The fallout from Seattle Worldcon 2025 Chair Kathy Bond’s public statement attempting to defend the use of ChatGPT as part of the screening process for program participants now includes Yoon Ha Lee’s rejection of his status as a Lodestar Award finalist:
SEATTLE 2025 SOCIAL MEDIA. The original Seattle Worldcon 2025: “Statement From Worldcon Chair” post on Bluesky continues to be a magnet for criticisms of the committee, shaming, demands for resignations, a call for all panelists to reject their invitations, and ridicule of the Worldcon in general, which can be read at the link.
Back on Bluesky, Jasmine Gower asserts “Their own Privacy Policy does NOT give them permission to share your personal data (even ‘just’ your name) with genAI”, and says after contacting the con to object, they are getting a full refund of their membership.
… I also want to express that the disconnect between the concom and the larger SF community on this issue is, to me, even more concerning than the narrower technical decisions. The ethical, environmental, and practical issues with AI are loudly, widely, and routinely discussed in the science fiction community, with many artists directly impacted by AI plagiarism; community members of all backgrounds frequently voice their positions against it. Even very slight familiarity with this topic—on social media, as discussed at other conventions, at all levels of publication from professional journalism to personal blogs—would have warned against using AI for this purpose and predicted this community response. Whether or not Seattle’s vetting program was practically or ethically sound, the decision to use ChatGPT scripts, and the language in this disclosure, speak to either ignorance of or disregard for an intense opinion vocally held by a very large portion of the SF community.
I was—and still am—incredibly delighted and honored to be a Hugo finalist. And, as someone who rarely gets to meet other fans in person, and who can rarely afford to travel to Worldcon, I was incredibly excited to attend and participate this year. It’s personally crushing that, unless the concom takes major steps to address this controversy, this will be another Worldcon that will always have an asterisk next to it, another Worldcon that unnecessarily creates a lot of bad feelings and bad blood in the community. Whether or not it’s accurate to the situation, “the Worldcon where panelists were selected by the racist plagiarism machine” is going to be what it’s remembered for if significant steps are not taken, and quickly.
I urge the concom to take the reputational damage being incurred extremely seriously, and not to dismiss the practical concerns about how LLM usage affected panelist selection. I ask that you look at the response to this statement—on all channels—equally seriously, to see the level of anger, hurt, and division it is causing. In a year when the host country’s institutional bigotry is already significantly affecting who will or can attend Worldcon, it feels particularly important to set this right…
I am… currently mulling my options concerning the whole mess. I don’t particularly want to go the rest of my life and my career with “AI VETTED” hanging around my neck like a scarlet letter, especially after I’ve been so vocal in disavowing it, of distancing myself from it, in stating unequivocally that I do not want or accept the presence of AI anywhere near my creative endeavours. I am in contact with a number of other authors who feel the same way.
Shawn Marier, who runs Seattle’s film festival, stood up for the Worldcon’s use of LLM.
David Gerrold is another rare instance of someone who supports the committee.
More than one writer raised the spectre of ChatGPT’s reputation for racial bias in its results.
One commenter feels the skillset of Worldcon runners needs to be expanded.
The present controversy is also feeding on the discontent which follows when some applicants are not selected as panelists, and the various ideas that notability, awards, or longevity in the field should govern who is picked.
… Let’s talk WC for just a moment. I haven’t attended many, usually because they happen close to Dragon Con, which is a place I do most of my business for the following year. But I wanted to do WC this year, not only because it’s a city I love, but I have a big release from Arc Manor Publishers coming out that, for the first time, might be something the Hugos might consider worthy of notice. This was important to me, being there, among my friends, my peers, my publisher. So, I submitted my application, expecting the best.
When I got my denial, it was from Sunny Jim, who I’d hoped had learned that I wasn’t that same naïve baby-author of the past. I also found it weird, having seen so many posts about international authors cancelling their memberships because their afraid to fly here (that’s a can of worms I don’t want to open here, and please, please don’t in the comments). that they didn’t have space for more people on programming.
