Pixel Scroll 2/17/22 I Have No Internet And I Must Stream

(1) BREATHTAKING. Here’s a chance to admire Nalo Hopkinson’s magnificent SFWA Grand Master award.

(2) SILVER Q&A. Sea Lion Press’ Gary Oswald has a conversation with a co-founder of the Sidewise Awards for Alternate History: “Interviewing the AH Community: Steven H Silver”.

In 2020, a Sea Lion Press story won a Sidewise Award for the first time. Most Sidewise winners are paper novels by major book publishers which sell in the thousands so it was exciting to us that an ebook by a minor publisher with more modest sales could win it. You’re obviously not the only judge but do you consider popularity or legitimacy at all or would you be happy to vote for a self published ebook with barely any sales if you felt the work was good enough?

I try to read each story or novel for the Sidewise Award pretending I know nothing of its provenance. I try to ignore who the author is, who published it, or the way it got to press. To me, it is about the story being told and the way it is told. I try to judge each book on two levels. Is it a good/interesting alternate history and is it a well written book. I’ve voted down books I like because they were strong in one of those two categories, but weak in the other. If the writing isn’t good, the concept doesn’t matter and if the writing is good but the alternate history is weak, it is hard to consider it a contender….

(3) WHO CAN RESIST CETACEANS? [Item by Ben Bird Person.] Artist JohannesVIII (@ViiiJohannes) did this piece of two humpback whales assimilated as Borg from Star Trek.

(4) FANHISTORY ZOOM. Fanac.org’s next Fan History Project Zoom Series presentation is happening on February 26. To RSVP, or find out more about the series, please send a note to fanac@fanac.org.

  • Death Does Not Release You – LASFS Through the Years with Craig Miller (M), Tim Kirk, Ken Rudolph and Bobbi Armbruster

Date: February 26, 2022
Time: 4pm EST, 1pm PST, 9PM London, 8AM Sunday AEDT (Melbourne)

LASFS is unique – in its history and impact on fandom. LASFS has a clubhouse, a long list of professional writers that have been members, and has had an incredibly active fan group over the decades. Los Angeles area fandom has produced innumerable fanzines, six Los Angeles Worldcons (and many other conventions). Join us for a session with our real world AND fannishly accomplished participants – convention runners (including a Worldcon chair), a noted fan and professional artist, and a fanzine editor, all past or present LASFS members – in conversation about Los Angeles fandom from the inside.

Upcoming Fanac.org fanhistory Zooms are:

  • March 19 — Traveling Ghiants, Fan Funds from the Days of Mimeo to the Days of Zoom

Geri Sullivan (m), Lesleigh Luttrell (DUFF), Justin Ackroyd (GUFF) and Suzle Tompkins (TAFF)

4pm EDT, 1pm PDT, 8pm London, 7am AEDT (Melbourne) – 

  • April 23 — Fandom From Both Sides

Joe Haldeman and Gay Haldeman

2pm EDT, 11am PDT, 7pm London – 

(5) OMICRON AT ANIME NYC. [Item by Mike Kennedy.] The CDC has published a study of what ABC News identifies as the 2021 Anime NYC COVID-19/Omicron outbreak. The function isn’t named in the study, but details that are given match that convention. “Omicron spread quickly at convention in New York City — but boosters helped at ABC News.

…According to convention rules, attendees were required to have received at least one COVID-19 vaccine dose and wear masks indoors.

The first case was reported to the CDC by the Minnesota Department of Health on Dec. 2 in a man — called Patient A — who had flown to New York City for the convention, the report said.

For the report, the CDC teamed up with the MDH and state and local departments across the country interviewing Patient A, and 23 of his 29 close contacts from 13 states who also attended the convention.

Patient A had traveled to New York City on November 18. He was fully vaccinated and received a booster shot earlier in November, according to the authors.

However, he developed symptoms on Nov. 22 and subsequently tested positive for COVID-19, after which he notified all his close contacts, the report said.

Of the 23 attendees contacted, 16 tested positive for the virus, equating to an attack rate of 70%.

All the contacts were fully vaccinated, but only 11 had received a booster dose before going to the convention, according to the report. The authors indicate that having a booster dose lowered the odds of testing positive for COVID-19.

Ten of the 12 people, or 83%, who didn’t receive a booster tested positive for the virus while six of the 11 people, 55%, who tested positive were boosted, meaning there were 1.5 times fewer infections in boosted individuals….

(6) TEXMOOT CALL FOR PAPERS. Signum University is hosting a hybrid event, TexMoot 2022, whose theme is “Starships, Stewards, and Storytellers: How Imaginary Worlds Teach Us to Care for This One”. It takes place in Austin, TX on March 26. Registration costs $50 for on-site participants, $25 for online attendees, and $15 for students in either mode. To register, click here. The complete call for papers is here.

In 2022, Signum University’s Annual Texas Language and Literature Symposium (TexMoot) invites you to join us as we consider the ethical turn in speculative fiction: How do imaginary worlds teach us to care for this one?

