Tag Archives: Moid Moidelhoff

Pixel Scroll 6/19/23 Frenemy Mine

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(1) BIOLOGY LESSON. We can learn along with Matt Wallace:

(2) KGB. Ellen Datlow has shared her photos from the Fantastic Fiction at KGB reading on June 14 where “Nathan Ballingrud read from his novel The Strange and Dale Bailey read from his story ‘I Married a Monster from Outer Space’ and both made the crowd very happy.”

(3) COVER ART UNCOVERED. Alex Shvartsman has revealed the cover for The Digital Aesthete. See preorder information at the link.

We now have a cover for the anthology of stories about artificial minds interacting with art. The stories and the art are created by humans (the cover is drawn and designed by the spectacular K.A. Teryna!)

(4) NO, NO, IT WOULD BE A LITERARY SOCIETY. Norman Spinrad’s first attempt to explain his idea was completely successful. Everybody knew exactly what he meant. Now he tries to remedy that with a cagier post, “SFS and SFWA”.

I think I should this make this clear. SFWA means Science Fiction and Fantasy Writers Association. SFS means Speculative Fiction Society. SFWA has existed for a long time and I was elected its president three times. Speculative Fiction Society is something that does not yet exist, it is something that may or may not exist in a possible future, it is, well, speculative fiction.

SFS is not an enemy of SFWA nor would it be mean to replace it. SFS is not a new invention. SFWA was born as society of speculative fiction writers. Damon Knight and Kate Wilhelm invited writers of their choice to their large house in Milford annually to meet each other and bring stories of theirs to read his small society. Stories of which they were proud, stories they felt had literary problems, and to some extent, stories that they had trouble finding proper publication.

Although we all well knew that the price of liberty was taking care of business, this was primerily a literary society. The core was to help each other create better literature. But business being what it was, Damon said that we should create something that could also help writers take care of business. Not quite a union like the Screen Writers of America, but something that could act like one when called to, a Science Fiction Writers of America.

The SFWA.

The SFWA, now calls itself the Science Fiction and Fantacy Writers Association. As such, it sometimes does act like a union when it comes to the rights and economic problems of its members. But it no longer functions as a literary society devoted to the literary health and evolution of speculative fiction.

Indeed it has now become a legally non-profit corporation, whose bottom line is not literature, but the bottom line, dedicated to maximum numbers of various levels of memberships, selling various fandom goods like baseball or soccer teams, behaving more like the Science Fiction and Fantasy Fandom Association.

An SFS, a Speculative Fiction Society, could never take the place of this Science Fiction and Fantasy Fandom Associaton. It could not do it, it would not want to do it, it would not want to destroy it. It would not be a corporation, not-profit or not.

The literary concept of speculative fiction is at least as ancient as Plato’s REPUBLIC and it was captured as “science fiction,” “sci-fi,” and yes, SF, by publishing fluke, and the purpose of a Speculative Fiction Society would be to rescue what should be a central literature of any dynamic society.

A famous and almost you might say snotty French publisher that calls itself “Less Belles Lettres” wanted to publish a book celebrating its hundredth birthday. They wanted to publish a book called “Les Futures des Belles Lettres,” a double meaning in French, the future of the publisher and the future of serious literature.

They asked me to write whatever I wanted to as long as the story I did that. I wrote a story called BELLES LETTRES AD ASTRA. A hundred years in the future the central literature would have to be be speculative fiction

(5) HOWDY. Literary Hub delivers a post “In Praise of Sci-Fi Legend Connie Willis’s Cinematic Universe” inspired by her new book Roswell.

…Centered on Francie, a young woman traveling to New Mexico to stop her college roommate’s UFO-themed wedding, Roswell is a kind of self-learning punchline algorithm. A skeptic regarding all things flying saucer, Francie is of course abducted. From there on out, the novel’s escalation through repetition is unceasing. The way Monument Valley has been mislocated in old western films, the way playing solitaire invites unsolicited advice, the way language empties itself semiotically if explained for too many hours to a cute, terrifying little alien: all turn the plot forward like fine teeth in a gearbox.

Francie eventually helps her captor, a pretty decent non-humanoid fellow, learn English thanks to the aforementioned western films. “I AINT NEVER GULLED A PARDNER,” the alien initially repeats without understanding; astute readers will hear another turn of the machine. The idea of “PARDNERS” becomes vital not only for surviving Las Vegas hotels and an Elvis-themed wedding, but essential to Francie saving her friends and at least one planet….

(6) ABOUT GOLIATH. Abigail Nussbaum is one of the participants in a “Roundtable on Goliath by Tochi Onyebuchi at Strange Horizons” which she discusses at Lawyers, Guns and Money:

I mentioned Tochi Onyebuchi’s Goliath in my Hugo ballot post, and reviewed it on my blog. But the further I get away from it, the more convinced I become that this is one of the major science fiction novels of 2022, and that neither I nor the fandom as a whole have done enough to promote or discuss it. I was therefore thrilled when Strange Horizons reviews editor Dan Hartland proposed a roundtable discussion of the novel. Along with A.S. Lewis, Archita Mittra, and Jonah Sutton-Morse, it was a thrill to go deep into this remarkable, challenging book….

And here’s the link: “Tochi Onyebuchi’s Goliath: A Roundtable By Dan Hartland, A. S. Lewis, Archita Mittra, Abigail Nussbaum, and Jonah Sutton-Morse”:

… Jonah Sutton-Morse: Thanks for gathering us—I’m really looking forward to this.

I have, I think, an answer to what the book is “about,” and moreso to “where did your focus wind up landing,” but I’m not sure they’re particularly satisfying, so I’m looking forward to reading other answers to this.

My focus in Goliath wound up landing on the moments and edges outside the stories that the book tells. There’s a way that Goliath is straightforwardly a story about ecological collapse, capitalism scavenging on leftover fragments, and the destructive impulses of gentrification and racism that we can see in national US news stories every day. But it struck me that, while the book was aware of that story, and expected the reader to be able to follow it (and this is a book that I found hard to follow), my focus kept falling on the pieces outside that story. The impulse to scavenge the remnants of a city is less interesting than the people who do the basic manual work of hammering the bricks. The people who leave ecological collapse are less interesting than those who remain—and even among those who left, the most interesting are those at the margins who eventually return. The mechanics of living in climate collapse, and enduring the policing that comes with the intrusion of wealth, are acknowledged but less interesting than an adventure collecting wild horses, or a group of people playing Spades and talking trash.

I don’t really like saying that this novel is “about” the lives and details around the edge of the destructive forces that regularly lead my national headlines (and I realize that the “Winter” section that Dan puts at the heart of the book at least partly complicates my reading), but it is those lives and details that my focus landed on….

(7) MEMORY LANE.

2011 – [Written by Cat Eldridge from a choice by Mike Glyer.]

The author of tonight’s Beginning, Saladin Ahmed is an Eisner Award-winning comic book writer for the debut of the Black Bolt series. He also wrote the Miles Morales: Spider-Man series. He is currently writing Miles Morales: Spider-Man and Exiles. Finally in this vein, I want to note his work on The Magnificent Ms. Marvel series.

His only novel, Throne of the Crescent Moon, where our Beginning is from, was nominated for a Hugo at Chicon 7. Dublin 2019 saw him pick up a Best Graphic Story nomination for Abbot.

He’s written but a double handful of short fiction sff stories, six of which are collected in Engraved on the Eye: Short Fantasy & Science Fiction.

And now his Beginning…

NINE DAYS. 

Beneficent God, I beg you, let this be the day I die!

The guardsman’s spine and neck were warped and bent but still he lived. 

He’d been locked in the red lacquered box for nine days. 

He’d seen the days’ light come and go through the lid-crack. Nine days. He held them close as a handful of dinars. Counted them over and over. Nine days. Nine days. Nine days. If he could remember this until he died he could keep his soul whole for God’s sheltering embrace. 

He had given up on remembering his name.

The guardsman heard soft footsteps approach, and he began to cry. Every day for nine days the gaunt, black-bearded man in the dirty white kaftan had appeared. Every day he cut the guardsman, or burned him. But worst was when the guardsman was made to taste the others’ pain.

The gaunt man had flayed a young marsh girl, pinning the guardsman’s eyes open so he had to see the girl’s skin curl out under the knife. He’d burned a Badawi boy alive and held back the guardsman’s head so the choking smoke would enter his nostrils. The guardsman had been forced to watch the broken and burned bodies being ripped apart as the gaunt man’s ghuls fed on heart-flesh. He’d watched as the gaunt man’s servant-creature, that thing made of shadows and jackal skin, had sucked something shimmering from those freshly dead corpses, leaving them with their hearts torn out and their empty eyes glowing red.

These things had almost shaken the guardsman’s mind loose. Almost. But he would remember. Nine days. Nine…. All-Merciful God, take me from this world!

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as  Bradbury, Bester,  Bloch, Weinbaum, and Lovecraft which included some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
  • Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two TV horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then came the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
  • Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known for his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd. : Stories of Science and Fantasy. Neither’s available in digital format. (Died 2005.)
  • Born June 19, 1947 — Salman Rushdie, 78. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her Feet, Grimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
  • Born June 19, 1952 — Virginia Hey, 71. Best known for her role as Pa’u Zotoh Zhaan in the fabulous Farscape, series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film.
  • Born June 19, 1954 — Kathleen Turner, 69. One of her earliest roles was in The Man with Two Brains as Dolores Benedict. Somewhat of a Fifties retro feel with that title. Of course, she voiced sultry Jessica Rabbit in Who Framed Roger Rabbit, one of my favorite all time films. I still haven’t seen all of the Roger Rabbit short films that were done. She voiced Constance in Monster House a few years later, and was in Cinderella, a television film where she was the lead of the Wicked Stepmother Claudette.
  • Born June 19, 1957 — Jean Rabe, 66. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok, I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.  
  • Born June 19, 1978 — Zoe Saldana, 45.  She was born with the lovely birth name of Zoë Yadira Saldaña Nazario. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film. I’ll confess that I’ve not yet seen the other Guardians of the Galaxy films. Should I? 

(9) THEY’RE NOT LOSING AN X-MAN, THEY’RE GAINING AN AVENGER. This September, Tony Stark and Emma Frost tie the knot in the X-Men #26 and Invincible Iron Man #10 crossover event.

Today IGN exclusively revealed the upcoming connecting covers for X-MEN #26 and INVINCIBLE IRON MAN #10, which feature the long awaited wedding between Emma Frost and Tony Stark. Debuting in September, both issues are written by Gerry Duggan with art by Stefano Caselli (X-MEN #26), Juan Frigeri (INVINCIBLE IRON MAN #10), and stunning covers by Lucas Werneck.

 First, in X-MEN #26, the moment we swore would never happen—heck, the moment EMMA FROST swore would never happen—is here at last! As the Frost/Stark knot is tied, Emma’s mutant family reacts to this surprise news! Then, readers are cordially invited to the wedding of Anthony Edward Stark and Emma Grace Frost in INVINCIBLE IRON MAN #10. Come join the lucky couple as they exchange vows. Attire is Hellfire formal. Orchis raid to follow. Plus some exclusive wedding extras!

(10) ROMITA JR. Q&A. “’The greatest man I’ve met’: iconic comics artist John Romita Sr. remembered by his son” at the Gothamist.

To many of our listeners, your dad was an artist who created and designed characters at both Marvel and DC. He’s best known for drawing Spider-Man in the ’60s and ’70s. He had a hand in creating Wolverine, the Punisher and Luke Cage, among others. But who was he to you?

He’s the guy who taught me how to hit a curve ball, and that was almost as [important] to me as learning how to draw Spider-Man’s eyes properly. It was so much more than just the art. I was talking to my brother about the fact that when it rained on the weekends in the summertime, we would watch old movies together and he would tell us what was about to happen. And the scenes in “On the Waterfront” have stuck with me forever since. That’s the part I remember, is how much time he spent with us.

And then he taught us so many things. It was more than just the art mentor to me – and yet he never forced anything on me, as far as art went. He told me, “I’m not gonna tell you what to do. You come to me and ask me a question. If you do something wrong, I’ll proactively act that way.” So the man just did everything right with my brother and me. It was fantastic.

Like I said, as much as he helped with my art-world life, he was that way with all aspects of our lives. He was a brilliant man….

(11) IN ANOTHER FATHER’S DAY. [Item by Cora Buhlert.] Here’s an interesting video about the cargo vessel MS München, which vanished in December 1978 and is believed to have been sunk by a rogue wave:  I remember this case very well, though I was only five when it happened. But my Dad worked for Hapag Lloyd, the shipping company which owned the München, at the time and so the search for the missing vessel was a big topic in our home. I’m not sure if my Dad helped to design the München — he was a naval architect for Hapag Lloyd —  but he definitely knew some of those who were lost and attended the memorial service for the crew and passengers.The loss of the München also overshadowed the launch celebration for the new Hapag Lloyd cruise liner MS Europa only 8 days after the München vanished. My Mom and many other women opted to wear black evening gowns for the launch banquet.

(12) COMING ATTRACTION. [Item by SF Concatenation’s Jonathan Cowie.] I had only just alerted Filers as to Matt O’Dowd’s safe distance from a supernova (see (16) in the June 15 Scroll) in his PBS Space-Time video when new research indicates that the Red Giant Betelgeuse is in the late stage of core carbon burning, and a good candidate for the next Galactic supernova. It had been thought it might be many centuries away but it could be as close as a few decades. Fortunately Betelgeuse is hundreds of light years away.  Nonetheless it should be visible in the day time and maybe some Filers who are on the young side might just witness it.  In fact it may have already exploded just that the light has not reached us…! (See the pre-print Saio, H. et al (2023) “The evolutionary stage of Betelgeuse inferred from its pulsation periods”. Monthly Notices of the Royal Astronomical Society.)

(13) DOUBLE YOUR PLEASURE. The Smithsonian Magazine says “Cats May Have Been Domesticated Twice”. You know, given the independent nature of cats that just sounds so likely. However, the headline meant something different than what I first assumed.

Whether they were being worshipped as gods or transformed into memes, the relationship between cats and humans goes back a long ways. There are more than 500 million domestic house cats around the world, all of which are descended from a single subspecies of wildcat. But according to new research, there might have been a second, more recent (and unrelated) instance of cats becoming domesticated in China.

Most archaeologists believe that cats probably domesticated themselves more than 10,000 years ago when the fluffy little murderbeasts realized they could get an easy meal by staking out Neolithic storerooms and farms for the rats and mice that were attracted to human settlements. More cats meant fewer rodents, which meant more crops for the hard-working humans. Over time, our ancestors started taking care of the felines, leading to the modern house cat, Grennan Milliken writes for Popular Science.

But this story of a second line began a few years ago, when researchers uncovered several cat bones near Quanhucun, an early farming village in central China. The bones were about 5,300 years old and analysis of their chemistry showed these felines likely survived on a diet of grain-fed rodents, suggesting they at least hunted for dinner near the town’s millet stores.

The scientists found a few indications of domestication, according to the study recently published the journal PLOS One. First, based on the wear of its teeth, the remains of one of the cats seemed much older than the others, perhaps suggesting that someone took care of the cat as it got older, writes David Grimm for Science. These cats also were all slightly smaller than their wild counterparts, and one was even buried as a complete skeleton.

“That’s evidence of special treatment,” study author Jean-Denis Vigne tells Grimm. “Even if what we’re seeing here is not full domestication, it’s an intensification of the relationship between cats and humans.”

Further analysis showed that these cats did not descend from the same subspecies as the modern house cat, but actually belonged to a species known as “leopard cats,” Grimm reports. This means that the leopard cat lineage is genetically distinct from our modern fuzz balls….

(14) BUSINESS IS BOOMING. Apparently this “New England theater one of just 30 in the world to see this Hollywood blockbuster as intended”.

…When Nolan’s ‘Oppenheimer’ hits theaters in July, the Providence Place Cinemas 16 in Rhode Island will present the $100 million epic in IMAX 70mm film, one of just 30 movie theaters in the world to do so.

Without getting too technical, 70mm is regarded as the best possible projection for films. Frames are more than three times larger than a typical celluloid, allowing for a much richer and fuller picture than is typically found in modern theaters….

…In addition to the upscale picture, portions of ‘Oppenheimer’ were filmed in black and white, meaning Nolan had to practically invent a new format of film.

