(1) CAN VIRTUAL CONS BE MADE BETTER? In “What Lessons Can Future Conventions Learn From Virtual San Diego Comic-Con?”, Io9 staffers Beth Elderkin, Jill Pantozzi, Cheryl Eddy, James Whitbrook, Charles Pulliam-Moore, and Germain Lussier assess what didn’t work about SDCC 2020, “from a lack of support for the artists and vendors who would usually be on the show floor, to the lack of fan involvement, to how to create a sense of energy that the convention’s swath of ‘family Zoom call’ style pre-recorded panels were lacking.”
(2) LOVECRAFT COUNTRY. HBO showed its Lovecraft Country trailer to San Diego Comic-Con’s @Home audience.
People might not be able to flock to San Diego Comic Con this year in person, but the virtual convention, Comic-Con@Home, has been running all weekend, with countless panels, sneak peeks, and teasers and trailers for upcoming TV shows—but not many films, because let’s be honest: it’s not looking so good for major theatrical film releases in the fall. On Thursday alone, we got the full trailer for Bill and Ted Face the Music, a teaser for the Simon Pegg/Nick Frost horror comedy Truth Seekers, and the first trailer for S2 of HBO’s His Dark Materials. Rather than continue to cover each individually, we decided to compile the remaining trailers of interest into a single roundup post.
(4) A CAUTIONARY TALE. Linda D. Addison offers her experience with Covid-19 as a warning in this public Facebook post.
I’m sharing what my life has been like since June 8 because I’ve seen too many people not taking Covid-19 serious. This virus is real. If sharing this wakes even one person up, it’s worth it.
I’ve been as safe as possible, going to the supermarket every two weeks for supplies, wearing a mask, sanitizing everything, however, 7 weeks ago I got very sick for 9 days with symptoms of mild coronavirus, talked to my doctor and stayed in self isolation for more than 2 weeks. I was fortunate that my temp never went high enough or my breathing bad enough that I had to go to the hospital. Since then, I’ve lived with continued cough, fatigue, shortness of breath (using inhaler from doctor helps).
This is happening to many people in recovery (look up Covid Long Haulers). So I’m sleeping a lot, healing will come, but this is so new there’s not much the medical field can do at this point. I’m ok. My friend, Jill, lives around the corner and has been helping by dropping off stuff.
PLEASE, wear a mask (if not for yourself, for anyone who crosses your path)!
…The wait for more Avatar has become something of a running joke, so much so that a Twitter thread I started when it was already a running jokeis now well into its sixth year. The first sequel was originally announced almost a decade ago, in October 2010, with a projected release date of December 2014. Since then, its opening date has, at regular intervals, been moved back one year at a time — except once, in 2017, when it moved back two years. But the film has also morphed from a two-sequel series into a four-sequel series, with a lingering sense that the mountain was being made bigger as a way of justifying the length of the climb.
(6) MEDIA BIRTHDAY.
July 27, 1997 — Stargate SG-1 premiered on Showtime where it would run for its first five seasons. The show which was created by Brad Wright and Jonathan Glassner. It’s based rather loosely off the Stargate film. The initial core cast was Richard Dean Anderson, Michael Shanks, Amanda Tapping and Christopher Judge. It would run for a decade with the last five years being on Sci Fi. Two spinoff series, Stargate Atlantis which would run five seasons, and Stargate Universe which would last two seasons. Audience reviewers at Rotten Tomatoes currently give it a stellar 91% rating. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 27, 1870 – Hilaire Belloc. Orator, poet,correspondent,sailor, satirist, soldier, activist. Cautionary Tales for Children includes “Jim, who ran away from his nurse, and was eaten by a lion” and “Rebecca, who slammed doors for fun and perished miserably”; 1907 readers would quickly recognize the parody. A hundred fifty books; we can claim half a dozen novels (illustrated by G.K.Chesterton!), as many shorter stories. (Died 1953) [JH]
Born July 27, 1874 — Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940. The serials themselves were Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.) (CE)
Born July 27, 1891 – Ruth Plumly Thompson. Following Frank Baum’s death, she wrote two dozen Oz books. Three other novels, six dozen shorter stories, ten dozen poems. Also wrote for The Smart Set, The Saturday Evening Post, Ladies Home Journal, Jack and Jill. Many regard her as a worthy successor. (Died 1976) [JH]
Born July 27, 1908 – W.I. Van der Poel, Jr. Art director for Galaxy 1950-1960. A score of covers – but not, it seems, appearing there. He is however on this famous 1952 Emshwiller cover – see the key here. Look at The Unpleasant Profession of Jonathan Hoag. (Died 1987) [JH]
Born July 27, 1927 – Mel Hunter. A hundred book and magazine covers, eight dozen interiors. Here is the May 53 Galaxy. Here is The End of Eternity. Here is Double Star – the Great Lorenzo at right. Here is the Jun 58 If. Here is the Mar 61 F & SF. (Died 2004) [JH]
Born July 27, 1938 — Gary Gygax. Game designer and author best-known for co-creating Dungeons & Dragons with Dave Arneson. In addition to the almost-beyond-counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.) (CE)
Born July 27, 1939 — Sydney J. van Scyoc, 81. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format. (CE)
Born July 27, 1948 — Juliet Marillier, 72. She’s a New Zealand born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
Born July 27, 1949 – Cora Lee Healy, 71. Fanartist, has done some pro work. Here is a cover for Algol. Here is “Starward”. Here is another astronomical. She has been in Energumen and Granfalloon; she did the Ace of Cups in the Fantasy Showcase Tarot Deck (see this review by a Tarot collector; although the reviewer says the Deck is out of print; copies can still be obtained; if all else fails, ask me, John Hertz, 236 S. Coronado St., No. 409, Los Angeles, CA 90057). [JH]
Born July 27, 1950 — Simon Jones, 70. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well. (CE)
Born July 27, 1952 – Bud Webster. Our Gracious Host has done better than I could. (Died 2016) [JH]
Born July 27, 1958 – Kate Elliott, 62. Two dozen novels (some under another name), a dozen shorter stories; interviewed in Apex, Lightspeed, Locus, Mindsparks. “The Sword of Heaven [in two parts, An Earthly Crown and His Conquering Sword] I call my Mozart novel because of the speed it flowed out of me…. my Beethoven novel The Law of Becoming was like hacking through the jungle into unknown country…. Being a parent has made me a better writer.” Unconquerable Sun just released this month. Mills College woman. [JH]
Born July 27, 1968 — Farah Mendlesohn, 52. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein which is up for a Hugo next week. Her work Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. (CE)
Born July 27, 1979 – Alvaro Zinos-Amaro, 41. Three dozen short stories; poems; essays, reviews, interviews, in Analog, Clarkesworld, Foundation, NY Review of SF, Strange Horizons. Anthology (with Robert Silverberg), When the Blue Shift Comes. Traveler of Worlds, conversations with Silverberg. Good moderator of the Asimov centenary panel at Loscon 46.
