Pixel Scroll 1/20/25 File Long And Throw Pixels

(1) THEY “FORGOT”. On Reddit’s /r/printSF group, a poster asks what had happened to Mark Hodder’s A Dark and Subtle Light, which had been scheduled to be published back in October 2024.

Another poster replied with text from the book’s Goodreads page:

“UPDATE: I contacted Mark Hodder on BlueSky and he was kind enough to give me the low-down. In summary: -“The publisher purchased it as “work for hire” … meaning they owned the character and concept of the brief. The idea was that it would be the first of a series with other authors working on subsequent novels featuring the same main character” -“They set an Oct ’24 date for publication. However, the editor who had suggested the idea left the company. They decided to put the project on hold, forgot to tell me & forgot to remove the scheduled pub. date from Amazon.”

They . . . “forgot” to tell the author they cancelled publication of his book. That is brutal.

But, there is still a possibility that we’ll see this book in some form in the future, so I’m leaving it on my TBR list. “

And this was followed up by a reply from the author themselves:

I’m afraid Rebellion (I’m now naming and shaming) have not only taken the novel off their schedule but they are also refusing to give it (or even sell it) back to me. Their stance is that I got paid so I don’t really have anything to complain about. A fucking atrocious attitude. Not only does it ignore the fact that a) the novel would earn me royalties, and b) whenever I have a new novel published there’s a spike in sales for my other work and my audience grows, but it also presumes that I write for money rather than to entertain. No author writes for money. Publishers pay a pittance.

To put it into perspective, Rebellion paid me £7000 for the novel with royalties set to kick in (after that £7000 had earned out) at a rate of 7% of the recommended retail price up to 14,999 copies; rising to 8% on 15,000 to 29,000 copies; rising to 10% on 30,000 copies onwards.

I’ll get none of that. The novel took a year to write and all I have to show for it is the initial £7000. The MINIMUM annual wage in the UK is £21000.

So, yes, financially, Rebellion has fucked me over. But the real issue is that I consider it one of the best novels I have written and I am royally PISSED OFF that no one will get to read it.

(2) CREATING BLAKE’S 7. “’When Star Wars came out, one of our directors was close to tears’: how we made Blake’s 7” — a “How We Made” oral history at the Guardian.

Michael E Briant, director, series one

I got the impression Blake’s 7 was just going to be “space opera” and, having worked as a director on Doctor Who, I wanted to move on and do other things, but the script for the first episode won me over. It was 1977, before the mass surveillance we have today, so the idea of everyone being watched by cameras, as that opening episode had it, seemed striking. It had shades of Nineteen Eighty-Four and felt very adult and relevant.

The series had been pitched by Terry Nation, who created Doctor Who’s Daleks. He saw it as The Dirty Dozen in Space, but that idea disappeared early on. It ended up having more in common with Robin Hood, following Blake and his rebels in their struggle against the totalitarian Federation. The BBC had commissioned Blake’s 7 as a replacement for its police series Softly, Softly: Task Force and we inherited its budget. The largest expenditure on Softly had been one character’s gabardine raincoat. Blake’s 7 was far more demanding, with futuristic costumes, props and locations. Star Wars had come out in the UK just before our first episode aired. One of the show’s other directors, Pennant Roberts, went to see it. The next morning, I found him in his office – close to tears.

The design of the rebels’ Liberator spaceship was by Roger Murray-Leach. It was marvellous, but the interior wasn’t quite what I’d envisaged. I thought a highly advanced vessel should be operated via thought alone, whereas the set we ended up with had joysticks and controls. The ship’s computer, Zen, was closer to what I’d imagined. Peter Tuddenham did Zen’s voice, hidden away in the corner with headphones and a mic. When a second computer called Orac joined the crew, Peter did it too, switching between the two voices.

Whenever we had a problem making something work electronically, this guy called Mitch Mitchell would solve it. One of his jobs was doing the dissolving body special effect whenever crew members teleported down to alien planets. He’d be sitting in the corner with an electronic pen, drawing the white outlines that appeared before they materialised….

I don’t think the show would have been the success it was without Gareth Thomas as Roj Blake. He was a truthful, clever actor and his performance lifted everyone. Sally Knyvette also brought a sense of sobriety and realism to Jenna, one of Blake’s followers, while Paul Darrow and Michael Keating brought more and more depth to the characters of Avon and Vila respectively. Watching it again now, I’m surprised how good some of it is….

(3) REMEMBERING HOWARD ANDREW JONES. Bob Byrne pays tribute in “An Important Life – Howard Andrew Jones (1968 – 2025)” at Black Gate. He begins by quoting his Facebook post.

…My buddy Howard Andrew Jones has passed away from brain cancer. You’re going to see a LOT of people singing his praises in the coming weeks. All of it deserved. If I can stop crying long enough, my Monday morning post will be on Howard.

But you’re gonna see a common thread in the talk about Howard. The impact he had on other people’s lives. Especially in encouraging and helping writers – mostly in the sword and sorcery field.

Measured by impact, Howard’s may well be the most important life in the past three-plus decades in the genre. He was relentless in being kind, helpful, encouraging, engaging – just fucking NICE – in an era when nice isn’t all that common anymore.

My favorite memories of Howard are our phone talks about hardboiled private eye fiction: not what you’d guess of one of the brightest lights in the sword and sorcery genre.

But as you read the posts about Howard here on FB, just keep noting how many people thank him for helping them. For impacting their lives and careers….

(4) ON THE FRONT. John Coulthart discusses the cover art on various editions of William Lindsay Gresham’s “Nightmare Alleys”. For example —

First edition, USA, 1946.

The first edition isn’t a great design but it happens to be faithful to the core storyline, more so than many of the covers that follow. In the film we’re left to guess what the “nightmare alley” of the title might be but in the novel this is a symbol that recurs throughout the story, a literal nightmare of Carlisle’s in which he dreams he’s being chased down a dark alleyway towards a light that remains continually out of reach. The dream weighs enough on Carlisle’s mind for him to regard it as a symbol of the human condition, or at least his soured perception of the same. The cover of the first edition combines this image with the Tarot trump of The Hanged Man which Carlisle turns up in a reading as a signifier of his destiny. Tarot scholars may quibble with this detail—The Hanged Man isn’t as doom-laden or negative as the novel suggests—but Gresham makes good use of Tarot as a structural element, with each chapter named after one of the trump cards, and with elements of the story reflecting the Tarot imagery. Given all this you’d expect cover artists to use Tarot symbolism much more than they do.

(5) FOCUS ON ANIMATION AWARD NOMINEES. “Online Film Critics Society Awards Nominated 5 Animated Features” reports Animation Magazine.

Nominations have been announced for the Online Film Critics Society Awards, which this year has put five films up for its animated feature category. Artful animated contenders also appear in other categories. Also of note, the VFX-fueled sci fi fantasy Dune: Part Two is the most-nominated project for this edition, with nine nods including Best Picture and Best Directing for Denis Villeneuve.

As awards season rolls on, the Best Animated Feature race holds no surprises for toon watchers. Up in the category are Gints Zilbalodis’ Golden Globe winner Flow, Pixar’s box office record smasher Inside Out 2, Oscar winner Adam Elliot’s Memoir of a Snail, Aardman’s charming Wallace & Gromit: Vengeance Most Fowl and the critically acclaimed DreamWorks feat The Wild Robot.

Outside the main toon race, The Wild Robot is nominated for Best Original Score (composer: Kris Bowers), and Flow is up for Best Film Not in the English Language….

(6) A HISTORY OF RESENTMENT. “Oscar buzz and genre snubs: will the Academy finally give sci-fi, fantasy and horror their due?” asks the Guardian.

Ah, the Oscars. That perennial exercise in Hollywood patting itself on the back with all the subtlety of a fireworks display, while the rest of us squint at our screens and wonder how many of these movies we’ve actually seen.

At least two years ago there was something for genre fans to crow about: Everything Everywhere All at Once drove all before it, making and resurrecting careers while smartly satirising Marvel’s multiverse saga before the latter even had the chance to collapse under the weight of its own convoluted timelines.

And those of us of an older vintage will always have 2004, when The Lord of the Rings: The Return of the King stormed the Oscars like a hobbit on second breakfast, sweeping up 11 statuettes and proving that a fantasy epic, when executed with enough heart, grandeur and bloody-minded ambition, could leave the Academy no choice but to hand over every prize in sight.

At other times it’s been easy to despair at the Academy’s unwillingness to reward fantasy fare. Genre films often dominate the technical gongs but struggle to crack the “prestige” barriers of best picture, director or acting nominations. Animated films, no matter how innovative, rarely break out of their category. The remarkable Spider-Man: Into the Spider-Verse, for example, won best animated film in 2019 but didn’t get a nod in any of the more celebrated categories…

(7) LIFE-CHANGING BOOKS. Shelf Awareness brings us “Reading with… Samantha Sotto Yambao”.

Book you’re an evangelist for:

Flowers for Algernon by Daniel Keyes. It’s required reading before departing this planet. Completely and utterly depressing, but also beautiful and beyond perfection. And did I mention that it was depressing?

Book you hid from your parents:

The Sleeping Beauty series by Anne Rice. Explaining how this was not the Disney fairytale version would have been very awkward.

Book that changed your life:

I’m sorry, but I’m going to have to break the rules and choose two books. The Belgariad series by David Eddings (I know, I know. It’s a series, not a book. I’m a rebel.) and The Time Traveler’s Wife by Audrey Niffenegger.

Minutes into a date that wasn’t a date, my now husband of 25 years and I geeked out over The Belgariad and our love for Aunt Pol’s bacon and realized that we had met our person. So yeah, I’d say The Belgariad pretty much set the course of my life from that night forward.

The Time Traveler’s Wife, meanwhile, gave me the worst book hangover. I felt so bad about Henry’s death that I swore if I ever wrote a book, my main character would never die. And so I did. And it became my debut novel, Before Ever After.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 20, 1959One Step Beyond series

Sixty-six years ago this evening, a new genre anthology series called Alcoa Presents: One Step Beyond first aired on ABC where it would run for three years. (If you saw it in syndication, it was called just One Step Beyond.) It was created by Merwin Gerard who previously had done nothing at all of a genre nature. He was associate producer here with it actually being produced by Collier Young. 

Unlike other anthology programs of the time, this series was presented in the form of docudramas. Mind you, the stories depicted hewed close to known urban legends or were remakes of let’s call them horror films on the light side. Ninety-six half-hour episodes would be filmed during its run. When it was cancelled, it was replaced by The Next Step Beyond which ran for one season of twenty-five episodes, fourteen of which were remakes of the first series.

John Newland, the original series host, and Gerard were involved in an attempt in the late Seventies to revive it. It failed miserably lasting but twenty-five episodes. As Newland stated later, “The remakes were a bad idea, we thought we could fool the audience, and we soon learned we couldn’t.” 

They are legally available on YouTube now so you can see the first episode, “The Bride Possessed” here if you desire. 

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 20, 1934Tom Baker, 91.

By Paul Weimer: My first Doctor Who, and still the person I first bring to mind when I hear the phrase.  It was PBS in the late 70’s, maybe 1980. I was starting to read science fiction, as I have detailed elsewhere. I was watching Cosmos, as I have also detailed elsewhere. And then there was Doctor Who to help seal me into the world of SFF.  This was the time when Doctor Who came across the pond, and they started with the Tom Baker Doctor Who episodes. (They would eventually get them all, but they started with the fourth and then went back to the 1st and ran forward) 

So, thus, Tom Baker became my first Doctor.  The first Doctor Who episode I remember, and what hooked me from the get-go, was “Pyramid of Mars”. You know the one, especially since it’s recently relevant. Sutekh the Destroyer seeks to escape his Martian prison. The Doctor and Sarah Jane have to do their best with strange logic puzzles, dangerous robot mummies, and of course Sutekh himself, a being powerful enough to enslave the Doctor with his will and mind. It was a bit of science fantasy mythology, and I was hooked immediately. (And imagine my surprise when Sutekh returned in the current series. What an unexpected call back!).  I eventually did get to see his entire oeuvre, from “Robot” to “Logopolis”, and his run taught me the Doctor could have modes and moods within a Doctor’s run, something not always picked up in the current incarnation of Doctor Who. The Fourth Doctor has a definite, swinging character arc that Baker brought to the role.  

Besides “Pyramids of Mars”, my favorite Baker Doctor Who episode is probably “City of Death”, with a twisty plot, and perhaps the best second Romana-Doctor chemistry. I could believe why the two actors briefly married, because the second Romana and Baker’s Doctor feel like a comfortable married couple in love’s bloom and flourish, in “The City of Lights”. Although I admit the Doctor being rooked in “The Invasion of Time” and not seeing the Sontaran gambit was pretty good–it showed the Doctor could be, however briefly, outfoxed. 

Tom Baker, as it turned out, wound up being more than (by some measurements) the longest running Doctor in Doctor Who. (And if the Curator is a future incarnation of the Doctor, only one of two actors to play two incarnations of the Doctor.) He had a fantastic small role in the terrible 2000 Dungeons and Dragons movie, playing an elderly elf cleric with a twinkle in his eye.  He’s the narrator of Enemy Mine (previously discussed on a previous scroll) as well as doing other voice work as well in video games and elsewhere. He’s also the evil magician in the Golden Voyage of Sinbad

Happy Ninety-first Birthday!

Tom Baker

(10) COMICS SECTION.

(11) WHAT MIGHT HAVE BEEN. “Skeleton Crew’s Finale Almost Had a Jedi Flashback”. Gizmodo says, “Had things gone differently, Star Wars: Skeleton Crew would’ve featured a new Jedi that played a pivotal role in Jod Nawood’s development.”

The recent finale for Star Wars: Skeleton Crew finally shed some light on Jude Law’s mysterious Force user, Jod Na Nawood. Growing up as a poor kid, he was taken in by a Jedi and trained in the ways of the Force. He’s been on the run ever since he watched her die, and it turns out we would’ve met her during the sequence.

On Instagram, actor Yasmine Al Massri (who you’ve heard as Morana on Castlevania) posted photos of herself as Jod’s master, Jedi robes and doing some brief lightsaber training that would’ve presumably been her putting up a fight before her death….

(12) ANDOR BUDGET. “Star Wars: Disney Reveals the Record-Breaking Budget for the Andor Series”Belles and Gals recites the figures.

…When it comes to expanding the Star Wars saga, Disney has not held back. The Andor series, a prequel to the acclaimed film Rogue One, has reportedly been produced with a colossal budget of $645 million for its first two seasons. This investment covers a total of 24 episodes, bringing the average cost per episode to nearly $27 million. This figure places Andor as the most expensive Star Wars series ever produced by Disney+, surpassing previous projects in both scale and financial commitment.

Tony Gilroy, the creator of Andor, expressed his enthusiasm about the series’ future prospects. “The substantial investment underscores Disney’s commitment to delivering high-quality storytelling within the Star Wars universe,” he stated. This dedication is evident in the intricate production values and compelling narratives that Andor promises to offer its audience….

(13) PAUL & PAL. [Item by Cat Eldridge.] “Dune: Part Two – Paul Atreides (Ultimate Bonus) 1/3 Scale Statue” at the Spec Fiction Shop goes for the special price of — $1,935. But wait, there’s more! Check out the desert mouse which looks suspiciously like a rabbit

(14) TODAY’S THING TO WORRY ABOUT. Phys.org is “Turning the Hubble tension into a crisis: New measurement confirms universe is expanding too fast for current models”.

The universe really seems to be expanding fast. Too fast, even. A new measurement confirms what previous—and highly debated—results had shown: The universe is expanding faster than predicted by theoretical models, and faster than can be explained by our current understanding of physics.

This discrepancy between model and data became known as the Hubble tension. Now, results published in The Astrophysical Journal Letters provide even stronger support for the faster rate of expansion….

…Measuring the universe requires a cosmic ladder, which is a succession of methods used to measure the distances to celestial objects, with each method, or “rung,” relying on the previous for calibration.

The ladder used by Scolnic was created by a separate team using data from the Dark Energy Spectroscopic Instrument (DESI), which is observing more than 100,000 galaxies every night from its vantage point at the Kitt Peak National Observatory.

Scolnic recognized that this ladder could be anchored closer to Earth with a more precise distance to the Coma Cluster, one of the galaxy clusters nearest to us.

“The DESI collaboration did the really hard part, their ladder was missing the first rung,” said Scolnic. “I knew how to get it, and I knew that that would give us one of the most precise measurements of the Hubble constant we could get, so when their paper came out, I dropped absolutely everything and worked on this non-stop.”

To get a precise distance to the Coma cluster, Scolnic and his collaborators used the light curves from 12 Type Ia supernovae within the cluster. Just like candles lighting a dark path, Type Ia supernovae have a predictable luminosity that correlates to their distance, making them reliable objects for distance calculations.

The team arrived at a distance of about 320 million light-years, nearly in the center of the range of distances reported across 40 years of previous studies—a reassuring sign of its accuracy.

“This measurement isn’t biased by how we think the Hubble tension story will end,” said Scolnic. “This cluster is in our backyard, it has been measured long before anyone knew how important it was going to be.”…

(15) EARLY SPECIAL EFFECTS LORE. Superheroes “flying” suspended from wires is just one of the “Early TV and Movie Superhero Special Effects” revealed by TVCrazyman.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Paul Weimer, Mark Roth-Whitworth, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 1/16/25 Let’s Read Our TBR Piles, And Travel Mental Gigamiles

(1) IS ANYONE STILL PUBLISHING GAIMAN? Publishers Weekly tries to track down whether Neil Gaiman has any works scheduled to come out — “How Neil Gaiman’s Publishers Have Responded to the Sexual Misconduct Allegations” – and discovers it is much easier to get answers from those that definitely haven’t any.

…Gaiman’s literary agent, Merrilee Heifetz at Writers House, did not respond to requests for comment by press time, nor did his public speaking agent, Steven Barclay of the eponymous agency, leaving it unclear as to whether either has dropped him as a client. On Gaiman’s website, a page called “Contacting Neil,” which had listed both agents alongside his Hollywood representation, is now down, although the Internet Archive’s Wayback Machine indicates that it was live as recently as last month.

At present, it is unclear if Gaiman, the author of nearly 50 books that have sold more than 50 million combined copies worldwide, has any new forthcoming titles currently under contract, although some publishers have confirmed that if he does, it is not with them. On the trade book side, a spokesperson from HarperCollins, Gaiman’s primary publisher in the United States, told PW that it “does not have any new books by Neil Gaiman scheduled.”

A spokesperson for Norton, which released Gaiman’s 2018 book on Norse mythology as well as an illustrated version last year, confirmed to PW that “Norton will not have projects with the author going forward.”…

In the comics world, a representative from Dark Horse Comics, which has published a number of comics and graphic novel titles by Gaiman as well as the Neil Gaiman Library series, said that the publisher is currently working on a statement, but was unable to comment further. Marvel Comics told the New York Times that it has no books in the works with Gaiman. DC Comics, the publisher of Gaiman’s Sandman series and many of his other comics titles, did not respond to requests for comment; DC had previously announced plans to reprint a classic work by Gaiman in a new format in September….

The article also presents a roundup of recent terse social media remarks about Gaiman by Jeff VandeMeer, John Scalzi, Gail Simone, Guy Gavriel Kay, and Scott McCloud.

