Upon funding, Apex Magazine promises stories from a star-studded cast of award-winning genre writers such as Jordan Kurella (I Never Liked You, When I Was Lost), Suyi Davies Okungbowa (Son of the Storm, Warrior of the Wind), Christopher Rowe (These Prisoning Hills, The Navigating Fox), Sarah Hollowell (A Dark and Starless Forest), Sara Tantlinger (To be Devoured, Not All Monsters), and Aurelius Raines II (Luminescent Threads: Connections to Octavia Butler, Black Power: A Superhero Anthology).
Apex Magazine is an industry leader in the science fiction and fantasy literary magazine world and is headed by co-editor-in-chief Jason Sizemore and his new co-editor-in-chief Lesley Conner. Marissa van Uden, Rebecca Schibler, ZZ Claybourne, and Maurice Broaddus work as additional editors for the bi-monthly publication.
Apex Magazine is an online and digital zine of fantastical fiction publishing works over the last eleven years that is available in three forms: an every-other-month ebook edition, a free serialization of the issue’s content over a two-month period on their website, and a monthly podcast of narrated original short fiction.
(1) PRESSING ON. Apex Book Company is seeking $6,200 to publish a print compilation anthology of all the original genre short fiction that appeared in their digital publication, Apex Magazine, during the 2021 calendar year. Their Kickstarter project, “Apex Magazine 2021 Compilation Anthology by Apex Publications”, at this writing has raised $2,376. The appeal runs through April 22.
Apex Magazine had an exceptional 2021. Seven of the zine’s stories made the Locus Magazine Suggested Reading List. The zine placed a story on the Nebula finalist list and won a Stabby Award. In October 2021, we published an issue dedicated to Indigenous authors. In December 2021, we dedicated an issue to international authors.
The anthology will include 48 stories from a diverse group of new and established writers and will feature the Apex Magazine Readers’ Choice Award-winning artwork “Entropic Garden” by Marcela Bolívar on the cover.
(2) SFWA STORYBUNDLE. The Science Fiction and Fantasy Writers of America (SFWA) has released its newest StoryBundle, Magic Awakens, for a limited time only, from April 6 to April 28. This StoryBundle offers a large selection of ebooks from independent and small press fantasy writers, and can be purchased at https://storybundle.com/fantasy.
If a smooth sea never made a skilled mariner, then a tranquil world never forged a powerful hero: Meet fourteen budding sorceresses, wizards, and magic wielders of all ages and types as they face horrible threats that force them to confront their nascent abilities and to strengthen their powers and themselves. Then join each character on their own thrilling adventure once the Magic Awakens!
SFWA StoryBundles are curated collections of ebooks offered at a steeply discounted price. Readers who purchase Magic Awakens will gain a rich collection of fantasy fiction and can opt to donate part of their purchase price to support SFWA’s ongoing work to promote and support speculative fiction genres and writers.
Readers may choose what price they want to pay for the initial four books, starting at $5. Spending $20 unlocks ten more books that they can receive with their purchase. Once April 28 passes, this particular collection will never be available again! Further details about how StoryBundle operates are available at https://storybundle.com/faq.
(3) CSI SPARKLE SALON. The second episode of the Science Fiction Sparkle Salon has been released by the Center for Science and the Imagination. It features sff authors Malka Older, Annalee Newitz, Arkady Martine, Amal El-Mohtar, and Karen Lord, and scientist Katie Mack, discussing a wide range of topics
Prime Minister Justin Trudeau’s government introduced legislation on Tuesday that would require companies like the parents of Google and Facebook to pay Canadian media outlets for allowing links to news content on their platforms.
Canadian publishers, many of which are struggling financially, have long pushed the government for such a measure, arguing that the advertising revenue that previously was the foundation of their businesses has overwhelmingly migrated to global online giants.
“The news sector in Canada is in crisis,” Pablo Rodriguez, the minister of Canadian heritage, said at a news conference. “This contributes to the heightened public mistrust and the rise of harmful disinformation in our society.”
Mr. Rodriguez said that 450 media outlets in Canada closed between 2008 and last year….
Thirty-seven years ago, Gary Colabuono saw his first ashcan. “And I did not know what they were,” he says now, decades after he began collecting, preserving and promoting these cheaply made, stapled-together black-and-white mock-ups made to secure a comic book title’s trademark and meant to be tossed into the trash.
Step into the world of Alan Moore’s incredible imagination and learn from the mastermind behind comics like From Hell, The League of Extraordinary Gentlemen and Swamp Thing, and novels including the modern literary classic Jerusalem. Learn about Alan Moore’s writing process and how he combines character, story, language and world-building to create the tales that have won him fans the world over. Ideal for aspiring fiction writers, this online course includes downloadable course notes to guide you on your own creative journey.
(9) NEHEMIAH PERSOFF (1919-2022). A prolific actor with over 200 screen and TV credits, Nehemiah Persoff died April 5 at the age of 102.
His first genre role was playing Ali Baba in an episode of Shirley Temple’s Storybook (1958). He worked constantly, with many appearances in other sff TV series: The Twilight Zone (“Judgment Night”; 1959), Voyage to the Bottom of the Sea, The Time Tunnel, The Man from U.N.C.L.E., Off to See the Wizard (voice), The Wild Wild West, Mission: Impossible, Land of the Giants, The Magical World of Disney, The Six Million Dollar Man, The Invisible Man, Wonder Woman, Logan’s Run, The Bionic Woman, Supertrain, Battlestar Galactica, Fantasy Island, Star Trek: The Next Generation, and he voiced Papa Mousekewitz in 1986’s An American Tail and two video sequels.
My dear Father, Like all really nice people, you have a weakness for detective stories, and feel that there are not enough of them. So, after all that you have done for me, the least that I can do for you is to write you one. Here it is: with more gratitude and affection than I can well put down here.
— A. A. Milne in his preface to The Red House Mystery
A century ago today, A.A. Milne’s The Red House Mystery was published by Methuen in the United Kingdom. This is his only mystery and it’s a most splendid Manor House mystery, one of the best ever written if I must so myself which I will. Milne tells the story of the mysterious death of Robert Ablett inside the house of his brother, Mark Ablett, while there was a party taking place. It’s a whodunit that’s wonderfully told.
That was written prior to Winnie the Pooh and was an immediate success with the reading public and critics alike. Alexander Woollcott of the New Yorker at the time called it “one of the three best mystery stories of all time” though he himself would later be judged harshly by Raymond Chandler who also disliked British mysteries in general. (Ahhh feuds among critics. Lovely things they are.) It has stood nicely the test of time and is still considered a splendid mystery.
It is now in the public domain so you can find it at the usual suspects for free though there are also copies being sold by publishers as well. Audible has four versions of the novel including a full cast production. I really should listen to that version.
If you interested in acquiring a first British edition, dig deep into your bank account as that will set you back, assuming that edition is on the market, at least thirteen thousand dollars currently.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 6, 1926 — Gil Kane. Artist who created the modern look and feel of Green Lantern and the Atom for DC, and co-created Iron Fist with Roy Thomas for Marvel. I’m going to single him out for his work on the House of Mystery and the House of Secrets in the Sixties and Seventies which you can find on the revamped and stripped-down DC Universe app. (Died 2000.)
Born April 6, 1935 — Douglas Hill. Canadian author, editor and reviewer. For a year, he was assistant editor of Michael Moorcock’s New Worlds magazine. I’m going to admit that I know more of him as a decidedly and to be admired Leftist reviewer than I do as writer, indeed he held the same post of Literary Editor at the socialist weekly Tribune as Orwell earlier did. Who here is familiar with fiction? He was quite prolific indeed. (Died 2007.)
Born April 6, 1937 — Billy Dee Williams, 85. He is best known for his role as Lando Calrissian in the Star Wars franchise, first appearing in The Empire Strikes Back. Other genre appearances include being Harvey Dent in Batman and voicing Two Face In The Lego Batman Movie. He also co-wrote with Rob MacGregor two SF novels, PSI/Net and Just/In Time which are available from the usual suspects.
Born April 6, 1938 — Roy Thinnes, 84. Best remembered for his role of David Vincent in The Invaders. He was also in The Horror at 37,000 Feet, The Norliss Tapes, Satan’s School for Girls, Battlestar Galactica, Dark Shadows (recurring role as Roger Colins) and Poltergeist: The Legacy.
Born April 6, 1942 — Anita Pallenberg. It’s not a long genre resume but she was in Barbarella as, I kid you not, Black Queen, Great Tyrant of Sogo, the chief villainess. Over forty years later, she had a minor role as Diana in a Grade B film 4:44 Last Day on Earth. Now I’m going to expand this Birthday by crediting her as the muse of the Rolling Stones which is surely genre adjacent, isn’t it? She was the lover of Brian Jones, and later, from 1967 to 1980, the partner of Keith Richards, with whom she had three children. Of course she appeared in that documentary about the Rolling Stones, Sympathy for the Devil. (Died 2017.)
Born April 6, 1944 — Judith McConnell, 78. Here for being in Star Trek’s “Wolf in the Fold” as Yeoman Tankris. Need I say what happened to her? Well you’d be wrong as she survived. (I looked it up to be sure as the body count was high.) She also during this time appeared on Get Smart in “The King Lives” as Princess Marta, and she’d much later be in Sliders for several episodes.
Born April 6, 1977 — Karin Tidbeck, 45. Their first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. The short story “Augusta Prima”, originally written in Swedish, was translated by the author into English and won a Science Fiction & Fantasy Translation Award in the Short Form category.
(12) COMICS SECTION.
Bizarro really should be more impressed with The Mildly Surprising Spider-Man.
Mainly featuring heroes and villains in colorful costumes, comic book covers have succeeded in catching readers’ attention, but these covers are truly the best of the best. These are the 15 Greatest Covers in All of Comics.
(14) SKILL TREE. The latest episode of CSI Skill Tree series on video games, storytelling, worldbuiding, and futures thinking is now live, with SF author Ken Liu and video game designer Liz Fiacco discussing the 2020 game Cloud Gardens, a 2020 game about using plants to overgrow and transform abandoned post-industrial landscapes. This episode is presented in collaboration with Orion Magazine, a quarterly publication working at the convergence of ecology, art, and social justice. All nine Skill Tree episodes are available to view at this playlist.
…Dionysos: The New God is the last of O’Connor’s Olympians, a series of graphic novels he’s been writing and illustrating for the last 12 years. Each book retells the ancient Greek myths through the lens of one of the gods or goddesses, from Athena, goddess of wisdom, to Hephaistos, god of the forge.
O’Connor’s illustrations are bursting with action, humor and lots of details. He researched the ancient myths in order to get as close as possible to the original stories. That means his gods and goddesses are fierce, but also voluptuous, mischievous and even snarky. To him, the Olympians are a family of distinct individuals. “There’s certain personality traits that come to the fore,” he said….
(16) WILSON HONORED AT BOOKFEST. Author and musician Shane Wilson won two book awards at The BookFest this past weekend for his novel, The Smoke in His Eyes. The book placed second in Contemporary Fiction and third in Coming-of-Age Literary Fiction.
