(1) PRH PLANS EDITION OF A FAMOUS POTTER FANFIC. [Item by Anne Marble.] Penguin Random House (through Del Rey) is going to publish a revised version of “Manacled,” a very famous Harry Potter fanfic. This is a Hermione plus Draco (Dramione) fan fiction with a lot of trigger warnings. The author, SenLinYu, announcd this on Tumblr:
I’m excited to announce that I have signed a book deal with Del Rey at Penguin Random House in the US and Michael Joseph in the UK for my debut novel, Alchemised, a standalone dark fantasy set in a war-torn world of necromancy and alchemy, in which a healer with amnesia is taken as a prisoner of war and must fight to protect her lost memories and the secrets hidden among them. It will grapple with themes of trauma and survival, legacy, and the way that love can drive one to extreme darkness, and it is, as you may be able to tell, a reimagined version of Manacled.
I know I’ve been rather quiet about my publishing journey, and a lot of that has been because I didn’t want to spark any concerns or worry that I might be abruptly taking away a story that is such a deep part of myself and that I know has meant so much to so many people. This process has unfolded very slowly and quietly because I have tried to be mindful as I could be in every step of the way.
As most of you know, I have been a reader in fandom long before I ever began to write. Fanfiction is incredibly special to me, and I have tried to do my best not to undermine its legal protection or allow my works to do so either. During the last several years, there has been a growing issue with illegal sales of Manacled, putting both me and the incredible community that shares fanfiction freely in legal jeopardy.
After consulting with the OTW as well as other lawyers, it has grown clear that as a transformative writer I have limited options in protecting my stories from this kind of exploitation, but I wasn’t sure what to do; I didn’t want to just take the story down, in part because I worried that might only exacerbate the issue, but I didn’t know what other options I had. Then I suddenly had this idea of alchemy, which was peculiarly appropriate; an academic world filled with unique transmutational abilities, and a necromantic war against people who had discovered the secrets of immortality, and I could see a path to reimagining the story while still holding on to as much of the original spirit of Manacled as possible.
I began redrafting the concept privately around Christmas 2022, and then as if the universe had aligned, just as I was finishing, Caitlin Mahony and Rivka Bergman of WME reached out to me and were delightfully enthusiastic about concepts and ideas for my new alchemical world and the ways I had reimagined the story.
I’m thrilled to be working with Emily Archbold, my visionary editor at Del Rey, along with Rebecca Hilsdon at Michael Joseph in the UK, to polish this novel for publication in Fall 2025. I feel uniquely privileged that both my publishing teams are familiar with Manacled and understand how special it is to so many people, and how important it is that this reimagining captures the same spirit while also having its own wings.
Manacled is not going anywhere at present. It will remain online throughout 2024, at which point it will, if you’ll pardon the pun, alchemise for 2025 and be removed from AO3….
The revised version is described as “Alchemised, a standalone dark fantasy set in a war-torn world of necromancy and alchemy, in which a healer with amnesia is taken as a prisoner of war and must fight to protect her lost memories and the secrets hidden among them.” As far as I know, it will be published under the name SenLinYu — just like the original fan fic. A lot of people are happy for the author. They are happy she is finally going to get paid for her work. They also see it as Penguin Random House banking on the popularity of her fanfic.
senlinyu getting a publishing deal to make manacled a real book I’m so emotional rn she deserves this so much (and so do I for being victimized by her writing) pic.twitter.com/uKVAXIXGbk
One aspect that drove the author’s decision is that “Manacled” is so popular that some people have resold it online without the permission of the author. However, those sales are illegal, and they jeopardize both the original author and the fanfic community. The author mentioned that she consulted with the Organization for Transformative Works (OTW) as well as lawyers about how to protect herself. So she decided to revise the fanfic and turn it into a new work. It will be sold in 2025. Until then, the original fanfic will still be available on A03. This news is not without its critics. First, a number of posts have accused the author of ripping off The Handmaid’s Tale alongside the Harry Potter elements. I haven’t read the fanfic, so I’m not sure how close it gets. From what I understand, there is a “concubine” element. (It seems a lot of dystopias have borrowed heavily from A Handmaid’s Tale in recent years.)
Manacled being published as official work feels so tacky to me considering it copied world building of two popular fictional works like harry potter and handmaid’s tale. If I was an author I would sue that shit so fast
One poster got truly angry about this upcoming publication, calling the author a “freak” and a “horrible person” for romanticizing abuse. I’m sure this won’t be the only complaint along these lines. I’m torn with that sort of take. Yes, maybe some readers might get the wrong idea from reading a very dark story. But maybe we’re not giving readers (even young ones) enough credit.
(2) DON’T LET KIDS GET SMARTER. “LeVar Burton’s Banned Book Rainbow” is a show-within-the-show on Jimmy Kimmel Live, beginning at the 11:05 mark:
(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Isabel Yap and Randee Dawn in person at the KGB Bar on Wednesday, February 14 starting at 7:00 p.m. Eastern.
ISABEL YAP
Isabel Yap is the author of Never Have I Ever: Stories, which was published by Small Beer Press in 2021, and was named one of the 2021 Best Books for Adults by the New York Public Library. Her work has appeared in venues including Tor.com, Lithub, and Year’s Best Weird Fiction. Her collection won the British Fantasy Award, and was a finalist for the Ignyte, Locus, Crawford, and World Fantasy Awards. By day she works in the tech industry as a Product Manager. She likes visiting museums, playing the ukulele, and commiserating with others about how hard it is to write books.
RANDEE DAWN
Randee Dawn is the author of the bestselling novel Tune in Tomorrow, which was a finalist in the 2023 Next Generation Indie Awards. Her latest story, “The Fifth Horseman,” appears in the new anthology The Four ???? of the Apocalypse. Her stories have also appeared in Soul Scream, Horror for the Throne, and Even in the Grave, and she is the co-editor of Across the Universe: Tales of Alternative Beatles. An entertainment journalist who writes for the Los Angeles Times, Variety, and other publications, Randee lives in Brooklyn with her spouse and a fluffy, sleepy Westie.
Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)
(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Observations from Hugo winner Ling Shizhen regarding the trophies
As yet, I’ve not noticed any Chinese coverage of the core part of Chris M. Barkley’s interview with Dave McCarty on Weibo, perhaps because of the initial lack of transcripts making that less accessible to non-native speakers, plus I’m uncertain how accessible SoundCloud, Google Drive, etc are to Chinese users. (Google Drive I’m fairly sure is inaccessible in China without workarounds)
However, the notes at the end of Chris’ piece, regarding damage to the trophies that were shipped to the US, have garnered some discussion.
One of my Chinese SF friends made me aware that Best Fanzine co-winner Ling Shizhen had spoken on WeChat about the subject. I don’t personally have access to that app, nor did I have alternative contact details for Ling, so I reached out to RiverFlow to see if I could get more information which I might be able to share more widely.
Here is the the subsequent response from Ling via RiverFlow, firstly in the original Chinese, and then a machine translation via DeepL, with minor manual edits for phrasing.
On 22nd October 2023, I arrived in Chongqing from Chengdu [a journey of approximately 300km per Google]. During the journey, my bag was stuffed to the brim, so I basically held the trophy in my hand to prevent it getting damaged, and although it felt heavy, the trophy was fine.
When I returned to Shanghai from Chongqing [a distance of just under 1,700km per Google], I couriered back a large number of items I received at the 2023 Chengdu World Science Fiction Convention, so I thought it would be better to put the trophy in my backpack. After the trophy was properly placed, I was careful all the way, and it endured nothing worse than the inevitable bumps of walking and trains.
After arriving home, I found that there was a problem: the connection between the “stargate” and the base of the trophy had loosened up in a way that I had not been seen before, and the “stargate” was a bit shaky. It was only then that I realised that the “stargate” was not completely welded to the base of the trophy. So I think it would have been better to go all the way back to Shanghai from Chongqing carrying it by hand. At least my personal experience shows that this trophy is not very contact-friendly.
Many thanks to Ling Shizhen and RiverFlow for getting back to me so promptly, and for providing the information I requested.
Ling Shizhen and RiverFlow receiving the 2023 Hugo Award for Best Fanzine. Image from the 2023 Hugo Ceremony video streamClose up of the 2023 Hugo base, taken from the 2023 Worldcon Opening Ceremony video stream, previously published in the 2023-10-18 Pixel Scroll.
The story of a half fairy, half human woman has gripped UK book buyers this week, as a novel about the hybrid heroine shot to the top of the bestseller chart.
House of Flame and Shadow by Sarah J Maas, the third book in the Crescent City series featuring Bryce Quinlan, has become the third fastest-selling science fiction and fantasy title since records began since its publication on 30 January.
Maas sold 44,761 copies of the new title in the week of its launch, coming in behind Terry Pratchett’s 2011 book Snuff with 54,687 launch week sales and Rebecca Yarros’s Iron Flame which saw a record-setting 57,055 sales last November, according to the Bookseller.
Maas and Yarros are driving a surge in popularity of the “romantasy” genre, which blends elements of romance and fantasy and has attracted huge numbers of readers through social media recommendations, particularly via TikTok. Videos with hashtags related to Maas have been viewed more than 14bn times, her publisher Bloomsbury said.”
(6) USED OR OVERUSED? At the Fantast Author’s Handbook, Philip Athans challenges the use of particular word: “Active Search: Because”.
…I want to talk about the word “because.” I think “because,” which like all words is perfectly fine and in no way “banned,” sometimes—actually, fairly often—sounds clunky….
(7) COLLINS FUNDRAISER. Horror author, comics creator, and File 770 news contributor Nancy Collins was hospitalized earlier this week with blood clots in one lung, and as she says in the title of her GoFundMe, “What Doesn’t Kill Me Leaves Me With Medical Bills”.
This past Saturday (February 3rd, 2024) I woke up to discomfort in my left chest every time I inhaled. As the day went on I experienced increasing pain that radiated into my armpit and through my left shoulder, accompanied by extreme exhaustion. That evening I drove myself to the E.R. at a hospital near my house here in Macon, GA. By that point I thought I was having some kind of cardiac episode, as my mother’s side of the family had a long history of heart issues.
Within 30 minutes of being taken into the exam area, I was screaming in agony and could no longer sit up. Being kept prone helped alleviate the intensity of the pain, but breathing was still an issue.
An EKG, a set of Xrays, and a MRI scan later, I was told I wasn’t having a heart attack. However, I did have a blood clot in my lower left lung–actually, several small ones, according to the doctor. He said that if I hadn’t come in when I did Saturday night, odds are I would not have woken up Sunday morning.
They admitted me into the hospital, where I was ordered bed rest, pumped full of blood thinners, and then underwent several ultrasounds. They kept me over the weekend, finally releasing me Monday evening with several prescriptions and an outpatient appointment with a hematologist. I suspect I will be on blood thinners for the rest of my life. (I know, ironic for someone best known for writing vampire stories. Even more ironic–the clots appear to be the result of me sitting too long in front of my laptop while writing. )
I’m setting up this campaign to help with the medical bills from this unexpected reminder that I am no longer a spring chicken. While I have medical insurance, it ain’t all that and a bag of chips. I’m still on the hook for 25% of my treatment–possibly more, if it turns out any of the physicians, technicians, or laboratories who handled my case happen to be out-of-network.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 7, 1960 — James Spader, 64. How can I not do the Birthday of James Spader, the performer who played Dr. Daniel Jackson, Egyptologist in Stargate? Yes, I’m really fond of that film. And yes, I am equally fond of the Stargate SG-1 franchise.
His first SF film actually came as a starring role as Joey Callaghan in Starcrossed where an alien woman is running from a deadly enemy and tries to hide here. She meets a young mechanic (Joey), who helps her to go home and to be a freedom fighter there.
James Spader in 2014. Photo by Gage Skidmore.
A decade later, his next role is in Stargate one. I thought it was a great performance by him. And yes, the character as performed by Michael Shanks in Stargate SG-1 continuity is just as interesting, just completely different. His role I thought was more true to that of being an Egyptologist but the Stargate SG-1 continuity isn’t really concerned with the original premise, is it?
If you saw Avengers: Age of Ultron, and I will readily admit that I have not, he not only voiced Ultron but did the motion capture for it.
But his greatest role, and I readily admit that is not genre was in The Blacklist as Raymond “Red” Reddington, a former US Naval Intelligence officer turned fugitive who’s forced to become an FBI crime consultant. And I was surprised to learn that he was an executive producer for that series.
(10) TRACING THE ROOTS OF COMICS. At Colleen Doran’s Funny Business the artist takes her work on a Neil Gaiman book as the jumping-off point for a discussion of comic art history: “CHIVALRY: From Illuminated Manuscripts to Comics”.
One of the many reasons I wanted to adapt Neil Gaiman’s Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.
We’re often told that the first comic was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.
Sequential art predates Action Comics #1.
Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn’t take off as a popular medium for several reasons, not least of which was the necessary printing process hadn’t been invented yet and it’s hard to popularize – and commercialize – something most people can never see.
You find sequential art in cave paintings and in Egyptian hieroglyphics. I’ve read that comics (manga) were invented by the Japanese in 12th century scrolls.
And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.
On an overcast day, the delicate pointed crown of the Brooklyn Tower is invisible in the clouds, as if a vengeful enemy has shrouded its superlative vantage in smoke. Nonetheless, over the low-rise flatlands that comprise most of the borough, the jagged edges rising along the dark shaft are present and unmistakable.
The Batman building, the Tower of Sauron — the nicknames write themselves. And why not? Better this than another squared-off tower that simply fiddles with the ratio of white solid to blue glass. Maybe I should hate it for its bigness, its blackness, its thrust — but I don’t. Skylines need punctuation. The designers of the Brooklyn Tower, SHoP Architects, threw everything at this to make it an exclamation point…
….“The idea was Gotham, it was Deco,” says Gregg Pasquarelli, founding partner of SHoP Architects. “Batman should live here.”…
Brooklyn Tower is the borough’s first supertall skyscraper. Photo: Max Touhey, courtesy of SHoP Architects
(12) OMG! The H Book Club blog on X.com made this gobsmacking observation:
If you'd asked me who would play Gene Wolfe on screen, I would never in a million years have guessed Chris Pratt.
A Go Fund Me drive has already raised more than $115,000 for Juan Carlos Osorio, the crewmember on Marvel’s WonderMan series who died Tuesday after falling from a catwalk at Radford Studios.
“On February 6th, 2024, our friend Spike lost his life on the set of Marvels WonderMan shoot at CBS Radford studios due to a potential structural failure,” reads the fundraise, started by Bill Martel. “We are hoping the Production Company, The Facility, MBS, Marvel Studios handles things properly, but expect a long road fraught with attorney fees and expenses. In the mean time, bills will be mounting and the widow, Boom Operator Joanne W. will be left to deal with everything. Help if you’re able, it’s greatly appreciated.”…
Disney is investing $1.5 billion in “Fortnite” developer Epic Games in what will be the Mouse House’s “biggest foray into the game space ever,” Disney CEO Bob Iger announced Wednesday.
…Per further information provided by Disney, “in addition to being a world-class games experience and interoperating with ‘Fortnite,’ the new persistent universe will offer a multitude of opportunities for consumers to play, watch, shop and engage with content, characters and stories from Disney, Pixar, Marvel, ‘Star Wars,’ ‘Avatar’ and more. Players, gamers and fans will be able to create their own stories and experiences, express their fandom in a distinctly Disney way, and share content with each other in ways that they love.”…
(15) RARE UNFINISHED DOCUMENTARY FEATURE FILM TRAILER FOOTAGE FROM “THE MAN WHO ‘SAVED’ THE MOVIES”. [Item by Steve Vertlieb.] Here’s the original theatrical trailer for the never completed feature length motion picture documentary, The Man Who “Saved” The Movies, concerning over half a century of published writings…associations with actors, composers, writers, and directors…and some seventy-six years devoted to a passion for both films and film makers, while lovingly chronicling the life and career of film, and film music historian Steve Vertlieb.
Featuring appearances by Veronica Carlson, Philippe Mora, Paul Clemens, Juliet Rozsa, Lee Holdridge, Mark McKenzie, Patrick Russ, and Gregg Nestor, the film remains a work in progress. While financial difficulties have sadly plagued its production, it is my hope that it may one day reach completion.
… and, yes, that is me with Frank Sinatra, Johnny Mathis, Kirk Douglas, William Shatner, Jack Klugman, old friend and iconic American film director, Frank Capra, Oscar winning film composer, John Williams, Oscar winning film composer, Miklos Rozsa, famed science fiction author, Ray Bradbury, iconic special effects titan, Ray Harryhausen, “Psycho” author Robert Bloch, together with “The Time Machine” producer/director, George Pal, Hammer Films’ star, Peter Cushing, and screen hero/gold medal Olympian, Buster Crabbe.
www.youtube.com/watch?v=Ob6-t0MKXRY
(16) COLD WAR SURPLUS? “Remnants of a Nuclear Missile Are Found in a Garage” – in Bellevue, WA – reports the New York Times. “The police responded to a call from a U.S. Air Force museum that said a man had offered to donate a Cold War-era missile stored in his late neighbor’s garage.”
Members of the bomb squad in Bellevue, Wash., on Thursday were called to inspect parts of a military-grade missile in the garage of a resident.
Elements of the larger, intact missile, such as the warhead, were missing and the authorities deemed the piece to be inert and safe, the police said in a news release on Friday.
