Pixel Scroll 7/18/17 Fahrvergnügen 451

(0) What’s Daniel Dern’s title a reference to? Some commercials that aired before many of you were born.

(1) COLONIZE OR QUARANTINE? Pilita Clark, the Financial Times environment correspondent, complains “Elon Musk’s inter-planetary fantasy spells danger for Mars”.  (This link goes straight to a paywall, but via Google I found a way around.)

What is troubling is that he (Musk) seems to think of Mars mush as early European explorers viewed Africa and the Americas, as places to be colonised regardless of the consequences.

Mars is in a pristine state and experts say it should stay that way if we are to find proof of past or present life there.  Plonking a city of 1m humans on it would wreak havoc with such efforts, according to veteran space scientists such as Andrew Coates of University College London, whois working on the ExoMars rover due to launch in 2020.

Prof Coates says the big global dust storm on Mars could carry specks of terrestrial matter across the planet that scientists could mistake for evidence of Martian life.  He also worries about Mr Musk’s breezy attitude to the brutally cold weather on Mars, where temperatures average minus 63C.

(2) THE BREW THAT MADE KENTUCKY FAMOUS. We’ve mentioned Wil Wheaton’s beer before. Here’s this year’s edition of “Drew Curtis / Wil Wheaton / Greg Koch Stone Farking Wheaton w00tstout.

COLLABORATORS

Drew Curtis, Fark.com Creator & Patent Troll Killer

Wil Wheaton, Actor & Web Celeb

Greg Koch, CEO & Co-founder, Stone Brewing

It’s been four years since this otherworldly stout burst out of our collective proverbial chests. Four years since the primally viscous first release ooze-snaked across the galaxy. This specialty imperial stout draws its huge flavor from wheat (that’s Wil, natch), pecans and bourbon barrels (two homages to Drew’s home of Kentucky) and Greg’s lifelong quest for pushing the limits of “why the hell not?” to make bigger, bolder beers. The result is a mind-blowing amalgamation of intense yet smooth flavors, perfect for a warm summer evening, a cozy winter’s night or the approaching destruction of the entire human race (be it externally or internally inflicted).

For this year’s bottle art, we were thrilled to entrust the task to heralded comic book writer and artist Walt Simonson. He was gracious enough to work with us in exchange for our donation to The Hero Initiative, a charity organization that provides retirement funds for golden-age comic book artists.

(3) MARVEL’S LIVESTREAM FROM SDCC. Marvel Entertainment will air the action from their booth at Comic-Con starting Thursday, July 20.

Hosted by TWHIP! The Big Marvel Show’s Ryan Penagos and Lorraine Cink, and Marvel Gaming host Jessica Brohard, viewers will be able to watch booth events with their favorite Marvel comic, television and movie talent, hear panel recaps from special guests, and learn about all the fun surprises happening on the convention floor, from exclusive merchandise to special signings. Join in on the fun by visiting www.marvel.com/SDCC2017 or Marvel’s YouTube channel.

 

  • Thursday, July 20: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Friday, July 21: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Saturday, July 22: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Sunday, July 23: 11:00 a.m. PT/1:00 p.m. ET – 3:00 p.m. PT/6:00 p.m. ET

(4) FROG FURY. The New York Times covers the brawl: “Kermit the Frog Performer and Disney Spar Over an Ugly ‘Muppet’ Firing”.

“This is my life’s work,” said Mr. Whitmire, 58, who lives in the Atlanta area. “The only thing I’ve done my whole adult life, and it’s just been taken away from me. I just couldn’t understand why we couldn’t resolve this.”

Disney, which acquired the Muppets in 2004 from the Jim Henson Company, painted a wholly different picture, portraying Mr. Whitmire as hostile to co-workers and overly difficult in contract negotiations. Members of the Henson family said they supported the dismissal as well.

… Henson’s family, which still runs the Jim Henson Company, chose Mr. Whitmire to replace Henson as Kermit in 1990 after Henson unexpectedly died of pneumonia at the age of 53. Some of those same family members say they supported the decision to replace Mr. Whitmire, though they are no longer involved with the Muppets.

“He played brinkmanship very aggressively in contract negotiations,” Lisa Henson, president of the Jim Henson Company, and Jim Henson’s daughter, said in a telephone interview.

Ms. Henson said Mr. Whitmire was adamantly opposed to having an understudy for his role, which presented problems when it came to what she called “B-level performances, such as a ribbon-cutting.” She said he was unwilling to appear on some of these occasions but also refused to develop an understudy and that he “blackballed young performers” by refusing to appear on the show with them.

Brian Henson, the company’s chairman and Jim Henson’s son, said that while Mr. Whitmire’s Kermit was “sometimes excellent, and always pretty good,” things changed when he was off set.

