The Booker Prize has been jointly awarded twice
before, to Nadine Gordimer and Stanley Middleton in 1974 and to Michael
Ondaatje and Barry Unsworth in 1992. In 1993, the rules were changed so that
only one author could win the prize. This is the first time since then that two
authors have been announced as joint-winners. The 2019 winners will share the
£50,000 prize money.
It is the second time that Atwood has won the Booker
Prize, having won in 2000 with The Blind
Assassin. She has been shortlisted for four further books: The Handmaid’s Tale (1986), Cat’s Eye (1989), Alias Grace (1996) and Oryx and
Bernardine Evaristo is the first black woman to be
awarded the Booker Prize. She wins with Girl, Woman,
Other, her eighth book of fiction, which she has written alongside
essays, drama and writing for BBC radio. Evaristo drew on aspects of the
African diaspora, be it past, present, real of imagined, to inform Girl, Woman, Other.
The New Statesman said of Evaristo that “if you want to understand modern day Britain, this is the writer to read”, and called Girl, Woman, Other “a story for our times.”
Writing on the story behind her book for The Guardian, Evaristo said:
Fiction excavates and reimagines our histories; investigates, disrupts, validates and contextualises our societies and subjectivities; exercises our imaginations through flights of fancy, takes the reader on transformational adventures, and probes and presents our motivations, problems and dramas. What, then, does it mean to not see yourself reflected in your nation’s stories? This has been the ongoing debate of my professional career as a writer stretching back nearly forty years, and we black British women know, that if we don’t write ourselves into literature, no one else will.
The five judges on the Booker Prize
panel were: founder and director of Hay Festival Peter Florence (Chair); former fiction publisher and editor Liz Calder; novelist, essayist and filmmaker Xiaolu Guo; writer, broadcaster and former barrister Afua Hirsch; and concert pianist, conductor and composer Joanna MacGregor.
Gaby Wood, Literary Director of the Booker Prize Foundation, said:
Over an agonising five hours, the 2019 Booker Prize judges discussed all of the much-loved books on their shortlist, and found it impossible to single out one winner. They were not so much divided as unwilling to jettison any more when they finally got down to two, and asked if they might split the prize between them. On being told that it was definitively against the rules, the judges held a further discussion and chose to flout them. They left the judging room happy and proud, their twin winners gesturing towards the six they would have wanted, had it been possible to split the prize any further.
The Booker Prize for Fiction is open to writers of any nationality, writing in English and published in the UK or Ireland.
The Booker award
winner typically enjoys a big sales boost immediately after the announcement. In
the week after Milkman
by Anna Burns won the prize, book purchases increased by 880% from 963 in the
week prior to the announcement to 9,446 in the week following the announcement,
then a further 99% (9,446 to 18,786) the following week. The total number of
copies of Milkman
sold, across all formats, is currently 546,500.
Jack’s an old friend I see far too infrequently ever since he moved to Australia. I was privileged to publish a story of his in Science Fiction Age back in the ’90s, but that’s the least of his accomplishments. His first novel, The Man Who Melted, was nominated for a 1984 Nebula Award, and since then he’s gone on to win a Nebula Award, two World Fantasy Awards, three Ditmar Awards, and the Peter McNamara Award for Excellence. His short story collections include Timetipping, Jubilee: the Essential Jack Dann, and Visitations. His 1998 anthology Dreaming Down-Under (co-edited with his wife Janeen Webb) is a groundbreaking work in Australian science fiction.
He’s also created some amazing stories in collaboration with the likes of Michael Swanwick, Gardner Dozois, Barry Malzberg, and others, and since you know from listening to Eating the Fantastic that collaboration completely baffles me, we dove into a discussion of that as well.
We stepped out to The Chowder House, which has been in operation since 1985, but has a history which goes all the way back to 1920, when Darcy’s Irish Pub opened — and over the decades expanded into a row of family-owned restaurants. It was a comfortable spot, with good food, and the perfect place for us to catch up after far too long apart.
We discussed the novel he and Gardner Dozois always planned to write but never did, how a botched appendectomy at age 20 which left him with only a 5% chance of survival inspired one of his most famous stories, why he quit law school the day after he sold a story to Damon Knight’s Orbit series, the bad writing advice he gave Joe Haldeman early on we’re glad got ignored, the secrets to successful collaborations, the time Ellen Datlow acted as referee on a story he wrote with Michael Swanwick, how it felt thanks to his novel The Man Who Melted to be a meme before we began living in a world of memes, why he’s drawn to writing historical novels which require such a tremendous amount of research, the time he was asked to channel the erotica of Anaïs Nin, the gift he got from his father that taught him to take joy in every moment — and much more.
(2) RSR LAUNCHES IMPROVEMENT. Rocket Stack Rank announces
“New Filtering and Simplified Highlighting” in an
article that analyzes the most awards won, award nominations earned, and inclusion
in year’s best TOC for short fiction from 2015-2018 by using the new filtering
features added to RSR.
You can now filter stories in a table to show only the ones recognized with SF/F awards, year’s best anthologies, or prolific reviewers. Click the “Show:” drop-down list in the table header and choose one of the options (see image on the right). This is an easy way to dis-aggregate scores to see which stories received the most recognition by each type of recommendation for readers who favor one type over a combined score of all three.
(3) THE DELTA QUADRANT PRIMARY. [Item by Olav Rokne.] Senator Cory Booker is trying to acquire the votes of undecided Trekkies by showing off his nerd cred. The 50-year-old challenger for the Democratic nomination spoke to the New York Times today about his love for all things Star Trek, and how the show has influenced his politics: “How ‘Star Trek’ Pushed Cory Booker to Make It So”.
What did your father see in Trek?
It was hope.
“Star Trek” was more than just an escape. It was a portal to say the future is going to be different. It’s incredibly hopeful and a belief that we’re going to get beyond a lot of these lines. We’re going to unite as humanity. It’ll be a place where your virtue guides you, the highest of human aspirations. I think there’s something about that he found really powerful.
Do you think you took it in differently as a person of color?
I took it in through that lens because I really believe that was the lens that compelled my father. My dad loved UFOs. When that television series “Project Blue Book” came out, that was another thing. He was fascinated by the universe and excited about it.
This idea that we as humans, where we are right now, are literally just not even at the foothills yet of the mountains of discovery that are out there. He was a man of infinite hope. “Star Trek” gave him that. It showed him that we are going to overcome so much of the stuff that rips at humanity now.
In July, the author Xiaolu Guo was expecting the delivery of a book that would not be published until September: Margaret Atwood’s “The Testaments,” the highly anticipated follow-up to “The Handmaid’s Tale.”
Guo was getting her copy so early because she is a judge for this year’s Booker Prize, Britain’s most prestigious literary award. There was just one problem, Guo said in an interview on Tuesday: When the courier turned up, she was late getting home from the airport. The courier refused to give the book to her brother and sister-in-law, who were visiting from China.
Guo missed the courier’s visit the next day, too, as she was out running errands. By the time she finally got the book, she was furious, she said.
“For me, it was quite over the top, the whole security issue,” Guo added, laughing.
The secrecy around Atwood’s new novel, which is on the Booker Prize shortlist that was announced this week, has complicated the judging process this year. The prize’s organizer had to sign a nondisclosure agreement on behalf of all the judges, said Peter Florence, the chairman of the judging panel.
Secrecy agreements were not required for the 150 other novels that judges read to create an initial list of books in the running that was announced at the end of July. They then reread and argued over those thirteen titles to choose the final six.
At the shortlist announcement on Tuesday, all six books were piled on a table in front of the judges, among them Salman Rushdie’s “Quichotte” and Lucy Ellmann’s “Ducks, Newburyport.” But the copy of “The Testaments” was actually a dummy.