An Air Force museum in Dayton, Ohio, contacted the police in Bellevue on Jan. 31 to report that a resident had offered to donate the missile, which belonged to his late neighbor….
…The next day, the man was “surprised” to hear from the police because he had not called them but invited the bomb squad to inspect the missile remnant, Officer Tyler said.
Squad members identified the rocket as a Douglas AIR-2 Genie missile, designed to carry a 1.5-kiloton nuclear warhead….
…It was clear that the missile remnant did not pose a threat given that it was missing its warhead and did not contain rocket fuel, Officer Tyler said.
“It was essentially just a rusted piece of metal at that point,” he said. “An artifact, in other words.”…
The NYT news report reminds me that when I first got into fandom I heard tell about Russell Seitz, a fan who was famous for having acquired the components of an ICBM. The following is one version of that story:
In the late 70’s, when most of our nuclear arsenal was converted from liquid to solid fuel, the U.S. Government auctioned off a number of obsolete missile silos and their contents. Mostly the silos got bought by local farmers who converted them for grain storage. I only know what happened to one of the missiles. It was offered at sealed bid auction and a friend of mine, Russell Seitz, bought it. When you bid on something like this, you have to send in a check for 10% of your bid as a deposit. He looked at his bank account, and figured he could spare about $300 that month, so that’s what he sent. When he discovered that he’d won the bid, he had to scrounge up the rest. Now the buyer must pick up the goods himself, but he can request that his purchase be delivered, at government expense, to the nearest military base. Being an undergraduate at M.I.T. at the time, he had the missile shipped to Hanscom Airforce Base, about 12 miles away. He then arranged for a truck, and donated the missile to a local modern art museum (I forget which one). Tax laws were a little different in those days, and if you donated something to an art museum, you could deduct not the just the purchase price, but the original value of the object, which was considerable. Income averaging allowed him to spread the “loss” out over a number of years so that he didn’t have to pay taxes for a long time! He was legendary at M.I.T. for quite a while, and acquired the nickname “Missile” Seitz.
(17) EARLY RELEASE SUPER BOWL AD. Does having the Aquaman actor in it make this an item of genre interest? You decide! Zach Braff, Jason Momoa and Donald Faison appear in a Flashdance-themed Super Bowl commercial for T-Mobile.
(18) VIDEO OF THE DAY. The official trailer for Despicable Me 4 is out. The movie comes to theaters on July 3.
In the first Despicable Me movie in seven years, Gru, the world’s favorite supervillain-turned-Anti-Villain League-agent, returns for an exciting, bold new era of Minions mayhem in Illumination’s Despicable Me 4.
Following the 2022 summer blockbuster phenomenon of Illumination’s Minions: The Rise of Gru, which earned almost $1 billion worldwide, the biggest global animated franchise in history now begins a new chapter as Gru (Oscar® nominee Steve Carrell) and Lucy (Oscar® nominee Kristen Wiig) and their girls —Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Madison Polan)—welcome a new member to the Gru family, Gru Jr., who is intent on tormenting his dad.
Gru faces a new nemesis in Maxime Le Mal (Emmy winner Will Ferrell) and his femme fatale girlfriend Valentina (Emmy nominee Sofia Vergara), and the family is forced to go on the run. The film features fresh new characters voiced by Joey King (Bullet Train), Emmy winner Stephen Colbert (The Late Show with Stephen Colbert) and Chloe Fineman (Saturday Night Live). Pierre Coffin returns as the iconic voice of the Minions and Oscar® nominee Steve Coogan returns as Silas Ramsbottom.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, Steve Vertlieb, Heath Row, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]
Google will no longer be keeping a backup of the entire Internet. Google Search’s “cached” links have long been an alternative way to load a website that was down or had changed, but now the company is killing them off. Google “Search Liaison” Danny Sullivan confirmed the feature removal in an X post, saying the feature “was meant for helping people access pages when way back, you often couldn’t depend on a page loading. These days, things have greatly improved. So, it was decided to retire it.”
The feature has been appearing and disappearing for some people since December, and currently, we don’t see any cache links in Google Search. For now, you can still build your own cache links even without the button, just by going to “https://webcache.googleusercontent.com/search?q=cache:” plus a website URL, or by typing “cache:” plus a URL into Google Search. For now, the cached version of Ars Technica seems to still work. All of Google’s support pages about cached sites have been taken down….
(2) GERROLD Q&A. The Roddenberry Archive has released a two-part interview with David Gerrold.
The Roddenberry Archive presents an in-depth two-part conversation with award-winning science fiction novelist and screenwriter David Gerrold. During the conversation, Mr. Gerrold tells how, as a college student he broke into the television industry by writing a script for the original Star Trek, the classic episode, “Trouble With Tribbles.”. Mr. Gerrold speaks candidly of his sometimes-tumultuous relationship with Star Trek’s creator, the late Gene Roddenberry. He delves into his personal experiences in the making of the legendary series and of his pivotal role in the development of Star Trek: The Next Generation.
The organization also needs more legal clarity. The terms of the agreement between WSFS and the conventions it appoints need to be more explicit and clear. The current WSFS constitution says the WorldCon (the local convention entity) does most of what goes on at a convention, but the Hugos and Site Selection are officially the actions of WSFS, though it delegates the logistics and administration to the WorldCon. It’s a bit confusing and might not handle legal scrutiny well.
That WSFS is constitutionally the party that awards the Hugos, using the WorldCon as its agent, has many advantages for trademark law and also if WSFS wants to exercise authority over the Hugos and the people administering them. This should be made more clear.
Recommendations
When all is done, there should at least be the appearance that they did not get away with it, to deter future corruption and censorship.
The best solution is not a specific one, but a general one that allows the organization to respond quickly to problems and threats, without removing its intentional slow pace of change, and resistance to control by “SMOFs.”
Auditing and more transparency are a good start, with an ethos of whistleblowing.
Put term limits on all WSFS officials.
Clarify and codify the structure of WSFS and the contracts.
Pick one way or another to allow WSFS to respond immediately to threats. I like the idea of actions that can be reversed, but some path should be chosen.
Do find some way to stop Hugo administration from being under the influence of censorship states, including China.
(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Amongst some fairly mundane reposts, a couple of his recent posts stood out to me. The most pertinent to File 770 is this short one from Wednesday January 31st, which is straightforward enough that I could just about understand it all, even with my meagre Chinese language skills. That text reads:
中国科幻迷应该永远记得本·亚洛这个名字。他是真正的好人，也是真正的国际主义者。
which Google Translate renders as follows (surname error corrected):
Chinese science fiction fans should always remember the name Ben Yalow. He is a truly good man and a true internationalist.
Here’s a screenshot of the Weibo post – including a similar translation from Alibaba Cloud – just in case it also disappears.
Note to readers: the censuring of Ben Yalow (and Chen Shi, and Dave McCarty) occurred on the previous day, the 30th – although obviously time zone differences make things a bit more complicated with regard to recording what happened when.
The second post that I would like to bring to your attention is a couple of days older, published on Monday the 29th. The Chinese text reads:
Google Translate renders this as follows (text left unaltered):
The United States should be required to respect the democratic aspirations of the people of the Republic of Texas (Lone Star) and recognize its identity as an independent republic. Consider signing the “Relationships with the Republic of Texas (Lone Star) Act” and provide arms trade and military assistance for defense purposes. The purpose is to protect Texas from being plundered of precious oil and gas resources due to the covetousness of its powerful northern neighbors. Any attempt to use Non-peaceful measures to determine the future of the Republic of Texas, including the use of economic boycotts and embargoes, will be considered a threat to peace and stability in the Eastern Pacific region, and the United Nations should intervene.
As the battle of wills over immigration continues between the White House and Texas Gov. Greg Abbott, a parallel debate is happening in China, where trending social media posts are backing the Lone Star State’s right to secede from the United States.
On China’s X-like microblogging site Weibo, accounts with more than a million followers were spreading misinformation this week claiming Texas had entered a “state of war” with the federal government. In the comment sections, Chinese netizens met the news with excitement and glee…
“If the U.S. really pushes Texas back, then it will be great fun,” the user said. “I hope both sides will not be cowardly and that they will fight to the end!”
In a follow-up post on Tuesday, the user said he was inspired to “definitely contribute money and effort” to support the cause against America’s “imperialist oppression” in Texas and elsewhere in the world.
There’s further discussion of this on Reddit’s /r/China, which is where I’d previously heard about this meme.
I have been reminded by a Facebook post by astronomical artist Don Davis of the Hale-Bopp comet of 1997, a year that was a red-letter one for me. As a pensioner of BOAC (now British Airways) I was able to fly on a stand-by basis on their flights (and some other airlines). Flights from Australia to England were operating with one stop using the latest Boeing 747-400s.
I visited my father in England in January for his birthday, and on the way home to Tasmania attended two regional science fiction conventions in the U.S.A. and one in Perth – Arisia in Boston, Chattacon in Chattanooga, and Swancon in Perth.
In late March I set off to England again, attending a Con in Wellington, New Zealand en route, visited friends in the Los Angeles area, and took advantage of the fact that BOAC had recently taken over British Caledonian Airways to fly to London from Dallas-Ft Worth by DC-10.
Comet Hale-Bopp had not yet been easily visible in the Southern hemisphere when I left home, but was spectacular in the Northern Hemisphere. Sitting aboard the flight next to a flight crew member, we talked about the comet – and soon I was invited onto the flight deck. The DC-10 has spectacularly large windows, and standing behind the Captain as we overflew Greenland, on a moonless night: the view was unique. The comet had just passed its closest point to Earth, and the tail was prominently on view to the naked eye, and there could not have been a better viewpoint….
The novelist Christopher Priest, who has died aged 80 after suffering from cancer, became eminent more than once over the nearly 60 years of his active working life. But while he relished success, he displayed a wry reserve about the ambiguities attending these moments in the limelight.
In 1983 he was included in the Granta Best of Young British Novelists, a 20-strong cohort, most of them – such as Martin Amis, William Boyd, Kazuo Ishiguro, Ian McEwan, Salman Rushdie, Graham Swift and AN Wilson – significantly younger than Priest, whose career had begun almost two decades earlier, and who had at least 15 books and 50 stories in print by the early 80s. He clearly felt that it was not so much the quality of his work that delayed his “promotion” to the literary establishment, but his reluctance to deny, when asked, that he wrote science fiction.
His large body of work never fitted easily into any mould. Only in recent years has it become widely understood that the sometimes baffling ingenuity and thrust of his fiction has been of a piece, no more detachable into convenient genres than, say, Amis’s or Ishiguro’s tales of the fantastic….
Paul Kincaid’s reminiscences about “Chris” appear at Through the dark labyrinth.
The 1976 Eastercon was held in the rather grim surroundings of Owen’s Park student accommodation, Manchester. It was my third convention and I still wasn’t used to the fact that mere mortals could mix freely with actual authors. So I was very nervous approaching a small group in the bar. My target was a tall, thin guy wearing blue denim jacket and jeans and smoking with a long cigarette holder (later in the convention, Lee Montgomerie would win the fancy dress for the best costume as an author; she was wearing almost exactly the same outfit). This was Christopher Priest and I had just bought the paperback of his latest novel, The Space Machine. I asked for an autograph. He pointed to someone at the other side of the bar. “See that guy? Andrew Stephenson. He did the illustrations. Why don’t you get him to sign it?” To this day, that paperback is one of the few Chris Priest novels I own that isn’t signed by the author.
Later that day I was standing at the back of a programme item. Chris was on the panel, smoking with that long holder, and I began to notice the wild figure of 8 shape that the glowing end of the cigarette was making, and I realised his hand was shaking. He was more nervous than I had been.
Years go by. A BSFA meeting in London at a pub near Hatton Garden. I’m propping up the bar with Chris. I mention that I’ve just reviewed his latest novel, The Glamour, and I thought it was really good except that the ending didn’t quite work. Two days later I receive a thick envelope in the post. It was the typescript for a revised ending of The Glamour, the first of countless revisions of the novel that was so good but so impossible to end….
Christoper Priest outside Forbidden Planet in London in 1983. Photo by Gamma.
(7) MEMORY LANE.
[Written by Cat Eldridge.]
1940 — The Adventures of Superman on radio
Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)
The Adventures of Superman is a long-running radio serial. Initially, the show, which aired from 1940 through to 1951, was syndicated through the Mutual Broadcasting System’s cornerstone station, WOR in New York, subsequently taken up by the Mutual network, and finally by ABC. In the beginning there were three episodes a week of 15 minutes in length. When in 1941 they began making five episodes a week, some stations stayed with the three-a-week format. Late in the show’s run episodes ran 30 minutes.
The year after the comic strip debuted four audition radio programs were prepared to sell Superman as a syndicated radio series. It took very little time to have WOR sign the contract to do this, so it went on the air less two years after the comic strip launched.
The original pitch was that the audience was going to be predominantly juvenile so the scripts had to be lighthearted with the violence toned down. The performers were chosen with that mind, so they cast Bud Collyer in the Clark Kent / Superman role and Joan Alexander as Lois Lane. She also voiced that role in animated Fleischer Superman shorts.
The continuity of the series is significantly different than the series as Krypton is located on the far side of the sun, and on the journey to Earth, Kal-el becomes an adult before his ship lands on Earth., so he is never adopted by the Kents but immediately begins his superhero / reporter career.
This serial is responsible for the introduction of kryptonite to the Superman universe. Daily Planet editor Perry White and Jimmy Olsen who was a copy editor originated in the serial as well.
As a gimmick that paralleled the Superman comic and which the audience adored, they kept the identity of Collyer as the character a secret for the first six years, until when Superman became the character in a radio campaign for racial and religious tolerance and Collyer did a Time magazine interview about that campaign.
Kellog Company was the sponsor at least initially with the product being its Pep cereal. It was sponsored Tom Corbet, Space Cadet.
(8) COMICS SECTION.
The Far Side captures a photo op with visitors who aren’t from around here.
Eurostar could be forced to limit passenger numbers travelling from St Pancras each day under post-Brexit plans to bring in biometric border controls later this year, the owner of the station has warned.
HS1, the owner and operator of the line and stations between London and the Channel tunnel, has raised concerns that planning for new Entry/Exit System (EES) checks at the London rail station are “severely inadequate”, and would lead to long delays and potential capping of services and passenger numbers.
The EES requires citizens from outside the EU or Schengen area to register before entering the zone.
This will replace the stamping of passports for UK travellers, and instead require passengers to enter personal information and details about their trip, as well as submitting fingerprint and facial biometric data.
It has been mooted that the new checks will come into force in October but the implementation has been delayed several times in recent years because the infrastructure was not ready.
HS1 has now raised several concerns to MPs around St Pancras’s ability to accommodate the changes, predicting “unacceptable passenger delays”.
It said only 24 EES kiosks had been allocated by the French government, despite modelling suggesting that nearly 50 would be needed at peak times….
(10) WOULD YOU CARE FOR A BEVERAGE? Comics on Coffee has enlisted this couple to share their “Mad Love for Raspberry Coffee”.
DC & Comics On Coffee have joined forces to make your mornings more action packed with great tasting coffee! It’s time to get crazy in love with this Valentine’s Day Special Edition Coffee. A smooth, raspberry flavored coffee.
(11) VIDEO OF THE DAY. George R.R. Martin shares as much as he can about the films they’re making based on the late Howard Waldrop’s stories in “Come to the Pulls” at Not A Blog.
…COOTERS was just the beginning, though. Only the first of a series of short films — and one full-length feature, we hope — we have been making, based on some of Howard’s astonishing, and unique, stories. He wrote so many, it was hard to know where to start, but start we did, and I am pleased to say that we have three more Waldrop movies filmed and in the can, in various stages of post production. Some of you — the lucky ones — will get a chance to see them this year, at a film festival near you. As with COOTERS, we’re taking them out on the festival circuit.
First one out of the chute will be MARY-MARGARET ROAD GRADER. We were able to screen a rough cut for Howard just a few days before his death. I am so so so glad we did. And I am thrilled to be able to report that he loved it.
We can’t show it to the world yet. But here’s a trailer, to give you all a taste.
[Thanks to SF Concatenation’s Jonathan Cowie, Ersatz Culture, Daniel Dern, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Warner.]
No AI artwork of any kind will be allowed to be sold or distributed in the Dragon Con Art Show, Comic and Pop Artist Alley, or Vendor Halls. Failure to comply with our AI Policy can lead to immediate removal from show floor.
(2) VOICE FOR HUGO CHANGE. Mary Robinette Kowal shared her knowledge of how Hugos are administered in a Bluesky thread that starts here. She contrasts how the disqualification of her audiobook novella “Lady Astronaut of Mars” was handled by the 2013 administrator versus the way those ruled “ineligible” have been treated by the 2023 administrator.
After providing more background history, Kowal makes a call for change in Hugo oversight.
(3) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
A couple of Chinese language videos about the Hugos
Whilst looking for coverage of the Hugos on the Chinese internet, I came across this Bilibili video, posted Wednesday 31st. It’s a compilation of 5 news items from a channel that I think I maybe submitted an item for last year. The final item – from around 10:20 in – is entitled
雨锅奖余波 (yuguo jiang yubo – Hugo Award Aftermath).
I don’t think there’s anything new there to anyone who’s been following File 770 coverage, but this is one of the few mainland China items I’ve seen on the subject, outside of user comments on various social media platforms, that – as previously covered – have had a tendency to disappear.
