Tag Archives: Stonehenge

Pixel Scroll 12/21/24 A Short Scroll For The Shortest Day

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(0) I’m visiting my brother to help celebrate his birthday. That’s my real excuse!

(1) EATING THE FANTASTIC. Scott Edelman invites listeners to settle in for a steak dinner with Marvel’s Tom Brevoort in Episode 243 of the Eating the Fantastic podcast.

First up — dinner with Tom Brevoort, who holds the record for being the longest-running editor ever at Marvel Comics, having been hired there in 1989 right out of college. Over the decades, he’s overseen titles such as New Avengers, Civil War, and Fantastic Four. He became Executive Editor in 2007, and in January 2011, was promoted to also serve as Senior Vice President of Publishing. He’s an Eisner Award-winner for Best Editor, and is currently the Group Editor of The X-Men.

Tom Brevoort

We discussed how a guy whose first love was DC Comics ended up at Marvel, why he hated his early exposure to Marvel so much he’d tell his parents not to buy them because “they’re bad,” the pluses and minuses of comic book subscriptions (and the horror when issues arrived folded), how Cerebus the Aardvark inspired him to believe he could build a career in indie comics, the most unbelievable thing he ever read in a Flash comic, how he might never have worked at Marvel had I not gone to school with Bob Budiansky, the prevailing Marvel ethos he disagreed with from the moment he was hired, what it takes to last 35 years at the same company without either walking off in disgust or getting fired, the differing ways Marvel and DC reused their Golden Age characters, how to prevent yourself from being pedantic when you own an encyclopedic knowledge of the history of comics, and much more.

(2) ANYONE READING THIS A MILLENNEA IN THE FUTURE. [Item by SF Concatenation’s Jonathan Cowie.] Nature’s two-week Christmas edition is out, and some wag (possibly known to Filers) has a time-travel, prediction letter published…. “If anyone’s reading this Correspondence in 1,130 years’ time, please let us know”. Alas, it is behind a paywall, but due to a little Filer magic…

If anyone’s reading this Correspondence in 1,130 years’ time, please let us know

By Jonathan Cowie

In 1993, as part of Nature’s series of ‘Hypotheses’ articles, astronomer J. Richard Gott III proposed that, assuming the Copernican principle — no observer of the Universe is special — a random observer is likely to encounter an object during the mid-95% window of the object’s lifetime. The length of time for which something has been observable in the past is thus a rough measure of how long it is likely to be observable for in the future (R. J. Gott III Nature 363, 315–319; 1993).

Nearly a year later, a correspondent wrote in applying Gott’s analysis to Gott’s own paper, estimating that the appearance of the Correspondence implied there was a 95% probability that the paper would still be being read in 30.6 years’ time (G. Hewlett Nature 368, 697; 1994). I replied that if I had a Correspondence published in 30 years’ time, in 2024, then following Gott’s calculations, this would considerably extend the period of appreciation of Gott’s work (J. Cowie Nature 369, 194; 1994) — by more than a millennium, I now calculate.

This is that Correspondence. Alas, I shall not be around in 1,230 years’ time to write again.

(3) LOJO’S CHOCOFFEE DRINK. [Item by Cat Eldridge.] Lojo Russo who was a member of Cats Laughing along with what seemed like most of the Minneapolis SFF writing community in the Eighties shares Lojo’s ChoCoffee drink which surely is suitable as a holiday drink.

Coffee: Jamaica Blue Mountain – rich & nutty, or dark roast Italian — if you like your coffee with an edge. 

Chocolate: 1 part heavy cream, 1/2 ;part dark chocolate syrup, 1/4 part sweetened condensed milk (depending on your sweet tooth), vanilla or almond flavoring (vanilla for Jamaica, almond for Italian) — Blend.

Pour chocolate mixture slowly, gently, lovingly into coffee until it suits your tongue. If you’re like my Italian grandfather, who taught me how to enjoy coffee when I was 8, there will be more chocolate cream than coffee.

(4) MEMORY LANE.

[Written by Cat Eldridge.]

Letters from Father Christmas by J.R.R. Tolkien

Every Christmas between the years 1920 and 1943, the ever-so-blessed children of J.R.R. Tolkien received some of the most unique mail that a child could ever hope for: letters from Father Christmas himself! Beautifully illustrated and delivered in various ways, they told of all kinds of things that happened at the North Pole, and about the folk who lived there with Santa. There is the accident-prone and sleepy North Polar Bear and his two cousins who cause havoc, the evil goblins, and of course the elves and gnomes, not to mention snowfolk and cave bears. The letters came, or so it is claimed by those who don’t believe in Father Christmas, from the Tolkien children’s father, J.R.R. Tolkien himself.

In the published collection of these charming letters, we can read how the North Pole came to be snapped in half, why Santa had to move house, what a polar bear’s writing looks like (blocky is the best description) and how Santa had to defend his home from goblins. While this book does not directly connect to Tolkien’s Middle Earth mythos, it is easy for anyone versed in that mythos to recognize the origin of some of its characters in these letters. The goblin attack on Santa’s cellar will become the Goblin-Elf wars in The Lord of the Rings, and Santa’s elf-secretary Ilbereth is the obvious progenitor of the ancient elf-queen Elbereth. We even get a fully developed look at elvish writing and the goblin alphabet!

I’ll return to the book that is Letters From Father Christmas, but let me turn now to a reading of the Letters that I recently attended. In my opinion, the Letters truly don’t come to life for modern-day readers unless they are treated to an oral performance of them by accomplished actors. Surely the Tolkien children had the Letters read aloud to them when they received them as ‘mail’ from Father Christmas. The reading I attended took place in the front area of Longfellow Books, a wonderful independent store in downtown Portland, Maine. Kirsten Cappy, publicity manager for Longfellow, gave this introduction before the reading:

On September 3rd, 1973, my father sat at the breakfast table with a bowed head and proclaimed, “Children (he never called us that), today, a god passed from this world.” Now this was a confusing statement from an ardent atheist who declared even our brief foray into the Unitarian church to have been ‘too constricting’. ‘God’ was placed in the same category as ‘Santa Claus’ in our family. Both were classified as something ‘other children believed in and that we could believe in if we felt so inclined.

The ‘god’ my father spoke of was J.R.R. Tolkien, who had passed away the previous day. My brother and I managed to breathe out the question of ‘who?’ before we were waved away and my father dug mournfully into his cornflakes. Our question was answered that night at bedtime when my father opened his battered copy of The Hobbit and began to read.

The three of us read through The Hobbit and each volume of The Lord of the Rings over a year’s worth of bedtimes. Tolkien’s stories are still synonymous with the bedroom I had at that age and the gaping closet that surely housed Orcs.

I have gone on to like fiction of all sorts, but nothing has matched the intensity and obsession that Tolkien brought to his creation of Middle Earth. His professional, scholarly fascination with the dead and evolved languages of England led him to read Norse myth. He then began to create myths of his own and to create languages to feed the mouths of his myth-makers.

Lying in my bed at night I often pictured Tolkien writing, but I never pictured my father’s god with children. He had, in fact, three children and took the time from his research and his conquest of Middle Earth to play the role of Father Christmas each year. Each year for 23 years there would be a letter on the mantle piece from Father Christmas addressed to the Tolkien children. The letters spoke of each year’s chaotic preparation for Christmas, about Father Christmas’ helpers and about the mishaps that would cause some of the promised gifts to never arrive. The Tolkien children would also address letters to the North Pole. The letters were full of Christmas wishes and curious questions about life at the North Pole and about Father Christmas’ companions, Polar Bear and Ilbereth The Elf. Answers would come from Father Christmas and his helpers with lavish descriptions and detailed drawings.

With us tonight are our favorite Portland actors, Moira Driscoll, Mark Honan and Daniel Noel who comprise The Usual Suspects. The Usual Suspects give dramatic readings of modern and classic fiction bi-monthly at Longfellow Books, where they are the resident performance group. (You will note the extravagant whiskers on Daniel and Mark — they are both appearing in The Christmas Carol at Portland Stage Co.) Tonight they will be reading aloud Tolkien’s Letters from Father Christmas in the voices of Father Christmas, Polar Bear and Ilbereth The Elf. I will pass around copies of the book, so you can look at Tolkien’s sweet, obsessive drawings of the North Pole.

By the end of this introduction, the crowd of some forty folks, half adults and half children, including the offspring of several of the performers, had settled in their seats with cookies and hot drinks in hand. Now it was time for the reading…

Two of the actors, Mark Honan and Daniel Noel, were members of the cast of the recent run of A Christmas Carol at the Portland Stage Company, which was staged at Portland Performing Arts Center. Mark Honan, (Cratchit in A Christmas Carol), who played Father Christmas, is a native of England; Daniel Noel (Marley’s Ghost and several other roles, including the Narrator) was the North Polar Bear — fitting given his charming bear-like nature; and Moira Driscoll played the supercilious elf Ilbereth. They sat side by side with their copies of Letters From Father Christmas in hand — I have the copy Daniel read from complete with his post-it notes! — looking absolutely tinkly. And each read the letters as if they were Father Christmas, the North Polar Bear, or Ilbereth. I truly believed that these were letters from Father Christmas to the Tolkien children (keep in mind that this Father Christmas is not by any means a Christian-based being, but rather a sort of friendly teller of tales about what happens during the course of the year at the North Pole).

And oh, what adventures they told on that cold night! They did not read all the Letters — for that pleasure, you’ll need to listen to Derek Jacobi and his friends do it. But they read for about forty-five minutes, the right amount of time on a cold winter’s night, and their selections gave the enthralled listeners a delightful time indeed. Tolkien’s language in these letters is clearer and more playful than in The Lord of The Rings. Just read these lines, which Daniel performed with a gruff voice and a glimmer in his eye: ‘Polar Bear was allowed to decorate a big tree in the garden, all by himself and a ladder. Suddenly are heard terrible growly squealy noises. We rushed out to find Polar Bear hanging on the tree himself! ‘You are not a decoration,’ said Father Christmas. ‘Anyway, I am alight,’ he shouted. He was. We threw a bucket of water on him. Which spoilt a lot of the decorations, but saved his fur.’

If Tolkien intended The Lord of The Rings to be a ‘mythology for England,’ it’s clear to me that these Letters were a personal mythology for him and his children. No matter that there are reflections of his darker work here — this reading shows beyond any doubt that the Letters were a refuge from the stark realities of being a relatively poorly compensated academic. Even if the children didn’t always get Christmas presents, they did get a letter from Father Christmas.

I turn my attention back to the new edition of Letters From Father Christmas, which was the basis of this performance. This is the first time that all of the letters have been published. What you get are facsimiles of the letters in all their glorious messiness along with a printed version on the facing page in what appears to be a Palatino font so that you can actually read them. This is important, as the handwriting of Father Christmas (roundish like ink dripping from a fountain pen on its last legs), North Polar Bear (chunky — he has big paws), and Ilbereth (best described as spidery) is less than readable. 

And the Letters are most definitely worth reading, as they do form an ongoing story that Tolkien very obviously relished telling in the same manner that he first told The Hobbit to his children: as an unfolding narrative over a period of time. It’s worth your time to see how much effort he put into the Letters — handwritings, drawings, quirky borders — all are here. What his children made of them is not known, nor I suppose does it matter now that they belong to all who read them, but I would have preferred Baillie Tolkien, daughter-in-law of J.R.R., to have given us just a bit more context. I even checked The Letters of J.R.R Tolkien to see if there was anything there about these letters, but not according to the index.

My recommendation is that you read these aloud to anyone who will listen, as hearing them does enhance their charm. Barring that, turn the lights down low, sink deep into that overstuffed chair by the fireplace, drink your cocoa, and listen to the cold winter’s wind howl outside as you read. Listen… Is that the North Polar Bear making his way across the roof? Or is it the Goblins attacking again?

(5) TUNE IN. At Spotify you can access “The Gift – a playlist by The Ray Bradbury Center”.

(6) RIPLEY’S BELIEVE IT. [Item by Steven French.] The Guardian’s review of the West End production of Shakespeare’s The Tempest ends with ‘come for Sigourney Weaver, stay for the weird magic’: “The Tempest review – Sigourney weaves weird magic in West End debut”.

SIGOURNEY Weaver, the latest in the line of high status screen stars to be wooed to the stage by director Jamie Lloyd, may for ever be known as Ellen Ripley to fans of her defining science fiction role on film. She is certainly in alien territory here, and plays Prospero with the steely-voiced conviction of a commander giving urgent instruction to an interstellar space crew at imminent risk of attack. She is making her West End debut in this late Shakespearean drama as its gender-reversed central sorcerer and usurped Duchess of Milan, and the remote isle of sounds and sweet airs which she sequesters appears to be floating in deep space…

(7) THE ORIGINAL RIPLEY. Meanwhile, BBC Sounds is offering the episode of Witness History that explains the origins of “Robert Ripley and the ‘Believe It or Not’ empire”.

In December 1918, sports writer and cartoonist Robert Ripley was struggling to find some content for his column in the New York Globe. So he compiled and illustrated some of the quirkiest sports facts from the year and created what would go onto become the ‘Believe It or Not’ cartoon.

Its popularity grew and, by the time of America’s Great Depression, Ripley was a multi-millionaire who would travel the world on his hunt for more weird and wonderful facts.

His empire expanded into radio and, in 1940, he persuaded the Duke of Windsor – who had abdicated from the throne in 1936 – to give his first commercial radio appearance.

John Corcoran, exhibits director at Ripley’s, tells Vicky Farncombe about that historic moment.

This programme also includes archive courtesy of the Ripley’s Believe It or Not! Archives. 

(8) MASTODONTIA. “They Thought It Was an Old Baseball. It Was a Mastodon Tooth.” – the New York Times tells the story (behind a paywall).

…The box was opened. What he saw inside — two yellowed teeth from a long-dead mastodon — stirred in Dr. Harris a thrill he hadn’t felt in years.

“I was crazy excited,” said Dr. Harris, 50, who has worked in archaeology for nearly 30 years. “It was the same old-school excitement I felt when I got into this field in the first place.”

The discovery of the remarkably well preserved mastodon jaw was announced Tuesday by the New York State Department of Education, which runs the New York State Museum, where scientists are studying the artifact. Fearful that their home near Scotchtown, N.Y., would be overrun by news crews or treasure hunters, the couple declined to be named or interviewed for this article.

According to Dr. Harris, the mastodon jaw was discovered when the couple noticed something poking out of the grass in their backyard.

At first they thought it was an old baseball. It was not a baseball. A little digging revealed two enormous teeth buried in the soil, just inches below the surface. Realizing that this might be something of scientific importance, the homeowners reached out to Dr. Harris. The authenticity of the teeth was apparent immediately, he said, so he contacted Robert Feranec, director of research and collections at the state museum. In October the two scientists organized a small team to excavate a trench 14 inches deep.

There they found the jaw of an adult mastodon — a cousin to the woolly mammoth, which roamed North America until it went extinct about 10,000 years ago. There were also fragments of a toe and a rib. If the homeowners agree, Dr. Harris and Dr. Feranec hope to return to the yard next summer, after the ground has thawed, to see if more of the mastodon is hidden there….

…While it may be uncommon for homeowners to uncover ice age fossils poking out of their yard, the discovery of mastodon bones in Orange County is not exactly rare. In 1780, a preacher named Robert Annan found a collection of enormous bones on his farm in Wallkill, N.Y. The discovery was deemed so important that Gen. George Washington, then the commander of the Continental Army, left his troops camped at Newburgh, N.Y., and rode 25 miles in a sleigh to see the bones himself.

Washington’s viewing party gathered just a few miles from the backyard where the latest fossils were found.

“The highest concentration of mastodons in the country is in Orange County,” said Dr. Feranec, who counted about 60 findings in the area since colonial times.

Orange County is a popular resting place for mastodons because it not only offered ideal places for the animals to live, but also the right conditions to preserve them after they died….

(9) JOLLY OLE ENGLAND. “Scientists think they know why Stonehenge was rebuilt thousands of years ago” says Yahoo!

Scientists made a major discovery this year linked to Stonehenge — one of humanity’s biggest mysteries — and the revelations keep coming.

A team of researchers shared evidence in August suggesting that the Altar Stone, an iconic monolith at the heart of Stonehenge, was transported hundreds of miles to the site in southern England nearly 5,000 years ago from what’s now northeastern Scotland. Just a month later, a report led by the same experts ruled out the possibility that the stone came from Orkney, an archipelago off Scotland’s northeastern coast that’s home to Neolithic sites from that time frame, and the search for the monolith’s point of origin continues.

Now, research building on the two previous studies suggests that Stonehenge may have been reconstructed in England around 2620 to 2480 BC to help unify ancient Britons as newcomers arrived from Europe. The new study, published Thursday in the journal Archaeology International, also reveals how Neolithic people may have moved the 13,227-pound (6-metric-ton) block over 435 miles (700 kilometers) from where it originated….

…Construction on Stonehenge began as early as 3000 BC and occurred over several phases in an area first inhabited as early as 5,000 to 6,000 years ago, according to the researchers.

Previous analysis has shown that bluestones, a type of fine-grained sandstone, and larger silicified sandstone blocks called sarsens were used in the monument’s construction. The bluestones were brought from 140 miles (225 kilometers) away at the Preseli Hills area in west Wales and are thought to have been the first stones placed at the site. The sarsens, used later, came from the West Woods near Marlborough, located about 15 miles (25 kilometers) away.

Researchers believe the Altar Stone was placed within the central horseshoe during a rebuilding phase. While the exact date is unknown, the study authors believe the stone arrived between 2500 and 2020 BC.

It’s during that rebuilding phase, according to the research, that Stonehenge’s builders erected the large sarsen stones to form an outer circle and an inner horseshoe made of trilithons, or paired upright stones connected by horizontal stone beams, which remain part of the monument to this day.

The Altar Stone is the largest of the bluestones used to build Stonehenge. Today, the Altar Stone lies recumbent at the foot of the largest trilithon and is barely visible peeking through the grass….

(10) WHAT ISN’T? CBR.com argues that “Lord of the Rings Film Is Secretly a Christmas Movie”. It’s clickbait, but since I clicked…

…Unlike in The Chronicles of Narnia, Christmas was not celebrated in The Lord of the Rings, but December 25 was still a significant date in Middle-earth’s history. When Frodo first awoke in Rivendell in The Fellowship of the Ring, Gandalf told him that it was “ten o’clock in the morning on October the twenty-fourth,” which matched the timeline from J. R. R. Tolkien’s The Lord of the Rings novel. Based on the order of scenes from the extended edition of the film, it seemed that the Council of Elrond was held the next day and that the Fellowship departed from Rivendell the day after that. But as revealed in the novel, an entire month passed between the Council of Elrond and the Fellowship’s departure, giving Frodo additional time to recover from his Morgul wound. When he and his companions finally set out on their journey to destroy the One Ring, it was December 25, which would have been Christmas Day in the real world. If Die Hard can count as a Christmas movie because it takes place on Christmas Eve, The Fellowship of the Ring should qualify as well…

(11) VIDEO OF THE DAY. “Star Wars Prequels Bloopers” from seven years ago. So it’s just getting ripe…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Scott Edelman, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 8/15/24 Have Spice Suit, Will Travel

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(1) SFWA ON ITS THIRD PRESIDENT THIS SUMMER. Chelsea Mueller today resigned as Interim President of the Science Fiction and Fantasy Writers Association. Mueller had been in office only since the beginning of August, as SFWA’s VP becoming the organization’s Interim President upon the resignation of SFWA President Jeffe Kennedy on August 1. Anthony W. Eichenlaub, SFWA Secretary, is stepping up as the new  Interim President. Mueller’s and Eichenlaub’s statements are excerpted in the File 770 post “Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office”.

To learn why the organization is in a crisis SFWA members must read the Forum. Those outside can get only a very general idea from social media posts like M L Clark’s statement on Bluesky.

Author Jenny Rae Rappaport his urging SFWA members to sign a Petition for bylaws amendment to forbid NDAs. The supporting statement follows. The wording of the amendment is at the link.

In the last several years, SFWA has begun requiring its Board members, employees, and key volunteers to sign non-disclosure agreements (NDAs) to ensure confidentiality. However, recent events have shown that these NDAs cause more problems than they solve. Because the NDAs are overly broad without clear limits or expiration dates, they leave employees, Board members, and volunteers uncertain about what they can and cannot say without potential legal repercussions. Even more concerning is that these NDAs have created distrust between SFWA membership and the Board, and an environment where the perception exists that bad actors can mistreat others and violate SFWA’s bylaws with impunity.

There is no legal requirement for SFWA as a 501(c)(3) to use NDAs, for either its legal or tax status. Many nonprofits, both inside and outside California, function perfectly well without using NDAs, either trusting that people will follow the laws about disclosure of personal, financial, and medical information, or using individual confidentiality agreements with the details of what information needs to be kept confidential spelled out.

Accordingly, in the interests of greater transparency for the organization, we, the undersigned members of SFWA, petition for the following change to the bylaws:

(2) INDUSTRY REACTS TO GAME HUGO WINNER. PC Gamer marvels that “Somehow, Baldur’s Gate 3 isn’t done winning yet: It’s just claimed the most prestigious award for science fiction and fantasy writing”.

….A special videogame category was added in 2021 to recognize the increased impact of videogames amidst the early days of the Covid-19 pandemic, but it was a one-off: No game-related Hugo was awarded in 2022 or ’23.

In 2023, however, Worldcon voted to make the Best Game or Interactive Work a permanent category for 2024—wouldn’t you know it, just in time for the Baldur’s Gate 3 behemoth to smash through the walls like the Kool-Aid Man and run off with it. BG3 beat out Alan Wake 2 (yet again), Chants of Senaar, Dredge, The Legend of Zelda: Tears of the Kingdom, and Star Wars Jedi: Survivor for the big prize….

“The Hugo nominees and awards have determined my reading list since forever, so it’s a huge honor to be standing here,” Larian boss Swen Vincke said during his acceptance speech (via Polygon). 

“Videogame writing is often underestimated. It is very very very hard work. For Baldur’s Gate 3 we had to create over 174 hours of cinematics just to be able to respect the choices of the players and to make sure that each and every single one of them would have an emotional story that was reflecting their choices and their agency. It takes a very long time, it takes a very large team … It takes a lot of perseverance and a lot of talent. So I’m very happy for all of them and for all of the team back home that we can get this, and very grateful to the fandom.”