The Bookfest Awards honors authors who create outstanding works of fiction and nonfiction. Books are judged in categories based on genre, theme, and aesthetics. Books published in the past five years are eligible. Entries will be vetted by an initial team, then the final places will be determined by an elite team of experts in the literary and entertainment world.
Here’s what The Smoke in His Eyes is about:
When TJ—a musical prodigy—witnesses a traumatic event as a child, his senses are overrun with intense hallucinations. Over the years, his visions increase in frequency and intensity, but he hides them from those he is closest to, including his best friend and musical partner, Lila, who challenges TJ to reject formulaic creation in order to create something beautiful and unique. But when Lila signs a record deal, TJ feels left behind and alone with his art and his visions.
That’s when TJ meets an artist named Muna. In his eyes and visions, Muna is made of smoke, and as this magical woman helps him learn how to manage his visions and how to translate what he sees and hears into music and lyrics, she begins to disappear. His journey into Muna’s past is a journey to discover where inspiration originates and what happens to an artist when that inspiration is gone.
….Now, ten years later, Caiden and the Azura are legends, a one man, one ship, and one young Nophek crew doing good across the multiverse, staying ahead of the forces of Unity led by Abriss Centre, and dreading what will happen if her equally dangerous brother escapes his imprisonment. It’s getting harder for Caiden to escape Abriss’ traps, especially when Abriss has a trump card up her sleeve, one guaranteed to slow down Caiden enough to capture him and his remarkable ship…his long lost sister.
Welcome to Azura Ghost, the second Graven book from Essa Hansen….
In the first novel of this series, A History of What Comes Next (which I reviewed for this blog last year), we learned that the progress of science on this planet has always been secretly guided by the Kibsu, a humanlike species of superstrong, supersmart aliens whose genetic line split at some point in antiquity, with the female line dedicated to developing mathematics and teaching it to humans, and the male line sworn to hunting down their female counterparts as punishment for some supposed treason no one remembers anymore. For centuries, these aliens have been spreading both knowledge and death as each lineage pursues their mission while hiding in plain sight among us. The title of the series is Take them to the stars, but in that first novel the full meaning is revealed as Take them to the stars before we come and kill them all.
The newly released continuation, Until the Last of Me, displays the hallmark signs of Middle Book Syndrome: the plot gets a bit repetitive in the early chapters, feels a bit directionless toward the middle, and is suddenly hijacked at the end by the need to put all the pieces in position for the upcoming final confrontation….
Gowing up in the 80s and 90s, while a big fan of sci fi and fantasy, there weren’t a lot of female characters to identify with. The females typically lacked depth, didn’t have a lot of agency, or simply were there as a romantic interest. As I started developing my fantasy trilogy, I wanted to create a cast of female characters who were all different. They made jokes, made mistakes, got angry, got frustrated, weren’t always the ‘bookish smart’ one. I wrote because I wanted greater depth of characters for young girls reading these genres so that they could picture themselves in these worlds without having to be ultrasmart or beautiful or aggressively assertive…
Now through Inklings Publishing, she’s authored Descendants of Avalon (2018), Lost Daughters of Avalon (2019), and Prophecy of Avalon (2021). Her short story “The Girl from the Haunted Woods,” won second place in the “Journey into the Fantastical” Anthology contest.
Here’s the précis about Lost Daughters of Avalon (Awakenings Book 2):
After not hearing anything from their knights in Avalon for weeks, the horrible Questing Beast breaks through into the world and attacks Genie, Beth, Mei, and Whit. Their magic stirs to stop the monster, but Beth’s attempts fail. Help from Avalon arrives just in time to remove the curse and reveal a woman inside the beast who claims to be Genie’s biological mother.The four friends learn their knights had gone missing, along with one of Avalon’s queens, Viviane. An ancient evil runs amok in Avalon and the people blame the four friends, claiming they released Merlin to destroy their world. To clear their name and rescue their knights, the four friends must once again risk the dangers of Avalon. Genie, Beth, Mei, and Whit must pull together and learn to combine their powers of air, water, earth, and fire to rebalance the world they might have thrown into chaos. If they fail, the worlds of Avalon and Earth could destabilize and end life as they know it.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Stranger of Paradise: Final Fantasy Origin,” Fandom Games says that in this Final Fantasy spinoff you play Jack, “a character so edgy that he makes Jared Leto’s Joker seem like a birthday clown.” Jack’s the sort of character who responds to a demon saying, “I am” and interrupts him to say, “I don’t care who you are,” and starts punching the creature out. In fact, this game is so edgy that “it’s like a Monster energy drink come to life.”
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Joey Eschrich, Jason Sizemore, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
Here, the key players look back, with those sharing memories including Welling and the creators, as well as Michael Rosenbaum, Kristin Kreuk, John Schneider, Annette O’Toole, John Glover and Erica Durance.
… GOUGH There weren’t any comics on [Clark Kent’s teen years]. It was a blank slate. Jenette Kahn, who was the publisher of DC Comics at the time, said, “Clark is who he is because of his parents. If he had landed in a different cornfield and been raised by different people, he would have been a different person.” That was something that really struck us.
MILLAR We had the freedom to change the mythology, to really make it our own, with Lex losing his hair in the meteor shower — even the meteor shower itself, which was a new development. Anyone approaching that similar story today would not be allowed the freedom that we had, because at that point no one cared….
ROSENBAUM[Lex Luthor] The casting director is like, “Sit here,” and I go, “Naw, Lex wouldn’t do that.” And she’s like, “Well I have to relight,” and I go, “Would you mind?” And she relit the room and I had to wait outside. I came back in and kind of just took over the room. I go, “What are 700 other guys doing wrong that you are auditioning?” And they said, “Well, we want a sense of charisma, we want a sense of danger, we want a sense of comedic timing.” I only had three pages to work with. I circled, “I’ll be dangerous here, I’ll be funny here, I’ll be charming here.”
GOUGH Lex was the last role we cast. It was a week before we started shooting. Miles was in Vancouver with David Nutter and I was still in Los Angeles with some of the other producers. Michael came in in Los Angeles. We videotaped it and he was just fantastic. He literally hit all the right notes and he was perfect. I remember we somehow got it up to Miles and David in Vancouver.
ROSENBAUM My agent called. “They want to screen test you.” I said, “I’ll never have an audition as good as I just had. Tell them to rewind the tape.” So he goes, “You’re going to lose this role. You know that.” I don’t recommend this to any other actor, and I would never do it again, but I said, “Rewind the tape.”
WELLING “Lex Luthor does not come back for a second audition, OK?”
ROSENBAUM Exactly. He just wouldn’t do it. It’s out of character….
(2) WATCH THE AURORA AWARDS CEREMONY. The winners of the Aurora Awards will be revealed on Saturday, October 16 at 7:00 p.m. Eastern (4:00 p.m. Pacific.) Can*Con will be present awards in a virtual ceremony accessible via their YouTube channel here.
(3) INDIGENOUS FUTURISTS. On October 5 Apex Magazine released its Indigenous Futurists issue, a bonus issue featuring the work of Indigenous genre creators. The issue, guest-edited by Allison Mills, features the work of Pamela Rentz, Kevin Wabaunsee, Tiffany Morris, Sloane Leong, Rebecca Roanhorse, Norris Black, and Theodore Van Alst, Jr. Cover art by Megan Feheley. Read it at the link.
We’re going through an album of photos that Poul made in the late 1940s and into the late 1950s, and we’ll be sharing some images from it. For starters, here’s a picture of Poul’s brother, John Anderson, his mother, Astrid Anderson, and Poul, with the motorcycle and sidecar they toured Europe with in 1953. This was taken somewhere in Holland.
… The Wizard is a well-known face to Christchurch residents, but in recent years, his presence has diminished, and sightings have become rare. He says that is because the council has made him invisible and would not respond to his suggestions to improve tourism.
“But when they cancelled this honorarium, everyone got furious, they have awakened a hornet’s nest here, it’s hilarious. The next few months are going to be real fun.”
The Wizard said he would keep up his regular appearances at Christchurch’s Arts Centre, chatting to tourists and locals. The centre is hosting an exhibition of his life this month, which is supported by the council.
When asked if he would curse the council over its decision, he said he preferred to give blessings.
“I give children happy dreams, general good health, and I want to make bureaucrats become more human.”
(6) AFRICAN LITERARY PRIZE SHORTLIST. South African author Mandisi Nkomo’s Should have Listened to Mother, a work of genre interest, is one of six shortlisted for the Toyin Falola Prize 2021.
The Toyin Fálolá Prize is an award from Nigerian-based Lunaris aimed at honouring distinguished African scholar and foremost historian, Prof Toyin Fálolá, whose contributions to the field of African history and culture have continued to place Africa on the map and accord it its deserved recognition. The prize honours his endeavours and contributions to the advancement of African cultures, peoples, myths, and histories. The first winner of the award set up in 2020 was Fayssal Bensalah.
By Piers Bizony. Art by Robert McCall, Ron Miller, Robert Watts, Paul Calle, David Hardy et al. From space suits to capsules, from landing modules to the Space Shuttle, the International Space Station, and more recent concepts for space planes, 60 years of American space exploration in an unprecedented fashion. All the landmark early missions are represented in detail — Gemini, Mercury, Apollo — as are post-Space Race accomplishments, like the mission to Mars and other deep-space explorations….
From space suits to capsules, from landing modules to the Space Shuttle, the International Space Station, and more recent concepts for space planes, 60 years of American space exploration in an unprecedented fashion. All the landmark early missions are represented in detail — Gemini, Mercury, Apollo — as are post-Space Race accomplishments, like the mission to Mars and other deep-space explorations.
Ultra-rare artworks illustrate a unique history of NASA hardware and missions from 1958 to today, giving readers an unprecedented look at how spacecraft, equipment, and missions evolved — and how they might have evolved. Formed in 1958, NASA has long maintained a department of visual artists to depict the concepts and technologies created in humankind’s quest to explore the final frontier. Culled from a carefully chosen reserve of approximately 3,000 files deep in the NASA archives, the 200 artworks presented in this large-format edition provide a glimpse of NASA history like no other.
The laws of physics are forever confounding perfectly reasonable schemes. Whether riding gracefully on the running board of a racing car, adroitly handling semi-molten glass, or gliding lightly down from a roof to the embrace of the sidewalk whilst borne up by what intuition said was a sufficiently large bath towel, the laws of physics are forever barging in to insist that, no, things do not work that way.
What if the laws of physics were altered? …
One of James’ examples is —
A Wizard’s Henchman by Matthew Hughes (2016)
Troubleshooter Erm Kaslo specializes in solving the problems of the rich and powerful. There are enough of those, spread across the Spray’s ten thousand worlds, to keep Kaslo busy and affluent. All he asks of his clients is that they pay his fees promptly. If their demands are immoral or insane? No problem.
One of his rich clients believes that the world is about to transition from an era of technology and enlightenment to one of magic and chaos. Kaslo is willing to do as the client asks, even while he believes that the client is nuts. It’s a surprise when the client turns out to be right.
But a change in the basis of power, from technology and commerce to dark magical arts, means that there will still be powerful folks with problems. Problems Kaslo is happy to handle. The universe may have been upended, but Kaslo will prevail.
(9) SABLE REVIEW. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Sable, a new video game featuring nomads on a desert planet, which Faber says “Is drawn in a thrillingly unique style.”