Born July 27, 1984 – Hao Jingfang, Ph.D., 36. Vagabonds just appeared in English and Spanish this year. A score of shorter stories; Best-Novelette Hugo for “Folding Beijing”, first won by a Chinese woman. Translated into English, French, German, Italian, Japanese, Korean, Polish, Russian, Spanish. Interviewed in Lightspeed, Monde chinois (in French). [JH]
“We wanted to tap into the zany energy of the 1940s stuff,” added supervising producer Alex Kirwan. “That was our favorite era of the shorts and we just wanted more of that. We didn’t want to set out to reinvent it and we didn’t want to set out to put new sensibilities on it … What we love about the shorts is that they’re wonderful slapstick humor and we just wanted to get back to [that] and be really true to the way they paired the characters and the way they built comedy dynamics.”
(10) WATCH ALEX ROSS AT WORK. Over the last two months, Marvel has revealed 28 “Timeless” variant covers created by Alex Ross, which will begin to hit local comic shops in September. See Ross craft his iconic painted covers, and see how his timeless imagery was made into a magnificent mural in Marvel’s NYC offices in this video.
Daredevil actor Peter Shinkoda says his storyline was cut after a Marvel executive said “nobody cares about” Asian characters.
Shinkoda played Nobu in the Marvel Netflix series, which was cancelled at the end of 2018.
But he says his character’s “back story was dropped” on orders from former Marvel Television head Jeph Loeb.
“I’m kind of reluctant to say this, but… I’m going to take this moment,” Shinkoda said during a virtual talk.
“Jeph Loeb told the writers’ room not to write for Nobu and Gao – and this was reiterated many times by many of the writers and show runners – that nobody cares about Chinese people and Asian people,” he alleged.
The Canadian actor, who was taking part in a #SaveDaredevil roundtable discussion with actors from the show, said a storyline about Nobu’s journey to America ended up being dropped.
A small chunk of Mars will be heading home when the US space agency launches its latest rover mission on Thursday.
Nasa’s Perseverance robot will carry with it a meteorite that originated on the Red Planet and which, until now, has been lodged in the collection of London’s Natural History Museum (NHM).
The rock’s known properties will act as a calibration target to benchmark the workings of a rover instrument.
It will give added confidence to any discoveries the robot might make.
This will be particularly important if Perseverance stumbles across something that hints at the presence of past life on the planet – one of the mission’s great quests.
“This little rock’s got quite a life story,” explained Prof Caroline Smith, head of Earth sciences collections at the NHM and a member of the Perseverance science team.
“It formed about 450 million years ago, got blasted off Mars by an asteroid or comet roughly 600,000-700,000 years ago, and then landed on Earth; we don’t know precisely when but perhaps 1,000 years ago. And now it’s going back to Mars,” she told BBC News.
It’s not uncommon for lottery winners to want to avoid the spotlight, right? But showing up dressed as Darth Vader to collect your check is a new one. It happened in a galaxy not so far away, in May Pen, Jamaica, when a man claimed his $95 million prize in a dark lord of the Sith costume.
(15) VIDEO OF THE DAY. In “The Lord of the Rings: The Fellowship of the Ring Pitch Meeting” on ScreenRant, Ryan George explains that Saruman is spinning Gandalf around, he “forces Gandalf to learn breakdancing against his will.”
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, John Hertz, Michael Toman, Mike Kennedy, Martin Morse Wooster, Mlex, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
3) Who were/are your biggest influences? That is a long list of people. The first person that influenced me to write is my mother. She was a fantastic storyteller and would entertain the nine of us with fables she made up. This made it feel very natural to create stories for me. Also, two strong female characters from the Star Trek television series were huge influences: Uhura (Nichelle Nichols) as the first Black female officer in a SF series and Christine Chapel (Majel Barrett) whose character said more with a look than words.
When I was in high school, I loved Maya Angelou, Ralph Ellison, Toni Morrison, Alice Walker, James Baldwin, Eudora Welty, and Langston Hughes because of the music in their writing. In college, I discovered genre writers Isaac Asimov, Anne McCaffrey, Robert Heinlein, Octavia Butler, Nancy Kress, and Connie Willis. In horror, some of my female influences were Anne Rice, L. A. Banks, Elizabeth Massie, Marge Simon, and Charlee Jacob. Looking back, I see that I read more male SF and horror writers than female because the field didn’t have as many in print as they do now and even fewer Black female writers.
When my story was published in Sheree R. Thomas’ Dark Matter anthology in 2000, it gave me so much exposure and made a huge difference in my career. Others lifted me up with their belief in my writing early on: Jack Ketchum, Terry Bisson, Nancy Kress, Straub, L. A. Banks, Douglas Clegg, and so many more…
In a stunning move that marks the end of an era for one of the entertainment industry’s great corporate success stories, Bob Iger on Tuesday stepped down as chief executive of Walt Disney Co. after 15 years in the job.
Bob Chapek, a 27-year Disney veteran who most recently led the company’s massively important parks and consumer products business, was named Iger’s successor, effective immediately.
Iger, 69, has assumed the role of executive chairman, the company said. In that role, he will direct the Burbank entertainment giant’s creative endeavors and help guide the company’s board through the leadership transition until the end of his contract on Dec. 31, 2021, Disney said in statement.