Vincke isn’t kidding when he says Larian wanted to ensure Baldur’s Gate 3 was as reactive as possible to player choices: The studio recently revealed that the game’s rarest ending has only been unlocked by 34 players—and remember, this is a game that’s sold well over 10 million copies. (For a little added context, 1.9 million Baldur’s Gate 3 players were turned into a cheese wheel. Which is fine, really: No one has as many friends as the man with many cheeses.)…

(3) ELLISON FOUNDATION HAD IRS CHARITABLE STATUS REVOKED. The IRS has revoked the 501(c)(3) charitable status of The Harlan and Susan Ellison Foundation after it failed to file the required Form 990 for three straight years. Douglas J. Lane provides detailed coverage of the Foundation’s creation, activities, and status in his blog post “For Want of a Form”:

On Monday, August 12, 2024 the Internal Revenue Service updated its monthly list of 501(c)(3) organizations for whom it was revoking charitable status based on failure to file Form 990, Return of Organization Exempt from Income Tax, for three consecutive years. 

Among the organizations freshly listed was EIN number 873507738, The Harlan and Susan Ellison Foundation.

The revocation of charitable status puts the Foundation and its president, J. Michael Straczynski, in a tricky spot, as it makes the organization fully taxable. They cannot receive tax-free donations or offer deductions to donors. Under California law, they will also not be able to distribute charitable funds. There are other ramifications, and while reinstatement is possible, it comes with a swath of requirements.

It’s critical to say at the outset of this account of the public-facing facets of the Foundation: I ascribe no malicious intent or nefarious purpose to anyone involved in any of the events that led to this revocation, and no impropriety is indicated by anything that has occurred. Indeed, Joe Straczynski speaks in a caring and sincere way about the place the Ellisons have in his heart, and how he wants to carry out their wishes. The Foundation has a laudable vision. But malicious intent and carelessness are two different things, and it’s clear a severe breakdown occurred somewhere along the way that resulted in opacity where transparency was required, creating a situation in which warnings were missed and the Foundation was positioned for a catastrophic setback that was wholly avoidable…

Lane also posted the information today at The Harlan Ellison Facebook Fan Club, leading to this series of comments from J. Michael Straczynski.

Thursday, August 15, 2024 at 10:21 a.m.

This is literally the first time I’m hearing this. We’ve had no contact from them directly or indirectly. If the forms were not submitted that’s strictly a paperwork issue and that’s on us. I need to find out what happened on the attorney side. This will be fixed and as per this the status will then be reinstated once we’ve sent in the forms.

Thursday, August 15, 2024 at 11:21 a.m.

Okay, last quick update for the moment. It looks like the notices were being sent to the wrong address/suite number. Also, as for the Packard, it was not sold, it was given freely to a member of this very forum in exchange for looking after it and maintaining it in Harlan’s memory. He can confirm this here if he so desires.

So bottom line for now: the paperwork fell through a crack between different offices over who was handling what, and the address (as noted in the link) was incorrect for the notices. I assumed all this was being properly attended to, while I was busy getting Harlan’s work back into print. That error was mine. The good news is that since this was apparently a comedy of errors on both sides, there should be no issue with getting this rectified swiftly by simply filing the paperwork.

Thursday, August 15, 2024 at 12:41 p.m.

Okay…I just heard from the business management firm we’ve been using and they confirmed that they hadn’t looked after this because they believed it was already being handled by others. They’re filing the paperwork as we speak and this will be rectified promptly.

Thursday, August 15, 2024 at 3:25 p.m.

This has now been officially resolved. We just confirmed with the tax dept that we never received any notices from the IRS. We sent in and they have now filed the returns with the correct address. After the IRS processes them, we will handle the paperwork to reinstate the Foundation which will apparently not be a problem. The IRS will update their records so no further notices are missed. The tax dept now has the Foundation on their schedule so they won’t miss it again anyway. Just to be on the safe side moving forward we are going to hire a nonprofit attorney on retainer to coordinate all of the moving parts so nothing falls through the cracks in future.

A colorful day but at least it’s ending better than it began.

(4) ANOTHER LOOK AT GAIMAN ALLEGATIONS. The Spinoff books editor Claire Mabey listened to the Tortoise Media podcast “Master: the allegations against Neil Gaiman” and distilled the information into a timeline with explicit details of the encounters described by survivors in “The New Zealand allegations at the centre of a Neil Gaiman podcast investigation”.

(5) AMERICAN NON-IDOL. I don’t know that any of the many ways John Scalzi restates the basic point in his 3,600-word post really feels like it stuck the landing, but the oft-repeated message makes sense: “Please Don’t Idolize Me (or Anyone, Really)” at Whatever.

In the wake of the various recent allegations involving Neil Gaiman, people have been both very sad that someone who they looked up to as an inspiration has, allegedly, turned out to be something less than entirely admirable, and are now looking to see who is now left that they can rotate into the spot of “the good dude,” i.e., that one successful creative guy who they think or at least hope isn’t hiding a cellar full of awful actions. One name I see brought up is mine, in ways ranging from “Well, at least we still have Scalzi,” to “Oh, God, please don’t let Scalzi be a fucking creep too.” Which, uhhhh, yeah? Thanks?…

…Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!…

…Oh, God, this is where Scalzi starts admitting to terrible, terrible things. No. I feel pretty confident I live a tolerably ethical life. Part of the reason for this is that I have what I think is a decent operating principle, which is: If I’m thinking of doing something, and Krissy called me right then and asked “what are you doing?” and I would be tempted to lie to her about it, then I don’t do that thing….

(6) GET READY FOR FANTASTIC FEST. “Fantastic Fest 2024 Lineup Featuring Terrifier 3, Never Let Go, More Unveiled” – Deadline has details.

Fantastic Fest, the country’s largest genre film festival, has unveiled the feature lineup for its 19th edition, taking place at the Alamo Drafthouse South Lamar in Austin, TX, from September 19th- 26th.

Featuring 28 World Premieres, 23 International and North American Premieres, and 15 U.S. Premieres, the fest opens with the world premiere of James Ashcroft’s The Rule of Jenny Pen, a new thriller starring John Lithgow and Geoffrey Rush. Lionsgate’s horror thriller Never Let Go will be presented during the opening night gala, with director Alexandre Aja, star Halle Berry and the team from 21 Laps in attendance. Meanwhile, opening night will also feature the world premiere of Terrifier 3, the latest film in Damien Leone’s horror franchise, centered on the horrifying Art the Clown.

(7) AURORA AWARDS VOTING STATISTICS. Clifford Samuels has posted the “Final results for the 2024 Aurora Awards” at the Canadian Science Fiction and Fantasy Association website. The direct link to the statistics is here.

(8) SIMULTANEOUS TIMES. Space Cowboy Books of Joshua Tree, CA brings listeners Simultaneous Times episode 78. Stories featured in this episode:

“When You See A Dragon, You Run” by Jenna Hanchey, read by the author

“The Darling Murders” by Jonathan Nevair. Read by Jean-Paul Garnier

Music by Phog Masheeen. Theme music by Dain Luscombe.

(9) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 15, 1933 – Bjo Trimble, 91.

By Lis Carey: Bjo was born in Holdenville, Oklahoma, in 1933, discovered sf fandom in 1952. She was serving in the US Navy, at the Great Lakes Naval Station, and saw an announcement in Astounding Science Fiction about the science fiction convention that weekend in Chicago—the 10th Worldcon, the one we now call Chicon II, though at the time it had no official name. The largest Worldcon ever at the time, with 870 members, it was a great place for a smart and friendly young woman to meet people and make connections in fandom. Her new acquaintances included Robert Bloch, Willy Ley, August Derleth, and Harlan Ellison.

Bjo Trimble attends the 2024 Peabody Awards at Beverly Wilshire on June 9. Photo by Jon Kopaloff.

When it was discovered that she was an artist and cartoonist, she was recruited to provide illustrations for fanzines, sealing her fate. She claims to have met her husband, John Griffin Trimble, under Forrest J Ackerman’s piano, during a particularly crowded party. He was serving in the US Air Force, and they traded Stupid Officer Stories.

But as we all know, this was mere prelude. Bjo was active in LASFS (Los Angeles Science Fiction Society), and organized a fashion show for Solacon (the 16th Worldcon). In 1960, she started Project Art Show, which brought the first modern, organized art show at a science fiction convention to Pittcon, the 1960 Worldcon. Bjo continued the project, bringing art shows to Worldcons and other conventions. By 1969, Project Art Show had become The International Science-Fantasy Art Exhibition” (ISFAE), and was judging and awarding prizes, as well as organizing the art shows.

But in 1968, Bjo started turning her attention to a new fannish interest–Star Trek. Bjo and John Trimble were active in the letter-writing campaign credited with getting the show a third season, after it was initially canceled after its second season. They also helped convince NASA to name the first of the Space Shuttles Enterprise, although that was a test vehicle never intended for space flight.

Bjo was a major contributor to the Star Trek Concordance, containing cross-referenced details on every character, setting, event and device in every episode of the original Star Trek, and, in later editions of the book, its animated incarnation, and the Star Trek films. Originally self-published, it got a mass market publication by Ballantine Books in 1976, and an updated edition by Citadel Press in 1995. On the Good Ship Enterprise: My 15 Years with Star Trek, her memoir of her experiences in Star Trek fandom, was published in 1982.

Bjo was a Guest of Honor at Dragon Con, which was also the 6th North American Science Fiction Convention, in 1995. Bjo and John Trimble were Fan Guests of Honor at ConJosé, the 60th Worldcon. Bjo, or Bjo and John, were also honored at many Star Trek and other science fiction conventions.

 In addition, Bjo and John Trimble were Baron and Baroness of the Society for Creative Anachronism’s Barony of the Angels, from September 2008 to January 2012. That’s at least fandom adjacent, right?

 Sadly, John in April 2024, but Bjo is still with us. Her contributions to fandom will remain.

(10) COMICS SECTION.

(11) MUTANTS DESERVE AWARDS. The Walt Disney Studios has a “For Your Consideration” website for the X-Men ’97 series.

(12) PAGING ALL READERS. “Book Bars Gain Momentum Around New York”: Eater tells you where to find the ones in New York City.

A flurry of book bars has recently opened that prioritize solo time as much as low-key conversation, offering a fun alt-combo to record bars and libraries. These spaces for reading, drinking, listening to music, and chatting with other book lovers (or not) are a post-shutdown pivot from social distancing. And while the throwback staple had started to revive just after the pandemic, their openings have gained momentum around the city.

Like wine bars and cocktail bars, the focus in book bars is less on needing labor to make complicated dishes as the case may be in a full-fledged restaurant. Instead, the business relies on easier-to-procure revenue streams: booze, books, and sometimes, ready-made snacks, like olives, nuts, and tinned fish. But book bars, owners say, are less about practicality than about creating a community, a third place that’s conducive to reading and chatting while enjoying a drink…

(13) PURINA HOBBIT CHOW. “What’s on the Menu in Your Fantasy World?” at Gastro Obscura.

FOOD AND FANTASY HAVE LONG gone hand in hand. Our oldest myths and fairy tales abound with ravenous monsters and enchanted apples, while modern fantasy literature has brought us the second breakfast-savoring hobbits of The Lord of the Rings and the sprawling medieval banquets of A Song of Ice and Fire. Fantasy fans rally around official cookbooks from the worlds they love, as well as unofficial recreations and fanfiction that explores the diets of their favorite characters.

(14) THE TREES THAT GREW THE POOH-STICKS. BBC Countryfile invites readers to “Discover the real-life Winnie-The-Pooh locations that inspired the famous children’s books by AA Milne”.

Ashdown Forest in East Sussex is perhaps best known as The Hundred Acre Wood, the beloved setting of arguably the most famous children’s books ever written, Winnie-the-Pooh, published in 1926, and The House at Pooh Corner (1928)….

…Today, the 6,500-acre heathland and woodland 36 miles south of London, is a rare and protected area, providing habitat for endangered flora and fauna. In this gentle, ancient landscape, we can enjoy its literary, cultural and environmental history; we can be twitchers, walkers or pub-goers….

(15) NOW LEAVING ON TRACK 9-3/4. “Back to Hogwarts pop-up coming to Grand Central Terminal with spellbinding interactive activities” reports AMNY.

For the first time ever, Warner Bros. Discovery will be hosting a Back to Hogwarts pop-up in New York City. From Aug. 30 through Sept. 1, “Harry Potter” fans can gather at Vanderbilt Hall at Grand Central Terminal to celebrate the start of a new school year at Hogwarts.

In the “Harry Potter” universe, all students board the Hogwarts Express and return for a new year on Sept. 1. Warner Bros. Discovery hosts global celebrations in cities like London, Paris, Rio de Janeiro, and Tokyo, uniting fans worldwide with digital activities, in-person gatherings, and watch-alongs, plus huge celebrations at “Harry Potter” destinations such as the Wizarding World of Harry Potter at Universal Studios.

At the New York pop-up, guests can expect to find magical performances, LEGO building activities, an interactive “Harry Potter: Quidditch Champion” experience, and a Butterbeer toast, courtesy of the flagship Harry Potter New York store. On Sept. 1, there will be a ticketed event with a live 11 a.m. countdown, marking when the Hogwarts Express would leave Kings Cross station in the series.

Though all of the events are free to attend, “Harry Potter” fans must sign up for a timed-entry ticket, which will be available starting Aug. 19. To make sure you don’t miss it, sign up and opt into email communications from the Harry Potter Fan Club by Aug. 17. On Aug. 19, an email will be sent including a link to the ticket site ahead of release at 12 p.m. EST. 

(16) NOT A ROLLING STONE. SAILING, MAYBE. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature has Stonehenge on the cover. There’s a Nature News item here.

The history of Stonehenge poses many challenges, not least of which is where all of the stones came from and how they were transported to the site. The Neolithic structure is made up of two main types of stone — sarsens sourced some 25 kilometres away near Marlborough, and bluestones that originated in Wales. The largest of the bluestones at the site is the six-tonne Altar Stone, but it is an anomaly: it did not come from Wales. In this week’s issue, Anthony Clarke and colleagues reveal that the Altar Stone probably made a remarkable journey of some 750 kilometres from Scotland. The researchers analysed two fragments from the stone and discovered a striking similarity to the Old Red Sandstone of the Orcadian Basin in northeast Scotland. The team suggests that the stone could have been transported by sea, indicating that there might have been a significant level of societal organization within Neolithic Britain.

The original research by Anthony Clarke and colleagues link above is to “A Scottish provenance for the Altar Stone of Stonehenge”.

(17) UPLIFTING HUMANS. [Item by SF Concatenation’s Jonathan Cowie.] In a series of stories and novels, David Brin explored the idea of species uplift where by a technological civilization genetically manipulates a non-sentient species into full-blown sentience: a process called ‘uplifting’. Brin’s series has a climax in the Hugo-winning The Uplift War (1986).

Last weekend, while folk in Glasgow were preparing for the Hugo Awards ceremony, Isaac Arthur posted one of his monthly ‘Sci-Fi Sunday’ videos. While in David Brin’s stories the humans appeared to be the exception in the Galaxy who evolved sentience naturally whereas every other civilization seems to have been uplifted with the original uplift being made by some ancient and now extinct civilization. Conversely, in Isaac’s video, he explores the notion that humans were uplifted by an alien race.

Now, it has to be said that Isaac himself does not subscribe to the idea of humans being uplifted (he makes that clear both at the video’s beginning and end), but explores the concept hypothetically.  Included in the mix is a slightly more sober idea that the Earth might have been subject to panspermia and specifically directed panspermia… As well as a brief dive into Eric von Daniken which, mercifully, he looks at purely through an SFnal lens… “Were Primitive Humans Uplifted By Aliens?”

Many believe humanity’s climb upward may have been assisted by outsiders. Is this possible, and if so, what does that tell us about our own past… and future?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Clifford Samuels, Christian Brunschen, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/27/23 When The Fifth Is Found To Be Lies, And All The File Within You Dies, Don’t You Want Some Pixel To Scroll?

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(1) 2023 NASFIC. Pemmi-Con, the 2023 NASFiC, has posted Progress Report 1, a free download.

This Progress Report includes information about programming, our venues, exhibits, accessibility, NASFiC site selection, how to check and confirm your membership level, and a brief Q&A about Winnipeg with our Co-Chair, Linda Ross-Mansfield. Are you a book lover? We feature an article about used book and music stores in Winnipeg. And more.

(2) SFF FOR PEDESTRIANS. [Item by Dale Arnold.] The Baltimore Science Fiction Society successfully deployed a Little Free Library in front of our building at 3310 East Baltimore Street on March 25. The library features a two-compartment design with the lower one for children’s books and the upper for YA+ books. Books will be suitable SF and fantasy duplicates donated to our library (our holdings are over 17,000 titles inside the building) and other children’s books donated specifically to assist in improving reading skills in a fun way. The design of this library fits to the odd available location available at our building and criteria specified by our friends in Baltimore City Government. (And still look like a typical little library as much as possible.)

(3) WILL THE WGA STRIKE? The New York Times investigates “Why There Is Talk of a Writers’ Strike in Hollywood”.

What are the writers’ complaints?

Every three years, the writers’ union negotiates a contract with the major studios that establishes pay minimums and addresses matters such as health care and residuals (a type of royalty), which are paid out based on a maze of formulas.

And though there has been a boom in television production in recent years (known within the industry as “Peak TV”), the W.G.A. said that the median weekly pay for a writer-producer had declined 4 percent over the last decade.

Because of streaming, the former network norms of 22, 24 or even 26 episodes per season have mostly disappeared. Many series are now eight to 12 episodes long. At the same time, episodes are taking longer to produce, so series writers who are paid per episode often make less while working more. Some showrunners are likewise making less despite working longer hours.

“The streaming model has created an environment where there’s been enormous downward pressure on writer income across the board,” David Goodman, a co-chair of the guild negotiating committee, said in an interview.

Screenwriters have been hurt by a decline in theatrical releases and the collapse of the DVD market, union leaders said.

Between 2012 and 2021, the number of films rated annually by the Motion Picture Association fell by 31 percent. Streaming services picked up some slack, but companies like Netflix and Warner Bros. Discovery, which owns HBO Max, have been cutting back on film production to reduce costs amid slowing subscriber growth….

(4) AI SINCE 1956. “Throughline’ examines artificial intelligence — and these days AI is everywhere” at NPR.

…ABDELFATAH: Keep in mind, at this point, computers were so big, they took up whole rooms, made tons of noise and had vacuum tubes for data input.

DICK: You know, the most disturbing part of the history of AI for me comes from the fact that these men who were working in artificial intelligence looked at those massive, noisy, hot mainframe computers and saw themselves in it.

ARABLOUEI: One proposed measure of machine intelligence was something called the Turing test, named for its creator, British mathematician Alan Turing.

ABDELFATAH: The way it works is a computer and a human being are put in separate rooms. A judge asks each of them questions without seeing either.

DICK: And then the judge, of course, is meant to be able to figure out whether the machine is the human or the human is the human. And what I have always found so shocking about the Turing test is that it reduces intelligence to telling a convincing lie, to putting on the performance of being something that you’re not…

(5) ROBOTS AT WORK. NPR profiles “The role robots play in getting your online orders to you”.

…Robots are key to helping Amazon sort and send 5 billion packages a year.

At Amazon Air, the company’s global air hub at the Cincinnati Northern Kentucky International Airport, hundreds of self-charging electric robots that look like small scooters go whizzing across a giant concrete floor. As they work to fill your orders, some speed up and others slow down because they all don’t have the same priority.

Director of Operations Adrian Melendez explains how the “drives” know where to go on this robotics sortation floor.

“They primarily use the square stickers on the floor we call ‘fiducials.’ And so the drive unit has a sensor on the bottom of it that reads these fiducials as it makes its way across the floor. And it knows exactly where it needs to speed up and slow down,” he says.

Even a year ago at all its facilities, the company had a half-million drives and more than a dozen types of robots. In Boston, it’s testing a robot called Sparrow. It’s the first Amazon robot that can sort different shapes and sizes. Some worry it might replace people. Melendez says don’t worry about that.

“Robotics can never replace people,” Melendez says. “The robots are really good at algorithms or following a set path. People are problem-solvers and that’s what we want to keep our folks doing.”…

(6) NPR CUTBACKS. And after we link to two items from NPR, what thanks do they get? “NPR Cuts 10% of Staff and Halts Production of 4 Podcasts” – and the New York Times assesses the damage.

…Although production is stopping, she added, “we’re not using the word ‘canceling,’ as the work may continue in other forms.”

“Invisibilia,” a podcast about the invisible forces that guide human behavior, began in January 2015, around the beginning of the podcast boom. It quickly reached No. 1 on Apple Podcasts, and its episodes were streamed or downloaded more than 10 million times in four weeks.

NPR will also halt production of “Everyone & Their Mom,” a comedy spinoff of the company’s weekend news quiz show, “Wait Wait… Don’t Tell Me!”

“Rough Translation,” a podcast that tells stories from places around the world in a relatable manner, will stop production after its new season airs this summer.

“How to say goodbye to a show that you’ve made for 6 years?” Gregory Warner, the host of the show, said on Twitter. “I’ll be trying to figure that out.”

“Louder Than a Riot,” a music podcast, will also cease production after its current, second season. The show explores marginalization in hip-hop and how misogynoir — the combined racism and misogyny against Black women — is embedded in culture….

(7) FLATIRON AUCTIONED. A building once known as home to Tor Books has a new owner:“Empty for years, NYC’s famous Flatiron Building — and its weird narrow passages — may get a fresh start with $190M sale”.

The Flatiron Building is one of New York City’s most recognizable structures, and it now has a new owner after a public auction on Wednesday.

In an auction ordered by the New York Supreme Court, investor Jacob Garlick outbid the building’s current owners and other big names in real estate to secure the Manhattan landmark for $190 million, Smithsonian Magazine reported.

Dozens of onlookers gathered in Lower Manhattan to watch the historic building go on the block with an opening bid of $50 million. It went for nearly four times that to Garlick following a 45-minute bidding war.