“He’d send emails and letters attacking everyone, attacking the writing and attacking the director,” he said.

Whitmire, meanwhile, has continued to characterize himself as indispensable in posts at Muppet Pundit, such as — “The Muppet Performers are not Interchangeable”.

The point is that there is so much vital and significant knowledge that was gained by the dwindling few of us who consistently stood next to Jim. From his characters to his methods and philosophies, it’s stuff you can never fully intuit from watching the Muppets. I know that to be true because I, too, was a completely obsessive Muppet fan with preconceived notions of my own that had to be unlearned when Jim hired me in 1978.

I approach The Muppets as a lineage tradition. For the inside knowledge-base steeped in its origins to survive and be passed down, there has to be a line of transmission, or you had to be there. For the Post-Jim performers to really understand enough about the Muppets to carry on the lineage they need to continue to be around the core performers Jim mentored as long as any of those people are willing and able to share.

None of this is a value judgement of any individual, it is a pointing out of the value of historical perspective so long as that perspective is used progressively. Having had the opportunity to spend the last 27 years cultivating knowledge of Jim along with feeling his presence through Kermit, I find myself at a place where evolving Jim’s vision has begun coming from a deep empathetic connection to him.

So, I see my most important task as providing a taste of the atmosphere created by Jim Henson to those Post-Jim core performers who will never otherwise come by it. My hope was to install it directly into their hearts and minds so that they could, in turn, be inspired to do the same for the next generation of performers instead of the characters becoming stale copies of their former selves. But, as I look around at what is presently transpiring it’s clear to me that the job is far from done.

(5) NO SH*T! Eliot Peper of Harvard Business Review tells “Why Business Leaders Need to Read More Science Fiction”.

At the end of the 19th century, New York City stank. One hundred fifty thousand horses ferried people and goods through the streets of Manhattan, producing 45,000 tons — tons! — of manure a month. It piled up on streets and in vacant lots, and in 1898 urban planners convened from around the world to brainstorm solutions to the impending crisis. They failed to come up with any, unable to imagine horseless transportation.

Fourteen years later, cars outnumbered horses in New York, and visions of manure dystopia were forgotten.

If 19th-century urban planners had had access to big data, machine learning techniques, and modern management theory, these tools would not have helped them. They simply would have confirmed their existing concerns. Extrapolating from past trends is useful but limiting in a world of accelerating technological change.

Science fiction can help. Maybe you associate it with spaceships and aliens, but science fiction offers more than escapism. By presenting plausible alternative realities, science fiction stories empower us to confront not just what we think but also how we think and why we think it. They reveal how fragile the status quo is, and how malleable the future can be…..

Science fiction isn’t useful because it’s predictive. It’s useful because it reframes our perspective on the world. Like international travel or meditation, it creates space for us to question our assumptions. Assumptions locked top 19th-century minds into believing that cities were doomed to drown in horse manure. Assumptions toppled Kodak despite the fact that its engineers built the first digital camera in 1975. Assumptions are a luxury true leaders can’t afford.

(6) FOR SOME VALUES OF OVERDUE. John Ostrander reminisces about a career spent pushing deadlines in “The Digital Dog Ate My Homework. Honest.”

In my earliest days as a pro writer, I did everything on typewriter (first manual and then electric; rumors that I chiseled them on stone tablets are just mean). I didn’t have a computer until later and, even when I did, some companies (including DC) were not equipped to receive them electronically. So that meant printing them up on my dot-matrix printer and then rushing them off to FedEx for overnight delivery.

Unless you called in your package by a certain time, usually much earlier than you had the work done, you had to take the package to the nearest FedEx office. If you didn’t hit the office by closing time (usually around 6 PM), you had to make the Midnight Run to the main FedEx office out by the largest airport around. More than once, Kim was the driver while I finished collating the pages, stuffing them in the envelope, and addressing the delivery slip. Let me tell you, Speed Racer had nothing on Kim. She’d run stoplights and take stop signs as suggestions to be ignored. Often, we’d meet other local freelancers also making the death defying Midnight Run. It almost got to be a club.

(7) TODAY IN HISTORY

  • July 18, 1986 Aliens burst into theaters.
  • July 18, 2001 Jurassic Park III opened.
  • July 18, 2008 The Dark Knight, the fifth film in the big-screen Batman series, opens in theaters around the United States.

(8) EVERY BREATH YOU TAKE. At Fantasy Literature, Bill Capossere and Tadiana Jones each review Caesar’s Last Breath: Decoding the Secrets of the Air Around Us by Sam Kean. Capossere begins:

Informative, witty, vivid, often compelling, sometimes juvenile, knowledgeable, clear, and written throughout with verve and panache via what feels like a wholly singular voice, Sam Kean’s Caesar’s Last Breath: Decoding the Secrets of the Air Around Us (2017) is what every non-fiction book should aspire to. It’s been a while since I’ve so enjoyed a work of non-fiction so thoroughly and consistently.

