Point and Counterpoint: Two Opinions on Penguicon’s Statement on Safety

UPDATE AND CORRECTION. Chris Barkley has issued an apology for an error in an earlier version of this article.

To File 770 Readers,

I owe an apology to Leslie Varney and to you my editor Mike Glyer; I erroneously reported that Leslie Varney wrote her email to the Penguicon Board of Directors BEFORE the convention, when in fact, she clearly stated in her statement to me is was AFTER the convention here:

Varney: “I sent an email to the committee after this year’s convention, inquiring whether there would be a statement from Penguicon to provide clarification on the reasons for disinviting Mr. Tomlinson.”

In my haste to report on this story, I overlooked this essential fact in the editing process. 

I offer this apology because the fault was mine and mine alone. I will strive to do better in my future endeavors…

[EDITOR’S NOTE: The article has been revised to reflect the correct order of events.]


By Chris M. Barkley: Yesterday afternoon, the Penguicon Board of Directors issued an email statement on safety at the convention. And I immediately thought I knew the reason. I had made inquiries into why Wisconsin-based sff writer Patrick Tomlinson was summarily barred from attending the annual convention this year, an action the directors allegedly took because of accusations in an email sent to them by Seattle-based literary agent Leslie Varney. Surely, I received an email blind carbon copy because I did that.  

This statement comes in the wake of the convention’s annual board meeting, which was held on June 24, two months since the annual Penguicon convention held in Ann Arbor, Michigan. Penguicon markets itself as both a sf/open-source computer convention. But neither Tomlinson nor Varney are mentioned in the statement.

Jun 27, 2024, 12:28 PM

Penguicon Board of Director’s Statement

Greetings,

As an organization created for and by the community it serves, it’s our priority to create as safe a space as possible for all who join us at our events. We want to ensure attending members who are from minority groups that are generally under-represented in spaces like ours find a welcoming environment at Penguicon. To our deep regret and dismay, this year, we made decisions as an organization that played a role in those folks feeling unsafe at the convention, and we have to own that and do better in the future.

Due to how our convention has operated since inception and the desire to empower each year’s volunteers, the Board of Directors is intentionally not involved in day-to-day event planning operations. Thus, they may not be aware of issues before they present a problem. Every volunteer from the bottom to the top is an unpaid community member with outside responsibilities, not a professionally paid event organizer. Thus far, this has served our community-run convention well. We each learn and grow as we produce the event together and frequently change positions with others who step forward, including at the Board level. Sometimes, that dynamic interferes with passing along institutional memory and timely guidance, and we must find ways to work better as a team. We want to apologize to anyone impacted and hope those who decided not to attend Penguicon at the last minute this year will consider us again in the future.

It also must be said that over the years, we have occasionally removed people from our events or prevented people from attending when we think it’s appropriate to safeguard our community. This is one of the few actions we can take as an organization that has never hired security to police our attendees. We reserve the right to refuse entry, as listed in our code of conduct, because providing a minimum of care for our fellow attendees is essential.

However, we are not a court of law or professional investigators. We do not officially comment on conduct issues unless absolutely necessary to protect those who report conduct from retaliation.

Unfortunately, that does mean we have to allow people to present their case to the community without retort, even when the incidents, facts, people involved, and timing are entirely incorrect. We would rather our reputation suffer than to put others at risk, and we will not exploit our attendees for posturing, pride, or profit.

We must make choices based on the information we have as a small part-time volunteer organization. The Board wants to assure our community that we work hard with our Operations team to verify information that we take action on to the best of our abilities, to consider contradictory or maliciously presented information for its worth, and seek out multiple sources, witnesses, prior complaints, or points of evidence that point in the same direction.

We will always choose to inconvenience one person to provide safety to the whole. We would rather see the organization cease to exist than allow genuine harm to come to our fellow community members through our actions or inaction. We try to reflect that value in our decisions.

Penguicon is an incredible, unique, and diverse community full of talented, generous, kind people who build the con from the ground up every year. Our most important job as temporary stewards is to safeguard the community’s ability to share their knowledge, art, and joy with each other.

