Pixel Scroll 5/1/19 The Pixel That Can Be Scrolled Is Not The True Pixel

(1) FUTURE TENSE. This month’s entry in the Future Tense Fiction series is “The Song Between Worlds” by Indra Das, author of the award-winning novel The Devourers.

Each month, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives—publishes a story on a theme. The theme for April–June 2019: space settlement.

It was published along with a response essay “What Would Sound Be Like on Mars?” by the astronomer Lucianne Walkowicz of the Adler Planetarium.)

… Sound is a relatively simple physical phenomenon, but the way our minds shape it can be complex. It’s a wave, but not the same kind of wave one might see in the ocean, where the medium (water, in the case of the ocean) travels toward or away from us. If sound waves were like ocean waves, we would not be able to speak to one another without blowing a constant breeze toward the listener, which is (generally speaking) not what happens. Rather, sound waves travel by creating collisions between the molecules of air between us and the origin of the sound….

(2) SURVEILLANCE STATE. In The Atlantic, Lily Meyer reviews “Two ambitious new novels build techno-futures in which surveillance offers disturbing new threats” — “Science Fiction’s Preoccupation With Privacy”.

…The only character in Dark Constellations not interested in controlling others is Piera, a disaffected Stromatoliton biologist whose alienation from her male co-workers and from the overreach of her company leads her to cut herself off—from people, and from broader systems. She privately refers to her employer as “the animal of the state unleashed,” but remains at Stromatoliton, satisfying her voyeuristic curiosity even as the future of Argentine privacy is in question. With Piera, Oloixarac seems to underscore the impossibility of stepping away from power in a world in which science overrides ethics. Piera may consider herself an observer rather than a participant, but she remains complicit in the global expansion of surveillance….

(3) BRIANNA WU. Media people covering last weekend’s synagogue shooting in San Diego tapped Brianna Wu for comment about the shooter’s 8chan connection.

…Whether the Internet is creating hate groups or just serving as a gathering place, one thing has become clear: What happens online doesn’t stay there.

Brianna Wu is a software engineer who lives in Massachusetts. In 2014, she was targeted in something called Gamergate, in which men threatened female video game players and developers. The harassment started mainly on 8chan.

“They threw bricks through my windows. They sent me hundreds upon hundreds of death threats, rape threats,” Wu says. “I’ve had people from 8chan follow me around just to let me know, ‘I’m near you and could hurt you if I wanted to.’ “

Wu, who is running for Congress, says the solution is simple. “We need dedicated FBI agents that understand online culture to look at these kinds of extreme crimes and prosecute them,” she says.

…The message is trickling to the campaign trail. Brianna Wu, a software engineer who is running as a Democrat for a House seat in Massachusetts, told me she is “angry” that law enforcement has not done more to rein in 8chan, which has also been connected to the circulation of child pornography and is a place where people are frequently doxxed. 

After Wu herself was targeted on the website in 2014 with death threats during the Internet culture war known as Gamergate, she says she says she documented “tons of illegal activity” on 8chan and shared her findings with the FBI. She believes it’s possible the recent shootings could have been avoided if law enforcement took greater action, she said, and wants to increase funding for the FBI to investigate online crime if elected to Congress. 

“We need to fund a specific task force within the FBI that is very tech literate and tasked to prosecute these types of online crimes,” she said. More from Wu:

(4) CAMERAS ROLL ON PICARD. They’ve begun to “Make it so” — “Star Trek: Patrick Stewart’s Picard TV Show Starts Filming” at ScreenRant.

With a mix of old and newcomer talent on both sides of the camera, the Picard series looks to follow in Discovery‘s footsteps and blend old-fashioned Star Trek tropes with fresh sci-fi ideas and a more modern tone. Of course, this show has an advantage over CBS All Access’ first Star Trek series in that it’s not a prequel and has more freedom to play around with its storytelling, as opposed to having to work around classic lore and mythology. Something like the Star Wars sequel trilogy has certainly gotten a passionate fan response by bringing back old characters for new adventures, so it’ll be very interesting to see how Trekkies take to Picard’s story continuing by comparison.

(5) CARL BRANDON ORIGIN STORY. The Jeanne Gomoll-edited Carl Brandon, by and about the hoax fan Terry Carr co-created long ago, is available for order from Lulu ($16.00).

Terry Carr recounts the invention of an imaginary black science fiction fan named Carl Brandon, one of the field’s most (in)famous hoaxes. In addition to Carl Brandon’s complete history, this volume includes his J.D. Salinger parody, “The Cacher of the Rye;” a more current parody by Carl Brandon 2.0, “The Kvetcher on the Racists;” and an essay by Samuel R. Delany, “Racism and Science Fiction.” To quote Carr: “In the late fifties, several of the fans of the Bay Area…presented fandom with a new fanwriter who was quickly acclaimed as one of the best writers around and who was, not incidentally, the first prominent fan who was black.” Read the book for more of this fascinating tale. All proceeds go to the Carl Brandon Society, which promotes discussions on race at conventions and conferences, and through its support of the Parallax and Kindred literary awards, and the Octavia E. Butler Memorial Scholarship Fund.

(6) JOHN SLADEK. The paperback edition of New Maps: The Uncollected John Sladek was informally launched at the UK Eastercon and the promised ebook is now available reports David Langford. Both can be ordered from Ansible Editions. Trade paperback 9″ x 6″, 255pp, ISBN 978-0-244-15877-4. $20 plus local postage from Lulu.com: click button below. Ebook in the usual formats at £5.50: again, click button below.

(7) FREE DOWNLOAD. Of more fannish interest, a free ebook reissue of Terry Carr’s 1986 collection Fandom Harvest has been posted on David Langford’s TAFF page as an incitement to give generously to the fund. He adds, “Many thanks to Bob Silverberg for allowing his 1986 introduction to be included and to the original publisher John-Henri Holmberg for his afterword and general approval. Carol Carr has given her blessing to this reissue.”

Langford further notes – “For anyone interested in acquiring the Sladek or the Brandon paperback: both are published via Lulu.com, which currently has a 15%-off discount code ONEFIVE that’s good until 2 May.”

(8) HARLEQUIN ART. The Bristol Board features nine pieces of Steranko art done for an edition of a Harlan Ellison story.