‘Drawn’ is really the word. Playing Sable is like living in a graphic novel by Jean ‘Moebius’ Giraud, the influential artist who pioneered a surrealistic sci-fi style. From the opening vista we see scrap metal villages and wind-sculpted mesas drawn in fine black lines, their flat textures and minimal shading drawing attention to a stunning pastel colour palette–one of the most artful I’ve ever seen in a game–of tawny desert, powder-blue sky and distant mountains a muted lilac…
…The fable-like qualities of the narrative are lent depth and fragrance by Meg Jayanth, the writer behind the superb interactive novel 80 Days. Language here bears the plain-spoken profiundity of myth. A machinist asking you to repair a malfunctioning wind tower says, ‘Go there, mend what is broken or sooth what is hurt, and I will give you what you seek…a direction.’ This abstraction is undercut by precise character writing, particularly in Sable herself, who is far from a blank slate — she is anxious, spunky, and completely relatable. Conversations with other nomads offer spare but evocative fragments to explain the history of the world, allowing players to fill in the gaps themselves.
The business of writing and reading pops up all the time in horror films. Maybe it’s that screenwriters understand better than anyone the terror of creation. Maybe it’s that long, late hours spent alone in an office juxtaposes nicely on screen against glamorous events hosted by the literati. Or perhaps we’ve all just had a traumatic childhood experience in a library. Either way, here are 31 films guaranteed to give you an October that’s equal parts eerie and erudite….
(11) TAPPING INTO MEMORY. Strange Horizons presents an interview with Chandler Davis by Gautam Bhatia, “Across fracture lines”.
…Science fiction is not a monolith: even as racism, colonialism, and sexism played a dominant role in SF-production through the long 20th century, there were always writers and texts that questions, challenged, and subverted that dominant paradigm. The contrapuntal canon, or the hidden transcript, as it were.
At Strange Horizons, we see ourselves as committed to a plural and diverse vision of SFF, and therefore, as a continuation of this older – and sometimes submerged – tradition of against-the-grain writing. To know – and understand – more about our forebears, for this Fund Drive Special Issue, we decided to interview Chandler “Chan” Davis, one of the most outstanding exponents of the contrapuntal canon, at a time at which the dominant, regressive tendencies of science fiction were at their apogee: the 1940s and the 1950s.
…CD: One striking example of my writing responding to the preoccupations of the time is my responding to the threat of nuclear weapons. All of us in the science-fiction gang who learned of the Manhattan Project only in August 1945 felt at least a momentary joy of vindication: we had been saying this might happen, the general population didn’t know, and lo! we were in the right. But most of us soon realized, “Hey! this is a calamity, an atrocity” (and to think it was done in the name of the American people). Some of the authors sounded the alarm. I cite especially [Theodore] Sturgeon’s “Memorial”, my “The Nightmare”, and Sturgeon’s “Thunder and Roses”, but there were several others. We put it before our audience a rather large and international audience– that if your country is the target of nuclear attack, then it is up to you not to strike back but to do everything to RESTRAIN your country from striking back. We were right, but our message didn’t stick, in the USA or anywhere….
(12) AAHZ MARUCH (1967-2021). [Item by James Davis Nicoll.] Python programmer, whose fannish activities date back at least as far as classic USENET (alt.poly and other groups), died October 14 following several years of ill health. Survived by partner Steph Maruch.
Editor’s postscript: Alan Prince Winston earlier this year described him as “an unstoppable-seeming guy” who “became a contra and square dance caller and choreographer despite really severe hearing impairment.”
(13) MEDIA BIRTHDAY.
1954 – Sixty-seven years ago this day, the first Flash Gordon television series as distributed by the DuMont Television Network premiered in syndication. Its cast was Steve Holland as Flash Gordon, Irene Champlin as Dale Arden and Joseph Nash as Hans Zarkov. It immediately ran into criticism from some reviewers and fans as, well, how dare they cast a Flash Gordon who wasn’t Buster Crabbe. However it was very popular with almost everyone else and continued to run in syndication into the Sixties despite running for only one season of thirty-nine episodes. Only fourteen episodes survive and are all in the public domain, so here’s the pilot.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 15, 1911 — James H. Schmitz. Writer of short fiction in a space opera setting, sold primarily to Galaxy Science Fiction and Astounding Science-Fiction. His “Lion Loose” was nominated for a Short Fiction Hugo at Chicon III, and The Witches of Karres was nominated for Best Novel at NyCon 3. Sources laud him for his intelligent female characters. His collections and novels are available at the usual suspects. (Died 1981.)
Born October 15, 1919 — E.C. Tubb. A writer of at least one hundred forty novels and two hundred twenty short stories and novellas, he’s best remembered I think for the Dumarest Saga. His other long-running series was the Cap Kennedy stories. And his short story “Little Girl Lost” which was originally published in New Worlds magazine became a story on Night Gallery. He novelized a number of the Space: 1999 episodes. Somewhat surprisingly he’s never been nominated for or won any awards. (Died 2010.)
Born October 15, 1924 — Mark Lenard. Sarek, father of Spock in the Trek franchise, showing up in that role in “Journey to Babel”. (The role got reprised in the animated series, as well as three films and two episodes of The Next Generation.) Surprisingly he also played a Klingon in Star Trek: The Motion Picture, and a Romulan in an earlier episode of Star Trek. He also had one-offs on Mission Impossible, Wild Wild West, Otherworld, The Secret Empire, The Increible Hulk, and Buck Rogers in the 25th Century. He had a recurring role on the Planet of The Apes as Urko. (Died 1996.)
Born October 15, 1923 — Italo Calvino. Writer and Journalist who was born in Cuba, but grew up in Italy. His works range widely across the literary spectrum, across realism, surrealism, and absurdism. As a genre writer he is best known for his “cosmicomics”, linked stories which explore fantastical speculations about subjects such as mathematics, evolution, and human perception. At the time of his death in 1985, he was the most-translated Italian author, and he was recognized with a World Fantasy Award for Life Achievement. (Died 1985.)
Born October 15, 1926 — Ed McBain. Huh, I never knew he ventured beyond his mystery novels but he published approximately twenty-four genre stories and six SF novels between 1951 and 1971 under the names S. A. Lombino, Evan Hunter, Richard Marsten, D. A. Addams, and Ted Taine. ISFDB has a list and I can’t say I know any of them. Any of y’all read them? (Died 2005.)
Born October 15, 1953 — Walter Jon Williams, 68. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend, but Fleet Elements is in my TBR list. I also like his Metropolitan novels, be they SF or fantasy, as well as his Hardwired series. I’m surprised how few awards that he’s won, just three with two being Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”. Damn it, where is his Hugo?
Born October 15, 1955 — Tanya Roberts. Stacey Sutton in the fourteenth Bond film, A View to Kill. Quite the opposite of her role as Kiri in The Beastmaster. And let’s not forget her in the title role of Sheena: Queen of the Jungle. (Died 2021.)
Born October 15, 1969 — Dominic West, 52. Jigsaw in that most dreadful Punisher film, Punisher: War Zone. His first SFF role was as Lysander in A Midsummer Night’s Dream which is the same year he shows up as Jerus Jannick in The Phantom Menace, and he was Sab Than on the rather excellent John Carter. One of his recent latest SFF roles was as Lord Richard Croft in the Tomb Raider reboot.
…I’ve never seen a soul move through the air. I am not sure that we are anything more than a skin-bag of electrical impulses. But ghosts are different from the other uncanny citizens. They are only one step away from the known. To become a ghost, you don’t have to be bitten by a vampire or receive a curse or encounter a mad scientist or fall under the spell of a full moon. All you have to do is die.
Still, I imagine the first days of ghosthood would be tricky. There are so many different hauntings, so many ways to do it. In a way, it reminds me of puberty. The unpredictable shifts….
Many Portlanders just thought it was neat, but city officials didn’t feel the same way about a “Merge Simpson” sign that appeared in Northwest Portland earlier this week. Transportation workers took the “Simpsons”-inspired sign down Thursday afternoon, citing driving safety concerns.
An anonymous artist put up a homemade sign near an on-ramp to Interstate 405 North. The artist covered up a pedestrian crosswalk sign with a sign reading “Merge Simpson,” and drew a portrait of TV cartoon mom Marge Simpson. The artist painted her face strategically below a tall, round column of foliage in place of her iconic beehive hairstyle….
(19) COOL STAR WARS PAINTINGS. For your viewing pleasure, Naci Caba’s Star Wars Paintings at the link.
The artist also does other genre subjects (click “Paintings” on the sidebar).
…A seriesofstudies in the 2010s sought to answer such question. Researchers put people with pre-existing medical conditions, including elderly men with heart conditions, into a spinning centrifuge to simulate the g-forces the body is subjected to during a trip to space.
Subjects were strapped into a small capsule attached to a massive metal arm that can swing the capsule around in a circle. That faster it spins, the higher the g-forces pressing into the passenger grow, much like the carnival rides that pin passengers to the wall of a spinning circle by rotating the circle at high speeds. When the centrifuge is stopped, passengers inside could be said to be experiencing 1G, or normal gravity on Earth.
At 2G, they feel like they weigh twice their body weight. At 5G, a 200-pound person feels like they weigh 1,000 pounds.
Donoviel pointed to three specific studies that saw people — with a broad range of ages, physical conditions and ailments — endure up to 6G.
“They were fine, they were perfectly fine,” Donoviel said. “The only thing… that was of concern when they did those studies was really anxiety and definitely claustrophobia.”
… For its part, Blue Origin does put some limitations on who can fly aboard New Shepard, its suborbital space tourism rocket, including an age requirement that tourists be 18 years or older, be between 5’0″ and 6’4″ and 110 pounds and 223 pounds, and be in good enough physical shape to climb seven flights of stairs in a minute and a half.
The stair climb is no joke: Blue Origin passengers must rapidly climb what’s called the gantry, a tower that allows the crew to access their capsule as the 60-foot-tall rocket sits on the launch pad, brimming with fuel and ready to blast off.
Shatner quipped about scaling the tower after his flight, saying “good lord, just getting up the bloody gantry.”
Ruth Hamilton was fast asleep in her home in British Columbia when she awoke to the sound of her dog barking, followed by “an explosion.” She jumped up and turned on the light, only to see a hole in the ceiling. Her clock said 11:35 p.m.
At first, Ms. Hamilton, 66, thought that a tree had fallen on her house. But, no, all the trees were there. She called 911 and, while on the phone with an operator, noticed a large charcoal gray object between her two floral pillows.
“Oh, my gosh,” she recalled telling the operator, “there’s a rock in my bed.”
A meteorite, she later learned.
The 2.8-pound rock the size of a large man’s fist had barely missed Ms. Hamilton’s head, leaving “drywall debris all over my face,” she said. Her close encounter on the night of Oct. 3 left her rattled, but it captivated the internet and handed scientists an unusual chance to study a space rock that had crashed to Earth….
(22) VIDEO OF THE DAY. “Bohemian Catsody” a parody song of the Queen classic, “Bohemian Rhapsody,” this time, all about SJW credentials!