“That’s not the real Atwood, by the way, in case anyone’s thinking of stealing it,” Gaby Wood, the prize’s literary director, told reporters.
The collected edition of ‘Avengers: The Children’s Crusade’ has come under fire for featuring a kiss between two male characters.
In an unexpected move, Rio de Janeiro mayor Marcelo Crivella has announced that the translated edition of the Marvel comic book series Avengers: The Children’s Crusade would be removed from the literary festival Riocentro Bienal do Livro so as to protect the city’s children from what he described as “sexual content for minors.”
The so-called sexual content in question is an on-panel kiss between two male characters, Wiccan and Hulkling, who are in committed relationship. Both characters are clothed in the scene.
“The issue concerning Star Wars Galaxy’s Edge-themed soda bottles has recently been brought to our attention by the general public, as these items could reasonably be seen by some as replica hand grenades. We appreciate the concerns being raised, because replica explosives are not permitted in either carry-on or checked bags. We have completed our review, and instructed our officers to treat these as an oversized liquid. Because these bottles contain liquids larger than 3.4 ounces (100 milliliters), they should be put in checked baggage or emptied to be brought on as carry-on item. TSA officers will maintain the discretion to prohibit any item through the screening checkpoint if they believe it poses a security threat.”
It’s 1962 in Milan and a former fashion model, Angela Guissana, is looking for material for a small publishing house she and her sister Luciana have opened. She studies the reading tastes of the local commuters and concludes that thrillers—such as those featuring criminal mastermind Fantomas—are in.
Rather than hire someone else to forge ahead with their new thriller, she and her sister write the book themselves. To increase its appeal, they present the book as a fumetto, an Italian variation on the comic book format that has recently proven so popular in Europe with Tintin and Tex Willer—also thrillers. They make sure that each volume can fit inside a businessman’s coat pocket.
Thus, the Guissana sisters create Diabolik, which has in the 60 years since its inception, sold more than 150 million copies.
(9) TODAY IN HISTORY.
September 6, 1953 — Hugo awards first presented at Philcon II (the second Philadelphia Worldcon).
September 6, 1956 — Fire Maidens from Outer Space premiered. A group of astronauts lands on a moon of Jupiter only to find it inhabited with sexy maidens. Well, and a hideous monster of course.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 6, 1904 — Groff Conklin. He edited some forty anthologies of genre fiction starting The Best of Science Fiction fromCrown Publishers in 1946 to Seven Trips Through Time and Space on Fawcett Gold in 1968. The contents are fairly a mix of the obscure and well known as Heinlein, Niven, Simak, Dahl, Sturgeon, Lovecraft and Bradbury show up here. (Died 1968.)
Born September 6, 1943 — Roger Waters, 76. Ok, I’m stretching it. Is Pink Floyd genre? The Wall maybe. Or The Division Bell with its themes of communication. Or maybe I just wanted to say Happy Birthday Roger!
Born September 6, 1946 — Hal Haag. Baltimore-area fan who found fandom in the early Eighties and who chaired Balticon 25 and Balticon 35 and worked on Balticon and quite a number of regionals. He Co-founded BWSMOF (Baltimore/Washington SMOFs) along with Inge Heyer from Shore Leave, a regional organization whose purpose it is to discuss running regional conventions of all types. The Baltimore Science Fiction Society put together a very touching memorial site which you can see here. (Died 2006.)
Born September 6, 1953 — Patti Yasutake, 66. Best-known for her portrayal of Nurse Alyssa Ogawa in the Trek universe where she had a recurring role on Next Generation and showed up in Star Trek Generations and Star Trek First Contact. In doing these Birthdays, I consult a number of sites. Several of them declared that her character ended her time as a Doctor. Not true but made for a nice coda on her story.
Born September 6, 1958 — Michael Winslow, 61. Though he might bear as the comically voiced Radar Technicianin Space Balls, I’m more interested that his first genre role of significance was giving voice to Mogwai and the other gremlins in Gremlins, a role he didn’t reprise for the second Gremlins film.
Born September 6, 1972 — China Miéville, 47. My favorite novels by him? The City & The City is the one I’ve re-read the most, followed closely by Kraken. Scariest by him? Oh, that’d King Rat by a long shot. And I’ll admit the dialect he used in Un Lun Dun frustrated me enough that I gave up on it. I’ll hold strongly that the New Crobuzon series doesn’t date as well as some of his other fiction does.
Born September 6, 1972 — Idris Elba, 47. Heimdall in the Thor franchise, as well as the Avengers franchise. First genre role was as Captain Janek in Ridley Scott’s Prometheus and later he was in Pacific Rim as Stacker Pentecost. And let’s not forget him as the Big Bad as Krall in Star Trek: Beyond.
Born September 6, 1976 — Robin Atkin Downes, 43. Though he’s made his living being a voice actor in myriad video games and animated series, one of his first acting roles was as the rogue telepath Byron on Babylon 5. He later shows up as the Demon of Illusion in the “Chick Flick” episode of Charmed and he’s got an uncredited though apparently known role as Pockla in the “Dead End” episode of Angel. Ditto for Repo Men as well. He does get as the voice of Edward in Hansel & Gretel: Witch Hunters.
Born September 6, 1976 –– Naomie Harris, 43. She’s Eve Moneypenny in Skyfall, Spectre and the forthcoming No Time to Die. This was the first time Moneypenny had a first name. She also appeared in Pirates of the Caribbean: Dead Man’s Chest and Pirates of the Caribbean: At World’s End as Tia Dalma. And lastly I’ll note she played Elizabeth Lavenza in Mary Shelley’s Frankenstein at the National Theatre.
(11) COMICS SECTION.
Molly Ostertag drew a K&S comic strip for Sam and Frodo. Hampus Eckerman says, “I think a lot of filers might enjoy this little comic.” Thread starts here.
The team that took the first ever image of a black hole has announced plans to capture “razor sharp” full colour video of the one at the centre of our galaxy.
Satellites would be launched to supplement the existing network of eight telescopes to make this movie.
The researchers say the upgraded network will be able to see the supermassive black hole consuming the material around it.
The team has been awarded the Breakthrough Award for Physics.
Prof Heino Falcke, of Radboud University in the Netherlands, who proposed the idea of the so-called Event Horizon Telescope (EHT), told BBC News that the next step was to see a black hole in action.
“Just like planets, a black hole rotates. And because of its incredibly strong gravity, it distorts space and time around it. And so seeing this very weird effect of space itself being rotated is one of the holy grails of astrophysics.”
Tristan Da Cunha is the most remote yet inhabited island in the world. With just 297 people living on the volcanic enclave, it’s more than 1,750 miles away from its nearest coast of South Africa. There are no airports, hotels, or bars and it is only reachable following a six-day boat ride. Yet for all it lacks, the island still has access to the internet. There is virtually nowhere on earth where you can truly escape from technology.
Authors, like me, who write speculatively about tech, are only limited by our imaginations. And that’s why we are fascinated by it, because it offers limitless potential.
Often it is far more of a challenge to create characters and worlds that are overshadowed by tech that goes askew than tech that gets it right.
(15) 20/20 HINDSIGHT. I was soon won around to the name changes, but feel a bit jaded to read such confident reassurances from people who a month ago had no more idea than anyone else that this was coming:
…Given the list of winners at the Hugos — which are fan awards and therefore a good marker of what the people who love their SF/F think is important — times have changed dramatically. I see no reason why Ng or anyone else needs to pay homage to Campbell, who is clearly going to be a marginal person in the genre if he’s mentioned at all fifty years from now.