Disney’s CEO succession plan was the subject of speculation for years as Iger delayed plans to leave the company. Disney’s board last extended Iger’s contract was in December 2017, when Disney announced that it was buying much of 21st Century Fox from Rupert Murdoch. As part of those negotiations, Murdoch requested that Iger stay on to run the company rather than leave when he’d planned….
Members of the 2020 World Science Fiction Convention will be given an opportunity to vote retroactively for Hugo Awards for 1945, for works from 1944. I am not actually old enough to have been around in 1944. The year 1944 was roughly a flowering when fantastic media was seen by much of the public. I am not sure when I started seeing fantastic media from the year 1944 until about 1960, but I do remember the early general public availability of some of the films nominated for a 1944 Retroactive Hugo. They had science fiction and fantasy for which the fiction was absurdly bad (but fun) and the “science” contained no science at all. It can still be fun to be misinformed by science from someone who knows less science than you do and by fiction that is just written. There is a certain charm to science fiction written by someone with no obvious understanding of science trying their best to make it sound credible
Many true fans of science fiction and fantasy still retain an interest in the fantasy fiction from 80 years earlier. Reading it creates an atmosphere from a writing style of decades ago. Few fans delude themselves into believing that this prose eight decades old is true artistry.
Personally I see only one or two titles among the nominees that say to me “classic.” By the time I finish this article you will probably have very little doubt which two are the ones that I consider the true classics. In the meantime I will hint for the reader think about which would the real classic be. Evelyn and I will both be viewing the choice of nominees and independently recording our opinions.
Enjoy your sojourn to the fun films of 1944. I know I will.
This is not your father’s or, for that matter, grandfather’s The Invisible Man, even though it marks the launch of Universal’s revived attempt to seriously refresh and refashion its 1930s/’40s horror lineup for the modern age. Rather, enterprising writer-director Leigh Whannell (writer of Saw and Insidious and director of Insidious: Chapter 3) has imaginatively gone in a different direction by meeting the requirements of the title both literally and figuratively. At the same time, the movie stakes a claim for new mystery-horror territory worthy of a talent like Elisabeth Moss, who amplifies the qualities of the script with a top-shelf woman-in-severe-jeopardy performance….
OPEN THE BOX! Last night on PBS’ Antiques Roadshow:
Caution: this appraisal may melt your face off! Watch as James Supp appraises a prototype Ark of the Covenant from the 1981 Indiana Jones film “Raiders of the Lost Ark” at Crocker Art Museum in Sacramento, CA.
SpaceX representatives told L.A. City Councilman Joe Buscaino’s office that the company was interested in the port site because it needed additional manufacturing capacity for its Starship spaceship and rocket booster. A SpaceX representative at last week’s harbor commissioners meeting did not mention Starship by name during his presentation of the project, but he said the company would use the port site to further its goal of creating an interplanetary society that includes Mars.
(7) TODAY IN HISTORY.
February 25, 1999 — Escape from Mars premiered on UPN. It was directed by Neill Fearnley and produced by Peter Lhotka. It was written by im Henshaw, Peter Mohan. It starred Lia Poirier, Allison Hossack , Peter Outerbridge, Allison Hossack and Michael Shanks. There are no critical reviews of it but the reviews at IMDB and Amazon make it clear that this is a horrible film. And the audience numbers at Rotten Tomatoes are simpatico withose opinions at 27%. You can see it here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 25, 1906 — Mary Chase. Journalist, playwright and children’s novelist. She’s best remembered for the Broadway playwright who penned Harvey which was later adapted for the film that starred James Stewart. Her only other genre work was the children’s story, “The Wicked, Wicked Ladies In the Haunted House”. The latter is available at the usual digital publishers but Harvey isn’t. You can get Harvey as an audiobook. (Died 1981.)
Born February 25, 1909 — Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. His Tales of a Darkening World work is certainly well-crafted and entertaining. He’s deeply stocked at reasonable prices at the usual digital publishers. (Died 1976.)
Born February 25, 1913 — Gert Fröbe. Goldfinger in the Bond film of that name. He also the Baron Bomburst in Chitty Chitty Bang Bang, Professor Van Bulow in Jules Verne’s Rocket to the Moon and Colonel Manfred von Holstein in Those Magnificent Men in their Flying Machines, a film that’s at least genre adjacent. (Died 1988.)
Born February 25, 1917 — Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film. I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
Born February 25, 1922 — Robert Bonfils. Illustrator, known for his covers for pulp paperback covers, many of an erotic nature. I’ve not heard of him but ISFDB lists quite a few genre works that are, errr, graced by his work. Sex is certainly his dominant theme as can be seen in the covers of Go-Go SADISTO, Orgy of the Dead and Roburta the Conqueress. I’ve included the cover of From Rapture with Love, an obvious rip-off a Bond film, as an example of his work. (Died 2018.)
Born February 25, 1938 — Diane Baker, 82. She starred in Journey to the Center of the Earth with James Mason, and shortly thereafter, she’s Princess Yasmin in The Wizard of Baghdad. She’s Kathy Adams in the “Beachhead” episode of The Invaders, and Fran Woods in the “Saturday’s Child” episode of the original Fantasy Island. I think her last genre role was as Dolores Petersen in the “Water, Water Everywhere” episode of Mann and Machine.
Born February 25, 1938 — Malcolm Tierney. He’s Lt. Shann Childsen, the Imperial Prison Officer who questions Skywalker and Solo on what they are doing with Chewbacca in Star Wars, he’s in the Sixth Doctor story, “The Trial of a Time Lord” as Doland. (Died 2014.)
Born February 25, 1944 — Mary Hughes. Solely here because she was a bikini-clad robot in Dr. Goldfoot and the Bikini Machine, a too obvious Bond ripoff made entertaining by Vincent Price in the lead role. Her career spanned but three years. Another film she was in was The Ghost in the Invisible Bikini where she played, errr, a bikini clad Mary, and Boris Karloff played The Corpse.
