25 And So Pixels Made Of Sand Scroll Into The Sea. Eventually

Posted on March 17, 2025 by Mike Glyer

(1) S.B. DIVYA FREE ONLINE READING. Space Cowboy Books of Joshua Tree, CA will host an “Online Reading & Interview with S.B. Divya” on March 18 at 6:00 p.m. Pacific. Free registration at the link.

Finding a place to belong becomes a girl’s ambitious quest in a thrilling epic about space, humanity, and self-discovery by S.B. Divya, Hugo and Nebula Award finalist and author of Meru. Akshaya is the hybrid daughter of a human mother and an alloy, a genetically engineered posthuman–and she’s the future of life on the planet Meru. But not if the determined Akshaya can help it. Before choosing where her future lies, she wants to circumnavigate the most historic orb in the universe–the birthplace of humanity: Earth. Akshaya’s parents reluctantly agree to her anthropological challenge–one with no assistance from alloy devices, transport, or wary alloys themselves who manage humanity and the regions of Earth called Loka. It’s just Akshaya; her equally bold best friend, Somya; and a carefully planned itinerary threading continent by continent across a wondrous terrain of things she’s never seen: blue skies, sunrises, snowcapped mountains, and roiling oceans. As the adventure unfolds, the travelers discover love and new friendships, but they also learn the risks of a planet that’s not entirely welcoming. On this trek–rapturous, dangerous, and life-changing–Akshaya will discover what human existence really means.

Get your copy of Loka HERE

(2) EO HITS LIBRARY SUPPORT. “Executive Order Eliminates Agency That Supports Libraries” at Publishers Lunch.

A new executive order issued Friday called for the elimination of the Institute of Museum and Library Services, the nation’s only federal agency for supporting libraries. The office of 75 workers administers grants to libraries throughout the US. The executive order reads: “the non-statutory components and functions of the following governmental entities shall be eliminated to the maximum extent consistent with applicable law, and such entities shall reduce the performance of their statutory functions and associated personnel to the minimum presence and function required by law.”

The IMLS had requested grant money of approximately $255 million for fiscal 2025, and an administrative budget of $24.5 million.

The American Library Association writes in a release, “ALA implores President Trump to reconsider this short-sighted decision. We encourage U.S. Congress members, Senators and decision makers at every level of government to visit the libraries that serve their constituents and urge the White House to spare the modest federal funding for America’s libraries. And we call on all Americans who value reading, learning, and enrichment to reach out to their elected leaders and Show Up For Our Libraries at library and school meetings, town halls, and everywhere decisions are made about libraries.”

The release also lists some of the critical functions of public libraries including: Early literacy development and grade-level reading programs; summer reading programs for kids; high-speed internet access; employment assistance for job seekers ; and much more….

(3) SCIENCE POV. Michael Nayak, while plugging his new book, discusses “Scientist Storyteller: Crafting a Thin Line Between Science Fiction and Science Fact” at CrimeReads.

…Scientific advancements, environmental stressors, and geopolitical tensions can be inextricably linked. This road has been well-tread by masters of crime and science-fiction. In Jurassic Park, Michael Crichton used cutting-edge genetic science to resurrect dinosaurs, transforming bioengineering research into a harrowing lesson about nature’s unpredictability. Robin Cook’s medical thrillers, such as Coma and Outbreak, delve into the darker sides of biomedical innovation; these are stories about how technology intended for healing can result in unforeseen horrors. As a scientist and futurist in my day-to-day life, the fusing of credible scientific research into suspense and ethical complexity is something I relish.

The narrative approach of grounding extraordinary events in everyday science, and creating a recognizable sliver of reality, has made it easier for me as a reader to slip into the protagonist’s shoes. I can more immediately imagine myself in their situation, instead of suspending disbelief and going along for the ride. Andy Weir’s The Martian is a great example. The protagonist uses actual scientific principles and problem-solving strategies to overcome life-threatening challenges. Weir’s meticulous attention to detail on the minutiae of survival on Mars captured our imagination….

(4) MIÉVILLE COLLECTIBLE EDITION. Tomorrow The Folio Society will release a limited edition of China Miéville’s Perdido Street Station.

The Folio Society, independent publisher of beautifully illustrated hardback books, is partnering with award-winning fantasy and sci-fi author China Miéville for the ultimate edition of his iconic steampunk novel PERDIDO STREET STATION. First published 25 years ago in 2000, PERDIDO STREET STATION blends elements of fantasy, horror and science fiction and was nominated for several awards, winning the Arthur C. Clarke Award and the British Fantasy Award, establishing Miéville as a central figure in the “Weird Fiction” genre. The Folio Society limited edition, with a scant 500 copies available, will include the full text of the first edition, a new afterword by the author, and a map and striking art by award-winning illustrator Doug Bell, who is making his debut with the Folio Society.

Crafted with China Miéville’s close involvement, the 707-page PERDIDO STREET STATION Limited Edition from the Folio Society will feature a limitation page signed by the author and artist, printed map endpapers, iridescent foiling, a presentation box in the rough shape of a moth, and a black ribbon marker. Illustrator Doug Bell has contributed a binding and map revealing the layout of the city of New Crobuzon, as well as 8 black and white integrated chapter opening illustrations and 12 full-colour illustrations. The book will be bound in screen-printed and blocked canvas cloth, printed in black and metallic copper ink, and presented in a clamshell covered in paper which has been silver cold-foiled, printed, laminated and over-blocked in translucent foil with a design by the artist.

A fellow of the Royal Society of Literature, Miéville is the only author to have won the Arthur C. Clarke three times.

(5) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

March 17, 1948 — William Gibson, 77.

By Paul Weimer: The High Duke of Cyberpunk.

I first came to William Gibson like many other people, with Neuromancer. It took me a few years to get to it, I was still working through 50s to 80s SF through much of the 1980, so it wasn’t until I was an adult that I finally got a deep dive into Cyberpunk.

I started with Neuromancer, of course, and found out why everyone was so interested and so enthused about it. I still think it holds up, even now, I re-read it a few years ago. But I do admit that other Gibson novels stand on their own, and not on the shoulders of Neuromancer alone. But Neuromancer, Count Zero and Mona Lisa Overdrive are, basically, what a lot of people think of when they think of “cyberpunk”. One can thank, or blame, The Matrix for taking so many notes from the Sprawl books in order to transmit that aesthetic and idea into the mainstream.

The Difference Engine, for example, which he co-wrote with Sterling, feels very dated now (and some of his attitudes are pretty awful, I think, even now), but it stands as an icon of Steampunk even today. Once again, aesthetics are important, even more so than Cyberpunk, in conveying a mood and an idea (or even, gasp, a VIBE) to science fiction.

But would I have new readers start with either? No. I think the novel that really captures his voice, his importance and his strengths as a writer is The Peripheral. I highly enjoyed the Amazon series, even given the liberties that it took with the source material, but I think that it is a good way for people to be introduced to the virtual reality and other technological ideas that Gibson brings to the table. In a real way, The Peripheral shows how important Gibson and his point of view on technology and science fiction are in a way few have matched in any era. That makes him, in my mind, one of the advocates of a phrase I coined during the Chengdu Ineligibity, of the Science Fiction Project.

So in the end one might say that Gibson is a godfather, or one of the prime movers at the very least, of two subgenres of science fiction, in addition to being an advocate for the Science Fiction Project. That’s a solid legacy. And as mentioned above with The Peripheral, people are still discovering and enjoying Gibson for the first time.

(6) COMICS SECTION.

Brevity makes an elementary joke.
The Argyle Sweater avoids a medical challenge.
Tom Gauld advocates space sensitivity.

(7) SHORE/CRONENBERG Q&A. [Item by Steven French.] Director David Cronenberg and film composer Howard Shore talk about their work together ahead of their next film, The Shrouds. “’Something must have gone wrong with us’: David Cronenberg and Howard Shore on four decades of body horror” in the Guardian.

What would having sex in a car crash sound like, as music? What about a gynaecological exam performed by identical twins, or a man’s transmogrification into a grotesque human-insectoid hybrid? These are just some of the challenges faced, over more than 40 years and upwards of a dozen films, by the composer Howard Shore as part of his long collaboration with the director David Cronenberg. Shore, 78, may have won three Oscars for the magisterial sweep of his Lord of the Rings score, but it is his work on the 81-year-old Cronenberg’s notorious body-horror movies, from The Fly to Dead Ringers and Crash, that is most indelible. Those last two films will be screening this month as part of a wider tribute to Shore’s work at the London Soundtrack festival, where the composer will appear with his director-collaborator for an onstage conversation. Ahead of that encounter and the release of their next collaboration, The Shrouds, the pair sat down to talk about their long, bloody body of work….

(8) STEERING HUMAN EVOLUTION. [Item by Steven French.] Here’s an interesting addendum to Jonathan Cowie’s recent review of Mickey-17! “How humans can reinvent themselves to live on other worlds” at Phys.org.

… The stresses of the space environment are likely to become more concerning as explorers and settlers go beyond Earth orbit and our planet’s protective magnetic shield. Which gets us back to the things that can kill Mickey 17 and other earthly life forms.

Radiation is the top concern. The studies done to date suggest that astronauts could be exposed to cancer-causing levels of radiation during a three-year mission to Mars and back. Thick shielding could reduce the risk, but Mason suggests using genetics as well.

“For example, tardigrades are these water bears that can survive even the vacuum of space and heavy doses of radiation,” he says. “We’ve made cells in my laboratory that can actually take a tardigrade gene and use it in a human cell, and have this increase of radiation resistance—an 80% decrease in the [DNA] damage that we observe.”…

(9) YOU CAN’T WIN, YOU CAN’T BREAK EVEN, AND YOU CAN’T GET OUT OF THE GAME. [Item by Mark Roth-Whitworth.] Space.com asks “is our universe trapped within a black hole?” It seems that two-thirds of distant galaxies observed by the Webb Telescope are rotating one way, the same as nearer ones, and one third in the opposite direction.

Which leads me to two questions: what’s the difference between the rotations, if there is no preferred direction “up”?

The other… I’d love to hear someone explain to me how this would be different from living in a four-dimensional torus-shaped universe. “Is our universe trapped inside a black hole? This James Webb Space Telescope discovery might blow your mind”.

… Black hole cosmology, also known as “Schwarzschild cosmology,” suggests that our observable universe might be the interior of a black hole itself within a larger parent universe.

The idea was first introduced by theoretical physicist Raj Kumar Pathria and by mathematician I. J. Good. It presents the idea that the “Schwarzchild radius,” better known as the “event horizon,” (the boundary from within which nothing can escape a black hole, not even light) is also the horizon of the visible universe.

This has another implication; each and every black hole in our universe could be the doorway to another “baby universe.” These universes would be unobservable to us because they are also behind an event horizon, a one-way light-trapping point of no return from which light cannot escape, meaning information can never travel from the interior of a black hole to an external observer.

This is a theory that has been championed by Polish theoretical physicist Nikodem Poplawski of the University of New Haven.

Black holes are born when the core of a massive star collapses. At its heart is matter with a density that far exceeds anything in the known universe.

In Poplawski’s theory, eventually, the coupling between torsion, the twisting and turning of matter, and spin becomes very strong and prevents the matter from compressing indefinitely to a singularity.

“The matter instead reaches a state of finite, extremely large density, stops collapsing, undergoes a bounce like a compressed spring, and starts rapidly expanding,” Poplawski explained to Space.com. “Extremely strong gravitational forces near this state cause an intense particle production, increasing the mass inside a black hole by many orders of magnitude and strengthening gravitational repulsion that powers the bounce.”

The scientist continued by adding that rapid recoil after such a big bounce could be what has led to our expanding universe, an event we now refer to as the Big Bang.

“It produces a finite period of cosmic inflation, which explains why the universe that we observe today appears at largest scales flat, homogeneous, and isotropic,” Poplawski said….

(10) CUT TO THE BONE, AND THROUGH. The Planetary Society today sent out a newsletter that leads with the news reported by Ars Technica in its article “White House may seek to slash NASA’s science budget by 50 percent”.

White House is considering a staggering 50% cut to NASA’s Science Mission Directorate in the 2026 budget request. Such a dramatic cut, if implemented, would have widespread negative consequences, including the cancellation of nearly every planned spacecraft project, the premature termination of active missions throughout the Solar System, and the rapid constriction of the related scientific and technical workforce in the United States.

It would be nothing short of an extinction-level event for NASA’s science activities.

While no formal budget submission has been made, this report is credible. It is consistent with the administration’s stated spending goal and, notably, with a proposal released by the conservative think tank, Center for Renewing America, in 2023. This alternative budget declared that “every executive branch agency must focus on its core mission. For NASA, that is Deep Space Exploration, putting Americans back on the Moon, and looking to Mars…The Budget also proposes a 50% reduction in NASA Science programs and spending.” I reference this document because the organization’s founder and President, Russell Vought, is now the Director of the White House’s Office of Management and Budget, which is responsible for the upcoming budget request …

(11) SECRETS OF OUR MILKY WAY. [Item by SF Concatenation’s Jonathan Cowie.] Back in the late 1990s, SF² Concatenation co-founding editor Graham Connor kindly invited me for a week at ESA’s European Space Research and Technology Centre in the Netherlands. (Incidentally, ESTEC was where SF author Alastair Reynolds also worked, and he must have been there unbeknownst to us at that time.) Graham would work during the day designing and testing satellite microwave communication systems while I raided the ESTEC library (that’s when on the way home I found out that a ream of photocopy paper imaged similarly to plastic explosives on the then airport security scanners… but that’s another story). At the time I was at ESTEC I visited their press office, and they were all agog with the forthcoming ESA Gaia Probe: I still have Gaia magnetic badges on my fridge. Gaia has now come to the end of its life and the Astrum YouTube Channel has now posted an 18-minute vid on what we have learned from this remarkable space telescope…

ESA’s Gaia telescope has reached the end of its life, but what has it discovered about our Milky Way galaxy’s hidden secret?

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 1/21/25 Shattered Like A Glass Scroll

Posted on January 21, 2025 by Mike Glyer

(1) COSTUME-CON 43 CANCELED. Costume-Con 43 chair Henry Osier announced on Facebook today that the 2025 convention has been canceled reports Eric Hildeman of Starship Fonzie. The event was to have been held in Milwaukee this April.

Due to lack of pre-convention funds Costume-Con 43 has been canceled.

We regret having to make this decision. We wanted to create a truly unique and memorable convention for everyone and with insufficient funds this will not be possible. We had hoped to help educate costumers of all experience levels and backgrounds, as well as help people connect with other people interested in costuming from across the continent.

We are informing you at this time so that you may cancel your hotel reservations and travel plans.

If you have already paid for a membership/ticket you will be reimbursed….

(2) THE CLOCK OF THE LONG NOW. “It’s been an idea for over three decades. How did the clock that will run for 10,000 years become a reality?” Alec Nevala-Lee looks for the answer in “Chimes at Midnight” at Asterisk. The clock, designed to keep accurate time without human intervention for 10,000 years, is currently nearing completion on Jeff Bezos’s property in Texas.

…[Danny Hillis] had been dreaming about the clock for years, but he first set it down in detail in an essay — later published in Wired — dated February 15, 1995. Noting that society had trouble picturing the far future, he proposed a symbolic object to encourage long-term thinking: “I want to build a clock that ticks once a year. The century hand advances once every one hundred years, and the cuckoo comes out on the millennium.” It would keep accurate time for ten millennia, or roughly as long as human civilization had already existed. The musician Brian Eno, who later developed the chimes, named it the Clock of the Long Now.

Hillis initially explored the idea in an unlikely setting. He joined a Disney fellowship program, created expressly for him, as a vice president of research and development, although what he really wanted was to work on his clock. The Imagineers made their machine shops and staff available at cost, as long as the company retained the right to build a clock of its own, and he spoke long afterward as though he were designing a theme park attraction: “Time is a ride, and you are on it.”

Independently of Disney, he built two prototypes of the clock, but his efforts to invent a corresponding narrative — or myth — sometimes led to confusion. “A lot of people who hear about the clocks think it is just a story,” Hillis wrote earlier this year. “They are surprised to find out there are actual clocks.” In his Wired essay, he shared a provocative suggestion from the magician Teller: “The important thing is to make a very convincing documentary about building the clock and hiding it. Don’t actually build one. That would spoil the myth if it was ever found.”…

(3) LUMIÈRES AWARDS. “’Flow’ Wins Animation Award at Lumières”. Animation Magazine also reports the non-genre film Emilia Pérez won the most awards — five, including Best Film and Best Director.

One of this year’s awards season frontrunner, Gints Zilbalodis’ indie animated feature Flow has captured another prize. The critically acclaimed Latvian contender has been awarded Best Animated Feature at the 30th Lumières.

The Lumières are considered France’s version of the Golden Globes, as the winners are judged by members of the international press based in the country. This year, representatives of 38 countries voted on the category winners, which were announced in Paris on Monday.

Flow was nominated alongside Into the Wonderwoods (directed by Vincent Parannaud and Alexis Ducord); The Most Precious of Cargoes (Michel Hazanavicius); Maya, Give Me a Title (Michel Gondry); and Savages (Claude Barras)….

(4) BOOK APP’S BIGOTED MESSAGES. The New York Times reports “Fable, a Book App, Makes Changes After Offensive A.I. Messages” – you can just imagine what that program was trained on.

…In an Instagram post this week, Chris Gallello, the head of product at Fable, addressed the problem of A.I.-generated summaries on the app, saying that Fable began receiving complaints about “very bigoted racist language, and that was shocking to us.”

He gave no examples, but he was apparently referring to at least one Fable reader’s summary posted as a screenshot on Threads, which rounded up the book choices the reader, Tiana Trammell, had made, saying: “Your journey dives deep into the heart of Black narratives and transformative tales, leaving mainstream stories gasping for air. Don’t forget to surface for the occasional white author, okay?”

Fable replied in a comment under the post, saying that a team would work to resolve the problem. In his longer statement on Instagram, Mr. Gallello said that the company would introduce safeguards. These included disclosures that summaries were generated by artificial intelligence, the ability to opt out of them and a thumbs-down button that would alert the app to a potential problem.

Ms. Trammell, who lives in Detroit, downloaded Fable in October to track her reading. Around Christmas, she had read books that prompted summaries related to the holiday. But just before the new year, she finished three books by Black authors.

On Dec. 29, when Ms. Trammell saw her Fable summary, she was stunned. “I thought: ‘This cannot be what I am seeing. I am clearly missing something here,’” she said in an interview on Friday. She shared the summary with fellow book club members and on Fable, where others shared offensive summaries that they, too, had received or seen.

One person who read books about people with disabilities was told her choices “could earn an eye-roll from a sloth.” Another said a reader’s books were “making me wonder if you’re ever in the mood for a straight, cis white man’s perspective.”…

(5) COVER NEWS. DAW has shared the new US cover for John Wiswell’s Wearing the Lion, which will be released June 17.

Wiswell brings a humanizing, redemptive touch to the story of Heracles and his complicated relationship with the goddess Hera saying, “Wearing the Lion is an epic fantasy about the things that make us feel monstrous, and about how facing monsters can make us feel whole. It’s about traditional family, found family, and growing when people say there’s nothing left for you.”

(6) STATUS OF BUTLER GRAVE. Gizmodo reassures readers “Beloved Sci-Fi Author Octavia Butler’s Gravesite Survived Los Angeles Fire”.

…The Afrofuturist’s grave rests in Altadena, which was hit hard amid the recent fires that left thousands of Californians without their homes. But her burial site survived: the AP shared an image of the location and reported that it received “minimal damage,” citing a statement on the Altadena Mountain View cemetery’s web site. Butler passed in 2006 and her footstone reads “All that you touch, you change. All that you change, changes you,” a quote from Parable of the Sower.…

However, what the Associated Press specifically reported is:

…A spokesperson at the Mountain View cemetery confirmed the accuracy of the website’s announcement to The Associated Press, but would not comment on the status of individual markers….

(7) JULES FEIFFER (1929-2025). Pulitzer Prize-winning cartoonist Jules Feiffer died January 17. NPR pays tribute: “Jules Feiffer, cartoonist and playwright, dies at 95”.

… It wasn’t just on the page that he hurled himself so intrepidly into the unknown. In life, too, he continually aimed for unseen horizons. When he died Jan. 17 of congestive heart failure at his home in Richfield Springs, N.Y., he left an abundant legacy across a range of artistic media. The history of graphic art, literature, film and the theater bear the imprint of his ever-distinctive, ever-wayward pen….

…. Straight out of high school, he looked up Will Eisner in the phone book and buttonholed the legendary comics mastermind in his downtown office. Eisner “couldn’t have been more pleasant until he looked at my work, and then he told me that the work was s***,” Feiffer told the Voice in 2018. Even so, Eisner allowed the boy to contribute bits and pieces to the studio’s comics. Feiffer filled in black-ink areas and ruled panel borders. More importantly, he talked to Eisner about the form. Eventually Feiffer graduated to writing stories for The Spirit, continuing until he was drafted in 1951. He served in the U.S. Army Signal Corps until 1953….