The film about J. Robert Oppenheimer, the theoretical physicist who oversaw the development of first atomic bomb during World War II, drops on July 21. The pristine film formats will be especially pivotal in viewing the Trinity Test, the first detonation of a nuclear weapon.

“We knew that this had to be the showstopper. We’re able to do things with picture now that before we were really only able to do with sound in terms of an oversize impact for the audience, an almost physical sense of response to the film,” said Nolan in a recent interview.

(15) VIDEOS OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s Moid Moidelhoff has just made three mini-documentaries on science fiction.  There is nothing really new here for the seasoned SF fan but some of these were shot on location.  The first video looks at SF’s origins and includes a trip to Mary Shelly’s grave and Woking’s Martian tripod.

http://www.youtube.com/watch?v=b3KiVzsOhCI

The second video examines SF’s Golden Era with the rise of the classic pulp magazines and the big three – Asimov, Clarke and Heinlein – before moving on to Wyndham.

http://www.youtube.com/watch?v=tzRSwJEw9t8

 He ends with the interest in dystopias, autocratic dictatorships and mutually assured destruction.  Could Bradbury’s Fahrenheit 451 dumbed-down world ever come about? In part, shot on location at the Jodrell Bank radio telescope and an English village that could be Midwich… The final video ponders on SF’s present-day state. There was the rise of the new wave with Moorcock and then in the US with Ellison. And we also got Dick and cyberpunk before cyberpunk, and Gibson. Could we be about to embark on the most exciting period of science fiction?

http://www.youtube.com/watch?v=v2htpAgpGW0

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Alan Baumler, Cora Buhlert, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/2/23 I Thought Muddy Waters Scrolled That Pixel

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(1) JMS RETURNS TO MARVEL IN CAPTAIN AMERICA #1. Marvel Comics has announced that writer and filmmaker J. Michael Stracyznski will return this September in Captain America #1. Marvel previously shared the news with io9.

Stracyznski has written fan-favorite stories including AMAZING SPIDER-MAN and THOR, and now he’s ready to embark on a new adventure with Marvel’s star-spangled hero! Alongside superstar artist Jesús Saiz (PUNISHER, DOCTOR STRANGE), the talented duo is ready to take Steve Rogers on an exhilarating new adventure.

Decades ago, Steve Rogers changed the world forever. Now powerful and insidious forces are assembling to ensure he never does it again. Past, present and future collide as the man out of time reckons with an existential threat determined to set the world on a darker path at any cost…

 Speaking with io9, Straczynski says, “Overall, the goal is to do some really challenging stories, some really fun stories, and get inside Steve’s head to see who he really is in ways that may not have been fully explored before. If folks like what I did with Peter in AMAZING SPIDER-MAN, and Thor in, well… THOR, then they should give this a shot, because I’m really swinging for the bleachers in this one!”

 See the cover by Jesús Saiz below.

(2) ARTIFACTS OF AFROFUTURISM. The National Museum of African American History and Culture in Washington, DC is displaying “Afrofuturism: A History of Black Futures” through March 24, 2024. An online version of the exhibit is here.

Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturism’s historic and poignant engagement with African American history and popular culture. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk and more, this exhibition covers the broad and impactful spectrum of Afrofuturism.

A highlight of the exhibition is the Black Panther hero costume worn by the late Chadwick Boseman. The Black Panther is the first superhero of African descent to appear in mainstream American comics, and the film itself is the first major cinematic production based on the character.

The exhibition also utilizes select objects to elevate stories that speak to Black liberation and social equality, such as Trayvon Martin’s flight suit from Experience Aviation, and his childhood dream of being an astronaut.

Companion book: Afrofuturism: A History of Black Futures, National Museum of African American History and Culture, Kevin Strait, and Kinshasha Holman Conwill

(3) SOMETIMES THEY DO GET WEARY. Mark Roth-Whitworth says, “I’m so tired of hearing how ‘character-driven’ stories are somehow ‘better’ than plot-driven, and I’ve written a rant, er, sorry, criticism.” “Character- or Plot-Driven – A False Dichotomy?”

As I’ve been developing as a writer, and submitting stories, I read and hear a lot about character-driven stories vs. plot-driven these days. Most novels seem to me to still are “plot-driven”, while a lot of shorter fiction that gets published in magazines is character-driven, or primarily thus, and I have issues with this.

Many years ago, in a long letter to my just-teenage children, speaking of people and relationships, I said that barring some life-changing event, whoever someone is at eighteen is who they will remain, only growing to be more of that. The result of that is that thinking someone is perfect, except for one little thing that you can fix… well, you can’t. In a story, the same is necessarily true….

(4) HAPPY WINNERS. Frank Wu and Jay Werkheiser are ecstatic to have won Analog’s AnLab Award for their novella “Communion” in the Jan 2022 issue as you can see in this photo taken by Brianna Wu. The winning cover was Eldar Zakirov’s artwork for the same story. Frank’s elevator pitch for the story is –

 A space ship is about to crash and a 50-km-long mag wire is an essential part of the drive. During the crash, the robot saves the wire – and the mission and his human captain – by wrapping the wire around his arm and using his own body as a heatfield!

Frank Wu and Jay Werkheiser with their certificates recognizing their Anlab-winning novella “Communion” in the Jan 2022 issue. Photo by Brianna Wu.

(5) THIS JOB IS NOT THAT EASY. “How to be a Regency Lady Sleuth” by Alison Goodman at CrimeReads.

…For instance, the Regency era – officially from 1811 to 1820—was well before England had a police force. So where does a lady sleuth get her official back up and assistance?

What’s more, record keeping was patchy at best and, if it did exist, was not centralised or easy to access. This was particularly the case for women because a vast majority of them could not read. Education, my dear fellow, is wasted on women—or at least that was the majority opinion of the time. How then, does a lady sleuth track down the information she needs to solve her mysteries?

So, when it came to written information, my lady sleuths had to be the kind of women of that era who would be feasibly taught to read, and secondly have access to the various places these records were kept. That is why I decided to make Lady Augusta (aka Gus), and Lady Julia part of the highest rank in Regency society, the aristocracy. At this rank, they would have a chance of some education, as well as having access to private libraries (public libraries as we know them were not yet in existence). They would also have the social clout and contacts to obtain information from other sources. At that time, most of the government officials were men from the gentry class or the aristocracy and since Gus and Julia move in those circles, they literally have friends in high place: excellent sources of information….

(6) BANNED IN 2023. The Los Angeles Times discusses each of “The 15 most banned books in America this school year” before moving on to a list of challenged classics which include these genre works:

“Brave New World” by Aldous Huxley. Modern Library’s editorial board ranked “Brave New World,” the 1932 novel about the discontents of a technologically-advanced future society, as the fifth most important novel of the 20th century. Nevertheless, the book was challenged as required reading in the Corona-Norco Unified School District in 1993 because it is “centered around negative activity.” The novel also was removed from a high school library in Foley, Ala., in 2000 after a parent complained that it showed contempt for religion, marriage and family.

“Animal Farm” by George Orwell. The 1945 allegorical novella has been a target of complaints for decades, according to the ALA. In 1987, “Animal Farm” was one of dozens of books banned in schools in Bay County, Fla. Then 44 parents, students and teachers filed a federal lawsuit, and the school board reversed the decision. ‘’The only thing we have succeeded in doing is making sure every child in Bay County reads the books we banned,’’ a board member told the Associated Press.

(7) BEAGLE Q&A. Shelf Awareness is “Reading with… Peter S. Beagle”

Book you’re an evangelist for:

The Time Traveler’s Guide to Medieval England by Ian Mortimer. If you’re going to write a historical novel, you’ve got to start with that one. It’s a fascinating book about the way that medieval England actually was, as opposed to the novels about it. It’s still a book that I go back to if I’m setting a story in anything like medieval England.

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to dip into durian ice cream with William Shunn in Episode 199 of the Eating the Fantastic podcast.

William Shunn

It’s time to head to Anaheim, California to take a seat at the table with William Shunn, the first of five guests I managed to chat and chew with for Eating the Fantastic during last month’s Nebula Awards conference. I first met Bill in 1993 though his words alone, when I bought his short story “Colin and Ishmael in the Dark” for publication in Science Fiction Age magazine. We met in the flesh later that same year at the San Francisco Worldcon, and he’s been part of my life for the past 30 years.

Bill attended the Clarion Science Fiction Writers Workshop in 1985, when he was only 17. (A class which included Mary Turzillo, Geoffrey Landis, Kristine Kathryn Rusch, Resa Nelson, and other writers with whom you might be familiar.) In addition to being published in Science Fiction Age, he’s also appeared in Asimov’s, Analog, F&SF, Realms of Fantasy, and other magazines. In 2002, he was nominated for a Nebula in the category of novelette for “Dance of the Yellow-Breasted Luddites,” and a few years later hit the nomination trifecta when he was up for a Nebula, Hugo, and Sturgeon Award for his novella “Inclination,” which had been published in Asimov’s in 2006.

In addition, if you’re a writer, you might be familiar with what’s come to be called the “Shunn format,” a guide to proper manuscript preparation which first appeared online in 1995 and has since become the gold standard for numerous publications. His widely acclaimed memoir, The Accidental Terrorist: Confessions of a Reluctant Missionary, was published in 2015, and in addition to detailing the youthful indiscretion which prevents him from ever returning to Canada, explains how Clarion changed his life and helped him become the writer he is today.

We discussed what he hoped would happen when he arrived at the Clarion Science Fiction and Fantasy Writing Workshop when he was 17 vs. what actually did happen, how his post-Clarion homelife was haunted by Ray Bradbury, the time Kate Wilhelm critiqued his critiquers, how an early rejection from Playboy got him in big trouble, the way a tragedy scuttled the sale of his memoir to a major publisher, how he and Derryl Murphy collaborated on a novella without killing each other, and so much more.

(9) RAJNAR VAJRA-LOEB (1947-2023). Rajnar Vajra-Loeb, known to the sff field as author Rajnar Vajra, died May 16 at the age of 75. Memorial comments are being gathered on his funeral information webpage.

He twice won the Analog Readers Poll, in 2002 for the short story “Jake, Me, and the Zipper” , and in 2005 for his novella “Layna’s Mirror”.

His 2015 Hugo-nominated story “The Triple Sun: A Golden Age Tale” was on both the Sad Puppies and Rabid Puppies slates, however, as reported by Chris Barkley at the time “he has vehemently disassociated himself from them. When other nominees dropped out of the Hugo Awards race, he bravely stayed in, because he believed in his story and vacating the nomination slot may have given the ballot yet another puppy candidate.”

He lived long enough to celebrate the “book birthday” of his latest novel Opening Wonders released on May 2.

(10) MEMORY LANE.

2019 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Silvia Moreno-Garcia is a fantastic writer. Mexican born and raised, she moved to Canada in her twenties. Her debut novel, Signal to Noise, is a superb first novel. 

She’s the publisher of Innsmouth Free Press, a press devoted to weird fiction. With Lavie Tidhar, she edits The Jewish Mexican Literary Review. 

Gods of Jade and Shadow, the source of our Beginning, a historical fantasy, was published by Del Rey four years ago.  Gods of Jade and Shadow was nominated for a Nebula Award for Best Novel.

And now let’s go into our Beginning….

But what the lords wished was that they should not discover their names.—Popol Vuh, translated into English by Delia Goetz and Sylvanus Griswold Morley from the work by Adrian Recino

Some people are born under a lucky star, while others have their misfortune telegraphed by the eposition of the planets. Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams. She was reasonable enough to recognize that many other young women lived in equally drab, equally small towns. However, she doubted that many other young women had to endure the living hell that was her daily life in grandfather Cirilo Leyva’s house. 

Cirilo was a bitter man, with more poison in his shriveled body than was in the stinger of a white scorpion. Casiopea tended to him. She served his meals, ironed his clothes, and combed his sparse hair. When the old brute, who still had enough strength to beat her over the head with his cane when it pleased him, was not yelling for his grandchild to fetch him a glass of water or his slippers, her aunts and cousins were telling Casiopea to do the laundry, scrub the floors, and dust the living room.

Casiopea, who had prayed at the age of ten for her cousin Martín to go off and live in another town, far from her, understood by now that God, if he existed, did not give a damn about her. What had God done for Casiopea, aside from taking her father from her? That quiet, patient clerk with a love for poetry, a fascination with Mayan and Greek mythology, a knack for bedtime stories. A man whose heart gave up one morning, like a poorly wound clock. His death sent Casiopea and her mother packing back to Grandfather’s house. Mother’s family had been charitable, if one’s definition of charity is that they were put immediately to work while their idle relatives twiddled their thumbs. 

Had Casiopea possessed her father’s pronounced romantic leanings, perhaps she might have seen herself as a Cinderella-like figure. But although she treasured his old books, the skeletal remains of his collection—especially the sonnets by Quevedo, wells of sentiment for a young heart—she had decided it would be nonsense to configure herself into a tragic heroine. Instead, she chose to focus on more pragmatic issues, mainly that her horrible grandfather, despite his constant yelling, had promised that upon his passing Casiopea would be the beneficiary of a modest sum of money, enough that it might allow her to move to Mérida.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 2, 1915 — Lester Del Rey. Editor at Del Rey Books, the fantasy and science fiction imprint of Ballantine Books, along with his fourth wife Judy-Lynn del Rey. As regard his fiction, I’m fond of Rocket Journey and Police Your Own Planet, early works of his. His Jim Stanley series has much to say for it. And he got nominated for four Retro Hugos. (Died 1993.)
  • Born June 2, 1929 — Norton Juster. Author of the much beloved Phantom Tollbooth and its less known variant, The Annotated Phantom Tollbooth. Adapted in 1970 into a quirky film, now stuck in development hell being remade again. He also wrote The Dot and the Line: A Romance in Lower Mathematics, a story he says was inspired by Flatland: A Romance of Many Dimensions. (Died 2021.)
  • Born June 2, 1937 — Sally Kellerman. She makes the list for being Dr. Elizabeth Dehner in the superb episode of Trek “Where No Man Has Gone Before”. She also had one-offs on the Alfred Hitchcock Hour, The Twilight Zone, The Outer Limits, The Invaders, and The Ray Bradbury Theater. She played Natasha Fatale in Boris and Natasha: The Movie. (Died 2022.)
  • Born June 2, 1941 — Stacy Keach, 82. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with being The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999 followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, await him in Children of the Corn 666: Isaac’s Return where The Hollow has a tasteful title which the Man with the Screaming Brain does not provide him. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill For which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo. 
  • Born June 2, 1920 — Bob Madle. Helped start his local sf club in 1934, went to what he considered to be the first-ever sf convention in 1936, and attended the first Worldcon (Nycon I) in 1939. Bob Madle and named the Hugo Awards. He was the first North American TAFF (Trans-Atlantic Fan Fund) delegate to an overseas con (Loncon, 1957). Twenty years later he was Fan Guest of Honor at the 1977 Worldcon (listen to his GoH speech here.) First Fandom has inducted him to their Hall of Fame, and given him the Moskowitz Award for collecting. He’s a winner of the Big Heart Award). This post about his centennial birthday in 2020 includes photos and a summary of his fannish life in his own words. (Died 2022.)
  • Born June 2, 1979 — Morena Baccarin, 44. Very long genre history starting with portraying Inara Serra in Firefly and  Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in Deadpool and Deadpool 2; and Dr. Leslie Thompkins in Gotham.
  • Born June 2, 1982 — Jewel Staite, 41. Best known as the engineer Kaylee Frye in the Firefly verse. She was Jennifer Keller in Stargate Atlantis, Catalina in the Canadian series Space Cases, Tiara VanHorn in Honey, I Shrunk the Kids: The TV Show and “Becca” Fisher in Flash Forward. Genre one-offs? Oh yes: The Odyssey (twice), Are You Afraid of The Dark (again twice), The X-Files, So Weird, Sabrina: The Animated Series, The Immortal, Seven Days, Stargate Atlantis, Supernatural, Legends of Tomorrow, The Order and The Magicians.

(12) A DOCKET FOR DEMETRIOUS. “J.R.R. Tolkien’s Trust Sues Author For Selling ‘Derivative’ Sequel To ‘Lord of the Rings’ As $250 Million Battle Heats Up” – Radar Online has the story. “The legal moves comes weeks after Demetrious Polychron filed his own $250 million lawsuit against the Trust, Amazon and Jeff Bezos.”