Born February 25, 1968 — A. M. Dellamonica, 52. A Canadian writer who has published over forty rather brilliant short works since the Eighties. Her first novel, Indigo Springs, came out just a decade ago but she now has five novels published with her latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Pod Castle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
Born February 25, 1971 — Sean Astin, 49. His genre roles include Samwise Gamgee in the Rings trilogy, Mikey Walsh in The Goonies, and Bob Newby in the second season of Stranger Things. He also shows up in Justice League: War and in Justice League: Throne of Atlantis filmsvoicing both aspects of Shazam, a difficult role to pull off. He reprises that role on the Justice League Action series.
(9) COMICS SECTION.
Lio finds one size does not fit all when it comes to being abducted by aliens.
Event location: San Diego, CA Date: February 08, 2020 Clan(s) Involved: Haran’galaar Clan Mission Objective: Photo ops Event Report: Mysterious Galaxy book store opened its doors again and Haran’galaar member Squoobs Jaro was there to show support. Guests were treated to photo ops with Squoobs along with members of the Imperial Sands Garrison.
(11) LAW LAW LAND. In “Useful
Laws of the Land” on the Collaborative
Fund website, Morgan Heusel discusses “Benford’s law of
controversye: “Passion is inversely proportional to the amount of
real information available,” which Gregory Benford promulgated in Timescape.
8. Benford’s law of controversy: “Passion is inversely proportional to the amount of real information available.”
The line appeared in science fiction author Gregory Benford’s book Timescape.
Data has a way of keeping excitement in check, whereas if you have to take a leap of faith on something you’re likely to leap as far as your mind allows.
The median income of the people of another state: data I can confirm and everyone can agree on.
The feelings and political beliefs of the people of another state: no way for me to easily tell. But I can guess and draw conclusions, some of which are wrong and missing content, and might anger me, which angers them, and so on.
Former Netscape CEO Jim Barksdale once said, “If we have data, let’s look at data. If all we have are opinions, let’s go with mine.”
He wasn’t serious, but it seriously explains a lot of things.
(12) IT’S A BABY! In the Washington Post, David Betancourt, reporting from the Toy Fair New York, says the market is about to be flooded with Baby Yoda merchandise, including a doll that makes baby noises if you hold his left hand and the theme from “The Mandalorian” if you hold the right. He interviews “Mandalorian” producer Dave Piloni, who says that one reason why Baby Yoda merchandise is becoming available now is that they wanted to surprise people with the character and couldn’t start production of Baby Yoda stuff until after the show was launched: “Baby Yoda toys are finally arriving. Sure, they missed the holidays — but at least that prevented spoilers.”
And on Thursday at the Dream Hotel in Manhattan, the Child was everywhere. Legos, action figures, costumes, backpacks, hats, shirts, wallets and socks were all on display. An image of the now-classic moment in “The Mandalorian” when a young Baby Yoda reaches out of a capsule and extends the cutest finger in the universe for the first time? Framed and ready for your wall. The capsule itself? Also available, and featuring an animatronic Baby Yoda that blinks, coos and will melt your heart, for $60.
(13) YOU’RE INVITED TO GO APE. Fathom Events is
selling tickets to a theatrical screening of King Kong on March 15.
In the classic adventure that made her a star, Fay Wray plays the beautiful woman who conquers the savage heart of a giant ape.
Before he became a best-selling writer, Dan Brown was an aspiring musician. In 1989, he self-produced an album of children’s music he arranged on synthesizers, titled “Musica Animalia.” It sold around 500 copies, and Brown soon forgot about it.
He had better luck as a novelist, with page-turners like “The Da Vinci Code,” “The Lost Symbol” and other thrillers that collectively have more than 220 million copies in print.
Now, three decades later, Brown is reviving his musical career with a hybrid children’s album and picture book that grew out of the music and poems he wrote for “Musica Animalia.”
…Just as Parker was the perfect lead for noir crime novels, hapless, likeable Dortmunder was the perfect lead for a comic heist series. There’s always stuff that needs stealing in New York; there are no end of unanticipated complications that can transform what was on paper a simple plan into a hilariously inconvenient maze of stumbling blocks for Dortmunder and his crew. It’s no surprise, therefore, that Westlake wrote fourteen novels and eleven or so short stories about John Dortmunder, Kelp, Murch, Tiny, and the rest of the crew before the author’s death put an end to the series.
How can we make our robot colleagues feel more at home? Teams of psychologists, roboticists and managers are trying to find out.
With a tank-like continuous track and an angular arm reminiscent of the Pixar lamp, the lightweight PackBot robot was designed to seek out, defuse and dispose of the improvised explosive devices, or IEDs, that killed and injured thousands of coalition soldiers during the wars in Iraq and Afghanistan. Bomb disposal was and is highly dangerous work, but the robot could take on the riskiest parts while its human team controlled it remotely from a safer distance.
US Army explosive ordinance disposal technician Phillip Herndon was assigned a PackBot during his first tour in Iraq. Herndon’s team named their robot Duncan, after a mission when the robot glitched and began spinning in circles, or doughnuts (doughnuts led to Dunkin Donuts, hence Duncan). His fellow bomb disposal techs named theirs too, and snapped photos of themselves next to robots holding Xbox controllers, dressed in improvised costumes or posing with a drink in their claws.
A PackBot was a piece of lifesaving kit, but it also felt like a comrade. No other equipment evoked the same kind of emotional pull, said Herndon, who retired from the army in 2016 as a first sergeant. Duncan’s final mission came one night when an enemy combatant fired on the robot as it worked to defuse a bomb. The strike disabled the IED, potentially saving lives, but destroyed the robot. “It was actually kind of a sad day for all of us,” says Herndon. “You do wind up in this situation where you have this robot for a tremendous amount of your operations, and all of a sudden you’re without a robot… There’s this emotional and operational missing link.”
Herndon was hardly alone in his attachment. Bomb-disposal robots have proven to be highly effective both at clearing explosives and at eliciting affection from their human handlers, some of whom have held robot funerals and award ceremonies for favoured bots.
These relationships offer illuminating insights into the experience of working with a robotic teammate, something an increasing number of workers in fields from healthcare to retail will be called on to do.