Kean divides his exploration of air into three large sections, the first dealing with the origin of our current atmosphere, one of many our planet (if not humanity) has seen….

Jones is just as enthusiastic:

Kean has a vivid and engaging style of writing, with a wry sense of humor, which elevates Caesar’s Last Breath far above most pop science books. Gas molecules are described as feral, oxygen as a madman, our moon as an albatross (as compared to the gnats that circle most other mooned planets), and gravity as “that eternal meddler” that won’t abide two planets in the same neighborhood. I learned about the Big Thwack (when a hypothetical planet called Theia smashed into our earth, vaporizing itself and eventually reforming into our moon), the Oxygen Catastrophe of 2,000,000,000 BC, and the mushroom cloud-shaped cakes baked during the heady days of the late 1940s when nuclear blasts didn’t really seem all that dangerous.

(9) INSIDE BASEBALL. Jennifer Brozek shared “10 Things I Learned While I Was A Director-At-Large for SFWA” at the SFWA Blog.

6: Authors, even your favorite author, are only human.

Everyone has either heard the story, or experienced it themselves: “I used to love reading AuthorX, but then I met them and discovered they are terrible. I can’t read their work anymore.” Sometimes it is hard to discover your idols are human with human wants, needs, foibles, opinions, habits, and flaws. When you work on SFWA’s Board of Directors, you usually see all the behind-the-scenes stuff.

Sometimes, you work with an author/editor on a SFWA project and it doesn’t go as smoothly as you like. Sometimes, it appears as if an author once admired has nothing but scorn for the work you are doing and no desire to help out—just kvetch and complain. Sometimes, authors come to the Board at their worst—financial or medical difficulties, personal conflicts that threaten to spiral out of control, issues with editors, agents, or publishers. They don’t have their “public face” on. They are human. They make mistakes. They can be hurt. They put their pants on one leg at a time.

This is one of those learning lessons that really surprised me. I’m not sure why. I just know it did.

(10) STARFINDER’S APPENDIX N. Paizo is producing a new science fantasy RPG named Starfinder, and they’ve released an image of the “Inspirational Media” pages from the game.  It’s a wide list of old and new SF, not just books but also comics, movies, and games.

In the comment thread one of the developers remarks, “That said, I am excited to see fans talking about the things that moved them that we didn’t include. Those suggestions, and the conversations they start, are to me the greatest legacy of all these inspirational media appendices.”

Few appendices have made as big a splash in gaming history as Gary Gygax’s Appendix N. (I thought Cosmo’s appendix bursting at Gen Con that one year might have it beat, but he reminded me that was technically a gallbladder removal, so it’s OUT OF THE RUNNING!) That formative list of novels hit in 1979, in the AD&D Dungeon Master’s Guide. In it, Gygax laid out some of the works that had made the largest impact on him in the creation of Dungeons & Dragons, from Leigh Brackett and Robert E. Howard to Jack Vance and Andre Norton. In doing so, he created a reading list for an entire generation of gamers and fantasy fans, and had a tremendous impact on the genre as a whole.

When we created the Pathfinder RPG Core Rulebook in 2009, we gleefully took the opportunity to publish our own version of Appendix N, keen to introduce fans to our new favorites like Clive Barker and China Miéville, along with grand masters like C. L. Moore. Yet it was ultimately still a fairly small list—just a single column of text—and cribbed heavily from Gygax, focusing solely on novels.

When I first sat down to paginate the Starfinder Core Rulebook, I knew that space was going to be at a premium. I had, by some estimates, 800+ pages of content to cram into something even smaller than Pathfinder’s 576 pages. Yet I also knew that just one page of inspirational media wasn’t going to be enough. In order to make a game like Starfinder, we had to stand on the shoulders of innumerable giants, both childhood heroes and our friends and peers. We couldn’t in good faith restrict ourselves to just literature, either. How could you have Starfinder without Star Wars and Alien? Without Shadowrun and Warhammer 40,000? Without Starcraft and Mass Effect? It just wouldn’t be the same.

(11) BIG EARS. BBC News video: “Telescopes to reach nine billion light years away”.

South Africa has started to set up radio telescopes far more powerful than any current ones in use around the world, in its pioneering search for extra terrestrial activity.

(12) WATER HAZARD. In Washington, D.C. a security robot drowns in a fountain mishap. “We were promised flying cars, instead we got suicidal robots.”

A security robot in Washington DC suffered a watery demise after falling into a fountain by an office building.