J.R.R. Tolkien’s estate has filed a bombshell lawsuit accusing a writer of ripping off the late author’s iconic Lord of The Rings series and is demanding his books be taken out of stores, RadarOnline.com has learned.

According to court documents obtained by RadarOnline.com, The Tolkien Trust, which is responsible for managing the intellectual property of the late Professor J. R.R. Tolkien, is suing a man named Demetrious Polychron.

In the suit, the Trust said the lawsuit was brought due to Polychron’s “willful and blatant violation” of its copyright interests in the Lord of the Rings franchise.

The Trust said despite the author being aware of its rights in Tolkien’s work, he decided to “write, publish, market and sell a blatantly infringing derivative sequel to the Tolkien Trilogy entitled The Fellowship of the King (the “Infringing Work”). In addition to clearly mimicking the title of the first book in the Tolkien Trilogy, the Infringing Work constitutes a blatant, wide-ranging and comprehensive misappropriation of Professor Tolkien’s creative opus.”

The Trust said its aware that Polychron plans to release up to six additional books — all based on Tolkien’s characters.

“The Infringing Work is currently being offered for sale on various online platforms in the United States for $17.99 – $26.99 a copy,” the suit read.

The suit explained, “Neither Professor Tolkien nor the Tolkien Estate has ever authorized any written sequels to the Tolkien Trilogy. Not only was the Infringing Work unauthorized, but the Tolkien Estate had already expressly refused the [Polychron’s] request to publish any work of this nature, in keeping with its longstanding policy.”

(13) PAYING THOSE STORY IOUs. Charlie Jane Anders demonstrates with her own novel that “Revision is the Process of Going from General to Specific” at Happy Dancing.

I feel as if a big part of revision is going from the general to the specific. My first drafts, at least, always include a lot of details that are kind of fuzzy. Sometimes, a piece of information changes every time it comes up, because I haven’t made up my mind yet what the actual real version is, and I’m just hedging my bets. Sometimes there’s a highly specific piece of backstory, front story or side story, but it’s just really a placeholder — a supporting character is a stock character, or someone’s job is merely a sitcom job that doesn’t feel like a real employment situation. And sometimes, things are just left so vague that they could be anything, or there’s no information whatsoever.

So when I revise, I try to nail things down more. On one level, this is just a process of deciding on stuff. Where did this character grow up? Who were their parents? What kind of job do they have, and what specifically does the job ask of them? And so on….

(14) AWARD-WORTHY VISIT TO THE SPIDER-VERSE. Variety’s Clayton Davis makes the case why “’Spider-Man: Across The Spider-Verse’ Should Be a Best Picture Oscar Contender”.

Don’t tell me “Spider-Man: Across the Spider-Verse” is merely a cartoon. It’s a visionary work that redefines what the animation medium can achieve, sitting alongside the handful of sequels such as “The Dark Knight” and “The Empire Strikes Back” that elevate their franchises by pushing them in surprising new directions.

On a personal level, this animated second installment of the web-slinging superhero is the closest I’ve ever come to seeing an accurate depiction of my life and culture on a movie screen – well, with a few fantastic elements added into the mix. That’s invaluable.

“Across the Spider-Verse” takes place a year after the events of the previous film with Miles Morales (a.k.a. Spider-Man) facing a new threat. Unfortunately, it’s one that causes him to interact with a new group of Spider-People from across the multiverse.

So why did I respond so deeply to this superhero story? Like Miles, I’m made up of an exciting ethnic mix of Puerto Rican and Black parents brought together in the melting pot that is New York City. Neither of us possesses the acceptable amount of Spanish fluency that our fellow Boricuas require. Nonetheless, we have a weakness for fried platanos, as well as an appreciation for our heritage. Just hearing the word “bendición,” a standard greeting and farewell term used in Latino culture, used in “Across the Spider-Verse, ” filled my eyes with tears and pride….

(15) COMMUNICAT. Salon reports “A ‘talking’ cat is giving scientists insight into how felines think”. And if you think only a hungry plant will say “Feed me”, stick around, it won’t be long until this cat does it.

…Considering Billi’s feline status, Baker was naturally a bit skeptical at first.

“I was concerned because they [the buttons] were quite large for a little tiny kitty, and I was not sure that she was actually going to be heavy enough to press them,” Baker said. “So I started with a word that I’d really not recommend that you start with, which is ‘food,’ because it becomes very motivating for them. And Billi loves food.”

Baker’s concerns quickly washed away once it became clear that Billi was able to press the button “food” — which she appeared to enjoy doing perhaps a little too much.

“She was definitely heavy enough for it,” Baker said. “And then I later regretted starting with food because it kind of backfired on me, but it definitely got the ball rolling.”

Today, Billi has 50 words on her board, and — like Bunny — is part of the ongoing research project called TheyCanTalk, whose goal is to understand if animals can communicate with humans through AAC devices. While the study is mostly made up of dogs, about 5 percent of the animals using AAC devices are now felines. It turns out that many cats have been successful at using the device.

“They have this reputation of just doing what they want and not really caring what the humans are doing, and I think this is a great opportunity to see that they actually are paying attention,” Smith said. “Seeing that they can be engaged, that they’re not just cat automatons, that aren’t driven by instinct 24/7 can function a great deal positively for their role in other studies.”

(16) PAYING DIVIDENDS ON BORROWED TIME.  Ingenuity, NASA’s record-breaking Mars helicopter, continues to fly two years after scientists expected it to fail. “NASA plays hide-and-seek with unrelenting Mars helicopter Ingenuity” in the Washington Post.

…On April 2, Ingenuity soared 52 feet up into the Martian sky — a record height for the drone — to take a suborbital photo of Mars’s landscape.

After landing, it disappeared. When scientists attempted to upload instructions for a subsequent flight, Ingenuity’s radio sign was gone.

Scientists eventually located Ingenuity after six days of searching as the helicopter’s companion on Mars, the Perseverance rover, crested a ridge and drove closer to where the helicopter had landed.

Ingenuity, controlled via radio signals relayed from Perseverance, completed its five-flight mission — a simple series to prove that the helicopter’s design would work in the thin Martian atmosphere — in May 2021. Then, Tzanetos’s team received approval to keep flying.

“At that point, we’re on borrowed time,” Tzanetos said. “None of the mechanisms were designed to survive longer than that.”

Somehow, they did — for months and months, and dozens more flights. By May 2022, it seemed as if Ingenuity’s miraculous story would finally plummet down to (Martian) earth. Winter was setting in, and NASA feared the lower temperatures would cause Ingenuity’s solar-charged batteries to fail, or even freeze overnight.

The helicopter entered a low-power state after its 28th flight in late April of that year, and scientists told The Post they weren’t sure if it would fly again.

Incredibly, Ingenuity’s delicate parts stood up to the Martian cold. But NASA still faced the challenge of reconnecting with the helicopter every time its components froze, Tzanetos said. The Ingenuity team adjusted by using data on Martian sunrises to calculate when the helicopter would thaw out each morning and regain enough charge to power on….

(17) CAN WE MOVE EARTH ACROSS SPACE? [Item by SF Concatenation’s Jonathan Cowie.] Shades of Stephen Baxter in this week’s PBS Space Time when Matt O’Dowd asks can we move planet Earth across the Universe?

Interstellar travel is horrible-what with the cramped quarters of your spaceship and only the thin hull separating you from deathly cold and deadly cosmic rays. Much safer to stay on here Earth with our gloriously habitable biosphere, protective magnetic field, and endless energy from the Sun. But what if we could have the best of all worlds? No pun intended. What if we could turn our entire solar system into a spaceship and drive the Sun itself around the galaxy? Well, I don’t know if we definitely can, but we might not not be able to.

(18) TALES FROM THE ZONE – ROADSIDE PICNIC. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Media Death Cult Moid Moidelhoff considers Roadside Picnic. Roadside Picnic is in the Goldilocks zone, it is a perfect balance of a straight narrative that requires nothing more than standard plot and characters to make sense. But the sub-text is as thick as porridge… “Tales From The Zone – Roadside Picnic”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven H Silver, Rich Lynch, Jennifer Hawthorne, Scott Edelman, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter. John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 5/26/23 Pixels Get Ready, There’s A Scroll A-Coming

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(1) BRADBURY MUSEUM CLOSING. The Ray Bradbury Experience Museum in his hometown of Waukegan, IL is shutting down this month they announced today on Facebook.

In 2017 a group of dedicated volunteers came together to honor Ray Bradbury in his hometown Waukegan, Illinois, with an interactive museum. As the Ray Bradbury Experience Museum Committee, we operated the museum out of a space in downtown Waukegan, donated by the Greater Waukegan Development Coalition.

Now, after much consideration, the RBEM Committee has decided to officially close in May 2023. This decision followed challenging realities. COVID was a daunting obstacle. Many donors shifted their attention to other, more pressing social needs. In addition, it was immensely difficult to secure a much-needed permanent location in downtown Waukegan.

Over the years, we worked with museum designers to develop plans for the future museum. At the same time, the RBEM Committee and volunteers welcomed visitors to events, readings, performances, and exhibits in Waukegan and at national and regional conventions. We presented Ray Bradbury programs, online and in-person, for local and regional schools and libraries. A highlight event was the August 22, 2020, celebration of the Centennial of Ray Bradbury’s birth in Waukegan.

April 2023 marked our final program. Partnering with the Waukegan Public Library and the Waukegan Historical Society and funded by an Illinois Humanities grant, we presented Explore Ray Bradbury, a weekend of multi-media and hands-on engagement with Bradbury’s classic books and themes. Excited visitors of all ages heard Bradbury stories, created Bradbury-themed crafts, invented banned book slogans and pins, and experienced a virtual reality journey to the International Space Station….

(2) FLORIDA FUR. CBR.com reports how “Furry Convention Disrupted by Florida Governor’s New Law”.

Megaplex, a furry convention based in Orlando, has been forced to change its policy on the minimum age of attendees due to new Florida legislation.

Ron DeSantis, governor of Florida and Republican presidential nominee, recently passed SB 1438, or the Protection of Children Act. This bill prohibits the admission of children to any “adult live performance,” defined as “a presentation that depicts or simulates nudity, sexual conduct, or specific sexual activities.” Allowing underage individuals to an event in Florida falling under that definition is punishable by a year of prison and/or a $1,000 fine. As reported by Rolling Stone, furries are not a specific target of SB 1438, but the subculture, which involves art and costumes of anthropomorphized animals, is often stereotyped as being highly sexualized.

… A statement on Megaplex’s website reads, “Many have raised concerns about recent changes in Florida legislation. After reviewing Florida SB 1438 it has been decided that for legal reasons and protection of our attendees, our venue, and the overall convention, Megaplex 2023 attendees must be 18 years of age at the time of registration pickup. Megaplex has welcomed younger fandom members and their families since its inception and making this change was very difficult… It is our hope that this change is temporary and that we can welcome members of all ages back next year. With this in mind, the public decorum portion of the Code of Conduct as well as standards for programming, attire, and behavior in convention space will not be changing and will continue to be enforced as has been in the past.”…

The Rolling Stone article has more analysis: “Furries Now Have Serious Beef With Ron DeSantis”.

…So what does a law about exposing kids to sexually charged content have to do with people dressing as cartoon bunnies and foxes? While SB 1438 does not specifically target minors dressing as furries, it prohibits children from attending adult performances, which it defines as “a presentation that depicts or simulates nudity, sexual conduct, or specific sexual activities.” And, like drag, there are pervasive misconceptions that this mode of expression is inherently sexual. 

While it is true that there is a segment of furrydom that does treat it as a kink, it is not a representation of the wider community, and many furries do not view their interest in anthropomorphized creatures as sexual at all. Though many conventions do cater to the NSFW aspects of the furry fandom, they typically save such programming for later at night to ensure the rest of the con is family-friendly, or cordon off adult vendors so they are not in full view of other attendees.

The fact that the furry organizers felt pressured to bar children from the convention is yet another example of how it’s been seen as an attack on LGBTQ rights. (The ACLU referred to it as “a blatant attempt to erase drag performers and silence the LGBTQ+ community.”) The furry fandom overwhelmingly skews LGBTQ, with nearly 80 percent of furries self-identifying as such, according to surveys of the fandom. “Furry has become synonymous with LGBTQ, since there is such a large intersection of communities,” says Joelle, one of the founders of Moms of Furries, an organization supporting kid furries and their parents. (Joelle and her cofounder, Carrie, requested their last names be withheld for safety reasons; they both have children in the fandom who are also queer.) “Furries feel connected to what they see as persecution of the queer community.”

Additionally, many furries identify as transgender, and “would not feel safe” at a convention in Florida, which recently passed a law making it a misdemeanor trespassing offense for someone to use a bathroom that does not align with their birth sex, says Carrie. “Right now anything that isn’t very straight-laced, in Florida, is starting to be called out as deviant,” she says. “Obviously furries are an easy mark for that.”…

… Megaplex will take place September 15-17 in Orlando, FL.

(3) IAFA ASKS IF THEY SHOULD STAY IN ORLANDO. For similar reasons, The International Association for the Fantastic in the Arts (IAFA) has launched a survey about whether it should remain in Florida, relocate to another state, or adapt to a virtual or hybrid format.

We have received many concerns regarding the safety of our multiply-marginalized members, the ethical issues of spending organizational and personal funds in Florida, and many other concerns. We fully acknowledge and share your dismay over these developments, as they are antithetical to our organization’s values of inclusivity, equality, and justice. 

While the decision to move the conference is a significant one, we also understand that it may have practical implications and involve a complex process. Therefore, we assure you that we are actively exploring alternative options and potential venues. We are engaging with our partners and considering various locations that align with our values and prioritize the well-being of our members. 

Moreover, we recognize that this situation extends beyond a single event or location. We are committed to using our platform and influence to raise awareness, challenge discriminatory practices, and support organizations and activists who are fighting against systemic inequalities. We will actively seek opportunities to collaborate with local advocates, amplify their voices, and contribute to the ongoing efforts to create a more just and inclusive society. 

We want to emphasize that your feedback and perspectives are invaluable to us. We encourage you to continue sharing your concerns, suggestions, and insights with us by clicking the ICFA45 Survey below. Together, we can navigate these challenging times and work towards a more equitable future.

(4) SCHOLARSHIP FROM HELL. The Horror Writers Association Scholarship from Hell recipients are Alex Luceli Jimenez and Timaeus Bloom.

The Scholarship From Hell puts the recipients into the workshop environment of Horror University, which takes place during HWA’s annual StokerCon®.

The winners receive domestic coach airfare (contiguous 48 states) to and from StokerCon 2023 in Pittsburgh, PA, June 15-18, $50 for luggage reimbursement, a 4 night stay at the convention,  free registration to StokerCon®, and as many Horror University workshops as they’d like to attend.

(5) UTOPIA AWARDS. The public is invited to make nominations for the 2nd annual Utopia Awards hosted by CliFiCon 2023.

The 2nd annual Utopia Awards will highlight and honor authors, artists, and other creators producing works focused on hopeful outlooks, solutions to climate change and related social problems, and building a better future.

Nominations for the 2nd annual Utopia Awards are open to works published in 2022 that exemplify hopeful, utopian fiction (science fiction, fantasy, climate fiction…)

Works nominated for a Utopia Award must have been published during 2022.

Nominations are accepted for works published by traditional or independent publishers, magazines, and anthologies, as well independently published works.

CliFiCon 2023 is a two-day online conference taking place October 7-8. Buy tickets here.