From ecological concerns to social commentary, science fiction and fantasy offer readers a mirror through which to view our own world. For example, the struggles of a terraforming planet may remind us how precious and fragile is the one we live on. The real-world conflict between nature and technology comes to life on the page when trees march to war. We may find insights into how to interact with people around us by spending time with characters in a fellowship—or on a starship. 

At TexMoot 2022, you will explore questions like: How do we relate to the Other—the “monsters” and “aliens” beyond the bulkhead door? What roles can technology play in preserving nature or reinforcing what makes us human? Do humans change the nonhuman environment, or are they inevitably changed by it? Is there really a clear line between the human and the nonhuman, anyway? And whose responsibility is it to preserve “civilization” and transmit its legacy to future generations?

TexMoot 2022 will also investigate the ways authors convey these commentaries. What literary techniques best serve the message; at what point does a work cross the line into propaganda? When does the message serve the story, and when does the story serve the message?

The TexMoot Team is looking for both traditional academic papers (of about 15 minutes) and shorter discussion prompts in which the presenter talks for 5 minutes and ends with a provocative question to start a roundtable discussion. Presentations and discussion topics can be more academic or popular, according to your preference and experience. 

(7) STRANGER THINGS GETS FIFTH SEASON. The airdates for the fourth season of Stranger Things have been announced, as has the greenlit fifth and last season. Deadline has the story, and a gallery of promotional posters. “’Stranger Things’ Renewed For Fifth And Final Season, Gets Premiere Dates For Split Season 4 On Netflix”.

Stranger Things, a signature show for Netflix since its premiere in 2016, has been renewed for a fifth and final season.

In addition to the climactic renewal, the company said the long-awaited Season 4 of the show will premiere in two “volumes,” the first on May 27 and the second on July 1. In an open letter to fans (read it in full below), co-creators Matt and Ross Duffer said the split season resulted from the season’s nine episodes having a total running time twice as long as that of any previous season.

The Duffer Bros noted that the full arc was expected to be “four or five” seasons when they first envisioned the show, so the end is not a surprise. Plus, it won’t be the end of the franchise, they promised.

“There are still many more exciting stories to tell within the world of Stranger Things: new mysteries, new adventures, new unexpected heroes,” they wrote. “But first we hope you stay with us as we finish this tale.”

(8) IT HAPPENED TO JANE. You may not be able to watch Natalie Portman gear up as Thor just yet, but you can pre-order an action figure of her. Gizmodo offers “Thor Love and Thunder Natalie Portman as Thor First Look”, but it comes with a spoiler warning.

While movie studios like Marvel like to keep all details about their films under complete wraps, there’s one truth they simply cannot get around: It takes a long time to make merchandise, especially action figures. That’s why they’re often the first looks at movie outfits and characters, and it’s why we’re getting this first look at Natalie Portman as Jane Foster as the Mighty Thor in the upcoming Thor: Love and Thunder. In related news, she’s awesome—as regular Thor’s new movie outfit, which you can also see here!…

(9) RIDE WITH THE SPACE COWBOY. Simultaneous Times science fiction podcast episode 48 is live, featuring short stories by F.J. Bergmann and Toshiya Kamei with original soundtracks by Phog Masheen and RedBlueBlackSilver. “Simultaneous Times Ep.48 – F.J. Bergmann & Toshiya Kamei”. Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.

(10) FAREN MILLER (1950-2022). Faren Miller, a Locus staffer and contributor for 37 years, died February 15 at the age of 71 reports Locus Online. Miller was hired by Locus in 1981, and her last review column for the magazine was in 2018. Her only published novel, The Illusionists (1991), was a finalist for the William Crawford – IAFA Fantasy Award for first fantasy book.

(11) MEDIA BIRTHDAY.

1989 [Item by Cat Eldridge] Thirty-three years ago, the first film of what would become the Bill & Ted franchise, Bill & Ted’s Excellent Adventure, premiered on this day. It was directed by Stephen Herek as written by Chris Matheson, son of author Richard Matheson, and Ed Solomon, writer of the first Men in Black film, who would write all three of these films. 

Bill & Ted’s Excellent Adventure, of course, stars Keanu Reeves, Alex Winter and George Carlin. (I met the latter many years ago. A rather nice gentleman he was.) Two out of the three had successful careers after this, one really didn’t. 

It was a box office triumph earning back forty million against a modest budget of just ten million.

Critics generally hated it. The New York Times in reviewing it flatly stated that it was a “painfully inept comedy”. And the Los Angeles Times said that it was an “unabashed glorification of dumbness for dumbness’ sake”. Dissenting from this unrelenting hostility, the Radio Times cheerfully said ir was a “flawless, purpose-built junk movie”. 