(2) FINDING THE ANSWER. Kameron Hurley analyzes “Why Great Art Connects Us Across Time and Space (Even with Monsters)”.

…When people burst into tears when they meet me at an event, it’s not because I write about giant bugs and exploding heads. Those things are cool, yes! But they react that way because they connected EMOTIONALLY with something I wrote. It’s that feeling like “OMG I’m not alone. I feel that TOO!!”

Art is, at its best, a way for humans to connect. We’re holding out a hand saying “I felt this way. Have you ever felt this way too?” And no, not everyone has, and thus those are not people who are going to be yours fans. But many HAVE. And if you’ve done it right, you connect with that person across time and space – and for one glorious moment, we feel less alone.

THAT is great fucking art. THAT is magic. It’s a magic every great storyteller has; heroes and villains alike. Perhaps that’s why we hate it so much when we’ve connected with art made by people who have done monstrous things. It makes us ask if we, too, are monsters.

I know the answer to that.

I connect emotionally with fictional monsters (and the work of people who’ve done monstrous things) all the time. We all do. We are human. We share the multitude of all human emotions and possible actions with the best and worst people in the world. That’s terrifying.

This is why the STORIES we tell ourselves are so important. I changed a lot of who I was by asking myself how the person I wanted to be would act in any given situation. FEELING a monstrous impulse isn’t what makes us monsters. It’s taking the ACTIONS of a monster. It’s being aware enough to choose….

(3) BENEATH THE JERSEY SKIES. “Steven Spielberg’s new UFO movie with Emily Blunt is filming in N.J., casting locals.”NJ.com has the story. Well, isn’t that a coincidence.

…The filming will take place in March — not long off from Jersey’s brush with drone and/or plane-related, supposedly “unidentified” flying objects at the end of 2024.

The movie, which is as yet untitled — but reportedly (tentatively) titled “The Dish” — also stars Emmy winner Josh O’Connor (”The Crown,” “Challengers,” “La Chimera”), Oscar nominee Colman Domingo (”Rustin,” “Sing Sing”), Oscar winner Colin Firth (”The King’s Speech,” “Bridget Jones’s Diary”) and Eve Hewson (”Bad Sisters”)….

(4) FANTASY MAGAZINE SUBMISSION DATES. Correcting the information released yesterday, editor Arley Sorg says the revived Fantasy Magazine plans to open to submissions January 22-29, and specifically, Jan 22-25 BIPOC writers only, Jan 26-29 general submissions. See submission guidelines at the link.

(5) HOWARD ANDREW JONES DIES. Author and editor Howard Andrew Jones died January 16 of cancer. Known for The Chronicles of Hanuvar series, The Chronicles of Sword and Sand series and The Ring-Sworn trilogy, he has also written Pathfinder Tales, tie-in fiction novels in the world of the Pathfinder Roleplaying Game. He is the editor of Tales from the Magician’s Skull and has served as a Managing Editor at Black Gate since 2004.

In August 2024 he announced that he has been diagnosed with brain cancer––multifocal glioblastoma – and that, “People I trust––my doctors and my family––inform me it will be fatal, and we are deciding now on a course of action to make the most of the time I have left.” 

(6) DAVID LYNCH (1946-2024). Filmmaker David Lynch has died at the age of 78. Deadline says the family did not release the date of death. Never forget – Frank Herbert liked his film Dune.

…The four-time Oscar-nominated filmmaker [was] behind Blue Velvet, Mulholland Drive, Eraserhead, Wild at Heart, The Elephant Man and others [and] also created the ABC drama series Twin Peaks…

…In 2020, he received an Honorary Oscar for lifetime achievement at the Governors Awards….

…Lynch’s career took off during the 1980s. He followed up the success of Elephant Man with Dune, the 1984 take on Frank Herbert’s classic sci-fi novel. While Dune was noted for being a financial bomb at the time, it wound up being the highest-grossing film on the auteur’s résumé with $31.5M worldwide….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 16, 1948John Carpenter, 77.

By Paul Weimer: Where does one begin with the large and momentous oeuvre of John Carpenter? With the many-sequeled and rebooted but never equaled Halloween, perhaps? To start there means that we skip the strange and wondrously weird Dark Star. And it skips the gritty Assault on Precinct 13.  Do we instead focus on The Thing, one of the best SF/horror movies ever to be made? To do that would throw shade on The Fog, the amazing ghostly revenge tale in a Northern California town.  

Maybe you should start with Escape from New York, with a vision of NYC after its transformation into a prison that has been imitated (even by Carpenter himself!) but has never, ever been surpassed.  It IS the movie that helped cement the career of Kurt Russell, after all.  But to work there misses the soft wondrous Starman, an amazingly touching movie. 

Or maybe you should start with They Live, perhaps the best indictment of late 80’s trash capitalism that suddenly feels even more relevant, in this year of our lord 2025. Roddy Piper’s character doesn’t have a name, but he isn’t a faceless number, either. And it has one of the longest fights on screen. It’s a bit pointless fight, but it is fun that Piper got to do a whole wrestling match in a John Carpenter film.  But to mention They Live might mean you overlook the absolutely bonkers and fun Big Trouble in Little China

My favorites in the Carpenter oeuvre are none of these, although I love all the above movies.  My second favorite John Carpenter movie has to be Prince of Darkness, where an unlikely group of heroes led by Victor Wong (from Big Trouble in Little China) and Donald Pleasance (from Escape from New York) team up to try to stop the literal Devil, anti-God, from coming across from another dimension into our own. It’s a bottle of a movie set in an inescapable church, got dreams from the future, and is nicely tense.  The other one I like even more and is one of my heart movies, is In the Mouth of Madness. In the Mouth of Madness is the best cosmic horror movie, ever, in my opinion, as horror writer Sutter Cane writes extra dimensional monsters into our reality, with Jurassic Park’s Sam Neill as John Trent, insurance investigator, is in search of a book he really, really should not read. In 2018, when I found out that the striking church seen in the film was just outside Toronto, I had to go and visit it while on a vacation in Canada.

And did you know that Carpenter scored a lot of his films? His father was a music teacher, and his love of music led him to really be patient and exacting about the music. Be it Escape from New York, Halloween, Prince of Darkness, or many other of his works, that soundtrack with the heavy use of synthesizers that you are hearing are due to his own musical creation and scoring. His movies have memorable visuals…and sound as well. 

John Carpenter

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 16, 1995Star Trek: Voyager premieres  

 “Coffee – the finest organic suspension ever devised. It’s got me through the worst of the last three years. I beat the Borg with it.” — Captain Kathryn Janeway, Star Trek: Voyager’s “Hunters”. 

Need I say that I liked Janeway a lot? She was a much more rounded, more believable individual than Kirk ever was. Inthe pantheon of Captains, I’d rank her just behind Picard as a character. 

So on this evening thirty years ago on UPN, Star Trek: Voyager premiered. The fourth spinoff from the original series after the animated series, the Next Generation and Deep Space Nine which had my favorite Captain in Benjamin Sisko, it featured the first female commander in the form of Captain Kathryn Janeway, played by Kate Mulgrew. 

(She is seen again commanding the USS Dauntless in the animated Prodigy series, searching for the missing USS Protostar which was being commanded by Captain Chakotay at the time of its disappearance. It’s now streaming on Netflix.) 

It was created by Rick Berman, Michael Piller, and Jeri Taylor. Berman served as head executive producer, assisted by a series of executive proucers — Piller, Taylor, Brannon Braga and Kenneth Biller. Of those, Braga oil the still the most active with his recent work on the cancelled Orville.

It ran for seven seasons and one hundred seventy-two episodes. Four episodes, “Caretaker”, “Dark Frontier”, “Flesh and Blood” and “Endgame” originally aired as ninety-minute episodes. 

Of all the Trek series, and not at all surprisingly, Voyager gets the highest Bechdel test rating. 

Oh, and that quote I start this piece with in 2015, was tweeted by astronaut Samantha Cristoforetti International Space Station when they were having a coffee delivery. She was wearing a Trek uniform when she did so as you can see in the image below. 

(9) COMICS SECTION.

(10) OCTOTHORPE. Episode 126 of the Octothorpe podcast, “I’ve Read Some Novels”, John Coxon, Alison Scott, and Liz Batty read out your letters of comment, and then discuss all the things from 2024 that they think are worth a look as we go into award nomination season (and a couple of things they would probably avoid). Then they do picks, in case there weren’t enough opinions.

Get the uncorrected transcript at the link.

A picture of a Belgian waffle that looks like an octothorpe, on a white background, with the words “Octothorpe 126” above and “now with added waffle” below.

(11) DON’T THAT BEAT ALL. “A Frankenstein Filing Error: It’s Alive!” – the New York Times confesses.

…When he died in February 1969, The New York Times wrote of Karloff’s career in an article that featured a photograph of an actor, in costume as the monster.

One problem: The man in the makeup, with the bolts in his neck, wasn’t Karloff.

The image — a publicity photo, copyrighted by Universal Pictures — depicted the actor Glenn Strange, who had succeeded Karloff in the role, playing the monster in subsequent films, including “Abbott and Costello Meet Frankenstein,” which was released in 1948.

At least one astute reader had spotted the mistake and sent a letter to The Times.

The photograph was seemingly mislabeled around 1948, the copyrighted date on the image, and incorrectly placed in a folder for Karloff, one of the millions of files stored in the Morgue, The Times’s subterranean clippings library. (The Times issued a correction, a copy of which is pasted on the back of the photo in the Morgue.)

Almost 20 years after the first misprinting, in March 1987, the same photo, though cropped tighter and tilted slightly, was used to accompany a letter to the editor that referenced Shelley’s “Frankenstein.” Again, the caption incorrectly identified Strange as Karloff….

…. Dr. Jane Bishop of Brooklyn, the same reader who caught the mistake in 1969, wrote to The Times and explained that she had lodged an identical complaint 18 years earlier.…

Some of you who read the File 770 birthdays must feel the same way…

(12) JUSTWATCH REPORT: SVOD MARKET SHARES (2024). As 2024 has come to an end, JustWatch has released its latest data report on market shares in the US. As usual, the report is based on the 17.2 million JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen.

SVOD market shares in Q4 2024: In the final quarter of 2024, Prime Video led provider growth, taking 22% of the overall market. Netflix, its largest competitor, trailed Prime by only 1%. Hulu, Disney+, and Max make up 36% of the streaming market while Paramount+ and AppleTV+ both stayed below 10%.

Market share development in 2024: In Q4 2024, Prime Video and Netflix continued to lead the U.S. streaming market, each holding over 20% of the overall market, with Netflix slightly narrowing the gap between them. Hulu saw steady growth, challenging Max for third place, while Disney+ struggled to gain traction. Smaller platforms in the “Other” category experienced a noticeable rise, reflecting growing interest in alternative services.

(13) NEW GLENN LAUNCH TO ORBIT SUCCESSFUL. “Blue Origin reaches orbit on first flight of its titanic New Glenn rocket” reports Ars Technica.

Early on Thursday morning, a Saturn V-sized rocket ignited its seven main engines, a prelude to lifting off from Earth.

But then, the New Glenn rocket didn’t move.

And still, the engines produced their blue flame, furiously burning away methane.

The thrust-to-weight ratio of the rocket must have been in the vicinity of 1.0 to 1.2, so the booster had to burn a little liquid methane and oxygen before it could begin to climb appreciably. But finally, seconds into the mission, New Glenn began to climb. It was slow, ever so slow. But it flew true.

After that the vehicle performed like a champion. The first stage burned for more than three minutes before the second stage separated at an altitude of 70 km. Then, the upper stage’s two BE-3U engines appeared to perform flawlessly, pushing the Blue Ring pathfinder payload toward orbit. These engines burned very nearly for 10 minutes before shutting down, having reached an orbital velocity of 28,800 kph.

For the first time since its founding, nearly a quarter of a century ago, Blue Origin had reached orbit. The long-awaited debut launch of the New Glenn rocket, a super-heavy lift vehicle developed largely with private funding, had come. And it was a smashing success….

(14) DILBERT STARK’S STARSHIP. Elsewhere today – “SpaceX Starship test fails after Texas launch” reports the BBC.

The latest test of Space X’s giant Starship rocket has failed, minutes after launch.

Officials at Elon Musk’s company said the upper stage was lost after problems developed after lift-off from Texas on Thursday.

The mission came hours after the first flight of the Blue Origin New Glenn rocket system, backed by Amazon boss Jeff Bezos.

The two tech billionaires both want to dominate the space vehicle market.

“Starship experienced a rapid unscheduled disassembly during its ascent burn. Teams will continue to review data from today’s flight test to better understand root cause,” SpaceX posted on X.

“With a test like this, success comes from what we learn, and today’s flight will help us improve Starship’s reliability.”…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Paul Weimer, Steven French, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/3/24 I Don’t Think He Knows About Second Pixel Scroll

(1) GOFUNDME FOR HOWARD ANDREW JONES. Friends have started “A Call to Help Howard Andrew Jones and His Family” at GoFundMe.

In August, Howard Andrew Jones wrote that he has been diagnosed with brain cancer––multifocal glioblastoma – and that, “People I trust––my doctors and my family––inform me it will be fatal, and we are deciding now on a course of action to make the most of the time I have left.” This GoFundMe shall go to forthcoming medical bills in the months to come and any other funding the family might need.

At this writing the appeal has raised $22,345 of the $35,000 goal.

(2) SCARE UP THE VOTE. The Scare Up the Vote event by members of the horror community hopes to raise funds and awareness to elect Kamala Harris and Tim Walz. The live online event at 8:00 p.m. Eastern on October 15 will include appearances from Stephen King, Joe Hill, Mike Flanagan, Tananarive Due, Stephen Graham Jones, Cynthia Pelayo, Paul Tremblay, Gabino Iglesias, Victor LaValle, Alma Katsu, Bryan Fuller (Hannibal), Scott Derrickson (The Black Phone), and Don Mancini (creator of Chucky). Follow the YouTube page for the livestream: “Scare Up the Vote” YouTube page.

(3) GOLDSMITHS PRIZE SHORTLIST. The finalists for the 2024 Goldsmiths Prize were announced October 2. None of the six are detectably of genre interest:

  • All My Precious Madness (Mark Bowles, Galley Beggar Press)
  • Tell (Jonathan Buckley, Fitzcarraldo)
  • Parade (Rachel Cusk, Faber)
  • Choice (Neel Mukherjee, Atlantic)
  • Spent Light (Lara Pawson, CB Editions)
  • Portraits at the Palace of Creativity and Wrecking (Han Smith, JM Originals).

The prize, worth £10,000 and run in association with the New Statesman, was open to novels published between 1 November 2023 and 31 October 2024, written in English by citizens of the UK or Ireland, or authors who have been resident in either country for three years and have their book published there.

The winner will be announced on November 6. 

(4) BOOK FREEDOM. Publishers Weekly reports “In Arkansas, Book Banners Dealt Another Legal Setback”.

In yet another major win for freedom to read advocates, a federal judge has ordered the Crawford County Public Library in Arkansas to stop segregating books deemed inappropriate by some local residents into special “social sections,” and to return the books to general circulation.

In his September 30 opinion and order, U.S. district court judge P.K. Holmes III held that “it is indisputable” that the creation and maintenance of the library’s so-called social sections “was motivated in substantial part by a desire to impede users’ access to books containing viewpoints that are unpopular or controversial in Crawford County.” In a preliminary injunction, Holmes ordered county officials to dismantle the sections and return the books to general circulation, as well as to refrain from “coercing” library staff to censor books.

The decision comes in a lawsuit first filed in May 2023 by three local parents, who challenged the county’s quorum court, the library board, and the library’s interim director for a policy that created special sections and classifications for segregating books, mostly LGBTQ content. Among their defenses, county officials argued that moving the books to special sections did not amount to book banning. But Holmes said the evidence showed that “viewpoint discrimination was a substantial motive” for the creation of the “social sections,” and that the policy held “profound” First Amendment implications….

(5) PAY THE WRITER. “The SoA responds to results of The Bookseller’s survey on advances and royalties” at The Society of Authors (UK).

recent survey launched by The Bookseller on advances and royalties revealed that 52% of respondents had experienced payment issues with their publishers.

The survey found that among those who experienced issues with payment, ‘around 18% experienced problems with both advances and royalties, 17% only with advances [and] with around the same number experiencing problems only with royalties’….

(6) ZOOMING INTO FANHISTORY. Fanac.org will host a Zoom FanHistory session featuring globetrotting Australian fan Robin Johnson on October 26. To attend, send a note to fanac@fanac.org

FANAC FanHistory Zoom Session
Robin Johnson: Traveling Fan from Oz

Robin Johnson, interviewed by Perry Middlemiss & Leigh Edmonds 

October 26,2024 – 7PM EDT, 4PM PDT, 12AM London, 10AM AEDT Sunday, Oct 27 Melbourne

(7) DEFENSE AGAINST THE DARK ARTS. “Star Wars, Lord of the Rings and Other Toxic Fans: How Hollywood Is Fighting Back”Variety has the details.

… Still, toxic fandoms have grown so pernicious that they’ve become a fact of life for many — and so powerful that while talent, executives and publicists will privately bemoan the issue, fear of inadvertently triggering another backlash kept several studios from speaking for this story even on background. (As one rep put it, “It’s just a lose-lose.”)

Those who did talk with Variety all agreed that the best defense is to avoid provoking fandoms in the first place. In addition to standard focus group testing, studios will assemble a specialized cluster of superfans to assess possible marketing materials for a major franchise project.

“They’re very vocal,” says the studio exec. “They will just tell us, ‘If you do that, fans are going to retaliate.’” These groups have even led studios to alter the projects: “If it’s early enough and the movie isn’t finished yet, we can make those kinds of changes.”

Several studio insiders say they often put their talent through a social media boot camp; in some cases, when a character is intentionally challenging a franchise’s status quo, studios will, with the actor’s permission, take over their social media accounts entirely. When things get really bad — especially involving threats of violence — security firms will scrub talent information from the internet to protect them from doxxing….

(8) NEW GERROLD NOVELLA COMING THIS MONTH. David Gerrold’s new SF novella Praxis will be released October 22 by Star Traveler Press, an imprint of Starship Sloane Publishing.

A lifetime in the Labor Corps—or colonize a new world. For Jamie and José, not much of a choice. But Praxis wouldn’t be easy. To survive there, you had to depend on each other. And that requires honesty that few possess. Praxis is a bold experiment in society building, a monosexual colony, with no promises of survival and no return trip. But it’s got potential. You just have to build a new civilization—on the other side of the universe.

It is a compelling story that explores social issues without skimping on the hard science fiction. 

The foreword is by John Shirley and the cover art is an original piece by Bob Eggleton commissioned for the book. F. J. Bergmann did the book design and layout and Justin T. O’Conor Sloane is the editor and publisher.

(9) MEMORY LANE.

[Written by Paul Weimer.]

October 3, 2017 — Anniversary: Blade Runner 2049

Science fiction fans live in hope, especially when it comes to sequels, prequels, and other works. Maybe this time it will be good. Maybe the magic will return. Maybe the horse will sing.

Maybe.

I won’t claim to be one of the seventeen people who saw the original Blade Runner in the theaters in 1982, my exposure came when versions of it arrived on videotape, but it had become one of my core SFF experiences. And so in 2017, upon the announcement of its forthcoming release, I was extremely interested in what Denis Villeneuve (whose Arrival I had loved) could do with the film. 