As I type this 3 or 4 days after the video was uploaded, it has received just over a quarter-of-a-million views. I’ve got a local backup copy just in case it does belatedly vanish.
The below screenshots and Google Translated renditions thereof are included primarily for the bullet comments from users. Filers might like to note that the video also includes a (machine translated?) screenshot of a Paul Weimer blog post.
A day earlier, I came across this video from a YouTuber in Taiwan, which was posted 4 days ago, and has just over 200 thousand views as I type this. It’s another explainer for mainstream audiences, so again there won’t be much new to people who’ve been reading this site.
The video is edited in a snappy way, and very memey.
(The place where I came across a link to this video is also worthy of a write-up, but that will have to wait for another day.)
(4) SAWYER’S STATEMENT ABOUT TIANWEN PROJECT. Robert J. Sawyer, a Chengdu Worldcon guest of honor, responded to discussion about the Tianwen Project and his participation in a launch ceremony at the Worldcon in a Facebook comment this week.
Elsewhere he answered some other questions about his guest of honor appearance.
And because people have been known to carelessly treat things others say in comments here as if they are my personal opinion (like Robert J. Sawyer, who recently blocked me in social media), I am going to quote what I wrote to a friend in October 2022 after passage at Chicon 8 of a resolution calling for Sergey Lukyanenko to be disinvited from the Chengdu Worldcon:
…Continuing a line of discussion I raised on FB — I want to be clear that I’m not demanding any action from Robert J Sawyer. If he volunteersto make a public statement, obviously I would run it. Otherwise, it’s not his fault that the other two GoHs are problematic. So while I expect at some point the Twitterati will try and railroad him because he’s the only English-speaker and the only GoH who answers his social media, I personally don’t think Sawyer has to take responsibility for the malfeasance of the committee or their refusal to clean up their GoH slate….
Which it seems to me is quite different from what some of his interrogators have had to say here and on FB. (And the malfeasance I had in mind in October 2022 was that the site selection voters who by then had been members for 10 months had yet to hear from the committee, people who wanted to buy new memberships complained that they couldn’t, and that the new Chengdu website had launched without any statement about who their Guests of Honor were, even though the names had been announced immediately after they won the bid.)
…Shatner recently spoke with Comicbook.com ahead of his upcoming appearance at Orlando’s MegaCon, and was asked about the possibility of his James T. Kirk one day being brought back to life, as it were, via A.I. Never one to shy away from hard questions, the actor gave his honest take on the situation, and how he’d respond to it depending on the situation:
“It’s an interesting question. The strike was all about getting permission to do that. And so if I’m alive, I don’t want A.I. to do that, but if I’m dead and they ask my family and they’re going to pay my family very well to sound like me, I would advise them to say yes.”
William Shatner isn’t so okay with allowing A.I. to take over his character or his own persona if he’s still alive, which is understandable. But if he’s no longer around to pass judgment, he’ll leave it to his family to decide. If a fair price is determined, apparently, he’s giving the green light to allow his likeness to be used for Captain Kirk.
(6) JENNELL JAQUAYS (1956-2024). Artist and game designer Jennell Jaquays, who created scenarios with myriad paths for Dungeons & Dragons, levels for video games like Quake II, and art that invited novices to try role-playing games, died January 10. The New York Times obituary is here.
… Over nearly five decades, Ms. Jaquays illustrated the covers and interiors of settings, modules, books and magazines for D&D and other role-playing games. In one of them, a red dragon roars while perched in front of a snow-capped mountain; in another, a nautiluslike spaceship floats above an alien world; in a third, two Ghostbusters prepare to tangle with a field of animated jack-o’-lanterns.
Ms. Jaquays also crafted scenarios of her own. Two of her earliest D&D modules, “Dark Tower” and “The Caverns of Thracia,” are renowned for their pathbreaking designs.
In the early days of D&D, many scenarios were fairly linear — enter dungeon, defeat monsters and plunder, assuming your characters survive.
Ms. Jaquays’s adventures were not so straightforward. They often contained several possible entrances and multiple avenues, some of them secret, by which players could accomplish their goals.
“The result is a fantastically complex and dynamic environment: You can literally run dozens of groups through this module and every one of them will have a fresh and unique experience,” the game designer Justin Alexander wrote about dungeons like Ms. Jaquays’s on his website in 2010…
(7) CHRISTOPHER PRIEST (1943-2024.) British sf writer Christopher Priest died February 2 at the age of 80. (Not to be confused with the comics author with the same name.) His novel The Prestige was a World Fantasy Award winner in 1996. His book The Islanders won the John W. Campbell Memorial Award and a British SF Association Award in 2012. Four other works also received BSFA Awards, Inverted World (1975), “Palely Loitering” (1980), The Extremes (1999), and The Separation (2003), the latter winning the Arthur C. Clarke Award as well. He was a Worldcon guest of honor in 1995, and received the Prix Utopia life achievement award in 2001.
In the late Eighties Priest also took time to pen The Last Deadloss Visions “an enquiry into the non-appearance of Harlan Ellison’s The Last Dangerous Visions”, which he called “a polemical pamphlet, written to express a point of view and to persuade others of that view.”
The British Council website’s “Christopher Priest – Literature” follows a long biography with a critical appreciation of his work. It says in part:
Christopher Priest was born in Cheadle, Greater Manchester, in 1943…. His first novel, Indoctrinaire, was published by Faber and Faber in 1970, beginning a stretch of two decades during which Priest’s novels appeared almost biennially. 1972’s Fugue for a Darkening Island saw Priest nominated for the John W. Campbell Award. His third novel, The Inverted World (1974), won Priest the first of his four BSFA (British Science Fiction Association) Awards. In the mid-1970s he was an associate editor of the UK semi-academic journal Foundations, which provided a distinctive platform for the criticism and popularization of science fiction at a time when the genre was not well established in the academy.
…Priest 1995’s epistolary novel The Prestige was a popular breakthrough. Winner of the World Fantasy Award and James Tait Black Memorial Prize, and nominated for the BSFA and Arthur C. Clarke awards, it was adapted into a film directed by Christopher Nolan, released to acclaim in 2006….
As time went by Priest generally was less interested in playing the role of elder statesman his accumulated honors had earned for him than he was in continuing to dish out the kind of fiery opinions he’d shared throughout his career. Consider that in 2012, before going on to win two major awards later in the year, he blasted the Arthur C. Clarke shortlist, saying he was dismayed that several quality books didn’t make the list, with sketches of the defects of the actual choices. (Although not all of the authors took it hard, judging from Charles Stross’ reaction, which was to issue a commemorative t-shirt.)
Christopher Priest at the 1980 Worldcon, NoreasCon Two. Photo by and (c) Andrew Porter.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 3, 1970 — Warwick Davis, 54. This is not by any means a complete listing of everything he’s done. Just remember that before lodging the complaint that I forgot to include something. I didn’t forget. I just didn’t include it.
Warwick Davis is much loved for being the title character in Willow and really not loved for being Lubdan the Leprechaun in, errr, the Leprechaun film series. Look you really don’t need to see the latter even if you’re seriously drunk on cheap fake Irish beer on St. Patrick’s Day. They made him a lot on money but they’re really awful. Willow on the other hand is sublime. It brings a tear to my eye when I see it.
He was the physical aspect of Wicket W. Warrick in Return of the Jedi, Caravan of Courage: An Ewok Adventure, Ewoks: The Battle for Endor and Star Wars: The Rise of Skywalkerthough the character was voiced by Darryl Henriques.
Warwick Davis in 2007.
He also played a lot of other Star Wars characters. The Phantom Menacesaw him play Wald, Weazel, and Yoda in the walking shots, and a street trader on Tatooine; The Force Awakens a Wollivan (and no, I don’t recognize all of these characters); A Star Wars Story saw him being Weeteef Cyubee; then Star Wars: The Last Jedi got the sneeze-worthy character names of Wodibin / Kedpin Shoklop, the latter in a deleted scene. Think I’m done? No. Next is Solo: A Star Wars Story where he’s Weazel / DD-BD / W1-EG5 / WG-22 and finally there’s The Rise of Skywalker where he’s Wicket W. Warrick for the final time plus Wizzich Mozzer again. Whew!
He’s in all five of the Harry Potter films in one or more of three roles — Professor Filius Flitwick, Goblin Bank Teller and Griphook, the latter just as the voice of that character. I’ve only seen the first three films and yes, I’ve loved them deeply even though all I’ve read of the novels was the first hundred pages of the first which I found exquisitely, deeply boring. God, I found her a bad writer.
Now here’s one that I really didn’t expect. He was in The Hitchhiker’s Guide to the Galaxy as Marvin the Paranoid Android. (Love the voicing of that character in the BBC radio production!) Again he didn’t voiced the character as that was provided by Alan Rickman.
He shows up twice in Narnia productions, once as Nikabrik in The Chronicles of Narnia: Prince Caspian film, and on the television film Prince Caspian and The Voyage of the Dawn Treader as Reepicheep. Loved those novels.
Finally he voiced Sniff (Snufkin) in the English language track for the Finnish crown funded animated Moominvalley series. Really great books. The Estate just allowed the likeness of the characters to be commercially used less than a decade ago. Have you seen a Moomin plushie? Oh really cute! I want!
(9) AND GOOD-BYE TO YOU TOO, OLD RIGHTS-OF-MAN. Bill Coberly asks “Are We All Too Cynical for Star Trek?” in a piece for The Bulwark, a political Substack, about the changing portrayal of Starfleet across the decades.
…This is not to say that the ’90s shows never delved into the complexity and nuance of this ethos—indeed, playing at the edges of their internal morality was how they derived much of their interest. A number of Starfleet admirals throughout TNG are shown to be venal or corrupt. One of the greatest episodes of Deep Space Nine (1992–99), “In the Pale Moonlight,” is entirely about how, in times of crisis, moral compromise may be necessary, even for Starfleet. But such cases are treated as exceptional, unusual circumstances far beyond the norm; as a rule, Starfleet is good, and the best way to be a good servant of the true and just in the world of Star Trekis by being a good Starfleet officer. How does one be a good Starfleet officer? By doing one’s job, by being a professional, by following one’s duty.
THINGS ARE DIFFERENT IN modern Trek. By “modern Trek” I mean the five major TV shows that have aired since the franchise returned to the small screen in 2017: Discovery (2017–present), Picard (2020–23), Lower Decks (2020–present), Prodigy (2021–present), and Strange New Worlds (2022–present). Starfleet as an institution often plays a partially antagonistic role in each of these shows. By the time of Picard, the titular paragon has quit Starfleet in a huff because it no longer lives up to his principles, and in both seasons one and three it is revealed that Starfleet has been compromised by hostile alien agents and cannot be trusted. The first season of Discovery ends with Starfleet condoning genocide, only to be stopped by our heroic crew; Season 2’s villain was an out-of-control Starfleet AI that threatened all life in the galaxy; and Seasons 3 and 4 keep the crew in near-constant conflict with Starfleet and/or Federation brass. Lower Decks is centered on the adventures of a low-level officer who routinely defies Starfleet regulations to help nearby planets in ways that Starfleet would not condone. Even Strange New Worlds, the most archetypal of the modern shows, emphasizes how unjust some of Starfleet’s rules are: In the first episode of the second season, the crew is forced to steal the Starship Enterprise itself to rescue a comrade in defiance of Starfleet’s orders….
(10) SFF BOOKS ON SALE. [Item by BGrandrath.] Back with another Whatnot commercial. The other day someone posted asking about a good place to buy books this might be the answer… “Over 40 Science Fiction Books | Vintage Book Haul”.
BOB’S Books will be on my nomination list for Best Fancast this year.
…It is unclear where the “romantasy” label originated: though Bloomsbury said it coined the term to “identify the genre [Sarah J. Maas] was spearheading”, the term was posted on Urban Dictionary as early as 2008. In any case, its usage has exploded in the last year on social media and in marketing copy for fantasy romance titles.
Romantasy authors are selling well in part because of their huge popularity on social media; Maas’ publisher, Bloomsbury, says that videos with hashtags connected to her books have more than 14bn views on TikTok alone. On “BookTok”, the corner of the platform dedicated to book-related content, fans share their rankings of book series, theories about what might happen in future novels, compilations of favourite quotes and outfits inspired by books.
Such novels are typically set in fantastical worlds, with fairies, dragons, magic, but also feature classic romance plotlines – enemies-to-lovers, soulmates, love triangles. “Romance readers have discovered that romantasy has all the tropes they adore, but set in a world they can escape to and get lost in,” explains Ajebowale Roberts, an editor at HarperCollins.
“The Bachelor meets The Hunger Games” is how Canadian author Nisha J Tuli describes one of her romantasy novels, Trial of the Sun Queen….
Mervyn Peake’s Gormenghast series. My stoner friends were into Tolkien’s The Hobbit, but that didn’t interest me. What Peake created was darker, more intricate, at once more sinister and more beautiful than anything else I had read up to that point. At the end, I was left with a powerful impression of the richness of language, of its magical power. As my father would say, “people like us” didn’t become writers, (or musicians, or artists) but Peake made me wonder if writing was maybe worth the risk of honourable failure.
(13) TOP 10 STREAMING SFF FOR JANUARY. JustWatch has shared its rankings of the Top 10 Sci-Fi streaming films and TV series for January 2024.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Ersatz Culture, BGrandrath, Ken Josenhans, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]
(1) SO FEW REMAIN. George R.R. Martin calls these “Dark Days” at Not a Blog.
…2023 was a nightmare of a year, for the world and the nation and for me and mine, both professionally and personally. I am very glad that it is over.
Unfortunately, so far 2024 looks to be even worse….
…I am famous and I am wealthy and, supposedly, I have a “big platform.” Whatever that is. But I have grown more and more cynical about this supposed “power” that people keep telling me I have. Has anything I have ever written here ever changed a single mind, a single vote? I see no evidence of that. The era of rational discourse seems to have ended.
And death is everywhere. Howard Waldrop was the latest, and his passing has hit me very very hard, but before him we lost Michael Bishop, Terry Bisson, David Drake… from my Wild Cards team, Victor Milan, John Jos. Miller, Edward Bryant, Steve Perrin… I still miss Gardner Dozois and Phyllis Eisenstein and my amazing agent Kay McCauley… Len Wein is gone, Vonda McIntyre, and Harlan Ellison… Greg Bear too, and… oh, I could go on. I look around, and it seems as though my entire generation of SF and fantasy writers is gone or going. Only a handful of us remain… and for how long, I wonder? I know I have forgotten people in the list above, and maybe that is the destiny that awaits all of us… to be forgotten.
For that matter, the entire human race may be forgotten. If climate change does not get us, war will. Too many countries have nukes….
…Owner Jenn Carpenter wrote that around 2:30 p.m., a van pulled up to the corner of Washington and South St., and five teenagers wearing backpacks, carrying a big black trash bag, got out and entered the bookstore, where they remained for approximately 15 minutes.
“During this time, they took turns asking me questions and keeping me occupied on the bookstore side of the shop, while the rest of them stuffed their backpacks with over $1,300 worth of merchandise,” she continued…
“The very first clip that I pulled up was them stuffing hundreds of dollars of merchandise in backpacks,” said Jenn Carpenter.
In Lansing’s Reotown, a well known book store, Deadtime Stories, fell victim to a theft. The owner, Jenn Carpenter says she had no idea she had been stolen from until another store owner asked her to check her security footage.
In the security footage, you can see a group of people stuffing store merchandise in a backpack, purse, and even in their pants.
“We lost more yesterday in stolen than we made in sales,” said Carpenter,“This brazen like an entire group of people coming in and just stuffing hundreds of dollars worth of merchandise in their bags and leaving… I’ve never seen anything like it.”
The business across the street, Vintage Junkies, also fell victim to the thefts. The owner says the group took more than $700 in merchandise, even stealing a lamp.
(3) STUDYING OCTAVIA BUTLER. Lois Rosson, a historian of science, is The Huntington’s 2023–24 Octavia E. Butler Fellow. She is currently working on a project about the depiction of outer space over the course of the Cold War titled Scientific Realism and American Astrofutures: Octavia Butler and the Space Environment. “Interview with Octavia E. Butler Fellow Lois Rosson” at The Huntington.
Durkin: You have noted that Octavia E. Butler grew up in Pasadena, not far from NASA’s Jet Propulsion Laboratory. How do you think that informed her work? And how does that inform your scholarship?
Rosson: For me, this is one of the most interesting parts of my project. The triangle formed by JPL, the Hollywood special effects industry, and commercial aerospace in Southern California has had an outsized impact on the look of outer space. A lot of the illustrators I write about found work in these three industries, and they often moved from one to another.
As you’ve noted, Butler grew up in the northwest part of Pasadena, in close physical proximity to JPL. That said, the scientific and technical expertise concentrated in the region was parsed out socially, not geographically. Pasadena’s public schools were segregated until as late as 1970 and officially desegregated only because of a federal court order. In fact, Pasadena was the first city outside of the South that needed such a mandate. Butler graduated in 1965 from John Muir Technical High School, which was then a vocational school serving the area’s growing African American population.
So, there’s a moment in my story when the illustrators I write about and many of their scientific collaborators are concentrated around JPL, Caltech, and Hollywood, and they are using a frontier model to articulate the landscapes of the outer solar system. Butler is living in the same environment at the same time and forming very different ideas about how society should be organized in space. Unsurprisingly, the arid landscapes of the West take on a different meaning in her work. In her Parable series of novels, outer space represents an escape from the degradation of Earth’s landscapes. In Butler’s work, space settlement looks more like diaspora, which upends the frontier logic we’re used to. Casting space as something other than a frontier helps us understand the persistence of the metaphor more clearly and rethink how we relate to space as an environment.
