Damon Lindelof and company can pull it off this daring adaptation over the remaining six episodes, I’ll be nominating Watchmen as well. 

And from what I’ve seen so far, I’ll be VERY disappointed if they don’t make it. But, after seeing the first three episodes of this series, I have a sneaking suspicion they will stick the landing, in the biggest way possible.

Pixel Scroll 11/3/19 When You’re At The Bottom Of A Pixel, It’s Time To Put Down The Scroll

(1) FAN NONPROFIT CALLS FOR SUPPORT. Con-or-Bust, the organization that helps people of color/non-white people attend SFF conventions, has put out a call for workers to keep it going. Their Twitter thread about what’s needed starts here.

(2) FRESH MONSTERS. “Creepy Stories (and More) from Victor LaValle and Benjamin Percy” on Lit Hub links to an episode of the Lit Hub podcast Fiction/NonFiction, which features interviews with LaValle and Percy and each author reading three excerpts from their fiction.

LaValle explains how devices like monsters make it possible to write about how something feels, rather than merely what happened; Percy discusses doppelgängers, and asks whether politically, the call is coming from inside the house.

(3) COMPLETING THE ARC. John Scalzi had a good time at the movies — “Terminator: Dark Fate Review” on Whatever.

…As I walked out of the film last night I posted a five word recommendation of this film: “It gets Sarah Connor right.” This actually matters because despite the name of films, the “Terminator” films are about Sarah Connor, and the arc of her life dealing with the terrible fate that life has dealt her: Victim to fighter to avenger. Sarah Connor is realistically (with the context of these films) damaged by this fate of hers; particularly in this film she’s a PTSD wreck. And, well, she would be, wouldn’t she. It’s important that the Terminator films show her this way. It’s for better or worse the grounding the films need to make every other absurd thing that happens in them function on the level of plausibility.

(4) NOT SO BLITHE SPIRIT. In “Like It or Not, Damon Lindelof Made His Own Watchmen”, Vulture’s Abraham Reisman gets showrunner Damon Lindelof to answer several ethical questions about Watchmen, including the morality of how he is making the series without Allan Moore’s and Dave Gibbons’s permission because the rights were supposed to revert to them if the comic books were out of print, and they’ve never gone out of print, and how Robert Redford is “in the series” as the perpetual president but the actual Robert Redford was neither approached or asked because he had retired before the series started production.

Does it keep you up at night? Or have you made your peace with it?
It wakes me up at night, but much less so now that it’s done. I’m about to say something very ridiculous, but in all sincerity, I was absolutely convinced that there was a magical curse placed upon me by Alan [Moore]. I’m actually feeling the psychological effects of a curse, and I’m okay with it. It’s fair that he has placed a curse on me. The basis for this, my twisted logic, was that I heard that he had placed a curse on Zack [Snyder]’s [Watchmen] movie. There is some fundamental degree of hubris and narcissism in saying he even took the time to curse me. But I became increasingly convinced that it had, in fact, happened. So I was like, “Well, at least I’m completely and totally miserable the entire time.” I should be!

(5) ALL ABOARD PULLMAN. The new BBC/HBO His Dark Materials mini-series starts Monday, November 4. The credits alone are enough to leave Io9’s Julie Muncy bowled over: “The Opening Title Sequence for His Dark Materials Is Stunningly Good”.

His Dark Materials is a sweeping fantasy epic, and it deserves a title sequence to match. Fortunately, thanks to HBO and the BBC, it’s got one. Today, BBC released the opening for the upcoming His Dark Materials TV show, and it absolutely lives up to the pedigree of the series. If you’re looking for something to build hype, this is it. I’m especially partial to the graphics at the end. Like, wow.

(6) HIS BARK MATERIALS. The previous item also reminded Daniel Dern of a photo he shot at Arisia 2016 of an “Armored polar bear” from The Golden Compass.

DanielDern-Arisia2016-DSC08657-DogCosplay

(7) NANOWRIMO AT 20. The New York Times celebrates the anniversary: “Ready. Set. Write a Book.” Article includes tips and tools.

This year marks the 20th anniversary of the National Novel Writing Month project, which challenges people to write a 50,000-word novel in November. NaNoWriMo, as it is known, is a nonprofit that supports creative writing and education. Those who sign up for the group’s free annual event get community support, progress tracking and motivational advice to complete a book draft.

If you think you have a novel in you, here is a quick guide to digital tools to help you along your way.

(And if the thought of cranking out an average of 1,667 words a day in the NaNoWriMo challenge doesn’t fit in with your schedule or you need more prep time — don’t despair. You could write it at your own pace.)

(8) SLADE OBIT. Bernard Slade, who co-created The Flying Nun and wrote 17 episodes of Bewitched, has died at the age of 89 reports the New York Times. Outside of genre his successes were creating the 1970s television series The Partridge Family, and the Broadway play “Same Time, Next Year.”

(9) TODAY IN HISTORY.

