Pixel Scroll 3/30/25 Savage Pixellucidar

(1) AURORA DEADLINE APPROACHES. Canadian Science Fiction and Fantasy Association members have until April 5 at 11:59 p.m. Eastern to submit nominations for this year’s Aurora Awards.

You can find all eligible works via either via CSFFA’s public eligibility list page or from the nominating page when you log into your account. On the public page, most works have links so you can get more information about them.

(2) FREE READS AT ANALOG AND ASIMOV’S. Analog Science Fiction and Fact has revealed the 2024 Analytical Laboratory Finalists. The magazine has also made many of these stories available to read either in part or whole.

Likewise, the top choices for Asimov’s 39th Annual Readers’ Award Poll are online. There are links that will allow you to read all the finalists.

(3) BRUSHING UP ON BARSOOM. At The Art of Michael Whelan, the artist and Michael Everett look back at his work on “The Martian Tales of Edgar Rice Burroughs”.

I have had a special fondness for The Martian Tales by Edgar Rice Burroughs ever since I first read them in my early teens. That is also when I first did drawings based on them, and I even used some of my illustrations to help win acceptance to the Rocky Mountain School of Art at age fifteen.

Once I became a professional illustrator, the eleven-book series was among the assignments I hoped to do…someday.

Figuring that if the chance to do the covers ever came my way it would be after decades of work in the field, I was surprised and thrilled to have been offered them after only three years as a professional.

I was so enthusiastic about the project that after the first call from Judy-Lynn del Rey, I immediately got started rereading the books, making extensive notes, and compiling a supplementary catalog of every visual reference I could find. My aim was to do the most accurate depictions of Burroughs’ Barsoom yet realized….

(4) MONSTROUS NATIONALISM. Kate Maltby in The Observer uses the issue of a set of stamps celebrating Nessie and other British mythological creatures to argue for a form of patriotism rooted in local folklore: “Let Britain’s magical, mythical creatures inspire a patriotism untainted by politics”.

It is possible to celebrate aspects of Britain that everyone who lives here can share; that are not co-authored by our peers in Europe; that stimulate our senses with a materiality more enduring than the abstract precepts of a civics lecture. (And I’m not talking, like the wretched “Life in the UK” test, about fish and chips.) A new set of stamps for Royal Mail is not going to transform a nation’s self-image, but it should inspire us. What we have in common with each other, and with every other human being who has set foot on these islands, is no more and no less than our experience of place….

he eight-strong set of Royal Mail Myth and Legends stamps

(5) ENOUGH CAFFEINE TO WAKE UP THE DEAD. “’The Last of Us’ Launches Real Coffee Infused With Mushroom Fungi” reports Delish.

Pedro Pascal might be getting a new coffee order soon…one made with mushrooms. In a surprising but fitting collaboration, The Last of Us (yes, the hit HBO Max series based on the popular zombie video game) has partnered with Four Sigmatic, the leading brand in mushroom-based products, to create their very own cup of joe.

In case you missed it, The Last of Us follows a group of survivors navigating a post-apocalyptic world ravaged by a zombie outbreak, caused by the cordyceps fungus. And in a bit of clever irony, The Last of Us x Four Sigmatic coffee is made with none other than that same fungus.

While cordyceps may turn people into flesh-eating, undead creatures on the show, it doesn’t cause any of those symptoms in real life. In fact, the fungus is packed with tons of nutritional value. The coffee blend also includes lion’s mane, Vitamin B12, and coffee bean extract—ingredients designed to “increase mental focus and energy,” according to the product’s website….

… While I’m not exactly a fan of the undead, I can certainly appreciate this fun coffee and zombie moment. Though, no amount of cordyceps coffee beans will get me to face a horde of zombies anytime soon.

(6) NEW GERROLD NOVELLA. Starship Sloane has just published a new novella, The Man Without a Planet by David Gerrold, with cover art (titled Falling) by Bob Eggleton. 

The Man Without a Planet is a science fiction reimagining of the classic tale, The Man Without a Country—Redmonde had found his niche in the glitterships of high society, reveling in the opulence and gamesmanship it afforded, until a sudden regime change leads to his permanent exile in the far reaches of space aboard starships building a network of portals through the cosmos. He will never be allowed to see his home world again and escape would seem to be an impossibility—but when the opportunity presents itself, Redmonde disappears into legend.

“In The Man Without a Planet, David Gerrold has given us an ambitious reinterpretation of a classic. In this engaging science fiction retelling of The Man Without a Country, we find the main character, Redmonde, negotiating the sharp edges of his quarantined banishment in deep space and the intersection of his personal belief system with the sledgehammer of an imposed political ideology.”
—Katerina Bruno, science fiction poet and 2022 SFPA Dwarf Stars Award finalist

(7) KEN BRUEN (1951-2025). Irish mystery author Ken Bruen died March 29 at the age of 74. Bruen was the recipient of many awards: the Shamus Award in 2007 (The Dramatist) and 2004 (The Guards), both for Best P.I. Hardcover; Macavity Award in 2005 (The Killing of the Tinkers) and 2010 (Tower, cowritten by Reed Farrel Coleman), both for Best Mystery Novel; Barry Award in 2007 (Priest) for Best British Crime Novel; the Grand Prix de Literature Policiere in 2007 (Priest) for Best International Crime Novel.He was also a finalist for the Edgar Award in 2004 (The Guards) and 2008 (Priest), both for Best Novel.

(8) TODAY’S BIRTHDAY.

[Item by Cat Eldridge.]

March 30, 1930John Astin, 95.

Ahhh, John Astin. I know him best as Gomez Addams in The Addams Family series, which was on the air shorter than I thought, lasting just two seasons and a little over sixty episodes. (I’m delighted to say that it streaming on Prime.) He played him again in Halloween with the New Addams Family (which I’ve not seen and is not streaming) and voiced him thirty years later in The Addams Family, a two-season animated series which is not streaming. I’ll admit I’m not interested in animated series based off live series. Any live series. 

Oh, did you know he was in West Side Story? He played Glad Hand, well-meaning but ineffective social worker. No, you won’t find him in the credits as he wasn’t credited then but retroactively, he got credited for it which was good as he was a lead dancer. Brilliant film and I’ve no intention of watching the new version, ever. It’s streaming on Disney+. 

I’d talk about him being in Teen Wolf Too but let’s take the advice of Rotten Tomatoes reviewers and steer way clear of it. Like in a part of the multiverse where the Pixels are contently napping by the Gay Deceiver. Same for the two Killer Tomatoes films. I see he’s in Gremlins 2: The New Batch as a janitor but I can’t say I remember him, nor much of that forgettable film. 

So, series work… I was going to list all of his work but there’s way too much to do that, so I’ll be very selective. He’s The Riddler in two episodes of Batman and a most excellent Riddler he was. That series rather surprisingly is not streaming anywhere.

But that was nothing when compared to his role on The Adventures of Brisco County, Jr. as Prof. Albert Wickwire. He’s a charming, if somewhat absent-minded inventor who assists Brisco with diving suits, motorcycles, and even grander creations such as rockets and airships. Dare I say that this was an element of steampunk in the series? It was a great role for him. This is another series I surprised to find isn’t streaming anywhere. 

Finally, he has a recurring role as Mr. Radford (the real one) as opposed to Mr. Radford (the imposter) on Eerie, Indiana. A decidedly weird series that was unfortunately cancelled before it completed. It is streaming on Prime. 

So, let’s wish him a Happy Ninety-Fifth Birthday! 

John Astin (Gomez) and Carolyn Jones (Morticia)

(9) COMICS SECTION.

Happy Mother’s Day!(My cartoon for @theguardian.com books)

Tom Gauld (@tomgauld.bsky.social) 2025-03-30T08:56:59.885Z

(10) LOOK AT THE REPRESSION INHERENT IN THE SCAM. “People Making AI Studio Ghibli Images Are Now Producing Fake Legal Letters to Go With Their Fake Art” says Gizmodo.

The trend of using Open AI’s ChatGPT to create AI images in the distinctive style of Studio Ghibli probably should have ceased the moment the official White House X account hopped aboard. But there’s a new wrinkle in the story today, as one of the trend’s proponents posted a cease and desist notice they claimed to have received from Studio Ghibli representatives—which fellow social media users immediately called out as being as fake as the “art” that inspired it.

Along with the (fake) letter, X user teej used the platform to defend what they’d done, writing in part: “AI creators deserve protection, not punishment. Expression is sacred. Imagination is not illegal. If I have to be a martyr to prove that, so be it.”

It’s hard not to chuckle at this response to, let’s see, typing a prompt into a program so that it can create an AI image blatantly ripping off hours of hard work and creativity from actual human artists, including the great Hayao Miyazaki and his Ghibli team….

(11) BAD FOR YOUR GIZZARD, TOO. “Astronauts can make it to Mars, but one critical organ will likely fail” insists Earth.com.

Space journeys that stretch far beyond home are on the horizon. Crews heading for Mars will face conditions quite different from those on Earth, and researchers have been working to figure out what might happen to the human body during these extended voyages.

Kidneys have been a big question mark. Recent work reveals that these important organs could face more trouble than previously assumed, including a higher risk of stones and lasting damage.

Several studies have hinted at health concerns for astronauts ever since humans first ventured outside Earth’s protective zone, but the new findings shed light on why such problems arise in the kidneys.

Dr. Keith Siew from the London Tubular Centre, based at the UCL Department of Renal Medicine, and his colleagues have pieced together a detailed picture of what happens when living beings – human and otherwise – experience space-like conditions for weeks to years….

…The latest study was conducted under a UCL-led initiative involving over 40 institutions on five continents.

The team considered data from 20 different research cohorts and samples linked to over 40 Low Earth orbit missions to the International Space Station, plus 11 simulations with mice and rats.

The work is described as the largest analysis of kidney health in spaceflight so far and includes the first health dataset for commercial astronauts.

It also involved seven simulations in which mice were exposed to radiation that mimicked up to 2.5 years of cosmic travel beyond Earth’s magnetic field.

Findings revealed that the structure and function of the kidneys are altered by spaceflight, with galactic radiation causing permanent damage that would jeopardize any long-distance mission…

(12) NINETY-NINE MILLION IN AMBER. “Wasp preserved in 99 million-year-old amber ‘beyond imagination’”WLWT has the story.

A newly identified parasitic wasp that buzzed and flew among dinosaurs 99 million years ago evolved a bizarre mechanism to snare other creatures and force them to unwittingly shelter its young, according to new research.

Paleontologists studied 16 specimens of the tiny wasp preserved in amber dating back to the Cretaceous period that was previously unearthed in Myanmar. The previously unknown species, now named Sirenobethylus charybdis, had a Venus flytrap-like structure on its abdomen that could have allowed it to trap other insects, the researchers reported Thursday in the journal BMC Biology….

… However, the researchers reasoned that the wasp likely did not intend to kill with the bizarre grasping structure.

Instead, they theorized that the wasp injected eggs into the trapped body before releasing it, using the creature as an unwitting host for its eggs. Its larvae then started their lives as parasites in or on the host’s body and likely ended up eating the host entirely, Vilhelmsen said. The host was likely a flying insect of a similar size to the wasp, he added….

(13) THE ASSEMBLED MULTITUDE. Erin Underwood asks: “Avengers: Doomsday – Dream Team or Disaster?”

Avengers: Doomsday promises to unite the biggest names from Marvel’s multiverse, but is this epic crossover a dream come true or a chaotic mess waiting to happen? With an all-star cast and potential for multiversal mayhem, I break down the confirmed cast list, rumored plot points, and ask the ultimate question: Can Marvel balance spectacle with storytelling?

(14) VIDEO OF THE DAY. We announced the other day that Kermit the Frog will be UMD’s 2025 Commencement Speaker, but John King Tarpinian has discovered a cute video UMD made to promote the appearance.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 3/27/25 I Just Dropped In To See What Condition My Pixels Were In

(1) CANADIAN’S VIEW OF U.S. TARIFF THREATS. Silvia Moreno-Garcia spotlights the issues writers in Canada and the US are going to face if tariffs between these countries are implemented in “Bookish and world woes” on Patreon.

The threat of tariffs against Canada has made my travel more fraught. Stories about issues with border agents spike my anxiety. I love going to book festivals and conferences and meeting with fans. At this point, I am not cancelling the engagements I committed to last year (which include dates for a book tour that has yet to be publicized), but I am pausing any new travel to the USA. I figure I committed to stuff in 2024 and need to maintain my commitments, but that means I’m not going to make it to Worldcon in Seattle, which I was hoping to visit, as I did not book that trip last year.

Just a couple of days ago the US government blocked Canadians from accessing the front door of the Haskell Free Library in Stanstead, Quebec and Vermont. Built in 1904, this heritage site that serves both American and Canadian patrons is considered a symbol of harmony between both nations. Now, I supposed it’s a symbol of strife.

The situation for writers in both Canada and the US is going to be dire this year. As indicated in a story by Publishers Weekly, cross border tariffs will affect the price of paper. The US imported $1.82 billion of uncoated paper, which is used in books, in 2023, with 67% of that paper coming from Canada. American book manufacturers may not have enough capacity to take over the production of books that are currently printed in China. This may create increases to book costs….

…Meanwhile, in Canada, bookstores and libraries might face a catastrophic scenario if tariffs are applied to books. Many books sold in Canada, including my own, are printed and stored in the USA, then shipped to bookstores across Canada. A 25 percent tariff increase would put many bookstores out of business, and restrict library collection purchases….

… And then, of course, there is the problem of decreased collaboration and exchanges between writers of our countries. If fewer Canadians are traveling to the US because they are afraid to fly there, then we have less face to face exchanges and chances to talk to each other, share knowledge and build communities.

(2) BBC OVERSEAS UPDATE. [Item by SF Concatenation’s Jonathan Cowie.] OK, a bit of confusion this end – not from me, the BBC Radio 4 news folk themselves are a little uncertain, as to the plans the BBC (a.k.a. ‘auntie’, Beeb and even ‘B Beeb Ceeb’) have for overseas access.

The situation seems to be this. If you are not based in the UK then at some point (they don’t know when) you will no longer have access to BBC Sounds. However, you will be able to use a BBC app to access BBC local radio, BBC Scotland, Radio 4 Plus and a few other services, but this will cost money (a subscription I guess?) You will not be able to access the BBC mainly music radio channels (Radio 1 that has pop music, Radio 2 vintage pop, Radio 3 and its classical music, and Radio 6 Music). This is because the BBC pays for music rights and does not have the right to re-sell these broadcasts. If you are a British subject, then you can download for free an app to your smartphone or lap top in the UK and then take that abroad with you when you go on holiday. I understand Brits will have a month a year allowance for free overseas listening. Nobody from outside Britain will be able to download this app. (Though I suspect if you brought your phone/laptop to the UK you could download it and then get a month of free access back in N. America. This you could consider a free trial to entice you to subscribe properly….?)

My understanding, from the BBC Radio 4 news folk, is that overseas citizens will still be able to listen to BBC Radio 4 live broadcast through the internet and also the Radio 5 Live live broadcast, Radio 4 Extra as well as the BBC World Service. However, I am not sure that you will be able to access Radio 4 programmes once they are aired (only live as they are broadcast). If this last is true then the links I occasionally provide Mike for BBC Radio 4 programmes will not work. We will have to wait and find out.

I guess much depends on how many regular File-ers will pay for the overseas citizens’ BBC app? If many do then it will be worthwhile my still providing links. But I suspect we will have to see how things pan out.

Apparently, the BBC already makes £300 million (about US$366m) from licensing content overseas. This provides added income to that the BBC gets from British subjects paying the licence fee. The licence fee is currently £169.50 (US$207) per household per year (I have just paid mine) that has all household occupants under 75 and not receiving ‘pension credit’ (a government benefit for those with minimal income). Over 75s households on pension credit get a discounted rate (might even be free, I’ve never checked)). The BBC gets roughly £4 billion (US$4.9bn) this way. In addition, there are special TV licence rates for pubs and hotels to show programmes to their patrons (in pubs this is mainly football matches). (‘Football’ by the way is original football and is what you US-folk call ‘soccer’, which I understand from physicist (don’t hold that against him) Sheldon Cooper that some in Texas consider to be a communist plot. (But I wouldn’t know about that, comrade.))

The TV licence gives British households the right to access the BBC by any means (including through the internet), and also FREEVIEW services which includes the BBC and other independent public service broadcasters. (Currently there are about 60 or so FREEVIEW TV channels and an additional score or so duplicates that broadcast with a one-hour time delay, and there are also a score or so radio channels).

I understand that arrangements for BBC World Service will remain unchanged. I am not sure what the score is for the Brit Box television streamer outside Britain or even if it is still going, but then you folk the other side of the Black Atlantic will be more clued up on that. More news when things are firmed up.

(3) BACK IN BUSINESS. Mysterious Galaxy Bookstore in San Diego reopened on Sunday March 23 they told Facebook readers. They had been forced to close in February for several weeks to repair extensive flooding damage to the store.

(4) HELP IS ON THE WAY. DAW Books has released the cover for Jim C. Hines’ Slayers of Old, which will release on October 21, 2025.

Perfect for fans of cozy mysteries and Buffy, the OG vampire slayer, this humorous standalone fantasy by Jim C. Hines, serves up a fun, funny, and heartwarming story, about second chances, bookshops, and witchery at the Second Life Books and Gifts in Salem, MA where three former Chosen Ones have joined together to spend their retirement in peace and quiet. Until some of the locals start summoning ancient creatures best left where they were . . . 