[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Olav Rokne, Lise Andresen, Annalee Newitz, James Davis Nicoll, Bill, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Cora Buhlert.]
Tom started out in comics by interning for both DC and Marvel, where he was an assistant to X-Men writer Chris Claremont. After his comics-inspired debut novel A Once Crowded Sky was published in 2013, and after a stint in the CIA, he went on to write Batman and Mister Miracle for DC, The Vision for Marvel, and many other projects, which won him an Eisner Award in 2018 for Best Writer. Plus — and I only realized this while taking note of comic artist Joe Giella’s recent 93rd birthday — we’ve both written Supergirl stories — 43 years apart! But that’s not the only commonality to our comics careers, as you’ll soon hear.
We discussed the two questions no one in comics can answer, his attempt at age 11 to get a job at Archie Comics, how he goes back to the beginning when writing a classic character such as Supergirl, whether Alan Moore would have had the impetus to create Watchmen in today’s environment, our dealings with comic book censorship, the weird way Monica Lewinsky caused him not to get hired by MAD magazine, the differences we discovered early on between Marvel and DC, what he learned as an intern to the legendary Chris Claremont, the Black Knight pitch he got paid for which was never published, the way comic book people are like circus folk, why the current state of Krypto proves I could never go back to writing comics, and much more.
(2) WORDPLAY IN ANNIE. [Item by Daniel Dern.] Historically, the bad guys in the Annie comics have had names ranging from more-or-less backwards, to descriptive ones. (Sorry, can’t think of or find examples off the top of my head nor thru brief web search, no time to walk over to L/O/A books in bedroom bookshelf…) (The names in Dick Tracy are no slouch, neither.) Currently Annie features a villain called “Bandy Dessinay”… and if that sounds familiar:
Bandes dessinées (singular bande dessinée; literally ‘drawn strips’), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in the French language and created for readership in France and Belgium.
As for why I recognized the rephoneticized term, it’s mostly from the year or three that I was subscribing to ComiXology Unlimited (their streaming digital comic book offering), where Bandes Dessinées was often one of the group/type categories along with (something like, IIRC) issues, series, collections.
Interestingly (at least, I think so), “Annie has appeared in the Dick Tracy comic strip after Little Orphan Annie was discontinued.” according to the Pigtails in Paint article on “Harold Gray’s Little Orphan Annie”.
Pogo fans will, of course, remember Albert Alligator and Beauregard Frontenac Bugleboy III (“The Faithful Dog”) (or perhaps Ponce de Leon Montgomery County Alabama Georgia Beauregard Possum, per a different web site) periodically gearing up as “Little Arfin’ Lulu,” with (his) eyes “all blunked out” and Sandy.
(3) PAPERBACK SHOW RETURNS. March 20, 2022 will be the date for the Los Angeles Vintage Paperback Collectors Show. The 42nd edition of the show (which had to skip 2021) will take place as usual at the Glendale Civic Auditorium, in Glendale, California.
(4) SHARPSON REVIEWED. [Item by Olav Rokne.] “The Future Refusing To Be Born” at TheHugo Book Club Blog. I keep thinking about the book, and how the author ties rejection of modernity (nostalgia) to authoritarianism. Definitely think that Sharpson will end up on my personal ballot for the Astounding Award based on this book.
In Neil Sharpson’s debut novel When The Sparrow Falls, that place is The Caspian Republic: a country founded by expatriate American and Russian bioconservative activists, whose boundaries are roughly those of present-day Azerbaijan.
While the rest of the world has embraced an almost-singularitarian future of AI-guided mass prosperity, near immortality, and widespread expansive human rights, this Caspian Republic has hewed to a quasi-religious “Humanity First” doctrine and polices the use of technology.
…Sharpson’s prose is sparse, clear, and engaging. He ably paints a picture of a deeply flawed society, and one that is the all-too-believable result of nostalgia-driven politics and identity-driven ideology. Because the Caspian Republic’s technology is pretty much limited to what was common in North America in the 1980s, readers will be reminded of late-era Cold War spy stories….
Lem’s centenary is being celebrated in Poland as the Year of Lem, and now Vienna, the writer’s home in the 1980s, has joined in, staging a series of musical events collectively dubbed the Lem Festival.
Poland’s Adam Mickiewicz Institute (IAM) is the driving force behind the project, in co-operation with the ImPuls Tanz festival and the Klangforum Wien ensemble.
During the events, which run through the end of July, dancers and musicians are expected to invite audiences “to reflect on the possibility of communication with ‘the Alien,'” according to the Polish institute.
This is because, a century after Lem was born, and following the NASA rover’s landing on Mars, this question has again become our civilisation’s most pressing problem, the organisers have said….
(6) THEY MADE IT. The Uncanny Kickstarter hit its initial funding goal – now they start work on the stretch goals.
JASON SIZEMORE: Do you and Levar Burton hang out? Talk a little about the process of working with Mr. Burton and hearing your words narrated by Mr. Reading Rainbow?
BONNIE JO STUFFLEBEAM: What an experience! I got an unexpected email from Julia Smith, the producer of LeVar Burton Reads, inviting me to be LeVar’s featured writer at his live Dallas event for my story “In the City of Martyrs.” I had no idea that this was an email that one could get, so I was immediately ecstatic to both appear live and to have my story appear on the podcast. The night of the show, I got to meet Julia and LeVar, both amazing and talented professionals, then got to hear LeVar read my story to musical accompaniment. After the reading, we did a Q&A with LeVar and then with the audience.
What I remember most from the event was LeVar’s generosity; he offered to meet-and-greet the very large group of people who came to support me. Also, the audience questions for the Q&A were perceptive as hell. The audience was clearly full of serious readers, and I’m not sure there’s a better feeling than to be surrounded by people who share that passion. Then, of course, there was the magic of hearing my short story read by a man whose voice I grew up listening to. Normally, I can’t divorce the reading of my own stories from the fact that I wrote them, but hearing LeVar read my work with a balalaika setting the story’s mood throughout, I got goosebumps.
…However, Disney pushed back hard against Johansson’s arguments. In a statement issued to Yahoo Finance, the media giant said, “There is no merit whatsoever to this filing. The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.”…
“They have shamelessly and falsely accused Ms. Johansson of being insensitive to the global COVID pandemic, in an attempt to make her appear to be someone they and I know she isn’t,” Lourd, co-chairman of Creative Artists Agency said in a statement. Lourd represents some of Hollywood’s biggest stars besides Johansson, such as Brad Pitt and George Clooney. Disney did not respond to requests for comment on Lourd’s statement….
“Scarlett has been Disney’s partner on nine movies, which have earned Disney and its shareholders billions,” Lourd said. “The company included her salary in their press statement in an attempt to weaponize her success as an artist and businesswoman, as if that were something she should be ashamed of.”
(9) BLUE ORIGIN TRIES TO REVIVE NASA’S INTEREST. Blue Origin says it’s willing to cover $2 billion of the cost for a second lunar lander contract, should NASA award one. In a July 26th letter to NASA Administrator Bill Nelson, Blue Origin founder Jeff Bezos said his company is willing to waive up to $2 billion in payments over the current and next two government fiscal years in exchange for a fixed-priced contract. In April, NASA selected SpaceX as the recipient of its Human Landing System (HLS) contract, a decision that competitors Blue Origin and Dynetics protested shortly after. The full letter is at the link, here are some excerpts:
Blue Origin is committed to building a future where millions of people live and work in space to benefit the Earth….
This is why Blue Origin answered NASA’s urgent call to develop a Human Landing System. We built the National Team – with four major partners and more than 200 small and medium suppliers in 47 states – to focus on designing, building, and operating a flight system the nation could count on. NASA invested over half a billion dollars in the National Team in 2020-21, and we performed well. The team developed and risk-reduced a safe, mass-efficient design that could achieve a human landing in 2024.
Our approach is designed to be sustainable for repeated lunar missions and, above all, to keep our astronauts safe. We created a 21st-century lunar landing system inspired by the well-characterized Apollo architecture — an architecture with many benefits. One of its important benefits is that it prioritizes safety. As NASA recognized, the National Team’s design offers a “comprehensive approach to aborts and contingencies [that] places a priority on crew safety throughout all mission phases.”
Unlike Apollo, our approach is designed to be sustainable and to grow into permanent, affordable lunar operations. Our lander uses liquid hydrogen for fuel. Not only is hydrogen the highest-performing rocket fuel, but it can also be mined on the Moon. That feature will prove essential for sustained future operations on the Moon and beyond.
From the beginning, we designed our system to be capable of flying on multiple launch vehicles, including Falcon Heavy, SLS, Vulcan, and New Glenn. The value of being able to fly on many different launch vehicles cannot be over-stated…
Yet, in spite of these benefits and at the last minute, the Source Selection Official veered from the Agency’s oft-stated procurement strategy. Instead of investing in two competing lunar landers as originally intended, the Agency chose to confer a multi-year, multi-billion-dollar head start to SpaceX. That decision broke the mold of NASA’s successful commercial space programs by putting an end to meaningful competition for years to come….
(10) TED LEWIN (1935-2021). Illustrator and writer of children’s books Ted Lewin died July 28. Jane Yolen paid tribute on Facebook.
Heartbroken–this says it all. Ted and [his wife] Betsy were dear friends for many years and Ted illustrated David’s only children’s book (HIGH RIDGE GOBBLER) and a bunch of mine, Several of his originals for the books decorate my dining room. I see them everyday. Ted was a lovely, lovely man, a wonderful storyteller, who brought much beauty to the world.
Ted Lewin illustrated over 200 books, winning a 1994 Caldecott Honor for Peppe The Lamplighter. A number of these were done in collaboration with his wife, Betsy.
As a young man who wanted to go to art school at the Pratt Institute, he earned money to finance his education by taking a summer job as a professional wrestler – the beginning of a fifteen year part-time career that eventually inspired his autobiographical book I Was a Teenage Professional Wrestler.
Lewin’s professional honors also include a Silver Medal in the Society of Illustrators Annual Show (2007), and he and Betsy were inducted into the Society of Illustrators Hall of Fame in 2015. [Click below for larger image.]
(11) MEMORY LANE.
1987 – In July of 1987, Emma Bull’s War for The Oaks was published by Ace Books. It would win a Locus Best First Novel Award and be nominated for a Mythopoeic Fantasy Award. This urban fantasy would get its own trailer courtesy of Will Shetterly who financed it instead of running for Governor. You’ll no doubt recognize many of the performers here as some of them are from Minnesota fandom. Decades later, it was scheduled to have a hardcover edition from Tor Books but it got canceled after the books were printed. (They were printed. I have a signed one here.) And the music in War for The Oaks would later be done by Cats Laughing, a band that includes Emma Bull and other members of fandom with lyrics by John Ford, Steven Brust and others.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s exemplary Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.)
Born July 30, 1947 — John E. Stith, 74. Winner of two HOMer Awards, given by the Science Fiction and Fantasy Literature Forum on CompuServe, for Redshift Rendezvous and Naught for Hire. The former would be nominated for a Nebula as well. The HOMer Awards ended in about 2000.
Born July 30, 1947 — Arnold Schwarzenegger, 74. Terminator franchise, of course, as well as Running Man, Conan the Barbarian and Conan the Destroyer, Tales from the Crypt and True Lies. Apparently in sort of announced Conan and Terminator reboots. Though I think that’s more rumor than reality.