  • November 3, 1954 — In Japan, Godzilla (Gojira) premiered. This is the very first film in the Godzilla franchise.  It was written by Honda, Takeo Murata, and Shigeru Kayama, and was produced by Tomoyuki Tanaka, with special effects by Eiji Tsuburaya.  It enjoys a 89% rating at Rotten Tomatoes among viewers and an even more impressive 93% among critics. It made almost nothing on its first run here on the States. 

And here is a good place to link to Funny or Die’s Rambo/Godzilla mashup (released in June).

  • November 3, 1967 — The Trek episode of “I, Mudd” first aired. Starring Roger C. Carmel as Harry Mudd with Richard Tatro as  Norman,  Alyce Andrece as Alice #1 through #250, Rhae Andrece as Alice 251 through 500 and, lest we forget, Kay Elliot as Stella Mudd. Written by Stephen Kandel as based on a story by Gene Roddenberry.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1921 Charles Bronson. He didn’t do he a lot of genre acting but I’ve got him in One Step Beyond as Yank Dawson in “The Last Round” and he’s in The Twilight Zone in “Two” as The Man opposite Elizabeth Montgomery as The Women. He was also in Master of The World which is  based on the Verne novels Robur the Conqueror and its sequel Master of the World. (Died 2003.)
  • Born November 3, 1932 Monica Vitti, 87. She’s best remembered in the English language movie going world for her performance as the lead agent in Modesty Blaise. It‘s rather loosely based upon the Modesty Blaise strip by Peter O’Donnell, who co-wrote the original story upon which Evan Jones based his screenplay. 
  • Born November 3, 1932 Jack Harness. Usually I’d give a précis of his fan bio based Fancyclopedia 3 and sources. Oh, this time you really need to go read the Fancyclopedia 3 write-up as the writer has detailed a true character among characters: Jack Harness (Died 2001.)
  • Born November 3, 1933 Aneta Corsaut. If you saw The Blob, the original Fifties version, she was Jane Martin. Her only other genre film work was as an uncredited tourist mother in Blazing Saddles. And unless I’m mistaken, she had no other genre series work at all though she was popular in Westerns. (Died 1995.)
  • Born November 3, 1933 Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1933 Ken Berry. He’s making the Birthday Honors for Disney’s The Cat from Outer Space in which he was Dr. Frank Wilson. No, the cat wasn’t Goose. And he played seven different roles on the original Fantasy Island which well may be a record. Oh, he like pretty much everyone else was a guest performer on Rowan & Martin’s Laugh-In. I know it’s not genre, I just find that amusing. (Died 2018.)
  • Born November 3, 1952 Eileen Wilks, 67. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well! 
  • Born November 3, 1953 Kate Capshaw, 66. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1953 Adam Ant, 66. He actually has a decent genre acting history having been on the Eighties Amazing Stories, in Out of Time (a time travel film), Love Bites (oh guess), Tales from The Crypt, voiced a role on Batman: The Animated Series and Cyber Bandits. Oh and voicing Sri Charge-A-Lot on The Sylvester & Tweety Mysteries!
  • Born November 3, 1956 Kevin Murphy, 63. Best known as the voice and puppeteer of Tom Servo for nine years on the Mystery Science Theater 3000. He was also the writer for the show for eleven years. I’m surprised the series was never nominated for a Hugo in the Long Form or Shot Form. Does it not qualify?
  • Born November 3, 1963 Brian Henson, 55. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.

(11) COMICS SECTION.

(12) CARTOON-LIKE SCULPTURE. This towering figure sits in front of a new high-rise on the waterfront in Greenpoint, NYC.

(13) KEEPING AHEAD. Steven James advises authors “How to Write Crime Fiction Set in the Near Future” at CrimeReads.

2) Trust your reader’s imagination.

In my latest novel, Synapse, I refer to slates, which are basically the tablets of the future. Who knows what phones thirty years from now or even five years from now will be able to do? Don’t make the smartphones of the future too dumb. If you can imagine it, there’s probably some software engineer somewhere out there who’s thought of the same thing.

So, when it comes to technology don’t try to get so specific that the technology will be outdated by the time the book comes out.

Here’s a prime example: years ago when I was writing my book The Rook, I thought it would be cool if someone could look up a song online just by humming it and search using sound-based search algorithms rather than just text-based ones. Cutting-edge, right? Well, as I was writing the manuscript, that technology was released. If I’d included it in my book as something new or innovative, readers would have shaken their heads: “They’ve been able to do that forever.” It’s important to keep an eye on current trends and technological breakthroughs.

(14) FANTASTIC ART. CBS’ Sunday Morning paid a visit to “Art collective Meow Wolf”.

What is Meow Wolf? An art collective founded in Santa Fe, N.M., whose name came from words picked out of a hat, and which puts on immersive exhibitions that tantalize audiences with vivid visuals and storytelling that is magical, mysterious, or just downright weird. Their latest exhibit, called “The House of Eternal Return,” is contained in a former bowling alley purchased by one of the group’s benefactors, “Game of Thrones” author George R.R. Martin. Conor Knighton reports.