…‘Helping, not taking jobs’
“You need to think from the beginning of how you’re going to put these teams together, and give the robot [or] AI the job that the robot or AI does best and that the human doesn’t want to do, or that’s too boring or dangerous for the human,” says Nancy Cooke, a professor of cognitive science and director of Arizona State University’s Center for Human, Artificial Intelligence, and Robot Teaming.
…Somewhere in China, a bat flits across the sky, leaving a trace of coronavirus in its droppings, which fall to the forest floor. A wild animal, possibly a pangolin snuffling for insects among the leaves, picks up the infection from the excrement.
The novel virus circulates in wildlife. Eventually an infected animal is captured, and a person somehow catches the disease, then passes it on to workers at a wildlife market. A global outbreak is born.
Scientists are attempting to prove the truth of this scenario as they work to find wild animals harbouring the virus. Finding the sequence of events is “a bit of a detective story”, says Prof Andrew Cunningham of Zoological Society London (ZSL). A range of wild animal species could be the host, he says, in particular bats, which harbour a large number of different coronaviruses.
So how much do we know about the “spillover event”, as it’s known in the trade? When scientists cracked the code of the new virus, taken from the body of a patient, bats in China were implicated.
The mammals gather in large colonies, fly long distances and are present on every continent. They rarely get sick themselves, but have the opportunity to spread pathogens far and wide. According to Prof Kate Jones of University College London, there is some evidence bats have adapted to the energetic demands of flight and are better at repairing DNA damage. “This might enable them to cope with a higher burden of viruses before getting sick – but this is just an idea at present.”
…The second part of the puzzle, then, is the identity of the mystery animal that incubated the virus in its body and possibly ended up in the market at Wuhan. One suspect for the smoking gun is the pangolin.
Owners of a device designed to release food for pets say their animals were left hungry during a week-long system failure.
Petnet allows owners to schedule and control feeding via a smartphone app.
When the BBC contacted Petnet on its advertised email address, the email bounced back with a delivery failure notice.
One pet owner tweeted: “My cat starved for over a week”, while others complained about other hardware issues.
“My three Gen2 feeders constantly jam and won’t dispense food,” wrote another.
[Thanks to Chip Hitchcock, Evelyn Leeper, Cat Eldridge, Andrew
Porter, Martin Morse Wooster, John King Tarpinian, JJ, Michael Toman, James
Davis Nicoll, and Mike Kennedy for some of these stories. Title credit goes to
File 770 contributing editor of the day Acoustic Rob.]
The 2018 Rhysling Anthology can be ordered through the SFPA website. The editor and 2018 contest chair is Linda D. Addison. The book design is by F.J. Bergmann, Cover image is “Dark Mermaid” by Rowena Morrill.
Addison will accept the award at StokerCon 2018® held March 1–4 in Providence, Rhode Island.
“I don’t have words to respond to this incredible news!” Ms. Addison expounded upon learning of the award. “Like so many writers, I just write and give back to others what has been given to me over the years, without expectation of recognition. Wow!!” President of HWA, Lisa Morton, expressed her utmost pleasure in bestowing Linda Addison with the Lifetime Achievement Award, as Linda has helped so many writers over the years, and she has remained humble while becoming legendary in the dark fiction community.
Linda D. Addison is an American poet and writer of horror, fantasy, and science fiction. She grew up in Philadelphia and received a Bachelor of Science degree in Mathematics from Carnegie-Mellon University. Addison is the first African-American winner of the Bram Stoker Award, which she has won four times. The first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes (2001), and Being Full of Light, Insubstantial (2007). Her poetry and fiction collection How To Recognize A Demon Has Become Your Friend won the 2011 Bram Stoker Award for Superior Achievement in a Poetry Collection. She received a fourth Stoker for the collection The Four Elements, written with Marge Simon, Rain Graves, and Charlee Jacob.
Addison is a member of the Horror Writers Association and was “Poet Guest of Honor” at The World Horror Convention in 2005. She is currently poetry editor for Space and Time Magazine. Addison has also participated in Ellen Datlow’s Fantastic Fiction Reading Series at KGB Bar in NYC. And she is a founding member of the CITH (Circles in the Hair) writing group. For more information about Linda Addison, see her website.
Poems already recommended are listed here. (None at this writing; keep checking back.)
The Rhyslings were first established in 1978, named for the blind poet Rhysling in Robert A. Heinlein’s short story “The Green Hills of Earth.” Rhysling’s skills were said to rival Rudyard Kipling’s. In real life, Apollo 15 astronauts named a crater near their landing site “Rhysling,” which has since become its official name. Winning works are regularly reprinted in the Nebula Awards Anthology from the Science Fiction and Fantasy Writers of America. Rhysling Awards are considered in the speculative literature field to be the poetry equivalent of the awards given for prose— achievement awards given to poets by the writing peers of their own field of literature.
Addison is poetry editor for Space & Time magazine as well as an author and poet with over 300 poems and short stories in print.
Addison is the first African-American to win the Horror Writers’ of America Bram Stoker Award, which she has won four times. She won for poetry collections in 2001 for Consumed, Reduced to Beautiful Grey Ashes (Space & Time Books) and in 2013 for The Four Elements written with Marge Simon, Rain Graves, and Charlee Jacob (Bad Moon Books). She won for poetry in 2007 (tie) for Being Full of Light, Insubstantial (2007 Space & Time Books) and in 2011 for How To Recognize A Demon Has Become Your Friend short stories and poetry collection (2011 Necon E-Books). Her Dark Duet (Necon E-Books), a collaborative book of poetry written with Stephen M. Wilson was a 2012 finalist.
The Black Writers Alliance nominated her collection, Consumed, Reduced to Beautiful Grey Ashes, for its Gold Pen Award. Her work frequently appears on the Honorable Mention list for Year’s Best Fantasy & Horror (edited by Ellen Datlow, Kelly Link and Gavin Grant) and The Year’s Best Science-Fiction (edited by Gardner Dozois). She also has been nominated for a SFPA Rhysling award.
Addison has fiction in three landmark anthologies that celebrate African-American speculative writers: the award-winning anthology Dark Matter: A Century of Speculative Fiction (Warner Aspect), Dark Dreams I and II (Kensington), and Dark Thirst (Pocket Book).