So how do audience reviewers at Rotten Tomatoes view it now? Well, they give it a most bodacious seventy-five percent rating. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 17, 1912 Andre Norton. She penned well over a dozen series, but her major series was Witch World which began rather appropriately with Witch World in 1963. The first six novels in that series were Ace Books paperback originals published in the Sixties. I remember them with fondness quite some decades after reading them. (Died 2005.)
  • Born February 17, 1913 David Duncan. A screenwriter and novelist who was nominated twice for Hugos, first for being writing the screenplay for The Time Machine at Seacon, and for the same work on Fantastic Voyage at NyCon 3. He also wrote Time Machine: The Journey Back sequel to The Time Machine. And he wrote The Outer Limits’ “The Human Factor” episode. (Died 1999.)
  • Born February 17, 1939 Kathy Keeton. Founder and publisher of the now defunct Omni. It was founded by her and her partner and future husband Bob Guccione, the publisher of the also defunct Penthouse. It would publish a number of stories that have become genre classics, such as Card’s “Unaccompanied Sonata”, Gibson’s “Burning Chrome” and “Johnny Mnemonic” and George R. R. Martin’s “Sandkings” to name a few of the stories that appeared there. (Died 1997.)
  • Born February 17, 1954 Don Coscarelli, 68. A film director, producer, and screenwriter best known for horror films. His credits include the Phantasm series, The Beastmaster, and Bubba Ho-Tep, the latter based a novella by Joe R. Lansdale whom I’ve met and who is a really nice person.
  • Born February 17, 1971 Denise Richards, 51. Her first genre role was as Tammy in Tammy and the T-Rex (really don’t ask). Her next role was the one she’s known for as Carmen Ibañez in Starship Troopers. A few years later she’ll be Dr. Christmas Jones in The World Is Not Enough, the eighteenth Bond film. She played Victoria Dare in Timecrafters: The Treasure of Pirate’s Cove.
  • Born February 17, 1975 Jerry O’Connell, 47. Quinn Mallory on Sliders, a series whose behind-the-broadcast politics is too tangled to detail here. His first SF role was on Mission to Mars as Phil Ohlmyer with the SF dark comedy Space Space Station 76 with him as Steve being his next role. He’s done a lot of of DCU voice work, Captain Marvel in Superman/Shazam!: The Return of Black Adam, Clark Kent / Superman in Justice League vs. Teen Titans and Justice League: Throne of AtlantisJustice League DarkThe Death of Superman and Reign of the Supermen where he also plays Cyborg Superman to great, chilling effect. The latter film is kickass excellent.

(13) SUBSCRIBERS MUST SQUINT. According to Polygon, “recent updates have made it harder to read, shop, and publish on the U.S.’s most popular digital comics platform” — “Amazon’s big Comixology changes ignite concern from comic book creators, fans”.

This week Amazon, launched a new app for its digital comics platform, Comixology, and a new Amazon-native online storefront that will eventually replace Comixology’s browser-based store and reader. But the new changes have alarmed both users and creators.

Long-time Comixology users have taken to social media to list all the ways the new web and app user experience represents a step backward from what they’re used to. Chief among the many complaints is a new web reader that doesn’t display double page spreads correctly, has removed creator credits from book listings on the storefront, and lacks both panel-by-panel and zoom functions, rendering most comics in illegibly small images….

(14) MISSING A PART OF THE FUTURE. Voice acting veterans Mark Hamill, Tara Strong, Kari Wahlgren, and Charlie Adler call out Hulu, which is reviving Futurama but hasn’t been willing to meet the terms of Bender’s voice John DiMaggio: “Futurama Hulu revival: Actors supporting John DiMaggio” at SYFY Wire.

A number of established Hollywood veterans have come to the side of John DiMaggio as the actor continues to clash with Hulu and 20th Century Studios over proper compensation for the streamer’s upcoming revival of Futurama.

The official announcement of the beloved series’ return from co-creators Matt Groening and David X. Cohen was slightly marred by the fact that DiMaggio (who voices foul-mouthed robot Bender and a plethora of supporting characters) was the only member of the original cast who had not signed on for the revival. It was soon reported that the show would recast Bender in the wake of contract negotiations stalling out. If talks have ended for good between both parties, some fans say they won’t be tuning in if DiMaggio isn’t brought back for the 20 additional episodes slated to premiere sometime next year (production kicks off this month)….

(15) STORYLIVING BY DISNEY. Love Disney parks so much you’d want to live in one?  Now you can (sort of). “Disney is developing planned communities for fans who never want to leave its clutches”The Verge will fill you in.

Disney has launched a new business for fans who can’t bear to leave the pristine, family-friendly world the corporation has nurtured through its theme parks and media ventures.

“Storyliving by Disney” will operate as part of the company’s theme parks division, developing a series of master-planned communities for residential living, designed by Disney’s creative staff and offering the same pampered tranquility found in its resorts.

“Picture an energetic community with the warmth and charm of a small town and the beauty of a resort,” said Disney Parks, Experiences and Products exec Helen Pak in a promotional video.

Only one location has been announced so far: a community of 1,900 housing units named Cotino that will be built in the city of Rancho Mirage in California’s Coachella Valley (a location where Walt Disney himself once lived)….

(16) SPLISH SPLASH, YOU’LL BE TAKIN’ A BATH. [Item by Michael Toman.] I can’t be the only Filer who would be interested in reading this Kim Stanley Robinson nightmare scenario, with or without fires and earthquakes. What will California’s coast look like in 100 years? “We’re Kind of Built on This Knife’s Edge” at Alta.