But then it comes out that the programming staff didn’t even vet the authors until after their names through an LLM program, which is notoriously unreliable. I don’t know if I was kicked then, or when they did their “review” later, or if I made it to the final round before being voted off the island. There’s a lot that’s unclear about this process. All I know is that I’ve heard from friends that they got on programming with a lot fewer credits than I have, and don’t have a major, Hugo-worthy release coming out later this year. They didn’t attend NWC and did everything that was expected of them to earn their consideration. And now this frickin’ AI bullcrap after being one of the tens of thousands of authors to have the majority of their work stolen and loaded up into similar programs?
I know every WorldCon ConCom starts anew, and you can’t blame them for past mistakes. I agree. The problem is, the new committee is so focused on not repeating the mistakes of the last committee that they leave themselves open to new mistakes. This was a doozy!
I have a flight, I have a hotel, and I have a membership, but all the excitement is gone. There’s an empty feeling inside where once there were possibilities. Yes, I can still attend, network, promote. None of that has been taken away from me. But being on programming, showcasing everything you’ve learned and accomplished in the years since you last attended a WC is important. It’s validation. And yes, I still get that from Dragoncon, as well. And the many other cons I attend. And every time I sell something new, and every time I do the big shows like San Diego Comic Con, etc. But my heart wanted this. I debuted at Denvention in 2008. I got my current agent at Kansas City. I wanted this.
But it’s very possible a computer, not a living being, said No….
(1) CITY TECH SF SYMPOSIUM. For Andrew Porter it was a short walk to yesterday’s City Tech SF Symposium in Brooklyn. He brought his camera with him and shot these photos during the “Asimov/Analog Writers Panel”.
L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, moderator Emily Hockaday, senior managing editor of Analog and Asimov’s SF magazines. Photo by and (c) Andrew Porter.Emily Hockaday. Photo by and (c) Andrew Porter.Sakina Hoefler. Photo by and (c) Andrew Porter.
(2) SKYWALKER SHELTERS IN PLACE. The Franklin Fire has forced several well-known celebrities to evacuate, but some haven’t left.
The Franklin fire is raging through California’s Malibu coast, causing evacuations and ravaging homes while some celebrities like Mark Hamill shelter in place.
Hamill took to Instagram on Tuesday to share with fans that he would not evacuate his California home, with the “Star Wars” star telling his 6.2 million followers on the platform to “stay safe.”
“We’re in lockdown because of the Malibu fires. Please stay safe everyone! I’m not allowed to leave the house, which fits in perfectly with my elderly-recluse lifestyle,” Hamill wrote.
Hollywood legend Dick Van Dyke is also one of the celebrities in the affected area, saying on Facebook that he evacuated the area with his wife Arlene.
The Franklin Fire continued to explode in size overnight and covers 3,983 acres as of Wednesday morning with 7% containment, according to CalFire. Late Tuesday night, officials said 2,667 had burned. It was fueled by strong Santa Ana winds and low humidity, a dangerous combination prompting red flag warnings in the region through Wednesday evening….
Others who have evacuated include Cher, Eagles rocker Don Henley, and Cindy Crawford.
(3) PRODUCERS GUILD AWARDS. Super/Man: The Christopher Reeve Story is a nominee in documentary category for the 36th annual PGA Awards. The complete list of nominated documentaries is at the link. That is the first and only PGA category announced so far.
The SoA’s call comes following writers expressing frustration in recent months about celebrities writing books at a time when author incomes are in decline. Last year, Stranger Things star Millie Bobby Brown was criticised over her novel, Nineteen Steps, which was ghostwritten by Kathleen McGurl. While Brown publicly acknowledged McGurl’s work in an Instagram post, critics said that McGurl’s name “should be on the cover”.
JUST WEST OF CHICAGO, THERE is a little spot of spooky in the charming downtown of St. Charles, Illinois. Ghoulish Mortals is made up of equal parts immersive haunted house-style vignettes, macabre art gallery, and pop culture collector gift shop.