Born July 30, 1948 — Carel Struycken, 73. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film though I’ve seen it twice. And he’s in Ewoks: The Battle for Endor which I’ve never seen.
Born July 30, 1966 — Jess Nevins, 55. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he also wrote fiction ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident.
Born July 30, 1966 — Jason Watkins, 55. His first genre role was William Herrick in Being Human. He’s also had a recurring role on Dirk Gentely as DI Gilks. And he voiced Captain Orchis on Watership Down. Naturally, he’s been in Doctor Who, specifically as Webly in the Eleventh Doctor story, “Nightmare in Silver”. He showed up in The Golden Compass as Bolvangar Official.
Born July 30, 1970 — Christopher Nolan, 51. Writer, producer and often director as well of the latest Batman film franchise, The Prestige, Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work. His latest, Tenet, has been nominated for a Hugo this year.
Born July 30, 1975 — Cherie Priest, 46. Her Southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these? She won an Endeavour Award for her Dreadnought novel.
(13) COMICS SECTION.
Frank and Ernestshows the judge throwing the book at an unexpected traffic offender.
(14) GET YOUR ANSWERS READY. Your hosts for Science Fiction 101 podcast are Phil Nichols of the Bradburymedia website, who is also known for the Bradbury 100 podcast and the Bradbury 101 YouTube channel; and Colin Kuskie of the Take Me To Your Reader podcast. Episode 7, “We Goes There”, features a sci-fi quiz.
Advance publicity for the Marble Arch Mound — London’s newest visitor attraction — suggested that an Arcadian landscape would be created in the middle of the city, with spectacular views over Hyde Park.
A huge artificial hill, over 80 feet high, would rise at one end of Oxford Street, London’s busiest shopping district. Costing around 2 million pounds, or about $2.7 million, design renderings suggested that it would be covered in lush trees and that visitors would be able to climb to the top — and “feel a light breeze” against their skin.
The hill was part of a £150 million plan by Westminster Council to lure visitors back into the center of the city after the pandemic. In May, Time Out, London’s main listings magazine, described it as “visually arresting/bonkers.”
The reality has turned out to be somewhat different. Since opening on Monday, the mound has been widely mocked online as more of a folly than a dream — a pile of blocky scaffolding covered in patches of vegetation that look in danger of slipping off, and that it isn’t even high enough to look over the trees into Hyde Park….
A commenter on the article said:
To be fair to Westminster City Council that spot has become increasingly difficult to manage, with the combination effect of a long record of unplanned and haphazard development accumulating to create serious problems.
Obviously, the confluence of ley lines and faerie roads there lead to that being the natural place for the portal to Avalon, which in turn attracted the gate into Narnia. But, installing the secret entrance to Q branch’s main workshop so close to both the back door to the Ministry of Magic and unquiet spirits of Tyburn Tree was asking for trouble, and probably meant spatio-temporal subsidence would inevitably produce The Rift.
Although finding a more plausible way to conceal the essential interdimensional-engineering work needed might have been better, it can be argued that attracting widespread ridicule with this hill has provided the sort of smokescreen that was wanted more cost-effectively.
We probably shouldn’t rush to judgement, and wait for the official paperwork to be declassified and released under the 5,000-year rule.
If you’re homeless and looking for temporary shelter in Hawaii’s capital, expect a visit from a robotic police dog that will scan your eye to make sure you don’t have a fever.
That’s just one of the ways public safety agencies are starting to use Spot, the best-known of a new commercial category of robots that trot around with animal-like agility.
The handful of police officials experimenting with the four-legged machines say they’re just another tool, like existing drones and simple wheeled robots, to keep emergency responders out of harm’s way as they scout for dangers. But privacy watchdogs — the human kind — warn that police are secretly rushing to buy the robots without setting safeguards against aggressive, invasive or dehumanizing uses.
In Honolulu, the police department spent about $150,000 in federal pandemic relief money to buy their Spot from robotics firm Boston Dynamics for use at a government-run tent city near the airport.
“Because these people are houseless it’s considered OK to do that,” said Jongwook Kim, legal director at the American Civil Liberties Union of Hawaii. “At some point it will come out again for some different use after the pandemic is over.”…
Cat owners who love to take pictures of their furry friends now have a new excuse to pull out their smartphones and take a snapshot: it may actually help the cat.
A Calgary, Alberta, animal health technology company, Sylvester.ai, has developed an app called Tably that uses the phone’s camera to tell whether a feline is feeling pain.
The app looks at ear and head position, eye-narrowing, muzzle tension, and how whiskers change, to detect distress. A 2019 study published in peer-reviewed journal Scientific Reports found that the so-called ‘feline grimace scale,’ or FGS, is a valid and reliable tool for acute pain assessment in cats….
In what can only be considered a triumph for all robot-kind, this week, a federal court has ruled that an artificially intelligent machine can, in fact, be an inventor—a decision that came after a year’s worth of legal battles across the globe.
The ruling came on the heels of a years-long quest by University of Surrey law professor Ryan Abbot, who started putting out patent applications in 17 different countries across the globe earlier this year. Abbot—whose work focuses on the intersection between AI and the law—first launched two international patent filings as part of The Artificial Inventor Project at the end of 2019. Both patents (one for an adjustable food container, and one for an emergency beacon) listed a creative neural system dubbed “DABUS” as the inventor.
The artificially intelligent inventor listed here, DABUS, was created by Dr. Stephen Thaler, who describes it as a “creativity engine” that’s capable of generating novel ideas (and inventions) based on communications between the trillions of computational neurons that it’s been outfitted with. Despite being an impressive piece of machinery, last year, the US Patent and Trademark Office (USPTO) ruled that an AI cannot be listed as the inventor in a patent application—specifically stating that under the country’s current patent laws, only “natural persons,” are allowed to be recognized. Not long after, Thaler sued the USPTO, and Abbott represented him in the suit….
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Zombies Ate My Neighbors and Ghoul Patrol,” Fandom Games says this game will take you back to the ’90s (remember Scholastic book fairs? All-denim outfits?) and will “tickle your nostalgia nose” but still frustrate you even though you’re not a teenager any more, but have kids and a mortgage.
(21) TINGLING BULLETINS AS THEY BREAK. Chuck Tingle told Facebook followers today that the music rights holders withdrew their complaints three days ago, but Twitter still hasn’t done doodly about restoring his account.
first off POWER OF LOVE IS STRONG with help of some true buckaroos behind scenes (who i will thank when this is all over and direct you to their websites and other ways) AND ALSO with help of all buckaroos on social media: SONY MUSIC and IFPI have decided to withdraw their copyright complaints and say ‘okay just take them down lets trot on you can have your account back’ which is HUGE DEAL. SO THANK YOU SO MUCH THIS PROVES LOVE IS REAL. also even though this situation is frustrating for chuck i must say sincere thank you to sony and ifpi this was a choice they made to do right thing by chuck in the name of the buckaroo lifestyle. so thank you everyone (with more thanks to come)
this happened THREE DAYS ago and twitter was notified. since then twitter has not responded to any methods of contact from chuck or sam rand or manager of chuck. chuck remains suspended with no way of contacting them that does not get automated response even though fact of the matter is:
THERE IS NO REASON FOR CHUCK TINGLE TWITTER TO BE SUSPENDED AT THIS POINT i do not have copyright infringement marks anymore or any other infractions. i have sent message to say ‘can you tell WHY my account is still suspended even after you said it would be better if i fixed these issues?’ and no response.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Paul Weimer, Olav Rokne, Michael J. Walsh, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
Ms. Funk’s trip to space with Jeff Bezos is reason to celebrate. But the launch this week, decades after she was denied the opportunity, also raises questions about whom space is for.
(2) APEX APPEAL. Apex Publications has launched a Kickstarter to fund Apex Magazine 2022. On the first day people have contributed $5,325 of its $10,000 goal. Editor-in-Chief Jason Sizemore says:
The last few years of Apex Magazine (including 2021), we’ve produced an incredible run of transformative and diverse fiction. We relaunched with Fargo Tbakhi’s “Root Rot,” a timely tale regarding colonization. “Mr. Death” by Alix E. Harrow threaded the needle between heartbreaking and hopefulness. Sam J. Miller celebrated the power of music in “A Love That Burns Hot Enough to Last: Deleted Scenes from a Documentary.”
We published back-to-back Hugo Award winners (2018 & 2019) in the category of Best Short Fiction (“Welcome to Your Authentic Indian Experience™” by Rebecca Roanhorse and “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” by Alix E. Harrow, respectively) and the 2017 Hugo Award winner in the category of Best Novelette (“The Tomato Thief” by Ursula Vernon). Fiction from Apex Magazine has also won the Nebula Award, Locus Award, and numerous others.
In addition to our phenomenal fiction, every issue of Apex Magazine offers evocative cover art, thought-provoking nonfiction, author and artist interviews, and a professional-quality podcast produced by KT Bryski.
All these wonderful things would exist if not for the community of readers, creators, and staff—the extended Apex family. Thank you so much for your love and continued support!
The Apex Magazine 2022 Kickstarter also promises: “Should we fund, we will commission new original fiction from five writers who we think embodies the type of bold, diverse work we seek to publish.” Those writers are: Gabino Iglesias, Jennifer Marie Brissett, Bonnie Jo Stufflebeam, Samit Basu, and Lavie Tidhar.
…For historical reasons—that throughout Earth history, first contact between dissimilar cultures was generally followed by vigorous efforts by whichever culture enjoyed a military advantage to strip-mine the other of goods and services—many science fiction authors (particularly during the mid-century period when various empires were winding down) gave their settings laws encouraging non-interference. One might call this a Prime Directive….
…She was also, through her own income, the chief support of our family. I am a writer and my money comes in irregularly, sometimes in decent sized chunks (like last week, but delayed for a year by COVID), sometimes in tiny little amounts. I am going to have to restructure my new life as a freshly minted widower, and I will, but in the interim our fragile climb back to solvency has been slammed back to the earth. I am in big, big trouble; destitute with debt still looming.
I damn the whims of fate.
I am not the kind of person who finds this easy. It hurts me to type these words, and I am intensely self-conscious about asking for help this soon after the last time. I can tell you that I did not want the prior worst period of my life to be followed so soon by another loss that is even more primal, even more destructive. I have had no time to think, just arranging the memorial — and I am sure that the bills for her time for the ICU, after insurance, will be coming, inevitable and unswayed by sentiment, even as we run late on bills that would have normally been her duty to pay. (She died in a distant city, in the home of a family we were pet-sitting for, so we are far from our records, from our mailing address, and…this is a pyramid, folks. It gets higher and higher.)
If you knew Judi at all, you loved her. If you know me at all, maybe you have some of that same feeling. I have to jettison pride. She has left me bereft. I will be deeply grateful for any help you can give,
(5) SPACE JAM RULES AT BOX OFFICE. Critical reviews did not keep Space Jam: A New Legacy from overtaking Black Widow in theater ticket sales last weekend.
The Hollywood Reporter starts the ball rolling:
Space Jam: A New Legacy, starring the basketball great [LeBron James], beat holdover Black Widow to top the chart with a better-than-expected domestic debut of $31.7 million from 3,956 theaters.