I saw it opening weekend, because it was my birthday weekend, and I wanted to treat myself. I had been led to expect spectacle and visuals, and I wanted the large screen, and in those days before the Covid Pandemic, I had no inhibitions in doing so. And so I sat down to see what Villeneuve had wrought. 

If the original Blade Runner is a noir classic pinpricked and studded with moments of beauty, Blade Runner 2049 was a large, sprawling epic on the screen, pinpricked and studded with moments of different kinds of beauty. Such visions, taking the future of Los Angeles from Blade Runner and adding a level of inexorable environmental devastation that we get right in the first scene and all the way to the finale at the devastated, buried Las Vegas. A twisty, twisted tale that wraps around the shed snake skin of the original film. And a story, and revelations that are of a piece, and feel like they belong in a Philip K. Dick story. The bones of the movie and its revelations.

This film doesn’t and didn’t work unless you were steeped in the original, sometimes too much for its own good.  But even for its long run time, around every corner, there was so much to see and take in. The long running time can work against it, but it gives us so much of the world to inhabit and see and explore. 

Is it the original? No. Does it depend too much on the original?  In some ways, trying to follow up on a classic movie was an impossible task. Had Villeneuve gone for another noir piece (even more than the mystery chassis of this film), it would have felt like too much of a copy. If there was no acknowledgement of the original, it would have felt like a betrayal of the original. I think that Villeneuve made the Blade Runner universe his own in a way that Ridley Scott did with his original movie. He understood the assignment and I think he hit the mark.

And long before Barbie, this movie helped cement Gosling as someone far more than just his good looks and charm. And to see Harrison Ford again, of course, was a pleasure. And Ana de Armas. And Robin Wright. And thanks to Blade Runner 2049, for better or worse, we got two Dune movies from Villeneuve. The template for those two movies is here. 

And now I need to rewatch it. Maybe you should give it a try, if you haven’t. 

(10) COMICS SECTION.

(11) UR SID TO JOIN LEE-MILLER ARCHIVE AT TEXAS A&M. Sharon Lee today informed fans of the Liaden Universe®:

Long-time Friends of Liad will recall Ur Sid, an eight-inch tall Teddy bear, dressed in a Scout uniform.  Ur Sid attended the conventions that Steve and Sharon couldn’t make, hobnobbing with the Famous, and, like every good fan, collecting buttons and memorabilia.

The authors would occasionally meet Ur Sid at worldcons, and were always happy to see him.  But his purpose was to be an Ambassador at Large for the Liaden Universe®, and in that he succeeded very well, indeed.

Ur Sid traveled between cons via the Bumpy Passage, a refurbed Scout ship that had seen better days, and he sent reports back to the Friends of Liad listserve.

Those reports are sadly lost. However, Ur Sid also kept a diary. From it, we learn that his first WorldCon was ChiCon 2000.  His last con, though it’s not noted in the diary, was Heliophere 2023, where Steve and Sharon were Writer Guests of Honor. He attended the Teddy Bear Tea, and charmed the room, as always.

All good adventures do finally come to an end.  Ur Sid stopped travelling when the Bumpy Passage suffered a catastrophic failure of its Struven Unit.  Subsequently, he spent some years with Friend of Liad Sarge, who reunited him with the authors at PhilCon 78, in 2014.

Ur Sid is about to embark on his last trip, via FedEx.  He will be escorting a shipment of Liaden Universe® books to the Lee and Miller Archive at the Cushing Memorial Library at Texas A&M.  Once that duty is accomplished, Ur Sid will become part of the permanent archive.  He’ll be keeping a Very Close Eye on Steve and Sharon’s Literary Legacy.  And charming the curators, of course.

Link to the Sharon Lee and Steve Miller Archive (note that the papers are still being processed).

(12) HAVE THEY GONE NUTS? “Nutter Butter, Are You Okay? The Brand’s Unhinged Social Media Has Customers Concerned” reports Delish.

You probably haven’t thought much about Nutter Butter since the cookie was in your lunchbox in the third grade. However, the snack brand has taken an interesting route to regain cultural relevance.

Nutter Butter has been posting completely unhinged TikToks for weeks now. No one seems to understand the brand’s bizarre approach, but it seems to be working. People are talking about Nutter Butter again, and the account has amassed millions of video views and hundreds of thousands of followers.

We’ll just leave these Nutter Butter TikToks here for evidence…

And while no one can’t seem to make any sense of it, that’s kind of the point. We got in touch with Nutter Butter to ask what was going on.

“Nutter Butter embraces its nuttiness, departing from a perfectly curated feed to experiment with the surreal side of the internet,” a spokesperson for the brand told Delish. “Our social channels create a realm of extreme absurdity and deep lore by going where no other cookie has gone before. Follow us as we push the boundaries of creativity to take you on unexpected adventures.”…

(13) SIM CRADLE TO GRAVE. Variety has details about how “‘The Sims 4’ to Launch ‘Life and Death’ Expansion Pack Featuring Grim Reaper Career, Funerals, Afterlife and Reincarnation”.

… “In the Reaper Profession, Sims with an affinity for the afterlife can become Grimterns and work their way up to Reaper as they make a career out of facilitating the next phase of life for Sims,” per “The Sims” developers. “Work with Grim at the Netherworld Department of Death (N.W.D.D.) and even head off into the ‘field.’ Sims in this profession can experience reaper training with the all-around-good-guy-training-dummy, Kenny, maintain Grimtern Sims’ scythes, practice reaping souls on practice dummies, and determine causes of deaths for reaped souls. At higher levels, Sims in this Career can even determine which souls they’ll reap and which they’ll return to life. Once retrieved, souls can be placed in the Netherworld Portal to meet the soul quota. Grimterns who meet the soul quote are eligible to become Employee of the Month.”…

(14) DOXX EVERYONE IN SIGHT? According to Gizmodo, “This Facial Recognition Experiment With Meta’s Smart Glasses Is a Terrifying Vision of the Future”.

Two college students have used Meta’s smart glasses to build a tool that quickly identifies any stranger walking by and brings up that person’s sensitive information, including their home address and contact information, according to a demonstration video posted to Instagram. And while the creators say they have no plans to release the code for their project, the demo gives us a peek at humanity’s very likely future—a future that used to be confined to dystopian sci-fi movies….

… An Instagram video posted by Nguyen explains how the two men built a program that feeds the visual information from Meta Ray Ban smart glasses into facial recognition tools like Pimeyes, which have essentially scraped the entire web to identify where that person’s face shows up online. From there, a large language model infers the likely name and other details about that person. That name is then fed to various websites that can reveal the person’s home address, phone number, occupation or other organizational affiliations, and even the names of relatives….

(15) SECOND DINOSAUR ASTEROID. [Item by SF Concatenation’s Jonathan Cowie.] The BBC have just reported that research has uncovered a second dinosaur-killing asteroid.  However this is not new news as the headline suggests as a couple of paragraphs in reveals that this discovery has previously been covered by the BBC themselves. What is new is a more detailed survey whose results have just been published in Nature: “3D anatomy of the Cretaceous–Paleogene age Nadir Crater”. See the pictures below.

Ripley once said of other monster creatures, we should “nuke the entire site from orbit. It’s the only way to be sure.”  Having two giant asteroids, one for the western and one the eastern hemisphere was a good way to be sure.

I have never really forgiven the dinosaurs for what they did to Raquel Welch…

(16) VIDEO OF THE DAY. [Item by Mike Kennedy.] Another movie pulled out of the vault & given the Pitch Meeting treatment. “Superman III Pitch Meeting”.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Joe Siclari, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge. Amd SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff, assisted by Nina.]

Pixel Scroll 9/5/24 The Good, The Bad And The Igli

(1) FILM BASED ON GAIMAN BOOK SUSPENDED. “Disney Halts ‘Graveyard Book’ Film After Neil Gaiman Allegations” reports Variety.

Disney is hitting pause on its adaptation of “The Graveyard Book” in the wake of sexual assault allegations leveled against the book’s author Neil Gaiman.

The film from director Marc Forster hasn’t been thrown out entirely, but development was halted for a variety of reasons, including the claims about Gaiman.

Published in 2008, “The Graveyard Book” follows a young boy who is raised by graveyard ghosts following his family’s murder. The film adaptation had not yet entered pre-production and did not have any confirmed casting. Gaiman had no involvement with the film….

(2) DON’T KNOW MUCH ABOUT (WESTEROS) HISTORY. HBO and the House of Dragons showrunner answered criticisms of the series levied by George R.R. Martin in a now-deleted blog post: “HBO Responds To George R.R. Martin’s Dig At Creative Decisions Made On ‘House Of The Dragon’: ‘Showrunner Required To Make Difficult Choices’” at Deadline.

…“There are few greater fans of George R.R. Martin and his book Fire & Blood than the creative team on House of the Dragon, both in production and at HBO,” the statement reads. “Commonly, when adapting a book for the screen, with its own format and limitations, the showrunner ultimately is required to make difficult choices about the characters and stories the audience will follow. We believe that Ryan Condal and his team have done an extraordinary job and the millions of fans the series has amassed over the first two seasons will continue to enjoy it.”

Showrunner Ryan Condal also addressed the challenge of adapting Fire & Blood for the small screen on the latest installment of the Official Game of Thrones podcast. He called Martin’s tome a “history book” that doesn’t necessarily come with fully fleshed-out moments or characters.

“As dramatists, I think we have to approach this history, though it is fictional, as anyone would do, as trying to adapt a chapter from real history,” Condal said. “So we have to construct this three-dimensional reality and this full story for the world to inhabit and provide the characters with internal lives and flaws and desires that might not necessarily have made it into the historical account. Now there are plenty of opportunities in reading Fire & Blood to say, well, there was actually a flaw or a desire or something that does not make it into the record, but it’s often an incomplete picture. So really a lot of what we do is, as dramatists and adapters of this is coloring in the lines that we’re given … and a lot of that color is ultimately our own.”…

And in “George R.R. Martin fears ‘House of the Dragon’ season 3 ‘butterfly effect’ over cut character” Entertainment Weekly adds this timing detail:

…Coincidentally, Martin’s blog entry, which remains taken down, first published on the same day HBO released the final episode of the official Game of Thrones podcast’s current season. It includes an interview with Condal, who talks about the decision to remove Maelor from the season 2 narrative.

“Frankly, this goes back to our first season and trying to adapt a story that takes place over 20 years of history, instead of a story that takes place over 30 years of history,” the showrunner said. “We had to make some compromises in rendering that story so that we didn’t have to recast the whole cast multiple times and really just, frankly, lose people. I mean, we were walking right up against the line with it in season 1, and I think we did a really great job. I think the response to season 1 sort of extolls that.

“But the casualty in that was that our young children in this show are very young — very, very young — because we compress that timeline,” he continued. “So those people could only have children of a certain age and have it be believable where it didn’t feel like we weren’t hewing to the realities of the passage of time and the growth of children in any real way. People look at that stuff and, particularly with a show like this, they look at it very closely. So it was a choice made. It did have a ripple effect, and we decided that we were going to lean into it and try to make it a strength instead of playing it as a weakness.”…

(3) MEDICAL UPDATE. Some very sad news about author Howard Andrew Jones has been shared by Sean CW Korsgaard:

(4) AD CAMPAIGN RESET. “Finally, A New ‘Megalopolis’ Trailer is Released” – and World of Reel breathes a sigh of relief.

Here we go again. Francis Ford Coppola’s “Megalopolis” has a new trailer, and this time without any of the AI-aided fake quotes. They’re going with a new angle here. No “Coppola is a misunderstood artist” shtick.

On August 21, less than 24 hours after backlash commenced, Lionsgate took down the “Megalopolis” trailer, apologized for the fabricated critics quotes and fired the marketing consultant responsible for the mess up.

There is nothing conventional about “Megalopolis,” and it’s become quite difficult for Coppola/Lionsgate to market this film. This is the first official trailer for the film, not counting the teaser, which comes to us just 22 days before it’s set to be released in theaters….

(5) SHAZAM! In case you ever wondered, here’s the official answer to “How Does Shazam Tell People His Name?” at DC Comics. It’s not the “Gotcha!” I imagined….

How does Shazam tell people his name?

From 1940 until 2011, he called himself “Captain Marvel.” He only started using the name “Shazam” in 2011. At first, during Geoff Johns’ Justice League run, there was a sort of intentionality clause where he would only transform while saying “Shazam” if that’s what he wanted to do. From about 2018 to 2023, though, he just avoided saying his name out loud altogether. These days, he’s been going by “The Captain,” so it’s largely a non-issue.

(6) SCREEN TIME. The New York Times has viewing recommendations. The link bypasses their paywall: “Five Science Fiction Movies to Stream Now”. “Among this month’s picks, there’s a blend of sci-fi and Hindu mythology, plus Nicolas Cage in postapocalyptic times.”

(7) HOLLY LISLE (1960-2024). [Item by Anne Marble.] Author Holly Lisle died August 27. Of course, she is remembered for her fantasy and SF books, starting with Fire in the Mist for Baen (a Compton Crook Award winner). She also published The Secret Texts series with Warner Aspect and the World Gates series with HarperCollins. She also delved into paranormal romantic suspense, and co-wrote books with Mercedes Lackey and S.M. Stirling, among others. 

But many writers remember her first as a mentor. This started from her original personal website and then the original Forward Motion for Writers website. (I was one of the first to get an invitation to “kick the tires” on the Forward Motion website.) She also wrote beloved articles and e-books on many aspects of writing, and taught classes on her sites and for Writer’s Digest. Holly believed in paying it forward, so she gave a lot of her time and energy to mentor aspiring writers.

J.A. Marlow has a tribute at Forward Motion for Writers: “In Remembrance of Holly Lisle: Writer, Teacher, and Inspiration”. There is an official notice of Holly’s death on her Holly’s Writing Classes forum. (You can see the announcement even if you have not signed up for the forum, but you can’t access anything else on the forum.) There is also a Facebook post from her daughter through the Alone in a Room with Invisible People page.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

September 5, 1992 Anniversary: Batman: The Animated Series

I’m simply amazed that I’ve not talked before about Batman: The Animated Series, my favorite animated series bar none. It first aired on this date thirty-two years ago with the “On Leather Wings” featuring Man-Bat, a typically bizarre Batman villian.

But I’m getting ahead myself just a bit. So let’s start at beginning, shall we? 

The very, very beginning of course, is who created the Batman character, which, as you know is Bob Kane who is again credited here and Bill Finger who once again is unfairly not. Rat bastards.

The series was developed by Paul Dini, Bruce Timm and Eric Randomski. Dini would be one of many writers on the show. One of the others I recognize is Michael Reaves who was also a writer on the most excellent Gargoyles series.

If you’ve seen it, you’ve no doubt admired it’s amazing visual style. It was unlike anything that went before it. Well, you can thank Bruce Timm for that. He says a great deal of the style came from the acclaimed Superman cartoons of the 1940s, that the Fleischer Studios did with the blimps, police, cars, fashions and much more all taken from the 40s.

The Music? That was inspired by the Tim Burton Batman film.

Most of the villains are from the comics — Mad Hatter, Two-Face, Clock King, though Harley Quinn, the companion of the Joker, was created here. She then, because she was so popular, got added to the comics.

Oh, the voices. 

Kevin Conroy is Bruce Wayne / Batman. Now considered by almost all Batman fans to be the definitive Batman, animated or not. Seriously a lot of fans, don’t think anybody else should be playing Batman whoever it is. I think more than a few of them think that should be a film with him playing Batman. He certainly made the character come alive. He changed his voice enough so that Bruce sounded different, which is an amazing thing to do.

I always found the Dick Grayson / Robin to be meh character, so I’m not really qualified to say well the casting of Loren Lester was there. I’ll leave that to y’all.

I just learned that two actors played Alfred Pennyworth who, unlike Robin, I did love a lot as a character. He’s been a character well done in animated and live Batman setting alike. Efrem Zimbalist, Jr. played him in all but three episodes of the series. Clive Revill did those — “On Leather Wings”, “Christmas with the Joker” and “Nothing to Fear”.

We round the primary voice cast out with some fine actors with Bob Hastings as Commissioner James Gordon, Melissa Gilbert as a quite fun Barbara Gordon / Batgirl, Robert Costanzo voicing a grumbling Detective Harvey Bullock. Finally, there two women who voiced Officer Renée Montoya — Ingrid Oliu and Liane Schirmer. Loved that character! 

The only villain I need mention here is obviously The Joker though be other I could go on The Scarecrow here is scary as Hell in one incarnation. 

But it’s the portrayal of him, both is the animation itself, and as voiced by Mark Hamill. Was there ever a more perfect match? Really, I mean that the animated Joker looked unhinged, looked evil, looked well, I’m not sure how to describe him, but the look was perfect for the role, and then Hamill sounded like he was having a perfect time. He’s given interviews talking about being The Joker and he says he had an incredibly delightful time doing so. I believe it was his first animated role, but he’s done dozens of animated roles since and is doing still doing them.

A quick check on IMDb, shows that he played the Joker a total of 15 times. That’s once more than Two-Face showed up here as a villain. Actually, he’s got one more appearance since he had The Return of The Joker film. Now that’s an interesting film because it exists in two versions one of which is PG-13 rated. Why it is I cannot say as that would be a massive spoiler. 

Need I say it was universally adored. I think not. There were 109 episodes over three seasons, a more than decent run I’d say.  I noted The Return of The Joker (which is actually a Batman Beyond film but ties into series obviously as The Joker and, oppps, can’t say as that’s a spoiler too, isn’t it?) but there are two more films set in this series, Batman: Mask of the Phantasm which got a theatrical release, and Batman & Mr. Freeze: SubZero.

I didn’t know til now it was a direct-to-video release.  It was produced as a tie-in to Batman & Robin. Its release was delayed until the following year due to that film being a financial and critical disaster. Don’t judge Batman & Mr. Freeze: SubZero by Batman & Robin, because it’s quite excellent.

(9) COMICS SECTION.

(10) WONDER WOMAN’S DAUGHTER. “DC Comics Confirms Wonder Woman Spinoff Trinity Series From Tom King” at Bleeding Cool. Images at the link.

…A month ago, Bleeding Cool scooped the news that Trinity, the daughter of Wonder Woman, would be getting her own series. written by Wonder Woman writer Tom King. We also stated that “Bleeding Cool gets the tip-off that Trinity will see three different versions of Trinity from different times: the toddler, the middle-grader, and the older teenager previously seen in Trinity’s stories, but all existing together and working together at the same time.”

And in today’s Trinity Special: World’s Finest, which collects the Wonder Woman Trinity backup strips from Wonder Woman written by King and drawn by Belen Ortega, we get a special coda. An exclusive preview. With all three versions of Trinity together, sat on the sofa, discussing their current plight….

As Bleeding Cool also reported, they are on a quest to find their father, the identity of whom is meant to be revealed in Wonder Woman #14, along with the birth of Trinity….

(11) STUFFED TO THE GILLS. Variety explains “How ‘Astro Bot’ Packed in 150 PlayStation Character Cameos”.

When PlayStation‘s “Astro Bot” launches Friday, it will give PS5 owners access to a brand new, fully fleshed out story starring the little robot whose previous claim to fame was teaching gamers all the cool new features for the Sony gaming console launched in 2020 through pre-loaded title “Astro’s Playroom.”