…Many of the stories published in the 1950s gave us those possibilities, but they did so in the trappings of their times. Confusing those trappings with science fiction makes us misunderstand what the genre is truly about. And being nostalgic about the trappings is silly.
The world that gave us those stories has changed, and stories set in outdated realities, even good ones, often don’t make sense to anyone who doesn’t live in that period. There are a lot of times when you need context, which doesn’t mean saying someone is a “product of their times” and skipping over what they did, but looking at other layers in the story (assuming it’s a story that’s worth spending that much time on).
These days the audience for science fiction is much broader than the mythical 13-year-old (white) boys the Golden Age fiction was supposedly aimed at. We have a strong need for science fiction that breaks us out of the misogyny and racism and colonialism on which so much of western culture has been built. And the audience is worldwide, drawing from their own cultures and experiences.
If you believe storytelling is a vital part of being human – and I do – you have to realize that there are a lot of ways to tell a story and a lot of different ideas of who might be the hero.
…This will no doubt start another round of anguished wailing from certain quarters about the erasure of John W. Campbell from the annals of science fiction history. The answer to this is he’s not being erased, he’s merely being reassessed. And the reassessment is: His extensive paper trail of bigotry, reactionary thought and pseudo-scientific nonsense wasn’t a great look at the time — a fact amply detailed by a number of his contemporaries in the field — and it’s even less of a great look now. As a result, his name is being taken off some things it was on before, because it staying on them means those things (and the people administering those things) would then have to carry the freight of, and answer for, his bigotry, reactionary thought and pseudo-scientific nonsense. And they would rather not.
…People aren’t perfect and you take the good and the bad together — but every generation, and every person, gets to decide how to weigh the good and the bad, and to make judgments accordingly. In the early seventies, in the wake of Campbell’s passing, such was Campbell’s reputation in the field of science fiction that he could be memorialized by two separate awards in his name, and apparently nobody batted an eye (or if they did, they didn’t count). Nearly fifty years later and at the end of the second decade of the 21st century, such is Campbell’s reputation in the field of science fiction that Campbell’s name is off one award, and may be off the other soon enough. In another 50 years, Campbell’s reputation in the field may be different again, or may simply be what so many things are after a century, which is, a historical footnote.
(16) SCAVENGER’S FEAST. Meanwhile, Richard Paolinelli is hastening to fill the sudden vacuum of Campbell-named awards by adding one to his personal collection of honors: “New Category Added To The Helicons in 2020” [Now links to toxic original blog].
“The Helicon Society is proud to announce that the 2020 Helicon Awards will also feature the inaugural John W. Campbell Diversity In SF/F Award.
The Society looks forward to honoring the award’s first-ever recipient next spring.”
I don’t know about you folks, but I’m pretty interested in finding out who this will be. Aren’t you?
These antics apparently help Paolinelli sell books. When he inaugurated his Helicon Awards earlier this year, Paolinelli also announced a pair of awards whose namesakes had recently been removed from awards by the American Library Association: the Melvil Dewey Innovation Award and Laura Ingalls Wilder Best New Author Award.
The past and present merger activity of the Milky Way galaxy has recently been put into sharp focus through the analysis of data from the Gaia astrometric satellite.
The emerging picture created is one of persistent disequilibrium, with high merger activity some 10 billion years ago that plausibly created the stellar halo and thick disk (see the figure), followed by a lull during which only lower-mass satellite galaxies were accreted. The Milky Way is now acquiring the Sagittarius dwarf galaxy, which is likely sculpting the galaxy’s thin disk….
…The first data release (DR1) from Gaia provided the position on the sky and apparent brightness for over a billion stars. One result stands out from Gaia DR1: the discovery by Belokurov et al. (3) of a population of stars with distinctive motions, which were identified as debris from a massive satellite that merged into the Galaxy a long time ago. These stars are moving on unexpectedly radially biased orbits and they dominate the stellar halo, particularly close to the peak of its chemical abundance distribution.
You might not immediately identify Ontario’s University of Waterloo as a hotbed of speculative fiction writing. The establishment is far better known for its STEM programs, baffled-looking first-year students, the horrifying things in the tunnels, and vast flocks of velociraptor-like geese. So you may be surprised to learn that the University has produced a number of science fiction and fantasy authors over the years
[Thanks to JJ, John King Tarpinian, Eric Wong, Hampus Eckerman, Chip
Hitchcock, SF Cocatenation’s Jonathan Cowie, Michael Toman, Mike Kennedy, Martin
Morse Wooster, Olav Rokne, Andrew Porter, and Cat Eldridge for some of these
stories. Title credit belongs to File 770 contributing editor of the day Daniel
Writers applying for SFWA membership qualify on the basis of the per-word rate on the date of contract. For example, short fiction sold before September 1, 2019 at six cents per word continue to qualify a writer for SFWA membership, etc.
This change to the SFWA pro rate is the result of market analyses conducted by SFWA Board members, along with a review of the effects of inflation on author compensation. The SFWA pro rate was last changed in 2014, rising from five to six cents per word, and from three to five cents per word in 2004.
(2) AURORA VOTING DEADLINE. Canadian Science Fiction and Fantasy Association members have
until September 14 to vote in the Aurora
You must be logged in to the website with an active CSFFA membership in order to download the voter’s packages or to vote.
Vote results will be announced at Can-Con October 18 – 20, 2019 in Ottawa (http://can-con.org/) and will be available on the website soon after.
More than 10,000 fans cast ballots for Dragon Award winners, selected from among 91 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming, and tabletop gaming.
Margaret Atwood and Salman Rushdie are among the six authors shortlisted for this year’s Booker Prize.
Atwood is in contention again with The Testaments, her eagerly awaited follow-up to The Handmaid’s Tale, while Sir Salman makes the cut with Quichotte.
Bernardine Evaristo, Chigozie Obioma, Elif Shafak and US author Lucy Ellmann are also up for the prize.
Both Atwood and Rushdie have won the coveted prize before, in 2000 and 1981 respectively.
Atwood also made the shortlist with The Handmaid’s Tale in 1986….
The winner, whittled down from 151 submissions and a longlist of 13, will be announced on 14 October.
(5) KGB. The Fantastic
Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present
Sarah Beth Durst & Sarah Pinsker on Wednesday, September 18, 2019, 7 p.m. at the KGB Bar.
Sarah Beth Durst
Sarah Beth Durst is the author of nineteen fantasy books for adults, teens, and kids, including The Queens of Renthia series, Drink Slay Love, and The Girl Who Could Not Dream. She won an ALA Alex Award and a Mythopoeic Fantasy Award and has been a finalist for SFWA’s Andre Norton Award three times. She hopes to one day have her own telepathic dragon.
Sarah Pinsker is the author of over fifty stories as well as the collection Sooner or Later Everything Falls Into the Sea and the novel A Song For A New Day, both out in 2019. Her fiction has won the Nebula and Sturgeon awards, and been a finalist for the Hugo, Eugie Foster, Locus, and World Fantasy Awards.
The address of the KGB Bar is 85 East 4th Street (just off 2nd Ave, upstairs), New
(6) YOU COULD LOOK IT UP. Kenneth R. Johnson says he has “posted a mildly updated version of one of
my on-line indexes” — “FANTASY
GOTHICS”, subtitled, “A comprehensive bibliography of modern Gothics
with genuine fantasy elements.”
About forty years ago I visited a fellow Science Fiction collector who introduced me to the concept of collecting “on the fringes.” I thought I was fairly knowledgeable about the Science Fiction and Fantasy books that had been in published in paperback, but when I examined his collection I saw a large number of books that I had not known about because they had not been marketed as Fantasy. I was especially drawn to the books that had been issued in other genres, such as Mysteries and Romances.