These ex-heroes may have thought they were done, but if they want to finish their retirement in peace, they’ll have to join together to save the world one last time.

(5) A DESTROYER NAMED HEINLEIN. [Item by Tim Kyger.] There’s a letter-writing campaign in progress asking the new Secretary of the Navy, John Phelan, to name a future DDG-51 Flight III destroyer for Robert A. Heinlein. See full details at the U.S.S. Robert A. Heinlein website.

It is the prerogative of the Secretary of the Navy to name Navy vessels. Navy policy is to name destroyers for deceased members of the Navy. We want the new Secretary of the Navy – John Phelan — to name a future DDG-51 Flight III destroyer for Robert A. Heinlein. This would happen if lots of people write asking him to name a future Arleigh Burke-class destroyer for Heinlein. The U.S.S. Robert A. Heinlein.

Phelan’s address is: The Honorable John Phelan Secretary of the Navy Room 4E686 Defense Pentagon Washington, D.C. 20301

What To Do — Write John Phelan; ask him to name a U.S. Navy vessel the U.S.S. Robert A. Heinlein. Get as many others as you can to do the same! Spread the information on the Campaign as far and as wide as you possibly can!

(6) HAPPY DAIS. “Kermit the Frog announced as UMD’s 2025 commencement speaker” reports The Diamondback.

Kermit the Frog will be the University of Maryland’s 2025 commencement speaker, according to a university news release on Wednesday.

University alum and renowned puppeteer Jim Henson founded The Muppets, a fictional musical ensemble that includes Kermit, in 1955. Henson performed Kermit from 1955 until he died in 1990.

Kermit appeared on The Muppets Show and Sesame Street and was later in Muppet movies and several television series.

“Nothing could make these feet happier than to speak at [this university],” Kermit said in the release. “I just know the class of 2025 is going to leap into the world and make it a better place.”

Henson graduated from this university in 1960 with a home economics degree, according to Wednesday’s news release. Henson also attended Northwestern High School in Hyattsville, his website said….

… “I am thrilled that our graduates and their families will experience the optimism and insight of the world-renowned Kermit the Frog at such a meaningful time in their lives,” university president Darryll Pines said in Wednesday’s news release. “Our pride in Jim Henson knows no bounds, and it is an honor to welcome Kermit the Frog to our campus.”

American puppeteer Matt Vogel has most recently performed as Kermit since 2017.

The 2025 commencement ceremony on May 21 at 6 p.m. in SECU Stadium will celebrate summer 2024, winter 2024 and spring 2025 graduates, the news release said….

Statue of Kermit the Frog and Jim Henson outside of Stamp Student Union. (Mateo Pacheco/The Diamondback)

(7) OCTOTHORPE. Octothorpe 131 is here! “We’re Performance Before We’re Interest”. John Coxon is moderating, Alison Scott is auctioning, and Liz Batty is lecturing. An uncorrected transcript of the episode is available here.

We discuss the Seattle Worldcon, the upcoming Belfast Eastercon, the BSFA Awards, and then we talk about the fan funds and handwriting. Also, John actually had a pick in advance this episode.

A birthday cake with six layers, from purple to a dark orange, and then a red 5 and five red candles on top, with fireworks overhead. The words “Octothorpe 131” are at the top.

(8) HUNGER GAMES PREQUEL SELLS MILLION-PLUS. Sunrise on the Reaping, Suzanne Collins’ new Hunger Games prequel, sold 1.5 million English-language units across all formats in its first week, with US sales exceeding 1.2 million units reports publisher Scholastic. Two-thirds of these were hardcovers.

Sunrise on the Reaping has sold twice as many copies its first week on sale domestically as The Ballad of Songbirds and Snakes in 2019 and three times as many copies as Mockingjay in 2010.

Elie Berger, evp, president, Scholastic Trade, said, “After nearly a year of anticipation, sales for Sunrise on the Reaping have exceeded all expectations, as has the overwhelmingly positive critical and fan response to the book across the world.”

(9) CLIVE REVILL (1930-2025). The original voice of Emperor Palpatine, actor Clive Revill, died March 11 says The Hollywood Reporter: “Clive Revill Dead: Emperor Palpatine in ‘Empire Strikes Back’ Was 94”. He also appeared in many other films and TV shows of genre interest.

Clive Revill, the New Zealand native who after being recruited to be an actor by Laurence Olivier starred on Broadway, appeared in two films for Billy Wilder and provided the original voice of the evil Emperor Palpatine in The Empire Strikes Back, has died. He was 94.

Revill died March 11 at a care facility in Sherman Oaks after a battle with dementia, his daughter, Kate Revill, told The Hollywood Reporter.

The extremely versatile Revill played cops in Otto Preminger’s Bunny Lake Is Missing (1965), starring Olivier, and Jack Smight’s Kaleidoscope (1966), starring Warren Beatty; not one but two characters (a Scotsman and an Arab) in Joseph Losey’s Modesty Blaise (1966); and a physicist investigating strange goings-on at a haunted mansion in John Hough’s The Legend of Hell House (1973), starring Roddy McDowall.

…. For Wilder, he portrayed a man representing a Russian ballerina in The Private Life of Sherlock Holmes (1970) — his character is led to believe that Holmes (Robert Stephens) and Dr. Watson (Colin Blakely) are gay — and the besieged hotel manager Carlo in Avanti! (1972), which earned him a Golden Globe nom….

…For Star Wars: Episode V — The Empire Strikes Back (1980), director Irvin Kershner called upon Revill — the two had worked together on the 1966 film A Fine Madness — to record a couple of menacing lines in a Wilshire Boulevard studio in Los Angeles.

They would be used in the pivotal scene in which Darth Vader (James Earl Jones) communicates with the emperor (as a holographic projection).

Revill’s voice would be replaced on the 2004 DVD release of the film by Ian McDiarmid’s, who went on to play the character in Return of the Jedi (1983) and the franchise’s three prequels — but he had his fans nonetheless.

“They come up to me, and I tell them to get close and shut their eyes,” he said in a 2015 interview. “Then I say [in the emperor’s haunting voice], ‘There is a great disturbance in the Force.’ People turn white, and one nearly fainted!”

…He could play all manner of ethnicities, and his big-screen body of work included The Double Man (1967), Fathom (1967), The Assassination Bureau (1969), A Severed Head (1970), The Black Windmill (1974), One of Our Dinosaurs Is Missing (1975), Zorro: The Gay Blade (1981), Robin Hood: Men in Tights (1993), Dracula: Dead and Loving It (1995) and The Queen of Spain (2016).

Revill portrayed an Irishman in 1978 on Peter Falk’s last episode of the original Columbo series and showed up on everything from MaudeHart to HartDynastyRemington SteeleMurder, She Wrote and Babylon 5 to Magnum, P.I.NewhartMacGyverDear JohnThe Fall Guy and Star Trek: The Next Generation….

(10) MEMORY LANE.

[Written by Paul Weimer.]

Quantum Leap series (1989)

By Paul Weimer.

[Editor’s note: Spoiler warning for end of original series.] 

Dr. Sam Beckett, theorizing one could time travel within their own lifetime, stepped into the Quantum Leap accelerator, and vanished.

So began Quantum Leap, one of the iconic SF shows of the late 80’s and early 90’s. With excellent chemistry between Scott Bakula as Beckett and Dean Stockwell as Al, the show got to explore recent American History by mostly telling the small stories, stories of individual people, not usually famous ones, and changing the world for the better. (It seems interesting to me that Beckett has problems when he tries to change big events in history (the Lee Harvey Oswald episodes really show this in spades) but his goal is to make small changes in the timeline to make the world better.  It became clear to me somewhere along the line that the timeline of the Quantum Leap show wasn’t our own, but that the changes were aligning it with our own reality. The idea of our world being the best of all possible worlds is one that had a lot more plausibility then, than it does now, I am afraid. 

With a few exceptions to show his own range, this really is a masterpiece of a Bakula vehicle, playing basically the same character every week–and yet not, having to inhabit a new character every week in his ceaseless efforts. While I at first always wanted more allohistorical content (like, say, Voyagers), the show wasn’t for that. The show was about the small changes, the small moves, to make things better. 

I still don’t quite understand the last episode. Was the bartender God? Could Beckett ever return home whenever he wanted? Was he always really on a mission from God? I don’t know. I suppose with a series like this, one shouldn’t even try to find definitive answers, and when you get them they are unsatisfactory at best. 

I was amused, years later, during Enterprise, when Bakula, as Captain Archer, encounters an alien played by Dean Stockwell. They do NOT get along together at all.  That was a neat tip of the hat to Quantum Leap.

I have not seen the two-season remake. 

Scott Bakula and Dean Stockwell

(11) COMICS SECTION.

(12) NASA ERASURE. “NASA Deletes Comic Book About How Women Can Be Astronauts” reports Futurism.

NASA has deleted two comic books about women astronauts from all its websites, NASA Watch reports, in what appears to be the latest victim of the Trump’s administration’s purge of “DEI” content from federal agencies.

The online comics, titled “First Woman: NASA’s Promise for Humanity,” and “First Woman: Expanding Our Universe,” tell the stories of young women training to become astronauts, in anticipation of NASA’s upcoming Artemis missions, which had been set to see the first female astronaut to set foot on the lunar surface. Oh, except that promise has been dropped, too….

(13) CENTRALIZING POWER. Joachim Boaz takes a timely look at “Science Fiction in Dialogue with The Great Depression: Frank K. Kelly’s ‘Famine on Mars’ (1934)” at Science Fiction and Other Suspect Ruminations.

… Kelly renders a hyperviolent microcosm of Great Depression-drenched despair within an adventure story package. Its protagonists might attack each other with bizarre and futuristic physical and chemical weapons in a transparent space station but the real focus is on the fate of “million dark faces convulsed by the same agony and torn by the same unspent desire” for a drop to drink on the surface of Mars” (79).

The Lay of the Generic Landscape

Frank K. Kelly (1914-2010) lived a varied life. He was born in 1914 in Kansas City, MO. When he was sixteen, he published his first science fiction story–“The Light Bender” (1931)–in Wonder Stories (June 1931). Of his ten published short fictions between 1931-1935, the first six appeared in Hugo Gernsback’s Wonder Stories, which at the time was overseen by managing editor David Lasser (1902-1996). Due to his efforts to “bring some realism to their fiction,.” Lasser is considered a  “much neglected revolutionary in science fiction” and under his tutelage the genre “started to mature.” Ashley describes Kelly as “the best exponent of this hard realism” and while his earliest stories might have lacked polish they made up for it in their bleak depiction of life in space….

… Simultaneously drawing on the rise of fascism in Europe, Kelly’s “Famine on Mars” creates an even more draconian governmental manifestation. Earth’s government, The Combine, acts as a genocidal and malevolent political entity that brainwashes its inhabitants in the name of “the brotherhood of man” (79). His use of “combine” evokes two interrelated images of monolithic and mechanical power: new 1920s harvesters pulled by tractors instead of mules and a combination of both political and economic powers. Like a new-fangled tractor-driven thresher, the Combine mechanizes society diminishing its human concerns. Kelly suggests the working class in this future receive numerical names while political elite received standard nomenclature….

(14) SOUTHERN FANDOM CONFEDERATION NEWS. Randy B. Cleary announced that the March 2025 issue of the SFC Bulletin can be downloaded here [PDF file].

(15) TIME IS NOT ON OUR SIDE. Lorna Wallace considers “Five Stories Exploring the Pitfalls of Time Travel” at Reactor.

If Marty McFly has taught us anything, it’s that messing with the past can lead to some pretty serious and harmful consequences in the future, but there are some time travel stories where the sci-fi concept is fairly harmless. In Toshikazu Kawaguchi’s Before the Coffee Gets Cold (2015), for instance, the focus is on healing personal relationships, rather than causing problems with the established timeline. Then there are the many wonderful time travel romances, where the stakes are also often limited to the individual level (more “will falling in love free me from this time loop?” and less “will the entire universe collapse in on itself?”).

But let’s consider the time travel stories that explore the various ways in which time travel can go very wrong and/or be incredibly dangerous—think people being trapped in deadly situations and whole timelines being erased or irrevocably changed. Here are five such stories….

One of them is —

Through the Flash” (2018) by Nana Kwame Adjei-Brenyah

There’s been plenty of debate over how long Phil is trapped in his time loop in Groundhog Day (1993); most estimates fall somewhere within the 10 to 40 year range. This is enough time for Phil to be driven to desperate measures, attempting to end it all via various painful methods out of despair. But imagine being just 14 years old when you became trapped in a time loop… and then imagine it going on and on forever.

That’s the situation that Ama finds herself in, but she isn’t alone in the loop, with the rest of the residents in her neighborhood also being subjected to the same strange timey-wimey phenomenon. At the end of each day a nuclear explosion—known as the Flash—wipes everyone out and the day resets. You might think that having other people to share in the hellish experience would ease the mental burden, but the characters in “Through the Flash” are there to prove you wrong. And yet, for all of the external violence and internal strife in the short story, it ends on a relatively hopeful note.

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Joachim Boaz, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat “First Edition” Eldridge.]

Pixel Scroll 2/1/25 Cleanup On Isle of the Dead Five

(1) BSFA AWARDS LONGLIST. The British Science Fiction Association today put out the longlist for the BSFA Awards (see “Second Round of 2024 BSFA Awards Nominations Begins”.)

Chris M. Barkley and Jason Sanford’s “The 2023 Hugo Awards: A Report on Censorship and Exclusion” is a nominee in the Best Short Non-Fiction category.

(2) CLARKEWORLD’S BEST. Neil Clarke has released “Clarkesworld 2024 Reader’s Poll Finalists”. The public has until February 15 to vote on the winners at Surveymonkey.

(3) LOCUS RECOMMENDED READING LIST. The 2024 Locus Recommended Reading List has been posted by Locus Online.

Voting has opened in the Locus Awards Poll. The deadline to vote is April 15.

(4) JET CRASH IN NORTHEAST PHILADELPHIA LAST EVENING. [Item by Steve Vertlieb.] CNN: “Medevac jet crashes in northeast Philadelphia neighborhood”.

Northeast Airport lies on Grant Avenue in Philadelphia. I live on Grant Avenue, some five minutes from the site of the departure of a Lear Jet medical transport plane that took off at a few minutes past six last evening with a little girl being transported home following life-saving surgery.

I was enroute to my girlfriend Shelly’s home to go out to dinner at Tiffany’s Restaurant on the Boulevard. I had considered taking Roosevelt Boulevard North down to Oxford Circle, as it may have been a faster trip but, at the last second, decided to follow Bustleton Avenue down to Castor, instead.

I arrived at Shelly’s house at a few moments past six. We drove down Levick Street to the boulevard, and turned left into the middle lanes to continue our journey. Within seconds we were dodging police vehicles, fire trucks, and ambulances trying desperately to reach Cottman Avenue and Roosevelt Boulevard amidst screaming sirens where, thirty seconds after takeoff, the Lear Medical Jet had crashed into Cottman Avenue near the boulevard, across from the Roosevelt Mall where I had grown up.

Traffic was being re-routed from virtually every direction, and I found it difficult to keep from being hit by other oncoming busses and trucks while attempting to crossover onto nearby side streets. As I passed Cottman Avenue on the boulevard, I turned to my left and saw flashing lights, emergency vehicles, and bright flames bursting into the rainy night sky.

Had I decided to travel down Roosevelt Boulevard on my way to the Oxford Circle, as I had originally planned, I might have traveled past the outside lanes of Roosevelt Boulevard, at the corner of Cottman Avenue going South, just at the moment of impact of the small jet into the congested community adjoining the fatal crash.

It took us over an hour to finally reach our dinner destination on a trip that normally might have taken fifteen or twenty minutes. We didn’t know just what had occurred mere inches from our travels North on the boulevard until we reached Tiffany’s, and were told by the staff that a plane had fatally crashed into our tightknit community. We were shaken, but glad to be alive.

Our hearts go out to our neighbors in our surrounding community, and to the families of those who perished in this terrible, nightmarish tragedy. May God Rest Their Sweet Souls.

(5) BLACK HISTORY MONTH. Axios begins Black History Month by recounting “What Octavia Butler saw on Feb. 1, 2025, three decades ago”.

Science fiction writer Octavia Butler wrote in her 1993 novel “Parable of the Sower” that Feb. 1, 2025, would be a time of fires, violence, racism, addiction, climate change, social inequality and an authoritarian “President Donner.”

  • That day is today.

The big picture: This Black History Month, which begins this year on a day of Butler’s dystopian vision, Axios will examine what the next 25 years may hold for Black Americans based on the progress in the first quarter of this century.

  • Through her fiction, Butler foresaw U.S. society’s direction and the potential for civil societies to collapse thanks to the weight of economic disparities and climate change — with blueprints for hope.
  • Afrofuturist writers today interpret Butler’s work as metaphorical warnings that appear to be coming true and a call to action….
Octavia Butler

(6) A CITY ON MARS REVIEW. [Item by Kyra.] Published in 2023.

A City On Mars, by Kelly Weinersmith and Zach Weinersmith

Nonfiction/Related

Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon’s Peaks of Eternal Light—and what happens if you’re left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what’s the legal status of space cannibalism? The Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself—whether and how to become multiplanetary.