…The assassination of John F. Kennedy prompted him to pen his first full-fledged play, 1967’s Little Murders. (Though its Broadway debut was a flop, an Off-Broadway production won an Obie award in 1969.)…Perhaps most memorably, he penned the screenplay for 1971’s Carnal Knowledge, directed by Mike Nichols…

…For the younger set he was the magical artist behind 1961’s The Phantom Tollbooth….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 21, 1923 — Judith Merril. (Died 1997.)

By Paul Weimer: Judith Merril, to me, has always been a science fiction editor, writer, and activist whose work, and life, has invariably and inexorably been tied to her fearlessly progressive politics.

I came across various stories of Merril in my early reading of a lot of the early stories of the field in the 1980s. “That Only a Mother”. That story, with a mother with a mutant baby but unable to or unwilling to see that her baby IS in fact, severely deformed. Even from the beginning here, Merril showed her interest in the psychology and personality of her characters as the main drivers of her plots. And yeah, the ending of that story left a mark.

Or perhaps “The Tomorrow People”, with its deep psychological look at a group of people in space after a disastrous trip to Mars. In a way, that story always felt like to me as a forerunner to Frederik Pohl’s Gateway (but not its sequels!). Both could be considered forerunners of the New Wave movement.

Beyond her writing, she’s probably known even better for being an editor, having edited volumes of Canadian SF (the Tesseract series) as well as many Best of Science Fiction volumes. Her point of view and her editorial choices and viewpoint helped move science fiction away from the pulp era and into the aforementioned New Wave movement. Merill is one of the people who helped prove that science fiction (or at least a significant segment of it) could be a full-on high literary genre.

But it is her politics that I know her work best. She was a signatory to the infamous anti-Vietnam War ad that ran in Galaxy. Not long after that ad ran, she moved to Canada and became very active in the Canadian SF movement, from hosting episodes of Doctor Who, to endowing science fiction collections and the aforementioned editing of Canadian SF. She never stopped speaking her mind and heart about politics, especially her views on war and the military and eventually became a Canadian citizen.

A veritable force of nature in the science fiction field.

Judith Merril Staying in the home of Michael Moorcock

(9) TOMORROW’S BREAKFAST.

[Written by Cat Eldridge.]

Rex Stout’s Omelet

Rex Stout’s recipe for his perfect omelet in And Be a Villain (British title, More Deaths Than One), the Nero Wolfe novel that was first published by the Viking Press here in 1948.

It’s also in The Nero Wolfe Cookbook which was published by Viking Press in 1973 where the Viking editors then credit it to Wolfe a quarter of a century later. Why it’s not credited in the actual novel is a bit odd.

If you decide to purchase this cookbook, do not buy the 1981 paperback as it has but a sampling of the 1973 recipes. Boo, hiss! The problem is that the first printing not unexpectedly has become quite pricey running as well over a hundred and fifty dollars!

And now, here’s Stout’s perfect omelet recipe.

It is better to make two small omelets than a large one. Beat four eggs in a bowl, adding two Tbsps. of milk or cream if you wish; I don’t. Season to taste with salt and pepper. Heat one scant Tbsp. butter in a skillet over a hot fire. When the butter is hot but before it smokes, add the eggs all at once. Quickly, with a fork, pull the edges of the egg mass toward the center as they thicken. The liquid part will immediately fill the vacant spaces. Repeat until there is no more liquid but thei eggs are still very soft. Gently press the handle of the skillet downward and let the omelet slide toward it. When 1/3 of the omelet has slid up the edge of the pan, fold it toward the center with a spatula. Raise the handle to slide the omelet in the opposite direction, and when 1/3 is up the far edge hold a dish (heated) under it. As the rim of the omelet touches the dish, raise the handle until the skillet is upside down. The result should be an oval-shaped light-brown omelet.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Charlie Chan in Paris (1935)

Ninety years ago, Charlie Chan in Paris, the seventh in that series, premiered. It was directed by Lewis Seiler as written by the trio of Earl Derr Biggers, Philip MacDonald and Stuart Anthony. All the films featured Warner Oland, a Swedish-American actor who had also played Fu Manchu. Oland would play this role sixteen times.

Honolulu Police detective Lieutenant Chan was created by Biggers who wrote six novels in which he appears. The House Without a Key is the first one. It’s available from the usual suspects for ninety-nine cents.

Biggers loosely based Chan on Hawaiian detective Chang Apana and was intended to be the opposite of Fu Manchu. The real detective actually solved very few murder cases as he worked mostly on opium cases, opium being a major problem then.

Over the years eleven different actors would portray him including Peter Ustinov and Ross Martin.

This film was considered lost for decades until a print was discovered in Czechoslovakia with a collector in the seventies. After a number of showings in various revival cinemas throughout the States, it was released on DVD as part of a collection. All of the films are in the public domain so you can watch it here.

(11) COMICS SECTION.

Curses looks at reader approval.
Dinosaur Comics explains flashbacks.
Pardon My Planet has a horrible explanation for a Star Trek icon.
Speed Bump – is this speed reading or a book critic at work?
Strange Brew knows you can talk to the animals but they won’t all listen.

(12) LEGEND OR MYTH – YOU DECIDE. “30 years later, Fallout creator Tim Cain is searching for a legendary D&D player who cheesed an entire competitive dungeon with a lightning-fast Monk build” reports GamesRadar+.

… In a recent YouTube video, Cain explores the legend of the ‘1 million XP dungeon’, a first-edition D&D competition he says he heard about in 1993 at a gaming convention in California. In the competition, players had to run through a complex, multi-layered dungeon and become the first to reach the goal at its end. To do so, however, they were each given one million XP with which to craft a character.

XP could be used to level up, or it could be converted into gold coins at a ratio of one XP to one gold, with that gold used to buy magical items based on their assigned value in the rules. Cain explains that that meant some players would max out on levels, while others might rely on a bevy of magical items to get them through the dungeon. Most sat somewhere between those extremes, but the eventual winner was a player who pushed the rules to their limit.

The prize was claimed, Cain believes, by a level 11 human Monk. A class often defined by unarmed attacks and no armor, Monks might have seemed a risky pick, but Cain explains how this character had a strong armor class, several useful resistances and immunities, and the ability to shrug off damage on most saving throws. On top of that, at level 11, Monks have a move speed of 25 – double the base speed of pretty much any other character, and faster than both horses and players under the effect of haste spells. Clearly, the strategy was to go very fast, but the Monk faced one major hindrance – their class was limited to just three magical items. With 700,000XP given over to leveling, they risked not being able to get the most out of their build.

The items they opted for included a Cloak of Protection +5 to enhance their already strong armor class and give a +5 to their already-enhanced saving throws, which they boosted even further with a Scarab of Protection. The real cherry on top, however, was the Ring of Air Elemental Command – as well as some extra bonuses like the Gust of Wind spell, that ring offered unlimited flight and visibility.

Players entering the competition were matched up with a DM in groups of three to five, with the first person to reach the final goal out of all the entrants winning the contest. To hear Cain tell it, the Monk in question lined up with their fellow players, went invisible, and took off running. Moving twice as fast as everyone else, able to fly over any traps and remain invisible to any enemies, it sounds as though there was no contest whatsoever. The Monk reached their goal on the final floor of the dungeon before most other players had even made it off the first floor – several players were yet to even get into the castle….

(13) PLONK YOUR MAGIC TWANGER. SF Gate visits “The Bay Area shop that sends rent checks to George Lucas”.

Beautifully restored banjos and 18th-century violins line the walls of Amazing Grace, a San Anselmo music store that has faced more threats than Luke Skywalker in “The Empire Strikes Back.” In fact, the shop wouldn’t exist if George Lucas, the “Star Wars” franchise creator and longtime San Anselmo resident, hadn’t stepped in to rescue it in 2004.

There are other Lucas connections too. One of Lucas’ children took guitar lessons at the shop. And many employees at Lucasfilm’s Industrial Light & Magic, the Marin County special-effects company founded by Lucas, have stopped by the store for decades to buy instruments for movie props, repair their own gear or just to chat with the mom-and-pop owners who have run Amazing Grace since 1983.

Amazing Grace has been at the heart of the thriving Marin music scene throughout its incarnations in three buildings and with three pairs of owners (all local musician couples) since its founding in 1970. But by 2004, during every Marin storm, rainwater leaked through the roof and a back door of the dilapidated 1936 building, a former commuter train depot near the San Rafael-San Anselmo border.

“We thought we’d have to jump ship and start repairing instruments in our garage,” says shop co-owner, master luthier (string instrument-maker) and old-time string band musician John Pedersen. “But then George’s property manager convinced him to buy the land and build a new and bigger shop. I’d met George a few times when my band played at his Fourth of July parties at the [Lucasfilm Skywalker] ranch, and I understand that he liked the idea of supporting a mom-and-pop business.”

Lucas has also built a park in downtown San Anselmo, where Yoda and Indiana Jones statues are a hit, and rescued at least one other local business. “We see him around town, but we don’t bother him,” Pedersen says. “We just send him a rent check each month.”…

(14) GIGO. “AI-Generated Junk Science Is a Big Problem on Google Scholar, Research Suggests” – Gizmodo has the story.

AI-generated scientific research is polluting the online academic information ecosystem, according to a worrying report published in the Harvard Kennedy School’s Misinformation Review.

A team of researchers investigated the prevalence of research articles with evidence of artificially generated text on Google Scholar, an academic search engine that makes it easy to search for research published historically in a wealth of academic journals.

The team specifically interrogated misuse of generative pre-trained transformers (or GPTs), a type of large language model (LLM) that includes now-familiar software such as OpenAI’s ChatGPT. These models are able to rapidly interpret text inputs and rapidly generate responses, in the form of figures, images, and long lines of text.

In the research, the team analyzed a sample of scientific papers found on Google Scholar with signs of GPT-use. The selected papers contained one or two common phrases that conversational agents (commonly, chatbots) undergirded by LLMs use. The researchers then investigated the extent to which those questionable papers were distributed and hosted across the internet.

“The risk of what we call ‘evidence hacking’ increases significantly when AI-generated research is spread in search engines,” said Björn Ekström, a researcher at the Swedish School of Library and Information Science, and co-author of the paper, in a University of Borås release. “This can have tangible consequences as incorrect results can seep further into society and possibly also into more and more domains.”

The way Google Scholar pulls research from around the internet, according to the recent team, does not screen out papers whose authors lack a scientific affiliation or peer-review; the engine will pull academic bycatch—student papers, reports, preprints, and more—along with the research that has passed a higher bar of scrutiny.

The team found that two-thirds of the papers they studied were at least in part produced through undisclosed use of GPTs. Of the GPT-fabricated papers, the researchers found that 14.5% pertained to health, 19.5% pertained to the environment, and 23% pertained to computing….

(15) YOUTHFUL ZITS OF THE UNIVERSE. “Webb’s Stunning Discovery: Could These Mysterious ‘Little Red Dots’ Be the Universe’s Earliest Black Holes?” asks Sci Tech Daily.

Shortly after NASA’s James Webb Space Telescope began its science operations, astronomers encountered an unexpected discovery in the data: small, red objects scattered across the distant, early universe. These intriguing phenomena, now referred to as “little red dots” (LRDs), remain poorly understood, raising fresh questions and inspiring new theories about the processes shaping the universe’s infancy.

By analyzing publicly available Webb data, a team of astronomers recently compiled one of the largest samples of LRDs to date. Nearly all of these objects are believed to have existed within the first 1.5 billion years after the Big Bang. The researchers concluded that a significant portion of the LRDs are likely galaxies hosting growing black holes at their centers….

(16) BAKER CAKE. Tom Baker celebrated his 91st birthday yesterday and a photo of him posing with his cake has been shared online.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Alec Nevala-Lee, Eric Hildeman, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Jones.]

Pixel Scroll 12/15/24 Deck Us All With Barsoom Charlie

Posted on December 15, 2024 by Mike Glyer

(1) NEW FUTURE UP. [Item by SF Concatenation’s Jonathan Cowie.] Just posted SF² Concatenation’s fourth and final “Best of Nature Futures stories” of the year, just in time to hold you over the Christmas break. The originals are behind a pay-wall so these re-postings (with permission of Nature and the respective authors) are the only way for the broader public to see these rather neat little SF stories.

The latest is “Fear of the Dark” by Stephen Battersby. When the nature of dark matter is elucidated, it comes with a problem…

(2) DISNEY FOUGHT THE LAW AND THE LAW WON. “Disney agrees to $233-million settlement in wage theft case” – the LA Times has the story (behind a paywall).

Five years after workers first took Disneyland to court for allegedly skirting an Anaheim minimum wage law, resort owner Walt Disney Co. has agreed to settle a class-action lawsuit for $233 million.

The company approved the preliminary settlement Friday, which accounts for back pay with interest as the Anaheim law is set to increase wages in January to nearly $20.50 an hour.

“What we believe is the largest wage and hour class settlement in California history will change lives for Disney families and their communities,” said Randy Renick, an attorney representing the workers in the class-action suit.

Back pay owed to workers from Jan. 1, 2019, when the wage law first took effect, until the date Disney adjusted wages at the end of the court fight last year, accounts for roughly $105 million of the total settlement….

…The company reached an agreement last summer with four unions representing 14,000 workers that raised base pay to $24 an hour….

(3) SEATTLE 2025 COMMUNITY FUND. The Seattle Worldcon 2025 Community Fund is dedicated to helping fans from diverse backgrounds participate in Worldcon by providing financial support for travel, accommodations, and memberships.

They are now taking applications for Community Fund grants. Full guidelines are at the Community Fund – Seattle Worldcon 2025 webpage. They are focusing on assisting fans who are:

First time attendees from the Pacific Northwest (Washington, Idaho, Oregon, Alaska, British Columbia)
LGBTQIA+ attendees
BIPOC/AANHPI attendees
Attendees from the Global South

If you belong to one of these groups and would like to apply for assistance, please submit your application here. We are approving applications in waves, with the first wave deadline set for January 17th. Though priority for the first wave will be given to people engaging in foreign travel, feel free to apply at any time if you fit into one of these focus groups.

(4) SEW THAT HAPPENED. Seattle Worldcon 2025 is also running a “Single Pattern Contest”. Contest Administrator Kevin Roche explains:

The Single Pattern Contest has been a tradition at Norwescon for nearly a decade, but the competition has a much longer history in costume/cosplay fandom. As the person who invented the contest (for Costume-Con 12 in 1994), I’m thrilled to have been asked to introduce it to the larger Worldcon audience.

This year there will be two options for patterns:

A vintage-style bowling shirt
A 60s-style slip or sheath dress

In some years, a pattern selected for a single pattern contest has gone out of print or been difficult to locate, so a garment style rather than specific pattern number will avoid that difficulty. If you prefer a pattern, however, here are some suggested patterns:

Bowling Shirt: McCalls M7206* (available as PDF), Simplicity S9279, Simplicity S9157, Vogue V1622, (unisex), McCalls M8459, McCalls M6972

60s-Style Dresses: McCalls M8466*, Simplicity S9848, Butterick B6990, McCalls M8402 (PDF), Simplicity S1609

More information at the website.

(5) AND WAIT, THERE’S MORE. Here’s the Seattle Worldcon 2025 presentation from last weekend’s “SMOFCon 41 – Worldcon QA”.

(6) I’LL BE DIPPED – IN BRONZE. Gothamist invites us to “Meet the sculptor tricking New Yorkers with art dedicated to the city’s fake history”. (See more at the “Compelling Mysteries and Forgotten Tragedies – NYC Urban Legends” website.)

Joseph Reginella has been building and installing legitimate-looking monuments across the city that commemorate legendary local events that never actually happened.

His most recent creation memorializes Nathaniel Katz, who introduced rats to New York City and was “catapulted into the Hudson River” as punishment, according to the weathered plaque beneath his pompous-looking, rat-covered bust.

Never heard the legend of old Katz?

It’s because he never existed. Reginella, a freelance artist who specializes in mold-making, imagined the tall tale and built the bust in the image of his pigeon-loving neighbor.

But many people both on and offline believed it to be true, according to Reginella and several news reports…

… The way Reginella sees it, the monuments are not meant to be “gotcha” pranks but escapist delights and gateways into a sci-fi version of New York history he has lovingly built and displayed for public consumption. (In addition to the monuments, he creates extensive backstories and even documentaries for his tall tales.)…

(7) DAVID A. MCINTEE (1968-2024). David A. McIntee, author of many spin-off novels based on Doctor Who, reportedly has passed. McIntee has written about many other franchises, too, including Final Destination and Space: 1999. His first full-length Star Trek novel, Indistinguishable from Magic, was released in 2011.

He has written a non-fiction book on Star Trek: Voyager and one jointly on the Alien and Predator movie franchises.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 15, 1951 – David Bischoff. (Died 2018.)

Our community is blessed with many amazing writers of which David Bischoff was one. So let’s talk about him.

His first writings were in the Thrust fanzine where he did a mix of commentary and criticism. (Thrust got one Hugo nomination as a fanzine and four as semi-prozine.) Editor Doug Fratz would later convert it into a semiprozine where Bischoff along with John Shirley and Michael Bishop were regular contributors.

His first novel, The Seeker, which was co-written with Christopher Lampton was published by Laser Books forty-seven years ago. He was extremely prolific. No, I don’t mean sort of prolific, I mean extremely prolific. He wrote some seventy-five original novels which is to say not within of any of the many media franchises that he wrote within plus another thirty-five or so novels falling within those media franchises.

What franchises? Oh, how about these for a start and this is not a full listing by any means — Aliens, Alien Versus Predator, Farscape, Gremlins 2: The New Batch, Jonny Quest, SeaQuest DSV, Space Precinct and War Games. And no, I never knew there were Jonny Quest novels.

David Bischoff. Photo by and (c) Andrew Porter.

Oh, and I must single out that he wrote two Bill, the Galactic Hero novels, Bill, the Galactic Hero on the Planet of Tasteless Pleasure and Bill, the Galactic Hero on the Planet of Ten Thousand Bars which is either a great idea or maybe not. Not having read them I have no idea. A Planet of Ten Thousand Bars? Do they clone livers there?

And he wrote for the Trek universe, two most excellent episodes at that. He co-wrote the ”Tin Man” episode from Next Generation, a Nebula nominee, with Dennis Putman Bailey, and the “First Contact” episode from the same series written with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller.

Almost none of his extensive fiction has been collected save that which is in Tripping the Dark Fantastic from a quarter of a century ago which collects a few novelettes and some short stories.

Very little of his fiction is available from the usual suspects, and even Tripping the Dark Fantastic is not available.

(9) COMICS SECTION.

Foxtrot alibis the missing LOTR cookie.
Reality Check remembers why Santa’s sled is no longer pulled by these.
Working Daze hasn’t solved all the tree-trimming challenges.

(10) MUPPET HISTORY SITE RUNNER CHARGED WITH HARASSMENT. “Muppet History was a bright spot online — now it’s embroiled in a sexual harassment scandal” reports The Verge.

For years, a fan-run account called Muppet History has been central to the Muppets fandom. It shared little-known facts, memes, and wholesome messages, amassing half a million followers on Instagram and more than 280,000 on X. Publicly, it was a wholesome and sweet platform, a passion project that took off. It became an unofficial ambassador of Jim Henson’s iconic cast of characters — inside and outside the world of diehard fans.

But on Monday night, a post on the account’s Instagram page had an ominous tone. “Good Evening,” the message started. “We wanted to take a moment to address some concerns that have arisen as of late.” The vague post — on which comments had been disabled — mentioned “overstepped” boundaries, the “harm” caused, and that people were made “uncomfortable.” It did not specify exactly what had happened.

Since that post, however, a rough sketch has come into focus. Fans claim that Muppet History’s co-runner Joshua Gillespie, who operates the account with his wife, Holly, was sending unwanted sexual messages to other people. Now, it’s gone from a bright spot on the internet to another soured piece of online culture, leaving a small community navigating the fallout….

…A few weeks after receiving the message, Maloney shared the screenshot of the conversation with a small group of close friends on Instagram. The screenshots were leaked and reposted publicly on X. After that, she says, “the floodgates opened” in her inbox.

“People found out that I was talking about this, and they just started coming to me and confiding in me,” Maloney says. They said they received messages “begging for nude pictures to depicting sexual acts and telling them they would like it … just really nasty comments from a Muppet account, and from [Joshua Gillespie’s] personal account.”…

(11) BOOTS. [Item by Steven French.] A pretty horrific cherry, to be honest: “Exceedingly good needle drops: why a 1915 reading of a Kipling poem is the cherry on top of the 28 Years Later trailer” in the Guardian.