Four years later, Astro has broken out of his playroom and is on a bigger mission: Celebrating the 30th anniversary of Sony Interactive in an easy-entry platformer that features more than 150 cameos of beloved PlayStation characters from across mega hits and deep cuts, including “God of War,” “Ratchet & Clank,” “Ape Escape” and many more.

(12) BLACK MYTH: WUKONG. [Item by Steven French.] Following up on a previous post: “How Black Myth: Wukong put China’s games industry under the microscope” in the Guardian.

A Chinese game called Black Myth: Wukong has been the biggest hit of the summer, selling 10m copies in just three days, according to its developer Game Science, with over 1 million people playing it every day on games marketplace Steam. China’s homegrown games industry is absolutely massive, but concentrated almost entirely on mobile phones: this is the country’s first successful blockbuster console and PC game, which makes it very interesting in itself. It’s also a massively successful single-player game arriving on the back of a few high-profile multiplayer flops, which suggests there is still more of a market for this kind of adventure than video game execs like to believe.

But Wukong has been grabbing headlines for other reasons, too. Back in November, IGN put together a report compiling crude, vulgar public comments from a number of Game Science staff, some of whom are very well-known in China’s games industry. IGN also spoke to several women who expressed their disappointment and despair over omnipresent sexism in games and in China more broadly. It is a very interesting and well-researched article that doesn’t so much point the finger at Game Science specifically as set it within the context of a bigger Chinese feminist struggle. But of course, it attracted the ire of an increasingly vocal swathe of “anti-woke” gamers that has found a gathering-place on YouTube and social media, some of whom accused IGN of trying to sabotage Black Myth: Wukong by making things up.

As a result, willingly or not, Black Myth: Wukong became a kind of talisman for the video game culture wars. This was not helped when, a few weeks ago, advance copies of the game were sent out to streamerswith guidelines prohibiting the discussion of Covid, the Chinese games industry and “feminist propaganda”, alongside more usual prohibitions against fetishisation and offensive language. It is normal for advance copies of games sent to influencers (though not to press) to come with conditions, but “feminist propaganda” was definitely a new one.’…

(13) MORE ABOUT STARLINER’S PROBLEMS. According to Futurism, “NASA Engineers Were Disturbed by What Happened When They Tested Starliner’s Thrusters”.

…At first, NASA remained adamant that it was simply a matter of routine procedure to investigate the mishap before imminently returning Wilmore and Williams on board Starliner. The agency repeatedly fought off reports that the two astronauts were “stranded” in space, arguing that engineers just needed a little more time to figure out the issue.

But it didn’t take long for NASA to change its tune. While attempting to duplicate the issue at NASA’s White Sands Test Facility in New Mexico, engineers eventually found what appeared to be the smoking gun, as SpaceNews‘ Jeff Foust details in a detailed new breakdown of the timeline.

A Teflon seal in a valve known as a “poppet” expanded as it was being heated by the nearby thrusters, significantly constraining the flow of the oxidizer — a disturbing finding, because it greatly degraded the thrusters’ performance.

Worse, without being able to perfectly replicate and analyze the issue in the near vacuum of space, engineers weren’t entirely sure how the issue was actually playing out in orbit.

During a late August press conference announcing its decision to send Starliner back empty, NASA commercial crew program manager Steve Stich admitted that “there was just too much uncertainty in the prediction of the thrusters.”

“People really want to understand the physics of what’s going on relative to the physics of the Teflon, what’s causing it to heat up and what’s causing it to contract,” he admitted. “That’s really what the team is off trying to understand. I think the NASA community in general would like to understand a little bit more of the root cause.”

While engineers found that the thrusters had returned to a more regular shape after being fired in space, they were worried that similar deformations might take place during prolonged de-orbit firings….

(14) MINECRAFT MOVIE TEASER. “The live-action Minecraft movie gets a weird and wonderful first trailer, but all I can think about is Jack Black as Steve” is GamesRadar+’s reaction.

…Speaking to GamesRadar+ previously, Black joked that he thinks he deserves an Oscar for playing Steve – the real MVP of the trailer. “Oh, you know I’m playing Minecraft all the time. Whenever I’m not filming I’m playing Minecraft because an actor prepares,” he told us. 

“I like to be in that Minecraft headspace. I like to know the rules, and I like to get little, like, things like, ‘Oh, in the game you pickaxe like this. You hit stuff like that,’ then I do that in the movie. I think the members of the Academy will appreciate my research later. I don’t want to jinx it, but I’m pretty sure I’m getting an Oscar for this one…”

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Anne Marble, Steven H Silver, N., Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Glory Road” Dern.]

Pixel Scroll 4/14/22 The Golden Age Of Pixel Scroll Is Fifth

(1) A FILER’S ROSES. Today is release day for Heather Rose Jones’ novella The Language of Roses, a queer fairy-tale re-visioning that embraces the darker aspects of Beauty and the Beast, and does not particularly believe in redemption arcs.

(2) IT’S A CRIME NOT TO LIKE SFF.  Adam Oyebanji recommends novels by Asimov, Bagicalupi, and Martha Wells for mystery readers who say they don’t like sf. “Science Fiction For Crime Lovers: a Beginner’s Tour” at CrimeReads.

…It’s anybody’s universe, remember. Bad things can happen there. Crimes. Crimes that need solving. Mysteries. If you’re a lover of crime fiction, science fiction has a lot to offer you. If you’ve never read a sci-fi novel in your life, here are five you should consider—in increasing order of nerdiness from “sci-fi curious” to “irredeemable geek.” But every last one of them is a crime novel. So, buckle up. It’s time to engage thrusters….

(3) DID THE CREAM RISE? Cora Buhlert analyzes the Hugo ballot in “Some Thoughts on the 2022 Hugo Finalists”. Here’s a sample of her commentary on the Best Novella category:

…There’s some wailing and gnashing of teeth that all six finalists in this category were published by Tor.com. Unlike the usual wailing and gnashing of teeth from certain quarters, there is some merit to this, because if a single publisher completely dominates one category it is a problem.

That said, Tor is the biggest SFF publisher in the English speaking world and the Tor.com imprint did a lot to revitalise the novella form, which was limited to small presses, magazines and self-publishers before that. However, while small presses like Subterranean, Prime Books, Meerkat Press, Telos, Crystal Lake or Neon Hemlock do good work and publish some very fine novellas, they can’t compete with Tor.com’s marketing clout. Ditto for indies and magazines.

So rather than complain about Tor.com’s dominance, maybe we should support and talk up the smaller publishers of novellas more. For example, there were three novellas not published by Tor.com on my ballot, The Return of the Sorceress by Silvia Moreno-Garcia, published by Subterranean“A Manslaughter of Crows” by Chris Willrich, which appeared in Beneath Ceaseless Skies and “The Unlikely Heroines of Callisto Station” by Marie Vibbert, which appeared in Analog….

(4) LOCAL HERO. And there’s a nice article about Cora’s own Best Fan Writer Hugo nomination in the Weser Kurier (in German): “Cora Buhlert aus Stuhr zum dritten Mal für Hugo Award nominiert”.

Die Stuhrer Autorin und Bloggerin Cora Buhlert ist im dritten Jahr in Folge für den Hugo Award in der Kategorie “Bester Fanautor” nominiert. In den Vorjahren belegte die Seckenhauserin jeweils den zweiten Platz in der Sparte (wir berichteten)….

(5) LEND ME YOUR EARS. The Terry Pratchett website announced new audio editions of 40 of the author’s books: “It’s Discworld like you’ve never heard it before”.

To celebrate 50 years of Terry Pratchett, we’re releasing 40 magnificent new recordings of the bestselling series in audio.

Even better, this is Discworld like you’ve never heard it before, with an incredible cast of names from British stage and screen taking on Terry’s unforgettable characters.

Confirmed names include:

    • Bill Nighy, star of Underworld and The Hitchhiker’s Guide to the Galaxy as the voice of Terry Pratchett in the footnotes
    • Peter Serafinowicz, star of Shaun of the Dead and Star Wars, as the voice of Death
    • Game of Thrones’ Indira Varma, Fleabag’s Sian Clifford and Merlin’s Colin Morgan as series narrators
    • Andy Serkis, star of Lord of the Rings reading the standalone novel, Small Gods

‘I’m honoured to voice the footnotes and bring to life one of the funniest, quirkiest and best-loved aspects of Terry Pratchett’s world.’ – Bill Nighy.

(6) THAT WHICH IS WASTED ON THE YOUNG. James Davis Nicoll unleashed the Young People Read Old SFF panel on Child of All Ages by P. J. Plauger.

…“Child of All Ages” is a riff on that popular idea, the immortal living unseen among us. See de Camp’s acceptable “The Gnarly Man”, Bester’s execrable The Computer Connection, and Turner’s Australian Vaneglory. To be honest, when I reread Child of All Ages, I was underwhelmed but at least I had fond memories of reading the story for the first time. My young people cannot see that rosy glow of nostalgia surrounding this particular finalist so what will they make of it? 

Go on, take a wild guess.

(7) TRAILBLAZER. Howard Andrew Jones shares a guide to the works of Harold Lamb, the early 20th century historical fiction writer who was a huge influence on Robert E. Howard and others: “Where to Start With Harold Lamb” at Goodman Games.

… Today, though, most of Lamb’s fiction is in print once more,* and fairly easy to lay hands on, just like the histories, many of which are retained to this day by libraries across the United States. So much is out there now it can actually be difficult to know where to start. You need no longer scratch your head in wonder, however – this essay will show you the way.

First, to be clear, Lamb wrote some of the most engaging histories and biographies not just of his day but of all time. His non-fiction reads with the pacing of a skilled novelist and is the polar opposite of the stereotypical dry history book. His histories of The CrusadesHannibalTamerlane, and, of course, Genghis Khan (particularly his March of the Barbarians, which is the history of the Mongolian Empire, not just the life of Genghis Khan) are all great reads, as are many of his other books.

(8) LEONID KOURITS OBIT. Ukrainian fan and conrunner Leonid Kourits was killed by a Russian attack on his hometown reports German sff writer, editor (for the Perry Rhodan line) and fan Klaus N. Frick in “Leonid Kourits ist tot”. The article is in German, but here is the key paragraph via Google Translate:

…Leonid was a science fiction fan who loved international collaboration and lived for it. In 1988, he organized an international science fiction con in the Soviet Union, which took place in a small town on the Black Sea – on March 6, 2022, he fell victim to the Russian war of aggression against his hometown.

(9) MEMORY LANE.

1988 [Item by Cat Eldridge.] Thirty-four years ago, the Probe series started its eight-episode run.

It was co- created by Michael I. Wagner and Isaac Asimov. Asimov had quite some background in television SF series and Wagner was previously known for creating for Hill Street Blues. Here he co-created, produced and wrote several episodes of the series. 

The pilot and series starred Parker Stevenson as Austin James, an asocial genius who solved high tech crimes, and Ashley Crow as James’ new secretary Mickey Castle. 

It was re-aired on Syfy, though they edited the episodes to stuff in extra commercials as they did every series they aired that they hadn’t produced. 

What happened to it? Did poor ratings doom it? No, they didn’t. As one reviewer notes, “Together, these two encounter out-of-control experiments, supernatural events, and mysterious deaths. As you might expect, Probe features heavy doses of scientific knowledge and logical reasoning, but was cut short due to the 1988 writer’s strike.” 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 14, 1925 Rod Steiger. Carl in The Illustrated Man, which is specifically based on three stories by Bradbury from that collection: “The Veldt,” “The Long Rain,” and “The Last Night of the World.” Great film. Genre-wise, he also was Father Delaney in The Amityville Horror, showed up as Charlie on the short-lived Wolf Lake werewolfseries, played Dr. Phillip Lloyd in horror film The Kindred, was Pa in the really chilling American Gothic, played General Decker in Tim Burton’s Mars Attacks (really, really weird film), Dr. Abraham Van Helsing in Modern Vampires and Peter on “The Evil Within” episode of Tales of Tomorrow series. (Died 2002.)
  • Born April 14, 1929 Gerry Anderson. English television and film producer, director, writer and, when needs be, voice artist.  Thunderbirds which ran for thirty-two episodes was I think the finest of his puppet-based shows though Captain Scarlet and the MysteronsFireball XL5 and Stingray are definitely also worth seeing. Later on he would move into live productions, with Space: 1999 being the last in partnership with Sylvia Anderson before their divorce. (Died 2012.)
  • Born April 14, 1935 Jack McDevitt, 87. If you read nothing else by him, read Time Travelers Never Die as it’s a great riff on the paradoxes of time travel. If you’ve got time of your own to spare, his Alex Benedict space opera series is a fresh approach to conflict between two alien races. He won the Robert A. Heinlein Award six years ago.
  • Born April 14, 1935 — Terrance Dicks. He had a long association with Doctor Who, working as a writer and also serving as the programme’s script editor from 1968 to 1974. He also wrote many of its scripts including The War Games which ended the Second Doctor’s reign and The Five Doctors, produced for the 20th year celebration of the program. He also wrote novelizations of more than sixty of the Doctor Who shows. Yes sixty! Prior to working on this series, he wrote four episodes of The Avengers and after this show he wrote a single episode of Space: 1999 and likewise for Moonbase 3, a very short-lived BBC series that I’ve never heard of. (Died 2019.)
  • Born April 14, 1949 Dave Gibbons, 73. He is best known for his work with writer Alan Moore, which includes Watchmen, and the Superman story ”For the Man Who Has Everything” which has been adapted to television twice, first into a same-named episode of  Justice League Unlimited and then more loosely into “For the Girl Who Has Everything”. He also did work for 2000 AD where he created Rogue Trooper, and was the lead artist on Doctor Who Weekly and Doctor Who Monthly
  • Born April 14, 1954 Bruce Sterling, 68. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near-future setting is quietly impressive. (It won a Campbell Memorial Award.) Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson. He edited Mirrorshades: A Cyberpunk Anthology which is still the finest volume of cyberpunk stories that’s ever been published to date. He’s won two Best Novelette Hugos, one for “Bicycle Repairman” at LoneStarCon 2, and one at AussieCon Three for “Taklamakan” His novel Distraction won the Arthur C. Clarke Award (2000). 
  • Born April 14, 1958 Peter Capaldi, 64. Twelfth Doctor. Not going to rank as high as the Thirteenth, Tenth Doctor or the Seventh Doctor on my list of favorite Doctors, let alone the Fourth Doctor who remains My Doctor, but I thought he did a decent enough take on the role. His first genre appearance was as Angus Flint in the decidedly weird Lair of the White Worm, very loosely based on the Bram Stoker novel of the same name. He pops up in World War Z as a W.H.O. Doctor before voicing Mr. Curry in Paddington, the story of Paddington Bear. He also voices Rabbit in Christopher Robin. On the boob tube, he’s been The Angel Islington in Neverwhere. (Almost remade by Jim Henson but not quite.) He was in Iain Banks’ The Crow Road as Rory McHoan (Not genre but worth noting). He played Gordon Fleming in two episodes of Sea of Souls series. Before being the Twelfth Doctor, he was on Torchwood as John Frobisher. He is a magnificent Cardinal Richelieu in The Musketeers series running on BBC. And he’s involved in the current animated Watership Down series as the voice of Kehaar. 
  • Born April 14, 1982 Rachael Swirsky, 40. Two Nebulas, the first for her “The Lady Who Plucked Red Flowers Beneath the Queen’s Window” novella and the second for her “If You Were a Dinosaur, My Love” short story.  Both also were nominated for the Hugo. All of her work has been in shorter fiction, all of it superb, and it’s mostly collected in two works, Through the Drowsy Dark and How the World Became Quiet: Myths of the Past, Present, and Future.

(11) PIECES OF EIGHT. Octothorpe 55 is out! John Coxon is a Hugo Award finalist, Alison Scott is a Hugo Award winner, and Liz’s mum got a folk award once. We’re all very excited about our @TheHugoAwards nomination, and we also talk about @reclamation2022 and @BrandSanderson: “55: Beatboxing Champagne”.

(12) MAKING STEAL. Marion Deeds counts off “Five Unconventional SFF Heists” for Tor.com. Here’s one I didn’t know about!

Valour and Vanity by Mary Robinette Kowal

The Glamorists series started with homage to Jane Austen, but by the fourth book, Jane and Vincent have lost nearly all their material possessions and must out-swindle a swindler to keep from losing their secret magical glamourist process. The book is packed with beautiful settings—Murano and the Venetian lagoon—and wonderful elements like pirates, puppets and Lord Byron swimming naked in a canal, but the heart of the story is the relationship between our two main characters. Jane and Vincent finally reveal fears and issues to each other, and the relationship teeters under the stress of their situation. Is that why I include this book on the list? It is not. This is the only book on the list with heister nuns. Yes, Valour and Vanity includes a convent of feisty nuns who help with the heist. Need I say more?

(13) EUROCON 2022 PHOTOS. German fan and con runner Norbert Fiks shares photos of the 2022 EuroCon LuxCon in Dudelange, Luxembourg: “Impressionen vom Luxcon2022”. The blog is in German, but the post is mostly photos.

(14) FOR GAME LOVERS. This forthcoming series from Aconyte Books sounds interesting: “Announcing our newest series, Play to Win!” Here are the covers of the initial release coming in Fall 2022.

Aconyte Books have today announced the first two books in a brand-new non-fiction series, Play to Win. This new range of non-fiction titles will focus on the wide world of games and gaming, to entertain, inform and intrigue gamers and an interested general audience alike….

Everybody Wins: Four Decades of the Greatest Board Games Ever Made chronicles the recent revolution in tabletop gaming through an entertaining and informative look at the winners of the prestigious Game of the Year (Spiel des Jahre) award, known as the Oscars of the tabletop. Acclaimed British author and games expert James Wallis investigates the winners and losers of each year’s contest to track the incredible explosion in amazing new board games. From modern classics like CATAN, Ticket to Ride, and Dixit, to once-lauded games that have now been forgotten (not to mention several popular hits that somehow missed a nomination), this is a comprehensive yet hugely readable study, penned by one of tabletop gaming’s most knowledgeable commentators. Accompanying the book will be a dedicated podcast series, presented by the book’s author, James Wallis.

Rokugan: The Art of Legend of the Five Rings presents stunning art and illustration from the Japanese-inspired fantasy realms of Rokugan, setting for the famed Legend of the Five Rings series of games, in a lavish, large-format hardcover art book. The Emerald Empire is captured in an age of strife and upheaval – war, intrigue, wild magic and celestial turmoil – through the very finest artwork from across the history of the series. Iconic pieces from the L5R roleplaying and collectible card games are presented in their full glory, together with never-before-seen images, taking the game’s many fans and lovers of fantasy art on a journey through this extraordinary world.

(15) PARADIGM SHIFTER. Ngo Vinh-Hoi shares his appreciation for the works of Stanley G. Weinbaum: “Adventures In Fiction: Stanley Weinbaum” at Goodman Games.

Not many authors can be credited with changing the entire trajectory of a genre, yet Stanley Grauman Weinbaum managed to do so with his very first published science fiction story A Martian Odyssey. The story first appeared in the July 1934 issue of the science fiction pulp magazine Wonder Stories, which was a distant third in popularity to Astounding Stories and Amazing Stories. Forty years later, no less a figure than Isaac Asimov would declare that “hidden in this obscure magazine, A Martian Odyssey had the effect on the field of an exploding grenade. With this single-story, Weinbaum was instantly recognized as the world’s best living science-fiction writer, and at once almost every writer in the field tried to imitate him.”