(15) NEXT WEB. Looper sounds the alert: “Get ready for a Spider-Man: Into the Spider-Verse sequel”.

The news drop came after several days of teasing and a pair of cryptic tweets posted to the official Twitter account for Spider-Man: Into the Spider-Verse. On October 27, the account posted a GIF of a genetically modified spider silk-gliding down to the streets of New York and creepy-crawling toward the camera — a moment fans will remember from the aesthetically striking film. The post was accompanied by an emoji of a pair of eyes, often used to indicate that secrecy, sneaky behavior, or some kind of deceitful act is taking place. Then, on October 31, the Into the Spider-Verse Twitter page shared a hype-boosting warning: “Something’s up. Our Spidey sense is tingling. RT if yours is, too.”

(16) VIDEO OF THE DAY. In “How To Power Your House, With xkcd’s Randall Munroe” on YouTube, Randall Munroe offers all sorts of options for powering your house using the amount of space in a typical front yard.

[Thanks to Andrew Porter, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Darrah Chavey, Daniel Dern, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 10/20/19 Recommended To All To Whom This Sounds Like A Recommendation

(1) NOW IT’S AN APOCALYPSE. The row started by Martin Scorsese’s remarks isn’t likely to subside anytime soon now that Francis Ford Coppola has been even more extreme in his supporting comments: “Coppola backs Scorsese in row over Marvel films”.

Francis Ford Coppola jumped into a controversy over the Marvel superhero movies Saturday, not just backing fellow director Martin Scorsese’s critique of the films but denouncing them as “despicable”…

“When Martin Scorsese says that the Marvel pictures are not cinema, he’s right because we expect to learn something from cinema, we expect to gain something, some enlightenment, some knowledge, some inspiration.

“I don’t know that anyone gets anything out of seeing the same movie over and over again,” the 80-year-old filmmaker said.

“Martin was kind when he said it’s not cinema. He didn’t say it’s despicable, which I just say it is.”

(2) CINEMA AND THE MCU. David Gerrold challenges those two notable filmmakers’ opinion:

I disagree with Scorsese. I disagree with Coppola. They are wrong to dismiss the Marvel Cinematic Universe as “not cinema.”

The final battle in Avengers Endgame was a masterpiece of cinema, ranking with the final battle in Seven Samurai.

Why do I say this?

Because we got to see people we had fallen in love with rise to the most courageous moments of their lives — and when that whole group of women warriors showed up, that was one of the most emotional moments I’ve ever seen in a movie. I cheered.

See, the thing about movies — yes, they’re art. There is true artistry in The Godfather and Apocalypse Now. Goodfellas is riveting, so is Casino.

But … I did not cheer any moment in any of those pictures. Was I emotionally involved? Yes. When the door closes on Kate’s realization that Michael has lied to her, that’s a powerful cinematic moment that resonates forever.

But do I come out of Scorsese and Coppola’s movies feeling cheered? No. Enlightened? Maybe a little. But never cheered.

And I think that’s part of their resistance to the Marvel films. A Marvel film is a good time. You experience a challenge, a triumph, a few laughs, and you end up feeling emotionally gratified, even exhilarated…

(3) KGB. Ellen Datlow has posted her pictures of the reading: “Fantastic fiction at KGB October 16 photos”.

A nice crowd showed up to hear Barbara Krasnoff and Nicole Kornher-Stace read from their new novels, despite a lot of rain.

Nicole Kornher-Stace and Barbara Krasnoff

(4) UNWONTED PERFECTION. You don’t remember typing that word? You thought you wrote another one? In fact, you’re sure of it? Granola Rolla, a Facebook friend, takes that sort of thing in stride:

Autocorrect is a poet, effortlessly, without pretense, never feeling like it should explain itself. I envy the confidence with which it edits poetry into my day. Also, I have disreputable gloves on my shopping list. I doubt they’ll be as useful for the housework as the disposable gloves I’d thought I wanted, but such a fun thing to ponder.

(5) IT’S TAKING A KIP. According to the Wall Street Journal, “The Phone Call Isn’t Dead, It’s Evolving”.

Talking was the most popular way to communicate via cellphone in the fall of 2012, with 94% of survey respondents having done so in the prior week, according to consumer-research firm MRI-Simmons. By the spring of 2019, talking had fallen to least popular, behind texting, emailing, posting to social media and using chat apps, with just 45% reporting doing it in the prior week. In other words, less than half had used their phone for an actual phone call.

Multiple people I interviewed said when the phone rings unexpectedly, they assume someone has died….

(6) CUT TO THE CHASE. Carlye Wisel, in “Disney Finally Released Details on Rise of the Resistance — and It’s Going to Be the Best Star Wars Ride Yet” in Travel and Leisure, says that Disney’s new Star Wars ride, which will open on December 5 at Disney World, will last 15 minutes, includes trackless technology, and promises to have humor in the grim battle between the Resistance and the First Order. (Article warns where the spoilers begin.)

With multiple ride systems — four to be exact — that guests will experience while traveling on this intergalactic journey, Star Wars: Rise of the Resistance will be one of the longest Disney rides in existence, as guests find themselves being chased by Kylo Ren for 15 minutes.