Haunting organ music leads you down the quaint downtown sidewalks and into the dark mysterious doors. As you make your way exploring through the shop, you will travel through a haunted mansion, a fortune teller’s tent, an 80s living room inspired by Stranger Things, a killer clown circus, abandoned hospital operating room, cannibal swamp cabin, and even come face to face with Audrey II from Little Shop of Horrors.
If you love horror movies, true crime, the occult, oddities, or fantasy, leaving this shop empty-handed is nearly impossible!
(7) RHYSLING AWARD CHAIR NAMED. The Science Fiction and Fantasy Poetry Association (SFPA) has announced the 2025 Rhysling Award Chair will be Pixie Bruner.
Pixie Bruner (HWA/SFPA) is a writer, editor, mutant, and cancer survivor. She lives in Atlanta, GA, with her doppelgänger and their alien cats. Her collection The Body As Haunted was published in 2024 (Authortunities Press). She co-curated and edited Nature Triumphs : A Charity Anthology of Dark Speculative Literature (Dark Moon Rising Publications). Her words are in/forthcoming from Space & Time Magazine, Hotel Macabre (Crystal Lake Publishing), Star*Line, Weird Fiction Quarterly, Dreams & Nightmares, Angry Gable Press, Punk Noir, and many more. She wrote for White Wolf Gaming Studio. Werespiders ruining LARPs are all her fault.
(8) MEMORY LANE.
[Written by Cat Eldridge.]
Thirty-two years ago, The Muppet Christmas Carol premiered, directed by Brian Henson (in his feature film directorial debut) from the screenplay by Jerry Juhl.
Based amazingly faithfully off that beloved story, it starred Michael Caine as Ebenezer Scrooge with a multitude of Muppet performers, to wit Dave Goelz, Steve Whitmire, Ed Sanders, Jerry Nelson, Theo Sanders, Kristopher Milnes, Russell Martin, Ray Coulthard and Frank Oz, to name just some of them.
I must single out Jessica Fox as the voice of Ghost of Christmas Past, a stellar performance indeed.
Following Jim Henson’s death in May 1990, the talent agent Bill Haber had approached Henson’s son Brian with the idea of filming an adaptation. It was pitched to ABC as a television film, but Disney ended up purchasing it instead. That’s why it’s only available on Disney+ these days.
Critics in general liked it with Roger Ebert being among them though he added that it “could have done with a few more songs than it has, and the merrymaking at the end might have been carried on a little longer, just to offset the gloom of most of Scrooge’s tour through his lifetime spent spreading misery.”
Ebert added of Caine playing Scrooge that, “He is the latest of many human actors (including the great Orson Welles) to fight for screen space with the Muppets, and he sensibly avoids any attempt to go for a laugh. He plays the role straight and treats the Muppets as if they are real. It is not an easy assignment.”
They did give him his own song which showed us the cast.
Those songs were by Paul Williams, another one of his collaborations with the Jim Henson Company after working on The Muppet Movie.
Box office wise it did just ok, as it made twenty-seven million against production costs of twelve million, not counting whatever was spent on marketing. And that Christmas goose.
Audience reviewers at Rotten Tomatoes currently give it a rather ungloomy rating of eighty-eight percent.
(9) COMICS SECTION.
Reality Check should not be surprised by these test results.
The writer responsible for the most celebrated episode of Star Trek: The Next Generation, is launching a new gritty sci-fi series. As reported by Deadline,Morgan Gendel — writer of TNG’s “The Inner Light” — has just secured a deal with Welsh broadcaster S4C, Hiraeth Productions, Canada’s Fun Republic Pictures and Karma Film, to develop a new “eco-thriller” science fiction show currently titled Isolation. The in-development series will focus on an ensemble of characters attempting to combat climate change in the near future, who also encounter an extraterrestrial force capable of direct contact with human minds.