I was particularly struck by the large number of Gothics that were spread throughout his collection. I began looking for these particular crossovers in my visits to second-hand bookstores. Within a few years I had amassed a couple hundred books, but by the early 1980s the Gothic craze had waned and most publishers had dropped the category. The existing books gradually disappeared from the second-hand market. …
Scope of Index
This bibliography is restricted to mass-market paperback books published in the U.S. between the 1960’s and the 1980’s. The deciding factor in whether a book appears here, besides a genuine fantasy element, is how the book was labeled when published. If a particular book had several editions from a given publisher and at least one of them was marketed as a Gothic, then all of that publisher’s editions are listed. Any editions from a publisher who never labeled it as a Gothic are omitted.
(7) BOK WAS ALSO A VERBAL ARTIST. Robert T. Garcia has launched
a Kickstarter appeal to fund publication of “The
Fantastic Fiction of Hannes Bok: Three Fantasies by Bok” with Hannes
Bok’s three published solo novels:
Starstone World, The Sorcerer’s Ship, and Beyond
The Golden Stair (the
unedited version of the novel Blue
Includes an all-new introduction for this collection by Charles de Lint.
For two years I’ve been working on a project that got more interesting the further I got into it. Hannes Bok was one of the 20th Century’s best sf-fantasy-weird fiction artists. He was a painter with an eye for beautiful colors and flowing compositions in a time when sf art was very literal and staid. His paintings featured stylized figures, colors by Parrish, and a creative imagination that could only be Bok’s. And he could not be confined to one discipline in his creativity, there were paintings and line work, poetry and sculpture, intricate wood carvings and—of special interest here—fantasy novels: The Sorcerer’s Ship, Beyond the Golden Stair and Starstone World.
These aren’t your conventional fantasies, although all the trappings are there. They have a sly humor with plots full of twists and turns, stories which take the reader on strange metaphysical paths, and glorious descriptions that could only come from someone with a painter’s eye. Certainly not the most smoothly told tales, but as Lester Del Rey wrote about Beyond the Golden Stair: “in spite of its faults, it has the sense of enchantment so rarely found in most market fantasy. And since our world needs the glamor at least as much as it ever did, let us lose no chance.”
Here’s your chance to experience that glamor. All three of these books have been out-of-print for at least 48 years. That’s too long. They have been left behind, and should be part of the legacy of Hannes Bok, and part of the discussion of early 20th Century fantastic fiction.
At this writing, Garcia has raised $6,623 of the $11,999 goal.
The reason Romana’s regeneration was so unique is that the new actress, Lalla Ward, had already played a different role on the series. In the Season 16 serial “The Armageddon Factor,” the first Romana (Mary Tamm) and the Doctor encountered a character named Princess Astra, who also happened to have been played by Ward. So, when Ward was later cast as the new version of Romana in Season 17, it required an onscreen explanation.
In the scene, the Doctor is freaked out that Romana suddenly looks like someone they both had recently met. “But you can’t wear that body!” he protests. “You can’t go around wearing copies of bodies!” The newly regenerated Romana insists it didn’t matter. She likes the way Princess Astra looks and says they probably aren’t going back to the princess’s home planet of Atrios anyway.
(9) TODAY IN HISTORY.
September 3, 1953 — The 3-D movie Cat-Women of the Moonpremiered. It starred Marie Windsor and Victor Jory who on a scientific expedition to the Moon encounters a race of cat-women.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1810 — Theodor von Holst. He was the first artist to illustrate Shelley’s Frankenstein; or, The Modern Prometheus in 1831. The interior illustrations consist of a frontispiece and title page engraved illustrations. (Died 1844.)
Born September 3, 1943 — Mick Farren. Punk musician was the singer with the proto-punk band the Deviants who wrote also lyrics for Hawkwind. His most well-known genre work was the The Renquist Quartet about an immortal vampire. (Died 2013.)
Born September 3, 1943 — Valerie Perrine, 76. She has uncredited role as Shady Tree’s sidekick is Diamonds Are Forever in her first film appearance. Her first credited film role is as Montana Wildhack in Sluaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II.
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, Andrew J Offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of AIDS. Well, he died of toxoplasmosis, complicated by AIDS to be precise. (Did 1989.)
Born September 3, 1969 — John Picacio, 50. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Artist in 2012.
Born September 3, 1971 — D. Harlan Wilson, 48. Author of Modern Masters of Science Fiction: J.G. Ballard, Cultographies: They Live (a study of John Carpenter) and Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction. No, I’ve no idea what the last book is about.
Born September 3, 1974 — Clare Kramer, 45. She had the recurring role of Glory, a god from a hell dimension that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
Plus this “Happy Book Birthday” – Congratulations to Ellen
(11) COMICS SECTION.
Brewster Rockit treats us to more “famous parting words from defeated aliens.” Ook ook!
Half Full delivers sff’s answer to Fred Astaire and Ginger Rogers.
(12) MOONWALKING. It isn’t easy anywhere to get local
government to fix the streets,
Indian actor Poornachandra Mysore joined artist Baadal Nanjundaswamy to document the conditions of the roads in Bengaluru, India. In a creative way and wearing a spacesuit, the man decided to walk on these crater-like potholes as if he was walking on the moon.
Black Mountain is a crime-horror hybrid that takes the most entertaining elements of both genres and mixes them into something new that pushes the boundaries of contemporary crime fiction. From horror Barron grabs the fear of death, the tensions of knowing there is a killer out there and on the hunt, the gore of mutilated bodies and serrated knives digging into soft flesh. From crime he pulls mobsters, the existence of secrets that, if revealed, would lead to many murders. He also works with a level of violence that is rarely found in crime novels from big publishers.
With those elements on the table, Barron uses his elegant prose as glue. There is brutish behavior, but the words describing it are beautiful, mercilessly obliterating the imagined line between genre and literary fiction on almost every page…
In news to file under “What could possibly go wrong,” two U.S. deterrence experts have penned an article suggesting that it might be time to hand control of the launch button for America’s nuclear weapons over to artificial intelligence. You know, that thing which can mistake a 3D-printed turtle for a rifle!
In an article titled “America Needs a ‘Dead Hand,’” Dr. Adam Lowther and Curtis McGiffin suggest that “an automated strategic response system based on artificial intelligence” may be called for due to the speed with which a nuclear attack could be leveled against the United States. Specifically, they are worried about two weapons — hypersonic glide vehicles and hypersonic cruise missiles — which reduce response times to mere minutes from when an attack is launched until it strikes.
They acknowledge that such a suggestion is likely to “generate comparisons to Dr. Strangelove’s doomsday machine, War Games’ War Operation Plan Response, and The Terminator’s Skynet. But they also argue that “the prophetic imagery of these science fiction films is quickly becoming reality.” As a result of the compressed response time frame from modern weapons of war, the two experts think that an A.I. system “with predetermined response decisions, that detects, decides, and directs strategic forces” could be the way to go.
Wallops Island—a remote, marshy spit of land along the eastern shore of Virginia, near a famed national refuge for horses—is mostly known as a launch site for government and private rockets. But it also makes for a perfect, quiet spot to test a revolutionary weapons technology.
If a fishing vessel had steamed past the area last October, the crew might have glimpsed half a dozen or so 35-foot-long inflatable boats darting through the shallows, and thought little of it. But if crew members had looked closer, they would have seen that no one was aboard: The engine throttle levers were shifting up and down as if controlled by ghosts. The boats were using high-tech gear to sense their surroundings, communicate with one another, and automatically position themselves so, in theory, .50-caliber machine guns that can be strapped to their bows could fire a steady stream of bullets to protect troops landing on a beach.