She co-edited Sycorax’s Daughters, an anthology of horror fiction & poetry by African-American women (publisher Cedar Grove Publishing) with Kinitra Brooks and Susana Morris.
The World Fantasy Convention 2018 in Baltimore is a joint effort of The Baltimore Science Fiction Society (BSFS) and the Washington Science Fiction Association (WSFA). It will be held at the Marriott Renaissance Harborplace Hotel in Baltimore, Maryland, USA, Nov 1 – 4, 2018. The convention is chaired by Ann Marie Rudolph and Bill Lawhorn.
The Attending membership rate is currently $175. Registration options and more information about the World Fantasy Convention 2018 can be found on its website.
What advice would you give to new female authors looking to break into horror?
Read extensively across the genre. AND read extensively outside the genre. Write what you want to write how you want to write it. Don’t write as if your mother is looking over your shoulder; let the stories flow freely. If you need a story to be graphic, go there. And if you want a story to be more subtle and quiet, go there. Don’t feel that you have to write splatter/gore to prove yourself. And don’t feel you can’t write splatter/gore if the story demands it. Meet other writers – both female and male. Attend conventions or conferences if you can. Don’t be arrogant but be bold.
Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?
ED: I’ve won twice for original anthologies: Haunted Legends (with Nick Mamatas) and Fearful Symmetries and twice for The Year’s Best Fantasy and Horror (one of those with Terri Windling and one with Gavin J. Grant and Kelly Link).
As an editor I’ve been inspired by three people:
Maxwell Perkins, the mainstream editor of F. Scott Fitzgerald, Ernest Hemingway, and other American greats. He inspired me by his relationships with his authors-his nurturing and pushing them to create their best work.
Judith Merril, the great sf/f editor (and writer) inspired me by being generous in her definition of science fiction and her perspicacity in embracing mainstream writers works of the fantastic in her Year’s Best Science Fiction reprint series.
Harlan Ellison (also, a brilliant writer) for his two seminal anthologies Dangerous Visions and Again, Dangerous Visions. They broke boundaries, they smashed taboos and many of the stories in those books have become classics.
Do you think women in horror face more difficulties than their male peers?
PG: If you are talking about a woman who writes or edits, I think the challenges are about the same now in publishing as they are for a man. There are areas probably easier for a woman to break into; areas men will have an easier time. For women who write for the screen or direct, I think it is still hard to get a foot in the door.
I feel any woman creative who considers herself only “in horror,” though, may have a lot of difficulties of many kinds. I suppose it depends on what you want, but don’t confuse a very small, insular community for the world. If you want only to write for a limited audience and enjoy feeling you are part of a group of like-minded individuals—if that makes you happy, then that is great. But if you want to become a professional writer, then you need to avoid isolating yourself.
Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?
KK: Mr. Stoker has many friends in many places, so it’s always an honor to be able to say I won a Stoker Award: Dracula is an enduring symbol of the shocks and pleasures of darkness. And of course winning was a lot of fun, and the Dell Abyss list was a marvelous, groundbreaking group of writers.
Do you think women in horror face more difficulties than their male peers?
LA: It’s pretty clear in the wider world that women face more problems in fields where men dominate. I don’t have any personal experiences to point to because no one has treated me badly, but I have heard other women authors tell of having issues as horror writers. I’m glad there is an increase in conversation and attention about the need for inclusiveness on many levels of our field. Part of the challenge is convincing people to read/publish outside the names they are familiar with; this is happening slowly.
The gatekeepers (editors, publishers, agents, etc.) have a lot to do with evolving the horror landscape. Not only is there a need to be more aware of the need for diversity, but they also need to become more diverse.
I’m part of the HWA Diverse Works Inclusion Committee and we’re tasked with introducing the membership to creators in The Seers Table column of the monthly newsletter that they may not know about. It’s a way to put names and work out to members that they wouldn’t necessarily choose. I hope it’s making some impact.
Another project I’m involved in that I hope will introduce interesting new voices to the field is Sycorax’s Daughters, an anthology of 28 horror stories and 14 poems written by African American women writers, and edited by myself, Kinitra Brooks and Susan Morris from Cedar Grove Publishing. It is currently available for pre-order.
Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?
NE: Two of my Stoker-award-winning works, “Bigger than Death” (1998) and “The Power of Un” (2000), won in the “Work for Young Readers” category, which was very broadly defined. “Bigger than Death” is a short story, and “The Power of Un” is a novel. The rules surrounding works for young readers have changed since then. The category no longer exists. I also won the award in the short fiction category in 2004 for “Nimitseahpah.”
People seem particularly curious about where horror writers get their ideas. I’ve lost count of the number of times I’ve been asked about my sources of inspiration. I do have nightmares, and have had them all my life. They are certainly one source. But my stories more often revolve around the mysterious or inexplicable in everyday life. In “Bigger than Death,” a ghostly mother dog leads two children to her nest of puppies, still very much alive. “The Power of Un” examines questions about how a boy would change his past if he had that power. I wrote “Nimitseahpah” for an anthology about gargoyles. It didn’t make the cut, I think because I strayed pretty far from the usual definition of gargoyle. On the surface, it’s about a supernatural stone figure who guards an abandoned mine where a large number of miners lost their lives. Deeper down, it’s about a human boy who has an uncanny connection with the four traditional elements — air, earth, fire, and water. That story and several others which share the same setting were inspired by the weird desert landscape of Nevada, where I grew up….
Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?
MMY: Oh my goodness! I was the dorkiest award winner ever! I was so certain I wasn’t going to win that I wasn’t even paying attention and missed my name being called. I was wearing six inch heels and nearly tripped on my way to the pulpit. I didn’t have a speech prepared. I just grinned like a fool and garbled out a very sincere, heartfelt thank you before staggering back to my seat.