“It’s been (a) lifelong dream of mine since I’m 14 years old. I’ve worked every day of my life to be in this position,” Garlick, managing partner at firm Abraham Trust, told NY1. “We are honored to be a steward of this historic building, and it will be our life’s mission to preserve its integrity forever.”…

(8) SHATNER IS PEEVED. “Elon Musk Ruffles William Shatner’s Feathers (And He Has Some Words)” – and The Street will tell you what those words are.

…Before Musk purchased Twitter, the blue check was free and was given to prominent politicians, businesses, journalists and personalities.

Now, the blue badge costs $7.99 per month. But those users who previously had the blue checkmark accompanying their accounts, before Twitter started charging for it, were allowed to keep it for a grace period.

That grace period is over as of April 1, when all legacy checkmarks will disappear.

“Hey @elonmusk, what’s this about blue checks going away unless we pay Twitter? I’ve been here for 15 years giving my time and witty thoughts all for bupkis,” tweeted Shatner. “Now you’re telling me that I have to pay for something you gave me for free? What is this — the Colombia Records and Tape Club?”

(9) MUSIC OF THE FEARS. American Songwriter introduces readers to “5 Songs You Didn’t Know Credit Edgar Allan Poe”.

…Long after his mysterious death at 40 in 1849, the legend, myths and mystery of Poe and his works continue to get reinterpreted and adapted in film, television, stage, books, and other forms of media.

Poe’s words have also been transmitted through music, with many of his poems and stories credited in more contemporary songs….

Here’s number two on the list:

2. “Ol’ Evil Eye,” Insane Clown Posse (1995)
Written by Edgar Allan Poe, Mike E. Clark and Insane Clown Posse

“Ol’ Evil Eye” is an Insane Clown Posse (ICP) retelling of Poe’s more horrid 1843 short story “The Tell-Tale Heart.” Released on the group’s third album, Riddle Box, the track features ICP’s studio vocalist and guitarist Legz Diamond reading an excerpt of the Poe classic.

I ring the doorbell, the door creeps open
And there it was starin’ and scopin’
The man’s left eye, red, big, and drippin’
I was trippin’. “Ahh, seeya!”
I ran home. I couldn’t stop thinking
About his eyeball winking and blinking
And it looked not a damn thing like the other. Ugh!
Shoulda wore a patch on the motherfucker
It hypnotized me, mesmerized me
Traumatized, paralyzed, terrorized me
Creepers, where’d you get that ball?
And tell me how it even fits in your skull

(10) MEMORY LANE.

1933 – [Compiled by Cat Eldridge.]

I’m fairly eclectic in my reading — I like equally fantasies, science fiction of all sorts and a wide range of mysteries, mostly I’ll admit mostly done though the Forties. And this is why the Beginning this Scroll is from Erle Stanley Gardner’s The Case of the Velvet Claws which was published by William Morrow and Company in 1933.

It’s the first of his Perry Mason mysteries which will eventually number eighty two plus four short stories. Many of you will have seen the simply extraordinary Perry Mason series that started in the Fifties which starred Raymond Burr. (I’m watching it right now.) Yes, I know there’s a new HBO Max series but I’ve no interest in seeing it. The Perry Mason series ran for two hundred snd seventy one episodes plus thirty movies. 

I like the Beginning has Perry exhibiting some of the traits of the classic private investigators. 

And now our Beginning…

AUTUMN SUN BEAT against the window. 

Perry Mason sat at the big desk. There was about him the attitude of one who is waiting. His face in repose was like the face of a chess player who is studying the board. That face seldom changed expression. Only the eyes changed expression. He gave the impression of being a thinker and a fighter, a man who could work with infinite patience to jockey an adversary into just the right position, and then finish him with one terrific punch. And now our Beginning…

Book cases, filled with leather-backed books, lined the walls of the room. A big safe was in one corner. There were two chairs, in addition to the swivel chair which Perry Mason occupied. The office held an atmosphere of plain, rugged efficiency, as though it had absorbed something of the personality of the man who occupied it. 

The door to the outer office opened, and Della Street, his secretary, eased her way into the room and closed the door behind her.

 “A woman,” she said, “who claims to be a Mrs. Eva Griffin.” 

Perry Mason looked at the girl with level eyes. 

“And you don’t think she is?” he asked. She shook her head. “

“She looks phony to me,” she said. “

“I’ve looked up the Griffins in the telephone book. And there isn’t any Griffin who has an address like the one she gave. I looked in the City Directory, and got the same result. There are a lot of Griffins, but I don’t find any Eva Griffin. And I don’t find any at her address.” 

“What was the address?” asked Mason.

“2271 Grove Street,” she said. 

Perry Mason made a notation on a slip of paper.

“I’ll see her,” he said.

“Okay,” said Della Street. “I just wanted you to know that she looks phony to me.” 

Della Street was slim of figure, steady of eye; a young woman of approximately twenty-seven, who gave the impression of watching life with keenly appreciative eyes and seeing far below the surface. 

She remained standing in the doorway eyeing Perry Mason with quiet insistence. “I wish,” she said, “that you’d find out who she really is before we do anything for her.”

“A hunch?” asked Perry Mason.

“You might call it that,” she said, smiling. 

Perry Mason nodded. His face had not changed expression. Only his eyes had become warily watchful.

“All right, send her in, and I’ll take a look at her myself.” 

Della Street closed the door as she went out, keeping a hand on the knob, however. Within a few seconds, the knob turned, the door opened, and a woman walked into the room with an air of easy assurance. 

She was in her early thirties, or perhaps, her late twenties—well groomed, and giving an appearance of being exceedingly well cared for. She flashed a swiftly appraising glance about the office before she looked at the man seated behind the desk.

“Come in and sit down,” said Perry Mason.

She looked at him then, and there was a faint expression of annoyance upon her face. It was as though she expected men to get up when she came into the room, and to treat her with a deferential recognition of her sex and her position.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 27, 1892 — Thorne Smith. A writer of humorous supernatural fantasy. He is best remembered for the two Topper novels — a comic fantasy fiction mix of plentiful drink, many ghosts and sex. Not necessarily in that order.  The original editions of the Topper novels complete with their erotic illustrations are available from the usual digital sources. (Died 1934.)
  • Born March 27, 1901 — Carl Barks. Cartoonist, writer, and illustrator. He is best known for his work in Disney comic books, as the writer and artist of the first Donald Duck stories and as the creator of Scrooge McDuck. He wrote The Fine Art of Walt Disney’s Donald Duck and Walt Disney’s Uncle Scrooge McDuck. He was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame. (Died 2000.)
  • Born March 27, 1942 — Michael York, 81. I remember him in the Babylon 5 episode “A Late Delivery from Avalon” as a man who believed himself to be King Arthur returned. Very chilling. I also enjoyed him as D’Artagnan in the Musketeers films and remember him as Logan 5 in Logan’s Run. So what in his genre list really impresses you?
  • Born March 27, 1949 — John Hertz, 74. Winner of the Big Heart Award, presented at the 2003 Worldcon. He’s quite active in the fanzine world publishing the Vanamonde fanzine. Four collections of his fanwriting have been published, West of the Moon, Dancing and Joking, On My Sleeve, and Neither Complete nor Conclusive. He‘s been nominated for the Hugo for Best Fan Writer three times.
  • Born March 27, 1952 — Dana Stabenow, 71. Though better known for her superb Kate Shugak detective series of which the first, the Edgar Award-winning A Cold Day for Murder is a Meredith moment right now, she does have genre work to her credit in the excellent Star Svensdotter space series, and the latter is available at the usual digital suspects.
  • Born March 27, 1953 — Patricia Wrede, 70. She is a founding member of The Scribblies, along with Pamela Dean, Emma Bull, Will Shetterly, Steven Brust and Nate Bucklin. Not to be confused with the Pre-Joycean Fellowship which overlaps in membership. Outside of her work for the the Liavek shared-world anthology created and edited by Emma Bull and Will Shetterly, there are several series she has running including Lyra (Shadow Magic), Enchanted Forest Chronicles and Cecelia and Kate (co-written with Caroline Stevermer). She’s also written the novelizations of several Star Wars films including  Star Wars, Episode I – The Phantom Menace and Star Wars, Episode II – Attack of the Clones  in what are  listed  as  ‘Jr. Novelizations’. 
  • Born March 27, 1969 — Pauley Perrette, 54. Though she’s best known for playing Abby Sciuto on NCIS, a role she walked away from under odd circumstances, she does have some genre roles. She was Ramona in The Singularity Is Near, a film based off Ray Kurzweil’s The Singularity Is Near: When Humans Transcend Biology. Next up is the most excellent Superman vs. The Elite in which she voices Lois Lane. Let’s see… she had a recurring role on Special Unit 2 as Alice Cramer. 
  • Born March 27, 1971 — Nathan Fillion, 52. Certainly best known for being Captain Malcolm “Mal” Reynolds in Firefly ‘verse. An interesting case of just how much of a character comes from the actor. In his case, I’d say most of it. He portrayed Green Lantern/Hal Jordan in Justice League: Doom, Justice League: The Flashpoint Paradox and Justice League: Throne of Atlantis, The Death of Superman and Reign of the Supermen. Oh, and he appeared in a recurring role in Buffy the Vampire Slayer as Caleb. Anyone watch him in the Castle series? Opinions please.

(12) MAIL FROM JRRT. Two recently discovered “Tolkien letters shine new light on writer’s life and work” at The National Archives. The first page of one of the letters can be read in an image at the link.

Two handwritten letters penned by JRR Tolkien have been discovered for the first time, almost 50 years after the death of the Lord of the Rings author.

The previously unrecorded documents were unearthed by a volunteer working at The National Archives in Kew ahead of Tolkien Reading Day on March 25.

Written in 1945, shortly after Tolkien’s appointment as Professor of English Language and Literature at Merton College, Oxford, the letters are part of an exchange with the British Council about funding for his research into early English languages….

(13) ABOUT THOSE PERSONAL APPEARANCES. After a certain point Bob Kane paid other artists to do the work. Which brings up a question. “Batman: How Did Bob Kane Fake Doing ‘Spur of the Moment’ Drawings?” CBR.com knows the answer. You’ll find it at the link.

…However, that certainly did bring up a major problem for Kane. It was one thing to take credit for other artists’ work, but what happens when you have to demonstrate that you can draw yourself? It’s certainly a bit of a pickle, especially since Kane was such a lover of publicity that he WANTED to do as many public appearances as possible. Well, as it turned out, he solved his problem with a little help from Joe Giella (who was inking “Kane” on the Batman titles at the time, and also ghost penciling and inking the Batman comic strip under Kane’s byline)….

(14) DEATH ON BOARD. “Scare Me Once? Great Game. Scare Me Twice? Great Remake.” The New York Times studies the return of “Isaac Clarke” and what is needed to make successful new versions of vintage video games.  

Die-hard fans wanted the floating spaceship of their nightmares, one stocked with mutilated zombies, improvised blowtorches and zero-gravity spectacles. The fictional engineer Isaac Clarke navigated this ramshackle vessel in Dead Space, the popular survival horror video game from 2008 that spawned two sequels.

But when developers at Motive Studios, a division of Electronic Arts based in Montreal, revisited the original for a planned remake nearly 15 years later, something was amiss.

What players remembered as terrifying seemed almost campy by modern standards because of technological advancements to graphics and artificial intelligence that have made gaming more immersive. The developers realized they would need to start from scratch, dismantling the spaceship, redesigning the zombies — known as necromorphs — and constructing new story lines.

“We don’t necessarily want to recreate the game as it was, but like you remember it,” said the remake’s creative director, Roman Campos-Oriola, who previously worked on the Ghost Recon franchise. “That often means breaking stuff, which has a ripple effect.”…

(15) HAWKEYE ACTOR RECOVERING.  Jeremy Renner is making progress: “Jeremy Renner Walks in New Video of His Snow Plow Accident Recovery, Actor Uses Anti-Gravity Treadmill”.

… The “Hawkeye” star posted a video to his Instagram story in which he walks with the assistance of an anti-gravity treadmill. Renner confirms in the video that he is doing all of “the walking motion” himself, with the anti-gravity treadmill taking off a percentage of his body weight as his legs slowly recover.

The actor captioned the post: “Now is the time for my body to rest and recover from my will.”…

(16) BEADS OF MOISTURE. From the Guardian: “Glass beads on moon’s surface may hold billions of tonnes of water, scientists say”.

…Anand and a team of Chinese scientists analysed fine glass beads from lunar soil samples returned to Earth in December 2020 by the Chinese Chang’e-5 mission. The beads, which measure less than a millimetre across, form when meteoroids slam into the moon and send up showers of molten droplets. These then solidify and become mixed into the moon dust.

Tests on the glass particles revealed that together they contain substantial quantities of water, amounting to between 300m and 270bn tonnes across the entire moon’s surface.

“This is going to open up new avenues which many of us have been thinking about,” said Anand. “If you can extract the water and concentrate it in significant quantities, it’s up to you how you utilise it.”

Hints that the moon might not be an entirely arid wasteland have emerged from previous missions. In the 1990s, Nasa’s Clementine orbiter found evidence for frozen water in deep, steep-sided craters near the moon’s poles. In 2009, India’s Chandrayaan-1 spacecraft spotted what appeared to be a thin layer of water bound up in the surface layer of moon dust.

The latest research, published in Nature Geoscience, points to fine glass beads as the source of that surface water. Unlike frozen water lurking in permanently shaded craters, this should be far easier to extract by humans or robots working on the moon.

“It’s not that you can shake the material and water starts dripping out, but there’s evidence that when the temperature of this material goes above 100C, it will start to come out and can be harvested,” Anand said….

(17) KEEPING THE ART IN ARTESIAN. This water is closer to home, and leans towards fantasy rather than science fiction. “Elven Spring Magic Water”.

(18) ROCK AROUND THE CLOCK. ScienceAlert breaks the news: “Nope, Stonehenge Isn’t an Ancient Calendar After All, Scientists Say”.

… As dawn breaks on summer solstice and the Sun boldly climbs above the Heel Stone that lies northeast of the circle, shining its rays directly into the heart of Stonehenge, it’s hard to deny that the monument was designed with the turning-point of the seasons in mind.

To a number of scholars, there’s more to Stonehenge’s design than a symbolic reverence for the changing lengths of days. It’s a timekeeper of some detail, a ‘Neolithic computer‘ even, tasked with dividing up the year around less significant events.

Last year, Bournemouth University archaeologist Tim Darvill published his claim that the monument operated as some kind of ‘perpetual calendar’, one based on a solar year equivalent to 365.25 days.

Now, Polytechnic University of Milan mathematician Giulio Magli and astronomer Juan Antonio Belmonte from the Institute of Astrophysics of the Canary Islands, Spain, have countered Darvill’s claim, stating it is based on “a series of forced interpretations, numerology, and unsupported analogies with other cultures”….

(19) HIS SHIP COMES IN. Artist Rick Sternbach shared on Facebook how touched he was to have his name added to canon via Star Trek: Picard.

I’ll say one other thing that should be somewhat obvious; my thanks to everyone involved with Picard for making the USS Sternbach a canon thing. I absolutely appreciate it. When I pressed for the name Bussard to be attached to the matter collectors in Star Trek, and it was accepted, Bob Bussard– *Dr. Robert W. Bussard*, whom I had the pleasure of talking with and learning from as far back as 1983, thanked me for the inclusion. I know how it feels. Onward.

(20) SPACE COMMAND. “Mr. Sci-Fi at Wondercon!” encourages viewers to contribute to “Space Command Forgiveness: The Final Shoot” Kickstarter.

We’re filming the final climax to the next installment of Space Command Forgiveness, the epic Sci-Fi adventure created by Marc Zicree.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Murray Moore, Michael J. Walsh, Dale Arnold, JJ, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 12/6/21 A Pixel Is About The Most Massively Useful Thing An Interscroller Hitchfiler Can Have

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(1) SPECTRUM FANTASTIC ART QUARTERLY. Cathy and Arnie Fenner have finished the first volume: “Spectrum Fantastic Art Quarterly *Update*” at Muddy Colors. It will be released December 20. Meantime, Arnie explains they are still at work on changes to the Spectrum competition and annual:

Remember awhile back when I mentioned that Cathy and I were planning to do a quarterly Spectrum bookazine? Guess what: the first volume is done. And what do I mean by “bookazine?” Well, I guess it’s something of a marriage of design, editorial, and graphics in a format that reads like a magazine but sits happily with the books on your shelf. It’s not exactly a new concept: if you hop in the way-back machine and take a look at Herb Lubalin’s Avant Garde or at Ralph Ginzburg’s hardcover Eros (which was also designed by Lubalin) you’ll see just how neat the idea is.

So while we’ve been figuring out all the minutia that goes into reorganizing the Spectrum competition and annual (and, lemme tell you, there are some cool discussions going on…if we can only figure out the logistics) and preparing to open #28 for entries, we put our heads together with some friends and decided to create the Spectrum Fantastic Art Quarterly to stay engaged with the community while the competition/book gets rebuilt—and have some fun in the process. And “fun” is the key word here: as we mention in the introduction to Vol 1, it’s sort of a throw-back to my days publishing fanzines (or “semiprozines” or “boutique magazines” or whatever you want to call them), that are produced out of love with making a buck, though important, secondary. SFAQ is a 12?x12?, perfect-bound, full-color softcover; it’s about and for fantastic artists of all sensibilities—and that includes illustrators, gallery painters, sculptors, art directors, calligraphers, comics artists, and more—and for everyone interested in the people and history of our field. Is it perfect? Nope. Did we probably make some dumb mistakes or let some typos slip by us? Undoubtedly. But it was most certainly fun to put together and we’ve got all kinds of ideas for features and designs percolating in our noggins—all ideas that work better for a “bookazine” rather than a traditional magazine or book, if you know what I mean. If it works, it works; if it doesn’t, we’ll at least have had a good time trying.

Anyway, Spectrum Fantastic Art Quarterly Vol. 1 will be released (according to the printer) December 20th—yes, this year. Merry Christmas! If you’re interested, here’s where you can order your copy. It’ll probably still be a week or so before they have them listed, but…you heard it here first.

STUART NG BOOKS — https://stuartngbooks.com / https://www.facebook.com/stuart.ng.73

BUD PLANT’S ART BOOKS – https://www.budsartbooks.com / https://www.facebook.com/budsartbooks

(2) WINNIPEG IN 2023 WORLDCON BID QUESTIONNAIRE. Jannie Shea reports that Winnipeg in 2023’s response to the Smofcon questionnaire is posted at the bid’s website: “Fannish Question Time_Smofcon – Winnipeg 2023 Worldcon Bid”.

Several of the bid committee also practiced in an informal Q&A session on their YouTube channel earlier this year. The raw unedited session, held back in July, can be viewed here.

(3) FREE READ. Issue 4 of Whetstone: Amateur Magazine of Pulp Sword and Sorcery (which actually is a semiprozine according to Hugo rules) is out: Cora Buhlert says, “Good modern sword and sorcery fiction and it’s free, too.”

(4) TURNAROUND. Neon Hemlock Press launched a Kickstarter to fund the anthology Luminiscent Machinations: Queer Tales of Monumental Invention edited by Rhiannon Rasmussen and dave ring, “a speculative anthology exploring the limits of machinery, the fragility and power of queer bodies, and mecha in all their forms.” Social media controversy has arisen because one of the contributors to the anthology is Neon Yang, who criticized Isabel Fall’s “Helicopter Story” (originally titled “I Sexually Identify as an Attack Helicopter.”) Some defenders of Isabel Fall are condemning Yang’s promotion of their own queer mech story.

Emily VanDer Werff’s Vox article “How Twitter can ruin a life: Isabel Fall’s complicated story” published in summer 2021 refreshed memories about Neon Yang’s stance on Twitter 18 months earlier when “I Sexually Identify as an Attack Helicopter” first appeared:

“When the story was first published, we knew nothing about Isabel Fall’s identity, and there was a smattering of strange behavior around the comments and who was linking to it that led people to suspect right-wing trolls were involved in this,” says science fiction author Neon Yang. They were publicly critical of the story on Twitter…. 

Publisher Neon Hemlock has made this statement:

Meanwhile, Neon Yang’s Twitter account is labeled “temporarily restricted” with a message that says, “You’re seeing this warning because there has been some unusual activity from this account. Do you still want to view it?” although one can still click through the warning and access it.

Doris V. Sutherland’s post “On Neon Yang’s Toxic Reputation” reviews the original 2020 controversy in some detail, searching for an explanation why Yang is experiencing this backlash:

…Yet, despite the flimsiness of the accusation, Neon Yang retains a reputation as the person who did the most to bring down Isabel Fall. As far as I can tell, the misconception can be traced back to the aforementioned Vox article, in which Yang is the only person quoted as justifying the backlash against the story. Nowhere does the article state, or even imply, that Yang was the main aggressor; yet nonetheless, it seems to have established Yang as the face of the anti-Fall movement….

Those that live by the censor’s scissors are liable to end up being snipped at themselves. There is, perhaps, a degree of karma in a person who rolled along with the erasure of Isabel Fall’s story — simply because it made some of the readers uncomfortable — being placed in a position where their own presence in an anthology is deemed uncomfortable, to the extent where at least one collaborator has decided to pull out….

(5) ALL HAIL. AudioFile Magazine’s latest “Behind the Mic Podcast” interviews Ray Porter, who narrated the Project Hail Mary audiobook.

Narrator Ray Porter joins AudioFile’s Michele Cobb to tell listeners about his experience narrating PROJECT HAIL MARY, Andy Weir’s newest sci-fi bestseller. PROJECT HAIL MARY is one of AudioFile’s 2021 Best Science Fiction & Fantasy Audiobooks, and it’s a thrilling interstellar adventure. Ray gives Michele an inside glimpse into preparing the many voices deployed in this space opera and tells her what has stayed with him about bringing it to life. Read the full review of the audiobook at audiofilemagazine.com. Published by Audible, Inc. Curious listeners can take a peek into Ray’s recording studio in his narrator video on PROJECT HAIL MARY.

