Pixel Scroll 6/16/24 No Clouds Were Shouted At In The Making Of This Scroll

(1) ON THE 101. Phil Nichols and Colin Kuskie are back with episode 43 of the Science Fiction 101 podcast: “Triffids, Cuckoos and Lichen: John Wyndham”.

We’re back, with an episode about the great British SF writer John Wyndham. On many occasions we’ve found ourselves talking about his books – such as The Day of the Triffids and The Midwich Cuckoos – but now we attempt to do them justice with a closer look.

(2) 100%. Philip Athans asserts, “All Fantasy And Science Fiction Is Allegorical” at Fantasy Author’s Handbook.

…I talked a lot about monsters as metaphor, what could be described as the allegorical nature of monsters, in my book Writing Monsters. Of course, I’m not the only person to have ever identified that. In “Re-reading John Wyndham, I” Alexander Adams wrote of the monsters in Wyndham’s Day of the Triffids

The triffids are not the subject of the story. Indeed, they are little more than a means to hasten the break-up of society and add an element of the unknown to an otherwise mundane catastrophe—widespread blindness. Wyndham is not interested in triffids per se but in examining how societal norms fragment under pressure and how difficult it is for man to adjust his expectations under extraordinary circumstances. Old habits and customs outlive their usefulness; sentiment can undermine necessary pragmatism; excessive ruthlessness can impose intolerably inhumane conditions; good intentions can lead to barbaric outcomes.

Again the emphasis above is mine. This is the allegorical heart of Day of the Triffids.

So then does that mean we all have to become “political writers,” like George Orwell or write overtly allegorical fiction like Kurt Vonnegut, Jr. in an effort to school our readers on some political, social, economic, or religious stance? No. Of course not. But I maintain that no matter our intentions, we actually all engage in allegory, and everything we write, one way or another, has a theme/message behind that….

(3) STAR TREK, CLARION, AND COMIC-CON PACKAGES. “New UC San Diego initiative features Star Trek stars, new Clarion masterclass and housing during Comic-Con” reports KPBS.

As part of a new initiative to commemorate Comic-Con at UC San Diego, the university will host Star Trek actors and writers George Takei and John Cho, and open their renowned and exclusive Clarion Science Fiction Writing Workshop to the a public via a one-day masterclass.

The university will also offer campus housing during Comic-Con for all UC affiliates and alumni, any current UC/CSU/community college students and participants in the masterclass. This is significant given that Comic-Con week is a notoriously challenging time to secure a hotel stay.

While UCSD is best known for its contributions to science and technology, it has also built a vibrant arts community. The university hopes sci-fi may bring both worlds closer together….

… UCSD is calling their Comic-Con-adjacent programming “The Science of Story.” It will be centered around the pre-con masterclass offered by the folks responsible for the Clarion Science Fiction and Fantasy Writer’s Workshop….

… This will be the first year that the public can gain access to Clarion through a special masterclass on Tuesday, July 23. It’s a full day of instruction and keynotes about the fundamentals of speculative fiction, and includes lunch and dinner.

Instructors and teaching artists include comic book writer Alyssa Wong (“Star Wars: The High Republic”); fiction writer and poet Isabel Yap (“Never Have I Ever”); O. Henry Prize winner ‘Pemi Aguda (“GhostRoots”); novelist and former physicist Emet North (“In Universes”); and special guest, writer Nalo Hopkinson….

… Another major component of UCSD’s Comic-Con initiative is a series of “Star Trek” events. George Takei and John Cho have both portrayed the character of Sulu at different points in the franchise — and are both writers and graphic novelists. Takei and Cho will hold an evening event to discuss the character, the series and their work as graphic novelists.

“A Tale of Two Sulus: An Evening with George Takei and John Cho” is Wednesday, July 24 at Epstein Family Amphitheater on campus. The following night, the San Diego Symphony will live score a screening of “Star Trek Beyond (2009).”…

Comic-Con housing packages at UC San Diego:

Details and registration here. Comic-Con badges are not included.

The Enterprise Package: Housing only 
Open to UC affiliates and alumni, and students enrolled in any UC, CSU, or California community college.

  • $640 per package
  • Check in: Wednesday, July 24, 2024
  • Check out: Sunday, July 28, 2024
  • Four night single-room stay (with shared common area/restrooms)
  • Free daily breakfast
  • MTS five-day transit pass, eligible for the Blue Line trolley
  • Access badge for public Park & Market events in downtown San Diego (July 24-July 28)

The Starfleet Package: Housing and “The Science of Story” programs
Open to the general public

  • $1,200 per package
  • Check in: Tuesday, July 23, 2024
  • Check out: Sunday, July 28, 2024
  • Five night single-room stay (with shared common area/restrooms)
  • Free daily breakfast
  • MTS five-day transit pass, eligible for the Blue Line trolley
  • Clarion Writers Masterclass (Wednesday, July 24), with lunch and dinner included
  • Access badge for public Park & Market events in downtown San Diego (July 24-July 28)
  • Opening night reception
  • VIP ticket for “A Tale of Two Sulus: An Evening with George Takei and John Cho” at Epstein Family Amphitheater (Tuesday, July 23)
  • VIP ticket for “Star Trek in Concert with the San Diego Symphony” at Epstein Family Amphitheater (Wednesday, July 24)
  • Ticket to “JAWS” screening at Epstein Family Amphitheater (Friday, July 26) 

The Holodeck Package: “The Science of Story” programs only (no housing)
Open to the general public

  • $425 per package
  • Clarion Writers Masterclass (Wednesday, July 24), with lunch and dinner included
  • Access badge for public Park & Market events in downtown San Diego (July 24-July 28)
  • Opening night reception
  • VIP ticket for “A Tale of Two Sulus: An Evening with George Takei and John Cho” at Epstein Family Amphitheater (Tuesday, July 23)
  • VIP ticket for “Star Trek in Concert with the San Diego Symphony” at Epstein Family Amphitheater (Wednesday, July 24)
  • Ticket to “JAWS” screening at Epstein Family Amphitheater (Friday, July 26) 

(4) BRADBURY TO BOK. Heritage Auctions’ “2024 June 20 – 23 Comics & Comic Art Signature® Auction #7374” includes a 5-page “Ray Bradbury to Hannes Bok – Illustrated and Signed Letter (January | Lot #94003”.

Ray Bradbury to Hannes Bok – Illustrated and Signed Letter (January 1, 1941). Written by Ray Bradbury to illustrator Hannes Bok, this five-page letter offers an incredibly juicy window into the personal drama of the Golden Age of Science Fiction.

It includes the newsworthy line, “He [Hasse] and I [Bradbury] are both bi-sexual and we both agree that you [Bok] are, too. Don’t fool yourself.” 

(5) TODAY’S BIRTHDAY.

[Compiled by Paul Weimer.]

June 16, 1896 Murray Leinster. (Died 1975).

By Paul Weimer: Murray Leinster. Not many people get an award named after one of their stories, but Murray Leinster managed that feat.  

Murray Leinster

I read his “Sidewise in Time” (for which the Sidewise Award for Alternate History is named) decades ago. I read it as part of my first full on dunking into Alternate Histories back in the 1980s, when I was trying to read every bit of AH I could get my paws on.  Unlike a lot of those stories and worlds, Murray Leinster instead gives us a sort of a multiverse of worlds, The sheer variety of worlds crammed into the story, a story where temporary conjunctions of parallel worlds throws a bevy of people into alternate worlds, and things from those worlds into our own, showed the pulp sensibilities of Leinster in full.  When I would later read Frederik Pohl’s “The Coming of the Quantum Cats”, I saw the homage to Leinster’s “Sidewise in Time” straightaway.

Alternate history is hardly Leinster’s only badge of honor of prediction, or as a forerunner in the science fiction field. “A Logic Named Joe”, in a time when computers were in their infancy, depicted a world with an internet. In these days with AI and the perils of information on the internet, the story and its plot seems more relevant than ever. But as off kilter as the logics go in that story, even Leinster didn’t predict an internet that, tainted by AI, would offer recipes for pizza that involve glue.

“The Runaway Skyscraper”, one of his earliest stories (and written before “Sidewise in Time” by over a decade) didn’t invent the time travel story. However, it helped give it a form in a 20th Century vein.  For reasons beyond understanding, a skyscraper slips several thousand years in the past, and the building occupants must come together to figure out how to survive…and how to return to their modern day, if they can. 

Leinster is a writer who started in the pulps and kept writing into the 1950’s and 1960’s, managing a transition that very few writers of his era were able to accomplish. His staying power isn’t super dense characterization, it’s his vivid imagination and ideas that he scatters like candy throughout his work. Take his story “Exploration Team” which has an amazing wild alien planet for the protagonist to cross…accompanied by his animal companions, including uplifted bears! 

Oh, and the spaceship in the opening scenes of Starcrash is named the Murray Leinster. 

(6) COMICS SECTION.

(7) ROOMINATIONS. I’m old enough (yes, I’m fucking old, did I forget to mention that?) that I read the Harrison paperback when it came out and had watched the TV show with a comparable title in first run, so as soon as I read the headline…I knew! “Long-Dead TV Show Forced Soylent Green To Change Its Name” at Slashfilm.

…”Soylent Green” was based on the 1966 novel “Make Room! Make Room!” by Harry Harrison. Back in 1984, Harrison was interviewed by Danny Peary for his book “Omni’s Screen Flights – Screen Fantasies: The Future According to SF Cinema,” and Harrison noted that the makers of “Soylent Green” couldn’t use his original title — an allusion to overpopulation — for a mindless reason. It seems the studio felt it was too close to the title of the 1953 sitcom “Make Room for Daddy.”… 

(8) DC COMICS UNIVERSITY. Ngozi Ukazu tells “How Big Barda and Jack Kirby Changed My Life” at DC.

“The Ties That Bind,” an episode from my favorite animated series Justice League Unlimited, opens like this: a woman watches an entire train drop onto a poor, doomed escape artist. It pulverizes him. The woman rushes over and, with amazing strength, flings scraps of the wreckage aside like gift wrap. But the escape artist is already behind her, smug and completely unharmed. This superwoman embraces him, but because she is also extremely annoyed, she scolds him, picking him clean off his feet.

When I watched this unfold for the first time as a teenager, my mind was successfully boggled. I had questions. Namely: “Who is that woman? And, oh my god…is that tiny man her husband?

This was my introduction to Big Barda and the escape artist Mister Miracle, heroes of Jack Kirby’s epic Fourth World. Barda was brawny, brash, and had a huge bleeding heart—and yes, that Houdini in the red, green, and yellow was her husband, Scott Free. The episode trotted out other incredible Fourth World staples including Granny Goodness and Kalibak, Boom Tubes and Mother Boxes, and even the super-prison, the X-Pit. Needless to say, this animated adventure left a lasting impact on me. Because over the last two years, I’ve had the pleasure of writing and illustrating Barda, the newest DC graphic novel for Young Adults….

Barda is a graphic novel for teens…but it is also kinda my thesis submission for a master’s degree in Jack Kirby studies from DC Comics University. For two years, I dove headfirst into Jack Kirby’s Fourth World, and I didn’t just read the comics, oh no. To ensure that Barda was developed with precision, I read and watched Jack Kirby interviews, searching for the thematic DNA of New Genesis and Apokolips. I learned about Kirby’s obsession with mythology, religion, and morality, and his fascination with the Free Love movement. And of course, I read my textbooks—New Gods (1971), Mister Miracle (1971), and The Forever People (1971)—to understand the rules of Barda’s world and the cosmic stakes that went with them. Call me a purist, but my focus was narrow. I only deviated to read Walt Simonson’s brilliant solo series Orion—a virtuoso performance. But for the most part, I wanted the story straight from the King himself.

(9) PRAISE FOR METROPOLIS. ScreenRant introduces a Corridor Crew commentary on movie effects: “’So On Point’: Most Influential Sci-Fi Movie Ever Stuns VFX Artists 97 Years Later”.

The most influential sci-fi movie ever made, Metropolis, has stunned a group of VFX artists with its unique practical effects 97 years later, showing why the film still holds up in the present day. The 1927 German silent film showcases a worker’s rebellion against the rich and powerful in a dystopian, futuristic city. Even in the present day, it is regarded as one of the best science fiction movies ever made for acting as a key influence on the genre for almost a century after its release.

Now, Corridor Crew has reaction to the VFX used in Metropolis, stunned by how the practical effects bring the film to life still hold up 97 years later.

Starting at 9:46, the group talks about how the movie used meticulous drawings to make its impressive effects, while mirrors were also used to make convincing shots and scene transitions. Check out what they had to say about the movie below:

“What you’re looking at here is that they’re building a miniature of the set off to one side, and they’re filming the real set on the other side, and in between the two is a mirror at a 45-degree angle. And they’ve lined up their reflection of the miniatures to line up with the real set, and then they scraped off the backing on half the mirror. So you’re seeing through part of it, and seeing the reflection on the other part of it. They used to mirror to do live compositing of two images.

“They don’t have the tools at this era to do hold-out mats on the film and only expose part of it and do the rest. You can do that, but it’s very janky, you’d have to do it very manually. Instead, they have two sets, both full size, and they just have a pane of glass. But this time, they’ve configured the frame that holds the mirror to be able to slide it in and out, and they actually scratched off different pieces of that mirror to make certain parts of the glass transparent, and other parts reflective…”

(10) STEVE’S HEROES. Steve Vertlieb was interviewed for the 30+ Minutes with H. P. Lovecraft podcast – “Meet Your Heroes”.

Steve Vertlieb talks about befriending Horror Writer and Protégé of Lovecraft, Robert Bloch, as well as meeting others he regards as his heroes.

(11) VIDEO OF THE DAY. How It Should Have Ended is there to record “Super Café – New Suit Jitters”.

Superman is a little anxious about his new suit and the reboot so Batman is offering him some pointers. Deadpool shows up with a little advice of his own.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Steve Vertlieb, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 3/12/24 I’m Just Fen

(1) SPECIAL DINO DELIVERY. Royal Mail’s “The Age of the Dinosaurs” special issue features eight new stamps showing different prehistoric species and their habitats. The stamps are in collaboration with the Natural History Museum and also celebrate 19th-century paleontologist Mary Anning. (Click for larger images.)

(2) WICKED WORLD’S FAIR MELTDOWN. Stephen Beale, editor of The Steampunk Explorer, offers an “Inside Look: What Happened at Wicked World’s Fair?” The post first appeared on March 7 and has been updated half a dozen times with additional sources. Beale provided this synopsis of the post for File 770:

The event, Wicked World’s Fair, took place in February in Pennsylvania.

The organizer (Jeff Mach) is a highly controversial figure who previously ran the Steampunk World’s Fair, which was one of the largest steampunk events in the U.S. It collapsed in 2018 following misconduct allegations. The Daily Beast had a story about it.

The short version of this latest event is that he significantly overbooked vendor spots, so they ended up in spaces intended for panels and other non-vendor activities.

The sound crew for concert performances walked out due to non-payment.

There was a $35-per-head tea party, for which he sold 88 tickets, but due to overcrowding of vendors, there wasn’t enough capacity for all the ticketholders.

Requests for refunds via Eventbrite were declined. He’s blaming Eventbrite, but it appears that he just didn’t have the funds to cover his expenses.

My sources for the story include the former vendor coordinator and the former operations manager, both of whom worked as volunteers.

Some widely circulated videos show a confrontation between Mach and the vendors. One has 1.2 million views on Facebook. In some videos, one of his associates is seen standing in front of a vendor and reaching for a sword.

Since the event, vendors formed a private Facebook group called Disgruntled Wicked Vendors. It has around 100 members, though not all were actual vendors.

Following the SPWF collapse, many steampunk vendors, performers, etc. have vowed to avoid participating in Jeff Mach events. It appears that many vendors at WWF were not aware of this history. They’re trying to raise awareness of him so others are forewarned.

The vendor complaints were also covered by LehighValleyLive.com in “Bethlehem area steampunk convention ends contentiously. Vendors claim organizer running scam.”