The stricken robot, made by Knightscope, was spotted by passers-by whose photos of the aftermath quickly went viral on social media.

(13) RETURN TO TONE. Ian Leslie’s post “Unfight Club” on Medium contends there is a way to have discussions on Twitter without devolving into flame wars, virtue signalling, etc. etc.  If only.

  1. Beware the moral surge. The moral surge is the rush of pleasure you get?—?the dopamine hit?—?when you assert your moral integrity in public. A certain kind of columnist lives for it; much of social media is driven by it. Virtue signalling is its outer manifestation, but I’m talking about an inner mechanism. We’re all subject to it, and that’s not a bad thing in itself?—?it makes sense that we should feel good for ‘doing the right thing’ in the eyes of our group. But when you ingest too much of this drug, or get dependent on it, you end up giving your own bad behaviour a pass. When you’re addicted to the moral surge, personal abuse begins to seem like nothing when measured against high principles. ‘Anything I say to or about that person, however nasty or dehumanising, is justified, because they voted for austerity, which murders people,’ (the more apocalyptic your public language, the purer the hit). Letting your tribe see you condemn others feels good?—?so good that it degrades your own moral machinery. Viciousness becomes a virtue. Don’t let this happen to you: recognise your susceptibility to the moral surge, and be wary of it.

(14) THE EARLY 21ST CENTURY. Martin Wisse calls The New Weird “The last whites only literary movement in science fiction”.

As said, diversity when looked at from that white, middle class male perspective tends to focus on who’s being written about more than on who’s doing the writing. Not that this isn’t important in its own right, but it will still reflect the same limited perspective and no matter how well intentioned, often reducing anybody who isn’t (white, male, middle class) to the exotic. Diversity from this perspective is always from the outside looking in, making it easy to fall into stereotypes, cultural appropriation, orientalism and othering. You get things like making mutants as a metaphor for the Civil Rights struggle and thinking that’s enough, or writing alternate history in which America is conveniently empty when the Europeans land. This sort of diversity is only possible if your audience and peers are the same as you, or you can at least pretend they are.

The New Weird happened at arguably the last time that you could still hold up this pretence without immediadely being contradicted by the very same people you’re denying the existence of. Twitter, Youtube and Facebook didn’t exist yet, blogging was in its infancy and existing fannish and science fiction online spaces were still dominated by, well, white middle class men. What made Racefail not just possible but inevitable was that between the New Weird and Racefail the internet became not just mainstream but ubiquitous as both access and ease of access increased; it’s no coincidence that much of Racefail took place on Livejournal, one of the earliest social media sites and one that had long been home to sf fandom. Tools or sites like Twitter or Tumblr have only made it easier for everybody to let their voice be heard, harder to ignore people when they address you directly. It has its advantages and disadvantages, but the upshot is that science fiction can no longer pretend to be just white, middle class or male.

(15) LICENSE REVOKED. John C. Wright says “Dr. Who Is Not”.

The replacement of male with female is meant to erase femininity. In point of fact, and no matter what anyone thinks or wishes, readers and viewers have a different emotional relationship to female characters as male. This does not mean, obviously, that females cannot be protagonists or cannot be leaders. It means mothers cannot be fathers and queens cannot be kings.

It means if you want a female Norse warrior goddess, go get Lady Sif or Valkyrie, and leave Thor alone. It means if you want female Time Lady from Gallifrey, go make a spin off show starring Romana or Susan or The Rani, and leave The Doctor alone.

I have been a fan of Dr Who since age seven, when Tom Baker was the Doctor. I have tolerated years of public service announcements in favor of sexual deviance that pepper the show. But this is too much to tolerate.

The BBC has finally done what The Master, the Daleks and the Cybermen have failed to do. They killed off the Doctor.

Dr. Who is dead to me.

(16) ON HIS GAME. So can John shout BINGO! yet?

(17) PRO TIPS. Now I’m wondering what anyone would be asking David about File 770 at his site. Maybe, “Why doesn’t Mike pay for material”?

(18) TWEETS OF FAME. To satisfy your appetite for something that has nothing whatever to do with science fiction, we present this link to Bored Panda’s “The 10+ Most Hilarious Parenting Tweets Of The Year So Far”. Here’s #2 on their list —

(19) VIDEO OF THE DAY. “A Single Life” is an animated short nominated for an Oscar in 2014 by Job, Joris, and Marieke which asks what happened if you had a 45 RPM record that enabled you to travel through time?

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Francis Hamit, Chip Hitchcock, and Nancy Sauer for some of these stories. Title credit goes to  File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/18/17 Your Mother Was A Scroller And Your Father Smelt Of Pixelberries

(1) CLARIFICATION. In my report about Sunil Patel the other day I conflated two separate social media comments that were each about two different newly-published Patel stories that came out very recently.