(6) OUT OF THE PAN AND INTO THE… Cora Buhlert’s review of the latest (in 1966) Space Patrol Orion episode is up at Galactic Journey: “[December 6, 1966] Welcome to the Space Prison: Space Patrol Orion, Episode 6: ‘The Space Trap’”

The episode starts with Commander Cliff Alister McLane (Dietmar Schönherr) receiving his latest orders from General Wamsler (Benno Sterzenbach). It’s yet another routine mission (and we all know how well those tend to go for the Orion 8): Collect space dust in order to investigate the panspermia theory, which causes Wamsler’s aide Spring-Brauner (Thomas Reiner) to drone on and on about the panspermia theory, i.e. the theory that life did not originate on Earth, but is distributed through the universe via spores hitching a ride with space dust, asteroids, meteorites, etc… The theory is the brainchild of Swedish scientist Svante Arrhenius, who also developed the theory of a global greenhouse caused by industrial carbon dioxide emissions, which played a role in the Orion episode “The Battle for the Sun”. One of the writers is apparently a fan….

(7) KGB SCHEDULE CHANGE. Fantastic Fiction at KGB reading series in New York has changed the lineup for their December 15 event.

This month, Mercurio D. Rivera will be reading with David Leo Rice. N.K. Jemisin will be reading for them in February.

David Leo Rice’s info was part of the original announcement. The brief bio for Mercurio D. Rivera follows.

Mercurio D. Rivera

Mercurio D. Rivera’s short fiction has been nominated for the World Fantasy Award and has won the annual readers’ award for Asimov’s and Interzone magazines, respectively. His work has also appeared in venues such as Analog, Lightspeed, io9, Nature, Black Static, and numerous anthologies and Year’s Best collections.

His new novel Wergen: The Alien Love War tells stories of unrequited love set against the backdrop of humanity’s complicated relationship with enigmatic aliens afflicted with a biochemical infatuation for humanity. His story “Beyond the Tattered Veil of Stars,” was recently podcast by Dust Studios, and features Gillian Jacobs (Community) and Justin Kirk (Weeds). 

The readings are Wednesday, December 15 starting at 7:00 p.m. Eastern in the KGB Bar. (Address at the link.)

(8) GHOSTS OF CHRISTMAS PRESENT. A month ago the Scroll linked to NPR’s coverage of the Maryland Renaissance Faire (item #16). Red Barn Productions and Kevin Patterson also run the “Great Dickens Christmas Fair” in the Bay Area of California, similar to a Ren Faire but with a theme of Christmas in Charles Dickens’s time.  They are getting pushback from attendees and participants for what is said to be failure to provide a safe space for marginalized people: “’Not a safe space’: Black cast members boycott Dickens Christmas Fair over failure to prevent racist, sexist behavior” in the San Francisco Chronicle.

… “I met some of my greatest friends at the Dickens Fair,” says Tooles, who went on to join the event’s volunteer cast, taking on bigger roles and more responsibility each year. 

Her history with the tight-knit fair community is what makes the past two years so heartbreaking for Tooles, who is one of a small number of Black cast members at the Great Dickens Christmas Fair. What started as a goodwill effort to help rectify what is seen as the event’s failure to protect its volunteers and guests from racist and sexist behavior has turned ugly. Now, more than 200 cast members and thousands of guests have pledged to boycott this year’s fair, which is set to return to the Cow Palace on Saturday, Dec. 4, in a scaled-down, drive-through experience for the next three weekends. 

“I want people to recognize what their values are and decide if the Dickens Fair aligns with them,” says Tooles, founder of an affinity group for the fair’s Black performers called Londoners of the African Diaspora, or LoAD…. 

There’s a related petition at Change.org, “End Racism and Injustice at The Great Dickens Christmas Fair”.

(9) MEDIA BIRTHDAY.

1979 — [Item by Cat Eldridge.] Forty-two years ago on this date, Star Trek: The Motion Picture had an exclusive premiere in Washington, D.C. It is directed by Robert Wise from the screenplay by Harold Livingston which in turn is based on the story by Alan Dean Foster and I’m surprised he didn’t novelize it. You know who was in the movie so I won’t detail the cast here. Reception was decidedly mixed though Roger Ebert called it “a good time”. The box office was exceedingly good as it made one hundred forty million against forty million in production costs. Audience reviewers at Rotten Tomatoes currently give it a so-so rating of just forty-two percent. It was nominated for a Hugo at Noreascon Two, the year that Alien was chosen as the Best Film. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This site is a good place to do that. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her, but Kingdoms of Elfin and Lolly Willowes are available on the usual suspects. (Died 1973.)
  • Born December 6, 1911 — Ejler Jakobsson, Finnish-born Editor who worked on Astonishing Stories and Super Science Stories butbriefly as they were shut down due to paper shortages. When Super Science Stories was revived in 1949, Jakobsson was named editor until it ceased publication two years later. Twenty years later, he took over Galaxy and If, succeeding Frederik Pohl.  His first credited publications were The Octopus and The Scorpion in 1939, co-edited with his wife, Edith Jakobsson. (Died 1984.)
  • Born December 6, 1918 — William P. McGivern. Once in a while, I run across an author I’ve never heard of. So it is with McGivern. He was a prolific writer of SFF stories for twenty years starting from the early Forties. ISFDB only lists one genre novel by him, The Seeing, that he wrote with his wife Maureen McGivern. The digital has been good for him with the usual suspects having pretty much everything by him that he did except oddly enough the long out of print The Seeing. (Died 1982.)
  • Born December 6, 1923 — Wally Cox. Ok, who can resist the voice of the Underdog series which ran from 1964 to1967? I certainly can’t. He was in Babes in Toyland, The Twilight Zone, Mission: Impossible, Lost in Space, Get Smart, The Girl from U.N.C.L.E., Quarantined, Night Gallery and Once Upon a Mattress. (Died 1974.)
  • Born December 6, 1953 — Tom Hulce, 68. Oscar-nominated screen and stage actor and producer. His first genre role was in a highly-praised performance as the lead in the American Playhouse broadcast of The Rise and Rise of Daniel Rocket, about a young boy who discovers that he can fly. Although the bulk of his career has been in the theater, his most notable genre film role was as Henry Clerval in Kenneth Branagh’s Saturn-nominated Mary Shelley’s Frankenstein. He was nominated for an Annie Award for his voice performance of Quasimodo in Disney’s The Hunchback of Notre Dame, and appeared in the films Stranger than Fiction and Jumper.
  • Born December 6, 1957 — Arabella Weir, 64. A performer with two Who appearances, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders. 
  • Born December 6, 1962 — Colin Salmon, 59. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in that clunker of films, Mortal Engines.
  • Born December 6, 1969 — Torri Higginson, 52. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series. 

(11) FOOTS THE BILL. [Item by Olav Rokne.] Turns out Aziraphale might be a bit of an Angel in real life too … “Michael Sheen turns himself into a ‘not-for-profit’ actor” reports BBC News.

…Speaking to The Big Issue, Sheen described how he stepped in to bankroll the Homeless World Cup when funding for the £2m project fell through at the last moment.

“I had committed to helping to organise that and then suddenly, with not long to go, there was no money,” he said.

“I had to make a decision – I could walk away from it and it wouldn’t happen.

“I thought, I’m not going to let that happen. So, I put all my money into keeping it going.

“I had a house in America and a house here and I put those up and just did whatever it took.

“It was scary and incredibly stressful. I’ll be paying for it for a long time.

“But when I came out the other side, I realised I could do this kind of thing and, if I can keep earning money, it’s not going to ruin me.”

(12) GREYSKULL SESSION. [Item by Cora Buhlert.] On my own blog, I wrote a lengthy rumination of Masters of the Universe: Revelation, which does some really interesting things and was so much better than a sequel to a cartoon designed to sell toys has any right to be: “The Power of Greyskull – Some Reflections on Part 2 of Masters of the Universe: Revelation” This one will go on my Hugo ballot, which I for one did not expect at all.

 The second half of Masters of the Universe: Revelation, Kevin Smith’s continuation of the original cartoon from the 1980s, just became available and I opted to watch that over the new Hawkeye show (which I will watch eventually) and Star Trek Discovery (which is apparently available in Europe now, though I still haven’t figured out how), because I enjoyed the first half a lot more than I expected. Besides, part 1 ended on one hell of a cliffhanger, so of course I wanted to know how Teela, Andra, Duncan and the rest of gang are going to get out of that one….

(13) RECOMMENDED KICKSTARTERS. Cora Buhlert also sent links to a pair of Kickstarters worthy of attention: 

Changa and the Jade Obelisk 2, a sword and soul comic, is looking for funding: “Changa and the Jade Obelisk #2 by 133art Publishing”

 Changa #2 Cover by: Matteo Illuminati and Loris Ravina

Blazing Blade of Frankenstein 1, a comic featuring Frankenstein’s monster as a wandering sword and sorcery hero, is also looking for funding. I had never heard of these people before, but the concept is simply too cool to ignore: “Blazing Blade of Frankenstein #1 by FRIED Comics”.

(14) THE CLASS OF 2021. The New York Times is there when “NASA Introduces Class of 10 New Astronaut Candidates”. Their names: Nichole Ayers, Christopher Williams, Luke Delaney, Jessica Wittner, Anil Menon, Marcos Berríos, Jack Hathaway, Christina Birch, Deniz Burnham and Andre Douglas.

NASA on Monday inaugurated 10 new astronaut candidates who could walk on the moon within the next decade, or carry out research on the International Space Station.

The new astronaut candidate class is NASA’s 23rd since 1959, when seven astronauts were picked by the military for Project Mercury, the first American human spaceflight program. The latest astronaut candidate group comes as NASA prepares for its most daunting challenges in space since Americans landed on the moon during the Apollo program of the 1960s and ’70s. The agency’s growing focus is on Artemis, its program to return astronauts to the moon….

(15) BUT NOT ROCK CANDY. BBC News reports “Stonehenge builders had a sweet tooth, artefacts suggest”.

The builders of Stonehenge ate sweet treats including foraged fruit and nuts, English Heritage has revealed.

Previously it was thought they had consumed pork, beef and dairy.

But excavations of the Durrington Walls settlement, inhabited by the builders of the monument in about 2,500 BC, suggest they collected and cooked hazelnuts, sloes and crab apples too.

Researchers said evidence of charred plant remains suggest they might have followed recipes to preserve the food….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Cora Buhlert, Meredith, Bill, Olav Rokne, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn. Update: The excerpts of Doris V. Sutherland’s comments were added a couple hours after the Scroll was posted.]

Pixel Scroll 2/12/21 A Series Of Unfortunate Event Horizons

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(1) EATING THE FANTASTIC. Scott Edelman offers listeners a chance to “Nibble hors d’oeuvres with Mary Robinette Kowal” in Episode 138 of his Eating the Fantastic podcast.

Mary Robinette Kowal

Mary Robinette Kowal is the author of the Lady Astronaut series — which so far includes the novels The Calculating Stars, The Fated Sky, and The Relentless Moon — as well as the historical fantasy novels in The Glamourist Histories series plus Ghost Talkers. Her short stories have appeared in Strange Horizons, Asimov’s, and other magazines and anthologies, and her collections include Word Puppets and Scenting the Dark and Other Stories.

She’s currently the President of SFWA, a member of the award-winning podcast Writing Excuses, and has received the Astounding Award for Best New Writer, four Hugo awards, the RT Reviews award for Best Fantasy Novel, the Nebula, and Locus awards. Her novel The Calculating Stars is one of only 18 novels to win the Hugo, Nebula, and Locus awards in a single year. She’s also a professional puppeteer and voice actor, and has won two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve.

We discussed the temporal differences between puppetry and science fiction conventions, how she transitioned from writing magical Regency novels to the Lady Astronaut series, why unlike many writers, she reads her reviews (albeit selectively), the reason she’s able to write relationships between reasonable people so well, how she constructs a science fiction mystery, why it’s so important she likes her characters’ clothing when she picks a project, the meaning of science fiction itself within her science fiction universe, the way she uses sensitivity readers to make her work better, how a novel is like a clear glass pitcher, and much more.

(2) TUTTLE BEGINS. Lisa Tuttle’s inaugural column for The Guardian has posted: “The best recent science fiction and fantasy – review roundup”.

… Adam Roberts is one of the most intellectually daring British science fiction writers, trying something different in every book. Purgatory Mount (Gollancz, £16.99) starts off like classic space opera, on board a spaceship crewed by five quasi-immortal superhumans. On an empty planet they discover an enormous tower-like structure, possibly the remains of a space elevator, in which they perceive a resemblance to Dante’s mountain of Purgatory. However, this is not the real story….

(3) STURGEON AWARD CONSIDERATION. Nominations are open for the 2021 Sturgeon Award through March 15. Eligible works are science fiction short stories, novelettes, or novellas originally published in English during 2020, in a magazine, anthology, website, or other format.

If you are a reader/reviewer/critic:

If you are interested in participating, please submit via email (gunn.sf.center@gmail.com) your list of up to ten (10) nominations for what you consider to be the top science-fiction short works of the year, ranked from 1 to 10, with 1 being your top pick. If possible, please include publication information and date of publication. If published online, please include a link. Include in the header:  2021 STURGEON NOMINATIONS LIST.  

If you are an editor:

Please submit via email (gunn.sf.center@gmail.com) a list of the three (3) best science fiction stories from your year’s editorial work. You do not need to rank these. Please include publication information and date of publication. If published online, please include a link. Include in the header:  2021 STURGEON EDITORIAL NOMINATIONS.  

This year’s Sturgeon Award Jury members are Sarah Pinsker, Elizabeth Bear, Taryne Taylor, and Kij Johnson, and they will also involve Noel Sturgeon in the selection process. Noel is Trustee of the Theodore Sturgeon Literary Trust and one of Theodore Sturgeon’s children. 

(4) SF POETRY PODCAST. Outskirts Poetry has launched The Outskirts Poetry Podcast, a “bi-weekly podcast beaming straight out of an underground bunker that perfectly marries SF Poetry/Fiction and the counterculture.”

The podcast is geared toward writers and readers of speculative genre poetry and fiction “who enjoy art that thrives at the fringes of society.” Season 1 guests include interviews with Catherynne M. Valente, space poet; Josh Pearce, Afrosurrealist; D. Scot Miller; and Augur Magazine Editor, Terese Mason Pierre. Outskirts Poetry is a creative media collaboration between Post-apocalyptic poet, Jake Tringali, who hosts the podcast, and fellow SFPA spec-fic writer and media specialist, Melanie Stormm.

Go to the link above to listen, or access the podcast at Apple Podcasts, Spotify, or Stitcher.

Outskirts Poetry Podcast covers the margins: science fiction, fantasy, weird, the things listeners should be in on, but might not be yet. Our main exports are badly behaved.

(5) FINANCIAL HELP NEEDED. A GoFundMe has been started to “Help Alma Alexander With The Loss of her Husband”. The reason for the appeal —  

Alma Alexander, fantasy writer and all-around good egg, is facing the devastating loss of her husband, coupled with medical and funeral expenses, and the possible loss of her home.

We are trying to raise some funds to give her husband, Deck, a proper send-off, and ease the burden on Alma.  The campaign is being organized by Tim Dunn of Nerdy Origami, and all monies raised will go directly to Alma.

Alexander was interviewed by File 770’s Carl Slaughter in 2017.

(6) GRRM APPEARS FOR CHARITY. [Item by John A Arkansawyer.] Saturday night: “Food for Love – Join us Valentine’s Eve for a STAR-STUDDED VIRTUAL CONCERT to end hunger in New Mexico”. There’s some serious talent on the bill, and between George R.R. Martin and David Byrne, its genre-relevance hops the bar, in my opinion.

(7) NIVEN’S WORLDBUILDING. Dominic Noble devotes a video to “The Absolutely Crazy Worlds And Aliens Of Known Space”.

…Pearson’s Puppeteers — the name makes sense in the book — are a fascinating non-humanoid race known for several unusual physical and psychological characteristics. For starters they have three legs and two heads, neither of which contain their brain, which is located in their torso. Their heads serve as multi-function limbs encompassing all the usual activities of seeing, eating, breathing, and speaking, while also being their primary manipulators. They’re also known for being incredibly intelligent and almost comically cowardly — everything scares the heck out of these creatures no matter how unlikely the threats. So their entire culture is based around making things as safe as possible for themselves. It’s such a part of their core being that any Puppeteer who shows even a little courage is considered certifiably insane. The absolute best example of this is the reason that no human has seen a Puppeteer for centuries at the start of the story. “We need to evacuate this entire section of the galaxy! The galactic core has exploded!” “What? When?” “10 000 years ago.” “Um, okay, and when is the blast wave going to reach us?” “20 000 years. We’re wasting time talking. Run!”

Yeah, they evacuated their entire species and started a mass exodus out of the galaxy 20 000 years in advance just to be safe. This conveniently leads up to the setup for the plot of this book…

(8) DATLOW ON EDITING. Tor Nightfire’s Tonia Ransom supplies the questions in “Interviewing Ellen Datlow, the Doyenne of Short Horror Fiction”.

TR: What advice would you give aspiring editors?

ED: The key to good editing is asking questions and not imposing your own bias/style (if you’re also a writer) on someone else’s story. If you like a story and think you might want to acquire and edit it but believe it needs work, don’t be afraid to make suggestions, and if something isn’t clear, you might ask the writer to tell you what they think is going on––and if their vision is not coming through on the page, tell them that. But always remember: it’s not your story. It’s the writer’s. If you can’t agree on revisions, let it go. Learn to say “no.” Never feel obliged to buy stories by friends or big names if you don’t like the story or don’t think it works for the venue for which you’re editing.

(9) GET THE POINT? James Davis Nicoll tells Tor.com readers where to find “Blades for Hire: Five Fictional Duellists”. This first one should be familiar —

The Princess Bride by William Goldman (1973)

Inigo Montoya trained to become a master swordsman for one driving purpose: to slay the six-fingered man who murdered Inigo’s father. Once he had become a master swordsman, Inigo discovered that his plan was flawed: Inigo had no idea who the six-fingered man might be or where he might be found. Years of searching turned into decades. A penniless Inigo had no choice but to hire himself out as a duellist. Alas, this meant he must work for evil men like master criminal Vizinni. Will he ever find the six-fingered man?

(10) INA SHORROCK OBIT. Liverpool fan Ina Shorrock (1928-2021) has died of a heart attack at the age of 92. She discovered fandom in 1950, was a member of the Liverpool Group, and generally acted as a social director for Liverpool fandom. Eric Bentcliffe in 1959 called her “British fandom’s ‘Hostess with the mostess’. Ina has superabundant energy, and a gift for making people both ‘at home’ and happy.” She belonged to the BSFA (which she chaired). She was married to fellow fan Norman Shorrock.

(11) MEDIA BIRTHDAY.

  • February 12, 1940 — On this day in 1940, The Adventures Of Superman radio program began with the airing on New York City’s WOR of its first episode, “The Baby from Krypton”. The story is what you expect it to be. It would air until March 1951 with 2,088 original episodes of the program airing. It starred Bud Collyer as Clark Kent / Superman and Joan Alexander as Lois Lane. You can hear it here.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 12, 1920 – Russell Chauvenet.  Had he only coined the word fanzine (in his zine Detours; also generally credited with prozine) it would have been enough for us.  He co-founded the N3F (Nat’l Fantasy Fan Fed’n; with Damon Knight and Art Widner) and served a term as President.  Another zine Sardonyx was originally mimeographed but I feel sure I had in my hand a later multi-color issue, produced by spirit duplicator, in the Fanzine Lounge at Chicon VI the 58th Worldcon.  Next door to us he was rated Expert at chess; also built his own Windmill-class sailboat, and was a medal-winning runner.  (Died 2003) [JH]
  • Born February 12, 1929 — Donald Kingsbury, 92. He’s written three novels (Courtship Rite, The Moon Goddess and the Son and Psychohistorical Crisis) that could be akin to the Asimov’s Foundation novels. Clute at EOSF says that the Asimov estate explicitly refused him permission to set Psychohistorical Crisis in the Foundation universe. (CE)
  • Born February 12, 1933 – Juanita Coulson, age 88.  Co-edited the Hugo-winning fanzine Yandro with husband Buck Coulson; you can see a lot of issues here; you can go directly to her cover for Y92 here.  First-rate filker; won a Pegasus; Filk Hall of Fame.  A dozen novels, half a dozen shorter stories.  She and Buck were Fan Guests of Honor at L.A.Con the 30th Worldcon; the Coulsons to Newcastle fan fund sent them to Seacon ’79, the 37th; after Buck left, she was Fan Guest of Honor at Reconstruction the 10th NASFiC (North America SF Con; since 1975 held when the Worldcon is overseas).  DUFF (Down Under Fan Fund) delegate.  Big Heart (our highest service award).  [JH]
  • Born February 12, 1942 — Terry  Bisson, 79. He’s best known for his short stories including “Bears Discover Fire”, which won the Hugo Award and the Nebula Award and “They’re Made Out of Meat”. His  genre novels includes Talking Man, Wyrldmaker and a rather cool expansion of  Galaxy Quest into novel form. (CE)
  • Born February 12, 1945 — Gareth Daniel Thomas. His best known genre role was as of Roj Blake on Blake’s 7 for the first two series of that British show. He also had a minor role in Quatermass and the Pit, and had one-offs in The Avengers, Star Maidens, Hammer House of Horror, The Adventures Of Sherlock Holmes, Tales of the Unexpected, Randall & Hopkirk (Deceased) and Torchwood. (Died 2016.) (CE) 
  • Born February 12, 1945 — Maud Adams, 76. Best remembered for being two different Bond girls, first for being in The Man with the Golden Gun where she was Andrea Anders, and as the title character in Octopussy. She shows up a few years later uncredited in a third Bond film, A View to Kill, as A Woman in Fisherman’s Wharf Crowd. (CE)
  • Born February 12, 1945 – David Friedman, Ph.D., age 76.  Two novels from this man schooled as a physicist who taught law a dozen years at Santa Clara Univ. (now emeritus) and earned the rank of Duke in the SCA (Society for Creative Anachronism); it is said he while king of the Middle Kingdom challenged the East, later as king of the East accepted the challenge and lost (to himself).  He is an incrementalist consequentialist anarcho-capitalist, and yes, I think all those terms are needed.  [JH]
  • Born February 12, 1950 — Michael Ironside, 71. Ahhhh, he of Starship Troopers fame. His first SF role was actually as Darryl Revok in Scanners. Later roles included Overdog in Spacehunter: Adventures in the Forbidden Zone, Ricther In Total Recall, General Katana in Highlander II: The Quickening and of course Lt. Jean Rasczak In Starship Troopers. Now he also did some series work as well including being Ham Tyler on V The Final Battle and V The Series, seaQuest 2032 as Captain Oliver Hudson which I really liked, General Sam Lane on Smallville and on the Young Blades series as Cardinal Mazarin. (CE) 
  • Born February 12, 1954 – Stu Shiffman.  Long-time fanartist; won a Hugo; was given the Rotsler Award.  TAFF (Trans-Atlantic Fan Fund) delegate.  Fan Guest of Honor at WisCon 12, Minicon 20, Lunacon 43.  Four stories.  Here are covers for Chunga 1 and 19.  Here is Taral Wayne’s tributezine The Slan of Baker Street (alluding to Van Vogt’s novel Slan and SS’ Sherlock Holmes hobby).  One of my favorite photos of him is here.  Randy Byers’ appreciation is here.  Our Gracious Host’s appreciation is here.  (Died 2014) [JH]
  • Born February 12, 1962 – Katherine Roberts, age 59.  Welsh and Spanish.  A score of novels, as many shorter stories.  First class degree in mathematics.  Boase Award.  Correspondent of Vector.  Contributed a “Top 10 SF Novels” to The Zone and Premonitions 6.  Website.  [JH]
  • Born February 12, 1981 – Lucy Christopher, age 40.  Australian now in England.  Five novels, one shorter story.  Boase Award.  Gold Inky.  Teacher, horsewoman.  “We are all storytellers….  Thinking about this is my life’s work.”  [JH]

(13) TOMORROW’S MEREDITH MOMENT. The ebook edition of Return to Nevèrÿon, a four-volume “postmodern sword-and-sorcery” epic from Samuel R. Delany will be downpriced to $1.99 across all US and Canadian retailers on February 13 the author announced on Facebook. He provided this Amazon link.