(3) GODZILLA MINUS MORE THAN ONE COUNTRY. GeekTyrant says Japan is getting discs in May – no word when there will be a U.S. release. “Godzilla Minus One Blu-ray is Coming and Toho Shared a First Look”.

Godzilla Minus One had an incredibly strong box office run at the movie theaters and fans flocked to the cinemas to watch it. That theatrical run has ended and now Toho is teasing the upcoming Blu-ray and DVD release of the film.

The home video teased below will be made available for Japanese consumers, but I think it’s safe to say that the United States will get something very similar.

The movie will be released in both its color and Black and White versions. The home release of Godzilla Minus One is set to hit shelves in Japan on May 1st. There’s no word on when the movie will hit home video in the United States….

(4) FAREWELL, MY DARLING, NEVER. Philip Athans is determined to keep them alive! “Don’t Kill Your Darlings” at Fantasy Author’s Handbook.

There’s good writing adviceinteresting writing adviceiffy writing advice, and then there’s terrible, awful, spirit- and creativity-destroying writing advice, and the worst example of the latter category is “Kill your darlings.” What makes this nonsense so bad is how often and irresponsibly it’s repeated.

Often attributed to Dylan Thomas, sometimes William Faulkner (who, if he followed this advice himself would have killed The Sound and the Fury in its entirety), and then repeated by other teachers and authors including Stephen King. In reality the concept seems to have first been belched forth by Sir Arthur Quiller-Couch in a series of Cambridge Lectures about 110 years ago. Never heard of him? Neither have I. Maybe that’s because of his darling-free writing.

Whoever started it, it goes something like this:

“If you find you’ve written something you just love, that makes you feel as though you were born to do this, that you’ve found the heart and soul of it, delete that immediately and without further consideration because if you love it that much it can only be self-indulgent crap that no one else but you will like.”

What a spectacular load of bullshit….

(5) PROPSTORE. Craig Miller told about his evening at the Propstore auction on Facebook.

Propstore is an auction house based in London with an office here in Los Angeles. Their specialty is, as their name suggests, props from movies and television. Though, of course, they go well beyond that. (They’re the main auction house I’ve used to sell some of my collectibles.)

Last night was a reception and preview for their current auction, held on the penthouse level of the Peterson Automotive Museum in the Miracle Mile section of Los Angeles. (The auction starts today and goes for a total of three days and around 1500 items.) Herewith a few photos.

I have just a couple items in this auction. Alas, none of the really high-ticket items. I think solely a couple of pre-production paintings from “Return to Oz”. They weren’t on display.

What was on display were items including a Stormtrooper helmet from “Return of the Jedi”, an iconic dress worn by Lucille Ball on “I Love Lucy”, the Ten Commandments tablets from Cecil B. DeMille’s epic of the same name, and so much more. You can see a bunch on the Propstore Facebook page or on their webpage, where the auction is carried live (with on-line bidding, of course).

Propstore does these previews once a year and I frequently run into friends at them. Last night was no exception. It was nice to chat and spend a little time with Melissa Kurtz, Shawn Crosby, Chris Bartlett, among several others.

Perhaps best of all, because it’s been so long since I’ve seen or spoken to them, also present were Howard Kazanjian, producer of “Raiders of the Lost Ark” and “Return of the Jedi”, and Anthony Daniels, known the world over for being the man inside C-3PO….

(6) AND IF YOU HAVE ANY MONEY LEFT OVER. Heritage Auctions’ “March 20 – 24 Treasures from Planet Hollywood” event is hawking stuff formerly on display at Planet Hollywood restaurants.

…Though Sylvester Stallone, Arnold Schwarzenegger, and Bruce Willis were the star investors best associated with the restaurant, Planet Hollywood was THE biggest star of them all. Millions would flock there to see items appearing on the silver screen, and sometimes even see one of Hollywood’s A-list coming to open the restaurant. Before emails and cell phones, before digital effects and Instagram, it was the closest we could get to being close to the movies we all know and love….

Here’s an iconic example of the wares: “Jurassic Park (Universal, 1993), Wayne Knight “Dennis Nedry” Hero”.

Designed to hold and preserve dinosaur embryos for 36 hours, the can is highly visible early in the film as Dennis Nedry (Wayne Knight) meets with his Biosyn contact, Lewis Dodgson (Cameron Thor), who gives him the can and explains its features while devising a plan to steal dinosaur DNA samples from John Hammond’s (Richard Attenborough) InGen. Later in the film, Nedry uses the can as he infiltrates the cold storage facility on Isla Nubar and secures the DNA samples. The can is ultimately lost as it falls from Nedry’s jeep, washed away in churning mud when the deceitful computer programmer meets his demise in the jaws of a Dilophosaurus. Chosen by Art Director John Bell, the Barbasol brand can was a perfect fit for its aesthetics and instant recognizability which would help it stick out in its scenes and draw the audiences’ eyes. Since the film’s 1993 release, Barbasol, and their can’s classic design, have become synonymous with the Jurassic Park franchise. Exhibits production and display wear with scuffing to the finish, oxidation across the metal components, color fading, and adhesive loosening to the vial’s labels. Vials contain remnants of the clear yellowish liquid used to fill them during production, with the “PR-2.012” vial missing its cap. Comes with a COA from Heritage Auctions.

Even more irresistible is this diminuitive costume: “Muppet Treasure Island (Buena Vista, 1996), Kermit the Frog”.

Muppet Treasure Island (Buena Vista, 1996), Kermit the Frog “Captain Abraham Smollett” Ensemble. Original (11) piece ensemble including (1) black frock-style coat with gold stitching, (1) ivory waistcoat with gold stitching, (1) pair of black breeches, and (1) long-sleeved ivory shirt with ruffled cuffs. The accessories included are: (1) black tricorn hat with gold stitching, (1) pair of ivory boots with button and buckle closures, (1) black cravat-style necktie, (1) black and red striped waist tie, (1) brown leather belt, (1) 19th century-style gray wig with ponytail and black bow, and (1) Kermit-sized sword with gold basket hilt that has some green coating from oxidation. This outfit is worn by Captain Abraham Smollett (Kermit) throughout the film as he captains the ship, “Hispaniola.” Ensemble displays some production wear. Obtained from Jim Henson Productions. Comes with a COA from Heritage Auctions.

(7) PANDAS AND SANDWORMS BECOME CASH COWS. Variety verified it by watching the ticket booth: “Box Office: Kung Fu Panda 4 Leads, Dune 2 Stays Strong”.

Universal and DreamWork’s animated adventure “Kung Fu Panda 4” topped the domestic box office, earning a solid $58.3 million from 4,035 theaters in its opening weekend.

It marks the biggest debut of the franchise since the original, 2008’s “Kung Fu Panda” ($60 million), overtaking the start of the two prior entries, 2016’s “Kung Fu Panda 3” ($41 million) and 2011’s “Kung Fu Panda 2” ($47.6 million), not adjusted for inflation….

…Although “Dune: Part Two” relinquished its box office crown to “Panda,” the sci-fi sequel had another strong outing with $46 million from 4,074 venues. It marks a 44% decline in ticket sales from its debut (an impressive hold for a blockbuster of this scale) and brings the film’s North American total to $157 million. Globally, the big-budget follow-up has generated $367.5 million.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 12, 1925 Harry Harrison. (Died 2012.) So let’s talk about  Harry Harrison who I’d say is best known for his extraordinarily excellent Stainless Steel Rat series. James Bolivar diGriz, aka “Slippery Jim” and “The Stainless Steel Rat” is one of the most interesting characters I ever had the pleasure to read. 

The Stainless Steel Rat showed up, not surprisingly in a story called “The Stainless Steel Rat” sixty-seven years ago in Astounding in their August issue. 

Harry Harrison. Photo by and (c) Andrew Porter.

There are 12 works in the Stainless Steel Rat series, of which I’m absolutely certain that I’ve read and immensely enjoyed the first one, The Stainless Steel Rat, and after that is where it gets complicated. I’m looking now on the other iPad at the list of the novel titles and I can’t say that I remember any of them. I know that I’ve read at three or four of them, and liked reading them, but can’t tell you which, but I’m betting that they were the earlier ones. 

I do know that I read all of three of the Deathworld series with Jason dinAlt, a professional gambler, as the central character. They’re fun SF pulp, all three originally written as serials in the Sixties. A fourth, Return to Deathworld, for the Russian market was co-written with two Russian authors and hasn’t been translated into English.

His third series, Bill, the Galactic Hero, first appeared in the “Starsloggers” novella in sixty years ago in the December issue of Galaxy. Bill the character is among the silliest that I’ve ever read about. I’m really fond of truly silly SF, however, though I read the first one  I didn’t go beyond that.

Of course, worth noting is that Alex Cox directed an animated version of Bill, the Galactic Hero which was created with his students at the University of Colorado at Boulder, completed and released a decade ago. You can see it here.

Harrison’s Make Room! Make Room! became Soylent Green with Charlton Heston. I’ll confess I’ve not read the novel, nor ever seen the film. I see the film was nominated first a Hugo at Discon II and won a Nebula for the film.

I’m only going to note two other Awards, one is Sidewise Award for Best Long Alternative History, the Hammer and the Cross trilogy, and a Grand Master Nebula. 

I’ll admit I’ve not read enough of his shorter works to form an informed opinion, so I’ll let y’all tell me about that aspect of his fiction.

(9) BRAND X? “’Calling them X-Men is so 1960s’: Chris Claremont weighs in on the X-Men name change debate (and his idea for a replacement)” at Popverse.

Should the X-Men change their name? Ove the past few years, there has been some discourse around the name of Marvel’s iconic mutant team. The name has been around since the team’s first appearance in X-Men #1 (1963), but the world has changed since the 60s. Why does the team have a male-centric name when some of their most iconic members are female?

Chris Claremont, a writer famous for his 16-year X-Men run, has some thoughts on the discussion. During a discussion at the Uncanny Experience event, Claremont mused about the topic. “Calling them X-Men is so 1960s,” Claremont said, after referring to the team as the X-Group.

Claremont circled back to the topic during a question-and-answer session later in the discussion. When he was asked about changing the name, the writer revealed that it had been on his mind for years. “I tried that,” Claremont said. “I spent about 10 years referring to them as the X. The X being the unknown. It was pointed out to me that X-Men is trademarked, which apparently is a whole different kettle of fish. You can’t argue with legal people. When I came to work for Marvel, it was one or two guys, Apparently the Mouse House has much more than that. There are some fights you can’t win.”…

(10) LAUGHS OF THE CENTURY. Charlie Jane Anders makes excitement contagious about “My Favorite Comedy Films of the 2020s (So Far)” at Happy Dancing. Here’s one of her picks.

Dungeons & Dragons: Honor Among Thieves (2023)

This film finally made me a convert to the Chris Pine fan club. I know, I’m very late. Honestly, the whole cast is great, with Michelle Rodriguez getting better material than she usually gets and Justice Smith proving that he is an utterly brilliant actor. Not to mention Hugh Grant as a wonderfully oily villain. Like a lot of the other comedies on this list, Dungeons & Dragons manages to go way over the top while still having a lot of sympathy and respect for its characters, which is a tough balancing act. I appreciate any comedy whose characters seem to be genuinely trying to be better people, while screwing up over and over again. Also, the CGI monsters and other effects help tell the story instead of being a gaudy distraction!

(11) EMISSION POSSIBLE. [Item by Steven French.] Beautiful but deadly? No, not really! “The Collectors Who Hunt Down Radioactive Glassware” at Gastro Obscura.

IN JANUARY OF 2021, A New Jersey teenager brought a piece of an antique Fiestaware plate to a high-school science class. The student had received a Geiger counter, an instrument used to measure radiation, for Christmas, and wanted to do an experiment. When the plate registered as radioactive, someone at the school panicked and called in a hazmat team. The entire school was evacuated, and those in the nuclear science field were aghast….

…Prior to World War II, and well before its potential for energy or weaponry was recognized, uranium was commonly used as a coloring agent in everything from plates, glasses, and punch bowls to vases, candlesticks, and beads. Uranium glass mosaics existed as early as 79 AD.

Also known as canary or vaseline glass, uranium glass is typically yellow or green in color and glows bright green under a black light. Shades can range from a translucent canary yellow to an opaque milky white depending on how much uranium is added to the glass, from just a trace to upwards of 25 percent. Uranium was also used in the glaze of orange-red Fiestaware, also known as “radioactive red,” prior to 1944, and was once a common sight in American kitchens.

Although uranium glassware does register on a handheld Geiger counter, the radiation amounts are considered negligible and on par with radiation emitted from other everyday items such as smoke detectors and cell phones….

(12) FANCY A BEER? IT’LL KILL YOU. [Item by SF Concatenation’s Jonathan Cowie.] Isaac Arthur departs from his usual Futurism for one of his “Sci-fi Sundays.”

This time it’s a shorter-than-usual edition at just 15 minutes because it is an impromptu one. This time the SFnal topic is of alien beer, specifically Alien Beer To Die For.

Now of course, I myself am unlikely to ever sample alien beer for the simple, factual reason that I live in Brit Cit, and have roots in Cal Hab and the Caledonian rad wastes, and am close to many of the best real ale hostelries in the spiral arm.

(Neat, huh? See some of you in Cal Hab this summer.)

A look at the possible effects of alien food, drink, and microbes on us or our ecosystem.

(13) VIDEO OF THE DAY. “Godzilla takes girl on date and it’s adorable” – here, let Dexerto spoil it all for you.

…The 138-second short starts with said girl losing her mind when Godzilla (or perhaps more accurately, someone in a Godzilla costume) shows up at her door. She hits the deck, starts hyperventilating, and becomes hysterical. Which isn’t traditionally how a great date starts. But then it all becomes rather lovely.

They go shopping. Then have a picnic in the park, before a trip to the beach where this decidedly odd couple wrestle on the sand. The date ends with them kissing each other as the sun sets (well, mainly her kissing Godzilla as the monster’s mouth can’t move)….

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Todd Mason, Stephen Beale, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/31/22 Because I Would Not Scroll For Pixel, He Kindly Scrolled For Me

(1) BREAKING THE FIRST, SECOND, AND THIRD WALL. MUTTS educates everyone in “How to Read a Comic Strip: Part 1”.

Recently, a series of Patrick’s MUTTS comic strips centered playfully on the comic strip lexicon, so we thought it might be fun to round up those strips as a comic strip primer of sorts. There are probably no surprises here if you’re a lifelong fan of the funny pages, but we know that the things we take for granted might not be intuitive to people reading a comic strip for the first time.

So on that note, here are some rules that comic strips live by…

(2) DETER ONLINE ART THEFT. Eli Benik tells “How to prepare your art to post online because fuck AI” in an unlocked Patreon post.

…From what I can tell, there are already plenty of excellent resources for preparing files to print, but I have not seen much in the way of preparing files to safely post online to prevent art theft. Specifically, how to reduce DPI and file size without your art looking like complete garbage in an online portfolio. 

In this post, I’ll walk you through the basics of saving your image files to prepare them to post online. I’m using Photoshop CS6 for this tutorial, but pretty much any other art editing program should have these options, if not something similar….

(3) THEY’RE SELLING, HE’S NOT BUYING. If you need somebody to join you in grumping at some of 2022’s fantasy streaming efforts, Camestros Felapton is your man: “The Third Prequelf: The Witcher – Blood Origins”.

…The selling point for all prequelfs is the suggestion that viewers will get more of the same but with a different plot. You liked Lord of the Rings? Well, what if you could watch a different story in the same world? Loved Westeros? What if you could go back to that? Enjoyed Herny Cavill as the Witcher? Well, what if you can go to the same world but it has Lenny Henry in it?

All three mine the back story of the properties to deliver an extra hit of middle-earthy-place but that back story is about a different part of history. It would be weird to make a series about, say, the Tudors and then set a story hundred years earlier that had the same sort of world. …

(4) STILL UNDER ATTACK. Sarah’s Scribbles creator Sarah Andersen writes in an NYT op-ed, “The Alt-Right Manipulated My Comic. Then A.I. Claimed It.”