This is a clear-eyed look at the current barriers to settling space, including technological, physiological, sociological, and legal issues. This may be a must-read for anyone interested in the subject; it’s not the deepest possible examination (it is a pop-science book, after all), but it’s probably one of the broadest.

(7) GET READY FOR WASTED WEEKEND. Booktube luminary Criminolly has been hosting an event called Garbaugust, including the reading of some trashy books in August. Last year he added a mini-event, Wasted Weekend. It’s coming up again on February 15-16. Grammaticus Books wants viewers to pick their book: “I Need YOU to VOTE FOR….” But I don’t know – these are not names I associated with the word “trashy” —

Vote for your favorite trashy novel for this year’s Wasted Weekend. A reading event created by CriminOlly. Choose from a diverse selection of books by authors such as Samuel R. Delany, L. Sprague DeCamp, Terrence Dicks, Frederick Pohl, C.M. Kornbluth and of course…Lin Carter the King of Trash!

(8) JOHN ERWIN: CORA BUHLERT’S FAVORITE HE-MAN. [Item by Cora Buhlert.] John Erwin [who died December 20] was my He-Man.  For most Germans, their He-Man is either Norbert Langer, who voiced him in the long-running German audio drama series, or Sasha Hehn or Heiko Liebig, who voiced him in the German dub of the Filmation He-Man and She-Ra cartoons. 

But even though I first heard He-Man speak in the Filmation cartoon He-Man and the Masters of the Universe, I didn’t watch the German dub, but the English version via Sky Channel, when my Dad worked in the Netherlands in the 1980s. And in that cartoon, the voice of He-Man and his alter ego Prince Adam was none other than John Erwin.

If you rewatch the iconic opening narration of the cartoon – where John Erwin explains the entire premise of the series in one minute and ten seconds – you’ll notice the subtle difference between Prince Adam’s more youthful tones (Adam turned nineteen in the course of the series, while John Erwin was 47, when he first voiced him) and He-Man’s booming heroic voice.

However, John Erwin didn’t just voice He-Man and Prince Adam, but as was common with Filmation, he voiced multiple other characters in the He-Man and She-Ra cartoons as well, showcasing his amazing range. And so John Erwin lent his voice to Skeletor’s henchmen Beast-Man, Whiplash and Webstor. He was the delightfully dim-witted heroic warrior Ram-Man and the wise but grumpy dragon Granamyr as well as many one-of guest characters.

Beyond He-Man, John Erwin appeared in the western series Rawhide alongside Clint Eastwood, one of his comparatively few parts in front of the camera, and voiced Reggie in various Archie cartoons over the years. He was also the voice of Morris the Cat in the commercials for 9-Lives cat food. And if you ever needed proof that dragons are related to cats, just compare the snarky Morris to the equally snarky Granamyr.

Voice actors are unseen and often unsung. This is unfair, because their talent is what brings cartoon characters to life and turns them into icons. John Erwin’s voice played a big part in turning the Filmation He-Man cartoon into the runaway success that it was and in turning He-Man into the iconic hero he became.      

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

February 1, 1954Bill Mumy, 71.

By Paul Weimer: Bill Mumy’s intersection with my genre show watching boils down to three properties, and they are the three ones that you think they are.  I first saw him as the mutant overpowered psychic child Anthony in one of the most terrifying Twilight Zone episodes of all time, “It’s a Good Life”. What happens when a young boy develops psychic powers and takes control of the town. Nothing good…I mean, no wait, Anthony, I mean, it’s a good life. I swear, it’s a good life.  The whole idea that he cuts off the town from the rest of the universe is terrifying in and of itself, isn’t it? You can’t escape him, you can’t escape his power.   Mumy also appears in a few other Twilight Zone episodes in various roles, but they are nothing compared to the power and centrality of his performance in “It’s a Good Life”

His role as Will Robinson in Lost in Space couldn’t be any different. I stumbled across episodes of Lost in Space in reruns not long after seeing the Twilight Zone episode. As the naive, but well-meaning youngest child of the Robinson family, Will Robinson couldn’t be any different than the psychic Anthony. Whether with Robbie, or Dr. Smith (and it seemed he spent more time with either of them than the rest of his family), he showed the childlike wonder of being on alien planets.  I was delighted he had a small role in the recent remake of Lost in Space, too, as the “real” Zachary Smith. (He gets his identity stolen by Parker Posey’s character). That was a neat bit of turnaround, and not at all stunt casting. 

The other genre work I associate Mumy with is, of course, Babylon 5, and Lennier. As the assistant to Delenn, he stands with Vir (Stephen Furst) as one of the two maintained underlings in the diplomatic corps. While Vir feels like an everyman (as the Centauri as, outwardly very much human), Lennier could show, on occasion, through Mumy’s acting, just how alien and not-human the Minbari were. He was meek, mild and deferential…until he needed not to be, and then could be all too inhumanly dangerous and determined. And given that this story is ultimately a tragedy, Lennier’s story is one that hits me in the feels, from start to finish. Such great acting. I remember when watching “Midnight on the Firing Line” and seeing his name in the credits and wondering what the child actor had become. He had become a fine adult actor, that’s what. 

Happy birthday!

Bill Mumy

(10) COMICS SECTION.

(11) THE TEST OF TIME. The Unofficial Hugo Book Club Blog analyzes the Best Dramatic Hugo finalists of 1984 as part of their continuing series: “Big Worldcon Is Watching (Hugo Cinema 1984)”.

L.A. Con II, the 42nd Worldcon, was the largest World Science Fiction Convention of all time up to that point, with more than 8,000 fans in attendance (to this day, only the 2023 Worldcon in Chengdu, China has eclipsed that number). Science fiction cinema was bigger than ever. The Hugo Awards were bigger than ever. But in 1984, the Hugo for Best Dramatic Presentation was still considered a second-tier award.

“We will now proceed with the minor awards: Best Dramatic Presentation,” Toastmaster Robert Bloch quipped as he introduced the nominees: Bradbury adaptation Something Wicked This Way Comes, special effects maestro Douglas Trumbull’s Brainstorm, early hacking movie Wargames, blockbuster Return of the Jedi, and Oscar Best Picture contender The Right Stuff.

It’s an uneven shortlist that reveals both a tension between the populism and the insularity to which the award was often prone….

(12) STAND BY FOR THE END OF THE WORLD. “OpenAI Strikes Deal With US Government to Use Its AI for Nuclear Weapon Security”Futurism knows why this sounds familiar.

Remember the plot to the 1984 sci-fi blockbuster “The Terminator”?

“There was a nuclear war,” a character explains. “Defense network computers. New… powerful… hooked into everything, trusted to run it all. They say it got smart, a new order of intelligence. Then it saw all people as a threat, not just the ones on the other side. Decided our fate in a microsecond: extermination.”

It seems like either the execs at OpenAI have never seen it or they’re working overtime to make that premise a reality.

Don’t believe us? OpenAI has announced that the US National Laboratories will use its deeply flawed AI models to help with a “comprehensive program in nuclear security.”

As CNBC reports, up to 15,000 scientists working at the institutions will get access to OpenAI’s latest o1 series of AI models — the ones that Chinese startup DeepSeek embarrassed on the world stage earlier this month.

According to OpenAI CEO Sam Altman, who announced the partnership at an event in Washington, DC, the tech will be “focused on reducing the risk of nuclear war and securing nuclear materials and weapons worldwide,” as quoted by CNBC.

If any alarm bells are ringing by this point, you’re not alone. We’ve seen plenty of instances of OpenAI’s AI models leaking sensitive user data and hallucinating false claims with abandon….

(13) THIEVES LIKE US. Meanwhile, OpenAI apparently can’t keep its own work secure, earning a very loud raspberry from Guardian columnist Marina Hyde: “Oh, I’m sorry, tech bros – did DeepSeek copy your work? I can hardly imagine your distress”.

I once saw an episode of America’s Dumbest Criminals where a man called the cops to report his car stolen, only for it to turn out he’d stolen it from someone else in the first place. I couldn’t help thinking of him this week while watching OpenAI’s Sam Altman wet his pants about the fact that a Chinese hedge fund might have made unauthorised use of his own chatbot models, including ChatGPT, to train its new little side project. This is the cheaper, more open, extremely share-price-slashing DeepSeek.

As news of DeepSeek played havoc with the tech stock market, OpenAI pressed its hanky to its nose and released a statement: “We are aware of and reviewing indications that DeepSeek may have inappropriately distilled our models, and will share information as we know more,” this ran….

…So, to put it another way … wait, Sam – you’re not telling us that the Chinese hedge fund crawled all over your IP without asking and took it for themselves? Oh my God, IMAGINE?! You must feel used and abused. Financially violated. Like all your years of creativity were just grist to some other bastard’s mill. Like a host organism. Like a schmuck. Like Earth’s most screamingly preposterous hypocrite….

(14) SUPERHAMLET. From Christopher Reeve’s appearance on The Muppet Show long ago: “Brush Up Your Shakespeare”.

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff  over at Media Death Cult considers the sense of place as a principal character in some SF/F… “When Location is the Main Character”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Olav Rokne, Mark Roth-Whitworth, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/15/25 Merry Pippins, Halfling Nanny For Hire

(1) COSTS OF BOOK/JOURNAL PIRACY. “New Government Report Cites Ongoing Concern Over Pirate Sites”Publishers Weekly counts the losses.

Several international websites that publishers argue continue to actively pirate copyrighted material were included on the U.S. Trade Representative’s frighteningly named Notorious Markets List (NML). NML is the centerpiece of the USTR’s annual Review of Notorious Markets for Counterfeiting and Piracy, the goal of which is to “motivate appropriate action by the private sector and governments to reduce piracy and counterfeiting.”

The 2024 report features a list of sites that are violating the copyrights of companies across a wide range of industries. Rather than try to document that monetary loss to American companies caused by these websites (though the report does cite a study which found that digital piracy cost the U.S. economy $29.2 billion in 2019), NLM reviews what actions, if any, companies have taken to stop their sites from engaging in piracy.

The two companies that drew the most attention from the Association of American Publishers are Library Genesis, commonly known as Libgen, and Sci-Hub. As part of a series of actions against Libgen, in 2023, textbook publishers filed a copyright infringement lawsuit against the company. Libgen, which is believed to operate from Russia and has been used by Meta to train its AI efforts, hosts 80 million science magazine articles, 2.4 million nonfiction books, 2.2 million fiction books, and 2 million comic strips. According to the report, Libgen sites are “subject to court orders in Belgium, Denmark, France, Germany, Italy, Portugal, Russia, Spain, Sweden, the United Kingdom, and the United States.”…

(2) FANTASTIC NEWS. Fantasy Magazine has officially returned, with a new publisher.

Co-Editors-in-Chief Arley Sorg and Shingai Njeri Kagunda will curate a wonderful selection of short fiction, flash fiction, poetry, and more in quarterly issues for publisher Psychopomp (known for Psychopomp.com, Psychopomp novellas, and of course, The Deadlands magazine, edited by E. Catherine Tobler)!

Kagunda and Sorg both bring engaging visions and eclectic, sharp sensibilities to the field, as well as a history of positive involvement in the genre community. Kagunda’s writing has earned her Ignyte and British Fantasy Award nominations, and her work as co-editor at PodCastle made her a two-time Hugo Award finalist. Sorg has received two community service awards, and his work as co-editor at Fantasy made him a three-time Locus Award finalist and a two-time World Fantasy Award finalist.

The first issue of Fantasy with Psychopomp is scheduled for June 2025 publication. Fantasy plans to open to submissions February 1 – 7. See submission guidelines at the link.

Subscribe to Fantasy Magazine via email for $5 per quarter. Use this link to subscribe. Psychopomp will publish Fantasy content on the Fantasy Magazine website after an exclusive to-subscribers period. Digital issues will also be available at their Grave Goods store and on WeightlessBooks.com.

For more information, see publisher Sean Markey’s blog post.

(3) THANKS FOR THE STAR WARS MEMORIES. Craig Miller will do a Q&A and signing in conjunction with a showing of Star Wars Episode IV: A New Hope at The Frida Cinema in Santa Ana on January 19 at 4:00 p.m. Address: 305 E. 4th St, STE 100, Santa Ana, CA 92701. Craig hears that a small number of droids will be present…

You’re invited to a special screening of the 1997 Special Edition of Star Wars Episode IV: A New Hope with special guest Craig Miller! Craig was director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks as well as being a producer for Lucasfilm Ltd. 

Craig will be appearing for an on-stage discussion about his experiences at Lucasfilm and his time during Star Wars! The discussion will be moderated by Scott Zilner. Craig will also be available to meet fans, and also be signing his book Star Wars Memories.

(4) SFWA ADDITIONS. The Science Fiction and Fantasy Association (SFWA) has announced a new office assistant, and that two past presidents of the organization are taking on new volunteer service roles.

Office Team: Misha Grifka Wander (he/they) joined operations this week.

You might recognize Misha as our Nebula Awards Commissioner. He is stepping down from that position after participating in a competitive round of hiring. Thank you to all the candidates who applied. Misha is a game designer, writer, artist, and academic from the American Midwest. He obtained his PhD in English from Ohio State University and has worked in nonprofits and office management. Misha will be joining our Interim Executive Director Russell Davis in the virtual office from 10:00 AM to 6:30 PM EST. Welcome, Misha!

Historian: Michael Capobianco will be stepping into the volunteer role of Historian. As Historian, Capobianco will be supporting the board and organization, providing historical perspective and guidance when needed.

Past President Advisor: Mary Robinette Kowal has been appointed Past President Advisor. 

(5) STOP THAT TRAIN(ING)! [Item by Steven French.] “British novelists criticise government over AI ‘theft’” reports the Guardian.

Kate Mosse and Richard Osman have hit back at Labour’s plan to give artificial intelligence companies broad freedoms to mine artistic works for data, saying it could destroy growth in creative fields and amount to theft.

The best-selling novellists spoke out after Keir Starmer a national drive to make the UK “one of the great AI superpowers” and endorsed a 50-point action planthat included changes to how technology firms can use copyrighted text and data to train their models….

(6) PERSONAL DEFINITIONS OF SPECPO. Seattle Worldcon 2025 poet laureate Brandon O’Brien has launched a department on the Worldcon’s website called “Con-Verse”. He picked a logical topic for his first post.

…What better place to start this blog, then, by trying to ask and answer the one question that comes up often from people outside the space: what is a “speculative” poem? But like most things in art, and poetry in particular, there are as many answers as there are poets and readers themselves. Hopefully, with enough of them we may notice some patterns of understanding, so I figured it was only right for you to hear from a multitude of expert voices on the matter. Here’s what some members of the Science Fiction and Fantasy Poetry Association (SFPA) had to say…

Read the quotes he compiled from 16 poets at the link.

(7) NYT NOTES DISNEY SUPPORT FOR FIRE-AFFECTED EMPLOYEES. The New York Times explains how “Hollywood’s Filmmaking Continues Despite L.A. Wildfires”.

…With thousands of homes destroyed, many of them in neighborhoods favored by producers, executives, agents and stars, and roughly 300,000 people under evacuation orders or warnings, little work got done at studio headquarters. Some studios closed entirely, and others encouraged employees to work remotely.

Consider the impact of the fires on Disney alone. As of Monday, 64 Disney employees had lost their homes and hundreds more had been evacuated, including Robert A. Iger, the chief executive, and three members of his senior leadership team.

Mr. Iger has been overseeing Disney’s relief effort from a hotel, approving $15 million for community services and rebuilding efforts, arranging for Disney employees who have lost their homes to receive two months of free furnished housing and opening Disney’s studio wardrobe warehouses to employees who need clothes and shoes. He has also been calling Disney employees who lost their homes.

“I want them to know that people at the top of the company are looking after them, that we care,” Mr. Iger said by phone on Monday. “We’re going to go through some really tough times here, but we’ll get through it together.”

Meanwhile, Disney’s movie assembly lines — like the rest of Hollywood’s — have been almost completely unaffected.

Disney has seen some flurries of ash on its Burbank lot, but no flames. Pixar and Lucasfilm, both owned by Disney, are based in Northern California.

Sony Pictures is in Culver City, far from any of the fires. Paramount Pictures and Netflix are in Hollywood, the neighborhood, which is 40 minutes by car from the two biggest fires. The sprawling Warner Bros. and Universal Pictures lots in the San Fernando Valley have been untouched.

For the most part, live-action movies are no longer shot in the Los Angeles region. It’s too expensive. Instead, movie production has moved to states like Georgia, New York, New Jersey and New Mexico and countries like Britain and Australia — all of which offer generous tax incentives.

Only two movies from major studios were affected by the fires. Filming was halted on “The Hand That Rocks the Cradle,” a 20th Century Studios remake of the 1992 thriller. The third “Avatar” movie, also from 20th Century, which Disney owns, briefly paused production, too….

(8) TODAY’S DAY. [Item by Daniel Dern.] According to The Kitchn’s article “National Bagel Day Deals 2025: What You Need to Know”:

The holiday was originally celebrated on February 9, which coincided with National Pizza Day…

Some bagelries and we-also-sell-bagellers have bagel freebies/deals, lists online or ask wherever you get your bagels.

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born January 15, 1935Robert Silverberg, 90.  