(14) EBOOK$. Protocol investigates how an app that assists libraries also poses financial challenges: “Libby is stuck between libraries and e-book publishers”.

On the surface, there couldn’t be a more wholesome story than the meteoric rise of the Libby app. A user-friendly reading app becomes popular during the pandemic, making books cool again for young readers, multiplying e-book circulation and saving public libraries from sudden obsolescence.

But the Libby story is also a parable for how the best-intentioned people can build a beloved technological tool and accidentally create a financial crisis for those who need the tech most. Public librarians depend on Libby, but they also worry that its newfound popularity could seriously strain their budgets.

… Libby downloads increased three times their usual amount beginning in late March. E-book checkout growth and new users on Overdrive both increased more than 50%.

Libby had helped to save libraries.

It had also accelerated a funding crisis. Public library budgets have never been luxe, and book acquisition budgets in particular have always been tight. Though it may seem counterintuitive to readers, e-books cost far more than physical books for libraries, meaning that increased demand for digital editions put libraries in a financial bind….

(15) NO MOSS WAS GATHERED. “Stonehenge may be a rebuilt Welsh stone circle, new research shows” – Yahoo! has the story.

…Scholars have known for decades that most of Stonehenge’s bluestones were carried, dragged or rolled to Salisbury Plain from the Preseli Hills. In 2019, Parker Pearson and his team provided evidence of the exact locations of two of the bluestone quarries. And last year, another team of researchers led by David Nash of the University of Brighton revealed that most of Stonehenge’s sarsens hail from a woodland area in Wiltshire, some 15 miles from where they stand on Salisbury Plain.

The bluestones are thought to have been the first to be erected at Stonehenge some 5,000 years ago, centuries before the larger sarsen stones were brought there. The discovery by Parker Pearson and his team that the bluestones had been extracted from two quarries in the Preseli Hills before the first stage of Stonehenge was built in 3000 BC prompted them to reinvestigate the nearby Waun Mawn site to determine whether those monoliths were the remains of a stone circle supplied by the quarries that was then dismantled to build Stonehenge….

(16) THE WEB, ER, WEED OF CRIME BEARS BITTER FRUIT. Talk about “going bad.” Let the Wikipedia tell you the fate of “Saturn (magazine)”.

Saturn was an American magazine published from 1957 to 1965. It was launched as a science fiction magazine, but sales were weak, and after five issues the publisher, Robert C. Sproul, switched the magazine to hardboiled detective fiction that emphasized sex and sadism. Sproul retitled the magazine Saturn Web Detective Story Magazine to support the change, and shortened the title to Web Detective Stories the following year. In 1962, the title was changed yet again, this time to Web Terror Stories, and the contents became mostly weird menace tales—a genre in which apparently supernatural powers are revealed to have a logical explanation at the end of the story.

Donald A. Wollheim was the editor for the first five issues; he published material by several well-known authors, including Robert A. Heinlein, H. P. Lovecraft, and Harlan Ellison, but was given a low budget and could not always find good-quality stories. It is not known who edited the magazine after the science fiction issues…

(17) SPAIN RODRIGUEZ DOCUMENTARY. In “A New Film Plumbs the Depths of Spain’s Underground Comix”, Print Magazine interviews documentary filmmaker Susan Stern.

…I met Spain and followed “Trashman,” his signature comic, at The East Village Other. He was a groundbreaker. What inspired you to make this film?

I made Bad Attitude because I wanted more people to see Spain’s bold, original pen-and-ink art. Just as the 1960s have a soundtrack, I’ve always thought Spain’s art helped design the “look” of the ’60s. When I began the film in 2012, it was a time of relative political complacency. I also wanted to rouse people with Spain’s fiery—yet self-satirizing—left-wing radicalism. As it turned out, Bad Attitude is perfect for the political ferment of 2021. Spain’s “anti-racist” work with the white working-class bikers of Buffalo in the early 1960s is a revealing part of the film….

[Thanks to John King Tarpinian, Jennifer Hawthorne, Cat Eldridge, Martin Morse Wooster, Michael Toman, Mike Kennedy, JJ, John Hertz, Daniel Dern, Melanie Stormm, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/22/20 Come Pixel Round Filers, Wherever You Scroll, And Admit That The Word Counts Around You Have Grown

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(1) FOR ALL MANKIND. There’s a lot of information available about Season 2 of Apple TV+’s alternate history of the space race For All Mankind – only I didn’t locate a release date.

Take a guided tour of For All Mankind’s first lunar base. Former Astronaut and technical advisor Garrett Reisman helps show us around Jamestown.

https://www.youtube.com/watch?v=3Kp01tzHZdc

Collider interviewed series creator Ronald D. Moore.

One of my favorite shows on any streaming service is the Apple TV+ series For All Mankind. Created by Ronald D. Moore (who previously developed the Battlestar Galactica reboot), the series takes place in an alternate history where the global space race of the 1960’s never ended. In this alt timeline, the Soviet Union landed on the Moon first and we follow NASA as they try and catch up while also dealing with the changing times. Loaded with fantastic performances, incredible production design, and an honest depiction of the space race, I strongly recommend watching the first season when you get the chance.

(2) BETTING ON RESNICK. Alex Shvartsman did a cover reveal for Mike Resnick’s The Hex Is In: The Fast Life and Fantastic Times of Harry the Book. Cover art by Túlio Brito. See it at the link.

From boxing matches to dragon races to elections, there’s no wager Harry won’t cover—so long as the odds are right.

Harry the Book operates out of a Manhattan bar booth, with his personal wizard and his zombie bodyguard close at hand. He’ll dope out the odds on any sort of contest, even if that gets him into a heap of trouble.

The book will be out in August, but you can order eARCs immediately at the link.

(3) ROTHFUSS TEAMS WITH ONE SHOT PODCAST. Patrick Rothfuss will partner with One Shot Podcast, releasing new episodes every Monday through July 27, for an actual play miniseries set in The Kingkiller Chronicles’ world of Temerant.

One Shot is a weekly actual play podcast that explores different role playing systems with self contained One Shot stories. A rotating cast of improvisers, game designers, and other notable nerds show off the variety and diversity in RPGs run a new game every month.

The multi-performer audio production will feature original music by Arne Parrott and sound design by Casey Toney (NeoScum, Campaign Skyjacks, Hey Riddle Riddle.) Performers include Patrick Rothfuss himself alongside Satine Phoenix (Gilding Light, GMTips) Liz Anderson (Campaign: Skyjacks, Jackbox Games, Contributor at The Onion), Bee Zelda (The Broadswords), and Gamemaster James D’Amato (One Shot, Campaign: Skyjacks). 

While new to his readers, this is not the first time Rothfuss has roleplayed Temerant. In the years before the publication of The Name of the Wind, he fleshed out the world and tested ideas in private games he would run for friends and family.

“Long before I ever tried to write a novel, I made characters and built worlds for roleplaying games,” says Rothfuss. “Telling stories like this will give me a chance to show off corners of my world that don’t appear in my novels, and it’s playful and collaborative in a way that I really miss. Most importantly, these are stories that will let people spend time in my world sooner rather than later, while they’re waiting for the next book to come out.” 

Rothfuss and D’Amato set their first Temerant story at The University, following students who find themselves at loose ends at the end of the term: juggling financial responsibilities, personal relationships, and their hopes for the future. 

“It’s a college road trip movie,” said D’Amato. “For our first adventure, I wanted to look to the left of Kvothe’s rougeish heroics to see what else we can learn about Temerant.”

“I had such fun,” said Rothfuss. “It’s the first time I’ve ever PLAYED a game in my world instead of running it. I got to share details about the culture and magic I’ve never talked about before. I loved making characters and seeing where our shared story took us. I’ll admit, it wasn’t at all what I anticipated….” 

(4) THE SCALZI FENESTRATION. John Scalzi’s “The Hugo Window” takes off from an observation in Camestros Felapton’s recent post “Back to Flint”.

… Camestros Felapton blog, as part of a more general examination about who wins and/or is a finalist for Hugo Awards, and when they win them (and when they stop winning them, if they do indeed ever start winning them). The proprietor of the blog essentially argues that for every writer there is a Hugo window, during which they and their work are both popular enough and new enough to draw attention. But sooner or later that window closes.

I come up because I’m used as an example:

“I am not saying John Scalzi will never win another Hugo Award but I don’t expect him to even though I think he’ll be writing good, entertaining sci-fi for many years. This is not because he’s not sufficiently left-wing for current Hugo voters but because we’ve read lots of John Scalzi now and sort of know what to expect.”

It’s not about me, it’s about my Hugo window.

And do I think this is correct? Sort of, yes! And also sort of not….

And Scalzi goes on to develop the thinking behind his answer.

(5) DO YOU KNOW THE WAY. James Davis Nicoll finds “Five SFF Stories That Prove You Can Never Go Home Again” at Tor.com.

To quote Princess Leia, sometimes you cannot go home again. Why this might be varies from story to story… Perhaps home is unrecognizable, or has vanished entirely. Perhaps you yourself have been changed and can no longer fit in as you did in the past. Whatever the reason behind this particular experience of alienation, it is fodder for engaging stories. You might enjoy these five examples.

(6) DEATHSTAR WARMED OVER. You have until June 25 to bid on “”Star Wars” 20” x 16” Photo Signed by 23 of the Cast — Many With Personal Notes Such as Carrie Fisher Writing ”I know…Did you?” — With Becket COA for All Signatures” at Nate D. Sanders Auctions.

Visually powerful 20” x 16” photo of the second Death Star from ”Star Wars”, signed by 23 of the cast, many of whom write their character name or a playful note such as Carrie Fisher’s, ”I know…Did you?” All autographs are penned in silver felt-tip, showing excellent contrast against the black and silver photo. With Beckett COA for all signatures, including: Harrison Ford, Mark Hamill, Carrie Fisher, Peter Mayhew, Jeremy Bulloch, Dave Prowse, Gary Kurtz, Kenny Baker, Anthony Daniels, Paul Blake and Billy Dee Williams. Photo is framed with a ”Star Wars” plaque to a size of 27.625” x 26.75”. Near fine condition.

(7) SCHUMACHER OBIT. Batman Forever director Joel Schumacher died June 22.Variety paid tribute: “Joel Schumacher, Director of Batman Films and ‘Lost Boys,’ Dies at 80”.

Joel Schumacher, costume designer-turned-director of films including “St. Elmo’s Fire,” “The Lost Boys” and “Falling Down,” as well as two “Batman” films, died in New York City on Monday morning after a year-long battle with cancer. He was 80.

… Schumacher’s second and last film in the franchise was 1997’s “Batman and Robin,” with George Clooney as Batman and Arnold Schwarzenegger as villain Mr. Freeze. For “Batman Forever,” the openly gay Schumacher introduced nipples to the costumes worn by Batman and Robin, leaning into the longstanding latent homoeroticism between the two characters. (In 2006, Clooney told Barbara Walters that he had played Batman as gay.)

(8) MEDIA BIRTHDAY.

  • June 22, 1979 — Alien premiered. It would win the Hugo for Best Dramatic Presentation at Noreascon Two (which had Robert Silverberg as Toast Master). Released by  20th Century Fox, it was directed by Ridley Scott.  Screenplay was by Dan O’Bannon based on the story by Dan O’Bannon and Ronald Shusett.  It starred Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The Alien and its accompanying objects were designed by the Swiss artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the more mundane settings. Jerry Goldsmith was the composer. Critics loved the film, it did a great box office and the audience reviewers at Rotten Tomatoes give it a stellar 94% rating. (CE)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 22, 1856 – Sir Henry Rider Haggard.  Most famous for King Solomon’s Mines introducing Allan Quatermain, and She introducing Ayesha (yes, that’s She Who Must Be Obeyed); fifty more novels, some about him, her, or both; twenty shorter stories; translated into Dutch, Finnish, French, Galician, German, Italian, Portuguese, Serbian, Spanish.  Had 100 letters in The Times.  (Died 1925) [JH]
  • Born June 22, 1900 – Leo Margulies. Sometimes called the Giant of the Pulps, partly because he was physically short, partly because (it is said) he at one time edited 46 of them, including Captain Future, Startling, Strange, Thrilling Wonder; later Fantastic Universe and Satellite.  With Oscar Friend, co-edited My Best SF Story, From Off This World, The Giant Anthology of SF.  First reviver of Weird Tales, 1973.  By his nephew, Leo Margulies (P. Sherman, 2017).  (Died 1975) [JH]
  • Born June 22, 1927 – Lima de Freitas.  Ceramicist, illustrator, painter, writer.  Officer of the Order of Merit (France); Order of St. James of the Sword (Portugal).  A hundred eighty covers for us; here is Fahrenheit 451; here is The War Against the Rull; here is Foundation and Empire.  (Died 1998) [JH]
  • Born June 22, 1936 — Kris Kristofferson, 84. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium, which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistler in Blade and Blade II, a meaty undertaking indeed! Lastly, he voiced Karubi in Planet of the Apes. (CE)
  • Born June 22, 1947 – Octavia Butler.  Fourteen novels, nine shorter stories, two Hugos.  Translated into Bulgarian, Croatian, Dutch, French, German, Italian, Japanese, Portuguese, Spanish.  Guest of Honor at WisCon 4, OryCon V, LTUE 7 (Life, the Universe, and Everything), Eastercon 48, Lunacon 41, Balticon 34, Rustycon 21; Parable of the Sower was Book of Honor at Potlatch 17.  U.S. Air Force Academy Special Achievement Award.  MacArthur Fellowship (first SF author to receive this).  Solstice Award.  (Died 2006) [JH]
  • Born June 22, 1949 – John-Henri Holmberg.  Critic, editor, fan, translator.  Co-edited Science Fiction Forum.  Started first SF bookstore in Sweden.  Co-chaired Stockon 5 & 6.  Reporter for Science Fiction Chronicle.  Published Fandom Harvest.  European SF Award for Nova magazine.  Fan Activity Achievement (FAAn) Award for “Worldcon Kaleidoscope” (Trap Door 34).  Big Heart Award.  Guest of Honor at Swecon 14 (33rd Eurocon), at 75th Worldcon (Helsinki, 2017).  [JH]
  • Born June 22, 1949 — Meryl Streep, 71. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it. (CE) 
  • Born June 22, 1953 — Cyndi Lauper, 67. Ok, I’m officially old as I’m thinking of her as always young. Genre wise, she played a psychic, Avalon Harmonia, on the Bones series. She also has one-offs in series as diverse as The Super Mario Bros. Super Show!, Shelley Duvall’s Mother Goose Rock ‘n’ Rhyme and Happily Ever After: Fairy Tales for Every Child. Oddly enough she has one serious acting credit, Jenny (Ginny Jenny/Low-Dive Jenny) in Bertolt Brecht’s The Threepenny Opera. (CE)
  • Born June 22, 1958 — Bruce Campbell, 62. Where to start? Well, let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked just as much The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. (CE) 
  • Born June 22, 1971 — Laila Rouass, 49. She was Sarah Page, an Egyptologist on Primeval, a series I highly recommend if you’ve not seen it. She played Colonel Tia Karim, a traitorous UNIT officer in the two part “Death of The Doctor” on The Sarah Jane Adventures. This story was the last to feature Sarah Jane Smith and the Doctor, The Eleventh here, together onscreen. Jo Grant would also show up. (CE)
  • Born June 22, 1973 — Ian Tregillis, 47. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a rather good serial fiction anthology (if that’s the proper term) and he’s got another series, The Alchemy Wars, I need to check out.  (CE)
  • Born June 22, 1958 – Johanna Sinisalo.  Eight novels; forty shorter stories, two dozen for us; three anthologies, notably The Dedalus Book of Finnish Fantasy (i.e. in English); also comics, television; translated into English, French, German. Tiptree Award (as it then was).  Seven Atorox Awards.  Finlandia Prize. Guest of Honor at Worldcon 75.  [JH]
  • Born June 22, 1984 – Robert Bennett.  Nine novels, four shorter stories; translated into Bulgarian, Czech, French, German, Hungarian, Latvian, Polish, Romanian, Russian, Turkish.  Interview in Clarkesworld 64.  Two Shirley Jackson awards.  His Website is here.  [JH]

(10) COMICS SECTION.

(11) DIFFICULT QUIZ OF THE DAY. A Buzzfeed contributor throws down a challenge: “I Will Be Seriously Impressed If You Can Figure Out Whether These Are “Star Trek” Compounds Or Skincare Ingredients”. I scored 9 out of 20. Which earned me the Picard facepalm. Do better.

(12) MODDING UP. “My Kid Could Do That” by Elvia Wilk on the N Plus One magazine blog is a sf short story about augmented reality.

Today 60 percent of the American population, according to recent reports, possesses a database implant that allows a range of augments to be downloaded directly into the brain. The artificial intelligence can allow a person, for example, with no chiseling experience the ability to create a lifelike wooden sculpture. While there are no reliable statistics within the art world, a recent anonymous survey of working artists in New York City under 40 reported an above-average augmentation rate compared with the general population.

(13) JEMISIN ONLINE. N. K. Jemisin discussed her latest novel, The City We Became, with sociopolitical comedian W. Kamau Bell during a live virtual event held by the New York Public Library earlier this month. The video is now available.

(14) IF YOU CAN MAKE IT THERE. “Review: The City We Became by N K Jemisin” at Camestros Felapton.

…If you are immediately thinking of Neil Gaiman’s Neverwhere, then that’s not unreasonable but whereas Gaiman’s London is narrow, weird, convoluted and Victorian, Jemisin’s New York is loud, colourful and in your face. Whereas Neverwhere is a rabbit warren of a mystery, The City We Became owes more to superheroes, a genre that is as New York as they come. I can’t claim Jemisin has grasped that same sense of place as Gaiman did with London because I don’t know New York except through it’s own fictional depictions but it feels like it does.

The superhero comparison is not a shallow one. This is very much a story about a group of New Yorkers who each gain unique powers and who must find a way to fight a supernatural evil…

(15) FOR THE RECORD. [Item by Rob Thornton.] As the wheel turns and progressive rock begins to make a comeback once more, evidently the extravagant extra-long science fiction concept album must also return, as seen in this Bandcamp Daily review: “Neptunian Maximalism, ‘Éons’”

At 123 minutes and—in its physical form—three CDs long, Éons, the new album from Belgium’s Neptunian Maximalism, is unquestionably a massive work. Even so, the size and scale of the project—formed in 2018 by multi-instrumentalist Guillaume Cazalet and saxophonist Jean-Jacques Duerinckx—never feels unnecessary or extravagant as this aptly named collective uses the healthy runtime to explore heavy psych, tribal rhythms, free-jazz freakouts, meditative drone and the vast, shadowy spaces in between. Arriving in the wake of a four-song EP and a largely improvised live album that hinted at Neptunian Maximalism’s ambition, Éons fully delivers on those early promises. The sonic epic not only gives the band plenty of room to roam, but also follows a conceptual framework that imagines the end of Earth’s human-dominated anthropocene era and the onset of a ‘probocene’ era, in which the planet is ruled by superior, intelligent elephants.

(16) THE MIDDLE. [Item by Cat Eldridge.] Well it’s not The Monolith from that film… Atlas Obscura visits “The Center of Santa Clara Valley”.

ALONG COYOTE CREEK ON A far-flung San Jose, California trail, a mysterious plaque sits next to a bike path. At first glance, it appears to be entirely covered in ones and zeroes. But from a different angle, the words “Santa Clara Valley” are faintly visible, etched beneath the numbers.

The reason for the plaque’s strange location is that it marks the geographical center of the Santa Clara Valley, which may be more familiar by its other moniker: Silicon Valley. The numbers, as it happens, spell out three words in binary. 

(17) IN A HOLE IN THE GROUND. “Stonehenge: Neolithic monument found near sacred site” reports BBC.

A ring of large shafts discovered near Stonehenge form the largest prehistoric monument ever discovered in Britain, archaeologists believe.

Tests carried out on the pits suggest they were excavated by Neolithic people more than 4,500 years ago.

Experts believe the 20 or more shafts may have served as a boundary to a sacred area connected to the henge.

“The size of the shafts and circuit is without precedent in the UK,” said Prof Vince Gaffney, a lead researcher.

The 1.2 mile-wide (2km) circle of large shafts measuring more than 10m (30ft) in diameter and 5m (15ft) in depth are significantly larger than any comparable prehistoric monument in Britain.

(18) INCLUSIVE. “Is this the most accessible game ever?”

The first time Steve Saylor fired up the hotly-anticipated new game The Last of Us Part II, he burst into tears.

“Y’all don’t even know how much…” he says between sobs in his video of the moment, which has now had nearly half a million views.