Marvel and Disney’s Black Widow fell to No. 2 in its second outing with $26.3 million. The superhero pic suffered a steep 67 percent decline, one of the biggest drops ever for a Marvel title, and the worst among the Marvel films released by Disney. The decline underscores that the box office recovery is far from over; also, the tentpole is available in the home via Disney+ Premier Access (piracy is another problem)….
…Fact: Black Widow was the most-pirated movie last week on Torrent Freak, ahead of The Tomorrow War in the No. 2 spot. I understand from sources that have seen several piracy reports that apparently Black Widow might be the most-pirated title to date during the pandemic, ahead of Wonder Woman 1984.
Studios go to extra lengths to encrypt and watermark their movies before release. Pristine copies of a tentpole spell death at the box office, and they further spell death here on both the box office and Disney+ Premier side.
Many of these piracy sites dress themselves up with images from the film to make it look like they’re legit. One industry analytics source informed me over the weekend that in one study they did for a studio, it showed that these piracy sites were the No. 1 means for those at home to watch movies, not Disney+ or any other streamer….
…Not many expected “Space Jam: A New Legacy” to pull off this win. The poorly reviewed film was pegged for an opening in the $20-million range. But a sizable number of families and millennials who grew up with the original “Space Jam” left the house and went to a theater to see it, even though it’s currently streaming on HBO Max free for subscribers. Not only that, audiences also gave the film a promising A- CinemaScore, suggesting word of mouth could be strong….
…After the premiere, James was surrounded by layers of fans. What could Bergman do to get the NBA star’s attention despite the distance and din? “I yelled out from about 20 feet away and said in Bugs Bunny’s voice, ‘Hey, Doc, we really are family,'” Bergman said. “He heard and saw me.” Bergman was ushered through the throng to greet him.
“He was holding his daughter and we embraced and thanked each other,” Bergman said. Even amid the crowd, it felt like “a very private congratulatory moment.”
(7) VISION AND REVISION. “At times it’s hard to believe what you see” it says on the cover of Dragons Walk Among Us, source of “The Big Idea: Dan Rice” at Whatever.
Is there a world before our eyes that most people overlook? What are the ramifications for someone who can see the unseeable? This is the big idea behind my debut novel Dragons Walk Among Us.
I first became interested in the world that most people overlook through photography. For example, star trails illuminate landscapes that most people never experience except through photographs taken by others. What really started to fascinate me years ago are water droplets––on blades of grass, flower petals, leaves, windows, etc. Individual little worlds are scattered across the dewy grass, and most people never take the time to appreciate them. Sometimes I imagine each dewdrop is a microcosmos populated by strange creatures. I suppose on the infinitesimal scale of microbes, this is true….
…Gearhart, a Virginia native, taught for many years at San Francisco State University, where in 1973 she became the first out lesbian to be named to a tenure-track position (at the school and, apparently, in the nation). At SF State, she established one of the first women’s and gender studies programs in the nation. She was an author of feminist science fiction as well….
…In 1978, her most famous novel, The Wanderground, was published, exploring themes of ecofeminism and lesbian separatism. She wrote two books as part of the Earthkeep trilogy, The Kanshou, published in 2002, and The Magister, published in 2003. Both stories explore a dystopian world where women outnumber men, and humans are the only beings on the planet.
(9) MEMORY LANE.
1976 – Forty-five years ago, Roger Zelazny’s “Home is The Hangman” novella wins the Hugo at MidAmeriCon. The other nominated works that year were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle, “ARM” by Larry Niven, “The Silent Eyes of Time” by Algis Budrys, and “The Custodians” by Richard Cowper. It would also win a Nebula Award. His Doorways in the Sand would be nominated for Best Novel that year, finishing second to Joe Haldeman’s The Forever War.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 19, 1883 — Max Fleischer. Animator, film director and producer. He brought such animated characters as Betty Boop, Popeye and Superman to the screen and was responsible for a number of technological innovations including the Rotoscope and Stereoptical Processes. You can see Betty’s first screen appearance here in the 1930 Cartoon, “Dizzy Dishes”. (Died 1972.)
Born July 19, 1924 — Pat Hingle. He portrayed Jim Gordon in the Burton Batman film franchise. Genre wise, he had roles in Alfred Hitchcock Presents, The Twilight Zone, Carol for Another Christmas, Mission: Impossible, The Invaders, Tarantulas: The Deadly Cargo, Amazing Stories and The Land Before Time. He would reprise his Gordon role in the Batman OnStar commercials. (Died 2009.)
Born July 19, 1927 — Richard E. Geis. I met him at least once when I was living out West. Interesting person. He won the Hugo Award for Best Fan Writer twice; and whose science fiction fanzine Science Fiction Review won Hugo Awards for Best Fanzine four times. The Alien Critic won the Best Fanzine Hugo once (in a tie with Algol), and once by himself. And yes, I enjoyed reading the Science Fiction Review. I’ve not any of his handful of genre novels, and certainly haven’t encountered his softcore porn of which there’s a lot. (Died 2013.)
Born July 19, 1938 — Jayant Vishnu Narlikar, 82. He and Fred Hoyle developed the Hoyle–Narlikar theory, which Stephen Hawking would prove is incompatible with an expanding universe. He would write two genre novels, The Return of The Vaman (translated from Marathi) and The Message from Aristarchus. His autobiography is My Tale of Four Cities: An Autobiography.
Born July 19, 1957 — John Pelan. Committed (more or less) the act of opening serial small publishing houses in succession with the first being Axolotl Press in the mid-Eighties where he’d published the likes of de Lint and Powers (before selling it to Pulphouse Publishing) followed by Darkside Press, Silver Salamander Press and finally co-founding Midnight House. All have been inactive for quite awhile now and he’d been editing such anthologies as Tales of Terror and Torment: Stories from the Pulps, Volume 1 for other presses though even that has not happened for some years as near as I can tell. As a writer, he had more than thirty published stories and he had won both a Stoker for The Darker Side: Generations of Horror anthology and an International Horror Guild Award for his Darkside: Horror for the Next Millennium anthology. (Died 2021.)
Born July 19, 1963 — Garth Nix, 58. Writer of children’s and young adult fantasy novels, to wit the Keys to the Kingdom, Old Kingdom, and Seventh Tower series. The Ragwitch which I read quite some time ago is quite excellent and being a one-off can give you a good taste of him without committing to a series.
Born July 19, 1969 — Kelly Link, 52. First, let me note that along with Ellen Datlow, she and her husband Gavin Grant were responsible for the last five volumes of The Year’s Best Fantasy & Horror. They all did a magnificent job. All of her collections, Pretty Monsters, Magic for Beginners and Get in Trouble are astonishingly good. And she’s much honored having won a Hugo Award, three Nebula Awards, a World Fantasy Award, an Otherwise Award, a Sturgeon Award and received a MacArthur Genius Grant.
Born July 19, 1976 — Benedict Cumberbatch, 45. Confession time: I really didn’t care for him in the Sherlock Holmes series as that series didn’t work for me, nor did I think his Khan In Star Trek Into Darkness was all that interesting but his Stephen Strange In Doctor Strange was quite excellent. He did do a superb job of voicing Smaug in The Hobbit, and his Grinch-voicing in the latter film was also superb. And yes, he’s the voice of Satan in Good Omens.
… Multiple comic creators have publicly stated that DC’s payments for adaptations, in general, is higher. Comic creator Jim Starlin turned heads in 2017 when he publicly noted that Warner Bros. paid him more for a minor character that appeared in DC’s Batman v. Superman: Dawn of Justice than he received for Marvel’s major Guardians of the Galaxy characters Thanos, Gamora and Drax combined. After Starlin’s airing of grievances, Disney renegotiated his deal for Thanos, the villain of Avengers: Infinity War and Avengers: Endgame. Those films went on to gross $4.83 billion globally, and Starlin, while not sharing details of his deal, walked away happy. “The cliche is that the squeaky wheel gets the grease,” Starlin tells The Hollywood Reporter. “The way these agreements are written up, Disney can be more generous if they want. It is written right there that they can change the terms to make it better.”
There’s no legal obligation to make additional payments for adaptations, with companies such as Marvel viewing these payments as thank-you gifts — and a way to avoid the bad publicity of warring with a creator. “It’s ‘shut-up’ money,” as one Marvel creator who receives such payments, but also declined to share details of compensation, likes to call it. Even if companies have no legal obligation to compensate these writers and artists, paying more is akin to contract renegotiations with an actor. If a TV show or movie is a smash success, studios believe it makes sense to offer an actor more money for the sequel (or the next season of TV) to keep them happy. No one wants a bitter actor on set….
Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X. Today’s do-or-die assignment? Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and everyone’s favorite psycho, Harley Quinn. Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone’s laying down bets, the smart money is against them—all of them.
(14) WILLIAM F. NOLAN & CO. At the Rod Serling Memorial Foundation website, a 1999 article about the many-named writing group Christopher Conlon likes to call the “Southern California Sorcerers”.
…Group member William F. Nolan, whose film credits include Burnt Offerings and Trilogy of Terror, explains: “We’d talk plot, read stories we’d finished for opinions, talk about markets and what was selling and who was buying, discuss character development and structure, and, yes, we’d argue, but in a constructive way. We all helped each other…and inter-connected on projects.”
“Sometimes, of an evening,” Ray Bradbury has written, “Richard Matheson would toss up there merest dustfleck of a notion, which would bounce off William F. Nolan, knock against George Clayton Johnson, glance off me, and land in [Charles Beaumont’s] lap. ..Sometimes we all loved an idea so much we had to assign it to the writer present who showed the widest grin, the brightest cheeks, the most fiery eyes.”
Direct collaborations between Group members were common. And no wonder. In those early days, most of them, particularly the “inner circle” of Nolan, Charles Beaumont, George Clayton Johnson, and novelist John Tomerlin, were men in their twenties who were just beginning their careers. They found strength, encouragement, and a sense of solidarity in the company of other struggling young writers. Because of the Group, says Nolan, “We were not alone; we had each other to fire us creatively, to bounce ideas around, to solve plot problems. It was the best kind of writing class that could ever be imagined.”…
(15) YOUTH MOVEMENT. In the Washington Post, Dalvin Brown says that Facebook has come up with new software that lets robots walk like toddlers, which might be a good first step in letting robots walk like human adults. Especially if it lets robots learn to do so without falling down all the time, for which they’re less prepared than toddlers. “Facebook reveals AI development to help robots move in uncharted territory”
Facebook developed what it calls a foundational “breakthrough” in the race to create more humanlike robots: software that enables machines to learn to walk like toddlers.
Humans are very efficient at maneuvering. As kids, we figure out how to adjust our stride and cadence to trek through mud, water, and up and down hills with ease. Through trial and error, we adapt, figuring out the best ways to move our feet according to real-time situations. And we can do this while toting a variety of objects, either in our hands or on our backs.It’s tough to program robots to make instantaneous adjustments to their legs and feet to accommodate such a variety of tasks, mainly because it’s hard to train themto deal with corner cases, or objects and environments they’ve never seen before….