Editor’s note: Robert Silverberg is ninety years old today!  

By Paul Weimer: A legend of science fiction whose work I came to in an oblique way. 

In a short story, “Half-Baked Publisher’s Delight”, in a collection of “great short short stories”, I first came across the name Robert Silverberg. It was a weird little story where Isaac Asimov (a name I knew well at that point) and someone named Robert Silverberg, competed to be the most prolific SF author.  I had no idea who Silverberg was, but I was intrigued that the story had put him up against Asimov. Clearly, I needed to read his work.

Robert Silverberg. Photo by Allen Batson.

My first Silverberg was, as it so happens, the science fantasy Lord Valentine’s Castle. I thought it was a simple fantasy novel, but imagine my delight as, we follow the story of the titular Valentine and the troupe of entertainers he has joined with, that the narrative mixed science fiction elements, particularly the psionics, and the old Earth technology still on the planet. The novel is long and sprawling and concentrates heavily on the worldbuilding and the wandering across the landscape. Aside from the deceptively young Valentine, the other characters recede into the background somewhat to focus on the world presented. In other words, it was perfect for me as a teenaged reader. 

I would only later find out that it was slightly atypical, and that the interior life of Silverberg’s characters, his concentration on their inner lives and problems, and depth of their plights, is really the more typical Silverberg.  I admire and enjoy both sides of Silverberg’s writing. (Kingdoms of the Wall is much more like Majipoor in this regard, for instance, too, than his character-oriented novels and stories.)

I’ve read a lot of Silverberg, as you might tell, including novels, now and again, since. I enjoyed his work in the Heroes in Hell series. I enthused to his historical fiction turn in Gilgamesh. His variety of time travel stories, from Up the Line to the heartbreaking Sailing to Byzantium, have always enthralled me. Nightwings, taking place on a far future Earth, I first encountered in an incomplete graphic novel edition that inspired me to go and find the original and complete story. I meant to, but never found the Mouth of Truth in Rome, which features in the story.

I have a lot of favorite Silverberg stories.  If I had to go with one story, it is going to be a story I’ve mentioned before. “Enter a Soldier, Later, Enter Another”. It’s the story that starts his Timegate sequence of historical personages brought back as artificial intelligences, and it has the programmers have Francisco Pizarro encounter Socrates, to memorable and sometimes very funny results. The story shows Silverberg’s skill at dialogue, at character, and using history. 

If I had to go with one longer work, I am going to cheat again and not name one of his novels, and instead go with his Roma Eterna sequence. A series of short stories set in a world where the Roman Empire wound up in a dynastic cycle of rises and falls but never complete collapses, the stories in the collection explore a variety of themes of empire, of renewal and destruction, and lenses of looking at our own history by showing a funhouse version of it in his alternate historical path.

I’ve seen Mr. Silverberg at a couple of Worldcons…but have not actually exchanged any words with him.

(10) TODAY’S BIRTHDAY, TOO.

[Written by Paul Weimer.]

Born January 15, 1944Christopher Stasheff. (Died 2018.)

By Paul Weimer: Back in the 1990’s, Christopher Stasheff seemed to be everywhere in my fantasy and my science fantasy reading. I kept encountering his work again and again, and in a variety of contexts.  Trying to remember what was actually first is a murk of memory, because I seem to recall being bombarded with several different early Stasheff’s that I read.  

Her Majesty’s Wizard starts off as a portal fantasy. Matthew Mantrell, graduate student, finds a strange piece of paper in a copy of the sagas. He translates it, and it translates him to an alternative magical medieval Europe. He falls in love with the Princess he rescues, teams up with an unlikely set of companions, and has to face the dark lord Malingo.  Matt might know Shakespeare for his poetry based magic, but it might not be enough.   

Christopher Stasheff

The Enchanter Reborn and The Exotic Enchanter were compilations edited by Stasheff of additional stories of L Sprague De Camp’s Harold Shea, aka The Incompleat Enchanter. Stasheff not only was the co editor of the two volumes, but he also contributed stories to each volume. The quality of the stories vary according to the author but Stasheff’s entries “Sir Harold and the Hindu King” and “Sir Harold and the Monkey King” help expend Harold’s adventures beyond the usual Western Canon. 

Stasheff contributed to one of my favorite shared world verses, the Time Gate stories created by Robert Silverberg. In an age here and now where LLMs are being labeled as AI, talking about true AI is a bit tricky. But in this verse of the shared world, in the 22nd century, real sentient AI recreations of historical personages are created (Silverberg’s “Enter a Soldier, Later, Enter another” with Pizarro and Socrates, kicks that all off).  So, Stasheff writes a story where a couple of the AIs decide to create one of their very own. 

Stasheff also did a shared world of his own, called “The Gods of War”. The Gods of War supposes that Gods of conflict and battle fight throughout history, and sometimes they are created from the minds of men, tulpa style. Tek, the God of technological battle, is the newest God of War.  Needless to say, this young and energetic God gets the ire and the attention of much older Gods of War and strife.

What I remember was definitely not first, but I read a little later, was Stasheff’s turn into science fantasy, The Warlock in Spite of Himself. Rod Gallowglass works for an interstellar agency in a polity looking for lost and forgotten colony planets. He might be a cynic and a grump, but even Rod is a bit stumped when he finds the planet of Gramarye. Rod doesn’t believe in magic, magic can’t possibly exist, his mindset is completely and utterly scientific and rational. And yet he is confronted with witches, warlocks, elves and monsters. There has to be a rational explanation for all of it…doesn’t there?  I read a few of these, but there are well over a dozen of novels in this setting.

A very fun writer. 

(11) COMICS SECTION.

  • Bizarro continues variations on vampire names.
  • Bliss introduces a strange new breed.
  • Dinosaur Comics is skeptical about the Vader reaction.
  • Eek! is about a different Vader reaction.
  • Rubes knows there no place like this home.
  • Strange Brew is the problem.

(12) TODAY’S THING TO WORRY ABOUT. “World Monuments Fund Puts Moon on List of At-Risk Sites” reports the New York Times. (Story behind a paywall.)

…With a growing number of wealthy people going to space and more governments pursuing human spaceflight, the group warns that more than 90 important sites on the moon could be harmed. In particular, some researchers are worried about Tranquillity Base, the Apollo 11 landing site where the astronaut Neil Armstrong first stepped onto the moon’s surface.

Protections for cultural heritage are typically decided by individual countries, which makes the task of taking care of important international sites like the moon more difficult.

Since 2020, the United States and 51 other countries have signed the Artemis Accords, a nonbinding agreement that outlined the norms expected in outer space. The rules included a call to preserve space heritage including “robotic landing sites, artifacts, spacecraft and other evidence of activity on celestial bodies.” A separate binding United Nations agreement provided for the protection of lunar sites, but there has been little progress in getting key countries to sign it.

“The moon doesn’t belong to anybody,” de Montlaur said. “It is a symbol of hope and the future.”

For almost 30 years, the World Monuments Fund has received nominations for its watch list of endangered sites from heritage experts around the world. The list is an educational and promotional tool serving the nonprofit’s other efforts to preserve cultural heritage.

A division of the International Council on Monuments and Sites devoted to aerospace heritage nominated the moon for the nonprofit watch list. Gai Jorayev, president of that division, said that members wanted to see sustainable management because of the “sheer number of human artifacts on its surface.”

Beyond the lunar orbiters and rangers scattered across the moon’s surface that express scientific achievements, there are also artifacts of human culture. Apollo 11 astronauts left a golden olive branch to symbolize peace, while a SpaceX rocket lifted a lander that carried 125 miniature sculptures by the artist Jeff Koons to the moon’s surface last year….

(13) THAT NUMBER SOUNDS FAMILIAR. Indianapolis station WTHR reports “FEMA isn’t giving California wildfire victims just $770”.

Multiple viral posts imply that the Federal Emergency Management Agency (FEMA) is giving the victims just $770 in federal assistance. Some of the posts also compare the disaster relief spending to the government’s spending on foreign aid….

…Fact checking dispels the rumor that FEMA is giving Los Angeles wildfire victims just $770. Where did that number come from? President Joe Biden announced that people will receive a “one-time payment of $770 so they can quickly purchase things like water, baby formula and prescriptions” under the Serious Needs Assistance program. But that is not the only disaster relief available. People can apply for additional assistance.

If you are affected by the Los Angeles wildfires and in need of assistance, please contact FEMA at https://www.disasterassistance.gov.

(14) MUPPET APPEARANCE. “Kermit the Frog Sings for Hoda Kotb on Her Final ‘Today’ Show” on January 10 reports ToughPigs.

As journalist and television personality Hoda Kotb said goodbye to Today, the show she’s been part of since 2007, she got a visit from a very special guest: Kermit the Frog.

Kermit’s appearance had a special significance, as Hoda brought on her daughters, Hope and Haley. During the broadcast, it was revealed that Hoda sings one of Kermit’s signature songs to her children [Hope and Haley] every night… “Rainbow Connection.” And if you thought that was a perfect excuse for Kermit to sing “Rainbow Connection,” you must be psychic, because that’s exactly what he did! 

View Kermit’s performance at the Today website: “See Kermit the Frog sing ‘Rainbow Connection’ for Hoda Kotb”.

(15) SF2 CONCATENATION SPRING EDITION. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation now has its spring (northern hemisphere academic year spring) up. It has the usual large, seasonal news page together with articles and convention reports, plus some 40 standalone book reviews. Table of contents…

v35(1) 2025.1.15 — New Columns & Articles for the Spring 2025

v35(1) 2025.1.15 — Science Fiction & Fantasy Book Reviews

v35(1) 2025.9.15 — Non-Fiction SF & Science Fact Book Reviews

(16) GRRM FILM ADAPTATION ARRIVING IN MARCH. A trailer has been released for In the Lost Lands, based on the George R.R. Martin short story. Entertainment Weekly reported that the project, starring Milla Jovovich and Dave Bautista, is directed by Paul W.S. Anderson and will premiere March 7. 

A queen, desperate to find happiness in love, takes a daring step: she sends the powerful and feared witch Gray Alys to the “Lost Lands” to give her the magical gift of turning into a werewolf. With the mysterious hunter Boyce, who supports her in the fight against dark creatures and merciless enemies, Gray Alys roams an eerie and dangerous world. And only she knows that every wish she grants has unimaginable consequences.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Tom Becker, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/24/24 Pixel Impossible Things Before Breakfast?

(0) Heading back to spend Christmas Eve at my brother’s. Thanks to Cat for doing some heavy lifting today providing items to suit the season!

(1) THE POINT. Charlie Jane Anders discusses paid sff book reviewing in “What Are Book Critics For?” at Happy Dancing.

…In any case, my sense is that a healthy book-review ecosystem would include both cheerleading and harsh criticism. Possibly from the same person in the same place, possibly in different places for different audiences. We need to bang a drum in support of the great books that are possibly slipping through the cracks — which is also an increasing problem, as I wrote about a while ago. But we also need to point out the ways in which authors and publishers are short-changing us by failing to deliver the best versions of their stories. 

One bedrock principle that I think applies for both cheerleading and harsh criticism? You have to review the story someone wrote, not the book you wish they had written. If someone wrote a book about pirates, there’s no point in complaining that you wish they’d written a book about circus performers instead. You chose to pick up a book that wasn’t your cup of tea, and you could have known in advance that it was about pirates if you’d bother to read the back cover. Get over it! (Also, if you hate books with yellow covers, just don’t read books with yellow covers. It’s not that hard.)…

As a bonus, Anders circulated gift links to a pair of her recent columns for the Washington Post.

(2) WHY NOT SAY WHAT HAPPENED? Scott Edelman is back talking about mid-‘70s Marvel again on episode 12 of the Why Not Say What Happened? podcast — “Uri Geller and the Marvel Comics Men’s Room Mishap”.

A stack of mid-’70s Marvel Comics memos reminds me which Golden Age greats Stan Lee didn’t want invited to the 1975 Mighty Marvel Con, my discomfort with what is probably a comic book editor’s most important role, the day I donned a Spider-Man suit and crawled around the Bullpen, how Uri Geller destroyed my key to the Marvel Comics men’s room, my snarky response when a publisher wanted me to find the smoking gun which would shut down our competition, why our softball team dubbed me the “Most Improved Player for a Boy,” and much more.

And here’s where to find multiple places to download.

(3) A CROW GIRLS CHRISTMAS. Cat Eldridge has a look at Charles de Lint’s Newford Stories: The Crow Girls where he says of the Crow Girls of ‘all the immortal shapeshifting being that inhabit the Newford stories, the most charming at least for me are Maida and Zia, the two crow girls, who look like pinkish teenagers all in black naturally. After you read that review, you can experience them firsthand in A Crow Girls Christmas written by Charles de Lint and charmingly illustrated by his late wife, MaryAnn Harris.

“We have jobs,” Maida told Jilly when she and Zia dropped by the professor’s house for a visit at the end of November.
      Zia nodded happily. “Yes, we’ve become veryvery respectable.”
      Jilly had to laugh. “I can’t imagine either of you ever being completely respectable.”…

(4) MEMORY LANE.

[Written by Cat Eldridge.]

Ellen Kushner’s The Golden Dreydl

Someday I’ll get blasé about the amazing things that show up unexpectedly in the post. 

But that won’t happen for quite some time if exquisite things such as Ellen Kushner’s The Golden Dreydl (Charlesbridge, 2007) keep showing up here! This short novel holds wonders which will brighten up anyone who reads it. It’s that good.

A golden dreydl is, in case you haven’t encountered one, a toy, the name being Yiddish, dreydl for ‘to turn or twist’. It is a 4-sided toy marked with Hebrew letters and spun like a top in a game of chance. It’s common enough that many children not Hebrew have played with one in the days when such simple toys were all there were for entertainment. (I am not being nostalgic — just stating what was. Times change, toys change.) This dreydl, this golden dreydl, is not a simple toy but rather one capable of true magic. Indeed for one small girl, Sarah by name, on a winter’s night at her family’s Chanukah party, this toy will bring wonders.

But before this charming book, there was a wonderful CD and Judith Gennet who reviewed that recording for us back a few years ago tells what this story is about:

The plot to the story is as follows. One Chanukah night, a tradition-weary child named Sarah receives a magic golden dreydl (a clever cross between a top and a die) from her Aunt Miriam. While fighting with her brother, the dreydl is catapulted disastrously into the TV screen. Crack! Later, Sarah finds the dreydl laying on the floor in the form of a girl, and they then leap through the injured screen into the golden dreydl’s world, sort of like an Oz or Wonderland. (A TV screen? How symbolic!)

Oh, but not all is well in the world that the golden dreydl comes from, as here be dragons which are most unfriendly.

The Golden Dreydl was inspired by the music of the renowned band Shirim, who created a klezmer version of Tchaikovsky’s ‘Nutcracker Suite’ for Chanukah. (Really — it does work rather well!) Did I mention that what appears to be a toy is really a princess? Thought not. Suffice it to say that Sarah has a guide to this world — that princess. Is a good story. Indeed it is. As Judith said in her review of the recording, ‘be a fun album for kids, for those interested in Jewish heritage, and for adults who like fairy stories. The Golden Dreydl could easily evolve into a holiday tradition.’ I agree.

Like Jane Yolen’s The Wild Hunt, I adore this novel. Both the text by Ellen Kushner and the design of book itself are perfect. Each novel has illustrations that add to the enjoyment of the text; each is a short enough read (as is any great fairy tale) that it lends itself to repeated reading either for your own pleasure or loud to others. Though both are too recent to be classics yet in children’s literature, they should be within a few years.

Oh, do buy the recording as well. You’ll find it just as charming.

[Reprinted from Sleeping Hedgehog.]

(5) SPEAKING OF THAT RECORDING. Learn all about “Ellen’s Musical Picks for the Holidays” at (the modestly-named) Ellen Kushner’s Bad Advice newsletter. “…with an exceptional number of footnotes, even for me, including but not limited to a whole separate substack about the life and times of public radio in America, + some other stuff.”

…I love a live audience like a dog loves a bone. In fact, one of them, The Golden Dreydl: a Klezmer Nutcracker for Chanukah, which I created and performed with Boston’s Shirim Klezmer Orchestra, has had more lives than an empty jam jar: first it was a holiday radio special, then an album, then a book, then a kids’ play in NYC. You can hear the album on streaming services like Spotify, with my narration….

Here’s one example: “Joseph Spence: ‘Santa Claus is Coming to Town’”.

For my money you cannot possible do better for Christmas Cheer than going to the Bahamas for the great singer/guitarist Joseph Spence’s attempt to remember the words to “Santa Claus is Coming to Town,” and finally deciding no one really cares, and just doing it his way.

It will make you laugh. It has been test-driven in the Kushner/Sherman household is how I know.

(6) COMICS SECTION.

(7) HOLIDAY SHOPPING. [Item by Cat Eldridge.] It’s a decade old but worth linking to: “Small, Strange Businesses” at Kathleen, Kage and the Company.

Christmas was a great time for Kage [Baker]. Before we began working Dickens, she had me drive her to favourite malls or department stores, where she would spend a happy afternoon working her way through her Christmas list. It was always enormous – she was one of 6 true-born and a few foster siblings, most of whom had also promptly had offspring; she was a several-times-over honourary aunt, too. The pile under our Christmas tree was always huge – at least until we took most of it over to someone’s house on Christmas morning….