Just before Twitter started circulating angry anti-Diabolical Plots tweets (because of the story published there), there had been a complaint about Patel’s story “The Tragedy of the Dead Is They Cannot Cry” in Mike Resnick’s Galaxy’s Edge, view-able from the front page.

Whether or not Galaxy’s Edge can accurately be called “sad-puppy-adjacent,” it makes more sense that somebody might apply the label there than to David Steffen, who published the Long List anthologies as a very deliberate middle finger to the Puppies.

(2) MORE THAN HEY YOU. Steven Brust on “Fantasy Writing and Titles of Nobility”.

For Americans there is an element of the romantic and the exotic about titles of nobility, about Baron Soandso, or Count Thisandsuch, that I suspect is missing, or at any rate different, for who were raised in places where a feudal aristocracy was part of history..  In reality, the feudal landlords were vicious bloodsuckers—when not for personal reasons, than simply because of the nature of the property relations that ultimately defined everyone’s life.  What I am not about to do is suggest is that American fantasy writers ignore the exotic and romantic elements—your readers have them in their heads, and unless you see your job is primarily pedagogical (which I do not), what is in the reader’s head is key: it is easier to play with the reader’s head if you work with what you know is rattling around in there.

(3) RACISM TAKES EXTRA WORK. Justina Ireland offers one more reason why “Writing is Hard: Racism in a Fantasy Landscape”. The excerpt covers the first of her four points.

I touched on the idea of dismantling racism within a fantasy setting on twitter earlier this week.  Authors, especially white authors, like to tackle ideas of racism within fantasy settings by creating fake races for the point of view characters to be racist against.  This seems like a good idea in theory, but it is actually harder than just writing fantasy cultures that have a correlation to real world cultures and deconstructing real world racism within a fantasy setting.

Here’s why:

  1. You have to teach a reader about the power structures in your fantasy world. And then deconstruct them.  Part of writing fantasy is about teaching a reader how to read your book.  This involves setting up scenes that illustrate the possible outcomes that can exist in your fantasy world.  Can your characters use magic? Great, now you have to show the reader the price of that magic, or the societal ramifications of that magic.  But you also will have to do that for the racism against the made up races within your book.  So creating a made up race creates more work to be done on the page.

(4) A BETTER TANGLED WEB. Aidan Doyle begins his explanation of the Twine program in “Writer’s Guide to Twine” at the SFWA Blog.

Twine was created by Chris Klimas in 2009 and is “an open-source tool for telling interactive, nonlinear stories.” Simply put, it’s a program that makes it easier for writers to make their own “Choose Your Own Adventure” style fiction. There are a number of tools for writing interactive fiction, but Twine is one of the simplest and most popular.

Interactive Fiction (IF) comes in many forms, including text-based parser games such as Zork where the player types in commands (Go north. Eat chocolate. Talk to green wizard). If you want to make this style of game, then Inform is probably your best option. Ken Liu’s Clockwork Soldier is an example of a traditional story which has IF-like commands embedded within it.

In contrast, stories written in Twine generally present the reader with choices in the form of hypertext links. Although there are many systems available for writing IF, Twine in particular has been celebrated for its ease of use. Twine is more focused on stories as opposed to games and produces HTML files, allowing anyone with a modern browser to read your story.

(5) BERRY OBIT. Rock’n roll legend Chuck Berry passed away today.

(6) THE FORCE IN ARIZONA. Phoenix public radio station KJZZ had a six-minute piece about Jedi-ism’s rise. (Listen at the link.)

The Star Wars universe has been a vital part of popular culture for more than 40 years, and that passion was renewed by the box-office smash “The Force Awakens.”

And thousands of people have decided that they want the force to be with them, even when they’re not watching one of the films.

They have decided to practice Jedi-ism. And here with me to explain its tenets and more is Jodie Vann, an instructor in ASU’s School of Historical, Philosophical and Religious Studies.

(7) MONOPOLY BROKEN. Or improved. It alll depends on how you feel about the change.

The boot has been booted, the wheelbarrow has been wheeled out, and the thimble got the thumbs down in the latest version of the board game Monopoly. In their place will be a Tyrannosaurus rex, a penguin and a rubber ducky.

More than 4.3 million voters from 146 countries weighed in on which tokens they wanted to see in future versions of the property-acquisition game, which is based on the real-life streets of Atlantic City. Pawtucket, Rhode Island-based Hasbro announced the winners Friday morning.

(8) QUANTUM OF STROLLERS. Bruce Arthurs came across some of these “quantum physics for babies” books by Chris Ferrie listed on Goodreads Giveaways and thought they might be quirky enough for a Pixel Scroll mention: Books.