Eighteen thousand years ago, give or take, the continental shelf 30 miles off the coast of San Francisco was exposed as a wide, flat coastal plain with an extensive system of dunes and river valleys connecting the Farallon Islands to the continental United States, which didn’t go by that name. Farther north, salt waters from the Pacific Ocean stretched all the way inland to present-day Sacramento.

Rising sea levels have continued to erode the shoreline ever since, as human beings established a society they would eventually call California. Some of our biggest cities were built in this 10 miles of dynamic coastline.

“We often think of the California coast as this high-relief terrain with active tectonics, which it is, but we’ve put millions of people in the lowest parts of the entire state, like the San Diego Bay, the San Francisco Bay, and the Los Angeles Basin,” says Patrick Barnard, the research director of the climate impacts and coastal processes team at USGS Pacific Coastal and Marine Science Center in Santa Cruz….

(17) YAKKITY-YAK. [Item by Mike Kennedy.] Not satisfied with something commonplace like a robotic dog, China is going for a robotic yak. They are said to be essentially ready for troop support, but Popular Mechanics isn’t buying it. “China’s New ‘Robotic Yak’ Will Support Ground Troops, But It’s Not as Capable as It Seems”.

Chinese engineers are developing a large, four-legged robotic “yak,” supposedly capable of hauling as much cargo as two real yaks. The unnamed robot—which seems destined for military use—is similar to the robo-dog concept that Waltham, Massachusetts-based Boston Dynamics has popularized over the last decade. But a careful reading of the video shows that it may just be a bunch of Chinese Communist Party propaganda.

Supported by its four spindly legs and barrel-shaped body, the robot is topped off with a cargo-carrying metal rack. Global Times, a Chinese tabloid with links to the Chinese government, claims it can carry up to 160 kilograms (352 pounds) and travel at up to 6.21 miles per hour. It cites the Chinese Communist Party news site People’s Daily as saying the robot was “the world’s largest, heaviest and most off-road-capable of its kind.”…

…. Robo-yak isn’t going anywhere anytime soon for the same reasons the Marines never pursued LS3: robots run on batteries and once the batteries run down, it takes hours—at a place with abundant power to spare, which is not exactly the desert—to recharge them. 

(18) THE BOYS ARE BACK IN TOWN. “Homelander’s Vought Origin Story Shown In The Boys Diabolical Trailer”Screen Rant sets the frame:

Set within the same universe as its parent series, The Boys: Diabolical acts as an eight-part collection of animated short films exploring a range of stories related to the corrupt superhero world that fans of The Boys have come to know and love. Each episode will run between 12 and 14 minutes and feature a unique animation style

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: It Takes Two,” Fandom Games says the gimmick of this game is that you’re supposed to play it with your partner and preserve your marriage.  But the narrator says a better test is to “Play Cuphead with your wife, because if your marriage can survive that, it can survive anything!”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Steven H Silver, Chris Barkley, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 12/2/21 Of All The Pixels In The World, She Scrolls In To Mine

(1) OMICRON AT ANIME NYC 2021. The New York Times reports “Hochul Urges Anime NYC Conference Attendees to Get Tested Due to Omicron”.

Gov. Kathy Hochul of New York said on Thursday that everyone who attended a recent anime convention in Manhattan should get tested for the coronavirus, after it was announced that an individual who tested positive for the Omicron variant in Minnesota had attended to the conference.

Ms. Hochul said the individual, a Minnesota resident who was vaccinated and experienced mild symptoms, had attended the Anime NYC 2021 convention at the Javits Center in Midtown Manhattan. She urged people who attended the event, which was held from Nov. 19 to Nov. 21, to get tested and said that health officials would be in contact with attendees. The convention hosted 53,000 attendees over three days, according to a spokesman for the Javits Center….

The Mayor of New York City also put out a statement:

(2) VARLEY MEDICAL UPDATE. In “The Two Johns”, John Varley tells why he’s home from his third stay in the hospital this year. Much as he works to lighten it up, this is serious, plus some touching moments about his last roommate. The digest version about his health is in this excerpt of the last three paragraphs:

…So I’m back home now. My final diagnosis, like a slap on the butt as I went out the door, was C.O.P.D. (That’s #5.) It stands for Chronic Obstructive Pulmonary Disease. My guess is that it has something to do (ya think?) with over fifty years of a pack-and-a-half per day smoking habit, only recently terminated. Used to be, it was easy to find me at SF conventions. Just look for the very tall guy whose head was obscured by the smoke that encircled his head like a wreath. That was in the early days. More recently I could usually be found outside the hotel, huddled against the rain, the cold, and the howling gale with a couple other hopeless addicts.

I was sent home with a couple bottles of oxygen and an oxygen concentrator, but it’s possible I won’t need them after a while. Lee and I were enrolled in classes at something called the Transitional Care Clinic, TCC, a really smart and nice service of the Clinic where you record all your vital signs and come in weekly for consultation. I hate trailing the coiled tubing for the O2 all around the house, but so be it. I am able to do most things I always did, and get around in the car. I still tire quickly, but I don’t pant like an overheated hound dog.