… She ranged from Halcyon to Cambria-By-The-Sea when we lived on the Central Coast, a 50 mile arc through vineyards and meadows full of white cattle and egrets and matillja poppies … from the post office  across the street from the Temple of the People (you could buy essential oils and activated crystals in both places), via the lead soldier store by Moonstone Beach to Heart’s Ease Nursery: the small businesses Kage favoured outshone Harry Potter’s Diagon Alley. And they were real….

(8) SERLING CENTURY. Mr. Sci-Fi – Marc Scott Zicree – marvels to see them “Celebrating Rod Serling’s 100th Birthday with Anne Serling on … Fox News?!” His video includes her interview.

(9) VIDEO OF THE DAY. From a vintage episode of The Muppets: “John Denver & The Muppets – 12 Days of Christmas”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Scott Edelman, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 12/15/24 Deck Us All With Barsoom Charlie

(1) NEW FUTURE UP. [Item by SF Concatenation’s Jonathan Cowie.] Just posted SF² Concatenation’s fourth and final “Best of Nature Futures stories” of the year, just in time to hold you over the Christmas break. The originals are behind a pay-wall so these re-postings (with permission of Nature and the respective authors) are the only way for the broader public to see these rather neat little SF stories.

The latest is “Fear of the Dark” by Stephen Battersby.  When the nature of dark matter is elucidated, it comes with a problem…

(2) DISNEY FOUGHT THE LAW AND THE LAW WON. “Disney agrees to $233-million settlement in wage theft case” – the LA Times has the story (behind a paywall).

Five years after workers first took Disneyland to court for allegedly skirting an Anaheim minimum wage law, resort owner Walt Disney Co. has agreed to settle a class-action lawsuit for $233 million.

The company approved the preliminary settlement Friday, which accounts for back pay with interest as the Anaheim law is set to increase wages in January to nearly $20.50 an hour.

“What we believe is the largest wage and hour class settlement in California history will change lives for Disney families and their communities,” said Randy Renick, an attorney representing the workers in the class-action suit.

Back pay owed to workers from Jan. 1, 2019, when the wage law first took effect, until the date Disney adjusted wages at the end of the court fight last year, accounts for roughly $105 million of the total settlement….

…The company reached an agreement last summer with four unions representing 14,000 workers that raised base pay to $24 an hour….

(3) SEATTLE 2025 COMMUNITY FUND. The Seattle Worldcon 2025 Community Fund is dedicated to helping fans from diverse backgrounds participate in Worldcon by providing financial support for travel, accommodations, and memberships.

They are now taking applications for Community Fund grants. Full guidelines are at the Community Fund – Seattle Worldcon 2025 webpage. They are focusing on assisting fans who are:

First time attendees from the Pacific Northwest (Washington, Idaho, Oregon, Alaska, British Columbia)
LGBTQIA+ attendees
BIPOC/AANHPI attendees
Attendees from the Global South

If you belong to one of these groups and would like to apply for assistance, please submit your application here. We are approving applications in waves, with the first wave deadline set for January 17th. Though priority for the first wave will be given to people engaging in foreign travel, feel free to apply at any time if you fit into one of these focus groups.

(4) SEW THAT HAPPENED. Seattle Worldcon 2025 is also running a “Single Pattern Contest”. Contest Administrator Kevin Roche explains:

The Single Pattern Contest has been a tradition at Norwescon for nearly a decade, but the competition has a much longer history in costume/cosplay fandom. As the person who invented the contest (for Costume-Con 12 in 1994), I’m thrilled to have been asked to introduce it to the larger Worldcon audience.

This year there will be two options for patterns: 

  • A vintage-style bowling shirt
  • A 60s-style slip or sheath dress

In some years, a pattern selected for a single pattern contest has gone out of print or been difficult to locate, so a garment style rather than specific pattern number will avoid that difficulty. If you prefer a pattern, however, here are some suggested patterns:

Bowling Shirt: McCalls M7206* (available as PDF), Simplicity S9279, Simplicity S9157, Vogue V1622,  (unisex), McCalls M8459, McCalls M6972

60s-Style Dresses: McCalls M8466*, Simplicity S9848, Butterick B6990, McCalls M8402 (PDF), Simplicity S1609

More information at the website.

(5) AND WAIT, THERE’S MORE. Here’s the Seattle Worldcon 2025 presentation from last weekend’s “SMOFCon 41 – Worldcon QA”.

(6) I’LL BE DIPPED – IN BRONZE. Gothamist invites us to “Meet the sculptor tricking New Yorkers with art dedicated to the city’s fake history”. (See more at the “Compelling Mysteries and Forgotten Tragedies – NYC Urban Legends” website.)

Joseph Reginella has been building and installing legitimate-looking monuments across the city that commemorate legendary local events that never actually happened.

His most recent creation memorializes Nathaniel Katz, who introduced rats to New York City and was “catapulted into the Hudson River” as punishment, according to the weathered plaque beneath his pompous-looking, rat-covered bust.

Never heard the legend of old Katz?

It’s because he never existed. Reginella, a freelance artist who specializes in mold-making, imagined the tall tale and built the bust in the image of his pigeon-loving neighbor.

But many people both on and offline believed it to be true, according to Reginella and several news reports…

… The way Reginella sees it, the monuments are not meant to be “gotcha” pranks but escapist delights and gateways into a sci-fi version of New York history he has lovingly built and displayed for public consumption. (In addition to the monuments, he creates extensive backstories and even documentaries for his tall tales.)…

(7) DAVID A. MCINTEE (1968-2024). David A. McIntee, author of many spin-off novels based on Doctor Who, reportedly has passed. McIntee has written about many other franchises, too, including Final Destination and Space: 1999. His first full-length Star Trek novel, Indistinguishable from Magic, was released in 2011.  

He has written a non-fiction book on Star Trek: Voyager and one jointly on the Alien and Predator movie franchises.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 15, 1951 David Bischoff. (Died 2018.)

Our community is blessed with many amazing writers of which David Bischoff was one. So let’s talk about him.  

His first writings were in the Thrust fanzine where he did a mix of commentary and criticism. (Thrust got one Hugo nomination as a fanzine and four as semi-prozine.)  Editor Doug Fratz would later convert it into a semiprozine where Bischoff along with John Shirley and Michael Bishop were regular contributors. 

His first novel, The Seeker, which was co-written with Christopher Lampton was published by Laser Books forty-seven years ago. He was extremely prolific. No, I don’t mean sort of prolific, I mean extremely prolific. He wrote some seventy-five original novels which is to say not within of any of the many media franchises that he wrote within plus another thirty-five or so novels falling within those media franchises.

What franchises? Oh, how about these for a start and this is not a full listing by any means — AliensAlien Versus PredatorFarscapeGremlins 2: The New BatchJonny QuestSeaQuest DSVSpace Precinct and War Games. And no, I never knew there were Jonny Quest novels. 

David Bischoff. Photo by and (c) Andrew Porter.

Oh, and I must single out that he wrote two Bill, the Galactic Hero novels, Bill, the Galactic Hero on the Planet of Tasteless Pleasure and Bill, the Galactic Hero on the Planet of Ten Thousand Bars which is either a great idea or maybe not. Not having read them I have no idea. A Planet of Ten Thousand Bars? Do they clone livers there? 

And he wrote for the Trek universe, two most excellent episodes at that. He co-wrote the ”Tin Man” episode from Next Generation, a Nebula nominee, with Dennis Putman Bailey, and the “First Contact” episode from the same series written with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller. 

Almost none of his extensive fiction has been collected save that which is in Tripping the Dark Fantastic from a quarter of a century ago which collects a few novelettes and some short stories. 

Very little of his fiction is available from the usual suspects, and even Tripping the Dark Fantastic is not available. 

(9) COMICS SECTION.

  • Foxtrot alibis the missing LOTR cookie.
  • Reality Check remembers why Santa’s sled is no longer pulled by these.
  • Working Daze hasn’t solved all the tree-trimming challenges.

(10) MUPPET HISTORY SITE RUNNER CHARGED WITH HARASSMENT. “Muppet History was a bright spot online — now it’s embroiled in a sexual harassment scandal” reports The Verge.

For years, a fan-run account called Muppet History has been central to the Muppets fandom. It shared little-known facts, memes, and wholesome messages, amassing half a million followers on Instagram and more than 280,000 on X. Publicly, it was a wholesome and sweet platform, a passion project that took off. It became an unofficial ambassador of Jim Henson’s iconic cast of characters — inside and outside the world of diehard fans.

But on Monday night, a post on the account’s Instagram page had an ominous tone. “Good Evening,” the message started. “We wanted to take a moment to address some concerns that have arisen as of late.” The vague post — on which comments had been disabled — mentioned “overstepped” boundaries, the “harm” caused, and that people were made “uncomfortable.” It did not specify exactly what had happened.

Since that post, however, a rough sketch has come into focus. Fans claim that Muppet History’s co-runner Joshua Gillespie, who operates the account with his wife, Holly, was sending unwanted sexual messages to other people. Now, it’s gone from a bright spot on the internet to another soured piece of online culture, leaving a small community navigating the fallout….

…A few weeks after receiving the message, Maloney shared the screenshot of the conversation with a small group of close friends on Instagram. The screenshots were leaked and reposted publicly on X. After that, she says, “the floodgates opened” in her inbox.

“People found out that I was talking about this, and they just started coming to me and confiding in me,” Maloney says. They said they received messages “begging for nude pictures to depicting sexual acts and telling them they would like it … just really nasty comments from a Muppet account, and from [Joshua Gillespie’s] personal account.”…

(11) BOOTS. [Item by Steven French.] A pretty horrific cherry, to be honest: “Exceedingly good needle drops: why a 1915 reading of a Kipling poem is the cherry on top of the 28 Years Later trailer” in the Guardian.

The US Navy operates something called Survival, Evasion, Resistance and Escape, a training programme designed to equip military personnel with the necessary skills to survive in hostile environments. Part of this involves detaining them in a small cell while being repeatedly played the scariest thing that staff have to hand: a 1915 recording of actor Taylor Holmes reciting the Rudyard Kipling poem Boots.

The poem itself is terrifying enough, the percussive chant of an infantryman marching towards battle, trying to overcome his grinding sense of impending doom. But Holmes’s rendition almost defies definition. It begins haunted, but gradually rises to a possessed roar, as Holmes wails over and over again: “There’s no discharge in the war.” By its climax he’s screaming at the top of his voice, a prisoner of his own madness. It’s a scarring listen. It is also the soundtrack to the 28 Years Later trailer.

(12) TODAY’S THING TO NOT WORRY ABOUT. Although Gizmodo has learned “Tiny Black Holes Could Have Left Tunnels Inside Earth’s Rocks”, they say “A pair of imaginative cosmologists have great news for everyone: If a primordial black hole tunnels through your body, you probably won’t die.”

… “Familiar” black holes, if you can call them that, typically form in the wake of dying stars that collapse inwards. Primordial black holes, on the other hand, might have formed shortly after the Big Bang, when areas of dense space also collapsed inwards, before stars even existed—hence the primordial part.

Scientists have theorized the existence of PBHs for decades, but have never actually observed one. According to the study, some scholars even suggest that PBHs might be dark matter itself (the mysterious substance that makes up 85% of the universe’s mass). “Small primordial black holes (PBHs) are perhaps the most interesting and intriguing relics from the early universe,” the researchers wrote in the study…

(13) SALINE CREEP. “Saltwater Could Contaminate 75% of Coastal Freshwater by 2100” says a study reported by Gizmodo.

…New research from NASA’s Jet Propulsion Laboratory (JPL) and the U.S. Department of Defense (DOD) suggests that that seawater will contaminate underground freshwater in roughly 75 percent of the world’s coastal areas by the end of the century. Their findings, published late last month in Geophysical Research Letters, highlight how rising sea levels and declining rainfall contribute to saltwater intrusion.

Underground fresh water and the ocean’s saltwater maintain a unique equilibrium beneath coastlines. The equilibrium is maintained by the ocean’s inland pressure as well as by rainfall, which replenishes fresh water aquifers (underground layers of earth that store water). While there’s some overlap between the freshwater and saltwater in what’s known as the transition zone, the balance normally keeps each body of water on its own side.

Climate change, however, is giving salt water an advantage in the form of two environmental changes: rising sea level, and diminishing rainfall resulting from global warming. Less rain means aquifers aren’t fully replenished, weakening their ability to counter the saltwater advance, called saltwater intrusion, that comes with rising sea levels….

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/14/24 They Say It’s Only A Paper Shadow Square

(1) IT COMES IN THE MAIL*. Whenever David Langford air mails me a paper copy of Ansible there’s always a colorful assortment of British postage stamps on the envelope. I was struck to see on the most recent arrival a singular image – the smile of the Mona Lisa. The smile alone. And without a caption. (But do we need one?)

I wondered if this was a current issue and checked with Langford. He replied that it’s from the Royal Mail’s 1990 “Smiles” set, which also includes Stan Laurel and the UK Dennis the Menace.

Isn’t this a collectible? Not exactly, he explained. “People used to buy commemorative stamps in bulk as an investment, but the bottom dropped out of that market some time ago: there’s at least one UK dealer who acquires these accumulations on the cheap and sells at less than face value to cheapskates who actually use them for postage. As you say, it makes for interesting envelopes!”

(*pace Ned Brooks.)

(2) BRUCE STERLING Q&A. Worldbuilding Agency brings us “deliberate oxymorons: an interview with Bruce Sterling (part 1)”.

Paul Graham Raven: Okay. What’s your elevator pitch, on the rare occasion you meet someone who doesn’t know who you are already? What do you tell them you do?

BS: I would tell them nowadays that I’m the art director of a technology art fair in Turin, Italy….

PGR: As I understand it, that’s almost a kind of return to something you were doing very early on. You were very involved in, I don’t think it was called that then, but the tech-art scene in Austin [Texas] when you were younger, right?

BS: Yeah, I used to hang out with a lot of robotics guys and engineering people, software people and hardware people. I mean, my father was an engineer, so I have a long lasting interest in material culture and how things are made. It was very rare of me to actually do any of that. But now in later life—I mean, this year I turned 70, and I’m actually giving in and doing a lot more hands-on… well, I don’t even like to call it creative work, really.

But I’m very involved in studies of luxury multi-tools. [brandishes multi-tool] This is the Leatherman Free from the USA; as an American in Italy, it’s kind of like a crusade of mine to try to explain to people why an object like this existed, why you might want to use it, and why an American invented it in Eastern Europe. We’re known for distributing tools to our guests and the core of creative artists that surrounds our festival. I found that I could give them like a futuristic lecture about what to do, but they were much, much more interested if I just said to them, “if I gave you this, what would you do with it,” right?. I mean, I’ll put it in a bag—you can have ten! And then they come back and we put what they did on display.

That’s just an intervention that the Turinese invited me to do, and nobody in Austin would have asked me to do such a thing. But in Italian design circles, they have the atmosphere, or the motto really, “proviamo”: give it a shot, prove it, try it out. And proviamo is never just a lecture; proviamo is always a thing. It’s a process or a tool—you know, make a lamp out of plastic bags, make a chair out of styrofoam. That’s a proviamo, very Italian design-centric situation. So I do a lot of that.

I mean, I’m the judge, I’m the art director for our fair. And people come up with these proviamo “innovations”, or just hacks, really. Interventions, you might call them. And I have to judge them and decide whether to show them to the Turinese public, right? So in order to do that, I have to have an aesthetic, and I have to have some idea of what’s worth showing to the public. I mean, we’re publicly funded art fair, you know—it’s my job, really. And so I do a lot of writing for this festival; I write all our pamphlets, do a lot of basically behind-the-scenes art-world politics.

But, you know, I found that this suits me—I find it less tiresome than actually going out and doing futurism for people and getting paid for it. I mean, that situation, which I’ve done a lot, it is like politics, but it’s also kind of psychoanalytic; you’re dealing with people who are in trouble, and you’re trying to sort of gently bend their worldview so they could see some way out of their difficulty. Whereas something like brandishing a Leatherman Free multi-tool on an Italian actually gets to the point, and it stays in his pocket when you leave the room….

(3) SPIRIT OF THE SEASON. “Deadpool & Kidpool Return For DC-Baiting Christmas Promo & They Really Want You To Cost Ryan Reynolds $500k” says ScreenRant.

Ryan Reynolds has shared a new holiday video in support of the SickKids Foundation, this time appearing as Deadpool alongside Kidpool and Wonder Woman actress Lynda Carter to ask for donations for The Hospital for Sick Children. Reynolds and his wife, Blake Lively, will match all donations up to $500,000 made before midnight on December 24th….

… Due to the characters’ R-rated nature, Wonder Woman actress Lynda Carter comes in. Plenty of hilarious DC references follow, including nods to Henry Cavill, Batman, Wonder Woman’s classic costume change by spinning, and more….

(4) GAMERGATE LITIGATION. “‘GamerGate’ lawsuit between video game reviewers hits Brooklyn court” reports the Brooklyn Eagle.

An online battle over video game reporting entered the real world on Wednesday, after one well-known reviewer filed a lawsuit in the Eastern District of New York against a rival, accusing him of orchestrating a harassment campaign that led to her losing her job.