Something odd was bubbling beneath the surface of northwest Montana’s Flathead Lake this summer. It wasn’t lake monsters, but submarines. The subs’ pilots were there to help cash-strapped researchers explore the depths of Flathead Lake for free.
It can be hard for research divers to see what’s at the bottom of deep bodies of water like Flathead Lake without special equipment and experience. So, having a couple of submarines around this summer was helpful to the University of Montana’s Flathead Lake Biological Research Station.
…Riders met British Columbia resident Hank Pronk, who was standing on his two-man submarine bobbing on the lake’s crystal-clear surface.
A useful hobby
Pronk and his fellow enthusiasts build their subs mostly by hand. Pronk’s sub, named the Nekton Gamma, is smaller than a compact car; climbing in is a squeeze.
Pro-democracy protesters in Hong Kong have been turning to a new app to communicate – one that does not use the internet and is therefore harder for the Chinese authorities to trace.
Bridgefy is based on Bluetooth and allows protesters to communicate with each other without internet connection.
Downloads are up almost 4,000% in the past two months, according to measurement firm Apptopia.
Texts, email and messaging app WeChat are all monitored by the Chinese state.
Bridgefy uses a mesh network, which links together users’ devices allowing people to chat with others even if they are in a different part of the city, by hopping on other users’ phones until the message reaches the intended person.
The range from phone to phone is within 100m (330ft).
The app was designed by a start-up based in San Francisco and has previously been used in places where wi-fi or traditional networks struggle to work, such as large music or sporting events.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Rich Lynch, Martin
Morse Wooster, Robert T. Garcia, Michael Toman, Chip Hitchcock, Cat Eldridge, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Rob Thornton.]
(1) DRESSING UP. An 11-minute video of cosplay at San Diego
San Diego Comic Con 2019, at the San Diego Convention Center. In its 50th year it was an hectic and news worthy convention with some really great costumes and creativity, thanks everyone for participating
(2) DUBLIN 2019 REMINDERS. The Hugo voting deadline is upon
Voting will end on 31 July 2019 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 07:59 Irish and British time, all on 1 August)
Professor Jennifer Zwahr-Castro is researching Worldcon, and investigating why we attend and what we get out of the experience. She would like to invite all Dublin 2019 attendees to take part in her research by filling out a survey.
(3) THE CHERRY ON THE TOP OF MT. TBR. An email from NESFA
Press tells me they are pleased to
announce two new ebooks available immediately–
Moskowitz, Sam, The Immortal Storm (978-1-61037-334-0)
Nielsen Hayden, Teresa, Making Book (978-1-61037-333-3)
(4) CLOSE READING. [Item by rcade.] Catherynne Valente tweeted that in 15 years
writing professionally, she doesn’t think she’s ever described the size of a
After some internal debate over whether I should, I broke the news to her that she had.
The overall thread has a lot of hilarious stuff in it. It starts here.
(5) BOOKER PRIZE LONGLIST. Margaret Atwood’s inclusion on
Book Prize Longlist was reported in yesterday’s Scroll – but here’s the
complete list, or
‘Booker Dozen’, as the cognoscenti say.
This year’s longlist of 13 books was selected by a panel of five judges: founder and director of Hay Festival Peter Florence (Chair); former fiction publisher and editor Liz Calder; novelist, essayist and filmmaker Xiaolu Guo; writer, broadcaster and former barrister Afua Hirsch; and concert pianist, conductor and composer Joanna MacGregor.
2019 longlist, or ‘Booker Dozen’, of 13 novels, is:
Margaret Atwood (Canada), The
Testaments (Vintage, Chatto & Windus)
Kevin Barry (Ireland), Night
Boat to Tangier (Canongate Books)
(UK/Nigeria), My Sister, The Serial Killer (Atlantic Books)
The rising academic interest in the zombie as an allegory for cultural and social analysis is spanning disciplines including, humanities, anthropology, economics, and political science. The zombie has been used as a metaphor for economic policy, political administrations, and cultural critique through various theoretical frameworks. The zombie has been examined as a metaphor for capitalism, geopolitics, globalism, neo-liberal markets, and even equating Zombiism to restrictive aspects of academia.
On a recent morning, 15 teenage girls and young women reported for duty at an office overlooking the Pentagon. Their mission: Save the world from nuclear war.
“This is where I want you to stop being you,” said Stacie Pettyjohn, a political scientist at the RAND Corporation, a defense think tank. “You’re going to have to start to role-play.”
Pettyjohn was leading a war-game exercise on North Korea. Typically, military commanders and policymakers use war gaming to test strategies and their likely consequences. But nothing about this game was typical. It was designed by women — RAND’s “Dames of War Games” — for teenagers from Girl Security, a nonprofit that introduces girls to defense issues. The partnership was a first for both groups; it’s among a series of recent efforts to boost women’s participation in national security.
“You have to fight,” Pettyjohn told the teens. “You are the military commanders.”
The scenario Pettyjohn laid out was bleak. U.S. talks with North Korea had collapsed, and deadly tit-for-tat attacks had spiraled into open conflict on the Korean Peninsula. Half the teens would join the blue team, assuming the roles of U.S. and allied South Korean generals. The others went to the red team, playing North Korean leaders determined to stay in power.
(8) SOMEDAY MY BLUEPRINTS
WILL COME. Curbed’s Angela Serratore shares credit with architects
of the Eighties and Nineties for corporate Disney’s current world domination: “The
magical (postmodern) world of Disney”.
It was 1991 and Michael Eisner was on the brink of changing everything.
After becoming the CEO of the Walt Disney Company in 1984, Eisner, a native New Yorker, set out to turn the old-fashioned Disney brand into one that would speak not just to the present moment but also, crucially, to the future. During his tenure, the company would eventually acquire the television network ABC and the sports behemoth ESPN and produce films that would come to define the Disney Renaissance—The Little Mermaid, Beauty and the Beast, The Lion King, and Aladdin, among others.
An amateur architecture and design buff, Eisner also understood that a company like Disney ought to have a real presence—theme parks, of course, but also office buildings, studios, and hotels. What if, his design philosophy seemed to suggest, people could look up at Disney headquarters in Burbank or Orlando and feel the same awe and delight they must’ve felt on Disneyland’s opening day?
We all wish we could change the past, at least some of the time. Relationships, elections, conversations: there are countless moments in our lives we’d love the chance to rework, or simply reimagine. Living in an era when we can easily tweak the small (delete a sentence, crop an image) but feel helpless when facing the large (political turmoil, climate change), it’s hard not to fantasize about reworking our histories.
But this inclination is not new. Attempting to rework the past, at least on paper, has been the outlet of artists and authors for as long as people have been wishing for different endings. “As If: Alternative Histories From Then to Now,” an exhibition at the Drawing Center, presents eighty-four works from 1888 to the present that “offer examples of how we might reimagine historical narratives in order to contend with the traumas of contemporary life.”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 25, 1907 — Cyril Luckham. He played the White Guardian on Doctor Who. He appeared in The Ribos Operation episode, The Key to Time season during the Era of the Fourth Doctor, and the Enlightenment story during the Era of the Fifth Doctor. He was also Dr. Meinard in the early Fifties Stranger from Venus (a.k.a. Immediate Disaster and The Venusian). (Died 1989.)