Winning put me on the map in a way that hadn’t happened before. People were interested in doing interviews and that was enjoyable. I had a few agents approach me instead of it happening the other way around. But what was most profound is that the award validated me in a very meaningful way. I had a friend say to me, “You’re a Bram Stoker award winner now. Your time is worthwhile. Work on what is important to you.” They were wise words. It’s almost as if that award gave weight to what I wanted to say. It was a nearly magical totem that gave me the power and courage to say no to some projects and stop stretching myself so thin.
The New York Review of Science Fiction Readings will host Space and Time Magazine’s 50th Anniversary Celebration on July 12. The magazine’s Hildy Silverman and Gordon Linzner will be joined by featured participants Linda Addison, Daniel Braum, Katherine Hasell, and Jack Ketchum.
The event takes place in The Brooklyn Commons at 388 Atlantic Avenue. Doors open 6:30 p.m.
To celebrate the Golden Jubilee for the world’s longest-running small press sf/fantasy fiction magazine, Barbara Krasnoff will interview founding editor/publisher Gordon Linzner and current editor/publisher Hildy Silverman. Contributors Jack Ketchum, Daniel Braum, Katherine Hasell, and poetry editor Linda Addison will do readings, and cover artist Alan F. Beck will display his artwork.
Gordon Linzner is the founder and editor emeritus of Space and Time Magazine. He is the author of three novels and scores of short stories in F&SF, Twilight Zone, and other magazines and anthologies; his latest appears in the new anthology Altered States. Hildy Silverman is the publisher and editor-in-chief of Space and Time Magazine. She is also the author of numerous works of short fiction, including The Six Million Dollar Mermaid for which she was a finalist for the 2013 WSFA Small Press Award (Mermaids 13, French, ed). In the “real” world, she is a Digital Marketing Communications Specialist at Sivantos, Inc..
Daniel Braum is the author of the collection The Night Marchers and Other Strange Tales. He has a story forthcoming in Space and Time Magazine. His website is Blood and Stardust.
K.L Hasell (Katherine) is an animator, actor, writer and editor who lives and works in NYC. She once made a weeping willow laugh. She never wears a watch because time is always on her side.
Dallas Mayr, better known as Jack Ketchum, is the recipient of four Bram Stoker Awards and three further nominations. Many of his novels have been adapted to film. In 2011, Ketchum received the World Horror Convention Grand Master Award for outstanding contribution to the horror genre.
Barbara Krasnoff has sold over 30 pieces of short fiction to a wide variety of publications (including Space and Time Magazine) and is working on a novel. She is currently Sr. Reviews Editor for Computerworld, and a member of the NYC writers group Tabula Rasa. She lives in Brooklyn, NY. Her website is BrooklynWriter.com.
This all began after 2009’s The Princess and the Frog underperformed at the box office. That film had a few notable issues — like a meandering story, in which the princess spent most of her time being a frog — but per the Los Angeles Times, Disney execs came to the conclusion that The Princess and the Frog didn’t attract an audience because boys didn’t want to see a movie about princesses.
With that in mind, Disney Animation’s next princess-centric feature went through an image makeover. Instead of Rapunzel, it would be called Tangled, and the marketing would center on the princess’ love interest Flynn Rider. Here’s the first trailer, released in 2010, which barely includes Rapunzel at all.
Let me explain my title to you. The British Home Counties surround London, where I live, and consists of Berkshire, Buckinghamshire, Essex, Hertfordshire, Kent, Surrey, and Sussex. I mention this apropos of probably the most well known of Britain’s science fiction novels: the apocalyptic War of the Worlds by Herbert George Wells.
The story is a veritable march through the Britain’s heartland, describing how the Martian tripods march from Woking in Surrey to Essex, wrecking all that’s nearest and dearest to the heart of the British people. Though I should point out that this was a very English-centred story (Scotland, Wales and Ireland are left out), and regarding the rest of the world or our former colonies, Wells has little to say.
War, arguably, was where British science fiction was born. I say “arguably” because Mary Wollstonecraft Shelley’s Frankenstein can probably lay claim to being the first British SF story; however, its roots seem to me to be more firmly in Gothic Horror. I believe that Wells set the scene for British SF in a way that Shelley’s story has so far not. Though perhaps now that we are in the swinging sixties, her influence will be felt more as women’s emancipation moves forward.
In case it wasn’t obvious from the excellent music choices for all of the trailers so far, Suicide Squad‘s soundtrack is set to be a major feature of the film. The full soundtrack listing for Suicide Squad: The Album has already been released, and features music by Panic! At The Disco, Creedence Clearwater Revival and Eminem, as well as a song called “Purple Lamborghini” which was written specifically for the film by Skrillex and Rick Ross.
With regards to “Purple Lamborghini,” we already know that Skrillex and Rick Ross filmed a music video with Jared Leto in his Joker costume – the song is, after all, named after his vehicle of choice. However, this isn’t the only tie-in music video to be released for the movie; twenty one pilots have just released their own, featuring the soundtrack song “Heathens,” which is set in Belle Reve (the maximum security prison where Task Force X are held before they are recruited by Viola Davis’ Amanda Waller) and features a few fragments of new footage from the movie.
We talked of how someone who earned a Bachelor of Science in Mathematics transforms into a four-time Bram Stoker Award winning writer, the way a chance encounter with Grand Master Frederik Pohl during a New York is Book Country Festival helped her make her first sale to Asimov’s, why this acclaimed horror poet has now decided to go from micro to macro and write a science fiction trilogy, and much more.
Transformed to a 19-year old, Ivy “Pamela” Pepper isn’t playing Selina Kyle’s sidekick anymore. With the Ted 2 actress now taking on the role, a newly confident and empower Pepper will be moving towards her poisonous persona and Bruce Wayne.
When we last saw her on Season 2 of Gotham, the foliage focused orphan who would become Batman villainess and eco-terrorist Poison Ivy was played by Clare Foley. Well, that’s about to change for Season 3 of the Fox series as Ivy has grown up and will now be portrayed by Maggie Geha, it was revealed today
(6) SHOUTING YOURSELF HORSE. Engaged by the discussion here of the huge battle in a recent Game of Thrones episode, Vox Day devoted a post to “The military geniuses at File 770”
It’s clear that neither the producers of the episode, nor Aaron, has any idea how cavalry was, and is, used on the battlefield. It is a secondary arm; it is the infantry that is “the queen of the battlefield”. Hollywood likes horses because they are exciting and dramatic, but one should never allow oneself to be misguided into thinking that the tactics one is seeing on the screen are even remotely reasonable, let alone realistic or historically plausible.