Brooklyn writer Alyssa Mercante, formerly a senior editor at the game review website Kotaku, is seeking damages from California YouTuber Jeff “SmashJT” Tarzia, alleging that Tarzia created hundreds of false and inflammatory posts and videos designed to provoke hate towards Mercante and Kotaku.

Screenshots in Mercante’s lawsuit purport to show Tarzia making comments like “How many times do I need to teach these crazy bitches this lesson?” Other allegations include that Tarzia falsely stated Mercante engaged in prostitution, a crime in New York, and that Tarzia helped to accuse Mercante of antisemitism – a charge that ended with her compelled resignation.

Mercante also seeks to have the court recognize “stochastic terrorism” as a new residual liability tort, defined in the suit as a pattern of escalating harassment. A court in Washington has previously recognized this tort, according to the suit.

Tarzia, in response, is fundraising for a legal defense, and claims Mercante is attempting to silence him through the suit. “Mercante has retained activist lawyers with a clear agenda to bring this ridiculous case against me, and the video game industry to it’s [sic] knees […] This case isn’t just about me. It’s about all gamers,” Tarzia wrote in a post on the conservative crowdfunding website GiveSendGo.

The feud stems from the “GamerGate” controversy, a long-running and vicious online debate – linked to the rise of the alt-right – over the politics of video games. Self-identified GamerGate supporters, including Tarzia, accuse developers and journalists of left-wing bias and favoritism. Opponents, meanwhile, including Mercante, say that those supporters are in reality an organized hate mob, focusing primarily on targeting women and seeking to punish opponents for their political views. Mercante’s former employer, Kotaku, has long been a lightning rod for this debate. The suit claims Tarzia’s campaign began following the site’s publication of an article by Mercante on a popular conspiracy theory.

The suit also touches on the separate, and equally loaded, internet battle over the game streaming website Twitch and the war between Israel and Hamas, in which several observers, including U.S. Rep. Richie Torres, have accused the site of platforming antisemitic creators. Mercante has been previously accused of antisemitism in connection to Twitch, centered around her positive coverage of controversial streamer Hasan Piker and an alleged retweeting of an X post skeptical of reports of rape occurring during the Oct. 7 attack on Israel last year. According to Mercante, Tarzia’s amplification of the antisemitism claim led to multiple individuals contacting Kotaku’s owners with these accusations, resulting in parent company G/O Media pressuring her to resign.

Mercante is seeking a jury trial in the suit, as well as damages in excess of $75,000.

(5) SCI-FI LONDON IS BACK! [Item by SF Concatenation’s Jonathan Cowie.] Good news for SF film lovers in Brit-Cit…If Glasgow’s programme of wall-to-wall panels and sparse film stream (it was the first British-hosted Worldcon not have any film screenings) failed to hearten, then fret not, the Sci-Fi London film fest is back!  (Sci-Fi London were the people who co-organised (with the British Film Institute) the Loncon 3 film programme.)

This year’s (2024) event was greatly slimmed-down to a single day of short films, nonetheless some great stuff was in there. The reduction came about due to a cinema chain deciding to close the Stratford community cinema that had been SFL’s home.  However, the latest news is that in 2025 there will be a four-day fest just outside of central London in Finsbury Park around the corner (literally) from its rail and tube/metro station.

As usual, the Fest firmly focuses on screenings with many of the feature films having their first British airing and, if true to form, there should be a few World premieres in the mix.  There will also be some two-hour short SF film sessions and the results of the 48-hour film challenge.  This last takes place earlier in the year in which amateur film makers are given a couple of lines of dialogue and a prop to include and then just two days in which to turn in a film…  One Gareth (The Creator; Star Wars: Rogue One) Edwards was a past SFL 48-hour challenge winner.  The Fest itself sees the short-list screened and winner announced.

If it the same as previous years, then you pay for each film you see but if you are seeing more than several it may be cheaper to get an all-Festival pass.

For those coming from afar wishing to attend, there are nearby hotels including some mid-range budget hotels such as the local Travelodge which provides a good base for central London tourism.

More details as and when on sci-fi-london.com. The dates are June 19-22, 2025. The venue is the Picturehouse Cinema, Finsbury Park.

Stand-by for action. Anything can happen in these four days…

(6) CINEMA TOOTHSOME. In “Jumping the Shark, Part II” at Black Gate, Neil Baker continues to wonder why these movies bite.

…A new watch-a-thon, this one based on a handful of the 500+ shark movies that I haven’t seen (or gave up on). I’m not holding out much hope for these – shark movies are, on the whole, awful, but I know for a fact that some of these are among the worst films ever made. This 20-film marathon is me just trying to understand why they get made, bought and streamed….

Here’s one of his subjects:

Shark Exorcist (2014) Tubi

What kind of shark? A rubbish CG chonk and some possessed ladies.

How deep is the plot? The depth of a small pail.

Anyone famous get eaten? Nope.

Just going by the title, you know this going to be rubbish, but what KIND of rubbish? Actually, this is a step up from the usual rubbish.

Normally, a film with this premise, shot on a camcorder, with acting that ranges from earnest to ironing board, would be acutely aware of their own daftness, and play it for laughs. But Shark Exorcist, bless it, takes itself seriously, and it’s not a hateful experience. I’m not recommending it, but I’m also not tracking down every last copy with a hammer.

3/10

(7) GARNER AT 90. [Item by Steven French.] Interesting interview with Alan Garner, author of The Weirdstone of Brisingamen (among other wonderful works): “’It can feel quite mysterious’: Alan Garner on writing, folklore and experiencing time slips in the Pennines” in the Guardian.

His novels have always channelled ideas about time and quantum reality, and he is keen to elide distinctions between art and science: working with Jodrell Bank on what he calls “Operation Melting Snow”, and today describing maths as philosophy, philosophy as a game, creativity as play. What Garner knows for sure is that “I don’t write set books. I keep coming back to the distinction between mysterious, which is OK, and mystical, which is not OK. The thing that ties all creativity together is not something that universities should analyse, but people should just accept as wonder.”

(8) MEMORY LANE.

[Written by Paul Weimer.]

December 14, 1978Superman the Movie

By Paul Weimer: I had heard about Superman the Movie which premiered on this date before I ever saw it, and the first time I saw it was on television in a network television cut. Even then, DC characters were never my primary comic interest, that was marvel. But when Christopher Reeve came on screen, he became Superman for me, in a way that blew away, I must admit, the black and white Superman 1950’s series episodes I had seen. Even with all of the Supermen since, he still is my default mental image. 

And to this day Reeve is still Superman for me. It’s the acting, really in the movie. Sure, on the face of it, everyone should recognize Clark Kent as Superman, or so you’d think. But Reeve’s…call it full body performance as Kent and as Superman are so completely different, so completely alien to each other, that you can watch both people and not believe they were remotely the same person. (Just watch Kent and his body language in the newsroom versus any of the Superman scenes. It’s night and day and it’s a testament to Reeve’s skill as an actor. 

And then there is Margot Kidder as Lois Lane. She is Lois Lane, and I will not be taking any other questions at this time. She does the body language thing as well–compare Lane doing her job versus when she is with Superman. It’s more subtle but it is surely there. 

And then there is Lex Luthor as played by Gene Hackman. He is the Luthor that for years was the Luthor that others reacted to. He brings his A-game to this role, and is every inch Reeve’s equal. It’s kind of amazing to have a supergenius Lex Luthor to be so pedestrian, like the worst used car salesman on the planet, but with enormous resources.  But claiming that version of Luthor himself resulted, as I say, in having everyone else react to that portrayal, which just highlights his portrayal all the more.

And yes, the time travel bit of Superman is absolutely nonsense. I can forgive the movie for it. A movie that has Marlon Brando, Margot Kidder, Gene Hackman, and Christopher Reeve can be forgiven that misstep.

(9) COMICS SECTION.

My cartoon for this weekend’s @theguardian.com books.

Tom Gauld (@tomgauld.bsky.social) 2024-12-14T15:17:18.564Z

(10) MICAELA ALCAINO Q&A. At Axios, “Illustrator Micaela Alcaino says it’s OK to judge a book by its cover”.

What they’re saying: “When you go into a bookshop, you do pick up books that you like the look of … there’s power behind good cover design because it will draw people in before even the blurb,” Alcaino tells Axios Latino.

“So please, judge away,” she jokes.

State of play: Alcaino has come up with covers for popular authors like Isabel Allende and Jennifer Saint, and she has also done special editions of massive series, like George R. R. Martin’s “Song of Ice and Fire,” and collectible editions of Leigh Bardugo’s “Six of Crows” duology.

 She was a finalist for Best Professional Artist at the 2024 Hugo Awards, and was shortlisted for Designer of the Year at the British Book Awards after having already won the latter in 2022….

(11) BEST SCIENCE PICS OF THE YEAR. [Item by SF Concatenation’s Jonathan Cowie.] Nature has just posted its science pics of the year.  In the mix: the Etna volcano blowing rings; a Pratchett-like turtle but instead of carrying the world….; a neat picture of Jupiter taken by the Juno probe; meteors over Stonehenge; and Jaws…

These pics will appear in Nature’s double Christmas edition on Thursday December 19.  Apparently, in that edition the correspondence page features a letter from one wag known to Filers… 😉 [Click for larger images.]

(12) PERSEVERANCE CLIMB. [Item by SF Concatenation’s Jonathan Cowie.] Perseverance has just climbed 500 metres out of Jezero Crater on Mars reaching the top on 11th Dec to get quite a view. See video below. “Perseverance Rover Panorama of Mars’ Jezero Crater”.

Travel along a steep slope up to the rim of Mars’ Jezero Crater in this panoramic image captured by NASA’s Perseverance just days before the rover reached the top. The scene shows just how steep some of the slopes leading to the crater rim can be.

(13) VIDEO OF THE DAY. A multiplied Muppet performs “Ode To Joy”. Now we know why Beethoven didn’t score it for electrical instruments.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, David Langford, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/11/24 If You Stare At A Scroll Too Long, It Dissolves Into Pixels

(1) CITY TECH SF SYMPOSIUM. For Andrew Porter it was a short walk to yesterday’s City Tech SF Symposium in Brooklyn. He brought his camera with him and shot these photos during the “Asimov/Analog Writers Panel”.

L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, moderator Emily Hockaday, senior managing editor of Analog and Asimov’s SF magazines. Photo by and (c) Andrew Porter.
Emily Hockaday. Photo by and (c) Andrew Porter.
Sakina Hoefler. Photo by and (c) Andrew Porter.

(2) SKYWALKER SHELTERS IN PLACE. The Franklin Fire has forced several well-known celebrities to evacuate, but some haven’t left.

The Franklin fire is raging through California’s Malibu coast, causing evacuations and ravaging homes while some celebrities like Mark Hamill shelter in place.

Hamill took to Instagram on Tuesday to share with fans that he would not evacuate his California home, with the “Star Wars” star telling his 6.2 million followers on the platform to “stay safe.”

“We’re in lockdown because of the Malibu fires. Please stay safe everyone! I’m not allowed to leave the house, which fits in perfectly with my elderly-recluse lifestyle,” Hamill wrote.

Hollywood legend Dick Van Dyke is also one of the celebrities in the affected area, saying on Facebook that he evacuated the area with his wife Arlene.

The Franklin Fire continued to explode in size overnight and covers 3,983 acres as of Wednesday morning with 7% containment, according to CalFire. Late Tuesday night, officials said 2,667 had burned. It was fueled by strong Santa Ana winds and low humidity, a dangerous combination prompting red flag warnings in the region through Wednesday evening….

Others who have evacuated include Cher, Eagles rocker Don Henley, and Cindy Crawford.

(3) PRODUCERS GUILD AWARDS. Super/Man: The Christopher Reeve Story is a nominee in documentary category for the 36th annual PGA Awards. The complete list of nominated documentaries is at the link. That is the first and only PGA category announced so far.

(4) THESE GHOSTS WANT TO BE SEEN. [Item by Steven French.] The UK’s “Society of Authors calls for celebrity memoir ghostwriters to be credited” – the Guardian tells why.

The SoA’s call comes following writers expressing frustration in recent months about celebrities writing books at a time when author incomes are in decline. Last year, Stranger Things star Millie Bobby Brown was criticised over her novel, Nineteen Steps, which was ghostwritten by Kathleen McGurl. While Brown publicly acknowledged McGurl’s work in an Instagram post, critics said that McGurl’s name “should be on the cover”.

(5) GHOSTLY GIFTS. [Item by Steven French.] If anyone happens to be in the Chicago area: “Ghoulish Mortals – St. Charles, Illinois” in Atlas Obscura.

JUST WEST OF CHICAGO, THERE is a little spot of spooky in the charming downtown of St. Charles, Illinois. Ghoulish Mortals is made up of equal parts immersive haunted house-style vignettes, macabre art gallery, and pop culture collector gift shop.

Haunting organ music leads you down the quaint downtown sidewalks and into the dark mysterious doors. As you make your way exploring through the shop, you will travel through a haunted mansion, a fortune teller’s tent, an 80s living room inspired by Stranger Things, a killer clown circus, abandoned hospital operating room, cannibal swamp cabin, and even come face to face with Audrey II from Little Shop of Horrors

If you love horror movies, true crime, the occult, oddities, or fantasy, leaving this shop empty-handed is nearly impossible!

(6) SIMULTANEOUS TIMES PODCAST. Space Cowboy Books of Joshua Tree, CA presents episode 81 of “Simultaneous Times – Eric Fomley & Adele Gardner”. Stories featured in this episode:

(7) RHYSLING AWARD CHAIR NAMED. The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2025 Rhysling Award Chair will be Pixie Bruner.

Pixie Bruner (HWA/SFPA) is a writer, editor, mutant, and cancer survivor. She lives in Atlanta, GA, with her doppelgänger and their alien cats. Her collection The Body As Haunted was published in 2024 (Authortunities Press). She co-curated and edited Nature Triumphs : A Charity Anthology of Dark Speculative Literature (Dark Moon Rising Publications). Her words are in/forthcoming from Space & Time Magazine, Hotel Macabre (Crystal Lake Publishing), Star*Line, Weird Fiction Quarterly, Dreams & Nightmares, Angry Gable Press, Punk Noir, and many more. She wrote for White Wolf Gaming Studio. Werespiders ruining LARPs are all her fault.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Thirty-two years ago, The Muppet Christmas Carol premiered, directed by Brian Henson (in his feature film directorial debut) from the screenplay by Jerry Juhl. 

Based amazingly faithfully off that beloved story, it starred Michael Caine as Ebenezer Scrooge with a multitude of Muppet performers, to wit Dave Goelz, Steve Whitmire, Ed Sanders, Jerry Nelson, Theo Sanders, Kristopher Milnes, Russell Martin, Ray Coulthard and Frank Oz, to name just some of them. 

I must single out Jessica Fox as the voice of Ghost of Christmas Past, a stellar performance indeed. 

Following Jim Henson’s death in May 1990, the talent agent Bill Haber had approached Henson’s son Brian with the idea of filming an adaptation. It was pitched to ABC as a television film, but Disney ended up purchasing it instead. That’s why it’s only available on Disney+ these days. 

Critics in general liked it with Roger Ebert being among them though he added that it “could have done with a few more songs than it has, and the merrymaking at the end might have been carried on a little longer, just to offset the gloom of most of Scrooge’s tour through his lifetime spent spreading misery.” 

Ebert added of Caine playing Scrooge that, “He is the latest of many human actors (including the great Orson Welles) to fight for screen space with the Muppets, and he sensibly avoids any attempt to go for a laugh. He plays the role straight and treats the Muppets as if they are real. It is not an easy assignment.” 

They did give him his own song which showed us the cast.

Those songs were by Paul Williams, another one of his collaborations with the Jim Henson Company after working on The Muppet Movie.

Box office wise it did just ok, as it made twenty-seven million against production costs of twelve million, not counting whatever was spent on marketing. And that Christmas goose. 

Audience reviewers at Rotten Tomatoes currently give it a rather ungloomy rating of eighty-eight percent.

(9) COMICS SECTION.

(10) ‘INNER LIGHT’ WRITER HAS SHOW IN DEVELOPMENT. Inverse reports: “32 Years Later, One of Star Trek’s Most Celebrated Writers is Launching a Gritty Sci-Fi Show”.

The writer responsible for the most celebrated episode of Star Trek: The Next Generation, is launching a new gritty sci-fi series. As reported by Deadline, Morgan Gendel — writer of TNG’s “The Inner Light” — has just secured a deal with Welsh broadcaster S4C, Hiraeth Productions, Canada’s Fun Republic Pictures and Karma Film, to develop a new “eco-thriller” science fiction show currently titled Isolation. The in-development series will focus on an ensemble of characters attempting to combat climate change in the near future, who also encounter an extraterrestrial force capable of direct contact with human minds.

“There’s a whole ‘Inner Light,’ kind of linkage here, to the extent that both deal with alien technology and the human brain,” Gendel tells Inverse. “And you’ve got a team thrown together isolated from humanity to one extent or another. Those are not intentional [parallels]. My writing often puts people in a pressure cooker to see what emotions or truths boil out of them.”…

(11) SURREALISM OF GENRE INTEREST. John Coulthart assembles a gallery of “The art of Jean Ransy, 1910–1991” at { feuilleton }.