The US Navy operates something called Survival, Evasion, Resistance and Escape, a training programme designed to equip military personnel with the necessary skills to survive in hostile environments. Part of this involves detaining them in a small cell while being repeatedly played the scariest thing that staff have to hand: a 1915 recording of actor Taylor Holmes reciting the Rudyard Kipling poem Boots.

The poem itself is terrifying enough, the percussive chant of an infantryman marching towards battle, trying to overcome his grinding sense of impending doom. But Holmes’s rendition almost defies definition. It begins haunted, but gradually rises to a possessed roar, as Holmes wails over and over again: “There’s no discharge in the war.” By its climax he’s screaming at the top of his voice, a prisoner of his own madness. It’s a scarring listen. It is also the soundtrack to the 28 Years Later trailer.

(12) TODAY’S THING TO NOT WORRY ABOUT. Although Gizmodo has learned “Tiny Black Holes Could Have Left Tunnels Inside Earth’s Rocks”, they say “A pair of imaginative cosmologists have great news for everyone: If a primordial black hole tunnels through your body, you probably won’t die.”

… “Familiar” black holes, if you can call them that, typically form in the wake of dying stars that collapse inwards. Primordial black holes, on the other hand, might have formed shortly after the Big Bang, when areas of dense space also collapsed inwards, before stars even existed—hence the primordial part.

Scientists have theorized the existence of PBHs for decades, but have never actually observed one. According to the study, some scholars even suggest that PBHs might be dark matter itself (the mysterious substance that makes up 85% of the universe’s mass). “Small primordial black holes (PBHs) are perhaps the most interesting and intriguing relics from the early universe,” the researchers wrote in the study…

(13) SALINE CREEP. “Saltwater Could Contaminate 75% of Coastal Freshwater by 2100” says a study reported by Gizmodo.

…New research from NASA’s Jet Propulsion Laboratory (JPL) and the U.S. Department of Defense (DOD) suggests that that seawater will contaminate underground freshwater in roughly 75 percent of the world’s coastal areas by the end of the century. Their findings, published late last month in Geophysical Research Letters, highlight how rising sea levels and declining rainfall contribute to saltwater intrusion.

Underground fresh water and the ocean’s saltwater maintain a unique equilibrium beneath coastlines. The equilibrium is maintained by the ocean’s inland pressure as well as by rainfall, which replenishes fresh water aquifers (underground layers of earth that store water). While there’s some overlap between the freshwater and saltwater in what’s known as the transition zone, the balance normally keeps each body of water on its own side.

Climate change, however, is giving salt water an advantage in the form of two environmental changes: rising sea level, and diminishing rainfall resulting from global warming. Less rain means aquifers aren’t fully replenished, weakening their ability to counter the saltwater advance, called saltwater intrusion, that comes with rising sea levels….

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/2/24 One Pixel, One Scroll And One Bheer

Posted on December 2, 2024 by Mike Glyer

(1) TERM FOR THE TIMES. The Oxford University Press announces the “Oxford Word of the Year 2024”:

Other candidates shortlisted for Word of the Year —

demure
dynamic pricing
lore
romantasy
slop

(2) TABLE TALK. The Seattle Worldcon 2025 Exhibits team is taking applications for the art show, dealers’ room, and fan tables through January 15, 2025.

Art Show

The Seattle Worldcon 2025 Art Show will feature science-fiction, fantasy, and other genre-interest art, including sculpture, jewelry, and models displayed in a gallery setting alongside work from one of our guests of honor, artist Donato Giancola.

Sales are made by the convention on behalf of artists.

Visit our art show page to find out more and apply.

Dealers’ Room

The Seattle Worldcon 2025 Dealers’ Room team looks forward to bringing together a vibrant and diverse dealer’s room with a large and curated selection of merchandise and services that represent the best in our fandom community. Dealers staff their own tables or booths and sell their own merchandise.

Visit our dealers’ room page to find out more and apply.

Fan Tables

Worldcon offers no-charge table spaces to clubs, groups, conventions, and organizations that promote science, science fiction, fantasy, horror, costuming/cosplay, and other fannish pursuits. This table space is an opportunity to share your enthusiasm with Worldcon members who have similar interests.

Visit our fan tables page to find out more and apply.

(3) VISIT THE MIDWAY. Also, the Seattle Worldcon 2025 website has added a “Fun Stuff” area with coloring pages, a Seattle playlist, a trivia game, free cross stitch patterns, links to their specially-designed fabrics, and more.

(4) THE HOWEY/ADAMS 2024 BEST VOLUME. A Deep Look by Dave Hook reviews “’The Best American Science Fiction and Fantasy 2024’, Hugh Howey & John Joseph Adams editors, 2024 Mariner”. Here’s the TL;DR version (but you’ll miss a lot if you don’t click through.)

The Short: I recently read The Best American Science Fiction and Fantasy 2024, Hugh Howey & John Joseph Adams editors, 2024 Mariner. Among the 20 stories, my favorite was the “The Long Game” by Ann Leckie, from The Far Reaches, John Joseph Adams editor, 2023 Amazon Original Stories. My overall rating for the stories included was 3.6/5, or “Very good”. I recommend it, but there were two stories that were “Did not finish ” for me….

(5) GET READY. BookRiot offers a list of ways to “Prepare Your Library Before January Arrives: Book Censorship News, November 22, 2024”.

… Here are some of the things that public libraries, as well as public school libraries where applicable, should be considering right now to prepare for the new administration. There are fewer than two months—and honestly, about one month with the holidays—to shore up your institutions to make them as strong and solid for the community as possible…

An example of their advice is:

Update Your Collection Management Policies

The thing that will protect your library collection the most is your suite of collection development policies. These policies might be one single policy with several sections or several policies that fall under the umbrella of collection management. These include not only the types of materials you acquire but also how you make those decisions—we know that books don’t simply appear on shelves. Explain the review sources you use and why they’re used, as well as explain where and how recommendations from the community and from the professional field come into consideration. Be as clear as possible about the difference between review materials used to make collection decisions and tools used to help in reader advisory. You don’t rely on reviews nor on recommendations from places like BookLooks or RatedBooks, created by Moms For Liberty and Utah Parents United and their cohorts respectively, as those are not professionally vetted sources. You don’t purchase materials based on reviews from Common Sense Media but you may utilize it in helping patrons find materials. It is annoying to get this granular, but that granularity is crucial. Most people don’t know how libraries select material….

(6) MEDICAL UPDATE. Moshe Feder told Facebook readers he went to the emergency room with abdominal pain on November 30, where the decision was made to have his gallbladder removed. The surgery was successful.

…My gallbladder was in much worse shape than they thought. I’m not sure how infected — white cell count was just a bit high — but I think it was beaten up by years of stones. It wouldn’t have come out neatly through the laparoscopic incision.

So they had to switch from the 20-minute robotic method to the old style 2-hour procedure with a much longer incision.

To say I’m sore is an understatement. I can barely move without aggravating the incisions, and I’m praying that I never cough or sneeze. Even mere belching hurts!

(7) OCEANS OF MONEY. The Hollywood Reporters hears the register ringing as “’Moana 2′ Sails to Record-Busting $225 Office Opening”.

Disney’s fantasy musical served up a mammoth holiday domestic debut of $225.2 million, according to final numbers (that’s up from Sunday’s estimate of $221 million). Smashing numerous records, the Moana sequel boasts the biggest five-day debut in history — besting The Super Mario Bros. Movie ($204.6 million) — as well as delivering both the top Thanksgiving opening of all time and the biggest Thanksgiving gross of all time by a mile, beating Frozen ($93.6 million) and Frozen II ($125 million). And its three-day weekend haul of $139.7 million is the biggest opening ever for a Walt Disney Animation title….

… Overseas, Moana 2 sailed to $165.8 million — Sunday’s estimate was $165.3 million — for a global start of $389 million to boast the biggest global launch of all time for an animated film after passing up Super Mario ($377.2 million)….

(8) UNPLUGGED. “Stephen King’s Maine radio stations will go silent for good on New Year’s Eve” reports AP News.

Stephen King’s raucous rock ‘n’ roll radio station is going silent at year’s end.

The renowned author and lifelong rocker who used to perform with the Rock Bottom Remainders, a rock band that featured literary icons, said Monday that at age 77, it’s time to say good-bye to three Bangor, Maine, stations that have been bleeding money. King kept the stations afloat for decades, and he said he and his wife, Tabitha, are proud to have kept them going for so long.

“While radio across the country has been overtaken by giant corporate broadcasting groups, I’ve loved being a local, independent owner all these years,” King said in a statement. “I’ve loved the people who’ve gone to these stations every day and entertained folks, kept the equipment running, and given local advertisers a way to connect with their customers.”

… King’s foray into radio began at age 36 with his 1983 purchase of a radio station that was rebranded WZON in deference to his book, “The Dead Zone.” That station went through a few permutations before closing, and then being reacquired by King in 1990.

The ZONE Corporation’s current lineup consists of WKIT-FM, which bills itself as “Stephen King’s Rock ‘n’ Roll Radio Station,” along with WZON-AM Retro Radio and an adult alternative station, WZLO-FM. They’ll go off the air on Dec. 31….

(9) LYNN MANERS OBITUARY. Longtime LASFS member Lynn Maners died December 1. His partner Carol Trible said that he was discovered in front of the TV by Maner’s ex-wife, Nancy Bannister when she went over to the house about 5 p.m.”

Maners held a Ph.D. in Cultural Anthropology from UCLA, his thesis titled “Social lives of dances in Bosnia and Herzegovina”. He later moved to Tucson, AZ and taught at Pima Community College.

Whether at LASFS meetings in person, on the club’s Facebook page, or in recent years at its live meetings via Zoom, Maners could be counted on to highlight the occasion with interesting trivia, odd news stories, and linguistic curiosities.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 2, 1971 — Frank Cho, 53.

So we have Frank Cho. Surely many of you are familiar with the delightful genre Liberty Meadows strip which he wrote and illustrated with its cast of not-always-charming talking beasties and their resident therapist Brandy Carter, who Cho says is an artistic crossing between Lynda Carter and Bettie Page. It ran from ‘97 to ‘01 with some additional material for a few years after that. Here’s a Liberty Meadows strip.

Only in The Dreaming Library does this idea really exist…

He stated his comic career working for Penthouse Comix along with Al Gross and Mark Wheatley. The three of them, likely after a very long weekend, thought up a six-part “raunchy sci-fi fantasy romp” called The Body, centering on an intergalactic female merchant, Katy Wyndon, who can transfer her mind into any of her “wardrobe bodies”, mindless vessels that she occupies to best suit her, ahem, mediations with the local alien races that she encounters while traveling the galaxy trading and trying to become wealthy.

The story was never published for several reasons. Even Kathy Keeton, wife of publisher Bob Guccione, and the person at Penthouse who published the raunchiest comics I’ve seen this side of The Hustler wasn’t interested.

There’s Jungle Girl Comics which was created by Frank Cho, James Murray, and Adriano Batista. Think a female Tarzan. Though she (mostly) stays on the ground in her jungle.

Now Cho loves young females in bikinis that barely cover the parts that need covering. Or nothing at all. Both of these kept them on. His first title at Marvel caused controversy because he claimed that Shanna, the She-Devil, another jungle strip, was supposed to be fully nude. It turned out that he was right as Marvel was intending to launch an adult line of comics. They didn’t, and so history wasn’t made.

I’m not singling out specific title at either DC or Marvel as there’s really too many, and what you will like is very much a matter of personal taste. But one more note we part and that’s about his work at DC.

His work there, well, other than the Harley Quinn covers which are decidedly on the silly edge of things, are more traditional in feel and the Green Arrow one I’ve chosen certainly is. Yes, I’m a really big Green Arrow fan, he’s one of my favorite DC characters, particularly the modern take on him. Here’s a variant cover he did for volume 8, number 1 of that series.

Name a character, Hulk, Spider-Gwen, Hellboy, Red Sonja, New Avengers, Batman, Harley Quinn, and Cho has likely had a hand in it.

Cho is, without doubt, one of my favorite modern comics writer and illustrator.

A very, very impressive amount of his work is available in digital form. Suitable for enjoying on an iPad as I do these days.

(11) COMICS SECTION.

Dinosaur Comics tells us there are two things to look forward to.
Pardon My Planet has an update about mass monkey creativity.
Saturday Morning Breakfast Cereal redefines a generation.

(12) FROM UNDERCOVER TO ON THE COVER. “CIA Officer’s Cover Was a Comic Book Author. Now, He’s a DC Writer” – Business Insider has the story.

To say that Tom King has had a varied career is an understatement.

As a little boy growing up in Los Angeles, King wanted to be a comic book writer. After honing his writing skills as a young man, his dream came true when he interned for Marvel in New York.

But the bubble burst when Robert Harras, the editor in chief of Marvel at the time, told him that “comics are dead” and he should find a real job. So, he studied philosophy and history at Columbia University, and worked at the Department of Justice for over a year after he graduated in 2000.

Then, 9/11 happened. King told Business Insider he felt a call to action, which led to another career move: joining the CIA….

… Things came full circle when he was given a cover for when he traveled abroad. He dismissed his boss’ suggestion and instead told border security interrogators that he was a comic book writer….

… After the birth of his first son, King left the CIA — partly because he didn’t want to give him “a fatherless life” — and returned to his first passion: comics…

… In 2013, he wrote for the Vertigo imprint, before his first work at DC Comics, “Nightwing” — about Batman’s former sidekick — was published in 2014. Since rejoining the industry, he has earned many accolades, including winning the best writer Eisner Award, considered the Oscars of comic books, in 2018 and 2019 for “Batman,” “Mister Miracle,” and “Swamp Thing.”…

(13) TODAY’S FAKE NEWS. “The Perfect Calvin and Hobbes Live-Action Series Already Exists (But Fans Will Never See It)” at CBR.com.

When someone thinks of the greatest and most influential comic strip of all time, it’s more than likely that Charles Schultz’s Peanuts is one of the first titles to come to mind. However, it’s also nearly impossible to leave Bill Watterson’s Calvin and Hobbes out of the conversation, especially considering the impact it’s had on not just American culture, but the entire world. Given said cultural impact, some may be wondering why the strip has never been adapted into a film or television series in the 40 years since its conception. The truth is, any kind of screen adaptation or official merchandising of the characters is something that Watterson has always been vehemently opposed to. While it’s more than likely that an actual TV or movie adaptation, whether live-action or animated, will never see the light of day, that certainly hasn’t stopped the imagination of its fans online….

… As much as its creator may detest the idea, there’s no doubt that Calvin and Hobbes would lend itself to wonderful work of animation; but the wiki page of a hypothetical TV series is perhaps the closest anyone will ever get to making one of their own. According to the page on “Calvin and Hobbes the Series”, the fictional series first premiered on Nickelodeon back in May of 2016 and lasted an impressive run of 163 throughout 5 Seasons until 2021. While some of these fake episodes can be found online, as short fan fiction stories, “JaJaLoo” provided a full list of each episode and even went the extra mile of giving each one a name. They even provided an in-depth background on the show’s production, writing that the Nickelodeon series was actually a reboot that followed a previous attempt to adapt the strip by Cartoon Network titled “Calvin and Hobbes: the Animated Adventures”. This part of the page offers some rather confusing contradictions to the rest of the page, however, as it also claims that the reboot was done in live-action, despite previously claiming that it was also animated with voice actors like its predecessor…

… Some might be wondering why it is that Watterson has been so reluctant to approve any such adaptation or merchandising of his characters for these years, but his reasoning behind it actually isn’t all that complicated. He spoke about his reluctance in a 1987 interview (via Internet Archive), claiming that doing so would compromise the experience for the reader and would also result in cheapening his work.

“I think it’s really a crass way to go about it–the Saturday morning cartoons do that now, where they develop the toy and then draw the cartoon around it, and the result is the cartoon is a commercial for the toy and the toy is a commercial for the cartoon. The same thing’s happening now in comic strips; it’s just another way to get the competitive edge. You saturate all the different markets and allow each other to advertise the other, and it’s the best of all possible worlds. You can see the financial incentive to work that way. I just think it’s to the detriment of integrity in comic strip art.”…

(14) SUPER-ADULTING. “Superman & Lois Quietly Breaks an 86-Year Lois Lane Trend for the Better” says CBR.com.

…When Superman & Lois debuted, viewers discovered they had twins who were 15 years old. This small detail allowed both Superman and Lois Lane to become true adults in both their relationship and as parents of children nearing adulthood themselves. After being a representational figure for women for more than eight decades, Superman & Lois allowed her to do that again for adult fans.

While there are plenty of problematic portrayals of women in the Golden Age and Silver Age of comics, Lois Lane was always a bit different. From the first issue of Action Comics in 1938 through the decades that followed, Lois Lane was always a woman working in a field dominated by men, and she won their respect. While it’s true many stories feature Lois swooning over Superman and berating Clark Kent, she was equally concerned with breaking a good story, especially the Man of Steel’s true identity….

(15) STICKTOITIVENESS. Smithsonian Magazine reports “A 65,000-Year-Old Hearth Reveals Evidence That Neanderthals Produced Tar for Stone Tools in Iberia”.

When fire was invented, it changed the course of human evolution. It provided warmth, enabled cooking and facilitated the creation of more advanced tools. For instance, one pivotal tool, the stone-tipped spear, might have been assembled using tar and other adhesives. While early tar production remains largely a mystery, scientists have now uncovered a 65,000-year-old hearth that appears to have functioned as a small-scale “tar factory.”

In a new study published in Quaternary Science Reviews in November, scientists describe a 65,000-year-old hearth found in Gibraltar on the Iberian Peninsula. The fire pit was theoretically used to make tar—and if that conclusion is proven true, it also represents the first evidence of the use of the plant rockrose, Cistus ladanifer, for obtaining tar….

… Scientists already knew that Neanderthals made adhesives using other materials like ocher and naturally sticky substances to haft stone tips onto wooden shafts to create weapons. The newly described hearth in Gibraltar represents a “specialized burning structure” for tar production, the researchers write in the study…

(16) WAVING GOODBYE. Philip Plait describes “A new way black holes shake the fabric of the Universe” at Bad Astronomy Newsletter.

A team of astronomers has examined a potentially new source of gravitational waves, and discovered it’s possible — maybe — it could be detected with currently working instruments. The source would be the lumpy disk of material swirling madly around a black hole right after it forms^*.

First things first: Gravitational waves were the last prediction made by Einstein’s theory of relativity that remained unproven, at least until 2015 (and announced a year later after a lot of analysis). The idea is that what we think of as space (or spacetime) can be warped, distorted, by masses in it. That distortion is what we perceive as gravity….

…If you accelerate a massive object, it not only dents space but also creates ripples in spacetime, called gravitational waves….Space shrinks and expands as the waves pass by, and if you had a very accurate ruler, for example, you could measure that oscillation.

Astronomers have built just such a detector, called LIGO (Laser Interferometer Gravitational-wave Observatory). I’ve written about it many times; it detected the first gravitational waves in 2015 (there are other observatories that are part of a global collaboration with LIGO, too, and ESA is building a space-based version called LISA that will be freaking amazing… and astronomers can even use pulsars in the galaxy to look for these waves, which is pretty metal). Now here’s an important thing: Any accelerating mass makes GWs (please accept that abbreviation so I don’t have to type it our every dang time), but they tend to be mushy, spread out and weak. The waves get much sharper and stronger a) the more massive the objects are, and 2) the harder they’re accelerated. That’s why almost all the GWs detected have been from merging black holes: they’re very massive indeed, and as they merge they are whipped around each other at nearly the speed of light….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Michelle Morrell, Diana Glyer, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/8/24 Whirling Pixels Will Make Anyone Who Watches Them Dizzy

Posted on October 8, 2024 by Mike Glyer

(1) HEARTS OF DARKNESS. [Item by Steven French.] The Guardian situates the new Joker movie in the context of ‘dark’ musical more generally: “Singin’ in the nuclear rain: new films push the musical genre in a darker direction”.

A murderous psychopath mournfully sings his heart out in jail. A family living in a below-ground bunker chorus together about the end of the world. A lawyer belts out a number about gender re-assignment surgery. Welcome to the movie musical 2024 – a period, it seems, of radical reinvention for the genre. Never mind the ebullient nature of High Society and other Hollywood golden age musicals, film-makers are now turning to all-singin’, all-dancin’ spectaculars to express something much darker….

(2) NOBEL PRIZE IN MEDICINE. In an interesting footnote to yesterday’s Nobel announcement, the co-winner of the Prize for Medicine, Gary Ruvkin, is also part of the Search for Extraterrestrial Genomes project which is developing instruments that will enable comparison of the DNA of eg microbial life on Mars or other planetary bodies with that of life on Earth. “Medicine Nobel awarded for gene-regulating ‘microRNAs’” in Nature.