Sincerely,

The Penguicon Board of Directors
https://penguicon.org/news/penguicon-board-of-directors-statement/

When this statement was issued, the initial reactions on Penguicon’s Facebook page were mixed between bewilderment and confusion:

  • “I’m not sure what I’m meant to take away from this statement.” Joe Saul
  • “I agree. I don’t understand the point of putting out a statement that raises many more questions than it answers.” Dave Hogg
  • “IYKYK. I don’t, but I support the board, staff, and volunteers of Penguicon.” Misha Tuesday
  • “I’d love to know what any of this is about.” Grant Root

Jessica Smith, the Facebook page administrator, wrote in response to Joe Saul: ”Nothing other than to know this is a value statement that we needed to craft and felt we should share it with our community.”

Ms. Leslie Varney has stated that she sent an email to the Penguicon Convention Committee after this year’s convention, outlining various allegations against Mr. Tomlinson; actions, such as insulting women, minorities and intimidating writers at conventions. When asked for comment about the statement, she wrote in an email to me the following:

This reads to me as a very strong commitment to the safety of Penguicon’s attendees, and I absolutely cannot fault them for that, especially with their emphasis on historically marginalized communities. I strongly believe that convention safety should be the top consideration for every convention board. I also see this as a cautious acknowledgment of the limited scope of a board of this type, and the appropriate response, or lack thereof, they feel they can give. I appreciate their position on this and see it as an understandable one. This is a thoughtful, well-crafted statement, and I admire the board for the time they took and the care and contemplation that went into it.

Ms. Varney also wrote:

I want to establish that these are my thoughts alone and aren’t reflective of any other person, group, or other entity.

I sent an email to the committee after this year’s convention, inquiring whether there would be a statement from Penguicon to provide clarification on the reasons for disinviting Mr. Tomlinson. In the email, I outlined my personal reasons for feeling unsafe attending events where Mr. Tomlinson is present and expressed my willingness to stand up for others who have felt pressured into silence.

To clarify further, a guest of honor decided not to attend the convention due to safety concerns, which ultimately led to Mr. Tomlinson being disinvited. Part of my communication with the board involved expressing empathy towards the guest of honor’s decision.

In the past year the level of disdain expressed by Ms Varney towards Mr. Tomlinson became acrimonious.

Mr. Tomlinson’s complaints against Penguicon and Ms. Varney are well known to File 770 readers in this story highlighted in the May 6th Pixel Scroll:

Since September 2018, Mr. Tomlinson and his family have been the victims of a constant barrage of harassment themselves which include dozens of false calls to their residence (known as ‘swatting”), death threats and vandalism of their home and property. This problem began when Mr. Tomlinson made an innocuous remark about comedian Norm Macdonald on September 11, 2018 stating:

“Hot take: I’ve never found Norm Macdonald funny and was pretty sure all my comedy friends who did were either nuts or screwing with me.”

The comment was made in the context of Macdonald defending fellow comedians Roseanne Barr and Louis C.K., whose careers had recently been curtailed by their unseemly public behavior and social missteps.

According to a February 19, 2024 report in the New York Post: “Patrick Tomlinson continues to be mercilessly swatted after McDonald diss”.

Macdonald never responded at the time to Tomlinson’s 2018 tweet targeting him.

Instead, the star waited till 2019, two years before his death, when someone paid him to record a Cameo to blast Tomlinson’s innocuous opinion of him.

“I want you to stop picking on your friend Pat,” Macdonald said in the clip, which lives on YouTube. “After all, his only crime was that he didn’t find Norm Macdonald funny.”

The comic then added, “Wait a minute here, I’m Norm Macdonald.

“Hah! And I am funny. Please continue insulting that fat loser,” he jokingly continued.

Around that time, the swatting against Tomlinson ramped up in earnest, the writer said.

Ms. Varney, when asked via email whether or not she believed Mr. Tomlinson and his family are victims of cyberstalkers, answered:

“I believe they were, and perhaps are, but I also believe there’s a lot more to the story than their say-so, and no one has looked past what they were told by Mr. Tomlinson in any reporting.”

Mr. Tomlinson was unaware the convention had issued yesterday’s statement. And after being presented with a copy by this reporter and asked to comment, he provided the following message:

It’s really disappointing after having two full months to conduct a review of the events surrounding my banning at this year’s convention to see the Penguicon board decide to double down on every mistake and poor decision they made in the first place. It seems that even with all the extra time, they failed to learn anything from the experience or do any reflection on what went wrong.