(6) WHERE DID YOUR SF JOURNEY START? [Item by SF Concatenation’s Jonathan Cowie.] Don’t know if you’ve seen this over at Media Death Cult – ”This is where my Science Fiction journey started”? But Moid Moidelhoff has done a piece on where his SF journey began… 

Now, mine began with H. G. Wells War of the Worlds original film and then novel along with Gerry Anderson’s Supercar then Fireball XL5 etc. Quickly followed by 2001: A Space Odyssey (premiere week in Cinerama format at London Leicester Square) to discover Arthur C. Clarke wrote books too and so it was: Sands of Mars, Childhood’s End, City and the Stars, Tales From The White Hart…  My first con was the 1977 Novacon 7 in Birmingham with John Brunner (whom I had already read) as GoH.  At Novacon 8 I met biologist and SF fan Jack Cohen and I did not know it but that was to become a life-long (his sadly and not mine) fan friendship and biological colleague (he was active in the professional learned body, the Institute of Biology, of whom I was to become a staff member and ultimately Head of Science Policy and Books. Jack was occasionally on one of the committees I serviced.)…

I’m rambling aren’t I? Anyway, Moid’s journey it seems began with the weekly comic 2000AD and its Judge Dredd. I too was (and am) into 2000AD and our college SF group, Hatfield PSIFA, visited the 2000AD office a couple of times and they were also guests of honour at one of our early Shoestringcons (as recorded in the 2000AD  1983 annual – see pic attached). It’s been sad to lose so many of the 2000AD staff including recently Alan Grant (to whom I owe a few pints as he always said I was a poor student (and so to this day I always buy a pint for a student at cons and/or an unemployed fan depending on whom I come across)).

I’m rambling again aren’t I?  Moid recounts his being a fan of 2000AD in this 20 minute vid here.

(7) BOLO FOR A DEATH ON THAT HILL. Collider’s Lloyd Farley declares “’Return of the Jedi’ Is the Best Film in the Original Star Wars Trilogy and I Will Die on That Hill”.

… New, unique creatures enter the Star Wars universe for the first time, including a rancor, the sarlacc, Ewoks, fan favorite Max Rebo, and Jabba the Hutt himself, a large slug-like creature covered in his own excesses, lauded for heading a far-reaching criminal empire. Jabba is nothing like we would have expected him to be, but to me, he’s perfect — a visual representation of the ugliness of his vocation. Jedi also brings back the fun that took a back seat in Empire Strikes Back. Han oozing charm and confidence as he tries in vain to sweet talk Jabba out of killing our group of heroes is a funny return to the charming scoundrel we love. C-3P0’s awkward handling of the revelation that the Ewoks see him as a god is delightfully comic, a pretentious droid having to come to terms with unyielding adoration….

(8) WHEN MONEY FLOWS AWAY FROM THE WRITER. “Termination Fees in Publishing Contracts: Not Just Bad for Authors” explains Victoria Strauss at Writer Beware.

…Why are termination fees a red flag?

Obviously, they are onerous for authors, who might have good reason to want to escape a contract early, and can’t do so without opening up their wallets.

More problematically, publishers can and do employ termination fees abusively. They may hold them over the heads of unhappy writers to shut them up, attempt to use them as an extra income source by offering to jettison dissatisfied authors at the slightest provocation (for example, now-defunct publisher Curiosity Quills offered an annual “escape clause” period where writers could request an invoice), impose them even in situations where, per their own contract language, they shouldn’t apply (as happened to this author as part of a dispute over publisher breach), terminate the contracts of writers who’ve pissed them off and demand the fee even though termination wasn’t the writer’s decision, or, in more than one case I’ve heard about, close the publisher down and refuse to return rights unless the writers paid to get them back….

(9) GARY KENT (1933-2023). [Item by Mike Kennedy.] Gary Kent, a stunt performer, stunt coordinator, and actor in numerous genre films, died May 25 reports Variety. Most were horror with a smaller number of science, fiction & fantasy flicks. Most were also “B movies.” He was most active during the 60s, 70s, and 80s. One of the notable exceptions to that time period was his stint as stunt coordinator for Bubba Ho-Tep in 2002.

…Soon after his stuntman debut in 1965, Kent appeared as a gas tank worker in Peter Bogdanovich’s debut feature film “Targets,” then worked on “Hell’s Bloody Devils,” “The Incredible 2-Headed Transplant” “Angels’ Wild Women” and Richard Rush’s “Psych-Out,” racking up injuries along the way.

While starring in Al Adamson’s soft-core Western “Lash of Lust,” Kent encountered Charles Manson and his followers living at the Spahn movie ranch, and later told Quentin Tarantino about Manson and his mechanic’s work on the film’s dune buggy. Though the Cliff Booth character was also based on other stuntmen, Kent’s story inspired the “Once Upon a Time in Hollywood” sequence when Booth encounters the Manson family at Spahn Ranch.

In addition to performing in front of the camera, Kent also worked in production jobs and directed, serving as the assistant director on “Dracula vs. Frankenstein,” the unit production manager on Brian De Palma’s “Phantom of the Paradise,” writer-director for “Rainy Day Friends” and director of “The Pyramid.”…

(10) MEMORY LANE.

2011 – [Compiled by Cat Eldridge.]

Lisa Goldstein’s The Uncertain Places gives us the Beginning this Scroll. 

Now she’s one of my favorite writers with this novel plus Dark Cities Underground, Strange Devices of the Sun and Moon and Walking the Labyrinth all being excellent reads.  I also like her short fiction, some of which has been collected in Daily Voices and Travellers in Magic but none since the latter collection was done thirty years ago.

This novel was published by Tachyon twelve years ago.  The cover art was by Ann Monn. 

It won the Mythopoeic Fantasy Award for Adult Literature. 

And here is that Beginning…

IT WAS BEN AVERY who introduced me to Livvy, Livvy and her haunted family. This was in 1971, when Ben and I were sophomores in college. A lifetime ago, another world, but it seems like I can still remember all of it, every motion, every color, every note of music. For one thing, it was the year that I fell in love. But for another, I don’t think that anyone who experienced what I did that year could possibly forget it. 

Ben had gone to Berkeley early in September, before classes started, to find an apartment for us. He’d seen Livvy’s sister Maddie in a play and they’d started dating, and when I got to Berkeley he couldn’t talk about anything else. Now we were going to visit her family up in Napa Valley, in the wine country, for a couple of days. 

Back then Ben drove a humpbacked 1966 Volvo, a car that seemed ancient even though it was only five years old. It smelled of mold and rust and oil, and to this day, whenever I find myself in a car like that, I feel young and ready for anything, any wild scheme that Ben or I would propose. The car went through a constant cycle of electrical problems—either the generator didn’t work, or the regulator, or the battery—and on this trip, as on so many others, the battery warning light flickered on and off, a dull red like the baleful eye of Mordor.

We got on the freeway and headed out of Berkeley, then passed through the neighboring suburbs. As we crossed the Carquinez Bridge Ben started telling me about the last time he’d taken the car in, and the Swedish mechanic who told him the problem was with the “yenerator.” He did a goofy imitation of the mechanic, who I was sure was nothing like Ben portrayed him, but I barely paid attention. I was thinking about my upcoming classes, and about this sister of Maddie’s he wanted me to meet.

“Tell me again why I’m coming with you,” I said, interrupting him in the middle of the story.

You’ll like them,” Ben said. “They’re fun. Come on, Will, have I ever disappointed you?”

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 26, 1865 — Robert Chambers. His most-remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.)
  • Born May 26, 1913 — Peter Cushing. Best known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.)
  • Born May 26, 1923 — James Arness. He appeared in three Fifties SF films, Two Lost Worlds, Them! and The Thing from Another World. The latter is based on the 1938 novella Who Goes There? by John W. Campbell (writing under the pseudonym of Don A. Stuart). The novella would be the basis of John Carpenter’s The Thing thirty years later. (Died 2011.)
  • Born May 26, 1923 — Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in recurring role on Hercules: The Legendary Journeys as Zeus. He was on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. (Died 2017.)
  • Born May 26, 1925 — Howard DeVore.He was according to all sources, an expert on pulp magazines who dealt in them and collected them, an APA writer, con-runner and otherwise all-around volunteer in First Fandom. He wrote two fascinating-sounding publications with Don Franson, A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and A History of the Hugo, Nebula, and International Fantasy Awards. (Died 2005.)
  • Born May 26, 1964 — Caitlín R. Kiernan, 59. They’re an impressive two-time recipient of both the World Fantasy and Bram Stoker awards. As for novels, I’d single out Low Red Moon, Blood Oranges (writing as Kathleen Tierney) and The Drowning Girl: A Memoir as being particularly worth reading. They also fronted a band, Death’s Little Sister, named for Neil Gaiman’s character, Delirium.
  • Born May 26, 1970 — Alex Garland, 53. Writer of Dredd, Ex Machina and Annihilation (which I still haven’t seen — opinions please on it — the books for the latter were excellent and usually don’t see films based on fiction I like). Ex Machina was nominated for a Hugo at MidAmeriCon II, Annihilation likewise was at Dublin 2019: An Irish Worldcon. Dredd alas wasn’t nominated. He also wrote 28 Days Later but I’m really not into Pandemic films right now despite the current one ending. 

(12) BOOKSTORE UNIONIZATION UPDATE. Publishers Weekly tells the status of three different bookstore unionization efforts: “Workers at Park Slope B&N File for Union Election; Hadley, Mass. Store Votes for Union”.

Barnes & Noble workers at the Park Slope, Brooklyn, store filed for a union election with the National Labor Relations Board on May 25, seeking representation from the Retail, Wholesale, and Department Store Union (RWDSU). The news comes a little less than a month after workers at the flagship B&N store in Manhattan’s Union Square launched their own union drive, and on the same day as 15 workers at the B&N outlet in Hadley, Mass., voted unanimously to join the United Food and Commercial Workers, Local 1459. The Union Square B&N election is scheduled for June 7.

(13) ANTHOLOGY WILL BENEFIT PRO-CHOICE ORGANIZATION. [Based on a press release.] Aqueduct Press announced today that it will publish Adventures in Bodily Autonomy: Exploring Reproductive Rights in Science Fiction, Fantasy, & Horror. One hundred percent of royalties will go to NARAL, Pro-Choice America.

Edited by Raven Belasco, author of the Blood & Ancient Scrolls series, the anthology will feature the work of Kathleen Alcalá, Elizabeth Bear, Raven Belasco, Tara Campbell, Anya De Niro, Jaymee Goh, Cynthia Gralla, K Ibura, Ellen Klages, Annalee Newitz, Nisi Shawl, Cecilia Tan, Sonya Taaffe, Helena María Viramontes, and an introduction by international social justice activist Maggie Mayhem.

World Fantasy Award Winner Elizabeth Lynn says this of the anthology, “So satisfying to read a volume of new speculative fiction stories centered on women’s experience, women’s lives, women’s choices! You’ll find a pleasurable variety here: hard sf, fantasy, ghosts, vampires, horror, sweet lyricism, and steel-edged noir—stories from well-known names, and stories from writers you’ve never encountered before. I guarantee that at least one story in this volume will make you punch the air in triumph, and another will work its way into your dreams, and not let go.”

(14) FANS IN THE FIFTIES. [Item by Andrew Porter.] Just an amazing number of photos from the 1950s, all digitized in Dave Rike’s gallery of old black-and-white photos of fans now preserved at the Internet Archive.

(15) RISKY BUSINESS. [Item by Steven French.] Like the author of this piece, I hadn’t really thought of quantum based tech being of interest to the insurance industry but of course, the latter is all about dealing with risk, and the former offers risk a-plenty. These include risks associated with cyber attacks (because according to the no cloning theorem quantum states can’t be replicated), or with the fact that we’re dealing with fundamentally irreducible probabilistic phenomena (at least according to most interpretations of quantum theory) but what was most interesting to me, as a philosopher of physics, was the concern about risks to do with our lack of understanding: “Commercializing quantum technologies: the risks and opportunities” at Physics World.

…Striking a balance between using reinsurance and insuring risk internally is a classic optimization problem that is very important for an insurance company to get right. Getting things wrong, even by a tiny bit, can be very costly. Scharrer explains that optimization is currently done using a heuristic approach that relies on human expertise.

While reinsurance optimization could be done better on a conventional computer, Scharrer says that it would take decades to do the calculations. And that is where a quantum computer could come in handy – because some quantum computers are predicted to be very good at solving certain optimization problems that could be relative to reinsurance. But like a lot of the technology being discussed at the conference, such a quantum computer does not yet exist.

In his talk, Munich Re’s Nawroth talked about how insurers could use quantum computers to do simulations that could help them better understand a wide range of phenomena that affect risk. These include climate change, green technologies, financial markets, pandemics, cyber security and so on….

(16) SPEAK, MEMORY. “Security vendor says fast action is needed now on deepfake voice” reports Biometric Update.

A new research report from security analyst vendor Recorded Future says voice cloning is capable of defeating voice multifactor authentication in the wild. Authors of the report say a cross-industry approach is needed to keep deepfake voice in check.

The report, “I Have No Mouth, and I Must Do Crime,” is a nod to science-fiction author Harlan Ellison’s dark visions, but the findings it contains warrant poetic flourish.

“Voice cloning technology is currently being abused by threat actors in the wild,” the report states. It is “enabling the spread of misinformation and disinformation and increasing the effectiveness of social engineering.” The barrier to entry continues to get lower, with platforms such as ElevenLabs’s popular Prime Voice AI offering low cost, browser-based options for text-to-speech (TTS) conversion.

“Voice cloning samples – such as those of celebrities, politicians, and internet personalities (‘influencers’) – and are intended to create either comedic or malicious content, which is often racist, discriminatory, or violent in nature,” the report says. Threat actors are demonstrating effective voice-based fraud attacks including voice phishing, or vishing….

(17) FLIGHT TEST. BBC News finds Virgin Galactic back on the scene after two years: “Virgin Galactic: Sir Richard Branson’s rocket plane returns to spaceflight”.

Sir Richard Branson’s Virgin Galactic rocket plane is back in action after a gap of almost two years.

The Unity vehicle, with two pilots and four passengers aboard, climbed high over the New Mexico desert to the edge of space – before gliding back down.

It was billed as the plane’s final test outing before entering commercial service in June.

Galactic has sold over 800 tickets to individuals who want to ride more than 80km (260,000ft) above Earth.

The company expects to start working through this passenger list with Unity flights initially occurring at the rate of one a month. New rocket planes are being designed for service in 2026 that should each be capable of increasing the cadence to one a week.

Thursday’s mission came just a couple of days after winning bids were announced to buy the assets in Sir Richard’s other space firm, Virgin Orbit, which filed papers with a bankruptcy court in April….

(18) VIDEO OF THE DAY. Actor, author and “Reading Rainbow” founder LeVar Burton joined the L.A. Times Book Club on May 24 to discuss the State of Banned Books with Times editor Steve Padilla.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven H Silver, Steven French, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/26/23 Looks At Pages Filled With Men Of Space, Who From Earth Have Fled

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(1) WOMEN’S PRIZE FOR FICTION. One of the three longlisted works of genre interest has survived to make the 2023 Women’s Prize shortlist which was announced today.

Pod by Laline Paull is that book:

Ea has always felt like an outsider. She suffers from a type of deafness that means she cannot master the spinning rituals that unite her pod of spinner dolphins. When tragedy strikes her family and Ea feels she is partly to blame, she decides to make the ultimate sacrifice and leave.

As Ea ventures into the vast, she discovers dangers everywhere, from lurking predators to strange objects floating in the water. But just as she is coming to terms with her solitude, a chance encounter with a group of arrogant bottlenoses will irrevocably alter the course of her life.

In her terrifying, propulsive novel, Laline Paull explores the true meaning of family, belonging, sacrifice – the harmony and tragedy of the pod – within an ocean that is no longer the sanctuary it once was, and which reflects a world all too recognisable to our own.

The complete shortlist follows:

The winner of the 2023 Women’s Prize for Fiction will be announced on June 14.

(2) UPDATE FOR TRAVELERS TO CHINA. “China Drops Covid P.C.R. Test Rule for Inbound Travelers” reports the New York Times, but “It was not clear, however, whether travelers would still be required to take antigen tests.”

China said on Tuesday that it would no longer require travelers entering the country to show a negative P.C.R. test for the coronavirus, another step toward reopening after a long period of pandemic-era isolation.

But it was not clear whether testing requirements would be abolished altogether. A spokeswoman for China’s foreign ministry said only that, beginning on Saturday, people going to China “can” take an antigen test to “replace” the previously mandated P.C.R. test within 48 hours before boarding their flight.

Airlines will not check test results before boarding, the spokeswoman, Mao Ning, added at a regularly scheduled news briefing. She did not say whether others, such as immigration officials, would check.

Notices by Chinese embassies overseas said that travelers arriving in China would still need to fill out a health declaration form, and that customs officials would conduct unspecified spot checks.