(4) AWARD FOR CALIFORNIANS. The 2024 Golden Poppy Awards were presented by the California Independent Booksellers Alliance on January 25. The 14 categories include a sff award.
Octavia E. Butler Award for Sci Fi/Fantasy/Horror: Maeve Fly by CJ Leede (Tor Nightfire)
(5) OCTAVIA BUTLER MURAL. Publishers Weekly’s January 29 “Picture of the Day” shows authors Sherri L. Smith (l.) and Elizabeth Wein (r.) celebrating the launch of their book American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky (G.P. Putnam’s Sons Books for Young Readers), with a visit to Octavia E. Butler Magnet STEAM Middle School in Pasadena, Calif.
(6) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
A Chinese fan writes in English about recent events and their impact
The author of this was OK for me to link to the source, but after a brief discussion with them, I am presenting their original unedited English language text here instead. We did not discuss any of the things that they allude to in this text; I am more interested in conveying to a wider audience the sort of thing that (I imagine) many Chinese fans are feeling, than getting into the weeds of the specifics.
The problem is not that Chinese SF is without hope. I won’t be disappointed if that is the case because there would not be any hope at the very beginning. The problem is that, people who actually care about Chinese SF, who make every effort to make it shine, who knows this industry, who want this explained fairly, are being dishonored, silenced, denied, warned. They even had to warn each other about potential cost: it’s not worth it to hang on anymore.
So, that’s it. The opportunity was cast away for a generation at least. People who had cherries picked got their fruits and headed for the next big one. The catastrophe was left behind for writers, publishers, mag editors to deal with.
As a SF reader for nearly 20y but not one who read Chinese SF for years, I was not familiar with many candidates before con. But I just heard too many familiar stories of what the survivors have to worry about afterwards.
The dishonesty, like a thorns crown, was forced on the winners’ head. Few would expect blood trailing from behind, but the bleeding will not go away easily. It was never the fault of the winners, but penalty is put on them.
I hate it.
Mike has been provided with the link to the original source, just so that he can verify that this isn’t something I’ve invented myself.
Fact-checking Babel’s status in China
Regarding all the discussion about why Babel was declared ineligible, here’s an attempt at rumour-control of the specific issue of whether it is legally published and available within China. This isn’t intended to prove or disprove if or why any censorship or interference took place in the Hugo nominations, but just to clarify whether the work is available.
A few days later, I did a bit more digging. Per Douban (which is China’s equivalent of Goodreads/IMDB/etc), the publisher of that translated edition is 中信出版集团, which can be translated as something like CITIC Press. I’ve since had it confirmed that CITIC Press is ultimately part of CITIC Group, and their Wikipedia article has some interesting nuggets about their founding and ownership.
Note: CITIC being the publisher of Babel explains a comment on Weibo I saw shortly after the Hugo finalists were announced. My quite probably incorrect recollection is that it translated as something like “CITIC won’t be happy”, which didn’t make any sense to me at the time, even after I’d read the Wikipedia article linked above. In retrospect, I’m guessing that by the time the finalists were announced, Babel had already been announced as an upcoming publication by CITIC. Given all the buzz about it, CITIC would likely be expecting to gain a lot of publicity and enthusiasm from the Hugo nomination that many of us were assuming was a dead certainty.
(7) FUTURE TENSE. The January 2024 entry in the Future Tense Fiction series is “Sad Robot,” by E.R. Ramzipoor. The story is about what happens when a globally crucial AI system is in need of therapy. Future Tense Fiction is a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 30, 1955 — Judith Tarr, 69. Did you know Judith Tarr breeds Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona? They figure into her romantic fantasies that she wrote under the name Caitlin Brennan which she used for her White Magic series, The Mountain’s Call and sequels, and the House of the Star novel. Yes, romantic fantasies.
Judith Tarr
Her Hound and the Falcon trilogy (The Isle of Glass, The Golden Horn and The Hounds of God) is set in twelfth and thirteenth century Europe. With elves. Yes elves. Why not?
Her Epona series (White Mare’s Daughter, The Shepherd Kings, Lady of Horses and Daughter of Lir) is set in prehistoric Europe. It takes the theories of archaeologist Marija Gimbutas that a matriarchal society existed in Paleolithic Europe. I’ve read her rationale on that — it’s interesting. The novels are a good read though perhaps a bit dogged at times.
Now Household Gods co-written with Harry Turtledove is a rollicking good novel that’s fun to read. Time travel, ancient Roman gods, a feisty female character — wharf’s not to like?
The next one being His Majesty’s Elephant. Charlemagne. A gift of magical elephant. A supernatural plot afoot.
A Wind in Cairo allows her to show her love of horses as one of the characters is a male who for his transgressions is transformed by a sorcerer into a magnificent stallions in medieval Cairo where one of victims is now his jockey.
Finally there’s Living in Threes which Book Cafe quite nice sums up this way, “Three lives. Three worlds. Three times. Three young women, past, present, and future, come together to solve an age-old mystery and save a world..” A novel where you don’t need the Bechdel test.
She’s written some fifty shorter pieces of fiction, none collected, save those in, and try not to be surprised, in her Nine White Horses: Nine Tales of Horses and Magic collection.
The first human patient has received an implant from brain-chip startup Neuralink on Sunday and is recovering well, the company’s billionaire founder Elon Musk said.
“Initial results show promising neuron spike detection,” Musk said in a post on the social media platform X on Monday.
Spikes are activity by neurons, which the National Institute of Health describes as cells that use electrical and chemical signals to send information around the brain and to the body.
The U.S. Food and Drug Administration had given the company clearance last year to conduct its first trial to test its implant on humans, a critical milestone in the startup’s ambitions to help patients overcome paralysis and a host of neurological conditions.
In September, Neuralink said it received approval for recruitment for the human trial.
The study uses a robot to surgically place a brain-computer interface (BCI) implant in a region of the brain that controls the intention to move, Neuralink said previously, adding that its initial goal is to enable people to control a computer cursor or keyboard using their thoughts alone….
IF YOU WERE WANDERING THE wilds of the Wasatch National Forest in Utah in September 2023, you might have encountered a strange sight: a line of slowly marching horses, with beavers saddled on their backs. Unfortunately, the rodents were not wearing tiny cowboy hats and boots. They were inside carriers, but their journey via horseback was still a fairly Wild West–type of solution to a problem. These beavers were headed to a new home—a battleground in the fight against drought and wildfires in the region….
…For decades, people have gone out of their way to move beavers across great distances. Today’s preferred methods—hiking, humping, and horseback rides—are an improvement over 1948, when beavers were parachuted out of planes in Idaho. Back then, Idaho Fish and Game had loaded the animals into boxes designed to spring open upon landing, and then dropped them over the Sawtooth Mountain Range….
…However, the reason behind all of this shuttling beavers around has completely reversed since the 1940s. Then, they were being sent to remote locations because humans didn’t want them around. Today, in Idaho, Utah, and other sites, they’re being brought back. Beavers are ecosystem engineers—and the ecosystems they create happen to be key to limiting wildfires and managing drought conditions. The mini-paratroopers have been revealed to be mini-firefighters, and it was the results of that aerial feat in 1948 that helped kick it all off, at least once NASA took notice….
From the first Dune 1991 game, reworked in 1992 with Philippe Ulrich, a classic of 90’s Electronic music now available in a qualité never Heard before!
Carefully remastered using modern tools, this 2024 version features spectrally enhanced sound, wider stereo, and clearer dynamics, rendered in Hi-Res Audio 96/24 format. Includes also a special bonus: The full game OST in a yet unveiled quality!
The Ministry Of Ungentlemanly Warfare will be released on April 19. Think Ritchie meets Magnificent Seven and Inglourious Basterds….
…The true story covers Winston Churchill and Ian Fleming’s secret WWII combat organization. The clandestine squad’s unconventional and ‘ungentlemanly’ fighting techniques against the Nazis helped change the course of the war and gave birth to the modern Black Ops unit.
The script by Paul Tamasy and Eric Johnson, Arash Amel and Ritchie is based on war correspondent and military historian Damien Lewis’ best-selling book of the same name. Tamasy and Johnson initiated the project and sold it as a pitch to Bruckheimer and Paramount in 2015….
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Joey Eschrich, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
… Funko has revealed three new POP vinyl figures of Jason Nesmith (Tim Allen) as Commander Peter Quincy Taggart, Sir Alexander (Alan Rickman) as Dr. Lazarus, and Fred Kwan (Tony Shalhoub) as Tech Sergeant Chen. They’re all given the classic look from the original “Galaxy Quest” TV series, though they’re not intended to be the classic versions of their characters. If they were, Tim Allen’s hair mold would probably look more retro. However, they did depict Fred Kwan with that semi-squinted expression in his eyes, which only really happened when he was fully in character on the show. Personally, I’d like to have a series of “Galaxy Quest” Funko POPs with them looking disheveled, such as Sir Alexander with hair poking out of his torn alien headpiece.
What’s a little disappointing is the lack of the rest of the original crew, with no figures for Gwen DiMarco (Sigourney Weaver) as Lt. Tawny Madison and Tommy Webber (Daryl Mitchell) as Laredo in sight. Seems like quite an oversight to exclude both the woman and the Black cast members from the movie/series, especially since the packaging for the other figures indicates that there are two other “Galaxy Quest” Funko POPs on the way…
(2) AFTER ACTION REPORT PART II. {By Steven French.] [Part I was in a previous Scroll.] It wouldn’t be a fantasy exhibition in Leeds without *some* mention of JRR! Leeds Central Library’s Fantasy: Realms of Imagination included a couple of displays with Tolkien-related material including one with a photo of his and Edith’s house in West Park, out on the edge of the city, as well as two of his poems that were published in the university student magazine The Gryphon. One, ‘Iumonna Gold Galdre Bewunden’ not only features a dragon on its hoard but also makes mention of a ring (!). The other, ‘Light as Leaf on Lindentree’ , from 1925, eventually became the Song of Beren and Lúthien which Strider recited to the hobbits on Weathertop.
(3) AFTER ACTION REPORT PART III. [By Steven French.] And finally (honest!), no fantasy exhibition would be complete without a dragon or two and Fantasy: Realms of Imagination at Leeds Central Library had its fair share, including this fine example:
Plus an egg or two:
But my favourite was this little fellow, made by the Bermantofts Pottery of east Leeds:
(Bermantofts Pottery also made the ox-blood faïence (glazed terracotta tiles) for the facades of such London Underground stations as Covent Garden and Russell Square)
Even the reading room, with its magnificent ceiling, took part in the spot-the-dragon competition (can you see it?!):
Fun for kids of all ages!
(4) ABOUT THOSE SMOFCON VIDEOS. Ersatz Culture advanced this “Modest Proposal” about the Chengdu panels at SMOFcon:
If WSFSy types want to try to rebuild trust, maybe they could start by making the videos of the Chengdu panels at Smofcon back in Dec available to all?
AIUI currently they are available to anyone who forks out for a membership, but as a gesture of good faith, make them free? pic.twitter.com/0wAC5fCBkZ
He’s also posted this at Mastodon, where Cheryl Morgan gave a response that can be read at the link.
(5) TIANWEN. The “Tianwen” project was announced in Chengdu last October with the cooperation of representatives of several professional writers groups and Hugo Award Administrator Dave McCarty. This puff piece encompasses what we know so far: “Tianwen: Unveiling China’s Diverse Science Fiction to the World” at News Directory 3. While the publicity seeks to associate a new literature prize with the Hugo brand, it does not appear to claim a formal connection to the WSFS award.
The announcement and unveiling of the “Tianwen” project at the first Industrial Development Summit of the World Science Fiction Conference is set to revolutionize the Chinese science fiction scene. This global project, launched by the Chinese Authors Association and the Organizing Committee of the World Science Fiction Conference, aims to discover new talents, support science fiction works, and promote the integrated development of the industry.
The project was unveiled by Alai, Vice Chairman of the Chinese Writers Association, Hiroshi Osawa, Chairman of the Japan Science Fiction Writers Association, and Dave McCarty, head of the Hugo Award Selection Committee. Alai expressed his hope that “Qu Yuan’s romanticism and idealism will be better publicized in ‘Tianwen’”, while Osawa emphasized the impact of the project on shaping the future generation.
The “Tianwen” plan includes the establishment of the Tianwen Global Science Fiction Literature Prize, which will be awarded annually from 2024. This prize aims to encourage new and young writers, focusing on their innovative literary works and expression of new cultural fields. It will serve as an important supplement to the prestigious Hugo Awards and contribute to the diversity of the Hugo culture.
Additionally, the “Tianwen” project will host various activities to promote the integrated development of the global science fiction industry. These include sub-forums, award ceremonies, promotion conferences, creation salons, exhibitions, and industry roadshows.
Liang Xiaolan, the chairman of the World Science Fiction Conference Chengdu 2023, emphasized that “Tianwen” is not only an award and program, but also a platform for the industrial development of national science fiction culture. This initiative aims to elevate Chinese science fiction to a global level and promote exchange and collaboration between China and foreign countries.
With the inclusion of Chinese works in the selection process of the Hugo Awards for the first time, “Tianwen” will play a crucial role in showcasing Chinese science fiction to a wider audience. Dave McCarty views “Tianwen” as a valuable platform for international science fiction exchange, leading the way for the global science fiction industry….
(6) LESS PAIN, MORE GAIN. [Item by Mike Kennedy.] The Directors Guild of America–the most prominent Hollywood Guild that did not strike last year—has now gotten a bump in several contract areas to more closely match their sibling guilds. You know, the siblings who did walk the picket lines. “DGA, the Guild That Didn’t Strike, Gets Improved Contract Terms” in Variety.
The Directors Guild of America, the Hollywood union that did not strike last year, told members Thursday that it has won additional gains, including a viewership bonus for streaming shows.
DGA members will get a 50% residual bump for work on the most-watched shows on streaming platforms, matching the terms won by the Writers Guild of America.
The DGA also got increases in several other areas, including a .5% increase in pension and health contributions in both the second and third year of the contract.
The DGA agreed to a three-year deal with the major studios on June 3, about a month into the WGA strike. At the time, DGA negotiators did not seek a viewership-based bonus, instead choosing to focus on a 21% increase in streaming residuals to account for the growth in foreign subscribers.
The Alliance of Motion Picture and Television Producers was not obligated to reopen the terms of that deal, which was ratified by 87% of the members. But by doing so, and matching the streaming residual terms obtained by the WGA, the AMPTP helps DGA leadership make the case to its members that they were not disadvantaged by refusing to strike….
…When literary authors cross over into science fiction, they often do so as enlightened homesteaders, equipped with notions of the field’s backwardness and confidence that their own innovative ideas will reform the backwaters of tropey sci-fi for the better. (Remember when Ian McEwan — in A. D. 2019 — told sci-fi writers that they’d better start “actually looking at the human dilemmas” that would arise with high-level AI?)
Samantha Harvey falls into a different camp, in that she’s not attempting what we might consider “science fiction” — not exactly. I initially found Orbital (2022) because it was displayed the sci-fi section of my library; however, Harvey has described it as “space realism”: a rendering of life in space as humans currently experience it. Orbital takes place in the near future, on an international space station (the ISS in all but name), wherein six astronauts live and work, sheltered from the black void by its narrow walls. Their daily tasks are structured and mundane, and nothing happens in the novel (spacewalks, toilet repairs, floating dinners served in bags) that hasn’t happened in real life. No speculative elements, except a new manned mission to the moon, are introduced.
That being said, sci-fi fans would do themselves a disservice in skipping Orbital. Although it has no aliens or new technology, it’s one of the most inventive and immersive novels I’ve read in a long time.
(8) A HIGH WIRE ACT. That’s what Paul Weimer says readers are witnessing in his review of the final volume of a trilogy by Kevin Hearne, A Curse of Krakens: “Seven Kennings Trilogy and the Power of Story” at Nerds of a Feather.
…Right at the start, we find that this novel, and this trilogy is about the telling of story. A bard with the power of a Kenning, in particular the magical ability to project his voice, begins to tell the war-weary city of the war that they themselves are suffering privation under. We are in medias res of the Giant’s War, and the bard, we soon learn, has been sent to tell the story of the Giants War and prepare the populace for what is to come next.
But it’s not a simple linear narrative. This is not a simple recitation of facts. The bard has collected and (with his flawless memory) organized a raft of stories from, ultimately, twenty or so points of view. This sounds absolutely unwieldy and unsustainable and it is a high wire act that Hearne works at through the books. Hearne manages it by telling the stories of these characters through the bard in a narratively interesting and engaging order, which is not a straight up order by dates. And by having the bard tell the stories, we can use present day events in Pelemyn itself as a breather and a buffer from the stories he tells.
What’s more, this ambitious three volume out of order narrative drives plot right up to the “present”…
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 28, 1981 — Elijah Wood, 43. In Elijah Wood, we’ve an actor that I always enjoy watching. Best known here and in the greater film community for being Frodo Baggins in The Lord of the Rings trilogy and The Hobbit: An Unexpected Journey, he has a much more extensive film career.
Elijah Wood in 2011. Photo by Gage Skidmore.