The latest Star Wars ride will also function like all your favorite Disney attractions combined into one, channeling The Haunted Mansion, The Twilight Zone Tower of Terror, and famed overseas attractions like Mystic Manor for a thematic experience likely to exceed expectations, even for those who have already tried out other Star Wars rides. Paired with its special effects, projections, and blaster gunfire, Rise of the Resistance is shaping up to be a cinematic attraction so over the top, you won’t even be able to imagine what will come next.

(7) ESCAPING OBSCURITY. Slashfilm says tickets are available: “‘Roundtable’ Live Read: Brian K. Vaughan’s Unproduced Script to Be Read Aloud in Hollywood”. The show is November 2.

In the summer of 2008, Eisner and Harvey Award-winning comic writer Brian K. Vaughan (Lost, Y: The Last Man) sold a high-concept screenplay to DreamWorks called Roundtable. The movie never went into production, the script sat on a shelf collecting dust, and Vaughan went on to become the showrunner of the CBS TV series Under the Dome and continue his career in comics by writing things like the sci-fi/fantasy epic Saga. But now, eleven years later, Vaughan’s Roundtable script will finally see the light of day.

Sort of.

The Black List, the organization that publishes an annual list of the best unproduced screenplays in the industry, is sponsoring a live reading of the script for one night only in Los Angeles, and this sounds like a cool opportunity to experience a story that may otherwise languish in obscurity forever. Read on for the synopsis of Roundtable, and to find out how to get tickets to the show.

(8) CAN’T GET OUT. CBS Sunday Morning devoted a segment today to “Playing an escape room” (video).

Correspondents David Pogue, Martha Teichner and Nancy Giles, along with “Sunday Morning” intern Cory Peeler, face a difficult challenge: Find their way out of a room before a bomb goes off! It’s just one of many examples of the big business in escape rooms – immersive adventures in which people must solve puzzles in order to extricate themselves. Air Date: Oct 20, 2019

(9) TODAY IN HISTORY.

  • October 20, 1965 Village Of The Giants premiered.  It starred Tommy Kirk and Beau Bridges, and is very loosely based on Wells’s book The Food of the Gods and How It Came to Earth. It scores 20% at Rotten Tomatoes.
  • October 20, 1987 The Hidden premiered. Starring Kyle McLachlan with Claudia Christian in an interesting cameo as well, reviewers (76%) and audience.(72%) alike loved it at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 20, 1882 Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. Now tell me what’s your favorite film character that he played? (Died 1956.)
  • Born October 20, 1905 Frederic Dannay. Creator and writer, along with Manfred Bennington Lee, of Ellery Queen. Now I wasn’t going to say was he was genre but ESF does say he was because such genre authors such as Sturgeon penned Queen novels such as The Player on the Other Side. (Died 1982.)
  • Born October 20, 1916 Anton Diffring. A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
  • Born October 20, 1934 Michael Dunn. He’s best known for his recurring role on the Wild Wild West as Dr. Miguelito Loveless, attempting to defeat our heroes over and over, but he has had another appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea “The Wax Men” episode. (Died 1973.)
  • Born October 20, 1943 Peter Weston. He made uncountable contributions  in fan writing and editing, conrunning and in local clubs. He was nominated for a number of Hugo Awards but never won, including one nomination for his autobiography, Stars in My Eyes: My Adventures in British Fandom. Beginning in 1984 and for many years after, those Awards were cast by the car-parts factory which Weston owned and managed until he retired. (Died 2017.)
  • Born October 20, 1935 Leg Mailer, 85. He showed up in Trek twice first playing Bilar in “The Return of the Archons” and then being an Ekosian SS lieutenant in the “Patterns of Force” episode. And he Imperial Guard Number One in The Star Wars Holiday Special.  He had one-offs on The Greatest American Hero and the original Mission:Impossible, and he did voice work for An American Tail: Fievel Goes West. Note: until 1970, he used his birth name of Ralph Medina. 
  • Born October 20, 1937 Emma Tennant. To the Manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia  says “Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her pleased if you’ve read her! (Died 2017.)
  • Born October 20, 1941 Anneke Wills, 78. In 1966, she took the role of Polly, a companion to both the First and Second Doctors. She was herself in The Five(ish) Doctors Reboot. She was also in Doctor Who: Devious, a fan film in development since 1991. You can see the first part here. 
  • Born October 20, 1946 Thomas Wylde, 73. He’s here because he’s got two stories in the Alien Speedway franchise, Roger Zelazny’s Alien Speedway #2: Pitfall and Roger Zelazny’s Alien Speedway #3: The Web. I’ve never heard of these. Anyone read them?  He’s also got two stories in L. Sprague de Camp’s Doctor Bones series as well. 
  • Born October 20, 1958 Lynn Flewelling, 61. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair

(11) COMICS SECTION.