For three years, China imposed the world’s strictest coronavirus restrictions, requiring lockdowns and regular mass testing in the name of “zero Covid.” Then the government abruptly abandoned those rules in December as the economy sagged, the virus spread widely and protests broke out across the country. Beijing has since declared that it is open to the world, and tried to woo foreign businesspeople and diplomats….

(3) BLACK MIRROR. The trailer for Black Mirror: Season 6 has dropped.

You’ve been wondering. You’ve been waiting. You’ve been warned. The sixth season of Charlie Brooker’s Black Mirror is BACK. The most unpredictable, unclassifiable and unexpected season yet is arriving in June on NETFLIX.

https://www.youtube.com/watch?v=k7uFcpF0pXk

(4) MIXED BAG IN NINTH CIRCUIT RULING. “Apple Largely Prevails in Appeal of Epic Games’ App Store Suit” but they didn’t sweep the board says the New York Times. “A Ninth Circuit panel did agree with Epic that Apple was violating California law by barring app developers from directing customers to outside payment methods.”

A federal appeals court ruled on Monday that Apple does not have a monopoly in the mobile games market, siding with a lower court’s 2021 ruling that largely gave the tech giant a victory in a lawsuit brought by Epic Games.

A three-judge panel of the U.S. Court of Appeals for the Ninth Circuit ruled 2 to 1 that Apple’s tight control of its App Store did not violate federal antitrust law. Some app developers have said the multibillion-dollar business’s strict policies stifle competition and eat into their profits.

“There is a lively and important debate about the role played in our economy and democracy by online transaction platforms with market power,” the judges wrote in their 91-page decision, which largely maintained the status quo. “Our job as a federal Court of Appeals, however, is not to resolve that debate — nor could we even attempt to do so.”

While siding with Apple on a majority of Epic’s claims, the judges also agreed with the lower court that Apple was violating California’s Unfair Competition Law by prohibiting app developers from directing their customers to payment methods outside the App Store, which charges a 30 percent fee. Apple suggested that it could further appeal that ruling….

(5) KNOW YOUR RIGHTS. AND LEFTS. Moid Moidelhoff gets Cory Doctorow to explain what a “copy left troll” is in “The Big Interview” at Media Death Cult.

https://www.youtube.com/watch?v=24k8r-p6ibQ

(6) E.T. ORIGINAL SCENE TO RETURN. “Steven Spielberg: ‘No film should be revised’ based on modern sensitivity”, quoted in the Guardian.

Steven Spielberg has criticised the idea that older films should be re-edited to appease modern sensibilities.

Speaking at Time’s 100 Summit in New York City, the 76-year-old film-maker expressed regret over taking out guns from a later release of his 1982 sci-fi blockbuster ET: The Extra Terrestrial. In the 20th anniversary edition, agents saw their firearms replaced with walkie-talkies.

“That was a mistake,” he said on stage. “I never should have done that. ET is a product of its era. No film should be revised based on the lenses we now are, either voluntarily, or being forced to peer through.”

In 2011, Spielberg had already explained that the guns would be returning for the 30th anniversary release, explaining that he was “disappointed” in himself….

(7) LIFE AS WE KNOW IT. You may be surprised to hear the reason why CBR.com thinks “Hulu’s Futurama Revival Is Too Important to Fail”.

Futurama fans are eagerly waiting for the Hulu revival because the show has become a sci-fi staple. The series’ engagement with the hypothetical nature of science fiction makes it stand out. There’s an explorative spirit that concentrates more on the “what-if” and “imagine that” aspects and is more interested in the realm of possibility than world-building or even keeping its own continuity. Futurama‘s ability to carry the torch for old science fiction programs like The Twilight Zone, Lost in Space and Star Trek: The Original Series makes the show critical to the genre’s survival.

Over multiple episodes — and multiple cancellations — Futurama acknowledged the gone-by era of sci-fi. The show became one of the last bastions of true speculative fiction by including “The Scary Door,” Futurama‘s answer to Rod Serling and his conjectural narration, as well as other homages. Moreover, the installments containing these parodies often utilized retrofuturistic motifs typical of the golden age of science fiction, keeping it alive for a new generation….

(8) BELAFONTE PROFILE. [Item by Steven French.] In the Guardian’s obituary for Harry Belafonte: “Bans, bigots and surreal sci-fi love triangles: Harry Belafonte’s staggering screen career”.

…But perhaps Belafonte’s strangest but most distinctive role came in the 1959 post-apocalyptic sci-fi fantasy The World, The Flesh and The Devil in which he is Burton, the mining engineer trapped miles below the surface of the earth after a calamitous cave-in. But he has escaped the effects of an atomic catastrophe and when he finally scrambles to the surface, Burton finds that he is apparently the only human left alive – except for one white woman and one white man, with whom he finally has a surreal but gripping contest for the woman’s affections.’…

(9) MEMORY LANE.

1984 – [Compiled by Cat Eldridge.]

Lucius Shepard’s “The Man Who Painted the Dragon Griaule” is a remarkable work of fiction. It was first published in The Magazine of Fantasy & Science Fiction in their December 1984 issue.

Some twenty-five years ago, our writer created a fascinating world, a world separated from our own, as he said, “by the thinnest margin of possibility.” 

Spoilers are coming next. Really they are. Just skip the following paragraph. 

There, in the mythical Carbonales Valley, he found the setting for “The Man Who Painted the Dragon Griaule”, the classic account of an artist—Meric Cattanay—and his decades long effort to paint—and kill—a dormant, not quite dead dragon measuring 6,000 feet from end to end. The story was nominated for multiple awards and is now known as one of its author’s most outstanding works.

Now you can come back as we are now have the Beginning of this story…

Other than the Sichi Collection, Cattanay’s only surviving works are to be found in the Municipal Gallery at Regensburg, a group of eight oils-on-canvas, most notable among them being Woman with Oranges. These paintings constitute his portion of a student exhibition hung some weeks after he had left the city of his birth and traveled south to Teocinte, there to present his proposal to the city fathers; it is unlikely he ever learned of the disposition of his work, and even more unlikely that he was aware of the general critical indifference with which it was received. Perhaps the most interesting of the group to modern scholars, the most indicative as to Cattanay’s later preoccupations, is the Self-Portrait, painted at the age of twenty-eight, a year before his departure. 

The majority of the canvas is a richly varnished black in which the vague shapes of floorboards are presented, barely visible. Two irregular slashes of gold cross the blackness, and within these we can see a section of the artist’s thin features and the shoulder panel of his shirt. The perspective given is that we are looking down at the artist, perhaps through a tear in the roof, and that he is looking up at us, squinting into the light, his mouth distorted by a grimace born of intense concentration. On first viewing the painting, I was struck by the atmosphere of tension that radiated from it. It seemed I was spying upon a man imprisoned within a shadow having two golden bars, tormented by the possibilities of light beyond the walls. And though this may be the reaction of the art historian, not the less knowledgeable and therefore more trustworthy response of the gallery-goer, it also seemed that this imprisonment was self-imposed, that he could have easily escaped his confine; but that he had realized a feeling of stricture was an essential fuel to his ambition, and so had chained himself to this arduous and thoroughly unreasonable chore of perception…

—FROM MERIC CATTANAY: THE POLITICS OF CONCEPTION BY READE HOLLAND, PH.D.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 26, 1564 — William Shakespeare. World’s greatest playwright and perhaps one of our earliest fantasy writers was born today. Possibly. Or just baptized today. Opinions differ. Siri says just April 1564. Smart girl, she is. What I do know is that the supernatural is a commonplace thing in his plays from ghosts to fairies. So which fantasy-tinged work by him do you like the best? I go for “A Midsummer’s Night Dream”. (Died 1616.)
  • Born April 26, 1912 — A. E. van Vogt.  What I liked particularly was Slan, The Voyage of the Space Beagle and The Weapon Makers.  I am fascinated by the wiki page that claimed Damon Knight took a strong dislike to his writing whereas Philip K. Dick and Paul Di Filippo defended him strongly. What do y’all think of him? And is that claim true? And the Science Fiction Writers of America named him their 14th Grand Master in 1995. No Hugos (his best work was published before the award was created) and only one Retro Hugo at MidAmericaCon for Slan though he’s had myriad Retro Hugo nominations. He picked up a SFWA Grand Master Award (1995), and was inducted to the SF Hall of Fame (1996). (Died 2000.)
  • Born April 26, 1914 — H. L. Gold. Best known for launching Galaxy Science Fiction in 1950, which was soon followed by its companion magazine, Beyond Fantasy Fiction which lasted but several years. He was not a prolific writer having published but two novels, None but Lucifer with L. Sprague de Camp and A Matter of Form, plus a generous number of short stories. None but Lucifer didn’t see printing in novel form until 2002. (Died 1996.)
  • Born April 26, 1943 — Bill Warren. American film historian, critic, and one of the leading authorities on science fiction, horror, and fantasy films. He co-wrote the script for the murder mystery Fandom is a Way of Death set at the 42nd World Science Fiction Convention which was hosted by the Los Angeles Science Fantasy Society which he and his wife Beverly were very much involved in. His 1968 short story “Death Is a Lonely Place” would be printed in the first issue of the magazine Worlds of Fantasy. During the Seventies, he also wrote scripts for Warren Publishing’s black-and-white comic books Creepy, Eerie, and Vampirella. His film reference guide Keep Watching the Skies! American Science Fiction Movies of the Fifties would be revised and expanded several times. (Died 2016.)
  • Born April 26, 1948 — Marta Randall, 75. First woman president of SFWA.  With Robert Silverberg, Randall edited two volumes of the New Dimensions series, the eleventh and twelfth volumes. I’ve not read her novels but I do remember the New Dimensions series fondly. 
  • Born April 26, 1955 — Brad W. Foster, 68. From 1987 to 1991 he was a regular contributing illustrator to the science fiction magazine Amazing Stories. In 2008 he began producing illustrations for the newsletter Ansible, creating a full color version for the on-line edition, and a different black-and-white version for the print edition. He won an amazing eight Hugo Awards for Best Fan Artist! 
  • Born April 26, 1978 — Marie Bilodeau, 45. Canadian writer nominated for an amazing fifteen Aurora Awards. She’s won two, one with Derek Künsken as the 2019 co-chair of Can-Con, and another the next year with him for again hosting that Con. Who here has read her fiction?

(11) COMICS SECTION.

(12) TEAM EFFORT. Ryan Breadine offers “Collaboration Tips For Comic Writers” at the SFWA Blog.

… When presenting a script to your illustrator, you want to make sure you tell them any specifics on how your characters look. If your artist doesn’t have anything to work with, they may struggle to develop the designs.

You don’t have to draw to have image references! Go onto Pinterest and search for something simple like ‘girl with braids’ – you’ll get a lot of different results and can pick something close to what you’re thinking of.

References are also important if you’ve got an idea of how a certain scene should be laid out. While words are great, everyone has a completely different interpretation of them, so having a picture on the Word document next to the script’s scene can make a huge difference. Character expressions, designs, scene layouts, and color schemes all benefit hugely from a united vision, and as the writer, you can help that along. You can usually find something close to what you’re looking for online, but don’t be afraid to do a five-second sketch or take a photo of yourself in a pose! It might even earn you a laugh from the artist.

Chances it will still look a little different depending on your illustrator’s style, but that can be a great thing! References are important, but you also have to be open to the artist’s ideas. Welcome input; this is a collaboration with another person who likely has fantastic ideas and perspectives of their own….

(13) MARVEL’S WHAT IF? Marvel launches new line of What If? stories in July. For more information, visit Marvel.com.

  • WHAT IF LOKI WIELDED MJOLNIR?

In WHAT IF…? DARK: LOKI #1, Walter Simonson returns to the world of THOR alongside artist Scot Eaton…but this time, Loki’s in charge! A tale of one of Asgard’s worst days – and one of Loki’s best.

  •  WHAT IF GWEN STACY DIDN’T DIE ON THE BRIDGE THAT DAY, BUT SPIDER-MAN DID?

Spider-Legend Gerry Conway returns to his most famous Spider-Story for WHAT IF…? DARK: SPIDER-GWEN #1 along with co-writer Jody Houser and artist Ramon Bachs! ‘Nuff said!

  •  WHAT IF BEN GRIMM BECAME VENOM?

When Ben Grimm returns to Earth after his exploration of space post-SECRET WARS, he finds that the Fantastic Four has trapped a helpless Klyntar symbiote in Reed’s lab! But is that symbiote really helpless? Or is it truly one of the most dangerous symbiotes in the galaxy? Witness the birth of a brand-new VENOM in WHAT IF…? DARK: VENOM #1 by writer Stephanie Phillips and artist Jethro Morales!

  •  WHAT IF MOON KNIGHT DID NOT SURVIVE HIS BATTLE WITH BUSHMAN?

When Khonshu’s avatar is slain, a different god empowers their own surprising new champion. From the darkness, emerges a new force to light the way…Luminary! But will her quest for revenge against Moon Knight’s killer result in her own downfall? Find out in WHAT IF…? DARK: MOON KNIGHT #1  by writer Erica Schultz and artist Edgar Salazar!

 (14) TWO OPPOSABLE THUMBS UP. At Galactic Journey, Fiona Moore, Victoria Silverwolf, and Jason Sacks discuss the latest (in 1968!) milestone in sf cinema, 2001. Two of them give it five stars out of five, the other just three: “[April 26, 1968] 2001: A Space Odyssey: Three Views”. Fiona Moore starts off  —

People who don’t like trippy, confusing endings for their movies are in for a bad time of it these days. The ending of 2001: A Space Odyssey at least makes more sense than the ending of The Prisoner (the filming of which series overlapped with 2001 at Borehamwood Studios, meaning Alexis Kanner had to share his dressing room with a leopard). The question is, does this make it a better piece of SF visual art?…

And Jason Sacks starts his segment by telling how thrilled he is to see another sf movie with apes —

…I loved Planet of the Apes. Just two weeks ago in the pages of this very magazine, I praised the film’s restrained story, its tremendous special effects, its lovely cinematography and its spectacular use of music. Heck, I thought POTA was perhaps the finest science fiction movie in years. It’s a thrilling, delightful sci fi masterpiece.

But 2001, man, wow, it’s transcendent….

(15) “EVERYTHING CHANGES”. The Witcher Season 3 begins on June 29 on Netflix. From The Hollywood Reporter:

…Netflix also released this description of the season three, which is based on author Andrzej Sapkowski’s book series and game adaptations: “As monarchs, mages and beasts of the Continent compete to capture her, Geralt takes Ciri (Freya Allan) into hiding, determined to protect his newly-reunited family against those who threaten to destroy it. Entrusted with Ciri’s magical training, Yennefer (Anya Chalotra) leads them to the protected fortress of Aretuza, where they hope to uncover more about the girl’s untapped powers; instead, they discover they’ve landed in a battlefield of political corruption, dark magic, and treachery. They must fight back, put everything on the line — or risk losing each other forever.”…

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven French, Daniel Dern, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 2/25/23 What Good Is A Glass Pixel?

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(1) NAACP IMAGE AWARDS. The 2023 NAACP Image Awards fiction winner was one of the non-genre nominees.

OUTSTANDING LITERARY WORK – FICTION

  • WINNER: Take My Hand – Dolen Perkins-Valdez (Penguin Random House)

OTHER NOMINEES

  • Africa Risen: A New Era of Speculative Fiction – Sheree Renée Thomas (Macmillan)
  • Light Skin Gone to Waste – Toni Ann Johnson (University of Georgia Press)
  • The Keeper – Tananarive Due, Steven Barnes (Abrams Books)
  • You Made a Fool of Death with Your Beauty – Akwaeke Emezi (Simon & Schuster)

(2) EKPEKI INTERVIEW. Media Death Cult’s Moid Moidelhoff conducted “An Interview with Oghenechovwe Donald Ekpeki”.

Ekpeki is a Nigerian speculative fiction author, editor and publisher, spotlighting the talents and awareness of African writers.

https://www.youtube.com/watch?v=lNK69VbuFjo

(3) STEP RIGHT UP. “What Is It That Makes Used Bookstores So Wonderful?” asks Keith Roysdon at CrimeReads.