Thanks again to all who sent money after my heart attack at the beginning of the year. I can’t tell you how much those dollars have helped take a heavy load off both our minds….

(3) MOBY WORM. Michael Dirda, well-known Washington Post critic who started there writing sf book reviews, has written an introduction to the new Folio Society edition of Frank Herbert’s Dune. An excerpt appears at Literary Hub: “What Accounts for the Lasting Appeal of Dune?”

… Even now, half a century since it first appeared in 1965, Dune is certainly still “the one”—it continues to top readers’ polls as the greatest science-fiction novel of modern times. Many would say of all time. Before Star Wars, before A Game of Thrones, Frank Herbert brought to blazing life a feudalistic future of relentless political intrigue and insidious treachery, a grandly operatic vision—half Wagner, half spaghetti western—of a hero discovering his destiny. Characters include elite samurai-like warriors, sadistically decadent aristocrats, mystical revolutionaries, and, not least, those monster worms, which barrel along under the desert surface with the speed of a freight train, then suddenly emerge from the sand like Moby Dick rising from the depths….

(4) MISSING A FEW THINGS. A.V. Club’s M.L. Kejera’s “Comics review: The History Of Science Fiction is bad history” contends “This reprehensible graphic novel could have been so much more, but instead spends time covering up history, not unpacking it.”

… Presented with an index and a list of principal art sources, the book is clearly attempting to be of some academic or referential use, on top of its wider appeal. But the English translation of Histoire De La Science Fiction fails utterly as a proper historic work—and worse, ends up functioning as weak hagiography.

… For example, though objects and ideas from Japanese sci-fi litter the futuristic museum, no Japanese author is given anywhere near the depth as writers from the aforementioned countries. Considering that one of the primary sources for this book is able to be precise about its purview (La Science-Fiction En France Dans Les Années 50, or Science Fiction In France In The ’50s), it’s a baffling decision on the part of everyone involved here to not specify this—especially while calling itself history.

Additionally, there is an ugly tendency in the book to gloss over the more reprehensible aspects of the writers featured….

(5) CLARK DEPARTS. SFWA bid “A Farewell to SFWA Blog Editor C.L. Clark”.

As of November 30, our blog editor, C.L. Clark (Cherae) has stepped down from her role for personal reasons. Clark joined SFWA’s staff in the summer of 2020. Her editorial perspective has brought many new voices to the blog over the past year, voices with a lot of insightful and fresh perspectives on the publishing industry today and the craft of science fiction and fantasy writing in the many mediums in which our members work. She’s also provided essential assistance with the release of The Bulletin #216 and our other SFWA Publications projects…. 

(6) SLF WANTS ART. The Speculative Literature Foundation has put out a “Call for Artists 2022” seeking a piece of original artwork, ideally combining fantasy and science fiction themes, to be featured as its cover art (Illustration of the Year or Artwork) for 2022.  Full guidelines at the link.

Artwork will be displayed on the Speculative Literature Foundation’s (SLF) website and social media accounts. Artwork will also be used as a visual element of SLF’s marketing material and swag, including but not limited to, bookmarks, pins, posters, etc., and may be cropped or otherwise minimally altered to fit these different formats. The winning artist will receive $750.00 (USD) and will be announced, along with the selected Artwork, on SLF’s website and in a press release.

This is the SLF’s first open call for Illustration of the Year, and the fifth consecutive year that it has featured an illustration. The SLF, founded in 2004 by author and creative writing professor Mary Anne Mohanraj, is a global non-profit arts foundation serving the speculative literature (science fiction, fantasy, and horror) community. It provides resources to speculative fiction writers, editors, illustrators, and publishers, and aims to develop a greater public appreciation of this art.

Submission Dates: November 20, 2021 at 12:01 a.m. through December 20, 2021 at 11:59 p.m.

(7) HOST CITY WANTED FOR 2023 WESTERCON. Kevin Standlee posted an announcement at the Westercon.org website: “Committee Formed to Select Site of 2023 Westercon”.

Because no groups filed to host Westercon 75, selection of the site of the 2023 Westercon devolved upon the 2021 Westercon Business Meeting held at Westercon 73 (in conjunction with Loscon 47) in Los Angeles on November 27, 2021. The Business Meeting voted to appoint Westercon 74 Chair Kevin Standlee and Westercon 74 Head of Hospitality Lisa Hayes as a committee to select a site and committee to run Westercon 75. Any site in North America west of 104° west longitude or in Hawaii is eligible to host Westercon 75.

To submit a bid to the “Standlee-Hayes Commission” to host Westercon 75, write to Kevin Standlee at chair@Westercon74.org, or send a paper application to Lisa Hayes at PO Box 242, Fernley NV 89408. Include information about the proposed site, the proposed dates, and the proposed operating committee.

The initial deadline for applications is January 31, 2022.