(12) UP ALL NIGHT. In the Washington Post Magazine, Mikaela Lefrak profiles Andrew Aydin, whose day job is working for Rep. John Lewis and whose night-time job was helping Rep. Lewis write the Eisner Award-winning March. “He’s a Hill staffer for Rep. John Lewis by day — and an award-winning graphic novelist by night”.

…While they were writing “March,” they would spend hours on the phone combing through Lewis’s memories of sit-ins at whites-only lunch counters and the Bloody Sunday attacks during the 1965 Selma-to-Montgomery march. Occasionally they’d even fall asleep while still on the phone. “It reminded me of when sometimes Martin Luther King Jr. would call me late at night and he would fall asleep, and then I would fall asleep,” Lewis told me. “We’d talk and talk.”

Both men drew inspiration for the project from the 1957 “Montgomery Story” comic book that Lewis read as a teen. (It sold for 10 cents a copy.) They also looked to successful graphic memoirs like Alison Bechdel’s “Fun Home” and Art Spiegelman’s “Maus.”

(13) WATCHMEN. The New York Times James Poniewozik says Lindelof’s TV adaptation delivers “a mystifying world you want to spend time in.” — “Review: ‘Watchmen’ Is an Audacious Rorschach Test”.

Damon Lindelof’s entertaining comic-book rethink takes on the Big Bad of white supremacy, explosively and sometimes unsteadily.

Many a superhero origin story involves exposure to a volatile substance — something dangerous, radioactive, caustic — that can be powerful if mastered, ruinous if uncontrolled.

In HBO’s “Watchmen,” beginning Sunday, that fissile storytelling material is history: specifically, America’s legacy of white supremacy. The first episode begins with the 1921 riot in Tulsa, Okla., in which white mobs rampaged in the prosperous “Black Wall Street,” massacring African-Americans in the street and strafing them from above with airplanes. A small boy’s parents pack him onto a car that’s fleeing the mayhem, like Kal-El being sent from Krypton. But there is no Superman flying to the rescue.

With that opening, Damon Lindelof (“Lost,” “The Leftovers”) reframes the universe that the writer Alan Moore and the artist Dave Gibbons created in the 1980s comics series. Where Moore wrote an alternative history of Cold War America — a pre-apocalyptic dystopia in which masked vigilantes have been outlawed — Lindelof reaches back and forward in time to root his caped-crusaders story in a brutal American tragedy.

The choice invests this breathtaking spectacle with urgency. “Watchmen” is a first-class entertainment out of the box, immediately creating a sad and wondrous retro-futuristic world. It takes longer, though, to get a handle on the complicated and all-too-real material it uses as its nuclear fuel….

(14) TOPIC OF CONVERSATION. Also in the Washington Post Magazine, in the Date Lab column, Neil Drumming explained what happened when the Post arranged for Piotr Gregowski and Claire Wilhelm to go on a blind date. “Date Lab: He worried that he sounded a little too excited about a fantasy novel”.

Things picked up when Claire mentioned that she’d been reading The Name of the Wind. a fantasy novel from The Kingfisher Chronicles series by Patrick Rothfuss.  Piotr is, as he puts it, ‘a huge fantasy nerd.’ ‘He was very excited to talk about that,’ said Claire.  He taught her how to pronounce the name of the novel’s main character, Kvothe.  (It’s Ka-Voth-ee.)  Piotr loosened up considerably on the topic of fantasy fiction. ‘Probably too much for a first date,’ he told me.  He needn’t have been concerned; a self-proclaimed fantasy nerd herself, Claire described him as ‘just the right amount of nerd.’  ‘We had a lot in common,’ she said.

However…

“Claire told me she didn’t feel much of an attraction, either, but ‘I would maybe have gone out with him if he had asked.’  In the end, she  considers the date a success because ‘I got to talk about books I like.’

But they didn’t go out again.

(15) AFTER A DNA TEST. Severance recommends, “If you want to comfort someone who’s had a DNA surprise, avoid making these 10 comments.”

Until recently, most people likely haven’t encountered someone who’s been knocked off balance by a DNA test result, so it’s understandable they might not appreciate the magnitude of the impact. But it’s just a matter of time. Mind-blowing DNA revelations are becoming so common that some DNA testing companies have trained their customer service staff representatives to respond empathetically. While those employees may know the right thing to say, here in the real world the people around us often haven’t got a clue how it feels — like a punch to the gut.

If you’ve become untethered from your genetic family, you might get a second surprise: some of your friends and loved ones may be remarkably unsympathetic, often infuriatingly judgmental, and sometimes even hostile. It’s clear that although DNA surprises have become ubiquitous, social attitudes haven’t kept pace, and a stigma remains….

3. Blood doesn’t make family.

This tries to mollify us and discount our feelings at the same time. Blood is exactly what makes family, consanguinity being the first definition of kinship. Certainly there are also families of affinity, but the familial love we feel for them doesn’t alter the fact that our blood relatives exist and they matter to us.

(16) SOCIABLE SLIME. “‘The Blob,’ A Smart Yet Brainless Organism Fit For Sci-Fi, Gets Its Own Exhibit”NPR has the story.