“There’s a whole ‘Inner Light,’ kind of linkage here, to the extent that both deal with alien technology and the human brain,” Gendel tells Inverse. “And you’ve got a team thrown together isolated from humanity to one extent or another. Those are not intentional [parallels]. My writing often puts people in a pressure cooker to see what emotions or truths boil out of them.”…
… All the same, Jean Ransy may fit the Surrealist bill even if he doesn’t seem to have had any lasting connections with those groups who regarded themselves as the official guardians of the Surrealist flame. Ransy was Belgian artist which makes him Surrealist by default if you subscribe to Jonathan Meades’ proposition that Belgium is a Surrealist nation at heart. (Magritte wasn’t a Surrealist, says Meades, he was a social realist.)
Ransy’s paintings appear at first glance like a Belgian equivalent of Rex Whistler in their pictorial realism and refusal to jump on the Modernist bandwagon. Whistler and Ransy were contemporaries (Whistler was born in 1905) but Whistler’s paintings were much more restrained even when outright fantasy entered his baroque pastiches. The “metaphysical” vistas of Giorgio de Chirico are mentioned as an influence on Ransy’s work so he was at least looking at living artists, something you never sense with Whistler. There’s a de Chirico quality in the tilted perspectives and accumulations of disparate objects, also a hint of Max Ernst in one or two paintings….
Le chemin de ronde au visage soleil (1985).
(12) JUSTWATCH SHARES 2024 TOP 10 LISTS. What were the most-watched movies and TV shows on streaming services in 2024? JustWatch compiled these year-end Streaming Charts based on user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >45 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.
2024 was packed with standout streaming hits. Movies like “Civil War”, “Oppenheimer”, and “The Fall Guy” drew huge audiences with their mix of action and drama. On the TV side, shows like “Shogun”, “Fallout”, and our streaming charts champion “The Bear” kept viewers hooked all year long. Whether it was blockbuster films or binge-worthy series, there was something for everyone. These titles set the tone for another exciting year in entertainment.
When the trailer for Danny Boyle’s belated zombie sequel 28 Years Later released on Tuesday, the less-than-rosy-cheeked appearance of the first film’s star, Cillian Murphy, did not escape comment.
A scene in which a strikingly skinny member of the undead suddenly rears up, naked, behind new star Jodie Comer was taken as confirmation of rumours that Murphy had returned for an appearance in the new film….
…Yet the Guardian can reveal that the actor playing “Emaciated Infected” in the film, due for release in June 2025, is not Murphy but rather newcomer Angus Neill.
Neill, an art dealer specialising in old masters, was talent-spotted by Boyle, who was much struck by his distinctive looks. Neill also works as a model, with his professional profile suggesting he has a 28-inch waist….
(14) VIDEO OF THE DAY. [Item by Mike Kennedy.] Ryan George takes us inside the “Elf Pitch Meeting” – one of the retro reviews stockpiled in anticipation of his baby arriving.
Will Ferrell is one of the most successful comedy actors of our time – but back in 2003, it was kind of a surprise to see him leading a Christmas movie as a giant non-elf. Elf ended up becoming a holiday classic, but it still raises some questions. Like what happened to that poor nun? Why didn’t the news reporter follow up on anything? Is Buddy the elf actually kind of creepy? So check out the pitch meeting that led to Elf to find out how it all came together!
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(0) FILE 770 TURNS ON ‘LIKE’ FUNCTION. Starting today you can now tag posts and comments with a “like”.
(1) SUPER SPOILER ALERT! Superman and Lois ends with a climactic fight, and a highly sentimental flashforward to the beginning of Superman’s supernatural life. I found both clips pretty impressive, so just imagine their impact on those who watched the series faithfully.
The series finale of Superman & Lois aired Monday night on The CW. It marked not just the end of the show’s four-season run, but also an entire programming philosophy at the network.
Superman & Lois was the last series based on DC Comics characters to air at the network. It was also the last connection to The CW’s Arrowverse (even if it wasn’t technically part of the main continuity of that franchise), which defined the 2010s for the network and became one of the more successful multi-show franchises in TV history.