(8) ALWAYS BE CLOSING. Rosemary Claire Smith encourages writers to do what they want to anyway: “Reasons to Publicize Your Award-Eligible Works” at the SFWA Blog. Here’s the second of four points:

2. Award Eligibility Posts Are for All Writers, Not Only the Big Names.

Don’t believe me? Consider how many writers won a Hugo, Nebula, World Fantasy Award or another prestigious literary prize with the first story or novel they ever got into print. Think about the “newcomers” awards such as the Astounding Award for Best New Writer given to someone whose first professional work was published during the two previous calendar years. It’s been a springboard launching a number of careers. Also, keep in mind that your audience may nominate and/or vote on readers’ choice awards given by Analog, Asimov’s, Clarkesworld, and other periodicals. 

By now, some of you are saying to yourselves, “Why bother when I’ll never win an award…or even be nominated. Or if I am, it’ll be as a list filler.” Others are thinking, “I only published one story. It came out in an obscure publication.” Then there’s, “My novel didn’t sell all that well,” not to mention the perennial, “The reviewers don’t know my book exists.” Are you thinking about waiting until…what? You’re better known? You sell more copies? You get published in a top market? Your sales figures improve or your social-media following grows? Your work attracts a glowing review? 

To every one of your objections, the answer is the same: Your fiction merits more attention right now. Even in better times, writing is a difficult enough business without running ourselves down. As writers, we are notoriously NOT the best judge of our own work. We’re too close to it. Sometimes words flow quickly and effortlessly. Other pieces fight us for every sentence we succeed in wringing out of them. Critical and popular acclaim aren’t tethered to the ease or difficulty of creation. Besides, our assessment of particular pieces may evolve as we gain the advantages of time and distance. In short, you never know how a story will fare….

(9) A TOP SFF BOOK COMES TO TV. Station Eleven will air starting December 24 on HBO Max.

A limited series based on Emily St. John Mandel’s international bestseller, #StationEleven is a post-apocalyptic saga that follows survivors of a devastating flu as they attempt to rebuild and reimagine the world anew while holding on to the best of what’s been lost.

(10) GAIMAN ON TOUR. Neil Gaiman will be visiting many cities in the U.S. in April and May next year – see the schedule on Facebook.

(11) OSBORN OBIT. [Item by Bill.] I am saddened to pass on that Darrell Osborn has died of heart issues. He’s the husband of Stephanie Osborn. They’ve made a number of appearances at SF cons in the Southeast, with Stephanie as a writer and Darrell doing magic and balloon animals. Darrell’s day job was as a graphic designer for an aerospace contractor, and he did cover art for SF books.

(12) MEMORY LANE.

1996 [Item by Cat Eldridge.] Twenty-five years ago, Neal Stephenson’s The Diamond Age wins the Hugo for Best Novel at L.A. Con III where Connie Willis was Toastmaster. The other nominated works that year were The Time Ships by Stephen Baxter, Brightness Reef by David Brin, The Terminal Experiment by Robert J. Sawyer and Remake by Connie Willis. The Diamond Age would be nominated for Nebula, Campbell Memorial, SF Chronicle, Clarke, Locus, Prometheus, BSFA and HOMer Awards, winning the SF Chronicle and Locus Awards. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 2, 1913 Jerry Sohl. Scriptwriter and genre writer who did work for The Twilight Zone (ghostwriting for Charles Beaumont who was seriously ill at the time), Alfred Hitchcock PresentsThe Outer Limits and Star Trek. One of his three Trek scripts was the superb “Corbomite Maneuver” episode. He wrote a lot of SFF novels, none of which I recognize from the ISFDB listings. A lot of his genre novels are available from the usual suspects for very reasonable prices. (Died 2002.)
  • Born December 2, 1914 Ray Walston. Best remembered, of course, for playing the lead in My Favorite Martian from 1963 to 1966, alongside co-star Bill Bixby. His later genre appearances would include The Wild Wild WestMission: ImpossibleSix Million Dollar ManGalaxy of TerrorAmazing Stories, PopeyeFriday the 13th: The Series and Addams Family Reunion.  He would appear in The Incredible Hulk (in which David Banner was played by Bill Bixby) as Jasper the Magician in an episode called “My Favorite Magician”. (Died 2001.)
  • Born December 2, 1937 Brian Lumley, 84. Horror writer who came to distinction in the Seventies writing in the Cthulhu Mythos and by creating his own character Titus Crow. In the Eighties, he created the Necroscope series, which first centered on Speaker to the Dead Harry Keogh. He has received a Lifetime Achievement Award from the Horror Writers Association and a World Fantasy Award for Lifetime Achievement.
  • Born December 2, 1946 David Macaulay, 75. British-born American illustrator and writer who is at least genre adjacent I’d say. (Motel of the Mysteries is genre.) Creator of such cool works as Cathedral, The New Way Things Work which has he updated for the computer technology age, and I really like one of latest works, Crossing on Time: Steam Engines, Fast Ships, and a Journey to the New World
  • Born December 2, 1946 Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other writers such as Mercedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that is she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf.  Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man some twenty years ago: “Josepha Sherman’s Winter Queen Speech”. (Died 2012.)
  • Born December 2, 1952 OR Melling, 69. One of her favorite authors is Alan Garner whose The Owl Service is a frequent read of hers she tells me. She too loves dark chocolate. As for novels by her that I’d recommend, the Chronicles of Faerie series is quite excellent. For more adult fare, her People of the Great Journey is quite good.
  • Born December 2, 1952 Keith Szarabajka, 69. Quite a few genre roles including Daniel Holtz in the Angel series, voicing the demon Trigon in the Teen Titans series, Gerard Stephens in The Dark Knight and a recurring role as Donatello Redfield on Supernatural. That’s just a small sample of his genre roles down the decades. 
  • Born December 2, 1971 Frank Cho, 50. Writer and illustrator, best remembered as creator of the most excellent Liberty Meadows series as well as work on HulkMighty Avengers and Shanna the She-Devil for Marvel Comics, and Jungle Girl for Dynamite Entertainment. I recommend the Frank Cho Art Book from Delcourt as being a superb look at his work. It’s available from the usual suspects. In French only for some reason. 

