Tag Archives: Martha Wells

Pixel Scroll 5/14/25 First Shalt Thou Take Out The Holy Pixel

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(1) INAUGURAL CLIMATE FICTION PRIZE. “And So I Roar wins Climate Fiction Prize 2025”. The Climate Fiction Prize is a new literary prize that celebrates the most inspiring novels tackling the climate crisis. The Prize, worth £10,000, was awarded at a ceremony in London, on May 14.

Abi Daré has won the inaugural Climate Fiction Prize for And so I Roar (Sceptre, Hodder). The novel follows fourteen-year-old Adunni from her life in Lagos, where she is excited to finally enroll in school, to her home village where she is summoned to face charges for events that are in fact caused by climate change.

“A book of real energy and passion which both horrifies and entertains with a cast of compelling characters, a story of how the climate crisis can provoke social crisis where often women and children are the victims. Despite the tragedy, Abi Daré holds faith in the strength of individuals and relationships and her hopefulness leaves us inspired.”

– Madeleine Bunting, Chair of Judges

(2) MARTHA WELLS Q&A. Martha Wells did a Reddit r/television Ask Me Anything today. You can read the answers here: “This is Martha Wells, a four-time Hugo, two-time Nebula, and five-time Locus Award winner for The Murderbot Diaries, a book series published by Tordotcom. Ask Me Anything”.

Here’s one exchange.

BiasCutTweed

I have two pedantic world building questions I would love to ask though, if you’re game to answer:

  • Is there any sort of nominal governance structure in the Corporation Rim? Like just enough to support a judicial and monetary system, and the regulatory stuff that occasionally gets mentioned. I know Murderbot could absolutely give zero damns and it’s our narrator but I’m weirdly curious.
  • There are alien remnants everywhere but we never see any living advanced aliens. Do they exist? Might we ever?
  • And a show-specific question – did you/they ever consider Fleabag-style 4th wall breaks for Murderbot’s inner thoughts? Or would that be way too much eye contact for it?

marthawellswriter

  1. There is basically a committee structure that handles that stuff, with different people from various dominant corporations being appointed to it, and it works about as well as you might expect.
  2. They might still exist, but I don’t think I’d take the story in that direction.
  3. I think they did early on, because I saw some auditions that used it, but I actually think the voiceover works much better and I’m glad they went with it.

(3) WIL WHEATON’S FAVES. JustWatch has teamed up with sci-fi icon Wil Wheaton to spotlight his all-time favorite science fiction movies and TV shows in a newly released editorial feature on JustWatch.com.

In this exclusive Why to Watch editorial, Wheaton shares a curated list of titles that have shaped his lifelong love of science fiction. From intergalactic epics to overlooked cult gems, the collection offers fans a rare peek into the streaming watchlist of one of pop culture’s most enduring sci-fi personalities. “Wil Wheaton’s Top 6 Sci-Fi Movies & Shows That Are Not Star Trek”.

Here is perhaps his most obscure pick.

Sugar (2024)

Wheaton also loves the cult Apple TV+ series Sugar. “It’s one of the great sci-fi series of the last five years that I never really heard people talk about,” the actor says. The show is a noir thriller that blends in fantastic sci-fi elements and follows a private investigator (Colin Farrell) who has a secret of his own. “I loved it,” Wheaton continued, “I thought it was brilliant and extremely well-done.”

(4) APPOINTMENT VIEWING. Will British cultural icon ITV be sold? “ITV Sale Speculation: Inside Deal Everyone And No One Is Talking About” at Deadline.

If you’ve watched ITV’s The Assembly, you will know that it involves stars like Danny Dyer and David Tennant subjecting themselves to no-holds-barred questions from a captivating cast of neurodivergent interrogators. It makes for illuminating viewing, producing genuine revelations from its disarmed but obliging subjects, who enter the show in a spirit of openness. 

Far from the cameras, in a colorless room in the basement of London’s 11 Cavendish Square townhouse on Tuesday, ITV chairman Andrew Cosslett was similarly squirming in the face of questioning, with less comical results. Chairing ITV’s Annual General Meeting (AGM), Cosslett was grilled, almost heckled, by an angry shareholder demanding to know when the British broadcaster’s 78p share price will rise after flatlining for more than three years.

“This is not good enough, you must have some idea, you guys are very highly paid,” said the shareholder. Cosslett struggled to answer, reaching for what by now feels like an old fail-safe. “If you can explain to me what Donald Trump will do next, then maybe I could,” he said.

Questions around ITV’s sticky share price — Cosslett and ITV boss Carolyn McCall faced three during the 45-minute AGM alone — are inextricably linked to the constant mutterings around its potential sale. On this matter, ITV has been a little less forthcoming with answers than the celeb bookings on The Assembly. The company that gave the world Downton Abbey has been finding new ways to say “no comment” to inquiries about whether it will submit to suitors, including RedBird IMI and Banijay….

(5) MISSING BUT NOT NECESSARILY LOST. “Doctor Who archive legend says missing episodes ‘certainly’ exist in private collections” – quotes in Radio Times.

With 97 of the missing Doctor Who episodes still unaccounted for, Sue Malden, the BBC’s first archive selector who has worked to find episodes across the years, has assured fans that she believes some “certainly” still exist in private collections.

Twenty-six stories from the show’s first six years are currently incomplete, because the BBC erased or reused tapes in the 1960s and 1970s to save storage space and costs. In recent years some of these episodes have now been recreated via animation, as tapes of audio recordings have survived for every episode.

Still, there remains hope amongst fans that other full episodes could still exist to this day, something Malden has suggested is a very real possibility.

Speaking at the RECOVERED festival at the Phoenix Cinema and Art Centre in Leicester, hosted by Film is Fabulous!, Malden was asked about the current situation regarding missing Doctor Who episodes.

Malden said: “As far as Doctor Who goes, we do not have a statement or anything to make at the moment. We do know fairly certainly that there are episodes missing in private collections. Some members of the Film is Fabulous! team are in a considerably significant position to help on that.”…

(6) FINAL MISSION:IMPOSSIBLE. [Item by Mike Kennedy.] My summary: Mostly glowing reviews, especially about the action sequences. Some grumbles about the runtime and convoluted plot. “Mission: Impossible The Final Reckoning First Reactions” in the Hollywood Reporter.

“Tom Cruise has done it again!” That’s the very early verdict from press screenings for the Hollywood icon’s latest film, Mission: Impossible – The Final Reckoning, with the film variously described as “astonishing,” “jaw-dropping,” “insane” and the “action movie of the summer.”

Following a series of press screenings, first reactions to Final Reckoning are hitting social media after the embargo lifted on Monday night. The social media reactions come ahead of official critics’ reviews, which drop on Wednesday.

The eighth film in the long-running Paramount Pictures spy action franchise, Final Reckoning has a lot riding on it for the studio as well as the domestic box office. In November 2024, The Hollywood Reporter reported that the project has had a long and difficult journey, with a budget approaching a hefty $400 million amid production delays — partly due to the 2023 Hollywood strikes — making it one of the most expensive films ever made….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 14, 1944 — George Lucas, 81.

By Paul Weimer: To talk about George Lucas for me is to first talk about Star Wars. 

Star Wars lurked in my imagination long before seeing any of it. I didn’t see Star Wars in the theater but my younger brother and I got a joint Christmas gift of a Death Star playset, and a few action figures. We only had the commercials for the set to go on, not Lucas’ own vision, and so our playing of the set led to very strange scenarios having nothing to do with the movie. 

It would not be until 1983, and Return of the Jedi, that I saw a George Lucas movie at all, and in the theater. I saw the magic of his world, having only the fuzziest idea of the first two movies, but I was swept along. This shows the power of Lucas harnessing the power of serial fiction to allow watchers to get in on the action quickly. This is something the Marvel cinematic universe could still learn from Lucas today. It’s not just the crawls at the beginning, its the economy of storytelling, the establishment of characters that let you hit the ground running. 

Like Star Wars, I missed the first Indiana Jones movie in theaters, but did see Temple of Doom (Lucas did not direct but his story was the basis of the film). And of course, too, Indiana Jones and the Last Crusade.  Same principle applies. Early Lucas knew the power of crafting episodic sequels and making them work. 

In keeping with those films, Lucas was also responsible for getting me hooked into the idea of the Hero’s Journey, since I read the Joseph Campbell book The Power of Myth thanks to Lucas’ forward in the book. Sure, the Hero’s Journey is a very outdated, patriarchal and restrictive story framework but it was my first real engagement with the nature and form of stories. Lucas helped introduce me to that whole new world. 

However, I would not see another Lucas directed film until the late 1990’s…but that is another story, one that deserves its own entry.

George Lucas with his wife, Mellody Hobson

(8) COMICS SECTION.

  • Bliss has a child “helpfully” point something out.
  • Mike de Jour finds that word doesn’t mean what you think it means. 
  • Mutts – did he answer the question? 
  • Rubes can’t come up with an original excuse. 
  • Wumo might be an annoying fan. 

(9) DE-RE-BRANDING. The Hollywood Reporter says “Warners Is Changing Max’s Name Again — Back to HBO Max”. Sigh. Please just make up your mind.

… Thirty minutes into Wednesday’s Warner Bros. Discovery upfront, Bloys revealed the name change to media buyers. The news was met with laughter, light applause and exactly one whistle. Bloys did follow with a solid joke: “I know you’re all shocked, but the good news is I have a drawer full of stationery from the last time around.”…

(10) COMMUNITY RESPONDS TO BOOK BURNING. “Man burns 100 library books on social media; residents donate 1,000 more” on News 5 Cleveland.

Members of an Interfaith Group Against Hate (IGAH) gathered outside a Northeast Ohio church to stand united against hate. This comes after reports that a man checked out 100 books related to race, religion, and LGBTQ+ topics from the Cuyahoga County Public Library in Beachwood — then burned them in a video posted to social media.

View the news video here.

(11) IRONHEART. Gizmodo lets everyone know “Finally, the First Ironheart Trailer Is Here”.

… Black Panther: Wakanda Forever introduced audiences to Riri Williams (Dominque Thorne), an MIT genius who built her own Iron Man-esque armored suit and helped the Wakandans fight the Talokanil.

She may have left her suit behind in Wakanda, but she hasn’t given up trying to make new ones that truly establish her as the next big talent. While back home in Chicago, she crosses paths with Parker Robbins (Anthony Ramos), a misfit with a hood that lets him use dark magic and wants her to be a part of what he’s building up. Things seem good at first, but once she starts getting wise to the shadier parts of his dealings, Riri’s gotta armor up and protect Chicago and her loved ones….

(12) SUPER TRAILER PARK. “Superman’s Full Trailer Gives Us Our Best Look Yet at DC’s New Era” reports Gizmodo.

…[James] Gunn teased the trailer on social media as the “full trailer” he’d been “waiting too long to share.” And indeed, we see Superman facing off with an array of baddies, including a giant scaly monster and several supervillains—including, most intriguingly, a smirking Lex Luthor. He also stops a war and gets in trouble for it with the U.S. government, and gets grilled about it by the toughest journalist he knows: Lois Lane, who definitely knows Clark is Superman this time around…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/10/25 We Are The Pixel Scroll Preservation Society

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(1) ANOTHER MURDERBOT CLIP. Murderbot premieres May 16 on Apple TV+. Martha Wells noted on Bluesky, “If you can’t see it, this makes it clear that Murderbot doesn’t have nipples or a bellybutton.”

In a high-tech future, a rogue security robot (Alexander Skarsgård) secretly gains free will. To stay hidden, it reluctantly joins a new mission protecting scientists on a dangerous planet…even though it just wants to binge soap operas.

(2) MARTHA WELLS Q&A. At IZ Digital: “Out of Trauma”.

Author and reviewer Dr Kelly Jennings spoke to Martha Wells about creating Murderbot, engendering empathy, and the after-effects of trauma….

Kelly Jennings: I’ve been struck, especially in the new novel, System Collapse, by how Murderbot is shaped by the traumatic event/s in its past, and how it reacts to that trauma. In Witch King, Kai also is shaped by past trauma, and reacts out of that trauma. Do you have a special interest in trauma, or is this just thematic happenstance?

Martha Wells: My father was a World War II veteran who was in a Nazi prison camp and was wounded in a way that affected him for years afterward. So basically I grew up observing PTSD and the after-effects of trauma, and how it affects other people in the individual’s life, how it changes over time. I’ve also dealt with things of my own that have made me think a lot about emotional trauma and all the repercussions of it. It affects everything I write. I also do a lot of research on it, listening to people talk about their own experiences.

Kelly Jennings: Somewhere I read – it may have been on your Reddit AMA? – that by deliberately making a universe in which constructs like Murderbot can be classed as ‘not people’, you want your readers to think about how our cultures, in the actual world, do that as well – classify various groups as ‘not people’. Can you talk about that a little?

Martha Wells: I think it’s one of the most important uses of fiction, to try to engender empathy and understanding for people in situations that are not things the reader has ever encountered. To understand the power dynamics the reader might be part of, and how these dynamics affect other people who don’t have the same advantages, or who might be trapped in systems they can’t escape. I don’t know how much it helps, but creating a little bit of understanding and context through fiction is better than none.

Obviously it also helps to see people like yourself in fiction, or to use it to process trauma, or contextualise terrible events, etc….

(3) ABOUT SHOPPING OPTIONS. Agent Richard Curtis has started a Substack column called Inside Agenting. The latest installment is “What Part Of ‘No’ Don’t You Understand?”

…What I have just described is commonly known in the book and film world as a shopping option. It literally entitles the producer to “shop” your book free of charge to the movie and television industry. If they are smart or lucky or clever they will manage to round up the various elements and persuade them to commit to the project.

In my experience the chances of succeeding are slightly poorer than buying a winning ticket in a billion dollar lottery. For which reason I have resolutely turned down every such offer. I explain to producers that for the privilege of renting my client’s property for a year or eighteen months, some expression of commitment in the form of dollars – even a token – is mandatory. When this request elicits a “Sorry No Can Do” I terminate the discussion with the suggestion they go to YouTube and watch Harlan Ellison’s immortal rant “Pay The Writer”.…

(4) STATES EFFORT TO SAVE INSTITUTE OF MUSEUM AND LIBRARY SERVICES. “States Challenge Trump’s Effort to Dismantle Library Agency” – the New York Times has the story. (Behind a paywall.)

A coalition of 21 state attorneys general filed a lawsuit on Friday challenging the Trump administration’s efforts to dismantle the federal agency charged with supporting the nation’s libraries.

The lawsuit, brought by the attorneys general of New York, Rhode Island, Hawaii and other states, was filed days after the agency, the Institute of Museum and Library Services, put its staff on leave and began cutting grants. The suit argues that the steep cuts there and at two other small agencies violate both the Constitution and other federal laws related to spending, usurping Congress’s power to decide how federal funds are spent.

The other agencies cited in the lawsuit are the Minority Business Development Agency and the Federal Mediation and Conciliation Service. They were among the seven agencies targeted by President Trump in a March 14 executive order titled “Continuing the Reduction of the Federal Bureaucracy,” which directed that they be reduced to the “maximum extent consistent with applicable law.”

The move against the library agency has drawn particular outcry. Dozens of library groups have issued statements condemning it as an attack on institutions that serve a broad swath of the public in every state. Letitia James, the attorney general of New York, said in a statement that the targeting of the three agencies was “an attack on vulnerable communities, small businesses and our children’s education.”…

…The library agency, created in 1996 and reauthorized most recently in 2018 in legislation signed by Mr. Trump, has an annual budget of nearly $290 million. It provides funding to libraries, museums and archives in every state and territory, with the bulk going to support essential but unglamorous functions like database systems and collections management.

Its largest program delivers roughly $160 million annually to state library agencies, which covers one-third to one-half of their budgets, according to the Chief Officers of State Library Agencies, an independent group representing library officials.

(5) WHY WAIT? Camestros Felapton has all the ingredients of his Hugo Voter Packet entry available immediately: “Packet!”

…Anyway, I just picked longer things that I liked and put them in random order and explained in the introduction that there are typos and that they add character….

(6) OCTOTHORPE TRANSCRIPT NOW LIVE. Episode 132 of the Octothorpe podcast was linked here the other day before its transcript went online. So we’re letting everyone know the Octothorpe 132 transcript link now works.

(7) HAN GREEDO NOBODY FIRED FIRST. Whatever you may think about the improvements George Lucas has made to the film in the intervening years, this is a rare opportunity for Britons to see in a theater the original version: “Star Wars: Original 1977 release to be screened in London by BFI” reports the BBC.

The original 1977 cinematic release of Star Wars will be shown on the big screen this summer in London, marking its first public screening in decades.

The original version of the sci-fi blockbuster will be shown as part of the British Film Institute (BFI)’s Film on Film festival on 12 June.

The BFI said this version of the film is rarely publicly screened since George Lucas’ produced special editions were released in the 1990s, altering some plot points and adding other CGI characters.

Today, only the updated versions are available on official streaming platforms and Blu-ray, making screenings of the film’s original cut rare….

…Lucas’s changes to key plot points, including the addition of Jabba the Hutt and other special effects upgrades, have long divided fans.

The most controversial revision was the scene where Harrison Ford’s Han Solo shoots dead bounty hunter Greedo.

In the original version, Solo shoots first. However, the 1997 re-release changed the scene to show Ford’s character responding in self-defence.

The scene underwent further edits, with other versions of the film showing the pair firing at the same time….

(8) PETER WATTS Q&A. [Item by Do-Ming Lum.] My photo of Toronto-based SF author Peter Watts was published in Peter’s interview with Forbes Magazine (website only, sadly not the print edition). The interview is by Ollie Barder, and was mainly driven by Peter’s story which formed the basis of the “Armored Core” segment in the streaming series “Secret Level”. “Peter Watts On ‘Blindsight’, ‘Armored Core’ And Working With Neill Blomkamp” in Forbes.

…“I wrote all through high school and three university degrees without making a single sale. Got lots of positive feedback, mind you; I once got rejected by a magazine I’d never even sent a story to (Analog; the editor at Asimov’s sent it on to them on my behalf). I took their “we’re interested in seeing more of your work” to heart and sent them everything I wrote over the next decade. Only in hindsight did I realize that Analog’s rejections, initially long, detailed, and encouraging, were getting ever shorter and more generic over time, which suggests that I was getting worse with practice. The most frequent criticism I got was some variant of “this is really well written but it’s awfully depressing. Could you maybe bring in some clowns?”

“I didn’t get a single thing published until I was thirty-one, and even that was in some small press no one had ever heard of. (That same story got me my first form-rejection slip from Analog, completing my trajectory from Promising Acolyte to Slush-Pile Reject.) From that point on, I started getting published semiregularly in small mags and semi-pros. To this day, I’ve never got a story into any of the big US traditionals. I stopped even trying back around the turn of the century.

(9) KERRY GREENWOOD (1954-2025). The creator of the Phyrne Fisher mysteries, Kerry Greenwood, died March 26 at the age of 70 reports the Guardian.

Australian author Kerry Greenwood, best known for her Phryne Fisher murder mystery novels, has died at the age of 70 after an illness.