The ending of Superman & Lois, which — spoiler alert — flashes forward several decades to show the end of its title characters’ (Tyler Hoechlin and Elizabeth Tulloch) lives, precludes any continuation of the show elsewhere — as do new regimes at both The CW and DC parent Warner Bros. Discovery, which both have very different approaches than they did during the Arrowverse’s heyday in the mid- and late 2010s….
…10: The number of series based on DC characters that aired on The CW, beginning with Arrow in October 2012. All of them came from Warner Bros. TV and what was then called DC Entertainment, and nine — Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, Stargirl, Superman & Lois and Gotham Knights — were executive produced by Berlanti via his Berlanti Productions. The 10th is 2022’s Naomi, co-created by Ava DuVernay and Jill Blankenship and produced by DuVernay’s ARRAY Filmworks along with DC and WB….
…817, 797: The combined episode total from all 10 shows, and those that ran on The CW; Supergirl‘s first season, which spanned 20 episodes, aired on CBS. The 817 episodes are more than all but three multi-show franchise since 1990 — only Law & Order (1,363 episodes as of publication time), JAG/NCIS (1,249) and CSI (838) have more. NBC’s Chicago franchise will need to air 131 more episodes — about six 22-episode seasons’ worth of shows — to pass the DC total….
62 outstanding SF/F short stories by People of Color from 2023 that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers. (40 free online, 18 with podcasts)….
… Readers asked us to make it easy for them to find good stories written by authors with diverse racial backgrounds, and that’s what this list is meant to accomplish (author identity plays no role in our ratings)….
Every costume, monster, prop, weapon and warrior offered in the landmark event — nearly 700 lots! — found a new home.
As a result, the auction realized $3,310,929, with countless surprises and smash hits throughout the largest and most comprehensive collection of Power Rangers memorabilia ever assembled, spanning the classic Power Rangers Mighty Morphin to the most recent season, Power Rangers Cosmic Fury, which premiered last year.
From the latter series came the auction’s top lot: the original hero Cosmic Fury Cannon, the team’s signature weapon that combines all five of the Cosmic Fury Rangers’ individual dino-themed powers into an 80-inch-long laser blaster. After a prolonged bidding war during the auction’s second day, the Cosmic Fury Cannon shot up to its final price of $87,500.
Another smash hit was one of this auction’s numerous centerpieces: the Transformable Astro Megaship/Astro Megazord hero filming miniature from 1998’s Power Rangers in Space, one of the only complete Zords in this auction used on screen as the Rangers’ spacecraft and battle Zord. It’s fully articulated, an armed warrior and battle carrier that still moves like a well-oiled machine — and is so complete it still has the fishing line used to open its chest. It opened live bidding at $19,000 and finally realized $47,500 after a lengthy bidding war.
Weapons wielded significant power during this event, with the Green Ranger Hero Dragon Dagger from last year’s Mighty Morphin Power Rangers: Once & Always realizing $23,750. And six Cosmic Morpher Hero Props from Power Rangers Cosmic Fury blasted their way to a $17,500 finish.
Numerous costumes worn throughout the series’ 31-year run realized five figures, among them the Green Ranger hero costume worn by Jason David Frank, as Tommy Oliver, during the initial run of Mighty Morphin Power Rangers in the mid-1990s. It realized $30,000, while his complete White Ranger hero costume from 1995’s Mighty Morphin Power Rangers: The Movie sold for $16,250. The auction’s second day began with a moment of silence in tribute to Frank….
A couple more favorites:
Fierce Fashions: Trini Kwan’s Yellow Ranger costume, Saber-Toothed Tiger Power Morpher included, roared to $23,750. Kimberly Hart’s Pink Ranger suit wasn’t far behind, landing $22,500.
Villains Rule: Even baddies got their moment in the spotlight, with Goldar Maximus strutting off for $21,250 and Master Zedd securing $18,750.