…The [alt-right] harassment shocked the naïveté out of my system. A shadow me hung over my head constantly, years after the harassment campaign ended. I had been writing differently, always trying to stay one step ahead of how my drawings could be twisted. Every deranged image the alt-right created required someone sitting down and physically editing or drawing it, and this took time and effort, allowing me to outpace them and salvage my career.

And then along comes artificial intelligence. In October, I was sent via Twitter an image generated by A.I. from a random fan who had used my name as a prompt. It wasn’t perfect, but the contours of my style were there. The notion that someone could type my name into a generator and produce an image in my style immediately disturbed me. This was not a human creating fan art or even a malicious troll copying my style; this was a generator that could spit out several images in seconds. With some technical improvement, I could see how the process of imitating my work would soon become fast and streamlined, and the many dark potentials bubbled to the forefront of my mind.

I felt violated. The way I draw is the complex culmination of my education, the comics I devoured as a child and the many small choices that make up the sum of my life….

(5) BEST FLICKS EVER. [Item by Mike Kennedy.] I made an ultra, ultra quick pass through the list of 100 and came up with almost 20 genre films. Including the top two. I included Bond and a couple of other things like it but excluded some other edge cases. So YMMV. A lot. “The 100 Best Movies of All Time: Critics’ Picks” in Variety. A fantasy film is #2! The sff film ranking lowest on the list is —

97. Alien (1979)   

A smothering tentacled thingy attaches itself to an astronaut’s face. Several scenes later, an alien fetus erupts right out of his belly, and the cinema would never be the same. Director Ridley Scott, drawing on the imagery of H.R Giger, staged a kind of Skinner box sci-fi nightmare that left audiences in a state of primal shock. Scott envisioned the film’s spaceship not in clean Kubrickian whites but in shades of murk that could speak to the film’s queasy fusion of the organic and the inorganic. And once Sigourney Weaver’s Ripley starts to take on the monster all by herself, a paradigm shift is born: the female action hero, who Weaver invested with such fierce, industrious, yet tossed-off authority that it’s as if she’d always been there.  

(6) FIREWORKS IN FANTASY, AN APPRECIATION.

[By Cat Eldridge.]

So shall we talk about fireworks in genre Literature on this, the last day of the year? Yes, let’s do that. Warning: there be SPOILERS here. Really we cannot avoid them. If that will be a problem for you, Ellen Kushner I hear is making hot chocolate down in Riverside. 

There’s only an appropriate place to begin with this conversation and that’s with the splendid fireworks created for eleventy first birthday: 

Gandalf’s fireworks were very impressive to the hobbits, who hadn’t seen their like since the Old Took died many years ago. Green trees with scented flowers, singing birds, eagles, and sailing ships were all effects created through Gandalf’s work with colored smokes and lights. The finale was a large red-gold dragon that flew out of a mountain, breathing fire and circling over the Hobbits’ heads, before exploding over Bywater. This was in honor of Bilbo’s adventures during the Quest of Erebor and was also the signal for supper.    

But there are others as well, not just in fantasy but in SF too. On Babylon 5 in “The Long Night”, when the Centuria occupation of the Nara homework is over and Mollari and Cotto are leaving there to go the home, fireworks light up the night sky as the Narns celebrate the Centauri are leaving and that the long nightmare of their occupation has ended. 

Other SF one is in The Return of The Jedi when Luke sets a torch to the logs stacked under a funeral pyre where his  father’s body lies, again dressed in black mask and helmet. He stands, watching sadly, as the flames leap higher to consume Darth Vader —  Anakin Skywalker. In the sky above, fireworks explode and Rebel fighters zoom above the forest.

Stephen King’s Cycle of the Werewolf has fireworks as part of the plot, to precise  The town’s annual fireworks celebration is cancelled because of the monster’s attacks, but the use of illicit fireworks by Marty half-blinds the monster when it attacks him on the 4th of July.

Finally our last choice is from the Potter universe. In the Harry Potter and the Order of the Phoenix film, Fred and George set off the fireworks in the middle of the Charms O.W.L. Exam. Some of the fireworks go after Draco Malfoy, Vincent Crabbe, and Gregory Goyle. Fred and George then set off a rather larger and quite real dragon-shaped firework, which went after Umbridge. Just outside the Great Hall, its jaws closed around her causing it to explode and destroy all of Umbridge’s Educational Decrees. She is rather annoyed. 

So what’s your favorite use of fireworks in genre fiction? 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 31, 1937 Anthony Hopkins, 85. I think one of his most impressive roles was as Richard in The Lion in Winter but we can’t even call that genre adjacent, can we? Oh yes we can as it is most definitely alternate history. He was, during that period, also King Claudius in Hamlet. I’ll say playing Ian McCandless in Freejack is his true genre role, and being Professor Abraham Van Helsing In Bram Stoker’s Dracula is a plum of a genre role. It’s a better role than he as Odin has the MCU film franchise. What else have I missed that I should note? 
  • Born December 31, 1943 Ben Kingsley, 79. Speaking of Kipling as we did yesterday, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films.
  • Born December 31, 1945 Barbara Carrera, 77. She is known for being the SPECTRE assassin Fatima Blush in Never Say Never Again, and as Maria in The Island of Dr. Moreau. And she was Victoria Spencer in the really awful Embryo, a film that that over five hundred review reviewers at Rotten Tomatoes give a sixteen percent rating. 
  • Born December 31, 1945 Connie Willis, 77. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses me! Of her works, I’m most pleased by To Say Nothing of the DogDoomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there. She’s very well stocked at the usual suspects and quite a number of her works qualify as Meredith moments. 
  • Born December 31, 1949 Ellen Datlow, 73. Let’s start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes, I know it was titled The Year’s Best Fantasy for the first year. And I still read stories from them from time to time.  If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site.  Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare MagazineOmni, the hard copy magazine and online, Sci Fiction webzine and Subterranean Magazine. And yes, she won a number of Hugos for her editing including one this year which she richly deserved. 
  • Born December 31, 1953 Jane Badler, 69. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy IslandSir Arthur Conan Doyle’s The Lost WorldBitch, Popcorn & Blood and Virtual Revolution.
  • Born December 31, 1959 Val Kilmer, 63. Lead role in Batman Forever where I thought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly well-conceived reboot of Knight Rider. Best role? Ahhh that’d be Doc Holliday in Tombstone. Nope, not even genre adjacent but I really, really love that film. 
  • Born December 31, 1971 Camilla Larsson, 51. Therese in the first series of Real Humans on Swedish television. She was Jenny in the Mormors magiska vind series which is definitely genre given it’s got a ghost and pirate parrots in it! 

(8) COMICS SECTION.

  • Tom Gauld finds the highly scientific attitude toward the New Year is unwelcome by some.

(9) MARVEL YEAR’S EVE. The Spider-Verse Unlimited Jackpot Question #31 launched today. Writer: J. Holtham; Artist: Fend Hamilton; Colorist: Pete Pantazis; Editor: Ellie Pyle.

It’s New Year’s Eve and Madame Web, AKA Julia Carpenter, is going to a party. When she takes a turn with an unexpected dance partner, what will Julia make of the New Year’s visions that result?

(10) PRIME TIME. Thanks to SYFY Wire for pointing us at the “Amazon The Boys ’90s sitcom trailer parody”.

… Amazon has proved once again that anything — even the most hardcore of superhero shows — can be transformed into a piece of heartwarming television with a grainy VHS filter and an upbeat soundtrack. For no reason in particular, the streaming platform has reimagined the adult-oriented project as a ’90s sitcom. Because why the hell not, right? If you’re new to The Boys, be warned that this is not an accurate representation of what goes on in Vought Land….

(11) JOURNALS OF JOCULAR SCIENCE. [Item by SF Concatenation’s Jonathan Cowie.] The Hulk and She-Hulk biomedical implications were the subject of a discussion paper in the Christmas/New Year edition of the British Medical Journal: “She-Hulk: an incredible case of transfusion associated graft versus host disease”.The Festive season can be rather fun in some science journals, especially those, I have noticed over the years, with slightly older editors. (I don’t know why this is but tentatively suspect that younger editors take themselves, and want be taken, more seriously where as oldies who have been around the block a few times simply don’t care.)

Anyway, there were a number of interesting academic papers in the festive mix this year including one rather disturbing piece of research, “Can artificial intelligence pass the Fellowship of the Royal College of Radiologists examination? Multi-reader diagnostic accuracy study”, which pitted real-life radiologists against an artificial intelligence giving them a Royal College of Radiologists examination. It demonstrated that all that is preventing artificial intelligence from replacing radiologists is training AIs, showing them a sufficiently large number (many thousands) of x-ray pictures of medical problems… Forgive me, I stray.

Meanwhile back at the plot and the discussion paper on aspects of She-Hulk biomedicine.

Transfusion associated graft versus host disease (TaGVHD) is a rare complication of blood transfusion in which viable lymphocytes within a blood product survive and proliferate in a recipient. This process results in an almost always fatal form of graft-versus-host disease, with donor T cells attacking multiple organs.

This discussion paper analyses a high profile case of non-lethal TaGVHD due to inadvertent blood contamination of an open wound after a car accident. While both donor and recipient survived the crash and contamination, the recipient was left with unexpected side effects, namely inheriting the ability of the donor to transform into a huge, green-rage monster.

The celebrity nature of this case means that the identities of both donor and recipient as well as the details of the incident are already in the public domain. The donor is Bruce Banner MD, PhD, PhD, otherwise known as the strongest Avenger. The recipient is Jennifer Walters, JD – also known as She-Hulk of high profile law firm Goodman, Lieber, Kurtzberg, and Holliway, the only legal firm in the world representing superhuman clients.

The paper concludes that while superheroes as blood and bone marrow donors capture the imagination, the safety of engaging super-powered individuals as donors is far from established. However, this case will hopefully encourage normal humans to donate blood – allowing them to become the real heroes….

(12) YEAR IN THE REAR VIEW MIRROR. [Item by SF Concatenation’s Jonathan Cowie.] Well, that was 2022.

And this is how we got there…

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Rich Lynch, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel. Signing off 2022 now — see you on the other side!]

Pixel Scroll 8/18/22 I’ve Been Scrolling On The Fileroad, All The Pixelled Day

(1) TOLKIEN MANUSCRIPT EXHIBIT. [Item by Michael “Orange Mike” Lowrey.] “J.R.R. Tolkien: The Art of the Manuscript” opens August 19 in Milwaukee, with material not just from Marquette University’s collection but items on loan from England which will probably not be seen again in North America in our lifetimes. The exhibit runs through December 23. Ticket information here.

Marquette University’s Raynor Memorial Libraries and the Haggerty Museum of Art collaboratively present this exhibition focused on the work of celebrated author and artist J.R.R. Tolkien (1892-1973), best known for his literary classics The Hobbit and The Lord of the Rings. The exhibition considers Tolkien’s work through the lens of manuscripts, in terms of both the materials that Tolkien studied as a medieval philologist and the manuscripts that he created while developing his collected writings on Middle-earth. Professor Tolkien was deeply immersed in the complexities of manuscripts, and this exhibition will illustrate how different aspects of the manuscript tradition found expression within Tolkien’s scholarly life and in his creative writing. Founded on Marquette’s J.R.R. Tolkien Collection, the exhibition also includes items borrowed from other repositories, including a significant number of Tolkien manuscripts and artwork from the Bodleian Libraries at the University of Oxford. Many of the 147 items in the exhibition have not previously been exhibited or published. 

(2) CROWDFUNDING FOR DE LINT AND HARRIS. Charles de Lint had to step down as Chicon 8 GoH last fall after his wife contracted a severe illness. And for reasons explained below, a family friend now has launched a “Fundraiser for Charles de Lint” on Gofundme. (De Lint has also opened a Patreon: “Charles de Lint is creating stories, music, art”.)

MaryAnn Harris has been in the hospital since September 6, 2021. She is recovering from Powassan virus, an extremely rare tick-bourne illness, but is still dependent on a ventilator to breathe, and paralyzed except for a toe. In order to make a full recovery and go home (which her doctor believes is possible), she needs significantly more therapy than the Canadian healthcare system can provide. In addition, due to the severity and long term nature of her condition, Charles & MaryAnn will start being assessed a co-pay for MaryAnn’s room and board that could be as high as $4k per month, an impossible figure at this time. Charles & MaryAnn have spent their lives reaching out to all of us through words and music and conversation and acts of kindness, through their creativity and heart, their generous spirits, and their dedication to putting light out into the world. Together we can help build the resources needed to help MaryAnn make a full recovery and to bring her home. Thank you.

(3) DREAM INTERRUPTED. Suffering a heartbreaking disappointment, Oghenechovwe Donald Ekpeki was denied a visa to attend Chicon 8. His appointment with the U.S. Embassy in Lagos was this morning, and he now has distilled his Twitter thread about what happened into a Facebook post. (See also File 770’s post and the comments: “US Embassy in Nigeria Denies Oghenechovwe Donald Ekpeki Visa Application; Won’t Get to Attend Worldcon”.)

… If I had been considered & denied I wouldn’t even have worried as much. But I don’t feel I was even considered at all. It didn’t look like. Despite all I did (seperate from being ultra excellent at what I do.

After I undertook to attend the Hugo, I did a GoFundMe drive ran for me by Jason Sanford l. We raised over $7000 in a day. I started trying to get a visa interview appointment. Nigerians reading this know how nerve wracking that is.

This was in June. Btw then and August, like 2 months, I got an interview date. I battered my soul to pieces for that. Nigerians understand. Immigration firm I went to refused to talk to me. Said no one was going to US from Nigeria now cuz no dates. Everyone said it was impossible. But I got it.

That’s how many layers of impossible I have had to beat. How many miracles. But this is Nigeria. Everything needs a miracle. The most basic ish. Miracle after miracle till you are one short….

(4) OCTOTHORPE. In episode 64 of the Octothorpe podcast, “John Coxon is crying, Alison Scott is lounging, and Liz Batty is crocheting. We go through our entire Hugo Award ballots in 30% the time it took us to go through one category, before talking about our schedules for Chicon 8 and then doing some picks.”

Listen here — “Best Commemorative Plate”.

(5) OCTOPUS. Nautilus takes readers down “Another Path to Intelligence”, with help along the way from Adrian Tchaikovsky, author of Children of Time.

It turns out there are many ways of “doing” intelligence, and this is evident even in the apes and monkeys who perch close to us on the evolutionary tree. This awareness takes on a whole new character when we think about those non-human intelligences which are very different to us. Because there are other highly evolved, intelligent, and boisterous creatures on this planet that are so distant and so different from us that researchers consider them to be the closest things to aliens we have ever encountered: cephalopods.

Cephalopods—the family of creatures which contains octopuses, squids, and cuttlefish—are one of nature’s most intriguing creations. They are all soft-­bodied, containing no skeleton, only a hardened beak. They are aquatic, although they can survive for some time in the air; some are even capable of short flight, propelled by the same jets of water that move them through the ocean. They do strange things with their limbs. And they are highly intelligent, easily the most intel­ligent of the invertebrates, by any measure.

… Perhaps one of the fullest expressions of this difference is to be found, not in the work of scientists, but in a novel. In his book Children of Time, science-fiction writer Adrien Tchaikovsky conceptualizes octopus intelligence as a kind of multi­threaded processing system. For the space­faring octopuses in Children of Time, their awareness—their consciousness—is tripartite. Their higher functions, which Tchaikovsky calls the “crown,” are embedded in their head-­brain, but their “reach,” the “arm­-driven undermind,” is capable of solving prob­lems independently—sourcing food, opening locks, fighting, or fleeing from danger. Meanwhile, a third mode of thinking and communicat­ing, the “guise,” controls the strobing and spotting of the octopuses’ “skin, ‘the chalkboard of the brain,’” where it doodles its thoughts from moment to moment. In this way, the octopuses freewheel through space, constructing ships, habitats, and whole societies which owe as much to bursts of emotion, flights of fancy, acts of curiosity and bore­dom, as they do to conscious intent. Tchaikovsky’s octopuses are lively, frantic, bored, creative, distracted, and poetic—all at the same time: a product of the constant dialogue and conflict within their own nervous systems. As Tchaikovsky tells it, octopuses are multiple intel­ligences in singular bodies….