When asked directly whether or not the Penguicon statement had anything to do with the allegations against Mr. Tomlinson, Ms. Smith, a Board member and administrator for the Facebook group responded on Messenger Thursday evening:

“The statement you received is the only one we are going to be giving. It has nothing to do with Leslie.  Our decision was in process prior to her email and did not have any bearing on our decision.”

In response to this statement, Mr. Tomlinson replied via email: 

It’s disappointing the Penguicon Board continues to stonewall about mistakes made even now months after the facts are already known. Secrecy and censorship benefits no one and comes across as self-serving. If they are really interested in protecting our shared community from the same malicious actors who repeatedly fooled them, openness and dialogue is the only way forward. Keeping everyone in the dark serves only those who prefer to lurk in the shadows.

Ms. Varney was also asked what personal or professional consequences she has undergone from this ongoing issue with Mr. Tomlinson, she wrote:

“Professionally, I’m sure I’ve lost the confidence of some potential clients, which is unfortunate. Personally, my physical safety’s been threatened, and I’ve lost at least one friendship.”

“But I’ve also seen a lot of support coming from the SFFH community, and that’s been very encouraging. It’s not just me who’s been targeted, and one of the primary reasons I continue to protest Mr. Tomlinson’s actions is to represent those who feel unsafe coming forward. And I’ve seen some turn-around in what the community as a whole seems ready to believe about the danger Mr. Tomlinson continues to place us in, and that’s good progress.”

She also added this email message, directed to Mr. Tomlinson:

Mr. Tomlinson, I don’t believe this will be the last event to ask you not to attend, and I will continue to stress how unsafe your behavior, along with the behavior of other bad actors, makes innocent people. If you stop engaging in troll-baiting, taunting, and in all ways encouraging responses that endanger others, I’ll be happy to support your attendance at events. Here’s to hoping!

In turn, Mr. Tomlinson had this message for Ms. Varney:

Based on her own public statements and behavior over the last year, Leslie Varney is not only sympathetic to the criminal cult stalking and SWATTing my family, but actively pursues their company, shares their objectives, and minimizes and validates their crimes.

It is Ms. Varney’s contention that anonymous domestic terrorists should be endowed with the unassailable right to unilaterally decide who gets to participate in public life. By blaming the targets of cyberstalking for the actions of the criminals stalking them, and demanding that victims be the only ones to suffer consequences, she justifies and validates all manner of crimes based solely on the personal animosity she feels towards someone she has never met or spoken to.

Rewarding these criminal acts by demanding victims give up their public appearances, signings, panels, and networking opportunities just to appease terrorists makes no one safer. It only ensures these tactics will be repeated and expanded as new targets catch the stalkers’ ire. How will Ms. Varney feel when it’s one of her own clients under their eye, or Ms. Varney herself?

She not only negotiates with terrorists, but actively befriends them and supports their aims. She is as unsafe as she is unprofessional, and anyone who is considering working with her needs to carefully consider the company she keeps and the inherent risks that entails.

Updated 06/29/2024: Removed unverified quote.

Pixel Scroll 6/18/23 I Think There Is A World Market For About Five Pixel Scrolls

(1) STOKERCON 2024. Next year the Horror Writers Association will hold StokerCon in San Diego, CA from May 30-June 2. Here’s the Eventbrite listing: StokerCon 2024 Tickets.

(2) 3-BODY TRAILER FROM G-O-T CREATORS. “3 Body Problem: Netflix Show From Game of Thrones Creators Has Trailer” reports Variety.

At long last, Netflix has revealed the first footage of its highly anticipated sci-fi epic from “Game of Thrones” creators David Benioff and D.B. Weiss — their first large-scale project at the streamer since signing a mega overall deal in 2019 — and Alexander Woo.

Based on the book series by Cixin Liu, the eight-episode drama, which recently wrapped production, will launch in January 2024.

Per Netflix’s logline for the sci-fi series, “A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes, five former colleagues reunite to confront the greatest threat in humanity’s history.”…

(3) BAD B.O. “Pixar’s ‘Elemental’ Falls Flat, Adding to Worries About the Brand” opines the New York Times.