Quantum Physics for Babies is a colorfully simple introduction to the principle which gives quantum physics its name. Baby will find out that energy is “quantized” and the weird world of atoms never comes to a stand still. It is never too early to become a quantum physicist!

The author, Chris Ferrie, is an actual quantum theorist who self-published the original Quantum Physics For Babies; surprise, it took off well enough Sourcebooks Jabberwocky (childrens books division of Sourcebooks) will be coming out with an entire series starting in May.

Ferrie’s recently-started blog is fun too. Here’s an excerpt from “Milking a new theory of physics”:

For the first time, physicists have found a new fundamental state of cow, challenging the current standard model. Coined the cubic cow, the ground-breaking new discovery is already re-writing the rules of physics.

A team of physicists at Stanford and Harvard University have nothing to do with this but you are probably already impressed by the name drop. Dr. Chris Ferrie, who is currently between jobs, together with a team of his own children stumbled upon the discovery, which was recently published in Nature Communications*.

The spherical theory of cow had stood unchallenged for over 50 years—and even longer if a Russian physicist is reading this. The spherical cow theory led to many discoveries also based on O(3) symmetries. However, spherical cows have not proven practically useful from a technological perspective. “Spherical cows are prone to natural environmental errors, whereas our discovery digitizes the symmetry of cow,” Ferrie said.

(9) MORE MARS BUZZ. Buzz Aldrin, the second man to set foot on the Moon, has launched a virtual reality movie detailing his plan to get humans to Mars. The BBC has the video — Buzz Aldrin takes you to Mars in VR.

The film – Cycling Pathways to Mars – lasts just under 10 minutes and features the astronaut as a hologram narrating the experience.

Mr Aldrin’s plan involves using the moons of Earth and Mars essentially as pitstops for people travelling to and from the Red Planet – a trip that will take about six months each way.

(10) FOR THE ROUND FILE. Chip Hitchcock says, “If you thought the jet-boarder wasn’t extreme enough, somebody pushing circular runways. He says it’s to prevent crosswind landings — but airports that could afford such a mishegoss can certainly afford enough runways to avoid this hazard, and as a former lightplane pilot (who had to learn about heavy ops to get an instrument rating) I see so many things wrong with this idea.”

(11) IN A COMMA. The BBC notices the Oxford-comma case, and provides several other examples of expensive errors in comma use.

(12) FROM BBC TO BB-8. “Droids Interrupt Darth Vader Interview” is a parody of the “Children Interrupt BBC Interview” viral video.

[Thanks to Chip Hitchcock, Bruce Arthurs, Martin Morse Wooster, Cat Eldridge, Gregory N. Hullender, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 7/28/16 How Many Files Must A Pixel Scroll Down

(1) OLD PROSE, YOUNG EYEBALLS. This time James Davis Nicoll set the table at Young People Read Old SF with Lawrence O’Donnell’s “Vintage Season” – O’Donnell being a pseudonym used by both C.L. Moore and her husband, Henry Kuttner, though this particular story is believed to be the work of Moore.

I knew Moore would be featured in this series. I just was not sure which Moore story to pick. One of her stories about Jirel, indomitable French swordswoman? Or perhaps Shambleau, which introduced her magnificently useless (but handsome!) adventurer Northwest Smith, who never encountered a deadly trap from which someone else could not rescue him (to their detriment). In the end, I went with Vintage Season, mainly because people often falsely attribute it (in part or whole) to her husband. That made me suspect that the attributors consider it the most significant of her stories. It has been adapted both to film (under the title Grand Tour: Disaster in Time) and to radio and was selected for inclusion in The Best of C.L. Moore . This, I think, is the right Moore.

Reader Lisa had this to say:

Lawrence O’Donnell used a technique that, while transparent, kept me interested enough in this story to keep me reading. (Well, the technique and the fact that I’m part of this project kept me reading.) He tells the story from the perspective of a partly-informed outsider who doesn’t have enough information about the other characters, but notices that something is up with them. (Though he, and the readers, have no idea what.) By continuing to drop treats here and there for the readers, he manages to keep them intrigued.

(2) MILD MELD MOVES. Shana DuBois curates a new Mind Meld, now hosted on the B&N Sci-Fi & Fantasy Blog.

For years, the essential sci-fi blog SF Signal published Mind Meld, a regular column that featured a monthly roundtable discussion of the tropes, themes, politics, and future of genre fiction. On the sad occasion of the closure of that site, we were happy to offer the feature a new home. Future installments of Mind Meld will appear monthly on the B&N Sci-Fi & Fantasy Blog.