(6) AND THEN THERE ARE VIRTUAL TENTACLES. Steve Davidson contemplates “The Coming Death of Commercialized Art” at the hands (figuratively speaking) of artificial intelligence in a post for Amazing Stories.

…Eventually, things will sort themselves out (if global warming doesn’t get us first) and commercial art will become the province of AI programs:  Need some paintings for your hotel lobby?  An AI will no doubt already have tens of thousands of possibilities available at relatively low cost (maybe large corporations will simply buy an art-enabled AI outright, for ALL of their commercial art needs – report covers, company retreat t-shirt designs, product illustrations, etc.).  Amazon will no doubt be the first to offer “get the story you want to read” services…completely custom fiction (written in the style of – and boy, won’t that “style copyfight” be an interesting one);  franchises will become perpetual, versions can be offered for different reading ages, the saga need never end….

Human beings will NOT be able to compete effectively in those environments.  They need food and water and shelter, sleep, physical exercise and can’t memorize the writing styles or painting styles of any artist or author who ever produced something.

We’re not talking about the “death of artistic expression”, but we are almost certainly talking about the death of the midlist author and the commercial graphic artist….

(7) CALL IT A FANACALENDAR. First Fandom Experience’s latest post in support of Project 1946 at Chicon 8 tracks “A Year in Fandom: 1946” practically day-by-day.

What was it like to be a science fiction fan in 1946?

There was a lot of new material to read. With the end of the war, Science fiction and fantasy pulps had proliferated. Classics genre novels from pulps of prior years were issued in book form. Just keeping up was a challenge.

Fan activity was also resurgent. The club scene remained most active in Los Angeles and New York, but fans from other corners also made their voices heard. Several clubs formed prior to the war resumed meeting in 1946, often attracting a mix of old and new members.

The timeline presented here is drawn from a variety of sources. Primary among them is Joe Kennedy’s 1946-1947 Fantasy Review, the second in his series of yearbooks covering the field. Eleven pages were dedicated to the doings of fans….

(8) MEMORY LANE.  

1950 [By Cat Eldridge.] Seventy-two years ago on this date, Destination Moon, produced by George Pal and an uncredited Walter Lantz premiered in the United Kingdom. 

It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. 

It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. 

Mainstream critics were mixed with a Bob Thomas of the Associated Press saying, “Destination Moon is good hocus-pocus stuff about interplanetary travel.” Asimov meanwhile not surprisingly said in In Memory Yet Green that it was “the first intelligent science-fiction movie made.”  

Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It however did rather well at the box office returning ten times its half million-dollar production budget. 

It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. 

It is not in the public domain, but the trailers are and here is one for you.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 18, 1925 Brian Aldiss. I’ll single out his Helliconia series, Hothouse and The Malacia Tapestry as my favorites. He won a Hugo at Chicon III for “The Long Afternoon of The Earth”, another at Conspiracy ’87 for Trillion Year Spree which he co-authored with David Wingrove. He’s edited far too many collections to know which one to single out, but I’m sure that the collective wisdom here can make recommendations. (Died 2017.)
  • Born August 18, 1929 Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.)
  • Born August 18, 1932 Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he will have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows in Outer Limits, he plays Major Douglas McKinnon in “The Brain of Colonel Barham”.  And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.)
  • Born August 18, 1934 Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement. And while you’re at it, explain what the New Weird movement was as I never quite did figure that out. (Died 2008.)
  • Born August 18, 1954 Russell Blackford, 68. Writer resident in Australia for awhile but now in Wales. Author of Terminator 2: The New John Connor Chronicles, and editor of the Australian Science Fiction Review in the Eighties. With Van Ikin and Sean McMullen, he wrote Strange Constellations: A History of Australian Science Fiction. And he wrote Science Fiction and the Moral Imagination: Visions, Minds, Ethics.
  • Born August 18, 1958 Madeleine Stowe, 64. She’s in the Twelve Monkeys film as Kathryn Railly, and she’s in the Twelve Monkeys series as Lillian in the “Memory of Tomorrow” episode. Her only other genre work was a one-off in The Amazing Spider-Man which ran for thirteen episodes nearly forty years ago. She was Maria Calderon in “Escort to Danger” in that series, and she also played Mia Olham in Impostor which was scripted off Philip K. Dick’s “Impostor” story.
  • Born August 18, 1966 Alison Goodman, 56. Australian writer who’s won three Aurealis Awards for Excellence in Speculative Fiction for Singing the Dogstar BluesThe Two Pearls of Wisdom and Lady Helen and the Dark Days PactThe Two Pearls of Wisdom was nominated for an Otherwise Award. 
  • Born August 18, 1967 Brian Michael Bendis, 55. He’s both writer and artist, a still uncommon occurrence. Did you know he’s garnered five Eisner Awards for both his creator-owned work and Marvel Comics? Very impressive! He’s the primary force behind the creation of the Ultimate Marvel Universe, launching Ultimate Spider-Man which is an amazing series which I read on the Marvel Unlimited app. 

(10) COMIC SECTION.

  • Ordinarily, I wouldn’t expect to hear a character in Funky Winkerbean holding forth about psychohistory.

(11) PUBLIC SERVICE MESSAGE. N. K. Jemisin tweeted a reminder.

(12) SOYLENT GREEN IS BALONEY! This being the year in which the movie is hypothetically set, Slate’s Andrew Maynard could not resist pointing out “Why Soylent Green got 2022 so wrong”.

All of this may have remained as a footnote in the annals of dystopian 1970’s sci-fi movies, were it not for the fact that Soylent Green was set in a year we’re all very familiar with: 2022. Predictably, there’s been a flurry of journalistic interest this year in what was predicted back in 1973, and how it compares to where we are now. The good news is that we haven’t yet resorted to eating people (although based on recent trends in fiction we may be closer than we think!). But this isn’t the only thing that the film gets wrong.

Despite being underpinned by very real issues, the extrapolated future that Soylent Green portrays is deeply out of step with present-day reality. Overpopulation is not the issue it was perceived to be in the 1970s—rather, the prospect of static and declining populations is now raising concerns. The productivity of agricultural systems has been vastly extended through technologies ranging from high yield crops and advances in irrigation techniques, to innovations in agrochemicals and genetic engineering. And rather than the dystopic single-noted social, political, and culinary narratives portrayed in the film, many—including me—would argue that the world we live in has never been more diverse and full of potential (even if some of us do have a tendency to reject this in favor of our own manufactured monotoned bubbles)….

(13) DOES THIS RING TRUE FOR YOU? Here’s a compilation of anecdotes in support of Tolkien’s reputation as a funny guy: “JRR Tolkien: academic, philologist – and prankster extraordinaire”.

…Humphrey Carpenter put it well in his authorised biography of Tolkien: “He could laugh at anybody, but most of all at himself, and his complete lack of any sense of dignity could and often did make him behave like a riotous schoolboy.” He catalogues incidents where Tolkien dressed up as a polar bear in sheepskin rug, as an Anglo-Saxon axeman (he chased a neighbour down the street), and gave shopkeepers his false teeth in a handful of change.

But it was the late Hugh Brogan, eminent professor of history at the University of East Anglia, who showed me the lengths Tolkien would go to in his quest for a laugh. As a child, Brogan lived in a late Regency house with a tall, elegant, winding staircase. Tolkien, visiting the family, “went up to the first-floor landing and fell all the way down quite spectacularly – about a dozen steps, I guess – arms and legs splaying about in all directions, and an immense clatter. We were literally breathtaken.” The elderly Brogan regretted that he couldn’t remember for sure whether Tolkien gave an encore….

(14) HEAVY METAL NEWS. [Item by Dann.] Heavy Metal Entertainment is taking another plunge into the video market. Its studio division, Heavy Metal Studios, will produce live-action video content from Heavy Metal’s library of properties. (TaarnaCold Dead War, Dark Wing, Arena Mode, etc.)

A sizzle reel accompanied the announcement at this year’s San Diego Comic-Contm. Curiously, the sizzle reel includes snippets from movies that have already been released. (I swore that the rhinos came from Jumanji. There were others.)

https://www.youtube.com/watch?v=cq0i_jz1-to

“Just as Heavy Metal Magazine changed the way the world looked at comic books, and how the ‘81 animated film Heavy Metal changed animation forever, Heavy Metal Studios is about to take the reins on live action content and push it far past its current stagnation and into new heights. Things will never be the same again, again,” said Tommy Coriale, Heavy Metal’s President and Head of Studio.

(15) JUMP ABOARD. Marc Scott Zicree is “Riding Rod Serling’s Twilight Zone Carousel!”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Games Trailers:  Madison,” Fandom Games says “Madison,” even though it appears to be named after a really annoying Valley Girl, delivers an oldschool horror experience:  so old-school messages come on cassette tapes and clues come from snapping Polaroids. But can you take enough Polaroids to find the ghosts?

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Bonnie McDaniel, Michael J. “Orange Mike” Lowrey, John Coxon, Dann, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 1/1/22 On Nights Like That Every Pixel Scroll Ends In A File

(1) PUBLIC DOMAIN IN 2022. James Langdell told Facebook readers what excites him about the arrival of the New Year:

Welcome to 2022! Now everything published in 1926 has entered the public domain in the US. At last I can legally publish my novel where Jay Gatsby and Winnie-The-Pooh solve the murder of Roger Ackroyd.

The Verge greets the new arrivals in more detail in its article “Winnie-the-Pooh and early sound recordings enter public domain”.

A. A. Milne’s Winnie-the-Pooh, Ernest Hemingway’s The Sun Also Rises, and other books, movies, and compositions from 1926 enter into the public domain today in the US. The works are now “free for all to copy, share, and build upon,” according to Duke’s Center for the Study of the Public Domain, which tracks which copyrighted materials will become public each year.

This year, the usual list of books, movies, and compositions comes with a sizable bonus: a trove of around 400,000 early sound recordings. A recent law, the 2018 Music Modernization Act, standardized how early sound recordings are handled under federal copyright law. As part of that, it set today as the date that copyright protections would end for “recordings first published before 1923.”

The recordings include “everything from the advent of sound recording technology all the way through to early jazz and blues,” Jennifer Jenkins, director of Duke’s public domain center, recently told NPRThe recordings include works from Ethel Waters, Mamie Smith, and The Sousa Band, among many others….

(2) SOYLENT GREEN IS FABLE. James Pethokoukis shares all the reasons “Why 2022 won’t be anything like the 2022 of ‘Soylent Green’”.

…So why isn’t 2022 for us going to be anything like the 2022 of Soylent Green? Well, the pessimists back then got a lot wrong.

  • They failed to grasp the “demographic transition” when people in rich countries start having fewer kids. The average fertility rate in at least moderately rich countries is now just 1.6, well below replacement. Today’s population-related anxiety is about too few of us, not too many. Oh, and the Big Apple is less than a quarter of the size predicted in the above image from the film’s opening….

(3) APPLY FOR A.C. BOSE GRANT. The Speculative Literature Foundation is taking submissions for the A.C. Bose Grant for South Asian Speculative Literature through January 31.

The SLF and DesiLit are pleased to announce a new co-sponsored grant, founded in memory of Ashim Chandra Bose, known as the A. C. Bose Grant beginning in 2019.

The A.C. Bose Grant will annually give $1000 to a South Asian / South Asian diaspora writer developing speculative fiction. It supports adult fiction, but work that is also accessible to older children and teens will be given preference in the jury process. The donors hope that this grant will help develop work that will let young people imagine different worlds and possibilities.

?The grant is founded in memory of Ashim Chandra Bose. A.C. Bose, a lover of books, and especially science fiction and fantasy, by his children, Rupa Bose and Gautam Bose, in fond memory and to honor the legacy of the worlds he opened up for them.?

(4) YEAR’S BEST COMICS. Find out what made the list of “CBR’s Top 100 Comics of 2021” at the link.

After a short five-year hiatus, we returned this year with a longtime CBR tradition. At the end of the year, we polled the many members of the CBR staff that make this site so great and asked them for their for their rankings of the top comics of the year. Every publisher putting out new comics material in English, regardless of genre or format, was fair game; each individual list was then factored in to determine the overall Top 100 that we unveiled on CBR over the course of this past week….

-DC Comics edged out Marvel 27-26 in entries on the countdown, but what’s staggering to me is HOW the DC titles appeared on the list, as they dominated the top 25 of the list (doubling Marvel up 12 to 6), but when we got to the Top 10, then Marvel edged ahead, taking 4 of the Top 10 to DC’s 3. Of course, going even more narrow, DC had 2 of the top five to Marvel’s 1).

-Image Comics was third on the list with 12 titles, with BOOM! Studios following with five (Dark Horse Comics had three to round out the top five).

(5) HORTON’S NEXT STANZA. Rich Horton is retiring as Locus’ Short Fiction columnist. He says, “The reasons are simple and not controversial (short version: 20 years is a long time, I want more time for other projects and other reading, and, especially, more time to dote on my grandchildren!)” Horton will still be associated with Locus. “I’m not gafiating, and I’ll still be at conventions and writing other stuff.)” He discusses the future at his blog: “Happy New Year: and 2021 Awards Eligibility Post”.

…Also, there is a great personal reason: my grandchildren: Addy is 15 months old today, Gus is two weeks old, and another grandson is due May 31! I’ll certainly be devoting plenty of time to doting on them! (And this is a reminder to me that even when things are depressing in the wider world, there is joy!)…

(6) HORROR UNIVERSITY. “Horror U Courses Begin in January!” The Horror Writers Association is taking signups now. Horror University presents six workshops for horror writers everywhere interested in refining their writing, learning new skills and techniques, or perfecting their manuscript presentation. Register here.

The Winter 2022 Session includes:

  • January 10: Building Your Very Own Haunted House: How to Write Effective Ghost Stories with Gwendolyn Kiste.
  • January 24: Into the Dark Woods: Incorporate Fairy Tale Symbolism and Archetypes in Your Stories with Carina Bissett.
  • January 31: Treacherous Settings: Discover How to Use SETTING to Escalate Conflict, Suspense, and Atmosphere with Michael Arnzen.
  • February 7: Manuscript Magic: Practical Strategies for Polishing and Presenting Your Manuscript with Lee Murray and Angela Yuriko Smith.
  • February 28: Writing Your Horror Novel in Six Weeks: The Castle of Horror Guide with Jason Henderson.
  • March 7: A Writer Prepares: Techniques for Character Development for Fiction Writing with John Palisano.

Registration is $65 for non-HWA-members, $55 for HWA members, and four- and six-course bundles are available.

(7) THE PRINCESS BRIDE & EXTRAS. “First a novel, then a film, now an audio experience.” From BBC Radio 4 — The Best Bits of the Good Parts Version by Stephen Keyworth.  

A two-part dramatisation of swashbuckling adventure plus five bitesize backstories which can be enjoyed as stand-alone stories or to enhance your experience of the drama.

The Dramatisation: Part 2 is now available online: “The Princess Bride, The Dramatisation: Part 2

With Westley captured and Buttercup on the cusp of marrying the dastardly Prince Humperdinck, there are only two people in the world who can save the day – Inigo and Fezzik. But one of them is lost and the other is drunk.

And another Bitesize Backstory is also up: “The Henchman”.

Fezzik was a simple, happy giant…until his parents taught him to fight.

The story of how a giant whose favourite sport was making rhymes became the henchman to a master villain.

(8) LIVING SPACE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Mark Ellwood, in a piece about architects designing space habitats, interviews Blue Origin vice president for advanced development programs Brent Sherwood.

Sherwood adds that many of the concepts mooted for interplanetary development aren’t viable–think of the crystalline domes common in set designs from Doctor Who to Space: 1999.  The atmospheric pressure of a vacuum forces structures in such locations to act more like high-pressure balloons, he says, and these glorified greenhouses would shatter.  Their transparency is also misplaced, as the only way to shield humans from harmful radiation beyond the earth’s atmosphere is via mass.