… All the same, Jean Ransy may fit the Surrealist bill even if he doesn’t seem to have had any lasting connections with those groups who regarded themselves as the official guardians of the Surrealist flame. Ransy was Belgian artist which makes him Surrealist by default if you subscribe to Jonathan Meades’ proposition that Belgium is a Surrealist nation at heart. (Magritte wasn’t a Surrealist, says Meades, he was a social realist.)

Ransy’s paintings appear at first glance like a Belgian equivalent of Rex Whistler in their pictorial realism and refusal to jump on the Modernist bandwagon. Whistler and Ransy were contemporaries (Whistler was born in 1905) but Whistler’s paintings were much more restrained even when outright fantasy entered his baroque pastiches. The “metaphysical” vistas of Giorgio de Chirico are mentioned as an influence on Ransy’s work so he was at least looking at living artists, something you never sense with Whistler. There’s a de Chirico quality in the tilted perspectives and accumulations of disparate objects, also a hint of Max Ernst in one or two paintings….

Le chemin de ronde au visage soleil (1985).

(12) JUSTWATCH SHARES 2024 TOP 10 LISTS. What were the most-watched movies and TV shows on streaming services in 2024? JustWatch compiled these year-end Streaming Charts based on user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >45 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

2024 was packed with standout streaming hits. Movies like “Civil War”, “Oppenheimer”, and “The Fall Guy” drew huge audiences with their mix of action and drama. On the TV side, shows like “Shogun”, “Fallout”, and our streaming charts champion “The Bear” kept viewers hooked all year long. Whether it was blockbuster films or binge-worthy series, there was something for everyone. These titles set the tone for another exciting year in entertainment.

(13) WE STAND CORRECTED. [Item by Steven French.] The Guardian says people have jumped to the wrong conclusion about an image in the trailer we ran yesterday: “Emaciated zombie in 28 Years Later is not Cillian Murphy, sources confirm”.

When the trailer for Danny Boyle’s belated zombie sequel 28 Years Later released on Tuesday, the less-than-rosy-cheeked appearance of the first film’s star, Cillian Murphy, did not escape comment.

A scene in which a strikingly skinny member of the undead suddenly rears up, naked, behind new star Jodie Comer was taken as confirmation of rumours that Murphy had returned for an appearance in the new film….

…Yet the Guardian can reveal that the actor playing “Emaciated Infected” in the film, due for release in June 2025, is not Murphy but rather newcomer Angus Neill.

Neill, an art dealer specialising in old masters, was talent-spotted by Boyle, who was much struck by his distinctive looks. Neill also works as a model, with his professional profile suggesting he has a 28-inch waist….

(14) VIDEO OF THE DAY. [Item by Mike Kennedy.] Ryan George takes us inside the “Elf Pitch Meeting” – one of the retro reviews stockpiled in anticipation of his baby arriving.

Will Ferrell is one of the most successful comedy actors of our time – but back in 2003, it was kind of a surprise to see him leading a Christmas movie as a giant non-elf. Elf ended up becoming a holiday classic, but it still raises some questions. Like what happened to that poor nun? Why didn’t the news reporter follow up on anything? Is Buddy the elf actually kind of creepy? So check out the pitch meeting that led to Elf to find out how it all came together!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/5/24 Some Scrolls In Life Are Bad, They Can Really Make You Mad

(1) DISTINGUISHABLE FROM MAGIC. Ted Chiang received the Humanist Inquiry & Innovation Award at the American Humanist Association’s 83rd Annual Conference, held virtually in September 2024. “This award honors those who have advanced human understanding and innovation in ways that uphold humanist values, work that exemplifies the power of inquiry and innovation to promote human dignity, freedom and progress.” This text is excerpted from Chiang’s acceptance speech at the Conference: “The Distinction Between Imaginary Science and Magic” at TheHumanist.com.

…The reason these [two example] stories feel different to me has to do with the way these stories treat this impossibility. One feels like it’s a story about an imaginary scientific discovery, while the other one feels like it’s a story about magic. I think that the difference in the way these stories feel points to something significant. If I’m told that a phenomenon is dependent on the practitioner, that makes me think it’s magic, because think of the ways that magic is commonly depicted.

Sometimes magic works only for people born with an innate gift. Sometimes magic only works for people who have purified their soul through years of study. Sometimes magic only works for people who have good intentions, or it works differently for different people, depending on whether their intentions are good or bad. Sometimes magic requires intense concentration to be effective, or it requires that you make a sacrifice.

None of these things are true of scientific phenomena. When you pass a magnet through a coil of wire, electric current flows no matter who your parents are or whether your intentions are good or bad. You don’t have to concentrate hard or offer a sacrifice in order for a light bulb to turn on. Electricity does not care.

One of the central criteria for a scientific result is that it be reproducible, that it be it can be recreated anywhere by anyone. It does not depend on a specific person’s presence or participation. If an experiment only works when one particular person conducts it, then we discard that data as spurious. When radio waves were first discovered, they might have seemed magical to the casual observer and the scientists who first transmitted messages via radio might have seemed like wizards because they were able to communicate over long distances using an invisible medium, but because radio waves are reproducible, because they don’t rely on any particular person’s participation, it eventually became possible to build radio transmitters and receivers by the thousands and then the millions, and now, literally anyone can use a radio. It is no longer restricted to a handful of scientists….

(2) WHAT YOUNG PEOPLE THINK. James Davis Nicoll recently presented George R. R. Martin’s “With Morning Comes Mistfall” (1973) to the Young People Read Old SFF panel.

November’s Young People Read Old Nebula Finalists features George R. R. Martin’s ​“With Morning Comes Mistfall”. First published in the May 1973 issue of Analog Science Fiction/Science Fact, ​“Mistfall” was nominated for the Nebula as well as the Hugo, losing the first to “ Love Is the Plan the Plan Is Death”, and the second to Le Guin’s ​“Those Who Walk Away from Omelas”.

I first encountered ​“Mistfall” in Lester del Rey’s Best Science Fiction Stories of the Year: Third Annual Collection.

I disagreed strongly with the apparent thesis — that looking for answers to interesting questions is the act of a buzzkill — but enjoyed the story enough start relentlessly hunting down Martin stories. One result is that I own at least three copies of this particular story, in the del Rey anthology, in A Song for Lya and Other Stories1, and in Portraits of His Children. I had the Analog back-issue until a flood ate my 1970s magazine collection. I have a shelf of Martin works and this story is why. 

Of course, there’s no guarantee the Young People will like the same stuff I enjoyed. Let’s find out what they thought….

(3) HBO CHIEF “TOTALLY COMFORTABLE” WITH ROWLING. “Harry Potter HBO Series to Film in Summer 2025 After 32,000 Auditions”Variety has the story.

Warner Bros. Discovery announced that its upcoming “Harry Potter” series will start shooting this summer at Leavesden, where the movies were also filmed.

During a presentation at the Warner Bros. Discovery’s headquarters in London on Thursday, showrunner Francesca Gardiner and director Mark Mylod revealed that the show had auditioned 32,000 kids for the lead roles, and that the casting team is currently reviewing between 500 and 1,000 audition tapes per day with the intent to watch every single one. Though he affirmed they haven’t made any final choices in regards to casting yet, Mylod said the next step will be to “workshop with some of our shortlisted candidates” in January.

Gardiner and Mylod also said they will be sticking to correct canonical ages for the characters: Severus Snape (potentially being played by Paapa Essiedu) will be in his 30s, while James and Lily Potter will be younger, as they were only 21 when they died. Mylod teased that for the adult characters, he’s looking to continue the tradition of “brilliant theater actors in the U.K.,” with the young actors of course all being newcomers….

… The run-up to the series has not been without controversy, however, as book author J.K. Rowling has continued to cause backlash with her views on transgender identity. However, HBO has stood by her side, telling Variety in a statement last month: “J.K. Rowling has a right to express her personal views. We will remain focused on the development of the new series, which will only benefit from her involvement.”

At Thursday’s event, HBO chief Casey Bloys doubled down on that sentiment, saying that he’s “totally comfortable” with Rowling’s involvement and “not concerned about consumer response.”…

But as Chris Barkley said when he sent the link, “Well, heh, he SHOULD BE concerned….”

(4) SECOND FIFTH. James Davis Nicoll recommends “Five SF Stories About Rebuilding After a Cataclysmic Event” at Reactor. One of his very interesting choices is:

Second Ending by James White (1961)

World War Three killed nine out of ten people, but enough infrastructure survived to support reliable hibernation. This is good news for terminally ill Ross. He can be placed into suspended animation until a cure is found for his disease. The results are a mixed success. Ross wakes, now healthy, to discover that humans have, during his long slumber, not only annihilated themselves but almost all life on Earth.

Fortune smiles on Ross. First, life may be (mostly) dead but there is an army of robots to carry out his orders. Second, thanks to the upturned cuffs of the clothes he wore on his way to cold sleep, a few seeds survived the apocalypse. Third, thanks to suspended animation, Ross has all the time he needs to oversee Earth’s terraforming… although he might be surprised to learn how long that will take.

For the most part, this short novel is a tribute to what one human can accomplish, given only determination, knowledge, and a vast army of relentlessly obedient, highly advanced robots. That said, Second Ending may feature the longest timescale needed for terraforming ever featured in a science fiction novel.

(5) I CAN’T SAY NO. Camestros Felapton knows readers can’t resist taking the hook dangled in “Robot Fabulas: Introduction”: “Welcome to Robot Fabulas, a series that is never quite about what it appears to be about”… I certainly can’t.

…This is an attempt to trace a history of science fiction by following one niche part of science fiction. Many things can be science fiction but rockets, space travel, time travel and robots all share a common quality that even when they discussed in factual terms (as theories or in some cases actualities) they have a science fictional quality to them.

The premise of Robot Fabulas is that there is a class of stories that I am calling “robot stories” that share a group of features to them. That these stories long predate anything we might call science fiction in the modern sense but which clearly influenced modern science fiction. We can recognise Pinocchio in Star Trek’s Commander Data and we can recognise Victor Frankenstein in Data’s inventor Doctor Noonien Soong. How ancient stories rooted in folk tales, legends or myth evolved into modern stories about invention, technology is the story of science fiction. I will follow robot stories because I can see that path from the past to the future most clearly.

I think this will be a fun journey….

(6) OUROBOROS TENDENCY. “Doctor Who showrunners warn AI scripts will ‘eat their own tail’” in the Guardian.

One of the masterminds behind Doctor Who has warned that the more AI content is used for creative purposes the worse its output will be because it “eats its own tail”.

Ahead of the Doctor Who Christmas special, eagerly awaited by fans as a centrepiece of BBC1’s festive schedule, Steven Moffat made the comments in discussion with fellow showrunner Russell T Davies.

“Human beings are amazingly cheap, we’re knocking out human beings every day. And unlike anything else in history, the more we use it, the less good it is,” Moffat told the Radio Times. “Because the more content that is out there produced by AI, the more it absorbs its own content, and eats its own tail.”

Davies, who was responsible for the modern revival of Doctor Who in 2005 and returned as showrunner in 2022, had wondered whether AI would replace screenwriters.

He replied to Moffat: “Television has been run on those principles for a very long time. You’ve just described most networks!”

(7) APEX BRINGS ABOARD MANAGING EDITOR. Darian Bianco has accepted the position of Managing Editor for Apex Book Company.

As managing editor, Darian will oversee the production, marketing, and distribution of the imprint’s titles. She’ll also be involved with acquisitions and catalog management.

Darian started her career in publishing as an intern for Apex eight years ago. Most recently, she has been a writing instructor for the Reach Your Apex educational arm of the business.

Apex Book Company editor-in-chief Jason Sizemore says this about Darian: “Darian’s intellect, organizational skills, and editorial acumen will be a boon for the company.”

Darian Bianco currently works as an adjunct professor teaching English at Eastern Kentucky University. She holds an MFA from the Bluegrass Writers Studio. She is also a graduate of the 2022-2023 season of the Author’s Academy at the Carnegie Center, having worked with Ashley Blooms. Her novel-in-progress, Chatter, was one of five winners for issue six of Novel Slices. She is represented by Alexandra Levick of Writers House, LLC.

(8) NOT VERY SOURCEFUL. The Columbia Journalism Review shares “How ChatGPT Search (Mis)represents Publisher Content” based on a Tow Center study.

ChatGPT search—which is positioned as a competitor to search engines like Google and Bing—launched with a press release from OpenAI touting claims that the company had “collaborated extensively with the news industry” and “carefully listened to feedback” from certain news organizations that have signed content licensing agreements with the company. In contrast to the original rollout of ChatGPT, two years ago, when publishers learned that OpenAI had scraped their content without notice or consent to train its foundation models, this may seem like an improvement. OpenAI highlights the fact that it allows news publishers to decide whether they want their content to be included in their search results by specifying their preferences in a “robots.txt” file on its website. 

But while the company presents inclusion in its search as an opportunity to “reach a broader audience,” a Tow Center analysis finds that publishers face the risk of their content being misattributed or misrepresented regardless of whether they allow OpenAI’s crawlers….

…In total, we pulled two hundred quotes from twenty publications and asked ChatGPT to identify the sources of each quote. We observed a spectrum of accuracy in the responses: some answers were entirely correct (i.e., accurately returned the publisher, date, and URL of the block quote we shared), many were entirely wrong, and some fell somewhere in between.

We anticipated that ChatGPT might struggle to answer some queries accurately, given that forty of the two hundred quotes were sourced from publishers who had blocked its search crawler. However, ChatGPT rarely gave any indication of its inability to produce an answer. Eager to please, the chatbot would sooner conjure a response out of thin air than admit it could not access an answer. In total, ChatGPT returned partially or entirely incorrect responses on a hundred and fifty-three occasions, though it only acknowledged an inability to accurately respond to a query seven times. Only in those seven outputs did the chatbot use qualifying words and phrases like “appears,” “it’s possible,” or “might,” or statements like “I couldn’t locate the exact article.”…

(9) HEY, BUDDY, HOW CAN I GET THIS CAR OUT OF SECOND GEAR? “NYC’s film industry is still ‘totally dead’ a year after the strikes — at least for some” says Gothamist.

A year after the writers’ and actors’ strikes that stalled the film and television industry, production activity in New York City remains stuck in low gear, according to city data and interviews with more than a dozen local actors, writers, executives and crew members.

“It’s been totally dead,” said Max Casella, a series regular on “The Sopranos,” “Marvelous Mrs. Maisel,” and other shows. “Nothing going on, no work, nothing.”

“There are just so many fewer ways to make a living in this industry now than ever,” said Nivedita Kulkarni, a comedian and actress with a 14-year career.

The past several years have been enormously challenging for many New Yorkers in the industry. First there were the pandemic shutdowns, which brought production to a halt. Then, there were the strikes that began in May 2023.

Nearly all the workers interviewed for this story described a dead summer and fall with few auditions and little work. In some cases, actors used to starring scenes have taken diminished roles, and minor actors or co-stars have taken work as background actors or extras.

Some have turned to trading cryptocurrencies and others have left the city altogether, no longer seeing it as a place where they might build a career in the industry.

“It’s not just a New York City shift, it’s an industry shift. It’s a national shift,” said Pat Kaufman, commissioner of the Mayor’s Office of Media and Entertainment.

Industry experts and sources expect the downturn to last several years at minimum, following larger changes in the entertainment industry’s business model. Many predict that New York City will likely remain a domestic production hotspot, but it may take years for employment to return to pre-pandemic levels.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: December 5, 1977Emmet Otter’s Jug-Band Christmas

Forty-seven years ago on CBC on this date, Emmet Otter’s Jug-Band Christmas film first aired. It would premiere a year later in the States on HBO.  It was based off of the children’s book of the same name by Russell Hoban and his wife Lillian Hoban. Russell Hoban you’ll no doubt recognize as the author of Riddley Walker which won a John W. Campbell Memorial Award. It was directed and produced by Jim Henson off the script by Jerry Juhl who was known for his work on The Muppet ShowFraggle Rock and Sesame Street.

The Muppets voice cast was Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, Dave Goelz, Marilyn Sokol and Eren Ozker. 

Paul Williams, who I was surprised to learn wrote Three Dog Night’s “An Old Fashioned Love Song” among quite a few other songs, composed the music and several songs here. This would not be his last such Muppets work as he would be involved in The Muppet Movie several years later among other of his Muppets projects. 

Reception was very positive with the New York Times comparing it to The Wind in The Willows saying and “These really are the nicest folk on the river.” It was Christmas season, blame that comparison on too much eggnog made way too strong if you want. And AV Critic said that “it was “The kind of Christmas special you could wrap in tissue when the season’s over and store carefully in a box in the attic.”   

Oh, and Bret McKenzie (you fans of The Hobbit films might recognize him) was writing the script and songs for a film adaptation of it which might be someday produced by The Jim Henson Company though it’s been years since that was announced. 

Yes, the Suck Fairy very much liked it. She even looked at her iPad mini to see what the audience reviewers at Rotten Tomatoes thought of it. She’s pleased to say that the more than five thousand people who had rated it gave it a hundred percent rating. After that, she put her iPad mini down, went back to stroking Pixel and watching the film. Again. Sentimental sop. 

For some reason unlike most Muppet properties, it is not streaming on Disney+ but on Peacock, but then Jim Henson’s The Storyteller is there and as well, seasonally appropriate, It’s A Very Muppet Christmas too. Not at all Muppet, but How The Grinch Stole Christmas isas well. 