He makes his debut in a blink and you’ll miss it performance as Video Game Boy #2 in Back to the Future Part II; he next has a significant genre role as Nat Cooper in Forever Young, the screenplay being written by J. J. Abram from his story named “The Rest of Daniel”.
He next shows up as the young Mike Marshall (primary version) in Radio Flyer with Tom Hanks playing, uncredited the older version and the film narrator. Fantastic film that.
Then he’s Huck in, well, The Adventures of Huck Finn. Haven’t seen it, but the usual suspects at Rotten Tomatoes who did see this Disney Production did like it and gave it a seventy-three rating. I know it’s not genre, but I like the story. A lot.
Elijah Wood in 2019. Photo by Gage Skidmore.
Next is SF in Deep Impact where he plays, let me see my notes, Leo Biederman, a teenage astronomer who discovers the Wolf–Biederman comet . Oh look they cast a teenager as a teenager!
Now we have an adult role for him in one of my favorite films — he’s Patrick Wertz in Eternal Sunshine of the Spotless Mind. Good role, wonderfully executed by him.
Can we skip Sin City pretty please? Yes, I know, and do forgive me here.
He’s got a minor role in, depending in how you frame it, the reboot or new version or remake of The Toxic Avenger. I personally see no reason for such a perfectly trashy film to be made again, do you?
The graphic novelist Posy Simmonds has won the Grand Prix at France’s Angoulême International Comics festival – the first time a British artist and author has been awarded the world’s most prestigious prize for lifetime achievement in comics.
Simmonds’s satirical observations on modern British society, interweaving detailed illustration with long literary texts, are held to have redefined the graphic novel genre.
She said of the award: “I was gobsmacked – époustouflée, as you would say in French … It’s extraordinary because if you’re writing or drawing, you work in a room on your own, and it’s then very extraordinary when the book, or your work, or you are given a lot of exposure.”…
(12) FREE READ. Sunday Morning Transport has another free story – “The Empty Throne” by Benjamin C. Kinney – to encourage new subscribers.
For the final free-to-read story of January, Benjamin C. Kinney takes us to 19th century Budapest, where a young woman wrestles with her father’s angels. Note: Should you be inclined towards tremendous footnotes, the author has linked one at the end of the story for you to peruse.
(13) SQUISHMALLOWS. [Item by Mike Kennedy.] This Entertainment Weekly article recommends these as Valentine’s Day gifts. Hmpf. Perhaps for one’s young nephew, or niece, but it might be just a little bit ick (or EW) to give an adult love interest a squishy pillow-shaped plush styled after an underage tween/teen. “Harry Potter Squishmallows are available at Amazon just in time for Valentine’s Day”.
… Your wish has been granted with no wand-waving needed, as Harry Potter Squishmallows now exist. The lovable main character has been reimagined into a poofy, cozy plush toy that will delight any HP fan come Valentine’s Day. The Gryffindor legend has his glasses, Hogwarts house robe, and trademark lightning bolt scar all in an ultra-huggable material.
If you’re interested in snapping up the OG trio, Ron Weasley is also available, and Hermione Granger can be preordered now, too, with the official launch date set for February 13….
(14) THUNDERBOLT FANTASY. A new episode of the Anime Explorations Podcast is up today, where they discuss the second season of the Taiwanese Wuxia Puppet series Thunderbolt Fantasy, with special guest Tom Merritt of the Daily Tech News Show and Sword & Laser Podcast. “Anime Explorations Podcast: Episode 16: Thunderbolt Fantasy Season 2”.
…The clip that began picking up steam was Tyra on the Jumbotron, covering her eyes with her hands as the two furries leaned over her to caress one another….
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Daniel Dern, Lis Carey, Kathy Sullivan, Alexander Case, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) CREEPING. [Item by Anne Marble.] Author J.D. Barker has been called out for sending e-mails to young women book reviewers asking them to make and send risqué videos he could use in promoting his book. He also offered to pay for the videos once he’d “approved” them. There are reaction videos on TikTok and Xitter. Here is one:
You can see screencaps of the message he sent here:
Here’s the full email with rates and video ideas that got sent out to influencers – seems like a pretty significant number of people, mostly booktokers, received it pic.twitter.com/T5quDzfbwD
In addition, he didn’t verify anyone’s age before sending out these e-mails which might cause him legal trouble.
Barker’s upcoming book is Behind a Closed Door, an erotic thriller novel, but he is known in sff circles for having co-authored the Dracula prequel Dracul with Dacre Stoker (Bram Stoker’s great-grandnephew).
He posted an apology — but it made eyes roll. The apology blames his publicity firm, but people have pointed out that he co-founded the publicity firm.
He’s no relation to Clive Barker or R. J. Barker, by the way.
(2) ICONIC SFF ART ACQUIRED BY UC RIVERSIDE. The Dillons’ cover art for The Left Hand of Darkness has been sold to the Eaton Collection: “UC Riverside buys Le Guin sci-fi novel cover art” – Bay Area Reporter has the story.
A renowned science fiction collection at UC Riverside has purchased the original cover art for Ursula Le Guin’s award-winning 1969 novel “The Left Hand of Darkness.” The artwork is joining the state university’s Eaton Collection of Science Fiction & Fantasy and should be on display in the college library’s special collections reading room by the summer…
…”I am absolutely over the moon,” Phoenix Alexander, the Jay Kay and Doris Klein Science Fiction Librarian at UC Riverside, told the Bay Area Reporter about being able to buy the 17 1/4 by 13 inch acrylic painting used for the cover of the debut edition of Le Guin’s novel, which was released in paperback by Ace Books.
As the B.A.R. first reported in December, publisher Ace Books hired award-winning artists and biracial couple Leo and Diane Dillon to create the cover art. Highlighting the novel’s plot centered on a gender-nonconforming and ambisexual race of humanoids, the Dillons featured profiles of the book’s nonbinary protagonists in the left bottom corner looking off into the distance. Surrounding the pair is a blue and white celestial-like scene with what appears to be a brown planet and a spaceship hovering above.
(Leo Dillon, of Trinidadian descent, died in 2012. He was the first African American to win the prestigious Randolph Caldecott Medal for illustrators of children’s books, while the Dillons were the only consecutive winners of the award, having received the honor in 1976 and 1977.)
“Their artwork draws on African folk art, Japanese block printing, and medieval illumination,” noted Alexander, who has been in his position at UC Riverside since August 2022….
For more than a year, the United States Federal Bureau of Investigation has been hunting the person whom experts say is one of the most prolific swatters in American history. Law enforcement now believes they have finally arrested the person responsible.
A 17-year-old from California is allegedly the swatter known as Torswats, according to sources familiar with the investigation. The teenager is currently in custody and awaiting extradition from California to Seminole County, Florida. The Florida State Attorney’s Office tells WIRED that he faces four felony counts.
Seminole County, located in central Florida, had two high-profile swatting incidents within the last 12 months, including one targeting a mosque and another targeting a courthouse. Todd Brown, a spokesperson for Florida’s Office of the State Attorney in the 18th Circuit, confirmed the charges against the teen and his extradition. Brown says he will be prosecuted as an adult under Florida law. WIRED is withholding the 17-year-old’s name because he is a minor….
…According to the Florida State Attorney’s Office, the charges against the California teenager include making false reports concerning the planting of a bomb or the use of firearms, causing a law enforcement response. All charges are described as related to acts of terrorism and showing prejudice based on race, color, ancestry, ethnicity, or religion.
In private Telegram chats witnessed by WIRED over the past year, a person operating the Torswats handle claimed responsibility for hundreds of false reports of bomb threats and active shootings called into schools, politicians’ homes, courthouses, and religious institutions around the US….
…Other messages [private investigator] Dennis shared with WIRED suggest that the FBI has known the identity of Torswats, whose swatting activities were first revealed by Motherboard last April, since at least July 2023, when the agency executed a search warrant and seized Torswats’ devices. The FBI’s Seattle field office, which oversaw the investigation into Torswats, declined WIRED’s request to comment…
…It is unclear whether a single person operated under the Torswats name. On January 20, two days after Dennis, the private investigator, said that Torswats had been arrested, a person using the Torswats’ Telegram handle who had knowledge of previous conversations with WIRED reached out.
“I am pretty sure I’ll never be arrested,” the individual wrote in a direct message on Telegram. “Seems ridiculous that a few bucks a month can allow someone to do crazy shit and never go to jail.”
(4) LETTERS FROM THE PAST. Pulp Librarian reminds readers about a product that wildly expanded choices for desktop publishers. I remember it well. Thread starts here.
Today in pulp I look back at the simple idea that launched a thousand fanzines: Letraset!
Launched in 1959 by Dai Davies and Fred Mackenzie it heralded a graphic design revolution that brought funky fonts to the masses.
(5) HOW IT WORKS. Chris Rose invites users of his Glasgow 2024 Hugo nominating software behind the scenes in a post on Mastodon’s The Wandering Shop. I really do like its name: “Nomnom”.
In the beginning, Babylon 5 was almost murdered by Star Trek. Back in 1987, the same year Star Trek: The Next Generation brought space-based sci-fi back to mainstream TV, writer J. Michael Straczynski took his pitch for a sci-fi “novel for television” to studios and networks.
Today, Straczynski is best known for co-writing the first Thor movie in 2011 and co-creating Sense8with the Wachowskis. But in 1987, his big credits were writing for Masters of the Universe and being a story editor on The Real Ghostbusters. His pitch for Babylon 5 was a unique and radical departure.
… In the late ’80s and early ’90s, serialized TV didn’t really exist outside of soap operas. But on January 26, 1994, the first episode of Babylon 5 debuted and insisted on a new kind of viewing habit: fans had to catch nearly every episode to understand the story, which was set to last for five years….
… Ultimately, the two shows became very different, but the specter of Star Trek loomed over B5. There is also evidence that Paramount and Warner Bros were considering launching a joint network, which wouldn’t have had room for two space station sci-fi shows….
Outstanding Actors in a Feature Film: Margot Robbie (Barbie)
Best Iconic Family Film: Ghostbusters
Best Ensemble Feature Film: Barbie
Best Animated Family Film: Leo
(8) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Many Hugo and Worldcon posts across multiple Chinese internet platforms are being removed
This is a developing item.
Whilst Chinese coverage of events following the release of the Hugo statistics report has been much spottier than in the west — I’m not aware of any coverage from mainstream media — there have been posts on public platforms such as Weibo, WeChat/Weixin and Zhihu (comparable to Quora/Stack Overflow).
Within the past day, several posts across these various platforms, and posted by various users have disappeared. In some cases, the post is visible to the post’s author, but no other users.
For example, as of 01:15 UTC on Sunday 28th, if you went to the Baidu search engine and entered 雨果奖把别塔 (Hugo Awards / Babel) you would see as the first result a post on Zhihu with an English language cover of R. F. Kuang’s novel. If you clicked on the link however, Zhihu would serve you an error page. However, shortly afterwards, the Baidu result disappeared; this in itself isn’t suspicious, it’s probably due to the search engine realizing the page is no longer any good.
Search results on Baidu for 雨果奖 把别塔 (Hugo Awards / Babel)”Error page when you click on that link
Google Search for 雨果奖把别塔 zhihu was still finding the deleted page in the results the last time I checked, but I imagine it will disappear from the results sooner or later.
Search results on Google for 雨果奖 把别塔 zhihu (Hugo Awards / Babel zhihu)
Luckily, I’d previously seen this particular post on Friday 26th, and thanks to some self-made browser extensions, I have a copy of the raw text/HTML. Due to that webpage relying on JavaScript, it needed a bit of jiggery pokery to bring that saved content back into a semi-usable form, but you can see the original Chinese text, and the Google Translate rendition of part of it here.
Part of the original Chinese textPart of the text put through Google Translate
As I expected, it was a summary of the controversies following the release of the Hugo nominations report. I haven’t read it closely, but I’m pretty certain it’s just a recycling of information that had already been posted by other users on other platforms previously. There’s nothing new to File 770 readers, but it’s the sort of thing that would serve as a useful explainer to people who had not been following the story.
(9) FOR THOSE KEEPING SCORE AT HOME, OR TRYING TO. Charles Stross’ “Worldcon in the news” at Antipope offers an extensive and well-informed discussion of how Worldcons and Hugos work which will be helpful to help those trying to catch up.
…The world science fiction convention coevolved with fan-run volunteer conventions in societies where there’s a general expectation of the rule of law and most people abide by social norms irrespective of enforcement. The WSFS constitution isn’t enforceable except insofar as normally fans see no reason not to abide by the rules. So it works okay in the USA, the UK, Canada, the Netherlands, Japan, Australia, New Zealand, and all the other western-style democracies it’s been held in … but broke badly when a group of enthusiasts living in an authoritarian state won the bid then realized too late that by doing so they’d come to the attention of Very Important People who didn’t care about their society’s rulebook.
Immediate consequences:
For the first fifty or so worldcons, worldcon was exclusively a North American phenomenon except for occasional sorties to the UK. Then it began to open up as cheap air travel became a thing. In the 21st century about 50% of worldcons are held outside North America, and until 2016 there was an expectation that it would become truly international.
But the Chengdu fubar has created shockwaves. There’s no immediate way to fix this, any more than you’ll be able to fix Donald Trump declaring himself dictator-for-life on the Ides of March in 2025 if he gets back into the White House with a majority in the House and Senate. It needs a WSFS constitutional amendment at least (so pay attention to the motions and voting in Glasgow, and then next year, in Seattle) just to stop it happening again. And nobody has ever tried to retroactively invalidate the Hugo awards. While there’s a mechanism for running Hugo voting and handing out awards for a year in which there was no worldcon (the Retrospective Hugo awards—for example, the 1945 Hugo Awards were voted on in 2020—nobody considered the need to re-run the Hugos for a year in which the vote was rigged. So there’s no mechanism….
…So, how does an award-winning French short film make its way to American television as part of a beloved sci-fi program? Well, according to producer William Froug, it came down to budget concerns. At the time, CBS was pushing the show to save money as it worked to complete its Season 5 order, and that meant that producing a whole new episode to complete the order was going to make money extremely tight. In an effort to appease the network while still meeting the tone of the show, Froug suggested they license “An Occurrence at Owl Creek Bridge,” which he’d already seen, and simply make it part of The Twilight Zone.
“It was almost entirely silent,” Froug said in The Twilight Zone Companion. “There were maybe a half-dozen lines in it, and there was one brief ballad –– in English, of all things. CBS was very reluctant –– ‘A French film on television? Who ever heard of such a thing?’ –– but I convinced them, because we bought all the TV rights for $10,000. With that one airing, we immediately took care of the whole year’s overage. It brought us out at the end of the year under budget.”…
(11) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 27, 1957 — Frank Miller, 67. So this Scroll we have artist and writer Frank Miller, a fascinating writer indeed.
Although some Miller fan sites want to credit him with writing two stories for the Twilight Zone comic, there is no actual proof he did, so his first credited artistic endeavor was he as the artist on Wyatt Gwyon’s “Deliver Me From D-Day” which ran in Weird War Tales #64 in June 1978. Fascinating comic it was.
He was that rare versatile artist who did everything so his first job for Marvel was penciling John Carter, Warlord of Mars, Part 3’s “The Master Assassin of Mars”.
Frank Miller
Shortly afterwards, he was the artist for Peter Parker, The Spectacular Spider-Man where was Daredevil also present. This is important as Miller would eventually become the writer on Daredevil after successfully pursuing the job: “My secret is to do crime comics with a superhero in them. And so I lobbied for the title and got it.” I consider his work the highlight of this comic.
He’d return to the Daredevil story later and, like so many writers, either brilliantly do something new, or mangle it beyond recognition.
Now we have a brief but noteworthy stay at DC. That produced Batman: The Dark Knight Returns and Batman: Year One. The first, like oh many of the animated films that came out of it, was far better than any of live film which saw a screen. Needless to say both series were stellar in their own right.
Elektra Lives Again is one seriously weird story. Saying anything more is a Major Spoiler. And whatever you do, if you’ve not read it, don’t go anywhere near the Wikipedia article. I’m serious. Just don’t.
I’m not even going to talk about Sin City as it’s either brilliant or — let me use German to describe it, die Scheiße.
Not at all going to talk about The Dark Knight III: The Master Race, as I’ve not read it. Opinions?
His film work includes writing the less sterling RoboCop 2 and RoboCop 3 scripts, sharing directing duties with Robert Rodriguez on Sin City and Sin City: A Dame to Kill For, producing 300 which is by far not my cup of anything, and directing The Spirit which got a 25% rating among audience reviewers at Rotten Tomatoes, though having seen it I think that’s being kind.
(12) COMICS SECTION.
Candorville still has a complaint about a series finale.
…In Atlantic November 1956, her non-genre story “A Heart of Furious Fancies” was published. The editors noted,
WINONA MCCLINTIC was a radioman second class in the United States Navy during World War II and the Korean War. She graduated from Mills College, contributed poems to the Atlantic, and was at work on her Ph.D. (under the G.I. Bill) when matrimony intervened. She married an engineer and while he, she says, “fiddles with things on airplanes,” she finds time to raise guinea pigs and write….
So it was unusual for a group of around 140 ghostwriters to gather, as they did in Manhattan on Monday, to schmooze and celebrate their work with awards, panel discussions and keynote speeches. The one-day conference, called the Gathering of the Ghosts, took place at a moment when ghostwriting is in high demand and gaining recognition as an art form of its own, after years of operating largely in the shadows.