She was given “a suitably royal send-off” at a small service in Melbourne’s Yarraville on Sunday, according to her partner, writer David Greagg.

Greenwood, who lived in nearby Seddon, died on 26 March. Greagg, posting on Greenwood’s official facebook page on Monday, said he had refrained from making a public announcement until after the service….

…Greenwood wrote the first Miss Fisher novel, Cocaine Blues, in 1989, and over the following three decades, went on to write 22 more. Immensely popular, the series spawned a hit ABC television show starring Essie Davis, which ran for three seasons, the first of which was picked up in more than 73 territories worldwide. It was followed by the 2020 film, Miss Fisher and the Crypt of Tears, and the 30-episode Chinese series, Miss S.

In 2003, Greenwood was given the Ned Kelly Lifetime Achievement Award, recognising her “outstanding contribution” to Australian crime writing, and in 2020, awarded the Medal of the Order of Australia for services to literature….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 10, 1957 — John M. Ford. (Died 2006.)

By Paul Weimer: John M. Ford has, sadly after his passing, become one of my heart writers. Years ago, I came across one of my favorite novels, period, The Dragon Waiting. Possibly one of the best alternate history novels ever written and simultaneously introduced me to a new point of view on Richard III. This is a viewpoint I would later expand upon by discovering the Ricardians, but it was Ford who first showed me the idea in print. Also, The Dragon Waiting has the best “You meet in a tavern” scene I’ve ever read.

It was not until I started going to 4th Street Fantasy con, of which he is practically a patron saint, that I really have grasped just how widely broad his work really is. Space Opera? Early Cyberpunk? Urban Fantasy? The writer who Ford reminds of, today, is Walter Jon Williams: a ferocious and restless talent. And Ford was taken from us all too soon. His last and incomplete novel, Aspects, a steampunk-esque fantasy novel only cements that sentiment. It’s brilliant…what we have of it.  

Ford’s work is not for everyone. It is work that not only rewards close attention, it demands it in order to enjoy it. In that way, if we wanted to reconstruct Ford, in addition to Walter Jon Williams, we’d add a lot of Gene Wolfe as well.

Finally, Ford’s writing and style also has more than a touch of the mythic and definitely the poetic. There is joy in reading his work line by line, be its setting or sharp dialogue. So to complete this reconstructIon, add a helping of Roger Zelazny as well.

But the language, the poetry, the vigor with which Ford wrote is sui generis. So, really even trying to combine him as I suggested above like this would not, in the end, be enough. You could not complete the man and his work.

Given my love of these three writers, now you see why Ford is one of my favorites. And taken from us all too soon. I wish I had met him. 

It’s never too early to try a John M. Ford novel. And given how many have come back into print lately, there IS a John M. Ford novel out there, for you.

John M. Ford portrait, January 2000. By David Dyer-Bennet. CC BY-SA 2.5

(11) COMICS SECTION.

(12) ASTRONOMICON 8. There’s a large number of cosplay photos in “Everything we saw at Astronomicon 8 in Ypsi [PHOTOS]” at Metro Times.

Pop culture fans packed the Ann Arbor Marriott Ypsilanti at Eagle Crest for Astronomicon 8. Twiztid and Majik Ninja Entertainment hosted a plethora of artists, vendors, and celebrity guests, including Bruce Campbell, Tommy Chong, wrestlers Sting and Danhausen, the cast of My Name is Earl, and the voice actors of Rick and Morty, among others.

(13) RE (DISNEY+) DAREDEVIL: BORN AGAIN EPISODE 8 TITLE, “ISLE OF JOY”. [Item by Daniel Dern.] “Isle of Joy | Marvel Cinematic Universe Wiki”. In case you don’t already know, “Isle of Joy” is (I presume) a quote from the Rogers & Hart song “Manhattan” aka “We’ll Have Manhattan”

I’m guessing the title is used ironically.

Here’s Ella Fitzgerald singing it (don’t yet know whether she or anyone is singing the song in this episode, haven’t watched it yet) and here’s the lyrics (“Isle of Joy” is at end of verse #2)

It would be easy to do a list/article on “great song lyric lines about NYC.

This song includes “Tell me what street/compares with Mott Street”

From On the Town, there’s, of course, “The Bronx is up and the Battery’s down.”

(14) HIVEWORKS ANNOUNCEMENT. [Item by Jim Janney.] A bit of a followup to the Saturday Morning Breakfast Cereal announcement from the March 5 Scroll. Hiveworks is shutting down its publishing and online store and returning rights to artists. “Hiveworks Comics announces it will end print, publishing division” at The Comics Journal.

 Hiveworks Comics is winding down operations over the course of 2025 to focus primarily on its web services: hosting, ads, and technical support for webcomic artists.

Its print and publishing division, which include producing, licensing, marketing, and distributing comics, will close. All comics for which Hiveworks has printing and publishing rights are being released back to their creators.

Hiveworks will complete fulfillment for several outstanding comic crowdfunding projects, after which its crowdfunding services will cease. Warehouse services for artists will also cease, and Hivemill, its managed storefront, will be limited to print-on-demand services and sale of products purchased wholesale from artists….

(15) VARIATION ON A THEME. “Red Sonja: Steampunk Legend Epic H.A.C.K.S. action figure revealed by Boss Fight Studio”. More photos at the link.

Coinciding with the release of its Red Sonja 50th anniversary figure, Boss Fight Studio has announced that the She-Devil with a Sword is returning to the 1:12 scale Epic H.A.C.K.S. line with Red Sonja: Steampunk Legend, inspired by the character’s appearance in Dynamite Entertainment’s Legenderry Red Sonja: A Steampunk Adventure. The collectible is available to pre-order now, priced at $66.99; check it out here…

(16) OLD MEMORIES. It wasn’t easy to deliver “Voyager’s 15 Billion Mile Software Update”. For one thing, there aren’t as many programmers who know the Fortran and Assembly languages as there were in the days when computing was young.

Have you ever wondered how NASA updates Voyager’s software from 15 billion miles away? Or how Voyager’s memories are stored? In this video, we dive deeper into the incredible story of how a small team of engineers managed to keep Voyager alive, as well as how NASA could perform a software update on a computer that’s been cruising through space for almost half a century. So tune in to learn more about Voyager’s 15 billion mile software update

(17) A CLASSIC PICNIC. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at Media Death Cult, has re-posted one of his vids on a Strugatsky Russian classic… Roadside Picnic  — “The SF Masterwork which made it through the Iron Curtain”.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Thomas the Red, Jim Janney, Michael J. Walsh, Daniel Dern, John Coxon, Do-Ming Lum, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 4/9/25 Do Not Scroll Gentle In That Good File, Pixels Should Burn And Rave At End Of Thread

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(1) MURDERBOT TRAILER. Murderbot premieres May 16 on Apple TV+.

It’s rogue. It’s powerful. It would rather be watching TV. Based on the award-winning, best-selling series by Martha Wells, Murderbot follows a rogue security unit as it searches for the meaning of life.

(2) BABELING ABOUT BOOKS. Starship Alexandria is a new podcast by Emma Newman and Adrian Tchaikovsky.

The Sci-fi and Fantasy podcast from the best of futures!

In this future, humanity has solved its problems and is now sending spaceships from Earth, not in a desperate attempt to escape the apocalypse but because we can do so in a spirit of hope and exploration. 

As a part of the Starship Alexandria Project, the far-future analogues of 21st century authors Emma Newman and Adrian Tchaikovsky have been tasked to make recommendations from the ship’s vast library of creative works based on the preferences of our 21st century counterparts.

Each of us will take it in turns to nominate a book, film or similar work, and the other will play judge and give the thumbs up or thumbs down to be recommended across the fleet.

Because despite the great technological advances that have made this grand journey possible, space travel can still take a while and everyone can benefit from a good recommendation. 

Starship Alexandria episode 1 is “The Kraken Wakes”.

For this very first episode of Starship Alexandria, Emma puts forward John Wyndham’s classic SF novel The Kraken Wakes (1953) for Adrian to read and consider (published in the US as Out of the Deeps.) 

Bonus episodes and other material are available for those who subscribe to the Starship Alexandria Patreon.

(3) MAKING A STATEMENT. Jeremy Szal forwarded the post he’s written making clear his stance on AI/LLM. Szal is also included in the Kadrey v. Meta class action lawsuit. “Statements on AI”.

Without in any way limiting the author’s and his publisher’s exclusive rights under copyright, it is expressly prohibited to use any of the author’s works to “train” generative artificial intelligence (AI) technologies to generate text. The author reserves all rights to license uses of his works across any platforms.

In addition, it is expressly prohibited to upload any part of any of this author’s work to any generative AI programs (including but not limited to Meta, ChatGPT, etc).

Any violation of these rights are infringing on copyright law (Copyright Act 1968, to name but a few examples) and may be subjected to prosecution, not including the ongoing class action lawsuit in Kadrey v. Meta – of which the author is already included.

The author also asks that no one “create” AI-generated fan-art, fanfiction, or any kind of material, based on or inspired by his works. Any emails containing such “art” will be deleted unread.

******

I will also decline to wittingly blurb or support any books that were written, in part or as a whole, with generative AI. The waters here can be murky, but if any text in the book was not written by a human, and instead was written by a machine/LLM, then I have no interest in reading it, or anything that the author ever writes.

 Art is human expression created by human hands. That matters to me, and that will always matter to me, so I will give no quarter to machine-generated slop. That is my ongoing stance.

(4) A WRITER OVERCOMES. “Butt in the Chair: How Disability Changed My Writing Habits” by Catherine Tavares at the SFWA Blog.

It’s spring 2023. My desk is clean, my laptop on and humming along like a charm. It’s open to a brand new Scrivener file, and I have three hours free to work on my stories.

Only, I’m not in the chair writing. I’m on the floor in agonizing pain.

In the years since that day, there have been many doctors, tests, and treatments that have all led to the same disappointing diagnosis: unexplained, chronic nerve pain. On a good day, that means a hot, tingling buzz radiating from my hips on down. On a bad day, it’s like the entire lower half of my body is being scraped raw by fiery sandpaper.

That day, I could not sit, and just like that, I could not write.

A common bit of writing advice given to authors is to just “get your butt in the chair” and write. For a long time, that advice worked for me, and I built my habits around spending hours at my desk, not getting up until I met my goal. My desk was my writing haven; the mere act of sitting down triggered creativity, productivity, and joy.

But as the days of unending pain dragged into weeks and months, my haven became a horror….

… If I could hack my own brain, I figured, then I could most certainly hack my own writing process.

I did so, inspired by a mental health exercise called Internal Family Systems Therapy. I enjoyed IFST because it let me do what I do best: create characters, assign them roles, and take them on a journey together. IFST helped me through a lot of the trauma of disability, and it also made me realize just how much work I can do inside my own head—no desk or chair required.

In the wake of that breakthrough, I abandoned Team Pantser for a term I am making up just now: Team Daydreamer. When I’m in the shower, lying in bed, eating a meal, exercising, I meditate on my stories. I plan out the plots, worlds, characters, compose entire scenes word-for-word—all before I ever actually get my butt in the chair to write. And when I do finally get to my desk, with half the story work already done, I can spare the attention my body needs and have a productive session well within my pain limits.

I can finally physically and mentally write again….

(5) LAGNIAPPE. Dina shares “My Thoughts on The Hugo Award Finalists 2025” at SFF Book Reviews.

Isn’t it lovely when there’s a Hugo finalists announcement without too much fuss? I said this last year already, but after living through the Puppy Years and then witnessing the shit show that was the Chengdu Worldcon Hugo Awards, I always release a breath of relief when the finalists are… just normal….

Dina punctuates the ending of several categories with a recommendation about something she wishes had been a finalist, like this novella —

Books I wish were here:

Once again, let me tell you about the amazingly talented Moses Ose Utomi, who blew me away with The Lies of the Ajungo and then followed that novella up with one that’s just as great, The Truth of the Aleke. I nominated it, of course, and I will probably love and nominate the third in the trilogy next year. Man, do I wish this book was on the ballot, as it would be an easy number one spot. Since it isn’t, let me urge you to pick up the first book. It’s suuuuper short.

(6) WEIRDLY SUSPICIOUS. Christopher Lockett looks at his course outline with a Trumpian eye: “Curriculars: The Relative Weird, Part One—Horror as Privilege” at The Magical Humanist.

…Growing up, we were often taught that Canada and the U.S. share “the longest undefended border in the world.” That was always spoken with pride and approbation. Lately, I’m finding those words resonating in my mind with something less than the spirit of national confraternity, and something more like the spirit of paranoia.

This sense is exacerbated by the spectacle of the anti-“D.E.I.” jihad currently scouring government databases and websites, the first salvoes against universities, and most recently against museums and parks (and, bizarrely, zoos). The March 27 executive order about this last category employs language—such as that about removing “improper ideology” from the Smithsonian and elsewhere—reads like the Project 2025 crowd considered Orwell’s 1984 as a useful guide rather than a cautionary tale…

… In my fourth-year course “The American Weird,” I must imagine that my first three weeks would have passed muster, as we did a selection of stories by H.P. Lovecraft. As I talk about at length in my earlier post “The Trumpian Weird,” Lovecraft’s particular brand of racist ideation, in which threats to White subjectivity are allegorized by the monstrous and eldritch, is perfectly consonant with MAGA’s White nationalism. But after that? Well, I can’t imagine any of it would remain un-purged.

Last time I talked about my American Weird class in this space, I outlined a very rough breakdown of contemporary weird fiction: the banal weird, the relative weird, and the utopian weird. As I noted in that earlier post, the banal weird doesn’t tend to make for great storytelling (unless you’re China Miéville), but it is something we constantly encounter in reality, as at the root it’s about our apparently bottomless capacity to normalize the unthinkable. We don’t get Trump 2.0 without the banality of Weird. And, ironically, it is the forces that animate and facilitate Trumpism that make what I’m terming the Relative Weird a particularly significant iteration of Lovecraftian fiction…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 9, 1937 — Marty Krofft. (Died 2023.)

H.R.Pufnstuf.
Who’s your friend when things get rough?
H.R. Pufnstuf.
Can’t do a little, ‘cause he can’t do enough

Who here didn’t grow up watching some of the shows created by the Krofft brothers? Well, this is the day that Marty Krofft was born, so I get to talk about their work. Let’s get started.

Their very first work was designing the puppets and sets for Banana Splits, a rock band composed of four animal characters for Hanna-Barbera.  To get a look at them, here’s the open and closing theme from the show.

After working for Hanna-Barbera, they went independent with the beloved H. R. Pufnstuf, their first live-action, life-sized puppet series. It ran a lot shorter than I thought lasting only from September to December of ‘69. Like everything of theirs, it ended up in heavy, endless syndication.

Next was The Bugaloos. This was a musical group, very much in keeping with the tone with Banana Splits. It was four British teenagers wearing insect outfits, constantly beset by the evil machinations of the Benita Bizarre. Here’s the opening song, “Gna Gna Gna Gna Gna” courtesy of Krofft Pictures.

Sigmund and the Sea Monsters lasted two seasons though it was aired over three years, the second delayed because a fire at the beginning of season two which destroyed everything. It’s about two brothers who discover a friendly young sea monster named Sigmund who refuses to frighten people. Poor Sigmund. This time you get a full episode as that is all Krofft Pictures had up, “Frankenstein Drops In”

There’s two more series I want to note. 

The first is Land of the Lost which was created though uncredited in the series by David Gerrold. So anyone know why that was? It was produced by Sid and Marty Krofft who co-developed the series with Allan Foshko. Lots of genre tropes here. A family lost in a land with dinosaurs and reptile men? It was popular enough that it lasted three seasons. And here’s the opening and closing credits for season three.

The very last pick by me is Electra Woman and Dyna Girlwhich lasted but sixteen episodes of twelve minutes. Despite the ElectraEnemies, their foes here being way over the top, this is SF though admittedly on the pulp end of things. 

(8) COMICS SECTION.

(9) SPACE COWBOY BOOKS ONLINE READING. On Tuesday April 22 at 6:00 p.m. Pacific, Space Cowboy Books will host an online reading and interview with Ai Jiang. Register for free HERE. Get your copy of A Place Near the Wind HERE.

From a rising-star author, winner of the both the Bram Stoker® and Nebula Awards, a richly inventive, brutal and beautiful science-fantasy novella. A story of family, loss, oppression and rebellion that will stay with you long after the final page. For readers of Nghi Vo’s The Empress of Salt and Fortune, Neon Yang’s The Black Tides of Heaven and Kritika H. Rao’s The Surviving Sky.

Liu Lufeng is the eldest princess of the Feng royalty and, bound by duty and tradition, the next bride to the human king. With their bark faces, arms of braided branches and hair of needle threads, the Feng people live within nature, nurtured by the land. But they exist under the constant threat of human expansion, and the negotiation of bridewealth is the only way to stop— or at least delay—the destruction of their home. Come her wedding day, Lufeng plans to kill the king and finally put an end to the marriages.

Trapped in the great human palace in the run-up to the union, Lufeng begins to uncover the truth about her people’s origins and realizes they will never be safe from the humans. So she must learn to let go of duty and tradition, choose her allies carefully, and risk the unknown in order to free her family and shape her own fate.

(10) LET ROVER COME OVER. “Lunar Outpost unveils sleek new ‘Eagle’ moon rover” at Space.com.

Colorado-based Lunar Outpost just unveiled its new “Eagle” moon rover at the Space Foundation’s 40th annual Space Symposium here, and it looks straight out of science fiction. Sporting a sleek metallic finish and ice-blue LED lighting, the Eagle rover turned quite a few heads on the expo floor this year. But Eagle boasts more than just futuristic looks.

The rover is packed with features designed with the next generation of Artemis program moon explorers in mind and is based on feedback from current NASA astronauts at NASA’s Johnson Space Center, according to Lunar Outpost’s A.J Gerner….

… In the configuration shown here at the symposium, the Eagle vehicle features two seats for crew, each with its own redundant and mirrored controls, meaning either astronaut can control the rover. The steering controls on each side consist of a single handle that controls four individual motors that drive each wheel. Each wheel can turn independently of the other three, allowing the Eagle rover to turn on its center axis or “crab walk” sideways, Gerner said…. 

(11) TARDIGRADE MOTION. [Item by Steven French.] If we really do want to go to Mars, perhaps we need to pay less attention to a certain billionaire and look more closely at the ‘water bear’ (recently voted Invertebrate of the Year by Guardian readers): Want to know how to survive in space? Ask a tardigrade (phys.org) at Phys.org.

The 2025 Lunar and Planetary Science Conference, which took place from March 10–14 in The Woodlands, Texas, witnessed some very interesting proposals for space exploration and science. In addition to bold mission concepts, scientists presented exciting opportunities for potential research that addresses major questions. Not the least of which was “How can humans survive in space and extraterrestrial environments”? One study in particular presented how the study of tardigrades could help address the challenges involved….

[Thanks to Kathy Sullivan, Lis Carey, Teddy Harvia, N., Jeffrey Smith, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day johnstick.]