A team of astrophysicists recently used new models of neutron stars to map the mountains—tiny raised areas—on the stars’ otherwise perfectly spherical structures. They found that the greatest deviations were still extraordinarily small due to the intense gravitational pull, clocking in at less than a millimeter tall.
Neutron stars are the dead cores of once-huge stars that collapsed in on themselves. They are the densest objects in the Universe aside from black holes. They’re called neutron stars because their gravity is so intense that the electrons in their atoms collapse into the protons, forming neutrons. They’re so compact that they pack a mass greater than that of our Sun into a sphere no wider than a city.
(17) VIDEO OF THE DAY. Sleepy Hollow International Film Festival, Creature Features and La-La Land Entertainment present a virtual panel celebrating the 30th anniversary of Arachnophobia with director Frank Marshall and special guests.
Recorded in November 2020, moderator Mike Matessino hosts a lively and informative discussion with ARACHNOPHOBIA’s director / executive producer Frank Marshall, co-producer Richard Vane, actor Peter Jason, production designer James Bissell and entomologist Steve Kutcher.
No stranger to delighting audiences worldwide for decades, Mr. Marshall, producer of RAIDERS OF THE LOST ARK, POLTERGEIST and JURASSIC WORLD, made his directorial debut with ARACHNOPHOBIA in 1990, bringing rapt audiences to the edge of their seats with laughter and shrieks in equal measure. The film has remained a beloved fan favorite to this day and its appreciation continues to grow as it connects with a new generation. Now, Mr. Marshall and special guests take you behind the film, its production, and its astounding spider effects and action!
[Thanks to JJ, Michael Toman, Joel Zakem, James Davis Nicoll, David K.M. Klaus, Daniel Dern, John King Tarpinian, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day David Shallcross.]
(1) A PEEK AT APEX. Apex Magazine Issue 122 has been released. The link below takes you to the new issue page where you’ll find fiction by Sam J. Miller, Sheree Renée Thomas, A.C. Wise, Annie Neugebauer, Barton Aikman, Sabrina Vourvoulias, Jason Sanford, and Khaalida Muhammad-Ali, plus essays by ZZ Claybourne and Wendy N. Wagner. The cover art is by Thomas Tan.
(2) ON “READ ACROSS AMERICA DAY” OBJECTIONS TO SEUSS IMAGERY PROMPT WITHDRAWAL OF SIX BOOKS. The National Education Association founded “Read Across America Day” in 1998 and deliberately aligned it with Dr. Seuss/Ted Geisel’s birthday, March 2. However, the NEA has been deemphasizing Seuss, and today President Biden’s proclamation for “Read Across America Day” — in contrast to his predecessors Obama and Trump — omitted all mention of Dr. Seuss reports the New York Post.
President Biden removed mentions of Dr. Seuss from Read Across America Day amid accusations of “racial undertones” in the classic, whimsical tales for children.
Read Across America Day, started by the National Educational Association in 1998 as a way to promote children’s reading, is even celebrated on the author’s March 2 birthday.
In his presidential proclamation, Biden noted that “for many Americans, the path to literacy begins with story time in their school classroom,” USA Today reported.
Today, on Dr. Seuss’s Birthday, Dr. Seuss Enterprises celebrates reading and also our mission of supporting all children and families with messages of hope, inspiration, inclusion, and friendship.
We are committed to action. To that end, Dr. Seuss Enterprises, working with a panel of experts, including educators, reviewed our catalog of titles and made the decision last year to cease publication and licensing of the following titles: And to Think That I Saw It on Mulberry Street, If I Ran the Zoo, McElligot’s Pool, On Beyond Zebra!, Scrambled Eggs Super!, and The Cat’s Quizzer. These books portray people in ways that are hurtful and wrong.
…In “And to Think That I Saw It on Mulberry Street,” a character described as “a Chinaman” has lines for eyes, wears a pointed hat, and carries chopsticks and a bowl of rice. (Editions published in the 1970s changed the reference from “a Chinaman” to “a Chinese man.”) In “If I Ran the Zoo,” two characters from “the African island of Yerka” are depicted as shirtless, shoeless and resembling monkeys. A school district in Virginia said over the weekend that it had advised schools to de-emphasize Dr. Seuss books on “Read Across America Day,” a national literacy program that takes place each year on March 2, the anniversary of Mr. Geisel’s birth….
A school district in Virginia recently made headlines for allegedly banning books by Dr. Seuss.
But Loudoun County Public Schools(LCPS), located in Ashburn, said it is not banning books by the famous children’s author. It’s just discouraging a connection between “Read Across America Day,” which was created to get kids excited about reading, and Dr. Seuss’ birthday. Both fall on March 2, and have often been “historically connected” to each other, the district said in a statement.
“Research in recent years has revealed strong racial undertones in many books written/illustrated by Dr. Seuss,” LCPS said in its statement, which links to School Library Journal article from 2018 about the National Education Association focusing its Read Across America efforts “on Diversity Not Dr. Seuss.”
…Dr. Seuss had a long history of publishing racist and anti-Semitic work, spanning back to the 1920s when he was a student at Dartmouth College. There, Dr. Seuss once drew Black boxers as gorillas, as well as perpetuating Jewish stereotypes as financially stingy, according to a study published in the journal “Research on Diversity in Youth Literature.”
That study, published in 2019, examined 50 books by Dr. Seuss and found 43 out of the 45 characters of color have “characteristics aligning with the definition of Orientalism.” The two “African” characters, the study says, both have anti-Black characteristics.
(3) YOUNG PEOPLE. James Davis Nicoll’s Young People Read Old SFFis actually Young People Read Old Hugo Finalists this go-round. And he’s asked the panelists what they thing about “The Star” by Arthur C. Clarke
Kit leads off the discussion:
…[It’s] still kind of on that spectrum of ?“Why does a benevolent God do these things?” and so it’s interesting to think about ?“What, exactly, is the point where you’re pushed over the edge in terms of thinking the world is too cruel to have a controlling power?”…
(4) FASHIONISTA. Suzanne Palmer makes a convincing argument.
(5) THE FUTURE OF THE WARDMAN PARK. In the Washington Post, Paul Schwartzman profiles activists who want to increase affordable housing in the largely white areas west of Rock Creek Park. He interviews Rebecca Barson, who wants to turn the bankrupt Wardman Park Hotel into “a mix of retail and affordable housing. She has embraced the cause even as she contemplates the risk to her property value.” The Wardman Park is still listed on the DisCon III website as the venue of this year’s Worldcon. “D.C. affordable housing push linked to racial justice after George Floyd’s death”.
… As she drives around the city, Rebecca Barson, a health-care advocate, finds herself noticing encampments of people sleeping in tents in Dupont Circle and under highway overpasses.
“It just feels unconscionable that this is happening in a city like ours,” she said.
Barson, 43, joined a grass-roots campaign seeking city support for converting a recently bankrupt hotel near her Woodley Park condominium — the Marriott Wardman Park — into a mix of retail and affordable housing. She has embraced the cause even as she contemplates the potential risk to her property value.
“I’m not saying I’m not grappling with it. There could be a financial cost — personally, my apartment may not be worth as much,” she said. “I also think I have benefited as a White person from systems I didn’t create, and this is an important moment to do what’s right for the greater good.”
(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel will livestream readings by Jeffrey Ford and Kaaron Warren on March 17 at 7 p.m. Eastern. The link will be posted later.
Jeffrey Ford is the author of several novels and novellas including The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, The Twilight Pariah, Ahab’s Return, and Out of Body. His short fiction has been published in numerous magazines and anthologies and in six collections. His work has won the World Fantasy, Edgar Allan Poe, Shirley Jackson, Nebula, and other awards. His most recent collection Big Dark Hole will be out from Small Beer Press this July
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She has published five multi-award winning novels including The Grief Hole, currently under development, and seven short story collections. Her most recent books are the novella Into Bones Like Oil and the chapbook Tool Tales (with Ellen Datlow!) She was recently given the Peter McNamara Lifetime Achievement Award.
In the Star Wars universe, the High Republic is the stuff of legend. But someone had to write the story.
It all started with a vague reference from Obi-Wan Kenobi. “For over a thousand generations, the Jedi Knights were the guardians of peace and justice in the Old Republic,” Obi-Wan explained in 1977’s “Star Wars: A New Hope.” “Before the dark times. Before the Empire.”
In the decades since those words were uttered, movies, books and television have explored nearly every imaginable facet of the Star Wars universe. But this particular period in the galaxy’s past remained in the realm of conjecture. Now, that abstract golden age — a time of tranquility but also expansion, hundreds of years before the Skywalker saga — is finally coming into focus. Five writers, all with previous Star Wars books on their résumés, have been tapped to usher in a new era for the franchise by exploring one of the most storied.
In the coming years, Charles Soule, Claudia Gray, Cavan Scott, Daniel José Older and Justina Ireland will release books in the High Republic series, including comics and novels targeting various age groups. They will introduce new heroes — including the inspirational Jedi Avar Kriss — and villains, such as the Nihil, “space marauders,” who threaten the peace of the galaxy.
… Readers with Star Wars knowledge will find at least one familiar face, though: Yoda’s. (Forget you must not that Yoda lived to be 900 years old.) In the new series, he’s younger (kind of) and does a lot more than dispense wisdom, especially in the IDW comic books written by Older, “Star Wars: The High Republic Adventures,” illustrated by Harvey Tolibao.
“We see Yoda really out in the galaxy,” Older said. “He’s not stuck on Coruscant. He’s not in a library somewhere studying. .?.?. We get to see him in action, in the thick of battle doing all these Jedi master Yoda things.”
(8) WOLTMAN OBIT. Pilot and Mercury 13 trainee Rhea Woltman (1928-2021) died on February 15. The family obituary, here, has this to say about her efforts to become an astronaut:
…In 1960, Rhea was invited to participate in the secret Mercury project, where she underwent grueling physical examinations and a battery of tests with 12 other female pilots to become the First Lady Astronaut Trainees (FLATS), now known as the Mercury 13. Rhea passed all of the tests and advanced as one of five to meet the requirements. The U.S. government shut down the women’s program before they were ever allowed to fly a space mission….
The Mercury 13 were thirteen American women who, as part of a privately funded program, successfully underwent the same physiological screening tests as had the astronauts selected by NASA on April 9, 1959, for Project Mercury. (They were not part of NASA‘s astronaut program.)
(9) MEDIA BIRTHDAY.