“There’s great value in building this community because of the nature of what we do,” said Daniel Paisner, who hosts a podcast about ghostwriting called “As Told To” and has collaborated on 17 New York Times best-sellers. “We do it in a vacuum, sitting alone in our underwear in our offices. We don’t get out much. So I think it’s helpful to be able to compare notes.”
Held at the New York Academy of Medicine, in a room lined with old, leather-bound medical books overlooking a snowy Central Park, the event included panels about finding the right publisher for a project, whether A.I. might render ghostwriters irrelevant and conversations about how much a ghostwriter can charge (the consensus: more). The profession has a history of being undervalued, and one panelist advised everyone in the audience to double their rates and add 20 percent.
“Is it good to be a ghostwriter?” Madeleine Morel, an agent who specializes in matchmaking book projects with ghostwriters, said at the event. “I’ll paraphrase Dickens: It’s the best of times and the worst of times. It’s the best of times because there’s never been so much work out there. It’s the worst of times because it’s become so competitive.”…
(15) ROBERTO THE BUILDER. [Item by Mike Kennedy.] Is an animated film about building stuff that doesn’t fly between the stars or shoot lasers genre? Who knows. But we can hope that Jenny from the block will make it so. “Jennifer Lopez Producing Bob the Builder Movie Reboot Starring Anthony Ramos” at Comicbook.com.
Bob the Builder is getting a brand-new movie produced by Jennifer Lopez. Transformers series star Anthony Ramos will play the titular handyman. Mattel Films teamed with the international music superstar to build this project from the ground up. Bob the Builder‘s new movie will be animated with Ramos providing the voice for the character. As per a description for the project, Bob the Builder sees Roberto travel to Puerto Rico for a major construction job. As issues affect the island, Bob will have to dig deep to bring the project to life. Felipe Vargas has been attached as a writer. Ramos sounds absolutely elated about playing the popular character in the press release put out today.
This week, NASA announced that Mars helicopter Ingenuity‘s 72nd flight was the final flight of its mission. The helicopter sustained damage to one or more of its rotor blades during landing on January 18 and is no longer capable of flight.
Ingenuity landed on the Red Planet with Mars rover Perseverance in February 2021 and achieved the first powered flight on another planet in April 2021.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Anne Marble, Rich Lynch, Ersatz Culture, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Petra.]
…No reason was given for the exclusions, which were only revealed on 20 January when the Hugo awards published the full nomination statistics for last year’s prize. Certain titles were listed as having been given votes, but were marked with an asterisk and the words “not eligible”, with no further details given….
…Concerns have been raised that the authors were targeted for political reasons, connected to the fact that the ruling Chinese Communist party exerts a tight control on all cultural events that take place inside its borders.
Dave McCarty, the head of the 2023 Hugo awards jury, wrote on Facebook: “Nobody has ordered me to do anything … There was no communication between the Hugo administration team and the Chinese government in any official manner.”
McCarty did not respond to a request from the Guardian for comment, but shared what he said was the official response from the awards administration team on Facebook: “After reviewing the constitution and the rules we must follow, the administration team determined those works/persons were not eligible.” He declined to elaborate on what the rules were.
“I can only guess to why I was excluded, but it probably has something to do with my critical comments about the Chinese government in the past,” said Xiran. “You would think that as a big, powerful country, China would be graceful about criticisms, but they in fact take it very personally, and doubly so when it’s from Chinese diaspora.”…
…In an Instagram post published on 22 January, Kuang wrote: “I wish to clarify that no reason for Babel’s ineligibility was given to me or my team. I did not decline a nomination, as no nomination was offered … I assume this was a matter of undesirability rather than ineligibility.”
Paul Weimer, a hobbyist sci-fi writer, discovered last week that he was excluded from the best fan writer category, despite receiving enough nominations to be shortlisted. “I had the highest of hopes for Chengdu,” said Weimer, who has been nominated for Hugos in previous years. “I thought it was amazing that a number of Chinese fans had got together to get this bid together.”
The organising committee of Chengdu Worldcon did not respond to requests for comment….
The Bookseller posts about the Hugo controversy; seemingly removes the post shortly afterwards
Around 1:20pm UK time on Wednesday, I noticed that the website of The Bookseller trade magazine had posted a piece about the Hugos, covering material that should already be very familiar to File 770 readers.
Perhaps more interestingly, by around an hour later, the post seemed to be no longer available, or shown on their homepage, instead presenting a visitor with a login prompt, The Bookseller does operate a system where you can only read one article a month without creating a (paid) account, but the usual workaround of opening the link in an incognito window or clearing cookies did not work. (As I write this up several hours later, a generic “topics” index page is instead returned.)
Bizarre post from Chengdu Worldcon Vice-Chair and Hugo finalist/nominee La Zi
拉兹 (La Zi, aka Raz aka Lattsep) is – per his Weibo bio, as rendered by Google Translate – ‘Deputy Editor-in-Chief of Science Fiction World, Chief Editor of “Science Fiction World”‘. (I think one of those is in reference to the general SFW company, and the other to the SFW print magazine.) The Chengdu Worldcon site lists him as one of eleven Vice Chairs of the con. He was co-editor of the Best Fanzine finalist 中文科幻学术速递 (Chinese Science Fiction Express), placed tenth in the Best Editor, Short Form nominations. He also co-edited the 2022 bilingual Galaxy Awards 1 anthology, the English translations therein being the means by which the older Chinese stories “Color The World”, “Upstart”, “Turing Food Court”, “Fogong Temple Pagoda”, “Resurrection”, “Tongji Bridge” and “2039: Era of Brain Computer” appear in the Novelette and Short Story nominations lists, although only Resurrection was a finalist, with “Color the World” and “Fogong Temple Pagoda” both being marked as “Not eligible”. (The former being excluded because the translation had previously appeared in a 2021 anthology; the issue with the latter is still unknown.)
Sooner or later, the bad things started to get worse. I got shit thrown at me when I tried to stop him, which made someone break up with me. I hope I know now why I blocked it. I blocked it because I saw that there were mines under certain seats. Sitting on them meant you would die, but you were slandered by the villains who gossiped about you for taking fame and fortune. Good intentions may be framed, but it doesn’t matter if you have a clear conscience.
If that makes “the rules we must follow” look like the model of clarity, bear in mind that of the six (as I write this up) user comments, three are variants of “what are you talking about?”, so it’s no more comprehensible to many Chinese users than those reading the translation.
Below is a screengrab of the post along with an alternative English translation from the Alibaba Cloud functionality built into Weibo.
BEIJING, Jan 22 (Reuters) – China will investigate and punish officials for falsifying economic data, the National Bureau of Statistics said on Monday, amid scepticism about the reliability of Chinese data….
“Statistical fraud is the biggest corruption in the field of statistics, which seriously violates the statistics law, seriously affects the quality of statistical data, obstructing and even misleading macro decision-making,” the official said…
There has long been scepticism about the reliability of Chinese data, especially as the government has sought to defuse market concerns about a protracted slowdown in the world’s second-largest economy.
(1) KUANG ON BABEL’S HUGO INELIGIBILITY. Rebecca F. Kuang decided that saying nothing isn’t an option. “Rebecca F. Kuang: ‘statement’” at Bluesky.
(2) ANOTHER WAY TO RUN A RAILROAD. Answering some writers’ renewed cry that the Hugo Awards be taken away from the Worldcon, Cheryl Morgan has drafted a proposal. It’s explained in “Decoupling the Hugos” at Cheryl’s Mewsings. Morgan’s draft can be downloaded at “Independent-Hugo-Administration.pdf”.
In amongst all of the discussion as to what to do about the Chengdu Hugo issue has been one suggestion that can actually be implemented, albeit over a number of years. That is decoupling Hugo Award Administration from the host Worldcon, so that the laws of the host country cannot interfere with the voting process….
… WSFS already has an organization called the Mark Protection Committee (MPC), which is responsible for maintaining the service marks that WSFS owns (in particular “Hugo Award” and the logo). I suggest renaming this the Independent Hugo Award Administration Committee (IHAAC) and giving it, rather than Worldcon, the job of administering the voting process. The IHAAC would recruit experienced administrators in much the same way that Worldcon does, but there would be a lot more consistency from year to year.
Worldcon would still have the option of staging a Hugo Award ceremony, and creating a distinctive trophy base, but equally it could decline to do that and pass the job back to the IHAAC.
Kevin [Standlee] and I cannot take this proposal forward ourselves. Kevin is a member of the MPC, and I effectively work for them in maintaining the WSFS websites, so we both have a vested interest. Our involvement could easily be portrayed as a power grab. But we are happy to provide help and advice to anyone who does want to take this forward at Glasgow….
(3) DON’T MAKE CHANGES THAT TAKE VOLUNTEERS FOR GRANTED. Abigail Nussbaum has a remarkably insightful post about the current crisis: “The 2023 Hugo Awards: Now With an Asterisk” at Asking the Wrong Questions.
… Even taking this most charitable view of events, however, there comes a point where honest mistakes corrupt a result too thoroughly to be distinguishable from malice, and that’s before we even get into those three still-unexplained ineligibility rulings. Unless Chengdu steps forward with more information, there is, unfortunately, no avoiding the conclusion that the 2023 Hugo results are irreparably tainted.
On the matter of those three disqualifications, the assumption that many people are making—and which, again, seems like the most plausible conclusion until and unless Chengdu starts answering questions—is that all three were struck off for political reasons. This might mean outright government interference, or someone on the Hugo team complying in advance, or an independent but politically-motivated actor among the award’s administrators striking off work they don’t approve of. This may also explain the silence from the Hugo team, who may fear reprisals towards themselves or their teammates. At this point it is possible that we will never know the whole story of what happened to the 2023 Hugo Awards. Which means the important question before us is how to move forward.
That question is complicated by the erratic, increasingly rickety superstructure of the Hugos and the Worldcon as a whole. Put simply, there is no Worldcon organization. Each convention is its own corporate entity charged with holding the convention and administering the Hugos, and bound only by the WSFS constitution. Said constitution is discussed and amended in the annual Business Meeting, a sclerotic, multi-day affair administered under rules that seem designed to baffle new participants and slow change to a creeping pace. What this means, among other things, is that there is no actual oversight over any individual Worldcon’s behavior, and no mechanism to claw back either the convention or the Hugos if it appears that they are being mismanaged.
It’s not at all surprising that the reaction of many people upon learning these facts, and especially in the present context, is to immediately leap to the conclusion that this entire system should be scrapped and replaced with a centralized authority. This, I think, is to ignore some very basic facts: the Worldcon is a fully volunteer-run organization. The free labor that goes into administering it, and the Hugos specifically, probably runs to tens, perhaps hundreds, of thousands of dollars in value. The idea that one can simply erect a super-organization under those same conditions is hard to imagine….
(4) LECKIE ON THE HUGOS. If you happen to be on Bluesky, Ann Leckie has a thread with a lively discussion. It begins:
(5) MORE CHINESE SOCIAL MEDIA RESPONSES. [Item by Ersatz Culture.] Some more anonymized online reactions to social media posts about the Hugo nomination report, some of which are based on coverage of the continued Anglosphere reactions, such as John Scalzi’s blog post about Babel.
English translations are all via Google Translate unless otherwise indicated, with minor edits or commentary in square parentheses. Some of the smileys haven’t come through, so bear in mind that some of these should be read in a sarcastic tone.
怎么感觉雨果奖次次都有瓜
Why does it feel like the Hugo’s have a melon every time? [Note: “melon” is Chinese slang – maybe “drama” is a reasonable translation in this context? Also, this translation is via DeepL; Google Translate comes up with a less literal result, but which I think is incorrect]
2023这次应该是“中国雨果奖”吧。
This time in 2023 it should be the “China Hugo Award”. 
When I saw this news, I didn’t feel any emotion at all. I even thought it was too normal for this to happen here. It was surprising to see positive news. Foreigners still know too little about real flower growers [Note: “flower growers” = China]
太可惜了
What a pity
然而巴别塔还在国内出中译了，就很神奇 很迷惑
However, [Tower of] Babel has been translated into Chinese in China, which is amazing and confusing
到底为什么呀怎么感觉这么大的事情国内平台都没几个声？？
Why on earth do you feel that there are not many domestic platforms talking about such a big thing? ?
因为雨果奖怎么样并不算大事，国内的雨果奖获奖作品能给媒体带来多少收入才是大事
[replying to previous comment] Because it’s not a big deal how the Hugo Award is, but how much income the domestic Hugo Award-winning works can bring to the media is a big deal
真实了，我记得之前国内作者获得雨果奖的时候大小媒体都在采访
[A further reply] It’s real. I remember when a domestic author won the Hugo Award, all the media were interviewing him.
I speculate that it is not CN Kang’s censorship but some selfish motives of the organizer (although I don’t know the specific motivation). You must know that “[Tower of] Babel” itself has a strong sense of “premature Leninism”. Don’t be too correct. Of course, I firmly support Mr. Scalzi’s suggestion on the rules of the conference! [I’m not sure what “CN康” is, Wikipedia says “CN” is “virgin”, but that doesn’t seem to make any sense in this context.]
????所以呢？在其他地方举办世界科幻大会没有按国外的审美标准就是存在疑问及不适合的？
????So what? Is it questionable and inappropriate to hold the World Science Fiction Convention elsewhere if it does not follow foreign aesthetic standards?
毕竟是有关国家信誉的大事，别只写获奖不写争议吧咱就说
After all, it is a major matter related to the credibility of the country. Don’t just write about the awards and not the controversies. Let’s just say [This comment cced in half-a-dozen news organizations, some of which are ones that I recognize from earlier coverage of the con, I think some of which was linked in prior Scrolls]
《巴别塔》批判殖民主义，还以英国为背景，咋不猜是英国通过某些手段干预了提名[smiley]
“[Tower of] Babel” criticizes colonialism and is set in the United Kingdom. Why don’t you guess that the United Kingdom interfered with the nomination through certain means [smiley]
去年看的巴别塔，前不久看的Yellowface，Rebecca F. Kuang就是很灵秀啊，23年雨果奖怎么搞的评委最清楚啦
I [read] [Tower of] Babel last year and Yellowface not long ago. Rebecca F. Kuang is so smart. The judges of the [2023] Hugo Awards know best
《巴别塔》明明是歌颂中国人民反殖民主义的努力的啊，被雨果奖错过太可惜了
“[Tower of] Babel” obviously praises the Chinese people’s anti-colonial efforts. It would be a pity to miss out on the Hugo Award.
这，别人也倒罢了，她不是参与过联名抵制成都科幻大会吗？现在觉得自己被除名还应该给个具体原因了？
[Re. Xiran Jay Zhao] This is just for others. Didn’t [they] participate in a joint boycott of the Chengdu Science Fiction Conference? Now you feel like you should [be given] a specific reason for being removed?
赵希然，写武则天开机甲的那个华裔女科幻作家。她说唐代是中国的荡妇时代。
Zhao Xiran, the Chinese science fiction writer who wrote about Wu Zetian’s mecha. [They] said that the Tang Dynasty was the era of sluts in China. [referring to this Tweet]
Kuang特别棒 熬夜读完了1/4的巴别塔
Kuang is awesome. I stayed up late and read 1/4 of Tower of Babel.
(6) MAP CANNON. Yesterday’s China roundup by Ersatz Culture included the term “map cannon”, for which made an approximate English translation. Thanks to Gareth Jelley for finding a Baidu Encylopedia article that explains it in detail.
The map cannon originally refers to a map attack type weapon in the “Super Robot Wars” series. It first appeared in the “Second Super Robot Wars” in the Magic Machine God’s Sebastian , and was later used to refer to some mass destruction weapons. weapons or magic. On the Internet, the extended meaning of “map cannon” is the act of verbally attacking a certain group. On the Internet, it often refers to geographical attackers , or the behavior of a few people is used to deny the behavior of a certain group.
Since in many anime works, the map cannon exists as a weapon with great power and large area of destruction, so in some forums (such as NGA), the map cannon is extended to large-scale indiscriminate deletion of posts, banning IDs, and punishing users. Behaviors such as this also often refer to some moderators who often delete and ban people on a large scale and indiscriminately.
It can also express prejudice against certain things. There is often a label that summarizes the whole based on the characteristics of the part. Prejudice against different groups of people will always exist. However, there are also some “facialization” who are willing to be accepted by others – if they think they are at the top of the discrimination chain. The rise of the Internet has redefined the standards of “us” and “them” for the first time.
(7) COMIC RELIEF KERFUFFLE. Doctor Who fandom blew up yesterday. The first one got almost 300K views. The second is one of the more entertaining replies.
(8) YOUR SF TAXONOMY. Horst Smokowski lists “All the Types of Science Fiction”: at McSweeney’s Internet Tendency. There are fifty of them. The first three are:
1. Check this place out, it’s dope
2. Technology solves problems ???? (future good)
3. Technology creates problems ???? (future bad)
(9) EXTREME SUFFRAGE. Looking for more sff awards you can vote for? (Oh, you glutton for punishment!) Rocket Stack Rank has a roundup here: “SF/F Ballots For Stories From 2023”.
Here are links to ballots for various SF/F awards, 5 that are open to all, and 4 that are open to members of a convention or association. Highlighted awards are currently open for voting.
The magazine-specific awards come with a longlist link to all stories published by each magazine, with blurbs to help you remember the ones you’ve read and scores to guide further reading….