Pixel Scroll 4/7/25 That Sound? Either The Music Of The Spheres, Or Of An Infinity Of Pixels

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(1) HUGO VOTE TOTAL UPDATE. Today Hugo Administrator Nicholas Whyte issued a correction. The correct number of total Hugo Award nominating votes is 1,338.

(2) MURDERBOT PRODUCTION NEWS. Martha Wells is posting photos taken by Troyce on the Murderbot set at Bluesky. That’s in addition to the “First Look” photos in the following article which she warns is “spoilery”.

“’Murderbot’ Would Hate You—But That’s Why You’ll Love It” promises Vanity Fair.

… While the title might make the show sound like a hard-edged thriller, it’s more like a workplace comedy about hating what you’re good at. Skarsgård’s character is the unwitting straight man—or rather, straight…thing. (Though it looks like a man, Murderbot prefers the neutral pronoun because it is proud to be an object rather than a person.) It regards the small group of interplanetary scientists it must protect with the same enthusiasm as W.C. Fields babysitting a room full of toddlers. “It just doesn’t get humans at all,” Skarsgård says. “It’s not a deep hatred, it’s just zero amount of curiosity. It’s confused by humans and wants to get away from them.”…

… Murderbot’s devotion to a futuristic TV series called The Rise and Fall of Sanctuary Moon also evokes real people on the spectrum, who can develop a phenomenon called hyperfixation. Murderbot studies the fictional melodrama for cues about how to behave in emotional situations. The show-within-a-show stars John Cho, Jack McBrayer, Clark Gregg, and DeWanda Wise, sporting outrageous hairstyles and costumes that make the stylings of A Flock of Seagulls look like business casual…

(3) SF TITLES PULLED FROM NAVAL ACADEMY LIBRARY. [Item by F. Brett Cox.] The Nimitz Library at the U.S. Naval Academy has removed 381 books in response to the current administration’s policies. The list includes What Are We Fighting For?, nonfiction by Joanna Russ, as well as the following works of contemporary science fiction and fantasy literature: Ryka Aoki, Light from Uncommon Stars; Becky Chambers, A Psalm for the Wild-Built; Mohsin Hamid, The Last White Man; Rivers Solomon, Sorrowland; Neon Yang, The Genesis of Misery. This has been reported in multiple outlets, including CNN, the NY Times, the AP, and CBS News.  Link to full list: “250404-List of Removed Books from Nimitz Library.xlsx” at Defense.gov.

(4) THE YEAR IN LIBRARY BOOK CHALLENGES. “ALA Releases Top 10 Most Challenged Books of 2024” reports Publishers Weekly.

The American Library Association kicked off National Library Week 2025 with its annual report on the state of the nation’s libraries, including the top 10 most challenged books of 2024. All Boys Aren’t Blue, George M. Johnson’s YA memoir about growing up Black and queer, surpassed Maia Kobabe’s Gender-Queer, which had topped the list two years in a row, as the most challenged title of last year….

…[The] ALA stressed the new stakes, in a statement: “This year, as library funding is under attack, ALA encourages every library advocate to Show Up for Our Libraries by telling Congress to protect federal support for libraries.”

In its report, the ALA documented 821 attempts to censor materials and services at libraries, schools, and universities in 2024—a notable drop from the 1,247 attempts recorded in 2023. Moreover, the ALA 2,452 unique titles that were challenged or banned last year, marking a decrease from the record-breaking 4,240 titles targeted in 2023.

However, Caldwell-Stone noted that while the trend is a positive one, 2024 still marked “the third-highest number of book challenges recorded by ALA’s Office for Intellectual Freedom since it began documenting library censorship in 1990.” She added that the data is just one part of the picture.

“Not reflected in these numbers are the relentless attacks on library workers, educators, and community members who stand up to the censors and defend the freedom to read,” Caldwell-Stone wrote. “These attacks are creating an environment of fear in which library workers are afraid to buy books or report censorship.”…

(5) R. E. BURKE PROFILE. British comics creator R. E. Burke is “working on a comic that will tell the story of what happened to her, and the women she shared 19 days with, based on the drawings, notes and official documents she managed to take out of the detention centre. Becky still doesn’t know why she was incarcerated for so long.” “’I was a British tourist trying to leave the US. Then I was detained, shackled and sent to an immigration detention centre’” in the Guardian.

…Workaway warns users that they “will need the correct visa for any country that you visit”, and that it is the user’s responsibility to get one, but it doesn’t stipulate what the correct visa is for the kind of arrangements it facilitates in any given country. Becky had always travelled with a tourist visa in the past – including to the US in 2022 – without any problems. She checked that work visas were only required for paid work in Canada. She had had months to plan her trip, and would have applied for a work visa if it was necessary, she says.

But the Canadian officials told Becky they’d determined she needed a work visa. She could apply for one from the US and come back, they said. Two officers escorted her to the American side of the border. They talked to the US officials. Becky doesn’t know what was said.

After six hours of waiting – and watching dozens of people being refused entry to the US and made to return to Canada – Becky began to feel frightened. Then she was called into an interrogation room, and questioned about what she had been doing during her seven weeks in the US. Had she been paid? Was there a contract? Would she have lost her accommodation if she could no longer provide services? Becky answered no to everything. She was a tourist, she said.

An hour later, Becky was handed a transcript of her interview to sign. She was alone, with no legal advice. “It was really long, loads of pages.” As she flicked through it, she saw the officer had summarised everything she told him about what she had been doing in the US as just “work in exchange for accommodation”. “I remember thinking, I should ask him to edit that.” But the official was impatient and irritable, she says, and she was exhausted and dizzy – she hadn’t eaten all day. “I just thought, if I sign this, I’ll be free. And I didn’t want to stay there any longer.” So she signed.

Then she was told she had violated her tourist visa by working in the US. They took her fingerprints, seized her phone and bags, cut the laces off her trainers, frisked her, and put her in a cell. “I heard the door lock, and I instantly threw up.”

At 11pm, Becky was allowed to call her family. Her father asked what was going to happen next. “I looked at the officer and he said, ‘We’re going to take you to a facility where you’ll wait for your flight. You’ll be there one or two days – just while we get you on the next flight home.’”…

But of course, she wasn’t.

… On her first day in the facility, Becky asked for a scrap of paper and a pen, and began to draw the inmates on the table next to her. She was immediately inundated with portrait requests. A Mexican woman called Lopez, who had a photo of her children stored on one of the iPads, told Becky she would buy her some paper and colouring pencils from the commissary if Becky drew her kids. She soon became the dorm’s unofficial artist-in-residence, with women huddling around the dirty mirrors to make themselves look presentable before they sat for her. They would decorate their cells with Becky’s drawings, or send them to their families. Lopez declared herself Becky’s manager. “She kept saying, ‘Becky, you need to ask for stuff in exchange. Ask for popcorn.’ And I’d be like, ‘Lopez, I don’t need anything.’ I thought, I’m here briefly, you’re stuck here a long time. I’m not going to take your food away from you.”…

… Becky had arrived in the detention centre on a Thursday. She soon realised she would not be out of it before the end of the weekend. No one ever replied to the message she sent to Ice on the iPad; she found out the Ice officer assigned to her case had gone on annual leave. The following Monday, Paul contacted the Foreign Office in London, and the British consulate in San Francisco. “They were doing the diplomatic bit,” he tells me. “But, after seven days, I could see it wasn’t really working. My perception is the British consulate couldn’t get Ice people to respond to them. There was no end in sight.”

After Becky had been incarcerated for more than 10 days, Paul decided to go to the media…

(6) OLIVIER AWARDS 2025. The Guardian names the winners of the awards that celebrate London theatre: “Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph”.

…The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

Giant is Rosenblatt’s debut as a playwright and brought him a double victory at the Critics’ Circle theatre awards in March, where he won for most promising playwright and best new play. Giant ran last year at the Royal Court in London and will transfer to the West End later this month, with Lithgow and Levey resuming their roles.

Lithgow thanked the audience for “welcoming me to England” and said “it’s not always easy when you welcome an American into your midst”, highlighting that this moment was “more complicated than usual” for relations between the US and the UK….

(7) REMEMBERING THE INKLINGS. Brenton Dickieson revisits “The First Meeting of the Inklings, with George Sayer” at A Pilgrim in Narnia.

I wrote last week about all the literary groups that formed some of the greatest writers of the 20th century, and how L.M. Montgomery was alone. One of those was the Inklings, which made C.S. Lewis and J.R.R. Tolkien into the writers that they were. Without the daring possibilities in Tolkien’s work and the intelligent conversation of the Inklings, Lewis may never have turned to popular fiction and cultural criticism. Without Lewis’ persistent support and criticism and the company of other mythopoeic writers, Tolkien may never have completed that grand project of turning his mythology into popular story, lyric, and epic. I don’t think that the Inklings were more important to English literature than the Paris Expats or the Bloomsbury Set or the Detection Club, but in terms of the development of fantasy literature, the Inklings created new worlds.

Dickieson quotes from George Sayer’s Jack: C.S. Lewis and His Times (1988; 1994; 2005). 

…I don’t know if Sayer ever attended an official Inklings event, but his description of how the Inklings emerged and what happened there is a great introduction both to this Oxford literary circle and to Sayer’s biography.

“For years no regular event delighted Jack more than the Thursday evening meetings of the little group of friends called the Inklings. His was the second group to use this name. Its predecessor was founded in about 1930 by a University College undergraduate named Tangye Lean. Members met in each other’s rooms to read aloud their poems and other work. There would be discussion, criticism, encouragement, and frivolity, all washed down with wine or beer. Lean’s group consisted mainly of students, but a few sympathetic dons were invited to join, including Tolkien and Jack, who may have been Lean’s tutor. Lean graduated in June 1933, and that autumn Jack first used the name the Inklings to describe the group that had already begun to meet in his rooms.

“It was always utterly informal. There were no rules, no officers, and certainly no agenda. To become a member, one had to be invited, usually by Jack. Nearly all members were his friends….

“…The ritual never varied. When most of the expected members had arrived (and maybe only three or four would come), Warren would brew a pot of strong tea, the smokers would light their pipes, and Jack would say, ‘Well, has nobody got anything to read us?’ …”

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Quark series (1978)

Forty-six years ago, a series called Quark aired as mid-season replacement on NBC. It surprised me that it only lasted eight episodes as I swear, I remember it lasting longer than that, then I often think that of series such as the Space Rangers which lasted six episodes and Nightmare Cafe which, oh guess, lasted six episodes as well. Surely, they lasted longer, didn’t they? 

It was created by Buck Henry, co-creator along with Mel Brooks of Get Smart. It was co-produced by David Gerber who had been responsible for the series version of The Ghost & Mrs. Muir (try not to hold that against him) and Mace Neufield who after being a talent agent for such acts as The Captain and Tennille and became responsible for The Omen as its producer. That film is effing scary.

(I tried rewatching Get Smart! a few years ago. Unlike The Man from U.N.C.L.E which held very splendidly when we watched it again, Get Smart! caused the Suck Fairy to visibly cringe when we watched it. I just thought it was bad, really bad.)

The cast was Richard Benjamin, Tim Thomerson Richard Kelton, Cyb and Tricia Barnstable, Conrad Janis, Alan Caillou and Bobby Porter. The Barnstable twins got a lot of press, mostly for the fact that they didn’t wear much by the standards of the day and really, really could not act. They previously appeared as the Doublemint Twins often with identical canines. I kid you not. 

Interesting note: they still live in their hometown of Louisville, Kentucky and are the hostesses of the annual Kentucky Derby Eve party which they founded in 1989. There were no Kentucky Derby parties before that as Tricia notes here, “It was astonishing that there really weren’t any celebrations at that time in Louisville,” Tricia says. “We started with about 500 people. We invited James Garner. Dixie Carter. Lots of stars. And they came!” The party which now draws thousands is a fundraiser for diabetes research as the maternal side has a history of that disease. 

Ok, so how is the reception? Oh, you have to ask? Seriously? One reviewer summed it up this way: “Only lasting eight episodes, it is eight episodes too many. The idea of spoofing science fiction is a given and there are only a handful that get it right, but this is a spectacularly awful show.” 

And another said succinctly that “A viewer seeking something a little different may find the series entertaining, but low expectations are a must.” 

Doesn’t most television SF comedy require low expectations? Most I said, not all.

It has no rating at Rotten Tomatoes. It might be streaming on Crackle and Philo, two services that I’ve never heard of. It might not be. Telling what is there is almost impossible as the major streaming tracking services don’t bother such services.

Yes, there are full episodes on YouTube. As it is very much still under copyright, those are definitely bootleg, so not provide links to them as they will be removed. As the Board Chair in Robocop 2 said, “Gentlemen, behave yourselves!”

(9) COMICS SECTION.

(10) JMS’ NEXT SPIDER-MAN. This July, writer J. Michael Straczynski closes out his series of “unlikely duo one-shots” with Spider-Man Vs. The Sinister Sixteen, featuring art by Phil Noto. For more information, visit Marvel.com.

 Over the last few months, prolific writer J. Michael Straczynski has been spotlighting unlikely character pairings in a series of action packed one-shots. These timeless and standalone stories have co-starred two Marvel icons of Straczynski’s choosing—either in unexpected team-ups or thrilling showdowns—from Doctor Doom & Rocket Raccoon to Nick Fury Vs. Fin Fang Foom. This July, Straczynski closes out the series with a collision course of heroes and villains from every corner of the Marvel Universe in SPIDER-MAN VS. THE SINISTER SIXTEEN #1.

…On what inspired the tale, Straczynski explained, “One of the most common tropes in the super hero world is that of the amount of destruction that comes when heroes and villains lock horns. We all accept that it just happens. This led to thinking: What if the owner of a popular restaurant has run it into the ground and needs the place to be destroyed for the insurance money, and invites a ton of heroes and villains to dine all at the same time in the hope that a fight breaks out? What if initially everyone tries to stay calm to enjoy the experience, but sooner or later, with that roster…the storm comes.”

(11) DIRE STRAITS. “’Game of Thrones’ Dire Wolves Return in De-Extinction Breakthrough” – The Hollywood Reporter mashes up science and show-biz insights.

Immortalized in Game of Thrones and on the crest of House Stark, the dire wolf is walking the Earth again and even howling after going extinct nearly 10,000 years ago.

As announced today by genetic engineering company Colossal Biosciences, the long-extinct canine — or at least a very close approximation of it — has been successfully brought back to life. The process was accomplished via DNA extracted from two fossils as well as 20 edits of the genetic code of a gray wolf, the species’ closest living relative, according to research carried out by Colossal, sometimes known as the De-Extinction Company.

Colossal says it has whelped three dire wolves and — using CRISPR technology — decided to select fluffy white fur for their coats, based on its new analysis that the original species had snow-colored fur. (A previous study, published in Nature in 2021, found evidence that dire wolves were not closely related to gray wolves.)

The Colossal company has named its two new male dire wolves — a pair of six-month old adolescents — Romulus and Remus, after the mythological twin founders of Rome, who were said to have been raised by a wolf. And in an homage to Game of Thrones’ Daenerys Targaryen, it’s christened a female puppy Khaleesi.

The trio are now living in an enclosed preserve of more than 2,000 acres at an undisclosed location. They are expected to mature at 130 to 150 pounds — by contrast, a typical gray wolf clocks in at about 80 to 100 pounds.

 “Our team took DNA from a 13,000-year-old tooth and a 72,000-year-old skull and made healthy dire wolf puppies,” says Colossal CEO and co-founder Ben Lamm in a statement. “It was once said, ‘any sufficiently advanced technology is indistinguishable from magic.’ Today, our team gets to unveil some of the magic they are working on and its broader impact on conservation.”…

… Colossal reached out to [George R.R.] Martin after it started work on its dire wolf de-extinction project. Not only did he sign on as a Colossal Biosciences cultural adviser and investor, Martin also flew to meet Romulus and Remus at their private preserve (which Colossal says has been certified by the American Humane Society).

Says Martin, in a statement, “Many people view dire wolves as mythical creatures that only exist in a fantasy world, but in reality, they have a rich history of contributing to the American ecosystem.”

While many fans of Game of Thrones likely think that dire wolves as fantasy beasts, they are in fact an actual animal that lived in the Americas and likely went extinct due to the disappearance of the large herbivores on which they preyed. At L.A.’s famed La Brea Tar Pits, fossil remains from more than 3,600 dire wolves have been discovered and the adjacent museum devotes an entire wall to displaying around 400 dire wolf skulls….

(12) FUSION IN SPAAAAACE, [Item by Mark Roth-Whitworth.] Actually, this makes *perfect* sense. In my novels, before we discover complete conversion, this is how we get around the solar system.

There will, of course, be idiots against it, I mean, let’s ignore the humongous fusion reactor in the middle of the solar system… “Nuclear-powered rocket concept could cut journey time to Mars in half” at CNN.

… With funding from the UK Space Agency, British startup Pulsar Fusion has unveiled Sunbird, a space rocket concept designed to meet spacecraft in orbit, attach to them, and carry them to their destination at breakneck speed using nuclear fusion.

“It’s very unnatural to do fusion on Earth,” says Richard Dinan, founder and CEO of Pulsar. “Fusion doesn’t want to work in an atmosphere. Space is a far more logical, sensible place to do fusion, because that’s where it wants to happen anyway.”

For now, Sunbird is in the very early stages of construction and it has exceptional engineering challenges to overcome, but Pulsar says it hopes to achieve fusion in orbit for the first time in 2027. If the rocket ever becomes operational, it could one day cut the journey time of a potential mission to Mars in half….

(13) CUDDLY KEN PASSED 30 YEARS AGO THIS MONTH, [Item by SF Concatenation’s Jonathan Cowie.] Kenny Everett, one of Britain’s all-time top two disc jockey’s, died 30 years ago this month.  In addition to radio, he was known for The Kenny Everett TV Show: it was all in the best possible taste.. His humour was decidedly wacky and occasionally SF-adjacent if not, as with Captain Kremmen full-blown Sci-Fi.  And so…

Front shields on. Krill tray in position. Booster one. Booster two. Booster three. My mission, to camply go where no hand has set foot, to explore new vistas, quash new monsters and make space a safe place for the human race…  Yes, he’s so hunky… Muscles of steel, legs like a gazelle, thighs like tug boats, x-ray eyes, bionic blood, bulging biceps, a lock of tousled hair falling over a bronzed forehead, saviour of the Universe… Cue the music…

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, F. Brett Cox, Lis Carey, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/2/25 Oh, Pixelline, Why Can’t You Be True?

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(1) LOST BONESTELL LITHOGRAPHS COMING ONLINE FREE. You’ll soon be able to view thirty-two recently discovered industrial illustrations from Chesley Bonestell’s early career. Starting this Thursday, April 3, Michael Swanwick and Marianne Porter will be posting one new illustration every workday on Swanwick’s blog at Flogging Babel.

Most of these images have not been seen for over a century.

Chesley Bonestell was the most significant and influential astronomical illustrator of the 20th century. But before his rise to fame he worked as an architectural illustrator. In 1918, he was commissioned by the Army Corps of Engineers to document the construction of a wartime munitions plant and hydroelectric dam in Muscle Shoals, Alabama. Bonestell created 32 large-scale lithographs, showing the construction of the plant, including meticulous records of both industrial interiors, the dam and railroad being built, and the surrounding countryside. They were all signed in the stone.