(16) A DISCOURAGING WORD. A Politico writer says “NASA’s astronauts aren’t ready for deep space”.

…Over the next five years, NASA intends to start mining the lunar surface for water and other resources in preparation for a long-term human presence on the moon’s surface.

The space agency has yet to develop a specialized training program for the astronauts, lacks critical equipment such as new space suits to protect them against deadly levels of radiation, and is still pursuing a range of technologies to lay the groundwork for a more permanent human presence, according to NASA officials, former astronauts, internal studies and experts on space travel.

“This time you are going to need astronauts that are going to actually get out and start to live on the moon,” NASA Administrator Bill Nelson said in an interview. “We’re going to build habitats up there. So you’re going to need a new kind of astronaut.”

The goal, said Nelson, is more ambitious than ever: to “sustain human life for long periods of time in a hostile environment.”…

Yet as NASA’s Artemis project approaches liftoff, it is becoming increasingly clear that even if the new rockets and spacecraft it is pursuing remain on schedule, the program’s lofty goals may have to be lowered by the harsh limits of human reality.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Sonic The Hedgehog 2 Pitch Meeting,” Ryan George, in a spoiler-filled episode, says when the writer explains that between the first and second Sonic The Hedeghog movies, the villain Robotnik has been on another planet getting stoked on mushrooms, the producer says, “I’ve been there!”  Also, the writer warns the producer that much of the second act is a “random romantic comedy shoved into the film with side characters who have nothing to do with the plot.”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cora Buhlert, Joyce Scrivner, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/25/22 In The Clearing Stands A Pixel And A Scroller By Its Trade

(1) WORLDWIDE CHANGE. Reuters Graphics explores how non-binary people identify themselves in highly-gendered languages around the world, using animated examples to explain the challenges to English-language readers. “Beyond pronouns: How languages are reshaping to include nonbinary and gender-nonconforming people”.

Not everyone identifies as a woman or a man. The movement to recognize gender identities beyond female and male is growing in places like Western Europe and the United States, and changing languages around the world.

In English, the pronouns people use — such as ‘she,’ ‘he,’ or ‘they’ — have come to the fore. In some languages, other parts of speech can also be feminine or masculine.

Modifying language to reflect a spectrum of gender identities is a fundamental change that stirs fierce debate….

(2) FIRST CHAIR. Actor Doug Jones will receive the inaugural The Chair Award from the Make-Up Artists and Hair Stylists Guild (IATSE Local 706). Star Trek: Discovery’s Sonequa Martin-Green will present the honor during the guild’s awards ceremony on February 19 — The Hollywood Reporter has details.  

He’s known for roles such as the so-called Amphibian Man in Guillermo del Toro’s The Shape of Waterwhich won 2017’s best picture Oscar, and Pale Man in del Toro’s Oscar-winning Pan’s Labyrinth. He was the Silver Surfer in Fantastic 4: Rise of the Silver Surfer and the blue fish-man Abe Sapien in del Toro’s Hellboy and Hellboy II: The Golden Army. Jones is also the villainous title character in a remake of Nosferatu, currently in postproduction.

TV roles have included such series as Star Trek: Discovery, Buffy the Vampire Slayer and Falling Skies….

(3) VILLENEUEVE TO MAKE RENDEZVOUS. Movieweb reports “Denis Villeneuve to Direct Rendezvous with Rama Adaptation”.

It seems as if Denis Villeneuve can’t keep his eyes from the stars. The director of 2021’s Dune has been signed on to direct another science fiction adaptation. This time the subject will be Rendezvous with Rama by Arthur C. Clarke.

The project was picked up by Alcon Entertainment, who previously worked with Villeneuve on Prisoners and Blade Runner 2049. The rights to the novel had previously been under the control of Morgan Freeman and his partner Lori McCreary’s Revelations Entertainment. The film has been a passion project of Freeman since the early 2000s, but the project was stuck in development hell for many years.

It seems as if the film is finally going to get its wings with this new partnership at last. Alcon will be financing the project….

(4) WHEN NOT ONLY KANGAROOS HAVE POCKETS. At CrimeReads, “Juneau Black” (pen name of Jocelyn Cole and Sharon Nagel) discusses how to write an animal fantasy where the animals have human characteristics: “How To Craft Non-Human Characters With Plenty of Personality”.

… Our problem in a nutshell: Foxes don’t own handkerchiefs. Well, that’s an obvious statement, isn’t it? Of course they don’t. They don’t have hands. Yet in the world of Shady Hollow, our civilized animal denizens do wear clothes and own accruements and if someone starts blubbering into their coffee, it would be downright rude to not offer a clean bit of cloth to soothe them.

But what to call that cloth? It has to be a word that instantly conveys the idea of handkerchief, without the human-centric assumption of hands. We could call it a pawkerchief…but that sounds too cutesy for a book with murders in it. So we looked for alternatives: Hankie? No, it’s a riff on “hand” and therefore isn’t a word that would exist in this world (and its logical equivalent “pawkie” is so twee it’s sickening). Snot rag is accurate but maybe too gross. Pocket square turned out to be our winner, since it describes the object in a way that the characters themselves would understand….

(5) THEY ASKED HIM ANYTHING. Hosted today at Reddit – “I’m Gideon Marcus, science fiction writer, publisher, space historian…and time traveler. Ask Me Anything!” In connection with Galactic Journey he said:

…Our coolest new project is watching the original Star Trek “as it comes out” on the original air dates (minus 55 years). And they’ve got the original commercial breaks in them! It’s been fascinating watching this classic in its original form, and with about a dozen young people who have never seen it before. We’ve also been reading the period trekzines and fanzines of the time, and that’s been a trip.

…Thank you! It’s been really neat. The show was designed with the traditional four act and teaser format, punctuated with little cliffhangers. The commercials give the show room to breathe and marinate. Plus, the period ads give context — you go from Kirk fighting a giant lizard to… cigarette ads.

Hey, they’re both killers!

(6) FANCAST Q&A. Cora Buhlert posted another Fancast Spotlight for GeekShock, a podcast run by several people who met while working at a Star Trek live show in Las Vegas: “Fancast Spotlight: GeekShock”.

Tell us about your podcast or channel.

GeekShock is a podcast about the week-in-geek. We like to think we’re a funny bunch, so we style ourselves as a comedy podcast. We approach geek topics of the day however they may strike us as humorous, but we get serious when serious subjects arise. We talk about movies and television of course, but we also cover subjects in comics, games of all types (video, board, tabletop rpg), geek accessories i.e., toys, collectables, curiosities, and genre literature.

(7) 17TH CENTURY SPACE EXPLORATION. The Huntington hosts a free Zoom lecture, “Blasting into Space: The Poetics of Faith and Astronomy in 17th-Century England”, by Wendy Wall on February 16, at 7:30 p.m. Pacific. Register at the link.

In this lecture, Wendy Wall, Professor of the Humanities at Northwestern University, describes how 17th-century woman Hester Pulter, while sick and confined to her bedroom after giving birth to her 15th child, sought solace in an unusual way: she wrote poems about taking off into space to explore planets in the heliocentric universe. While intellectuals of the day feared that new conceptions of astronomy undermined cherished religious beliefs, Pulter was exhilarated in incorporating cutting-edge ideas about space into a new type of devotional poem. How can this relatively newly discovered female poet enlarge our understanding of ways that writers used poetry to interconnect religion, science, and the imagination? How might Pulter’s poetry reveal previously unacknowledged ways that early modern women engaged in intellectual production and the mapping of the heavens, even from their remote estates or bedrooms?

(8) THE SCIENCE IN THIS FICTION. In “Malorie Blackman on seeing her sci-fi novel about a pig heart transplant come true”, the author tells Guardian readers that questions are the best place to start when writing a book.

What some call science fiction, I prefer to call science possible or sometimes science probable. One branch of sci-fi is based on imagined technological or scientific advances, and major social or environmental changes. It was that branch that I embraced when I wrote Pig Heart Boy. I loved the idea of exploring xenotransplantation through the eyes of Cameron, a 13-year-old boy with a bad heart who just wants to live. I found the whole notion of transplanting organs from one species into another fascinating and the perfect subject matter for a children’s book.

Now I hasten to add that I’m not a scientist or expert on xenotransplantation, nor do I claim to be. I’m a layperson with a love of science who occasionally reads science magazines. My approach was from an author’s angle, spending months on research before writing a single word…

(9) ANOTHER NAME FROM APPENDIX N. Ngo Vinh-Hoi profiles fantasy writer John Bellairs, one of the more obscure names listed in the Appendix N to the original D&D Dungeon Master’s Handbook: “Adventures in Fiction: John Bellairs” at Goodman Games.

… The modest success of The Face in the Frost was enough for Bellairs to turn to full-time writing, and his next work The House with a Clock in its Walls was also a dark fantasy. Supposedly Bellairs had difficulty selling the book until a publisher suggested rewriting it as a young adult (YA) book set in the fictionalized Michigan of Bellairs’s childhood. The House with a Clock in its Walls proved to be a huge critical and sales success, so much so that Bellairs became a full-time YA author for the rest of his career, completing a total of 15 books for young readers, most of which were illustrated by the great Edward Gorey….

(10) WILL THE REAL CONAN PLEASE STAND UP. Howard Andrew Jones explains which of the many Conan pastiche novels are worth reading: “The Best Of The Conan Pastiche Novels” at Goodman Games.

… You can fit the sum total of all the Conan that Howard wrote (including some fragments and rejected stories) into one large hardback. That’s not a lot of fiction about such a great character, and so for decades, people have been trying to create new tales of adventure starring Conan, mostly because they wanted MORE!

What makes those stories pastiche instead of fanfic, I suppose, is that many of these writers were paid to write it and the result was distributed widely. You would assume that meant that the work was well-edited and had some kind of consistency, but a lot of people, me among them, would tell you you’re wrong….

(11) MEDIA BIRTHDAY.

1971 [Item by Cat Eldridge.] Fifty-one years ago, City Beneath the Sea premiered on NBC. It had a tangled history as it was originally a pilot for a series that Irwin Allen had pitched to that network several years earlier. The film itself was an expansion of a much shorter idea reel that Allen had shown to the network. 

The story was by Allen, but the screenplay was by John Meredyth Lucas who had written four Trek episodes, “Elaan of Troyius”, “The Changeling”, “Patterns of Force” and “That Which Survives” in addition to direction and production duties there. 

The primary cast was Stuart Whitman, Rosemary Forsyth, Robert Colbert, Burr DeBenning, Robert Wagner, Joseph Cotten and Richard Basehart. Irwin’s suggested cast for the series was Glenn Corbett, Lloyd Bochner, Lawrence Montaigne, Francine York, Cecile Ozorio and James Brolin.

I couldn’t, for love or money, find any critical reviews of the film. Rotten Tomatoes has none which is highly unusual.  Audience reviewers at Rotten Tomatoes weren’t fond of it giving it a rating of just forty percent.  Here’s the trailer for it. City Beneath the Sea (1967).

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 25, 1905 Margery Sharp. Her best remembered work is The Rescuers series which concerns a mouse by the name of Miss Bianca. They were later adapted in two Disney animated films, The Rescuers and The Rescuers Down Under. I’m reasonably sure I’ve seen the first one a very long time ago. Her genre novel, The Stone of Chastity, is according to her website, based on English folklore. Other than the first volume of The Rescuer series, she’s not really available digitally though she is mostly in print in the dead tree format. (Died 1991.)
  • Born January 25, 1918 King Donovan. Jack Belicec in the original and by far the best version of Invasion of the Body Snatchers. Thirty years later, he’d be Lunartini Husband in Nothing Lasts Forever, a SF comedy film with a contentious history. His only other genre appearance was a one-off on Night Gallery. (Died 1987.)
  • Born January 25, 1920 Bruce Cassiday. Under two different pen names, Con Steffanson and Carson Bingham , he wrote three Flash Gordon novels (The Trap of Ming XIIThe Witch Queen of Mongo and The War of the Cybernauts) and he also wrote several pieces of non-fiction worth noting, The Illustrated History of Science Fiction, co-written with Dieter Wuckel, and Modern Mystery, Fantasy and Science Fiction Writers. The latter done in ‘93 is rather out of date and out of print as well. Checking the usual suspects shows nothing’s available by him for this genre though some of his pulp novels are available with appropriately lurid covers. (Died 2005.)
  • Born January 25, 1950 Christopher Ryan, 72. He’s played two different aliens on Doctor Who. First in the Sixth Doctor story, “Mindwarp”, he was Kiv where he looked akin to Clayface from the animated Batman series. Second in the era of the Tenth Doctor (“The Sontarian Experiment” and “The Poison Sky”) and the Eleventh Doctor (“The Pandorica Opens”), he was the Sontarian General Staal Commander Stark.
  • Born January 25, 1958 Peter Watts, 64. Author of the most excellent Firefall series which I read and enjoyed immensely. I’ve not read the Rifters trilogy so would welcome opinions on it. And his Sunflower-linked short stories sound intriguing. He won a Hugo for Best Novelette at Aussiecon 4 for “The Island”.
  • Born January 25, 1963 Catherine Butler, 59. Butler’s most important work is Four British fantasists : place and culture in the children’s fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper. Another important work is Reading History in Children’s Books, with Hallie O’Donovan. Her website is here.
  • Born January 25, 1973 Geoff Johns, 49. Where to begin? Though he’s done some work outside of DC, he is intrinsically linked to that company having working for them for twenty years. My favorite work by him is on Batman: Gotham KnightsJustice League of America #1–7 (2013) and 52 which I grant which was way overly ambitious but really fun. Oh, and I’d be remiss not to notehis decade long run on the Green Lantern books. He’s the writer and producer on the most excellent Stargirl now streaming on HBO Max.
  • Born January 25, 1975 Mia Kirshner, 47. She was Amanda Grayson in Star Trek: Discovery. Her first genre was in the really not great The Crow: City of Angels as Sarah Mohr. (I editorialize, it is what I do.) she had another run as Isobel Flemming in The Vampire Diaries and one-offs in The War of The WorldsDracula: The SeriesAre You Afraid of the Dark? and Wolf Lake. She had a plum role in Defiance as Kenya Rosewater. 

(13) NOT JUST ANYBODY. Here they are! Screen Rant’s choices as the “10 Most Nonsensical World Domination Plans In Movie History”. Some of them have better musical accompaniments than others.

Help! (1965)

Given that this movie stars the Beatles and that it is intended as a comedy, it makes sense that its central world domination plan would be nonsensical.

However, even by that standard, the central plot strains the ability of the audience to make sense of anything of what is happening, much of which revolves around a seemingly magical ring. The fact that the movie moves along at a frantic pace makes its plot even more difficult to follow.

(14) SWORD & SORCERY’S ANCESTRY. At DMR Books, Brian Kunde chronicles his research into the life of Clifford Ball, Weird Tales contributor and probably the most obscure of the first wave of sword and sorcery writers: “Who Was Clifford Ball?”

…In this we are in a position similar to that of Shakespearean scholars, who on the basis of surviving records have also put together a threadbare sketch of an outer life while likewise failing to illuminate the inner man. As with them, our surest guides to our subject’s inner life and interests remain those we started with—in Ball’s case, his published works, together with what he and “W. C., Jr.” set down in their letters and notes in Weird Tales. Having left no descendants, whatever else Ball might have left of a personal nature likely perished with him or his near heirs. The who we already had may have led us to a more complete picture of the life he lived, but how that life was reflected in his thoughts, hopes and dreams remains elusive….

(17) TROLL SIGHTINGS. Jim C. Hines has updated the “Jon Del Arroz’s History of Trolling and Harassing” webpage: “Among other things, JDA had a friend take pictures of Tomlinson at ConFusion, which JDA posted for mockery.” The screencaps are here.

(18) NEWBERY AT 100. In “The centennial of the Newbery Award: what publishers should do with older winners that don’t hold up”, Slate’s Sara L. Schwebel and Jocelyn Van Tuyl challenge the award winners’ status as canonical children’s books.

…Many of us are increasingly aware that American childhoods can look very different from one another, varying with race and ethnicity, geographic location, economic status, and many other factors. This has always been true, of course, but until very recently, the imagined child reader was monolithic. So your favorite Newbery from childhood may now seem out of touch, hopelessly uncool. Worse yet, it may feature offensive viewpoints and stereotypes.

Some readers may reject older titles for their objectionable content. But some people feel that recent medal books threaten a long-cherished vision of a universal American childhood experience—a vision they still hold dear. This was the case recently when schools in Katy, Texas, retracted (then subsequently reinstated) an invitation for author Jerry Craft to speak. Craft’s 2020 medal winner, New Kid, depicts a Black boy’s first year in a predominantly white prep school, where he faces frequent microaggressions. Concerned that some readers might experience white guilt, agitators claimed the book ran afoul of Texas’ ban on teaching critical race theory….

…The Newbery makes aspirationally high art for children into news.

This is what Newbery founder Frederic Melcher had in mind: Librarians’ professional neutrality would keep prizing above the taint of commercialism, benefiting publishers’ bottom lines and also, of course, children’s minds and spirits. The prize was about building a junior American canon, books that cultivated readers and inspired the highest ideals of democratic citizenship in the nation’s youth. But the result was a canon that is overwhelmingly white and often marked by a colonialist worldview. Today, the Newbery’s mission increasingly encompasses an awareness of past failures to think about all children as future leaders….

(19) SLICE OF THE DAY. “Icelandic pizzeria nods to pagan tradition by serving sheep’s head as special topping”CBC explains it all to you. Photo at the link. (Which I plan to leave at the link.)

On a bed of arugula and carrot slices, an Icelandic pizzeria has laid out an unusual topping for their new, seasonal pizza: a sheep’s head boiled in stout beer.

The head itself is laced with a smoked chili barbecue sauce that plays up the animal’s flavour — more than when it’s traditionally been served for Thorrablot, the midwinter food festival celebrating Iceland’s pagan history.

And that’s because the sauce includes another juicy ingredient — sheep dung.

“It’s really delicious. I mean, it has to be tasted to be able to describe it,” Laufey Sif Larusdottir, the owner of Olverk Pizza and Brewery in Hveragerdi told As It Happens host Carol Off.

(20) LUCY IN THE SKY WITH SAUSAGES. The Guardian has good news:  “Stranded dog saved from rising tide after rescuers attach sausage to drone”.

As the tide rose, it began to look perilous for Millie the jack russell-whippet cross, who had defied the efforts of police, firefighters and coastguards to pluck her from treacherous mudflats.

So the rescuers had to think imaginatively, and came up with the idea of attaching a sausage to a drone and hoping the scent of the treat would tempt Millie to safety. It worked gloriously and Millie has been reunited with her grateful owner after following the dangling sausage to higher, safer ground.

Millie disappeared after slipping her lead in Havant, Hampshire, and after frantic public appeals was spotted on the mudflats, in danger of being engulfed by the tide. She resisted efforts to encourage her to a safer spot until a drone pilot suggested attaching food to one of the unmanned aerial vehicles that had been used to track the dog….