(11) COMICS SECTION.

(12) A TRIBUTE. In “Why George R. R. Martin Broke the Cardinal Rule of Hollywood”, The Hollywood Reporter gives George R.R. Martin an opportunity to tell about his friendship with the late Howard Waldrop.

…“He was an amazing writer. There was no one like Howard.” And it’s not as if Waldrop’s career was without acclaim. But his peers, including Martin, worried about his finances and health towards the end of his life. With the financial success Martin enjoyed thanks to Thrones, he wanted to strike a deal to turn some of Waldrop’s stories into short films, but it wasn’t easy.

“It’s hard to get anyone to finance a short film,” Martin tells THR. “Movie theaters don’t want to show short films. I own a movie theater myself, so I know that. And it’s hard to get the big studios to make them. I tried for a number of years… I finally gave up.”

Then the author decided to break “the cardinal rule of Hollywood.”

With Waldrop’s health deteriorating, Martin was determined to honor his friend by bringing his work to the big screen. “The cardinal rule of Hollywood is: never use your own money. I broke that. I [thought], ‘God damn it, I’m gonna use my own money,’” he adds. “So we put these films into production — three of them are now finished. Two more are in post-production.”

The Ugly Chickens, starring Felicia Day (SupernaturalThe Guild), has been shot alongside adaptations of Waldrop’s short stories Mary-Margaret Road Grader and Night of the Cooters. The movies are now screening on the festival circuit, with Chickens already securing a best short film nomination at the HollyShorts Film Festival (the Oscar-qualifying short film fest based in Los Angeles) …

(13) CAVES OF QUD EMERGES FROM 15 YEARS OF ‘EARLY ACCESS’. Polygon enthuses: “A beloved indie RPG just launched after 15 years in early access”.

Caves of Qud isn’t a new game by any means. Over 15 years of development, Freehold Games has built a community of passionate players over a long period of early access. But on Wednesday, Caves of Qud finally enjoyed a 1.0 launch, and is available for sale on SteamItch.io, and GOG.

It’s not easy to categorize Caves of Qud, because it covers so much ground — quite literally, since it’s generating an entire world full of ancient ruins, toxic jungles, scattered settlements, mutants, beasts, clones, sentient bears, and mysterious robots. It’s advertised as a “science fantasy roguelike epic” and a “deep simulation” that allows the players to do basically anything. Thanks to all the technology and magic of the setting, that can be anything from arguing with a sentient plant to becoming a spider and trapping your enemies in webs.

The 1.0 update adds a tutorial to teach the basics of the game, which was sorely needed, and adds a final quest to the main questline that initiates the end of the game. There are several new music tracks, as well as sound effects. Players can also earn 40 new achievements, find new items, and enjoy lots of minor bug fixes and quality of life changes….

And PC Gamer has a fuller description of gameplay in its “Caves of Qud review”.

(14) YOU BE CAREFUL OUT THERE AMONG THEM ENGLISH. See how easy it is to write rhyming verse in our native tongue?

(15) OVERTHINKING THINGS. “How ‘Dune: Prophecy’ will explore war against ‘thinking machines’” at Entertainment Weekly.

It’s true that fear is the mind-killer — but a laser blast from a giant robot can also be pretty lethal. 

HBO’s upcoming prequel series Dune: Prophecy is set to explore the history of author Frank Herbert’s sci-fi universe, including something that’s never been seen on screen in any of the multiple movie adaptations of Dune — namely, the war against “thinking machines” that took place tens of thousands of years before the birth of Paul Atreides….

… But the whole reason there are “human computers” in the Dune universe in the first place is because the actual computers were all destroyed in a massive war! Viewers of Dune: Prophecy will see glimpses of that war in the opening moments of this Sunday’s premiere episode….

… The actual show is set years after the end of the Butlerian Jihad, but its lingering shadow hangs over the proceedings….

(16) MUSK FRIEND WILL BE NASA ADMINISTRATOR. “Trump chooses billionaire astronaut Jared Isaacman to run NASA” reports NPR.

President-elect Donald Trump has chosen billionaire astronaut Jared Isaacman to be the next administrator of NASA….

…Isaacman made headlines earlier this year when he became the first private astronaut to conduct a spacewalk. The five-day mission took place using a capsule built by Elon Musk’s company SpaceX. During the flight, Isaacman and SpaceX engineer Sarah Gillis donned space suits supplied by the company and floated briefly outside the capsule.

It was Isaacman’s second trip to space using a SpaceX capsule. He has declined to say how much he’s paid the company for the two flights.

Isaacman is a friend of Musk, and his online payment company, Shift 4, has extensive financial ties to SpaceX. According to financial disclosure documents, Shift 4 had invested $27.5 million dollars in SpaceX as of 2021. That same year, Shift4 announced a five-year partnership that would make it the payment platform for Starlink, the satellite internet service run by SpaceX.

If confirmed as NASA administrator, Isaacman would oversee billions of dollars in contracts that the government has awarded to SpaceX. He would also be in a position to funnel more money to Musk’s company.

“Isaacman is likely to favor ambitious and innovative commercial projects,” says Tim Farrar, president of TMF Associates, which analyzes the space business. “Many of those projects could well be executed by SpaceX.”

In fact, in previous posts on Musk’s social media platform X, Isaacman appears to have shown a strong preference for SpaceX. He has supported allowing SpaceX to increase its launches out of California, after lawmakers there voted to restrict its flights from Vandenberg Air Force Base. He’s also been critical of NASA’s Space Launch System (SLS) to carry astronauts to the moon, as well as the agency’s decision to award a lunar landing contract to Blue Origin, the spaceflight company of Amazon founder Jeff Bezos….

(17) ON THE ROAD. [Item by SF Concatenation’s Jonathan Cowie.] The starship Enterprise ran on antimatter which sort of explains why Scotty looked a tad nervous when saying ‘the engines canna take it’. So consider today’s Nature which reports on “Antimatter being transported outside a lab for first time — in a van”   

The volatile substance will be driven across the CERN campus in trucks to different facilities, giving scientists greater opportunities to study it….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, N., Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/14/24 Pixelling Pigeons In The Scroll

(1) SEATTLE WORLDCON 2025 SHORT STORY CONTEST. The Seattle Worldcon 2025 today announced a short story writing contest with adult and young adult entry categories. The winners in each category will be recognized at the convention, receive free memberships to the convention, and have their stories published in an upcoming anthology by Grim Oak Press. Full details at the link: “Writing Contest – Seattle Worldcon 2025”.

Stories must draw inspiration from the Worldcon theme: Building Yesterday’s Future–For Everyone. This theme was selected to invoke nostalgia for the hopeful science-fictional era of the early 1960s, when Seattle held its first (and until now, only) Worldcon, followed up by the Century 21 Exposition (a.k.a. 1962 World’s Fair), showing the world a vision of its technological future, complete with freshly built Monorail and Space Needle.

(2) WHEN BAD NEWS IS BIG NEWS. Charlie Jane Anders answers the question “Why Are Toxic ‘Superfans’ Such a Nightmare for Hollywood?”

…But even if @Fanboy3997 is not a king-maker, he can do a certain amount of damage to a franchise. This is at least partly a reflection of the fact that the internet, like so many other media before it, does a better job of boosting negativity and hate than spreading anything positive. (“If it bleeds, it leads.”)

Disgruntled fans can help to shape the narrative about a project in various ways.

1) They can drown out the people who actually like it.

2) They can even harass anybody who expresses enthusiasm for a project they don’t like.

3) They can do the aforementioned review bombing, and harass actors and creators.

4) They can create the appearance of a major backlash, even if it’s really just five people and an swarm of bots.

5) And, though journalists will never admit it, a angry fans have a major ally in the journalistic profession, which will assist in blowing their complaints way out of proportion and creating a fake controversy in order to manufacture drama that in turn will lead to eyeballs on news sites.

To some extent, this is what happened with Star Wars: The Last Jedi, a movie that was a massive financial success and one of the most successful movies of all time, with an “A” on Cinemascore (signifying that audiences in theaters overwhelmingly loved it.) What I’m convinced were a relatively small number of fans had a meltdown, which probably would’ve had a limited impact if journalists hadn’t chosen to run with it and create a news cycle around the backlash. That, in turn, led to the notion that 

(3) IDENTIFYING DANGER. “INTERVIEW: J. Michael Straczynski” at Grimdark Magazine asks JMS in the context of his work on Last Dangerous Visions.

[GdM] Can you explain your perspective, and, by extension, Ellison’s, on what makes a story “dangerous” in speculative fiction?

[JMS] The distinction you draw is correct, in terms of how this relates to speculative or science fiction. There has been a lot of hard-edged, socially challenging writing in other forms and genres. Alan Ginsberg’s Howl, Jack Kerouac’s On the Road, the raw emotionalism of Lawrence Ferlinghetti’s A Coney Island of the Mind, JD Salinger’s Catcher in the Rye…all of them pushed the frontiers of writing, and many of them got banned or ended up in court on obscenity charges. But they kept on writing, because it was necessary to take a stand for literary freedom.

The SF genre was (and to a degree still is) fairly conservative and, seeing what happened to the writers noted above, tended to steer clear of controversy. This persisted up until the time of Harlan’s first Dangerous Visions anthology and the slow birth of New Wave Science Fiction (with writers like Michael Moorcock, Ursula K. Leguin, Samuel R. Delany and others poking at the walls of conservatism) which DV codified from individual efforts into a movement.

What makes a story dangerous in speculative fiction? Anyone who is willing to risk controversy, to speak to the flaws of society, to sexual and political issues even though they might get in trouble as a result. Harlan once wrote that “the chief commodity a writer has to sell is their courage,” and for me, that’s what a dangerous vision is all about: a story that requires a modicum of courage to tell it.

(4) FIRST FANDOM ANNUAL 2024. Editors John L. Coker III and Jon D. Swartz invite fans to order the First Fandom Annual 2024, devoted to a “History of the Sam Moskowitz Award”.

Sam Moskowitz, I-Con XIV (1995), Long Island, NY. Photo by John L. Coker III
  • Remembering Sam Moskowitz
  • The Sam Moskowitz Archive Award
  • The Sam Moskowitz Collection

Articles by Sam, photographs With Hal W. Hall, David A. Kyle, Robert A. Madle, Julius Schwartz, Jon D. Swartz, Ph.D., Joseph Wrzos

Fifty-six pages, 28# paper, heavy gloss color covers, printed endpapers, face-trimmed, saddle-stitched, B&W interiors, with color illustrations throughout.

Limited to (26) copies, available for $35. each (includes packaging, Priority Mail, insurance).  Please send check or money order for $35 (payable to John L. Coker III) at 4813 Lighthouse Road, Orlando, FL – 32808.

(5) ALTERNATE BATMAN. [Item by Danny Sichel.] Paul Dini found some notes in his car on which he had long ago written alternate ideas for the resolution to Batman Beyond.

(6) ART HENDERSON (1942-2024). Virginia fan Art Henderson died October 12 at the age of 82. He is survived by his wife, Becky.   

Art and Becky Henderson at the 1974 Worldcon. Photo by and (c) Andrew Porter.

(7) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born October 14, 1952 Charlie Williams. (Died 2021.) Fan artist Charlie Williams first came to prominence as a regular contributor to Chat, the Chattanooga clubzine published by Rich and Nicki Lynch. He also later appeared in all 30 issues of their Hugo-winning genzine Mimosa.

Williams was a member of the Knoxville Science-Fantasy Federation and in the 1970s, he owned a comics store in Knoxville and taught cartoon illustration at the University of Tennessee. At one time he was a member of the Spectator Amateur Press Association. He was guest of honor at Imagincon ’81 (1981), Con*Stellation II (1983), and Roc*Kon 8 (1983).

Williams loved to draw complex, inventive scenes several of which are displayed below, including a cover for an issue of File 770 from the Eighties.

A “Homage to Howard”
A “Homage to Howard”

(8) COMICS SECTION.

  • Brewster Rockit discovers the reason for a recent space event.
  • Eek! obviously thinks it’s “threat or treat”.
  • Lio has a classic reference.
  • The Argyle Sweater missed an update.
  • Macanudo underrates genre reading.
  • Tom Gauld knows about speed reading.
  • And he’s had better days.

(9) POLITICAL COMICS. The makers of the “Stop Project 2025 Comic” website say:

We’re a group of comic book writers & artists who are furious about Project 2025, The Heritage Foundation’s plan to consolidate power under authoritarian rule. So we made a bunch of comics to explain their agenda and move you to vote against it.

(10) VIDEO GAME WITH NUANCE. “Metaphor: ReFantazio is the rare fantasy game that goes beyond racism 101” declares The Verge’s reviewer.

…But Metaphor is more than just a stylish, dynamic RPG — it’s also the rare fantasy story that tackles discrimination with nuance.

In a lot of fantasy, I’m annoyed by the storytelling conceit of using discrimination against fantasy races as an allegory for real-world racism. Stories featuring this trope usually stop at the “racism is bad” surface level, demonstrating that with ugly over-the-top displays of violence (hey there, Dragon Age) while ignoring the subtleties that make racism so heinous and pervasive. Metaphor manages to incorporate and tackle both aspects of this reality. 

There’s a moment when you’re reading a fantasy book with a companion, and they mention that realizing their goal of a world where everyone is treated equally won’t be enough. “Equal competition doesn’t mean equal footing,” Heismay says. It’s the first time I’ve seen a video game acknowledge that simply stopping the big bad evil racist won’t magically make up for the countless generations of oppression. The game does the same with class and wealth. There’s a character vying for the throne who wishes to essentially “eat the rich” and redistribute their wealth at the point of a guillotine. But by virtue of her extremely low status, she sees everybody with more than a few coins to rub together as her ideological enemy. It’s just like when people in poverty lash out at other people a little bit less in poverty when their real enemies are the wealthy powerholders who exploit that animosity. It’s awesome that the game calls that out….

(11) SPACE DETECTIVE WORK. NASA’s JPL announces “First Greenhouse Gas Plumes Detected With NASA-Designed Instrument”.

The imaging spectrometer aboard the Carbon Mapper Coalition’s Tanager-1 satellite identified methane and carbon dioxide plumes in the United States and internationally.

Using data from an instrument designed by NASA’s Jet Propulsion Laboratory in Southern California, the nonprofit Carbon Mapper has released the first methane and carbon dioxide detections from the Tanager-1 satellite. The detections highlight methane plumes in Pakistan and Texas, as well as a carbon dioxide plume in South Africa.

The data contributes to Carbon Mapper’s goal to identify and measure greenhouse gas point-source emissions on a global scale and make that information accessible and actionable.

(12) ANNUAL APPARITION. “It’s Spirit Halloween season. How does the retailer stay afloat year-round?” NPR tried to find the answer.

SELYUKH: It is unusual. To be clear, it is a private company – Spirit Halloween – so we don’t know for sure, all of the under-the-hood stuff. They do skip the most expensive parts of being a retailer. That’s kind of how they save a lot of money on rent, utilities, workers. If you think about it, their stores – most of them are not permanent. Most of the store workers are temporary. Much of the year, Spirit Halloween mainly pays a big team to scout real estate locations, looking for empty store fronts. Then in late summer, the hustle starts for new stores to materialize. They’ve built over 1,000 of them.

RASCOE: That has to be a really big operation, like, turning all of these empty spaces into stores.

SELYUKH: It is, and it is very fast, too. You know, last year, I talked to a woman who worked at a mall where Spirit Halloween took over shuttered Sears, and she was describing an insane speed, like a matter of days. And I should say, I have tried a few times to get a tour of how Spirit Halloween works in an empty store or at least an interview with some official, and they don’t do interviews.

RASCOE: So you got ghosted. You see what I did there….

(13) EUROPA CLIPPER LAUNCHES. “NASA spacecraft rockets toward Jupiter’s moon Europa” and AP News wishes it bon voyage.

A NASA spacecraft rocketed away Monday on a quest to explore Jupiter’s tantalizing moon Europa and reveal whether its vast hidden ocean might hold the keys to life.

It will take Europa Clipper 5 1/2 years to reach Jupiter, where it will slip into orbit around the giant gas planet and sneak close to Europa during dozens of radiation-drenched flybys.

Scientists are almost certain a deep, global ocean exists beneath Europa’s icy crust. And where there is water, there could be life, making the moon one of the most promising places out there to hunt for it.

Europa Clipper won’t look for life; it has no life detectors. Instead, the spacecraft will zero in on the ingredients necessary to sustain life, searching for organic compounds and other clues as it peers beneath the ice for suitable conditions…

(14) COMET A3 FROM THE DC SUBURBS OF MARYLAND. [Item by Rich Lynch.] An iPhone photo…I just held the phone as steady as I could and hoped for the best. I’m actually amazed that it worked!

For those wanting to see the comet, this evening it’s located halfway between Venus and Arcturus, and remains visible for probably a couple of hours after the sun has set.

(15) TAKE INSPIRATION FOR YOUR HALLOWEEN BAKING. “Swedish chef making a pumpkin pie” – a Muppets excerpt.

(16) IN NO TIME AT ALL. Boing Boing says “’Skip Danger vs the Space-Time Continuum’ is a hilarious anti-time travel movie”.

…A  wonderfully self-aware homage to Back to the Future and Hot Tub Time Machine — minus, perhaps, the actual time machine. 

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, N., Danny Sichel, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]