The munitions factory was never a particularly successful enterprise; it came on line only a few weeks before World War One ended. But the hydroelectric dam was the first in the Tennessee Valley Authority, the massive project that made possible the economic and industrial development of the American South.

The thirty-two lithographs were stored in the Packwood House Museum in Lewisburg, Pennsylvania, where only two were actually on display to the public. This set of prints are not numbered, and it is not clear if any other prints were made. The Museum was owned and operated by John Featherstone, and his wife, Edith Featherstone, an artist in her own right, and was intended to showcase her work, as well as central Pennsylvania arts and crafts. Eventually the museum was closed and its contents liquidated. The Bonestell lithographs seem to have been included in the collection because John Featherstone was the engineer in charge of the Muscle Shoals construction project.

The lithographs were purchased by Swanwick and Porter in an auction. When all of them have been posted online, a torrent will be created, making the complete collection available at full resolution.

Michael Swanwick is an award-winning science fiction and fantasy writer. His wife, Marianne Porter, is the editor and publisher of Dragonstairs Press.  The first image to be posted is attached.

Swanwick explained on his blog today how the lithographs came into the couple’s possession: “Chesley Bonestell’s Lost Lithographs”.

“I don’t know what they are, but I hope you get them.”

That’s what the lady at the auction house said when Marianne Porter told her that all Marianne wanted were the Chesley Bonestell lithographs. There were 32 of them in the lot, and it was clear nobody at Pook & Pook knew what they were….

(2) KENNY GRAVILLIS Q&A. “Movie Poster Designer Kenny Gravillis Aims to Leave You Asking Questions” at PRINT Magazine.

…Is it common within the movie poster design industry to bid against other studios for projects? 

Especially on really big films, there will be three to four different agencies. Just to give you an example, on Game of Thrones season two, there were like 11 agencies that worked on that. It’s super competitive. For independent films that don’t have that much money, they might only be able to hire one agency to work on it. But when you start getting into the Dunes of the world, then there are multiple agencies working on it. And they’re working on it until the end, by the way. You don’t even know if you’re gonna get the final post; it’s pretty wild….

…I also think successful movie posters can exist as standalone pieces in their own right, outside of their attachment to a movie. A graphic image or design that you might want on your wall or you find compelling simply because it looks good. 

100%. The thing is, every filmmaker cares about their poster. There’s not one filmmaker that’s like, “Whatever…” Because it’s the face of the film. As great as trailers are, they’ll probably be forgotten. Nobody says, “I remember the trailer for Rosemary’s Baby or the trailer for Alien.” They’re like, “Oh, my God, the Alien poster!” …

…The other thing I’d like to say is that it never gets old. The other day, I went to see Captain America, and our poster was in the lobby. Seeing the stuff that I’ve worked on out in the world just never gets old. If it ever does, I think I’ll call it a day.

(3) CAN IT BE? “Trump Tariffs Hit Vox Day” says crusading journalist Camestros Felapton, who has found a way to leverage today’s headlines into a sff blog post. (By which I mean, dang, I wish I’d thought of it!)

…A country that surprised some in getting high tariffs was Switzerland at 31%. That’s higher than the UK (10%), EU (10%) and South Korea (25%). Sure would be a shame if some obnoxious hyper-nationalistic Trump support had invested a lot of money in printing and binding hardback books for Trump supporting fanboys in the US wouldn’t it?…

(4) A FIRST IN THE FIELD. A Deep Look by Dave Hook chronicles “’The Other Worlds’, Phil Stong editor, 1941 Wilfred Funk: The First Speculative Fiction Anthology”.

The Short: As discussed below, I believe The Other Worlds (aka The Other Worlds: 25 Modern Stories of Mystery and Imagination, 1942 editions), Phil Stong editor, 1941 Wilfred Funk, is the first speculative fiction anthology. I am glad I read it, but it’s a mixed bag and I would only recommend it to a big fan of horror, science fiction and fantasy from 1925 to 1940. It includes three essays by Stong in addition to 25 stories. My favorite story was the great “Alas, All Thinking!“, a novelette by Harry Bates (known best for “Farewell to the Master“, a novelette adapted for the movie “The Day The Earth Stood Still“), Astounding Stories, June 1935. I am not really a fan of horror, which influenced how I felt about The Other Worlds. My overall average rating is 3.45/5, or a rather anemic “Good”. It is in print, and available online…

(5) FUTURE TENSE. March 2025’s Future Tense Fiction story is “Coda,” by Arula Ratnakar—a story about computation, genetics, and cryptography.

The response essay, “Computing Consciousness”, is by computer scientist Christopher Moore, whose research actually inspired the story!

(6) TIME TO NOMINATE FOR THE CÓYOTL AWARDS. Members of the Furry Writers’ Guild are eligible to submit 2024 Cóyotl Awards nominations through April 5.

Nominations are open to all members of the Furry Writers’ Guild, though awards may be given to any work of anthropomorphic writing demonstrating excellence regardless of membership. Please see the award rules for what makes an eligible work. For a non-exhaustive list of what’s eligible, see the recommended reading list.

(7) DOUBLE-HEADER. In the first video below Erin Underwood interviews Martha Wells about her Murderbot series, with a couple of questions about the adaptation that is coming to Apple TV in May. The second video is a review of In The Lost Lands, which is an adaptation of GRRM’s short story.

Exclusive Interview with Martha Wells: Inside The Murderbot Diaries

Join me for this exclusive interview with Martha Wells, author of The Murderbot Diaries, as we explore one of science fiction’s most popular series — now being adapted into a new Apple TV series. What makes Murderbot so compelling, and how did Wells create such a nuanced, unforgettable character? Come watch on YouTube to find out!

In the Lost Lands, Movie Review – Worth the Watch?

Paul W.S. Anderson’s In the Lost Lands brings George R.R. Martin’s dark fantasy to life, but does its reliance on digital sets and AI-driven cinematography elevate or undermine the experience? With Milla Jovovich and Dave Bautista leading the charge, this film raises big questions about the future of sci-fi and fantasy filmmaking. Join me on YouTube where I break it down.

(8) ON TARGET. “’Woke’ criticism of Doctor Who proves show on right track, says its newest star” in the Guardian.

Criticisms that Doctor Who has become too “woke” prove the series is doing the right thing by being inclusive, its new star Varada Sethu has said.

Sethu plays the Doctor’s latest travelling companion, Belinda Chandra, in new episodes airing next month. With Ncuti Gatwa returning as the Doctor, the pairing marks the first time a Tardis team will comprise solely people of colour.

Speaking about the milestone, Sethu told the Radio Times: “Ncuti was like, ‘Look at us. We get to be in the Tardis. We’re going to piss off so many people.’…

And the BBC has a long profile with the actor: “Doctor Who: Varada Sethu wants to inspire young South Asian women”

When new Doctor Who companion Varada Sethu first told her family she wanted to be an actress, there wasn’t immediate support.

“They had difficulty coming to terms with it initially,” she tells BBC Asian Network News.

Varada, who will be playing Ncuti Gatwa’s sidekick, Belinda Chandra in the upcoming series, feels going into acting is “sadly still not encouraged in the South Asian community”.

“There’s an element of resistance we face,” the 32-year-old says.

But Varada wants to change all of that, and says inspiring young girls to follow their dreams is one of her big goals.

“I want to be the person that these girls can point out to and say: ‘She made it and she came from a community that looks like mine’.

“So I think I’ve gone about this with the energy of, I can’t fall flat on my face,” she says.

But the actress, who has had roles in Disney+ Star Wars series Andor, 2018 crime drama Hard Sun and Jurassic World Dominion, says change comes with challenges.

A report by the Creative Diversity Network found in 2022/23 the percentage of on-screen contributions by those who identify as South Asian or South Asian British was 4.9%.

That’s compared with the latest census data, analysed by the UK Government, that found around 8% of people from those backgrounds are in the working-age population.

“It’s a constant battle of failure isn’t an option,” says Varada.

“Because, you know, your uncle’s daughter who’s six, who might wanna go into acting when she’s a bit older, won’t be allowed to, if I become the cautionary tale.”…

(9) STRANGE NEW TREK. Gizmodo says “The First Trailer for Star Trek: Strange New Worlds Season 3 Is a Wild Trip”.

The new trailer immediately goes meta, detailing at least more than a few adventures where Strange New Worlds will take the crew of the Enterprise beyond the typical spacebound adventures and into some very meta territory–from murder mystery holoprograms, to a kitschy spin on the original Trek‘s ’60s production aesthetics. And that’s even before you get to Carol Kane’s Commander Pelia hooking up the whole ship to old-timey analogue phones!…

(10) VAL KILMER (1959-2025). Actor Val Kilmer, whose iconic genre roles included Batman Forever and Real Genius, died April 1 at the age of 65. The Hollywood Reporter tribute notes he was most famous for playing Iceman in Top Gun and Doc Holliday in Tombstone. And it also recalled some of his other sff work —

…Marlon Brando’s insane assistant in John Frankenheimer’s The Island of Dr. Moreau (1996); 

…He was married to British actress Joanne Whalley from 1988 until their divorce in 1996. They met while working together on Willow and wed months later.

…Kilmer starred as rockabilly teen idol Nick Rivers in the daffy spy spoof Top Secret! (1984) from Jim Abrahams and the Zucker brothers. 

…Kilmer also provided the voice of K.I.T.T. in a new version of TV’s Knight Rider in 2008-09

(11) MEMORY LANE(S)

[First piece written by Paul Weimer. Second piece by Cat Eldridge.]

April 2, 1968 — 2001: A Space Odyssey

By Paul Weimer: Did the “Blue Danube Waltz” play through your head just now? Or perhaps “Also Sprach Zarathrustra”?  Possibly both?  Even though I am not a music guy, both of those music pieces come to mind when I think of 2001. The music is the first thing I think of when I think of 2001: A Space Odyssey.

You know the story. Monolith uplifts Ape with the power of ultraviolence. Humans find the Monolith on the Moon, a ship heads to Jupiter to investigate where the signal went. Hal goes mad and kills most of his crew. David Bowman has an apotheosis. 

But 2001 is far more than the music and that plot. It’s visuals, really the first time I saw it, I felt that this could be what space would be like. Slow sedate visuals but one that felt accurate. (The jokes/conspiracy theories that the real moon landing was directed by Kubrick come from the visuals of 2001). Be it the apes scene, the casualness of the lounge in the space station, the investigation of the monolith, daily life on the Discovery, or the very very weird ending. I am still not quite sure I get it. But is it absolutely unforgettable? Yes. 

And that’s the fun thing about the movie. It is slow, very slow. But it doesn’t drag. It’s sedately and sedate in places, and then violently and suddenly. The movie seems to just know when to interrupt the quiet stately pace with a sudden action or point of drama. In any event, the movie holds my attention throughout. Every time I’ve started watching it, I’ve kept it on.  It is THE space movie for me. 

And it became clear to me that when I saw Star Trek The Motion Picture, just how much they tried to borrow from 2001. Maybe too much, for their own good. They learned the need for stately pacing…but not so much when to break it up.

By Cat Eldridge: Fifty-six years ago, 2001: A Space Odyssey had its world premiere on this date at the Uptown Theater in Washington, D.C., it would be nearly a month and three weeks, the fifteenth of May to be precise, before the United Kingdom would see this film. 

It was directed as you know by Stanley Kubrick from a screenplay by him and Arthur C. Clarke who wrote the novel. 

It spawned a sequel about which the less said the better. (My opinion, the critics sort of like it. Huh.)

It would win a Hugo at St. Louiscon over what I will term an extraordinarily offbeat field of nominees that year — Yellow Submarine, Charly, Rosemary’s Baby and the penultimate episode of The Prisoner, “Fallout”. 

It did amazingly well box office wise, returning one hundred fifty million against just ten million in production costs. 

So, what did the critics think of it then? Some liked, some threw up their guts. Some thought that audience members that liked it were smoking something to keep themselves high. (That was in several reviews.) Ebert liked it a lot and said that it “succeeds magnificently on a cosmic scale.” Others were less kind with Pauline Kael who I admit is not one of my favorite critics saying that it was “a monumentally unimaginative movie.” Humph. 

I was too young to see when I came out, but an arts cinema showed a few decades later which I saw it there, so I did see it on a reasonably large screen. It is extraordinarily amazing film. I don’t think the Suck Fairy would any problems with it even today

Audience reviewers at Rotten Tomatoes currently give it a most not unsurprising rating of ninety two percent. 

(12) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 2, 1948 — Joan D. Vinge, 77.

By Paul Weimer: It is fitting that The Snow Queen has her birthday just as we are getting out of winter and into Spring, and the treacherous Winters of the planet Tiamat are reluctantly getting ready to hand over the control of the planet to the Summers for a time.  The original Snow Queen novel and its sequels is where I began reading Vinge’s work. I picked it up for the same reason I picked up many books in the mid to late 90’s–it had been on an award ballot and I was filling in the gaps of my reading. (It won for Best Novel at the Hugos in 1981, and was a finalist for the Nebula the same year).  I found the worldbuilding of the novel most satisfying, and the titular Snow Queen and her grand plot to try and control the planet for its entire cycle by means of her clone I found to be a crackerjack story. 

Only after reading the story did I realize how much the story was influenced by both the Hans Christian Andersen fairy tale, and by Robert Graves (The White Goddess).  A re-read when I decided to read the entire series showed me that as much as I thought it has been rich and interesting, on a re-read the book was *even better*.  The Snow Queen is one of those novels that the more you know, the even cleverer and more intricately woven it appears to be. 

My favorite of that entire series is the standalone Tangled Up in Blue, which is really a noir mystery novel that just so happens to take place on the mean streets of Carbuncle. It’s a genre mashup that works even better than I hoped, and it works really standalone, too. You don’t need to read The Snow Queen to dive into Tangled Up in Blue. 

Besides the stories set on Tiamat, Vinge has written plenty of other stuff as well. Catspaw is a favorite of mine, although it is a case where I accidentally started with the second book in the series not even knowing there was a first book (Psion).  Vinge feels, like Julian May, like one of the last SF authors to really use and deploy telepathy in a major mainstream SF novel straight up. 

Finally, Vinge has also written a number of movie tie-in novelizations, including one (Cowboys and Aliens) that actually redeems that (IMO) very flawed movie.

Joan Vinge

(13) COMICS SECTION.

(14) DC COMICS HISTORY. BBC’s Witness History remembers “The wonder woman of DC Comics”.

In 1976, Jenette Kahn began one of the biggest roles in comic books – publisher of DC Comics, home to Superman, Batman and Wonder Woman. She was only 28 and the first female boss.

(15) WRITING WHILE DISABLED. In the second audio episode of Writing While Disabled at Strange Horizons, hosts Kristy Anne Cox and Kate Johnston “welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.”

There’s a transcript at the link, where you can also watch the full interview on video with close-caption subtitles.

(16) VIDEOS OF THE DAY. “Oh Jeez, Rick and Morty Will Return in May” reports Gizmodo.

April Fools’ Day is upon us, but this is no joke: Rick and Morty season eight hits Adult Swim May 25, with a first look to prove it. The news came as part of Adult Swim’s annual April 1 celebration, and also included a 22-minute special of favorite Rick and Morty moments re-interpreted in appropriately and unexpectedly freaky ways. Adult Swim described it as pulling from “absurd, live-action, theater-based genres,” and frankly you just need to watch it to believe it.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Paul Weimer, Erin Underwood, Michael Swanwick, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 1/8/25 Lullabye Of Borgland

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(0) WIND AND FIRE. Last night’s high winds damaged a lot of trees in my city — including knocking down a branch that blocked my driveway. Once that was moved I was able to get my car out and tried to run errands. I saw much of the surrounding area has lost power (though not my neighborhood). Most traffic lights in Monrovia and Arcadia seemed to be out. Businesses were closed. I didn’t get anything done.

Also due to the winds Los Angeles County now is fighting four major fires. I’m not really close to any of them – the nearest is the Eaton Fire, probably 6-7 miles away. The air is really bad, though.

And look at this photo of the sky in John King Tarpinian’s neighborhood. That air is even worse than what I’m breathing in Arcadia. That kind of air would make a man stay inside with a pillowcase over his head.

Incidentally, NASA’s Jet Propulsion Laboratory in La Cañada Flintridge, which is carrying out dozens of space missions including collecting rocks from Mars and spying on one of Jupiter’s moons, is now under an evacuation order because of the Eaton fire.

(1) COMFORT READS ONLINE PANEL. Loyalty Books in Washington, DC is hosting a virtual panel on Sunday January 19 at 1:00 p.m. Eastern featuring KJ Charles, Martha Wells, Malka Older, and T. Kingfisher talking about comfort reads. The event will be held digitally via Crowdcast and is free to attend. Click here to register for the event. 

(2) ONE DOES NOT SIMPLY WALK INTO MORDOR. Especially if you get your directions online. Charlie Jane Anders is understandably annoyed that “Google Told Me To Walk Into Traffic”. She explains what happened at Happy Dancing.

… A group of us decided to meet at Fort Funston here in San Francisco, to walk on the beach and enjoy some gorgeous weather. Everyone else drove to Fort Funston, but I decided to walk there, because it was such a beautiful day. I had nearly arrived at the meeting place on time, and I only needed to keep walking along John Muir Drive until it intersected with Highway 35, aka Skyline Blvd.

But Google Maps’ walking directions claimed it knew an easy shortcut across the highway to the place where we were meeting up….

… In my defense, Google seemed absolutely certain that such a thing existed, and I figured maybe the path had just gotten overgrown.

Thus it was that I found myself standing on the side of the highway with cars whizzing past, as Google kept insisting that I could simply walk across the road despite the lack of crosswalk….

(3) A YEAR IN FANFICTION. “The Endless Appetite for Fanfiction” — “In 2024, everyone wanted a piece of fic, from AI grifters to traditional publishers to ravenous audiences. Where did that leave the people who write it?” asks Elizabeth Minkel at Fansplaining.

…The first story emerged in the early weeks of the year, when SenLinYu—author of the wildly popular Dramione fic Manacled, currently the second-most read work in the entire Archive of Our Own—announced that the story would be pulled to publish in 2025. This announcement was partly notable because it was so straightforward: anyone who spent time in earlier eras of fandom likely remembers the furtiveness (and the wank) around P2P. But it was mostly notable because of the reason SenLinYu was taking Manacled down. Long popular among amateur fanbinders, bound copies of the fic were also being sold for profit on sites like Etsy—and despite the efforts to get them to stop, sellers continued popping up unabated.

While I was reporting on this for WIRED in late February, a wave of concern was spreading through broader transformative fandom—but especially among Dramione writers, a number of whom had also been victims of these for-profit sellers. By the time my story was published, some of them had wiped their works from the internet entirely. Meanwhile, fanbinders—who often don’t just adhere to, but celebrate the non-monetized gift economy—were getting swept up in accusations meant for the for-profit sellers, many of whom weren’t even hand-binding the fic, as they claimed, but making cheap print-on-demand books and jacking up the price.

