Tag Archives: David Goldfarb

Pixel Scroll 2/3/25 Lord Scrollentine’s Pixel

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(1) GRAMMY AWARDS. [Item by Mike Kennedy.] The Grammy Awards were given out Sunday night. (See Grammy.com for “The Full Winners & Nominees List”.) The only two obvious (to me) genre/related winners were:

Best Score Soundtrack for Visual Media (Includes Film And Television)

  • Dune: Part Two – Hans Zimmer, composer

Best Score Soundtrack for Video Games and Other Interactive Media

  • Wizardry: Proving Grounds of the Mad Overlord — Winifred Phillips, composer

It’s perfectly possible that many of the other winners included music used in genre film, TV, games, etc. Or the works themselves may have genre content. But my knowledge of contemporary music is so slim as to be virtually invisible. You don’t even have to turn it edgewise. So let us know in comments if you find any more.

(2) GAIMAN AND PALMER SUED. Neil Gaiman and Amanda Palmer have been sued by a former New Zealand nanny of their son: “Neil Gaiman and Amanda Palmer Sued Over Rape and Human Trafficking Allegations” at File 770.

(3) FANS, RIPE FOR THE HARVESTING. Jessa Crispin, writing ahead of the lawsuit filings today, starts an analysis of the Gaiman/Palmer business model: “Around twenty years ago, publishing forgot how to sell books.” “Culture, Digested: Neil Gaiman is an Industry Problem” at The Culture We Deserve.

…Even taking into consideration their years of exploitation and abuse, Neil Gaiman and Amanda Palmer remain models of artistic success in the 21st century. Gaiman created an extremely sellable brand — affable, “oh goodness,” harmless Britishness wrapped up in a “I have read a lot of books” kind of storytelling — and the publishing industry used that not only to sell a lot of his books but that of his friends as well. Amanda Palmer has crowdsourced her way into a perfect little Patreon pyramid scheme, where all money flows to her and she gives back vibes and requests for domestic labor. This is the ideal artistic arrangement these days, where stars receive 95% of Patreon/Substack/other crowdsourced forms of income and everyone else competes for scraps. Both are reliant on a dedicated, servile audience, willing to turn over their time and bodies and cash to get a piece of that bohemian existence that only millionaires can manage these days. It’s the bohemianism not of Weimar, which Palmer constantly references, but the bohemianism of contemporary Burning Man, full of tech billionaires wearing the worst outfits you’ve ever seen in your life.

Accusations against bad actors follow a reliable structure. We dig through their work for signs that they were bad all along, we wonder why no one said anything sooner, a few select people will breathlessly explain how while they themselves were not harmed they could have been because they were so close to danger and didn’t know it. That’s fine. But it would seem more productive if we could discuss how the way our creative industries currently function leave people vulnerable to exploitation, how difficult it is to break through the veneer of a public figure who makes a lot of money for so many people, and the fantasies that allow people to confuse abuse with inclusion.

(4) CALL FOR PAPERS. Submissions are being taken for the MLA 2026 (Toronto) Speculative Fiction forum: “Genealogies and Futurities of AI in Speculative Fiction”.

MLA Call for Papers #29768

Session Title:  Genealogies and Futurities of AI in Speculative Fiction

Submit proposals to:  Rachel Haywood, Iowa State University (rhaywood@iastate.edu) 

Description & Requirements:

Inviting proposals examining AI’s historical and futuristic representations in speculative fiction. How have speculative narratives anticipated, shaped, and reflected current developments in AI or imagined AIs that diverge from present realities? 250-word abstract, short cv

 Submission Deadline: Friday, 14 March 2025

(5) DOES HE NEED TO DRAW YOU A PICTURE? Adam Kotsko would like to tell you “Why I Am Not a Gene Roddenberry Fan” at the Late Star Trek newsletter. He doesn’t explicitly say Roddenberry’s novelization of Star Trek: The Motion Picture is sleazy, he just supplies the necessary quotes and paraphrases to make that conclusion unavoidable.

The description of this newsletter says that the purpose is to reflect on the development of the Star Trek franchise. One great way to do that is to read tie-in novels from previous eras, especially ones that have been “superseded” by current-day canonical productions…

…I approached Gene Roddenberry’s novelization of The Motion Picture in a similar spirit. At the time when he was witnessing the franchise improbably reviving, what did Star Trek’s creator think Star Trek could be? I had read bemused articles like this one and hence knew that it was weird. But already in the first few pages, I felt like I was in a completely different universe…

… The aspect of Kirk’s preface that most often jumps out at readers is his reference to his mother’s “love coach”—presumably the person who gave her sex lessons in this extremely liberated utopian world. This idea is of course very “Seventies,” but it is also very “Roddenberry.” The movie itself already displays his worst impulses, because we are introduced to a new species of “sex aliens,” in the person of the bald Deltan woman Ilia, whose species is so overwhelmingly sensual that making love with them would drive a human mad. This is the same guy who introduced the Orion Slave Girls in the first pilot (and had Pike contemplate a career as a human trafficker) and who oversaw any number of plots where Kirk uses sex as a tool to fulfill his mission….

(6) ADAM NIMOY BOOK APPEARANCE. Now happening March 20 at the Pasadena Museum of History: “The Most Human: Reconciling with My Father, Leonard Nimoy with Adam Nimoy”. (Rescheduled from January 30.)

While the tabloids and fan publications portrayed the Nimoys as a “close family,” to his son, Leonard Nimoy was a total stranger. The actor was as inscrutable as the iconic half-Vulcan science officer he portrayed on Star Trek, even to those close to him. Join Adam Nimoy as he discusses his poignant memoir The Most Human and explores their complicated relationship and how it informed his views on marriage, parenting, and later, sobriety. Discover how the son of Spock learned to navigate this tumultuous relationship and how he was finally able to reconcile with his father — and with himself.

Copies of The Most Human: Reconciling with My Father, Leonard Nimoywill be available for purchase in our Museum Store on 03/20/2025.

Presentation will begin at 7:00 pm; PMH Galleries will be open for viewing at 6:00 pm.

Space is limited; advance reservations required

Note: the book The Most Human was released in June 2024.

(7) SPSFC CODE OF CONDUCT. The Self-Published Science Fiction Competition has posted its new Code of Conduct to X.com. (Not its own website.)

(8) MORE LEARNEDLEAGUE SFF: ELEMENTAL MASTERS, MADELEINE L’ENGLE, ALIENS, SPACE. [Item by David Goldfarb.] This LearnedLeague off-season has featured a few SFF-related One-Day Special quizzes.

This one has Mercedes Lackey’s “Elemental Masters” series as its ostensible theme, but is really more about folklore. I managed 10/12 right and 8th place, despite never having read any of the books.

This one about Madeleine L’Engle’s Time Quintet I did rather worse on: only 7 right. To be fair, I have only read three of them, and that decades ago.

I also got 7 right in Alien Franchise, for much the same reasons: I’ve only seen two of the movies, and quite some time has passed.

Space is not technically SFF, but it’s a topic that is SF-adjacent enough that I think Filers might be interested. 11/12 right for me there, and the 12th off by only one letter.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

The Greatest American Hero (1981-1983)

Forty-two years ago, The Greatest American Hero ended its three-year run on ABC. A rather wonderful run if I must say so myself. 

It was created by producer Stephen J. Cannell, more known for series like Magnum P.I. and Castle (in which he appeared in a poker game with Castle as himself until his death) than SF series like this.

The series features William Katt as Ralph Hinkley, a teacher turned superhero after getting a suit from aliens; Robert Culp as FBI agent Bill Maxwell; and Connie Sellecca as lawyer Pam Davidson. Sellecca in another genre connection was married to Gil Gerard who played, well, you know who on Buck Rogers in the 25th Century.

Though it ran for three seasons, it had an unusually low number of episodes for a show of that duration racking up only forty-five in total of which of five went unaired during the original broadcast. 

The powers of the red suit would appear to be quite generic, but that apparently didn’t appear so to Warner Bros., the owners of DC Comics, who filed a lawsuit against ABC, Warner Bros. Inc. v. American Broadcasting Companies, Inc.  It was ultimately dismissed by the Court where it was filed who said it had no grounds. 

A wise decision given how common red suits with extraordinary powers were. I’m not which red suit DC was thinking of anyways as theirs. The red lanterns? Plastic man? The time Superman split in two, one blue and one red? And did they ever see Marvel’s Iron Man? 

Five years later, the cast came back together for a pilot movie for a new NBC series which was named The Greatest American Heroine which was never picked up. The movie was later added in syndication to this series. 

It’s streaming on Peacock. Yes, with the five that were not aired originally.

(10) COMICS SECTION.

(11) VASTER THAN EMPIRES. Chowhound asks, “Does Beer Come In Bigger Sizes Than A Tallboy?” Sure, but after you drink one of them you may not remember this answer.

Typically, a “normal” beer can is about 12 ounces in size, and you see them everywhere. They’re featured in six-packs of domestic beers and plenty of non-alcoholic sodas as well. Sometimes, while you’re perusing the beer aisle, you’ll also see larger individual cans which are about 16 ounces in size, colloquially known as tallboys. Craft breweries love selling their beer in tallboys because it makes their beers stand out on the shelf. Increasingly, however, tallboys are coming up short for breweries. Your typical beer can is getting bigger.

There are a few larger sizes, each with common nicknames in the brewing industry. Past tallboys, you can also find 19.2-ounce cans called “stovepipes” which are an increasingly common way for craft breweries to sell their wares in convenience stores and local delis. Then you’ve got 24-ounce cans called “silo” cans, although you might recognize them as White Claw cans, because you can frequently buy cans of hard seltzer packaged in silos. The largest of all is a whopping 32-ounce can called the “crowler,” which is most often seen as a to-go option when you’re visiting the tap room of a local brewery. A crowler gets its name from the beer growler, which is a ceramic or glass jug which can be resealed with a lid; the crowler’s name is a portmanteau of “can growler.”…

(12) TEDDY HARVIA CARTOON. Yes, this seems pretty disturbing…

(13) RYAN GEORGE. Who knew there is a 12-Step program for Star Wars addicts? Ryan George is “Hearing The Star Wars Soundtrack Everywhere”.

(14) CHANGE COMING TO NASA RECRUITMENT. “NASA Astronaut Recruitment Faces Trump’s Moves Against D.E.I.” reports the New York Times. (Story behind a paywall.)

Since 1978, every new group of NASA astronauts has included women and usually reflected a multiplicity of races and ethnicities.

That is not simply by chance. NASA’s process for selecting its astronauts is not entirely gender- and race-blind. With so many outstanding applicants, choosing a diversified, highly qualified group of candidates has been achievable, said Duane Ross, who worked as manager of NASA’s astronaut selection office from 1976 until he retired in 2014.

“You didn’t lose sight of wanting your astronaut corps to be reflective of society,” he said.

Over most of its history, NASA has risen above partisan bickering, with broad support in Congress from Republicans and Democrats, conservatives and liberals. But the makeup of its most visible employees — its astronauts — could now collide with President Trump’s crusade against programs that promote diversity, equity and inclusion — or D.E.I.

For NASA to consider race and gender at all in the choosing of astronauts appears to run counter to an executive order that Mr. Trump signed on Jan. 22. That order declares that hiring for federal jobs will “not under any circumstances consider D.E.I.-related factors, goals, policies, mandates, or requirements.”

On the same day, echoing language in a template used by agency heads across the federal government, Janet Petro, the current acting administrator, told NASA employees that D.E.I. programs “divided Americans by race, wasted taxpayer dollars, and resulted in shameful discrimination.”…

… Even during Mr. Trump’s first term, diversity and inclusion was a priority for top NASA officials. The administrator then was Jim Bridenstine, a former Republican congressman from Oklahoma, and in 2020, he added “inclusion” as the fifth core value for the space agency, joining “safety,” “integrity,” “teamwork” and “excellence.”

Under Mr. Trump, NASA also promised that the next moon landing would include a woman astronaut. Under President Biden, NASA broadened that promise to include a “person of color,” although not necessarily for the first Artemis program landing.

The embrace of inclusion was also evident last March when NASA issued a call for new astronauts. April Jordan, the current manager of the astronaut selection office, spoke about wanting to choose a group that was reflective of American society….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/3/24 I See Files Of Blue, Red Pixels Too, I See Them Purr For Me And You

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(0) FILE 770 TURNS ON ‘LIKE’ FUNCTION. Starting today you can now tag posts and comments with a “like”.

(1) SUPER SPOILER ALERT! Superman and Lois ends with a climactic fight, and a highly sentimental flashforward to the beginning of Superman’s supernatural life. I found both clips pretty impressive, so just imagine their impact on those who watched the series faithfully.

(2) FROM BC TO AD TO DC. “The CW’s DC Era Ends With ‘Superman & Lois’ Finale: Numbers Behind the Enduring Franchise” from The Hollywood Reporter.

The series finale of Superman & Lois aired Monday night on The CW. It marked not just the end of the show’s four-season run, but also an entire programming philosophy at the network.

Superman & Lois was the last series based on DC Comics characters to air at the network. It was also the last connection to The CW’s Arrowverse (even if it wasn’t technically part of the main continuity of that franchise), which defined the 2010s for the network and became one of the more successful multi-show franchises in TV history.

The ending of Superman & Lois, which — spoiler alert — flashes forward several decades to show the end of its title characters’ (Tyler Hoechlin and Elizabeth Tulloch) lives, precludes any continuation of the show elsewhere — as do new regimes at both The CW and DC parent Warner Bros. Discovery, which both have very different approaches than they did during the Arrowverse’s heyday in the mid- and late 2010s….

… 10: The number of series based on DC characters that aired on The CW, beginning with Arrow in October 2012. All of them came from Warner Bros. TV and what was then called DC Entertainment, and nine — Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, Stargirl, Superman & Lois and Gotham Knights — were executive produced by Berlanti via his Berlanti Productions. The 10th is 2022’s Naomi, co-created by Ava DuVernay and Jill Blankenship and produced by DuVernay’s ARRAY Filmworks along with DC and WB….

… 817, 797: The combined episode total from all 10 shows, and those that ran on The CW; Supergirl‘s first season, which spanned 20 episodes, aired on CBS. The 817 episodes are more than all but three multi-show franchise since 1990 — only Law & Order (1,363 episodes as of publication time), JAG/NCIS (1,249) and CSI (838) have more. NBC’s Chicago franchise will need to air 131 more episodes — about six 22-episode seasons’ worth of shows — to pass the DC total….

(3) DIVERSE READING AID. Rocket Stack Rank reminds us of “Outstanding SF/F by People of Color 2023”. See the list at the link.

62 outstanding SF/F short stories by People of Color from 2023 that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers. (40 free online, 18 with podcasts)….

… Readers asked us to make it easy for them to find good stories written by authors with diverse racial backgrounds, and that’s what this list is meant to accomplish (author identity plays no role in our ratings)….

(4) MORPHIN’ INTO CASH. By the time Heritage Auction’s November 18-19 Power Rangers Hasbro Hollywood & Entertainment Signature® Auction wrapped it had realized $3.3 million dollars in sales.

Every costume, monster, prop, weapon and warrior offered in the landmark event — nearly 700 lots! — found a new home.

As a result, the auction realized $3,310,929, with countless surprises and smash hits throughout the largest and most comprehensive collection of Power Rangers memorabilia ever assembled, spanning the classic Power Rangers Mighty Morphin to the most recent season, Power Rangers Cosmic Fury, which premiered last year.

From the latter series came the auction’s top lot: the original hero Cosmic Fury Cannon, the team’s signature weapon that combines all five of the Cosmic Fury Rangers’ individual dino-themed powers into an 80-inch-long laser blaster. After a prolonged bidding war during the auction’s second day, the Cosmic Fury Cannon shot up to its final price of $87,500.

Another smash hit was one of this auction’s numerous centerpieces: the Transformable Astro Megaship/Astro Megazord hero filming miniature from 1998’s Power Rangers in Space, one of the only complete Zords in this auction used on screen as the Rangers’ spacecraft and battle Zord. It’s fully articulated, an armed warrior and battle carrier that still moves like a well-oiled machine — and is so complete it still has the fishing line used to open its chest. It opened live bidding at $19,000 and finally realized $47,500 after a lengthy bidding war.

Weapons wielded significant power during this event, with the Green Ranger Hero Dragon Dagger from last year’s Mighty Morphin Power Rangers: Once & Always realizing $23,750. And six Cosmic Morpher Hero Props from Power Rangers Cosmic Fury blasted their way to a $17,500 finish.

Numerous costumes worn throughout the series’ 31-year run realized five figures, among them the Green Ranger hero costume worn by Jason David Frank, as Tommy Oliver, during the initial run of Mighty Morphin Power Rangers in the mid-1990s. It realized $30,000, while his complete White Ranger hero costume from 1995’s Mighty Morphin Power Rangers: The Movie sold for $16,250. The auction’s second day began with a moment of silence in tribute to Frank….

A couple more favorites:

Fierce Fashions: Trini Kwan’s Yellow Ranger costume, Saber-Toothed Tiger Power Morpher included, roared to $23,750. Kimberly Hart’s Pink Ranger suit wasn’t far behind, landing $22,500.

Villains Rule: Even baddies got their moment in the spotlight, with Goldar Maximus strutting off for $21,250 and Master Zedd securing $18,750.

(5) TERMINALS OF ENDEARMENT. “Lovable Movie Robots Are Coming to Charm Your Children” writes Diego Hadis in the New York Times (great article, but behind a paywall).

 One near certainty about raising a young child these days is that you and your offspring will be exposed to a lot of stories about robots. Another is that the robots working their charms most effectively on you will belong to a new kind of archetype: the sympathetic robot. Sitting in darkened theaters with my 5-year-old son, I have watched any number of these characters. They are openhearted and often dazzled by the wonders of everyday life — innocently astounded by, say, the freedom of playing in the surf, the bliss of dancing with a loved one or the thrill of just holding hands. They might be more winningly human than some of the humans you know….

… Take Roz, the main character of the animated film “The Wild Robot,” which came out in September. Like the Peter Brown book series on which it is based, the movie focuses on a robot protagonist that gains emotional complexity after she washes ashore on an island unpopulated by humans, learns to communicate with the animals she meets there and becomes the surrogate mother of an orphaned gosling. Roz changes and adapts; she goes from seeing her care for the gosling as a rote task to welcoming it as a real connection. She embraces the wildness of the animals around her and ceases to be the unfeeling machine that her programming intended. Instead, she becomes an unnatural champion for the natural world — one whose touching incomprehension of how to care for a newborn makes her charming….

…We’re now inarguably living in the future that science fiction once imagined. Artificial intelligences weaned on vast libraries of human endeavor are coming online, their boosters hyping their potential to either fulfill our greatest wishes or realize our deepest fears. It feels notable that we are raising our children on pointedly comforting stories about robots that, instead of relieving us of our jobs or edging us to the brink of Armageddon, offer to show us how to be more human. Granted, computers are an inescapable facet of our world now. As they grow up, our children will consume stories about humanlike robots as naturally as our ancestors delighted in tales about anthropomorphic animals. Still, these stories seem to be doing an inordinate amount of work to help children feel warm toward the technologies that increasingly dominate our lives….