The series resumes with answers from Usman Malik, Zachary Jernigan, Delilah S. Dawson, Django Wexler, Yoon Ha Lee, Caroline M. Yoachim, Haralambi Markov, and Lee Kelly to this question —

Q: How do you see the boundaries between literary and genre fiction adapting as we move forward?

(3) REVIEW SITE ADJUSTS SCOPE. The stress of a young child’s medical problems is contributing to Bookworm Blues policy change because lately the blogger is reading —

Urban fantasy and paranormal romance.

Yes, folks, I’ve been reading an absolute metric ton of UF and PNR recently, which is something I never in a million years thought I’d say, but it’s true. I’m reading it, mostly because I really, really need happy endings, fuzzy feelings, and lighter mental distractions right now. I’m having a shockingly hard time getting into anything else at the moment. I am positive that once my life, and my chaotic emotions settle a little, I will get back to my usual stuff. I also think it is incredibly unfair for me to not mention the authors and books I am reading because I’m afraid to do so for various arbitrary reasons that really don’t matter a fig to a soul.

And, the more I read these types of books, the more I’m kind of amazed at the amount of skill it takes to sell me on a happily ever after, and the books and authors that manage it deserve recognition for their skills.

So as of today, you will officially see the occasional urban fantasy and paranormal romance book reviews on here, and yes, I will open my doors to accept those books to review.

(4) PERSISTENCE. Kameron Hurley on “The Wisdom of the Grind: It’s Always Darkest Before a Breakthrough”.

Lately I’ve been in one of those rough periods where I just want to quit for six months or a year and travel around the world and refill my creative bucket. Cause right now all I can see down there are beer dregs. The truth is that every profession will try and squeeze out of you as much as it can get. While I’d like to be mindful of how much I give it, I also recognize that in order to get to where I want to be, I’m going to have to give it everything. This is a marathon, yeah, but I don’t indeed to have anything left for the way back. This is it. The older I get, the rougher than knowledge is, though: knowing I have saved nothing for the way back. There is only forward.

When it gets dark like this as I sweat over the next book and start putting together ideas for pitching a new series, I remind myself that sometimes it’s the very bleakest right before a major breakthrough. These are the long plateaus in skill and ability that we have to push through to level up. Once you get to the pro level at anything, your effort/skill ratio flips. You no longer see huge gains with minimal effort. There’s a reason you can get 2 years of skill leveling up out of 6 weeks of Clarion. You tend to be newer to the craft. You’ve got more to learn.

My next big level up is taking a lot longer to get to – several books, many stories….

(5) BEER NUMBER FIVE. Narragansett Beer introduces another Lovecraftian brew. Andrew Porter sent a comment with the link, “I had a lidless eye once, but I could never go swimming….”

IPA

Introducing the 5th installment and 4th chapter of our award winning Lovecraft series: The White Ship White IPA. H.P. Lovecraft’s, The White Ship, tells a story of a lighthouse keeper’s adventure aboard a mysterious ship where his curiosity and greed win out over his better judgment.

The label, designed by local Rhode Island artist Pete McPhee from Swamp Yankee, features an image of the story’s grey lighthouse as the north point of a compass rose and represents the narrator’s trip to the other world and back.

White Ship White IPA is a Belgian style IPA is brewed with 4 types of Belgian and American malts and creamy Belgian yeast to create a crisp, delicious beer that blurs style guidelines. We use El Dorado and Mandarina Bavarian hops to give the beer the slight tangerine notes. We then dry hop this adventurous brew with El Dorado hops to enhance the mild citrus aromatics….

(6) MONSTROUSLY GOOD. Petréa Mitchell’s Anime Roundup for July 28 has posted at Amazing Stories.

Re: ZERO – Starting Life In Another World #17

No matter how bad things get for Subaru, it is always possible that they could get worse. And, lately, they do.

The monster that showed up at the end of last episode is a flying leviathan, kind of a cross between Monstro, Jaws, and a plane full of jet engines, which is known as Moby-Dick. Well, okay, it’s called the Hakugei (White Whale), but that happens to be the Japanese title of Moby-Dick, and I do believe it’s a deliberate reference….

(7) DIAL FIVE SEVEN FIVE. Anna Wing summarized both The Silmarillion and Lord of the Rings in this haiku:

It is rarely wise
To attach such importance
To your jewellery.

(8) NATURE. “Game of Ants: two new species named after Daenerys Targaryens’s dragons”The Guardian has the story.

They reminded scientists of dragons so much, they named them after two of the fire-breathing beasts from the Game of Thrones.

The two new ant species from Papua New Guinea, named Pheidole drogon and Pheidole viserion, have spiny barbs along their backs and shoulders with an unusual set of muscles beneath them.

George R.R. Martin responded with in a post.