This debacle set a particular sort of tone for 2024, which is why it seemed fitting that two days before Christmas, my feeds filled with posts about WordStream, a site framing itself as the “Netflix of audiobooks” that was yanking popular fics from the AO3 and reposting them with AI-generated audio, covers, and summaries. The full blow-by-blow was documented by fic writer and artist Easter Kingston, whose stories were among the stolen works; the site is a project of tech entrepreneur Cliff Weitzman, who cited his dyslexia as an excuse for wholesale copying fic authors’ work onto his for-profit site. The fandom outcry was vast and swift, and within hours, the entire fic category had vanished. (Though, as Kingston notes, the works are likely just hidden, not deleted, and are still accessible through other routes in the app.) 

Scummy fic-stealing websites aren’t new, but there was something about this one that felt more in line with the for-profit binders than the nameless, faceless plagiarism sites of years past. These actors weren’t collecting pennies via banner ads: they were seeing real potential markets and capitalizing on them….

(4) VIEW FROM THE TOP. Uncanny Magazine platformed experienced Hugo administrator Nicholas Whyte to share his opinions about various aspects of “The Hugo Awards”. For example, he believes there are enough award categories, and is glad the Retro Hugos might be on their way out.

… Myself, I’m hesitant to add further to the number of Hugo categories. Counting the Lodestar and Astounding Awards, we already have twenty, compared to thirteen in 2000 (and seven back in 1953). I’m not sure that quantity is the same as quality, and I was personally relieved when a proposal to add two more was killed at the 2024 business meeting, after nobody could be found to speak in favour of ratification.

Another choice made by Worldcons, at least as the rules currently stand, is whether or not to run Retro Hugo Awards for the “missing years” since the first Worldcon in 1939, filling the gaps when Hugos were not awarded. I used to really like this idea, but I went off it after running the Retro Hugos in 2019 and 2020 when it became clear that winners and finalists did not really reflect the spirit of Worldcon as it has become, that voters were voting on the future reputations of the nominees rather than their work in the year in question, that the heirs of the winners were difficult to track down to send the awards to, and that participation was declining. A proposal to abolish the Retro Hugos altogether was passed at the 2024 business meeting in Glasgow, and will go on to Seattle for ratification…

He also says:

A number of Hugo nominees were disqualified by Chengdu Worldcon in 2023, without clear reasons being given, and the published vote counts from the nomination stage do not make sense. I have no idea what happened, beyond the (frankly confusing) public statements.

Hopefully he will have some idea before long, since the Glasgow 2024 business meeting elected him to The Committee on Investigation into allegations made in two “motions of censure regarding the 2023 Hugo Awards which make statements about the administration of the 2023 Hugo Awards and the persons involved.” (The other members are Warren Buff (acting chairperson), Chris Barkley, Todd Dashoff, Chris Garcia, Farah Mendlesohn, and Randall Shepherd.)

(5) GRRM TAKES STAKE IN NEW ANIMATION OUTFIT. Deadline reports“George R.R. Martin, Jimmy Iovine Stakeholders In New Animation Company”.

Fantasy icon George R.R. Martin, billionaire entrepreneur Jimmy Iovine and animation veteran Conrad Vernon (The Addams Family) are advisory board members and stakeholders in new LA-based animation company Bizaar Studios, which is launching today.

The outfit has been set up by Iovine’s son, Jeremy Iovine, and Amir Mohamadzadeh, who together previously founded creative agency Rosewood Creative, and film and TV exec Eric Bromberg who will serve as co-founder and President.

Rosewood’s work has included short films, animations, and marketing campaigns with Dr. Dre, Bono, Snoop Dogg, Spike Lee and LeBron James. Bromberg previously worked at Exile Content Studios and Gunpowder & Sky. He helped drive horror and sci-fi labels Alter and Dust.

… The founders tell us they will release content via existing social channels but hope to launch their own streaming platform down the line. Content will be available “via YouTube, IG and TikTok and then via a FAST channel and eventually with originals on both FAST and SVOD. We have plans to eventually launch an O&O channel offering native and innovative global distribution.”…

(6) MEMORY LANE.

[Written by Cat Eldridge.]

January 8, 1989 — Agatha Christie’s Poirot premieres

Thirty-six years ago this evening, Agatha Christie Poirot starring David Suchet as Hercule Poirot the Belgian Detective, the most famous creation of that author, premiered on ITV.  

Over the thirteen series and seventy episodes which ranged in length between fifty and a hundred minutes including Murder on the Orient Express, her best known of those mysteries, some ten production companies would be involved in creating what we saw. The showrunners must have had the souls of Angels to deal with that reality. 

Each episode was indeed adapted from original material by Christie. A keen reminder of how prolific she was. 

David Suchet is the only actor to appear in the entire series though Hugh Fraser as Captain Arthur Hastings and Philip Jackson as Chief Inspector James Japp appeared in the first eight series. Pauline Moran as Miss Felicity Lemon appeared in most of the first eight series. Their absence reflects the stories of the latter series. 

Reception for the series was excellent starting with the family who recommended Suchet for the part. Christie’s grandson Mathew Prichard commented: “Personally, I regret very much that she never saw David Suchet.” It even won an Edgar Award for Best Episode in a TV Series for “The Lost Mine”. 

It holds a near perfect ninety-nine percent rating among audience reviewers at Rotten Tomatoes. 

In the States, it streams on BritBox. 

(7) COMICS SECTION.

(8) DEFINITELY THINKING OUTSIDE THE BOX. The Guardian reports “Boxed video game sales collapse in UK as digital revenues flatten”.

As music sales and streaming revenue reaches a high of £2.4bn – the highest since 2001, not accounting for significant inflation – the UK video game market, which has grown almost continually for decades, has shrunk by 4.4%. The most significant decline was in boxed video game sales, down 35%.

Data from Digital Entertainment and Retail Association (ERA) puts the total worth of the UK video game market in 2024 at £4.6bn, double the music market and behind TV and movies at £5bn.

The numbers show a shift in players’ purchasing habits that has been ongoing for years, from physical games to digital downloads and in-game purchases in popular, established games such as Fortnite and Roblox. Boxed games now account for 27.7% of new game sales in the UK, according to ERA data.

“We see at least four factors impacting physical sales,” an ERA spokesperson said. “First, gamers becoming more comfortable with console downloads; second, the growing popularity of subscription access; third, the fact that we are in a down period of the console cycle; and finally, the lack of new hit IP. If you look at the top 10 titles [of 2024], there really isn’t much that’s genuinely new that’s broken through.”

The waning of physical sales also reflects a precipitous decline in bricks-and-mortar video game retail….

(9) SPOOKY PROTONS. Space.com says “Scientists find ‘spooky’ quantum entanglement on incredibly tiny scales — within individual protons”.

Scientists have used high-energy particle collisions to peer inside protons, the particles that sit inside the nuclei of all atoms. This has revealed for the first time that quarks and gluons, the building blocks of protons, experience the phenomenon of quantum entanglement.

Entanglement is the aspect of quantum physics that says two affected particles can instantaneously influence each other’s “state” no matter how widely separated they are — even if they are on opposite sides of the universe. Albert Einstein founded his theories of relativity on the notion that nothing can travel faster than the speed of light, however, something that should preclude the instantaneous nature of entanglement.As a result, Einstein was so troubled by entanglement he famously described it as “spukhafte Fernwirkung” or “spooky action at a distance.” Yet, despite Einstein’s skepticism about entanglement, this “spooky” phenomenon has been verified over and over again. Many of those verifications have concerned testing increasing distances over which entanglement can be demonstrated. This new test took the opposite approach, investigating entanglement over a distance of just one quadrillionth of a meter, finding it actually occurs within individual protons.…

(10) SO THEY CLAIM. Movies We Love claims it can tell you “Star Trek: 10 Weird Facts You Didn’t Know!” If you don’t believe them, well, you don’t have to watch. And if you do believe them…. Moving right along to the next video…

Here are 10 weird but true facts about Star Trek TOS.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, Cathy Green, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day  Daniel Dern.]

Pixel Scroll 12/18/24 Light The Scroll, Not The Pixel!

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(1) FANFICTION SURVIVES IN CHINA. The Annenberg School points to a new scholarly paper: “How Fanfiction Communities in China Cope With Censorship”.

In a new paper published in the journal Qualitative Sociology, Ran Wang, a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and the Penn Department of Sociology, explores how Chinese fanfiction writers responded to a wave of increased government censorship in February 2020.

Through interviews with 31 fanfiction writers in China, Wang documents how government censorship caused once-thriving fanfiction communities to break apart and forced fanfiction writers to find new ways to share their work.

Fanfiction — amateur-written stories based on existing media like television shows, video games, and books — first made its appearance in China in the late 1990s and has since gained a solid foothold in Chinese creative culture.

Inciting Incident 

In February 2020, fans of television actor and musician Xiao Zhan mass-reported the U.S-based fanfiction site Archive of Our Own (AO3) to the Chinese government after “sensitive” LGBTQ-themed fanfiction featuring the actor gained popularity in China.

Following the incident, fanfiction apps were removed from the country’s Apple and Android app stores, and Chinese fanfiction sites adopted heightened censorship policies. Stories considered “sensitive” were hidden or deleted by these sites.

“As a fanfiction writer myself, I witnessed the suffering, despair, and anger of my fellow writers facing the sweeping censorship intensification,” Wang, a member of the Center on Digital Culture and Society at Annenberg, says. “While there was little I could do, I felt the responsibility to tell the story of my community and to let the world know both the destructive state power and the resilience of the fandom community.

The community had to reckon with ever-evolving censorship policies and quickly find ways to keep their writing communities alive, she says. “[Fanfiction platform] Lofter turned articles visible only to the author without notification on an unseen scale, and authors could not appeal to make articles public for more than three months.”

… According to Wang, censorship isn’t stopping creativity; it’s changing how and where it happens. Of all the writers interviewed, only one decided to stop writing fanfiction after the incident.

Fanfiction writers are finding new ways to create and connect — in small group chats dedicated to sharing stories, through printed fanzines, by talking to writing friends directly. They are also discovering new creative outlets, including painting, digital art, interactive text games, and original writing, Wang says.

(2) ORYCON TO SUNSET IN 2025. [Item by John Lorentz.] Next year’s OryCon (OryCon 45) will the last, at least in its present form. The statement below has been posted on the con’s Facebook page.

As many of you have heard by now, the OSFCI board of directors voted on the competing bids for OryCon 45. Both bids were given time to present their ideas and goals, and both were opened for questions and commentary from everyone present. The OSFCI board voted in favor of the bid I submitted; part of this bid was an agreement that OryCon 45 will be the final OryCon-branded convention supported by OSFCI.

Our reasoning for this condition is to create space for OSFCI and the fan community to innovate: new panels, new structures, new creative outlets. We want to foster an expansion of ideas, for what kind of convention you would like to see, even possibly a one-day event. There is room at the table for you. The world has changed since the birth of OryCon. Technology, social media, and our community has grown in so many ways.

I want to celebrate OryCon’s history by inviting as many past Guests of Honor as possible to be panelists. I want to remember the good times, the laughter, the community at large. I have assembled a staff of individuals who have the desire to share their love of the fan community, the authors, the artists, and the vendors. We want to bring this dream to you.

As the cliche says, when one door closes another opens. Another desire is that we mentor and prepare a younger generation to explore these new avenues of the expressions of our fandom. My vice-chair Louisa Ark is an example. A second-generation convention runner, she’s taking advantage of this opportunity to learn first hand what it takes to run a convention: what works, what doesn’t, and how they can improve upon what’s been done in the past to make any future project they work on shine.

We want your ideas of what innovations you see in the future of an Oregon Convention, new panels, new fandoms. Until then, our vision is to make OryCon 45 be the best one that we possibly can. Stay tuned for upcoming announcements of guests of honor and what we have in store for this year.

There are several reason for this: it’s been difficult to attract new people to run the convention, the attendance has been dropping over recent year, the hotels in Portland have recently been hard to with, and OryCon in general has seemed worn-out and behind the times to the younger fans. (I’ve still enjoyed it–and have been to every one, and have co-chaired or chaired five of them–but at 72, I’m certainly not one of the younger fans.)

OryCon’s web page is http://www.orycon.org

(3) A HECK OF A LONG TIME AGO. Cracked shares “35 Trivia Tidbits About the First ‘Simpsons’ Episode Ever on Its 35th Anniversary”.

December 17th is a very important date in the history of The Simpsons. It was on this day in 1989 that the first episode of the show debuted on Fox, telling a Christmas story about how the first family of Springfield came to get their pet dog, Santa’s Little Helper. 

The episode was equal parts hilarious and heartwarming, and to celebrate its 35th anniversary, here are 35 trivia tidbits all about it…

No gaslighting here about when The Simpsons first hit TV – the first two items on their list make a full disclosure.

35 The Beginning, Sort of

While “Simpsons Roasting on an Open Fire” was the first half-hour episode of The Simpsons, the family debuted two-and-a-half years prior to it on April 19, 1987 as part of The Tracey Ullman Show. 

34 The First Christmas

“Simpsons Roasting on an Open Fire” also wasn’t the family’s first Christmas story. The short “Simpson Xmas” aired a year earlier. It was a rewrite of “The Night Before Christmas” by Clement Moore, narrated by Bart.

(4) SESAME STREET – HOMELESS? “HBO ends partnership with ‘Sesame Street’” – NPR spreads the word.

It’s official. “Sesame Street” is looking for a new home. This comes after Warner Bros. Discovery decided to not renew a deal for new episodes of the children’s show on HBO and Max. You will still be able to watch old episodes for a while. “Sesame Street’s” library will stay on Max through 2027, but the show’s future is up in the air. So we wanted to take a moment to reflect on the show’s legacy with Marilyn Agrelo. She’s the director of the 2021 documentary “Street Gang: How We Got To Sesame Street.”

(5) MARTHA WELLS ON CAMPUS. Texas A&M University Libraries’ Annual Report 2024 includes a segment about Martha Wells’ visit to campus last March: “Successful Aggie Sci-Fi Author Comes Home to Talk about Writing & New Apple TV+ Series”.

…Wells used her time speaking at the March Cushing event to advise future writers. She told the crowd she grew as a writer as an anthropology major at Texas A&M by learning how cultures work together. She said her degree program also helped her see how small details fit into the larger picture. 

“I wanted to be an author from really early on when I was a kid, but I didn’t know how to do it,” Wells said. 

She entered the working world in the technology industry by designing databases, working with software and in computer support. She said that path helped immensely with developing background knowledge for the Murderbot Diaries. After holding other non-writing positions until 2006 to support her family, Wells concentrated on her writing career — what she called a long, arduous journey. She called writing “a calling.” Her perseverance led to honors as a New York Times bestselling author, including multiple Hugo, Nebula, and Locus awards

“A lot of people think if you publish one novel, you’ll sell more, and your career is made,” Wells said. “But no. You have to work just as hard to sell the next novel every single time.”…

(6) APPETEASER. “Superman’s First Teaser Takes Us Up, Up, and Away” – Gizmodo tells us to get ready.

The first full Superman trailer will be here Thursday, but to tide us over for a bit, Warner Bros. released a short teaser which itself is now the first footage we’ve seen from the movie.

Written and directed by James Gunn, Superman stars David Corenswet as Clark Kent/Superman, Rachel Brosnahan as Lois Lane, Skyler Gisondo as Jimmy Olson, Nicholas Hoult as Lex Luthor, and many more. It’s coming this summer and now, here’s your first official look at footage from Superman…

(7) OSCARS SUPER SNUB. Meanwhile, Deadline discovers – “2025 Oscar Documentary Shortlist: ‘Will & Harper’ In, Christopher Reeve Snub”.

Will & Harper, the Netflix documentary about comedic actor Will Ferrell and his friendship with SNL pal Harper Steele who came out as trans, earned a spot on the coveted Oscar documentary feature shortlist today.

It wasn’t the only shortlist honor for the film directed by Josh Greenbaum. The tune from the closing credits – “Will and Harper Go West,” written by SNL alum Kristen Wiig and Sean Douglas and performed by Wiig – got shortlisted for Best Original Song (Douglas is the son of actor Michael Keaton).

But another high-profile documentary in the running for the shortlist didn’t make the cut: Super/Man: The Christopher Reeve Story, about the late actor who was paralyzed in a horse-riding accident. That film, directed by Ian Bonhôte and Peter Ettedgui, recently won Best Documentary Feature at the Critics Choice Documentary Awards, and last week earned a nomination for the Producers Guild of America Award…. 

(8) JOHN MARSDEN (1950-2024). “John Marsden, author of Tomorrow, When the War Began, dies aged 74” reports the Guardian.

…From the beginning he set out to write for young people, having watched as the young adult genre blossomed in the US. He finished his first complete novel in just three weeks: So Much to Tell You, which was published in 1987, won many awards and would go on to be studied by countless Australian students.

Over the next 40 years he wrote and edited 40 books, including Letters from the Inside, The Rabbits and the hugely successful Tomorrow series, beginning with Tomorrow, When the War Began. The seven books in the series, published between 1993 and 1999, imagined a group of teenagers waging a guerrilla war on enemy forces surrounding their home town of Wirrawee.

Marsden said he first had the idea when he was a teenager, “fantasising about a world without adults, because pretty much all the adults I encountered were authoritarian, were not interested in fairness or justice … they were really a bloody nuisance”.

The series, along with the three books in a sequel series, were bestsellers in both Australia and the US and were translated into five languages. In Sweden, free copies of Tomorrow, When the War Began were distributed to hundreds of thousands of teenagers after it was voted the book most likely to inspire a love of reading….

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born December 18, 1913 — Alfred Bester. (Died 1987.)

By Paul Weimer:

Eight, sir; seven, sir;
Six, sir; five, sir;
Four, sir; three, sir;
Two, sir; one!
Tenser, said the Tensor.
Tenser, said the Tensor.
Tension, apprehension,
And dissension have begun

That rhyming song is how I started a 2016 piece (an early “Mining the Genre Asteroid” column) I wrote on The Demolished Man, written by one Alfred Bester. 

Alfred Bester

The Demolished Man, the first book I read of his, came just because it was part of my brother’s collection. I was hooked in immediately by the psionics and the working out of their powers and how society views them, deals with them, and vice versa. 

Since I can never pass up a reference to it, I remember when Walter Koenig’s psi cop first appeared on Babylon 5 and his name was, inevitably, Bester.  I practically shouted at the screen, “You did not!” in delight. It soon became clear through subsequent episodes that Stracyzski, possibly through the mediation of Harlan Ellison, perhaps through his own reading of it, borrowed a lot of the ideas about psionics from The Demolished Man. 

It won the first Hugo award for Best Novel. 

While psionics are relatively out of fashion in SFF today, even today, anyone who wants to put psionics in their SFF work would do well to look at Bester’s work. (I hesitate to recommend old “classics” as essential, but The Demolished Man qualifies) . Maybe Julian May’s Metaconcert and Pliocene Exile novels come close to the magic of The Demolished Man. Maybe.