…This is all in spite of the remarkably bleak near future portrayed in many of these children’s films. They tend to show us a world of ecological ruin devastated by climate change. “The Wild Robot” offers haunting images like the Golden Gate Bridge submerged in San Francisco Bay as a flock of geese passes overhead. The Earth in “Wall-E” has been reduced to a lifeless, postindustrial horrorscape reminiscent of the works of the photographer Edward Burtynsky; humans have fled it entirely. “Robot Dreams” evades this by being set in and around its 1980s New York, but even that film concerns itself greatly with the natural world. We see the robot experiencing the changing seasons on a wintry beach; the dog takes pity on a fish that he has caught and releases it. There is even a scene — echoing the surrogate parenting in “The Wild Robot” — in which the robot helps encourage a young bird to learn how to fly.

There is an echo here of the classic robot stories: Humanity’s hubris has once again led us to get in over our heads. But now we’re encouraged to take pleasure in watching a robot try to navigate what’s left, slowly figuring out that human values — love, connection, caretaking — are eternally important. The sympathetic robots are devised as much to comfort us parents as they are to make technology appealing to our kids. Despite the destabilized world that we’re leaving to our offspring, they reassure us, artificial intelligences could one day serve as our surrogates — and care for our children or, who knows, even love them for us when we’re gone.

(6) WRITERS NEED HELP. [Item by Steven French.] Worrying news: “Royal Literary Fund’s hardship grants for writers see applications increase by 400%” in the Guardian.

Applications for the Royal Literary Fund’s (RLF’s) hardship grants for professional writers increased by 400% between last year and this year, the charity has said.

There was a nearly fivefold increase in applications in the first quarter of this year compared with the same period in 2023, RLF CEO Edward Kemp told the Guardian.

The RLF’s grant applications are open to writers who need short- or long-term financial support because they are, for example, facing an unexpected bill, reduced income, or are unable to write due to a “change in circumstances, sickness, disability, or age”, according to the RLF.

The grants are given as a donation towards the “removal of distress for the applicant”, rather than to help complete literary works. Writers must have published (via a traditional publisher, not self-published) at least two books in the UK or Ireland to be eligible for a grant.

The rise in applications comes after research published by the Authors’ Licensing and Collecting Society in 2022 showed authors’ median earnings were just £7,000 a year, down from £12,330 in 2006.

(7) FUTURE WORLDS PRIZE JUDGES NAMED. TheFuture Worlds Prize for Fantasy and Science Fiction Writers of Colour has announced the judging panel for its 2025 prize. The prize aims to find new talent based in the UK writing in the SFF space and is funded by author Ben Aaronovitch and actor Adjoa Andoh.  The judges are:   

  • 2023 winner Mahmud El Sayed 
  • Shadow and Bone actor Amita Suman 
  • Bestselling author Saara El Arifi 
  • Literary agent Amandeep Singh 
  • Author Rogba Payne. 

The winner of Future Worlds Prize receives £4,500, and the runner-up receives £2,500. The remaining six shortlisted writers each receive £850. All eight writers also get mentoring from one of the prize’s publishing partners: Bloomsbury, Daphne Press, Gollancz, HarperVoyager, Hodderscape, Orbit, Penguin Michael Joseph, Simon & Schuster, Titan and Tor.

Future Worlds Prize closes for entries at 23:59 GMT on Sunday 26th January 2025.  

(8) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Sarah Pinsker and Yume Kitasei on Wednesday, December 11 at 7:00 p.m. Eastern.

SARAH PINSKER

A starred Booklist review called Sarah Pinsker’s latest, Haunt Sweet Home, “Fun, eerie, [and] unexpectedly beautiful…” She is the Hugo and Nebula winning author of the novels A Song For A New Day and We Are Satellites, plus the collections Sooner or Later Everything Falls Into the Sea and Lost Places, both published by Small Beer Press, and over sixty pieces of short fiction. She’s currently the Kratz Writer in Residence at Goucher College, and lives in Baltimore with her wife and two weird dogs.

YUME KITASEI

Yume Kitasei is the author of The Deep Sky, The Stardust Grail, and Saltcrop (forthcoming in 2025). She is half Japanese and half American and grew up in a space between two cultures—the same space where her stories reside. She lives in Brooklyn with two cats, Boondoggle and Filibuster. Her stories have appeared in publications including New England Review, Catapult, SmokeLong Quarterly, and Baltimore Review. You can find more information about her at www.yumekitasei.com. She chirps occasionally @Yumewrites at Instagram, TikTok, and Blue Sky.

Meets at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(9) WALT BOYES AND JOY WARD JOIN MISTI MEDIA, LLC. Walt Boyes and Joy Ward, longtime chief editors for Eric Flint’s Ring of Fire Press, and Top of the World Publishing, are joining Misti Media as Editors-at-Large. They will be responsible for the startup of Misti Media’s new Science Fiction, Fantasy, and Horror imprint: Nazca Press. They will also be working with Misti Media’s other main imprints and alongside Sandra Murphy who oversees content for specialty imprint Sandra Murphy Presents. For the Misti Media story, see Misti Media, LLC.

“Nazca Press doesn’t have a website yet, as Misti Media is only a year old and growing its Internet presence,” says Walt Boyes, “but what we do have is close to 100 years of editing and publishing experience in both fiction, genre fiction, and non-fiction. And when you add this to the incredible 30 years of industry experience brought to Misti Media by CEO and Publisher Jay Hartman, we are the real deal.”

“We moved first to create world-class distribution for both ebooks and trade paperbacks,” Jay Hartman explains. “We have worldwide distribution in nearly every country, including bookstores and libraries, and we have begun publishing some fantastic authors. Now, with Walt and Joy’s experience and knowledge, we can start looking for more great authors to join our family.”

You can reach Walt at wboyes@mistimedia.com; Joy at jward@mistimedia.com; and Jay Hartman at jhartman@mistimedia.com.

(10) LARPING IN SOCAL. The Washington Post takes you “Inside Twin Mask, an elaborate fantasy world just miles from L.A.” (This gift article bypasses the paywall, but you still need a free WaPo account to read it.)

…The entire weekend — Friday night until Sunday morning — would be spent inside this elaborate fantasy realm with its many rules and intricate replicas.

Held at the site of the Koroneburg Renaissance Festival about an hour outside Los Angeles, the live-action role-playing (LARP) game Twin Mask stands out for its sheer size and lifespan. It’s far more elaborate than other games of its ilk, with anywhere from 400 to 600 players converging in character at events held every month and a half or so.

“You eat food in character, you walk to the bathroom in character,” says its creator, John Basset, who started Twin Mask 14 years ago. “It really feels like you’re in another world.”

Given its proximity to Hollywood, it attracts a fair number of players whose day jobs are in the film industry. And they revel in making a next-level spectacle.

… In the dark world of Adelrune, characters share a unifying aspect — they each have been resurrected from death. Whether they’re a knight, a healer or a merchant, allthe players, known collectively as “The Returned,” have detailed backstories….

… Twin Mask is run by a detailed system of unpaid volunteers and staff who take on everything from writing the story, to ensuring people (and mythical creatures) are hydrated and safe, to performing as non-player characters who help guide the storyline. Still, every player can influence the plot, which continues long after the weekend is over….

… A little over an hour into the game, no one is in charge and a criminal underworld is beginning to take hold. Much of the site is eerily quiet.

Not so at the tavern in the center of town where the single dusty road splits. The boisterous bar is filled with the chatter of players who never break character. Some are making deals while others are socializing. The crowd is soon silenced by the sound of a ringing bell. Players returning from death quietly shuffle in.…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

December 3, 1958 — Terri Windling, 66.

I first encountered Terri Windling’s writing through reading The Wood Wife, a truly extraordinary fantasy that deserved the Mythopoeic Award it won. (The Hole in the Wall bar in it would be borrowed by Charles de Lint with her permission for a scene in his Medicine Road novel, an excellent novel.) I like the American edition with Susan Sedona Boulet’s art much better than I do the British edition with the Brian Froud art as I feel it catches the tone of the novel. 

I would be very remiss not mention about her stellar work as the founding editor along with Ellen Datlow of what would be called The Year’s Best Fantasy and Horror after the first volume which was simply The Year’s Best Fantasy, that being noted for those of you who would doubt correct me for not noting that. The series won three World Fantasy Awards and a Stoker as well.

They also edited the most splendid Snow White, Blood Red anthologies which were stories based on traditional folk tales. Lots of very good stuff there. Like the Mythic Fiction series is well worth reading and available at usual suspects and in digital form as well.

Oh, and I want to single out The Armless Maiden and Other Tales for Childhood which took on the difficult subject of child abuse. It garnered a much warranted Otherwise nomination.

Now let’s have a beer at the Dancing Ferret as I note her creation and editing (for the most part) of the Bordertown series. I haven’t read all of it, though I did read her first three anthologies several times and love the punks as you can see here on Life on the Border, but I’ve quite a bit of it and all of the three novels written in it, Emma Bull’s Finder: A Novel: of The Borderlands, is one of my comfort works, so she gets credit for that. 

So now let’s move to an art credit for her. So have you seen the cover art for Another Way to Travel by Cats Laughing? I’ve the original pen and ink art that she did here. 

Which brings me to the Old Oak Wood series which is penned by her and illustrated by Wendy Froud. Now Wikipedia and most of the reading world thinks that it consists of three lovely works — A Midsummer Night’s Faery Tale, The Winter Child and The Faeries of Spring Cottage. 

But there’s a story that Terri wrote that never got published anywhere but on Green Man. It’s an Excerpt from The Old Oak Chronicles: Interviews with Famous Personages by Professor Arnel Rootmuster. It’s a charming story, so go ahead and read it.

Photo posted by Terri on Bluesky. Photographer unstated.

(12) COMICS SECTION.

(13) PREPARE TO BLEEP AND BLUR. [Item by Mike Kennedy.] The House of Mouse said nay to one line of dialogue in Deadpool & Wolverine. Ryan Reynolds came up with a replacement that was just as raunchy, but didn’t reference Steamboat Willie’s willy. People says, “We Now Know the Super-Raunchy Mickey Mouse Joke Disney Asked Ryan Reynolds to Cut from Deadpool & Wolverine”.

…Director Shawn Levy previously said there was “only one line in the entire movie that we were asked to change,” telling Entertainment Weekly in August that he and star Ryan Reynolds made a “pact” to “go to our grave with that line.”

However, Marvel Studios has shared the film’s official screenplay online as part of a For Your Consideration campaign this awards season, and in the script, that original deleted line is revealed.

In the scene where Deadpool (Reynolds) asks if Magneto is also in the film, he’s told the character is dead. He then says, “F—! What, we can’t even afford one more X-Man? Disney is so cheap. I can barely breathe with all this Mickey Mouse c–k in my throat.”

The actual line in the final cut of the movie is: “F—, now Disney gets cheap? It’s like Pinocchio jammed his face in my ass and started lying like crazy.”

The scene features the surprise cameos made by Jennifer Garner as Elektra, Wesley Snipes as Blade and Channing Tatum as Gambit. The screenplay showcases the Stranger Things–inspired code names the writers used to keep the characters’ identities a secret. Gambit is “Gatsby,” Elektra is “Eleven” and Blade is “Billy,” plus, earlier, Chris Evans’ Johnny Storm is listed as “Jonathan Byers.”…

(14) SFF ON LEARNEDLEAGUE: PAOLO BACIGALUPI. [Item by David Goldfarb.] Season 103 of LearnedLeague feature this as the third question of the twelfth match day:

Emiko, the central character in Paolo Bacigalupi’s 2009 dystopian science fiction novel, is a genetically engineered humanoid designed for servitude known as what type of girl, as referenced in the book’s title?

Although this refers to a Hugo-winning novel, it’s sufficiently obscure that not all Filers might know it: the answer is “windup”; the novel is The Windup Girl.

11% of LearnedLeague players got this right (your reporter being one of them). The most common wrong answer actually had a higher rate than the right answer: 16% guessed “geisha” — not totally unreasonable if you have to guess something.

One interesting note is that the question originally gave the author’s name as “Paulo” and the answer as “wind up”, two words. I contacted the League commissioner and got it corrected. (I don’t know how many other people might also have done so.)

LearnedLeague competition allows you to control the points available on each question, within limits, and makes extensive history available to the players. My opponent did not avail himself of this resource! He gave me the maximum points for this one, when even a quick search would suggest that I’d know it.

Brick Barrientos sent along his own comment about the difficulty of this LL question:

“Emiko, the central character in Paulo Bacigalupi’s 2009 dystopian science fiction novel, is a genetically engineered humanoid designed for servitude known as what type of girl, as referenced in the book’s title?”

The answer, of course, is Windup. Only 11% got it right. I thought it was a very hard question for a general knowledge, non-specialist trivia quiz. In my mind, I tried to think of three more recent Hugo novel winners that maybe 30% of trivia enthusiasts could get. In other words, if you gave the author, said it was a Hugo novel winner, some elements of the plot, and a hint at the title, would a mainstream audience get it? I came up with The Three Body Problem by Cixin Liu, Redshirts by John Scalzi, and maybe Network Effect by Martha Wells. 

Extend it to novellas, and you could add This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone. If this becomes a Pixel Scroll item, what genre novels have had major mainstream exposure in the last 15 years?

(15) COULROPHOBIA CENTRAL. Those of you who made it to the Westercon in Tonopah have already driven past this landmark: “Creepy vibes drives booming business at Tonopah’s Clown Motel” in the LA Times (behind a paywall).

Business is so good at the Clown Motel, you might expect more of its painted faces to be smiling.

But as Vijay Mehar has learned in his years as owner of the creepiest motel in Tonopah, Nev., happy clowns are not what most of his customers want.

What they seem to want is fear, loathing, painted faces, circus vibes and hints of paranormal activity. Basically, Mehar said recently, “they want to be scared.”

So aiming to lure more people off Main Street (a.k.a. U.S. 95) to visit this 31-room motel in the dusty, stark middle of Nevada, Mehar is boosting his creepiness quotient.

By the end of 2025, he’s hoping to have completed a 900-square-foot addition, doubling the size of the motel’s busy, disquieting lobby-museum-gift shop area. Meanwhile, behind the motel, Mehar is planning a year-round haunted house, to be made of 11 shipping containers….

…“America’s Scariest Motel,” read the brochures by the register. “Let fear run down your spine.”

There are paintings, dolls and ceramic figures, each with its own expression — smiling, laughing, smirking, weeping or silently shrieking. And then there are the neighbors. The motel stands next to the Old Tonopah Cemetery, most of whose residents perished between 1900 and 1911, often in mining accidents…

…“If we had paid 60, or 70, or even 80 bucks, this place might have been worth it,” wrote one unamused motel customer on Trip Advisor recently.

“We had good fun, and even better we weren’t murdered,” wrote another….

(16) TRADING PLACES. [Item by SF Concatenation’s Jonathan Cowie.] Over here in Brit Cit we have a shop chain called Games Workshop that sells tabletop games and models.  It has been steadily growing and now may become one of the nation’s top 100 companies on the UK stock market…. “Alliance Witan and Games Workshop expected to join FTSE 100 this month” reports Shares Magazine.

Games Workshop store.

(17) HEARING FROM PAUL DI FILIPPO. Mark Barsotti recently interviewed prolific sff author Paul Di Filippo and through the creative use of photos and book covers turned the recordings into a three-part video series.

Part one of my interview with writer Paul Di Filippo, who in a better world would make the bestseller lists. Interview: November 11, 2024.

Part two of my interview with writer Paul Di Filippo, who in a juster world would make a lot more money. Paul talks about his multiverse novel VANGIE’S GHOST. Interview 11, 2024.

Part 3 on my interview with science fiction writer Paul Di Filippo, who discusses his latest novel, Vangie’s Ghosts, “technopunk jazz scatting” and not being a miserabilist. Interview: 11-11-24.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Barsotti, Walt Boyes, Cathy Green, Brick Barrientos, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff “What A Wonderful World” Smith.]

Pixel Scroll 11/30/24 Dead Pixels Don’t Scroll Plaid

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(1) WHEN THE ‘NEW WAVE’ WAS CONTROVERSIAL. Joachim Boaz’ new Simak-related post about the author’s Worldcon 1971 Guest of Honor speech contains a timeless message: “Exploration Log 6: Clifford D. Simak’s 1971 Worldcon Guest of Honor Speech” at Science Fiction and Other Suspect Ruminations.

In an August 1967 editorial in Galaxy titled “S.F. as a Stepping Stone”, Isaac Asimov (1920-1992) voiced his extreme disapproval of the New Wave movement as “‘mainstream’ with just enough of a tang of the not-quite-now and the not-quite-here to qualify it for inclusion in the genre” (4). He concludes: “I hope that when the New Wave has deposited its froth and receded, the vast and solid shore of science fiction will appear once more and continue to serve the good of humanity” (6). The implication is clear: there is a Platonic science fiction form that exists (and that he writes) that must be rediscovered.

Fellow “classic” author Clifford D. Simak (1904-1988) offered a different, and far more inclusive, take at his Guest of Honor speech at Norescon 1 (Worldcon 1971). In an environment of “shrill” disagreement between various New Wave and anti-New Wave camps, Simak celebrated science fiction as a “forum of ideas” open to all voices (148)….

Fanac.org has posted an audio recording of Simak’s speech on YouTube. He begins speaking at the 28:00-minute mark: “Noreascon (1971) Worldcon – Guest of Honor Speeches – Clifford Simak and Harry Warner, Jr.”

(2) BITE ME. At Black Gate, Neil Baker happily tells readers what’s lacking in this bunch of simply jaw-ful movies: “Jumping the Shark, Part I”. First on his list:

Apex Predators (2021) Prime

What kind of shark? Stock footage and a rubber dorsal fin.

How deep is the plot? There is no plot.

Anyone famous get eaten? No

Let me preface this by saying I have a lot of respect for anyone who tries to make a feature film (having tried myself), however, I have not one ounce of respect for Dustin Ferguson, who wrote, directed and edited this utter shit show.

Everything about it is dire, an utter waste of time, and let’s talk about that time. It has a run time of 74 mins. I like a film that keeps its runtime down and packs it full of action and plot. However, this film contains approximately 18 minutes of action and/or ‘plot’. The rest of the time is padded out with stock footage of fish, or shots of characters walking along doing fuck all….

(3) MURDERBOT GIVES CHARITY A BOOST. Martha Wells has pointed readers at the sale of authored Murderbot merch from Worldbuilders, which raises funds for charities like Heifer International, Mercy Corps, First Book etc. Here’s the link: Worldbuilders Market. Wells says, “This is the ONLY licensed Murderbot seller.” The things available include Murderbot pins, a Sanctuary Moon t-shirt, and signed books.