The 2024 Nobel Prize in Physiology or Medicine has been awarded to two geneticists who discovered microRNAs, a class of tiny RNA molecules that help to control how genes are expressed in multicellular organisms.

Victor Ambros, who works at the University of Massachusetts Medical School in Worcester, and Gary Ruvkun at Massachusetts General Hospital (MGH) in Boston share the prize pot of 11 million Swedish kronor (US$1 million), awarded by the Nobel Assembly at the Karolinska Institute in Stockholm.

MicroRNAs perform a multitude of tasks in complex organisms, from embryonic development to cell physiology. Researchers have speculated that they were involved in evolutionary leaps, such as humans’ bulging brains, and they have been implicated in the onset of cancers and other diseases….

(3) THANKS SO MUCH, GUYS (/SARCASM). ABC News reports: “Nobel Prize in physics awarded to two scientists for machine learning discoveries”.

Two pioneers of artificial intelligence — John Hopfield and Geoffrey Hinton — won the Nobel Prize in physics Tuesday for helping create the building blocks of machine learning that is revolutionizing the way we work and live but also creates new threats for humanity.

Hinton, who is known as the godfather of artificial intelligence, is a citizen of Canada and Britain who works at the University of Toronto, and Hopfield is an American working at Princeton.

“These two gentlemen were really the pioneers,” said Nobel physics committee member Mark Pearce.

The artificial neural networks — interconnected computer nodes inspired by neurons in the human brain — the researchers pioneered are used throughout science and medicine and “have also become part of our daily lives,” said Ellen Moons of the Nobel committee at the Royal Swedish Academy of Sciences…

… Hinton predicted that AI will end up having a “huge influence” on civilization, bringing improvements in productivity and health care.

“It would be comparable with the Industrial Revolution,” he said in an open call with reporters and officials of the Royal Swedish Academy of Sciences.

“We have no experience of what it’s like to have things smarter than us. And it’s going to be wonderful in many respects,” Hinton said.

“But we also have to worry about a number of possible bad consequences, particularly the threat of these things getting out of control.”

The Nobel committee also mentioned fears about the possible flipside.

Moons said that while it has “enormous benefits, its rapid development has also raised concerns about our future. Collectively, humans carry the responsibility for using this new technology in a safe and ethical way for the greatest benefit of humankind.”

Hinton, who quit a role at Google so he could speak more freely about the dangers of the technology he helped create, shares those concerns.

“I am worried that the overall consequence of this might be systems more intelligent than us that eventually take control,” Hinton said….

(4) PRISON BANNED BOOKS WEEK. Learn about Prison Banned Books Week 2024 at the website.

Prisons are the largest censors in the United States.

Single state prison systems censor more books than all state schools and libraries combined. Literature gets banned by prison mailroom staff quickly flipping through books as they inspect the mail. These cursory judgments sweep up medical books, drawing and art books, popular magazines, history books and literature of all kinds. Prison censorship prevents people in jails and prisons from reading.

Recently, prisons and jails have been contracting with private telecom companies to provide tablets to detained and incarcerated people. While tablets offer unprecedented access to loved ones and outside allies, they have also been used to curtail paper literature under specious claims that mail is the primary conduit of contraband.

Content on tablets is also highly limited–with titles largely in the public domain whose copyright has lapsed because they were published in the nineteenth century. Despite obtaining these works for free, many prisons and jails charge incarcerated people to access this content. This inaccessible and outdated reading material is used to justify the denial of paper literature, including health and legal news….

… Demand Department of Corrections, the Federal Bureau of Prisons and Sheriffs ensure that people held in carceral facilities have equal access to both paper literature and tablets. Reading should not be restricted.

(5) ANOTHER SHUTTLE WILL COMMUTE TO ITS NEW L.A. HOME. “L.A. Gets a Second Space Shuttle and You Can Join the Motorcade” – Los Angeles Magazine tells how.

It’s missing a wing and the tail is a little janky, but jaws are sure to drop when a giant space shuttle cruises the streets of Downey next week en route to its new home. The shuttle mockup Inspiration measures 35 by 122 feet and, while it never went to space, had an outsized impact on the space program and on Los Angeles history.

The idea of a reliable and reusable truck that could haul objects to orbit was around long before the first astronaut reached space. A 1959 proposal called for a vehicle that would be launched on a missile and glide back to earth. By 1972 engineers at Downey’s North American/Rockwell (later Lockheed/Boeing) plant were putting the finishing touches on an aluminum, plywood and plastic mockup of what a full-sized spacecraft might look like. “It was never meant to go into space,” says Ben Dickow, President and Executive Director of the Columbia Memorial Space Center. “It was a valuable tool in figuring out how to build the shuttle and see how things fit while still on the ground.”

A new $30 million pavilion next the Space Center will become the mockups new home, but for now it will reside in a temporary building at the museum. …

The 52-year-old classic will slowly trundle through city streets on October 17, like its younger cousin Endeavour did in 2012, greeting fans, dodging trees, and saying hello to Randy’s Donuts as it traveled from LAX to the California Science Center. Inspiration and Endeavour, the oldest and youngest versions of the Space Shuttle, will now both reside in Los Angeles….

… Along the way, it will pass a Kaiser Hospital, a TJ Maxx, and the 24 Hour Fitness built on the original site. When the old hangars were demolished, Inspiration was moved to the city yard. “The public works guys have been asking for that to be gone for 10 years,” says Dickow. “So, they’re excited to get their parking spaces back.”

Thursday, October 17
Site opens at 8am, shuttle starts moving at 9am, speakers at 10am

Columbia Memorial Space Center
12400 Columbia Way, Downey, CA 90242
Bellflower Blvd. will be closed for the move between Imperial Highway and Washburn Road.

(6) CHIMERA BRIGADE TEASER. “’The Chimera Brigade’ Unleashes a WWII Era of Superheroes in Stunning Animation” – Animation Magazine sets the frame.

…Based on the graphic novel by Serge Lehman & Fabrice Colin (published by L’Atalante), The Chimera Brigade is an 8 x 40′ saga directed by Louis Leterrier & Antoine Charreyron (duration: 8 x 40’) which imagines a world where Marie Curie’s work with radium creates the world’s first superheroes on the eve of the Second World War. The project was recently presented at the 2024 Cartoon Forum. The project is produced by Ron Dyens for Sacrebleu and Cilvy Aupin for Ciel de Paris.

About the Series: The Chimera Brigade is an animated fantasy adventure series with an international scope. The universal nature of the subject matter, the mythology of superhumans, and the fundamental opposition between Magic and Science — ingredients that have been at the very heart of fiction — all bring a powerful and exciting narrative thrust to this reinterpretation of history. This story will sweep audiences away on a thrilling journey through a familiar period in History, seen through an entirely new lens.

The Chimera Brigade will give a new take on the interwar period, covering the rise of fascism in Europe up to Hitler’s accession to power. It holds up a mirror to the tragic reality that tainted that era, its blind spots and stances, resonating with modern history, an example of how the fate of the entire world can sometimes crystallize in the neuroses of a single man.

(7) ONE MARYLAND – ONE BOOK. [Item by Maria Markham Thompson, CPA.] The Baltimore Science Fiction Society (BSFS) welcomes everyone to join in a discussion of What Storm, What Thunder by Myriam J. A. Chancy on Sunday, October 20, 2024 at 4:00 p.m. Eastern.

This book was chosen by Maryland Humanities as the 2024 One Maryland One Book (OMOB) to bring together diverse people in communities across the state through the shared experience of reading the same book.

The book discussion will be held in person at the BSFS Building, 3310 E. Baltimore Street, Baltimore, MD 21224. The building is fully accessible to all people and easily reached by several bus lines. Anyone who cannot travel to the building is invited to join the discussion via Zoom. Details including link and password are available on the BSFS website, www.bsfs.org.

(8) ROBERT J. RANDISI (1951-2024). Author, editor and screenwriter Robert J. Randisi has died reports Mystery Fanfare.

Bob was born August 24, 1951. He wrote over 650 books in the mystery, western, adventure, and fantasy genres, as well as being an Editor and Screenwriter. Bob founded The Private Eye Writers of America in 1981, where he created the Shamus Award. He also co-founded The American Crime Writers League; co-founded Western Fictioneers, and co-created the Peacemaker Award.

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 8, 1920 — Frank Herbert. (Died 1986.)

By Paul Weimer: I read Dune thanks to the original Dune movie, even if I didn’t manage to see it for years. Once upon a time magazines like Starlog had multiple features over multiple months on SFF movies, and an issue of Starlog with Sting on the cover drew my eye. What was this movie? Who was “Paul” anyway? The movie came and went in theaters before I got to see it, but I came away with the key fact that this was based on a novel.

And so I found the novel in the library and read it. And it became one of my heart books, because I hit it at just the right time for it to speak to me. I didn’t get, until a re-read and reading the sequels, how much Dune actually critiques its Chosen One narrative, and how much of a trap Paul walks into, but I was swept away by the characters, setting and infinitely recursive labyrinth of worldbuilding. It was on the re-reads that I’ve seen just how powerful, potent and nuanced Herbert’s novel was.

The next few novels beyond the original Dune only reinforced that belief, as I found myself endless fascinated by what Herbert created. I firmly believe people could and will remake Dune in other media for decades to come, and bring new and different perspectives on it, all of them equally valid — and all of them equally unable to capture the entirety of the novel, and its sequels. I eventually sought out some of Herbert’s other work and have found much of it much more of its time. The surreal The Santaroga Barrier for instance, feels like a counterculture version of Walden Two. The strange giant insects of The Green Brain. The city prison of The Dosadi Experiment. But frankly, it is Dune and its sequels (and I owe myself a re-read of the entire series) that holds me to this day.

(10) COMICS SECTION.

Bliss displays a very little free library.
Dark Side of the Horse doesn’t have the best book signing.
Off the Mark demonstrates monster compliments.
Pluggers has a different take on a recent fad.

(11) MINTY-FRESH HORROR. “Mouthwashing is a horror gem set on a stranded courier ship in space” – a Polygon-recommended game.

A good horror game scares you in the moment, but a great horror game lingers in the back of your mind well past the end credits. We’ve been blessed in recent years with a plethora of excellent horror games, but with the arrival of October comes even more spooky games to get us nice and scared before Halloween. Mouthwashing immediately gripped me with its jarring, off-putting visuals, and kept me pinned under the weight of mounting dread.

Mouthwashing is a three-hour narrative experience that takes place on the Tulpar, a Pony Express courier ship in the middle of a long-haul trip through space to deliver cargo….

…The game jumps around on the timeline, showing us the crew’s dynamic before the crash, and the mounting despair after the disaster. Months after the crash, still lost in space, the crew is eager to find an alternate source of food as their supplies dwindle. The captain was badly burned in the crash, leaving him reliant on a dwindling supply of painkillers. No one is coming for them, they’re running low on supplies, and all they have in the cargo bay is crate after crate of mouthwash….

… If this nightmare scenario has you even slightly intrigued, I heartily recommend checking out Mouthwashing on Steam or Itch.io. The game opens with a short message with the ship’s name, the delivery status, and an ominous note: “I hope this hurts.” It certainly did, and that’s why my mind is still stuck in far space on board the Tulpar….

(12) NO MORE ORDERS OF ‘KAOS’. Variety reports “’Kaos’ Canceled After One Season at Netflix”.

“Kaos,” the Greek mythology comedy series that premiered in late August, has been canceled at Netflix, Variety has learned.

The show premiered on August 29 and starred Jeff Goldblum as the all mighty Zeus, albeit in a more whimsical and insecure portrayal. In a modern-day setting, Zeus has chained up Prometheus after interfering his with godly rule over humanity. Prometheus then attempts to overthrow Zeus with the help of three humans, Eurydice, Ariadne and Caeneus. Charlie Covell (“The End of the F***ing World”) wrote the entire eight-episode series….

(13) JUPITER WILL HAVE TO WAIT. “Hurricane Milton’s Imminent Landfall Officially Delays NASA Mission to Jupiter” – Gizmodo has the story.

NASA’s Europa Clipper, a mission set to probe Jupiter’s icy moon, will no longer launch on Thursday due to a Category 5 hurricane making its way towards Florida.

The spacecraft’s launch window opens October 10 and remains open until November 6. The Europa Clipper was supposed to launch on the 10th, but the unexpected rapid development of Hurricane Milton means the launch is officially postponed. In a release, NASA stated that the probe and the SpaceX Falcon Heavy rocket which will launch it into space are safely secured in a Kennedy Space Center hangar. NASA did not immediately state a revised launch date for the spacecraft….

(14) GRAPHENE: MAYBE NOT QUITE VIBRANIUM. [Item by Steven French.] Has graphene lived up to the hype? Let’s find out: “Graphene at 20: still no sign of the promised space elevator, but here’s how this wonder material is quietly changing the world” at The Conversation.

…Incredible claims about its properties made it sound like something out of a Stan Lee comic. Stronger than steel, highly flexible, super-slippery and impermeable to gases. A better electronic conductor than copper and a better thermal conductor than diamond, as well as practically invisible and displaying a host of exotic quantum properties.

Graphene was hailed as a revolutionary material, promising ultra-fast electronics, supercomputers and super-strong materials. More fantastical claims have included space elevators, solar sails, artificial retinas, even invisibility cloaks….

(15) THEORETICAL HOLES. [Item by SF Concatenation’s Jonathan Cowie.] From Nature, a report that primordial black holes, which are smaller than their better-known cousins, visit the inner Solar System once a decade, simulations suggest. “Black holes as big as atoms might be speeding through the Solar System”.

Microscopic black holes might whizz through the inner Solar System once a decade — and scientists should be able to detect them

Some physicists think that primordial black holes — tiny, super-dense bodies created soon after the Big Bang — could account for the 85% of the Universe’s mass that is invisible, known as dark matter. Studies have ruled out the existence of very heavy and very light primordial black holes, but testing whether they exist in the asteroid-mass range has been challenging.

Tung Tran at the Massachusetts Institute of Technology in Cambridge, and his colleagues investigated how the gravitational pull of a passing atom-sized, asteroid-mass black hole would affect the Solar System. They simulated how much the black hole would shift planets off their usual trajectories and for how long. If primordial black holes do make up all dark matter, the team calculated that fly-bys should create an observable perturbation around once a decade.

Researchers could look for such blips in existing data — such as Earth-to-Mars measurements made by Mars orbiters — and use them to put limits on how abundant such black holes must be, they add.

See the primary research paper here: “Close encounters of the primordial kind:”

(16) DIANA RIGG, MAGGIE SMITH SING TOGETHER. (MOSTLY DIANA RIGG). [Item by Daniel Dern.] Via my YouTube feed, showing that even algorithms can be right twice a day. From the 1982 (or 1981, depending who ya believe) film of Agatha Christie’s Hercule Poirot Evil Under the Sun. (Peter Ustinov as Poirot.) “You’re The Top” is from Cole Porter’s musical Anything Goes, btw. “Diana Rigg & Maggie Smith sing Cole Porter’s ‘You’re the Top’”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Paul Weimer, N., SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/5/23 Scrolling Away In Pixelville, Looking For My Lost Emails Of Posts

Posted on September 5, 2023 by Mike Glyer

(1) IAFA 45 GUESTS. The 45th International Association for the Fantastic in the Arts will meet March 13-16, 2024 at the Orlando Airport Marriott Lakeside in Florida. Guests of Honor are Mary Turzillo and C. E. Murphy, and Guest Scholars are Woppa Diallo and Mame Bougouma Diene. The theme is “Whimsy”.

Whimsy, as a genre of fantastic and speculative fiction, celebrates the playfulness, imagination, and the sheer joy of storytelling. It embraces the fantastical, the absurd, and the unconventional, creating worlds where the ordinary collides with the extraordinary. Whimsical narratives often blur the boundaries between reality and fantasy, challenging conventional storytelling norms and inviting readers into a realm of limitless possibilities. This call for papers invites scholars and writers to explore the various facets of whimsy within the genre of fantastic and speculative fiction.

(2) FANAC.ORG’S UPCOMING ZOOM EVENTS. All interest fans are invited to attend the next Fan History Project New Zoom History Series. The coming year’s programs will again cover a wide range of fannish areas from Boston to Australia, from women you should know but probably don’t, to how Amateur Press Associations have been a backbone of fandom and they’ll talk with some of the best fan artists ever. The next session is:

Boston in the 60s, with Tony Lewis, Leslie Turek and Mike Ward, moderated by Mark Olson
September 23, 2023 at 4PM EDT (New York), 1PM Pacific (PDT), 9PM London (BST) and 6AM Sept 24 in Melbourne

Boston in the 60s was a generative hotbed of fannish activities, with long lasting consequences. The first modern Boskone was held in 1965 by the Boston Science Fiction Society, as part of its bidding strategy for Boston in ’67. NESFA began in 1967, and the first Boston Worldcon was held in 1971. MIT provided a ready source of new fans, and they made themselves heard in fanzines, indexes, clubs and conventions (and invented the micro-filk). What was Boston fandom like in the 60s? How was it influenced by MIT? Who were the driving forces and BNFs? What were the impacts of the failed 67 bid? What made Boston unique?

Please write to Edie Stern, Fanac@Fanac.org, FANAC Webmaster to sign-up for the “Boston in the 60s” program.

Schedule for Future sessions

September 23, 2023 – 4PM EDT, 1PM PDT, 9PM London – Boston in the 60s, with Tony Lewis, Leslie Turek and Mike Ward, moderated by Mark Olson
October 15, 2023 – Evolution of Art(ists) – Grant Canfield, Tim Kirk and Dan Steffan
December 9, 2023 – 2PM EST, 11AM PST and 7PM London GMT – APAs Everywhere – Fred Lerner, Christina Lake, Amy Thompson and Tom Whitmore
February 17, 2024 – 7PM EST, 11 AM Feb 18 Melbourne AEDT – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
March 16, 2024 – 3PM EDT, 2PM CDT, 7PM London (GMT) – The Women Fen Don’t See – Claire Brialey, Kate Heffner, and Leah Zeldes Smith

To be included on Fanac.org’s Fannish Viewers List and be notified of all their programs, write to fanac@fanac.org with ZOOM in subject line.

Eighteen past Zoom History Sessions have covered many aspects of science fiction fan history. All are available on their YouTube Channel here along with nearly 150 other programs.

(3) SMALL WONDERS. Issue 3 of Small Wonders, the new magazine for science fiction and fantasy flash fiction and poetry, is now available on virtual newsstands here. Co-editors Cislyn Smith and Stephen Granade bring a mix of flash fiction and poetry from authors and poets who are familiar to SFF readers as well as those publishing their first-ever piece there.

The Issue 3 Table of Contents and release dates on the Small Wonders website:

Cover art: “Magic Turtle”, by Patricia Bingham
“Festival” (flash fiction), by Christine Hanolsy (4 Sep)
“Seducing the Supervillain” (poem), by H. V. Patterson (6 Sep)
“So You Want to Eat an Omnalik Starfish” (flash fiction), by Brian Hugenbruch (8 Sep)
“Once In As Many Lifetimes” (flash fiction), by Luc Diamant (11 Sep)
“Shears” (poem), by Devan Barlow (13 Sep)
“A Gardener Teaches His Son to Enrich the Soil and Plan for the Future” (flash fiction), by Jennifer Hudak (15 Sep)
“How My Sister Talked Me Into Necromancy During Quarantine” (flash fiction), by Rachael K. Jones (18 Sep)
“Let Us Dream” (poem), by Myna Chang (20 Sep)
“To Persist, However Changed” (flash fiction), by Aimee Ogden (22 Sep)

Subscriptions are available at the magazine’s store and on Patreon.

(4) STARFIELD. NPR takes listeners “Inside the making of Bethesda’s Starfield — one of the biggest stories ever”. (The game site is here.)

It’s a Wednesday night, and I’ve found my way to Titan, Saturn’s largest moon. Its surface is harsh and uninviting. If I were to remove my spacesuit, I’d die. But inside an airlocked space station, a small colony of human settlers call this place home.

Bill, a cheerful tour guide, greets me at the kitschy museum, full of artifacts from Earth. He explains that in 2130, Titan was the first place humans colonized after they left the blue planet. Down a flight of stairs, there’s an industrial-looking set of rooms filled with rusty shipping containers. This, we soon learn, is where some of Titan’s inhabitants live.

“Space is extremely limited,” Bill remarks. “So you’ll notice some overflow here.”

A woman nearby sees this area differently, suggesting things might be a bit more complicated than Bill has let on.

“The crates are what we call the living quarters of the poor people,” she says. “Like me.”

Welcome to Starfield, a new video game decades in the making. The studio behind it says it has 3 million words of dialogue and includes more than 1,000 environments players can explore across multiple galaxies.

It’s no exaggeration to say this might be one of the biggest stories ever told — in any medium. It also has real life consequences for the developers who are banking on the game’s success being as grand as their vision.