…My favorite store of all the others besides Powell’s [in Portland, OR] was a used bookstore in my hometown of Muncie, Indiana, Al Maynard’s Used Book Headquarters. It was located on the second floor of a deteriorating downtown building and was the kind of inaccessible place that wouldn’t be allowed now, and rightly so. The bookstore was at the top of a long flight of stairs and Maynard, who was famed for being cantankerous, had posted a hand-lettered sign at the top of the stairs. It read something like, “There are 23 steps behind you. Shoplifters will miss most of them on the way down.”

Maynard had accumulated a wealth of books that, in my mind, was a midwestern version of the Library of Alexandria: the wooden shelves lining all the walls were filled with hardbacks, paperbacks, scholarly works, old magazines – probably every edition of National Geographic – and pulp magazines from the first half of the 20th century….

(4) WHICH VERSION WILL WIN? “Roald Dahl publisher announces unaltered 16-book ‘classics collection’” reports the Guardian. The market will decide.

A collection of Roald Dahl’s books with unaltered text is to be published after a row over changes made to novels including Charlie and the Chocolate Factory and The Witches.

Dahl’s publisher Puffin, the children’s imprint of Penguin Random House, was criticised this week after the Telegraph reported that it had hired sensitivity readers to go over the beloved author’s books and language deemed to be offensive would be removed from new editions. In response, Puffin has decided to release Dahl’s works in their original versions with its new texts.

The Classic Collection will “sit alongside the newly released Puffin Roald Dahl books for young readers”, the publisher said in a statement, adding that the the latter series of books “are designed for children who may be navigating written content independently for the first time”….

(5) BE ON THE LOOKOUT. Should Puffin executives be alert for hungry amphibians headed their way? According to the Guardian, “Roald Dahl threatened publisher with ‘enormous crocodile’ if they changed his words”.

One of Roald Dahl’s best-known characters was the Enormous Crocodile, “a horrid greedy grumptious brute” who “wants to eat something juicy and delicious”.

Now a conversation the author had 40 years ago has come to light, revealing that he was so appalled by the idea that publishers might one day censor his work that he threatened to send the crocodile “to gobble them up”.

The conversation took place in 1982 at Dahl’s home in Great Missenden, Buckinghamshire, where he was talking to the artist Francis Bacon.

“I’ve warned my publishers that if they later on so much as change a single comma in one of my books, they will never see another word from me. Never! Ever!” he said.

With his typically evocative language, he added: “When I am gone, if that happens, then I’ll wish mighty Thor knocks very hard on their heads with his Mjolnir. Or I will send along the ‘enormous crocodile’ to gobble them up.”

(6) MEMORIES OF THE ZONE. Listverse hopes to surprise readers with “10 Things You Might Not Know about The Twilight Zone” – or at least maybe forgot they knew, like this one:

10 The Iconic Theme Song Was Not Introduced Until the Second Season

Even people who have not seen The Twilight Zone are familiar with the catchy “dee-dee-dee-dee” of the theme song. However, this song was not actually used during the airing of the first season of the show. The original theme was written by Bernard Herrmann, known for his collaborations with Alfred Hitchcock on films such as Psycho (1960), and while it was fittingly creepy, it didn’t pack much of a punch.

CBS was on the search for a new theme, and Lud Gluskin, the show’s director of music, hired Marius Constant, who usually composed ballet scores, to give it a go. Constant came up with two pieces of music, “Milieu No. 2” and “Étrange No. 3,” which Gluskin then joined together to create the new title theme. The song became integral to the identity of the show. Although the theme has been revamped in the various iterations of The Twilight Zone, the memorable four-note guitar riff is always present

(7) DELIGHTFUL DOZEN. SlashFilm says these are “The 12 Coolest Spaceships In Sci-Fi Movie History” – although John King Tarpinian complains that “They left out the Winnebago.”

The Event Horizon

Sometimes, of course, a spacecraft can be overtly villainous, and none are as depraved as the Event Horizon. Early on in Paul W.S. Anderson’s 1997 sci-fi horror “Event Horizon,” the eponymous ship appears to be just that: a faster-than-light spaceship that disappeared, and then reappeared, under mysterious circumstances. Later, after everything starts to get a bit eye-gougey, it turns out that the Event Horizon gained sentience after briefly crossing over into another dimension, essentially becoming the science fiction equivalent of the Overlook Hotel….

(8) MEMORY LANE.

1970 – [Compiled by Cat Eldridge.]

Our Beginning tonight is Ringworld which was published by Ballantine Books in 1970. 

Ok, there is definitely sexism lurking within Larry Niven’s Ringworld, and despite winning a Hugo at the first Noreascon is considered to have been visited by the Suck Fairy by many of you as discussed here when I essayed it earlier.

But this feature is about the Beginnings and oh my Ringworld has one of the best I’ve ever had the pleasure to read as it introduces us to our protagonist in a way that makes us like him.

Now our Beginning…

In the nighttime heart of Beirut, in one of a row of general-address transfer booths, Louis Wu flicked into reality. 

His foot-length queue was as white and shiny as artificial snow. His skin and depilated scalp were chrome yellow; the irises of his eyes were gold; his robe was royal blue with a golden steroptic dragon superimposed. In the instant he appeared, he was smiling widely, showing pearly, perfect, perfectly standard teeth. Smiling and waving. But the smile was already fading, and in a moment it was gone, and the sag of his face was like a rubber mask melting. Louis Wu showed his age. 

For a few moments, he watched Beirut stream past him: the people flickering into the booths from unknown places; the crowds flowing past him on foot, now that the slidewalks had been turned off for the night. Then the clocks began to strike twenty-three. Louis Wu straightened his shoulders and stepped out to join the world. In Resht, where his party was still going full blast, it was already the morning after his birthday. 

Here in Beirut it was an hour earlier. In a balmy outdoor restaurant Louis bought rounds of raki and encouraged the singing of songs in Arabic and Interworld. He left before midnight for Budapest. 

Had they realized yet that he had walked out on his own party? They would assume that a woman had gone with him, that he would be back in a couple of hours. But Louis Wu had gone alone, jumping ahead of the midnight line, hotly pursued by the new day. Twenty-four hours was not long enough for a man’s two hundredth birthday.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 25, 1906 — Mary Chase. Journalist, playwright and children’s novelist. She’s best remembered for the Broadway playwright who penned Harvey which was later adapted for the film that starred James Stewart. Her only other genre work was the children’s story, “The Wicked, Wicked Ladies In the Haunted House”. The latter is available at the usual digital publishers but Harvey isn’t. You can get Harvey as an audiobook. (Died 1981.)
  • Born February 25, 1909 — Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Ursula Le Guin has credited him with showing her it was possible to write humanly emotional stories in an SF setting. A Mirror for Observers is his best known work. (Died 1976.)
  • Born February 25, 1913 — Gert Fröbe. Goldfinger in the Bond film of that name. He also the Baron Bomburst in Chitty Chitty Bang Bang, Professor Van Bulow in Jules Verne’s Rocket to the Moon and Colonel Manfred von Holstein in Those Magnificent Men in their Flying Machines, a film that’s at least genre adjacent. (Died 1988.)
  • Born February 25, 1917 — Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film.  I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
  • Born February 25, 1922 — Robert Bonfils. Illustrator, known for his covers for pulp paperback covers, many of an erotic nature. I’ve not heard of him but ISFDB lists quite a few genre works that are, errr, graced by his work. Sex is certainly his dominant theme as can be seen in the covers of Go-Go SADISTO, Orgy of the Dead and Roburta the Conqueress. (Died 2018.)
  • Born February 25, 1968 — A. M. Dellamonica, 55. A Canadian writer who has published over forty rather brilliant short stories since the Eighties. Their first novel, Indigo Springs, came out just a decade ago but they now has five novels published with their latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Podcastle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
  • Born February 25, 1973 — Anson Mount, 50. He is now Captain Christopher Pike on Strange Worlds, a role he first played on Discovery. He was Black Bolt in Marvel’s Inhumans series. I see he was in Visions, a horror film, and has had appearances on Lost, Dollhouse and Smallville.

(10) GRINCH REDUX. “Dr. Seuss’ ‘How the Grinch stole Christmas!’ gets a sequel” – Yahoo! has details.

Dr. Seuss fans might find their hearts growing three sizes this coming holiday season with the release of a sequel to the 1957 classic children’s book “How the Grinch Stole Christmas!”

The new book picks up one year after the original, and like the first, teaches a valuable lesson about the true spirit of the holiday, Dr. Seuss Enterprises and Random House Children’s Books announced Thursday.

The sequel entitled “How the Grinch Lost Christmas!” is not based on a newly discovered manuscript by Seuss — whose real name was Theodor Geisel — but was written and illustrated by an author and artist with previous experience in the Dr. Seuss universe.

“One of the most asked questions we receive from Seuss fans of all ages is ‘What do you think happened to the Grinch after he stole Christmas?” said Alice Jonaitis, executive editor at Random House Children’s Books, in a statement….

(11) SUPER SIGNATURE. You have until March 3 to bid on this “George Reeves Signed Photo as Superman” at Nate D. Sanders Auctions. Minimum bid $2,500.

George Reeves signed photo as the original Superman, with bold handwriting. Reeves inscribes the photo, ”From one Judo man to another / George Reeves” for the famed martial artist Bruce Tegner, who worked with Reeves on stunts for ”Adventures of Superman”. 

(12) THE PRINCESS SHORTCUT. “Disney Movies With Quicker Endings Are Pretty Funny” – Pupperish has a gallery of “how it should have ended”-style scenes from Disney animations.

(13) MARKETING ADVICE. Video of a Flights of Foundry presentation, “Marketing, A Necessary Habit” with Sarah Faxon, was recently uploaded.

Are you struggling with marketing, or not sure where to start? In this talk, Sarah Faxon discusses organizational tools available to help keep marketing organized, how to find the target audience, and how to create a marketing habit.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/9/23 Fifty Ways To Scroll Your Pixels

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(1) WEBSITE SECURITY. “Safety Dispatch: How to Secure Your Author Website” from the SFWA Safety Committee. Sections on choosing a hosting service, domain registration, and the like, are followed with some wisdom about choosing content.  

Carefully Choose What to Share

Your author bio doesn’t have to list family members, your hometown, or any other identity markers you aren’t comfortable sharing. You’re not obligated to mention your birthday, your employer, or your involvement with other organizations, through which somebody might find details about your identity and location that you don’t wish to share. Some authors are transparent about all of these things, and some aren’t. There isn’t a single right answer to sharing information about your life online. But if you think about the boundaries you would like to set in advance, you’ll find it easier to avoid posting information that you can’t take back.

Photographs can also be sources of more information than you intend. Pay attention to what’s in the background of any photos you post on your website or on social media, such as exterior shots of your home or distinctive landmarks through your windows. Turn off geolocation metadata when you take photos or make sure you know how to remove it before posting images online. 

(2) TRADPUB PAY HIKES. Two publishers recently raised their starting salaries, perhaps hoping to forestall the labor action current facing HarperCollins – Publishers Weekly reports “HBG Raises Starting Salaries to $47,500” and “Macmillan Raises Starting Salaries to $47,500”. It’s hard not to notice the figures are identical – collusion, anyone?

(3) SOONERCON. Oklahoma pop-culture event Soonercon announced a new graphic design and branding yesterday, along with a new mascot.

We are excited today to reveal an all new look and feel for Soonercon! We’ve been working closely these past few months with our Diamond Sponsor Robot House to rebrand Soonercon for the modern era. We started this journey with the Soonercon story and two words came forward: community and hope. Armed with that (and whole heck of a lot more words about our special convention), Robot House designed these new logos for us, a friendly and forward color scheme, and fonts to take us into the future.

Even more exciting, say hello to Ripley Raccoon, Soonercon’s new mascot! Ripley is curious, always learning, loves art and reading, and has a whole lot of hobbies – just like our members.

In the Soonercon Cosplay Facebook group the change received a mixed greeting. Some liked it. Some criticized it for resembling sites aimed at kids, others for lacking any sci-fi identity.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to collaborate over breakfast with Brian Keene and Mary SanGiovanni in Episode 191 of his Eating the Fantastic podcast.

Mary SanGiovanni and Brian Keene

Anyone who’s listened to more than a few episodes of Eating the Fantastic already knows — collaboration confuses me. Tell me two writers have managed to work together on the same project without blood on the floor and a lifelong feud and I’m baffled. So when I learned previous guests of the show Brian Keene and Mary SanGiovanni had collaborated on the short story collection Things Left Behind, released last year by Thunderstorm Books, I knew we’d have to chat about it.

We met for breakfast at Martinsburg, West Virginia’s Blue White Grill, which has been serving diner food since the ’50s.

Brian’s published more than 40 novels, including the best-selling The Rising, and he’s the winner of the 2014 World Horror Grand Master Award, while Mary is the author of The Hollower trilogy, the first volume of which was nominated for a Bram Stoker Award. There’s a whole lot more to know about each of them, as you’ll learn if you listen to those two earlier episodes.

We discussed how being intimidated by each other helps their collaborative process, their different tolerances for writing gore (and how that’s changed over time), the romantic reason (up until this episode known to only one of them) their collaborative short story collection came about, which of them once wrote 45,000 words in a day, how they came to agree on a joint dedication, who gives each story its final polish (and who get the final say on sending it to market), how Brian attempted to bleed all over Mary’s upcoming Alien novel, the way they approach their own deaths, their honeymoon book tour hitting every state but Alaska and Hawaii, their upcoming collaborative novel, and much more.

(5) MIDDLE-EARTH LEGO SET. “The 6,167-Piece Rivendell Is the One Lego Lord of the Rings Set to Rule Them All” – Gizmodo takes readers on a tour. (See even more on the Lego website.)

…Although Lego’s Rivendell even includes the place where Aragon and Boromir first meet next to the shrine featuring the shards of Narsil, it appears as if the minifigure version of Boromir has yet to cut his finger on the still-sharp sword. But that’s nothing a red Sharpie can’t fix.

As peaceful as Rivendell appears, the elves are still well regarded for their weapons, and not only does this set come with a well-stocked armory, but also a glowing forge for creating Lhangs and other stabby tools for making short work of orcs and goblins.

There’s nothing worse than working your way through a textbook-sized Lego instruction manual only to come across a step that has to be repeated countless times that dramatically slows down your build progress. That is undoubtedly the case with the tiled roof atop Rivendell—each 1×1 Lego tile will have to be attached and aligned individually—but the results look like they’re definitely worth the effort.

Although Lego did release a mountain (of doom) of images of its new LOTR Rivendell set, there still appear to be lots of details not highlighted yet. So if you’re still on the fence over whether you want to make room to add this sizeable set to your collection, you can take a quick tour of its entire layout using this 360-degree animation….

(6) SOMETIMES THEY’RE RIGHT. [Item by David Goldfarb.] On last night’s episode of Jeopardy! in the Double Jeopardy round, “That’s Dedication”, $1200:

Douglas Adams dedicated this title guy’s “Holistic Detective Agency”,

“To my mother, who liked the bit about the horse”

Returning champion Matthew Marcus correctly responded, “Who is Dirk Gently?”

“Comedy Time”, $800:

1960s: General Buck Turgidson wants to explore the nuclear option

Dan Wohl responded, “What is Doctor Strangelove?”

(7) TCHAIKOVSKY Q&A. Moid Moidelhoff conducts “An Interview with Adrian Tchaikovsky – Children Of Memory and Beyond” at Media Death Cult.

https://www.youtube.com/watch?v=71ED_J-ZMw4

(8) OMNIVOROUS READER. A New York Times interview: “Jojo Moyes’s Grandmother Knew a Bookworm When She Saw One”.

Do you distinguish between “commercial” and “literary” fiction? Where’s that line, for you?

Not in terms of my appetite for reading — I read everything from thrillers to literary fiction to comic books. And I’m enjoying the fact that the line appears to have become increasingly blurred between them. If someone I trust tells me something’s good, I’ll give it a go.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

I was an only child and a voracious reader. My grandmother called me a bookworm, and it wasn’t a compliment, as my weekly visits to her were usually spent with my nose buried between the pages. The books that have stayed with me are “The Black Stallion,” by Walter Farley, and “The Secret Garden,” by Frances Hodgson Burnett, and, as a teenager, the books of F. Scott Fitzgerald. I was also a compulsive reader of horror — I could not read horror now if you paid me.

(9) LEE MODER OBITUARY. Comics artist Lee Moder died around January 15 says Deadline.