Here’s one of the pins available ($16).

(4) CURSED CHOW? Eater commentator Jaya Saxena, in “We Don’t Have to Do a Harry Potter Baking Show”, contends that “By creating ‘Harry Potter: Wizards of Baking,’ Food Network is condoning its creator’s transphobia. It’s also just plain lazy.”

The Food Network has produced yet another formulaic competition show, but this is not news. This is what the channel has been reduced to at this point — for every Chopped, which still holds its charm, there seem to be dozens of one-off holiday challenges and pumpkin carving competitions to serve as background noise for whoever fell asleep while Netflix was running.

But Harry Potter: Wizards of Baking is different. Premiering last week, the competition features all things Harry Potter. It’s hosted by James and Oliver Phelps, who played the Weasley twins in the films, and features cameos by a host of other secondary characters. It’s shot on the original sets of the films. And competitors are expected to make fantastical creations inspired by the series, for the opportunity to win a Wizards of Baking Cup and appear in a forthcoming Harry Potter cookbook. Carla Hall is there too.

This sucks.

Food Network could have made a generic wizard-themed baking show — no one owns the concept of magic. But being an official Harry Potter property means the show was licensed in some way by its creator, J.K. Rowling, a woman who has so thoroughly dedicated her public persona to promoting transphobia that even Elon Musk is telling her to cool it….

(5) JEOPARDY! [Item by David Goldfarb.] Wednesday’s episode of Jeopardy! had a whole SFF category in the Double Jeopardy round, entitled “The Worlds of TV”. The contestants went through the category in order, top to bottom:

$400: Even though it sounds like the Ewok planet, this show is named for Diego Luna’s character
Challenger Drew Wheeler was able to come up with “What is Andor?”

$800 (accompanied by a picture all filtered in red of a hazy figure among frightening spikes, with a jet of fire in the background): It’s the name of the menacing dimension on Stranger Things
Returning champion Kevin Laskowski replied, “What is the Upside Down?”

$1200: According to Gene Roddenberry, this home planet of a USS Enterprise officer orbits a star called 40 Eridani A
Drew knew it was Vulcan.

$1600: On a SyFy miniseries, James Hook finds a magical orb that takes him, Peter, and the Lost Boys to this one-word title world
Julia Schan guessed “What is Neverland?” and was correct.

$2000: Geralt of Rivia travels across a landmass simply known as The Continent on this show
Kevin got “What is The Witcher?”

(6) BIRD IS THE WORD. George R.R. Martin reports “Dodos Take Pittsburgh” at Not A Blog.

Winners have just been announced for this year’s Pittsburgh Shorts Film Festival (November 21-24), and we’re pleased and proud  to announce that THE UGLY CHICKENS  took home the Jury Award for Best Live Action Short Film.

Mark Raso was in Pittsburgh to represent us, and accept the prize of behalf of our cast and crew and dodo lovers everywhere.  Felicia Day starred in the film, while Mark directed.   Michael Cassutt wrote the script, adapted from Howard Waldrop’s classic short story, winner of the Nebula and World Fantasy Award in 1980-1981.

Pittsburgh Shorts is one of the premiere short film venues in the country, and the competition is always tough.   It is a real honor take home the trophy, and I know Howard would have been thrilled as well.

(7) WHY NOT SAY WHAT HAPPENED?  Scott Edelman tells “Why Captain Marvel Caused Me to Reach Out to Robert De Niro” in episode 9 of the Why Not Say What Happened podcast. (Here’s the link to the whole series.)

Mulling over whether 2024 me agrees with what 1984 me thought about 1974 me reminded me getting the gig to write Marvel’s Bullpen Bulletins Page was both the best and worst thing that ever could have happened, why my willingness to burn bridges by writing an Ethics column for The Comics Journal shouldn’t be confused with bravery, which comic book art recently caused me to reach out to Robert De Niro, Stan Lee’s all-caps cover critique, the day Larry Hama verified Tony Isabella was right and I was wrong, and more.

Below is an installment of Scott’s ethics column. (Click for larger images.)

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Nutcracker: The Motion Picture (1986)

Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara in E.T. Hoffman’s The Nutcracker

So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, it was produced thirty-eight years ago by the Pacific Northwest Ballet.

What makes this one worth knowing about? Two words that form an oh-so-wonderful name: Maurice Sendak. 

Choreographer Kent Stowell, the artistic director of the Pacific Northwest Ballet, had invited author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.  

(I saw those his creations when they were stored away when I was in Seattle.  Quite amazing even just there.)

Sendak initially rejected Stowell’s invitation, later explaining why he did so:  

The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.

He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years. 

For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close. 

Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of the original designs underwent revision, and Sendak created additional ones from scratch.

It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.

(9) TODAY’S BIRTHDAY.

[Written by JJ.]

Born November 30, 1952 — Jill Eastlake, 72.

By JJ: Jill Eastlake is an IT Manager, Costumer, Conrunner, and Fan who is known for her elaborate and fantastical costume designs; her costume group won “Best in Show” at the 2004 Worldcon.  

A member of fandom for more than 50 years, she belonged to her high school’s SF club, then became an early member of NESFA, the Boston-area fan club, and served as its president for 4 years. 

She has served on the committees for numerous Worldcons and regional conventions, co-chaired a Costume-Con, and chaired two Boskones. 

She was the Hugo Award ceremony coordinator for the 1992 Worldcon, and has run the Masquerade for numerous conventions. 

Her extensive contributions were honored when she was named a Fellow of NESFA in 1976, and in 2011 the International Costumer’s Guild presented her with their Lifetime Achievement Award. 

She and her fan husband Don (who is irrationally fond of running WSFS Business Meetings) were Fan Guests of Honor at Rivercon.

Jill Eastlake

(9b) TODAY’S OTHER BIRTHDAY.

[Written by Cat Eldridge.]

Born November 30, 1906 — John Dickson Carr. (Died 1977.)

As you know, we don’t do just sff genre Birthdays here and so it is that we have here one of my favorite mystery writers, John Dickson Carr.  Indeed, I’ve listened to The Hollow Man, one of his Gideon Fell mysteries, and it’s quite superb.

He who wrote some of the best British mysteries ever done was not British himself, being American. Oh the horror. He did live there for much of the Thirties and Forties, marrying a British woman. 

Dr. Fell, an Englishman, lived in the London suburbs. Carr wrote twenty-seven novels with him as the detective. I’m listening to The Hollow Man because it’s considered one of the best locked room mysteries ever done. Indeed, Dr. Fell’s discourse on locked room mysteries in a chapter has been reprinted as a stand-alone essay in its own right.

All of the Fell novels are wonderful mysteries. The detective himself? Think of a beer-drinking Nero Wolfe who’s a lot more outgoing. Almost all of the novels concern his unraveling of locked room mysteries or what he calls impossible crimes.  Of these novels, I’ve read quite a number and they’re all excellent.

Now let’s talk about Sir Henry Merrivale, created by “Carter Dickson”, a pen name of John Dickson Carr. (Not sure why he bothered with such a thinly-veiled pen name though.) Merrivale was like Fell an amateur detective who started who being serious but, and I’m not fond of the later novels for this, became terribly comic in the later novels. Let me note that Carr was really prolific as there were twenty-two novels with him starting in the Thirties over a thirty-year period. One of the finest is The White Priory Murders which was a Wodehousian country weekend with yet another locked room mystery in it. 

He also, as did other writers of British mysteries, created a French detective, one by the name of Henri Bencolin, a magistrate in the Paris judicial system. (Though I’ve not mentioned it, all of his mysteries are set in the Twenties onward.) Carr interestingly has an American writer Jeff Marle narrating the stories here and he describes Bencolin as looking and feeling Satanic. His methods are certainly not those of the other two detectives as he’s quite rough when need be to get a case solved. 

There are but four short stories and five novels of which I think The Last Gallows is the best. 

With Adrian Conan Doyle, the youngest son of Arthur Conan Doyle, Carr wrote some Sherlock Holmes stories that were published in The Exploits of Sherlock Holmes collection. Not in-print but used copies available reasonably from the usual suspects. 

He was also chosen by the estate of Sir Arthur Conan Doyle in 1949 to write the biography of the writer. That work, The Life of Sir Arthur Conan Doyle, is in-print in a trade paper edition.

John Dickson Carr

(10) COMICS SECTION.

(11) TOP COVERS. GamesRadar+ calls these “The 25 Best Marvel Comics covers ever”.

The best Marvel Comics covers of all time may be a matter of personal taste – but there are all-time classic illustrations which are instantly recognizable, and which evoke a specific time and place in the Marvel Universe.

We’ve pored over decades of covers dating back to the ’30s, and while it’s impossible to include every great and memorable cover in Marvel Comics history, these are the 25 that we feel best represent the Marvel Universe.Our criteria include a cover’s quality, its recognizability, and its influence, including how many other covers and artists have paid homage to it, like with these recent Fantastic Four variant covers that recreate other classic Marvel images….

In first place is –

1. X-Men #1 – Jim Lee and Scott Williams

If there’s one single cover, one magnum opus image that sums up everything Marvel Comics is about, it has to be Jim Lee’s timeless cover for 1991’s X-Men #1, which draws on classic influences going all the way back to Jack Kirby’s Uncanny X-Men #1 cover and pulls them into a thoroughly modern piece of superhero art. This cover not only sums up decades of previous art and storytelling into one evocative drawing, it has become so definitive that it has itself informed decades of covers since – including more recreations and homages than you can shake your adamantium claws at.

(12) TO GET KIDS READING. [Item by Steven French.] Includes a number of genre related recommendations such as Steve Jackson’s House of Hell! Advice from the Guardian: “’Relax your rules, let them pick what they want’: 10 page-turners to get kids reading”.

The news from the National Literacy Trust this month was bleak. Their annual report revealed that just one in three eight- to 18-year-olds enjoy reading in their free time – the lowest level in almost two decades of research. Boys and young people in secondary school in particular are turning away from books, with steep declines in reading recorded for both groups….

…So, how do we get children back to books and turning those pages again? We have to give them ways to discover the joy of reading in ways that matter to them. Let your children read what they want – within reason, without pressure. Please don’t tell them you were reading weighty tomes at their age, it’s not helping. Resist that urge, relax your rules, let them read….

(13) BEWARE OF NUCLEAR WASTE. It’s going to be around for a long time. One group wants to learn “HOW TO SEND A MESSAGE 10,000 YEARS INTO THE FUTURE” that will warn people long after our languages and cultures have expired.

This is The Ray Cat Solution:

1. Engineer cats that change colour in response to radiation.

2. Create the culture/legend/history that if your cat changes colour, you should move some place else.

At the link view The Ray Cat Solution video (2015) on Vimeo.

And, of course, buy the merch for everyone you know. For example, one of these t-shirts.

Fascinated by the problem of designing warnings for people 10,000 years in the future, New Hampshire Institute of Art’s Type 1 class has joined forces with Bricobio and The Raycat Solution to help insert Raycats into the cultural vocabulary.  While Bricobio works towards genetically altering cats so they change color when in the presence of radioactive material, the NHIA Type 1 class is working to insert the idea that if a cat changes color, that space might be dangerous to others. 

(14) GAMING BUSINESS. [Item by Steven French.] From this week’s gaming newsletter in the Guardian:“How Sony could reclaim handheld gaming from Nintendo and the smartphone”.

A report from Bloomberg this week suggests that Sony is working on a new portable PlayStation device. As someone who still has a PlayStation Vita languishing in my desk drawer because I can’t quite bear to put it in the attic, this is an exciting prospect. It has been almost 13 years since Sony released the Vita, its last portable console, and it’s such a wonder of a thing, with its big crisp screen and dinky little sticks. I wish more people had made games for it – paper-craft adventure Tearaway and topsy-turvy platform-puzzler Gravity Rush remain underrated.

Actually, apart from the lovely and extremely niche Playdate, nobody has bothered to release a dedicated handheld games console in over a decade. Both the Nintendo Switch and Valve’s Steam Deck are hybrids that can be played handheld and connected to a big screen.

There’s a reason for this: firstly, smartphones have snapped up almost the entire market for portable games, offering endless free or cheap games on a device that everybody already has. And secondly: having handheld and home consoles on the market once would split development resources. Only Nintendo was successful enough at selling handhelds to weather several generations of splitting its talent between creating games for the DS and the Wii, or the 3DS and Wii U, which has led to the Switch being a contender for the cleverest business decision of its history.

(15) STEP BACK IN TIME. Gizmodo reports “Remarkable Fossil Footprints Show Two Hominin Species Coexisting 1.5 Million Years Ago”. See a photo of the fossilized marks at the link.

Approximately 1.5 million years ago, two human relatives belonging to two distinct species made their way along the shore of an ancient lake. Researchers know this because the hominins’ footprints fossilized in the mud, alongside the prints of giant birds that occupied the paleoenvironment….

…The footprints were made by Homo erectus and Paranthropus boisei, long-extinct species that shared eastern Africa in the ancient past. Together, the footprints are a remarkable window into the lives of our nearest relatives and ancestors. The prints show how hominins overlapped as they eked out existence in ancient Africa; according to the research team, if the hominins who made the prints didn’t overlap at the site, they crossed it within hours of one another. The team’s research was published today in Science….

(16) A BOOST FOR THE HOLIDAYS. NASA has created the “Rocket Engine Fireplace” to give you warm holiday thoughts – for eight hours!

Just what you need for the holidays… the coziness of a crackling and roaring rocket engine! Technically, this fireplace packs the heat of the SLS rocket’s four RS-25 engines and a pair of solid rocket boosters – just enough to get you to the Moon! (And get through the holidays with your in-laws.) This glowing mood-setter is brought to you by the SLS (Space Launch System) rocket that launched Artemis I on its mission around the Moon and back on Nov. 16, 2022. 8.8 million pounds of total thrust – and a couple glasses of eggnog – might just be enough to make your holidays merry.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, David Goldfarb, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 12/19/23 I’m My Own Granfalloon

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(1) LEARNEDLEAGUE. [Item by David Goldfarb.] “Question 4 of match day 23 of LearnedLeague season 99”:

Fourth Wing and Iron Flame are titles of the best-selling “romantasy” books released in 2023. Give either the name of the series of which these are the first two installments, or the name of the books’ American author.

Answer: the Empyrean series by Rebecca Yarros.

This had a 14% get rate, with no single wrong answer being given by as many as 5% of players.

I know for a fact that I have seen advertising for this. If only someone had poked me on the shoulder and said, “Pay attention! This will be on LL!” I’d have had a tie in my match instead of a loss. Sigh.

(2) POWELL’S BOOKS UNION CONTRACT. Publishers Weekly knows the terms. “Powell’s Books Workers Ratify New Union Contract”.

Unionized workers at Powell’s Books in Portland, Ore., have ratified a new contract, according to ILWU Local 5, the union which has represented Powell’s staff since 2000. Ninety-three percent of eligible Powell’s workers voted yes for the contract, which will last for four years.

The ratification follows 10 months of negotiations and multiple rejected contracts, including one proposed by Powell’s management in August and another in November. On Labor Day, unionized Powell’s workers staged a walkout, resulting in the daylong closure of all three Powell’s locations on September 4.

Among the new contract’s stipulations are:

  • “10-19% increases to the minimums for the lowest-paid job groups in the first year, and increases to the minimum for all job groups throughout the life of the contract”
  • “annual wage increases totalling $5.20 over the life of the contract” for every union worker, which the union says “amounts to a 28% increase for the average Powell’s worker, and is in addition to any wage increases tied to promotions”
  • “expedited promotions (an accompanying wage increases) for entry-level positions”
  • “broader access to holiday pay”
  • “stronger inclement weather language to give workers more information to make safe decisions in event of snow, ice, extreme heat, wildfire smoke, etc.” “a healthcare plan that significantly decreases the cost of the most common claims for most workers”
  • “a more clearly defined recall process in the event of layoffs, and preservation of benefits for the entire time a worker is on the recall list”…

(3) ONLINE YULE LOGS AT HBO MAX. [Item by Daniel Dern.] HBO Max has a variety of Yule Log/Fireplace videos (looks like only for subscribers) including:

(Looks like it simply glows, but doesn’t hatch)

  • Harry Potter: Fireplace

Wizarding World welcomes you into the common room of all four Hogwarts houses — cozy up around a crackling fire and say hi to some familiar friends.

  • Califer (living flame, from Studio Ghibli)
  • Adult Swim Yule Log (aka The Fireplace)

[Note, not just a fire’n’log; it’s actually a horror movie, with actors, dialog, and, well, horror stuff (based on my quick skim).] “Rated TV-MA for violence, adult language and brief nudity.”

(4) IT’S NOT IN THE CARDS. “Hasbro, owner of Wizards of the Coast, to lay off 1,100 over weak sales” says The Seattle Times.

Hasbro, the parent company of the Seattle-area game publisher Wizards of the Coast, plans to lay off approximately 1,100 employees of its global workforce over weak sales that are expected to continue into next year. 

The maker of toys like Transformers and Play-Doh declined to specify if the layoffs will hit Wizards of the Coast and Washington-based employees. The Rhode Island company also declined to break down total employee numbers by location. 

Hasbro CEO Chris Cocks said in a memo to staff on Monday that weaker-than-expected sales hit as the market is coming off “historic, pandemic-driven highs.”

The “headwinds we anticipated have proven to be stronger and more persistent than planned,” Cocks said. 

Monday’s layoffs, which will affect nearly 20% of Hasbro’s global workforce, are on top of the 800 positions eliminated earlier this year. 

Despite Hasbro’s struggles, Wizards of the Coast, publisher of the popular games Dungeons & Dragons and Magic: The Gathering, performed well financially this year. … 

(5) GEOFF RYMAN ANNOUNCES DEATH OF PARTNER. Sending our condolences to Geoff Ryman.

(6) TCM MEMORIAL REEL. Turner Classic Movies today posted their annual tribute: “TCM Remembers”.

We say goodbye to the performers, filmmakers, and creatives we lost in 2023. Through their art and storytelling they soared to new heights and kept us grounded.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 19, 1902 — Sir Ralph Richardson. (Died 1983.) So why Ralph Richardson for this Birthday write-up? Well he’d be here if only for being in Terry Gillian’s Time Bandits which was nominated for a Hugo at Chicon IV in which he played the Supreme Being. But he was actually quite active in our end of things. 

His very first genre acting was not surprisingly in the theatre with Macbeth for the first time at age nineteen when he played both Macduff and Banquo, and later on he’ll be Macbeth himself several times. Over the years he had quite extensive theatre experience, but I’ll only detail that relevant to our interest here. 

He was in A Midsummer Night’s Dream as Lysander (and Bottom in several later productions) and Hamlet as Haratio twice. He’s Face in Ben Jonson’s The Alchemist, and Mr Darling and Captain Hook in Peter Pan.  

Now unto his film work. At age twenty-nine, unusually late generally to be doing so, he made his film debut. Two years later, The Ghoul, a horror film with Boris Karloff marked his genre debut as Nigel Hartley. 