Repent Harlequin, said the Tick-Tock Man!, a portfolio of illustrations by Jim Steranko, done as an adaptation of a short story that was written by Harlan Ellison. the last plate is a 3-D pinup.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 1, 1905 Edna Mayne Hull. Wife of A.E. van Vogt. And yes, she too wrote genre fiction. Her initial sale, “The Flight That Failed”, appeared in the November 1942 issue of Astounding Science Fiction under chosen author credit of “E.M. Hull” though eventually she used her own name. She has but one novel of her own, Planets for Sale, and one with her husband, The Winged Man, and only a dozen stories, one with A.E. Van Vogt & James H. Schmitz. (Died 1975.)
  • Born May 1, 1924 Terry Southern. Screenwriter and author of greatest interest for the screenplay from Peter George’s original novel, Two Hours to Doom (as by Peter Bryant) of Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb directed (and in part written) by Stanley Kubrick. He was also involved in scripting Barbarella. (Died 1995.)
  • Born May 1, 1946 Joanna Lumley, 73. No, she was no Emma Peel, but she was definitely more than a bit appealing in the New Avengers as Purdey. All twenty-six episode are out on DVD. Her next genre out was Sapphire & Steel whichstarred David McCallum as Steel and her as Sapphire. Skip forward nearly near twenty years and find her playing The Thirteenth Doctor in The Curse of Fatal Death in Comic Relief special. 
  • Born May 1, 1948 Terry Goodkind, 71. You obviously know he is. I’ve read some of the Sword of Truth series. It’s ok, but not really my cup of Earl Grey Tea Hot. Epic fantasy isn’t something that I really read a lot of to be honest preferring epic sf instead. 
  • Born May 1, 1952 Andrew Sawyer, 67. Librarian by profession, critic and editor as well who an active part of fandom. He is the Reviews Editor for Foundation: The International Review of Science Fiction. I’ve also got him doing Upon the Rack in Print, a book review column in Interzone and elsewhere and contributing likewise the Rust Never Sleeps column to Paperback Inferno as well. He hasn’t written much fiction, but there is some such as “The Mechanical Art” in the Digital Dreams anthology.
  • Born May 1, 1955 J. R. Pournelle, 64. That’s as in Jennifer, the daughter of the Jerry we know. She’s here because she wrote Outies (Mote Series Book 3) which I confess she sent me a digital galley of years ago but I still need to take a look at. The first novel in the series is great. 
  • Born May 1, 1956 Phil Foglio, 63. He won the Best Fan Artist Hugo Award in 1977 and 1978. He later did work for DC, First and Marvel Comics including the backup stories in Grimjack. He and his wife are responsible for the exemplary Girl Genius, a three-time Best Graphic Story Hugo winner.
  • Born May 1, 1957 Steve Meretzky, 62. He co-designed the early Eighties version of The Hitchhiker’s Guide to the Galaxy video game with the full participation of Douglas Adams. SF Encyclopedia notes that he did also a space opera themed game, Planetfall and its sequel A Mind Forever Voyaging in the Eighties as well. He also did the definitely more erotic Leather Goddesses of Phobos as well. 

(10) DC WOULDN’T HAVE NEEDED A SEQUEL. On CBR.com, Vivian Achieng thinks MCU characters are relatively wimpy and there are at least “25 DC Characters That Are More Powerful Than Thanos.”

When we talk about the MCU blockbuster, Avengers: Infinity War, we cannot fail but mention the wrecking ball that was Thanos, and his infinity gauntlet of course. For the very first time, earth’s mightiest heroes, The Avengers, look to have met their match. All their powers, tech and a snarky Star-Lord were not powerful enough to stop Thanos’ crusade to save the universe. Fingers crossed for Captain Marvel. The superheroes of the Marvel Cinematic Universe can appear to be underpowered compared to other superheroes. This isn’t a knock on Captain America or Iron Man or the rest, but they don’t compare characters from other franchises. If characters from other universes happened to show up in Infinity War, we think the fight against Thanos would have ended a tad differently. In fact, some wouldn’t even need the support of the Avengers and could take the Mad Titan out all on their own.

Granted, Thanos is not an easy walk over. Without the Infinity Gauntlet, he is as strong or stronger than Thor with fair speed to match, he is pretty much indestructible, and has scientific knowledge greater than anyone on Earth, which in turn makes him a master strategist. He also has access to cosmic power which he can use to release blasts from his hands and eyes. With the Infinity Gauntlet, however, he can manipulate all of reality, time, space and the minds and souls of others. He looks pretty unbeatable, right? Wrong! Here is a list of 25 characters from Marvel’s arch enemies, DC, which can very well handle the threat that is Thanos….

(11) RIPLEY! BELIEVE IT OR NOT. “Sigourney Weaver surprises high school cast of Alien: The Play”CNET has the story.

… “I’m so excited to be here,” Weaver told them. “I’m representing all the Alien fans from all over the universe … I think what you’re doing is so cool and so important.”

Another video shows one high school student yelling, “I love you, you’re my childhood hero! I can’t believe you’re here right now!” before hugging Weaver.

The whole play is online –

(12) SFF IN TRANSLATION. Rachel Cordasco’s “Love in the New Millennium [Why This Book Should Win]” is one in a series of thirty-five posts about every title longlisted for the 2019 Best Translated Book Awards

Love in the New Millennium by Can Xue, translated from the Chinese by Annelise Finegan Wasmoen (Yale University Press)

Love in the New Millennium is a work of operatic magical realism; a book with many layers, many shifting romantic relationships, and no clear plot. Like Frontier, one of Can Xue’s previous novels, Love invites us into the hazy, sometimes frustratingly-elusive worlds of a handful of characters, many of whom are desperately trying to find a “home.”…

(13) CHALLENGE FOR THE WIKIPEDIA. UnDark discusses “What a Deleted Profile Tells Us About Wikipedia’s Diversity Problem”

You’ve probably never heard of Clarice Phelps. If you were curious, you might enter her name into Google. And, if you had done so anytime between September of last year and February of this year, you would likely have found her Wikipedia entry. The nuclear scientist is thought to be the first African-American woman to help discover a chemical element; she was part of the Oak Ridge National Laboratory team that purified the radioactive sample of berkelium-249 from which the new element, tennessine, was created. But on February 11, 2019, in the middle of Black History Month and on the International Day of Women and Girls in Science, Phelps’s page was deleted. The optics, as they say, weren’t good.

The deletion came after a brief but intense dispute between Wikipedia contributors over whether Phelps met the site’s criteria for notability. Ordinarily, such editorial spats are considered a feature of the crowdsourced encyclopedia, not a bug. If one of the site’s hundreds of thousands of active contributors mistakenly or purposely adds incorrect information, the wisdom of the crowd will ensure that truth prevails.

But in the case of Phelps, the crowd made the wrong call, and the site’s rules facilitated that. The entire spectacle revealed just how much work remains to be done to address the systemic biases that disproportionately keep women and people of color out of Wikipedia’s pages.

(14) UNLIKELY STEPS. Scoffers can’t believe the discovery, or that military authorities tweeted about it — “‘Yeti footprints’: Indian army mocked over claim”.

The Indian army has claimed to have found footprints of the yeti, sparking jokes and disbelief on social media.

The army tweeted to its nearly six million followers on Monday that it had discovered “mysterious footprints of mythical beast ‘Yeti’ at the Makalu Base Camp [in the Himalayas]”.