“I’m sorry. I don’t even know what to say.”

Steve is legally blind, and was looking at the overwhelming accessibility options menu.

Courtney Craven, editor of accessibility-focused gaming site Can I Play That, is hard of hearing and has some motor-control issues, and had a similar reaction.

“The first thing I did upon launching [the game] for the first time was FaceTime a friend and cry,” she says.

The game has already been dubbed “the most accessible game ever”.

It has more than 60 different accessibility settings, allowing an unprecedented level of customisation and fine-tuning.

Every button can be changed, and one-handed control schemes are available by default.

Players like Courtney can turn on direction arrows on subtitles to indicate where the sound is coming from; players like Steve can outline characters and enemies in vivid colours.

(19) ROLL ‘EM IF YOU GOT ‘EM. NPR declares “The Latest Pandemic Shortage: Coins Are The New Toilet Paper”.

Just as supplies of toilet paper are finally getting back to normal, the coronavirus has triggered another shortage of something we typically take for granted: pocket change.

Banks around the U.S. are running low on nickels, dimes, quarters and even pennies. And the Federal Reserve, which supplies banks, has been forced to ration scarce supplies.

“It was just a surprise,” said Gay Dempsey, who runs the Bank of Lincoln County in Tennessee, when she learned of the rationing order. “Nobody was expecting it.”

Dempsey’s bank typically dispenses 400 to 500 rolls of pennies each week. Under the rationing order, her allotment was cut down to just 100 rolls, with similar cutbacks in nickels, dimes and quarters.

That spells trouble for Dempsey’s business customers, who need the coins to stock cash registers all around Lincoln County, Tenn.

“You think about all your grocery stores and convenience stores and a lot of people that still operate with cash,” Dempsey said. “They have to have that just to make change.”

…The U.S. Mint produced fewer coins than usual this spring in an effort to protect employees from infection. But the larger problem — as with many other pandemic shortages — is distribution.

During the lockdown, many automatic coin-sorting machines that people typically use to cash in loose change were off-limits. And with many businesses closed, unused coins piled up in darkened cash drawers, in pants pockets and on nightstands, even as banks went begging.

“The flow of coins through the economy … kind of stopped,” Powell said.

(20) VIDEO OF THE DAY. “Neil Gaiman on ‘Game of Thrones,’ Favorite Words, and Tattoos” on YouTube is a 2015 interview with WNYC where Gaiman explains that, given a choice between living in Game of Thrones or Lord of The RIngs, he’d choose a world with better plumbing.

[Thanks to JJ, Cat Eldridge, Michael Toman, Andrew Porter, Olav Rokne, John King Tarpinian, John Hertz, Mike Kennedy, Martin Morse Wooster, Darrah Chavey, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 12/12/19 You Ain’t Nothin’ But A Time Lord

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(1) MONSTER PRICE. Bernie Wrightson’s original wrap-around cover artwork for Frankenstein by Mary Wollstonecraft Shelley sold at auction today for $1 million dollars. The catalog description at the link claims —

…It can also easily be said that the 1983 Marvel publication of Mary Wollstonecraft Shelley’s Frankenstein is arguably the finest illustrated book of the second half of the 20th century. Originally written in 1818, the novel was later painstakingly illustrated over the course of nearly a decade by pen and ink master Bernie Wrightson. We are proud to offer here, what we consider the finest fantasy ink drawing of the 20th century, if not of all time….

(2) UNCERTAIN FUTURE. Editor Alex Shvartsman’s foreword in Future Science Fiction Digest issue 5 explains why it contains only about 20% of the wordage of previous issues – the launch funding from its Chinese partner has run out.

As Future SF enters its second year, we do so without a safety net.

Our first year’s run was sponsored by the Future Affairs Administration. Together we were able to publish a considerable amount of excellent international fiction, and we thank FAA for their help and support as the magazine launched and found its footing. While FAA is still considering their options regarding any future partnerships with us, at this moment they’re not affiliated with the magazine.

So, what does it mean for Future SF going forward? We aren’t going away, but we have to considerably scale back until we secure alternate funding, or follow the path of many other e-zines in our field and slowly build up a subscription and patron base.

I’m currently talking to the FAA, as well as to a couple of other companies, to see if we can work out another sponsorship or partnership. But even if that proves successful, it is a temporary solution. Only a substantial base of subscribers can ensure stable funding in the long term….

(3) IN TIMES THAT CAME. The Bookseller points to a realm of publishing where change is happening almost quicker than it can be predicted: “Voicing a revolution”.

“Voice tech” will be the next revolution. It’s hard to imagine in today’s text- and screen-based society, but voice recognition apps such as search, device control, shopping and social media will replace screens. It’s already here: only five years after inception, half of citizens in the developed world (47%) owns a smart speaker. How odd we were, the next generation will think, for our incessant tapping on little screens. Wearable tech such as Amazon’s Echo Loop (a small ring enabling you to whisper demands into your palm, and cup your ear for Alexa’s answer) gives a glimpse of the shape our future, with virtual assistants always at our disposal. No need to pull out your phone, even for a phone call. Audiobooks will be a beneficiary of the new generation of voice apps as spheres of our lives transition and we get used to the ease and convenience of voice, and brands have to offer aligned products. Audiobooks are part of the fabric of a healthier technology on the go, where screens play a small role. 

Every book published will be available as an audiobook. AI-driven Text-to-Speech apps for audiobook production will leap forward. The AI narrator could be a sampled actor, or a “designer voice” to match the book or brand….

(4) DOUBLE YOUR READING PLEASURE. Cora Buhlert suggests great holiday gifts for the sff readers of 1964 at Galactic Journey: “[December 11, 1964] December GalactoscopE”.

Personally, I think that books are the best gifts. And so I gave myself Margaret St. Clair’s latest, when I spotted it in the spinner rack at my local import bookstore, since I enjoyed last year’s Sign of the Labrys a lot. Even better, this book is an Ace Double, which means I get two new tales for the price of one. Or rather, I get six, because one half is a collection of five short stories.

First on her list —

Message from the Eocene by Margaret St. Clair (Ace Double M-105)….

 (5) FOR 10 YEARS WE’VE BEEN ON OUR OWN. At Nerds of a Feather, Adri Joy and Joe Sherry find nine books worthy of listing as the best of the past 10 years – plus six honorable mentions: “Adri and Joe Talk About Books: The Best of the Decade”. First up —

Range of Ghosts, by Elizabeth Bear (2012): Elizabeth Bear is something of a chameleon of a writer. Whether it is near future cyberpunk thrillers, urban fantasy, alternate historical vampire fiction, espionage, space opera, steampunk, a Criminal Minds meets the X-Files mashup, or epic fantasy – Bear can write it all.

Eschewing the trappings of the stereotypical European setting, Range of Ghosts is silk road epic fantasy – meaning that the novel has a more Mongolian flavor and has an entirely different cultural grounding than what is so often considered “traditional epic fantasy”. Bear pulls no punches in delivering a full realized and top notch epic with rich characterization and incredible worldbuilding. The magic and religion and battles of Range of Ghosts is handled with a deft touch and the best thing is that all of this is set up for something far larger. Range of Ghosts is Elizabeth Bear at the height of her considerable powers. (G’s Review) (Joe)

(6) THOSE OLD FAMILIAR HAUNTS. Emily Littlejohn, in “The Elements of the Haunted House: A Primer” on CrimeReads, says that haunted house mysteries work if they’re in the right place and have ghosts who are appealing but who didn’t die too young or too old.

…Of course, not all ghost stories feature a malevolent spirit intent on wreaking havoc on the living; there are some lovely novels that feature ghosts that are sad rather than mad, more unsettled than vengeful. Those books can be enjoyed in the bright light of day, perhaps with a nice sandwich and a glass of lemonade. But if you like your haunted houses a bit darker, a little less safe, read on for this writer’s perspective.

If I were to write a haunted house novel, I know where I would start: the setting. The canon practically demands a stately manor from the pages of a historical register or an architectural study, all turrets and gables and perhaps a few strange windows that seem a little too much like eyes. Long hallways, flickering light from an early electric bulb or a candle, rooms with furniture shrouded in sheets . . . and nooks, so many nooks, to hide in.

(7) ANCIENT ART. “44,000-Year-Old Indonesian Cave Painting Is Rewriting The History Of Art” – NPR says they know because they analyzed the calcite “popcorn” on a pig. (Say that three times fast.)

Scientists say they have found the oldest known figurative painting, in a cave in Indonesia. And the stunning scene of a hunting party, painted some 44,000 years ago, is helping to rewrite the history of the origins of art.

Until recently, the long-held story was that humans started painting in caves in Europe. For example, art from the Chauvet Cave in France is dated as old as 37,000 years.

But several years ago, a group of scientists started dating cave paintings in Indonesia — and found that they are thousands of years older.

“They are at least 40,000 years old, which was a very, very surprising discovery,” says Adam Brumm, an archaeologist at Australia’s Griffith University. He and his colleagues used a technique called uranium-series analysis to determine the paintings’ age. The oldest figurative painting in those analyses was a striking image of a wild cow.

These works had been known for years by locals on the island of Sulawesi — but Brumm adds that “it was assumed they couldn’t be that old.”

Since that big reveal, Brumm’s team — which he led with archaeologists Maxime Aubert and Adhi Agus Oktaviana — has been searching for more art in these caves. In 2017, they found something breathtaking — the massive hunting scene, stretching across about 16 feet of a cave wall. And after testing it, they say it’s the oldest known figurative art attributed to early modern humans. They published their findings in the journal Nature.

The BBC adds details: “Sulawesi art: Animal painting found in cave is 44,000 years old”.

The Indonesian drawing is not the oldest in the world. Last year, scientists said they found “humanity’s oldest drawing” on a fragment of rock in South Africa, dated at 73,000 years old.

…It may not be the oldest drawing, but researchers say it could be the oldest story ever found.

“Previously, rock art found in European sites dated to around 14,000 to 21,000 years old were considered to be the world’s oldest clearly narrative artworks,” said the paper in Nature.

(8) TODAY IN HISTORY.

  • December 12, 2014 — Bill The Galactic Hero premiered. Directed by Cox and a lot of friends, it likewise had a cast that was rather large. Yes it’s based on Harrison’s novel. Cox got the rights just after Repo Man came out. Costing just over a hundred thousand to produce, it got generally positive reviews and currently is not available anywhere for viewing. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 12, 1893 — Edward G. Robinson. His very last film was Soylent Green in which was he was Sol Roth. He shortly before that played Abraham Goldman in “The Messiah on Mott Street” on Night Gallery, and he shows up uncredited as himself in the “Batman’s Satisfaction” episode of Batman. (Died 1973.)
  • Born December 12, 1944 — Ginjer Buchanan, 75. Longtime Editor-in-Chief at Ace Books and Roc Books where she worked for three decades until recently. She received a Hugo for Best Editor, Long Form at Loncon 3. She has a novel, White Silence, in the Highlander metaverse, and three short stories in anthologies edited by Mike Resnick. And she’s a Browncoat as she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly.
  • Born December 12, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by Howard.  He is possibly best-known for his creation of Kane, the Mystic Swordsman.  (Died 1994.)
  • Born December 12, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other other writer such as Mecedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and  Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf.  Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago. (Died 2012.)
  • Born December 12, 1949 — Bill Nighy, 70. Yes he shows up as Dr. Black on Who in an Eleventh Doctor story, “ Vincent and the Doctor”. He’d make a fine Doctor, I’d say. He’s done a lot of other genre performances from the well-known Davy Jones in Pirates of the Caribbean franchise and Slartibartfast in The Hitchhiker’s Guide to the Galaxy, to the blink and he’s gone as he was as the ENT Doc in Curse of the Pink Panther.
  • Born December 12, 1961 — Sarah Sutton, 58. She’s best known for her role as Nyssa who was a Companion to both the Fourth and Fifth Doctors.  She reprised the role of Nyssa in the 1993 Children in Need special Dimensions in Time, and of course in the Big Finish audio dramas. She’s in The Five(ish) Doctors Reboot.
  • Born December 12, 1966 — Hiromi Goto, 53. Winner of the Otherwise Award for The Kappa Child. She followed that with two more SFF novels, The Water of Possibility and Half World, though it’s been a decade since the latter came out. Systems Fail, the 2014 WisCon Guest of Honor publication, highlighted her work and that of .K. Jemisin. Hopeful Monsters, her collection of early genre short fiction, is the only such work available digitally from her.
  • Born December 12, 1970 — Jennifer Connelly, 49. Her first genre outing wasn’t as Sarah Williams in Labyrinth, but rather in the decidedly more low-budget Italian horror film Phenomena.  She goes to be in The Rocketeer as Jenny Blake, and Dark City as Emma Murdoch / Anna, both great roles for her. I’m giving a pass to the remake of The Day the Earth Stood Still which she was involved in and not saying anything about it. Alita: Battle Angel in which she’s Dr. Chiren scores decently with audiences. 
  • Born December 12, 1976 — Tim Pratt, 43. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine Affliction, Bone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which if you’ve not tried it you should, and I’d recommend Little Gods as a good place to start. 
  • Born December 12, 1981 — C.S. E. Cooney, 38. She won the Rhysling Award for “The Sea King’s Second Bride” and a World Fantasy Award for her Bone Swans collection. She has what appears to be a very short novel out, Desdemona and the Deep, published by Tor.com. The latter and her collection are available digitally on Apple Books, Kindle and Kobo. 

(10) COMICS SECTION.

(11) WATCHMEN. In the LA Times, Lorraine Ali and Robert Lloyd dissent from praise the show has generally received: “Commentary: More manipulative than meaningful, ‘Watchmen’ has a ‘Lost’ problem”.

LLOYD: Lorraine, you steal thoughts from my head. (Are you Dr. Manhattan?) Yes, “Lost” is what I thought of too, though the apparent randomness of a polar bear on a tropical island was much more interesting than when they got around to an explanation. There’s an effective trickery when it comes to coincidence — they’re always spooky on some level — and “Lost” got a lot of mileage from repeating the same essentially meaningless sequences of numbers all over the damn place. (Fans spent an enormous amount of time puzzling the show out, even as, fundamentally, there was no puzzle.) In “Watchmen” it’s clocks and eggs and such, and a narrative that leans heavily on dark secrets and (not always) amazing reveals for its dramatic effects: X is the Y of Z!

It works on some primal level, yet it still feels more manipulative than meaningful to me. “Watchmen” is a lot tighter than “Lost” was, though; the circular systems have been obviously worked through in advance, where “Lost” was a festival of retconning.

(12) SEEKING TOMORROW. Steven Cave says, “The Futurium needs a bolder vision to show that we, technology and nature are one,” in his Nature review, “Lost in the house of tomorrow: Berlin’s newest museum”.

Thirty years ago, the future became passé. When the Berlin Wall fell in late 1989 and the communist regimes that hid behind it collapsed, political scientist Francis Fukuyama called the event “the end of history”. But he also cast it as the finale of the future: the end of imagining how things might be different. The utopian visions driving both communism and fascism had been discredited and defeated. They were to be replaced by an eternal ‘now’ that, in Fukuyama’s words, saw “Western liberal democracy as the final form of human government”.

… Overall, the Futurium succeeds best as a showcase for the shiniest aspects of the present. In this way, it resembles other tech-engagement centres, such as Science Gallery Dublin and its six sister venues around the world, or Tokyo’s National Museum of Emerging Science and Innovation. But it claims to be something more: a place for co-imagining alternative futures. To succeed, it will need to be bolder. Even though the Berlin landscape is dotted with monuments to failed ideologies, such as the Stasi Museum, history did not end when the wall fell. To imagine new futures, this museum must free itself from the conceptual frameworks of the past.

(13) STARBEGOTTEN. The Parker Probe’s investigation of the Sun takes scientists “A step closer to the Sun’s secrets”.

Although the Sun is quite near to us compared with other stars, it has always kept intriguing and fundamental scientific secrets from us. For instance, we still don’t know how the solar corona — the Sun’s outermost atmosphere — maintains temperatures in excess of one million kelvin, whereas the visible surface has temperatures of just below 6,000?K 

(14) AN OLD SELFIE. “Stonehenge 1875 family photo may be earliest at monument” – see that and many more photos shot at the ancient monument.

An 1875 photograph of a family dressed in finery enjoying a day out at Stonehenge may be the earliest such snap taken at the monument.

English Heritage asked people to send in their pictures to mark 100 years of public ownership of the stones.

After sifting through more than 1,000 images historians said they believed the photograph of Isabel, Maud and Robert Routh was the oldest.

It will be part of a new exhibition of personal photos titled Your Stonehenge.

…The exhibition shows how photography has changed – illustrated by “the way that people pose” and how “their faces have got closer to the camera until they are taking a picture of themselves more than they are of Stonehenge”, said Ms Greaney.

(15) WAY DOWN YONDER. Lots of juicy detail in BBC’s report — “Denman Glacier: Deepest point on land found in Antarctica”.

The deepest point on continental Earth has been identified in East Antarctica, under Denman Glacier.

This ice-filled canyon reaches 3.5km (11,500ft) below sea level. Only the great ocean trenches go deeper.

The discovery is illustrated in a new map of the White Continent that reveals the shape of the bedrock under the ice sheet in unprecedented detail.

Its features will be critical to our understanding of how the polar south might change in the future.

It shows, for example, previously unrecognised ridges that will impede the retreat of melting glaciers in a warming world; and, alternatively, a number of smooth, sloping terrains that could accelerate withdrawals.

“This is undoubtedly the most accurate portrait yet of what lies beneath Antarctica’s ice sheet,” said Dr Mathieu Morlighem, who’s worked on the project for six years.

(16) STEAL ME. Plagiarism Today tells how artists are “Battling the Copyright-Infringing T-Shirt Bots”.

…The exploit was actually very simple. Many of these unethical shops use automated bots to scour Twitter and other social media looking for users saying they want a particular image on the t-shirt and then they simply grab the image and produce the t-shirt, site unseen.

The artists exploited this by basically poisoning the well. They created artwork that no reasonable person would want on a shirt sold on their store and convinced the bots to do exactly that.

(17) OPENING A GOOD VINTAGE. Joe Sherry does a fine retrospective of this Connie Willis book at Nerds of a Feather: “The Hugo Initiative: Doomsday Book (1993, Best Novel)”. It tied for the Hugo, but Joe, by not saying which of the two books was really the best, avoids the mistake Your Good Host once made that launched a thousand ships Jo Walton into orbit. Sherry’s conclusion is:

…The thing about Doomsday Book is that it works. It is a masterful piece of storytelling that perhaps shouldn’t work as well as it does almost three decades later. It’s good enough that I want to read Fire Watch and the other three Oxford Time Travel novels sooner rather than later(though perhaps not specifically for The Hugo Initiative). The novel is a softer form of science fiction that uses time travel in a way that makes sense. No paradoxes, there is risk, and maybe don’t visit a time and place with bubonic plague. And really, who doesn’t want to read a novel where the protagonist is surrounded by bubonic plague and renders as much aid as she can?

(18) VIDEO OF THE DAY. In Vacation on Vimeo, Andrey Kasay looks at vacations that went out of control.

(19) VIDEO OF SOME OTHER DAY. The Mandalorian CHiPs intro. Think of Ponch and Jon long ago, in a galaxy far, far away.

[Thanks to JJ, Cat Eldridge, Daniel Dern, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Contrarius, SF Concatenation’s Jonathan Cowie, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Houndog” Dern.]

Pixel Scroll 8/7/19 The Files Of Master Scroll And Number Ten Pixel

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(1) WHITE AWARD LONGLIST. The James White Award’s 2019 longlisted stories have been posted – titles only, not author names yet: “judging is still going on and we want to preserve anonymity as part of the selection process.” They received 355 submissions.

The James White Award Short Story Competition was established in 2000. It is open only to non-professional writers and offers them the opportunity to have their work published in Interzone,

(2) SF IN CHINA. Derek Künsken’s news-filled “SF in Beijing Report” for Locus Online tells about his visit to Another Planet Science Fiction Convention this past May.

It’s interesting to try to understand where Chinese science fiction conferences are coming from and why this one in particular is being led by a multi-media SF company. I chatted with Ji Shaoting, the CEO of FAA. She’s a former journalist at the Xinhua news Agency who later co-founded Guokr, a massive Chinese-language pop-science website with a few stories, and pop-culture blog, and a fan club called Future Affairs Administration. Her work with FAA and Guokr caught the attention of an investor who wanted to create a repository of IP that could be developed into movies, TV, games, etc., because he “believes in the imagination industry.” FAA transitioned from a fan club into a company whose business goals are publishing SF and developing new Chinese writers.

(3) GOOD NEIGHBOR POLICY. The Addams Family animated movie comes to theaters October 11.

Get ready to snap your fingers! The first family of Halloween, the Addams Family, is back on the big screen in the first animated comedy about the kookiest family on the block. Funny, outlandish, and completely iconic, the Addams Family redefines what it means to be a good neighbor.

(4)NEW ZEALAND ENTRANCE CHANGES. The CoNZealand (2020 Worldcon) blog has notified readers there will be “New entrance requirements for New Zealand from 1 October”.

Entrance requirements to New Zealand (NZ) are changing on 1 October 2019. Please read these instructions carefully, even if you have travelled to NZ before.

The key change is that New Zealand is introducing a pre-travel electronic authorisation process, called an NZeTA (New Zealand Electronic Travel Authority). This authorisation must be obtained in advance of travel, and will apply to many citizens of countries included in the Visa Waiver programme, including the United States of America, the UK and most European countries (full list here)….

There is additional information in the full post.

(5) DON’T WASTE A MOMENT. Heritage Auctions’ Intelligent Collector interviews sff art collector Glynn Crain in  “Amazing Sci-Fi Story”. The Glynn and Suzanne Crain Science-Fiction Collection goes under the hammer August 13-14.

If Glynn Crain has a tip, it is don’t ignore late-night phone calls. Especially if you are a collector.

Crain vividly recalls the evening several years ago that he and his wife came home from the movies. “It was about 10 o’clock and a friend of mine had left a message. ‘Hey Glynn, give me a call when you get a chance.’ I didn’t call him back until the next evening. I didn’t think there was any urgency. Well, there was urgency and when he couldn’t get ahold of me, he picked up the phone and called someone else and the painting sold instantly.”