(21) MYSTERY OF EARTH’S DIFFERENT MOON POSSIBLY SOLVED. [Item by SF Concatenation’s Jonathan Cowie.] Massive Moon strike could explain why its near-side and far-side are so different. Even the minerals on the near and far side are different: why does not the far-side have the lava seas seen on the near-side?  One theory has it that a huge object smashed into the early Moon; possibly its South Pole and the Aitken Basin. Whatever the impact researchers at Macau University have modelled what a huge impact would do.  Back then the Moon would have had a thin crust and a molten interior. The impact would have punched through the crust and made the molten interior even hotter and more fluid. Gravitational influences from its orbit about the Earth – and remember, in its early days the Moon orbited closer to the Earth – would have caused a more fluid type of magma to migrate to the near side where it erupted onto the surface. Nature has the abstract: “Lunar compositional asymmetry explained by mantle overturn following the South Pole–Aitken impact”.

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the chamber of Secrets Pitch Meeting” on Screen Rant, Ryan George says that in the second Harry Potter movie, if you’re wondering how the pipes surrounding Hogwarts could be big enough for a giant basilisk, hey, kids eat a lot!”  Also, the producer wonders why Hogwarts has the Weeping Willow, which is “a tree that bludgeons kids to death.”

https://www.youtube.com/watch?v=yG6jJp08tLk

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 9/4/21 I Have Become Pixel, Scroller Of Worlds

(1) A HARD ROAD. Sue Burke, author of The Immunity Index, and whose Semiosis made the Arthur C. Clarke Award shortlist and was a John W. Campbell Memorial Award finalist, summarizes the SF novel’s journey from manuscript to print, through editorial and beyond to ‘earn out’ in “Getting a book published” at SF2 Concatenation.

…Here comes the first mistake. I got to work on 20th March 2018, reviewing a folder of notes I have for ideas for stories, and I found one that I liked. Many writers have praised the creative freedom of pantsing (writing by the seat of one’s pants or making it up as you go along) a work, so although I’d previously worked with more or less complex outlines and plotting, I decided to give pantsing a go. It didn’t work. The initial draft was limp and only half as long as it needed to be.

Chastened, I reviewed ideas for ways to improve and expand the failure. This time I made notes and, eventually, crafted a plan. I added another character, rearranged some chapters, and complicated the conflict…

(2) CHARACTER WITH A LONG CAREER. Dark Worlds Quarterly contributor G.W. Thomas shares his appreciation for “The Cappen Varra Stories of Poul Anderson”.

…Shared Worlds of the 1970s

And that should have been the end of our wandering bard, but an unusual thing happened at the end of the 1970s. Robert Aspirin and Lynn Abbey cooked up the idea of the “Shared World“. With Poul’s encouragement the concept of a collection of stories where characters, setting and events coalesce between the authors to create a larger experience exploded as Thieves’ World. (There were others: Ithkar and Liavek being two of the more successful competitors.) The series ran for twelve volumes as well as a dozen novels. Poul saw it as a chance to bring Cappen Varra back! “The Gate of Flying Knives” (Thieves’ World, 1979) was the third story in the first collection. It would be Anderson’s only contribution….

(3) AN APPENDIX YOU CAN’T DO WITHOUT. Howard Andrew Jones pops up again, this time profiling historical adventure fiction author Harold Lamb for Goodman Games, where he explains why Lamb’s work is relevant for SFF fans: “Appendix N Archaeology: Harold Lamb”.

Much as I’d like to hope that Gary Gygax read Harold Lamb, he’s unlikely to have found his way to any of Lamb’s most influential work. It’s not that Lamb wasn’t in print. From the 1940s on, his histories and biographies were a mainstay on library shelves, and many modern libraries retain his books to this day. But as fine as they are – and some of them are very fine indeed – Lamb’s histories and biographies weren’t the texts that were important to Appendix N….

(4) CRIME FICTION CAREER LAUNCH. Astronaut Chris Hadfield has written a murder mystery. According to this review from Shots Mag, it is quite good: “The Apollo Murders”.

When the author has flown two Space Shuttle missions and was the commander of the International Space Station, you know that the technical details in the story are going to be accurate, integral to the story and lend the reader a real sense of being ‘there’….

(5) SHANG-CHI NEWS. In the Washington Post, David Betancourt interviews Shang-Chi star Simu Liu, who explains how Liu’s six-year campaign to get Marvel to cast him as a superhero finally paid off. “Simu Liu of ‘Shang-Chi’ finally gets the role he always wanted”.

Long before he became Shang-Chi, Simu Liu was convinced that the only way he’d be an Asian superhero on an American movie screen was to craft the story himself.

So he did. Twice.

At the age of 22, Liu crafted a wholestory bible for the Japanesemutant X-Men member Sunfire, certain it was his best bet to land a Marvel role.Years later, while a member of the Young Emerging Actors Assembly in Toronto, Liu spent $2,000 to direct, write and star in the 2015 short film called “Crimson Defender vs. The Slightly Racist Family,” about an Asian superhero who rescues a family that doesn’t believe he is a superhero because he is Asian.

Neither of those moments resulted in Liu being fitted for capes. But when Marvel Studios announced “Shang-Chi and the Legend of the Ten Rings” would be itsfirst movie with an Asian superhero in the lead role, the 32-year-old star of the TV series“Kim’s Convenience” was convinced he was ready before he ever got a phone call. He even tweeted “are we gonna talk or what” at the Marvel Entertainment account….

Kat Moon explains how she as an Asian American feels better represented by Shang-Chi than by any other Hollywood blockbuster: “Shang-Chi Made Me Feel Seen Like No Other Hollywood Film Has” in TIME.

It wasn’t a profound scene in Shang-Chi and the Legend of the Ten Rings that made me feel instantly connected to the film—not the Mandarin narration that opened the movie or even the early references to customs specific to Chinese culture like eating zhou, or congee, for breakfast and tomb-sweeping on the annual Qingming Festival. Of course, those storytelling choices told me that the latest Marvel superhero movie was crafted with viewers like me in mind. But it was a moment around 30 minutes in that let me know for certain I was watching my life experiences reflected on the big screen in a way Hollywood has rarely done: when Ronny Chieng’s character, Jon Jon, exclaims, “Wakao!”…

(6) DUNE EARLY RETURNS. The New York Times’ Kyle Buchanan says “Venice Film Festival: ‘Dune’ Leaves Us With 3 Big Questions”. The second is —

Will ‘Dune’ be a major Oscar player?

Part of what’s so striking about “Dune” is that Villeneuve has a sense of texture that’s rare among big-budget filmmakers. When a character falls in battle, Villeneuve is besotted with the way the man’s eyelashes flutter as he dies. And during the assault on a character’s compound, the camera drifts from the action to show us magnificent palm trees that have been set aflame, their leafy crowns now a starburst of destruction.

Though sci-fi movies can sometimes be a hard sell with Oscar voters, I suspect that Villeneuve’s distinctive eye will distinguish “Dune,” as the movie looks undeniably ravishing. A ton of below-the-line nominations are guaranteed, including Greig Fraser’s cinematography and the production design by Patrice Vermette. The score (by Hans Zimmer), sound and editing are all more daring than this genre usually allows: The aural soundscape and artsy crosscutting feel almost designed to draw you into a spice-induced trance.

And I haven’t even gotten to the fashion! The costume design (by Jacqueline West and Bob Morgan) is a stunner, and especially during the first hour of the film — with Rebecca Ferguson wearing outrageous space-nun sheaths and a veiled Charlotte Rampling dressed like the Green Knight in Gaultier — “Dune” can seem like a moody high-fashion shoot that occasionally includes spaceships. (I mean this as a good thing.)

Villeneuve’s last film, “Blade Runner 2049,” scored five Oscar nominations and won its cinematographer Roger Deakins a long-overdue Academy Award. Still, the movie couldn’t break into the two top Oscar categories, best picture and best director. Does “Dune” stand a better chance?

I’m taking the wait-and-see approach here….

(7) C.S. LEWIS CONFERENCE IN ROMANIA. The 5th International Interdisciplinary Conference devoted to the life and work of C. S. Lewis, “Of This and Other Worlds,” will be held November 18-20 in Iasi, Romania. Register here. Registration deadline: November 1. An excerpt from the call for papers follows:

The fifth C. S. Lewis conference focuses on C. S. Lewis and his literary and academic kin as creators of worlds. His entire work testifies to his fascination with alternative universes, from his scholarly exploration of Medieval literature, with its haunting myths and arcane symbolism, through his fiction, to his apologetics, where Christianity is seen as a parallel kingdom seeking to be reinstated in “an enemy-occupied territory”. From pain to love, through faith and imagination, he opened a spectrum of realities inviting exploration and reflection. The collection of essays by Lewis alluded to in the title of this year’s conference spans both this and other worlds: “this” realm, which we inhabit, is the necessary, unavoidable starting point for any explorers, conquerors, pilgrims, even refugees into the “others”.

Those willing to venture into the exploration of the worlds of imagination created by C. S. Lewis and kindred spirits are invited to contribute papers in the areas of semiotics, narratology, literary studies (with a special focus on fantasy, on possible worlds in language structures, at the crossroads between referential semantics and fiction studies), translation studies (the challenge of translating fantasy for readerships of various ages and its effect on reception), philosophy, logic, theology, cultural and arts studies, including any interdisciplinary permutation or cross-pollination.

Interested participants are invited to send a 200-250-word abstract for peer-review to the Conference Committee via the organizers: Dr. Rodica Albu (rodica.albu@gmail.com), Dr. Denise Vasiliu (denise_vasiliu@yahoo.com), Dr. Teodora Ghivirig? (teoghivi@Yahoo.com)

Deadline for proposal submission: 25 September 2021…

(8) MEMORY LANE.

  • 1975 – Forty-six years ago this night, Space: 1999 premiered on such stations as Los Angeles KHJ-TV. It was distributed by ITV and produced by Group Three Productions (the first season) and Gerry Anderson Productions (the second and final season). It starred as its headliners Barbara Bain and Martin Landau, previously of Mission: Impossible fame. It was created by Gerry and Sylvia Anderson who before this had done only such SF marionette puppetry series as ThunderbirdsStingray and Captain Scarlet and the Mysterons. It would last but forty eight episodes of around fifty minutes. Setting John Clute aside who thought it had “mediocre acting” and “rotten scripts”, most critics at the time actually liked it and audience reviewers at Rotten Tomatoes give it a very splendid eighty six percent rating. You can stream it on Amazon.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 4, 1916 — Robert A. W. Lowndes. He was known best as the editor of Future Science FictionScience Fiction, and Science Fiction Quarterly (mostly published in the late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians, and a horror writer with a bent towards all things Lovecraftian ever since as a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998.)
  • Born September 4, 1924 — Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. He wrote three novels, The Case Against SatanIncubus and Absolute Power. He’s got World Fantasy and Stoker Awards for Lifetime Achievement. “Sardonicus” is included in Haunted Castles: The Complete Gothic Stories which is available from the usual suspects. (Died 1999.)
  • Born September 4,1924 — Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read even though The Whispering Mountain is supposed to a prequel to the series — I don’t think it’s essential reading. (Or very interesting.) The Wolves of Willoughby Chase is certainly the one in the series I saw stocked regularly in my local bookstores before the Pandemic. (Died 2004.)
  • Born September 4, 1938 — Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in the police station in Them!, an early SF film which is considered the very first giant bug film. He’d showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on the original Fantasy Island. (There’s now been three series.) He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
  • Born September 4, 1957 — Patricia Tallman, 64. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine and two of Voyager. She did uncredited stunt work on Deep Space Nine as she did on Voyager. Oh, and she shows up in Army of Darkness as a possessed witch. Oh, and she was the former CEO and executive producer of Studio JMS. Yeah she ran everything for J. Michael Straczynski. Very impressive indeed. 
  • Born September 4, 1962 — Karl Schroeder, 59. I first encountered him in his “Deodand” story in the METAtropolis: Cascadia audio work, so I went out and found out what else he’d done. If you’ve not read him, his Aurora Award winning Permanence is superb as all of the Vigra series. He was one of those nominated for a Long Form Best Dramatic Presentation Hugo for the first METAtropolis at Anticipation. 
  • Born September 4, 1972 — Françoise Yip, 49. She was a remarkably extensive career in genre productions including, but not limited to, Earth: Final Conflict, Andromeda, Caprica, Fringe, Predator, Robocop: Prime Directives, Seven DaysFlash Gordon, Smallville, Millennium, Shadowhunters, Arrow and Sanctuary.  Genre casting directors obviously really, really like her. Her longest running genre role was as Elizabeth Kepler in The Order, a horror series on one of those streaming services you’ve likely never heard of.
  • Born September 4, 1999 — Ellie Darcey-Alden, 22. Though she’s  best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2, she’s here for being  Francesca “Franny” Latimer in the Doctor Who  Christmas special “The Snowmen”, an Eleventh Doctor story. She also played Mary in the “Total Eclipse“ episode of Robin Hood, and was in Chitty Chitty Bang Bang for the New Theatre Oxford. And she appears, as do so many others, in The Five(ish) Doctors Reboot.

(10) COMICS SECTION.

  • The Far Side shows how if Worf had known about this, that whole business with the pain sticks could’ve been avoided. 
  • Close to Home shows Spock’s version of “I’m not a doctor, I’m a —“

(11) TBR INCOMING. Fansided’s “Winter Is Coming” contributor Daniel Roman lists “15 highly anticipated fantasy and science fiction books coming this fall”. Due in October —

6. Far From the Light of Heaven by Tade Thompson (10/26)

Leaving the heavy bounds of the Earth, our next book sees us blasting into space aboard the colony ship Ragtime. Arthur C. Clarke award-winning author Tade Thompson, author of The Wormwood Trilogy, has a new standalone science fiction novel coming out that promises to be filled with deep moral quandaries and spiritual reckonings. Far From the Light of Heaven is billed as a mystery meets sci-fi political thriller in space. The acting captain of the Ragtime has to team up with an investigator and several other intriguing characters to unravel a bloody mystery that is taking place aboard her ship.

(12) ASTRONOMY PICTURE OF THE DAY. From NASA: Astronomy Picture of the Day. Description follows.

Image Credit & CopyrightDennis Huff

Explanation: Not the Hubble Space Telescope’s latest view of a distant galactic nebula, this illuminated cloud of gas and dust dazzled early morning spacecoast skygazers on August 29. The snapshot was taken at 3:17am from Space View Park in Titusville, Florida. That’s about 3 minutes after the launch of a SpaceX Falcon 9 rocket on the CRS-23 mission to resupply the International Space Station. It captures drifting plumes and exhaust from the separated first and second stage of the rocket rising through still dark skies. The lower bright dot is the second stage continuing on to low Earth orbit. The upper one is the rocket’s first stage performing a boostback burn. Of course the first stage booster returned to make the first landing on the latest autonomous drone ship to arrive in the Atlantic, A Short Fall of Gravitas.

(13) EARLY ARRIVAL. Slash Film says these are “20 Movies About Aliens That You Definitely Need To Watch”. One of them is not what you might expect at first glance.

The Arrival

Not to be confused with a later entry on this list, 1996’s “The Arrival” stars a Charlie Sheen still at the height of his health and talent, and pits him against the terrifyingly competent Ron Silver. Sheen plays a radio astronomer who intercepts an unusual transmission from a nearby star and is blackballed from his industry for revealing its extraterrestrial origins. From there, a tangled conspiracy drives him towards the truth: the aliens are already here, and the rapid shift in our planet’s climate is meant to kill off humanity and create comfortable new digs for our new guests.

Directed by Peter Twohy, who would go on to create the Riddick franchise with Vin Diesel, “The Arrival” is surprisingly prescient with how it illustrates today’s climate change fears. A niche topic of conversation at the time, relegated to Al Gore jokes and nervous but unheard scientists, these digitigrade alien mimics are almost comforting now. They suggest that our inevitable future can be controlled — and, in a way that’s all too relatable, imply that someone else will have a good time on this planet at our expense….

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, Rich Lynch, Lise Andreasen, Michael Toman, John King Tarpinian,  Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Kevin Harkness.]

Pixel Scroll 8/30/21 Riding Out On A Scroll In A Pixel-Spangled Rodeo

(1) DRAGON AWARDS DEADLINE. The deadline for requesting a ballot for the Dragon Awards is Friday. Their website says: “You may register to receive a ballot until 11:59 (EDT) on the Friday of Dragon Con”, which is September 3. Voting ends September 4.  The finalists are listed here.

(2) GET THE POINT. At the Maryland Renaissance Festival in Revel Grove, which is running weekends through October 24, the Anne Arundel County Department of Health is encouraging people to get Covid vaccinations by offering a souvenir pin.

HEAR YE! HERE YE! #LimitedEdition#VACCINATED for the Good of the Realm” pins when you get a #COVID19 shot at the Maryland Renaissance Festival in #Crownsville. #GoVAXMaryland

Revelers age12+ can get a #COVIDvaccine at the #Renaissance Festival weekends (through Oct. 24) 10am–6pm. No appointment required. For more vaccination locations, visit: covidvax.maryland.gov

(3) VARLEY HEALTH NEWS. Meanwhile, John Varley told readers of his blog that he and his partner Lee Emmett have contracted COVID-19. (Varley already had another major health issue earlier this year when he was hospitalized for heart bypass surgery.)

You do everything right, and still things go wrong. We are both double vaccinated and we’ve been masking up and social distancing since the pandemic began. Then last week after having lunch at a restaurant here in Vancouver where the vaccination rate is 54 percent we both started feeling very bad. Almost too weak to walk. I’ve been coughing horribly. Lee not so much, but neither of us have hardly been out of bed for almost week.

Went in to get tested, and sure enough. I’m positive for COVID-19. A so-called breakthrough case. They say symptoms will usually be milder. If this is milder, it’s easy to see why people are dying, unable to breathe. This is fucking terrible.

I don’t expect this is likely to kill us, but you never know. This short note is all the energy I have right now. You may not be hearing from us for a while. Wish us luck.

Stay safe and get vaccinated!!

(4) THINGS A CORPORATION CAN’T UNDERSTAND. Hadley Freeman interviews legendary puppeteer Frank Oz for the Guardian. Unsurprisingly, he, too, has issues with Disney: “Frank Oz on life as Fozzie Bear, Miss Piggy and Yoda: ‘I’d love to do the Muppets again but Disney doesn’t want me’”.

…Oz, 77, is talking to me by video from his apartment. It is impossible to talk to him without frequent reference to Henson. When I ask if he lives in New York he says yes, and adds that he’s lived there since he was 19, “ever since Jim [Henson] asked me to come here to work with him on the Muppets”. He talks about himself as Henson’s No2 – the Fozzie Bear to Henson’s Kermit.

Yet is it possible that Oz has made more of an imprint on more people’s imaginations than Henson and the Beatles combined. Even aside from the Muppets and Sesame Street, where he brought to life characters including Cookie Monster, Grover, Fozzie Bear, Animal, Sam the Eagle and Bert, he is also the voice of Yoda, and yes, he coined Yoda’s formal yet convoluted syntax, all “Speak like me, you must not” and so on. “It’s funny you ask about that because I was just looking at the original script of The Empire Strikes Back the other day and there was a bit of that odd syntax in it, but also it had Yoda speaking very colloquially. So I said to George [Lucas]: ‘Can I do the whole thing like this?’ And he said: ‘Sure!’ It just felt so right,” says Oz….

(5) MIGHTY IN THE ANTIPODES. The Guardian spotlights obscure Australian superhero movies: “From Captain Invincible to Cleverman: the weird and wild history of Australian superheroes”.