Pixar is damaged as a big-screen brand.

That was one of the rather glum takeaways from the weekend box office, which found “Elemental,” a $200 million-plus Pixar original, arriving to a disastrous $29.5 million in domestic ticket sales. “The Flash,” a Warner Bros. superhero spectacle that cost about $200 million, also struggled, taking in a lethargic $55.1 million, according to Comscore, which compiles ticketing data.

“Hard to sugarcoat this,” said David A. Gross, a film consultant who publishes a newsletter on box office numbers.

Questions about Pixar’s health have swirled in Hollywood and among investors since last June, when the Disney-owned studio released “Lightyear” to disastrous results. How could Pixar, the gold standard of animation studios for nearly three decades, have gotten a movie so wrong — especially one about Buzz Lightyear, a bedrock “Toy Story” character?

Maybe pandemic-worried families were not quite ready to return to theaters. Or maybe, as some box office analysts speculated, Disney had weakened the Pixar brand by using its films to build the Disney+ streaming service. Starting in late 2020, Disney debuted three Pixar films in a row (“Soul,” “Turning Red” and “Luca”) online, bypassing theaters altogether.

By streaming standards, those three movies were runaway hits. But Pixar’s most recent box office success was in 2019, when “Toy Story 4” took in $1.1 billion worldwide…

(4) MASTERS OF THE UNIVERSE PIECE THEATRE. Cora Buhlert has posted a new Masters of the Universe toy photo story — or rather two short ones in time for the US Father’s Day: “Two Links and a Masters-of-the-Universe-Piece Theatre Double Feature: ‘New Dad’ and ‘Orko Interruptus’”.

…This version of King Randor is based on the 2002 cartoon, where Randor was protrayed as a somewhat younger and more active character than his Filmation counterpart. While the Filmation Randor mostly set around on his throne and occasionally gave a speech, the 2002 Randor charged into battle alongside his warriors on occasion and also seemed to do more actual governing. The 2002 cartoon also established that Randor was captain of the guard, i.e. Teela’s current, before he became king. All in all, I’d say that the 2002 cartoon features the best overall King Randor – and Randor is a difficult character, because his raison d’etre is to be the parent who does not understand or even see their child – though the Netflix CGI features the best version of Randor as a father. In case you’re wondering which version of King Randor is the worst, that would be the King Randor of Masters of the Universe Revelation, who narrowly missed winning the 2021 Darth Vader Parenthood Award

(5) AGENT OF CHAOS. But trolls have made Father’s Day rough for Oghenechovwe Donald Ekpeki as he told Twitter readers:

Hows my Father’s day going? Saw @virtuallyleslie wrote a racist manifesto where she said I only get attention cuz of political correctness. Her supremacist cult friends are on it, including the one impersonating my dead father who was gruesomely murdered, to defame & harass me

Patrick S. Tomlinson also has commented on what Leslie Varney wrote, and the significance of it coming from an agent. Thread starts here.

Leslie Varney wrote a reply thread that starts here.

(6) ONCE UPON A BIRTHDAY. Brian Murphy profiles Lin Carter for what would have been his 93rd birthday: “Lin Carter: Enthusiast of the Fantastic” at Goodman Games.

…. I love Carter’s illuminating and occasionally gushing introductions to the volumes he edited. Introducing readers to William Morris in the BAFS, Carter makes a compelling case that his The Wood Beyond the World (1895) was the first-ever novel of heroic fantasy ever written in a true secondary world, quipping that “it was the first of all such tales of adventurous wanderings through the marvelous landscapes of worlds which have somehow managed to avoid the wear and tear of ever having actually existed.”…

(7) FREE READ. Issue 7 of Whetstone Amateur Magazine of Sword and Sorcery has just come out and is available as a free download: Whetstone: Amateur Magazine of Pulp Sword and Sorcery: Issue 7.

(8) MEMORY LANE.

1999[Written by Cat Eldridge from a choice by Mike Glyer.]

Vernor Vinge’s A Deepness in The Sky is our Beginning this Scroll.  It won a much deserved Hugo at Chicon 2000 along with a John W. Campbell Memorial Award and a Prometheus Award for Best Libertarian SF Novel. It was also nominated for a HOMer and a Nebula as well. Damn impressive I’d say.