Comic book artist Lee Moder, who co-created the Courtney Whitmore version of Stargirl with Geoff Johns in 1999, has passed away, according to ComicBook.com and statements from his peers. The web site cited a family friend, who indicated that Moder died quietly at home sometime on or before January 15th. No cause of his death was given. Moder was 53.

(10) MEMORY LANE.

1982 — Paul Weimer offers us his thoughts on Robert Heinlein’s Friday. 

Heinlein’s Friday is, in my mind, unquestionably the strongest of the late Heinleins. It starts with a strong and indelible paragraph that introduces and defines the character. The world of the novel, a sequel to the story “Gulf” is also a refutation of that story’s thesis, and shows the evolved thinking Heinlein had about that earlier story’s assumptions. The balkanized America of the novel is a chaotic and interesting place, from its vividly imagined Democracy run amok California to the mighty and autocratic Chicago Imperium. 

Its ideas on corporations, artificial personhood, and more are thought provoking. Friday is far and away the most successful of the late Heinlein novels in what it tries to do, and remains the most readable by a large margin. 

And now the Beginning of that novel… 

As I left the Kenya Beanstalk capsule he was right on my heels. He followed me through the door leading to Customs, Health, and Immigration. As the door contracted behind him I killed him.

I have never liked riding the Beanstalk. My distaste was full-blown even before the disaster to the Quito Skyhook. A cable that goes up into the sky with nothing to hold it up smells too much of magic. But the only other way to reach Ell-Five takes too long and costs too much; my orders and expense account did not cover it.

So I had been edgy even before I left the shuttle from Ell-Five at Stationary Station to board the Beanstalk capsule…but, damn it, being edgy isn’t reason to kill a man. I had intended only to put him out for a few hours.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 9, 1863 — Anthony Hope. He is remembered predominantly for only two books: The Prisoner of Zenda and its sequel Rupert of Hentzau. Well so says online sources but I never heard of the latter novel. Any of you heard of it? The Prisoner of Zenda was filmed in 1936 with the legendary Ronald Coleman in the lead and Douglas Fairbanks Jr. as Rupert. (Died 1933.)
  • Born February 9, 1877 — George Allan England. His short story, “The Thing from—’Outside’”, which had originally appeared in Gernsback’s Science and Invention, was reprinted in the first issue of the first SF magazine, Amazing Stories, in April 1926. Unfortunately, his later Darkness and Dawn trilogy is badly marred by overt racism as later critics note. (Died 1936.)
  • Born February 9, 1928 — Frank Frazetta. Artist whose illustrations showed up damn near everywhere from LP covers to book covers and posters. Among the covers were Tarzan and the Lost Empire, Conan the Adventurer (L. Sprague de Camp stories in that setting) and Tarzan at the Earth’s Core. He did over-muscled barbarians very well! In the early 1980s, Frazetta worked with Bakshi on the feature Fire and Ice. He provided the poster for it as he did for Mad Monster Party and The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck, two other genre films. He was inducted into both Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 2010.)
  • Born February 9, 1935 — R. L. Fanthorpe, 88. He was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of a small rural library. He’d be perfect for the usual suspects I’d say.
  • Born February 9, 1946 — Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream (1968). Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ector, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
  • Born February 9, 1951 — Justin Gustainis, 72. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series? 
  • Born February 9, 1953 — Ciaran Hinds, 70. I can’t picture him but he’s listed as being King Lot in Excalibur, that being his credited his genre role. He next shows up in Mary Reilly, a riff off the Hyde theme, as Sir Danvers Care. I’ve next got him in Jason and the Argonauts as King Aeson followed by being in Lara Croft: Tomb Raider – The Cradle of Life as Jonathan Reiss. (Yes I like those films.) before being replaced in the next film, he played Aberforth Dumbledore in Harry Potter and the Deathly Hallows – Part 2. Two final roles worth noting. he played The Devil in Ghost Rider: Spirit of Vengeance and Steppenwolf In Justice League.
  • Born February 9, 1956 — Timothy Truman, 67. Writer and artist best known in my opinion for his work on Grimjack with John Ostrander, along with Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, Volumes 1 and 2.  For the Hex work, I’d say get Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve overlooked.

(12) COMICS SECTION.

  • Heart of the City is about a family’s plans to go to a con. 
  • Bizarro’s Star Wars-themed joke today proves again why this comic bears the name it has.  

(13) EKPEKI Q&A. The Horror Writers Association Blog continues their Black History Month theme with “Black Heritage in Horror: Interview with Oghenechovwe Donald Ekpeki”.

What was it about the horror genre that drew you to it?

It’s familiarity. The way that it approached all these very real issues we experienced and lived everyday in ways that were innocent and enticing enough to consume when we shied away from the stark reality of it.

Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?

Yes. It’s a conscious, deliberate decolonization process for me. A reclamation of my identity and these pieces of myself, culture, identity that were eroded with slavery and colonialism….

(14) LET THE WOOKIEE WIN. “Chewbacca: Peter Mayhew’s Wife Slams Auction for Star Wars Sale” reports Variety. Things the Mayhews abandoned in an attic when they moved were scheduled to go under the hammer.

Angie Mayhew, the wife of the late “Star Wars” actor Peter Mayhew, is speaking out against an upcoming auction in which Peter’s “Star Wars” memorabilia will be sold. Ryedale Auctioneers is selling “Star Wars” scripts, call-sheets and more that were discovered in Peter Mayhew’s attic after his death. Peter starred as Chewbacca in George Lucas’ original “Star Wars” trilogy. Angie took to Twitter to say the auction “really breaks [her] heart.”

“When we moved out of this house, Peter’s movement challenges made it impossible for him to get into the attic to get the rest of these memories,” Angie wrote. “It really breaks my heart to see our belongings auctioned off like this by [auction house founder] Angus Ashworth and Ryedale Auctioneers.”

“It was one of Peter’s and my biggest regrets that we had to leave these items behind,” Angie added. “His knees and joints had gotten to be so painful that he was no longer able to go into the attic to get them.”

Several hours after posting, Angie updated fans using the Peter Mayhew Foundation account and said that she had a Zoom meeting with the auction house.

“I communicated our desire that Peter’s items be returned to the Mayhew family,” Angie wrote. “Will keep everyone posted as progress is made – thank you for the continued support!”…

(15) INFLATION RATE. Not that you ever doubted it: “Chinese Balloon Had Tools to Collect Communications Signals, U.S. Says” in the New York Times.

The Chinese spy balloon shot down by the U.S. military over the Atlantic Ocean was capable of collecting communications signals and was part of a fleet of surveillance balloons directed by the Chinese military that had flown over more than 40 countries across five continents, the State Department said Thursday.

The United States used high resolution imagery from U-2 flybys to determine the balloon’s capabilities, the department said in a written announcement, adding that the balloon’s equipment “was clearly for intelligence surveillance and inconsistent with the equipment onboard weather balloons.”

The agency said the balloon had multiple antennas in an array that was “likely capable of collecting and geo-locating communications.” Solar panels on the machine were large enough to produce power to operate “multiple active intelligence collection sensors,” the department said.

The agency also said the U.S. government was “confident” that the company that made the balloon had direct commercial ties with the People’s Liberation Army, the Chinese military, citing an official procurement portal for the army. The department did not name the company….

(16) SQUINTING IN SPACE. Nature reports the first space-based discovery of an exoplanet using microlensing. Primary research paper here.

K2-2016-BLG-0005Lb is the first bound micro-lensing exoplanet discovered from space-based data. 

The system lies at a distance of 5.2 ± 0.2 kpc (17,000 light years if my maths is right?) from Earth towards the Galactic bulge, more than twice the distance of the previous most distant planet found by Kepler. The sky-projected separation of the planet from its host is found to be 4.2 ± 0.3 au (1 au being the distance between the Earth and the Sun).

According to current planet formation models, this system is very close to the host mass threshold below which Jupiters are not expected to form…

(17) 00P$. “Google AI chatbot Bard sends shares plummeting after it gives wrong answer” reports the Guardian. “Chatbot Bard incorrectly said James Webb Space Telescope was first to take pictures of planet outside Earth’s solar system.”

Google’s response to ChatGPT has got off to an embarrassing start after its new artificial intelligence-powered chatbot gave a wrong answer in a promotional video, as investors wiped more than $100bn (£82bn) off the value of the search engine’s parent company, Alphabet.

The sell-off on Wednesday came amid investor fears that Microsoft, which is deploying an ChatGPT-powered version of its Bing search engine, will damage Google’s business. Alphabet stock slid by 9% during regular trading in the US but was flat after hours.

Experts pointed out that promotional material for Bard, Google’s competitor to Microsoft-backed ChatGPT, contained an error in the response by the chatbot to: “What new discoveries from the James Webb space telescope (JWST) can I tell my nine-year old about?”…

(18) APPARENT VIOLATION OF THE ROCHE LIMIT. Of course you know what that is. Errr…. “Astronomers Discover Unexpected Ring around Distant Dwarf Planet” at Sky & Telescope.

The distant dwarf planet 500000 Quaoar appears to have a ring that spans far beyond where it ought to be stable. “That is not where it was supposed to be,” says Bruno Morgado (Federal University of Rio de Janeiro, Brazil), lead author of a team of 59 astronomers who report the discovery in Nature. 

French astronomer Edouard Roche defined the concept of the Roche limit in 1848, calculating where a planet’s tidal forces would exceed the gravitational force holding a moon together. Inside that region, the stronger gravitational force of the planet overpowers the moon’s gravity and that tidal pull eventually tears the moon apart. Only outside that limit can small objects, dust, and debris coalesce under their own gravity to form a moon. With the ring’s discovery, the Roche limit may need a rethink….

How much trouble can they get into for violating the Roche Limit? John A Arkansawyer guesses, “They might get thrown out of the Astronomical Union?”

(19) DID THE EARTH MOVE FOR YOU? Matt O’Dowd of PBS Space Time displays multiple different ways of looking at the same question in “How Earth REALLY Moves Through the Galaxy”.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Cliff, David Goldfarb, Steven French, Scott Edelman, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by Daniel Dern.]

Pixel Scroll 12/16/22 I Think There Is A World Market For About Five Pixel Scrolls

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(1) BAD NEWS FOR SFF MAGAZINES. [Item by rcade.] Neil Clarke posted on Mastodon that Amazon has informed Clarkesworld that it is ending Kindle Subscriptions in 2023 and trying to get magazines to move to Kindle Unlimited:

In an absolutely devastating announcement (right before the holidays) Amazon has informed us that they are ending their Kindle Subscription program in 2023 and trying to get magazines to switch to Kindle Unlimited. Asking for more details, but this is bad. Magazine subscriptions are guaranteed revenue from each subscriber. KU is not like that. It will effectively cancel thousands of subscriptions since there’s no migration path.

It’s hard to even say how much we’d get from a single subscriber. This completely removes our ability to control our price if we want to be in the dominant ebook ecosystem.
I’ve scheduled an appointment to talk with Amazon later this afternoon. Have many questions. Fellow editors of mags on Amazon: feel free to DM/email me. We should be talking.

(2) LOTS OF BUZZ. Cora Buhlert returns with a new “Masters-of-the-Universe-Piece Theatre: ‘Honeypot’”.

This story is called “Honeypot” and the star is not He-Man for once, but another member of the Masters of the Universe (which was originally just the name of the toyline, until the 2002 cartoon made it the name of the heroic warrior team, something most subsequent versions kept), namely Buzz-Off.

(3) AN INTERVIEW WITH MATT RUFF. [Item by SF Concatenation’s Jonathan Cowie.] An interview with Matt Ruff by Moid over at Media Death Cult. Despite discouragement Matt Ruff has always been a writer, it’s what he was born to do. His novel Lovecraft Country was adapted into a HBO TV show.

Matt Ruff, as he says at the start of the interview, is largely unknown in Great Britain, unlike his native US, but originally was most popular in Germany. I certainly never heard of him (though was aware of the show Lovecraft Country) so I did a word search on SF2 Concatenation’s news section on the basis that the majority of the specialist genre imprints – and a few ancillary ones – send their catalogues for their titles to be added to its news pages’ forthcoming books sections. I only found the novel Lovecraft Country listed in awards news as well as the book listings. It is published over here by Picador. Picador is a respected imprint in the UK but not especially noted for having an SF/F focus (despite having published some very worthy SF/F – they have a broader ‘literary’ camp). Picador’s PR folk don’t normally proactively reach out to us, though they are good at responding when we hear of relevant news and get in touch with them. Picador belongs to the Macmillan group and Matt Ruff might want to consider moving to Macmillan’s Tor (UK) if he wants more attention from Britain’s SF/F reading community…? (Just saying.) (Don’t know who publishes him in the US.)

https://www.youtube.com/watch?v=UJjZ2vTmlGk

(4) EXCELSIOR AWARD NOMINEES. Mike Mignola and Christopher Golden are shortlisted for Excelsior Awards for Hellboy: The Bones of Giants, and Neil Gaiman and Colleen Doran are shortlisted for Chivalry, both published by Dark Horse Comics. “Excelsior Award Red 2023”.

The Excelsior Awards are chosen by students in over 200 schools in the UK. The Excelsior Award is split up into four different shortlists: Access the entire range of Excelsior Award shortlists 2023 at the link.

  • Excelsior Award White, for students aged 9 and over (Key Stage 2)
  • Excelsior Award Blue, for students aged 11 and over (Key Stage 3)
  • Excelsior Award Red, for students aged 14 and over (Key Stage 4)
  • Excelsior Award Black, for students aged 16 and over (Sixth Form)

Each shortlist consists of five books (graphic novels and/or manga) that will cost no more than £65. 

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to dive into dim sum with Randee Dawn in episode 187 of his Eating the Fantastic podcast.

Randee Dawn

Randee Dawn’s debut novel, the humorous pop culture fantasy Tune in Tomorrow, was released in August by Rebellion Publishing. She’s a former editor at The Hollywood Reporter and Soap Opera Digest, and these days covers show business for Variety, The Los Angeles Times, Emmy Magazine, and Today.com. Her short fiction has appeared in numerous anthologies and online publications such as Stories We Tell After Midnight, Even in the Grave, Another World: Stories of Portal Fantasy, and more.

She co-edited the anthology Across the Universe: Tales of Alternative Beatles. Her love of all things Law & Order led her to appear in one episode and later co-author The Law & Order: SVU Unofficial Companion. Once a month she hosts Rooftop Readings at Ample Hills Creamery in Brooklyn.

We discussed the way her soap opera and gaming backgrounds led to the creation of her fantasy debut novel Tune in Tomorrow, what made her decide it was time for her to write funny, why her first instinct is always to turn her ideas into novels rather than short stories, how Law & Order fan fiction conquered her fears of showing her writing to others (and eventually led to her appearing as extra on the franchise), the reason she doesn’t read her reviews, and much more.

(6) SIMULTANEOUS TIMES. Space Cowboy Books’ Simultaneous Times podcast episode 58 features these stories:

“The Hand, The Face” by Megan Engelhardt
music by Fall Precauxions

“Cave Art” by Xauri’EL Zwaan
music by Phog Masheeen

Find the podcast here.

(6) RECOMMENDED. “Avatar: On The Cutting Edge” – movie critic Leonard Maltin is very positive about the sequel.

I surrender. It’s easy to poke holes in James Cameron’s films because of awkward dialogue or glib characterizations or his propensity for staging climaxes to his climaxes. But I was completely taken in by Avatar: The Way of Water and overwhelmed by its fluid, kinetic action scenes, eye-popping production design and propulsive storytelling….

(7) MEMORY LANE.

1991 — [By Cat Eldridge.] Eeyore, Piglet, Winnie the Pooh and the Hunny Pot, Newton Free Library, Newton, Massachusetts 

You didn’t think we’d pass this up, did you? It’s a most stellar group of statues of Eeyore, Piglet, Winnie the Pooh and the Hunny Pot at the Newton Free Library in Newton, Massachusetts.

They were sculpted by Nancy Schön who is best known for the  “Make Way for Ducklings” sculpture in the Boston Public Garden (which has had two stolen since it was first installed — bad people! Yes, she sculpted new ducklings to replace them.)

All are in honor of young children who have departed us. Piglet was commissioned by a woman who wanted us to celebrate the quite short life of her much-loved brother. She thought her brother was very much just like Piglet. He was timid, yet brave and he was quite able to conquer his fears, according to her, facing the reality of dying. 