(15) IT BITES. CNN’s AJ Willingham says “The ‘Sonic the Hedgehog’ trailer is out and people are having visceral reactions to it”.

https://twitter.com/marrowing/status/1123225691900657664

People are weird about teeth, and always have been. According to dental researcher Rosemary Wells, ancient cultures had a variety of ways of dealing with baby teeth, as described in her essay “The Making of an Icon: The Tooth Fairy in North American Folklore and Popular Culture:”

(1) the tooth was thrown into the sun; (2) thrown into the fire; (3) thrown between the legs; (4) thrown onto or over the roof of the house, often with an invocation to some animal or individual; (5) placed in a mouse hole near the stove or hearth or offered to some other animal; (6) buried; (7) hidden where animals could not get it; (8) placed in a tree or on a wall; and (9) swallowed by the mother, child or animal.

That’s right, people have historically been so freaked out by teeth they used to THROW THEM INTO THE SUN. Dental anxiety is real! You can’t just stick a full set of veneers in any old cartoon character and expect people to not be traumatized!

(16) PTERRY WEEPS. Chip Hitchcock advises a trigger warning should accompany BBC’s video: “Leuser rainforest: Baby orangutans rescued from Indonesia’s pet trade”.

Baby orangutans on the island of Sumatra are being captured and sold as pets, but charities are working to rescue the animals and confront the owners.

(17) HIGH-PRICED COLLECTIBLE. “Star Wars Bib Fortuna toy prototype sells for £36k” – BBC has the story.

A prototype of a Star Wars toy has sold for £36,000 at auction.

The 1980s master model of Bib Fortuna, a male Twi’lek who lived on Tatooine, had an estimate of £12,000.

It sold at Thornaby-based Vectis Auctions along with prototypes of an ewok called Logray which fetched £12,000, and an Emperor’s royal guard which reached £28,800.

Auctioneer Kathy Taylor said the three “relatively unknown” characters had “beaten all expectations”.

They had been made in America by Kenner for the production of the toys in Europe by Palitoy, which was based in Coalville, Leicestershire.

…Ms Taylor said the master models are larger and more detailed than the final figures sold in toy shops.

(18) RESISTANCE. Season 3 of The Handmaid’s Tale arrives June 5 on Hulu.

[Thanks to Martin Morse Wooster, Joey Eschrich, Andrew Porter, Carl Slaughter, Mike Kennedy, Chip Hitchcock, JJ, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

2019 Prix Bob Morane

Winners of the 2019 Prix Bob Morane were announced on March 11.

The Prix Bob Morane is a French literary prize named for a fictional adventurer created by Belgian writer Henri Vernes in the 1950s. 

The selections were made by a jury of French professionals — writers, journalists, critics, collection curators. The current members of the award jury are, Marc Bailly, Christophe Corthouts, Cathy Martin, Philippe Paygnard, Pascal J. Thomas, Isabelle Arnaud, Noé Gaillard, Éric Vial, L’équipe Phenixweb, and Gabrielle Staelens,

Roman francophone / French novel

  • Estelle Faye : Les nuages de Magellan, Scrineo

Roman traduit / Translated novel

  • Ben H. Winters : Underground Airlines, ActuSF (translated by Éric Holstein)

Nouvelles / Short Stories

  • Neil Gaiman : Signal d’alerte : Fictions courtes et dérangements, [Trigger Warning] Au diable Vauvert (translated by Patrick Marcel)

Coup de cœur / Favorites

  • Anthologie : SOS terre et mer, Flatland

[Via Locus Online.]

2019 Best Translated Book Awards Longlists

The Millions released the “Best Translated Book Awards Names 2019 Longlists” on April 10, containing 25 novels and 10 poetry collections.

Listed novels tinged with sff (to a greater or lesser extent) are:

  • Dézafi by Frankétienne, translated from the French by Asselin Charles
  • Bottom of the Sky by Rodrigo Fresán, translated from the Spanish by Will Vanderhyden
  • Moon Brow by Shahriar Mandanipour, translated from the Persian by Khalili Sara
  • Transparent City by Ondjaki, translated from the Portuguese by Stephen Henighan
  • Lion Cross Point by Masatsugo Ono, translated from the Japanese by Angus Turvill
  • The Governesses by Anne Serre, translated from the French by Mark Hutchinson
  • Öræfï by Ófeigur Sigurðsson, translated from the Icelandic by Lytton Smith
  • Codex 1962 by Sjón, translated from the Icelandic by Victoria Cribb
  • Fox by Dubravka Ugresic, translated from the Croatian by Ellen Elias-Bursac and David Williams.

The full lists are here.

Thanks to grant funds from the Amazon Literary Partnership, the winning authors and translators will each receive $5,000. The finalists for both the fiction and poetry awards will be announced on Wednesday, May 15.

2019 Prix Imaginales Finalists

The 2019 Prix Imaginales finalists have been announced. The awards will be given at Imaginales, the Festival of the Imaginary Worlds in Épinal, France, which will take place from May 23 to May 26, 2019.

The Prix Imaginales recognize the best works of fantasy of the year published in France in six categories, with a prize of 1,000 euros for the first five categories and 500 euros for the last two.

A jury composed of critics, journalists and specialists selected the nominees: Jacques Grasser (Président), Jean-Claude Vantroyen (Vice-président), Annaïg Houesnard (Secrétaire), Stéphane Wieser (Directeur du Festival), Christophe de Jerphanion, Natacha Vas-Deyres, and Frédérique Roussel.

[NOTE: The Prix Imaginales is a different award than the Grand Prix de l’Imaginaire.]

Catégorie roman francophone / French novel

  • Robert DARVEL, Femmes d’argile et d’osier (Les moutons électriques)
  • Catherine DUFOUR, Entends la nuit (L’Atalante)
  • Patrick K. DEWDNEY, L’enfant de poussière et La Peste et la vigne (Au Diable Vauvert)
  • Patrick MORAN, La Crécerelle (Mnémos)
  • Marge NANTEL, Dans l’ombre des miroirs (1115)
  • Nicolas TEXIER, Opération Sabines (Les moutons électriques)

Catégorie roman étranger traduit / Foreign Novel translated into French

  • Charlie Jane ANDERS, Tous les oiseaux du ciel [All the Birds in the Sky] (Nouveaux Millénaires), translated by Laurent QUEYSSI
  • Kij JOHNSON, La quête onirique de Vellitt Boe [The Dream-Quest of Vellitt Boe](Le Bélial), translated by Florence DOLISI
  • Dmitri LIPSKEROV, Le dernier rêve de la raison [Last Dream of Reason] (Agullo), translated by Raphaëlle PACHE
  • Ed Mc DONALD, Blackwing tome 1, La marque du corbeau [Blackwing, Raven’s Mark #1](Bragelonne), translated by Benjamin KUNTZER

Catégorie jeunesse / Youth category

  • Mel ANDORYSS, Le Passageur-L’enfant et le coq (Lynks)
  • Anthony COMBREXELLE, Presque minuit (404)
  • Estelle FAYE et Nancy PENÀ, Les Guerriers de glace (Nathan)
  • Fabien FERNANDEZ, Dust Bowl (Lynks)
  • Pascaline NOLOT, Les Orphelins du sommeil (Chat Noir)