… Design director Emil Pagliarulo, who oversaw much of the game’s lore and quest design, understands that with a video game like Starfield, fun comes first.

“We’re making a video game,” he says. “We’re not making Anna Karenina.”

So Pagliarulo and the team made it their mission to create an “escapist fantasy” where everything fun that could conceivably happen in space is possible: smuggling cargo; getting in your spaceship and defending the Federation; being a space pirate….

(5) TURTLEDOVE FAMILY UPDATE. Harry Turtledove explains his new appearance while telling readers the medical problems his wife, Laura Frankos, is dealing with. Thread starts here.

1 of ?/ Well, I look like this again. Why? Why has to do with why I haven't been around so much the past few months.

Back in June, Laura had a colonoscopy. They found 2 polyps. They took one out. They other was cancerous, and they had to leave it in. pic.twitter.com/ZCPcHQcpqT
— Harry Turtledove (@HNTurtledove) September 5, 2023

(6) BEYOND THESE PRISON WALLS. [Item by Steven French.] It’s perhaps not such a surprise but fantasy novels can help inmates cope with prison life: “How I turned prisoners’ misery into reading pleasure: the brilliant story of Bang Up Books” in the Guardian.

…Dan Barwell spent nine months in … HMP Wandsworth for drug offences, and his cell was a regular stop for the book trolley run by the prison chaplain Liz. “I read 164 books in prison, which is more than I had in my whole life before that. I got really into fantasy novels, the Wheel of Time series were over 1,000 pages each, which ate up a lot of hours,” he told me. “When I was reading I was no longer inside.”

I recently visited the open prison where our books are sorted and shipped, and spoke to some of the men working on the scheme. They understandably get first dibs on new titles as a perk of the job, and thus have hotly contested positions. One of our recruits showed me a glossy hardback of a computer game bible that he’d recently obtained, and what excited him most was that it was a brand-new copy, with all the smell, texture and feel of pages that were hot off the press. So much in prison is old, worn and tired, so there is a real joy to holding something that has never been opened before….

(7) APPEAL TO A HIGHER COURT. [Item by John King Tarpinian.] In 1931, 14-year-old Forrest J. Ackerman wrote a letter to Edgar Rice Burroughs, author of Tarzan and the John Carter of Mars series, informing him of an argument he had with his teacher regarding Edgar’s books.

(8) MICHAEL D. TOMAN OBITUARY. By Alan Brennert [reprinted with permission.] My friend Michael D. Toman—science fiction writer, reference librarian, and the kindest, most generous man I have ever known—passed away sometime last week in his sleep, of natural causes, only a month shy of his 74th birthday. His body was discovered by his longtime friend William F Wu on September 2.

I met Michael at the Clarion Science Fiction Writers Workshop in 1973; it was a definitive moment in his life, as it was for many of us. He had a voracious, eclectic appetite to read and to learn: he could discuss Proust and Dostoyevsky as easily as he could the nuances of Toho Godzilla movies (he wrote a wonderful unpublished poem called “Seven Ways of Looking at Godzilla”) and, of course, sf and fantasy, which he loved. We bonded instantly and became close friends and confidants for the next fifty years.

He was a fine writer, especially adept at literary pastiche, and his stories appeared in Science Fiction Emphasis #1 edited by David Gerrold, Cold Shocks edited by Tim Sullivan, Pulphouse: The Hardback Magazine edited by Kristine Kathryn Rusch, Fantasy Tales, Fantasy Macabre, and the French anthology Univers 13. His story “Quarto” was purchased by Harlan Ellison for The Last Dangerous Visions, and in the 2000s Harlan gave him permission to submit part of it to a writing competition judged by John Updike. Updike awarded Michael’s story first prize and Michael was thrilled to receive it in person from an author whose work he had long admired. The story has been dropped from the forthcoming TLDV, but I hope to find a publisher for it; it’s a hell of a good story.

But what is largely unknown about Michael is the degree of support he championed other writers, usually behind the scenes. Michael brought Harlan Ellison’s story “The Man Who Rowed Christopher Columbus Ashore” to the editors of The Best American Short Stories. It was Ellison’s first appearance in this distinguished series, and it would likely not have happened but for Michael.

When I was working on the 1980s Twilight Zone, Michael recommended two stories to me—Bill Wu’s “Wong’s Lost and Found Emporium” and Greg Bear’s “Dead Run”—that we promptly adapted into fine episodes. He championed my own work, especially my novel Moloka’i, emailing hundreds of “suggestions to purchase” to libraries across the country, helping to sell out the small hardcover print run. He bought classified ads in The Magazine of Fantasy & Science Fiction to promote the work of our mutual friend Mel Gilden and also championed the work of his friend Ron Kurchee. As a librarian he bought titles by Michael Bishop, Theodore Sturgeon, R.A. Lafferty, and many more, hoping to bring them new readers. He loved books and loved sharing them with others.

Michael is survived by his sister Christine, and by scores of friends who treasured his sense of humor and his kindness. Goodbye, Michael. Paulette and I will always love you, and always miss you. You made this world a better place.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 5, 1914 — Stuart Freeborn. If you’ve seen Yoda, and of course you have, this is the man who designed it, partly based on his own face. Besides being the makeup supervisor and creature design on the original Star Wars trilogy, he did makeup on The Omen, Dr. Strangelove, 2001: A Space Odyssey and all four of the Christopher Reeve-fronted Superman films. (Died 2013.)
Born September 5, 1936 — Rhae and Alyce Andrece. They played twin androids in I, Mudd, a classic Trek episode I’d ever there was one. (And really their only significant role.) Both appeared as policewomen in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They appeared together in the same seven shows. (They died 2009 and 2005.)
Born September 5, 1939 — Donna Anderson, 84. She was Mary Holmes in On The Beach, based on Neville Shute’s novel. She also appeared in, and I kid you not, Sinderella and the Golden Bra and Werewolves on Wheels. The first is a Sixties er, the second is a Seventies exploitation film. She last shows up in a genre role series in The Incredible Hulk.
Born September 5, 1939 — George Lazenby, 84. He is best remembered for being James Bond in On Her Majesty’s Secret Service. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. (He was also the youngest actor cast as Bond, at age 29, and the only born outside of the British Isles.) Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. He voiced the Royal Flush King in a recurring role in the Batman Beyond series.

Born September 5, 1940 — Raquel Welch. Fantastic Voyage was her first genre film, and her second was One Million Years B.C. (well, it wasn’t exactly a documentary) where she starred in a leather bikini, both released in 1966. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy. (Died 2023.)
Born September 5, 1946 — Freddie Mercury. Now you know who he was and you’re saying that you don’t remember any genre roles by him. Well there weren’t alas. Oh, Queen had one magnificent role in the 1980 Flash Gordon film starring Sam J. Jones, a film that has a seventy percent rating among audience reviewers at Rotten Tomatoes. But I digress as only cats can do. (Prrrr.) Queen provided the musical score featuring orchestral sections by Howard Blake. Most of Blake’s score was not used. Freddie also composed the music for the first Highlander film. And Freddie was a very serious SJW. He cared for at least ten cats throughout his life, including Delilah, Dorothy, Goliath, Jerry, Lily, Miko, Oscar, Romeo, Tiffany and Tom. He was adamantly against the inbreeding of cats and all of them except for Lily and Tiffany, both given to him as gifts, were adopted from the Blue Cross. (Died 1991.)
Born September 5, 1959 — Carolyne Larrington, 64. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation.

(10) MISSION PROBABLY POSSIBLE. Cass Morris continues the detailed account of her adventures at Disney’s Star Wars-themed Starship Halcyon at Scribendi: “Day One on the Halcyon, Part 2”.

… 4:55pm: Lt Croy slid up into my DMs! I tried to play it as coy as possible (such as the pre-set dialogue options will allow). I actually gave a scoundrel answer to one of his questions, because I didn’t want to pledge loyalty to him or give away my affiliation with the Resistance.

5:30pm: Captain Keevan followed up with a message about making a deal with Gaya to capture and split some coaxium on its way to the First Order. At this point I realized I was going to have a fine line to dance, since I very much wanted to help the Captain and Raithe and Gaya.

5:40ish: Completed a task for Lenka, overwriting some systems on the ship to help hide information from Croy. We needed to cover up some tweaks to the personnel files, because as it turns out, mechanic/engineer Sammie wasn’t actually crew with the Chandrila Star Line! He was a new Resistance recruit that Lenka brought on-board….

(11) REBEL APPREHENDED. “Mark Hamill’s First Star Wars Meeting With George Lucas Ended In The Back Of A Cop Car” and Slashfilm has the story.

…Can you imagine? Plus, the movie wasn’t out yet, so it’s not like he could just say, “But do you know who I am? I’m Luke Skywalker!” Not that Mark Hamill is a guy who would do that, but still. It obviously worked out, but that’s quite a way to start….

Funny they should frame it that way because a year before the film came out Mark Hamill was at the 1976 Worldcon, hanging around the Star Wars exhibit, where he told LA’s Bill Warren, “I’m the star of a major motion picture only nobody knows it!” I’ve never forgotten that.

(12) LAST WORD. “’Healthy or downright weird?’: how I helped publish my husband Christopher Fowler’s posthumous book” by Pete Chapman at the Guardian. “My author spouse never let me read anything he wrote before it was finished. But after his death from cancer, I found myself choosing funeral flowers at the same time as covers for his memoir, Word Monkey.”

It is strange to be married to an author. At least, it was to me. I inhabited a corporate world, whereas my husband Chris – professionally known as Christopher Fowler – wrote more than 50 novels, from thrillers and crime fiction to fantasy and horror. I was impressed when we started dating and I found out he wrote the immortal line for my favourite film, Alien: “In space no one can hear you scream.” It was not something with which he particularly liked to be associated and he did not trumpet it. He wanted people to remember what he considered to be his real work: his books.

The cancer diagnosis came as a shock. It also came the week before lockdown. It was a very strange period, and one I’m not going to talk about – Chris does that very beautifully in his book Word Monkey. I could never do a better job of it than him. What I can do is talk about what happened afterwards….

(13) I REALLY DON’T KNOW CLOUDS AT ALL. “Neptune’s Clouds Have Vanished, and Scientists Think They Know Why” says the New York Times.

Each planet of the solar system has its own look. Earth has aquamarine oceans. Jupiter has panchromatic tempests. Saturn has glimmering rings. And Neptune has ghostly clouds — at least, it used to. For the first time in three decades, the electric-blue orb is almost completely cloud-free, and astronomers are spooked.

Neptune’s cloud cover has been known to ebb and flow. But since October 2019, only one patch of wispy white has been present, drifting around the planet’s south pole.

“It was the first time anybody had ever seen this,” said Imke de Pater, an astronomer at the University of California, Berkeley. “There’s just nothing there. What’s going on?”

To crack the case of the vanishing clouds, scientists spooled through 30 years of near-infrared images of Neptune made with ground-based observatories and the Hubble Space Telescope. In a study published in June in the journal Icarus, Dr. de Pater and her colleagues named the prime suspect in this cloud cleansing: the sun….

(14) EXSQUEEZE ME. [Item by Steven French.] Well, who doesn’t enjoy a burp after a good meal …?! “Up to half black holes that rip apart stars and devour them ‘burp back up’ stellar remains years later” says Live Science.

… Cendes and the team don’t know what’s causing black holes to “switch on” after many years, but whatever it is definitely does not come from inside the black holes.

Black holes are marked by an event horizon, the point at which gravity is so strong that not even light can escape.”Black holes are very extreme gravitational environments even before you pass that event horizon, and that’s what’s really driving this,” Cendes said. “We don’t fully understand if the material observed in radio waves is coming from the accretion disk or if it is being stored somewhere closer to the black hole. Black holes are definitely messy eaters, though.”…

(15) VIDEO OF THE DAY. Chicken Run: Dawn of the Nugget hatches on Netflix on December 15.

For Ginger and the flock, all is at stake when the dangers of the human world come home to roost; they’ll stop at nothing even if it means putting their own hard-won freedom at risk to save chicken-kind. This time, they’re breaking in!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Stephen Granade, Danny Sichel, Daniel Dern, Steven French, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 6/26/23 This Is Not A Scroll Pixel Title

Posted on June 26, 2023 by Mike Glyer

(1) GIVE ME A SIGN! Almost 16,000 people have signed the petition to “Save Star Trek Prodigy!” at Change.org. Here’s the text of the appeal:

Paramount+ have announced the cancellation of Star Trek Prodigy and have stated it will be removed from their streaming platform in the coming days. Their reasoning? It’s a tax write-off.

In a statement to TrekCore.com, Paramount stated that, “Star Trek: Prodigy will not be returning for the previously announced second season. On behalf of everyone at Paramount+, Nickelodeon and CBS Studios, we want to thank Kevin and Dan Hageman, Ben Hibon, Alex Kurtzman and the Secret Hideout team, along with the fantastic cast and crew for all their hard work and dedication bringing the series to life.”

That’s right. Not only are they not moving forward with the show and removing the first season from their platform, but the second season (due to be completed) will not air unless picked up by another buyer.

Paramount have long mistreated the loyalty and generosity of Trek fans, but this feels like a gut punch; the final nail in the coffin of goodwill.

Money talks, but so do fans and we can’t let this beautiful show go without a fight!

And CinemaBlend pointed to this tweet: “Star Trek: Prodigy Petition Hits Milestone As Anson Mount Joins Fans In Supporting The Canceled Series”.

???? https://t.co/6LqvYJb7gb
— Anson Mount ???? (@ansonmount) June 24, 2023

(2) A MILESTONE IN HORROR. The New York Times commemorates Shirley Jackson’s story in “75 Years After ‘The Lottery’ Was Published, the Chills Linger”. Stephen King, Carmen Maria Machado, Tananarive Due, Stephen Graham Jones, Paul Tremblay and others tell how this classic first got under their skin.

Paul Tremblay

Author, “The Pallbearers Club”

I’ve reread “The Lottery” many times and remain haunted by the possibilities and ambiguity in the final line uttered by the doomed Mrs. Hutchinson: “It isn’t fair, it isn’t right.” Is she simply the victim of blind chance? Did she believe the lottery was fixed so that her name would come up? Was it supposed to have been fixed for her name not to be chosen? Is she decrying the entire lottery, the social/political system and its ugly inherent injustices? Is it existence itself that is unfair and not right? All great stories wrestle with that last question.

(3) DEATH BY ONE STARS. The New York Times investigates “How Review-Bombing Can Tank a Book Before It’s Published”.

Cecilia Rabess figured her debut novel, “Everything’s Fine,” would spark criticism: The story centers on a young Black woman working at Goldman Sachs who falls in love with a conservative white co-worker with bigoted views.

But she didn’t expect a backlash to strike six months before the book was published.

In January, after a Goodreads user who had received an advanced copy posted a plot summary that went viral on Twitter, the review site was flooded with negative comments and one-star reviews, with many calling the book anti-Black and racist. Some of the comments were left by users who said they had never read the book, but objected to its premise.

“It may look like a bunch of one-star reviews on Goodreads, but these are broader campaigns of harassment,” Rabess said. “People were very keen not just to attack the work, but to attack me as well.”

In an era when reaching readers online has become a near-existential problem for publishers, Goodreads has become an essential avenue for building an audience. As a cross between a social media platform and a review site like Yelp, the site has been a boon for publishers hoping to generate excitement for books.

But the same features that get users talking about books and authors can also backfire. Reviews can be weaponized, in some cases derailing a book’s publication long before its release.

“It can be incredibly hurtful, and it’s frustrating that people are allowed to review books this way if they haven’t read them,” said Roxane Gay, an author and editor who also posts reviews on Goodreads. “Worse, they’re allowed to review books that haven’t even been written. I have books on there being reviewed that I’m not finished with yet.”…

(4) FRAZETTA IS BIG BUSINESS. [Item by Arnie Fenner.] Frazetta’s cover painting for Karl Edward Wagner’s 1976 novel Dark Crusade set a new record, selling for $6m at Heritage. It became better known when Ellie Frazetta licensed it in 1979 to Molly Hatchet to use as the album jacket for Flirtin’ With Disaster.” “Frank Frazetta’s ‘Dark Kingdom’ Sells For $6 Million to Rule the Record Books at Heritage Auctions”.

Also, you’ll find this fun: Frazetta’s daughter Holly and granddaughter Sara under their Frazetta Girls imprint have released a light-up Death Dealer keychain.

(5) FROM A POE FAMILY. Publishers Weekly’s Mark Dawidziak says these are the “10 Essential Edgar Allan Poe Short Stories”. First on the list:

1. “The Tell-Tale Heart”
Is it a crime story? A horror tale? It’s both, of course, and it’s also a chilling masterpiece that finds Poe brilliantly prowling the murky boundary between obsession and madness. As the author’s “dreadfully nervous” narrator tells us how an old man’s filmy “pale blue eye” drives him to murder, Poe gives us a master class in establishing mood, building suspense, and maintaining pace, all while expertly employing wonderfully specific gradations of light and sound. Not just a remarkably constructed model for the short story form, “The Tell-Tale Heart” is a near-perfect monologue, with Poe, the son of actors, displaying his ever-keen sense of the dramatic. He tells us just what we need to know, leaving enough unexplained that we continue to speculate about the characters long after the histrionic “tear up the planks” climax. Small wonder this chilling 1843 tale has remained a classroom favorite and a popular performance piece.

(6) HE’S AN AWFUL ISTANBULLY. Gizmodo is pleased that “1973’s ‘Turkish Spider-Man’ Film Now Has an HD Documentary”.

Film historian Ed Glaser, who previously found the last 35mm print of The Man Who Saves the World (aka, “the Turkish Star Wars”) has released another mini-documentary for his “Deja View” series. This one focuses on the interestingly named 3 Dev Adam—alternatively known as either 3 Giant Men or Captain America & Santo vs. Spider-Man. The big claim to fame for this movie is that it’s “the world’s first comic book crossover film,” well before the MCU or any imitators came onto the scene. Its other big boast is that its version of Spider-Man lives up to everything J. Jonah Jameson’s ever said about him, because he’s a menace and genuine villain who requires two heroes to team up and bring him down….

(7) MEMORY LANE.

2014 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Eugie Foster had a phenomenal life before it was tragically cut short when she died at Emory University Hospital on September 27, 2014 from respiratory failure, a complication of treatments for large B-cell lymphoma, with which she was diagnosed on October 15, 2013. So now I’m depressed, and you should be too.

She was the managing editor for The Fix and Tangent Online, two online short fiction review magazines. She was also a director for Dragon Con and edited the Daily Dragon, their onsite newsletter.

She’s here because of her amazing short stories which were nominated for a lot of Awards including “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” which nominated for an Hugo at Aussiecon 4. It did win a Nebula and was nominated for a BSFA as well.

And that brings us to our Beginning take from her short story , “When it Ends, He Catches Her by” which was nominated for a Nebula and a Sturgeon. It was first published in Daily Science Fiction, September 2014.

And now for the Beginning…

The dim shadows were kinder to the theater’s dilapidation. A single candle to aid the dirty sheen of the moon through the rent beams of the ancient roof, easier to overlook the worn and warped floorboards, the tattered curtains, the mildew-ridden walls. Easier as well to overlook the dingy skirt with its hem all ragged, once purest white and fine, and her shoes, almost fallen to pieces, the toes cracked and painstakingly re-wrapped with hoarded strips of linen. Once, not long ago, Aisa wouldn’t have given this place a first glance, would never have deigned to be seen here in this most ruinous of venues. But times changed. Everything changed.

Aisa pirouetted on one long leg, arms circling her body like gently folded wings. Her muscles gathered and uncoiled in a graceful leap, suspending her in the air with limbs outflung, until gravity summoned her back down. The stained, wooden boards creaked beneath her, but she didn’t hear them. She heard only the music in her head, the familiar stanzas from countless rehearsals and performances of Snowbird’s Lament. She could hum the complex orchestral score by rote, just as she knew every step by heart.

Act II, scene III: the finale. It was supposed to be a duet, her as Makira, the warlord’s cursed daughter, and Balege as Ono, her doomed lover, in a frenzied last dance of tragedy undone, hope restored, rebirth. But when the Magistrate had closed down the last theaters, Balege had disappeared in the resultant riots and protests.