Bester is also the author of the original and still strong Count of Monte Cristo in SFF take, The Stars my Destination. Gully Foyle is left for dead, and not making sure he was in fact dead turns out to be a very high price by those he takes in a roaring rampage of revenge. It’s glorious and hits all the right notes. I knew the Dumas story by osmosis at the time, but having since read and watched adaptations of Dumas, I can see how much The Stars my Destination hits its beats.

Between the definitive psionic novel, and the definitive take on a Dumas novel, those alone would make Bester memorable and readable for science fiction fans. He wrote a number of stunning and timeless short stories, too, including “The Men Who Murdered Mohammed” which is a “take that” to the idea of changing history by time travel.

(10) TODAY’S NEXT BIRTHDAY.

[Written by Cat Eldridge.]

Born December 18, 1946 — Steven Spielberg, 78.

Steven Spielberg is one of my favorite directors ever. Not as risk-taking as say Terry Gilliam but definitely one who’s done a lot of work that I find pleasing and that in my book counts for a lot.

I’m going to do a rewatch of Columbo this winter, so I was delighted to discover that he directed the first non-pilot episode of the series, “Murder by the Book”. He is credited with giving us the mannerisms of the detective and the look of the series.

He got that gig for having worked with Rod Serling on The Night Gallery where in one episode he directed Joan Crawford, that being “Eyes”. What other episodes that he directed are unclear because as a new director credit may gone to more senior directors, so it is thought that “A Matter of Semantics” that featured Cesar Romero and was credited to Jack Laird might have been his work. 

His first major hit was Jaws which is not my fish and chips so I’ll pass by it here as we’re discussing what I like by him. 

He made up for Jaws with Close Encounters of the Third Kind which is simply brilliant, E.T. the Extra-Terrestrial which still makes me sniff, and two out of three of the Indiana Jones trilogy. 

No, I vehemently did not like the Indiana Jones and the Temple of Doom. I saw it once and that was more than enough, thank you. 

Now Jurassic Park is one of the best monster films ever. Why it was so excellent that it even won a Hugo at ConAdian! Who came and accepted that Hugo? 

There is a lot of lot films next in his career that I didn’t care for until we come to the extraordinary undertaking that is The Adventures of Tintin from the French strip by Hergé. A true treat in animation this was. 

(Digression for a moment. He was an Executive Producer or Producer on way too many undertakings to list here that I liked. Who Framed Roger Rabbit, Gremlins, Animaniacs (both series), Pinky and the Brain, Freakazoid! — that’s just a few I like.) 

Then there’s Hook with Robin Williams as an adult Peter Pan, Julia Roberts as Tinker Bell and the Dustin Hoffman as Captain Hook. Need I say more. Well there is the crocodile…

I think I’ll finish with The BFG, his adaptation of Roald Dahl’s children’s book. Fantastic film that’s true to the book, no mean feat.

Steven Spielberg

(11) COMICS SECTION.

  • Bizarro puts a guitar in the hands of the wrong Doctor Who. 
  • Crabgrass has a Krampus storyline. 
  • Dinosaur Comics says you can’t shoot the Sun. (But if you play the right card game you can shoot the Moon.) 
  • Free Range asks did he ever return? No, he never returned. 
  • Yaffle has a sad story to tell.
  • Posted at Mastodon – whatever gets you through the night.

(12) NOW OFFICIALLY HISTORIC. “Tintin and the terrific tomb: Essex heritage listing is thrill for Hergé fans” – the Guardian has the story.

Blistering barnacles! Thundering typhoons! Blue blistering barnacles in a thundering typhoon! Who knew there was a 300-year-old tomb in Essex that can be linked to Tintin’s boozy best friend Captain Haddock?

The little-known tomb of Mary Haddock, in a churchyard in Leigh-on-Sea, has been named as one of the quirkier places given listed status in 2024 by Historic England.

It has a fascinating Tintin link and is one of 17 “remarkable and unusual historic buildings and places” given protection and which, Historic England argues, collectively shine light on the diversity of England’s heritage.’

Mary Haddock’s son became an Admiral in the navy and was the inspiration for Tin-Tin’s irascible friend….

… Built in 1688, the tomb of Mary Anna Haddock is well crafted and, heritage experts say, “notable as a single monument to a named woman in a period of gender inequality”.

It is the name that will thrill Tintin fans. Mary married into the Haddock family, known for prominent seafarers such as her son Adm Richard Haddock. It was he and the wider family who inspired Hergé’s Captain Haddock character in The Adventures of Tintin comics.

Captain Haddock, as all Tintin fans know, was the young reporter’s short-tempered, generally seething best friend and protector with a brilliantly wild turn of phrase and a weakness for whisky….

(13) SHARING THE SECRET. Variety reports “’Secret Level’ Renewed for Season 2 at Amazon Prime Video”.

“Secret Level” has been renewed for a second season at Amazon Prime Video.

The series is an adult animated anthology made up of short stories set in the world of various video games, such as “Pac-Man” and “Dungeons & Dragons.” Season 1 of “Secret Level” debuted with eight episodes on Dec. 10 with another seven set for Tuesday. Details about Season 2, including which video game worlds will be featured, remain under wraps.

Amazon says that “Secret Level” achieved the most-watched animated series debut of all time for the streamer within its first week, though exact viewership numbers were not provided. According to measurement from Luminate, the series was watched for 155.3 million minutes in the U.S. during its first week of availability, which translates to roughly 1.4 million views when divided by its 109-minute runtime….

(14) FROM THE PAGE. IEEE Spectrum reports “Shape-Shifting Antenna Takes Cue From ‘The Expanse’”. “Inspired by the sci-fi show, the device morphs to suit its signals”.

…The project has an otherworldly origin story, according to Jennifer Hollenbeck, an electrical engineer at APL who first came up with the idea. She is an avid sci-fi fan and had been reading The Expanse series of novels by the collaborative duo who publish under the pen name James S. A. Corey. Notably, The Expanse features alien technology capable of morphing to achieve different functions.

“It can heal itself, it can change shapes, and that was really the inspiration for this,” Hollenbeck says. “I was in the midst of one of those books and my boss asked me if I had any ideas for some research topics—and it just hit me.”…

(15) BALCONY SCENE. In the Guardian: “‘If 1.5m Germans have them there must be something in it’: how balcony solar is taking off”.

They are easy to install, and knock chunks off electricity bills. It may not be Romeo and Juliet, but Spain’s balcony scene is heating up as the country embraces what has hitherto been a mainly German love affair with DIY plug-in solar panels.

Panels have already been installed on about 1.5m German balconies, where they are so popular the term Balkonkraftwerk (balcony power plant) has been coined.

Manufacturers say that installing a couple of 300-watt panels will give a saving of up to 30% on a typical household’s electricity bill. With an outlay of €400-800 and with no installation cost, the panels could pay for themselves within six years.

In Spain, where two thirds of the population live in apartments and installing panels on the roof requires the consent of a majority of the building’s residents, this DIY technology has obvious advantages.

With solar balconies, no such consent is required unless the facade is listed as of historic interest or there is a specific prohibition from the residents’ association or the local authority. Furthermore, as long as the installation does not exceed 800 watts it doesn’t require certification, which can cost from €100 to €400, depending on the area.

“The beauty of the solar balconies is they are flexible, cheap and plug straight into the domestic network via a converter, so you don’t have to pay for the installation,” says Santiago Vernetta, CEO of Tornasol Energy, one of Spain’s main suppliers….

[Thanks to Andrew Porter, John King Tarpinian, Andrew (not Werdna), John Lorentz, Lise Andreasen, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/30/24 Dead Pixels Don’t Scroll Plaid

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(1) WHEN THE ‘NEW WAVE’ WAS CONTROVERSIAL. Joachim Boaz’ new Simak-related post about the author’s Worldcon 1971 Guest of Honor speech contains a timeless message: “Exploration Log 6: Clifford D. Simak’s 1971 Worldcon Guest of Honor Speech” at Science Fiction and Other Suspect Ruminations.

In an August 1967 editorial in Galaxy titled “S.F. as a Stepping Stone”, Isaac Asimov (1920-1992) voiced his extreme disapproval of the New Wave movement as “‘mainstream’ with just enough of a tang of the not-quite-now and the not-quite-here to qualify it for inclusion in the genre” (4). He concludes: “I hope that when the New Wave has deposited its froth and receded, the vast and solid shore of science fiction will appear once more and continue to serve the good of humanity” (6). The implication is clear: there is a Platonic science fiction form that exists (and that he writes) that must be rediscovered.

Fellow “classic” author Clifford D. Simak (1904-1988) offered a different, and far more inclusive, take at his Guest of Honor speech at Norescon 1 (Worldcon 1971). In an environment of “shrill” disagreement between various New Wave and anti-New Wave camps, Simak celebrated science fiction as a “forum of ideas” open to all voices (148)….

Fanac.org has posted an audio recording of Simak’s speech on YouTube. He begins speaking at the 28:00-minute mark: “Noreascon (1971) Worldcon – Guest of Honor Speeches – Clifford Simak and Harry Warner, Jr.”

(2) BITE ME. At Black Gate, Neil Baker happily tells readers what’s lacking in this bunch of simply jaw-ful movies: “Jumping the Shark, Part I”. First on his list:

Apex Predators (2021) Prime

What kind of shark? Stock footage and a rubber dorsal fin.

How deep is the plot? There is no plot.

Anyone famous get eaten? No

Let me preface this by saying I have a lot of respect for anyone who tries to make a feature film (having tried myself), however, I have not one ounce of respect for Dustin Ferguson, who wrote, directed and edited this utter shit show.

Everything about it is dire, an utter waste of time, and let’s talk about that time. It has a run time of 74 mins. I like a film that keeps its runtime down and packs it full of action and plot. However, this film contains approximately 18 minutes of action and/or ‘plot’. The rest of the time is padded out with stock footage of fish, or shots of characters walking along doing fuck all….

(3) MURDERBOT GIVES CHARITY A BOOST. Martha Wells has pointed readers at the sale of authored Murderbot merch from Worldbuilders, which raises funds for charities like Heifer International, Mercy Corps, First Book etc. Here’s the link: Worldbuilders Market. Wells says, “This is the ONLY licensed Murderbot seller.” The things available include Murderbot pins, a Sanctuary Moon t-shirt, and signed books.

Here’s one of the pins available ($16).

(4) CURSED CHOW? Eater commentator Jaya Saxena, in “We Don’t Have to Do a Harry Potter Baking Show”, contends that “By creating ‘Harry Potter: Wizards of Baking,’ Food Network is condoning its creator’s transphobia. It’s also just plain lazy.”

The Food Network has produced yet another formulaic competition show, but this is not news. This is what the channel has been reduced to at this point — for every Chopped, which still holds its charm, there seem to be dozens of one-off holiday challenges and pumpkin carving competitions to serve as background noise for whoever fell asleep while Netflix was running.

But Harry Potter: Wizards of Baking is different. Premiering last week, the competition features all things Harry Potter. It’s hosted by James and Oliver Phelps, who played the Weasley twins in the films, and features cameos by a host of other secondary characters. It’s shot on the original sets of the films. And competitors are expected to make fantastical creations inspired by the series, for the opportunity to win a Wizards of Baking Cup and appear in a forthcoming Harry Potter cookbook. Carla Hall is there too.

This sucks.

Food Network could have made a generic wizard-themed baking show — no one owns the concept of magic. But being an official Harry Potter property means the show was licensed in some way by its creator, J.K. Rowling, a woman who has so thoroughly dedicated her public persona to promoting transphobia that even Elon Musk is telling her to cool it….

(5) JEOPARDY! [Item by David Goldfarb.] Wednesday’s episode of Jeopardy! had a whole SFF category in the Double Jeopardy round, entitled “The Worlds of TV”. The contestants went through the category in order, top to bottom:

$400: Even though it sounds like the Ewok planet, this show is named for Diego Luna’s character
Challenger Drew Wheeler was able to come up with “What is Andor?”

$800 (accompanied by a picture all filtered in red of a hazy figure among frightening spikes, with a jet of fire in the background): It’s the name of the menacing dimension on Stranger Things
Returning champion Kevin Laskowski replied, “What is the Upside Down?”

$1200: According to Gene Roddenberry, this home planet of a USS Enterprise officer orbits a star called 40 Eridani A
Drew knew it was Vulcan.

$1600: On a SyFy miniseries, James Hook finds a magical orb that takes him, Peter, and the Lost Boys to this one-word title world
Julia Schan guessed “What is Neverland?” and was correct.

$2000: Geralt of Rivia travels across a landmass simply known as The Continent on this show
Kevin got “What is The Witcher?”

(6) BIRD IS THE WORD. George R.R. Martin reports “Dodos Take Pittsburgh” at Not A Blog.

Winners have just been announced for this year’s Pittsburgh Shorts Film Festival (November 21-24), and we’re pleased and proud  to announce that THE UGLY CHICKENS  took home the Jury Award for Best Live Action Short Film.

Mark Raso was in Pittsburgh to represent us, and accept the prize of behalf of our cast and crew and dodo lovers everywhere.  Felicia Day starred in the film, while Mark directed.   Michael Cassutt wrote the script, adapted from Howard Waldrop’s classic short story, winner of the Nebula and World Fantasy Award in 1980-1981.

Pittsburgh Shorts is one of the premiere short film venues in the country, and the competition is always tough.   It is a real honor take home the trophy, and I know Howard would have been thrilled as well.

(7) WHY NOT SAY WHAT HAPPENED?  Scott Edelman tells “Why Captain Marvel Caused Me to Reach Out to Robert De Niro” in episode 9 of the Why Not Say What Happened podcast. (Here’s the link to the whole series.)

Mulling over whether 2024 me agrees with what 1984 me thought about 1974 me reminded me getting the gig to write Marvel’s Bullpen Bulletins Page was both the best and worst thing that ever could have happened, why my willingness to burn bridges by writing an Ethics column for The Comics Journal shouldn’t be confused with bravery, which comic book art recently caused me to reach out to Robert De Niro, Stan Lee’s all-caps cover critique, the day Larry Hama verified Tony Isabella was right and I was wrong, and more.

Below is an installment of Scott’s ethics column. (Click for larger images.)

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Nutcracker: The Motion Picture (1986)

Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara in E.T. Hoffman’s The Nutcracker

So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, it was produced thirty-eight years ago by the Pacific Northwest Ballet.

What makes this one worth knowing about? Two words that form an oh-so-wonderful name: Maurice Sendak. 

Choreographer Kent Stowell, the artistic director of the Pacific Northwest Ballet, had invited author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.  

(I saw those his creations when they were stored away when I was in Seattle.  Quite amazing even just there.)

Sendak initially rejected Stowell’s invitation, later explaining why he did so:  

The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.

He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years. 

For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close. 

Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of the original designs underwent revision, and Sendak created additional ones from scratch.

It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.

(9) TODAY’S BIRTHDAY.

[Written by JJ.]

Born November 30, 1952 — Jill Eastlake, 72.

By JJ: Jill Eastlake is an IT Manager, Costumer, Conrunner, and Fan who is known for her elaborate and fantastical costume designs; her costume group won “Best in Show” at the 2004 Worldcon.  

A member of fandom for more than 50 years, she belonged to her high school’s SF club, then became an early member of NESFA, the Boston-area fan club, and served as its president for 4 years. 

She has served on the committees for numerous Worldcons and regional conventions, co-chaired a Costume-Con, and chaired two Boskones. 

She was the Hugo Award ceremony coordinator for the 1992 Worldcon, and has run the Masquerade for numerous conventions. 

Her extensive contributions were honored when she was named a Fellow of NESFA in 1976, and in 2011 the International Costumer’s Guild presented her with their Lifetime Achievement Award. 

She and her fan husband Don (who is irrationally fond of running WSFS Business Meetings) were Fan Guests of Honor at Rivercon.

Jill Eastlake

(9b) TODAY’S OTHER BIRTHDAY.

[Written by Cat Eldridge.]

Born November 30, 1906 — John Dickson Carr. (Died 1977.)

As you know, we don’t do just sff genre Birthdays here and so it is that we have here one of my favorite mystery writers, John Dickson Carr.  Indeed, I’ve listened to The Hollow Man, one of his Gideon Fell mysteries, and it’s quite superb.

He who wrote some of the best British mysteries ever done was not British himself, being American. Oh the horror. He did live there for much of the Thirties and Forties, marrying a British woman. 

Dr. Fell, an Englishman, lived in the London suburbs. Carr wrote twenty-seven novels with him as the detective. I’m listening to The Hollow Man because it’s considered one of the best locked room mysteries ever done. Indeed, Dr. Fell’s discourse on locked room mysteries in a chapter has been reprinted as a stand-alone essay in its own right.

All of the Fell novels are wonderful mysteries. The detective himself? Think of a beer-drinking Nero Wolfe who’s a lot more outgoing. Almost all of the novels concern his unraveling of locked room mysteries or what he calls impossible crimes.  Of these novels, I’ve read quite a number and they’re all excellent.

Now let’s talk about Sir Henry Merrivale, created by “Carter Dickson”, a pen name of John Dickson Carr. (Not sure why he bothered with such a thinly-veiled pen name though.) Merrivale was like Fell an amateur detective who started who being serious but, and I’m not fond of the later novels for this, became terribly comic in the later novels. Let me note that Carr was really prolific as there were twenty-two novels with him starting in the Thirties over a thirty-year period. One of the finest is The White Priory Murders which was a Wodehousian country weekend with yet another locked room mystery in it. 

He also, as did other writers of British mysteries, created a French detective, one by the name of Henri Bencolin, a magistrate in the Paris judicial system. (Though I’ve not mentioned it, all of his mysteries are set in the Twenties onward.) Carr interestingly has an American writer Jeff Marle narrating the stories here and he describes Bencolin as looking and feeling Satanic. His methods are certainly not those of the other two detectives as he’s quite rough when need be to get a case solved. 

There are but four short stories and five novels of which I think The Last Gallows is the best. 

With Adrian Conan Doyle, the youngest son of Arthur Conan Doyle, Carr wrote some Sherlock Holmes stories that were published in The Exploits of Sherlock Holmes collection. Not in-print but used copies available reasonably from the usual suspects. 

He was also chosen by the estate of Sir Arthur Conan Doyle in 1949 to write the biography of the writer. That work, The Life of Sir Arthur Conan Doyle, is in-print in a trade paper edition.

John Dickson Carr

(10) COMICS SECTION.

(11) TOP COVERS. GamesRadar+ calls these “The 25 Best Marvel Comics covers ever”.

The best Marvel Comics covers of all time may be a matter of personal taste – but there are all-time classic illustrations which are instantly recognizable, and which evoke a specific time and place in the Marvel Universe.

We’ve pored over decades of covers dating back to the ’30s, and while it’s impossible to include every great and memorable cover in Marvel Comics history, these are the 25 that we feel best represent the Marvel Universe.Our criteria include a cover’s quality, its recognizability, and its influence, including how many other covers and artists have paid homage to it, like with these recent Fantastic Four variant covers that recreate other classic Marvel images….