Nancy notes of Pooh and the Hunny Pot that, “Sarah died on February 14, 2001. Her parents asked me to design a sculpture of Winnie-the-Pooh in her memory. I added a hunny pot for children to sit on, possibly to cheer Eeyore up. The sculpture was installed on May 12, 2002 with a plaque reading “For The Children of Newton From Sarah Oliver”.

Eyeore was the original statue that she did and was there alone for almost a decade as he was cast in bronze as they all were in 1991, and Pooh and the Hunny Pot in 2002. Piglet would join them eleven years later.

These are based the original illustrations in the A. A. Milne’s books which were illustrated by E. H. Shepard. They are closer in appearance to stuffed animals than the awful Disney version of these characters. For one, Pooh doesn’t have a shirt in the statue. (And of course those were Disney copyright.) 

Here they are with sculptor Nancy.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 16, 1917 — Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome.  I never saw him but he was well known among the small British community there and I passed by his residence one day. I’ll admit that I’ve not read that much by him — Childhood’s End, Rendezvous with Rama  and that novel are the only long form works by him I’ve read. I’ve read a lot of short fiction including of course Tales from The White Hart which I’ve read over and over. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
  • Born December 16, 1927 — Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. Glen Cook’s Garrett P.I. is named in honor of Garrett.  I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
  • Born December 16, 1928 — Philip K. Dick. Dick has always been a difficult one for me to get a feel for. Mind you Blade Runner is my major touchstone for him but I’ve read the source material as well, Do Androids Dream of Electric Sheep?, and Flow My Tears, the Policeman Said which won a John W. Campbell Memorial Award, and I’ve read a lot of the shorter works, so I’d say that saying he’s a challenging writer is a Good Thing. I was surprised his only Hugo win for his fiction was for The Man in The High Castle at Discon though Blade Runner would pick up one at ConStellation.  (Died 1982.)
  • Born December 16, 1927 — Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley. He had a number of truly great works, both genre and not genre, including Eva, The Tears of the Salamander and The Flight of Dragons. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.)
  • Born December 16, 1957 — Mel Odom, 65. An author deep into mining franchise universes with work done into the Buffyverse, Outlanders, Time Police, Rogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. 
  • Born December 16, 1961 — Jon Tenney, 61. He’s best known as Special Agent Fritz Howard on The Closer and continued in its spinoff Major Crimes, but he does have genre creds. He played Jimmy Wells in The Phantom, Martin Jordon in Green Lantern, and Lt. Ching in two episodes in Lois & Clark: The New Adventures of Superman. He also showed up on Tales from the Crypt, Outer Limits and neXt
  • Born December 16, 1967 — Miranda Otto, 55. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. (I stopped watching after The Fellowship of The Rings.) She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an amazing cast even if the tomatometer at Rotten Tomatoes gives it a five percent rating meaning the critics really didn’t like it.

(9) KGB. Ellen Datlow has posted her photos from the December 14, 2022 gathering of the Fantastic Fiction at KGB reading series where Richard Kadrey and Cassandra Khaw each read sections of the forthcoming collaborative novel The Dead Take the A Train coming out from Nightfire.

(10) YIPPIE-AI-OH. David D. Levine has been making this sound pretty interesting – “Die Hard the Musical Parody” which will be a Funhouse Lounge streaming event on Christmas weekend.

In 2017, Funhouse Lounge presented its first original work of its kind, Die Hard the Musical Parody. It was a live stage version of the 1988 Willis/Rickman action classic, re-imagined as a musical. During its 3-year sold out run, it became a holiday tradition for many who came to see it.

We are happy to say it has returned this year, live on stage, for another sold-out run. However, we understand that given the current situation, many of you may not be comfortable gathering to see it. Or, you waited too long and didn’t get tickets. Or you don’t live nearby, but still like stuff that kicks ass. Or maybe you want to enjoy it with friends and family on that big screen TV at home. If any of these describe you, we have what you need.

We will have a recording of this year’s performance and it will be available to view streaming Christmas weekend. Showtimes are December 24th, 25th and 26th,

So, treat yourself to a present you deserve after another long hard year. Gather your family around the TV. Make your favorite hot drink, remembering that the drunker you are the funnier we are.

Levine also got a kind of onstage credit for donating to the production.

(11) TIME VS. GRAVITY. “Time rules everything around you. It’s also an illusion” explains NPR.

… The best-known force that stretches time is gravity. The more gravity somebody experiences, the slower time passes for them when compared to someone in a lower gravitational field.

The effect is miniscule compared to a human lifespan, but it is real and measurable. Boulder, Colo. is a mile above sea level. That means the gravitational field is slightly weaker, and time ticks by a little faster.

But modern technology can’t deal with flowy time like this. As a result, the timekeepers at Boulder and elsewhere make corrections to ensure these different flows of time look like they’re ticking in lock-step….

(12) ALSO SPRACH MATTEL. The Barbie teaser trailer is a hilarious take on 2001: A Space Odyssey. Margot Robbie is Barbie, Ryan Gosling is Ken in the new film.

(13) TANGLED UP IN BLUE. Perhaps the sequel to the Avatar skit we ran yesterday from The Late Late Show With James Corden: “Zoe Saldaña Is Crazy About Anything Blue”.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Dariensync, SF Concatenation’s Jonathan Cowie, Scott Edelman, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 12/8/22 By The Scrolling Of My Thumbs, Something Pixeled This Way Comes

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(1) PETER WATTS Q&A. Media Death Cult’s Moid Moidelhoff hosts Peter Watts in “The Big Interview”.

Peter Watts is a Canadian marine biologist who also writes awesome science fiction stories. We talked for about three hours, we will do it again.

https://www.youtube.com/watch?v=z_a_2lWvZCA

(2) KNOW YOUR COMICS. [Item by David Goldfarb.] The most recent LearnedLeague match day had a question that was at least SF-adjacent. 

The DC Comics superheroes Kid Flash, Robin, Aqualad, and Wonder Girl were the four original members of what superhero team, which has included countless other members over the years including (recently) Cyborg, Starfire, Raven, and Beast Boy?

The answer is “the Teen Titans”. Get rate was 50%, with the most common wrong answer (7% of answers) being “the Justice League”.

(3) OCTOTHORPE. The confession “I’m Not A Fan In The Way John Is” is the title of the Octothorpe podcast’s 72nd episode. But who’s confessing?

John Coxon isn’t gambling, Alison Scott isn’t reading, and Liz Batty doesn’t care. We discuss semiprozines quite a lot, mostly by accident (we might have to revisit that again sometime.) Oh, and we briefly touch on Andor, but we don’t say much.

(4) THE GAME’S AFOOT. ‘Sherlock Holmes in Oz’ and others’: The Sherlockian Writings of Ruth Berman, published by the Norwegian Explorers of Minnesota (December 2022, 110 pages) is available from the Norwegian Explorers, c/o Phil Bergen, 3829 179 Ave NW, Andover MN 55304-1820. $11.00, which includes postage.

The Norwegian Explorers of Minnesota is a “scion society of the Baker Street Irregulars of New York, dedicated to keeping green the memory of the Master, Sherlock Holmes, and honoring his creator, Sir Arthur Conan Doyle.”

Berman, an award-winning sff poet, was also a 1968 nominee for Best Fan Writer.

(5) MAJOR STATHOPOULOS PORTRAIT EXHIBIT. Blue Mountains Cultural Center in Australia has put up a webpage for its forthcoming exhibit “The Semblance of Things: portraits by Nick Stathopoulos”, running from February 4-April 2, 2023. It’s always exciting to see his achievements recognized, since along the way Nick’s work for sff publications has garnered 10 Ditmar Awards and a Hugo nomination.

The Semblance of Things is a comprehensive survey of Nick Stathopoulos’ portraits from the past 30 years documenting the evolution of his hyper-real style. The artist delves beneath the painted surface to reveal psychological insights into the subject, beyond the superficial likeness often expected of portraiture.  As well as the curated selection of portraits, the exhibition includes archival photographs, sketchbooks, and video clips. Subjects include celebrities Isla Fisher, David Stratton, Barry Crocker, Shaun Tan, Grahame Bond (Aunty Jack), Mr. Squiggle, and many more. This is the first time these portraits have been exhibited together, with works ranging in scale from the blockbuster Archibald finalists to more intimate and personal work.

(6) RALPH ROBERTS (1945-2021). [Item by Steven H Silver.] Ralph Roberts (b.1945) died on June 24, 2021. Roberts was the author of The Hundred-Acre Spaceship and from 1995-2012 ran Farthest Star Publishing (which mostly seems to have published works by Mike Resnick).

(7) MEMORY LANE.

1952 — [By Cat Eldridge.] Robin Hood statue, Castle Place, Nottingham

Continuing our look at statues of fantasy characters, we now have the Robin Hood statue at Castle Place.

The statue was commissioned by local businessman, Philip E. F. Clay to provide a landmark that recognized Nottingham’s connection with the world-famous folk hero. Nottingham-born and resident Royal Academy sculptor James Woodford was chosen to design and cast the statue at a cost of a rather princely sum of five thousand pounds. 

Though it’s not visible to the eye, Robin Hood is actually in eight pieces as a single piece statue would have been way too exorbitant to cast. 

As I just noted, the figure was cast in eight pieces of half-inch thick bronze like the Rudyard Kipling statue we were talking about last Scroll,  and stands in a traditional archer’s pose on a two-and-half ton block of white Clipsham stone.

Extensive research was done by Woodford to understand what historians believed the stocky-built medieval foresters of the period would look like, but he made one change that upset a Hell of a lot of individuals. And still does seventy years later.

They expected Robin Hood to have the triangular pointed hat with a long feather which Errol Flynn had in his film role, so the statue’s authentic headgear of a woodsman’s leather skull cap did not go down well at all. 

They originally planned to place it in the roadway at the top of Castle Road but the realization dawned that that traffic and congestion would be a nightmare as everyone stopped to look at it. 

The statue was officially presented to the city to commemorate the visit of Princess Elizabeth and the Duke of Edinburgh on June 28, 1949, during Nottingham’s quincentenary celebrations. Keep in mind that actually it wasn’t actually completed and installed until three years later.

The statue was finally unveiled on July 24, 1952, by the Duchess of Portland on the specially-prepared lawn beneath the walls of Nottingham Castle. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 8, 1861 — Georges Méliès. Director of A Trip To The Moon which I know was one of Kage Baker’s most-liked films. It surely must be one of the earliest genre films and also one of the most visually iconic with the rocket ship stuck in the face of the moon. He did some other genre shorts such as Baron Munchausen’s Dreamand The Legend of Rip Van Winkle. (Died 1938.)
  • Born December 8, 1894 — E.C.Segar. Creator of Popeye who of course is genre. Who could not watch Altman’s film and not know that? Segar created the character who first appeared in 1929 in his comic strip Thimble Theatre. Fantagraphics has published a six-volume book set reprinting all Thimble Theatre daily and Sunday strips from 1928–38. (Died 1938.)
  • Born December 8, 1950 — Rick Baker,72. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he known for? Oh, I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and Hellboy. 
  • Born December 8, 1951 — Brian Attebery, 71. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. He won a World Fantasy Award for his editing of Journal of the Fantastic in the Arts, and a Mythopoeic Scholarship Award for Stories about Stories: Fantasy & the Remaking of Myth.
  • Born December 8, 1954 — Rebecca Neason. She wrote a Next Generation novel, Guises of The Mind, plus several Highlander novels, and two fantasy novels; her widower says one novel went unpublished. She was a regular panelist at conventions in the Pacific Northwest. Jim Fiscus has a remembrance here. (Died 2010.)
  • Born December 8, 1957 — Laura J. Mixon, 65. She won the Hugo Award for Best Fan Writer at Sasquan. She has written a number of excellent novels including Glass Houses and Up Against It which got an Otherwise nomination. She is married to SF writer Steven Gould, with whom she co-wrote the novel Greenwar.
  • Born December 8, 1965 — David Harewood, 57. First genre appearance is the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North (Billie Piper plays the lead). He played Tuck in the BBC’s Robin Hood series and showed up as Joshua Naismith in Doctor Who’s ‘The End of Time’ episode. He played two separate characters on Supergirl, J’onnJ’onzz/Martian Manhunter / Hank Henshaw and Cyborg Superman. 

(9) COMICS SECTION.

  • Least I Could Do suspects a skill you’re using right now will become extinct.
  • Bizarro has another example of fans getting ahead of creators.  
  • Candorville has a romantic “miss you more” exchange, couched in sff terms.

(10) THREE, NOT FIVE. Camestros Felapton shares his “Review: Children of Memory by Adrian Tchaikovsky”. Beware mild spoilers.

Tchaikovsky’s third book in the Children of Time series continues to build up the series about deep time and sapience with another tale of mysterious planets, lost colonies and nature of intelligence and identity.

As with the previous novels, the story is technically a stand-alone story but the depth of the background to the events sits within the previous two stories. Each novel adds to and expands the evolving space-faring culture around whom these stories take place….

(11) BLAST OFF! Dreams of Space takes us back to a Fifties magazine’s answer to “Will your child visit the Moon?” in “Women’s Day -August (1953) Part 1”. The article is reproduced at the link.

Women’s Day magazine also got involved in the spaceflight fad in the early 1950s. This 1953 (August) issue had a number of space related articles including: Will Your Child Visit The Moon? The article makes the case to the mothers of America that travel into space and the Moon is possible. It lays out the current development of spaceflight and how it will evolve. Not a lot of illustrations for all this text but a most interesting article in an unlikely place….

(12) OR MAYBE ALIVE IN A DIFFERENT FORM. “Wonder Woman 3 Dead: Patty Jenkins Script Rejected” reports Cosmic Book News.

…The report comes from THR who reports how Wonder Woman 3 is not moving forward as the DC movies have hit a turning point.

Worth a mention is that just yesterday saw Gal Gadot tweet about playing Wonder Woman, which was liked on Twitter by the new co-head of the DCU, James Gunn.

“A few years ago it was announced that I was going to play Wonder Woman. I’ve been so grateful for the opportunity to play such an incredible, iconic character and more than anything I’m grateful for YOU. The fans. Can’t wait to share her next chapter with you,” tweeted Gadot.

It’s unknown if Gal Gadot knew about Wonder Woman 3 not moving forward prior to tweeting what she said, but it probably does seem likely that she knew about it as did James Gunn, so maybe Gadot is sticking around, as Gadot is rumored to appear in The Flash; however, more on that below….

(13) IN MEMORY YET GREENLAND. [Item by SF Concatenation’s Jonathan Cowie.] No, not an SF classic but this week’s Nature cover story.

The cover shows an artist’s impression of the rich ecosystem that existed in parts of northern Greenland some 2 million years ago. The ecosystem is reconstructed from ancient DNA in this week’s issue by Eske Willerslev and colleagues. Working at the Kap København Formation in Peary Land, the researchers gathered sediment samples rich in organic material from 5 different geological sites. By extracting and sequencing DNA from these samples, they were able to piece together a picture of the flora and fauna present around 2 million years ago. The team found evidence of open boreal forest mixed with Arctic species such as cedar, spruce and birch, as well as signs of animals including hares, mastodons, reindeer and geese. The evidence affirms that this part of Greenland, now a polar desert, was 11–17 °C warmer than it is today and suggests it was home to an ecosystem composition that no longer exists anywhere in the world.

 Research paper here. (Open access). 

(14) URGE TO MERGE. “Strange flashes linked to stars merging rather than dying” discussed in Nature.

Brief, intense flashes known as γ-ray bursts appear every day at random locations in the sky. These bursts are classified according to their duration. Short γ-ray bursts, lasting less than one second, are thought to derive from the merging of two neutron stars in a binary system, whereas long γ-ray bursts are active for a few seconds or more, and result from the collapse of a massive star. Four papers published in this issue of Nature by Troja et al.1, Rastinejad et al.2, Mei et al.3 and Yang et al.4 now challenge this long-standing paradigm, by providing evidence of a long γ-ray burst that seems to have been produced by the merger of a compact binary system.

One of the papers is open access here.

(15) VIDEO OF THE DAY. Another sff short released this week by DUST, “Eureka!” starring Karen Gillan.

A lazy, uninspired woman is visited by an otherworldly being responsible for giving humanity all its great ideas.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Steven H Silver, John A Arkansawyer, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]