So Aisa danced the duet as a solo, the way she’d had to in rehearsal sometimes, marking the steps where Balege should have been. Her muscles burned, her breath coming faster. She loved this feeling, her body perfectly attuned to her desire, the obedient instrument of her will. It was only these moments that she felt properly herself, properly alive. The dreary, horrible daytime with its humiliations and ceaseless hunger became the dream. This dance, here and now, was real. She wished it would never end.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 26, 1929 — Wally Weber, 94. Cry of the Nameless co-editor when it won Best Fanzine; next year chaired the 19th Worldcon (called “Seacon”, being in Seattle; the 37th was “Seacon ’79” being by the sea; not my fault). In SAPS and the N3F (edited one ish of Tightbeam). TAFF delegate 1963. W.W.W. collection published by Burnett Toskey 1975 (hello, Orange Mike). Has been seen, or at least photographed, in a propeller beanie. (John Hertz)
Born June 26, 1950 — Tom DeFalco, 73. Comic book writer and editor, mainly known for his Marvel Comics and in particular for his work with the Spider-Man line. He designed the Spider-Girl character which was his last work at Marvel as he thought he was being typecast as just a Spider-Man line writer. He’s since been working at DC and Archie Comics.
Born June 26, 1954 — James Van Pelt, 69. Here for the phenomenal number of nominations that he has had though no Awards have accrued. I count 26 nominations so far including a Sturgeon, a Nebula and, perhaps the longest named Award in existence, John W. Campbell Award for Best New Writer / Astounding Award for the Best New Science Fiction Writer. He has but two novels to date, Summer of the Apocalypse and Pandora’s Gun, but a really lot of short fiction, I think over a hundred pieces, and two poems.
Born June 26, 1965 — Daryl Gregory, 58. He won a Crawford Award for his Pandemonium novel. And his novella, We Are All Completely Fine, won the World Fantasy Award and a Shirley Jackson Award as well. It was also a finalist for the Sturgeon Award. I’m also fond of his writing on the Planet of The Apes series that IDW published.
Born June 26, 1969 — Austin Grossman, 54. Twin brother of Lev. And no, he’s not here just because he’s Lev’s twin brother. He’s the author of Soon I Will Be Invincible which is decidedly SF as well as You: A Novel (also called YOU) which was heavily influenced for better or worse by TRON and Crooked, a novel involving the supernatural and Nixon. He’s also a video games designed, some of which such as Clive Barker’s Undying and Tomb Raider: Legend are definitely genre.
Born June 26, 1969 — Lev Grossman, 54. Most notable as the author of The Magicians Trilogy which is The Magicians, The Magician King and The Magician’s Land. Perennial bestsellers at the local indie bookshops. Understand it was made into a series which is yet another series that I’ve not seen. Opinions on the latter, y’all?
Born June 26, 1980 — Jason Schwartzman, 43. He first shows up in The Hitchhiker’s Guide to the Galaxy as Gag Halfrunt, Zaphod Beeblebrox’s personal brain care specialist. (Uncredited initially.) He was Ritchie in Bewitched, and voiced Simon Lee in Scott Pilgrim vs. the Animation. He co-wrote Isle of Dogs alongwith Wes Anderson, Roman Coppola, and Kunichi Nomura. I think his best work was voicing Ash Fox in Fantastic Mr. Fox.
Born June 26, 1984 — Aubrey Plaza, 39. April Ludgate on Parks and Recreation which at least one Filer has insisted is genre. She voiced Eska in recurring role on The Legend of Korra which is a sequel to Avatar: The Last Airbender. She was in Scott Pilgrim vs. the World as Julie Powers, and was Lenny Busker on Legion.

(9) CREDIT CHECK. [Item by Mike Kennedy.] Roy Thomas, Stan Lee’s successor as editor-in-chief at Marvel Comics, has waded into the dustup surrounding the latest Lee documentary. Here he is with an editorial at The Hollywood Reporter. “Roy Thomas, Former Marvel Editor, Addresses Debate Over New Stan Lee Doc (Guest Column)”.

… The real question, I suppose, is whether he deserved his status as the major creator of the so-called Marvel Universe.

Gelb’s documentary wisely lets Stan himself narrate his story from start to finish. Virtually the only voice we hear during its 1½-hour length that speaks more than one or two sentences in a row is Stan’s, in extended sound bites harvested from a host of TV appearances, comics convention Q&A sessions, award ceremonies, previous documentaries, and radio guest shots — enlivened by the occasional deathless line of dialogue from one of his many late-life movie cameos.

This is a refreshing way to encounter Stan the Man, and Gelb and his producers (which include Marvel Studios) are to be congratulated for letting him tell his own tale his way. By and large, the effort is successful and entertaining … and, so far as I can tell from my long association with him (which includes writing a humongous “career biography” of him for Taschen Books in the 2010s), it presents a reasonably accurate portrait of the man as he saw himself, and as the world came to see him:

As arguably the most important comicbook writer since Jerry Siegel scribed his first “Superman” story back in the 1930s…

As the creator (or at the very least the co-creator) of a host of colorful super-heroes and related comics characters…

…And as the creator (or at least the major overseer and guiding light) of a four-color phenomenon that became known as the Marvel Universe, and which formed the underlying bulwark of the now-even-more-famous Marvel Cinematic Universe, the most successful series of interconnected motion pictures in the history of that medium.

But of course he didn’t do it alone … and that’s where all the mostly ill-considered criticisms of Stan Lee’s life and work begin to kick in.

As recorded in the film, simply because he often (not always, but often) fails to credit the artists he worked with, Stan often seems to be claiming full credit for milestones, be they the powerful Hate Monger yarn in Fantastic Four No. 21 or such concepts as the Hulk and the X-Men. This is partly just a verbal shorthand, yet it is also in accordance with his expressed belief that “the person who has the idea is the creator,” and that the artist he then chooses to illustrate that concept is not. In L.A. in the 1980s (admittedly, at a time when I was not working for him), I argued that very point with him one day over lunch, maintaining that an artist who rendered and inevitably expanded that original idea was definitely a co-creator. I made no headway with my past and future employer. And clearly, when he wrote his celebrated letter, quoted in the doc, that he had “always considered Steve Ditko to be the co-creator of Spider-Man,” he was doing so only to try to mollify Steve and those who might agree with him. Later, he admitted as much….

(10) IT’S A JUNGLE OUT THERE. [Item by Dann.] Kids from a certain era…here I go dating myself again…will recall the jungle gyms that populated American playgrounds and schoolyards. These were fabrications of steel pipes set perpendicularly to create cubes of space for kids to climb and explore. The “jungle gym” was originally patented by Sebastian Hinton.

Sebastian got the idea from his father, Charles Howard Hinton. Charles was a British mathematician. He also was an author of science fiction. His interest was primarily in the so-called fourth dimension.

Charles constructed an early jungle gym out of bamboo for young Sebastian and his friends to use. Charles apparently thought that allowing children to play on three-dimensional equipment might enable them to develop the ability to perceive the fourth dimension. Spoiler – they didn’t.

(11) LAST GASPS. Live Science learned that “Dying stars build humongous ‘cocoons’ that shake the fabric of space-time”.

Since the first direct detection of the space-time ripples known as gravitational waves was announced in 2016, astronomers regularly listen for the ringing of black holes across the universe. Projects like the Laser Interferometer Gravitational-Wave Observatory (better known as LIGO) have detected almost 100 collisions between black holes (and sometimes neutron stars), which shake up the fabric of the cosmos and send invisible waves rippling through space.

But new research shows that LIGO might soon hear another kind of shake-up in space: cocoons of roiling gas spewed from dying stars. Researchers at Northwestern University used cutting-edge computer simulations of massive stars to show how these cocoons may produce “impossible to ignore” gravitational waves, according to research presented this week at the 242nd meeting of the American Astronomical Society. Studying these ripples in real life could provide valuable insight into the violent deaths of giant stars….

(12) DISCUSSIONS ON FILM MUSIC BY COMPOSERS/ORCHESTRATORS/ AND WRITERS. [Item by Steve Vertlieb.] This remarkable roundtable of composers and orchestrators assembled ten years ago for a sequence in the unfinished feature length motion picture documentary The Man Who “Saved” The Movies.

Pictured from left to right are acclaimed motion picture orchestrator Patrick Russ, Erwin Vertlieb, Emmy winning film and television composer/conductor Lee Holdridge, writer/film score musicologist Steve Vertlieb, and one of the most brilliant composers working in film today, the marvelous Mark McKenzie.

(13) PRESENTING THE BILL. “William Shatner Sings To George Lucas”.

William Shatner opens the 2005 AFI Life Achievement Award: A Tribute to George Lucas with a song performed the way only Shatner can perform it. Complete with backup Stormtrooper dancers and a cameos by Chewbacca!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Arnie Fenner, Dann, John Hertz, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 5/27/23 I Thought Muddy Waters Scrolled That Pixel

Posted on May 27, 2023 by Mike Glyer

(1) PROBLEMATIC PROGRAM CONTENT. Joshua Shaw raised a red flag in a public post at the Official Anime North Facebook Group.

This is a bit of a dour post and I don’t want to ruin anyone’s fun this weekend. Even still, please read because this is about an incident that is representative of an issue in the anime community.

My partner doesn’t have a Facebook so I’m acting mostly as a mouthpiece for her to share something that really bothered her at this year’s convention. During Anime Family Feud presented by Anime North Anime North Game Shows, there was an incredible game going on with a clever and exciting first category, the mood was brought down by the second category for the day: female anime characters most likely to have an onlyfans… as chosen by males.

Visible discomfort settled on the room. First of all, anyone can do an onlyfans, there is no real way to tell who has one. If there was a criteria, it would probably be people who are comfortable with their sexuality, and if people voted on the survey based on this it would probably be fine. But instead, participation was limited to men and selections only to women, the result was a forum for men to let everyone know not who would have an onlyfans, but who SHOULD have an onlyfans according to THEIR personal fantasies.

Enter Nezuko in position 8, a 13 year old girl. The audience was made extremely uncomfortable, and boos echoed from women in the crowd about the fact that this answer was even allowed. It’s really gross to allow this reflection of pedophilic beauty standards to be effectively normalized through the game. It basically is saying “Look! Other men like her, its normal for us to like little girls too. It’s all in good fun”. But it’s not, jokes and games are ALWAYS first steps that precede more violent and dangerous attitudes surrounding the issue.

You’d think in the accepting space of this community we would be above platforming pedophilic sexism in our events, but it’s clear that our beloved and appreciated organizers made an oversight and I’d encourage more robust efforts in the future.

(2) SNG Q&A. The Horror Writers Association continues a series with “Asian Heritage in Horror: Interview with Christine Sng”.

What has writing horror taught you about the world and yourself?

Horror allows me to write about what I observe and experience in this world. It has helped me process what I see, realizing that while there is an abundance of cruelty and evil in the world, there is also a lot of good.

(3) NEW ELLIS ART CATALOG. Doug Ellis has made his latest illustrated science fiction, fantasy and pulp art sale catalog is available for download as a PDF here.

You can also download jpgs of each image here (however, to see prices and descriptions you’ll need to download the catalog).

Artists are in order, alphabetically by last name, other than the famous “Unidentified Artist”. Note that some images do include nudity.

(4) HAZARDS OF BEING A WRITER. [Item by Mike Kennedy.] What happens if an author’s life partner doesn’t care for their latest work? Horror ensues. Or comedy about horrible feelings anyway. “’Deeper than a sexual betrayal’: what happens if your partner doesn’t like your writing?” in the Guardian.

…“Writing can be extremely embarrassing. It can be more revealing than porn,” said Moser, whose next book is a personal meditation on Dutch painting. “Whenever you put yourself out there, you are allowing not just the possibility but the absolute certainty of criticism. If you’re not supported by your nearest and dearest, it would be impossible to go on,” he said.

To hear Moser speak of the unflagging support that he and his partner, the novelist Arthur Japin, provide each other, one can’t help wondering if their mutual appreciation society isn’t partly a reflexive bulwark against an all but inevitable unraveling. “It would be deeper than a sexual betrayal,” Moser said of what happened to Beth. “You could hook up with somebody at a party, and whatever, a couple can recover, but [learning that your partner doesn’t think you’re a good writer] is an attack on your being.”…

(5) ANCIENT SPOILERS. “40 years ago, NPR had to apologize for airing ‘Return of the Jedi’ spoilers” and they still bear the scars. Spoiler warning, of course.

…At the time, though, these plot details really rankled NPR listeners. So much so that the next day Stamberg issued an on-air apology.

Well, sort of. Here’s what she said:

“Well, the comic book was a goof, but we certainly goofed last night. We goofed so badly that we changed our program before rebroadcasting it to the West Coast, which means that you West Coast listeners won’t know what I’m talking about. But enough of you on the East Coast called to complain that we want to apologize publicly to everybody.

“Calls — there were more phone calls on this one than we ever got in the middle of the hottest Middle East disputes.

“Calls — there were more phone calls than Richard Gere would get if he listed his number.

And all because last night on All Things Considered, we permitted a six-and-a-half-year-old boy to tell us everything — and I mean everything — about Return Of The Jedi. “You gave the plot away,” you said. “I’ve been waiting for that movie for three years, and now you have ruined it for me. How could you do a thing like that?”

“Well, we are sorry. We’re contrite, and we’re fascinated. Usually you get angry when we get our facts wrong. This time we got them right, and you got angry.”…

(6) MEMORY LANE.

2019 – [Compiled by Cat Eldridge.]

Julie E. Czerneda’s a Canadian who’s won four Aurora Award for Best Novel winners for In the Company of Others, A Turn of Light, A Play of Shadow and The Gossamer Mage which is the source of our Beginning this Scroll.

All of her novels are well-crafted in a detailed universe with stories that are well thought out. Her Trade Pact Universe series is fantastic space opera.

And John Clute said in the SFE: “As an anthologist, Czerneda has very usefully assembled several attractive volumes with high Canadian content.”

The world was not always thus.

Keepers of histories agree on this, if little else. Those from the southern continents insist the world began as a frozen hen’s egg, its yolk the ground beneath, its pristine white the ice, and its shell a sky of endless darkness and stars. When the shell cracked, in poured sunlight and warmth, melting the ice. Finally, the world was ready for people to live upon it, and so they did.

Historians and lore masters of the northern continent, experienced with ice, teach the world started in fire and it was only as it cooled that life of any sort could exist, be it hen or person.

Theologians both north and south avoid the topic, the present and future wellbeing of the souls in their care having the greater weight, the past being unalterable.

And perilous.

We were not the first here.

This is the truth no one—no person—dares imagine. That there were voices before ours. Hands. Hearts and love. Rage and a hunger so terrible it consumed the surface of the world, heaving mountains skyward, tossing continents, boiling oceans. Until nowhere was left unscarred.

Save one place.

This is a truth impossible to rediscover. Only in the names of places, only in that one place on all the world, could you glimpse it. For ages flew by and everywhere, even there, came new voices, new hearts and hands, to claim the land and write their truths upon it.

Magic, once, was everywhere.

Now magic is not, being confined to that one untouched place. Those of north and south might be curious. Might long for magic of their own. Might wish, in the fragile moment between twilight and the rise of the moon, to see a gossamer come to life before their eyes and transform the ordinary into wonder.

But there is only one place left in the world where you could. Where the words of those who came before linger. Where mage scribes write them down, to summon magic from the land itself. Tananen.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 27, 1894 — Dashiell Hammett. Yes, I know he’s written some genre fiction but I’m interested this time in his mysteries. He wrote The Maltese Falcon which was turned into the film you remember and another film a decade earlier. And of course there are Nick and Nora Charles in The Thin Man series that got turned in a six film series. Now my favorite character by him is the Continental Op in Red Harvest and The Dain Curse. And let’s not forget the Secret Agent X-9 comic strip which I think is genre, which artist Alex Raymond of Flash Gordon fame illustrated. (Died 1961.)
Born May 27, 1911 — Vincent Price. Ok, what’s popping into my head is him on The Muppets in “The House of Horrors“ sketch they did in which he and Kermit sport impressive fangs which you can see thisaway. If I had to single out his best work, it’d be in such films as House on Haunted Hill, House of Usher and The Pit and the Pendulum. Yes, I know the latter two are Roger Corman productions. Sue me. He also did a lot of series work including being Egghead on Batman, appearing in the Fifties Science Fiction Theater, having a recurring role as Jason Winters on the Time Express and so forth. (Died 1993.)
Born May 27, 1922 — Christopher Lee. He first became famous for his role as Count Dracula in a series of Hammer Horror films. His other film roles include The Creature in The Curse of Frankenstein, Sherlock Holmes in Sherlock Holmes and the Deadly Necklace, Kharis the Mummy in The Mummy, Francisco Scaramanga in The Man with the Golden Gun, Lord Summerisle In The Wicker Man, Saruman in The Lord of the Rings films and The Hobbit film trilogy, and Count Dooku in the second and third films of the Star Wars prequel trilogy. (Died 2015.)
Born May 27, 1929 — Burnett Toskey, 94. He was a Seattle fan who was a member of the Nameless Ones who served in various offices for them from the early Fifties to the mid Sixties. He was also the editor of Spectator Amateur Press Society. His work on Cry of the Nameless won the Best Fanzine Hugo at Pittcon, a honor he shared with F. M. Busby, Elinor Busby and Wally Weber.
Born May 27, 1934 — Harlan Ellison. Setting aside the “The City on the Edge of Forever” Star Trek episode, I think I best remember him for the two Dangerous Vision anthologies which were amazing reading though I admit I read them long enough that I’ve no idea how the Suck Fairy would treat them now. His awards are far, far too numerous to recount here. His Hugos alone are legion and that’s hardly all of the awards that he was honored with. (Died 2018.)
Born May 27, 1935 — Lee Meriwether, 88. Catwoman on Batman. (And if you have to ask which Batman, you’re in the wrong conversation.) Also, she had a turn as a rather sexy Lily Munster on The Munsters Today. And of course she had a co-starring role as Dr. Ann MacGregor on The Time Tunnel as well. And yes, I know I’m not touching upon her many other genre roles including her Trek appearance as I know you will.
Born May 27, 1966 — Nina Allan, 57. Author of two novels to date, both in the last five years, The Race and The Rift which won a BSFA Award. She has done a lot of short stories hence these collections to date, A Thread of Truth, The Silver Wind: Four Stories of Time Disrupted, Microcosmos, Stardust: The Ruby Castle Stories and Spin which has also won a BSFA Award. Partner of the true Christopher Priest.

(8) SFF SNACKS. Bones Coffee Company has a whole lineup of sff-branded products. Here are two examples.

Web Slinger Bones Cups

Inspired by Marvel’s Spider-Man, Web Slinger gives you the power you need to swing into action and get your flavor senses tingling!

Mint Invaders From Chocolate Space

They’re here from Chocolate Space! The Mint Invaders have come to planet Earth to harvest our most precious resource: Mint Chocolate Chip Ice-Cream! But…fear not, fellow humans! With the power of opposable thumbs and caffeine, we can send those little green jerks back to Chocolate Space! Will you stand with us?

(9) IN CASE YOU WONDERED. CBR.com keeps track of “Everything Added to The Lord of the Rings Extended Editions”.

Released between 2002 and 2004, the Extended Editions of Peter Jackson’s The Lord of the Rings — The Fellowship of the Ring, The Two Towers and The Return of the King — add a whopping two hours and 5 minutes of content to an already-lengthy trilogy. Some of the additional material consists of lengthened versions of existing scenes, but a good chunk of it is entirely new footage, unavailable outside of these cuts. There are also new musical cues and special effects to accompany the added content….

(10) SHOUT-OUT FOR THE EARLY SKY WATCHERS. “Nabta Playa: The World’s First Astronomical Site Was Built in Africa and Is Older Than Stonehenge” at Discover Magazine.

For thousands of years, ancient societies all around the world erected massive stone circles, aligning them with the sun and stars to mark the seasons. These early calendars foretold the coming of spring, summer, fall and winter, helping civilizations track when to plant and harvest crops. They also served as ceremonial sites, both for celebration and sacrifice.

These megaliths — large, prehistoric monuments made of stone — may seem mysterious in our modern era, when many people lack a connection with, or even view of, the stars. Some even hold them up as supernatural, or divined by aliens. But many ancient societies kept time by tracking which constellations rose at sunset, like reading a giant, celestial clock. And others pinpointed the sun’s location in the sky on the summer and winter solstice, the longest and shortest days of the year, or the spring and fall equinox.

Europe alone holds some 35,000 megaliths, including many astronomically-aligned stone circles, as well as tombs (or cromlechs) and other standing stones. These structures were mostly built between 6,500 and 4,500 years ago, largely along the Atlantic and Mediterranean coasts.

…Located in Africa, Nabta Playa stands some 700 miles south of the Great Pyramid of Giza in Egypt. It was built more than 7,000 years ago, making Nabta Playa the oldest stone circle in the world — and possibly Earth’s oldest astronomical observatory. It was constructed by a cattle worshiping cult of nomadic people to mark the summer solstice and the arrival of the monsoons….

(11) IN SPACE, EVERYONE CAN HEAR YOU POOP. You probably didn’t need to read that. So be warned – it’s the subject matter of Futurism’s article “Space Tourists Learn Harsh Reality of Space Station Bathroom”.