(10) FREE READ. Marie Brennan’s “Embers Burning in the Night” is a free-to-read story at Sunday Morning Transport, offered to encourage new subscriptions.
(11) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 22, 1970 — Alex Ross, 54. So Alex Ross, eh? A fantastic, in all senses of that word, comic book illustrator and writer whose first work with comic book writer Kurt Busiek, the four-issue The Marvels for, er, Marvel Comics would been a highlight of anyone else’s career.
Not Ross though. Another four-issue run, Kingdom Come, this time for DC, under their Elseworlds imprint, told of an aleternate DC universe that might have happened. One of my favorite DC stories. It was written by Mark Waid and him.
Yes, he can do pulp as he illustrated the John Layman written series, Red Sonja/Claw: the Unconquered Devil’s Hands, that was co-published with Dynamite Entertainment where Red Sonja and Claw, a cursed warrior I had never heard of before this, had a series of adventures that showed Red Sonja’s assets very well.
He’s just not interested in the costumed superheroes. Over at his website, you’ll find the prints he’s done for the Universal Monsters – Dracula, Wolf Man and so forth, they’re all there. The prints look fantastic bad they can be yours if your pocket change is deep.
Annie mentions science fiction, and also might be a reference to this B.C. strip.
(13) THE SGT. MAJOR’S MARSCON REPORT. [Item by Dann.] Mike Burke is a retired US Marine Corps Sergeant Major. Mike operated under the nom de plume (or perhaps nom de guerre) of “America’s Sergeant Major” for several years. He has led Marines in peace and in war. Since his retirement, he has written fiction and nonfiction for the US Naval Institute. The USNI is a non-profit organization with the purpose of providing an “independent forum for those who dare to read, think, speak, and write in order to advance the professional, literary, and scientific understanding of sea power and other issues critical to global security.”
Sgt. Maj. Burke has started writing on Substack as Spearman Burke and is a self-professed “noob” at the profession of writing.
He recently attended Marscon in Norfolk, VA and has a report from the con. He was able to meet Ben Yalow, David Weber, Kacey Ezell, and a few other notable authors. One of Kacey’s stories was what inspired Mike to pursue his next career as a genre author. He scored a contract to submit a short story for an anthology at the con.
The aging reformed mobster who has admitted stealing a pair of ruby slippers that Judy Garland wore in “The Wizard of Oz” gave into the temptation of “one last score” after an old mob associate led him to believe the famous shoes must be adorned with real jewels to justify their $1 million insured value.
Terry Jon Martin’s defense attorney finally revealed the 76-year-old’s motive for the 2005 theft from the Judy Garland Museum in the late actor’s hometown of Grand Rapids, Minnesota, in a new memo filed ahead of his Jan. 29 sentencing in Duluth, Minnesota.
The FBI recovered the shoes in 2018 when someone else tried to claim an insurance reward on them, but Martin wasn’t charged with stealing them until last year….
(15) ROBERT BLOCH WEBSITE UPDATE. Jim Nemeth of the Robert Bloch Official Website announced a major update.
At the (fantastic) suggestion and immense help of Mr. David J Schow (DJS) we now have a new Gallery page, showing just about every/all sides of our beloved Bob.
(16) THE REMNANT OF HUMANITY IS COMING HOME. Friends of Fred Lerner will be excited to hear that his book In Memoriam will be released by Fantastic Books And Gray Rabbit Publications on July 2.
David Bernstein is a 17-year-old member of the Remnant of Terra, the descendants of the 2,000 people who survived the Cataclysm that destroyed human life on Earth. For two centuries the Remnant has lived among the Wyneri, who rescued the few survivors and brought them to their world. Although the Wyneri are physically and psychologically very similar to Terrans, the two species interact only when they must. The Remnant earn their keep among their alien hosts, but otherwise remain apart, devoting themselves to preserving the cultural heritage of Terra.
David, however, is fascinated with the Wyneri and their culture, an interest shared by none of his contemporaries. Attending a Wyneri performance he meets a Wyneri girl his own age, and he and Harari strike up a taboo friendship.
While David learns about his Terran heritage, he feels very much alone in trying to also learn about the history of the Terran-Wyneri relationship. Violent Wyneri xenophobia drives David to intensify his studies, and to dig into the mysteries surrounding the Cataclysm, the rescue, and the ensuing two centuries of cover-ups. He begins to suspect a long-lived cabal that has spent the years working in secret, preparing for a return to Earth.
Harari’s murder crystallizes David’s need to explore the Terran-Wyneri history. Her posthumous message proving that the Cataclysm was caused by rogue Wyneri military personnel leads David to the Remnant’s leaders, who confirm it as genuine. Their conclusion? The time has come for Terrans to separate from the Wyneri. They enlist David’s help to persuade the Remnant to return to Earth, and to encourage the Wyneri to help them.
Nasa has received its first set of funding to develop a giant airplane that could fly high in the planet’s atmosphere and look for signs of water on the Red Planet.
The solar-powered vehicle, called Mars Aerial and Ground Intelligent Explorer or Maggie, is expected to fly in the Martian atmosphere with vertical take-off and landing (VTOL) capability similar to Nasa’s pioneering Ingenuity Mars helicopter.
With fully charged batteries, the Mars airplane could fly at an altitude of 1,000m for about 180km with its total range over a year on Mars expected to be over 16,000 km, the space agency said earlier this month.
Using the aircraft, Nasa hopes to conduct three studies on the Red Planet’s atmosphere and geophysical features, including the hunt for water, research on the origin of the planet’s weak magnetic field as well as tracing the elusive source of methane signals on Mars….
(18) HIDDEN HISTORY. Constellation comes to Apple TV+ on February 21.
“Constellation” stars Noomi Rapace as Jo — an astronaut who returns to Earth after a disaster in space — only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.
(19) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Isaac Arthurs has just had his monthly sci-fi weekend and asks who would win: robot or alien?
We often worry that humanity might be attacked by Aliens or AI, but which is worse and which would win in a battle between them?
[Thanks to Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Andrew (not Werdna), Gareth Jelley, Dann, Rich Lynch, Daniel Dern, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Henley.]
(2) ONLINE DISCUSSION OF CHENGDU WORLDCON HUGO NOMINATIONS REPORT. Hugo finalist Arthur Liu / HeavenDuke adds context to the 2023 Hugo Awards voting in an X.com thread that begins here. An excerpt:
(3) GRAPHIC EXAMPLES. Heather Rose Jones’ “A Comparison of Hugo Nomination Distribution Statistics” at Alpennia takes the 2023 Hugo Nominations report and the statistics from selected other years to create graphs that show just how anomalous the 2023 results are. A very helpful tool.
(4) RESPONSES TO STAT RELEASE BY THREE HUGO WINNERS.
As someone who attended the Chengdu Worldcon AND was the recipient of Hugo Award in the Best Fan Writer category, I am upset, incensed and angry at the exclusion of R.F. Kuang’s Babel and my friend, colleague and peer, Paul Weimer from the 2023 Final Ballot. There were numerous other irregularities and outrages as well.
I don’t know for certain if Paul Weimer’s presence on the ballot would have may any difference in the outcome and to some extent, that has weighted heavily on my mind since Saturday’s release.
We may never know what actually happened here but I would like to thank the people who voted for me and have repeatedly reiterated their support for my fan writing and took the time to reassure me that my work was worthy of the award.
I also know that this incident, whether it was at the behest of the government of the People’s Republic or China or some other entity, will NEVER be forgotten and that doing something about preventing such a thing from happening again will be at the top of the agenda at the Glasgow Worldcon Business Meeting in August…
4. Likewise, depending on what we learn about these disqualifications, next year’s Worldcon Business meeting would be a fine time to offer proposals for disqualification transparency (i.e., there have to be reasons detailed other than “because”) and for dealing with state censorship regarding finalists and the award process.
5. Even the speculation of state censorship should give pause to site selection voters regarding future Worldcons. For example, there is a 2028 Worldcon proposal for Kampala, Uganda, and while the proposed Worldcon itself offers a laudable and comprehensive Code of Conduct page, Uganda is a country with some of the most severe laws in the world regarding LGBTQ+ people, including laws involving censorship. If the state leaned hard on the local Worldcon regarding what was acceptable on the Hugo ballot, would it be safe for the organizers to ignore this pressure? This is now an issue we will need to consider, among the many others, in where the Worldcon lands every year.
(6) 2024 DEADLINE TO QUALIFY AS HUGO VOTER. If this weekend’s Hugo Awards discussion hasn’t convinced you there might be a better way to use your money, like throwing it in the ocean, and you want to be able to nominate for the 2024 Hugo Awards but weren’t a member of Chengdu, you need to get a membership in the Glasgow 2024 Worldcon by January 31: Memberships and Tickets. [Via Jed Hartman.]
(7) MEANWHILE, IN CHINA. [Item by Ersatz Culture.] Here are some Chinese user comments regarding the Hugo nomination news. As these are (mostly) from regular fans or individuals, I’ve not included their usernames, but all are on public posts that anyone can access – I imagine stuff circulating in small private WeChat/Weixin groups (which I don’t have access to) will be much harsher than these.
All English translations via Google Translate, which doesn’t handle the slangy language used very well, so some of these are a bit opaque, but the general vibe should be pretty clear. As yet, I’ve not come across any commentary about the works that just missed out on being finalists; hopefully that might appear once the initial controversies have died down a bit.
现在对国内的任何文学奖都失去信任，都不过是一小撮人自娱自乐地玩票而已。
Nowadays, we have lost trust in any domestic literary awards. They are just a small group of people playing for their own entertainment.
哈哈哈，目测你们没有审核机制，干的啥事啊
Hahaha, I guess you don’t have an audit mechanism, what are you doing?
(replying to another user’s comment) The dissatisfaction lies in the delay, opacity and negligence in data disclosure. Some highly vocal authors and candidates were inexplicably judged to be “ineligible”. The dissatisfaction lies in the organizational and management chaos revealed by the award data, rather than the “bad work winning the award” as you thought. “As long as the rules are followed, whoever wins the prize deserves it, because the mechanism is like this. So I ask you to understand the whole story before opening the map cannon to vent your emotions. [Note: I’m not sure what “opening the map cannon” is a euphemism for, but I think something like “setting off fireworks” might be a more reasonable translation,]
真丢脸，无话可说????对“环境污染”放任自流，各种花样层出不穷，无法理解这样的不作为。
It’s so shameful, I have nothing to say ???? Let’s let “environmental pollution” go unchecked, with all kinds of tricks emerging in endlessly, I can’t understand such inaction.
太丢人了
So embarrassing
丢脸
shameful
不是有stuff说了，公布一眼假的数据是为了表明他们也很无奈
Isn’t that what stuff said? The purpose of publishing fake data is to show that they are also helpless.
那到底有多无奈呢，总不会被枪指着头吧，感觉都是托词，总之不想负责
(reply to previous comment) So how helpless are you? You won’t have a gun pointed at your head. It feels like it’s all an excuse. In short, you don’t want to be responsible.
丢人丢到家了
I’m so embarrassed.
咋回事
What’s going on
一地鸡毛…控奖真是有点
It’s a piece of cake… Controlling awards is really a bit tricky
呵呵，这不明摆着么
Haha, isn’t this obvious? (note: I think this might make more sense translated as “blatant”)
Foreign netizens said that Hugo organizers’ claim of carefully checking the approval data in the past three months is unconvincing. After all, there is still a category where the same work has errors twice (referring to “Turing” in the best short and medium novel category). Food stalls》)
无非三个原因：商业运作，草台班子，不可说因素
There are no more than three reasons: business operation, grassroots team, and unspeakable factors
Florida’s Republican-controlled Legislature wanted to keep obscene books out of the hands of kids. But some are now acknowledging they created a “logistical nightmare” that lawmakers are trying to rein in.
Legislators this month introduced a new idea to curb frivolous challenges to books — one of the first admissions the law, which tightened scrutiny around books with sexual content in K-12 schools, may have gone too far. The potential solution: allowing local schools to charge some people a $100 fee if they want to object to more than five books.
“I’m happy that we are digging in and trying to remove reading material that is inappropriate for our children,” said state Rep. Dana Trabulsy, a Republican from Fort Pierce who is sponsoring the legislation. “But I think [book challengers] really need to be respectful of the amount of books that they are pouring into schools at one time.”Florida’s Legislature in 2023 expanded education transparency laws by requiring books considered pornographic, harmful to minors or that depict sexual activity to be pulled from shelves within five days and remain out of circulation for the duration of any challenge. If school officials deem a book inappropriate, it can be permanently removed from circulation or restricted to certain grade levels.
The law caused a national outcry after local schools received hundreds of challenges to a wide range of books, leading to reviews of titles like Ernest Hemingway’s “For Whom the Bell Tolls” and “And Tango Makes Three,” a kids book about a penguin family with two dads. It’s also led to multiple lawsuits against top education officials and local school boards asserting that the restrictions violate free speech. Florida, according to the free speech advocacy group PEN America, has “banned” more books than any other state — some 1,406 works total….
(9) MEMORY LANE. (A 1984 REFERENCE COULDN’T BE MORE TIMELY!)
[Written by Cat Eldridge.]
1984 — On this day forty years ago, Apple (then know as Apple Computer) began selling its first Macintosh. It featured an 8 MHz processor and 128k of RAM in a beige all-in-one case with a 9-inch monochrome display — all for around $2,500. That’d be $7,380 today.
Now I’ll connect it to our genre, Apple for the Mac’s arrival with its 1984 commercial that aired during a break in the third quarter of Super Bowl XVIII. That commercial was based of course on that George Orwell novel. It starts off with the opening of “On January 24th, Apple Computer will introduce Macintosh. And you’ll see why 1984 won’t be like 1984.”
Ridley Scott was the director. Steve Jobs hired him to do it just after Blade Runner came out. Though the press said Scott spent a million dollars on it, he has said in several interviews since that Apple budgeted it at a quarter of that so he got creative, meaning instead of performers in Britain (where he filmed it) who had Union standing and would have cost him serious money, those are actually skinheads playing all those drones.
(This being 1984, those Union performers that there was got the Union minimum of twenty-five dollars for a day’s work.)
Anya Major is the sledge hammer throwing runner. She beat all models and runners who tested in a London park, most couldn’t lift the hammer, and several threw nearby parked windshields. And yes, that is actual glass that she smashes though of course it gets enhanced afterwards.
She has only one other video appearance as Natika in Elton’s 1985 “National” video. Well and the documentary done about this commercial. Of course there’s a documentary. When isn’t there?
Naturally the lawyers got involved. Because the ad looked an awfully lot like a scene from the 1984 film — which I’ve not seen so I don’t know how much it looks like that film — the Estate sent a cease-and-desist letter to Apple, and the commercial never aired on television again.
The commercial aired only twice on American television. It had been first screened in December 1983, right before the one am sign-off on KMVT in Twin Falls, Idoho, which made it eligible for advertising industry awards for that year. That’s why it got to win a Clio Award for Creative Excellence in Advertising and Design, a very high honor indeed.
In addition, starting on January 17, 1984, it was screened prior to previews in movie theaters for a few weeks.
It’s on YouTube, though, so you can it see here.
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 21, 1933 — Judith Merril, (Died 1997). Yes, I know Judith Merril is a pen name but it’s the name on her writing, so it’s the only name that I’m interested in for this Birthday. Let us get started.
She was no doubt most excellent SF writer. Her first novel, Shadow in the Hearth, was written by herself. It was published by Doubleday in 1950 with the scary cover art by Edward Kasper. Geoff Conklin said her first novel was a “masterly example of sensitive and perceptive story-telling”. And I agree.
Gunner Cade was under her Cyril Judd pen name, written in collaboration with Cyril Kornbluth, as was Outpost Mars from Simon & Schuster just two years later, with a much more traditional SF cover. The novel itself is quite well done.
Outpost Mars was also given a paperback edition from Dell that would get a very traditional SF cover by Richard Powers. It’s a great look at a Mars-based doctor, the colony, and their dealing and the Earth company and its meddling.
Eight years after Outpost Mars, her novels come to an end with The Tomorrow People. It is also her first novel not from a major house, being printed by Pyramid Books.
(I’m going to leave it to someone here who’s more knowledgeable than me about fanzines to talk about them.)
Her short fiction is some thirty pieces deep, including a few collaborations. She co-wrote a story each with Kornbluth and Pohl. I’ve have read more than a few of her stories, there’s not a weak one, and even the ones written in the Forties still hold up very well. Which collection is a good question. That’s easy as NESFA, as always is our friend here publishing Homecalling and Other Stories: The Complete Solo Short SF of Judith Merril.
She was not nominated for any Hugos in her lifetime. She, along with Emily Pohl-Weary, granddaughter of her and Frederik Pohl, would win at Torcon 3 for Better to Have Loved: The Life of Judith Merril.
(11) COMICS SECTION.
Tom Gauld probably didn’t need to find out about this from the sff field, much as it applies.
“The first time I came to this studio was 1940 when my father brought me here to show me the stage, and I was about 9 or 10 years old, and I thought, ‘Some day this will all be mine!’ It’s finally come to be – it’s only taken me 92 years to get here!” That’s what five-time Oscar winner and 53-time nominee John Williams said as the curtain was raised on the iconic Sony Pictures Entertainment lot’s newly renamed John Williams Music Building.