Catégorie illustration / Illustration

  • Mélanie DELON, Shâhra-Les masques d’Azr’ Khila, de Charlotte BOUSQUET (Mnémos)
  • Daniel BALAGE, La cité exaague, Les nouveaux mystères d’Abyme, tome 1, de Mathieu GABORIT (Mnémos)
  • Daniel ÉGNEUS, Le Dogue noir, de Neil GAIMAN (Au Diable Vauvert)
  • Nancy PENÀ, Les Guerriers de Glace, avec Estelle FAYE (Nathan)

Catégorie nouvelle / Short Story

  • Neil GAIMAN, Signal d’Alerte [Trigger Warning](Au Diable Vauvert)
  • Ketty STEWARD, Confession d’une séancière (Mü)
  • Victor LAVALÉE, La Ballade de Black Tom, [The Ballad of Black Tom] (Le Bellial)

Catégorie prix spécial du Jury / Special Jury Award

  • Anne BESSON, Dictionnaire de la Fantasy (Vendémiaire)
  • Alexandre SARGOS, Entretiens avec Pierre Bordage (Au Diable Vauvert)
  • JACK VANCE, Lyonesse Intégrale (Mnémos)
  • Thierry DI ROLLO, Bankgreen Intégrale (Le Bélial)

2019 Grand Prix de l’Imaginaire Finalists

The 2019 Grand Prix de l’Imaginaire finalists have been announced, winnowed from the jurors’ first round longlist.

Congratulations to everyone whose works in French translations made the shortlist — Marie Brennan, Ian McDonald, Neal Stephenson, Jodi Taylor, Adrian Tchaikovsky, and Ben H. Winters, for their novels, and Neil Gaiman, Carolyn Ives Gilman, Tendai Huchu, Linda Nagata, and Mike Resnick for their short fiction.

The awards will be presented on June 9 at the Étonnants Voyageurs festival in Saint-Malo, France.

The jurors for the award are Joëlle Wintrebert (president), Jean-Luc Rivera (vice-president), Bruno Para (assistant secretary), Jean-Claude Dunyach (treasurer), Sylvie Allouche, François Angelier, Audrey Burki, Olivier Legendre, Sylvie Le Jemtel, Jean-Claude Vantroyen. The Secretary (not a member of the jury) is Pascal Patoz.

Roman francophone / Novel in French

  • BonheurTM de Jean BARET (Le Bélial’)
  • Dernières fleurs avant la fin du monde de Nicolas CARTELET (Mü Éditions)
  • Le Cycle de Syffe, tomes 1 & 2 de Patrick K. DEWDNEY (Au diable vauvert)
  • Rouille de Floriane SOULAS (Scrineo)
  • Les Pierres et les Roses, tomes 1 à 3 d’Elisabeth VONARBURG (Alire)

Roman étranger / Foreign Novel

  • Mémoires, par Lady Trent, tomes 1 à 5 de Marie BRENNAN (L’Atalante) [The Memoirs of Lady Trent, volumes 1-5]
  • Luna, tomes 1 & 2 de Ian McDONALD (Denoël) [Luna: New Moon and Luna: Wolf Moon]
  • Anatèm, tomes 1 & 2 de Neal STEPHENSON (Albin Michel) [Anathem]
  • Les Chroniques de St Mary, tomes 1 & 2 de Jodi TAYLOR (Hervé Chopin) [The Chronicles of St. Mary’s, volumes 1 and 2]
  • Dans la toile du temps d’Adrian TCHAIKOVSKY (Denoël) [Children of Time] (Interestingly, the literal translation of the French title is In the Web of Time; this is a book about spider people)
  • Underground Airlines de Ben H. WINTERS (ActuSF)

Nouvelle francophone / Short Fiction in French

  • H+ de Pierre BORDAGE (in Dimension Technosciences @ venir, Rivière Blanche)
  • Ex silentio d’Olivier CARUSO (in Bifrost n°91)
  • La Déferlante des Mères de Luc DAGENAIS (in Solaris n°207)
  • Le Patient aveugle de Cécile LADJALI (in L’Autre siècle, Fayard)

Nouvelle étrangère / Foreign Short Fiction

  • La vérité est une caverne dans les Montagnes noires de Neil GAIMAN (in Signal d’alerte, Au diable vauvert) [“The Truth Is a Cave in the Black Mountains”, from the collection Trigger Warning: Short Fictions and Disturbances]
  • Voyage avec l’extraterrestre de Carolyn Ives GILMAN (in Bifrost n°91) [“Touring With the Alien”]
  • OrgHôtes de Tendai HUCHU (in Galaxies n°55) [“HostBods”]
  • L’Obélisque martien de Linda NAGATA (in Bifrost n°89) [“The Martian Obelisk”]
  • Retour à la maison de Mike RESNICK (in Galaxies n°54) [“Homecoming”]

Roman jeunesse francophone / Novels for youth in French

  • Rhizome de Nadia COSTE (Seuil Jeunesse)
  • Les Plieurs de temps, tomes 1 à 4 de Manon FARGETTON (Rageot)
  • Power Club, tomes 1 à 3 d’Alain GAGNOL (Syros)
  • La Mémoire des couleurs de Stéphane MICHAKA (Pocket Jeunesse)
  • Roslend, tomes 1 à 3 de Nathalie SOMERS (Didier Jeunesse)

Roman jeunesse étranger / Foreign novels for youth

  • Diego et les rangers du Vastlantique d’Armand BALTAZAR (Bayard) [Diego and the Rangers of the Vastlantic]
  • L’Anti-magicien, tomes 1 & 2 de Sebastien DE CASTELL (Gallimard Jeunesse) [Spellslinger and Shadowblack]
  • L’Ars Arcana de Lisa MAXWELL (Casterman) [The Last Magician]
  • Shades of Magic, tomes 1 à 3 de V.E. SCHWAB (Lumen) [A Darker Shade of Magic, A Gathering of Shadows, A Conjuring of Light]
  • La Faucheuse, tomes 1 et 2 de Neal SHUSTERMAN (Robert Laffont) [Scythe and Thunderhead]

Prix Jacques Chambon de la traduction / Jacques Chambon Translation Prize

  • Michelle CHARRIER pour Les Livres de la Terre fracturée, tomes 1 à 3 de N.K. JEMISIN (Nouveaux Millénaires) [The Broken Earth Trilogy]
  • Jacques COLLIN pour Anatèm, tomes 1 & 2 de Neal STEPHENSON (Albin Michel) [Anathem]
  • Mélanie FAZI pour Sixième du crépuscule de Brandon SANDERSON (Livre de Poche) [the collection Sixth of the Dust]
  • Francis GUÉVREMONT pour Invasion de Luke RHINEHART (Aux Forges de Vulcain) [Invasion]
  • luvan pour Amatka de Karin TIDBECK (La Volte)