I suspect there are dragon ants in my world as well… maybe out on the Dothraki sea…

(9) TRIP REPORT. Marko Kloos was in New Mexico for Wild Cards events.

On Monday, I went to a Wild Cards author party thrown by KayMcCauley at Meow Wolf, an art venue in Santa Fe that is pretty spectacular. I had a chance to meet Wild Cards writers and reconnect with those I’ve met before. I also got to meet Thomas Olde Heuvelt, who was whisked into the event by George R.R. Martin after his own signing in town the same evening. (He’s in the US on a book tour for the English version of HEX, his best-selling debut novel.) It was a fun event, and I had a good time, even though I still feel like the new kid in high school among so many well-known high-caliber writers.

(10) JERRY DOYLE OBIT. Actor Jerry Doyle, from Babylon 5, was found unresponsive at his home last night and later declared dead. The family made an announcement through his Twitter account:

Michi Trota posted a spot-on tribute:

(11) EXOTIC RECIPE. Fran Wilde has released her newest Cooking the Books Podcast.

cooking the books

This month’s Cooking the Books Podcast, #025: Space Weevils – Cooking the Books with David D. Levine contains:

  • 100% less gravity
  • Space weevils (you were warned, they get big in a vacuum)
  • Hardtack
  • Lime juice
  • no powdered sugar
  • A Baggywrinkles shout out!
  • Napoleons in Spaaaaace (not the general)
  • Soup
  • a big ball of boiling water

(12) DIABOLICAL PLOTS. Congratulations to David Steffen on this announcement by SFWA

Diabolical Plots, self-described as “a Sci-fi/Fantasy zine that covers virtually every media related to the genre from books to movies to video games” is now a SFWA Qualified market. Payment: Eight cents per word, on publication.

Connect here — http://www.diabolicalplots.com/

(13) RAISE YOUR RIGHT HOOF. Lynne M. Thomas and Michael Damian Thomas take another swing at telling the whole truth – “A Space Unicorn Tale: The REAL Story Behind the Creation of Uncanny Magazine at Tor.com.

The Space Unicorn mascot is real. Not only are they real, they edit and publish every single issue of Uncanny Magazine by utilizing their abilities to travel through a series of portals to infinite points in spacetime. You probably suspected this from the beginning.

And congratulations to them, too, because the Uncanny Magazine Year Three Kickstarter hit its goal today!

(14) CROWDSOURCED WEB SERIES WITH TREK ALUMNI. The makers of Regegades hit the $60,000 goal of their Indiegogo appeal and are looking for more.

Renegades is an original, independently fan-funded sci-fi web series, executive produced by Sky Conway, and starring Walter Koenig, Nichelle Nichols, Tim Russ, Adrienne Wilkinson, Terry Farrell, Robert Beltran, Gary Graham, Cirroc Lofton, Aron Eisenberg, Manu Intiraymi, Hana Hatae, Bruce Young, and many more. We are currently finishing production on “The Requiem” parts I and II and are now in need of funding for post-production – editing, sound, visual effects, etc…

(15) SCI-FI SAVIORS.

(16) CAST YOUR VOTE. Whether or not the Hugos have been “saved” to your satisfaction, George R.R. Martin urged all eligible voters to get their 2016 Hugo Ballot in by the July 31 deadline.

The Hugo is science fiction’s oldest and most prestigious award. These past few years, however, the awards have been under siege, and that’s true this year as well.

Nonetheless, there are some worthy books and stories up for this year’s rockets, along with some reprehensible shit. I will leave it to your own judgements as to which is which.

Vote your own taste.

Vote your own conscience.

But vote. Every ballot counts.

(17) TENTACLE PARTY. Cthulhu For President, the game, has got a facelift for the US election. Can be bought in PDF here.

Don’t settle for the lesser evil! Heed the call of Cthulhu! Get ready for muck-raking, magic, and mayhem (with a little help from the world of H. P. Lovecraft.)

The Stars Are Right!

In Cthulhu For President, you become an Elder Party staffer tasked with serving the Great Old Ones during their eternal struggle for domination. Cross wits with the other political parties, manipulate voters using non-Euclidian geometry, swear on the Necronomicon, and sacrifice your co-workers to the Elder Gods. Politics has always been evil, but destroying the world has never been so much fun!

CHA0091_-_Cthulhu_for_President_Front_Cover__54717_1468239059_500_659

(18) WHAT WERE THEY TRYING TO KEEP OUT? The Great Wall of China was designed to protect against monsters, according to a new Matt Damon movie.

[Thanks to Andrew Porter, Dawn Incognito, Hampus Eckerman, Soon Lee, John King Tarpinian, and Steven H Silver for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA and Anthony.]