Dinner in the Sky, an aerial dining experience that takes place 150 feet above ground level, launched in Belgium in 2006 before swiftly bringing its gravity-defying dinners to cities around the world (Rome, Athens, Kuala Lumpur and Cape Town, to name a few). On July 1, Dinner in the Sky is making its LA debut and will continue hoisting ballsy diners via crane from the comfort of LA Center Studios in Downtown LA throughout July. Once in the air, a small staff will serve a four-course meal with a view, cooked up by chef Keven Lee (the Hollywood-based chef currently owns a private events company called My World on a Plate).
The actual elevated contraption looks like some kind of inverted roller coaster ride, with diners strapped into bucket seats and a waitstaff securely fastened with harnesses. Still, after hearing about this arguably insane endeavor, a couple crucial questions were raised in our office:
What if you have to pee?
What if you have to puke?
What if you drop your fork?
What if you get drunk and start a fight with your dining partner? There is literally nowhere to cool off.
If none of the above fazes you, maybe the pricetag will: the whole experience starts off at $399,
(8) TODAY’S BIRTHDAY GIRLS
June 22, 1947 – Octavia Butler
June 22, 1949 – Lindsay Wagner
(9) TODAY’S BIRTHDAY BOY
June 22, 1958 — Bruce Campbell
(10) THE MIGHTY AMAZON. You can stop wondering who will play the President in Supergirl – it’s Lynda Carter.
While the United States argues about whether the next president should be Hillary Clinton, Donald Trump or Bernie Sanders, at least we know DC Comics’ fictional world is in good hands.
The CBS TV series “Supergirl” (moving to The CW) announced today that Lynda Carter — best known for her role in the “Wonder Woman” TV series from ’70s — will be running the country (and hopefully having Supergirl’s back) as the president of the United States in the show starting in season 2, according to Variety.
(11) NIGHT OF GIANTS. The video has been posted of Stephen King’s visit with George R.R. Martin earlier this month in Santa Fe.
(12) HEALING ARTS. Nicola Griffith will have everyone wanting to sign up for her same medical plan
One of my new doctors is called Hou, pronounced Who. Things are looking up…
Ricky Gervais never misses the chance to excoriate his fellow Hollywood celebrities, but he may have met his match in Jiminy Glick. Gervais sat down with Martin Short’s fat-suited celebrity interviewer on this week’s episode of Maya & Marty, and was immediately thrown into the deep end. First, Glick called him “Steve Carell,” and then said he only remembered Gervais’ name because it sounded like “gingivitis.”
“It’s like a talking egg,” Gervais said of Glick. “Humpty Dumpty came to life.”
“Thank you, first of all, because I’m a big fan of that guy,” Glick said.
Glick responded by taking issue with Gervais’ British accent, comparing him to Dick Van Dyke in Mary Poppins and pirates.
“You know it’s not an accent I’m putting on? This is my accent,” Gervais said.
(14) APEX NOVELLA. E. Catherine Tobler’s novella The Kraken Sea has been released by Apex Publications.
Fifteen-year-old Jackson is different from the other children at the foundling hospital. Scales sometimes cover his arms. Tentacles coil just below his skin. Despite this Jackson tries to fit in with the other children. He tries to be normal for Sister Jerome Grace and the priests. But when a woman asks for a boy like him, all that changes. His name is pinned to his jacket and an orphan train whisks him across the country to Macquarie’s. At Macquarie’s, Jackson finds a home unlike any he could have imagined. The bronze lions outside the doors eat whomever they deem unfit to enter, the hallways and rooms shift and change at will, and Cressida – the woman who adopted him – assures him he no longer has to hide what he is. But new freedoms hide dark secrets. There are territories, allegiances, and a kraken in the basement that eats shadows.
As Jackson learns more about the new world he’s living in and about who he is, he has to decide who he will stand with: Cressida, the woman who gave him a home and a purpose, or Mae, the black-eyed lion tamer with a past as enigmatic as his own. The Kraken Sea is a fast paced adventure full of mystery, Fates, and writhing tentacles just below the surface, and in the middle of it all is a boy searching for himself.
(15) CALL FOR SUBMISSIONS FOR THE RAY BRADBURY READ. Steven Paul Leiva is urgently looking for proposals for this Bradbury-themed event August 22 in Downtown Los Angeles.
To be considered as a reader you must submit a proposal for a reading of a five-minute-or-under excerpt from one of Bradbury’s many works. The excerpt can come from any of Ray’s published prose and verse writings and should have a central theme, coherence, and completeness about it. More than one excerpt or poem can be read, as long as their reading time does not exceed five minutes. Excerpts from plays and screenplays will not be accepted.
You must submit your excerpt in a typed, double-spaced Word or PDF document. The date you are submitting the document should be at the top of page one, along with your name and contact information. Before the text of the excerpt, list the work it is from and, in the case of a story, essay, or poem, the collection you found it in. After the excerpt, you are more than welcome to add a few words of why you chose the excerpt and what it means to you.
Readers will be chosen based on what excerpts will make for the best possible program of readings for the afternoon, with a balance between the types and tones of Bradbury’s writings. In the case of duplicate excerpts proposed, if an excerpt is included in the program, the first submission of that excerpt will be chosen.
Submissions will be accepted between June 1 and July 15. Submissions should be sent as attachments to an email sent to Steven Paul Leiva at firstname.lastname@example.org. Readers will be chosen and informed by August 8.
The readers will be chosen by Steven Paul Leiva, the director of the Ray Bradbury Read.
(16) WORLD’S LARGEST NERF GUN. Speaking of weapons civilians don’t need, Mark Rober’s gun, which is powered by a 3000 psi paintball tank, shoots darts made from pool noodles and toilet plungers.
BONUS SILLINESS. This comes via Jim Rittenhouse —
[Thanks to John King Tarpinian, and Scott Edelman for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]