Prix Wojtek Siudmak du graphisme / Wojtek Siudmak Graphic Design prize

  • Armand BALTAZAR pour Diego et les rangers du Vastlantique d’Armand BALTAZAR (Bayard) [Diego and the Rangers of the Vastlantic]
  • Adrian BORDA pour Musiques d’Outre-mondes, dirigée par Eric Lysøe (Arkuiris)
  • Nicolas FRUCTUS pour La Quête onirique de Vellitt Boe de Kij JOHNSON (Le Bélial’) [The Dream-Quest of Vellitt Boe]
  • Jamie GREGORY pour Marqués d’Alice BROADWAY (Pocket) [Ink]
  • Jeam TAG pour Rétrofictions de Guy COSTES & Joseph ALTAIRAC (Encrage)

Essai / Essay

  • Dictionnaire de la fantasy dirigé par Anne BESSON (Vendémiaire)
  • Comment parler à un alien ? Langage et linguistique en science-fiction de Frédéric LANDRAGIN (Le Bélial’)
  • Libère-toi cyborg ! le pouvoir transformateur de la science-fiction féministe de ïan LARUE (Cambourakis)
  • Hors des décombres du monde de Yannick RUMPALA (Champ Vallon)

Prix special

  • Guy COSTES & Joseph ALTAIRAC for their career as scholars and collectors over 40 years, exhibited in their monumental work Rétrofictions. Encyclopédie de la Conjecture Romanesque Rationnelle Francophone (Encrage)

2019 Seiun Award Nominees

The 2019 Seiun Award nominees were announced April 7. The award has nine categories. Below are the categories for translated works, and a few other categories of international interest.

The awards will be presented July 27 at the 57th national Japan SF Convention.

FOREIGN NOVEL

  • Mecha Samurai Empire by Peter Tieryas. Translated by Naoya Nakahara
  • Artemis by Andy Weir. Translated by Kazuko Onoda
  • We Are Legion by Dennis E. Taylor. Translated by Hiroshi Kaneko
  • Provenance by Ann Leckie. Translated by Hideko Akao
  • Walking Gods by Sylvain Neuvel. Translated by Chiori Sada
  • Six Wakes by Mur Lafferty. Translated by Takeshi Mogi
  • Seveneves by Neal Stephenson. Translated by Masamichi Higurashi

FOREIGN SHORT STORY

  • “The Circle” by Liu Cixin. Translated by Naoya Nakahara
  • “The Martian Obelisk” by Linda Nagata. Translated by Naoya Nakahara
  • “Liar’s House” by Lucius Shepard. Translated by Masayuki Uchida
  • “Monster in the Midest” by Julio Toro San Martin. Translated by Yoshio Nomura
  • “P?evychování” by Jan Barda. Translated by Kiyomi Hirano
  • “Between Nine and Eleven” by Adam Roberts. Translated by Masayuki Uchida
  • “Cybertank vs. Megazillus” by Timothy J Gawne. Translated by Akinobu

MEDIA DIVISION

ART CATEGORY

Editor’s Note: I have followed the translations shown in the Wikipedia article for the first two categories.

Astrid Lindgren Memorial Award 2019

Bart Moeyaert

Flemish author Bart Moeyaert is the winner of the Astrid Lindgren Memorial Award 2019, the world’s largest award for children’s and young adult literature. The award amounts to 5 million Swedish krona (approx. $613,000 or EUR 500 000) and is given annually to a single laureate or to several.

Bart Moeyaert was born in 1964 and lives in Antwerp, Belgium. He made his debut at age 19 with the award-winning novel Duet met valse noten (1983). His large and diverse body of work includes more than 50 titles, ranging from picture books and YA novels to poetry. His critically acclaimed books have been translated in more than 20 countries. He also writes television screenplays and stage plays, has translated a number of novels, and teaches creative writing.

“When I was nine I read Astrid Lindgren’s books and the world of Astrid Lindgren was like my own family and the real world was like hers. And later I saw that her world was about inclusion. And that was comforting because I was a loner in my big family since I was the youngest. And this influenced my work. I want to broaden the borders of children’s literature,” says Bart Moeyaert when he was informed about the award.

The jury’s citation reads:

Bart Moeyaert’s condensed and musical language vibrates with suppressed emotions and unspoken desires. He portrays relationships at crisis point with a cinematic immediacy, even as his complex narratives suggest new ways forward. Bart Moeyaert’s luminous work underscores the fact that books for children and young people have a self-evident place in world literature.

Body of work: Bart Moeyaert works in shades of grey. He draws no easy lines between good and evil, heroes and villains. Instead, he puts complex relationships under the loupe. We find motives for his characters’ actions in the periphery of the stories: perhaps an absence, or a brokenness, or some lack we sense but never see. Nor does Moeyaert serve up clear-cut happy endings. Instead, the onward path reveals itself in a comprehension of the circumstances and in the characters themselves.

Selected books: His latest novel, Tegenwoordig heet iedereen Sorry (Everybody’s Sorry Nowadays), was published in October 2018 and is a razor-sharp, emotionally charged portrait of twelve-year-old Bianca. The masterpiece Het is de liefde die we niet begrijpen (1999, It’s Love We Don’t Understand) tells the story of a family coming apart at the seams, as seen through the eyes of a fifteen-year-old girl. The pulse-racing drama Blote handen (1995, Bare Hands), winner of the Deutscher Jugendliteraturpreis, describes a boy’s tumultuous feelings and takes place on an eventful New Year’s Eve. In the autobiographical Broere (2002, Brothers), Moeyaert writes with warmth and humor about growing up as the youngest of seven brothers. The book was adapted for the stage (with Moeyaert himself in a role) and received the prestigious Woutertje Pieterse Prijs.

[Based on a press release.]

2019 Kurd Laßwitz Preis Shortlist

The finalists for the 2019 Kurd Laßwitz Preis have been posted.

The award is named after German author Kurd Laßwitz and was first given in 1981. It is given to works written in or translated into the German language and published during the previous year.

The award winners will be announced November 2 at the 11th Penta-Cons, a literary symposium on science fiction to held in the Palitzsch Museum of Dresden, Germany.

Best German Science-Fiction Novel

  • Canopus by Dirk van den Boom
  • Ewiges Leben by Andreas Brandhorst
  • Die Tiefe der Zeit by Andreas Brandhorst
  • NSA – Nationales Sicherheits-Amt by Andreas Eschbach
  • Die Schwärmer by Willi Hetze
  • Hologrammatica by Tom Hillenbrand
  • Miakro by Georg Klein
  • Hexenmacht by Kai Meyer
  • Terra by T.S. Orgel
  • Die Tyrannei des Schmetterlings by Frank Schätzing
  • Roma Nova by Judith C. Vogt

Best German Short Prosa

  • Trolltrupp by Galax Acheronian
  • Eine Million Affen by Andrewas Fieberg
  • Baum Baum Baum by Heidrun Jänchen
  • Confinement by Thorsten Küper
  • Acht Grad by Stefan Lammers
  • Auferstehung des Fleisches by Frank Neugebauer
  • Die Wettermaschine by Lothar Nietsch
  • In der Grube by Matthias Ramtke
  • Enola in Ewigkeit by Thomas Sieber
  • Coming Home by Tetiana Trofusha
  • Omose by Wolf Welling

Best Foreign Science-Fiction Book (translated into German):