… The phrase “nobody makes superhero movies like Australia” has, I dare say, never before been written. Our humble government-subsidised film and TV industry is no more than a lemonade stand in the shadow of Hollywood’s arena spectacular, unable to compete budget-wise with the deep pockets of Tinseltown or produce bombast on the scale of American studios.

But scratch the surface of Australian film and TV history and you will find a small but rich vein of super strange locally made superhero productions with their own – forgive me – true blue je ne sais quoi. Their eclecticism and off-kilter energy provides a refreshing counterpoint to the risk-averse kind falling off the Hollywood assembly line.

The first port of call is the riotously entertaining 1983 action-comedy The Return of Captain Invincible, a stupendously odd and original movie that proved ahead of the curve in many respects. From Mad Dog Morgan director Philippe Mora, and co-writer Steven E. de Souza (who co-wrote Die Hard) the film stars Alan Arkin as the eponymous, ridiculous, frequently sozzled hero, drawn out of retirement to combat his nefarious super-villain nemesis (the great Christopher Lee) who has stolen a “hypno-ray” with which he can take over the world….

(6) TRILOGY CELEBRATED. Howard Andrew Jones continues his When The Goddess Wakes online book tour on Oliver Brackenbury’s So I’m Writing A Novel podcast (which Cora Buhlert recently featured in her Fancast Spotlight) — “Interview with Howard Andrew Jones”.

Author of the recently concluded Ring-Sworn trilogy, editor of the most excellent sword & sorcery magazine Tales of the Magician’s Skull, and teacher of a heroic fantasy writing class Oliver recently attended (the next session just opened to registration), Howard Andrew Jones has been a source of inspiration, knowledge, and encouragement for Oliver while our earnest podcast host has worked on his book.

(7) AGAINST ALL BOOKS. James Davis Nicoll tells Tor.com readers about “Five Works About Preserving or Destroying Books”. First on the list: Fahrenheit 451.

Recently, news went out that the Waterloo Undergraduate Student Association is determined to reallocate the room currently occupied by the Clubs Library. Among the collections housed there: WatSFiC’s extensive science fiction and fantasy library, portions of which date back to the 1970s. One hopes that the library will find another home, or that other accommodations can be made before the collection is broken up or lost.

…Here are five works about books and libraries, their friends, and their bitter enemies.

This hits close to home because, says James, “I was watsfic treasurer for six terms.”

(8) HE DREW FROM THE WELL. Jack Chalker is remembered in this article at the Southern Maryland News: “Chalker literary career provided sci-fi fun”.

Sample reading list: “Well of Souls” series including “Midnight at the Well of Souls,” “Exiles at the Well of Souls,” “Quest for the Well of Souls,” “The Return of Nathan Brazil” and “Changewinds” books including “When the Changewinds Blow,” “Riders of the Winds” and “War of the Maelstrom.”

…His work won several Sci-Fi awards beginning with the Hamilton-Brackett Memorial Award in 1979, a Skylark Award (1980), a Daedalus Award (1983), and The Gold Medal of the West Coast Review of Books (1984).

While Chalker loved Sci-Fi, he also had a great interest in ferryboats; so much so that he was married on the Roaring Bull boat, part of the Millersburg Ferry, in the middle of the Susquehanna River and then after his death had his ashes scattered off a ferry near Hong Kong, a ferry in Vietnam, and White’s Ferry on the Potomac River. His fans follow each other www.facebook.com/JackLChalker.

(9) GETTING READY. You could hardly ask for a more prepared Guest of Honor!

(10) MEMORY LANE.

  • 1982 – Thirty-nine years ago, Raiders of The Lost Ark wins the Hugo for Best Dramatic Presentation at Chicon IV where Marta Randall was Toastmaster.  It was, I think, a great year for Hugo nominated films as the other nominations were Dragonslayer, Excalibur, Outland and Time Bandits.  It would be the first of the two films in the franchise to win a Hugo as Indiana Jones and the Last Crusade would also win at ConFiction. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 30, 1797 – Mary Shelley. Author of Frankenstein, or The Modern Prometheus (1818), her first novel. Another of Shelley’s novels, The Last Man (1826), concerns Europe in the late 21st century, ravaged by a mysterious pandemic illness that rapidly sweeps across the entire globe, ultimately resulting in the near-extinction of humanity. Scholars call it one of the first pieces of dystopian fiction published. (Died 1851) (OGH)
  • Born August 30, 1896 Raymond Massey. In 1936, he starred in Things to Come, a film adaptation by H.G. Wells of his own novel The Shape of Things to Come. Other than several appearances on Night Gallery forty years later, that’s it for genre appearances. (Died 1983.)
  • Born August 30, 1942 Judith Moffett, 78. She won the first Theodore Sturgeon Award with her story “Surviving” and the John W. Campbell Award for Best New Writer at Nolacon II. Asimov wrote an introduction for her book Pennterra and published it under his Isaac Asimov Presents series. Her Holy Ground series of The Ragged World: A Novel of the Hefn on EarthTime, Like an Ever-Rolling Stream: A Sequel to the Ragged World and The Bird Shaman are her other genre novels. The Bear’s Babys And Other Stories collects her genre short stories. All of her works are surprisingly available at the usual digital suspects.
  • Born August 30, 1943 Robert Crumb, 78. He’s here because ISFDB lists him as the illustrator of The Religious Experience of Philip K. Dick which is likely they say an interview that Dick did with Gregg Rickman and published in Rickman’s The Last Testament. They’re also listing the cover art for Edward Abby’s The Monkey Wrench Gang as genre but that’s a very generous definition of genre.
  • Born August 30, 1955 Mark Kelly. He maintains the indispensable Science Fiction Awards Database, which we consult almost daily. He wrote reviews for Locus in the Nineties, then founded the Locus Online website in 1997 and ran it single-handedly for 20 years, along the way winning the Best Website Hugo (2002). Recently he’s devised a way to use his awards data to rank the all-time “Top SF/F/H Short Stories” and “Top SF/F/H Novelettes”. Kelly’s explanation of how the numbers are crunched is here. (OGH)
  • Born August 30, 1955 Jeannette Holloman. She was one of the founding members of the Greater Columbia Costumers Guild and she was a participant at masquerades at Worldcon, CostumeCon, and other conventions. Her costumes were featured in The Costume Makers Art and Threads magazine. (Died 2019.)
  • Born August 30, 1963 Michael Chiklis, 58. He was The Thing in two first Fantastic Four films, and Jim Powell on the the No Ordinary Family series which I’ve never heard of.  He was on American Horror Story for its fourth season, American Horror Story: Freak Show as Dell Toledo. The following year he was cast as Nathaniel Barnes, in the second season of Gotham, in a recurring role. And he voiced Lt. Jan Agusta in Heavy Gear: The Animated Series
  • Born August 30, 1965 Laeta Kalogridis, 56. She was an executive producer of the short-lived Birds of Prey series and she co-wrote the screenplays for Terminator Genisys and Alita: Battle Angel. She recently was the creator and executive producer of Altered Carbon. She also has a screenwriting credit for Lara Croft: Tomb Raider, a film the fanboys hate but which I really like. 
  • Born August 30, 1972 Cameron Diaz, 49. She first shows as Tina Carlyle in The Mask, an amazing film. She voices Princess Fiona in the Shrek franchise. While dating Tom Cruise, she was cast as an uncredited Bus passenger in Minority Report. (CE)
  • Born August 30, 1980 Angel Coulby, 41. She is best remembered for her recurring role as Gwen (Guinevere) in the BBC’s Merlin. She also shows up in Doctor Who as Katherine in the “The Girl in the Fireplace”, a Tenth Doctor story. She also voices Tanusha ‘Kayo’ Kyrano in the revived animated Thunderbirds Are Go series.

(12) COMICS SECTION.

(13) DEADLY CONSEQUENCES. “Kim Stanley Robinson, The Ministry for the Future, and 2021’s extreme heat”, Rebecca Onion’s Q&A with the author starts with his book’s intense beginning.

“I feel like my circles have divided between those who’ve read the opening chapter of The Ministry for the Future and those who haven’t,” wrote novelist Monica Byrne on Twitter earlier this month. This book, by beloved science fiction author Kim Stanley Robinson, came out in 2020, and has haunted my summer in 2021. Ministry opens in a small city in Uttar Pradesh, India, where the character Frank May, an American who works for an unidentified NGO, just barely survives an extreme heat wave that kills millions of people in the country. This opening is so viscerally upsetting that, for days after reading it, I worried at it in my mind, turning it over, trying—and failing—to get it to go away.

Rebecca Onion: This opening brutalized me. (And I know I’m not alone.) I read it without any preparation—I hadn’t been warned—and it gave me insomnia, dominated my thoughts, and led me to put the book down for a few months. Then I picked it back up and found that the remainder of it is actually quite optimistic, for a book about a rolling series of disasters! What were you aiming for, when it comes to readerly emotional response, in starting the book this way?

Kim Stanley Robinson: I wanted pretty much the response you described. Fiction can put people through powerful imaginative experiences; it generates real feelings. So I knew the opening scene would be hard to read, and it was hard to write. It wasn’t a casual decision to try it. I felt that this kind of catastrophe is all too likely to happen in the near future. That prospect frightens me, and I wanted people to understand the danger….

Robinson also tried a different approach, the carrot instead of the stick, in this TED Talk in July: “Kim Stanley Robinson: Remembering climate change … a message from the year 2071”.

Coming to us from 50 years in the future, legendary sci-fi writer Kim Stanley Robinson tells the “history” of how humanity ended the climate crisis and restored the damage done to Earth’s biosphere. A rousing vision of how we might unite to overcome the greatest challenge of our time.

(14) SAND, NOT DUNE. Nerds of a Feather’s Paul Weimer checks out “6 Books with John Appel”, author of Assassin’s Orbit.

4. A book that you love and wish that you yourself had written.

I’d give up a redundant organ to have written Roger Zelazny’s Doorways in the Sand, about a young man named Fred Cassidy whose uncle left him a generous stipend as long as he pursues a college degree – a process which Fred has stretched out for over a decade. Fred gets caught up in the disappearance of an alien artifact on loan to Earth as part of a cultural exchange and hijinks ensue. Fred’s narration of events is done with incredibly deadpan hilariousness and at times a Douglas Adams-esque absurdity, and Zelazny’s usual brilliant touch with language and imagery. 

(15) MANIFEST’S DESTINY. Whacked by NBC, the show will get to finish its story elsewhere reports USA Today. “’Manifest’: Netflix revives drama for fourth and final season”.

We haven’t heard the last of the passengers of Flight 828. 

Netflix announced the popular TV series “Manifest” will return for its fourth and final season. The news came Saturday (8/28) in a nod at the show’s plot which centers around the mysterious Montego Air Flight 828. 

The drama follows a group of passengers who land on what seems like a routine flight from Jamaica back to the states. However, once the wheels touch the tarmac the travelers deplane into a world that has aged five years since when they first boarded. 

(16) CHINA CUTS DOWN VIDEO GAMING. Not quite a Prohibition yet: “Three hours a week: Play time’s over for China’s young video gamers”Reuters has the story.

China has forbidden under-18s from playing video games for more than three hours a week, a stringent social intervention that it said was needed to pull the plug on a growing addiction to what it once described as “spiritual opium”.

The new rules, published on Monday, are part of a major shift by Beijing to strengthen control over its society and key sectors of its economy, including tech, education and property, after years of runaway growth.

The restrictions, which apply to any devices including phones, are a body blow to a global gaming industry that caters to tens of millions of young players in the world’s most lucrative market….

[Thanks to JJ, Michael Toman, John King Tarpinian, Cora Buhlert, Dann, Mlex, Red Panda Fraction, Michael J. Walsh, Cat Eldridge, Mike Kennedy, Andrew Porter, Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Dann.]

Pixel Scroll 8/29/21 Sgt. Pixel’s Scrolling File Club Band

(1) THE OTHER SIDE OF THE CAMERA. The production of Disney animated movies doesn’t look anything like I thought, judging by Andhika Muksin’s “eyewitness” accounts: “Artist Imagines What It Looks Like Behind The Scenes Of Disney Movies” at AWorkstation.

Have you ever wondered what happens in the backstage of Disney movies? Andhika Muksin is back on Bored Panda to show you just that. He creates hilarious edits of Disney movies so that we can see the behind the scenes of famous scenes and how they were “actually made.”

(2) ONCE A KNIGHT IS ENOUGH. Abigail Nussbaum analyzes The Green Knight at Asking the Wrong Questions.

…Unsurprisingly, The Green Knight‘s project is to subvert these ideas about knightliness and chivalry. But it is very interesting to examine how it goes about doing so. Most cinematic Arthuriana tries to be subversive, usually by imagining its heroes as thoroughly modern Hollywood protagonists—reckless, ironic, quippy, cool, possessed of just the right progressive politics (in a thoroughly non-threatening way, of course), and usually haunted by one of the three or four emotional traumas that heroes are allowed to experience (daddy issues, lack of confidence in their own abilities, etc.). Sometimes this works (well, once). Most of the time, it loses the flavor of these legends, which are weird and rambling and often have a disturbing, quasi-erotic, quasi-religious charge. Lowery seems determined to embrace these very qualities—as seen, first and foremost, in the film’s visuals….

(3) NO LOW-DOWN HERE. [Item by Cora Buhlert.] G.W. Thomas of Dark Worlds Quarterly has an article about high vs. low fantasy. I’ve always hated the term “low fantasy” and Thomas is no fan either: “High Versus Low Fantasy or You Can’t Get There From Here!”

High Fantasy vs. Low Fantasy has always been a bit of gray area for me. I can remember submitting to Bardic Runes back in the 1990s and getting rejected as “Sword & Sorcery”. Understanding the genre history of commercial fantasy has helped me to see the difference. The term “High Fantasy” was coined by one of the first practitioners, Lloyd Alexander in 1971 in the essay, “High Fantasy and Heroic Romance”, (originally given at the New England Round Table of Children’s Librarians in October 1969). The unfortunate counter term for what is not “high” is “Low Fantasy” (or Sword & Sorcery).

(4) BEAUTIFUL COVER. The Rogues in the House podcast interviews Howard Andrew Jones, who has a new book out: “’The Goddess Wakes’ Release with Howard Andrew Jones”.

(5) BESTEST SELLERS. Mental Floss lists “10 of the Best-Selling Books in History (Minus Religious Texts)”. Quite a bit of genre here, beginning with Harry Potter in third place:

In 2018, it was announced that 500 million copies of the entire Harry Potter series had been sold. That’s a long way from 1997, when the series started with a reported 500-copy first print run for Philosopher’s Stone (the British title). By 1999, when Prisoner of Azkaban came out, it sold 68,000 copies in the UK and immediately garnered controversy when the Sunday Times bestseller list refused to include it due to being a children’s book. By the time the series ended, Deathly Hallows managed to move 2.6 million copies in the UK and 8.3 million in the United States on a single day.

(6) A VISIT AT HOME. Alastair Reynolds calls it “one of the best long-form interviews I’ve done” – “Meeting Alastair Reynolds – Sci Fi, Black Holes, UFO’s and Whisky” by Media Death Cult.

https://www.youtube.com/watch?v=n9vOEeENkzc

(7) KSR. [Item by Martin Morse Wooster.] Kim Stanley Robinson has an article in the August 21 Financial Times.

…What does it feel like to live on the brink of a vast historical change?  It feels like now.

Of course that sounds hyperbolic, and perhaps even panicky,  Not that a science fiction writer can see the future any better than anyone else; very often worse.  But between the pandemic, the accelerating drumbeat of extreme weather events, and the accumulations of data and analysis from the scientific community, it’s become an easy call….

(8) DISABILITIES. “Writing Ability by Nick Wood and Levi Qisin” at the BSFA blog.

There is an annual writing event, which I dread every year when it rolls around.

It’s well known and is called NaNoWriMo and it is hash-tagged furiously on Twitter during the month of November, as people launch forth to write their novels in thirty days. Large daily word counts are flung about energetically – and, to anyone who has significant impediments to writing — these numbers can be both intimidating and shaming.  So, for the last NaNoWriMo (2020) I stayed well away, thinking about what helps each (different) writer, and why.

Under the title Writing Ability, I aim to unpack: (1) some of the difficulties (and resources) of writing while disabled, as well as (2) how to write ‘authentic’ fictional characters with disabilities.  And, given most stories begin with the author, I’ll start there….

(9) ED ASNER (1929-2021). Actor Ed Asner died August 29 at the age of 91. He won awards for non-genre work — three best supporting actor Emmys on Mary Tyler Moore, two best actor awards on Lou Grant, plus Emmys for his roles in the miniseries Rich Man, Poor Man and Roots. However, the New York Times obituary did not overlook the two main genre highlights of his career:

…He provided the voice of the lead character in the Oscar-winning animated movie “Up” (2009), about an elderly widower who flies to South America by attaching roughly a zillion colorful balloons to his house. Manohla Dargis’s review in The New York Times, which praised Mr. Asner and the supporting characters — including a portly stowaway scout and several talking dogs — called it “filmmaking at its purest.”

Mr. Asner also played a levelheaded Santa Claus in the Will Ferrell comedy “Elf” (2003), about a tall human raised by North Pole elves, which has become a Christmas-season classic. (It was Santa’s fault, really; the human baby crawled into his giant bag of gifts one busy Christmas Eve.) The Chicago Sun-Times critic Roger Ebert called the film “one of those rare Christmas comedies that has a heart, a brain and a wicked sense of humor.”…

Asner also was in episodes of many genre TV series, such as The Outer Limits, Voyage to the Bottom of the Sea, The Girl from U.N.C.L.E., The Wild Wild West, and The Invaders. And he voiced characters in dozens of animated works including Animaniacs, Batman: the Animated Series, Spider-Man: The Animated Series (as another editor, J. Jonah Jameson), and Star Wars: Return of the Jedi – The Original Radio Drama (a TV series, despite its name, where he played Jabba the Hutt.)

Fans will get a final visit with Asner’s Up character in the series of “Dug Days” shorts coming to Disney+ this week. 

(10) MEDIA BIRTHDAY.