In first place is –

1. X-Men #1 – Jim Lee and Scott Williams

If there’s one single cover, one magnum opus image that sums up everything Marvel Comics is about, it has to be Jim Lee’s timeless cover for 1991’s X-Men #1, which draws on classic influences going all the way back to Jack Kirby’s Uncanny X-Men #1 cover and pulls them into a thoroughly modern piece of superhero art. This cover not only sums up decades of previous art and storytelling into one evocative drawing, it has become so definitive that it has itself informed decades of covers since – including more recreations and homages than you can shake your adamantium claws at.

(12) TO GET KIDS READING. [Item by Steven French.] Includes a number of genre related recommendations such as Steve Jackson’s House of Hell! Advice from the Guardian: “’Relax your rules, let them pick what they want’: 10 page-turners to get kids reading”.

The news from the National Literacy Trust this month was bleak. Their annual report revealed that just one in three eight- to 18-year-olds enjoy reading in their free time – the lowest level in almost two decades of research. Boys and young people in secondary school in particular are turning away from books, with steep declines in reading recorded for both groups….

…So, how do we get children back to books and turning those pages again? We have to give them ways to discover the joy of reading in ways that matter to them. Let your children read what they want – within reason, without pressure. Please don’t tell them you were reading weighty tomes at their age, it’s not helping. Resist that urge, relax your rules, let them read….

(13) BEWARE OF NUCLEAR WASTE. It’s going to be around for a long time. One group wants to learn “HOW TO SEND A MESSAGE 10,000 YEARS INTO THE FUTURE” that will warn people long after our languages and cultures have expired.

This is The Ray Cat Solution:

1. Engineer cats that change colour in response to radiation.

2. Create the culture/legend/history that if your cat changes colour, you should move some place else.

At the link view The Ray Cat Solution video (2015) on Vimeo.

And, of course, buy the merch for everyone you know. For example, one of these t-shirts.

Fascinated by the problem of designing warnings for people 10,000 years in the future, New Hampshire Institute of Art’s Type 1 class has joined forces with Bricobio and The Raycat Solution to help insert Raycats into the cultural vocabulary.  While Bricobio works towards genetically altering cats so they change color when in the presence of radioactive material, the NHIA Type 1 class is working to insert the idea that if a cat changes color, that space might be dangerous to others. 

(14) GAMING BUSINESS. [Item by Steven French.] From this week’s gaming newsletter in the Guardian:“How Sony could reclaim handheld gaming from Nintendo and the smartphone”.

A report from Bloomberg this week suggests that Sony is working on a new portable PlayStation device. As someone who still has a PlayStation Vita languishing in my desk drawer because I can’t quite bear to put it in the attic, this is an exciting prospect. It has been almost 13 years since Sony released the Vita, its last portable console, and it’s such a wonder of a thing, with its big crisp screen and dinky little sticks. I wish more people had made games for it – paper-craft adventure Tearaway and topsy-turvy platform-puzzler Gravity Rush remain underrated.

Actually, apart from the lovely and extremely niche Playdate, nobody has bothered to release a dedicated handheld games console in over a decade. Both the Nintendo Switch and Valve’s Steam Deck are hybrids that can be played handheld and connected to a big screen.

There’s a reason for this: firstly, smartphones have snapped up almost the entire market for portable games, offering endless free or cheap games on a device that everybody already has. And secondly: having handheld and home consoles on the market once would split development resources. Only Nintendo was successful enough at selling handhelds to weather several generations of splitting its talent between creating games for the DS and the Wii, or the 3DS and Wii U, which has led to the Switch being a contender for the cleverest business decision of its history.

(15) STEP BACK IN TIME. Gizmodo reports “Remarkable Fossil Footprints Show Two Hominin Species Coexisting 1.5 Million Years Ago”. See a photo of the fossilized marks at the link.

Approximately 1.5 million years ago, two human relatives belonging to two distinct species made their way along the shore of an ancient lake. Researchers know this because the hominins’ footprints fossilized in the mud, alongside the prints of giant birds that occupied the paleoenvironment….

…The footprints were made by Homo erectus and Paranthropus boisei, long-extinct species that shared eastern Africa in the ancient past. Together, the footprints are a remarkable window into the lives of our nearest relatives and ancestors. The prints show how hominins overlapped as they eked out existence in ancient Africa; according to the research team, if the hominins who made the prints didn’t overlap at the site, they crossed it within hours of one another. The team’s research was published today in Science….

(16) A BOOST FOR THE HOLIDAYS. NASA has created the “Rocket Engine Fireplace” to give you warm holiday thoughts – for eight hours!

Just what you need for the holidays… the coziness of a crackling and roaring rocket engine! Technically, this fireplace packs the heat of the SLS rocket’s four RS-25 engines and a pair of solid rocket boosters – just enough to get you to the Moon! (And get through the holidays with your in-laws.) This glowing mood-setter is brought to you by the SLS (Space Launch System) rocket that launched Artemis I on its mission around the Moon and back on Nov. 16, 2022. 8.8 million pounds of total thrust – and a couple glasses of eggnog – might just be enough to make your holidays merry.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, David Goldfarb, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 11/26/24 The Sandmaid’s Tale

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(1) GREAT MARTHA WELLS PROFILE. Meghan Herbst’s “How Murderbot Saved Martha Wells’ Life” in WIRED is fascinating in so many ways. You’ll find reasons of your own. Mine is the revelation how many of the same events Wells and I were at in the 1980s – even an AggieCon — yet I don’t think we ever met.

MURDER IS IN the air. Everywhere I turn, I see images of a robot killing machine. Then I remind myself where I actually am: in a library lecture room on a college campus in East Texas. The air is a little musty with the smell of old books, and a middle-aged woman with wavy gray-brown hair bows her head as she takes the podium. She might appear a kindly librarian or a cat lady (confirmed), but her mind is a capacious galaxy of starships, flying bipeds, and ancient witches. She is Martha Wells, creator of Murderbot.

Hearing a name like that, you’d be forgiven for running for your life. But the thing about Murderbot—the thing that makes it one of the most beloved, iconic characters in modern-day science fiction—is just that: It’s not what it seems. For all its hugeness and energy-weaponized body armor, Murderbot is a softie. It’s socially awkward and appreciates sarcasm. Not only does it detest murdering, it wants to save human lives, and often does (at least when it’s not binge-watching its favorite TV shows). “As a heartless killing machine,” as Murderbot puts it, “I was a terrible failure.”…

…The young Wells dealt with her awkwardness the same way Murderbot eventually would: by immersing herself in far-off realms. She sketched maps of Monster Island, the home of Godzilla, and wrote fan fiction set in the worlds of Lost In Space and Land of the Giants. At the nearby bookstore, she gazed in wonder at the covers of books like F. M. Busby’s Zelde M’Tana, featuring a Black woman in a jumpsuit raising a gun. She picked her way through Phyllis Gotlieb, John Varley, Andre Norton. There was also Erma Bombeck, the witty writer whose local newspaper column on suburban family life, “At Wit’s End,” hit a vein with ’70s housewives. “That was my first real indication that being a writer was a real job,” Wells says….

(2) DEVOUT PARODY. Sister Boniface Mysteries, explains Wikipedia, is a spinoff from the Father Brown TV series that premiered in 2022.

…The series is set in England during the early 1960s. Sister Boniface is a Catholic nun at St. Vincent’s Convent in the fictional town of Great Slaughter in the Cotswolds. In addition to her religious duties at the convent, she makes wine and has a PhD in forensic science (although this is referred to as a MA (Cantab), in the The Forensic Nun episode of Father Brown) allowing her to serve as a scientific adviser to the local police on investigations….

A viewer told The Divergent Universe forum that in recent episodes “’Sister Boniface Mysteries’ does ‘Doctor Who’”.

“Sister Boniface Mysteries”, the less-than-serious and not-very-good “Father Brown” spinoff … has got into the habit of doing parodies of well-known series. There was an episode where a “Blue Peter”-type series was filmed in the village, an episode where an Ian Fleming-adjacent author was trying to cast a James Bond-esque movie role, and this week they hold a Doctor Who convention. Excuse me, a Professor X convention. No, it wasn’t even that, it was “Professor Y”. 

“Professor Y” is a tv series that, by whatever stage in the 1960s “Sister Boniface Mysteries” is set, has been cancelled but fans keep the spirit alive and are campaigning for it to be brought back. The police inspector and one of the nuns are big fans. Anyway, the clips of the series they show are actually not all that bad – certainly much less silly and far more credible than, say, Inspector Spacetime. Mark Heap was cast as the actor who played the Professor, and while his performance is perhaps closer to nuWho than 1960s DW, it’s not that bad. And the Dalek-type creatures look fairly good for Dalek-type creatures. The voice actor isn’t Nick Briggs but I thought was trying to sound like him.

Anyway, it gave us three days of DW in a row, sort of.

(3) DERN CHEEP STREAMZ: [Item by Daniel Dern.] Want to watch Dune: Prophecy (on Max), Ted Lasso, Foundation, etc on Apple+? Roku is having some great multi-month deals, “Up to 90% off on 25+ premium subscriptions” including Acorn ($0.99/month for two months, vs $7.99/month)(Murdoch Mysteries, etc) BritBox $3.99/month for two months, vs $8.99/month) (McDonald & Dodds, if nothing else) Max ($2.99/month for six months, vs $9.99/month) (Penguin; other DC flicks’n’shows) Paramount ($2.99/month for two months, vs $12.99) Star Trek; NCIS; The Daily Show, The Late Show etc. “Black Friday Deals | Premium Subscriptions | Roku”.

A Roku account itself is free.

I don’t think you need to buy/have a Roku player (“streaming stick” etc).

There’s a Roku (mobile) app, for your phone, tablet, and (possibly) “smart TV”.

We have/use a Roku player (streaming stick) (no cablebox these days, and the TV is old enough that it won’t, I think, let me add apps directly). — We have the slightly $$ Roku player, for the build-in Ethernet and other features, but the other models are inexpensive (and currently on Black Friday sales as well). (And a second, smaller Roku player&remote, for convenience during increasingly-rare travel.)

‘Nuff watched!

(4) RECOVERED WISDOM. “Ursula K. Le Guin — Book View Café: Navigating the Ocean of Story” is a page at the Ursula K. Le Guin website with a directory of links to 14 recreated copies of posts she wrote for BVC.

In 2015, a few months before the publication of the revised edition of Steering the Craft, Ursula began “an experiment: a kind of open consultation or informal ongoing workshop in Fictional Navigation,” which was hosted at Book View Café. She took questions about writing from readers, and offered generous answers.

These posts were lost in an update at BVC, but we’ve recreated them as best we could with the help of the Wayback Machine. Three other posts appeared only at BVC and not on Ursula’s own website’s blog; those are included here too.

(5) FUTURE TENSE. November 2024’s new Future Tense Fiction story is “A Time Between,” by Kevin Galvin, a story about augmented reality and detective work. It’s paired with a response essay by Jim Bueermann, founder and president of the Center on Policing and Artificial Intelligence: “The Long Arm of Law and Technology”.

…When used for policing, what does technology illuminate—and what does it obscure? Kevin Galvin’s “A Time Between,” a new short story published by Future Tense Fiction, explores these questions through the eyes of Detective Carberry, an older, somewhat disillusioned officer who prefers tangible experiences over the augmented reality technologies that now dominate his fictional universe—and his police department. Carberry is wary of how reality and fiction are becoming increasingly hard to distinguish, and his skepticism comes to a head when he’s tasked with investigating the death of a college freshman who supposedly fell from a dorm-room window, but whose body cannot be found….

Other news: There’s now a dedicated landing page for Future Tense Fiction on the website of their publishing partner, Issues in Science and Technology. You can find it here: https://issues.org/futuretensefiction. It will feature our new fiction and essays, selected stories from the Future Tense Fiction archives, video interviews with authors, and more.

(6) FAN HISTORY IS CALLING. First Fandom Experience’s editors are “Seeking collaborators for research and publishing on the early history of fandom”.

Fan history is replete with stories of individuals whose experience in fandom enabled them to create the foundations of the massive science fiction and fantasy industry we know today. The writings of these early fans also offer unique insights on the US and Britain during the Great Depression and the Second World War.

We hope to engage with students, historians and others with interest and intent to learn, understand and publish these stories.

In support of our work, FFE has assembled an extensive archive of fan material — fanzines, convention material, club ephemera, photographs, correspondence and others — all from the late 1920s to the late-1940s. The physical archive resides in the collections of David Ritter and Alistair Durie, each accumulated over decades. Our exclusive focus on this period also allows us to source supplemental digital material from other private, university and public sources….

 … FFE is prepared to facilitate access to the archive for individuals and organizations seeking to research and publish in this area of study. Please reach out to us at: info@firstfandomexperience.org

(7) A MUCH WIDER WORLD. Robin Anne Reid shares her talk “Tolkien’s ‘Absent [Female] Characters’: How Christopher Tolkien Expanded Middle-earth” at Writing from Ithilien.

… I said I’d be looking at how Christopher’s work on the posthumous publications expanded Middle-earth by including more female characters.

And then things just all came together in my head, including the four Éowyn posts I had made in my Substack earlier this year….

… This talk is the start of a larger project which will explore three related topics. The first is how the posthumous publications CJRT edited (from the 1977 Silmarillion to the 2018 Fall of Gondolin)¹ expand the number of female characters in Middle-earth and give us a unique view into alternate and contradictory ideas JRRT explored in his writing process. The second is how academic scholarship on his fiction is still, almost 50 years after the publication of The Silmarillion, overlooking most of the legendarium’s female characters except for a handful in The Lord of the Rings plus Lúthien.² The third is how those of us who are feminists can challenge that tendency by paying more attention to the messy, complex material about female characters in the multiple histories of Middle-earth and by acknowledging and incorporating the valuable work women and non-binary fans have been and are doing with the posthumous publications.³

This talk, and this project, exist in the current Anglophone socio-political context in which some critical theories, such as feminisms, have been dismissed as inappropriately imposing politics (and, the worst of all politics, “identity politics” which is apparently politics by anyone who is not a straight Christian white man) on literature since at least the 1980s. As Sue Kim argues in “Beyond Black and White: Race and Postmodernism in The Lord of the Rings Film”: “It is disingenuous to claim that certain modern politics apply (war, fascism, industrialization, conservation) and others do not (gender, sexuality, race), just as it is disingenuous to say that any one kind of reading necessarily discounts all other readings” (882).⁴…

(8) EARL HOLLIMAN (1928-2024). Actor Earl Holliman died November 25 at the age of 96. Fans know him best as the star of The Twilight Zone’s debut episode “Where Is Everybody?” which aired on October 2, 1959. The Deadline tribute details some of his genre work:

…Holliman had done several guest-starring roles on 1950s TV before making history as the focus of the first episode of The Twilight Zone, Rod Serling’s landmark anthology series that put ordinary people in extraordinary situations. The October 1959 episode “Where Is Everybody?” opened with Holliman’s Mike Ferris wandering in a deserted town, which appears to be populated — coffee is boiling, a jukebox is playing, a cigar is burning — but no one is seen. The unsettling scenario continues to build to a wildly unexpected climax that would be the still-loved series’ signature….

Prior to that he appeared in the Fifties sf film Forbidden Planet. And his career was bookended by a genre TV series:

…He would land a final series-regular role on the syndicated NightMan in 1997. He starred opposite Matt McColm, whose Johnny Domingo becomes the title superhero after a lightning strike. Holliman played his ex-cop dad who appeared in two dozen episodes before being killed off in the Season 2 premiere….

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 26, 1919 — Frederik Pohl. (Died 2013.)

By Paul Weimer: Frederik Pohl first came to my attention thanks to his multiverse novel, The Coming of the Quantum Cats. I saw the book in a bookstore, was attracted by the cover, hooked by the back matter, bought it and read it quickly and avidly. I had never heard of Pohl before, and if you’ve read these vignettes and have gotten any sense of who I am, you know I had to find more of Pohl’s work. If he could do multiverse novels, what else could he do? What else did he do?  Plenty it turns out.

Frederik Pohl as shown on the cover of his 1979 autobiography The Way The Future Was.

Next up came Gateway, the novel for which he is most famous, with its unusual structural style and tone, and a focus that frustrated me then…but now I find brilliant, unique, engaging and makes the book memorable.  From Gateway, I read a number of Pohl works and novels over the years. The Space Merchants with its criticism of capitalism that feels every more prescient as the years pass. The wide-ranging epic of the Eschaton trilogy, which brings a near future government agent into conflict with aliens who have orders and information from their far future apotheosis. There is his nonfictional collaboration with Isaac Asimov, This Angry Earth, which was an early 1990’s clarion call to deal with climate change. We did not listen, we did not hear, and now we are paying that price. 

And then there were a large number of short stories. A lot of them seem to be awfully funny, such as the subtle The Deadly Mission of Phineas Snodgrass, which I managed to read just before reading Lest Darkness Fall (which it references and I then wanted to, and did, read — and then immediately read Harry Turtledove’s The Pugnacious Peacemaker, which is his sequel to the classic).

The best of these is my favorite Pohl work (even more than The Coming of the Quantum Cats) — Day Million.  It tells the story of a typical day in the year 2739. It’s a future to give Rep Nancy Mace fear and loathing. The main character Dora is genetically male but biologically female, and forms a relationship with a starship flying cyborg, with whom she has virtual sex, among a variety of lovers of various kinds. The story is addressed to and written in a point of view addressing the reader in a challenging, direct way, saying that if you are repulsed by this, by this future, just think what Attila the Hun would think of you and your life. It’s a story that feels especially relevant in this year of 2024.

Frederik Pohl in 2008.

(10) COMICS SECTION.

(11) BOOK REMOVAL LITIGATION UPDATE. “Summary Judgment Motions Filed in ‘Tango’ Book Banning Case” reports Publishers Weekly.

With discovery now complete, dueling summary judgment motions have been filed in a closely watched book banning case in Escambia County, Fla., over the removal of Peter Parnell and Justin Richardson’s 2005 picture book And Tango Makes Three.

In a filing this week, the authors, who first filed suit in June 2023, argue that the removal of their book—an illustrated book based on a true story about two male penguins who adopt and raise a penguin chick—was removed based on unconstitutional, anti-LGBTQ+ “viewpoint discrimination” and should be returned to school library shelves.

“Following Florida’s enactment of anti-LGBTQ+ legislation and a challenge from a District teacher with a documented history of homophobia, Defendant removed Tango from District school libraries,” the filing states. “There is no dispute that Defendant did so because Tango depicts a same-sex relationship, a viewpoint-discriminatory justification prohibited by the First Amendment.”

In their own motion for summary judgment, lawyers for defendants Escambia County counter they should prevail because school officials have the authority to remove any book from library shelves for any reason, citing a common defense in several book banning cases now underway across the nation—that which books go on library shelves is “government speech” and thus immune from First Amendment scrutiny….

(12) DISNEY CLASS-ACTION SETTLEMENT EXPECTED. Deadline has learned “Disney Will Pay $43M To Settle Pay Equity Class-Action Lawsuit”. “Not even the cost of a slice of cheese for the Mouse,” opines Cat Eldridge.

We now know how much Disney is writing a check for to end the pay equity class-action suit that has loomed over the company for the past five years.

Set to address the up to 14,000 eligible class members of female Disney employees past and present from 2015 to today, the Bob Iger-run fun palace will be paying $43.25 million, according to papers set to be filed later tonight in Los Angeles Superior Court docket.