… Private spaceflight companies have yet to overcome the challenge. SpaceX, for one, admitted in September 2021 that a previous crop of space tourists had struggled with waste management during a crewed mission. A month after that, we got more information when SpaceX revealed that it had fixed a problem on one of its Crew Dragon capsules in which its space toilet, which relies on two separate vacuum tubes for numbers one and two, was leaking and spraying urine onto the floor of the craft.

“We didn’t really even notice it, the crew didn’t even notice it, until we got back,” SpaceX’s Bill Gerstenmaier told The New York Times at the time. “When we got the vehicle back, we looked under the floor and saw the fact that there was contamination underneath the floor of Inspiration4.”…

(12) HOLE NEW THING. [Item by Mike Kennedy.] NASA has published evidence of an intermediate mass black hole in the globular cluster nearest to earth — about 6000 light years away. “NASA’s Hubble Hunts for Intermediate-Sized Black Hole Close to Home”.

Astronomers using NASA’s Hubble Space Telescope have come up with what they say is some of their best evidence yet for the presence of a rare class of “intermediate-sized” black hole that may be lurking in the heart of the closest globular star cluster to Earth, located 6,000 light-years away.

Like intense gravitational potholes in the fabric of space, virtually all black holes seem to come in two sizes: small and humongous. It’s estimated that our galaxy is littered with 100 million small black holes (several times the mass of our Sun) created from exploded stars. The universe at large is flooded with supermassive black holes, weighing millions or billions of times our Sun’s mass and found in the centers of galaxies.

A long-sought missing link is an intermediate-mass black hole, weighing in somewhere between 100 and 100,000 solar masses. How would they form, where would they hang out, and why do they seem to be so rare?…

(13) VIDEO OF THE DAY. Ryan George gets inside the experience of “When People Hate-Watch Stuff”.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Juli Marr, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 5/23/23 I Had A Pixel Scroll About An Hour Ago, And It Went Right To My Head

Posted on May 23, 2023 by Mike Glyer

(1) HOW PROZINES ARE COPING WITH SUBMISSIONS PRODUCED BY AI. The Dark, edited by Sean Wallace, is another sff publication being sent a lot of AI-written stories. They’ve adopted a policy in response:

1) As there’s been an uptick on AI-generated submissions lately, we’ve gone ahead and updated our guidelines for The Dark, with this statement, lifted pretty much from the @clarkesworld website:
— The Dark (@thedarkmagazine) May 23, 2023

3) Quite a few other magazines have already added something similar and I am hopeful that the genre writing organizations in our field follow suit with their positions on this matter sooner than later. Thanks!
— The Dark (@thedarkmagazine) May 23, 2023

Meanwhile, Matthew Kressel, designer of the Moksha Submissions System used by many sff publications, told Facebook readers today he will “soon be releasing a set of tools for Moksha to allow editors to easily filter AI-generated submissions. Yes, it relies on author affirmation that the work is wholly their own, but to affirm otherwise would be plagiarism. Gotta start somewhere.”

(2) STATEMENTS FROM AUTHORS ORGANIZATIONS. In the UK, the Society of Authors discusses the challenges of “Protecting copyright and creative careers in the face of new technology” in its statement on “Artificial Intelligence” which begins —

Whatever your area of work, whether you are an academic, an illustrator, a poet, a scriptwriter or a translator (to name a few), AI systems are being trained on existing copyright-protected works (input) and these same systems are being used to generate works ‘in the style of’ those existing works (output).

The AI development race is opaque, unfettered and unregulated, and driven primarily by the profit motives of large corporations, despite some likely adverse impacts. The ethical and moral ramifications of these AI systems are complex, and the legal ramifications are not limited to the infringement of copyright’s economic rights, but may include infringement of an author’s moral rights of attribution and integrity and right to object to false attribution; infringement of data protection laws; invasions of privacy; and acts of passing off.

And these aren’t issues for a hypothetical future….

And in the U.S., The Authors Guild discusses the problem in its advocacy article about “Artificial Intelligence”.

Artificial intelligence machines capable of generating literary and artistic works and performing other fantastical tasks that were once “science fiction” are at our doorstep. Today, commercial AI programs can already write articles, compose music, and render images in response to text prompts, and their ability to do these tasks is improving at a rapid clip. A wide assortment of tools to help writers write are commercially available today and show great potential to expedite and improve many writers’ output. At the same time, once AI is writing good books on its own (which is not so far off), it threatens to crowd the market for human authored books.

AI-generated literary and artistic works, even in their most impressive form, are essentially mimicry of human expressive works. AI generative technologies (i.e, AI machines that are used to generate output) are “trained” on mass amounts of pre-existing works (e.g., text, images, recorded music), where the copied works are broken down to their components and rules and their patterns deciphered. The consumer facing AI machines available to date have been trained on works copied by internet crawlers without licenses or permission.

While AI-generated works might look or sound like human-created works, they lack human intelligence and feeling. AI cannot feel, think, or empathize. It lacks the essential human faculties that move the arts forward. Nevertheless, the speed at which AI can create artistic and literary works to compete with human-authored works poses a significant threat to both the economic and cultural value of the latter.

We are confronting serious policy issues about the future of creativity: Do we want humans or AI creating our literature and other arts?…

(3) SUDOWRITE ADVOCATE WILL DROP TWITTER. S. B. Divya, whose promotion of Sudowrite’s “Story Engine” on Twitter met with much criticism, announced yesterday that she will be leaving the platform.

(4) MEDICAL UPDATE. “YouTube star Hank Green reveals Hodgkin’s lymphoma diagnosis” reports Deseret News. Green has also written sff novels.

YouTuber and author Hank Green announced that he has been diagnosed with Hodgkin lymphoma in a YouTube video last week.

In the video, Green recounted his diagnosis, saying it all started when “I noticed my lymph nodes were big.” After consulting with his doctor, getting an ultrasound and undergoing a biopsy, Green was given a diagnosis. According to Green, it was “good news, bad news.”

“One, it’s cancer. It’s called lymphoma. It’s cancer of the lymphatic system. And good news, it’s something called Hodgkin’s lymphoma,” Green said. “It’s one of the most treatable cancers. It responds very well to treatment. The goal is cure. The treatment to get there is fairly well-known, if unpleasant.”…

(5) FAIR USE CASE. “After the Warhol Decision, Another Major Copyright Case Looms” – the New York Times briefed readers about a fair use decision and whether it will affect forthcoming litigation.

…Last week, the Supreme Court resolved a major copyright dispute involving a Warhol that many experts thought would have a spillover effect on other cases, including a pair involving Prince that are currently playing themselves out in federal court in New York.

But in the end, the court’s Warhol decision appeared to be fairly narrow, the experts said, as the justices did not so much weigh in on how much of another work an artist can copy, but ruled instead on what sort of use such a work can be put to.

Warhol, who died in 1987, had created a series of silk-screen portraits of the rock star Prince that were based on a photograph of the musician taken by Lynn Goldsmith. One of the silk-screens was licensed by his estate to Condé Nast in 2016 to illustrate the cover of a special issue about the musician’s legacy.

When Goldsmith sued, asserting her copyright had been infringed, the Warhol estate argued that it was entitled to the so-called fair-use defense. The estate’s lawyers suggested that Warhol’s treatment of the image, which was colored, cropped and shaded in certain places, had been “transformative,” a term the courts have adopted to define just how much change the appropriating artist must bring to the underlying work to pass muster.

Many thought the latest Supreme Court decision might more clearly delineate what qualifies a work as transformative. But the justices chose instead to focus on how the Warhol portrait had been used, namely to illustrate an article about the musician. The court found that such a use was not distinct enough from the “purpose and character” of Goldsmith’s photo, which had been licensed to Vanity Fair years earlier to help illustrate an article about [the musician] Prince….

… Brian Sexton, a lawyer for [artist] Richard Prince, said the Supreme Court, in its Warhol decision, “went to great pains” to make clear that its findings were “limited to a single licensing dispute.”

“As Richard Prince makes individual paintings and does not license his works, the holding in Warhol is clearly inapplicable to his New Portraits litigation,” he said….

(6) OCTAVIA BUTLER FELLOWSHIP AWARDED. Dr. Lois Rosson is the winner of the second Octavia E. Butler Fellowship, which will support her work at the Huntington in Pasadena, CA. “Introducing the 2023–24 Huntington Fellows”.

Among the incoming cohort of fellows is Lois Rosson, winner of the Octavia E. Butler Fellowship. She received her Ph.D. from the history department of the University of California, Berkeley, in 2022 and took up a Berggruen Institute Fellowship at USC’s Center for Science, Technology, and Public Life the same year. Rosson is a historian of science, focusing on visual representations of the space environment. Her work has been supported by the Smithsonian’s National Air and Space Museum, Lawrence Livermore National Laboratory, NASA’s Ames Research Center, and The Huntington, where she was awarded a short-term fellowship in 2020.

As the second Butler Fellow at The Huntington, Rosson will develop her first book project, which explores why visual tropes that associated outer space with Western frontier expansion persisted into the late 20th century. At no point in this history, she argues, was the framing of space landscapes as topographies ideologically continuous with American Manifest Destiny an obvious or inevitable outcome. How then, she asks, did this perception become so dominant?

Rosson proposes two conceptual alternatives to depictions of space as a landscape couched in colonialist narrative. The first centers on Afrofuturist representations of outer space as a realm to which inhabitants of Earth can hypothetically flee—as opposed to landscapes characterized by prospective settlement or colonial resource extraction. The second compares representations of Latinx farm workers in midcentury California with visions of the labor-free space colonies developed by NASA at the time.

Rosson plans to spend her time principally working with The Huntington’s Octavia E. Butler Papers. Butler’s literary vision of space as a place of asylum, Rosson writes, is one of the most widely read of the 20th century. In Butler’s novel Parable of the Sower, the protagonist, Lauren Oya Olamina, frustrated with life in dystopian California, compares Mars—“cold, empty, almost airless, dead”—to heaven. In Olamina’s view, the Martian landscape is not an especially inviting one, but it offers the prospect of escaping a planet characterized by degraded human life and violent climate catastrophe. At The Huntington, Rosson will focus on Butler’s ideas about how life in space should be organized as well as her upbringing in Pasadena and proximity to NASA’s Jet Propulsion Laboratory.

Along with representations of space as a realm of noncorporate diaspora, Rosson explores the centrality of agricultural production to the large-scale space station designs that emerged in the 1970s and ’80s. While illustrations of these space stations depicted fully populated colonies set against the pastoral landscapes of fully engineered agricultural systems, the labor required to maintain these environments is never depicted. Rosson plans to compare depictions of agricultural production in space with the idealized versions circulated in 20th-century American print culture, which erased most traces of human labor. She argues that images of California citrus and vegetable farming—like those illustrated on lithographed labels held in The Huntington’s Jay T. Last Collection of Graphic Arts and Social History—function as visual precursors to the inert versions eventually depicted in illustrations of futuristic space stations in the early 1970s, a time when the rights of immigrant farm workers became increasingly visible in the United States.

(7) LOOKING BACK. Sam Reader embarks on a story-by-story commentary on a milestone David G. Hartwell anthology. “Dissecting The Dark Descent: Stephen King’s ‘The Reach,’ and Why Reading Order Matters” at Tor.com.

In 1987, editor David G. Hartwell embarked on a massive undertaking.

Through conversations, panels, and a variety of correspondence, he came to realize the horror genre was at something of a turning point. A lot of horror writers and critics, when they cited their influences and favorite works, tended to favor short stories over longer forms of horror. In fact, a lot of the works that drove horror history appeared to be short stories. After much thought, he compiled what he felt was a definitive work on shorter horror at the crossroads of the genre; The way forward being paved by novels, the previous history built upon the foundation of short stories. It was meant as an all-encompassing paean to dark fiction, to discuss and outline Hartwell’s own thoughts and definitions of the genre.

The result was a huge tome titled The Dark Descent, as much a historical and critical work of horror as it was an attempt to codify and collect the best specimens of short horror stories. It’s award-winning, weighty in both content and size, and looms large in the collections of horror fans old and new.

That was thirty-six years ago. In the years since The Dark Descent landed with an almighty boom upon our bookshelves, horror has in fact changed quite a bit….

(8) GOING, GOING. Jake Thornton reacts to the bad news in “’My Movie Is Being Removed From Disney+ Or Why Streaming Sucks’” at AllYourScreens.com. The Princess will be taken down May 26.

…Now, as you may have already gathered from the title of this post, I have some rather disheartening news to share. The movie that my dear friend Ben and I co-wrote, The Princess, is being removed from popular streaming platforms such as Hulu and Disney+. A decision made in the pursuit of cost-saving measures….

… Here is an article from Variety that provides further insight into this unfortunate development.

To be completely honest, Ben and I are both profoundly saddened by this turn of events. As Ben aptly expressed in his recent tweet, “After 25 years in LA, I finally had a movie that I’m proud of. Now, it could vanish forever…”

And indeed, that is the harsh reality we are faced with. Ben and I have dedicated countless hours to this industry, tirelessly honing our skills as writers. For 15 years, we have toiled together, overcoming numerous obstacles in the pursuit of our dreams. Finally, in 2014, our hard work paid off, and we broke into the industry. Yet, it took an additional seven long years before one of our projects was brought to life. The Princess was that project. Finally! We had achieved something remarkable—an offering for the world to experience. A piece of work that I could proudly share with my future grandchildren. Something to present to those who ever questioned my abilities as a screenwriter, proving that I had indeed left a mark on the world.

However, in an effort to cut costs, Disney has chosen to withdraw The Princess, along with several other films and shows, from their streaming services. This is reminiscent of a similar situation last year when David Zaslav, CEO of Discovery, removed a multitude of shows from HBO Max and even decided against releasing Batgirl to reduce expenses.

Now, both the creative team behind The Princess and ourselves find ourselves among the victims of such decisions….

(9) FEELS MAGICAL. “Vietnam’s Eighth Wonder in ‘A Crack in the Mountain’: Watch First Clip” – Variety tells about the new documentary. The movie is being released in the UK and Ireland on May 26.

…Deep in the jungle of central Vietnam lies an underground kingdom. Hang Son Doong, which translates as ‘mountain river cave’ is the largest cave passage in the world and a place of beauty. Located in the Phong Nha-Ke Bang National Park in Quang Binh Province, the cave entrance was first discovered in 1990 by a local farmer. But it wasn’t explored until 2009 when a British expedition team rigged ropes and descended.

Often described as the eighth wonder of the world, Son Doong has its own lake, jungle and a unique weather system, and remained undisturbed for millions of years. However, in 2014, Son Doong’s future was thrown into doubt when plans were announced to build a cable car into the cave. With many arguing that this would destroy the cave’s delicate eco-system and the local community divided over the benefits this development would bring, the film follows those caught up in the unfolding events….

(10) MEMORY LANE.

2005 – [Compiled by Cat Eldridge.]

Joe Hill’s the son of Stephen King. I’ve met him several times, and yes he looks like his father. He’s every bit as friendly and charming as his father is in person. Lovely family they are.

Our Beginning is that of “Voluntary Committal” which was published by Subterranean Press eighteen years ago.

I don’t know who I’m writing this for, can’t say who I expect to read it. Not the police, anyway. I don’t know what happened to my brother, and I can’t tell them where he is. Nothing I could put down here would help them find him.

And anyway, this isn’t really about his disappearance… although it does concern a missing person, and I’d be lying if I said I didn’t think the two things had anything to do with each other. I have never told anyone what I know about Edward Prior, who left school one October day in 1977, and never arrived home for chili and baked potatoes with Mom. For a long time, the first year or two after he vanished, I didn’t want to think about my friend Eddie. I would do anything not to think about him. If I passed some people talking about him in the halls of my high school—I heard he stole his momma’s weed and some money and ran away to fuckin California!—I’d fix my eyes on some point in the distance and pretend I was deaf. And if someone actually approached and asked me straight out what I thought had happened to him—now and then someone would, since we were known compañeros—I’d set my face into a rigid blank and shrug. “I almost think I care sometimes,” I said.

Later, I didn’t think about Eddie out of studiously formed habit. If anything happened by chance to remind me of him—if I saw a boy who looked like him, or read something in the news about a missing teen—I would instantly begin to think of something else, hardly aware I was even doing it.

In the last three weeks, though, ever since my little brother Morris went missing, I find myself thinking about Ed Prior more and more; can’t seem, through any effort of will, to turn thoughts of him aside. The urge to talk to someone about what I know is really almost more than I can bear. But this isn’t a story for the police. Believe me, it wouldn’t do them any good, and it might do myself a fair amount of bad. I can’t tell them where to look for Edward Prior any more than I can tell them where to look for Morris—can’t tell what I don’t know—but if I were to share this story with a detective, I think I might be asked some harsh questions, and some people (Eddie’s mother, for example, still alive and on her third marriage) would be put through a lot of unnecessary emotional strain.

And it’s just possible I could wind up with a one-way ticket to the same place where my brother spent the last two years of his life: the Wellbrook Progressive Mental Health Center. My brother was there voluntarily, but Wellbrook includes a wing just for people who had to be committed. Morris was part of the clinic’s work program, pushed a mop for them four days out of the week, and on Friday mornings he went into the Governor’s Wing, as it’s known, to wash their shit off the walls. And their blood.

Was I just talking about Morris in the past tense? I guess I was. I don’t hope anymore that the phone will ring, and it will be Betty Millhauser from Wellbrook, her voice rushed and winded, telling me they’ve found him in a homeless shelter somewhere, and they’re bringing him back. I don’t think anyone will be calling to tell me they found him floating in the Charles, either. I don’t think anyone will be calling at all, except maybe to say nothing is known. Which could almost be the epitaph on Morris’s grave. And maybe I have to admit that I’m writing this, not to show it to anyone, but because I can’t help myself, and a blank page is the only safe audience for this story I can imagine.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 23, 1909 — Robert Thomas Maitland Scott Jr., 1909 – 1945. Son in a father-and-son writing team who created The Spider, a pulp character who was clearly a rip-off of The Shadow. They wrote only the first two Spider novels before it was written by various house authors though it’s disputed if Scott Jt. had an uncredited role because the SF element in the series clearly reflect his tastes. He would die in a motor vehicle while on active duty with Royal Canadian Army Service Corps. (Died 1945.)
Born May 23, 1921 — James Blish. What was his best work? Cities in Flight? A Case of Conscience? I’d argue it was one of those works. Certainly it wasn’t the Trek novels. And I hadn’t realized that he wrote one series, the Pantropy series, under a pen name, that of Arthur Merlyn. (Died 1975.)
Born May 23, 1933 — Margaret Aldiss. Wife of Brian Aldiss. She wrote extensively on her husband’s work including The Work of Brian W. Aldiss: An Annotated Bibliography & Guide. He in turn wrote When the Feast is Finished: Reflections on Terminal Illness, a look at her final days. She also co-edited the A is for Brian anthology with Malcolm Edwards and Frank Hatherley. (Died 1997.)
Born May 23, 1935 — Susan Cooper, 88. Author of the superb Dark is Rising series. Her Scottish castle set YA Boggart series is lighter in tone and is just plain fun. I’d also recommend her Dreams and Wishes: Essays on Writing for Children which is quite excellent. The Grey King, part of The Dark is Risk series, won a Newbery, and she received a Lifetime Achievement Award from the World Fantasy Convention.
Born May 23, 1942 — Zalman King. OK he’s best known for The Red Shoe Diaries which are decidedly not genre and indeed are soft core erotica but even that isn’t quite true as some of the episodes were definitely genre such as “The Forbidden Zone” set in a future where things are very different, and “Banished” which deals with an Angel now in mortal form all on Earth. I’m betting there’s more fantasy elements but I need to go through sixty episodes to confirm that. Denise Crosby appeared in two episodes of the Red Shoe Dairies playing the different characters, Lynn ‘Mona’ McCabe in “The Psychiatrist” and Officer Lynn ‘Mona’ McCabe in “You Have the Right to Remain Silent”. Zalman himself played Nick in “The Lost Ones” episode on The Land of The Giants and earlier was The Man with The Beard in the Munsters episode of “Far Out Munsters”. His final genre acting gig was on The Man from U.N.C.L.E. as Gregory Haymish in “The Cap and Gown Affair”. (Died 2012.)
Born May 23, 1967 — Sean Williams, 56. Australian author who has been the recipient of a lot of Ditmar and Aurealis Awards. And I mean a lot. Most of his work has been co-authored with Shane Nix (such as Emergence and Orphans series, Star Wars: New Jedi Order novels) but I’d recommend The Books of the Cataclysm series wrote solely by him as it’s most excellent. He’s deeply stocked at the usual digital suspects.
Born May 23, 1986 — Ryan Coogler, 37. Co-writer with Joe Robert Cole of Black Panther which he also directed. He directed Black Panther: Wakanda Forever. Producer, Space Jam 2, producer of the Wankanda series on Disney+. Black Panther was a Hugo finalist at Dublin 2019: An Irish Worldcon, the year that Spider-Man: Into the Spider-Verse won.