Born July 25, 1921 — Kevin Stoney. He appeared in three serials of the science fiction series Doctor Who over a period of ten years, playing Mavic Chen in The Daleks’ Master Plan during the time of the First Doctor, Tobias Vaughn in The Invasion during the time of the Second Doctor and Tyrum in Revenge of the Cybermen during the time of the Fourth Doctor. Other genre credits include: The Adventures of Robin Hood, Danger Man, The Avengers, The Prisoner, Doomwatch, The Tomorrow People, Space: 1999, The New Avengers, Quatermass, and Hammer House of Horror. (Died 2008.)
Born July 25, 1922 — Evelyn E. Smith. She has the delightful bio being of a writer of sf and mysteries, as well as a compiler of crossword puzzles. During the 1950s, she published both short stories and novelettes in Galaxy Science Fiction, Fantastic Universe and The Magazine of Fantasy & Science Fiction. Her SF novels include The Perfect Planet and The Copy Shop. A look at iBooks and Kindle shows a twelve story Wildside Press collection but none of her novels. (Died 2000.)
Born July 25, 1937 — Todd Armstrong. He’s best known for playing Jason in Jason and the Argonauts. A film of course that made excellent by special effects from Ray Harryhausen. His only other genre appearance was on the Greatest American Hero as Ted McSherry In “ A Chicken in Every Plot”. (Died 1992.)
Born July 25, 1948 — Brian Stableford, 71. I am reasonably sure that I’ve read and enjoyed all of the Hooded Swan series a long time ago which I see has been since been collected as Swan Songs: The Complete Hooded Swan Collection. And I’ve certainly read a fair amount of his short fiction down the years.
Born July 25, 1973 — Mur Lafferty, 46. Podcaster and writer. Co-editor of the Escape Pod podcast with Divya Breed, her second time around. She is also the host and creator of the podcast I Should Be Writing which won aParsec Award for Best Writing Podcast. She is also the Editor-in-Chief of the Escape Artists short fiction magazine Mothership Zeta. And then there’s the Ditch Diggers podcast she started with Matt Wallace which is supposed to show the brutal, honest side of writing. For that, it won the Hugo Award for Best Fancast in 2018, having been a finalist the year before. Fiction-wise, I loved both The Shambling Guide to New York City and A Ghost Train to New Orleans with I think the second being a better novel.
The man who came up with Twitter’s retweet button has likened it to “handing a four-year-old a loaded weapon”, in an interview with BuzzFeed.
Developer Chris Wetherell said no-one at Twitter had anticipated how it would alter the way people used the platform.
…He told BuzzFeed that he thought the retweet button “would elevate voices from under-represented communities”.
Previously people had to manually retweet each other by copying text and typing RT and the name of the tweeter but once the process was automated, retweeting meant popular posts quickly went viral.
While some went viral for good reasons, such as providing information about natural disasters, many others were not so benign.
Gamergate – a harassment campaign against women in the games industry – was one example of how people used the retweet to co-ordinate their attacks, Wetherell told BuzzFeed, describing it as a “creeping horror story”.
“It dawned on me that this was not some small subset of people acting aberrantly. This might be how people behave. And that scared me to death.”
Before humans headed up there, animals were the first living creatures that were sent into space. But India will now become the first nation to fly a spacecraft with only humanoid robots. Science writer Pallava Bagla reports.
The Indian government has sanctioned $1.4bn (£1.1bn) to the Indian Space Research Organisation (Isro) for its first manned space flight by 2022.
…To date – using indigenously made rockets – Russia, the US and China have sent astronauts into space. If India can achieve this, it will become the fourth country to launch humans into space from its own soil.
But, unlike other nations that have carried out human space flights, India will not fly animals into space. Instead, it will fly humanoid robots for a better understanding of what weightlessness and radiation do to the human body during long durations in space.
Nasa is finding out how people cope with the demands of long space missions at its Human Exploration Research Analog (Hera).
For 45 days a crew of four people live in a habitat which simulates a mission to Phobos, a moon that orbits the planet Mars.
The crew carry out daily maintenance tasks on board, enjoy views of space from the capsule window and keep in contact with mission control via a five minute delay, meaning that a response to a communication takes 10 minutes.
…Generally, it takes a novel that breaks out of the YA spaces and gains visibility in some of the more SFF communities that I engage with (see, Children of Blood and Bone) or has some aspect that catches the attention of those communities (see, Dread Nation) or are beloved by commentators I deeply admire and respect (see, Tess of the Road). Also, I almost said the “wider SFF communities”, but that would not have been correct because YA publishing and readership is absolutely huge and has a significant overlap in science fiction and fantasy that should not be understated.
This is all to say that I was familiar with three of the novels on the ballot, and I was excited to read everything here to see which novels would break out into my list of new favorites. At least one, and let’s find out which….
Rifts over a dormant volcano in Hawaii have resurfaced in recent days, pitting the state’s culture and history against its ambitions.
Plans for a powerful new telescope near the summit of the Mauna Kea volcano could bring in hundreds of jobs and boost science and the economy. But some native Hawaiians insist the site is sacred and that the long-planned construction should not go ahead.
Last week, protesters blocked access to the building site on Mauna Kea, the tallest mountain in the world when measured from its underwater base. At least 33 people were arrested, given citations and released.
Hawaii’s governor has issued an “emergency proclamation” that increases powers to break up the blockade but said he wanted to find a “peaceful and satisfactory” solution for both sides.
Here, some of the people at the centre of the debate explain what Mauna Kea and the Thirty Meter Telescope (TMT) project mean to them.
Silvia Moreno-Garcia is an author I’d follow into almost any genre, and that’s a good thing given how varied her career has been so far. From the 80’s nostalgia-heavy Signal to Noise to the romance fantasy of manners The Beautiful Ones, to the criminally underrated sci-fi novella Prime Meridian and even the editorial work she does on The Dark Magazine (a recent addition to my short fiction rounds), Garcia brings talent, nuance and a particular eye for female characters challenging overwhelming imbalances in power over the forces against them. Now, in Gods of Jade and Shadow, Moreno-Garcia brings her talents to a historic fantasy where 1920’s Jazz Age Mexico meets the gods and monsters of Mayan mythology, taking protagonist Casiopea Tun on an unexpected but long-dreamed-of adventure with a deposed Lord of the Underworld….
A French inventor has failed in his attempt to cross the English Channel on a jet-powered flyboard.
Franky Zapata, a former jet-ski champion, had been hoping to cross from northern France to southern England in just 20 minutes.
But the 40-year-old fell into the water halfway across as he tried to land on a boat to refuel.
He took off from near Calais on Thursday morning and was heading for St Margaret’s Bay in Dover.
Mr Zapata was not injured when he fell and later announced he was planning a second bid to fly across the Channel next week.
(19) FIRE ONE. James Gleick traces the long,
fictional effort to infect Earthlings with “Moon
Fever” at New York Review of Books.
…The first moon landing was at once a historical inevitability and an improbable fluke. Inevitable because we had already done it so many times in our storytelling and our dreams. Astonishing, even in hindsight, because it required such an unlikely combination of factors and circumstances. “The moon, by her comparative proximity, and the constantly varying appearances produced by her several phases, has always occupied a considerable share of the attention of the inhabitants of the earth,” remarks Jules Verne in his fantastic tale From the Earth to the Moon (1865). The French fabulist imagined that the pioneers of space would be none other than Les Yankees: “They had no other ambition than to take possession of this new continent of the sky, and to plant upon the summit of its highest elevation the star-spangled banner of the United States of America.”