  • Die Gabe [The Power] by Naomi Alderman
  • Zwischen zwei Sternen [A Closed and Common Orbit] by Becky Chambers
  • Walkaway [Walkaway] by Cory Doctorow
  • Eiswelt [Early Riser] by Jasper Fforde
  • Autonom [Autonomous] by Annalee Newitz
  • New York 2140 [New York 2140] by Kim Stanley Robinson
  • Ich bin viele [We Are Legion] by Dennis E. Taylor
  • Die Kinder der Zeit [Children of Time] by Adrian Tchaikovsky
  • Central Station [Central Station] by Lavie Tidhar

Best Translation

  • Zoë Beck for the translation of Van der Notwendigkeit, den Weltraum zu ordnen [The Need for Better Regulation of Outer Space] by Pippa Goldschmidt
  • Karin Betz for the translation of Der dunkle Wald [Three Body Trilogy, Band 2] by Cixin Liu
  • Kirsten Borchardt for the translation of Eiswelt [Early Riser] by Jasper Fforde
  • Juliane Gräbener-Müller for the translation of Der Aufstieg und Fall des D.O.D.O. [The Rise and Fall of D.O.D.O.] by Neal Stephenson and Nicole Galland
  • Bernhard Kempen for the translation of Der Zwillingseffekt [The Punch Escrow] by Tal M. Klein
  • Jürgen Kangkowski for the translation of Walkaway [Walkaway] by Cory Doctorow
  • Pia Oberacker-Pilick for the translation of Fragmente einer Fabel [Fragmentos de una fabula] by Vlad Hernandez
  • Pia Oberacker-Pilick for the translation of Elf kuftige Zeiten [Once tiempos del futura] by Carlos Suchowolski
  • Jakob Schmidt for the translation of New York 2140 [New York 2140] by Kim Stanley Robinson
  • Sabine Thiele for the translation of Die Gabe [The Power] by Naomi Alderman
  • Anne-Marie Wachs for the translation of Keine Zeit verlieren [No Time to Spare] by Ursula K. Le Guin

Best Radioplay

  • Anne Krüger, Supermarkt
  • Felix Kubin, Die Maschine steht still
  • Mareike Maage and Theresa Schubert, A.I.R. Artificial Intelligence Rebellion
  • Thoas von Steinaecker, Die Astronautin

Best Cover Art or Illustration

  • Nicole Altenhoff for the cover of Tiefsommer by Jesko Habert
  • Lothar Bauer for the cover of Sylvej by Axel Kruse
  • Stefan Böttcher for the cover of Gegen unendlich 12 edited by Michael J. Awe, Andreas Fieberg, and Joachim Pack
  • Stefan Böttcher for the cover of Gegen unendlich 14 edited by Michael J. Awe, Andreas Fieberg, and Joachim Pack
  • Mario Franke for the cover of Exodus 37 edited by Rene Morau, Olaf Kemmler and Fabian Tomaschek
  • Jan Hoffman for the cover of phantastich! 71 edited by Klaus Bollhofener
  • Michael Hutter for the cover of Gegen unendlich 13 edited by Michael J. Awe, Andreas Fieberg, and Joachim Pack
  • Detlef Klewer for the cover of Scherben edited by Michael Schmidt
  • Michael Marrak for the cover of Die Reise zum Mittelpunkt der Zeit
  • Michael Vogt for the cover of phastastich! 70 edited by Klaus Bollhofener

Special Award for Extraordinary Achievements

  • Klaus N. Frick for 20 years as chief editor of Perry Rhodan
  • Ronald M. Hahn, Michael K. Iwoleit, and Helmuth W. Mommers for founding and publishing Nova Magazin, and Olaf G. Hilscher, Frank Kebben and Michael Haitel for the continuation and co-editorship [of the magazine]
  • Hardy Kettlitz for his nonfiction trilogy Die Hugo Awards
  • Thorsten Kuper for his Second-Life-Lesungen
  • Edward D. Marwitz for lifelong commitment, Hansecons and Confact
  • Jürgen Schütz, for the German-language edition of the works of James Tiptree Jr. (11 volumes)
  • Peggy Weber-Gehrke and Rico Gehrke for their Verlag fur Modern Phantastik, offering a platform for sf novellas
  • Jörg Weigand for his decades of service to German Science Fiction as an Author, Editor, and Journalist

2018 James Tiptree Jr. Award

The James Tiptree, Jr. Literary Award Council has selected Gabriela Damián Miravete as the winner of the 2018 Tiptree Award for her short story “They Will Dream In the Garden,” translated by Adrian Demopulos and published online by Latin American Literature Today (May 2018).

The James Tiptree Jr. Award is presented annually to works of science fiction or fantasy that explore or expand the understanding of gender and gender roles.

About the Winner: The citation calls “They Will Dream In the Garden”

…A beautifully written and translated story [that] uses the future tense to imagine a Mexico in which femicides are already part of history. In a collective attempt by survivors to preserve memory and justice, traces of the minds of the murdered women are encapsulated in interactive holograms “living” in a beautiful garden. The story looks at the economic, social, and racial dimensions of violence against Mexican women today, focusing on indigenous women, poverty, and unemployment, on repression of women’s educational opportunities, and of women’s ability to move about freely. The story hints at positive change as some women decide to fight back through collective action, mutual support, and self-defense, eventually shifting the public perception of gendered violence and improving the actions of the next generation. By offering a possible look into the future, far from giving the sense of a closed chapter, the story itself is a device of memory preservation, a call to action, and a fine example of science fiction as a tool for feminist exploration and social change.

Each year, a panel of judges selects the Tiptree Award winner. The 2018 judges were Margaret McBride (chair), Marina Berlin, Ritch Calvin, and Arrate Hidalgo.

The 2019 panel of judges will be chaired by Carol Stabile, and reading will begin soon.

About the Honor List: In addition to selecting the winners, the judges choose a Tiptree Award Honor List. The Honor List is a strong part of the award’s identity and is used by many readers as a recommended reading list. These notes on each work are excerpted and edited from comments by members of this year’s jury. This year’s Honor List is:

A collection of delightful, thought-provoking stories that fulfill the intended purpose of normalizing diverse pronouns as well as suggesting that the binary can be broken or even left behind. Buchanan writes: “In English, the personal pronouns we’re most used to are he and she. Not only do these require the speaker to know the gender of the person they’re talking about, but they only properly cover two genders. Humans don’t always fit in these boxes.” This collection addresses thecomplaint that people find it hard to learn new pronoun sets. Buchanan writes that the answer is to normalize new pronouns — “in conversation, yes, but also in our stories, in fiction, in all media. In stories about spaceships and about magic, heroism and exploration, families and home.” As an added bonus, the authors and editor make recommendations for other works to read.

