Rotsler Award Exhibit at Worldcon 76

By John Hertz: Andrew Porter shot these fine photos of the Rotsler Award exhibit at the 76th World Science Fiction Convention.

Some Worldcons have nicknames.  This year’s Worldcon was just “Worldcon 76” .

In fact I know people whose nickname is “Nick”.  Maybe you do too.

I digress.

The Rotsler is for long-time wonder-working with graphic art in amateur publications of the science fiction community.  The current judges are Sue Mason, Mike Glyer, and me.  It’s named for Bill Rotsler (1926-1997), a long-time wonder-worker.  It’s ordinarily announced at Loscon.

We try to put up an exhibit at the Worldcon showing sample work by all the winners to date.  The exhibits have been curated by me, recently with first-rate layout and electronics help from Elizabeth Klein-Lebbink.

In building the exhibit I try to choose images that are both representative of the artist, and visually interesting for themselves.  If you happen to know the context, or some of the in-jokes, that might be more fun, but (if I do it right) you needn’t.  The exhibit is designed (I hope) so you can look at it as you go by, or stop and study.

You’ll see from Brother Porter’s photos that winners each have a section, with their name and year at the top.  Also there’s a section about fanzines, and one about Brother Rotsler and the Award.  Many of the images appeared in fanzines.  There are a few other things, like cards from Bruce Pelz’ Fantasy Showcase Tarot Deck.

The Award is sponsored by the Southern California Institute for Fan Interests, a California non-profit corporation (yes, its initials spell SCIFI – pronounced “skiffy”) – and, because this is fandom, where every day is Anything Can Happen Day, SCIFI the sponsor of the Award is not the sponsor of Loscon where it’s announced.  We are large, we contain multitudes.

Some but by no means all fanart (which, like “fanwriting”, I make one word; a loudspeaker is not the same as a speaker who is loud, a boyfriend or girlfriend is not the same as a boy or girl who is a friend) can be found in Electronicland; if you live there, Bill Burns’ Website eFanzines.com is worth a look.  As to the rest, seek and ye shall find.  If you have nothing better to do (and if you have, do that), you can always write to me, 236 S. Coronado St., No. 409, Los Angeles, CA 90057, U.S.A.

Photos taken by and (c) Andrew Porter. Click for larger view.

Rotsler Award Exhibit at Midamericon II

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Rotsler Award exhibit at MidAmeriCon II. Photos by Kenn Bates.

By John Hertz: Midamericon II was the 74th World Science Fiction Convention, held at Kansas City, Missouri, August 17-21, 2016. The 34th, now known as Midamericon I, was there in 1976.

The Rotsler Award, named for Bill Rotsler (1926-1997), is given annually for long-term wonder-working with graphic art in amateur publications of the S-F community. The winner is determined by a panel of judges, currently Mike Glyer, Sue Mason, and me.

Founded in 1998, the Rotsler is sponsored by the non-profit Southern California Institute for Fan Interests, Inc. At Loscon, the annual L.A. convention over the United States’ Thanksgiving weekend in November (Loscon XLIII was 25-27 Nov 16), the winner is announced and a sample of the winner’s work exhibited.

I try to exhibit all the winners to date at the Worldcon. Two exhibits I was particularly happy about were at Denvention III (66th Worldcon; Denver, Colorado, 2008), where Spike contributed those handsome black foam-core panels, and Lonestarcon III (71st; San Antonio, Texas, 2013), where volunteers helped me choose samples visually interesting to folks who might not know fanzines.

Elizabeth Klein-Lebbink contributed her electronic wizardry to the MAC II exhibit; also a fine design sense, and not being very active in the fanzine world she could temper my enthusiasm for reference jokes. For Chicon VII (70th Worldcon; Chicago, Illinois, 2012) she’d helped marvelously with an exhibit in honor of Diane Dillon and in memory of Leo (1933-2012).

With a few hours at Klein-Lebbink’s equipment — well, more than a few, actually — we were able to print a Rotsler Award exhibit on six-foot-long banners. I took them to MAC II and didn’t have to get dozens of images enlarged by photocopy, mounted on colored construction paper, and hung with binder clips from hooks set in pegboard panels.

The banners looked swell. Kenn Bates kindly photographed them.

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Loscon is hosted by LASFS, the L.A. Science Fantasy Society, oldest S-F club on Earth. I rhyme LASFS with joss fuss, but Morris Keesan said “That’s your dialect,” and Len Moffatt rhymed it with sass mass. I miss them.

SCIFI (of course that’s what the initials spell; despite the power of Forry Ackerman, pronounced skiffy) has among other things produced Worldcons, Westercons (West Coast Science Fantasy Conference), a NASFiC (North America Science Fiction Convention, held when the Worldcon is overseas), and the second (1992, hardbound) edition of Harry Warner’s history of 1950s fandom A Wealth of Fable.

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Artwork by ATom.

Artwork by Brad Foster.

Artwork by Brad Foster.

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Artwork by Kurt Erichsen.