To get there, Verne proposed a projectile fired from a giant gun. He had probably read Edgar Allan Poe’s story “The Unparalleled Adventure of One Hans Pfaall” (1835), in which a Dutchman journeys to the moon by lighter-than-air balloon and meets the inhabitants, “ugly little people, who none of them uttered a single syllable, or gave themselves the least trouble to render me assistance, but stood, like a parcel of idiots, grinning in a ludicrous manner.” Like Poe, Verne embellished his story with a great deal of plausible science involving computations of the moon’s elliptical orbit, the distances to be traveled at apogee or perigee, the diminishing force of gravitation, and the power of exploding gunpowder….
The speed and extent of current global warming exceeds any similar event in the past 2,000 years, researchers say.
They show that famous historic events like the “Little Ice Age” don’t compare with the scale of warming seen over the last century.
The research suggests that the current warming rate is higher than any observed previously.
The scientists say it shows many of the arguments used by climate sceptics are no longer valid.
When scientists have surveyed the climatic history of our world over the past centuries a number of key eras have stood out.
These ranged from the “Roman Warm Period”, which ran from AD 250 to AD 400, and saw unusually warm weather across Europe, to the famed Little Ice Age, which saw temperatures drop for centuries from the 1300s.
The events were seen by some as evidence that the world has warmed and cooled many times over the centuries and that the warming seen in the world since the industrial revolution was part of that pattern and therefore nothing to be alarmed about.
Three new research papers show that argument is on shaky ground.
The science teams reconstructed the climate conditions that existed over the past 2,000 years using 700 proxy records of temperature changes, including tree rings, corals and lake sediments. They determined that none of these climate events occurred on a global scale.
(21) TRAILER PARK. From the novel The Future of Another Timeline,
by Annalee Newitz, comes a riot grrl band called Grape Ape. They are lost to
our timeline, but you can see them here in all their glory. The Future of
Another Timeline comes out from Tor Books on Sept. 24, 2019.
[Thanks to rcade, JJ, John King Tarpinian, Andrew Porter, Carl
Slaughter, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Michael Toman, mlex,
Anthony Lewis, and Cat Eldridge for some of these stories. Title credit goes to
File 770 contributing editor of the day Anna Nimmhaus.]
Rutger Hauer, the versatile Dutch leading man of the ’70s who went on star in the 1982 “Blade Runner” as Roy Batty, died July 19 at his home in the Netherlands after a short illness. He was 75.
Hauer’s agent, Steve Kenis, confirmed the news and said that Hauer’s funeral was held Wednesday.
His most cherished performance came in a film that was a resounding flop on its original release. In 1982, he portrayed the murderous yet soulful Roy Batty, leader of a gang of outlaw replicants, opposite Harrison Ford in Ridley Scott’s sci-fi noir opus “Blade Runner.” The picture became a widely influential cult favorite, and Batty proved to be Hauer’s most indelible role.
More recently, he appeared in a pair of 2005 films: as Cardinal Roark in “Sin City,” and as the corporate villain who Bruce Wayne discovers is running the Wayne Corp. in Christopher Nolan’s “Batman Begins.”
… Hauer increasingly turned to action-oriented parts in the ‘80s: He toplined the big-budget fantasy “Ladyhawke” (1985), reteamed with fellow Hollywood transplant Verhoeven in the sword-and-armor epic “Flesh & Blood” (1985), starred as a psychotic killer in “The Hitcher” (1986), and took Steve McQueen’s shotgun-toting bounty hunter role in a modern reboot of the TV Western “Wanted: Dead or Alive” (1986).
Let’s get the monologue on the table, first thing, because he wrote it himself, and it’s brilliant:
“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I’ve watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain.”
That’s Rutger Hauer in Blade Runner, playing the artificial person Roy Batty in his death scene…
… Then, in 2017, a friend introduced me to Roll20, an online platform that serves as a digital tabletop, and everything changed. On a computer, I have the power to alter my settings—I can zoom in, change colors, and make whatever tweaks I need in order to make things accessible for my specific visual impairment. And things I lacked the power to change, my DM could: giving tokens borders with higher contrast, adjusting the lighting on a map, or—if I got lost looking for something—shifting my view in the direction I needed to be focusing.
I could roll dice directly on the platform and see my result easily, and best of all, I had a digital character sheet I could alter easily and at will, rather than a few pieces of paper I’d require another player to edit for me. And then I discovered other websites, like DnDBeyond, which made it easy to look up stats and spells online—again, in a medium far more accessible for me.
I still required a dungeon master willing to take the time to describe certain things to me and to make whatever color and contrast adjustments I needed, but even playing with strangers via Roll20’s Looking For Game system, my experience has been positive. Thanks to the websites I used, the things I needed didn’t require all that much work on their end, and now I was able to fully immerse myself in a hobby I’d once believed would be impossible for me because of my disability.
In 2018, when Sony Interactive Entertainment unveiled the latest versions of two of its top-grossing video game titles — “God of War” and “Marvel’s Spider-Man” — they included new features that meant a lot to a specific subset of players: those with disabilities. To aid people with motor skill impairments, for instance, “God of War” introduced an option to press and hold a single button instead of tapping it repeatedly; it also let players with hearing disabilities adjust individual audio settings such as volume, dialogue and sound effects. For players with visual impairments, the subtitles in “Spider-Man” are now resizable and include tags that always indicate who is speaking.
Five years ago, according to Sam Thompson, a managing senior producer at Sony Interactive, it was possible to count on one hand the number of video games that had features catering to people with disabilities. Today, there are hundreds of such games. The shift, says Thompson, is “kind of amazing” — and he gives credit to a small nonprofit in Harpers Ferry, W.Va.
The group, called AbleGamers, was the brainchild of Mark Barlet, a 45-year-old disabled Air Force veteran and entrepreneur…
… Where to start? Whether you’re a longtime fan of GOOD OMENS, Gaiman’s funny book about the apocalypse co-written with the late Terry Pratchett almost 30 years ago, or a new convert thanks to the sparkling new Amazon/BBC series, now is the perfect time to hear (or revisit) the audiobook.
… For something darker that’s perfect for an extended road trip, Gaiman’s 2001 epic novel AMERICAN GODS, in which old gods clash with new ones, also comes in two unabridged versions: one narrated by Golden Voice George Guidall, and a Tenth Anniversary Edition performed by a full cast. Can’t get enough gods? Follow up with ANANSI BOYS, about trickster god Anansi, read by Lenny Henry, and NORSE MYTHOLOGY, read by Gaiman.
… In the mood for nonfiction?THE VIEW FROM THE CHEAP SEATSand ART MATTERS collect Gaiman’s essays and speeches and will give listeners insights into Gaiman’s wide-ranging interests and his writing process—and maybe even inspire you to make your own art.
…Yet, in the end, Humphrey Carpenter failed in his attempt to throw the Inklings into the dustbin of irrelevance; because overall the book had the opposite effect of its intent – awakening for many, such as myself, a long-term and intense fascination with a ‘group of friends’ who were also, in reality, so much more than merely that.
(6) FROM THE BEEB. [Item by SF Concatenation’s Jonathan
Cowie.] BBC Radio 4 has aired the
second in the science and SF series Stranger Than Sci-Fi where astro-physicist
Dr Jen Gupta and comedian Alice Fraser travel the parallel worlds of science
Last week’s was on artificial wombs. Today’s is
on black holes (or frozen stars if you are of Russian persuasion and wish to
avoid the rude connotation) — “Black
The program will be downloadable from BBC for a month
once it is broadcast
Mr. Krassner was writing freelance pieces for Mad magazine in 1958 when he realized that there was no equivalent satirical publication for adults; Mad, he could see, was largely targeted at teenagers. So he started The Realist out of the Mad offices, and it began regular monthly publication. By 1967 its circulation had peaked at 100,000.
“I had no role models and no competition, just an open field mined with taboos waiting to be exploded,” Mr. Krassner wrote in his autobiography.