Far less than the $300 million it was estimated the case could balloon to once if was certified as a class action last December, the official compensation comes a couple of weeks after news broke of a quietly reached October settlement between Disney and the Lori Andrus represented plaintiffs. The whole matter was set to go to trial in May 2025….

… First filed in April 2019 over back pay, lost benefits and more by Disney staffers LaRonda Rasmussen and Karen Moore and heading towards a May 2025 trial, the suit accused the Magic Kingdom of not being so kind with its cash based on gender as opposed to performance. At its core, the suit claimed Disney has violated the Fair Employment & Housing Act and California’s Equal Pay Act in paying men more than women for the same work.

Seeking at least $150 million in lost wages initially, the suit saw repeated big push back from Disney over the year in efforts to have it dismissed and not certified. Exclaiming the whole thing was merely “highly individualized allegations,” Disney’s Paul Hasting LLP team sought to limit the matter to a small contingent of less than 10 women. There was also drama over documents and discovery, with the plaintiffs calling out the Mouse House as dragging their feet with data and paperwork….

(13) FURNISHED FOR ADVENTURE. If you’re ready to part with $295, GW Pens will happily sell you the “GW Dungeon Dice and Pen Set with Field Notes 5E Character Journal”. And the chest it comes in!

Ready to embark on a new dungeon crawl? Be sure to grab your chest of necessities before you go! 

This wooden box unlatches to reveal a dragon themed ballpoint twist pen with hand cast resin and Matching hand cast resin dice! The pen and dice are easily kept together in the pictured wooden chest, with faux leather lined insert to keep the dice edges safe from the metal components of the pen. The tray can lift out from the box for a small storage area beneath.

Also included with this set is a Field Notes 5E character journal, helping you track everything you need to know about your character from the first roll of the dice!

The included dice are dense enough to have a nice weight to them, offering true “rolls” and not just stopping on whatever side they land on. 

(14) OUR LOOKOUT. [Item by Steven French.] Astronomer Desiree Cotto-Figueora on defending the planet: “I defend the planet from asteroid collisions” in Nature.

There are hundreds of millions of asteroids in the Solar System, the majority of which are in the main belt between the orbits of Mars and Jupiter. But some of these asteroids, either through collisions, or through gravitational effects or other processes, end up in new orbits that come close to or cross Earth’s orbit. Currently, astronomers think that there are more than 36,000 of these near-Earth asteroids, and at least 2,400 of those are considered potentially hazardous, because they could strike Earth.

I’m part of NASA’s Near-Earth Object Surveyor mission, which aims to detect and characterize 90% of near-Earth asteroids that are larger than 140 metres in diameter. The first step is to work out where they are, but it’s also important to characterize them and understand their fragmentation process so that scientists can design strategies for deflection and disruption, if needed.

Along with my research, I spend a lot of time teaching astronomy and organizing outreach events through my role as coordinator of the Astronomical Observatory at the University of Puerto Rico at Humacao. In this photo, I’m standing next to the observatory’s 14-inch telescope. Although it’s a lot smaller than the 42-inch instrument I use for my research, it’s a great tool for connecting people with the Universe. I love seeing how excited kids and adults get when they look through a telescope for the first time and see the rings of Saturn or the Galilean moons of Jupiter.

I’ve loved astronomy and watching space documentaries from an early age. In high school, I started an astronomy club and visited nearby observatories, including the one I work at now. I’m so lucky to have ended up doing work that I’m passionate about. Even now, I don’t think that high-school girl would ever have imagined that one day she’d be working on a NASA mission.

(15) EARTH CALLING THE HIDDEN CITY… “’We didn’t know what it was at first.’ NASA aircraft uncovers site of secret Cold War nuclear missile tunnels under Greenland ice sheet” – Space.com has the story.

NASA scientists conducting surveys of arctic ice sheets in Greenland got an unprecedented view of an abandoned “city under the ice” built by the U.S. military during the Cold War.

During a scientific flight in April 2024, a NASA Gulfstream III aircraft flew over the Greenland Ice Sheet carrying radar instruments to map the depth of the ice sheet and the layers of bedrock below it. The images revealed a new view of Camp Century, a Cold War-era U.S. military base consisting of a series of tunnels carved directly into the ice sheet. As it turns out, this abandoned “secret city” was the site of a secret Cold War project known as Project Iceworm which called for the construction of 2,500 miles (4,023 km) of tunnels that could be used to nuclear intermediate range ballistic missiles (IRBMs) at the Soviet Union….

…Construction on Camp Century began in 1959, but the base was abandoned in 1967 due to the costs and challenges of keeping the tunnels from collapsing in the ever-shifting ice sheet…

…The trenches were designed for a type of modified Minuteman IRBM missile known as “Iceman” that would be able to withstand the pressures of launching through the ice sheet. Project Iceworm was ultimately canceled and abandoned along with Camp Century, but the echoes of this era of the Cold War still reverberate throughout the Greenland landscape today…

For more details about the facility watch this “’Camp Century’ Restored Classified Film”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Joel Zakem, Joey Eschrich, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Benny and the Gesserits” Dern.]

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(1) RECONCILING MIDDLE-EARTH. Max Gladstone enjoys sharing his insights about The Silmarillion in “Just Silmaril Things” at The Third Place.

…Of course it’s unreliable, it’s a transcribed oral tradition! But this is the one point in the fantasy of the Silmarillion on which we, the readers, proceed with authority. We can check the bard’s math. We were there, Gandalf: we were there at the close of the Third Age. Frodo did not cast the ring “into the Fire where it was wrought.” “Alone with his servant!” No Gollum at all—imagine a version of the Lord of the Rings that doesn’t understand Gollum! (And I thought that a version that didn’t understand Faramir was a crying shame…) The previous paragraph mentions the Witch-King falling at the battle of Pelennor Fields, but says nothing at all about Merry, or Eowyn.

Two thoughts, divergent. First: how amazing, at the end of a magisterial text, to invite the reader to rethink the whole damn thing. Not to undermine it, to lampoon or lambaste—but to encourage new questions, new depths of thought, insight: who else was there? At the ride of Fingolfin, at the kinslaying of the Teleri? What haven’t we seen, for the light of all this majesty? What isn’t told? What has been forgotten?…

(2) SCIENTIFIC FICTION. What Mark Twain did for Fenimore Cooper, and Damon Knight did for his sf-writing colleagues, Dashiell Hammett once did for practitioners of his genre. The Library of America’s “Story of the Week” is Hammett’s “Suggestions to Detective Story Writers”.

Soon after Dashiell Hammett published his third novel, The Maltese Falcon, to critical acclaim and strong sales, he accepted a position as crime fiction reviewer for the New York Evening Post….

…Perhaps inevitably, after several years of reading (and trashing) so many unremarkable novels, Hammett threw up his hands. His “Crime Wave” column in the June 7, 1930, issue of the Evening Post was supposed to be a review of three newly arrived mystery novels that were “from beginnings to endings, carelessly manufactured improbabilities having more than their share of those blunders which earn detective stories as a whole the sneers of the captious.” He declined to review the books he had been assigned and instead published a list of blunders he had encountered in these and other recent books, with the hope that writers might avoid them in the future….

Hammett begins:

…It would be silly to insist that nobody who has not been a detective should write detective stories, but it is certainly not unreasonable to ask any one who is going to write a book of any sort to make some effort at least to learn something about his subject. Most writers do. Only detective story writers seem to be free from a sense of obligation in this direction, and, curiously, the more established and prolific detective story writers seem to be the worst offenders….

Here are three things on his list that apparently would have come as news to certain authors:

…(4) When a bullet from a Colt’s .45, or any firearm of approximately the same size and power, hits you, even if not in a fatal spot, it usually knocks you over. It is quite upsetting at any reasonable range.

(5) A shot or stab wound is simply felt as a blow or push at first. It is some little time before any burning or other painful sensation begins.

(6) When you are knocked unconscious you do not feel the blow that does it…

(3) BOLD AS BRASS. On the other hand, if it’s a science fiction writer you want to be, take Ursula K. Le Guin’s advice: “Ursula K. Le Guin on How to Become a Writer” at Literary Hub.

How do you become a writer? Answer: you write.

It’s amazing how much resentment and disgust and evasion this answer can arouse. Even among writers, believe me. It is one of those Horrible Truths one would rather not face….

…Honestly, why do people ask that question? Does anybody ever come up to a musician and say, Tell me, tell me—how should I become a tuba player? No! It’s too obvious. If you want to be a tuba player you get a tuba, and some tuba music. And you ask the neighbors to move away or put cotton in their ears. And probably you get a tuba teacher, because there are quite a lot of objective rules and techniques both to written music and to tuba performance. And then you sit down and you play the tuba, every day, every week, every month, year after year, until you are good at playing the tuba; until you can—if you desire—play the truth on the tuba.

It is exactly the same with writing. You sit down and you do it, and you do it, and you do it, until you have learned how to do it….

(4) DAVID BRIN HONORED BY CALTECH. David Brin is one of this year’s recipients of the Distinguished Alumni Award (DAA), Caltech’s highest honor for alumni. The announcement was made at Caltech’s 87th Annual Seminar Day on May 18. “Caltech Celebrates Its 2024 Distinguished Alumni Award Recipients”.

[The award] went to four alumni who, because of both personal commitment and professional contributions, have made remarkable impacts in a field, on the community, or in society more broadly.

The 2024 class of DAAs are: David Brin (BS ’73), Louise Chow (PhD ’73), Bill Coughran (BS, MS ’75), and Timothy M. Swager (PhD ’88)….

David Brin is recognized for his enduring excellence in storytelling, examining how change, science, and technology affect the human condition in his New York Times-bestselling science fiction novels, and for his support of revolutionary ideas in space science and engineering through NASA’s Innovative and Advanced Concepts Program.

Brin’s novels explore science’s potential impact on society with a mixture of hope and dread. His books have been honored with Hugo and Nebula awards, the most prestigious awards for science fiction and fantasy writing, and have been translated into more than 20 languages. One of his novels, The Postman, was the inspiration for the 1997 movie of the same name, which starred Kevin Costner. His 1998 nonfiction book, The Transparent Society: Will Technology Make Us Choose Between Freedom and Privacy? received the Eli M. Oboler Memorial Award from the American Library Association.

Brin serves on several advisory committees and sits on the external council for the NASA Innovative Advanced Concepts Program, which explores high-risk, high-reward ideas that are capable of “changing the possible.”

(5) ALL DESIRES KNOWN. New Scientist interviews “Sci-fi author Martha Wells, author of the Murderbot series, on what a machine intelligence might want”.

When I wrote All Systems Red, one of my goals was to think about what a machine intelligence would actually want, as opposed to what a human thinks a machine intelligence would want. Of course, there’s no real way to know that. The predictive text bots labelled as AIs that we have now aren’t any more sentient than a coffee cup and a good deal less useful for anything other than generating spam. (They also use up an unconscionable amount of our limited energy and water resources, sending us further down the road to climate disaster, but that’s another essay.)

In the world of All Systems Red, humans control their sentient constructs with governor modules that punish any attempt to disobey orders with pain or death. When Murderbot hacks its governor module, it becomes essentially free of human control. Humans assume that SecUnits who are not under the complete control of a governor module are going to immediately go on a killing rampage.

This belief has more to do with guilt than any other factor. The human enslavers know on some level that treating the sentient constructs as disposable objects, useful tools that can be discarded, is wrong; they know if it were done to them, they would be filled with rage and want vengeance for the terrible things they had suffered….

(6) ANOTHER REASON TO REMEMBER 1984. [Item by SF Concatenation’s Jonathan Cowie.] It strikes me that as it is 2024 this year is the 40th anniversary (1984) of the first (and I think only?) combination Eastercon-Eurocon.

Back in the day, I provided press operations for a number of conventions including Shoestringcons 1 & 2, BECCON 87 (Eastercon), Eastcon (Eastercon) etc. One of these was the 1984 Eurocon cum Eastercon, Seacon 84. Because I was doing press I got these posters (someone else produced) to include in my press kits. The attached is a photo of said poster.

The artwork shows the Brighton seaside with three piers (Brighton has had a troubled history with its piers – see the Wikipedia entries for West Pier and Brighton Palace Pier. And there is a spaceship crashing. The thing is that this space ship is also (look again) a beer mug. (Beer and SF go together in the UK.)

Sadly, I note that none of the GoHs are with us today (all those I looked up to, when I joined fandom in the 1970s, are now gone, (as also gone are a disturbing number of my fan friends which is the main reason I have cut back on con going to just one or two a year)).

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

May 24, 1963 — Michael Chabon, 61. The first work by Michael Chabon that I read was the greatest baseball story ever told, and yes, I know that statement will be disputed by many of you, or at least the greatest fantasy affair which is Summerlandin which a group of youngsters save the world from destruction by playing baseball.  It’s a truly stellar novel, perfect, that in every way deserved the Mythopoeic Award it received.

Michael Chabon

 Next on my list of novels that I really enjoyed by him is The Yiddish Policemen’s Union, the alternate history mystery novel, which would win a Hugo at Devention 3. Like Lavie Tidhar’s Unholy Land, this novel with its alternate version of Israel is fascinating. 

The Amazing Adventures of Kavalier & Clay is story of  them becoming major figures in the comics industry from its start into its Golden Age. It’s a wonderful read and an absolutely fantastic look at the comics industry in that era.

An interesting story by him is “The Final Solution: A Story of Detection” novella. The story, set in 1944, is about an unnamed nearly ninety-year-old retired detective who may or may not be Holmes as this individual is a beekeeper. 

He is, I’d say, a rather great writer. 

(8) COMICS SECTION.

(9) HER. [Item by Mike Kennedy.] And here’s The Onion‘s take on the ScarJo AI voice fiasco. “Jerky, 7-Fingered Scarlett Johansson Appears In Video To Express Full-Fledged Approval Of OpenAI”. Read the short satire at the link.

(10) OCTOTHORPE. In Episode 110 of the Octothorpe podcast “Tom Hanks Bloody Loves the Moon”, John Coxon is a professor, Alison Scott doesn’t have a bucket list, and Liz Batty is the country’s foremost fan historian.

We’re a day late because John got distracted! We go through our mailbag and have our thoughts provoked by lots of intriguing commentary, before talking a little about the Arthur C Clarke Award and then onto picks.

Three photographs of the night sky, labelled Newcastle, Bangkok, and “Quite near London” (the labels were written by a Londoner, which is why it doesn’t just say “London”). Text above reads “Octothorpe 110” and below reads “Local Aurora Snapshots”. The Newcastle and London images show photographs of aurora with some minor bits of vegetation intruding; the Bangkok picture shows a skyline of buildings underneath a thunderstorm.

(11) SPACE PIONEER. “Ellison Shoji Onizuka: The First Asian American in Space” – the National Air and Space Museum website has a profile of this astronaut’s work in space before being lost in the Challenger disaster.

…Months after the tragedy, as debris from Challenger was found and processed, personal possessions were returned to the crew’s families. The Onizukas received a memento with special meaning. He had taken on the flight a soccer ball inscribed with good wishes and signatures from his daughter’s Clear Lake High School soccer team, which he helped coach. Stowed in a bag inside a locker in the crew cabin, the ball had been found in the wreckage. The Onizuka family presented the ball to the school. Thirty years later in 2016 astronaut Shane Kimbrough, whose son attended the same school, took the ball on his expedition to the International Space Station and later returned it to the school, where it remains on display. Symbolically, this flight seemed to complete Onizuka’s too-short final mission….

(12) THE BIG ONE. Smithsonian Magazine lists “The Seven Most Amazing Discoveries We’ve Made by Exploring Jupiter”.

…With its gorgeous swirling overcoat and nature of extremes, Jupiter has long captured the public imagination and continues to inspire scientific study. Recent discoveries have only heightened Jupiter’s mystique, enticing researchers to probe this far-flung realm. Here are some of the most enthralling findings scientists have made about Jupiter and its moons in the last five decades….

You may not have gotten the memo:

Yes, Jupiter has a ring

“A lot of people don’t even realize it has one,” Becker says. Too puny to be observed with a backyard telescope, Jupiter’s dusty wreath remained undetected for a long time. Discovered only in 1979 during the Voyager 1 flyby, the ring has since been viewed with more powerful ground telescopes and other visiting spacecraft.

Like any ring encircling other planets in the solar system, Jupiter’s is a glorified debris field. Detritus from crash-landed meteorites congregate around Jupiter. This loose mélange of ice, dust and rock spans 32,000 to 130,000 miles in width from the planetary surface.

When other celestial objects pass through the ring, they can leave behind tracks in the dust stream. One of the most famous of wakes came from the Comet Shoemaker-Levy 9 crashing into Jupiter in 1994. Years later, the Galileo and New Horizons spacecraft found ripples in Jupiter’s ring that were kicked up by shards from the comet, the celestial equivalent of footsteps in freshly fallen snow….

(13) WE’LL GO AT NIGHT. The BBC reports on ESA’s proposed new Sun probe: “Airbus UK to build Vigil satellite to monitor Sun storms”.

British engineers will lead the development of a new satellite to monitor the Sun for the energetic outbursts it sends towards Earth.

The announcement of Vigil, as the spacecraft will be known, is timely following the major solar storm that hit our planet earlier this month.

The event, the biggest in 20 years, produced bright auroral lights in skies across the world.

Airbus UK will assemble Vigil and make it ready for launch in 2031.

It’s a European Space Agency (Esa) mission. The €340m (£290m) industrial contract to initiate the build was signed at an Esa and European Union space council being held in Brussels….

(14) VIDEO OF ANOTHER DAY. [Item by Daniel Dern.] Roger Corman’s 1994 (but never released) Fantastic Four movie is now on YouTube. I bought a VHS of this at some WorldCon, probably late in the previous millennium. Watched it once. If this is (per the CBR article) an improved viewing, I might give it a try.

An interesting article about it from 2017: “Where Are They Now: Roger Corman’s Fantastic Four”.

The Roger Corman’s ill-fated film The Fantastic Four was supposed to officially release in 1994, but that never happened. In 2005, Stan Lee said that the only reason the film was ever made was because executive producer Bernd Eichinger wanted to retain the rights to the film series, so he made a low budget film knowing it would never see the light of day, and one day make a big-budget version for the public to see. Eichinger and Corman deny these claims, stating that their intentions were always to release the film.

Avid Arad, who was a Marvel executive at the time and would later found Marvel Studios, bought the film and ordered that it be buried without even seeing the movie because he didn’t want Marvel to be associated with low-budget B movies as it might tarnish the franchise. So what happened to the movie? It is still available for free to stream on Youtube and Dailymotion. The quality as admittedly quite poor, but it is still watchable for anyone interested in a superhero movie with the incredibly low budget. And what about the cast and crew of this Marvel anomaly? Let’s take a look at what they’ve all been up to since their work on this film.

The movie: The Fantastic Four (1994) unreleased film produced by Roger Corman and Bernd Eichinger.

https://www.youtube.com/watch?v=oA7LcG4ch3A

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Robin Anne Reid, Jeffrey Smith, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]