(12) ‘BLOOM COUNTY’ – A BETTER FAREWELL. When the Bloom County comic originally closed its run in 1989 Mark Roth-Whitworth thought he could improve on the way it ended. “For something different: a Bloom County end”.

A long time ago, a comic strip ended: Bloom County. A lot of us were unhappy, but I also thought that there could have been a better ending… so I wrote one.

Star Date 93350.09 Captain’s Log of the Starchair Enterpoop, Helmsman and now commanding officer Binkley recording.

It seems that our long mission has come to an end. Apparently, we have been successful….

(13) CYBERWARFARE. [Item by Francis Hamit.] This one should interest military SF fans and gamers. “The Cyber Crucible: Eastern Europe, Russia, and the Development of Modern Warfare” at Army University Press.

This is a reprint of Chapter 9 from Perceptions Are Reality: Historical Case Studies of Information Operations in Large-Scale Combat Operations, part of The Large-Scale Combat Operations Series.

…In February 2013, General Valery Gerasimov, Russia’s Chief of the General Staff (comparable to the US Chairman of the Joint Chiefs of Staff), published an article titled “The Value of Science is in the Foresight,” in the weekly Russian trade paper Military-Industrial Kurier. In it, Gerasimov suggested that the “very ‘rules of war’ have changed,” and that in many cases, nonmilitary means have exceeded the power and force of weapons in their ability to effect change on the international stage.² Gerasimov argues that new technologies have reduced gaps between traditional forces and their command and control, though also noting that “frontal engagements of large formations of forces at the strategic and operational level are gradually becoming a thing of the past.”³ The future, Gerasimov suggests, lies in “contactless actions”—made through cyber or other electronic means—being used as the main means of military or intelligence goals. This belief—that traditional military interactions are giving way to newer and subjectively more effective indirect interactions via computers and electronics—has been dubbed by some as the Gerasimov Doctrine….^.

(14) MIGHTY MUSCLES. “The Best Hercules Movies”. Is there such a thing? Fans who read Ranker think so.

Over the years, there have been many memorable movies about Hercules that have captivated audiences worldwide. Some examples include the groundbreaking 1958 Italian film Hercules, starring bodybuilder Steve Reeves; Disney’s beloved animated feature Hercules (1997), which boasts an unforgettable soundtrack; and Dwayne “The Rock” Johnson’s action-packed performance in Hercules (2014). Each film offers its own unique perspective on the life and legend of one of Greece’s most iconic heroes, with stunning visuals, thrilling action sequences, and engaging storytelling.

Now it’s your turn to let us know which Hercules movies stand out as the best among this legendary lineup. We invite you to vote on your favorite films featuring this mighty mythical hero. Together we’ll determine which movies truly capture the essence of Hercules’ strength, wisdom, and enduring popularity across generations. So grab your lion-skin cloak and club – it’s time to dive into the world of Hercules like never before.

Number one on the list is actually a sequel:

Hercules Unchained (1959)

In this timeless sequel, we’re treated to the unstoppable Steve Reeves as he takes on the role of Hercules, flexing his muscles and captivating audiences with his charm. With a gripping storyline that has him breaking free from an evil queen’s clutches, it’s no wonder this film became a hit, making Reeves a household name and cementing his status as a beloved hero in cinematic history.

(15) NEW ESTIMATE AS TO HOW OLD ARE SATURN’S RINGS. [Item by SF Concatenation’s Jonathan Cowie.] There are two main, competing hypotheses: (1) They are ancient and either formed with Saturn or during the late veneer, or… (2) They are young and formed since then. Now data has been analysed from the Cosmic Dust Analyzer (CDA) on the Cassini spacecraft, which began orbiting Saturn in July 2004 until end of mission in September 2017. Continuous bombardment by non-icy micro-meteoroids from beyond the Saturnian system is a source non-icy material in Saturn’s rings. Knowing that rate of micro-meteor accumulation in the rings and knowing how much is the non-icy component to the rings, it is possible to estimate the age of the rings. Using CDA data European and US based astronomers estimate that the rings’ age is between around 100 million and 400 million years: hypothesis ‘2’. This estimate chimes in with a previous one using a different method. (See Kempf, S. et al. (2023) “Micrometeoroid infall onto Saturn’s rings constrains their age to no more than a few hundred million years”. Science Advances, vol. 9 (19), eadf8537.)

(16) TIMEY WIMEY. Vice’s article “Black Holes Might Really Be Giant Structures Made of Spacetime, Physicists Propose” seemed a lot easier to understand when I imagined David Tennant reading it to me.

Black holes might really be strange defects in spacetime called topological stars that are generated by hidden cosmic dimensions, reports a new study.

Topological stars are completely hypothetical and only exist as mathematical constructions at this point. However, they have the potential to probe perplexing paradoxes of the cosmos, including the true nature of black holes and the mind-boggling ideas raised by string theory, a framework that attempts to reconcile seemingly contradictory physical laws into a unified theory.

String theory proposes that particles in the universe are actually vibrating strings tethered to many extra dimensions that are imperceptible to us. Scientists at Johns Hopkins University (JHU) have worked for years to envision the objects and phenomena that might exist in such a universe, including topological stars, or topological solitons, which are bubbles of nothing that form in the fabric of spacetime.

Now, the team has used simulations to show that topological solitons would appear “remarkably similar to black holes in apparent size and scattering properties, while being smooth and horizonless,” according to a recent study published in Physical Review D. In other words, the hypothetical objects would look almost exactly like black holes from our perspective, raising the tantalizing possibility that they may actually lurk in our universe.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Francis Hamit, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon D.]

Pixel Scroll 11/24/22 On The Avenue, Second-Fifth Avenue, The Filetographers Will Snap Us, And You’ll Find That You’re In The Pixelgravure

Posted on November 24, 2022 by Mike Glyer

(1) TURKEY DAY. Following that overstuffed title it’s time to pay homage to another Thanksgiving tradition, one I’m sure you’ll immediately recognize.

(2) SIGNERS OF THE TIMES. “Bob Dylan Gets Tangled Up in Book Autograph Controversy” – the New York Times tells why.

Simon & Schuster sold 900 signed copies of the singer’s new essay collection, but superfans and internet sleuths noticed something wasn’t right with the autograph. Now the publisher is issuing refunds.

… So when Simon & Schuster, Dylan’s publisher, advertised limited-edition, hand-signed copies of the musician’s new collection of essays for $600 each, Bernstein was among 900 fans who went for one. Last week, he received his copy of “The Philosophy of Modern Song,” Dylan’s first collection of writings since he won the Nobel Prize in Literature in 2016, with a letter of authenticity signed by Jonathan Karp, the publisher’s chief executive.

There was only one problem.

Karp’s signature “looked more legit than Bob’s,” Bernstein said.

Bernstein was one of hundreds of fans who sleuthed their way around social media, reaching the conclusion that the supposedly hand-signed books had not, in fact, been signed by Dylan.

“I got the nostalgia bug,” said Bernstein, who already owned an unsigned copy of the book, as well as a Kindle version and an audio version. He added, “If he touches this book — he wrote it, signed it — it feels like the soul of Bob Dylan is with me.”

Instead, many fans suggested that the “autographed” copies of the book had been signed by a machine….

(3) OCTOTHORPE. “Just Nearly Froze to Death”, Octothorpe episode 71, is ready for listeners.

John is on the Holodeck, Alison is in the past, and Liz is at school. We discuss what Alison got up to at Novacon before chatting about a few other bits and bobs. Listen here!

(4) SMACKAGE. “Stephen King, Elon Musk spar: MyPillow will be Twitter’s ‘only advertiser’” on MarketWatch.

Pretty soon the only advertiser left on Twitter will be My Pillow.
— Stephen King (@StephenKing) November 22, 2022

That was master of horror and bestselling fiction writer Stephen King riffing on the parade of advertisers including GM, United Airlines and Audi pausing or scrapping their marketing on the social-media platform since Tesla and SpaceX CEO Elon Musk took over….

…This is perhaps why Musk responded to King’s most recent tweet about MyPillow with “Oh hi lol.”

Musk followed up by asking, “Is My Pillow actually a great pillow? Now I’m curious.”

(5) DRAGONS DEFENDED. In “Weber & Correia on the mil-SF Dragon Award” – Camestros Felapton delivers lengthy excerpts from the two authors’ remarks delivered in the wake of the Dragon Awards deleting the Military SF category. Weber tries to justify the decision to his grumpy fan base, and Larry Correia upbraids “the people who are nominally supposed to be on my side” for their “black pilled doom nonsense.” If you care what Weber and Correia think about the situation, this would be the place to find out.

(6) PUSH THE PANIC BUTTON! SF²Concatenation, in an Autumn 2022 editorial headlined “The 2023 Worldcon in China may be cancelled! If, that is, the UN COP15 Convention on Biodiversity (CBD-COP15) changes are a portent”, is volunteering the Winnipeg NASFiC as the backup plan.

The 2023 Worldcon in Chengdu China has had its problems, not least political controversy due to its Guests of Honours’ support for political aggression, namely: China’s Uyghur policy, Putin’s war on Ukraine and apparent tacit support (being willing to share a platform with those of such views) thereof respectively. However, these are not the reasons the event may be cancelled. China has a strict ‘zero CoVID-19 policy that has meant that as soon as a number of cases are reported in a city, then that city is put into strict lockdown: this has already happened a number of times this year. So, for instance, following discussions with China, on 21st June (2022) the United Nations announced that the CBD-COP15 meeting would no longer be held in Kumming, China, but be held instead 5th – 17th December (2022) in Montreal, Canada. The risk of the CBD-COP running foul of, or even itself causing – with the international influx of thousands of participants – a mini CoVID outbreak so triggering, a strict lockdown in Kumming was real enough for the UN to make the change: it was considered a non-trivial risk….

Meanwhile, following the above being written in July-August following the UN CBD-COP15 change, at the beginning of September (2022) 25 million people in Chengdu, China, have been put in lockdown. This is a portent if ever one should be needed, irrespective with what has already happened with the UN’s CBD-COP15.

The crew’s vision for rescuing the Hugo Awards is a little shortsighted — “The rest could be arranged by those regularly associated with WSFS governance (the World SF Society being the body under whose auspices the Hugo’s are organised)” – because WSFS is not an administrative body, it is the members of the seated Worldcons. There’s no WSFS management to pull the plug on Chengdu, or to take funds from them to pay for award trophies. That would take the Chengdu Worldcon’s cooperation. And consider that the minimum requirements for the Worldcon are far more modest than a UN convention. What if Chengdu fell back on doing a virtual Worldcon, like CoNZealand?

(7) MEMORY LANE.

1993 — [By Cat Eldridge.] Tombstone

The Old West has a significant impact upon the SFF genre, be it in video such as Star Trek’s “Spectre of the Gun”, Doctor Who’s “A Town Called Mercy”, The Wild Wild West series or, to note but two novels, Emma Bull’s Territory and Midori Snyder’s The Flight of Michael McBride.

So I’m going to look at some of my favorite Westerns starting with the Tombstone which premiered twenty-nine years ago.

It directed by George P. Cosmatos from a screenplay by Kevin Jarre. He was also the original director, but was replaced early in production. It had three producers — James Jacks, Sean Daniel and Bob Misiorowski.

It quite possibly the most extraordinary cast ever assembled for a Western — Kurt Russell, Val Kilmer and Sam Elliott in lead roles, and with Bill Paxton, Powers Boothe, Michael Biehn, and Dana Delany in supporting roles, as well as narration by Robert Mitchum. The Dana Delany appearance, though brief, I think was one of her best ever.

The film was screenwriter Kevin Jarre’s first job as director but he was overwhelmed by the job, failing to get needed shots and falling behind the shooting schedule. Biehn threaten to quit being his close friend but Russell talked him out of it.

I see no need for spoilers as likely you know the story as they really didn’t deviate that much from what has been told before. It’s how they told it that I find such a stellar story. Each of the principal characters is realized, a completely believable human being. And each is given enough lines to come to life in this story. If I had to single out one actor here in particular, it’d be Val Kilmer as the dying Doc Holliday. That is a performance for the ages.

One of the actors gets much of the credit for what the final shooting script looks like. Russell worked endlessly with producer Jacks to ruthlessly cut to the bone Jarre’s originally vastly overblown script, deleting endless subplots and emphasizing the oh so important relationship between Wyatt and Doc.

It is disputed to this day who directed the actual film. Russell claims that he and not Cosmatos did. He says that the latter was brought in as a “ghost director” because Russell did not want it to be known at the time that he was directing the film.

Critics either really liked it or really, really hated it. The latter, all male I must note, thought it treated women badly. I didn’t.

Box office wise, it was a fantastic success, making three times what it cost to produce.

I’ve watched it at least a half dozen times. The Suck Fairy has equally enjoyed it each times she’s viewed it with me. She particularly liked the final scene with Kurt Russell as Wyatt Earp and Dana Delany as Josephine Marcus dancing in the snow in San Francisco. She does have a soft heart, you know.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 24, 1882 — E. R. Eddison. Writer whose most well-known work by far is The Worm Ouroboros. It’s slightly connected to his much lesser known later Zimiamvian Trilogy. I’m reasonably that sure I’ve read The Worm Ouroboros but way too long ago to remember anything about it. Silverberg in the Millenium Fantasy Masterworks Series edition of this novel said he considered it to be “the greatest high fantasy of them all”. (Died 1945.)
Born November 24, 1907 — Evangeline Walton. Her best-known work, the Mabinogion tetralogy, was written during the late 1930s and early 1940s, and her Theseus trilogy was produced during the late 1940s. It’s worth stressing Walton is best known for her four novels retelling the Welsh Mabinogi. She published her first volume in 1936 under the publisher’s title of The Virgin and the Swine which is inarguably a terrible title. Although receiving glowing praise from John Cowper Powys, the book sold quite awfully and none of the other novels in the series were published at that time. Granted a second chance by Ballantine’s Adult Fantasy series in 1970, it was reissued with a much better title of The Island of the Mighty. The other three volumes followed quickly. Witch House is an occult horror story set in New England and She Walks in Darkness which came out on Tachyon Press is genre as well. I think that is the extent of her genre work but I’d be delighted to be corrected. She has won a number of Awards including the Mythopoeic Award for Adult Literature, Best Novel along with The Fritz Leiber Fantasy Award, World Fantasy Award, Convention Award and the World Fantasy Award for Life Achievement. (Died 1996.) (JJ )
Born November 24, 1926 — Forrest J Ackerman. It’s no wonder that he got a Hugo for #1 Fan Personality in 1953 and equally telling that when he was handed the trophy at Philcon II (by Asimov), he physically declined saying it should go to Ken Slater to whom the trophy was later given by the con committee. That’s a nice summation of him. You want more? As a literary agent, he represented some two hundred writers, and he served as agent of record for many long-lost authors, thereby allowing their work to be reprinted. Hell, he represented Ed Wood! He was a prolific writer, more than fifty stories to his credit, and he named Vampirella and wrote the origin story for her. His non-fiction writings are wonderful as well. I’ll just single out Forrest J Ackerman’s Worlds of Science Fiction, A Reference Guide to American Science Fiction Films and a work he did with Brad Linaweaver, Worlds of Tomorrow: The Amazing Universe of Science Fiction Art. Did I mention he collected everything? Well, he did. Just one location of his collection contained some three hundred thousand books, film, SF material objects and writings. The other was eighteen rooms in extent. Damn if anyone needed their own TARDIS, it was him. In his later years, he was a board member of the Seattle Science Fiction Museum and Hall of Fame who now have possession of many items of his collection. (Died 2008.)
Born November 24, 1948 — Spider Robinson, 74. His first story, “The Guy with the Eyes,” was published in Analog (February 1973). It was set in a bar called Callahan’s Place, a setting for much of his later fiction. His first published novel, Telempath in 1976 was an expansion of his Hugo award-winning novella “By Any Other Name”. The Stardance trilogy was co-written with his wife Jeanne Robinson; the first book won a Nebula. In 2004, he began working on a seven-page 1955 novel outline by the late Heinlein to expand it into a novel. The resulting novel would be called Variable Star. Who’s read it?
Born November 24, 1957 — Denise Crosby, 65. Tasha Yar on Next Gen who got a meaningful death in “Yesterday’s Enterprise” after getting an earlier truly meaningless one. In other genre work, she was on The X-Files as a doctor who examined Agent Scully’s baby. And I really like it that she was in two Pink Panther films, Trail of the Pink Panther and Curse of the Pink Panther, as Denise, Bruno’s Moll. And she’s yet another Trek performer who’s popped doing what I call Trek video fanfic. She’s Dr. Jenna Yar in “Blood and Fire: Part 2”, an episode of the only season of Star Trek: New Voyages as Paramount was not amused.
Born November 24, 1957 — Jeff Noon, 65. Novelist and playwright. Prior to his relocation in 2000 to Brighton, his stories reflected in some way his native though not birth city of Manchester. The Vurt sequence whose first novel won the Arthur C. Clarke Award is a very odd riff off Alice in Wonderland that he describes as a sequel to those works. Noon was the winner of an Astounding Award for the Best New Science Fiction Writer.
Born November 24, 1957 — John Zakour, 65. For sheer pulp pleasure, I wholeheartedly recommend his Zachary Nixon Johnson PI series which he co-wrote with Larry Ganem. Popcorn reading at its very best. It’s the only series of his I’ve read, anyone else read his other books?
Born November 24, 1965 — Shirley Henderson, 57. She was Moaning Myrtle in Harry Potter and the Chamber of Secrets and Harry Potter and the Goblet of Fire. She was Ursula Blake in “Love & Monsters!”, a Tenth Doctor story, and played Susannah in Tristram Shandy: A Cock and Bull Story, a film that’s sf because of the metanarrative aspect.

(9) COMICS SECTION.

Eek! shows that even a successful experiment by a mad scientist can cause problems. (Or do they always?)
The Far Side shows the real reason they went extinct.

(10) I SEE BY YOUR OUTFIT. Radio Times is agog as “Doctor Who unveils new look at David Tennant as Fourteenth Doctor”.

…Fans were previously treated to a closer look at Tennant’s Fourteenth Doctor outfit at MCM Comic Con last month, where a special exhibit showed off the blue coat and white trainers that the Doctor will wear in the upcoming 60th anniversary episodes, which are set to air in 2023.

A new life… with an old face! Is there more to the Doctor's latest regeneration than we know? ????

Meet the Fourteenth Doctor on the #DoctorWho website ?? https://t.co/qMK2DhFIjz pic.twitter.com/spHUh4APhB
— Doctor Who (@bbcdoctorwho) November 23, 2022

The exhibit also featured the striped jumper and green jacket worn by Catherine Tate, who will be reprising her role as the Doctor’s companion Donna Noble in the three specials….

(11) SHOCKWAVE WIDER. Nature shows how “Shock waves spark blazing light from black holes”.

Radiation from a jet of ultrafast particles powered by a supermassive black hole suggests that the particles are accelerated by shock waves propagating along the jet, making them shine with the brightness of 100 billion Suns!

Most of the 200 billion galaxies in the Universe are centred around enormous black holes that can weigh as much as one billion Suns. Many of these black holes are dormant, but some are still growing, devouring gas from their surroundings and releasing vast amounts of radiation. Even fewer of these active supermassive black holes are capable of launching powerful jets from their cores — ultrafast streams of particles that shine brightly, and can travel distances of up to 100 times the size of their own galaxy. But what provides the initial kick that enables these particles to release so much energy? Writing in Nature, Liodakis et al. report that the push comes from shock waves that are generated naturally…

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Patrick McGuire, Michael Toman, Cat Eldridge, Mike Kennedy, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

File 770

Mike Glyer's news of science fiction fandom

Tag Archives: black holes

Pixel Scroll 3/17/25 And So Pixels Made Of Sand Scroll Into The Sea. Eventually

Pixel Scroll 1/21/25 Shattered Like A Glass Scroll

Pixel Scroll 12/15/24 Deck Us All With Barsoom Charlie

Pixel Scroll 12/2/24 One Pixel, One Scroll And One Bheer

Pixel Scroll 10/8/24 Whirling Pixels Will Make Anyone Who Watches Them Dizzy

Pixel Scroll 9/5/23 Scrolling Away In Pixelville, Looking For My Lost Emails Of Posts

Pixel Scroll 6/26/23 This Is Not A Scroll Pixel Title

Pixel Scroll 5/27/23 I Thought Muddy Waters Scrolled That Pixel

Pixel Scroll 5/23/23 I Had A Pixel Scroll About An Hour Ago, And It Went Right To My Head

Pixel Scroll 11/24/22 On The Avenue, Second-Fifth Avenue, The Filetographers Will Snap Us, And You’ll Find That You’re In The Pixelgravure