The novel is a loose prequel and is set twenty thousand years earlier to his A Fire Upon the Deep which was published previously. 

So let’s get to the Beginning…

The manhunt extended across more than one hundred light-years and eight centuries. It had always been a secret search, unacknowledged even among some of the participants. In the early years, it had simply been encrypted queries hidden in radio broadcasts. Decades and centuries passed. There were clues, interviews with The Man’s fellow-travelers, pointers in a half-dozen contradictory directions: The Man was alone now and heading still farther away; The Man had died before the search ever began; The Man had a war fleet and was coming back upon them. 

With time, there was some consistency to the most credible stories. The evidence was solid enough that certain ships changed schedules and burned decades of time to look for more clues. Fortunes were lost because of the detours and delays, but the losses were to a few of the largest trading Families, and went unacknowledged. They were rich enough, and this search was important enough, that it scarcely mattered. For the search had narrowed: The Man was traveling alone, a vague blur of multiple identities, a chain of one-shot jobs on minor trading vessels, but always moving back and back into this end of Human Space. The hunt narrowed from a hundred light-years, to fifty, to twenty—and a half-dozen star systems. 

And finally, the manhunt came down to a single world at the coreward end of Human Space. Now Sammy could justify a fleet specially for the end of the hunt. The crew and even most of the owners would not know the mission’s true purpose, but he had a good chance of finally ending the search.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1917 Richard Boone. He did only two genre roles of which one, playing Maston Thrust Jr. in The Last Dinosaur, I’m willing to bet almost all of you have never seen it. (It gets a fifty percent rating among audience reviewers at Rotten Tomatoes.) The other however is one that nearly everyone here has heard, yes heard, as he voiced Smaug in the Rankin/Bass animated version of The Hobbit. Of course his major non-genre role was as Paladin in Have Gun, Will Travel which I’ve seen every episode of at least three times. Really I have. (Died 1981.)
  • Born June 18, 1931 Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.)
  • Born June 18, 1942 Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in XeroYandro and many other zines such as KippleParsection and Psi-Phi. At university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish  autobiography is  How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him in a obituary here. (Died 2013.)
  • Born June 18, 1958 Jody Lee, 65. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for DAW Books in 1985. Her latest is Passages: All-New Tales of Valdemar, a Mercedes Lackey anthology from DAW Books which seems to be her primary client. Her most stellar website is here.
  • Born June 18, 1960 Barbara Broccoli, 63. Daughter of the late James Bond producer Albert R. “Cubby” Broccoli. She has producer or director credit on at least fourteen Bond films which or may not be genre depending on how you view each one of them. Her only acting role is as an uncredited Opera patron in The Living Daylights. She produced the Chitty Chitty Bang Bang production staged in NYC at the Hilton Theater sixteen years ago. 
  • Born June 18, 1947 Linda Thorson, 76. Best known for playing Tara King, the only actual spy in The Avengers. For her role in that series, she received a special BAFTA at the 2000 BAFTA TV Awards along with the other three actresses from the series, Honor Blackman, Joanna Lumley and Diana Rigg. She’s also been in Return of the SaintTales from the DarksideStar Trek: The Next GenerationKung Fu: The Legend ContinuesF/X: The Series and Monsters
  • Born June 18, 1949 Chris Van Allsburg, 74. For some twenty years now until the Pandemic came upon us, the local Narrow Gauge Railroad ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate for the children. It always sold out for the entire month they ran it. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. (I’ve never seen the film.) He illustrated A City in Winter which was written by Mark Helprin and I highly recommended it. 

(10) COMICS SECTION.

(11) ROLLING THE CREDITS. [Item by Mike Kennedy.] Descendants of Jack Kirby seem none too happy about the recently-released Disney+ documentary on Stan Lee’s life. Granddaughter Jillian Kirby has published a statement from her father Neal Kirby at the latter’s request. 

Among other things, Neil provides an analogy for Lee having an idea for a character to others bringing the character to life. “In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence—their idea, their money. The statue is called Michelangelo’s David—his genius, his vision, his creativity.” “Jack Kirby’s Son, Neal Kirby Responds to Stan Lee Disney+ Documentary” at Bleeding Cool.