Joining in the celebration — and it was a celebration — were Sony Pictures Motion Picture Group Chairman and CEO Tom Rothman, SPE Chairman and CEO Tony Vinciquerra (who made opening remarks), filmmaker J.J. Abrams and of course, Williams’ longtime collaborator Steven Spielberg, who instigated the idea of putting the legendary composer’s name on the building where they have worked on 20 or their 29 films, as Spielberg noted….
Reacher Season 2’s reference to Terminator 2: Judgment Day had nothing to do with the casting of Robert Patrick.
In the second season of the hit Prime Video series, Patrick, who played the T-1000 in Terminator 2, played the role of Shane Langston, a foe to Alan Ritchson’s Jack Reacher. The Season 2 premiere included a cheeky reference to Terminator 2when Frances Neagley used the alias Sarah Conner, a nod to Linda Hamilton’s Terminator franchise character. When he’s asked by a henchman, “Who’s Sarah Connor?,” Patrick’s Langston replied, “I don’t give a sh*t.” It’s a stark contrast to the character he played in Terminator 2, where killing Sarah’s son was the T-1000’s sole objective.
Per TVLine, showrunner Nick Santora revealed that the Terminator 2 reference was not written in to the show because of Robert Patrick’s casting. Santora wanted to make it clear, noting how “everyone thinks we’re so smart and funny for doing it,” but that the Sarah Connor line was “in there before Robert Patrick came in. I don’t want to lie; that’s the truth.“…
…They all claimed to be Ugandan citizens – often women – whose accounts appeared to have the sole purpose of posting praise for the president and pushing back against critics.
The Ugandan Media Centre, which handles public communications on behalf of the government, did not respond to our requests for comment.
A sprawling network of fake accounts
By analysing those accounts’ behaviour, BBC Verify was able to map out a network of nearly 200 fake social media accounts operating on X and on Facebook (even though the latter has been blocked in Uganda since 2021).
The vast majority of these accounts used stolen images as profile pictures – often social media photos of models, influencers, and actresses from across the world. But none of the usernames used by them appeared to be linked to real individuals in Uganda or Tanzania….
Imagine a world where scientists are banned from and even persecuted for practicing their research in technological advancement. This was the reality in China during Mao Zedong’s Cultural Revolution from 1966 to 1976. Fueled by a desire to remove all forms of capitalism from their society, Mao’s followers destroyed laboratories and burned any literature related to science — including science fiction.
Science fiction author Enzheng Tong wrote Death Ray on Coral Island in 1964 but hid it for fear of being persecuted due to the belief that the genre was created by the West to corrupt the people of China. It wasn’t until 1978, under Xiaoping Deng’s reign, that science and technology became a national priority for the country and Tong published his short story. In 1980, director Hongmei Zhang took this opportunity to adapt Tong’s story into a film — keeping the original’s sense of nationalistic pride while taking other liberties to address the scientific failure of Mao’s rule.
“I.S.S.” is a thriller set in outer space, but the creative team was filled with pioneers in their own right. “Blackfish” director Gabriela Cowperthwaite helmed the project, with Oscar winner Ariana DeBose suiting up for the lead role — both creatives playing in a new genre for the first time.
The result is a fleet, pulpy film in which three American and three Russian astronauts are living and working together on an international space station. But things turn dire quickly when their governments declare war on each other and both groups are instructed to commandeer the space station by any means necessary….
What was the most challenging part about filming zero gravity realistically, for nearly the entire film?
Cowperthwaite: I just wanted it to look as real as possible. We tried different contraptions, some of which were a bit more comfortable, but unfortunately for the actors, they didn’t look as good. Now I understand why so many films don’t do zero gravity.
DeBose: To achieve this look and feel, we shot the movie in harnesses that are very tightly secured on our hips. Then there were tethers attached to them. We had about two weeks of training, where we learned how to balance our bodies. It’s very hard, but the especially challenging thing was when we had scenes that involved all six of us. That meant we were all in harnesses, and for every one of us, there were at least two or three people operating. While you don’t see the tethers, they were very much there, so shout out to VFX….
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
…Capaldi became famous as the permanently angry spin doctor Malcolm Tucker in the BBC comedy The Thick of It, which ran from 2005 to 2012 and, after that, between 2013 and 2017, he played the sternest, least imp-ish Doctor Who in decades. In his new Apple TV show, a police procedural called Criminal Record, which Capaldi co-produced with his wife, Elaine Collins, he stars as an ageing detective: another scowler. Now, coffee in hand, he smiles affectionately. So, did he bump into any other Doctor Whos this morning? “David [Tennant, 10th Doctor] used to live in Crouch End, near me. Matt [Smith, 11th Doctor] lives around here. Jodie [Whittaker, 13th Doctor] is nearby, Christopher [Eccleston, 9th Doctor] too, I think.” But no, no encounters with his fellow alumni this morning, Capaldi says….
(4) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.] A few recent-ish Chengdu-related items ahead of the release of the Hugo nomination statistics. NB: with a couple of exceptions, all of the links below are to Chinese language pages.
Chengdu con reports posted by Zero Gravity
A couple of days ago, RiverFlow posted updates to Twitter about the next issues of the Hugo winning fanzine, Zero Gravity.
The total number of words exceeded 420,000, with 300 pictures or more. After finishing the typesetting of the first two issues (140,000 words each), I realized that there were still 42 articles that had not been typesetted.
fans write about each other, refer to each other, and also write about writers and salons, and this symmetrical perspective is interesting. I am sure that more than 50% of the important people and things of this conference have been recorded!
Several of the reports which (presumably) will appear in the upcoming issues have already been posted online. Whilst I don’t think there are any previously-unheard revelations, they do provide further insight into the varying experiences that domestic attendees had. In the order that they’ve been published online:
The last item isn’t really a con report as such; it’s more of an article about Brian Aldiss’ relationship with China. It has an interesting tidbit that in 1979 Aldiss was part of a British delegation that had an audience with future-leader Deng Xiaoping. This meeting was apparently captured on video, and the author ponders whether the recording might still be lurking in a vault somewhere.
The author on left with Ling Shizhen, co-editor of Zero Gravity in the middle.Chao Xia (right) with Best Artist winner Enzhe ZhaoDongfang Mu with Robert J. SawyerMo Xiong (left) with Cixin LiuSun Saibo in front of a street sign reading ‘Science Fiction Avenue’Members of Beijing Normal University Science Fiction SocietyThe Uganda Worldcon bid table
WSJ China features science fiction in their review of the year
In years to come, when people look back on 2023, they will surely notice the weight of science fiction in it.
Since the beginning of the year, there has been the popularity of the movie “The Wandering Earth 2” and the [Chinese, not Netflix] TV adaptation of “The Three-Body Problem”. “Journey to the West” with only a 2 million yuan [around $300k USD] budget unexpectedly earned over 60 million yuan [around $8.4m USD] at the box office. Phenomenal movies, topics such as the universe, the metaverse, and artificial intelligence continue to gain popularity. Science fiction themes in literary creation are experiencing a “big explosion” in China. People are increasingly talking about the impact of the Internet on everyday life. Consider the changes that the rapid development of science and technology has had on people…
This year, following Liu Cixin and Hao Jingfang respectively winning the Hugo Awards for Best Novel in 2015, and Best Novelette in 2016, there was once again a Chinese winner, Hai Ya, who won this year’s Hugo Award for Best Novelette. Winning [a Hugo] is highest honor for international science fiction writing.
People can’t help but wonder, did the golden age of European and American science fiction end in the last century? Has the secret to its resurrection been found in China today?
The core focus of the piece is the Chengdu Worldcon, and there’s a fair bit about the Chinese Hugo winners – although Enzhe Zhao is seemingly ignored – but the absence of any details or photos from the event makes me think that the author of the article was not in attendance. There’s also a fair amount about the wider Chinese SF publishing industry.
New Year’s Day run in the vicinity of the con venue
January 1st saw a “welcome run” take place in the grounds of the SF Museum that was the venue for the Worldcon, as reported on Weibo by the Sports Chengdu account. To the best of my knowledge, there have been no activities in the actual museum itself since the con – other than the Lukyanenko visit covered in a couple of earlier Scrolls – and no future events have been announced, other than the Chinese Nebula/Xingyun conference, previously covered in the December 12th Scroll.
(5) HOWARD WALDROP (1946-2024). Writer Howard Waldrop, creator of many brilliant short sff stories, died of a stroke on January 14 at the age of 77. Howard Waldrop’s classic “The Ugly Chickens” (1980) won a Nebula and World Fantasy Award. Waldrop was also recognized with a World Fantasy lifetime achievement award.
He was a wildly popular program participant at cons. His presentation “Howard Waldrop’s Condensed Cream of 1950s Science Fiction Movies” involved acting out key scenes from a lot of the movies. For 3-D movies, he hid under the table and threw wadded-up paper at the audience. He also was an unsurpassed live reader of his own stories.
Lawrence Person’s Waldrop obituary is especially recommended. However, there is no better introduction to Howard than the one he wrote himself for the now-shuttered SFF Net.
Are they science fiction? Are they fantasy? Are they alternate history? Are they from Mars or from Venus?
In the 1970s and 1980s, Howard Waldrop’s disorientingly strange/familiar stories made him a famous unknown writer.
They racked up best-of-the-year inclusions and award nominations, sometimes several stories a year in different categories. “Custer’s Last Jump” and “Mary Margaret Roadgrader” were nominated for the Nebula in 1977. In 1980, “The Ugly Chickens” captured both the Nebula and the World Fantasy Award, and narrowly evaded the Hugo. In 1983, “Ike at the Mike” was up for the Hugo. In 1986, two Waldrop stories, “Flying Saucer Rock and Roll” and “Heirs of the Perisphere,” were nominated for the same Nebula award, placing hardcore Waldrop fans in a schizophrenia-inducing double-bind.
Amid such celebrity, Waldrop himself continued to live below poverty level, volunteering for a top-secret study that helped determine the nutritional limits of using integrity as hamburger helper. As part of this historic experiment, he once pulled a story that had already sold to a big-bucks market in order to place it elsewhere for half the price.
Occasionally stories slipped through to higher-paying markets — Playboy, Omni, and the like. Howard compensated for these lapses of vigilance by selling his books only to very-high-quality small presses or to publishers who could be counted on not to distribute them.
Award nominations kept racking up: 1987, “The Lions are Asleep This Night,” for the Nebula. 1988, “Night of the Cooters” for the Hugo. 1989, “Do Ya, Do Ya Wanna Dance” for the Nebula, and 1990, “A Dozen Tough Jobs,” for the same.
And now, SFF.NET, bless its heart, has brought Howard Waldrop to the World Wide Web. So thanks to the wonders of cyberspace, to Howard’s uniquely contrarian marketing savvy, and to his inability to keep his stories off the awards short-lists, Howard Waldrop is now a legendary unknown writer.
Nor should it be forgotten that Waldrop wrote what became the Wild Cards universe’s origin story, “Thirty Minutes Over Broadway” (which I think of as “Jetboy’s Last Adventure”). Bradley Denton got Howard to tell how that happened in “Fifty Minutes Over Manchaca (now Menchaca) Road!”
…HW: You’ll recall in “The Annotated Jetboy,” where I talk about Danny Deck writing the biography of Jetboy? Danny Deck is the hero of Larry McMurtry’s novel All My Friends Are Going to Be Strangers. And of course he writes Godot Is My Co-Pilot: A Life of Jetboy.
…Anyway, I was gonna do the Jetboy story about the A-bomb for Jessica Amanda Salmonson, and either Lew or Bud (sf authors Lewis Shiner and Walton “Bud” Simons, both Austin-based at the time, like Howard), I can’t remember which, said, “You should talk to George. George and that bunch in New Mexico have been playing a superhero role-playing game, and they’ve spent so much time and money on it that they’re trying to find a way to turn it into a book. You oughta tell him about this Jetboy thing, because it sounds like something that would fit in there.” If it was Lew I was talkin’ to, he told me to call Bud, and if it was Bud I was talkin’ to, he told me to call Lew. One or the other of ‘em knew more about it than the other one did, right?
See, I didn’t even know about this. George hadn’t mentioned it to me in a letter or anything. So I wrote to George, and I said, “I’ve got a story that might fit with whatever goddamn thing you’re doing. You should tell me about it.”
So he sent me the prototype Cut and Shuffle, which was all about what was going on in the Wild Cards world before anyone else even knew what it was. And I said, “Yeah, that sounds about right, I can work with that. But your timeline is all wrong.” See, they were gonna start it in the 1980s, with the world having gone on for thirty years.
BD: Oh, so they weren’t initially going to do an origin story? They were going to jump into the world of Wild Cards three decades on?
HW: Right, exactly. I said, “That’s all wrong! You gotta tell how all this came about!” So I got them to tell me all the stuff about Dr. Tachyon, and the virus, and the whole thing, y’know. And I stuck it sideways into the Jetboy/A-bomb story, and sent it to George.
And of course George says, “When we send you stuff, you should read it! You got all this stuff wrong!” I said, “Ah, that’s your job! You can fix that!”
And he did!
Howard Waldrop
(6) TOM PURDOM (1936-2024). Tom Purdom died January 14. He was 85.
His first published short story, “Grieve for a Man”, appeared in the August, 1957 Fantastic Universe. His first novel was I Want the Stars (1964). His other novels include Five Against Arlane, and The Barons of Behavior. His literary memoir, When I Was Writing, appeared in installments in The New York Review of Science Fiction.
From 1990 to 2023 he had almost three dozen short stories published in Asimov’s.
He served as a Vice President of SFWA in its early years.
His wife, Sara, predeceased him in 2006. He is survived by his son, Christopher.
Filer Mark Roth-Whitworth knew him, and shared these memories on Facebook:
I’ve known the Purdoms since the late Sixties. He was a constant in Philly fandom. In the late seventies, he and his late wife Sara had house parties, as did Winona and her ex, Tom Smith and Viv, and later, when my ex (Morgan’s mother) and I bought a house in the area, we all rotated – was it every Friday but second (the PSFS meeting) having an open house. Michael Swanwick would show sometimes, and then there was the late David Sherman. Not sure when, but Tom built a small harpsichord from a kit.
And he was always there, his loud baritone… and now he’s gone.
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 15, 1974 — Shaun Tan, 50. Australian-born and resident Shaun Tan’s one of my favorite artist and writers. Not just for his work which is extraordinarily wonderful, but for being a really nice individual. Tan was an easy choice for the Birthday for this Scroll.
His fiction is all YA. It’s all illustrations with words. Or not, sometimes. Think school libraries as where you’ll find it in Australia. Children love him. School librarians adore him just as much.
So now some selected works by him that I’ve enjoyed.
The Haunted Playground also known as The Playground would do Stephen King proud if King wrote children’s literature (I don’t think he’s written any, has he?) with one male encountering a larger group of males on a playground that are not what they seem to be. Truly chilling.
The Arrival has a man coming from a city that might or might not be in Eastern Europe to what might or might not be New York City. The city is awesomely depicted as steampunk. Did I mention that it has no spoken narrative?
The Lost Thing is set in the near future, a dystopian Melbourne. It’s is a story about Shaun, a kid who doesn’t quite fit in anywhere. And he found something that doesn’t fit in either. (SPOILER ALERT. GO AWAY FOR A AWHILE.) There’s a secret utopia out there. Really there. (YOU CAN COME BACK BACK NOW.)
It was adapted into a fifteen-minute animated short film which was directed him and Andrew Ruhemann and narrated by Tim Minchin. It won the Oscar for Best Animated Short.
One he didn’t do himself as creator is The Stray Cat, a tale of the supernatural horror by writer Steve Paulsen with rather macabre illustrations by him. The cat, a black cat of course, is scarily drawn.
Librarians have constantly praised Tan for understanding children and being willing to give generously of his time to meet with them.
Those illustrated works are an excellent representation of his works. Now let’s talk about his Awards. Usually I mention Hugos first but I want to note the Awards that the folks who in children’s books gave him.
No, I forgot an Award, what was it! Ahhhh that one. He won the Astrid Lindgren Memorial Award from the Swedish Arts Council, considered by everyone in children’s literature to be the major Award in the field.
In our community, he got the Hugo for Best Professional Artist at Aussiecon 4 (nice to win at home, isn’t it?), again at Renovation, nominated for two more at Anticipation and Denvention 3.
There were three World Fantasy Awards first Best Artist and another nomination. I can’t count the number of Ditmar Awards and nominations that he received. Seriously it’s that many.
It looks like the Peregrine lunar lander’s final resting place will be back at home where it started. The doomed spacecraft, which experienced an anomaly shortly after launch and has been leaking propellant ever since, is expected to burn up in Earth’s atmosphere, Astrobotic wrote in an update on X this weekend. The company plans to host a press conference with NASA on Thursday January 18 at 12PM ET to discuss the lander’s fate.
Controversially, the spacecraft is also carrying human remains, including those of science fiction writer Arthur C. Clarke; Star Trek creator Gene Roddenberry; Roddenberry’s wife, Majel Barrett; and Nichelle Nichols, James Doohan and DeForest Kelley, who played Nyota Uhura, Montgomery Scott and Dr. Leonard McCoy, respectively, on the classic sci-fi show. Stored alongside these remains are samples of DNA of the U.S. presidents George Washington, Dwight Eisenhower, John F. Kennedy, and Ronald Reagan.
[Thanks to Steven French, Mike Kennedy, Andrew Porter, Michael J. Walsh, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