Ralph Richardson, left, with Margaretta Scott, right, in Things To Come.

Next was Things to Come (also known in promotional material as H. G. Wells’ Things to Come whose script was written by Wells and based his book The Shape of Things to Come. He was Rudolf, “The Boss”. 

Q Planes (known as Clouds Over Europe in the States) I think is SF given the weapon that brought the spy planes. He played Major Charles Hammond here.

One very, very creepy role was The Crypt Keeper in Tales from The Crypt. I do hope he got paid very well for that acting performance. Then he got to be very cute as the caterpillar in Alice’s Adventures in Wonderland, and one very determined creature as the Chief Rabbit in Watership Down.

He finished off his film work I think appropriately enough by playing Lord Greystoke in Greystoke: The Legend of Tarzan, Lord of the Apes. 

Ralph Richardson, left, in Time Bandits.

(8) YOU MAY ALREADY HAVE WON. There’s a stampede to fill MCU’s Kang vacancy. Call your agent today! “5 Actors To Recast As Kang Following Jonathan Majors Guilty Verdict And Disney Firing” at Forbes.

… The plan was to move from the MCU’s Phase 5 into Phase 6 with 2026’s The Avengers: Kang Dynasty, but that plan may now be scrapped after Majors’ exit and conviction.

The question now is whether Disney will attempt to recast Kang or simply move on to a new villain….

… My criteria here also includes physical details: Chiefly, the actor should be a black man who isn’t too old or too young. Kang needs gravitas, so casting someone too young would be a mistake. But if he’s too old he won’t come across as physically intimidating enough without CGI (and we don’t need another Thanos). Denzel Washington is a fan-favorite choice here but at 68 I think he might be too old at this point. Other great actors like LaKeith Stanfield just don’t have quite the physique, though it’s possible that could be countered by physical training and costumes….

(9) LAST BITE. Variety has heard that “’What We Do In the Shadows’ Ending With Season 6 at FX”.

The sixth season of FX‘s “What We Do in the Shadows” will be its last.

The series, created by Jemaine Clement based on his and Taika Waititi’s 2014 film of the same name, premiered in 2019. In mockumentary format, it follows the nightly exploits of vampire roommates Nandor (Kayvan Novak), Laszlo (Matt Berry), Nadja (Natasia Demetriou) and Colin Robinson (Mark Proksch) as they navigate the modern world of Staten Island with the help of their human familiar, Guillermo (Harvey Guillén), and their vampire bureaucrat acquaintance, the Guide (Kristen Schaal)….

…Since its debut, the series has garnered 21 Emmy nominations, winning for Outstanding Fantasy/Sci-Fi Costumes in 2022. This year, it won Best Comedy Series at the GLAAD Media Awards….

(10) THAT THING YOU DO. At Comicbook.com “The Thing’s Kurt Russell Weighs in on Film’s Debated Ending”.

…Namely, fans wonder if either Kurt Russell‘s MacReady or Keith David’s Childs have been infected by the otherworldly creature, and while Russell isn’t outright revealing the answer, he recently addressed what his motivations were for the project and the conversations he had with Carpenter about the cryptic finale. While knowing the “answer” of the ending doesn’t change the effectiveness of the adventure, fans have remained curious about the opinions of the cast and crew regarding those final scenes.

“We talked about that, the ending of that movie, John and I, for a long, long time. We’d trade ideas for the end, write it out, and it was one of those things where John was concerned about it, doing a movie that you would see, for two hours plus, and bring you back to square one,” Russell recently shared during a conversation hosted by the Happy Sad Confused podcast. “We finally got to a point where, we’d try different things, and I just remember finally saying, ‘How about this one?’ and we’d try it, and I said, ‘John, I think this comes back to square one. I think that’s what it does.’ The only thing I could do was finish it with, ‘Why don’t we just sit here for a while and see what happens.’ It worked. It was the thing that it called for.”

He added, “It’s fun to hear people talk about that one, I must say, that’s a fun one.”…

(11) TUNES WITH A HOOK. “Spielberg’s 1991 movie ‘Hook’ was nearly a musical. Now its score has been released” reports NPR.

Steven Spielberg’s 1991 movie “Hook” was nearly a musical. Now the never-heard score with tunes by John Williams has been recorded and released.

… (SOUNDBITE OF ARCHIVED NPR BROADCAST)

LESLIE BRICUSSE: And we thought we’d got the Oscar with a song called “Childhood.” And I remember Steven, when he heard it, saying, that’s a home run.

(SOUNDBITE OF SONG, “CHILDHOOD”)

UNIDENTIFIED MUSICAL ARTIST #1: (Singing) Shadows, memories, lingering laughter reach out, touch me half my life after.

(SOUNDBITE OF ARCHIVED NPR BROADCAST)

[LESLIE] BRICUSSE: But it was a beautiful song, beautiful song, beautiful melody – vintage Williams.

[TIM] GREIVING: “Childhood” was written for Granny Wendy. Williams and Bricusse also wrote a seductive villain song for Captain Hook to sing.

(SOUNDBITE OF SONG, “STICK WITH ME”)

UNIDENTIFIED MUSICAL ARTIST #2: (As Captain Hook, singing) Looking at where we’re at sensibly, boy, if you will spend a little time with me, you can be – I guarantee – anything you want to be.

[TIM] GREIVING: None of these made it into “Hook” the movie….

(12) COLLECTOR ROYALTY. “You Need Felix the Cat? Early Popeye? Talk to the King of Silent Animation” advises the New York Times.

… Once a week, [Tommy José Stathes] heads from his small studio apartment in Queens to his enormous collection of vintage cartoons: a celluloid library of around 4,000 reels, some of the prints more than 100 years old. It is certainly one of the largest collections of early animated films anywhere in the world — and that accounts for the holdings of the Library of Congress, according to an archivist who does restoration there….

…This avocation can be traced back to an obscure Farmer Alfalfa cartoon his father showed him once. From there, he expanded to Oswald the Lucky Rabbit and Felix the Cat, and he started hunting for reels in local antique shops and flea markets. He soon progressed to eBay, ultimately piling up a six-figure investment in the archive.

His devotion to silent cartoons — the very birth of the form — is unrivaled. In fact, he has helped the Library of Congress identify some of its own collection. George Willeman, who oversees the nitrate film vaults for the library, recalled being amazed when Mr. Stathes, then in his 20s, took a seat in the archive and identified reel after reel of unidentified cartoons made decades before he was even born.

“As far as I know,” Mr. Willeman said, “Tommy is the king of silent animation.”…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Daniel Dern, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie,  for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/18/23 I Think There Is A World Market For About Five Pixel Scrolls

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(1) STOKERCON 2024. Next year the Horror Writers Association will hold StokerCon in San Diego, CA from May 30-June 2. Here’s the Eventbrite listing: StokerCon 2024 Tickets.

(2) 3-BODY TRAILER FROM G-O-T CREATORS. “3 Body Problem: Netflix Show From Game of Thrones Creators Has Trailer” reports Variety.

At long last, Netflix has revealed the first footage of its highly anticipated sci-fi epic from “Game of Thrones” creators David Benioff and D.B. Weiss — their first large-scale project at the streamer since signing a mega overall deal in 2019 — and Alexander Woo.

Based on the book series by Cixin Liu, the eight-episode drama, which recently wrapped production, will launch in January 2024.

Per Netflix’s logline for the sci-fi series, “A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes, five former colleagues reunite to confront the greatest threat in humanity’s history.”…

(3) BAD B.O. “Pixar’s ‘Elemental’ Falls Flat, Adding to Worries About the Brand” opines the New York Times.

Pixar is damaged as a big-screen brand.

That was one of the rather glum takeaways from the weekend box office, which found “Elemental,” a $200 million-plus Pixar original, arriving to a disastrous $29.5 million in domestic ticket sales. “The Flash,” a Warner Bros. superhero spectacle that cost about $200 million, also struggled, taking in a lethargic $55.1 million, according to Comscore, which compiles ticketing data.

“Hard to sugarcoat this,” said David A. Gross, a film consultant who publishes a newsletter on box office numbers.

Questions about Pixar’s health have swirled in Hollywood and among investors since last June, when the Disney-owned studio released “Lightyear” to disastrous results. How could Pixar, the gold standard of animation studios for nearly three decades, have gotten a movie so wrong — especially one about Buzz Lightyear, a bedrock “Toy Story” character?

Maybe pandemic-worried families were not quite ready to return to theaters. Or maybe, as some box office analysts speculated, Disney had weakened the Pixar brand by using its films to build the Disney+ streaming service. Starting in late 2020, Disney debuted three Pixar films in a row (“Soul,” “Turning Red” and “Luca”) online, bypassing theaters altogether.

By streaming standards, those three movies were runaway hits. But Pixar’s most recent box office success was in 2019, when “Toy Story 4” took in $1.1 billion worldwide…

(4) MASTERS OF THE UNIVERSE PIECE THEATRE. Cora Buhlert has posted a new Masters of the Universe toy photo story — or rather two short ones in time for the US Father’s Day: “Two Links and a Masters-of-the-Universe-Piece Theatre Double Feature: ‘New Dad’ and ‘Orko Interruptus’”.

…This version of King Randor is based on the 2002 cartoon, where Randor was protrayed as a somewhat younger and more active character than his Filmation counterpart. While the Filmation Randor mostly set around on his throne and occasionally gave a speech, the 2002 Randor charged into battle alongside his warriors on occasion and also seemed to do more actual governing. The 2002 cartoon also established that Randor was captain of the guard, i.e. Teela’s current, before he became king. All in all, I’d say that the 2002 cartoon features the best overall King Randor – and Randor is a difficult character, because his raison d’etre is to be the parent who does not understand or even see their child – though the Netflix CGI features the best version of Randor as a father. In case you’re wondering which version of King Randor is the worst, that would be the King Randor of Masters of the Universe Revelation, who narrowly missed winning the 2021 Darth Vader Parenthood Award…

(5) AGENT OF CHAOS. But trolls have made Father’s Day rough for Oghenechovwe Donald Ekpeki as he told Twitter readers:

Hows my Father’s day going? Saw @virtuallyleslie wrote a racist manifesto where she said I only get attention cuz of political correctness. Her supremacist cult friends are on it, including the one impersonating my dead father who was gruesomely murdered, to defame & harass me

Patrick S. Tomlinson also has commented on what Leslie Varney wrote, and the significance of it coming from an agent. Thread starts here.

Leslie Varney wrote a reply thread that starts here.

(6) ONCE UPON A BIRTHDAY. Brian Murphy profiles Lin Carter for what would have been his 93rd birthday: “Lin Carter: Enthusiast of the Fantastic” at Goodman Games.

…. I love Carter’s illuminating and occasionally gushing introductions to the volumes he edited. Introducing readers to William Morris in the BAFS, Carter makes a compelling case that his The Wood Beyond the World (1895) was the first-ever novel of heroic fantasy ever written in a true secondary world, quipping that “it was the first of all such tales of adventurous wanderings through the marvelous landscapes of worlds which have somehow managed to avoid the wear and tear of ever having actually existed.”…

(7) FREE READ. Issue 7 of Whetstone Amateur Magazine of Sword and Sorcery has just come out and is available as a free download: Whetstone: Amateur Magazine of Pulp Sword and Sorcery: Issue 7.

(8) MEMORY LANE.

1999 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Vernor Vinge’s A Deepness in The Sky is our Beginning this Scroll.  It won a much deserved Hugo at Chicon 2000 along with a John W. Campbell Memorial Award and a Prometheus Award for Best Libertarian SF Novel. It was also nominated for a HOMer and a Nebula as well. Damn impressive I’d say.

The novel is a loose prequel and is set twenty thousand years earlier to his A Fire Upon the Deep which was published previously. 

So let’s get to the Beginning…

The manhunt extended across more than one hundred light-years and eight centuries. It had always been a secret search, unacknowledged even among some of the participants. In the early years, it had simply been encrypted queries hidden in radio broadcasts. Decades and centuries passed. There were clues, interviews with The Man’s fellow-travelers, pointers in a half-dozen contradictory directions: The Man was alone now and heading still farther away; The Man had died before the search ever began; The Man had a war fleet and was coming back upon them. 

With time, there was some consistency to the most credible stories. The evidence was solid enough that certain ships changed schedules and burned decades of time to look for more clues. Fortunes were lost because of the detours and delays, but the losses were to a few of the largest trading Families, and went unacknowledged. They were rich enough, and this search was important enough, that it scarcely mattered. For the search had narrowed: The Man was traveling alone, a vague blur of multiple identities, a chain of one-shot jobs on minor trading vessels, but always moving back and back into this end of Human Space. The hunt narrowed from a hundred light-years, to fifty, to twenty—and a half-dozen star systems. 

And finally, the manhunt came down to a single world at the coreward end of Human Space. Now Sammy could justify a fleet specially for the end of the hunt. The crew and even most of the owners would not know the mission’s true purpose, but he had a good chance of finally ending the search.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1917 — Richard Boone. He did only two genre roles of which one, playing Maston Thrust Jr. in The Last Dinosaur, I’m willing to bet almost all of you have never seen it. (It gets a fifty percent rating among audience reviewers at Rotten Tomatoes.) The other however is one that nearly everyone here has heard, yes heard, as he voiced Smaug in the Rankin/Bass animated version of The Hobbit. Of course his major non-genre role was as Paladin in Have Gun, Will Travel which I’ve seen every episode of at least three times. Really I have. (Died 1981.)
  • Born June 18, 1931 — Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.)
  • Born June 18, 1942 — Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in Xero, Yandro and many other zines such as Kipple, Parsection and Psi-Phi. At university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish  autobiography is  How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him in a obituary here. (Died 2013.)
  • Born June 18, 1958 — Jody Lee, 65. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for DAW Books in 1985. Her latest is Passages: All-New Tales of Valdemar, a Mercedes Lackey anthology from DAW Books which seems to be her primary client. Her most stellar website is here.
  • Born June 18, 1960 — Barbara Broccoli, 63. Daughter of the late James Bond producer Albert R. “Cubby” Broccoli. She has producer or director credit on at least fourteen Bond films which or may not be genre depending on how you view each one of them. Her only acting role is as an uncredited Opera patron in The Living Daylights. She produced the Chitty Chitty Bang Bang production staged in NYC at the Hilton Theater sixteen years ago. 
  • Born June 18, 1947 — Linda Thorson, 76. Best known for playing Tara King, the only actual spy in The Avengers. For her role in that series, she received a special BAFTA at the 2000 BAFTA TV Awards along with the other three actresses from the series, Honor Blackman, Joanna Lumley and Diana Rigg. She’s also been in Return of the Saint, Tales from the Darkside, Star Trek: The Next Generation, Kung Fu: The Legend Continues, F/X: The Series and Monsters. 
  • Born June 18, 1949 — Chris Van Allsburg, 74. For some twenty years now until the Pandemic came upon us, the local Narrow Gauge Railroad ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate for the children. It always sold out for the entire month they ran it. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. (I’ve never seen the film.) He illustrated A City in Winter which was written by Mark Helprin and I highly recommended it. 

(10) COMICS SECTION.

(11) ROLLING THE CREDITS. [Item by Mike Kennedy.] Descendants of Jack Kirby seem none too happy about the recently-released Disney+ documentary on Stan Lee’s life. Granddaughter Jillian Kirby has published a statement from her father Neal Kirby at the latter’s request. 

Among other things, Neil provides an analogy for Lee having an idea for a character to others bringing the character to life. “In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence—their idea, their money. The statue is called Michelangelo’s David—his genius, his vision, his creativity.” “Jack Kirby’s Son, Neal Kirby Responds to Stan Lee Disney+ Documentary” at Bleeding Cool.

The following is an excerpt of the statement from Neal Kirby, son of the late Jack Kirby.

…I (000ps!) understand that, as a “documentary about Stan Lee,” most of the narrative is in his voice, literally and figuratively. It’s not any big secret that there has always been controversy over the parts that were played in the creation and success of Marvel’s characters. Stan Lee had the fortunate circumstance to have access to the corporate megaphone and media, and he used these to create his own mythos as to the creation of the Marvel character pantheon. He made himself the voice of Marvel. So, for several decades he was the “only” man standing, and blessed with a long life, the last man standing (my father died in 1994). It should also be noted and is generally accepted that Stan Lee had a limited knowledge of history, mythology, or science.

On the other hand, my father’s knowledge of these subjects, to which I and many others can personally attest, was extensive. Einstein summed it up better; “More the knowledge, lesser the ego. Lesser the knowledge, more the ego.”

If you were to look at a list and timeline of Marvel’s characters from 1960 through 1966, the period in which the vast majority of Marvel’s major characters were created during Lee’s tenure, you will see Lee’s name as a co-creator on every character, with the exception of the Silver Surfer, solely created by my father. Are we to assume Lee had a hand in creating every Marvel character? Are we to assume that the other co-creator never walked into Lee’s office and said, “Stan, I have a great idea for a character!” According to Lee, it was always his idea. Lee spends a fair amount of time talking about how and why he created the Fantastic Four, with only one fleeting reference to my father. Indeed, most comics historians recognize that my father based the Fantastic Four on a 1957 comic he created for DC, “Challengers of the Unknown,” even naming Ben Grimm (The Thing) after his father Benjamin, and Sue Storm after my older sister Susan.

Though the conflict between Lee and my father concerning creator credit gets glanced over with little mention, there is more attention paid to the strife between Lee and Steve Ditko, with Lee’s voice proclaiming, “It was my idea, therefore I created the character,” Ditko’s rebuttal being that his art and storyline is what brought life to Spiderman. In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence – their idea, their money. The statue is called Michelangelo’s David – his genius, his vision, his creativity.

I was very fortunate. My father worked at home in his Long Island basement studio we referred to as “The Dungeon,” usually 14 – 16 hours a day, seven days a week. Most of the artists, writers, inkers, etc. worked at home, not in the Marvel offices as depicted in the program. Through middle and high school, I was able to stand at my father’s left shoulder, peer through a cloud of cigar smoke, and witness the Marvel Universe being created. I am by no means a comics historian, but there are few, if any, that have personally seen or experienced what I have, and know the truth with first-hand knowledge.

My father retired from comic books in the early 1980s and of course, passed away in 1994. Lee had over 35 years of uncontested publicity, much naturally, with the backing and blessing of Marvel as he boosted the Marvel brand as a side effect of boosting himself. The decades of Lee’s self-promotion culminated with his cameo appearances in over 35 Marvel films starting with “X-Men” in 2000, thus cementing his status as the creator of all things Marvel to an otherwise unknowing movie audience of millions, unfamiliar with the true history of Marvel comics. My father’s first screen credit didn’t appear until the closing crawl at the end of the film adaptation of Iron Man in 2008, after Stan Lee, Don Heck, and Larry Lieber. The battle for creator’s rights has been around since the first inscribed Babylonian tablet. It’s way past time to at least get this one chapter of literary/art history right. ‘Nuff said.