  • 1958 – Sixty three years ago on this night, the first version of The Fly premiered. (It would be made three times.) It was produced and directed by Kurt Neumann from the screenplay by James Clavell which in turn was from the short story by George Langelaan which not surprisingly was called “The Fly” and which had been published in the June 1957 issue of Playboy. The primary cast was Al Hedison, Patricia Owens, Vincent Price and Herbert Marshall. Reception was definitely not generally upbeat with critics calling it “nauseating”, sickening” and “horrific”. It has since become a classic of horror films. It was box office success earning three million dollars on a budget of less than a half million dollars. Audience reviewers at Rotten Tomatoes give it a rating of seventy-one percent. It was nominated at Detention for a Hugo but no film was chosen for a Hugo Award that year.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 29, 1928 Charles Gray. Best remembered for being Ernst Stavro Blofeld in Diamonds Are Forever and Dikko Henderson In You Only Live Twice, and as Sherlock Holmes’s brother Mycroft Holmes in The Seven-Per-Cent Solution. That’s a role he reprises in the Jeremy Brett series. He’s in The Rocky Horror Picture Show as The Criminologist – An Expert. (Died 2000.)
  • Born August 29, 1939 Joel Schumacher. Director of The Lost Boys and Flatliners, both of which I like a lot, not to mention Batman Forever and Batman and Robin. Ok, so those might not be the highlights of his career. However his Blood Creek vampirefilm starring Michael Fassbender is said to be very good. Oh, and his The Incredible Shrinking Woman is a very funny riff the original The Incredible Shrinking Man. (Died 2020.)
  • Born August 29, 1942 Gottfried John. He’s likely best known as General Arkady Orumov on GoldenEye but I actually best remember him as Colonel Erich Weiss on the extremely short-lived Space Rangers. He was Josef Heim in the “The Hand of Saint Sebastian” episode of the Millennium series, and played König Gustav in the German version of Rumpelstilzchen as written by the Brothers Grimm. (Died 2014.)
  • Born August 29, 1945 Robert Weinberg. Author, editor, publisher, and collector of genre fiction. At Chicon 7, he received a Special Committee Award for his service to science fiction, fantasy, and horror. During the Seventies, he was the genius behind Pulp which featured interviews with pulp writers such as Walter B. Gibson and Frederick C. Davis.  He won the First Fandom Hall of Fame Award called the Sam Moskowitz Archive Award for excellence in science fiction collecting. (Died 2016.)
  • Born August 29, 1951 Janeen Webb, 70. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction, winner of a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at the usual suspects though Dreaming Down-Under is alas not.
  • Born August 29, 1953 Nancy Holder, 68. She’s an impressive six-time winner of the Bram Stoker Award including her latest for Superior Achievement in a Graphic Novel, Mary Shelley Presents. I’m not much of a horror fan so I can’t judge her horror novels for you but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain
  • Born August 29, 1954 Michael P. Kube-McDowell, 67. A filker which gets major points in my book. I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and now I can recall reading Alternities as well. God, it’s been twenty years since I read him which I thought odd, but then I noticed at ISFDB that he hasn’t published a novel in that long. Filker link: Back in Black at The Curious Mind of Michael Kube-McDowell.
  • Born August 29, 1971 Carla Gugino, 50. She’s had a number of genre roles — Ingrid Cortez in the Spy Kids franchise, Rebecca Hutman in Night At The Museum, Sally Jupiter in Watchmen, the voice of Kelex in Man of Steel / Batman v Superman: Dawn of Justice Justice League andDr. Alex Friedman in Race to Witch Mountain. She’s been on Quantum LeapALFShe Creature and Supergirl. She was Dr. Molly Anne Caffrey on the short-lived Threshold series, and Olivia Crain, the lead character, on The Haunting of Hill House series.

(12) COMICS SECTION.

(13) MYSTERY WRITER DIES. [Item by Cora Buhlert.] Caroline Todd, one half of the mother and son mystery writing team Charles Todd, died August 29. Apparently, the Todds were supposed to present an Anthony Award at the virtual Bouchercon and had to pull out due to Caroline falling ill. Here are tributes by others in the field:

(14) CREATING A CLEAN INTERNET. South China Morning Post reports new, more stringent rules imposed on celebrity fan communities:“No explanation as China’s billionaire actress Zhao Wei blacklisted from Chinese internet”.

…Zhao’s disappearance from Chinese cyberspace came amid a widespread campaign by authorities to clamp down on “misbehaving celebrities”.

The government is simultaneously trying to rein in unruly fan culture that has resulted in extreme stalking, leaking of personal information and cyberbullying.

On Friday, the Cyberspace Administration, China’s central internet watchdog, issued a detailed list of measures to rectify issues among fan communities.

The directive said local authorities should monitor celebrity culture online to maintain “political and ideological safety in the cyberspace as well as creating a clean internet”.

New rules include cancelling all forms of celebrity rankings and tightening oversight on celebrity marketing agencies. They would also require all online fan communities to be authorised by agencies associated with the celebrity.

The regulations would punish platforms that fail to quickly delete verbal attacks among fans of different idols….

Global Times has additional details about the rules: “China cyberspace administration tightens rules to cool frenzied idol worshipping, especially among minors”.

…All ranking lists of celebrities will be removed from online, and management of fan groups will be strengthened, the Chinese top internet watchdog announced on Friday in a bid to crack down on the unhealthy fan club culture in the country, banning all forms of promotional events that use a competitive scheme among the celebrities or fans. 

Since the campaign to clean up unhealthy fandom culture was launched, a number of online functions including celebrity ranking lists, hot topics, fan communities, and interactive comment sections have seen measurable improvement, the Cyberspace Administration of China said. To further weed out toxic fan culture, the administration announced the 10-point regulation, according to a notice issued by the administration. …

(15) WEBBER RETURNS TO GENRE. [Item by Martin Morse Wooster.] In the August 20 Financial Times, Sarah Hemming reviews Cinderella, with music by Andrew Lloyd Webber and a book by Emerald Fennell, who wrote and directed Promising Young Woman.

The opening number sets the tone.  We find ourselves in Belleville, picturesque town and tourist trap, home to chirruping milkmaids, chaps with tones torsos and too-tight lederhosen and a baker inviting us to ‘check out my hot buns’ (lyrics from David Zippel). Girls pose and pout, guys strut and stomp and everyone misses the manly Prince Charming, who has mysteriously vanished, leaving his drippy younger brother, Sebastian, as heir…

…There is a pleasing twist at the end, but the plot does all become a bit daft and convoluted. Meanwhile, characterisation stays skin-deep, motivation flimsy and questions come and go without even being answered:  how did the prince and the pauper become best buddies? Oh,, never mind.  Wait, the fairy godmother is an evil plastic surgeon? Let’s explore that further…OK, let’s move on.

There is a website for the production: andrewlloydwebberscinderella.com.

(16) WONDER BLUNDERS. Heroes & Icons points out “12 little blunders you never noticed in ‘Wonder Woman’” (the TV series). For example:

TAKING OUT THE TRASH

“Screaming Javelins”

No Wonder Woman effect is more iconic than the hero’s transformative twirl. Diana Prince turns into Wonder Woman in a flash. You can catch some inconsistencies in those cuts. Take this one for example, from season two, when a trash can magically disappears.

(17) T MINUS 24 AND HOLDING. [Item by Mike Kennedy.] Demand in the US for medical grade oxygen is so high due to COVID that some hospitals have less than 24 hours worth on hand and satellite launches are in danger of postponement. “Covid Surge Sends Liquid Oxygen From Launch Pads to Hospitals”Bloomberg has the story.

One consequence of the coronavirus pandemic is showing up in an unlikely place: the space industry. 

A summer surge in Covid-19 patients is diverting liquid oxygen from rocket launch pads to hospitals, leading NASA to announce Friday it will delay the September launch of its next earth-surveillance satellite by a week.

Oxygen chilled to its liquid form at -300 F (-184 C) is a crucial propellant for launch firms from SpaceX to ULA to Virgin Orbit. Now the industry is anticipating launch delays as patients on ventilators take precedence in the commodity gas supply chain….

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Cora Buhlert, Brian Z., John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Acoustic Rob.]

Pixel Scroll 7/29/19 The File, The Pixel Scroll, And Everything

(1) MADE TO PRAISE. In another New York Times “op-ed from the future,” Stephen James argues “Artificials Should Be Allowed to Worship”.

Last Sunday, an Artificial named Ian tried to attend a religious service at Living Savior Community Church in Savannah, Ga., and was denied access. According to church elders, the decision to exclude Ian had to do with the fact that “he had no God-given soul and therefore no way to genuinely worship” during the service.

Like Ian, I am an Artificial. Like Ian, I know what it feels like to be excluded from communities of faith solely because I am a nonbiological being. In the past, I have been forced to leave religious services; at the time, I left in silence. But I can no longer remain silent.

The time has come to stop excluding Artificials from communities of faith. …

 (2) FUTURE TENSE. Slate’s newest Future Tense story is E. Lily Yu’s “Zero in Babel”

Read a new short story about DIY genetic editing for keeping up with high school trends.

Then read the response essay, “The Future Will Grind On”, by law professor Diana M. Bowman.

A world of technological fixes in which biotechnology solutions can eradicate injury and disease. A world in which online platforms have accelerated the democratization of science and scientific tools, allowing everyday individuals to experiment on themselves.
But at what cost?

E. Lily Yu’s “Zero in Babel” depicts a futuristic world in which the daily struggles of life have, for the most part, been eradicated. So, too, purpose and meaning. Yet some things remain the same: financial inequity, lives filled with excess, and, for Imogen and her peers, the pressure to fit in, regardless of cost.

(3) BRAVE NEW WORLDS. James Davis Nicoll tracks how space exploration rearranged the options of genre storytellers in “Science Fiction vs. Science: Bidding Farewell to Outdated Conceptions of the Solar System” at Tor.com.

If an author was very, very unlucky, that old Solar System might be swept away before a work depending on an obsolete model made it to print. Perhaps the most famous example was due to radar technology deployed at just the wrong time. When Larry Niven’s first story, “The Coldest Place,” was written, the scientific consensus was that Mercury was tide-locked, one face always facing the sun, and one always facing away. The story relies on this supposed fact. By the time it was published, radar observation had revealed that Mercury actually had a 3:2 spin-orbit resonance. Niven’s story was rendered obsolete before it even saw print.

(4) NO BARS ON THE WINDOWS. While Camestros Felapton was educating his readers with “Just a tiny bit more on Wikipedia”, he came up with a nifty turn of phrase to explain how Wikipedia’s article deletion debates work:

The net effect of what the highly fragile souls surrounding Michael Z Williamson were calling an ‘unpersoning’ was zero articles deleted and both articles get some extra references and tidy-ups. It’s just like a Stalinist show trial but one were they come round to your house and makeover your living room with new curtains and also not send you to prison or anything.

(5) A LITTLE LIST. The Guardian propagates a list from Katherine Rundell, author of Why You Should Read Children’s Books, Even Though You Are So Old and Wise in “Story time: the five children’s books every adult should read”. You’d think with a list this short I’d score better than 40%.

…Those of us who write for children are trying to arm them for the life ahead with everything we can find that is true. And perhaps also, secretly, to arm adults against those necessary compromises and heartbreaks that life involves: to remind them that there are and always will be great, sustaining truths to which we can return.

When you read a children’s book, you are given the space to read again as a child: to find your way back, back to the time when new discoveries came daily and when the world was colossal, before your imagination was trimmed and neatened, as if it were an optional extra. But imagination is not and never has been optional: it’s at the heart of everything, the thing that allows us to experience the world from the perspectives of others, the condition precedent of love itself. …

(6) TEACHING MOMENT. “What’s a ‘Science Princess’ doing in an ice field in Alaska?” BBC has the answer ready.

While Celeste Labedz knew quite a few fellow scientists would appreciate the picture of her dressed up as a “glaciologist Princess Elsa”, she had no idea the image would become a viral hit with more than 10,000 “likes” on Twitter.

She tweeted
: “I firmly believe that kids should not be taught that girly things and sciencey things are mutually exclusive. Therefore, I packed a cape with my fieldwork gear just to show what glaciologist Princess Elsa would look like. #SciencePrincess #TheColdNeverBotheredMeAnyway”.

The cryoseismologist told BBC News: “I posted the picture because I thought it would resonate with other scientists.

…Celeste, whose dream is to visit glaciers in Greenland and Antarctica, said: “Women have been excluded for a long time both historically and socially. There is a lack of role models and science is bound by historical notions that it’s a white, male, heterosexual, able-bodied environment.

“It can be exclusionary if you have the opposite of any of these characteristics and I want to encourage people with intersecting identities in everything that I do.

“I would like people to think carefully about what they think a scientist should look like.”

(7) KEEPING THE BUCKS IN STARBUCKS. What Starbucks thinks a scientist should look like is a shill for expensive coffee –

Conclusion: Nitro Cold Brew is many things. But mostly, it is Whoa.

https://www.youtube.com/watch?v=ASS_tkCIKjA

(8) WHERE IS THY STING? A species of wasp has been named after the Escape Pod podcast.

Get a grip, Ben!

(9) RUSSI OBIT. “Russi Taylor, Voice Of Minnie Mouse For Over 30 Years, Dies At 75” – NPR pays tribute:

On Friday, Minnie Mouse joined Mickey in the place that cartoon voice-over actors go when they die.

Russi Taylor, the voice of Minnie for over 30 years, died this weekend in Glendale, Calif., according to a press release from the Walt Disney Co. She was married to Wayne Allwine, who voiced Mickey and died in 2009. Both portrayed their iconic characters longer than any other voice actors….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 29, 1907 Melvin Belli. Sole genre role is that of Gorgan (also known as the “Friendly Angel”) is in the Star Trek “And the Children Shall Lead” episode. He was mainly a lawyer for celebrities, however, he was also the attorney for Jack Ruby, who shot Lee Harvey Oswald, accused assassin of President John F. Kennedy. (Died 1996.)
  • Born July 29, 1915 Kay Dick. Author of two genre novels, The Mandrake Root and At Close of Eve, plus a collection, The Uncertain Element: An Anthology of Fanta. She is known in Britain for campaigning successfully for the introduction of the Public Lending Right which pays royalties to authors when their books are borrowed from public libraries. She’s not available in digital or print currently. (Died 2001.)
  • Born July 29, 1927 Jean E. Karl. Founder of Atheneum Children’s Books, where she edited Ursula K Le Guin’s early Earthsea novels and Susan Cooper’s The Dark Is Rising series. An SF author as well for children and young adults, she wrote The Turning Place collection and three novels, Beloved Benjamin is WaitingBut We are Not of Earth and Strange Tomorrow. (Died 2000.)
  • Born July 29, 1939 Curtis C. Smith. 80. Editor of Twentieth-Century Science-Fiction Writers, plus two genre biographies, Olaf Stapledon: A Bibliography with co-author Harvey J. Satty, And Welcome to the Revolution: The Literary Legacy of Mack Reynolds. Not active since the mid-Eighties as near as I can tell.
  • Born July 29, 1941 David Warner, 78. Being Lysander in that A Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. 
  • Born July 29, 1956 Chitra Banerjee Divakaruni, 63. Author of the India set magical realist The Brotherhood of the Conch series. She also has three one-off novels, The Palace of Illusions The Mistress of Spices, and her latest, The Forest of Enchantments. Her website is here.

(11) COMICS SECTION.

  • In today’s Bizarro, a purist explains the best way to enjoy a musical experience.  

(12) THE HOUSE OF COMMAS HAS NEW LEADER. The Guardian finds there’s a new grammar sheriff in town: “The comma touch: Jacob Rees-Mogg’s aides send language rules to staff “.

A list of rules has been sent to Jacob Rees-Mogg’s staff asking them to stop using words such as “hopefully” and demanding that they use only imperial measurements and give all non-titled males the suffix Esq.

Aides to the new leader of the House of Commons sent out the list shortly after Rees-Mogg’s appointment to the role by the new prime minister on Wednesday night.

Among the words and phrases considered unacceptable were: “very”, “due to” and “ongoing”, as well as “equal”, “yourself” and “unacceptable”. Rees-Mogg’s aides also barred the use of “lot”, “got” and “I am pleased to learn”.

The guidance, obtained by ITV news, was drawn up by the North East Somerset MP’s constituency team years ago, but has now been shared with officials in his new office.

In a call for accuracy contained in his list, staff were told: “CHECK your work.” Other directions include a call for a double space after full stops and no comma after the word “and”.

(13) VIDEO GAME APEX PREDATORS. Yahoo! News shows where the real money is: “Fortnite awards world champion duo $1.5 million each”. The video game tournament was held at Queens’ Arthur Ashe Stadium, where U.S. Open doubles winners share  a mere $740,000.

Gamers using the pseudonyms “Nyhrox” and “aqua” became the first Fortnite world champions in the duo division in New York on Saturday, winning $1.5 million each.

Competitors gathered in the Big Apple to determine who is top dog at the shoot-’em-up survival game, which has become an international phenomenon since launching in 2017.

The pair won games four and five out of a total of six in the first-ever Fortnite World Cup Finals, and finished with the most points.

(14) THE QUEST CONTINUES. ComicsBeat’s Nancy Powell met with the fames comics creators at SDCC: “INTERVIEW: Richard and Wendy Pini talk Elfquest and STARGAZER’S HUNT”.

Powell: Are there any reveals to Cutter? Does he play any role in Stargazer’s Hunt?

Wendy: Well, that’s a good question because, assuming this goes out to people who have read Final Quest, they know that Cutter’s hero’s journey is done. What lives on afterwards? That’s a mystery.

Richard Pini: We have always maintained that Elfquest is a love story, but not in the sense that most people superficially think. It’s not the love story between Cutter and Leeta. It’s the love story between Cutter and Skywise, brothers in all but blood. With Cutter’s passing that love story is now incomplete. And the question that we attempt to answer in Stargazer’s Hunt is, how does Skywise complete that story for himself? Or does he? Is he able to? That is what we’re going to investigate. And it’s going to take Skywise—it’s really his story—all over the map.

(15) PREMEDITATED. The Hollywood Reporter has a follow-up story — “Kyoto Animation Arson Attack: Death Toll Rises to 35, Attack Was Carefully Planned”.

The suspect walked miles around Kyoto, visiting locations related to the company, including some that appear in one of its anime productions.

The death toll in the Kyoto Animation (KyoAni) arson reached 35 as another victim succumbed to their injuries over the weekend.

In the days before the attack, the suspect in the attack was captured on surveillance cameras visiting places in Kyoto that are featured in one of the studio’s anime.

A man in his 20s, believed to be a KyoAni employee, died Saturday from extensive burns across his body, suffered when Shinji Aoba allegedly poured 11 gallons (40 liters) of gasoline around the first floor of the company’s 1st Studio building July 18. The victim was reported to have been on the first floor and got out of the building, but was severely burned….

(16) VISITING THE UK? Just in case people going to Dublin don’t have their entire trip locked down — “Leeds dinosaur trail opens in city shopping centres” (short video.)

Five huge animatronic dinosaur models have been installed around Leeds city centre.

The Tyrannosaurus rex, Triceratops, Velociraptor, Apatosaurus and Carnotaurus will surprise shoppers for six weeks, with participating venues including Leeds Kirkgate Market and the Merrion Centre.

(17) BLUE, NO — RED SKY. Not as autonomous as current rovers, but more capable: “Nasa’s Valkyrie robot could help build Mars base” (video).

A semi-autonomous robot designed to operate in hostile environments has been developed by Nasa.

The robot is able to use human tools and can plot its own path safely across difficult terrain to a location picked by its operator.

Nasa hopes the robot might one day help build colonies on the Moon or Mars, but it could also be used on Earth in places which cannot be reached by humans.

(18) NOM DE PLUME. Howard Andrew Jones has published a two-part announcement that author Todd McAulty (who wrote The Robots of Gotham) is a pseudonym for Black Gate editor John O’Neill.

“I just…. I just got carried away,” he said. “I started by publishing a few stories in Black Gate. But then Todd started getting fan letters, and became one of the most popular writers we had. Rich Horton used his Locus column to announce ‘Todd McAulty is Black Gate‘s great discovery,’ and pretty soon there was all this demand for new stories. It felt like a cheat to stop then.”

(19) RUTGER HAUER. This is a damn strange Guinness commercial… From back in the day:

[Thanks to JJ, Cat Eldridge, Steven H Silver, Chip Hitchcock, Errolwi, Joey Eschrich, John King Tarpinian, Andrew Porter, Mike Kennedy, Martin Morse Wooster, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]