The friend’s find was a painting by famed illustrator Stanley Meltzoff, who in the 1950s created dozens of covers for novels by science-fiction author Robert Heinlein and others. “[Meltzoff] influenced a host of illustrators that came later,” Crain says, “people like Paul Lehr, Vincent Di Fate, and on and on. He’s revered. It was a painting I would dearly love to have, a fantastic example.

“It’s in a good home now,” says Crain, 63, who knows the collector who acquired the painting. “But that was definitely the one that got away. There’s a saying: ‘You don’t regret the art you buy. You regret the art that you don’t buy.’ For some reason, you thought it was too expensive or you just couldn’t come to terms with the person who had it or the timing wasn’t right or maybe you didn’t have the money. It’s always the things you pass on that you really regret. That was something I learned quickly.”

(6) HOGGING THE LIMELIGHT. Let Alexandra Erin sing it for you —

(7) RED INK. Fortunately, Disney’s been recording billion dollar ticket sales from several hits, because the company took a bath on Dark Phoenix. Yahoo! Finance reports“‘Dark Phoenix’ was a giant bomb that hurt Disney earnings”

And yet, “These improvements were partially offset” by a loss from the 21st Century Fox (21CF) business. And the loss at 21CF was “driven by the performance of ‘Dark Phoenix,’ for which we also recorded a film cost impairment.”

(8) NUTTALL OBIT. Early UK fan Stanley Nuttall (1926-2019) died April 26. He was a former Chairman of the Liverpool Science Fiction Society and the British Interplanetary Society. He was made a Knight of St. Fantony at Cytricon III (1957). Dave Kyle quoted Nuttall quite extensively in his Mimosa article “The Noble and Illustrious Order of St. Fantony”.

(9) TODAY IN HISTORY.

  • August 7, 1942 — Invisible Agent premiered.
  • August 7, 1953 — Spaceways debuted.
  • August 7, 2012 — The Curiosity Rover landed on Mars at Bradbury Landing.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 7, 1933 — Jerry Pournelle. Yes, I read his Byte column. And much of his Janissaries series and more than a bit of his CoDominium work as well but I’ll hold that his best work was The Mote in God’s Eye that he co-authored with Niven. The follow-up, The Gripping Hand, wasn’t nearly as good unfortunately. (Died 2017.)
  • Born August 7, 1936 — Richard L. Tierney, 83. A Lovecraftian scholar. Coauthored with David C. Smith, a series of Red Sonja novels which have Boris Vallejo cover art . Some of his standalone novels riff off the Cthulhu Mythos. Unless you read German, he’s not available digitally on either iBooks or Kindle. 
  • Born August 7, 1957 — Paul Dini, 62. First, he’s largely responsible for the existence  of Batman: The Animated Series, Superman: The Animated Series, The New Batman/Superman Adventures, Batman Beyond, Justice League, and yes, Duck Dodgers And Tiny Toons as well which are superb, too. He’s recently been writing for the Ultimate Spider-Man series which is quite good. He co-authored with Pat Cadigan Harley Quinn: Mad Love.
  • Born August 7, 1960 — David Duchovny, 59. Obviously, Fox Mulder on X-Files. Now, has he done any other genre? Well he was Dr. Ira Kane in Evolution, a comic SF film, and then there’s Denise Bryson, formerly Dennis Bryson, played by him, who’s a transgender DEA agent on the Twin Peaks series. He also voices Ethan Cole in Area 51, a first person video game shooter. 
  • Born August 7, 1960 — Melissa Scott, 59. I think the first work I read by her was Trouble and Her Friends which holds up well even now. I’m also fond of Night Sky Mine and The Jazz. I see she has an entire series set in the Stargate Atlantis universe. 
  • Born August 7, 1964 — A. J. Hartley, 55. His Steeplejack is not only really well-written but has an interesting conception as he tells here. Though written for the Tor Teen line, I recommend it as it’s a fun series. Well fun as dystopias go. 
  • Born August 7, 1975 — Charlize Theron, 44. She surprised me by being in a number of genre films including 2008), Snow White and the Huntsman and The Huntsman: Winter’s War (which are both quite superb), Prometheus, Mad Max: Fury Road, The Addams Family as Mortica Adams, The Devil’s Advocate, Æon Flux in  Æon Flux, the narrator of Astro Boy and her first film, Children of the Corn III: Urban Harvest, a horror film I suspect she’d prefer everyone forget. She played Pria Lavesque on The Orville in the episode called, errr, “Pria”.
  • Born August 7, 1978 — Cirroc Lofton, 41. Jake Sisko on Deep Space Nine which I still consider the best Trek series to date, though Discovery is now my second favorite series. Lofton btw, like many performers on all of the series, has shown up in the fan-made video series. He’s played Jacob, no last name, on two part “Requiem” of Star Trek: Renegades. Presumably the name change was because he didn’t have permission to appear as his Trek character. And he played Sevar on Star Trek: Of Gods and Men, another such endeavor.  
  • Born August 7, 1979 — Eric Johnson, 40. Scifi’s Flash Gordon on the series of that name that they aired from August 10, 2007 to February 8, 2008. Look, I’m used to Flash Gordon series that are nearly a century old so I had no idea no one had been done recently. Anyone see this?

(11) THE DRAGONS HATCH. Fast work! Mere hours after the ballot went live Cora Buhlert posted an epic analysis of the Dragon Awards nominees in “The 2019 Dragon Award Finalists: Mainstream Respectability at Last?”

So the Dragon Awards finally seem to be moving towards what they were supposed to do, namely reward broadly popular works in a variety of genres. Indies and eager self-promoters can still grab slots in the less popular down ballot categories, but except for military science fiction they no longer dominate any one category. Chris Kennedy still managed to grab a few slots for his publishing outfit, but then maybe he is one of the few who still care. Meanwhile, the 20Booksto50K/LMBPN Publishing folks are notable by their complete absence. There are a few puppy/puppy adjacent authors, but most of them have fanbases beyond the puppy bubble. And indeed, Camestros Felapton dug up Brad Torgersen’s reaction to the ballot and a list of which finalists he considers the relevant ones. It’s about the names you’d expect except for Philip Ligon, who’s notable by his absence.

(12) THE ORIGINAL CRASHLANDERS. Meanwhile, could tardigrades be hibernating on the Moon for however long it takes for us to get up there and terraform it? The Guardian speculates “Tardigrades may have survived spacecraft crashing on moon”.

The odds of finding life on the moon have suddenly rocketed skywards. But rather than elusive alien moonlings, the beings in question came from Earth and were spilled across the landscape when a spacecraft crashed into the surface.

The Israeli Beresheet probe was meant to be the first private lander to touch down on the moon. And all was going smoothly until mission controllers lost contact in April as the robotic craft made its way down. Beyond all the technology that was lost in the crash, Beresheet had an unusual cargo: a few thousand tiny tardigrades, the toughest animals on Earth.

(13) LIKE FOSSILIZED SPACESHIPS. In last week’s Science — “Fossils show large predator prowled Cambrian sediments”.

In the summer of 2018, palaeontologists hammering away at 500-million-year-old rocks high in the Canadian Rockies turned up hundreds of specimens of an unknown but evidently hyperabundant creature. With a hand-size carapace that looks like it was sketched out in science fiction concept art,the diggers nicknamed it “the spaceship.” Now, they’ve given the creature its first scientific description and a name: Cambroraster falcatus—after the famed Millennium Falcon starship from Star Wars. 

(14) DINNER IS SERVED. Contrary to popular belief, carnivorous cats and canines probably didn’t hunt the same limited pool of prey — “Fossils Reveal Why Coyotes Outlived Saber-Toothed Cats” in the Smithsonian.

…Per CNN’s Ashley Strickland, the scientists’ research pinpoints a different explanation for S. fatalis and other giant cats’ demise, positing that factors, including climate change and an uptick in nearby human populations, precipitated the species’ eventual extinction. (The team is collaborating on a second study with experts across six institutions to further refine these causes, Chrissy Sexton notes for Earth.com.)

Smaller predators such as coyotes and grey wolves, on the other hand, weathered harsh conditions by adapting to the times. As DeSantis tells National Geographic’s John Pickrell, “When the large predators and prey go extinct, not only do [the smaller animals] shrink, but they fundamentally change their diet and start scavenging to become the opportunists we know today.”

(15) NOVEL: ENDORSEMENT. Here’s the plug on the cover of JDA’s next book: “’Could be the most dangerous sci-fi novel of my lifetime. Read it before it’s banned.’ – MIlo Yiannopoulos.” Jon is sure I’ll want to pick that up the first day.

(16) GREASED LIGHTNING. “Stonehenge: Neolithic People Moved Enormous Rocks Using Pig Fat for Lubrication, Archaeologist Says” – Newsweek has the story.

…In a study published in February, researchers examined how the stones were quarried. They suggested the Neolithic people may have constructed a platform to excavate the rocks, then used wooden levers to lower the rocks onto a wooden sledge that could then have been “hauled away with ropes.”

The largest of the stones, known as the sarsen trilithons, are over 25 feet in height and weigh over 30 tons. These were moved from a site 18 miles away.

Researchers have also previously suggested these sledges were greased to help move them along—past experiments show the most efficient way to transport them would be a greased timber slipway. However, physical evidence to back this up was lacking—the logs used for the sledges are unlikely to have been preserved.

In a study published in Antiquity, Shillito, from the U.K.’s Newcastle University, has said fat residues found on pottery near Stonehenge may help back the greased sled theory….

(17) ALL RISE. Surprisingly, it worked: “The ancient Egyptian yeasts being used to bake modern bread”.

The yeast microbes had been asleep for more than 5,000 years, buried deep in the pores of Egyptian ceramics, by the time Seamus Blackley came along and used them to bake a loaf of bread.

An amateur Egyptologist and one of the inventors of the Xbox game console, he’s also a keen hobby baker who routinely posts pictures of his breadmaking projects on social media.

He has, he admits, made his fair share of “horrible, rock-like loaves”. But this experiment was in a different league altogether.

The first step was to extract the yeast without destroying the vessels where it was held. With the help of archaeologist Dr Serena Love, Mr Blackley gained access to the collections of Egyptian beer- and bread-making vessels held in two museums in the US city of Boston.

(18) POLLY WANNA KLINGON? It could have eaten them for snacks: “Ancient parrot in New Zealand was 1m tall, study says”.

A giant parrot that roamed New Zealand about 19 million years ago had a height of 1m (3ft 2in) – more than half the average height of a human, a new study has found.

The remains of the parrot were found near St Bathans in New Zealand’s southern Otago region.

Given its size, the parrot is believed to have been flightless and carnivorous, unlike most birds today.

…”There are no other giant parrots in the world,” Professor Trevor Worthy, a palaeontologist at Flinders University in Australia and lead author of the study, told the BBC. “Finding one is very significant.”

The Smithsonian calls it “Squawkzilla”.

(19) END OF THE TRIAL. BBC tells how “Franz Kafka papers lost in Europe but reunited in Jerusalem”.

The National Library [Israel] unveiled the documents after years of international searches and legal disputes.

It was left the collection in 1968 by Max Brod, the friend who Kafka had trusted to burn his writings after his death in the 1920s

But Brod refused, later going on to publish them instead.

Brod then left the papers to the National Library of Israel in his will.

However, after he died in 1968 they disappeared – eventually sparking a hunt which led investigators to Germany, Switzerland, and bank vaults in Israel.

It was, the National Library’s spokeswoman Vered Lion-Yerushalmi said, a story which was in itself “Kafkaesque”.

The final batch, which has just been sent to Jerusalem, had spent decades stored in vaults at the headquarters in Zurich of Swiss bank UBS.

(20) COLLATERAL DAMAGE. NPR explains why it’s crackers to slip a wild wasp the dropsy in snide: “New Evidence Shows Popular Pesticides Could Cause Unintended Harm To Insects”.

Consider, for a moment, the circuitous journey of the insecticide called thiamethoxam, on its way to killing a wild wasp.

Alejandro Tena, a researcher at the Valencia Institute of Agricultural Research, in Spain, mixed the chemical into water used to irrigate clementine trees. This is a common practice among citrus farmers. As intended, the tree roots absorbed the insecticide, and it spread throughout the trees’ branches and leaves.

A mealybug landed on the clementine tree, bit through the bark, and began feeding on tree sap underneath. The bug ingested traces of the insecticide. This, in fact, is how thiamethoxam is supposed to work.

Unfortunately, though, the pesticide’s journey wasn’t over. Traces of it showed up in a sticky, sugary, substance called honeydew that the mealybugs excrete. Honeydew is an important food for other insects, such as wasps and hoverflies. In Tena’s experiments, wasps and hoverflies that fed on this contaminated honeydew died in large numbers. Wasps and hoverflies are a fruit grower’s friends, because they help to fight harmful insects.

Tena’s study, published this week in the Proceedings of the National Academy of Sciences, is just the latest evidence that a family of pesticides called neonicotinoids, sometimes just called “neonics,” can pose risks to the insect world that are not fully understood.

(21) VIDEO OF THE DAY. “Retrobites:  Hanna Barbera (1961) CBC” on YouTube is an excerpt from a 1961 Canadian Broadcasting Corporation documentary in which Bill Hanna and Joe Barbera explained how an episode of “The Flintstones” was made.

[Thanks to Mark Hepworth, Martin Morse Wooster, Mike Kennedy, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Cat Eldridge, JJ, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/8/19 Only The True Pixel Denies His Scrollability!

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(1) KAY Q&A. “A Collision of History and Memory: Guy Gavriel Kay Discusses His New Novel A Brightness Long Ago” at the B&N Sci-Fi & Fantasy Blog.

In a letter you wrote that was attached by the publisher to advance copies of A Brightness Long Ago, you note that we are psychologically and neurologically programmed to internalize the memories from our teens until our mid-twenties more intensely than any other time of life, a fact that is an underpinning to this book. Do you care to expand on that thought?
There’s a wry aspect to this, as my psychoanalyst brother (to whom this book is dedicated) mentioned this to me 15 or so years ago! When I started writing this novel, using as one of the point of view characters—a man looking back on events form his twenties that loom large for him—that conversation came back from my memory! I asked my brother and he sent some scholarship on the subject.

(2) WATCHMEN TEASER. Time is running out – but for what?

Tick tock. Watchmen debuts this fall on HBO. From Damon Lindelof, Watchmen is a modern-day reimagining of Alan Moore’s groundbreaking graphic novel about masked vigilantes.

(3) NEW RUSS PROFILE. Gwyneth Jones, winner of two World Fantasy Awards, the Arthur C. Clarke Award, and the SFRA Pilgrim award for lifetime achievement in SF criticism, will have a new book out in July — Joanna Russ (University of Illinois Press).

Experimental, strange, and unabashedly feminist, Joanna Russ’s groundbreaking science fiction grew out of a belief that the genre was ideal for expressing radical thought. Her essays and criticism, meanwhile, helped shape the field and still exercise a powerful influence in both SF and feminist literary studies.

Award-winning author and critic Gwyneth Jones offers a new appraisal of Russ’s work and ideas. After years working in male-dominated SF, Russ emerged in the late 1960s with Alyx, the uber-capable can-do heroine at the heart of Picnic on Paradise and other popular stories and books. Soon, Russ’s fearless embrace of gender politics and life as an out lesbian made her a target for male outrage while feminist classics like The Female Man and The Two of Them took SF in innovative new directions. Jones also delves into Russ’s longtime work as a critic of figures as diverse as Lovecraft and Cather, her foundational place in feminist fandom, important essays like “Amor Vincit Foeminam,” and her career in academia.

(4) ORIGINAL QUESTIONS. The Powell’s City of Books site scored an interview with Ted Chiang about his new collection — “Powell’s Q&A: Ted Chiang, Author of ‘Exhalation'”

What do you care about more than most people around you?
In the context of speculative fiction, I think I’m atypically interested in the question of how do the characters in a story understand their universe. I’ve heard some people say that they don’t care about the plausibility of an invented world as long as the characters are believable. To me these aren’t easily separated. When reading a story I often find myself thinking, Why has no one in this world ever wondered such-and-such? Why has no one ever asked this question, or attempted this experiment? 

(5) ALL ALPHABETS ARE OFF. R.S. Benedict, who’s made several quality appearances in F&SF, has a new podcast, Rite Gud, talking about writing issues. The first episode is: “This Garbage Brought to You By the Letters S-E-O: How Google Is Ruining Writing”.

If you’ve been on the internet for a while, you may have heard about SEO, or “Search Engine Optimization.” But do you know what SEO really is — and the effect it has on writing? While some SEO tips are good — like citing your sources with added external links! — others make writing stilted and awkward. (For example, have you noticed how many times “SEO” has appeared in this paragraph?)

We all want to be seen. One of the most important ways is via Google, is it worth it if it makes your writing stiff? And do you have any other options? Or are we all stuck on the same hamster wheel, using the same techniques to try to rise above the din?

(5b) TOP OF THE POLL. Congratulations to Michael A. Burstein, who has been re-elected to the Brookline (MA) Board of Library Trustees for a sixth term. He notes, “Although the race was uncontested, the unofficial results indicate that I came in first among the four of us running this year, for which I thank everyone who voted for me.”

(6) RUSCH KICKSTARTER. Kristine Kathryn Rusch’s Kickstarter appeal for The Diving Universe funded the first day, now they’re raising money to meet the stretch goal. JJ got me reading these, so I had to chip in —

…Two years ago, I realized that before I could write the next book about Boss, though, I needed to figure out what happened in the past, long before any of my current characters were born. 

So…I started what I thought was a short story. It became a 260,000 word adventure novel called The Renegat, because I can’t do world-building without telling a story.

…Everyone who backs this Kickstarter at the $5 and above will receive an ebook of The Renegat. 

The Kickstarter also gave me an excuse to assemble two books of extras—unfinished side trails, some from The Renegat, and many from earlier books, along with some essays about the entire project.

Of course, backers at the higher levels will get the hardcovers of the series as we complete them. And there are some other fun things here as well. You can get some of the lectures I’ve done for WMG Publishing about writing, or you can join the monthly Ask Kris Anything sessions. Those are live webinars, and you can ask questions about Diving to your heart’s content.

If we make our $5,000 stretch goal, every backer will get a copy of the novella, “Escaping Amnthra,” which is a side story that couldn’t fit into the novel. (“Escape” stands alone as well.)

(7) ROMANCE AWARDS. An array of Romance Writers of America awards have been announced. The award recipients will be recognized at the 2019 RWA Conference in New York.

2019 RWA Award Recipients

  • RWA Lifetime Achievement Award: Cherry Adair
  • RWA Emma Merritt Service Award: Dee Davis
  • RWA Service Awards: Courtney Milan, Gina Fluharty, Barbara Wallace
  • RWA Vivian Stephens Industry Award: Mark Coker, Founder & CEO, Smashwords
  • RWA Cathie Linz Librarian of the Year: Stephen Ammidown, Manuscript & Outreach Archivist, Browne Popular Culture Library, Bowling Green State University
  • RWA Steffie Walker Bookseller of the Year: Michelle Mioff-Haring, Owner, Cupboard Maker Books
  • RWA Veritas Award: “Meet The Women Who Are Building A Better Romance Industry” by Bim Adewunmi

Hey – I actually used the pop culture library at BGSU when I went there eons ago!

(8) ANCIENT CLONE. The Arthur C. Clarke Center for the Human Imagination hosts “Neanderthal Among Us? Science Meets Fiction: A Discussion of the Motion Picture William” on May 13 at UCSD from 5:30-8:30 p.m. RSVP Required – full details here.

Join the UC San Diego Stem Cell Program, the Center for Academic Research and Training in Anthropogeny, OnePlace, and the Arthur C. Clarke Center for Human Imagination for a free screening of the film William, which tells the story of what happens when two scientists clone a Neanderthal from ancient DNA and raise him in today’s world. Following the film, a panel will explore the scientific and ethical questions the film raises.

About the Film William

Star academics Doctors Julian Reed and Barbara Sullivan, fall in love with each other and with the idea of cloning a Neanderthal from ancient DNA. Against the express directive of University administrators they follow through on this audacious idea. The result is William: the first Neanderthal to walk the earth for some 35,000 years. William tries his best to fit into the world around him. But his distinctive physical features and his unique way of thinking–his “otherness”–set him apart and provoke fear. William’s story is powerful and unique, but his struggle to find love and assert his own identity in a hostile world is universal–and timeless.

(9) TWO SCOOPS OF ALASDAIR STUART. Alasdair Stuart’s latest column for Fox Spirit, “Not The Fox News: Don’t Be Nelson”, talks about how emotional engagement, especially when so many major story cycles are starting to end, is both a good thing and to be encouraged.

About once a decade, everything lines up. A half dozen major cultural juggernauts all come into land at about the same time and some poor soul is paid to write the ‘GEEK CULTURE IS OVER. WE SHALL NEVER SEE ITS LIKE AGAIN’ piece. Hey if the check clears and the piece doesn’t hurt anyone, go with God. We’re in one of those times now. Game of Thrones has under half its super short final season to go. Avengers Endgame is all over theaters everywhere and the ninth core Star Wars movie has been confirmed as the end of the Skywalker saga. If this was a concert, we’d officially be into the ‘Freebird’, ‘Hotel California’, ‘Thrift Shop’, ‘Single Ladies’ phase of the night.

These are emotional times….

Stuart has also joined the Ditch Diggers team with a new monthly column. The first one takes a look at the massive ructions in podcasting at the moment and the lessons writers can take from that. “Welcome to the Montage, Now Stare at a Test Tube”. 

…So let’s break this down. First off, Luminary is a new podcast streaming platform that launched a few months ago with a ton of exclusive titles and a ton of money, very little of which they seem to have spent on a public relations department. The idea is that they are ‘the Netflix of podcasts’, which presumably doesn’t mean:

‘We’re sustained by the physical library system that no one expected to live this long and it takes two years for us to get the new season of Brooklyn Nine-Nine’.

Instead, the idea is that Luminary will feature forty or so podcasts which are only available through it’s app, most of which are fronted by celebrities.

How you feel about this really depends on how you feel about ‘famous person has some thoughts’ style shows.

(10) COHEN OBIT. The SFWA Blog announced that scientist Jack Cohen (1933-2019) died May 6.

Cohen primarily worked in the field of reproductive biology….  