This ghost story set in a small depressed Ontario town in the 1990s explores concepts around sexual agency and slutdom with extraordinary doses of humanity, humor, and lyricism. With issues of women’s sexual autonomy being currently (and always) very much under the spotlight, the author presents myriad ways in which the book’s characters’ sexualities clash with (or struggle under) patriarchal power structures and lays them across queerness, whiteness, poverty, religious and moral values, and public opinion. Through the eyes of the protagonist and of the queer ghost who is haunting her, the reader experiences the pains and thrills of inhabiting a gendered, sexualized, queer body in this story full of caustic language and powerful images. WARNING: descriptions of child sexual abuse and adult suicide.

This cerebral, investigative novel presents a future society in which humans have divided into Paxans and Outsiders. Paxans are committed to “a collegial, laterally organized meritocracy.” In this technologically advanced society, Paxans spend only a small portion of their lives in “meatspace” and the majority of their lives in virtual realities, inhabiting and conversing with their secondary and tertiary bodies, which represent selected and isolated aspects of their consciousness. Paxans have been given FTL travel by an alien race they call Delta Pavonians, and some women, cis and trans, are able and willing to undergo body modification and training to be able to communicate with the aliens. The story traces the mystery of a second alien planet, La Femme, and its telepathic inhabitants. The novel is an absorbing exploration of the many ramifications of the notion of gender and the myriad ways in which it is represented and exploited. 

  • Meg Elison, “Big Girl” Fantasy and Science Fiction (November/December 2017)

 A story about a common problem in society—fat shaming. This is especially a problem for women, both white and of color, and for teens who lack self-confidence and easily fall prey to ads and movie portrayals. With satirical condemnation of society and media reactions, this story portrays how internalizing the perceived norms of “feminine” leads to low self-esteem.

    As the cover promises, so the book delivers: 15 graphic short stories by “seventeen women, demigirls, and bi-gender creators of color.” The rich heart-warming fantasy stories deal with folk tales, fairy tales, disability, immigration, race, grandmothers, baking, depression, romance, and much more magic. This anthology is a good way to find authors you’ll want to read again, and a great display of the dramatic potential and innovative storytelling in contemporary comics today. 

An anthology of over 30 short stories and poems. About half were originally published in Glittership Magazine, and all have queer themes and characters. “The Little Dream” by Robin M. Eames (in which a character wears a t-shirt that reads “IN SPACE NO ONE CAN HEAR YOU INSIST THERE ARE ONLY TWO GENDERS”) and “Graveyard Girls on Paper Phoenix Wings” by Andrea Tang are particularly recommended. A wonderful variety of stories and a great way to find authors you want to read more of.

Because of a plague that kills men more frequently than women, one society in this polluted future has mostly women. But men still have more power and women still need to fear sexual assault. The other society is all women — many with special powers, including doublers who have multiple clone births, “starfish” who can grow new body parts, and girls given special treatment so they can help breast feed the multiple babies. The religion is Mother-based. A beautifully written novel.

This album follows the struggles, joys, incarceration, and eventual liberation of a queer, Black woman who is punished by a system that seeks to “cleanse” her of all elements in her life that deviate from the norm. She is sent to a prison in which her memories (each of which is a separate music video and an ode to mutual love in rebellion) will be erased. The workers in charge of the erasure, who sit back and enjoy the memories prior to destruction, serve as a sharp metaphor of the white supremacist, cisheteropatriarchal system that is obsessed with Black bodies and creativity while still remaining profoundly anti-Black. This concept album forms a cohesive science fictional narrative, introducing futuristic elements in a way that is rarely seen so explicitly in the medium, opening up new pathways for the musical exploration of feminist science fiction.

This story portrays a culture in which gender pronouns change depending on a multitude of factors for each individual at any given time. This story shows a character at the beginning of a new life whose sense of identity is affected by this new language with a multitude of unfamiliar pronouns. The story also touches on issues of immigration, poverty, unemployment, romance, and building a new family. The reader is given linguistic issues and endearing characters in a well-done story.

This young adult novel was translated from Swedish. In it, a society of women (in groups acknowledging the Maiden, Mother, and Crone) live apart from a patriarchal world. They populate their society by rescuing women and girls from poverty, evil men, and lack of education. The leader of the Abbey is the First Mother. This story is told in the time of the 32nd First Mother. The women of the Abbey preserve knowledge within a vast library. The novel ends with the narrator, a teenage girl, deciding to go back out into the world to see if she can help change how men and women see themselves and one another.

This visceral story with vivid writing explores in a literalized way the dysphoria that can come with being trans. The monster in the basement works as both a powerful metaphor and a plot device.

The Tiptree Award judges also recognize Adrian Demopulos, the translator of “They Will Dream in the Garden,” with a special honor for a wonderful translation.

In addition to the honor list, the jury also compiled a “long list” of twenty-eight other works they found worthy of attention. A complete list with publication information can be found at on the Tiptree website here.

The Tiptree Award winner, along with authors whose works are on the Honor List, will be celebrated at WisCon in Madison, Wisconsin during Memorial Day weekend. The winner will receive $1000 in prize money, a specially commissioned piece of original artwork, and (as always) chocolate.

The Tiptree Award invites everyone to recommend works for the award. Please submit recommendations via the recommendation page of Tiptree Award website. On the website, you can also donate to help fund the award and read more about past winners and works the Award has honored.

More background on the Tiptree Award: For more than 25 years, the award has been seeking out work that is thought-provoking, imaginative, and perhaps even infuriating. Its goal is to encourage writers who are examining gender roles and imagining futures that are very different from today.

The James Tiptree Jr. Award was created in 1991 to honor Alice Sheldon, who wrote under the pseudonym James Tiptree, Jr. By her choice of a masculine pen name, Sheldon helped break down the imaginary barrier between “women’s writing” and “men’s writing.” Her insightful short stories were notable for their thoughtful examination of the roles of men and women in our society.

Since its inception, the Tiptree Award has been an award with an attitude. As a political statement, as a means of involving people at the grassroots level, as an excuse to eat cookies, and as an attempt to strike the proper ironic note, the award has been financed through bake sales held at science fiction conventions across the United States, as well as in England and Australia. Fundraising efforts have included auctions conducted by Ellen Klages and Sumana Harihareswara, the sale of t-shirts and aprons created by collage artist and silk screener Freddie Baer, and the publication of four anthologies of award winners and honor-listed stories. These anthologies, along with other Tiptree publications, can be purchased through tiptree.org/store.

Premio Italia 2019 Shortlist

Congratulations to Cixin Liu, Ian McDonald, Lavie Tidhar, Robert Charles Wilson, and Walter Jon Williams who (along with the late Arthur Machen) are nominees in the International sf novel category of the  2019 Premio Italia.

The awards will be presented on May 11 at Starcon 2019.