March 2, 1984 — On this date in 1984, Repo Man premiered. It was written and directed by Alex Cox. It was produced by Jonathan Wacks and Peter McCarthy with the executive producer being Michael Nesmith. It starred Harry Dean Stanton and Emilio Estevez. It is widely considered to be one of the best films of 1984, genre or otherwise. Ebert in his review said that “Repo Man comes out of left field, has no big stars, didn’t cost much, takes chances, dares to be unconventional, is funny, and works. There is a lesson here.” It currently holds a 98% rating among the Rotten Tomatoes audience. You can watch it here. (CE)
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 2, 1904 — Theodor “Dr. Seuss” Geisel. My favorite books by him are Horton Hears a Who!, Green Eggs and Ham, and The Cat and The Hat. I adored the original How the Grinch Stole Christmas, can’t stand the Jim Carrey one and haven’t seen the most recent version. Oh, and let’s not forget the splendid The 5,000 Fingers of Dr. T. For which he wrote the story, screenplay and lyrics. (Died 1991.) (CE)
Bon March 2, 1933 – Leo Dillon. A hundred sixty covers, two hundred twenty interiors, with his wife Diane Dillon, working so fluently and intimately they sometimes called their joint work the product of a third artist; much else outside our field. Artbook The Art of Leo & Diane Dillon. Here is Some Will Not Die. Here is Dangerous Visions. Here is Fourth Mansions. Here is The Phoenix and the Mirror. Here is The Left Hand of Darkness. Here is Ashanti to Zulu. Here is the Winter 2002 On Spec. Here is Why Mosquitoes Buzz in People’s Ears. Here is my note of an exhibit at Chicon 7 the 70th Worldcon. Here is an on-line archive. (Died 2012) [JH]
Born March 2, 1939 – jan howard finder. Known as the Wombat. Co-founder of Albacon; Fan Guest of Honor at Albacon 2000, also BYOB-Con 8, Maplecon 3, LepreCon 8, Ad Astra 12, Arisia ’01, Archon 30, ConFrancisco the 51st Worldcon. One story, one anthology that I know of. Often a judge of our on-stage costume competition the Masquerade. Led tours e.g. of New Zealand sites where Tolkien films were shot. Fanzines The Spang Blah and Il Vombato. Susan Batho’s reminiscence here. (Died 2013) [JH]
Born March 2, 1943 — Peter Straub, 78. Horror writer who won the World Fantasy Award for Koko and the August Derleth Award for Floating Dragon. He’s co-authored several novels with Stephen King, The Talisman which itself won a World Fantasy Award, and Black House. Both The Throat and In the Night Room won Bram Stoker Awards as did 5 Stories, a short collection by him. OK, you know not that I’m that impressed by Awards, but this is reallyimpressive! (CE)
Born March 2, 1952 – Mark Evanier, age 69. Writer for comics, television, both: Blackhawk, Groo the Wanderer, Garfield and Friends and The Garfield Show (animated); outside our field e.g. Welcome Back, Kotter. Has attended every San Diego Comic-Con since the first (1970). Won an Eisner and a Harvey for Kirby: King of Comics. Three more Eisners; Inkpot; Clampett; Lifetime Achievement Award from Animation Writers’ Caucus, Writers Guild of America West. Started Fantagraphics’ reprints of Pogo. Administers the Bill Finger Award. Weblog NEWS FROM me. [JH]
Born March 2, 1960 – Jeff Beeler, age 61. Hardworking Michigan fan, e.g. on ConFusion, Detcon the 11th NASFiC (N. Amer. SF Con, since 1975 held when the Worldcon is overseas), Anticipation the 67th Worldcon. Member of the Stilyagi Air Corps. Having been a librarian, is now a bookseller. [JH]
Born March 2, 1960 — Peter F. Hamilton, 61. I read and quite enjoyed his Night’s Dawn trilogy when it first came out and I’m fairly sure that I’ve read Pandora’s Star and Judas Unchained as they sound really familiar. (Too much genre fiction read over the years to remember everything…) What else have y’all read by him? (CE)
Born March 2, 1966 — Ann Leckie, 55. Ancillary Justice won the Hugo Award for Best Novel and the Nebula Award, the Kitschies Award Golden Tentacle, Locus Award for Best First Novel, the Arthur C. Clarke Award, and the BSFA Award. The Ancillary Sword and Ancillary Mercy also won awards and were no less impressive experiences. I’ve not yet read The Raven Tower, so opinions in it are welcome. (CE)
Born March 2, 1968 — Daniel Craig, 53. Obviously Bond in the present-day series of films which I like a lot, but also in Lara Croft: Tomb Raider as Alex West, Lord Asriel In the film adaptation of Philip Pullman’s The Golden Compass, in SF horror film The Invasion as Ben Driscoll, in the very weird Cowboys & Aliens as Jake Lonergan,voicing Ivan Ivanovitch Sakharine / Red Rackham in The Adventures of Tintin and an uncredited appearence as Stormtrooper FN-1824 In Star Wars: The Force Awakens. (CE)
Born March 2, 1974 – Marianne Mancusi, age 47. Two dozen novels, two shorter stories. I’ve not yet read A Connecticut Fashionista in King Arthur’s Court. Won two Emmys producing television. Loves pineapple pizza and marshmallow Peeps – she says so herself. [JH]
Born March 2, 1982 – Chelsea Campbell, age 39. Eight novels, three shorter stories. Fiber artist e.g. knitting & crocheting. Collects glass grapes. As a kid & teen, used to read adults’ books; now reads kids’ & teens’. Degree in Latin & Ancient Greek; “humanity … honestly hasn’t changed that much in the last couple thousand years, and that isn’t useless. (Plus even when people look at you funny for being ‘useless,’ you know Latin and they don’t.)” [JH]
Born March 2, 1992 — Maisie Richardson-Sellers, 29. A most believable Vixen on Legends of Tomorrow for the first three seasons, in my opinion, as I’ve always liked that DC character. (Season four onward, she’s been Clotho.) Prior to that role, she was recurring role as Rebekah Mikaelson / Eva Sinclair on The Originals, andshe had a cameo asKorr Sella in Star Wars: The Force Awakens. (CE)
…According to Slate, a 1926 expedition to the East Indies funded by the American Museum of Natural History planted the seeds for King Kong. The party, led by museum trustee William Douglas Burden, set off with the goal of recording footage of Komodo dragons and bringing specimens back to the U.S. for the first time.
In addition to the many lizards that were hunted and shot, the expedition brought back two live Komodo dragons that ended up at the Bronx Zoo. Tens of thousands of spectators went to see the living dinosaurs in person. In a pre-King Kong world, the exhibit was the closest people could get to seeing a monster with their own eyes….
Picture the most murderous mammal in the world. Not the best predator, taking down prey with a single swipe of a great talon or claw, but the one that excels in slaying its own kind.
Are you picturing a human being? Well, you would be wrong. But you might be surprised to know Homo sapiens actually falls at number 30 out of more than a thousand species on the list of animals that most often kill members of their own kind. Humans, it turns out, are just average members of a particularly violent lot, the primates. And the most prolific murderers* in the animal world are a different species altogether.
Which, you might ask? Believe it or not, it’s the meerkat, a cute little African mammal belonging to the mongoose family and immortalized in the wisecracking character Timon in The Lion King.
(14) GRRM STORY IN DEVELOPMENT. Director Paul W.S. Anderson is teaming with Resident Evil star Milla Jovovich and Dave Bautista (Guardians of the Galaxy) for the movie In the Lost Lands, based on the short story by George R.R. Martin, Deadline reported. Anderson has written the script. “’Resident Evil’ Duo Set For George R.R. Martin Adaptation ‘Lost Lands’” at Deadline.
…The movie will follow a queen, desperate to obtain the gift of shape shifting, who makes a daring play: She hires the sorceress Gray Alys (Jovovich), a woman as feared as she is powerful. Sent to the ghostly wilderness of the “Lost Lands,” Alys and her guide, the drifter Boyce (Bautista), must outwit and outfight man and demon in a fable that explores the nature of good and evil, debt and fulfillment, love and loss.
…However, there’s a major difference between the iMac’s CPU and the one inside the Perseverance rover. BAE Systems manufactures the radiation-hardened version of the PowerPC 750, dubbed RAD750, which can withstand 200,000 to 1,000,000 Rads and temperatures between ?55 and 125 degrees Celsius (-67 and 257 degrees Fahrenheit). Mars doesn’t have the same type of atmosphere as Earth, which protects us from the the sun’s rays, so one flash of sunlight and it’s all over for the Mars rover before its adventure can begin. Each one costs more than $200,000, so some extra protection is necessary.
(16) JEOPARDY! Andrew Porter continues to monitor Jeopardy! contestants’ struggles with genre topics. From tonight’s episode —
Category: Alternate History Novels
Answer: In “Ruled Britannia”, the Spanish Armada was victorious & this Spaniard rules England alongside Bloody Mary Tudor.
Wrong question: Who is Francis Drake?
No one got, Who is Phillip II?
All the other questions, including Philip K. Dick, and Charles Lindbergh, were correct.
(17) VIDEO OF THE DAY. In “Honest Game Trailers: Little Nightmares II” on YouTube, Fandom Games says Little Nightmares II portrays “a disgusting, but adorable world” where “twee Tim Burton knockoffs try to kill you.”
[Thanks to Mike Kennedy, John Hertz, Michael Toman, Steven H Silver, Andrew Porter, JJ, Cat Eldridge, John King Tarpinian, Dann, James Davis Nicoll, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
Jason Sizemore, Editor-in-Chief of Apex Magazine has anticipated the official relaunch on January 5th with a promotional mini-issue that was part of their Kickstarter stretch goals. It contains original fiction by Maurice Broaddus and Beth Dawkins.
Apex Magazine is coming out of hiatus in January of 2021. Returning are editor-in-chief Jason Sizemore and managing editor Lesley Conner. Maurice Broaddus joins Apex special fiction editor and Shana DuBois is their new nonfiction editor.
They launched a Kickstarter – “Apex Magazine 2021” – on July 20 to fund the magazine’s first two issues and hit the $7,500 goal in five hours.
Now they’re working on their stretch goals, including the funding of four more issues in 2021, and special issues devoted to Indigenous fantasists and works of international writers, along with expansion plans for the Apex Magazine podcast.
At this writing they’ve raised $12,019, enough to cover two of the stretch goals described in Update #1.
…At $12,000 we will include an original story by Beth Dawkins in our mini-issue. When we hit $14,000, we will also throw in an interview with Beth.
…Next up is $11,250 which will guarantee publication of issue 123. Then $15,000 for guaranteed publication of issue 124.
And Apex is now taking submissions:
As promised, once we hit our funding goal we would open issues 121 and 122 to submissions. Writers, send us your very best!
Visit our submissions page to read the latest guidelines and for a link to our submissions account
Apex Magzine today announced plans for a January 2021 relaunch. Editor Jason Sizemore, who put it on hiatus in April 2019, says when the three-time Hugo nominee comes back it will shift to a bi-monthly publication schedule. There are plans for a subscription drive, a July 2020 Kickstarter, and additional fundraising efforts in advance of the relaunch. Apex Magazine also plans to increase pay rates for fiction and non-fiction, creating another SWFA pro-level fiction market.
Apex Magazine will publish six issues each year. Every issue of the magazine will include 25-30k words, approximately six fiction stories, two non-fiction pieces, two author interviews, and a cover artist feature. Additional details surrounding future submission periods will be forthcoming.
Fundraising plans, to include a subscription drive and a summer Kickstarter, will allow for a revamped website design and an increase in pay rates across the board. Fiction rates will increase to $.08/word and non-fiction rates will increase to $100/essay. There are also plans for a revamped website to create a more cohesive online experience for readers and listeners of the Apex Podcast.
Sizemore says, “An award-winning genre short fiction market with more than a decade of publishing history under its belt, Apex Magazine is poised to make a comeback bigger and better than ever come January 2021.”
More news about the Kickstarter, and submission details, are promised in the coming weeks.