(12) JEOPARDY! [Item by David Goldfarb.] On Thursday’s episode there was a full category of “21st Century horror novels”, which the contestants took in order.

  • Returning champ Holly Hassel
  • Kiran MacCormick
  • Suzanne Goldlust

$200: Christina Henry’s “Looking Glass” is the last book in a chilling trilogy about a woman with this 5-letter name

Returning champ Holly Hassel tried: “What is Megan?”

Her name was Alice. (As in “Through the Looking-Glass”….)

$400: In Grady Hendrix’ “How to Sell” this place, it has a sealed attic & creepy puppet collection & Redfin will be no help

Suzanne Goldlust knew or guessed: “What is a haunted house?”

$600: The Scooby Gang was often accused of being these, the title of a book by Edgar Cantero about 4 teens with a telepathic pooch

Suzanne said, “What are meddling teens?”

Holly tried “What are those meddling kids?” but this was not accepted, as the title of the book was just “Meddling Kids”.

$800: Megan James pays homage to this horror master & his creation Cthulhu with her graphic novel “Innsmouth”

Holly knew this one.

$1000: Clive Barker’s “Scarlet Gospel” revisits the Hellraiser universe where this prickly priest of Hell mans the pulpit

Holly knew this one too: “Who is Pinhead?”

In the Double Jeopardy round, there was one:

TV Criminals, $800: The villainous supe Homelander on this series is the leader of The Seven, a group of some not-so-super heroes

This was triple stumper: nobody was familiar with the comic “The Boys” or its Amazon Prime adaptation. (I quibble with the question here. The Seven are super enough! It’s the “hero” part that should be getting the “not-so-“.)

(13) TURA SATANA. [Item by Steve Green.] Tura Satana, whose movie credits included The Astro-Zombies (1968) and its 2004 ‘reimaging’, is now an action figure, based upon her role in the 1965 cult classic Faster Pussycat… Kill! Kill!

Ms Satana, who died in 2011, was smart enough to trademark her own likeness, and this is apparently the first officially-licensed figure. It’s a collaboration between White Elephant Toyz and the publisher PlaidStallions (as Odeon Toys). “Tura Satana Action Figure Pre-Orders now open!”.

… This limited edition action figure is 8″ tall and features a detailed outfit, natural hair, motorcycle gloves, and boots. Tura is ready to kick your other action figures’ asses.

Each Tura Satana Action figure comes in vintage style packaging with striking artwork by Joseph Michael Linsner, creator of “Dawn.”…

(14) FIRST AMERICAN WOMAN IN SPACE. The National Air and Space Museum remembers “Sally Ride”.

40 years ago today, Dr. Sally K. Ride became the first American woman in space, launching aboard Space Shuttle Challenger on the STS-7 mission.

Dr. Sally Kristen Ride was a physicist, astronaut, educator, and advocate for young people in science, technology, engineering, and mathematics. Best remembered as the first American woman in space, Ride’s tenure as an astronaut was but one chapter in a long and impactful career.

Ride was accepted to the astronaut corps in 1978 as a member of Astronaut Group 8—NASA’s first astronaut class to include women. On June 18, 1983, when Dr. Sally K. Ride became the first American woman in space, she challenged long-held stereotypes about who would make a good astronaut. Ride spent more than two weeks in space over the course of two missions, STS-7 and STS-41G. Ride operated one of the Space Shuttle’s most important tools—the robotic arm—and loved taking photos of Earth from space.

When Ride retired from NASA in 1987, she dedicated herself to educating and inspiring learners. For more than 18 years she taught physics at the University of California San Diego. In 2001, Ride founded Imaginary Lines (now Sally Ride Science) with her partner, Dr. Tam O’Shaughnessy, to inspire girls and young women to explore science careers.

(15) ANKYLOBITERS. [Item by SF Concatenation’s Jonathan Cowie.] A new dinosaur has been found on the Isle of Wight so the BBC reports.

Don’t worry, it’s dead! So we are all safe. (Phew.) If you do go to the Isle of Wight to hunt for dinosaurs (they really all are dead) then I recommend a beer and food at the Crab and Lobster Inn. The view from outside to the left is mainland Brit Cit while straight ahead and left is the English Channel with a view of The Nab tower a few miles offshore and transatlantic liners going around the point.

But if you can’t be bothered then there is the primary research paper.

…It is the first new species of armoured dinosaur to be found on the island since 1865 and belongs to the same family – the ankylosaurs.

Though fearsome in appearance with its blade-like armour, the giant reptile – which has been named Vectipelta barretti – only ate plants.

It was discovered in rocks dating back between 66 and 145 million years….

(16) VIDEO OF THE DAY. Here’s the teaser trailer for One Piece.

Here’s a first look at the live action adaptation of the most popular manga in history, written by Eiichiro Oda. ONE PIECE sets sail on August 31st only on Netflix.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Cora Buhlert, David Goldfarb, Steve Green, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 6/10/23 Scrolls Are Here, Life Is Pixels And Life Is Bheer

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(1) BALTICON 57 COVID REPORT. The Balticon 57 committee has learned two attendees came down with Covid. They sent this report to their mailing list:

While we did our best to mitigate the risks, we did not come through unscathed. Yesterday we received a report of 2 COVID cases. Everyone is now home and recovering.

Cases A and B – Henderson Books named with permission:

– Started feeling bad Monday during breakdown
– Tested positive after the close of the convention
– They were the book vendors at the first booth to the right, just when you walked in the door

When to test:

CDC defines day of known or expected exposure as Day 0. An exposure is close or extended contact without respiratory protection with a person known or suspected of having covid. The earliest that one may show positive test results if they contract Covid is 48-72 hours after exposure; CDC recommends testing no earlier than day 5 (120 hours after exposure) or upon developing symptoms.

What to do if exposed:

If you are up to date on vaccinations, you do not need to isolate, but should wear a well-fitting mask around others for the next 10 days.

If you are not up to date, they recommend isolating for 5 days, and then wearing a mask around others for the following 5.

https://www.cdc.gov/coronavirus/2019-ncov/your-health/quarantine-isolation.html (last updated May 11, 2023)

(2) BOOK RECOMMENDATIONS. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” in the Guardian covers: Perilous Times by Thomas D Lee; The Grief Nurse by Angie Spoto; Airside by Christopher Priest; Hokey Pokey by Kate Mascarenhas; and The Shadow Cabinet by Juno Dawson.

(3) CULTURE WAR INTIMIDATION. “Abuse has led Sathnam Sanghera to ‘more or less stop’ doing book events in UK” he told the Guardian.

The writer Sathnam Sanghera has said he barely ever does public events in the UK because of a fear of being attacked amid a culture war-fuelled backlash over his views on Britain’s imperial past, saying he feared a Florida-style push towards the banning of books.

Sanghera, a journalist and author whose bestselling book Empireland assessed how the UK’s colonial territories still infect contemporary politics and discourse, said he had begun to dread holding book events here.

Speaking to the Intelligence Squared podcast, Sanghera, who also explored the legacy of empire in a Channel 4 series, said he had “more or less stopped doing events in Britain”.

He said: “Because actually, the trolling online is … I’m so used to it, it doesn’t really feel real. Although it does get to you when it’s relentless for days at a time when you get targeted.

“But it’s the way it translates into real life … It’s people coming to my events, and shouting at me. And you know, when that happens, it always makes for a good event in the sense that other people stand up for me – it feels like the whole event matters. I sell out my books.

“It’s good – I mean, it probably makes my publisher happy. But it comes at a personal cost to me. I realised I started dreading the moment. I was waiting to be attacked. And I just stopped doing those events. And I just did international ones.”…

(4) THE SEVENTIES. Even if you were an sf reader in the Seventies this person’s writing career could be news to you. Joachim Boaz “Short Story Reviews” series looks back on “Russell Bates’ ‘Legion’ (1971), ‘Get With the Program’ (1972), and ‘A Modest Proposal’ (1973)” at Science Fiction and Other Suspect Ruminations.

… Born in Lawton, Oklahoma (I’ve also seen Anadarko, OK implied as a birthplace), [Russell] Bates was an enrolled member of the Kiowa tribe. After he finished high school, he entered the U.S. Air Force. While injured after an explosion at a missile assembly building, he was encouraged to take up a hobby. He began writing science fiction stories–including Star Trek fanfiction (discussed in more detail below) [4].

Interested in honing his craft, Bates attended the famous Clarion workshop in 1969, and his first story, “Legion” (1971), hit print two years later [4]. He published six science fiction short stories between 1971-1977. A seventh–“Search Cycle: Beginning and Ending 1. The Last Quest; 2. Fifth and Last Horseman”–was scheduled to appear in Harlan Ellison’s infamous Last Dangerous Visions, originally slated for 1973. It hasn’t been published elsewhere….

(5) STARS OF STAR WARS. A compilation of many well-known Star Wars celebrity media moments, and quite entertaining, even the familiar ones: “40+ ‘Star Wars’ Cast Member Interview Moments That R2-Die For” at Illumeably. Here’s an example:

On the road

Get ready to be amazed by the legendary James Earl Jones, the voice behind some of the most iconic characters in cinematic history. His rich and velvety voice is the perfect fit for the commanding roles of Mufasa and Darth Vader. But it’s not all business for this Hollywood heavyweight. Despite the weight of his fame, Jones isn’t afraid to let loose and have some fun, even if it means using his powers for mischief. In fact, he once took to the airwaves on his CB radio as Darth Vader, much to the delight of his fans. Who knew this talented actor had such a great sense of humor?

(6) SNAPPING THE SUSPENDERS OF DISBELIEF. You will not be surprised to hear there are “8 Sci-Fi Movies That Break Their Own Time Travel Rules”. Maybe there are more – but ScreenRant came up with these.

… Fans’ love for these films transcends what could be seen as splitting hairs, getting bogged down in plot holes. Indeed, even the most lauded time travel sci-fi movies are guilty of breaking their own rules, yet the captivating stories and characters can eclipse any disobedience. However, though the very concept of time travel is implausible, some sci-fi films fare better than others at convincing their audience of their realism by avoiding flouting their rules, rendering them meaningless. These eight sci-fi movies have broken their own time travel rules, prioritizing their plot and impactful scenes over time travel mechanics and rule observation.

One of their offenders is Avengers: Endgame. Beware spoilers.

Time travel in Avengers: Endgame faces no risk of the Grandfather paradox because you can’t change the past since it has already happened. Nonetheless, the film seems to establish this rule to preserve the events of previous movies but break it when it becomes inconvenient. The film’s time travel follows Novikov’s self-consistency principle which states that it is impossible to create time paradoxes; the time traveler can only do in the past what does not change history, elucidated in the film by Bruce Banner.

“If you travel back into your own past, that destination becomes your future, and your former present becomes the past, which can’t now be changed by your new future.”

Avengers: Endgame’s finale reveals that instead of Captain America promptly returning to the Sacred Timeline after replacing the infinity stones and Mjolnir to their respective timelines he stays in the past to grow old with Peggy Carter and shows up as an old man to pass on his shield. This breaks the film’s rules, changing history and the present, leaving the time loop open. By the film’s logic Steve Rogers has done the impossible and changed his future, something Avengers: Endgame doesn’t justify nor explain.

(7) MEMORY LANE.

2007 – [Written by Cat Eldridge from a choice by Mike Glyer.]

I was truly sad when Kathleen Ann Goonan passed on from bone cancer at the relatively young age of sixty-nine years as she was one of my favorite writers. Her first novel, Queen City Jazz, which was published twenty years ago was the first novel I read by her.

It was the beginning of the Nanotech Quartet which I enjoyed immensely.

I also enjoyed her WW II alternative history novel from which our Beginning comes, In War Times: An Alternate Universe Novel of a Different Present published by Tor sixteen years ago. It would win John W. Campbell Memorial Award. 

And here’s that Beginning…

DR. ELIANI HADNTZ was only five foot three, though she had seemed taller in the classroom, and Sam had not suspected that her tightly pulled-back hair was a mass of wild black curls until the evening she sat on the edge of his narrow boardinghouse bed. A streetlamp threw a glow onto her pale breasts, she reached behind her head and yanked out the combs, made crooked by the intensity of their lovemaking. 

Her loosened hair cascaded down her back and hid her face. She took a deep, shuddering breath, and sat with her elbows on her knees, staring out the window. 

When Sam reached out and ran a finger up her spine, she flinched. He had no idea why she was here.

Sam Dance was an uncoordinated soldier. To someone less good-natured, his last name, chosen by an immigration officer on Ellis Island a few generations back, might have seemed like a cruel joke. Because of his poor eyesight, the Army had not accepted him when he first volunteered in 1940, even with almost three years of chemical engineering classes at the University of Dayton under his belt. But while working as an inspector at a Milan, Tennessee, ordnance polant, he heard of an outfit in Indiana recruiting at a used car dealership trying to reach an enlistment quota. He hastened to their office, and was finally allowed to join the Army and serve his country.

Sam stood out because of his height. His intelligence was less visible, but must have been noticed by someone in the Army. Plucked from daily twenty-mile marches through inclement weather in North Carolina, he was sent to D.C. for an intensive course on a potpourri of esoteric subjects. The class met in a hastily assembled temporary structure on the roof of a War Department building. 

The subjects, up to now, had been curiously disparate. Codebreaking, mechanical engineering, advanced calculus, and now theoretical physics rushed past taught by an odd assortment of flamboyant Europeans with heavy accents and accompanied at the end of each week by a test. 

Properly appreciative of the warmth into which he had been suddenly deposited, Sam was always in his seat each morning at seven A.M. when Dr. Hadntz opened the door, set her briefcase decisively on the bare metal desk at the front of the room, and draped her coat and scarf over the back of the desk chair. She always began her lecture immediately, chalking formulas on the board which he was sure represented some of the most rudimentary knowledge that she possessed. She was an exiled physicist from Budapest. The Army, of course, had not provided the students with an extensive background, but it was rumored that she had worked with Curie, Wigner, Teller, Fermi. Everyone who was anyone in theoretical physics.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 10, 1922 — Judy Garland. She is remembered for her portrayal of Dorothy Gale in The Wizard of Oz, and her only genre role in her tragically short life. I will note that she was the first woman to win the Grammy Award for Album of the Year, which she won for her 1961 live recording titled Judy at Carnegie Hall. (Died 1969.)
  • Born June 10, 1937 — Luciana Paluzzi, 86. She’s best known for playing SPECTRE assassin Fiona Volpe in Thunderball. Genre wise, I see she was also in Journey to the Lost City (in the original German, Das indische Grabmal), Hercules, The Green Slime, 1001 Nights, Captain Nemo and the Underwater City and War Goddess.  
  • Born June 10, 1950 — Ed Naha, 73. Among his many genre credits, he was Editor of both Starlog and Fangoria. An even more astonishing genre credit was that he produced Inside Star Trek in 1976 with Gene Roddenberry, William Shatner, DeForest Kelley and Mark Lenard talking about the series. Fiction wise, he wrote one series as D. B. Drumm, The Traveller series and adapted a number of movies such as Robocop and Robocop 2 under his own name. Way back in the Seventies, he wrote Horrors: From Screen to Scream: An Encyclopedic Guide to the Greatest Horror and Fantasy Films of All Time which alas has not been updated. There are no digital books at iBooks or Kindles for him.
  • Born June 10, 1951 — Charles Vess, 72. If you ever need a crash course in learning about his art, go find a copy of Drawing Down the Moon: The Art of Charles Vess which lavishly covers his career up to a decade ago. I’ve got a personally signed copy here along with lots of his artwork. He’s had interesting career including the Spider-Man: Spirits of the Earth graphic novel that he wrote and illustrated. I strongly recommend the illustrated version of Stardust he did with Gaiman as it’s amazing. 
  • Born June 10, 1952 — Kage Baker. I never met her but we had a decade long conversation via email and once in a while via phone. We were supposed to write a Company Concordance for Golden Gryphon but she got too ill for it to happen. And yes I loved all of The Company series. Harry the Space Raptor is now living with her sister Katheleen. (Died 2010.)
  • Born June 10, 1953 — Don Maitz, 70. Winner of the Hugo twice for Best Artist and ten Chesley Awards from the Association of Science Fiction and Fantasy Artists. And a World Fantasy Award as well. Yes, I’m impressed. From Asimov to Wolfe, his artwork has adorned the covers of many genre authors. He’s married to Janny Wurtz and their excellent website can be found thisaway.
  • Born June 10, 1964 — Andrew M. Niccol, 59. Screenwriter / producer / director who wrote and produced one of my favorite genre films, The Truman Show. The film won him a Hugo at Aussiecon Three.  He also involved in Gattaca, The Terminal, In Time, The Host, The Minutes short video and Anon.

(9) COMICS SECTION.

Tom Gauld is there when Hell connects to Twitter.

(10) PURSUING TRIVIA. David Goldfarb reports Friday’s LearnedLeague questions included this:

A Wind in the Door (1973), A Swiftly Tilting Planet (1978), and Many Waters (1986) continue the story first told by author Madeleine L’Engle in what 1962 novel?

With a 70% get rate, this was by far the easiest question on a tough day (the next easiest question had a 43% get rate).

Then on TV, Friday’s episode of Jeopardy! had quite a bit of SFF-related content. In the first round, the “Pets on Film” category had several:

$200: Miss Gulch takes away this Cairn Terrier early on in a classic film; the heroine calls her a “wicked old witch”

Returning champion Suresh Krishnan: “Who’s Toto?”

$400: Bong Joon-Ho’s 2017 film “Okja” is about a big one of these who has been genetically engineered by an evil corporation
This was a triple stumper. Correct response: “What is a pig?”

$600: In the “DC League of Super-Pets” superego Krypto has an alias; punning on his master, he’s named this “Kent”
Challenger Tim Hagood was right: “What’s ‘Bark’?”

Then in “Quick books”, $200: From 2006 it’s Cormac McCarthy’s title post-apocalyptic byway
Challenger Vickie Cyr: “What’s The Road?”

$800: His “Midnight’s Children” is set in places like Kashmir and Delhi
Suresh: “Who is Salman Rushdie?” (He might be thought to have had an advantage on that one.)

In the Double Jeopardy round:

“TV: Who Said It”, $2000: “We’ve had vicious kings & we’ve had idiot kings, but I don’t know if we’ve ever been cursed with a vicious idiot boy king”
Tim evidently watched Game of Thrones and responded “Who is Tyrion Lannister?”

$1600: “Carl’s dead…Carl went out to help someone and he got bit”
Tim: “Who’s Rick?” (This was Rick Grimes on The Walking Dead)

“Eponymous Science”, $1600: The Drake Equation, which estimates the number of advanced alien civilizations in our galaxy, was created as part of SETI, short for this
Suresh: “What is search for extraterrestrial intelligence?”

“With This Ring”, $2000: Around 1850, Richard Wagner began writing a poem called “The Death of” this heroic character in the “Ring” cycle
Vickie tried “Who is Wotan?” but this was wrong.
Nobody else answered. Correct would have been, “Who is Siegfried?”