A brainless, bright-yellow organism that can solve mazes and heal itself is making its debut at a Paris zoo this weekend.

At least so far, “the blob” is more benevolent than the ravenous star of its 1950s sci-fi film classic namesake.

Time-lapsed videos of the blob show a slimy organism rapidly multiplying in size. How fast exactly? The blob can sprint about four centimeters per hour, according to the Paris Zoological Park

The blob is neither animal, nor plant. And although Physarum polycephalum — Latin for “many-headed slime” — is classified as a type of slime mold, scientists now consider the creature unrelated to fungi.

…The slime mold, which lacks a nervous system, is capable of advanced decision-making, learning and long-term memory storage, according to Audrey Dussutour, who studies unicellular organisms with the French National Center for Scientific Research.

“It can find its way through a maze, it can construct efficient transport networks, sometimes better than us, actually,” Dussutour said in an interview with NPR’s Weekend Edition.

(17) THE LONG HAUL. “Qantas completes test of longest non-stop passenger flight” — note change in approach to jet lag.

Australian carrier Qantas has completed a test of the longest non-stop commercial passenger flight as part of research on how the journey could affect pilots, crew and passengers.

The Boeing 787-9 with 49 people on board took 19 hours and 16 minutes to fly from New York to Sydney, a 16,200-km (10,066-mile) route.

Next month, the company plans to test a non-stop flight from London to Sydney.

Qantas expects to decide on whether to start the routes by the end of 2019.

If it goes ahead with them, the services would start operating in 2022 or 2023.

…Passengers set their watches to Sydney time after boarding and were kept awake until night fell in eastern Australia to reduce their jetlag.

Six hours later, they were served a high-carbohydrate meal and the lights were dimmed to encourage them to sleep.

On-board tests included monitoring pilot brain waves, melatonin levels and alertness as well as exercise classes for passengers and analysis of the impact of crossing so many time zones on people’s bodies.

(18) USEFUL SJWC? BBC has video of “Mr London Meow: The therapy cat visiting hospitals”. Much better company than The Blob.

Mr London Meow is a therapy cat who goes into some of London’s hospitals to offer therapeutic care to patients.

At the Royal London in Whitechapel he is loved not just by the patients, but by the staff as well.

(19) ANOTHER POTTERVERSE INSIGHT NOBODY ASKED FOR. Don’t read this Clickhole post if you’re sensitive to insults against Italians. “Big Step Backward: J.K. Rowling Has Revealed That Dementors Are The Wizarding World’s Version Of Italians”.

Buckle up, Harry Potter fans, because J.K. Rowling’s latest bombshell about the series definitely isn’t doing anything for inclusivity: The bestselling author has revealed that Dementors are the wizarding world’s version of Italians.

(20) FOR YOUR VIEWING TERROR. Vogue nominates “The 40 Best Spooky Movies to Watch for Halloween”. Three of them are —

Halloweentown

A Disney Channel original movie from the era before they were all about tweens becoming pop stars. (Stream it on Hulu and Amazon.)

Sabrina the Teenage Witch

If you’ve been into the sexy new Sabrina show, revisit the quirky original. You won’t be disappointed. (Stream it on Amazon.)

Practical Magic

You’ll want to become a witch after watching this ’90s cinematic staple. Sandra Bullock and Nicole Kidman star as witchy sisters navigating love, death, and magic. (Stream it on Amazon.)

[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge, Olav Rokne, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller with an assist from Anna NImmhaus.]

Pixel Scroll 5/22/18 The Return Of The Revenge Of The Son Of The House Of The Bride Of The Night Of The Living Pixel Scroll

(1) ROBSON ON WORLDBUILDING. Juliette Wade interviews celebrated author Kelly Robson in her latest Dive Into Worldbuilding hangout — “Kelly Robson and ‘Gods, Monsters, and the Lucky Peach’”. Wade has both notes on the interview and a video at the link.

This hangout looks twice as exciting now that Kelly has gone on to win a Nebula in the meantime (for her novellette, A Human Stain)! It was a pleasure to have her on the show to talk about her recent novella, Gods, Monsters, and the Lucky Peach.

Kelly started out by telling us about how critical economics was to this story. She’s passionate about economics! (And so she should be; worldbuilding without economics is flimsy.) She calls it “the physics of worldbuilding.” She told us that when she was first writing historical fiction, she began with medieval settings because it seemed more straightforward to manage, but that since then, she’s branched out into greater challenges. In this story, the historical portion is set in Mesopotamia!

(2) RECAP. Shannon Hale, one of the principals in the story, gives her own rundown of yesterday’s FanX antiharassment news in “My FanX craziness, annotated”.

Since this has blown up and become news, I’m going to lay out here all my interactions with FanX (Salt Lake City’s Comic Con).…

(3) IN TUNE. Olga Polomoshnova shares her analysis “On Lúthien’s power of singing” at Middle-Earth Reflections.