Moon homes, for example, will need to be shielded by thick walls rather than glass windows. “It doesn’t mean troglodytic living–you can design it so it’s not oppressive.  Think about a Gothic cathedral, which is mostly stone but has a but of glass high up in the vaulted space.”

(9) POTTERING ABOUT. In the Washington Post, Travis M. Andrews summarizes all the news in the HBO Max special on the 20th anniversary of Harry Potter, including that many of the adult actors in the films (such as Ralph Fiennes) had little or no familiarity with Harry Potter when they joined the cast. “HBO Max’s Harry Potter reunion: Tears, nostalgia and a curious lack of J.K. Rowling”.

… “I think I’m scarily like my character,” [Rupert] Grint says. [Director Alfonso] Cuarón agrees. He tells a story of giving the actors an assignment to write an essay in character. Grint didn’t do it. “I say, ‘Rupert, where’s your assignment? He says, ‘Well, uh, I thought that Ron wouldn’t do it. So I didn’t do it,’” Cuarón says. “Rupert is Ron. One hundred percent.”

(10) MEMORY LANE.

2002 [Item by Cat Eldridge.] Twenty years ago, Ray Bradbury wins the Stoker Award for Superior Achievement in a Fiction Collection for his One More for the Road collection. It was published by William Morrow the same year. It contains twenty-six stories by him and an afterword by him. Other authors nominated that year were Stephen King, Nancy A. Collins, Mort Castle and Bentley Little. It was also nominated for a World Fantasy Award and a Locus Award as well.  One More for the Road is available from the usual suspects for a very reasonable price. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 1, 1854 James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally.  He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas.  (Died 1952.)
  • Born January 1, 1889 Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective , which were published in Weird Tales from the Thirties through the Fifties. His Alien Flesh, which is SFF, is the sort of novel that Traci Lords wished she hadn’t done films like it. No, I’m not kidding. (Died 1969.)
  • Born January 1, 1926 Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid, a screenplay apparently written by John Brunner.) She had one-offs in Danger ManThe Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
  • Born January 1, 1954 Midori Snyder, 67. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and Hannah’s Garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read.  With Yolen, Snyder co-authored the novel Except the Queen which I do wholeheartedly recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. I will say that she has a most brilliant website.
  • Born January 1, 1957 Christopher Moore, 64. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’ve not heard anything about Shakespeare for Squirrels: A Novel, his newest work. Has anyone read it? His only award is a Quill given for the most entertaining or enlightening title for The Stupidest Angel: A Heartwarming Tale of Christmas Terror.
  • Born January 1, 1984 Amara Karan, 37. Though she was Tita in an Eleventh Doctor story, “ The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF.  Oh and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent. I think her last genre role was on The Twilight Zone as Rena in “The Comedian” episode. 

(12) COMICS SECTION.

  • Grant Snider starts the year at Incidental Comics.

(13) ORGANIZED LABOR. [Item by Olav Rokne.] Strange Horizons’ non-fiction editor Gautam Bhatia’s story Orumai’s Choice tackles the rights of sentient androids to reasonable working conditions. Reads as a thoughtful and positive response to Asimov’s classic robot stories. At Livemint, “Lounge Fiction: Orumai’s Choice by Gautam Bhatia”.

“Eight hours of work, Mr Mayor. Eight hours to dream. And eight hours for what we will.”

Saravanan briefly considered making a bad joke about electric sheep, but thought better of it.”

(14) HOWLING IN DENVER. Meow Wolf opened its third installation in Denver in September and it’s “intergalactic.” “Meow Wolf Launches In Denver, Taking Visitors (Finally) To Convergence Station” reports Colorado Public Radio.

…Step into the lobby of Denver’s strangest new attraction and the adventure begins. Meow Wolf’s Convergence Station offers an interactive galactic experience like few others. It’s essentially a four-story art project mixed with immersive theme park designs and world-building. 

From the transit-like lobby, visitors then decide for themselves on which of the four different worlds to travel to.

Do they head to the grimy metropolis of C Street or the calming natural world of Numina? How about the frozen space castle on Eemia or the catacombs of Ossuary? All roads lead to dozens of hidden rooms, intertemporal passageways and many new clues….

Meow Wolf Denver: Convergence Station. Sept. 13, 2021.

(15) SF’S LIGHTNING ROD. Laura Miller discussed “The Cold Equations” in Slate last April – but the article is news to me: “Stowaway: Netflix’s latest hit updates a story sci-fi fans have been arguing over for decades”.

… For some science-fiction fans, “The Cold Equations” became a touchstone of the genre. James Gunn, an author, anthologist, and scholar of the genre, wrote, “If the reader doesn’t understand it or appreciate what it is trying to say about humanity and its relationship to its environment, then that reader isn’t likely to appreciate science fiction.” In this view, science fiction emphasizes the primacy of “the laws of nature, irrevocable and immutable,” over the squishy ambiguities of human emotions and manners, which are the subject of most fiction. The genre is seen by these fans as a sanctuary for those who appreciate hard truths and the men who face up to them.

Behind the technological gloss (much of the story is taken up with discussing the ship and how it works), “The Cold Equations” clearly illustrates the genre’s roots in the Western. Space and the planets settled by the colonist are referred to as the “frontier,” and Marilyn, in her feminine ignorance of the tough conditions there, makes a fatal mistake closely linked to her gender. Like the countless schoolmarms who arrive in semi-lawless Wild West towns in such movies as 1939’s Dodge City, “she belonged in that world of soft winds and a warm sun, music and moonlight and gracious manners, and not on the hard, bleak frontier.” In order to “civilize” the frontier and make it safe for such tender creatures, the male hero must make painful decisions and commit terrible actions that leave him so damaged he’s unsuitable for civilized company.

Although “The Cold Equations” became one of the most anthologized stories in a genre notable for the importance of its anthologies, in recent decades it is far more likely to be criticized than praised. Complaints about the story typically hinge on its contrived premise. Even within the story’s own value system, a mission designed without the redundancy to cope with the unexpected is simply bad engineering, rather than a demonstration of the universe’s indifference. The writer Cory Doctorow declared the story an example of a “moral hazard,” a term that economists use to describe a situation that encourages an economic actor (such as a corporation) to behave unethically by shielding that actor from the consequences of that behavior….

(16) BAH, HUMBUG! In the Washington Post, Will Oremus notes that, despite all the hype, the metaverse does not exist and “what does exist is an idea, an explosion of hype, and a bevy of rival apps and platforms seeking to capitalize on both.” “Facebook’s ‘Horizon Worlds’ isn’t the metaverse. The metaverse doesn’t exist”.

… In the two months since Facebook’s announcement, the term “metaverse” has taken off. A search of the Factiva database finds that it has appeared in more than 12,000 English-languagenews articles in the past two months, after appearing in fewer than 4,000 in the first nine months of 2021 — and fewer than 400 in any prior year. (Not surprisingly, Facebook was by far the most commonly mentioned company in those articles, with nearly 10 times as many appearances as the next most-mentioned firm, Microsoft.) Google Trends, meanwhile, shows that searches for the word have spiked roughly twentyfold since mid-October.

Many of those stories treat the metaverse as if it were a fait accompli — a real thing, like the World Wide Web or social media. After all, the metaverse has to exist in order to get married there, right?…

(17) CROWDFUNDED ANTHOLOGY ARRIVES. Vital: The Future of Healthcare, a collection of short stories featuring the future of health and medicine, was released December 31. Contributing authors include Tananarive Due, David Brin, James Patrick Kelly, Paolo Bacigalupi, Seanan McGuire, Annalee Newitz, Caroline M. Yoachim, Alex Shvartsman, Eric Schwitzgebel, Congyun Gu, Justin C. Key, Sally Wiener Grotta. Congyun (“Mu Ming”) Gu, Julie Novácová, and Lola Robles.

“Vital: The Future of Healthcare” is published by Inlandia Institute, a literary non-profit serving inland Southern California. Paperback and e-Book editions are available now on Amazon, Barnes & Noble, IndieBound, Bookshop, and elsewhere.

Net proceeds will be donated to the United Nations Foundation’s COVID-19 Solidarity Response Fund for the World Health Organization (WHO), a global leader coordinating the worldwide pandemic response. 

The idea for “Vital: The Future of Healthcare” was first conceived by RM Ambrose, editor of the book. He saw a need and opportunity to use fictional stories to address real-life challenges during the pandemic and declarations of racism as a public health crisis. “Medical science continues to advance, but for many, healthcare has never been more broken,” says Ambrose. “This book will use the power of storytelling to explore and inspire solutions to the problems that government and even the tech industry have struggled to fix.” 

(18) CHEER UP! In the Washington Post, Alexandra Petri looks at all the bad things that didn’t happen in 2021: we didn’t see any ghosts! “Some things that didn’t go wrong in 2021”.

… The ice at the North Pole did not melt and release the Unspeakable, Nameless Thing that has been trapped there for a thousand generations, which did not begin slithering on its hideous belly toward civilization, unhinging the minds of everyone who encountered it and leaving only devastation in its wake….

(19) 2022 IN SPACE. BBC Radio 4’s Inside Science wonders, “A new space age?”

Dr Kevin Fong convenes a panel of astronautical minds to discuss the next decade or two of space exploration.

…2022 promises even more. Most significantly NASA plans to launch the first mission of its Artemis programme. This will be an uncrewed flight of its new deep space vehicle Orion to the Moon, propelled off the Earth by its new giant rocket, the Space Launch System. Artemis is the American space agency’s project to return astronauts to the lunar surface and later establish moon bases. China has a similar ambition.

Are we at the beginning of a new space age and if so, how have we got here? When will we see boots on the Moon again? Could we even see the first people on Mars by the end of this decade? Even in cautious NASA, some are optimistic about this.

Kevin’s three guests are: Dr Mike Barratt, one of NASA’s most senior astronauts and a medical doctor, based at the Johnson Space Center in Houston, Texas; Dr Anita Sengupta, Research Associate Professor in Astronautical Engineering at the University of Southern California; Oliver Morton, Briefings editor at The Economist and the author of ‘Mapping Mars’ and ‘The Moon’

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Mario Party Superstars,” Fandom Games says this compilation of bits from other Mario Party games is “extra dough from stuff you left in your garage” when the original Mario Party came out in the 1990s but the game is still “the best way to avoid a real conversation at a party.”

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Hampus Eckerman, Andrew (not Werdna), SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/9/20 A Pixel Scroll Title That Turns Out To Have Been Used Before

(1) NOT DEAD YET. Since the cancellation of San Diego Comic-Con 2020 was announced in mid-April the people behind it have been thinking about an online counterpart. This humorous video dropped on May 8.

What it all means has yet to be revealed. However, in April SDCC started posting coloring books and videos with the theme of Comic-Con Museum@Home.

While Comic-Con 2020 has been cancelled (we’ll return in 2021!) and the Comic-Con Museum is currently closed along with the rest of the museums in Balboa Park, we want to welcome you to our newest endeavor: Comic-Con Museum@Home!

We have great plans for this new section of our website. This will be your main source for some amazing Comic-Con Museum content, such as exclusive videos—including past events (Sense of Wonder with Jen Bartel, The Art of Shag, Will Eisner Week), and new video content created exclusively for the Museum@Home program. Plus, we’re proud to introduce our exclusive “Fun Book” series, a regularly scheduled downloadable PDF featuring activity and coloring sheets created by the Comic-Con Museum for various age groups.

For one example – “Comic-Con Museum Celebrates Will Eisner: Life Forces: The Art of the Comics Memoir.“

(2) GNAW, YOU’RE KIDDING ME. The New York Times’ Cathy Weaver says it’s “Time to Check Your Pandemic-Abandoned Car for Rats”.  

You might want to make sure there’s not a rat living (or recently dead) in your car’s engine.

Why are you still reading? Check your car for a rat, I said. That’s the tip. Rats like it in there, and while they could take up residence in a car engine at any time, anecdotal reports (and mankind’s modern if imperfect knowledge of rat behavior) suggest the phenomenon may be occurring more frequently right now.

Three line breaks into this story, it is becoming increasingly clear that the depth of your interest in rats plunges far deeper than basic car maintenance tips. You are a person who seeks to understand rats in a way that rats may not even understand themselves. You want to read the invisible instruction encoded in a rat’s brain that compels him to abandon the deli dumpster where he has spent the majority of his short life and, all of a sudden, carry a leaf and perhaps some twigs into the engine of your Jetta. OK. Here is more rat information…

(3) LEAPIN’ LEPUS. “Juliet Johnson and Peter Capaldi On The Story of Richard Adams’ Watership Down” on YouTube is a promotional video for Black Stone Publishing in which Richard Adams’s daughter, Juliet Johnson, and Peter Capaldi discuss a new, unabridged version of Watership Down which Capaldi recorded to commemorate Richard Adams’s centennial.

(4) SURVIVAL OF THE SFFEST. “Everything I Need To Know To Survive Covid-19 I Learned By Watching Scifi & Horror Movies” is a clever mashup by Evan Gorski and Michael Dougherty.

(5) SOFT RE-OPENING. South Pasadena’s Vidéothèque movie rental business told people on its mailing list they expected to be allowed to reopen for pick-up service today.

Pursuant to County Health Dept provisions (& crossing our fingers), we will re-open Saturday, May 9 from 11am-7pm with front door service & will keep these hours daily.

Please refer to our website vidtheque.com to search for titles 

They included a bunch of movie recommendation lists to stimulate the demand, including Time Out’s “The 100 best horror films – the scariest movies ranked by experts”. Number four on the list is

Alien

The miracle of birth
Talk about above and beyond: Ridley Scott was hired by Twentieth Century Fox to make ‘“Jaws” in space’, and came back with one of the most stylish, subversive, downright beautiful films in either the horror or sci-fi genre. The masterstroke, of course, was hiring Swiss madman HR Giger as the film’s chief designer – his work brings a slippery, organic grotesquerie to what could’ve been a straight-up bug hunt (© ‘Aliens’). But let’s not overlook Dan O’Bannon’s script, which builds character without assigning age, race or even gender – plus one of the finest casts ever assembled.

(6) VIDEO GAME CREATOR. The Strong Museum of Play has received a collection of prototypes and projects from the family of inventor Ralph Baer.

Ralph Baer, known as the father of home video games and the first person to patent the idea of playing a video game on a television, spent more than four decades creating, inventing, and changing the landscape of play. The Strong museum, home to the World Video Game Hall of Fame, is pleased to announce that it has received a donation of prototype toys and technologies from Baer’s family that showcase his work and his creative thinking. The items add to the museum’s existing collection of Baer materials, which includes his personal papers and one of his desktop inventing workstations.

…Baer is known for his work in the video game industry, but in addition to creating the Magnavox Odyssey in 1972, the first home console machine, Baer led a successful career in toy and handheld electronic game design, creating the matching game Simon and the plush bear TV Teddy, among many other products. This collection includes dozens of items in various stages of development, including a Big Bird Talking Bank, the Video Buddy interactive system, augmented GI Joe rescue set, Super Simon, along with various other pieces or concepts, including talking greeting cards, a twirling carnival ride, modified stuffed animals, and a toy phone. Together, along with the museum’s existing personal papers, they provide a window into Baer’s design process.

“My father escaped Nazi Germany as a child, and he spent much of his life after that thinking differently about the world and trying to introduce more fun and whimsy into it. He was a visionary and creative force who never stopped learning, inventing, and tinkering—even into his 90s,” says Mark W. Baer, his son and the Trustee of the Ralph H. Baer Trust. 

(7) CREATURE FEATURE. Marie Brennan considers “New Worlds: Working Animals” at Book View Café.

…In fact, dogs serve as kind of a template for things we use working animals to do. The tasks of draft (pulling things like wagons or plows), pack (carrying loads directly) and riding came up when we talked about transportation, so I won’t rehash the list of species used in different parts of the world — but I will note that certain animals we can’t domesticate, like zebra and moose, can occasionally be tamed to perform those tasks. This category is where the Industrial Revolution made the most immediate and obvious dent: once we could replace muscle power with steam power and its successors, we no longer needed to keep millions of horses and mules and donkeys and camels and so forth to work for us.