The following is an excerpt of the statement from Neal Kirby, son of the late Jack Kirby.

…I (000ps!) understand that, as a “documentary about Stan Lee,” most of the narrative is in his voice, literally and figuratively. It’s not any big secret that there has always been controversy over the parts that were played in the creation and success of Marvel’s characters. Stan Lee had the fortunate circumstance to have access to the corporate megaphone and media, and he used these to create his own mythos as to the creation of the Marvel character pantheon. He made himself the voice of Marvel. So, for several decades he was the “only” man standing, and blessed with a long life, the last man standing (my father died in 1994). It should also be noted and is generally accepted that Stan Lee had a limited knowledge of history, mythology, or science.

On the other hand, my father’s knowledge of these subjects, to which I and many others can personally attest, was extensive. Einstein summed it up better; “More the knowledge, lesser the ego. Lesser the knowledge, more the ego.”

If you were to look at a list and timeline of Marvel’s characters from 1960 through 1966, the period in which the vast majority of Marvel’s major characters were created during Lee’s tenure, you will see Lee’s name as a co-creator on every character, with the exception of the Silver Surfer, solely created by my father. Are we to assume Lee had a hand in creating every Marvel character? Are we to assume that the other co-creator never walked into Lee’s office and said, “Stan, I have a great idea for a character!” According to Lee, it was always his idea. Lee spends a fair amount of time talking about how and why he created the Fantastic Four, with only one fleeting reference to my father. Indeed, most comics historians recognize that my father based the Fantastic Four on a 1957 comic he created for DC, “Challengers of the Unknown,” even naming Ben Grimm (The Thing) after his father Benjamin, and Sue Storm after my older sister Susan.

Though the conflict between Lee and my father concerning creator credit gets glanced over with little mention, there is more attention paid to the strife between Lee and Steve Ditko, with Lee’s voice proclaiming, “It was my idea, therefore I created the character,” Ditko’s rebuttal being that his art and storyline is what brought life to Spiderman. In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence – their idea, their money. The statue is called Michelangelo’s David – his genius, his vision, his creativity.

I was very fortunate. My father worked at home in his Long Island basement studio we referred to as “The Dungeon,” usually 14 – 16 hours a day, seven days a week. Most of the artists, writers, inkers, etc. worked at home, not in the Marvel offices as depicted in the program. Through middle and high school, I was able to stand at my father’s left shoulder, peer through a cloud of cigar smoke, and witness the Marvel Universe being created. I am by no means a comics historian, but there are few, if any, that have personally seen or experienced what I have, and know the truth with first-hand knowledge.

My father retired from comic books in the early 1980s and of course, passed away in 1994. Lee had over 35 years of uncontested publicity, much naturally, with the backing and blessing of Marvel as he boosted the Marvel brand as a side effect of boosting himself. The decades of Lee’s self-promotion culminated with his cameo appearances in over 35 Marvel films starting with “X-Men” in 2000, thus cementing his status as the creator of all things Marvel to an otherwise unknowing movie audience of millions, unfamiliar with the true history of Marvel comics. My father’s first screen credit didn’t appear until the closing crawl at the end of the film adaptation of Iron Man in 2008, after Stan Lee, Don Heck, and Larry Lieber. The battle for creator’s rights has been around since the first inscribed Babylonian tablet. It’s way past time to at least get this one chapter of literary/art history right. ‘Nuff said.

(12) JEOPARDY! [Item by David Goldfarb.] On Thursday’s episode there was a full category of “21st Century horror novels”, which the contestants took in order.

  • Returning champ Holly Hassel
  • Kiran MacCormick
  • Suzanne Goldlust

$200: Christina Henry’s “Looking Glass” is the last book in a chilling trilogy about a woman with this 5-letter name

Returning champ Holly Hassel tried: “What is Megan?”

Her name was Alice. (As in “Through the Looking-Glass”….)

$400: In Grady Hendrix’ “How to Sell” this place, it has a sealed attic & creepy puppet collection & Redfin will be no help

Suzanne Goldlust knew or guessed: “What is a haunted house?”