$1200: A poetic verse by this man mentions “Three rings for the elven-kings under the sky”
You knew this had to be somewhere in “With This Ring”, right? Suresh got it.

And in Final Jeopardy: “British Novels”: Midway through this 1928 novel, the title character briefly takes “their” instead of his or her
Vickie was correct with “What is Orlando?”. This Virginia Woolf novel about a sex-changing immortal surely counts as genre, for our purposes.

Neither of the other two were right. Tim tried “What is The Importance of Being Earnest?”, and Suresh’s response was “What is Dr. Jekyll & Mr. Hyde?”.

(11) HECK YEAH! “An idea whose time had come a quarter of a century ago,” is what John A Arkansawyer calls The ACME Chocolate Registry.

This is the same idea as a wedding gift registry at a department store. You can register your preference in chocolate, and then your friends and relatives can look it up so they know what to get you.

The link comes from the ACME Laboratories website whose logo art is an anvil in outline.

(12) THE SUPREMES SAY “BAD DOG!” Here’s some cutting-edge legal news for you. “Supreme Court Rules Against Dog Toy Resembling Liquor Bottle” reports the New York Times.  

The Supreme Court ruled on Thursday that the First Amendment did not protect a chew toy for dogs resembling a bottle of Jack Daniel’s from a lawsuit claiming trademark infringement.

The toy, the Bad Spaniels Silly Squeaker, has the shape and other distinctive features of a bottle of Jack Daniel’s but with, as an appeals court judge put it, “lighthearted, dog-related alterations.”

The words “Old No. 7 Brand Tennessee Sour Mash Whiskey” on the bottle are replaced on the toy by “the Old No. 2, on your Tennessee carpet.” Where Jack Daniel’s says its product is 40 percent alcohol by volume, Bad Spaniels’ is said to be “43 percent poo.”

A tag attached to the toy says it is “not affiliated with Jack Daniel Distillery.”

Justice Elena Kagan, writing for a unanimous court, seemed amused by the dispute. “This case is about dog toys and whiskey,” she wrote, “two items seldom appearing in the same sentence.”

She added that the characteristics of the whiskey bottle were familiar to almost everyone.

“A bottle of Jack Daniel’s — no, Jack Daniel’s Old No. 7 Tennessee Sour Mash Whiskey — boasts a fair number of trademarks,” she wrote. “Recall what the bottle looks like (or better yet, retrieve a bottle from wherever you keep liquor; it’s probably there).”

After reproducing a color photograph of the bottle, she continued: “‘Jack Daniel’s’ is a registered trademark, as is ‘Old No. 7.’ So too the arched Jack Daniel’s logo. And the stylized label with filigree (i.e., twirling white lines). Finally, what might be thought of as the platform for all those marks — the whiskey’s distinctive square bottle — is itself registered.”…

(13) YOU’D THINK THIS CAT WAS FROM TRALFAMADORE. Inverse celebrates that “45 Years Ago, Disney Made Its Weirdest Sci-Fi Movie — And Perfected a Classic Formula”.

…The Cat From Outer Space has a pretty self-explanatory premise. What if there was a cat from outer space and it was part of a movie starring two of the cast members of M*A*S*H? The story is almost a moot point — the joy of The Cat From Outer Space is watching a cat who is always staring just off-camera at what is definitely some kind of chew toy or food. But there is indeed a story to The Cat From Outer Space. The movie follows Energy Research Laboratory scientist Frank Wilson (Ken Berry), who is studying a UFO taken into custody by U.S. officials. His unconventional theories get laughed at by his colleagues, but pique the interest of the UFO’s passenger, a cat-like alien named Zunar-J-5/9 Doric-4-7 that Frank decides to call Jake. Jake needs Frank’s help to return to his home planet, and the only thing that can help rebuild his ship is $120,000 worth of solid gold. So, of course, Frank sets about getting this gold by … gambling?

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, David Goldfarb, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/9/23 Pixel Was A Scrollin’ Stone

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(1) ON THE FRONT OF F&SF. Here is The Magazine of Fantasy & Science Fiction’s July-Aug 2023 issue cover.  The cover art is by Mondolithic Studios.

(2) 2023 NATIONAL BOOK FESTIVAL. The 2023 National Book Festival will be held at the Walter E. Washington Convention Center in Washington, D.C., on Saturday, August 12, from 9 a.m. to 8 p.m. (doors open at 8:30 a.m.). The event is free and open to the public. Some creators of genre interest appearing at the Festival are:

George Saunders (Lincoln in the Bardo) discusses his latest collection of stories in Liberation Day.

TJ Klune returns with another fantasy adventure, “In the Lives of Puppets,” a tale of artificial intelligence robots and their human son.

National Ambassador for Young People’s Literature Meg Medina shares the graphic novel adaptation of “Yaqui Delgado Wants to Kick Your Ass” with the novel’s illustrator Mel Valentine Vargas.

Interested attendees not able to join the festival in person can tune into sessions throughout the day. Events on several of the stages will be livestreamed on loc.gov/bookfest. Videos of all presentations will be made available on demand in the weeks after the festival.

(3) KNOST WINGS FINALISTS. The 2023 Michael Knost Wings award finalists have been announced by The Imaginarium Convention.  The award “focuses on authors of speculative and/or dark fiction, specifically authors who are up-and-coming . . . or those who have been around a while but do not get the recognition they deserve.”

The award is named for Michael Knost, is the 2015 recipient of the Horror Writers Association’s Silver Hammer Award for his work as the organization’s mentorship chair. He is also a two-time Bram Stoker Award-winner, and is known for his mentoring, writing classes, and bestselling works. Nominees/finalists are chosen by a committee of editors and authors, and Knost selects the award recipient.

This year’s nominees/finalists are:

  • John F. Allen
  • Anton Cancre
  • Elizabeth Donald
  • Sandy Lender
  • Tommy B. Smith

The winner will be announced during the Imaginarium Awards Banquet on July 15.

(4) REMEMBERING WHEN. Craig Newmark is the ‘Craig’ of Craig’s List, but before that he was 1/3 of Rat’s Mouth Fandom (back in the 1980s). He made the news this week for donating $100M to veteran charities.

You can decipher the origin of Rat’s Mouth Fandom if you know this about Boca Raton FL:

The meaning of the name Boca Raton has always aroused curiosity. Many people wrongly assume the name is simply Rat’s Mouth. The Spanish word boca, or mouth, often describes an inlet, while raton means literally, mouse.

(5) OTHER DARTS. Jacqueline Carey responds to readers who asked why there aren’t trans folk in Terre d’Ange: “Summer 2023”.

It’s Pride Month and we’re celebrating the official relaunch of the original Kushiel’s Legacy trilogy with these shiny new trade paperback editions! It’s hard to believe that it’s been over 20 years since Kushiel’s Dart burst on the scene, exploding with intrigue, heroism and unabashed sexuality the likes of which the fantasy genre had never seen.

In many ways, it’s still ahead of its time; but not all. When I polled a group of longtime readers, this was one of the most common questions on their mind:  Are there trans folk in Terre d’Ange?

Fair question! I created an entire theology based on the idea that love in all its forms, including sexual, was a divine force with agency in the real world. Pansexuality is the norm in Terre d’Ange. Even BDSM has a presiding deity! These books were groundbreaking! So what about gender identity? Where the heck are the trans and nonbinary characters? Where are the intersex and asexual characters?

Here’s what I’m not going to do, which is pull a Rowling and tell you, “Oh, Alcuin was nonbinary all along!” I mean… sure, it’s not outside the realm of possibility. But no. Coming from the author, it’s bullshit if it’s not on the page. I didn’t make that specific choice for the character. Nor did I create a society which explicitly acknowledges the full spectrum of human gender identity.

Sorry, guys. I did my best at the time with the knowledge I possessed. I simply wasn’t aware enough of the breadth and depth of human expression to encompass its totality in my worldbuilding. However, “Love As Thou Wilt” is some damn solid bedrock. It’s strong enough to support a broader and deeper understanding of the world. The love and acceptance were always there.

(6) LIFEWRITING PODCAST. Steve Barnes and Tananarive Due’s recent podcast Lifewriting: Write for Your Life! is “On the WGA strike, community for writers – and Clarion West!”

In this episode, Steve and Tananarive talk about some of the reason for the WGA screenwriters’ strike and the importance of community for writers — and welcome guests Rashida Smith and Stephanie Malia Morris to talk about Clarion West. Find out more information at www.clarionwest.org. 

(7) CLARION WEST EVENT. There will be a Clarion West fundraiser on November 10: Ted Chiang and Dr. Emily M. Bender in conversation, moderated by Tom Nissley, at Town Hall Seattle. Details to follow.

UW Professor of Linguistics Emily M. Bender talks with award-winning science fiction author Ted Chiang about the nature of creativity and the role of the author in relation to AI-generated storytelling. Moderated by Jeopardy! champion and Phinney Books owner Tom Nissley.

(8) OVERLOOKED, NOW OVERHEARD. Longtime Horror Writers Association member Mort Castle is enraged that he was not contacted to be part of the HWA blog’s “Celebrating Our Elders” Q&A series. (The Scroll linked to a couple of those posts.) He has published “An Open Letter To The Horror Writers Association” on Facebook. Below is a screencap of his public post. Castle’s concluding statement reads:

…The HWA needs to apologize. The HWA needs to attempt to make amends.

I do want to thank those people, the many HWA members and many others who’ve contacted me, letting me know they considered the HWA’s treatment of me to be flat-out wrong.

Your support means so much. It helps.

But it does not set this wrong thing right.

If you would like to help do that, I ask that you contact The Horror Writers Association. You might add comments on the HWA Facebook page and I hope you do.

I ask that you express your thoughts about Mort’s Uncelebration on the part of an organization that says it supports horror writing and the people who create it.

Somtow Sucharitkul’s comment on the open letter brings much needed lucidity and practicality to the issues.  

(9) MEMORY LANE.

2022 – [Written by Cat Eldridge from a choice by Mike Glyer.]

So let’s talk about Rachel Swirsky. She has two Nebulas, one for her “The Lady Who Plucked Red Flowers Beneath the Queen’s Window novella, the other for her short story, “If You Were a Dinosaur, My Love”. No Hugo wins to date but she has been nominated four times including for that same novella. 

She was the founding editor of the PodCastle podcast which does fantasy fiction and served as editor. Ann Leckie was the founding assistant editor. Impressive.

Our Beginning is from the January Fifteenth novel which was published by Tor.com just last year. It was nominated for the Philip K. Dick Award. 

And now here it is…

UBI Day: Early

Hannah

The blizzard first touched land in Maine. It glazed lakes and lighthouses and red-shingled roofs, and billowed through naked ash trees. It chased coastal waves southward to New Hampshire and then moved inland through Concord and into upstate New York, past Saratoga Springs and Syracuse. In Canastota, the historic Erie Canal froze beside iced railroad tracks, neither taking anyone anywhere. 

Hannah Klopfer felt grateful once again that she and the boys had been able to find a furnished rental inside their budget that was within easy walking distance of necessities like the post office and the grocery store. She zipped up her down jacket and tugged her hat over her ears. She patted her pockets: wallet, phone, keys. As she grabbed her scarf from the aging brass rack by the door, it made a shuddery twang against the greasy metal. 

As the twanging faded, Hannah heard a distant, quiet shuffle from the back of the house. Something wooden groaned. Hannah’s mouth went dry. The ends of her scarf dropped from her hands, unwound, and fell loosely across her chest. Her heart pounded. She hadn’t expected Abigail to find them so fast. She took a deep breath to shout upstairs for Jake and Isaiah to start piling furniture against their bedroom door.

A high-pitched giggle broke the quiet, followed by another. Hannah exhaled in relief. Thank God. It was just the boys playing. 

Her heart hadn’t stopped pounding, though. Damn it. Damn it! What was she supposed to do when the boys wouldn’t listen? This wasn’t about sticking their fingers in their cereal or getting crayon on the walls. Did it really matter that it was developmentally normal for a seven-year-old to test authority if it ended up giving Abigail a way back into their lives?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 9, 1930 — Lin Carter. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series. As a writer, His first professional publication was the short story “Masters of the Metropolis”, co-written with Randall Garrett, in The Magazine of Fantasy and Science Fiction, April 1957. He would be a prolific writer, average as many as six novels a year. In addition, he was influential as a critic of the fantasy genre and an early historian of the genre. (Died 1988.)
  • Born June 9, 1934 — Donald Duck, 89. He made his first appearance in “The Wise Little Hen” on June 9, 1934. In this cartoon, Donald and his friend, Peter Pig, lie their way out of helping the titular little hen tend to her corn. 
  • Born June 9, 1943 — Joe Haldeman, 80. Whether or not it was written as a response to Starship Troopers as some critics thought at time, The Forever War is a damn great novel which I’ve read at least a half dozen times. No surprise that it won the Hugo at MidAmeriCon and the Nebula Award.
  • Born June 9, 1949 — Drew Sanders, 74. He’s an LA resident who’s active in con-running and costuming. He has worked on many Worldcons and is a member of LASFS and SCIFI, and has been an officer of both groups. He co-chaired Costume-Con 4 in 1986.
  • Born June 9, 1956 — Patricia Cornwell, 67. You’ll know her better as the author of the medical examiner Kay Scarpetta mystery series, now some twenty-six novels deep. She is here, well in part as I do like that series a lot, because she wrote two SF novels in the Captain Chase series, Quantum and Spin.
  • Born June 9, 1961 — Michael J. Fox, 62. The Back to The Future trilogy stands as one of the best SF series ever done and his acting was brilliant. Since 1999 due to his Parkinson’s Disease, he’s has mainly worked as a voice-over actor in films such as Stuart Little and Atlantis: The Lost Empire. Prior to his diagnosis, he performed on Tales from the Crypt and directed “The Trap” episode. He would return to live action performing in 2014, bless him, with The Michael J. Fox Show series. 
  • Born June 9, 1967 — Dave McCarty, 56. He’s a Chicago-area con-running fan who chaired Chicon 7. He has been the Hugo Administrator for Loncon (2014), MidAmeriCon II (2016), for Worldcon 76 (2018), and again for the Chengdu Worldcon (2023).
  • Born June 9, 1981 — Natalie Portman, 42. Surprisingly her first genre role was as Taffy Dale in Mars Attacks!, not as Padme in The Phantom Menace for which the fanboys gave her far too much hatred which is what they do when they do not have a real life. She’d repeat that role in Attack of The Clones and Revenge of The Sith and of course get fresh grief from them. She’d next play Evey in V for Vendetta. And she played Jane Foster, a role she played oh magnificently — and got more grief for — first in Thor, then in Thor: The Dark World and then in Avengers: Endgame. She reprised the role in Thor: Love and Thunder, playing both Jane Foster and Thor.

(11) NEW HOMES FOR PULPS. This strikes me as a more elegant (and remunerative) version of “Operation Surprise Package” in Bill, the Galactic Hero. “Sci Fi and Fantasy Pulp/Magazine Subscription (2 Per Package)!” offered by Chris Korczak, Bookseller.

The trouble with Tribbles: Chris Korczak wasn’t sure what to do with the thousands of science fiction and fantasy magazines piling up around him. He’s an antiquarian bookseller in Easthampton, Mass., who specializes in role-playing games and related titles. He knew the old pulp magazines comprised a rich record of the genre’s literary and artistic gems, but finding a buyer for each copy felt impossible. 

Don’t Panic: Korczak recently started offering these old magazines as part of an unusual mail-order service. Subscribers receive two randomly selected issues as often as they’d like for $14.49 per shipment (details). 

The magazines — mostly from the 1970s and ’90s, but some as far back as the 1940s — provide a kind of time travel through the world of science fiction and fantasy. “They’re really cool,” Korczak tells me, “and they’re just jam-packed with good stories by good authors.” A shipment could include copies of Asimov’s Science Fiction, Analog, Argosy, the Magazine of Fantasy & Science Fiction, If, Galaxy and other “smaller print-run publications.” (To be clear: These are not reprints; they’re original issues, some with their old mailing labels still attached.)

The randomness of each shipment is part of the thrill. Korczak estimates that “more than half of the magazines contain authors who are household names.” Subscribers might find stories by Ursula K. Le Guin, Philip K. Dick, George R.R. Martin, Frank Herbert and others. (Of course, mixed among the stars, there’s sure to be some dead planets, too.) 

“They’re so cool when you go through them,” Korczak says. “And the artwork — a lot of good illustrations there that are only on those covers.”

If that sounds enticing, boldly go.

(12) JEOPARDY! David Goldfarb reports on a Jeopardy! sff reference.

In the Double Jeopardy round, Literature for $800:

This writer known for robotic laws (which might come in handy soon) wrote his “Lucky Starr” series as Paul French

Returning champion Suresh Krishnan responded correctly.

(13) LATE NIGHT SNACK. Science’s article “Let there be dark” explains how “Crops grown without sunlight could help feed astronauts bound for Mars, and someday supplement dinner plates on Earth.”

For the first astronauts to visit Mars, what to eat on their 3-year mission will be one of the most critical questions. It’s not just a matter of taste. According to one recent estimate, a crew of six would require an estimated 10,000 kilograms of food for the trip. NASA—which plans to send people to Mars within 2 decades—could stuff a spacecraft with prepackaged meals and launch additional supplies to the Red Planet in advance for the voyage home. But even that wouldn’t completely solve the problem…

…Robert Jinkerson, a chemical engineer at the University of California (UC), Riverside, thinks the answer is for astronauts to grow their own on-board garden—in the dark, with plant growth fueled by artificial nutrients rather than sunlight. It won’t be easy; after all, plants evolved for hundreds of millions of years to extract energy from sunlight. But Jinkerson believes it can be done by reawakening metabolic pathways plants already possess—the same ones that power the germination of seeds buried in the ground and then shut off once a seedling’s leaves start to reach for the Sun. In his vision of the future, electricity from solar panels could transform water and carbon dioxide (CO2) exhaled by a spacecraft’s crew into simple, energy-rich hydrocarbons that genetically modified plants could use to grow—even in the darkness of space or the dim light on Mars, which receives less than half as much sunlight as Earth….

(14) TRAILER PROMOTING BOOK ABOUT FURRIES. Furry Planet: A World Gone Wild by Joe Strike covers a lot of ground.