(14) COMICS SECTION.

  • Half Full’s joke really has nothing to do with Tom Baker. Honestly.

(15) BEEBO, IT’S COLD OUTSIDE. [Item by Daniel Dern.] A.V. Club declares, “Beebo Saves Christmas is one of the oddest holiday specials ever”.

You don’t (apparently) have to have been watching the WB/”Arrowverse” series DC’s Legends of Tomorrow; indeed, it’s not clear that will help or otherwise make any difference. Beebo is a small furry toy that’s appeared as a character in several LofT episodes, ranging from as a mild joke to a malevolent something-or-other.

… For those who aren’t invested in Arrowverse lore, Beebo Saves Christmas was spun out of a running joke on DC’s Legends Of Tomorrowthe show about loser superheroes traveling through time and trying to save the day without making anything worse. In one episode—arguably the show’s best—a talking Tickle Me Elmo-style toy called Beebo is sent back in time and ends up in the possession of Leif Erikson and a group of Vikings who worship the talking toy as their new god of war….

If you can find it. On the CW, it apparently aired last night, “with an encore presentation airing on December 21, 2021.”  JustWatch.com doesn’t have this in its database. This Decider article has some other how-to-watch-it suggestions: “What time is ‘Beebo Saves Christmas’ on The CW?”

I’m thinking that an hour might be overmuch, but there’s only one way to find out…

(16) LAUREL & HARDY. [Item by Martin Morse Wooster.] I listened to this 2017 podcast Leonard Maltin did with Mark Evanier on Laurel and Hardy (Maltin on Movies: Mark Evanier.)  As kids, both of them watched Laurel and Hardy two-reelers after school and when John McCabe’s Mr Laurel And Mr Hardy came out in 1961 both checked out copies from the adult section of the library.  Because the Los Angeles public library didn’t have a copy, Evanier persuaded his aunt to get the Beverly Hills library’s copy.

Both men are really knowledgeable on silent film history, and if you know enough to argue about whether Snub Pollard was funnier than Charley Chase, you’ll find a lot to enjoy here.  But their points are simple ones: all of Laurel and Hardy is worth watching except for the last five years of their careers, and it’s best to see them in a theatre or with friends because the laughter produced by a group adds to the joy these great comedians provided.

Fun facts: The stairs used in the 1932 short The Music Box still exist, and you can visit them in the Silver Lake section of Los Angeles.  Two Oscar-winning directors: Leo McCarey (as director) and George Stevens (as cinematographer) got their start on Laurel and Hardy shorts.

I thought this was a fun hour.

(17) THREE’S A CHARM. The first two were cursed. “BABYLON 5 The Geometry of Shadows commentary/reaction by Straczynski Third Version”. Why was this the third version? Straczynski spends the opening minutes explaining the problems that trashed the first two attempts:

…I’m recording the commentary for the Geometry of Shadows for the third time. The first time turned out that the new lavalier i was using wasn’t exactly hooked up right and did the entire recording sounding like Marvin the Martian — if Marvin the Martian were a raging drunk. Same applies to the Sense-8 commentary I did the same night. The second time I did it to redo the technology of the first one everything went fine. The sensitive microphone picked up all the sound in the room which was great, until I found out that it also picked up enough of the dialogue from the screen that it showed up on the recording and Youtube, when it did its search, said you cannot use this, Warner Brothers television has a claim on this, you can’t use it, you can’t post it. From 26 minutes to 42 minutes we can hear it. This is now my third run at this. I am beyond annoyed. I’m so – I wore a B5 cap from the pilot. I had a whole story about this. Screw it. I’m not telling you what it was because i don’t care anymore…

(Is this what really happened to the first four Babylons?)

(18) NOT SF. AT ALL. But if you read the Jack Reacher books you might want to see this trailer for Amazon Prime’s Reacher series. If it’s important to you that the new actor be taller than Tom Cruise, they have that covered. However, the trailer makes this Reacher look a bit of a showoff and dipshit, which isn’t his psychology in the books.  

(19) LIKE A DOG WITH A BONE. Can’t let go of it. But why couldn’t his passion project turn out great? Maybe someday. “Guillermo del Toro Wants to Make a ‘Weirder, Smaller’ Version of ‘At the Mountains of Madness,’ Possibly at Netflix” at Yahoo!