The magazine’s most famous cartoon was one, drawn in 1967 by the Mad artist Wally Wood, of an orgy featuring Snow White, Donald Duck and a bevy of Disney characters enjoying a variety of sexual positions. (Mickey Mouse is shown shooting heroin.) Later, digitally colored by a former Disney artist, it became a hot-selling poster that supplied Mr. Krassner with modest royalties into old age.
(9) TODAY IN HISTORY.
July 24, 1948 — Debut of Marvin the Martian in Bugs Bunny’s “Haredevil Hare.”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 24, 1802 — Alexandre Dumas. The Three Musketeers and Twenty Years After. Are they genre? Good question. (Died 1870.)
Born July 24, 1878 — Lord Dunsany whose full name and title was a jaw dropping Edward John Moreton Drax Plunkett, 18th Baron of Dunsany. So ISFDB lists him as genre for the Jorkens body of work among works. H’h. Gary Turner, who some of you will recognize from Golden Gryphon Press and elsewhere, reviewed The Collected Jorkens: Volumes One, Two, and Three, for Green Man, so I’ve linked to the review here. They also list The King of Elfland’s Daughter which I’m going to link to another review on Green Man as it’s an audio recording with a very special guest appearance by Christopher Lee. (Died 1957.)
Born July 24, 1895 — Robert Graves. Poet, historical novelist, critic. Author of, among other works, The White Goddess (a very strange book), two volumes called the Greek Myths, Seven Days in New Crete which Pringle has on his Best Hundred Fantasy Novels list and more short fiction that bears thinking about. (Died 1985.)
Born July 24, 1916 — John D. MacDonald. Primarily a mystery writer whose Travis McGee series I enjoyed immensely, he wrote a handful of genre works including the sublime The Girl, the Gold Watch & Everything. ISFDB lists a collection, End of the Tiger and Other Short Stories, which I presume is genre. (Died 1986.)
Born July 24, 1936 — Mark Goddard, 83. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh, and he was an unnamed General in the Lost in Space film.
Born July 24, 1945 — Gordon Eklund, 74. He won the Nebula for Best Novelette for “If the Stars Are Gods”, co-written with Gregory Benford. They expanded it into a novel which was quite good if I remember correctly. So would anyone care to tell the story of how he came to write the Lord Tedric series which was inspired by an E.E. Doc Smith novelette?
Born July 24, 1951 — Lynda Carter, 68. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer; Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin In Supergirl.
Born July 24, 1964 — Colleen Doran, 55. Comics artist and writer. work worth particularly worth noting she’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, “Troll Bridge” by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, in the “Dream Country” and “A Game of You”. She’s tuckerised Into Sandman as the character Thessaly is based on Doran.
Born July 24, 1981 — Summer Glau, 38. An impressive run in genre roles as she’s was. River Tam in Firefly and of course Serenity, followed by these performances: Tess Doerner in The 4400, as Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (Is this worth seeing seeing?), Skylar Adams in Alphas and lastly Isabel Rochev who is The Ravager in Arrow.
Born July 24, 1982 — Anna Paquin, 37. Sookie Stackhouse in the True Blood series. Rogue in the X-Men franchise. She also shows up in Philip K. Dick’s Electric Dreams as Sarah in the “Real Life” episode.
Poorly Drawn Lines has a funny entry that actually references the phrase “sense of wonder.”
… You might think that I, who was the target of much Sad Puppy whining and mewling, would be sitting here happily munching on popcorn while this bit of Wikidrama unfolds. But in fact I think the deletion attempt is a problem. Neither Williamson nor Hoyt are exactly on my Christmas card list at the moment, but you know what? Both of them are solid genre writers who for years have been putting out work through a major genre publisher, and who are both actively publishing today. They are genuinely of note in the field of science fiction and fantasy. One may think their politics, in and out of the genre, are revanchist as all fuck, or that their tenure and association with the Puppy bullshit didn’t do them any favors, or that one just doesn’t care for them on a day-to-day basis for whatever reason. But none of that is here or there regarding whether, on the basis of their genre output, they are notable enough to be the subject of a damn Wikipedia article. They are! Wikipedia notability is kind of a middlin’-height bar, and they get themselves over it pretty well.
Or to flip it around, if neither Williamson nor Hoyt is notable enough for inclusion in Wikipedia, there’s gonna be some bloodletting in the site’s category of science fiction and fantasy writers, because there are a fair number of Wikipedia-article-bearing genre authors who are no more notable than Hoyt or Williamson. If they go, there are legitimately many others on the chopping block as well.
According to Camestros
Scalzi is wading into the Wiki-fuss”, Scalzi also made entries to the
Wikipedia deletion discussion itself. He probably did, and although the links aren’t
working for me Camestros has the full quotes anyway.
(13) FUTURE SHOCK. [Item by Olav Rokne.] Writing in The New Yorker, Emily Nussbaum takes
a look at the BBC/HBO co-produced near-future science fiction series Years
And Years. The series, which is built around the conceit of moving
through years at a rapid pace — often three years in a one-hour episode,
provides a mostly-realistic future that won’t fill many viewers with
hope. ““Years and Years” Forces Us Into the Future”.
“Years and Years” keeps leaping forward, forcing us into the future, as the economy crumbles, the ice caps melt, authoritarianism rises, and teen-agers implant phones into their hands. It’s an alarmist series, in a literal sense: it’s meant to serve as an alarm, an alert to what’s going on in front of our eyes, and where that might lead, if we don’t wake up.”
In the wake of Boris Johnson’s elevation to the post
of Prime Minister, I’d say that the series might seem overly optimistic about
the future of the United Kingdom. But I’d heartily recommend seeking out the
Do you remember the good old days when we had “12 years to save the planet”?
Now it seems, there’s a growing consensus that the next 18 months will be critical in dealing with the global heating crisis, among other environmental challenges.
Last year, the Intergovernmental Panel on Climate Change (IPCC) reported that to keep the rise in global temperatures below 1.5C this century, emissions of carbon dioxide would have to be cut by 45% by 2030.
But today, observers recognise that the decisive, political steps to enable the cuts in carbon to take place will have to happen before the end of next year.
The idea that 2020 is a firm deadline was eloquently addressed by one of the world’s top climate scientists, speaking back in 2017.
“The climate math is brutally clear: While the world can’t be healed within the next few years, it may be fatally wounded by negligence until 2020,” said Hans Joachim Schellnhuber, founder and now director emeritus of the Potsdam Climate Institute.
The sense that the end of next year is the last chance saloon for climate change is becoming clearer all the time.
Comedian and broadcaster Sir Michael Palin is to have surgery to fix a “leaky valve” in his heart.
The Monty Python member discovered a problem with his mitral valve – a small flap that stops blood flowing the wrong way around the heart – five years ago.
It had not affected his general fitness until earlier this year, he said.
“Recently, though, I have felt my heart having to work harder and have been advised it’s time to have the valve repaired,” he wrote on his website.
“I shall be undergoing surgery in September and should be back to normal, or rather better than normal, within three months.”
(17) PICARD & COMPANY. TV Line did a mass
interview — “’Star Trek: Picard’
Cast on the Return of Patrick Stewart’s Iconic Captain.”
The cast of ‘Star Trek: Picard’ previews the CBS All Access series with TVLine’s Kim Roots at San Diego Comic-Con 2019.
[Thanks to John A Arkansawyer, John King Tarpinian, JJ, Mike
Kennedy, Hampus Eckerman, SF Concatenation’s Jonathan Cowie, Martin Morse
Wooster, Chip Hitchcock, Cat Eldridge, Olav Rokne, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Jack Lint.]