(8) WHAT’S STUFFED INSIDE. NPR’s Jason Sheehan rides the line: “These ‘Little Eyes’ Watch The World Burn”.

Samanta Schweblin is not a science fiction writer. Which is probably one of the reasons why Little Eyes, her new novel (translated from Spanish by Megan McDowell) reads like such great science fiction.

Like Katie Williams’s 2018 novel Tell The Machine Goodnight before it, Little Eyes supposes a world that is our world, five minutes from now. It is a place with all our recognizable horrors, all our familiar comforts and sweetnesses, as familiar (as if anything could be familiar these days) as yesterday’s shoes. It then introduces one small thing — one little change, one product, one tweaked application of a totally familiar technology — and tracks the ripples of chaos that it creates.

In Tell The Machine, it was a computer that could tell anyone how to be happy, and Williams turned that (rather disruptive, obviously impossible) technology into a quiet, slow-burn drama of family and human connection that was one of my favorite books of the past few years. Schweblin, though, is more sinister. She basically gives everyone in the world a Furby with a webcam, and then sits back, smiling, and watches humanity shake itself to pieces.

You remember what a Furby is, right? They were those creepy-cute, fuzzy animal toys that could blink and squawk and sing, dance around and respond to some basic commands. They were toys that pretended (mostly poorly) that they were alive.

Schweblin’s version is called a kentuki. It’s a simple, fur-covered crow or mole or bunny or dragon with cameras for eyes, wheels, a motor. And a person inside. Virtually, of course. Not, like, for real. Because that would be horrifying. And Little Eyes is absolutely horrifying, but not that kind of horrifying….

(9) REDECORATING THE DOCTOR’S OFFICE. ScreenRant tries to explain “Why The Fourth Doctor Had A Second (Original) TARDIS Console Room”.

…In the debut episode of Doctor Who‘s original season 14, The Doctor takes his then-companion, Sarah Jane Smith, to a different, unused console room, and then strongly suggests this place was actually the original hub of the TARDIS. This console room remained The Doctor‘s base for the remainder of the season and was a massive visual departure from what had come before, with wooden panel walls, stained glass windows, and a smaller, cabinet-like console. Unfortunately, the Victorian-style console room only lasted a single season before the white, pimply decor returned. Reports conflict as to whether the wood of the previous set was proving problematic to maintain, or whether incoming producer, Graham Williams, simply wasn’t a fan.

(10) TODAY IN HISTORY.

  • May 9, 1973 Soylent Green premiered in theatres. It was the last performance by Edward G. Robinson who gets a great death scene here. It starred Charlton Heston and Leigh Taylor-Young. It was directed by Richard Flieschier and produced by Walter Seltzer and Russell Thacher. It was rather loosely based on Make Room! Make Room! by Harry Harrison. Most of the critics at the time generally liked it, and at Rotten Tomatoes the film has an approval rating of 71% rating among audience reviewers.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 9, 1860 J. M. Barrie. For us and for many others he’s the author of Peter Pan.  After that he had a long string of successes in the theater.  He knew George Bernard Shaw and H.G. Wells.  He joined the Authors Cricket Club and played for its team along with Sir Arthur Conan Doyle, A.A. Milne, and P.G. Wodehouse.  He was made a baronet in 1913. (Died 1937.)
  • Born May 9, 1913 Richard McKenna. His short story “The Secret Place” was a Hugo finalist and won the Nebula.  “Casey Agonistes” (short story) and “Hunter, Come Home” (novelette) are in many anthologies; “Casey” has been translated into French, German, Italian; “Hunter” into French, German, Italian, Romanian; “Secret” into Dutch, German, Italian, Polish.  Cover artist for Volume 3 of the NESFA Press Essential Hal Clement (Variations on a Theme by Sir Isaac Newton).  Best known outside our field for The Sand Pebbles.  (Died 1963.)
  • Born May 9, 1920 Richard  Adams. I really loved Watership Down when I read it long ago so will not read it again so the Suck Fairy may not visit it. Are any of the various Watership animated affairs worth seeing? Reasonably sure I’ve read Shardik once but it made no impression one way or the the other.  Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016)
  • Born May 9, 1920 William Tenn. Clute says in ESF that ‘From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.’  That pretty sums him up I think.  All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.)
  • Born May 9, 1925 Kris Neville. His most well-remembered work, the “Bettyann” novella, is a classic of science fiction. It would become part of the Bettyann novel, a fix-up of it and “Overture“, a short story of his. He wrote a lot of rather great short fiction, much of which can be in the posthumous The Science Fiction of Kris Neville, edited byBarry N Malzberg (who greatly admired him) and Martin H Greenberg, and more (some overlapping with the first collection) Earth Alert! and Other Science Fiction Tales. He’s not alas wisely available in digital form. (Died 1980.)
  • Born May 9, 1926 Richard Cowper. Writer of some seriously comic genre fiction that Martin Amis loathed. The White Bird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading.  It appears that all of here are available from the usual digital suspects. (Died 2002.)
  • Born May 9, 1936 Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh, and he played Prince Hamlet in Hamlet at the  Royal National Theatre way back in the Seventies! (Died 2019.)

(12) COMICS SECTION.

  • Immortal words from The Far Side.
  • Bookshelves dominate Grant Snider’s new Incidental Comic.

(13) KEEPING COMIC SHOPS AFLOAT. Shelf Awareness reports money will start flowing from the rescue fund next week: “Binc Distributing $950K to Comic Book Stores”.

Next Tuesday, May 12, the Book Industry Charitable Foundation (Binc) will distribute more than $950,000 raised by the Comicbook United Fund to comic store owners. The fund was created in response to the Covid-19 pandemic by Creators 4 Comics, Jim Lee, DC and Oni-Lion Forge Publishing Group. Binc is distributing amounts ranging from $800 to $2,400 to 637 comic book shops across the U.S. and U.S. territories.

The Comicbook United Fund grew out of the Forge Fund, which Oni-Lion Forge established last year with a donation to Binc of $100,000. This year, DC added another $250,000 to the fund. In addition, after the pandemic hit, a coalition of artists, authors, comics creators and other supporters held more than 600 auctions on Twitter, and DC’s Jim Lee began auctioning 60 original sketches in 60 days on eBay, with 95% of sales going to Binc.

In addition to the more than $950,000 that Binc is distributing to comic stores next week, Binc has distributed another $174,786 to 156 comic retail employees and owners to help with rent, mortgage, utilities, food and other necessities during this pandemic

(14) TIME AND TIDE. Wil Wheaton’s latest read is “By request, an HP Lovecraft short story.” Hear him at Soundcloud.

…I love the Cthulhu mythos, but I’m not crazy about Lovecraft’s storytelling. I feel like he spends a lot of time in the high concept and the world building, without ever really going more than skin deep on his protagonists and narrative characters. NB: I haven’t read a ton of Lovecraft, probably six or so short stories, so maybe he has a novel or novella with rich characters and narratives, but I haven’t found it.

None of this is to suggest that he wasn’t brilliantly creative and imaginative, just that his stories aren’t the most satisfying use of my time.

However, hundreds of you have reached out in comments and emails, asking me to narrate something from the Cthulhu Mythos, so today’s RFB Presents is a short, weird, lurid story called Dagon.

(15) OUR DYING EARTH. Tammy reviews “GOLDILOCKS By Laura Lam” at Books, Bones, and Buffy.

Goldilocks has a fantastic premise and uses one of my favorite sci-fi tropes: leaving our dying Earth and striking out to colonize a new planet, in the hopes of saving humankind. And for the first half of the story, it lived up to this promise. But I ended up with mixed feelings, and I felt the first half was way stronger than the second half. Still, I had a lot of fun reading this book, and I’m going to recommend it to readers who love strong female characters and enjoy reading about current social issues. There are some scary events in Goldilocks that really hit close to home (can you say “pandemic”?) which added a lot of tension to the story, but I also felt that Lam made a few missteps with the characters’ choices in some cases.

(16) IN THE BEGINNING. “Supergirl: 10 Things You Never Noticed About The First Episode” at ScreenRant.

… Since so much has happened in the meantime, it’s easy to forget what Supergirl was like in its beginnings when Kara Danvers was still learning how to use her powers and was hoping to figure out how to be a hero. No matter how many times you’ve seen the show’s first episode, you might have never noticed the following 10 details.

Number 10 —

National City

Kara reveals shortly after the beginning of the first episode that she lives and works in National City. The name of the city is a nice easter egg for all fans of the publisher DC comics.

National City doesn’t have its origin in the comics, but by choosing this name for Supergirl’s home, the show’s creators paid homage to DC comics. Before DC was, well, DC, the company’s name was National Comics Publications, hence the ‘National’ in the name of Supergirl’s city.

(17) MASTERPIECE THEATRE. Gideon Marcus is there when That Was The Week That Was goes off the air, and other real news is happening, but no time to waste! This is the magazine with Robert Sheckley’s Mindswap! — “[MAY 8, 1965] SKIP TO THE END (JUNE 1965 GALAXY]” at Galactic Journey.

…And then, having given my report, I’d tie it pithily to the subject at hand, namely the June 1965 Galaxy science fiction digest.  But the fact is, there’s lots to cover and I’m anxious to get it all down while it’s still fresh in my mind.  So, you’ll just have to pretend that I was clever and comprehensive in my introduction…. 

(18) THE FAR FUTURE – 1947. At First Fandom Experience they’ll take you back even further in time where you can see “A Rarity: Tellus News”.

This issue of Tellus News, a “newspaper of the future,” was discovered among a collection of fanzines from the 1940s.  It was mis-categorized because of the cover date: “Sol 23, 1947”

But this hand-drawn fanzine was created in 1932 by Howard Lowe as a vision of what news might look like 15 years hence.  It’s not a copy — it’s an original set of drawings. Rendered in colored pencil, it was likely never reproduced, and as such is a one-of-a-kind artwork….

(19) STAR WARS FOR THE 1 PERCENTERS. Michael Verdon, in the Robb Report story “Why ‘Star Wars’ Characters Are Taking Over the World’s Most Expensive Superyachts” says the British superyacht firm Thirtyc has been putting out Star Wars-related yachts for Star Wars Day on May 4, and Verdon shows how the onepercenters are having cosplay fun with their expensive yachts.

…Seeing a storm trooper and Darth Vader on a million-dollar tender isn’t an everyday occurrence. Neither is catching a glimpse of Princess Leia or Chewbacca driving away on another tender.

At first, the firm received a lot of compliments about their whimsical but highly realistic work. “As it spoke to peoples’ imaginations, they started asking us to use their boats,” says Armstrong. Soon, Star Wars vehicles like AT-AT Walkers and Starfighters appeared on superyacht helipads and rear decks.

(20) VIDEO OF THE DAY. “Universe” on YouTube is a 1960 documentary, directed by Roman Kroitor and Colin Low for the National Film Board of Canada, which Stanley Kubrick said was one of his inspirations for 2001.

[Thanks to Andrew Porter, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 1/23/19 I Should Be Writing But I’m Sitting Home Watching Pixels Scroll

(1) PAGING MR. WIRE, MR. GUY WIRE. [Item by Mike Kennedy.] SpaceX had a little oopsie when one of their rockets fall-down-go-boom. Well, not so much “boom” as “crunch.” The Verge has the story (“SpaceX’s new test rocket topples over thanks to strong Texas winds”).

A prototype of SpaceX’s next big rocket fell over and sustained damage in south Texas, thanks to high winds in the area. Images from SpaceX’s facility in Boca Chica, Texas show part of the vehicle sideways on the ground and slightly crumpled. The damage from the mishap will take a few weeks to repair, according to CEO Elon Musk.

Since the holidays, SpaceX engineers in south Texas have been building a prototype of the company’s new Starship rocket. Formerly known as the BFR, the Starship is the next-generation vehicle that SpaceX is developing to transport cargo and people to orbit, as well as to the Moon, Mars, and maybe even beyond. The full system actually consists of two big components: a large rocket booster, named Super Heavy, which will launch a crew-carrying spacecraft — the Starship — into space.

(2) BETTER WORLDS. Cadwell Turnbull’s “Monsters Come Howling in Their Season” is the latest story in the “Better Worlds” series from The Verge.

Listen to the audio adaptation of “Monsters Come Howling in Their Season” below or in Apple PodcastsPocket Casts, or Spotify.

(3) IN THE YEAR 2054. On January 30, The Arthur C. Clarke Center for Human Imagination presents Freeman Dyson and Gregory Benford discussing the topic “Foreseeing the Next 35 Years–Where Will We Be in 2054?”

Gregory Benford and Freeman Dyson

Wednesday, January 30, 2019
4:00 – 5:30 p.m. 
Roth Auditorium, Sanford Consortium for Regenerative Medicine 
UC San Diego

This event is free and open to the public; RSVP required.

35 years after George Orwell wrote the prescient novel 1984, Isaac Asimov looked ahead another 35 years to 2019 to predict the future of nuclear war, computerization, and the utilization of space. The Arthur C. Clarke Center for Human Imagination and the Division of Physical Sciences are honored to welcome two living luminaries in the fields of physics and futurism–Freeman Dyson and Gregory Benford (Ph.D. ’67)–to peer ahead another 35 years, to 2054, and share their insights into what may be in store for us.

Professor emeritus at the Institute for Advanced Study, Freeman Dyson is an English-born American theoretical physicist and mathematician….

Gregory Benford is a physicist, educator, author, and UC San Diego alumnus (MS ’65, PhD ’67)…. A two-time winner of the Nebula Award, Benford has also won the John W. Campbell Award, the British Science Fiction Award, the Australian Ditmar Award, the 1990 United Nations Medal in Literature, and the Robert A. Heinlein Award.

(4) RSR ARTIST RESOURCE. Rocket Stack Rank has posted itsannual page that highlights work by over 100 professional artists who are eligible for the 2019 Hugo Award for Best Professional Artist. “2019 Professional Artists”. Eric Wong says —

It complements JJ’s Best Professional Artist Hugo: Eligible Works from 2018 page because only 19 artists overlap, meaning 24 are unique to JJ’s list and 83 are unique to RSR’s.

It takes about a minute to browse the thumbnails on the page, or 5-10 minutes to view all 300+ large images one by one with just a key press or screen tap each (no need to close tabs or hit the back key for the next one) thanks to the “lightbox” view. Creating a shortlist of ones you like is also easy by control-clicking or long pressing the artists’ name in the lightbox. Moreover, we’ve included links to the artists’ websites and search links to find artist interviews. If an image makes you curious about the book/magazine/story, there’s a link for that, too. 🙂

Performance-wise, the page is fine on phones and tablets because it’s a bit smaller and loads a bit faster than the File 770 home page (about 5 MB, under 2 seconds). If you view all 300+ large images in the lightbox, about 40 MB will be downloaded by the time you reach the end.

(5) SFWA STORYBUNDLE. The SFWA Fantasy Bundle curated by Terry Mixon is available from Storybundle for about another three weeks. Bundle buyers have a chance to donate a portion of their proceeds to the Science Fiction and Fantasy Writers of America.

Pay what you want!

For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of five books in any ebook format—WORLDWIDE.

  • The Twenty-Sided Sorceress – Books 1-3 by Annie Bellet
  • Ashwin by Kit Rocha
  • Blade & Rose by Miranda Honfleur
  • Amaskan’s Blood by Raven Oak
  • Genrenauts – The Complete Season One by Michael R. Underwood

You choose how much you want to pay for these awesome books. (Click on each book above to check them out.) You decide how much of your purchase goes to the author and how much goes to help keep StoryBundle running. If your purchase price is $15 or more, you get SEVEN more books: Radiance by Grace Draven, The Arrows of the Heart by Jeffe Kennedy, The Raven and the Reindeer by T. Kingfisher, Blood Dragon – Books 1-3 by Lindsay Buroker, Al-Kabar by Lee French, The Glass Gargoyle by Marie Andreas and Catching Echoes – Reconstructionist Series Book 1 by Meghan Ciana Doidge!