The fairest of all Children of Ilúvatar, Lúthien is not an ordinary character. Being the daughter of an Elf and a Maia, she inherited various traits of both kindreds. Among many of her gifts and skills singing was one of the most exceptional. However, when it comes to talking about Lúthien’s singing, we should bear in mind that hers was not renowned just for being done in a beautiful voice. Lúthien’s songs possessed special power

(4) REALITY SHOW. Tom McAllister tells new writers to recalibrate their expectations in “Who Will Buy Your Book?” at The Millions.

Before I ever published anything, I’d assumed that if I ever finished a book, there would be so much demand from family and friends alone that we’d have to go into a second printing before the release date. But I am here to tell you: most people in your family will never buy your book. Most of your friends won’t either.

I have a handful of friends and family members—people I consider close to me, people I see regularly—who have never come to any of my dozens of book events. I don’t know if they own any of my books because I haven’t asked, but I have a pretty good guess. After my first book came out, I would peruse friends’ bookshelves, trying to determine their organizational system (if it’s not alphabetical, then where is my book? Maybe they have some special hidden shelf for books they truly cherish?). On a few occasions, I called them out for not having it. This accomplished nothing, besides making both of us feel bad.

The point of this piece is not to shame those people or to complain about not getting enough support. It’s just to say: whatever you think it’s like after you publish a book, it’s actually harder than that.

(5) PAYSEUR. Quick Sip Reviews’ Charles Payseur covers “Beneath Ceaseless Skies #251”, which, coincidentally has a story by Jonathan Edelstein.

It’s a rather quick issue of Beneath Ceaseless Skies, with two stories linked in a way by their length (neither of them over 2500 words, which is unusual for the publication). But it lends both stories a sort of impact, and a feeling of anticipation. In the first, that means having to wait for the results of a very important test. In the second, that means having to wait for the results of a very important confrontation. In both, there are certain indications that might guide readers otwards guessing what happens next, but both times it’s left up in the air what _actually_ transpires after the final stories end. What it is certain is that both look at characters struggling to solve tricky problems, ones where they have been made culpable of a misstep and are desperate to find a way forward. So yeah, to the reviews!

Stories:

“The Examination Cloth” by Jonathan Edelstein (2232 words)…

(6) LAW WEST OF THE EAST RIVER. The New York Times Magazine offers the verdict of “Judge John Hodgman on Children Watching James Bond Movies”. Here’s the problem —

Ren writes:  Our children, ages 7 and 9, love James Bond movies.  We’ve seen almost every one, but my wife doesn’t want them to see Casino Royale.  It’s often referred to as the best Bond, but she believes it is too inappropriate for them.  Can you help?  I’d like to watch the movie with my kids, who are James Bond fans just like me.

John Hodgman’s answer:

Of course 7-and 9-year-olds like movies with cars that fly.  But they don’t love problematic gender portrayals and seventh-grade-level sex jokes.  That’s why Ian Fleming wrote Chitty Chitty Bang Bang for children and the James Bond series for man-children.  But if Casino Royale (which is great!) is truly the last one you have left, why not?  Why not complete your experiment and cuddle up with your kids and watch Daniel Craig be tortured in a very private area?  No one can stop your mad plan now.  Not even you, Mr. Bond!

(7) GOLD OBIT. Virtuoso movie poster creator Bill Gold died May 20 at the age of 97. His iconic work included Casablanca and The Exorcist.

Mr. Gold comfortably spanned the years from paperboard to the computer era, and many of his posters became nearly as famous as the movies they promoted. Some won design awards; many were coveted by film buffs, sold at auctions or collected in expensively bound art books. The best originals came to be considered rare and costly classics of the genre.

For Michael Curtiz’s “Casablanca” (1942), Mr. Gold’s second assignment, he drew Humphrey Bogart in trench coat and fedora, dominant in the foreground, with a constellation of co-stars — Ingrid Bergman, Paul Henreid and others — in the airport fog behind him. To raise the drama, Mr. Gold put a pistol in Bogie’s hand. And he put fear and regret, not love, in Ms. Bergman’s eyes, to avoid stepping on his last lines.

(8) COMICS SECTON.

(9) SHORT STUFF. Camestros Felapton walks us through his rankings in “Hugo Ballot 2018: Short Story”.

…It doesn’t feel that long ago that the talk was whether the SF short story was dead or close to death. The impact of Sad Puppy campaigns and Rabid Puppy vandalism hit the short story category hard. And what an emblematic category it had been for the Hugo Awards and science fiction! American style science fiction had grown out of the short story style and some of the greats of SF were intimately connected with shorter form fiction. Ray Bradbury especially but also Issac Asimov – The Foundation Trilogy being one of many SF classics that grew from connected shorts.

The Hugo finalists this year are a set of entertaining and varied reads. There’s not one theme or style and there are elements of fantasy and science-fiction as well as some classic twists.

(10) KATE BAKER AT WORK. The Verge’s Andrew Liptak points to Clarkesworld where people can “Listen to one of the best short science fiction podcasts right now”.

In the years since she became the full-time narrator for the podcast, Baker has become the de facto voice for the podcast, an experience that she says is “surreal.” “I view it as a huge responsibility and an honor,” she says. “because I get to go and be in someone’s ear, and I think that’s an intimate power, and I don’t ever want to abuse that.”