Illustrazione o copertina / Illustration or Cover

  • Alexa Cesaroni, Dalla Terra alle stelle, Edizioni Della Vigna
  • Claudia Mongini, Dietro le quinte del cinema di fantascienza volume 1, Edizioni Della Vigna
  • Franco Brambilla, Naila di Mondo9, Oscar Fantastica – Mondadori
  • Luca Pavan, Starcon Locandina Nov.2018, Ultimo Avamposto
  • Vincenzo Bosica, Dimensione Cosmica n. 1, Tabula Fati

Curatore / Editor

  • Alessandro Iascy
  • Emanuele Manco
  • Giorgio Raffaelli
  • Giuseppe Lippi
  • Luigi Petruzzelli
  • Massimo Romani
  • Sandro Pergamenno

Traduttore / Translator

  • Anna Manfredini
  • Chiara Reali
  • Lia Tomasich
  • Luigi Petruzzelli
  • Paola B. Cartoceti

Collana / Collection

  • Biblioteca dell’immaginario, Hypnos
  • Cocktail, Edizioni Della Vigna
  • Future Fiction, Future Fiction
  • Futuro Presente, Delos Digital
  • Odissea Digital Fantascienza, Delos Digital

Rivista professionale / Professional magazine

  • Andromeda, Lettere Elettriche
  • Delos Science Fiction, Delos Books
  • Dimensione Cosmica, Tabula Fati
  • FantasyMagazine, Delos Books
  • Inside Star Trek Magazine, Ultimo Avamposto

Rivista o sito web non professionale / Fanzine or fan web site

Saggio / Essay

  • Andrea Tortoreto, Filosofia della fantascienza, Mimesis Edizioni
  • Carmine Treanni, Il futuro è adesso. Il grande libro della fantascienza, Homo Scrivens
  • Giovanni Mongini e Mario Luca Moretti, Dietro Le Quinte Del Cinema Di Fantascienza – Volume 1, Edizioni Della Vigna
  • Michele Tetro, Robert E. Howard e gli eroi della Valle Oscura, Odoya
  • Walter Catalano, Gian Filippo Pizzo, Andrea Vaccaro, Guida ai narratori italiani del fantastico. Scrittori di fantascienza, fantasy e horror made in Italy, Odoya

Romanzo di autore italiano – Fantascienza / Science fiction novel

  • Alessandro Vietti, Il potere, Zona 42
  • Dario Tonani, Naila di mondo9, Mondadori
  • Franci Conforti, Stormachine, Delos Digital
  • Giovanni De Matteo, Karma City Blues, Delos Digital
  • Pier Francesco Prosperi, Il processo numero 13, Edizioni della Vigna

Romanzo di autore italiano – Fantasy / Fantasy novel

  • Adriana Comaschi, La Rajetta, Tabula Fati
  • Emanuela Valentini, Grotesquerie, Dana
  • Enrico Zini, Esperia, la fuga, Tabula fati
  • Ivo Torello, La casa delle conchiglie, Hypnos
  • Livio Gambarini, Eternal War 2 – Vita Nova, Acheron Book
  • Maico Morellini, Il diario dell’estinzione, Watson Edizioni

Antologia / Anthology

  • Giulia Abbate e Lukha Kremo, Next-Stream: Visioni di realtà contigue, Kipple Officina Libraria
  • Lorenzo Crescentini, Strane creature vol. 1, Watson Edizioni
  • Luigi Musolino, Uironda, Kipple Officina Libraria
  • Luigi Petruzzelli, Costituzioni future, Edizioni Della Vigna
  • Mino Milani, Di stelle e di misteri, Edizioni Della Vigna

Racconto di autore italiano su pubblicazione professionale / Story by an Italian Author in a Professional Publication

  • Dario Tonani, Sabbia nera, Robot, Delos Books
  • Donato Altomare, La seconda morte, Quasar, Edizioni Della Vigna
  • Giulia Massini, La colonia, Hypnos, Edizioni Hypnos
  • Lukha B. Kremo, Invertito, Robot, Delos Books
  • Maddalena Antonini, Il determinatore, Dimensione Cosmica, Tabula Fati

Racconto di autore italiano su pubblicazione amatoriale / Story by an Italian Author in an Amateur Publication

  • Claudio Chillemi, Il Grande Errore, Fondazione Sf
  • Giovanni De Matteo, Civiltà di prova, Holonomikon
  • Linda De Santi, Lost by Univers, Next-Station.org
  • Maria Vittoria Scalas, Il pianeta risanatore, Star Trek: dall’immagine al racconto Star Trek Italian Club Alberto Lisiero

Articolo su pubblicazione professionale / Article in a Professional Publication

  • Cesare Cioni, Lost Trek: Planet Of Titans, Star Trek Magazine, Ultimo Avamposto
  • Giuseppe Lippi, I curatori di Urania, Robot, Delos Books
  • Luigi Pecchioli, Retro-futuri economici nella sci-fi anni ’50/’70: tra consumismo e liberismo, Quasar, Edizioni Della Vigna
  • Luigi Petruzzelli, Prefazione a Dalla Terra alle stelle di Ulisse Grifoni, , Edizioni Della Vigna
  • Salvatore Proietti, Le storie di Ursula, Robot, Delos Books

Articolo su pubblicazione amatoriale / Article in an Amateur Publication

  • Francesco Spadaro, Si può fare, Fondazione Sf
  • Franco Piccinini, Grazia Nidasio, in memoriam, Sistema bibliotecario Bonetta di Pavia
  • Gian Filippo Pizzo, Futurismo e fantascienza, La bottega del Barbieri
  • Giovanni De Matteo, Angeli killer per le strade di San Francisco, Holonomikon
  • Nick Parisi, Intervista con Davide Pulici, Nocturnia

Romanzo internazionale / International sf novel

  • Arthur Machen, Il cerchio verde (The Green Round), Providence Press
  • Cixin Liu, Nella quarta dimensione (Death’s End), Mondadori
  • Ian McDonald, Ares Express, Zona 42
  • Lavie Tidhar, Central Station, Acheron Books
  • Robert Charles Wilson, Spin, Rocard Editore
  • Walter Jon Williams, Argonautica, Delos Digital

Fumetto di autore italiano / Comic by an Italian Author

  • Carlo Recagno – Antonio Sforza, Storie da altrove: i tre uomini che ridestarono Cthulhu, Bonelli
  • Carlo Recagno, Giovanni Freghieri, Dylan Dog & Martin Mystere: L’Abisso Del Male, Bonelli
  • Enrico Lotti, Alfredo Orlandi, Le strane morti del signor Max, Martin Mystère, Bonelli
  • Lorenzo Ghetti, Dove non sei tu, Fandango
  • Max Bertolini, Hangar 66, Inkiostro

Fumetto di autore internazionale / Comic by an International Author

  • El Torres e Guillermo Sanna, Straitjacket, Delos Digital / Weird Comics
  • Tipton, Tipton, Lee, Purcell e Woodward, Star Trek The Next Generation / Doctor Who Assimilazione 2, Ultimo Avamposto

Film fantastico (premio non ufficiale) / Fantastic Film (unofficial prize)

  • Annientamento
  • (Annihlation)
  • Avengers: Infinity war
  • Black Panther
  • Ready player one
  • Solo – A Star Wars Story

Serie televisiva (premio non ufficiale) / TV Series (unofficial prize)

  • Altered carbon
  • Lost in Space
  • The Handmaid’s Tale
  • The Man in the High Castle
  • The Orville