(6) LE GUIN ON SCREEN. Eileen Gunn has been to see the Worlds of Ursula K. Le Guin documentary and paid it some compliments on Facebook:

“Worlds of Ursula K. Le Guin,” a film by Arwen Curry, opened today in Seattle, exactly a year since Ursula died. John and I went to the first showing. It’s quite a wonderful film, lots of voiceovers by Ursula, lots of photos of Ursula, a few talking heads, and a number of interesting special effects. I was pleased to see Vonda N McIntyre there, in the film, and surprised to see a clip of Nisi Shawl and myself chatting with Ursula in an episode of our short-lived cable talk show, produced by Vonda. (I mean, we had all given our permission, but I had forgotten.) It was lovely to hear her voice again.

(7) WHAT I TELL YOU THREE TIMES IS TRUE. Andrew Liptak’s new Wordplay has as its anchor a segment titled, “Tolkien, Tolkien, Tolkien”.

…As I’ve been somewhat immersed in Tolkien’s lore, I’ve been thinking about what the future of Tolkien’s legacy might be. Clearly, there are huge Hollywood ambitious with it. Amazon is spinning up a fantastically expensive show that’s not *quite* an adaptation of LOTR, but which is said to follow Aragorn before the trilogy, which would be… interesting. It’s also supposedly set in Jackson’s particular vision of Middle-earth, which would make sense, given that that’s what the general public is most familiar with. After all, Guillermo del Toro apparently got the ax by deviating too much from Jackson’s world when he went to adapt The Hobbit.

Adapting Middle-earth is a huge challenge, and looking back on Jackson’s efforts on the first trilogy shows just how well they nailed it — Tolkien purists be damned — balancing the need for something accessible while getting the right tone of the world *right*.

(8) WHO LIVES UP TO YOUR EXPECTATIONS? [Item by Mike Kennedy.]Buzzfeed has a list of Twitter posts for “15 Times Meeting A Celeb Lived Up To Our Expectations,” and several of the named celebrities have genre ties. Carie Fisher appears on the list twice. Also on the list: Harrison Ford, Pierce Brosnan, George Takei, and Guillermo Del Toro.

Over the weekend, Twitter user Doug Tilley asked his followers to share stories about meeting their heroes and having the interaction live up to the hype: The thread quickly went viral, with people from all over sharing their heartwarming exchanges with celebs. The thread starts here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 23, 1939 Greg and Tim Hildebrandt. Greg is age 80, but Tim passed in 2006. I’d say best known for their very popular and ubiquitous Lord of the Rings calendar illustrations, also for illustrating comics for Marvel Comics and DC Comics. They also did a lot of genre covers so I went to ISFDB and checked to see if I recognized any. I certainly did. There was Zelazny’s cover of My Name is Legion, Tolkien’s Smith of Wootton Major and Farmer Giles of Ham and Poul Anderson’s A Knight of Ghosts and Shadows. Nice.
  • Born January 23, 1943 Gil Gerard, 76. Captain William “Buck” Rogers in Buck Rogers in the 25th Century which I fondly remember as a really a truly great SF series even if it really wasn’t that great. He also shows up in the very short lived E.A.R.T.H. Force as Dr. John Harding, and he’s General Morgenstern in Reptisaurus, a movie title that proves someone had a serious lack of imagination that day. In Bone Eater, a monster film that Bruce Boxleitner also shows up in as Sheriff Steve Evans, he plays Big Jim Burns, the Big Bad. Lastly, I’d like to note that he got to play Admiral Sheehan in the “Kitumba” episode of fan created Star Trek: New Voyages.
  • Born January 23, 1944 Rutger Hauer, 75. Roy Batty In Blade Runner of course but did you know he was Lothos In Buffy the Vampire Slayer? That I’d forgotten. He’s also William Earle in Batman Begins, Count Dracula himself in Dracula III: Legacy, Captain Etienne Navarre in Ladyhawke, the vey evil John Ryder in The Hitcher, Abraham Van Helsing in Dracula 3D, King Zakour in, and no I didn’t know they’d done this film, The Scorpion King 4: Quest for Power and finally let’s note his involvement in Valerian and the City of a Thousand Planets as President of the World State Federation.
  • Born January 23, 1950 Richard Dean Anderson, 69. Unless you count MacGyver as genre which I can say is open to debate, his main and rather enduring SF role was as Jack O’Neill in the many Stargate Universe series. Well Stargate SG-1 really as he only briefly showed up on Stargate Universe and Stargate Atlantis whereas he did one hundred and seventy-three episodes of SG-1. Wow. Now his only other SF role lasted, err, twelve episodes in which he played Enerst Pratt alias Nicodemus Legend in the most excellent Legend co-starring John de Lancie. Yeah, I really liked it.
  • Born January 23, 1964 Mariska Hargitay, 55. Did you know she’s the daughter of Jayne Mansfield? I certainly didn’t. Her first film appearance was as Donna in Ghoulies which is a seriously fun film. Later genre creds are limited but include playing Marsha Wildmon in the Freddy’s Nightmares – A Nightmare on Elm Street: The Series. She also plays Myra Okubo in the Lake Placid film and voices Tenar in the not very good, indeed truly awful, Tales from Earthsea.

(10) COMICS SECTION.

(11) DR. DEMENTO. The LA Times interviews the Doctor about a huge tribute album that’s just been released: “Dr. Demento, comedic song hero and unsung punk rock legend, gets his due on new album”.

The punk connection takes center stage with “Dr. Demento Covered in Punk,” an exceedingly ambitious and densely packed double album — triple in the vinyl edition — being released Jan. 12.

The album comprises 64 tracks spread over a pair of CDs, pulling together new recordings of “mad music and crazy comedy” songs long associated with the quirky radio emcee. Participants include Yankovic, Joan Jett & the Blackhearts, William Shatner, Adam West, the Vandals, Fred Schneider of the B-52’s, the Misfits, Japan’s Shonen Knife, Los Straitjackets, Missing Persons, the Dead Milkmen and at least a dozen more.

“I was always a fan of rock ‘n’ roll, and some of the early punk music of the ‘60s with groups like the Music Machine,” Hansen, 76, said in the cozy living room of his home in Lakewood, where he also records his shows that now reach listeners through subscriptions by way of his official website.

“So when the new punk rock showed up around 1976 and 1977, I played a few samples on my show,” he said. Hansen graduated as a classical music major from Reed College in Portland, Ore., and subsequently earned his master’s degree in folk music studies from UCLA.

“I got the Ramones’ first album and played several of those songs, including ‘Beat on the Brat,’ the song Weird Al did for this album,” said Hansen, who has been inducted into the National Radio Hall of Fame, the Comedy Hall of Fame and the Oregon Music Hall of Fame.

(12) WORKAROUND. Now I Know calls it “A Fine Way to Encourage Reading”. Daniel Dern says, “I’d call ’em ‘BookBuster’.”

Imagine a bookstore that worked on a membership program — instead of buying books, you rented them. …Seems like a fancy Internetty startup? Nope. It’s your local library….

…And let’s face it, many kids with fines don’t have to have those conversations with their parents — they can avoid the fine simply by avoiding taking other books the library. (And at that point, the library is going to suspend their borrowing privileges anyway.) The result is a lose-lose situation: the kids read less and the library doesn’t get that $10 anyway.

So, the Los Angeles County library system fixed it. They call it the “Great Read Away.”

Cardholders under the age of 21 have a new way to pay their fines through the program, no money required. All they need to do is come to the library and read. For every hour of reading, the library system will forgive $5 worth of fines. And it needn’t be a book, either — magazines, newspapers, and comic books count. (Listening to audiobooks or watching movies based on novels does not, however.) Parents and caregivers can read to children to help the kids pay off the debt (but only the kids’ debt), and for those kids who don’t have the stamina to read for an hour, the librarians can give pro-rated credit.

(13) DOGGING IT. A federal worker I know spotted this clip while he was canvassing for jobs — Wienermobile drivers wanted:

Processed meats purveyor Oscar Meyer announced it is seeking a qualified “Hotdogger” to be the next driver of the famed Wienermobile.

The hot dog company said it is accepting applications until Jan. 31 to be the newest “Hotdogger,” Oscar Meyer’s term for Wienermobile drivers.

The job, which begins in June, would involve driving the iconic sausage across the United States, visiting locations including stores, military bases and charity events.

Did you know this job requires a four-year degree? Don’t ask me why.

(14) WELL-USED TECH.  “Facial recognition tool tackles illegal chimp trade”.

Wildlife criminals had better watch out! The same software that recognises you in a friend’s social media post is being adapted to tackle the illegal trade in chimpanzees.

The amber eyes in the image above belong to Manno, who was trafficked from Africa to Syria before being rescued.

Pictures of Mano are now being used to train the algorithm that could help save members of his endangered species from the same experience. It’s a first for chimpanzee conservation.

The algorithm will search through photo posts on social media looking for the faces of rescued apes.

If the technology recognises a trafficked animal, the owners of the accounts featuring the chimp can then be targeted by the authorities.

(15) BCS SIPS. Charles Payseur’s latest short fiction reviews — “Quick Sips – Beneath Ceaseless Skies #269”.

The latest issue of Beneath Ceaseless Skies has a lot to do with transformations, with the threat of revenge, and with the need for freedom. It finds characters who are caught in circumstances of waiting to be punished. To be found out. And trying to find a way free of the things hanging over them. Now, some of those things are no fault of their own and some of them…well, the characters aren’t always quite so innocent. But the piece looks at freedom and who can hope for it, and what it might cost. The stories deal with the weight of revenge and the feelings that can come when that weight is lifted and set down. To the reviews!

(16) DOES THAT BRAND NAME SOUND FAMILIAR? Eater reports “Furloughed Federal Workers Supposedly Surviving on Soylent Is So Very 2019”. I’m sure this is totally credible!  

It’s barely three-quarters of the way through January, and already a story has emerged that seems to perfectly encapsulate the early 2019 hellscape: According to a somewhat dubious Reddit post, two furloughed federal workers are subsisting solely on the Silicon Valley-born meal replacement known as Soylent so they can afford to feed their infant child.

Titling his post “Soylent has financially saved my family’s life amid the government shutdown,” the author thanks the company for offering a discount for affected federal employees, writing, “This has literally saved my family’s lives. I was in tears when I saw the [discount advertised] on their Instagram story.” Soylent is offering furloughed workers 35 percent off until the government resumes normal operations.

(17) IN JEOPARDY! Jeopardy! monitor Andrew Porter saw this come up on tonight’s show.

Answer: Dame Daphne Du Maurier’s works made into Hitchcock films include ‘Rebecca’ and this high-flying novelette.

Wrong question: What is “Vertigo”?

Correct question: What is “The Birds”?

(18) PERMISSION GRANTED. You know that thing about decluttering and how many books you should keep? Felipe Torres Medina of Points In Case says he heard it this way: “I’m Marie Fucking Kondo and You Can Keep All Your Fucking Books, You Ingrates”.

Hi, Marie Kondo here. Author of The Life-Changing Magic of Tidying Up and host of the new Netflix show Tidying Up.

I know you guys are not used to listening to a small-framed Asian woman speak with authority, but I’m going to say this once and for all: You can keep all your fucking books, you ungrateful motherfuckers. All I wanted was to spark a little joy in your fucking miserable lives, which you’ve tried to make fulfilling by purchasing fucking stuff. But fuck me, I guess, for mentioning that I like to have only 30 books in my house.

See, the problem here is that some of you have interpreted my warm voice, bubbly attitude, and cheery disposition as a surefire sign that I will personally come to your home and build a bonfire out of your unread copies of those J. K. Rowling novels she wrote under a pseudonym that sounds like the name of a Hogwarts professor. Your ex-boyfriend gave you those for your anniversary three years ago. Had you ever mentioned wanting to read those books? Not really. But you did once tell your ex you were a Hufflepuff, so surely they must have some emotional value to you. What kind of fucking monster am I for suggesting you maybe consider donating those books to a local library or thrift shop? So yeah, go off. Enjoy the adventures of Cormoran Fucking Strike. Yeah, that’s the name of the main character. Buckle up, buddy…

[Thanks to Martin Morse Wooster, John King Tarpinian, Eric Wong, Chip Hitchcock, JJ, Mike Kennedy, Cat Eldridge, Andrew Liptak, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scoll 10/17/18 They Scrolled Paradise And Pixeled A Parking Lot

(1) BEST OF TED. Ideas.Ted.com. features Nnedi Okorafor: “’Write your story, and don’t be afraid to write it’ — a sci-fi writer talks about finding her voice and being a superhero”.

During family visits to Nigeria in the 1990s and 2000s, Okorafor was fascinated by the harmony between traditional belief systems and brand-new electronic devices. “I started noticing the use and the interplay of technology in Nigerian communities, especially when cell phones came around,” she says. “I saw phones popping up in the most remote places, and they were normalized in really cool ways.” She wondered why stories didn’t depict technology in African nations. In fact, she began to wonder why she wasn’t writing such stories herself.

In college, however, Okorafor found herself discouraged from writing science fiction. “I had professors who were constantly telling me, ‘You’re such a good writer; you want to stay away from all of that weird stuff,’” she remembers. “Eventually I just kind of jumped the rails, because I couldn’t help it.” Okorafor dove headfirst into creating the stories she never found on library shelves growing up — ones with strong female protagonists of color, African locations, speculative technology, aliens and magic, as well as complex and relevant social themes like racial identity and gender violence.

(2) A VISION OF THE FUTURE. Ray Bradbury biographer Sam Weller blasts a proposal to raze Waukegan’s old Carnegie Library building:

And this is why Charles Selle’s ridiculous call to “raze the edifice” of Waukegan, Illinois’ historic 1903 Carnegie Library building is short-sighted and, frankly, emblematic of Waukegan’s frustrating inability to capitalize on its own crown jewel lakefront location and its remarkable history. Cities large and small across the nation are embracing historic revitalization and renovation, attracting artists and entrepreneurs, restaurateurs and urban visionaries who see the connection to the past and the future. Selle’s assertion that the city is “hanging on to the past” with the long-abandoned Carnegie building is correct. Yet he misses the point entirely. Waukegan should hang on to its past. Selle doesn’t even propose a replacement suggestion for the location, instead only calling for the complete demolition of a building with landmark status. The fact of the matter is that the current plans to house the Ray Bradbury Experience Museum in the Carnegie is the best chance to renovate the old biblio-gem, to raise the needed funding, and to properly honor one of the world’s great, inspiring imaginations….

(3) OUT OF THE LINEUP. With Wendig gone, the Shadow of Vader comic has been sidelined, says The Hollywood Reporter — “Marvel Pulls Fired Writer Chuck Wendig’s ‘Shadow of Vader’ Series From Schedule”.

Marvel Entertainment released the official list of January 2019 comic book product this week, and one title was notable by its absence: Shadow of Vader, the five-issue comic book series written by Chuck Wendig, the writer Marvel fired last week because of his social media use.

(4) EREWHON BOOKS BEGINS. Tor.com boosted one of its editors’ new company: “Hugo Award-Winning Editor Liz Gorinsky Launches New Publishing Company Erewhon Books”.

(5) UPTOWN SPOT. Ed Green worked as a background actor on the Bruno Mars “Uptown Funk” music video – it’s good thing he got the gig before this new generation of robots came along!

(6) IN PRAISE OF FAMOUS MEN. Except in Slate, this praise is intended satirically — “In Defense of Soylent Green Inventor Henry C. Santini”.

On October 16, 2018, Popular Mechanics published a deeply weird tribute to mercurial industrialist Elon Musk, in which a carefully-curated group of technology journalists and Musk’s fellow rich people praised him for trying, regardless of what he was trying to do, whether or not he succeeded, or the methods he used to pursue his goals. One writer compared him at length to Mark Twain!

On October 16, 2022, NYPD detective Frank Thorn discovered that Soylent Green was made of people. The ensuing public scandal threatened the reputation of Henry C. Santini, the Governor of New York and a board member of both Holcox Manufacturing of Norfolk, Virginia and its parent company, the New-York-based Soylent Corporation.

On October 17, 2022, Slate sprang into action.