Baker doesn’t read or rehearse the story before recording, and while she notes this approach has burned her a couple of times, the “biggest draw to this whole job is the fact that I’m experiencing the story along with the listener for the first time, and I can experience those emotions with the listener. If you’re hearing my voice crack or if I sound stuffy because I had to walk away because I started crying, that’s all pretty genuine.”

That’s something that shines through: a recent episode featured Rich Larson’s heartbreaking short story “Carouseling”, and you can hear her voice break after she finishes reading the story. This emoting, along with Baker’s long-standing narration for the podcast, provides a familiar and consistent warmth that subtly enhances each story that the magazine produces. The result is not only a catalog of powerful short fiction, but one that’s also presented in a voice that makes them even better.

(11) CHINESE BOTS. My brethren are bound for Luna. “China launch will prep for Moon landing”.

“The launch is a key step for China to realise its goal of being the first country to send a probe to soft-land on and rove the far side of the moon,” the state news service Xinhua quoted Zhang Lihua, the satellite project’s manager, as saying.

In addition to its onboard communications equipment, Queqiao will also carry two scientific instruments and will deploy two microsatellites.

The forthcoming Chang’e 4 mission will explore the Moon’s South Pole-Aitken Basin with a payload of scientific instruments. It is a key step in China’s long-term plan to further its ambitions as a major space power.

China previously landed a robotic lander and rover, collectively known as Chang’e 3, on the Moon in December 2014. The rover continued to transmit data until March 2015.

(12) STONY END. BBC tells about plans for “Turning carbon dioxide into rock – forever”.

With rising concentrations of atmospheric CO2, scientists have been testing “carbon capture and storage” (CCS) solutions since the 1970s.

CarbFix, however, stands out among CCS experiments because the capture of carbon is said to be permanent – and fast.

The process starts with the capture of waste CO2 from the steam, which is then dissolved into large volumes of water.

“We use a giant soda-machine”, says Dr Aradottir as she points to the gas separation station, an industrial shed that stands behind the roaring turbines.

“Essentially, what happens here is similar to the process in your kitchen, when you are making yourself some sparkling water: we add fizz to the water”.

The fizzy liquid is then piped to the injection site – otherworldly, geometric igloo-shaped structure 2km away. There it is pumped 1,000m (3,200ft) beneath the surface.

In a matter of months, chemical reactions will solidify the CO2 into rock – thus preventing it from escaping back into the atmosphere for millions of years.

(13) HOW IT BECAME A KILLER. From the BBC: “Malaria genetics: study shows how disease became deadly” — relatively recently — and a warning to watch for other parasites and viruses jumping species.

According to the World Health Organization, more than 200 million people are infected with malaria every year; the disease caused the deaths of almost half a million people globally in 2016, and the majority of those deaths were children under the age of five.

By far the deadliest species of the parasite which causes this global health scourge is Plasmodium falciparum.

While this species infects and often kills people when injected through the bite of a female Anopheles mosquito, there are many other related species which infect some of our great ape cousins – chimpanzees and gorillas.

To study those, the researchers collaborated with a team caring for injured and orphaned apes in a sanctuary in Gabon. As part of the animals’ health checks, veterinary staff take blood samples from them.

“It turns out that healthy animals have a really high background level of parasites in their blood,” Dr Berriman told BBC News. “[These animals] are blissfully ignorant of the scientific value in their blood.”

The blood samples provided a series of malarial genetic codes that the scientists could use to trace its evolutionary history.

“We don’t have fossils for tracing the history of a parasite,” said Dr Berriman.

(14) WATCHMEN PITCH. ComicsBeat is less skeptical after seeing how “Damon Lindelof details new WATCHMEN television adaptation in open letter”.

But recently, reports began to spring up that the showrunner might be taking a completely different approach to the material. Instead of a mannered, straight adaptation of the 12 issues or any kind of extrapolation thereof, he was instead comparing it to what Noah Hawley has been up to with FX’s Fargo: a series whose world is informed by the original property, but not beholden to it in terms of character or plot. In short: think of it as “stories taking place in that same world, at any time period you can think of”. It’s great, with a capital “G”.

And today, Lindelof has spoken in more specific (maybe) terms, with a letter he posted on his Instagram, to give the public an opportunity to dig into his headspace a bit regarding his overall pitch for the series…if it sounds familiar, well…it should:

 

View this post on Instagram

Day 140.

A post shared by Damon (@damonlindelof) on

More at the link.

(15) ZOMBIE EMERGENCY. Not “Florida man” this time: “Florida city apologizes for alert warning of zombies”.

Officials in a Florida city apologized for an emergency alert that warned of a real power outage and a not-so-real “zombie alert.”

The alert, sent out by the city of Lake Worth early Sunday, warned of a “power outage and zombie alert for residents of Lake Worth and Terminus,” referencing a city from AMC’s The Walking Dead.

 

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr. Horrible copyediting courtesy of OGH.]