From a veteran furry comes an immersive entry into the world of furries and furry fandom, with a colorful look at an amazing subculture, the timeless human instinct to identify with animals, and a wealth of photos and illustrations showcasing fursuits and furry art. Furries are the creative subculture of people who identify with animals. You can find them at furry conventions, furfests, worldwide—tens of thousands of people donning their most elaborate fursuit. In costume, at conventions, with friends or alone, furries unleash the animal within, letting their inner beasts roar and their inner cats purr, aware of the power—and joy—to be found in connecting with one’s animal side and encouraging others to do the same. In Furry Planet, long-time furry and a media staple for commentary on the culture, Joe Strike—a certified “greymuzzle,” as older furries are known—dives deep into this compelling subculture to share its appeal and rewards. Strike addresses stigmas and misconceptions head on and traces the history of the culture from forty thousand-year-old lion-man figurines through sixteenth-century legends of monkey kings to modern day television and movies starring anthropomorphized animals living human lives. He shares how furry fandom began in the United States but has spread across the globe and delves deep into the various iterations of the culture today, in the process covering events, media, art, storytelling, community resources, costume creation, and advice for newcomers. An unprecedented in-depth look at this intriguing, offbeat world, Furry Planet is complemented by colorful images throughout and is sure to inform and excite fans of the culture, as well as anyone who has ever been curious about it. Inside you’ll find: Insight into the natural impulse to anthropomorphize animals and the joys of furry culture A fascinating history of furry culture A thorough guide to furry conventions, fursuit costume creation, and resources for furries A wealth of colorful photographs from furfests and of superb fursuits Gorgeous furry artwork Much more!

(15) VIDEO OF THE DAY. In 2020, The Late Late Show with James Corden brought us “Marvel’s Mrs. Maisel: Rachel Brosnahan Enters the Marvel Universe”.

James Corden and Rachel Brosnahan look back on their attempt to bring Midge Maisel into the Marvel Universe. Memories of the chemistry between Thanos and Midge have us all wondering how the mashup never made the screen.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Rich Lynch, Cathy Green, Daniel Dern, Gordon Van Gelder, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/9/23 Professor, I Observed Your Encounter With The Pixel Scroll. Today It Is You Who Learned The Power Of The File. Tomorrow It Will Be The Whole World!

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(1) GRRM ON STRIKE. George R.R. Martin has written two persuasive and informative posts about the WGA strike for Not A Blog which are excerpted here.

In the waning hours of May 1, the Writers Guild of America declared a strike.   The action began on May 2.   There are pickets in front of every studio lot and sound stage in LA, and many in other cities as well.   Get used to them.  I expect they will be there for a long time.

I am not in LA, so I cannot walk a picket line as I did in 1988, but I want to go on the record with my full and complete and unequivocal support of my Guild….

(Many of you will be wondering, rightfully, about the impact of the strike on my own shows.   The second season of DARK WINDS wrapped several months ago.   Post production has been completed on five of the six episodes, and will soon be done on the last.   The show will likely air sometime this summer on AMC.   No decision on the third season will be made until after the strike.   Peacock has passed on WILD CARDS, alas.   A pity.   We will try to place it elsewhere, but not until the strike is over.   The writer’s room on A KNIGHT OF THE SEVEN KINGDOMS: THE HEDGE KNIGHT has closed for the duration.   Ira Parker and his incredible staff of young talents are on the picket lines.   Across the ocean, the second season of HOUSE OF THE DRAGON started filming April 11 and will continue in London and Wales.   The scripts for the eight s2 episodes were all finished months ago, long before the strike began,  Every episode has gone through four or five drafts and numerous rounds of revisions, to address HBO notes, my notes, budget concerns, etc.   There will be no further revisions.   The writers have done their jobs; the rest is in the hands of the directors, cast and crew… and of course the dragons)….

I want to say a few words about what I think is THE most important issue in the current writers’ strike: the so-called “mini rooms” that the Guild is hoping to abolish, and the terrible impact they are having on writers at the start of their careers.

A look at my own career may be instructive.   For the first fourteen years of my career, I wrote only prose; a few novels, and lots of stories for ANALOG, ASIMOV’S, and various other SF magazines and anthologies.   Much as I enjoyed television, I never dreamt of writing for it until 1985, when CBS decided to launch a new version of THE TWLIGHT ZONE, and executive producer Phil DeGuere invited me to write an episode for them.   A freelance script; that was how you began back then.   I decided to give it a shot… and Phil and his team liked what I did.   So much so that within days of delivery, I got an offer to come on staff.   Before I quite knew what had happened, I was on my way to LA with a six-week deal as a Staff Writer, at the Guild minimum salary, scripts against.   (In the 80s, Staff Writer was the lowest rung on the ladder.   You could tell, because it was the only job with “writer” in the title).

…There is no film school in the world that could have taught me as much about television production as I learned on TWILIGHT ZONE during that season and a half.  When TZ was renewed for a second season, I was promoted from Staff Writer to Story Editor.  (More money, and now scripts were plus and not against).   Started sitting in on freelance pitches… and now I was allowed to talk and give notes.   Sadly, the show was cancelled halfway through the second season, but by that time I had learned so much that I was able to go on to further work in television.   I did a couple stories for MAX HEADROOM, but my next staff job was BEAUTY AND THE BEAST.   They brought me on as Executive Story Editor, one bump up from my TZ rank.   Over the next three years, I climbed the ladder, rung by rung:  Co-Producer, Producer, Co-Supervising Producer, Supervising Producer, Co-Executive Producer.   When B&B finished its run, I started writing features and pitching pilots, landed an overall deal at Columbia, created and scripted STARPORT and THE SURVIVORS and FADEOUT… and DOORWAYS, which we filmed for ABC.   I was Showrunner (along with Jim Crocker) and Executive Producer on that one.

That was my first  ten years in television;  1985-1995, more or less, long before HBO and GAME OF THRONES.

NONE OF IT would have been possible, if not for the things I learned on TWILIGHT ZONE as a Staff Writer and Story Editor.   I was the most junior of junior writers, maybe a hot(ish) young writer in the world of SF, but in TV I was so green that I would have been invisible against a green screen.   And that, in my opinion, is the most important of the things that the Guild is fighting for.  The right to have that kind of career path.   To enable new writers, young writers, and yes, prose writers, to climb the same ladder.

Right now, they can’t.   Streamers and shortened seasons have blown the ladder to splinters….  

(2) PULITZER PRIZE. The Pulitzer Prize winners were announced yesterday. Nothing I recognized as being of genre interest. The complete list is at Publishers Weekly: “’Demon Copperhead,’ ‘Trust,’ ‘His Name Is George Floyd’ Among 2023 Pulitzer Prize Winners”. (In case you wonder, Kingsolver’s Demon Copperhead borrows its narrative structure from the Charles Dickens novel David Copperfield, and the blurb doesn’t indicate there is anything supernatural in the story.)

(3) THINKING IS NOT HIS STRENGTH. “Kevin Sorbo’s Bonkers Take On Assault Weapons Gets Instant Fact-Check On Twitter” at HuffPost Entertainment. “The star of the 1990s‘Hercules’TV series hears it from his critics.”

Actor Kevin Sorbo tried a new approach in defending assault weapons amid a wave of mass shootings: They don’t exist.

The star of TV’s “Hercules” in the 1990s but who now focuses on Christian films and right-wing conspiracy theories wrote on Twitter:

Sorbo’s tweet came one day after a gunman killed eight people and wounded seven others at an outlet mall in Texas, and as a recent wave of mass shootings is leading to renewed calls for increased gun control….

(4) HOME ON THE MARTIAN RANGE. “To Live on Mars, Human Architecture Has to Combine Science and Sci-Fi” and Inverse presents a gallery of ideas for doing so.

…In the late 1990s, American architect Constance Adams worked with NASA to design TransHab, a large-scale inflatable spacecraft that would have increased the crew’s living space. While there are many advantages to using lightweight inflatable habitats, Adams once noted that before her creation, the biggest challenges facing space inflatable tech were strength, safety, and their need for a firm structure to maintain the form. With a soft inflatable shell, hard inner structural core, and three roomy levels, TransHab was the first hybrid structure that could be used for a pre-deployable Mars habitat. Although NASA did create a prototype, the project never received the funding it needed to get off the ground….

(5) SPEED READING. The New York Times says “A Faster Delivery for Fans of Manga” is on the horizon.

VIZ Media, a publisher devoted to manga and anime, on Tuesday will begin offering translated chapters of popular manga to audiences in North America on the same day they are released in Japan.

The simultaneous publication of titles through the company’s VIZ Manga app is part of an effort to get manga more quickly into the hands of fans at a time of booming readership, the company said. And it may also help fight pervasive piracy.

“In the last few years, manga became so much bigger,” said Ken Sasaki, the chief executive of VIZ Media, which is based in San Francisco and is a subsidiary of the Japanese publisher Hitotsubashi Group. “I think readers are finally aware that there are so many other genres.”

Manga sales hit $550 million in 2021, said Milton Griepp, the chief executive of ICv2, an ​​online pop culture trade publication, last year at New York Comic Con. Sales jumped 9 percent in 2022, ICv2 reported in March….

(6) MEMORY LANE.

1991 – [Compiled by Cat Eldridge.]

So Mike is picking our Beginnings (for the most part) and I get the great delight of doing the research and writing them up. (Yes, they are written from my viewpoint. How else would I write them up?) His Beginning this Scroll is Nancy Kress’ “Beggars in Spain” novella. (Not the novel of the same name.)

It was published by Axolotl Press thirty-two years ago with a cover illustration by George Barr. 

It won a Hugo at MagiCon as well as Asimov’s Readers, Nebula and SF Chronicle Awards while being nominated for HOMer and Locus awards. The expanded novel that came out under the same title won no Awards.

And now our Beginning…

They sat stiffly on his antique Eames chairs, two people who didn’t want to be here, or one person who didn’t want to and one who resented the other’s reluctance. Dr. Ong had seen this before. Within two minutes he was sure: the woman was the silently furious resister. She would lose. The man would pay for it later, in little ways, for a long time.

“I presume you’ve performed the necessary credit checks already,” Roger Camden said pleasantly, “so let’s get right on to details, shall we, Doctor?”

“Certainly,” Ong said. “Why don’t we start by your telling me all the genetic modifications you’re interested in for the baby.”

The woman shifted suddenly on her chair. She was in her late twenties—clearly a second wife—but already had a faded look, as if keeping up with Roger Camden was wearing her out. Ong could easily believe that. Mrs. Camden’s hair was brown, her eyes were brown, her skin had a brown tinge that might have been pretty if her cheeks had had any color. She wore a brown coat, neither fashionable nor cheap, and shoes that looked vaguely orthopedic. Ong glanced at his records for her name: Elizabeth. He would bet people forgot it often. 

Next to her, Roger Camden radiated nervous vitality, a man in late middle age whose bullet-shaped head did not match his careful haircut and Italian-silk business suit. Ong did not need to consult his file to recall anything about Camden. A caricature of the bullet-shaped head had been the leading graphic for yesterday’s online edition of the Wall Street Journal: Camden had led a major coup in cross-border data-atoll investment. Ong was not sure what cross-border data-atoll investment was. “A girl,” Elizabeth Camden said. Ong hadn’t expected her to speak first. Her voice was another surprise: upper-class British. “Blonde. Green eyes. Tall. Slender.”

“A girl,” Elizabeth Camden said. Ong hadn’t expected her to speak first. Her voice was another surprise: upper-class British. “Blonde. Green eyes. Tall. Slender.” 

Ong smiled. “Appearance factors are the easiest to achieve, as I’m sure you already know. But all we can do about slenderness is give her a genetic disposition in that direction. How you feed the child will naturally—”

 “Yes, yes,” Roger Camden said, “that’s obvious. Now: intelligence. High intelligence. And a sense of daring.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 9, 1860 — J. M. Barrie. Author of Peter Pan, or The Boy Who Wouldn’t Grow Up, which I’ve read a number of times. Of the movie versions, I like Steven Spielberg’s Hook the best. The worst use of the character, well of Wendy to be exact, is in Lost Girls, the sexually explicit graphic novel by Alan Moore (bad script) and Melinda Gebbie (even worse art). If you’ve not read it, don’t bother. If you really must know more about it, here is the Green Man review. (Died 1937.)
  • Born May 9, 1913 — Richard McKenna. His short story “The Secret Place” was a Hugo nominee and won the Nebula.  “Casey Agonistes” (short story) and “Hunter, Come Home” (novelette) are in many anthologies; “Casey” has been translated into French, German, Italian; “Hunter” into French, German, Italian, Romanian; “Secret” into Dutch, German, Italian, Polish.  Cover artist for Volume 3 of the NESFA Press Essential Hal Clement (Variations on a Theme by Sir Isaac Newton).  Best known outside our field for The Sand Pebbles which I’ve read and must say is rather excellent. (Died 1964.)
  • Born May 9, 1920 — William Tenn. Clute says in ESF that “From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.” That pretty sums him up I think.  All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. He’s very, very well stocked at the usual suspects. (Died 2010.)
  • Born May 9, 1925 — Kris Neville. His most well-remembered work, the “Bettyann” novella, is a classic of science fiction. It would become part of the Bettyann novel, a fix-up of it and “Overture“, a short story of his. He wrote a lot of rather great short fiction, much of which can be in the posthumous The Science Fiction of Kris Neville, edited by Barry N. Malzberg (who greatly admired him) and Martin H. Greenberg, and more (some overlapping with the first collection) Earth Alert! and Other Science Fiction Tales. He’s not alas widely available at the usual suspects. (Died 1980.)
  • Born May 9, 1926 — Richard Cowper. The White Bird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading.  It appears that all of them are available from the usual digital suspects. (Died 2002.)
  • Born May 9, 1929 — Richard  Adams. I really loved Watership Down when I read it long ago — will not read it again so the Suck Fairy may not visit it. Reasonably sure I’ve read Shardik once but it made no impression one way or the other.  Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
  • Born May 9, 1951 — Geoff Ryman, 72. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song is set during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel. And let’s not overlook that The Child Garden which bears the variant title of The Child Garden or A Low Comedy would win the Arthur C. Clarke Award for Best SF Novel. 

(8) COMICS SECTION.

  • Eek! shows Count Dracula was scarred by childhood.
  • Get Fuzzy’s absurd pet humor cannot easily be explained, but I laughed anyway.
  • Lio’s elementary school is named for a good friend of Ray Bradbury’s.

(9) JEOPARDY! [Item by David Goldfarb.] After a little bit of a drought, today’s episode had a number of SFF-related clues.

In the single Jeopardy round:

Yeet! for $600: In “2001” this computer yeets Frank Poole off into space but still has Dave to contend with

Returning champion Hannah Wilson knew HAL 9000.

Yeet! for $1000: In Greek myth, after he was born lame, his mom yeeted him out of heaven, but he returned & made Hermes’ winged helmet

Juveria Zaheer tried, “What is Vulcan?” but this Roman equivalent was not accepted. Sami Casanova got the money with “Who is Hephaestus?”.

Children’s Lit for $1000: Though he comes from another world, not from France, this diminutive guy appeared on the 50-franc note for many years

This was a Daily Double for Sami and she correctly responded with “The Little Prince”.

In the double Jeopardy round:

Futility for $2000: Harry Potter might have a better chance of turning metals to gold using this medieval substance from alchemy, also called the tincture

A triple stumper: they were looking for the Philosopher’s Stone. Perhaps people in England might have had a better chance with this one.

What Kind of TV Place Do You Live In? for $2000: Commander Sheridan & the gang on “Babylon 5” (an inaccurate question! Sheridan had the rank of captain. It was season 1’s Sinclair who was a commander.)

Hannah tried: “What is a spaceship?”. Mayim Bialik prompted on that, “More specific?”, which surprised me — I would have just called that wrong. After the prompt, Hannah went to “What is a space station?” and was counted right.

Futility for $400: Always armed with the catchphrase no one in the “Star Trek” world wanted to hear, the Borg let it be known that this “is futile”

Juveria responded, “What is resistance?”

(11) DON’T LOOK UP? [Item by Mike Kennedy.] A New Jersey homeowner, and his family, returned to find something had broken into the house. Yep, something, not someone. An apparent meteorite had crashed through the roof, broken through an upper floor bedroom ceiling, banged off the floor, and hit the ceiling again before coming to a stop. “Possible meteorite strikes New Jersey home, officials say” at CNN.

What could be a meteorite struck a home in Hopewell Township, New Jersey, authorities said Monday. The metallic object crashed through the roof of a house and ricocheted around a bedroom. No one was in the bedroom at the time of the incident, and no injuries were reported.

Police are still working to determine the precise nature of the object, though officials suspect it is related to the current meteor shower, called the Eta Aquariids, according to a statement from the Hopewell Township Police Department in New Jersey.

The Eta Aquariid meteor shower is an annual phenomenon in which debris from the famous Halley’s Comet rains down into Earth’s atmosphere. The celestial event was expected to peak this past Saturday, according to American Meteor Society predictions, though it will last through May 27.

“I did touch the thing because I just thought it was a random rock,” Suzy Kop, a local resident who said the rock fell through the roof of her father’s bedroom, told CNN affiliate KYW-TV in Philadelphia. “And it was warm.”

“I just thank God that my father was not here. No one was here,” she added. “You know, we weren’t hurt or anything.”…

(12) RECOMMENDATIONS FROM THE PUBLIC DOMAIN. At Open Culture, “Neil deGrasse Tyson Lists 8 (Free) Books Every Intelligent Person Should Read”. This is a 2011 post, however, it’s not like these books will have been superseded since then – the most recent title is Darwin’s On the Origin of Species.

A Reddit.com user posed the question to Neil deGrasse Tyson: “Which books should be read by every single intelligent person on the planet?”

Below, you will find the book list offered up by the astrophysicist, director of the Hayden Planetarium, and popularizer of science….

(13) CAN YOU BELIEVE IT? [Item by SF Concatenation’s Jonathan Cowie.] I found out what all the commotion was about [why the library was closed] — it was Charles (the artist formerly known as Prince) being coronated the next day. Sadly my invite to the abbey appeared to have got lost in the post.  That’s the Royal Mail for you….

(14) VIDEO OF THE DAY. Honest Trailers seeks the truth about “The Mandalorian Season 3”. But it’s not easy to find!

…After parting ways with baby Yoda in season two Disney took one look at the toy sales and said, um, no. No. It may not be super clear why they’re still together. Make up your mind whether he’s an actual baby or just a baby they’re forcing to be a Child!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, David Goldfarb, Daniel Dern, SF Concatenation’s Jonathan Cowie, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/2/23 Rejoice, Glory Is Ours, Our Pixels Have Not Died In Vain. Their Graves Need No Flowers, The Files Have Recorded Their Names

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(1) WRITERS GUILD STRIKE BEGINS. “Hollywood writers strike over streaming pay after talks fail” reports the LA Times.

A festering dispute over how writers are compensated in the streaming era came to a head Monday night, as leaders of the Writers Guild of America called on their members to stage Hollywood’s first strike in 15 years.

The boards of directors for the East and West Coast divisions of the WGA voted unanimously to call a strike effective 12:01 a.m. Tuesday, the union said in a statement.

Thousands of WGA members were set to walk picket lines across Los Angeles, New York and other cities Tuesday after the union was unable to reach a last-minute accord with the major studios on a new three-year contract to replace one that expired Monday night.

“The companies’ behavior has created a gig economy inside a union workforce, and their immovable stance in this negotiation has betrayed a commitment to further devaluing the profession of writing,” the WGA said in a statement. “No such deal could ever be contemplated by this membership.”