He is under attack. For saying the wrong thing, for not making enough Soylent Green, for creating a global manufacturing pipeline based on baking human corpses into little green crackers and telling people they’re made out of plankton. Some of the criticisms have merit. Much of it is myopic and small-brained, from sideline observers gleefully salivating at the opportunity to take him down a peg and maybe score a few extra rations in the process. But what have these anti-cannibalism activists and pontificators done for humanity?

Henry Santini is an engineer at heart, a tinkerer, a problem-solver, a genius at disguising the taste of human flesh—the kind of person Slate has always championed—and the problems he’s trying to solve are hard. Really hard. He could find better ways to spend his money, that’s for sure….

(7) HONEST TRAILERS. These YouTubers bid you “Return to the MCU franchise that makes you say ‘sure’ – It’s Ant-Man and The Wasp.”

(8) PUTTING AWAY THE FEATHERS. Variety has the story — “‘Sesame Street’ Puppeteer Caroll Spinney Retires From Big Bird, Oscar the Grouch Roles”.

Caroll Spinney has been a television mainstay since 1969, but his face has rarely made an appearance.

Disguised beneath a frock of bright yellow feathers and an orange bill, the “Sesame Street” puppeteer was the heart and soul behind Big Bird and Oscar the Grouch since the show’s premiere almost 50 years ago.

Now, at the age of 84, Spinney told the New York Times that he is retiring from “Sesame Street” after nearly half a century playing some of the show’s most iconic characters. Come Thursday, Spinney will enter the “Sesame Street” studios in Astoria, Queens for the last time before leaving the roles behind forever.

(9) TODAY IN DUCK HISTORY

  • October 17, 1937 — Huey, Dewey, and Louie first appeared in a comic strip.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 17, 1914 – Jerry Siegel, Comic Book Writer who also used pseudonyms including Joe Carter and Jerry Ess. His first foray into genre was as editor of a 5-issue fanzine called Science Fiction. He was co-creator of the Superman character, along with Joe Shuster. They started off selling stories to National Allied Publications, the original precursor of DC Comics, and sold the Superman character to Detective Comics, Inc., yet another forerunner of DC. His contentious career with DC and elsewhere is far too long to detail here; suffice it to say that if you’ve read comics, you’ve likely encountered some of his characters. He was inducted posthumously, with Shuster, into the Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame.
  • Born October 17, 1917 – Marsha Hunt, 101, Actor and Singer whose career was hampered by blacklisting during the McCarthy era. She had guest roles on the original versions of Alfred Hitchcock Presents, The Twilight Zone, and The Outer Limits, as well as on Star Trek: The Next Generation, Shadow Chasers, and the TV movie Fear No Evil. She has spent decades doing humanitarian work to fight poverty, starvation, homelessness, and mental illness.
  • Born October 17, 1922 – George Hay (Oswyn Robert Tregonwell), Writer, Editor, Conrunner, and Fan from the UK who served on convention committees and helped establish the Science Fiction Foundation in 1972. In addition to writing his own four novels, he co-edited the first 6 issues of the long-running Foundation: The Review of Science Fiction, edited several anthologies, and his fanzines included Realtime and Door Into George. He co-edited two volumes of The John W. Campbell Letters, the first of which was a finalist for a Hugo for Best Nonfiction Work. Named after him is the George Hay Memorial Lecture, an annual program item at Eastercon (the UK Natcon) in which an invited speaker, often a prominent British scientist, gives a talk on a scientific topic.
  • Born October 17, 1933 – William Anders, 85, Engineer and Astronaut, who was one of the first three persons to leave low Earth orbit and travel to the Moon in Apollo 8 along with fellow astronauts Frank Borman and Jim Lovell. The famous photograph Earthrise was taken by him. His foundation created the Heritage Flight Museum in Washington state; he serves as its President and until 2008 was an active participant in its air shows (his career includes more than 8,000 hours of flight time). The Anders crater on the Moon is named in his honor.
  • Born October 17, 1934 – Alan Garner, 84, Writer from England who is best known for his children’s fantasy novels and his retellings of traditional British folk tales. However, at least two of his novels, Boneland and Thursbitch, are decidedly adult in language and complexity in their storytelling. I strongly recommend both of them for Autumnal reading. His novel The Owl Service received the Carnegie Medal, and he has been recognized with British Fantasy Awards’ Karl Edward Wagner Award for contributions to genre, and with the World Fantasy Award for Life Achievement, as well as Guest of Honor at World Fantasy Convention.
  • Born October 17, 1946 – Bruce McAllister, 72, Writer, Editor, Teacher, and Poet of mainly short fiction whose novelette “Dream Baby”, about a Vietnam War nurse who can foresee which soldiers will die in battle, was nominated for Hugo and Nebula Awards, and was later expanded into a novel which was a Locus Award finalist. Other stories have garnered another Hugo nomination and a Shirley Jackson nomination. As a 16-year-old, he sent a survey to 150 well-known science fiction authors, asking them about symbolism in their work, and whether it was conscious or unconscious, intentional or the invention of readers – and received responses from half of them, ranging from an admin assistant’s blow-off to a thick packet of single-spaced typescript.
  • Born October 17, 1948 – Margot Kidder, Actor and Producer who is best known to genre fans as Lois Lane from Christopher Reeve’s Superman films. Other movie roles included The Reincarnation of Peter Proud, The Amityville Horror, and Halloween II, and guest parts in episodes of The (new) Outer Limits, Tales from the Crypt, Earth: Final Conflict, The Hitchhiker, and – most appropriately – Smallville. She struggled with health issues and bipolar disorder for decades, but in recent years had maintained steady work in numerous independent films and TV roles; sadly, she succumbed to an overdose of alcohol and painkillers in May of this year.
  • Born October 17, 1948 – Robert Jordan (James Oliver Rigney, Jr.), Writer who started out in the 80s writing Conan pastiche novels as well as westerns and historical novels, but who struck gold in the 90s with his Wheel of Time series. The novels were massively popular with fans; his series spawned an ardent Usenet forum community who called themselves Darkfriends and who later built an extensive internet resource at Dragonmount.com (what would now be considered a fandom wiki), inspired the Jordancon annual convention of devotees, and sold millions of copies. In the mid-2000s, he revealed that he had been diagnosed with a terminal illness, but continued to work on plot notes for the completion of the WoT series until his death. His widow, Tor editor Harriet McDougal, personally chose author Brandon Sanderson to complete the series using Jordan’s notes, and after the final three volumes were published, the entire series was nominated by Hugo voters for Best Novel. He was Guest of Honor at numerous conventions, and was posthumously given the Phoenix Award for Lifetime Achievement by Southern Fandom.
  • Born October 17, 1950 – Michael J. Walsh, 68, Publisher, Conrunner, and Fan who found fandom at the age of 17 and became involved in running conventions; he chaired numerous Disclave, Capclave, Balticon, and World Fantasy Conventions, as well as the notoriously-insolvent 1983 Worldcon. He is a member of the Washington Science Fiction Association, and has held a number of offices in that organization in addition to starting WSFA Press, which publishes special editions of works by Disclave and Capclave Guests of Honor. In 1993, he founded Old Earth Books, which publishes niche editions and reprints of out-of-print works, and which received a Special World Fantasy Award for its collections of Howard Waldrop’s short fiction; and he has been Guest of Honor at several conventions.
  • Born October 17, 1956 – Dr. Mae C. Jemison, 62, Physician, Engineer, and Astronaut who was a member of NASA’s eight-day 50th Space Shuttle mission in 1992, beginning each shift with the words “Hailing frequencies open” in honor of Nichelle Nichols, the Star Trek actor who inspired her to become an astronaut. The following year she left NASA to found her own company to promote STEM education to young people; her company won the bid for the joint DARPA and NASA 100 Year Starship Project to create a business plan that can last 100 years in order to help foster the research needed for interstellar travel. Jemison had a cameo on an episode of Star Trek: The Next Generation, and served as technical consultant for the current season of National Geographic’s drama series Mars (which – hey! is available in the U.S. via online streaming… BRB in about 6 hours). She was immortalized last year in LEGO’s Women of NASA minifigure set.
  • Born October 17, 1958 – Jo Fletcher, 60, Journalist, Writer, Editor, Critic, Poet, and Publisher from the UK who became involved in fandom at the age of 20, contributing to, and later editing, the British Fantasy Society’s Bulletin and attending conventions. Eventually she wound up running the British Fantasy Society with editor Stephen Jones, chairing Fantasycon (the British Fantasy Convention) and the first World Fantasy Convention held outside of North America, and serving on the boards of the WFA and WHA. After 16 years of running Orion’s Gollancz SFF imprint, including its SF Masterworks and Fantasy Masterworks lines, in 2011 she started her own imprint under Quercus; as ample demonstration of her acumen, Jo Fletcher Books published Robert Jackson Bennett’s Hugo-nominated Divine Cities trilogy. She’s been Guest of Honor at FantasyCon and WFC, has been recognized with the BFA’s Karl Edward Wagner Award for her contributions to genre and the BFS, and was given a special World Fantasy Award for Gollancz’ Fantasy Masterworks series.
  • Born October 17, 1971 – Patrick Ness, 47, Writer, Journalist, and Producer who emigrated from the U.S. to England. He is best known for his books for young adults, including the Chaos Walking trilogy, the novels of which received a Tiptree Award, a Carnegie Medal, and a Clarke Award nomination, and were adapted into a movie which will be out next March. His novel A Monster Calls won a Carnegie Medal and was nominated for a Stoker Award and the Prix Imaginaire; he adapted it into a movie which was nominated for a Saturn Award. He also wrote and produced the Doctor Who spinoff series Class, about a group of teenagers dealing with time travel and aliens.
  • Born October 17, 1983 – Felicity Jones, 35, Actor from England who gained genre fame, and a Saturn nomination, starring in the Star Wars film Rogue One, which won a Saturn Award and was a Hugo finalist for Best Dramatic Presentation; she reprised that role in the animated Star Wars: Forces of Destiny series. Other genre appearances include an Oscar-nominated lead role in the Stephen Hawking docudrama The Theory of Everything, the Saturn-nominated film adaptation of Ness’ A Monster Calls, The Amazing Spider-Man 2, and Inferno, a main role in the TV series The Worst Witch and its sequel series Weirdsister College, and an episode of Doctor Who. She has a lead role in next year’s The Aeronauts, a fictionalized version of the story of the hot air balloon pilot and the scientist who, in 1862, set a still-standing record for ascending 7 miles up in the atmosphere.
  • Born October 17, 1984 – Randall Munroe, 34, Engineer, Writer, and Cartoonist who has become famous for his webcomic xkcd, which frequently has panels relating to science, genre fiction, and other items of genre interest – including the Filer favorite Today’s Lucky 10,000. His 2015 book Thing Explainer explains concepts using only the 1,000 most common English words. He was twice a finalist for the Best Fan Artist Hugo, and his animated graphic sequence Time won a Hugo for Best Graphic Novel.

(11) COMICS SECTION.

(12) PROBLEMS WITH NOCTURNAL READER’S BOX. Jason Sanford shares a free report from his Patreon: “Publisher files suit against Nocturnal Reader’s Box, alleges $100,000 in books from multiple genre presses are missing”.

Nocturnal Reader’s Box (NRB), a “subscription box service shipping horror-themed books and merchandise for the price of $35 per month,” shut down in September. According to Bleeding Cool, the service run by the husband and wife team of Jessica and Vincent Guerrero was the “subject of numerous complaints about late or nonexistent shipping, changes to the company’s terms of service, missing or different-than-advertised items, and purportedly non-existent tracking numbers.”

The website for NRB currently states that “We’re temporarily closed!” Despite this, people online are alleging that NRB is still charging credit cards and that automatic renewal charges are still going through….

(13) VIEWED FROM THE INSIDE. Joseph Bentz answers the question “Why Is Writing So Hard?” — but as many books as he has out, you’d never suspect he had reason to ask!

Why do you need all those writers conferences to commiserate and moan about an activity—writing—that you supposedly love?

It’s a fair point, and yet, writers are very familiar with all those agonizing hours we spend squirming, staring at walls, searching for words, deleting words, and writing through drafts that won’t quite come together. Why such struggle?

I finally figured out why writing is so hard….

(14) FRANCOFILE. Adweek devotes an article to French company Cdiscount’s ad campaign — “These Outlandish Aliens Getting Ecommerce Deals Is the Spaciest of Oddities” – unfortunately, registration is required to read it.

The animated space creatures featured in Cdiscount’s latest campaign are absolutely over the moon about the French ecommerce site.

Thanks to YouTube you can see the ad – and if you speak French, even understand it!

(15) LEGACY. Vice’s Motherboard website explains how “How Paul Allen Saved the American Search for Extraterrestrial Intelligence” by donating money to the effort.

On Monday evening, Microsoft co-founder Paul Allen died of non-Hodgkin’s lymphoma at the age of 65. At the time of his death, Allen was the 47th richest person in the world, with a net worth of $26 billion. For the last few decades of his life, Allen used his wealth for a staggering variety of business and philanthropic interests. In addition to owning the Seattle Seahawks and the Portland Trail Blazers, Allen founded a brain science institute, an AI institute, and Stratolaunch Systems, which was exploring private spaceflight.

Yet one of the research areas where Allen made the biggest impact was also the one he spoke about the least: the Search for Extraterrestrial Intelligence (SETI). Indeed, Allen almost single-handedly rescued American SETI by donating over $30 million to scientists scanning the cosmos for intelligent radio signals.

(16) BRIGHT IDEA? According to the People’s Daily Online, China plans to use a mirror satellite to provide outdoors nighttime illumination for the city of Chengdu—and real soon now  (“Chengdu to launch ‘artificial moon’ in 2020”). The claim is that it will be several times brighter than a full moon over the city.

Southwestern China’s city of Chengdu plans to launch its illumination satellite, also known as the “artificial moon”, in 2020, according to Wu Chunfeng, chairman of Chengdu Aerospace Science and Technology Microelectronics System Research Institute Co., Ltd.

Wu made the remarks at a national mass innovation and entrepreneurship activity held in Chengdu on Oct. 10.

The illumination satellite is designed to complement the moon at night. Wu introduced that the brightness of the “artificial moon” is eight times that of the real moon, and will be bright enough to replace street lights.

…Some people expressed concern that the lights reflected from space could have adverse effects on the daily routine of certain animals and astronomical observation.

Kang Weimin, director of the Institute of Optics, School of Aerospace, Harbin Institute of Technology, explained that the light of the satellite is similar to a dusk-like glow, so it should not affect animals’ routines

(17) WAX ON. WAX OFF. Gizmodo’s io9 warns you, “Don’t Blink: Jodie Whittaker’s Doctor Who Wax Figure Is Watching You.”

That’s not a picture of Jodie Whittaker, Doctor Who’s new star, up there. Seriously. It’s a wax recreation so good that even the Nestene Consciousness itself would be a bit jealous of the handiwork behind it.

This frankly absurdly lifelike replica of Whittaker in her full 13th Doctor regalia is the work of a new Doctor Who experience at Madame Tussauds in Blackpool. Alongside the uncanny recreation of the actress, the experience includes one of the actual TARDIS props used during the filming of the 11th season of the show, as visitors are tasked with trawling a forest to hunt down the Doctor’s sonic screwdriver—retrieving it and bringing it back to its rightful, albeit waxy, owner.

(18) TROPE THEORY. The Fifth Element, Enchanted, Tron Legacy, My Stepmother Is an Alien, Sheena, Planet of the Apes, Stargate, Star Trek, Splash and other mermaid tales, even Forbidden Planet.  The female characters in the movies and shows are what Pop Culture Detective labels “born sexy yesterday” and describes as a male fantasy trope.  Occasionally, as in Star Man, the trope is in reverse.

(19) LIVE FROM 2007. For reasons that would take too long to explain I watched a lot of Commando Cody episodes before the start of LASFS meetings, so I especially enjoyed this parody of the classic serial –

[Thanks to JJ, John A Arkansawyer, Jason Sanford, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter, for some of these stories, Title credit goes to File 770 contributing editor and earworm creator of the day bill.]