$600: The Scooby Gang was often accused of being these, the title of a book by Edgar Cantero about 4 teens with a telepathic pooch

Suzanne said, “What are meddling teens?”

Holly tried “What are those meddling kids?” but this was not accepted, as the title of the book was just “Meddling Kids”.

$800: Megan James pays homage to this horror master & his creation Cthulhu with her graphic novel “Innsmouth”

Holly knew this one.

$1000: Clive Barker’s “Scarlet Gospel” revisits the Hellraiser universe where this prickly priest of Hell mans the pulpit

Holly knew this one too: “Who is Pinhead?”

In the Double Jeopardy round, there was one:

TV Criminals, $800: The villainous supe Homelander on this series is the leader of The Seven, a group of some not-so-super heroes

This was triple stumper: nobody was familiar with the comic “The Boys” or its Amazon Prime adaptation. (I quibble with the question here. The Seven are super enough! It’s the “hero” part that should be getting the “not-so-“.)

(13) TURA SATANA. [Item by Steve Green.] Tura Satana, whose movie credits included The Astro-Zombies (1968) and its 2004 ‘reimaging’, is now an action figure, based upon her role in the 1965 cult classic Faster Pussycat… Kill! Kill!

Ms Satana, who died in 2011, was smart enough to trademark her own likeness, and this is apparently the first officially-licensed figure. It’s a collaboration between White Elephant Toyz and the publisher PlaidStallions (as Odeon Toys). “Tura Satana Action Figure Pre-Orders now open!”.

… This limited edition action figure is 8″ tall and features a detailed outfit, natural hair, motorcycle gloves, and boots. Tura is ready to kick your other action figures’ asses.

Each Tura Satana Action figure comes in vintage style packaging with striking artwork by Joseph Michael Linsner, creator of “Dawn.”…

(14) FIRST AMERICAN WOMAN IN SPACE. The National Air and Space Museum remembers “Sally Ride”.

40 years ago today, Dr. Sally K. Ride became the first American woman in space, launching aboard Space Shuttle Challenger on the STS-7 mission.

Dr. Sally Kristen Ride was a physicist, astronaut, educator, and advocate for young people in science, technology, engineering, and mathematics. Best remembered as the first American woman in space, Ride’s tenure as an astronaut was but one chapter in a long and impactful career.

Ride was accepted to the astronaut corps in 1978 as a member of Astronaut Group 8—NASA’s first astronaut class to include women. On June 18, 1983, when Dr. Sally K. Ride became the first American woman in space, she challenged long-held stereotypes about who would make a good astronaut. Ride spent more than two weeks in space over the course of two missions, STS-7 and STS-41G. Ride operated one of the Space Shuttle’s most important tools—the robotic arm—and loved taking photos of Earth from space.

When Ride retired from NASA in 1987, she dedicated herself to educating and inspiring learners. For more than 18 years she taught physics at the University of California San Diego. In 2001, Ride founded Imaginary Lines (now Sally Ride Science) with her partner, Dr. Tam O’Shaughnessy, to inspire girls and young women to explore science careers.

(15) ANKYLOBITERS. [Item by SF Concatenation’s Jonathan Cowie.] A new dinosaur has been found on the Isle of Wight so the BBC reports.

Don’t worry, it’s dead! So we are all safe. (Phew.) If you do go to the Isle of Wight to hunt for dinosaurs (they really all are dead) then I recommend a beer and food at the Crab and Lobster Inn. The view from outside to the left is mainland Brit Cit while straight ahead and left is the English Channel with a view of The Nab tower a few miles offshore and transatlantic liners going around the point.

But if you can’t be bothered then there is the primary research paper.

…It is the first new species of armoured dinosaur to be found on the island since 1865 and belongs to the same family – the ankylosaurs.

Though fearsome in appearance with its blade-like armour, the giant reptile – which has been named Vectipelta barretti – only ate plants.

It was discovered in rocks dating back between 66 and 145 million years….

(16) VIDEO OF THE DAY. Here’s the teaser trailer for One Piece.

Here’s a first look at the live action adaptation of the most popular manga in history, written by Eiichiro Oda. ONE PIECE sets sail on August 31st only on Netflix.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Cora Buhlert, David Goldfarb, Steve Green, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]