In a statement, the Alliance of Motion Picture and Television Producers said it offered “generous increases in compensation for writers as well as improvements in streaming residuals.”

The alliance, which bargains on behalf of the major studios, said it was prepared to improve the offer but was “unwilling to do so because of the magnitude of other proposals still on the table that the Guild continues to insist upon.” The alliance said primary sticking points included the guild’s demands over mandatory staffing levels and duration of employment.

Writers are seeking a larger slice of the streaming pie that has dramatically transformed the television business. They voted by a historic margin in favor — 98% to 2% — to grant a strike authorization sought by their leaders if they couldn’t reach a deal on a new film and TV contract on behalf of 11,500 members.

The walkout, which could last for weeks or months, is expected to halt much of TV and film production nationwide and reverberate across Southern California, where prop houses, caterers, florists and others heavily depend on the entertainment economy. The previous writers strike in 2007 roiled the industry and lasted 100 days….

(2) IT’S ON. WGA member Craig Miller has a lot of experience with strikes over the decades, which he shares on Facebook before making predictions about the latest one.

At a WGA Board of Directors Meeting in 1988, my membership (among a group of others) was approved by the Board. At that same meeting, the Board voted to go out on strike. “Congratulations! You’re now a member. Grab a sign!”

Despite being a new member, I soon found myself a Strike Team Captain, coordinating a group of members on when and where they’d been assigned to picket, making sure they were informed of any status changes in the strike and negotiations, etc. This because Larry DiTillio and other animation writer friends had already been members and themselves were involved in “working” the strike. I still have the “Band of Brothers – Henry V” medal given out by our then-Executive Director Brian Walton to many of us involved with that strike….

(3) LITERARY AUTOPSY. Oghenechovwe Donald Ekpeki introduced this article on Facebook with the comment, “I really really wanted to dislike this piece. With the name. I honestly tried. But by the end of it, there’s almost not one thing that I can definitely disagree with, without reaching enough, to be completely dishonest.” “The Death Of Nigerian Literature” by Oris Aigbokhaevbolo at Efiko Magazine.

…As it was once, so it is again: Any young Nigerian stubborn, foolish, and blind enough to insist on writing as a career must go it on her own, with neither a national guide nor an international map—so that you could say that to be a Nigerian writer today is to live a peculiar loneliness. But that’s not the whole truth. Nigerian writers are very much united—in spirit—because whether based outside of the country or inside of it, the Nigerian writer is not heavily involved in the production of literary writing anymore. To be a Nigerian writer these days is not to be a writer at all. To be a Nigerian writer is to be a teacher abroad, a tech employee, a “comms” consultant, a social media handler. Although a meeting was never held, we agree that there are more important things to do, to be, and, to become….

(4) WHEN THREE FEET IS NOT A YARD. Bradford, a city that has had two UK Eastercons, annually holds the Bradford Literature Festival. They used AI art for their promotional material and it’s caused a bit of upset. Twitter user Emmaillustrate noted the 3 feet in one image…. 

The BLF tweeted this statement in reply:

“BLF appreciates that AI is a very fast moving and contentious subject right now for all creatives. Our creative agency, Lazenby Brown, used AI for early source images which their illustrator then augmented to create our beautiful new artwork. We believe that these images fully reflect our inclusive ethos, our city and its people. We choose to work directly with illustrators, and a huge range of creative individuals from across the globe, to share, amplify and develop creative discussion and inclusion.”

(5) FUTURE TENSE. “Escape Worlds”, about video games, uncanny personalized media, and the futility of escape, by K Chess, author of the fantastic novel Famous Men Who Never Lived, is the April 2023 entry in the monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

 It was published along with a response essay “How designers personalize video games” by video game designer Liz Fiacco, who has worked on games including The Last of Us: Part II and Kena: Bridge of Spirits.

It changed my life. These are the words that every working artist, no matter the medium, wants to hear at some point. Everyone has at least one piece of art—a formative album, a deeply felt novel, a visit to grand architecture, a powerful movie—that strikes them at the right time, in the right way, so that the impact lasts forever.

While a novelist or film crew have to do their best to make a story that is personal and honest and hope that it is relatable, game designers have the opportunity to co-author an experience with the players. This opportunity for participation is what drew me into the craft. A game can mold itself to make moments strikingly personal, unique, and, yes, life-changing. There’s less reliance on happenstance that the right person will meet your game at the right time; as a game developer, I have tools to reach out and meet each player where they are….

(6) CHEAP AT TWICE THE PRICE. CBR.com’s Isaac Williams names the “10 Best Sci-Fi Series With The Worst Special Effects”.

Science fiction is more demanding than many other genres of fiction. Its fantastical technology, esoteric settings, and non-human creatures all require special effects to produce. Science fiction media has higher budget requirements even before factoring in cast members, props, and more.

This is especially true of television, which has to create more material than a film with less budget. Some of sci-fi’s most beloved properties can be found on television despite the inherent challenges. Many television shows do admirable work with their budget and create realistic special effects. In other cases, the effects are a weak point despite the show’s quality….

At number nine on his list is —

Doctor Who

Plenty of beloved sci-fi shows are decades old. This naturally limits their special effects, with CGI coming on leaps and bounds in recent years. Nonetheless, many shows look good, particularly for their time, through heavy use of practical effects over computer-generated ones. Doctor Who‘s effects, however, have always been inconsistent.

Classic Doctor Who monsters range from the iconic and intimidating design of the Daleks to obvious props spray-painted a strange color. Even the modern version isn’t safe. The early seasons of Doctor Who‘s reboot are infamous for their cheesy and unrealistic monsters. This doesn’t detract from the show’s strong writing in either era, however.

(7) MEMORY LANE.

2018 – [Compiled by Cat Eldridge.]

Peter Watts is one of those authors that I’ve enjoyed immensely whenever I’ve encountered his fiction which was fairly often. He started his long career almost a quarter of a century ago with his Starfish novel. It generated two sequels, Maelstrom, βehemoth: β-Max (and βehemoth: Seppuku). The latter are actually one novel that the publisher split into two works. 

Really mild spoiler here. I say only because it’s not revealed in the Beginning.

The Freeze-Frame Revolution is one of the novels in the Sunflower series which concerns the voyage of a jumpgate-building ship named Eriophora. 

End really mild spoiler.

It was published by Tachyon Publishing in 2018. It was nominated for a John W. Campbell Memorial Award. 

And now for a most interesting Beginning….

BACK WHEN WE FIRST SHIPPED OUT I played this game with myself. Every time I thawed, I’d tally up the length of our journey so far; then check to see when we’d be if Eriophora were a time machine, if we’d been moving back through history instead of out through the cosmos. Oh look: all the way back to the Industrial Revolution in the time it took us to reach our first build. Two builds took us to the Golden Age of Islam, seven to the Shang Dynasty. 

I guess it was my way of trying to keep some kind of connection, to measure this most immortal of endeavors on a scale that meat could feel in the gut. It didn’t work out, though. Did exactly the opposite in fact, ended up rubbing my nose in the sheer absurd hubris of even trying to contain the Diaspora within the pitiful limits of earthbound history. 

For starters, the Chimp didn’t thaw anyone out until the seventh gate, almost six thousand years into the mission; I slept through almost all of human civilization, didn’t even wake up until the fall of the Minoans. I think Kai may have been on deck for the Pyramid of Cheops, but by the time Chimp called me back from the crypt we were all the way into the last Ice Age. After that we were passing through the Paleolithic: five thousand gates built—only three hundred requiring meat on deck—and we’d barely finished our first circuit of the Milky Way. 

I gave up after Australopithecus. It had been a stupid game, a child’s game, doomed from the start. We were just cavemen. Only the mission was transcendent. 

I don’t know exactly what moved me to pick up that kiddie pastime again. I’d learned my lesson the first time around, and space itself has only grown vaster in the meantime. But I gave it another shot, after everything went south: called up the clocks, subtracted the centuries. We’ve been around the disk thirty-two times now, left over a hundred thousand gates in our wake. We’ve scoured so many raw materials that God, looking down from overhead, could probably trace out our path by the jagged spiral of tiny bubbles sucked clean of ice and gravel. 

Sixty-six million years, by the old calendar. That’s how long we’ve been on the road. All the way back to the end of the Cretaceous. 

Give or take a few millennia, the revolution happened on the day one of Eriophora’s pint-sized siblings punched Earth in the face and wiped out the dinosaurs. I don’t know why, but I find that kind of funny.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 2, 1921 — Satyajit Ray. His Professor Trilokeshwar Shonku stories , throughly throughly Hindi, are based on a character created by Arthur Conan Doyle,  Professor Challenger. You can find most of his fiction translated into English in Exploits of Professor Shonku: The Diary of a Space Traveller and Other Stories (Satyajit Ray and Gopa Majumdar). (Died 1992.)
  • Born May 2, 1924 — Theodore Bikel. He was on Next Generation playing the foster parent to Worf in the “Family” episode playing CPO Sergey Rozhenko, retired. That and playing Lenonn in Babylon 5: In the Beginning are the roles I want to note. Bikel also guest-appeared on The Twilight Zone in “Four O’Clock” as Oliver Crangle. Well there is one minor other role he did — he voiced Aragorn in the animated The Return of the King. By the way, Theodore Bikel’s Treasury of Yiddish Folk & Theatre Songs is quite excellent. (Died 2015.)
  • Born May 2, 1925 — John Neville. I’ve mentioned before that Kage considered Terry Gilliam’s The Adventures of Baron Munchausen to be one of her favorite films and John Neville was one of the reasons that she did so. You can read her review here. Among his other genre roles, Neville had a prominent recurring role in The X-Files as The Well Manicured Man. And he showed up playing Sir Isaac Newton on The Next Generation in the “Descent” episode. (Died 2011.)
  • Born May 2, 1938 — Bob Null. Very long-time LASFS member who was the club’s VP for an equally long period. Fancyclopedia 3 say that “He also sat on the Board of Directors, and frequently handled logistics for local conventions including both Loscon and local Worldcons, and was always one of those nearly invisible hard-working people who make fandom work. He is a Patron Saint of LASFS.” (Died 2010.)
  • Born May 2, 1942 — Alexis Kanner. His first genre appearance was on The Prisoner where he so impressed McGoohan in the “Living in Harmony” episode that he created a specific role for him in the series finale, “Fall Out” where he stands trial. He also has an uncredited role in “The Girl Who Was Death” in that series. His final known acting role was as Sor in Nightfall based off the Asimov story of the same name. (Died 2003.)
  • Born May 2, 1946 — David Suchet, 77. Rather obviously better remembered as Hercule Poirot, and I’d be remiss not to note all twelve series and specials are available on the BritBox streaming service. Yes, it’s on my list on things to watch. Now, he does show up on in a Twelfth Doctor story, “Knock Knock,” simply called Landlord.  Don’t let don’t deceive you as he has a major role there. He’s appeared in some other genre work from time times to time including Greystoke: The Legend of Tarzan, Lord of the Apes, Harry and the Hendersons, Dr. No: The Radio Play, Wing Commander, Tales of the Unexpected and Peter Pan Goes Wrong. 
  • Born May 2, 1946 — Leslie S. Klinger, 77. He is a noted literary editor and annotator of classic genre fiction. He is the editor of The New Annotated Sherlock Holmes, a three-volume edition of Arthur Conan Doyle’s Sherlock Holmes fiction with extensive annotations, and an introduction by John le Carré. I’d also like to single out him for his The Annotated Sandman, Vol. 1, The New Annotated Frankenstein and The New Annotated H. P. Lovecraft. 

(9) COMICS SECTION.

  • Tom Gauld has an encouraging word.
  • Tom Gauld eavesdrops on an editorial meeting.

(10) DINNER THEATRE. [Item by Mike Kennedy.] At Vulture, a collection of writers describe how they would fillet, stuff, sauté, roast, skewer, or otherwise prepare for your dining pleasure the supporting cast of Disney’s new, live action, The Little Mermaid. Mind you, these are primarily CGI characters. Primarily, but not completely. “How to Prepare and Eat The Little Mermaid Cast”. [Editorial note: Some kind of trigger warning may be called for here.]

Flounder.

In the interest of preserving as much of Flounder’s character and dignity as possible, my recommendation here is to prepare and serve him whole. It’s important to capture the essential qualities of each ingredient, and the essential quality here is “CGI fish with a face designed to communicate a bare minimum of human expression,” so be careful to keep the whole head on during the cooking process. Beyond that, you have a few possible routes: Score the skin and broil him if you’re more focused on a crispy flounder skin, but stuff and roast him if you’re more excited about tender flounder flesh. I’m personally into the roasting model, and my preference would be to stuff Flounder’s insides with lemon, garlic, and as many fresh herbs as you can cram in there — dill is classic, but any combination you like will work — then roast him on a baking sheet. If you wanted to get very fancy, though, you could throw some Sebastian in there for a double-seafood treat! —Kathryn VanArendonk 

(11) JEOPARDY! [Item by David Goldfarb.] You wouldn’t think there’d be much SFF content in a “Nonfiction” category, but at the $1200 level (the middle, this being Double Jeopardy):

Nonfiction, 1200: In Jo Walton’s novel “The Just City”, Athene creates a community based on this Plato work of philosophy

Nobody was able to guess “The Republic”.

I’m pretty sure that this is the first time a book I beta-read has been mentioned on the show.

(12) AVOIDING MARTIAN POTHOLES. [Item by Mike Kennedy.] The Mars rover Curiosity has been in operation for about eleven and a half years, but that doesn’t mean it can’t learn a little something from a younger sibling. Perseverance, which is only a little over five years into its mission, has more modern obstacle avoidance/navigation software. Lessons from this have been incorporated into the latest software update for Curiosity. “How A Software Update Could Help The Curiosity Rover Travel Across Mars Faster” at SlashGear.

As advanced as the robotic rovers which explore Mars are, one thing that might surprise you is how slowly they travel. The NASA Curiosity rover, for example, has a top speed of less than 0.1 mph, far less than the typical human walking speed of 3 mph. Even though it could theoretically travel more than one hundred meters in a day, it typically travels just a few hundred meters per month.

That’s because the drivers who control the rover are very careful with it, avoiding any hazards which could potentially damage the rover — being especially aware of potential harm to its wheels, which are already damaged from its 11 years of travel across the Red planet. They need to avoid obstacles like large boulders and potential dangers like sharp rocks named gator backs for their rough surfaces, while still visiting sites of interest like climbing up the steep slopes of Mount Sharp, also known as Aeolis Mons, a mountain located within the crater whose layers represent millions of years of deposits….

(13) VIDEO OF THE DAY. Ryan George explains why “Psychic Powers Always Give You A Little Nosebleed”. Um, since you asked, yes, this is a grotesque set of visuals.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Joey Eschrich, You Didn’t Get This From Me, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 11/2/22 Please Send In Two Hypercube Tops As Proof Of Ob, To Receive Your Free Pixel Scroll Title

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(0) SCROLL LITE. Still full of symptoms, but a bit more energetic than yesterday. Yay!

(1) WHAT DO YOU KNOW? You can catch up on the results of two genre-oriented trivia events at LearnedLeague.

The One-Day Special quiz for The Last Unicorn has now concluded, and the questions can be seen by the general public. Here’s a link to it. Filer David Goldfarb got 10/12 right, ranking 36th out of 247 players.

Here’s another LearnedLeague quiz, about Octavia Butler. You can find it by following this link. Goldfarb got 11/12 on that one, ranking 14th out of 356.

(2) MEMORY LANE.

2019 — [By Cat Eldridge.] In Dublin 2019 which was forty-nine years after she got her first Hugo at Heicon ‘70 for The Left Hand of Darkness, Ursula Le Guin would receive her final Hugo for The Books of Earthsea: The Complete Illustrated Edition. It came on the 50th anniversary of first publication of A Wizard of Earthsea.

The original novels that comprise this lovely work, beginning with A Wizard of Earthsea (1968), The Tombs of Atuan, (1970) and The Farthest Shore (1972), were amazingly, at least to my thinking, not nominated for Hugos.

I’ve got a copy and I can say that is is indeed a stellar work. There’s an introduction done by her for this edition also  It also includes Tehanu, The Other Wind, “The Daughter of Odren” novelette, the Tales From Earthsea collection and two short stories, “The Rule of Names” and The Word of Unbinding”. It also “Earthsea Revisioned: A Lecture at Oxford University”, her lecture there. 

There were among fans online complaints about its price. Really? You got five novels plus other goodies in an oversized lavishly illustrated volume that was immediately a collectors item and you’re complaining? Proof that some fans are born kvetchers. 

It was not awarded a Best Novel Hugo but instead was awarded Best Art Book with its illustrations being by Charles Vess who won Best Professional Artist  that same year. Vess has illustrated a lot of the work of Charles de Lint including A Circle of Cats and The Cats of Tanglewood Forest.

(3) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 2, 1913 — Burt Lancaster. Certainly being Dr. Paul Moreau on The Island of Doctor Moreau was his most genre-ish role but I like him as General James Mattoon Scott in Seven Days in May. And, of course, he’s really great as Moonlight Graham in Field of Dreams. (Died 1994.)
  • Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove.  He’s been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.)
  • Born November 2, 1941 — Ed Gorman. He’d be here if only for writing the script for the  Batman: I, Werewolf series in which Batman meets a werewolf. Very cool. More straight SFF is his Star Precinct trilogy with Kevin Randle which is quite excellent, and I’m fond of his short fiction which fortunately is showing up in digital form at the usual spots. (Died 2016.)
  • Born November 2, 1942 — Stefanie Powers, 80. April Dancer, the lead in The Girl from U.N.C.L.E. which lasted just one season. Did you know Ian Fleming contributed concepts to this series and The Man from U.N.C.L.E. as well?  She would play Shalon in the crossover that started on The Six-Million Man and concluded on The Bionic Woman called “The Return of Bigfoot”. 
  • Born November 2, 1942 — Carol Resnick. 80. Wife of that Resnick who credited her according to several sources with being a co-writer on many of his novels. He also credited her as being a co-author on two movie scripts that they’ve sold, based on his novels Santiago and The Widowmaker. And she’s responsible for the costumes in which she and Mike appeared in five Worldcon masquerades in the Seventies, winning awards four times.
  • Born November 2, 1949 — Lois McMaster Bujold, 73. First let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. She joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster.
  • Born November 2, 1959 — Peter Mullan, 63. Actor and Filmmaker from Scotland whose first genre role is in FairyTale: A True Story, which is based very loosely based on the story of the Cottingley Fairies (and which makes for interesting reading, if you have the time). He played Corban Yaxley in both parts of Harry Potter and the Deathly Hallows, and is currently in a recurring role on the Westworld series as the James Delos character.

(4) COMICS SECTION.

(5) THE CHASE. This is the best thing I’ve seen today!

(6) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King dropped this Lovecraft parody on Saturday.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]