As a science fiction fan, Cohen found himself advising many authors, including Anne McCaffrey, Larry Niven, David Gerrold, Jerry Pournelle, and Harry Harrison.  He teamed with Ian Stewart and Terry Pratchett wrote four volumes in the Science of Discworld series, the first of which earned the three authors a Hugo Nomination for Best Related Book.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 8, 1937 — Thomas Pynchon, 82. Ok I’m confused. I’ve not read him so I’m not at all sure which of his novels can be considered genre. Would y’all first enlighten to which are such, and second what I should now read. ISFDB certainly doesn’t help by listing pretty much everything of his as genre including Mason & Dixon which though post-modernist isn’t genre.
  • Born May 8, 1938 — Jean Giraud. Better to y’all as Moebius. He contributed storyboards and concept designs to myriad science fiction and fantasy films including Alien, The Fifth Element, The Abyss and the original Tron film. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune. Oh, I would’ve loved to have seen that!  And no, I’m not forgetting his work on both Heavy Metal and Marvel Comics, but I’ll let you detail those endeavours. (Died 2012.)
  • Born May 8, 1940 — Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film, as was White Shark, which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
  • Born May 8, 1947 — Susan Casper. Editor and author, married to Gardner Dozois until her death.  Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper which was edited just after her death by her husband is as its title states a complete collection of her short fiction. She was co-editor with him of the Ripper! and Jack the Ripper anthologies. (Died 2017.)
  • Born May 8, 1954 — Stephen Furst. The saddest part of doing these Birthdays is discovering how many folks have died that I reasonably expected were still living. He died of complications from diabetes at a far too young age. You know most likely Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon Storm, Path of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. (Died 2017)
  • Born May 8, 1963 — Michel Gondry, 56. French director, screenwriter, and producer of such genre as Eternal Sunshine of the Spotless Mind  (love that film), The Green Hornet (on the other hand, I deleted this from my .mov files after watching fifteen minutes of it) and The Science of Sleep (which I had not heard but sounds interesting.) 
  • Born May 8, 1981 — Stephen Amell, 38. He’s known for portraying Oliver Queen / Green Arrow In Arrowverse. Ok I have a confession. I can either read or watch series like these. I did watch the first few seasons of the Arrow and Flash series. How the Hell does anybody keep up with these and set aside a reasonable amount of time to do any reading?  Seriously the amount of genre on tv has exploded. I’m watching Star Trek, Young Justice and Doom Patrol which is quite enough, thank you.

(12) COMICS SECTION.

  • Brevity crams several horrendous puns into this one-frame, LOTR-inspired cartoon.

(13) SPOILERS ASSEMBLE! The putative Endgame spoiler ban has been lifted by the Russo brothers, and Yahoo! Entertainment has a roundup of special tweets from the cast: “‘Avengers: Endgame’ cast reveals treasure trove of behind the scenes footage as spoiler ban lifts”.

The cast of Avengers: Endgame have had to sit on a ton of spoilers for years, with much of the filming on the Marvel mega-blockbuster dating all the way back to 2017.

Directing duo Joe and Anthony Russo have now lifted the ban on discussing spoilers from the film, so many of the cast members have been unveiling some of their illicit behind-the-scenes pictures and videos.

There are, of course, Avengers: Endgame spoilers ahead…

(14) ATWOOD. Tyler Cowen had Margaret Atwood on his Conversations With Tyler podcast: “Margaret Atwood on Canada, Writing, and Invention”. Atwood discusses Hag-Seed, her take on The Tempest, at the 10 minute mark.  She explains why she started writing The Handmaid’s Tale in West Berlin in 1984, and her love of H.G. Wells’s The Island of Dr. Moreau.  Audience questions coming in at the 55-minute mark about her Handmaid’s Tale sequel The Testaments, coming in September, why she likes the YouTube video “At Last, They’ve Made A Handmaid’s Tale for men,” and how readers figured out Offred’s last name.

(15) THIS IS YOUR BRAIN ON POKÉMON. Ars Technica reports players have unexpected anatomical development: “Pokémon characters have their own pea-sized region in brain, study finds”.

…It’s well known that human beings are remarkably adept at visually recognizing faces, words, numbers, places, colors, and so forth thanks to a constellation of regions—small clusters of neurons about the size of a pea—in the temporal lobe, located just behind the ears. Those regions show up in the same place in most people, despite differences in age, sex, or race. There’s even a so-called “Jennifer Aniston neuron,” (aka the “grandmother cell“) discovered by a UCLA neuroscientist in 2005, whose primary purpose seems to be to recognize images of the famous actress. Similar neurons have also been found for other celebrities like Bill Clinton, Julia Roberts, Halle Berry, and Kobe Bryant.

“This is quite remarkable, and it’s still an open mystery in neuroscience why these regions appear exactly where they do in the brain,” said co-author Jesse Gomez, a postdoc at the University of California, Berkeley, who conducted the experiments while a grad student at Stanford University. One way to answer this question, and determine which of several competing theories is correct, is to study people who, as children, had a unique experience with a new type of visual stimulus. If those people were shown to have developed a new brain region dedicated to recognizing that new object class, that would offer useful insight into how the brain organizes itself.

The catch: it would take many hours of laboratory practice with any new visual stimulus for there to be any measurable effect. But “I realized that the 1990s had already done it for me,” said Gomez. “I grew up playing Pokémon. The game rewards kids for individuating between hundreds of similar-looking Pokémon.” The game is also played primarily during childhood, a “critical window” period where the brain is especially plastic and responsive to experience. He reasoned it might be possible that passionate Pokémon players like his childhood self would have developed a new brain region in response to that experience. So he applied for a seed grant to test that hypothesis.

(16) BDP PLAYOFFS. Time is out of joint in Camestros Felapton’s review post, “Hugo 2019 Best Dramatic Long etc Round-up”.

…Bless its mega-crossover heart but Avengers: Infinity War is not a serious contender for the best science-fiction film of 2018. It is a notable bit of film making but it’s rather like what ends up on your plate when you* visit a really nice buffet — lots of tasty things but not a carefully constructed dining experience. I get why it’s here instead of Thor: Ragnarok but Thor 3 was a better contender as a sci-fi movie.

That leaves a face-off between Black Panther and Spider-Man. Both are visual treats. Spider-verse pulls off the remarkable feat of creating yet another reboot of Spider-Man as a film character in a way that makes me genuinely excited (doubly remarkable as the MCU version of Spidey was pretty good too)….

(17) HUGO REVIEWS, Here are links to three more sets of 2019 Hugo nominee reviews.

Steve J. Wright’s Best Novella Hugo Finalist reviews are online:

Bonnie McDaniel has completed her Best Novel Hugo Reviews at Red Headed Femme.

Peter Enyeart has posted a set of “2019 Hugo picks: Short stories” at Stormsewer.

(18) RISK. “Think Women Aren’t Big Risk Takers? These Chinese Girls Buck The Stereotype” – NPR has the story.

Many studies have found that women aren’t as willing as men to take risks. And so they may shy away from riskier investments or career choices, missing out on the rewards that can come from taking big chances.

The perennial question: Why? Is it nature or nurture?

…Elaine Liu, an economist at the University of Houston, …and co-author Sharon Xuejing Zuo at Fudan University in Shanghai found that young girls from the Mosuo community in China, one of the few societies in the world run by women, were bigger risk-takers than boys from the same community. But after the Mosuo girls spent years in schools with boys and girls who came from patriarchal communities, the trend reversed: Older Mosuo girls took fewer chances.

(19) THE HOLE TRUTH AND NOTHING BUT. BBC reports a “Missing part of Stonehenge returned 60 years on”.

A missing piece of Stonehenge has been returned to the site 60 years after it was taken.

A metre-long core from inside the prehistoric stone was removed during archaeological excavations in 1958.

No-one knew where it was until Robert Phillips, 89, who was involved in those works, decided to return part of it.

English Heritage, which looks after Stonehenge, hopes the sample might now help establish where the stones originally came from.

In 1958 archaeologists raised an entire fallen trilithon – a set of three large stones consisting of two that would have stood upright, with the third placed horizontally across the top.

During the works, cracks were found in one of the vertical stones and in order to reinforce it, cores were drilled through the stone and metal rods inserted.

The repairs were masked by small plugs cut from sarsen fragments found during excavations.

(20) BEST FOOT FORWARD. I’m telling you, this reminds me of a John Sladek story: “Botswana gives leaders stools made from elephant feet”.

Stools made from elephant feet have been presented to three African leaders by their host in Botswana during a meeting on the future of the mammals.

President Mokgweetsi Masisi handed over the gifts, covered in a blue patterned cloth, to his counterparts from Namibia, Zambia and Zimbabwe.

The countries, along with South Africa, are calling for the ban on the sale of ivory to be lifted.

They argue that money from the trade can be used for conservation projects.

Elephant poaching is a big issue across Africa and some estimates say 30,000 are killed every year. There are thought to be 450,000 left.

(21) ROCK OF AGES. In Air & Space Magazine’s article “Claimed Signs of Life in a Martian Meteorite” the tagline seems an understatement — “Like other previous claims, this one may not hold up.” Another scientist has claimed that a meteorite that originated on Mars contains signs of life. You may recall such a claim previously made based on analysis of ALH84001 (ALH stands for Allan Hills in Antarctica, where the rock was found) with the announcement made in 1996. The evidence was eventually judged inconclusive by most scientists.

Now a new paper by Ildikó Gyollai from the Research Centre for Astronomy and Earth Sciences in Budapest, Hungary, and colleagues, claims that there might be clues to Martian life in another Allan Hills meteorite, this time ALH77005. They base their conclusions on morphological and geochemical indicators—including the presence of organic material—which lead them to speculate on the past presence of iron bacteria in this Martian rock. […]

[Thanks to Standback, JJ, Cat Eldridge, Michael Toman, Jim Meadows, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributor of the day Kip Williams.]

Pixel Scroll 3/14/19 A God On The Stalk Can Be Quite Transcendental, But Pixels Are A Scroll’s Best Friend

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(1) ONE ARCHETYPAL SFF AUTHOR SALUTES ANOTHER. Literary Hub excerpts “Michael Moorcock on H.G. Wells, Reluctant Prophet” from the introduction to The Time Machine & the Island of Doctor Moreau:

…In these two early books Wells gave shape to his own and his contemporaries’ anxieties and concerns. He brought a moving lyricism to his vision of the end of the world, just as he brought a harsh realism to his fantasy of vivisection and physiological engineering. Both visions were convincing to his thousands of readers who made The Time Machine one of the greatest bestsellers of the last century, as a recent New York Times feature showed, ultimately outselling even Stephen King and J. K. Rowling, and having a far more lasting effect on our common psyche. The Time Machine defined the way Edwardians saw the future, just as Nineteen Eighty-Four defined the popular vision of the 1950s, 2001: A Space Odyssey defined that of the 1960s, and Blade Runner and The Matrix define how the early 21st century perceives its future. Every book, film and play which thematically followed The Time Machine and The Island of Doctor Moreau was in some way colored by them. Every author who considers writing a time-travel story must look first to Wells. Wells has been acknowledged directly or indirectly in many books, even becoming a character in other time-travel fiction. 

(2) AMAZING BOOK. Something people like to say about a favorite book is literally part of the design here — “Just ‘Follow This Thread’: You’re Meant To Get Lost In This Book About Mazes”.

Henry Eliot’s new book about mazes and labyrinths is a printer’s worst nightmare. Follow This Thread is both a title and an instruction: To read the book, you must turn it upside down and backwards. Lines of text wrap 90 degrees on the page, and a thin red thread — illustrations by the French artist Quibe — travels playfully from page to page.

Believe it or not, this is the “reined in” version.

“When I first pitched it, the design was even more complicated …” Eliot says. “As I described this to my editor, I could see her face just kind of falling.”

They scaled it back a bit, but it still wasn’t until he got the final copy from the printer that Eliot was able to “breathe a sigh of relief.”

(3) FREQUENTLY UNASKED QUESTIONS. James Davis Nicoll demands to know “Why Does No One in SFF Ever Read the Damn Manual?” at Tor.com.

Every so often, I find it entertaining to muse about and lament the ill effects of missing or erroneous documentation. Or the ill effects of failing to read the manual…or, having read it, ignoring its wise advice.

Unsurprisingly, SFF authors have arrived at a consensus as far as technical documentation is concerned: For the most part, they’re against it, at least as part of the setting of the story…

(4) THE SENATOR FROM GOTHAM. Michael Cavna notes in the Washingon Post that Sen. Patrick Leahy (D–Vermont) has loved Batman ever since he was a kid.  He uses Sen. Leahy’s introduction to Detective Comics: 80 Years of Batman (Deluxe Edition) to profile the senator’s Batman enthusiasm, including his cameos in six Batman movies and the introduction to the humanitarian comic book featuring Batman that was designed to help lobby for banning landmines — “Sen. Patrick Leahy was in 5 Batman movies. Now he’s written the foreword for the superhero’s 80th anniversary.”

…Of his involvement in six Batman screen projects, including five films spanning 1995’s “Batman Forever” to 2016’s “Batman v Superman: Dawn of Justice” (as “Senator Purrington”), Leahy especially relishes getting to appear opposite Heath Ledger’s Oscar-winning turn as the Joker, in 2008’s “The Dark Knight.”

In that Nolan sequel, an agitated Joker glares at the party guest portrayed by Leahy and says, “You remind me of my father,” before putting a knife to the guest’s neck and growling, “I hated my father.”

In that moment, “I was scared,” Leahy recounts of Ledger’s convincing menace. “It wasn’t acting.”

(Leahy, who gets a line in that film — “We’re not intimated by thugs!” — broke into Hollywood with an assist from his actor son Mark, who racked up a handful of screen credits in the ‘90s.)

(5) GONE BATTY. This might be a good time to step inside the pitch meeting that led to Batman & Robin. ScreenRant has it on tape —

Long before Christopher Nolan and Christian Bale got their hands on the franchise, there was a whole lot of weird stuff going on with Batman in the 90’s. After Val Kilmer stepped away from the role (because he didn’t know how to skate) George Clooney stepped in as the caped crusader and, along with Joel Schumacher, gave us what many consider to be one of the worst movies of all time. Batman & Robin features Chris O’Donnell being super annoying as Robin, Arnold Schwarzenegger delivering as many ice puns as he possibly can, and Uma Thurman doing… something. The movie raises a lot of questions, like why does Batman have a credit card? Why is Batgirl even in this? Why do they have retractable skate blades? How did this movie even get made?

(6) HERO ON THE HORIZON. Yahoo! Entertainment says “Marvel’s first Asian-led superhero movie ‘Shang-Chi’ bags its director”.

The character of Shang-Chi originally emerged in Marvel Comics in 1973, a half-American, half-Chinese martial arts master, the unknown son of pulp villain Dr. Fu Manchu.

In latter instalments, he joined the Avengers, having mastered the power of creating multiples of himself, and has appeared in X-Men comics too.

(7) METROPOLIS MUSES. Mike Chomko spotlights “H. J. Ward, Superman Artist” on the Pulpfest blog.

Normally, when we think of Superman’s artists, people such as Wayne Boring, John Byrne, Jose Luis Garcia-Lopez, Dan Jurgens, Alex Ross, Joe Schuster, and Curt Swan come to mind. Why doesn’t pulp artist, H. J. Ward pop into our heads?

…By 1940, Donenfeld had assumed control of National Allied Publications, the publisher of ACTION COMICS, Superman’s home. Around that time, H. J. Ward was paid $100 to create a nearly life-size portrait of The Man of Steel. Ward’s painting was used to promote THE ADVENTURES OF SUPERMAN, a radio show that debuted in New York City on February 12, 1940. The painting hung for many years in Harry Donenfeld’s office at DC Comics, and later, in his townhouse. According to Saunders, it was eventually donated to Lehman College, part of the City University of New York….

(8) BABY WE WERE BORN TO DIE. Daily Mail has a fancy graph proving what you already knew — “Star Trek’s ‘redshirts’ REALLY do die more often!”  But it is colorful!

A graph mapping the death rate of the different characters on Star Trek according to the colour of their shirt. It shows that while red coloured shirts does lead in the number of fatalities, it does so by a small degree of only 3 per cent compared to yellow shirts

(9) WAGING FUR. SYFY Wire invites fans to “Meet the most famous furry in the world”.

“My ‘real name’ isn’t a name I use anymore,” she says. “I have been going by Rika since ninth grade. Mainly because I associate my real name with a time when I was weaker, still figuring myself out, or without personality. That was like my ‘blank slate’ name, if you will.”

She goes on to explain how her different identities came to be, but that they are all a part of her in some way.

“Vix is the me now,” she says. “It is also what my fans tend to call me, while my friends call me Rika. The name and character Rika is also associated with how I want to see myself.”

… Being a furry is her sole source of income. “I do freelance art for furries. Basically, I spend all day drawing animals and it’s honestly the best. Well, when sales are good, anyway,” she says.

(10) ANTICIPATING RELAPSE. BBC reports on a Nature article: “Cancer’s ‘internal wiring’ predicts relapse risk”.

The “internal wiring” of breast cancer can predict which women are more likely to survive or relapse, say researchers.

The study shows that breast cancer is 11 separate diseases that each has a different risk of coming back.

The hope is that the findings, in the journal Nature, could identify people needing closer monitoring and reassure others at low risk of recurrence.

Cancer Research UK said that the work was “incredibly encouraging” but was not yet ready for widespread use.

The scientists, at the University of Cambridge and Stanford University, looked in incredible detail at nearly 2,000 women’s breast cancers.

They went far beyond considering all breast cancers as a single disease and beyond modern medicine’s way of classifying the tumours.

(11) A HYBRID OF BOW AND WOW. “Study reveals the wolf within your pet dog” –BBC has the story.

Wolves lead and dogs follow – but both are equally capable of working with humans, according to research that adds a new twist in the tale of how one was domesticated from the other.

Dogs owe their cooperative nature to “the wolf within”, the study, of cubs raised alongside people, suggests.

But in the course of domestication, those that were submissive to humans were selected for breeding, which makes them the better pet today.

(12) ROCK ON. There’s was quite a lot of hoofin’ going on there: “Stonehenge was ‘hub for Britain’s earliest mass parties”.

Evidence of large-scale prehistoric feasting rituals found at Stonehenge could be the earliest mass celebrations in Britain, say archaeologists.

The study examined 131 pigs’ bones at four Late Neolithic sites, Durrington Walls, Marden, Mount Pleasant and West Kennet Palisade Enclosures.

The sites, which served Stonehenge and Avebury, hosted the feasts.

Researchers think guests had to bring meat raised locally to them, resulting in pigs arriving from distant places.

The results of isotope analysis show the pig bones excavated from these sites were from animals raised in Scotland, the North East of England and West Wales, as well as numerous other locations across Britain.

(13) LONG DRINK. “An Irish pub born in the Dark Ages” is 2 hours’ ride from Dublin — worth a pilgrimage?

Sean’s Bar has been in business since the Dark Ages, and many locals and respected Irish historians also believe it to be the oldest in Europe and the world.

Shortly after the working day begins, a hush falls over the streets of Athlone in Ireland’s County Westmeath. Away from the banks, hotels and shopping centres, buses empty out, commuters dip from sight and moored barges and skiffs on the River Shannon are at standstill as the dark, silted water flows past.

But across the town’s arched stone bridge, in an unassuming building on the river’s west bank, a 50-year-old barman named Timmy Donovan is already pulling his first pint of the day at Sean’s Bar – and a buzz is starting to build.

When the pub closes after midnight, the pitted fireplace will have crackled since mid-morning, and scores of pints of creamy-headed stout – and as many drams of whiskey and cups of Irish coffee – will have been poured. Just as barkeepers at the dimly lit pub have done with more rudimentary forms of alcohol such as mead for the past 1,100 years.

(14) ORION SURPRISE. Ars Technica: “Here’s why NASA’s administrator made such a bold move Wednesday”.

In a remarkable turnaround, NASA Administrator Jim Bridenstine on Wednesday said the space agency would consider launching its first Orion mission to the Moon on commercial rockets instead of NASA’s own Space Launch System. This caught virtually the entire aerospace world off guard, and represents a bold change from the status quo of Orion as America’s spacecraft, and the SLS as America’s powerful rocket that will launch it.

The announcement raised a bunch of questions, and we’ve got some speculative but well-informed answers.

What happened?

During a hearing of the Senate Commerce committee to assess America’s future in space, committee chairman Sen. Roger Wicker opened by asking Bridenstine about Exploration Mission-1’s ongoing delays. The EM-1 test flight involves sending an uncrewed Orion spacecraft on a three-week mission into lunar orbit, and is regarded as NASA’s first step toward returning humans to the Moon. This mission was originally scheduled for late 2017, but it has slipped multiple times, most recently to June 2020. It has also come to light that this date, too, is no longer tenable.

“SLS is struggling to meet its schedule,” Bridenstine replied to Wicker’s question. “We are now understanding better how difficult this project is, and it’s going to take some additional time. I want to be really clear. I think we as an agency need to stick to our commitment. If we tell you, and others, that we’re going to launch in June of 2020 around the Moon, I think we should launch around the Moon in June of 2020. And I think it can be done. We should consider, as an agency, all options to accomplish that objective.”

The only other option at this point is using two large, privately developed heavy lift rockets instead of a single SLS booster. While they are not as powerful as the SLS rocket, these commercial launch vehicles could allow for the mission to happen on schedule….

(15) WHATEVER IT TAKES. BBC has a fresh rundown: “Avengers Endgame: What we learned from the new trailer”. In theaters April 26. (As far as I can tell this is the same trailer I linked to in December, even though it has a March 14 datestamp on Marvel’s YouTube channel.)

A new trailer for Avengers: Endgame has premiered and the Marvel heroes are gearing up for a showdown with Thanos.

The trailer is light on plot but gives fans just enough of a hint on what to expect from Marvel’s next big blockbuster.

There are new team members, new outfits and perhaps most important of all – new haircuts….

[Thanks to Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Mike Kennedy, JJ, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Post-credits Scene #1: Video of the Day: In “The Tesla World Light” on Vimeo, Matthew Rankin theorizes that Nikolai Tesla could obtain “infinite power for all nations” with the help of a pigeon that zapped lightning out of his eyes.

Post-credits Scene #2: After the Hugo nominations deadline, I will put up a post inviting people to share their ballots in the comments.