Oscar-winning filmmaker Guillermo del Toro has long held that his passion project is an adaptation of H.P. Lovecraft’s “At the Mountains of Madness,” and while he still hopes the opportunity arises to make the film, he now has a different version in mind than the one he nearly got off the ground a decade ago.

Appearing on the Stephen King-centric podcast The Kingcast to discuss “It,” del Toro was asked about the multiyear deal he signed with Netflix in 2020 and whether he might finally make “At the Mountains of Madness” at the streamer. “Take a wild guess which were the first projects I presented, you know?” del Toro replied. “I went through the cupboard and found ‘Monte Cristo’ and ‘Mountains of Madness.’ Those were a couple of the ones I presented first.”

(20) NEUTRON BEAMS, FAITH AND MAGIC.  In today’s Nature: “Neutron Beam Peers Into Medieval Faith And Superstition”.

A Norwegian amulet more than 700 years old has been hiding a runic inscription that holds religious and magic significance.

When archaeologists found the rectangular metal object during an excavation in Oslo’s medieval town in 2018, they saw that it was covered with runes and folded several times. Hartmut Kutzke at the city’s Museum of Cultural History and his colleagues wanted to study what was inscribed inside, but they feared that manually opening the talisman, known as the Bispegata amulet, would damage it. Because it is made out of lead — a heavy metal that blocks most X-rays — using X-ray tomography to make the hidden runes visible would not work either. Instead, the researchers used a neutron beam to peek inside the amulet and create a detailed reconstruction of it.

They found that some of the runes spell out Latin and Greek phrases, whereas others signify repetitive sequences of seemingly meaningless words. Some of the comprehensible phrases might carry religious meaning, whereas the abstruse abracadabra was probably thought to have a magic effect, the researchers say.

(21) IT’S A YOUNG MOON AFTER ALL. From “Robotic sample return reveals lunar secrets” in today’s Nature:

A mission to unexplored lunar territory has returned the youngest volcanic samples collected so far. The rocks highlight the need to make revisions to models of the thermal evolution of the Moon.

The wait is over for more news from the Moon1. Three studies in this issue, by https://www.nature.com/articles/s41586-021-04119-5.pdf  Tian et al.   https://www.nature.com/articles/s41586-021-04107-9.pdf   Hu et al. and https://www.nature.com/articles/s41586-021-04100-2.pdf ;Li et al., together with one in Science by Che et al. report data on the lunar samples brought back by China’s robotic Chang’e-5 mission — the first to return samples since the Soviet Union’s Luna 24 mission in 1976. These data shed light on volcanic eruptions that occurred more than one billion years more recently than those known about previously, and provide information on the cause of the volcanism that cannot be obtained from orbit. The results raise questions about the structure and thermal evolution of the lunar interior, and could help to improve methods for estimating the age of planetary surfaces throughout the inner Solar System.

In December 2020, the Chang’e-5 lander set down in the Rümker region near the northwest corner of Oceanus Procellarum on the side of the Moon closest to Earth (Fig. 1). Like the sites visited by Luna and by NASA’s Apollo missions, the Rümker region consists predominantly of a magnesium-rich volcanic rock known as basalt, but the difference from previous missions is that the Rümker basalts are potentially as young as 1.2 billion to 2.3 billion years old, which makes the Chang’e-5 samples the youngest taken from the Moon so far.

(22) NERD ART. “’Selfie with Godzilla’?! Artist Fuses Reality and Science Fiction in Multimedia Gallery Show” — some entertaining images in Houston City Book.

…Houston artist Neva Mikulicz, a self-described “nerd” with an alter ego named Commodore Mik, who once ordered Kirk to the Star Fleet Fat Farm so she could board and evaluate the condition of the Starship Enterprise, smartly and humorously blurs that line between science and science fiction in her new exhibit, Declassified, a collection of beautifully realized Prismacolor pencil on paper drawings, complemented by archival videos and LED and sound module technology. The show opens Saturday at Anya Tish Gallery.

UFOs, robots, and monsters both prehistoric and imagined are recurring subjects in Mikulicz’s artwork, which radiates with a 1950s “vintage-y” vibe, the decade when the automobile, rock’n’roll and television took hold of the country’s collective imagination.

But Declassified is no nostalgia trip. Some drawings mirror the look of our world as it is photographed and disseminated by handheld consumer gizmos, while other works are composed like panels in a graphic novel, a medium that many contemporary fine artists find inspiring. One features a T-Rex chasing an iconic orange-and-white-striped Whataburger cup; another is titled “Selfie with Godzilla.” Mikulicz also created a comic book to accompany the exhibition….

(23) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  No Time To Die,” the Screen Junkies say the film shows that Bond has gone beyond silliness (remember Roger Moore driving a gondola?) to be a movie “about a divorced dad who wonders what to feed a French kid for breakfast.” Also, why should characters care who is 007, since that’s basically “an employee ID number?”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Rob Thornton, Bill, Michael J. Walsh, Kevin Standlee, David K.M. Klaus, Will R., SF Concatenation’s Jonathan Cowie, Daniel Dern, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]