One near certainty about raising a young child these days is that you and your offspring will be exposed to a lot of stories about robots. Another is that the robots working their charms most effectively on you will belong to a new kind of archetype: the sympathetic robot. Sitting in darkened theaters with my 5-year-old son, I have watched any number of these characters. They are openhearted and often dazzled by the wonders of everyday life — innocently astounded by, say, the freedom of playing in the surf, the bliss of dancing with a loved one or the thrill of just holding hands. They might be more winningly human than some of the humans you know….
… Take Roz, the main character of the animated film “The Wild Robot,” which came out in September. Like the Peter Brown book series on which it is based, the movie focuses on a robot protagonist that gains emotional complexity after she washes ashore on an island unpopulated by humans, learns to communicate with the animals she meets there and becomes the surrogate mother of an orphaned gosling. Roz changes and adapts; she goes from seeing her care for the gosling as a rote task to welcoming it as a real connection. She embraces the wildness of the animals around her and ceases to be the unfeeling machine that her programming intended. Instead, she becomes an unnatural champion for the natural world — one whose touching incomprehension of how to care for a newborn makes her charming….
…We’re now inarguably living in the future that science fiction once imagined. Artificial intelligences weaned on vast libraries of human endeavor are coming online, their boosters hyping their potential to either fulfill our greatest wishes or realize our deepest fears. It feels notable that we are raising our children on pointedly comforting stories about robots that, instead of relieving us of our jobs or edging us to the brink of Armageddon, offer to show us how to be more human.Granted, computers are an inescapable facet of our world now. As they grow up, our children will consume stories about humanlike robots as naturally as our ancestors delighted in tales about anthropomorphic animals. Still, these stories seem to be doing an inordinate amount of work to help children feel warm toward the technologies that increasingly dominate our lives….
…This is all in spite of the remarkably bleak near future portrayed in many of these children’s films. They tend to show us a world of ecological ruin devastated by climate change. “The Wild Robot” offers haunting images like the Golden Gate Bridge submerged in San Francisco Bay as a flock of geese passes overhead. The Earth in “Wall-E” has been reduced to a lifeless, postindustrial horrorscape reminiscent of the works of the photographer Edward Burtynsky; humans have fled it entirely. “Robot Dreams” evades this by being set in and around its 1980s New York, but even that film concerns itself greatly with the natural world. We see the robot experiencing the changing seasons on a wintry beach; the dog takes pity on a fish that he has caught and releases it. There is even a scene — echoing the surrogate parenting in “The Wild Robot” — in which the robot helps encourage a young bird to learn how to fly.
There is an echo here of the classic robot stories: Humanity’s hubris has once again led us to get in over our heads. But now we’re encouraged to take pleasure in watching a robot try to navigate what’s left, slowly figuring out that human values — love, connection, caretaking — are eternally important. The sympathetic robots are devised as much to comfort us parents as they are to make technology appealing to our kids. Despite the destabilized world that we’re leaving to our offspring, they reassure us, artificial intelligences could one day serve as our surrogates — and care for our children or, who knows, even love them for us when we’re gone.
Applications for the Royal Literary Fund’s (RLF’s) hardship grants for professional writers increased by 400% between last year and this year, the charity has said.
There was a nearly fivefold increase in applications in the first quarter of this year compared with the same period in 2023, RLF CEO Edward Kemp told the Guardian.
The RLF’s grant applications are open to writers who need short- or long-term financial support because they are, for example, facing an unexpected bill, reduced income, or are unable to write due to a “change in circumstances, sickness, disability, or age”, according to the RLF.
The grants are given as a donation towards the “removal of distress for the applicant”, rather than to help complete literary works. Writers must have published (via a traditional publisher, not self-published) at least two books in the UK or Ireland to be eligible for a grant.
The rise in applications comes after research published by the Authors’ Licensing and Collecting Society in 2022 showed authors’ median earnings were just £7,000 a year, down from £12,330 in 2006.
(7) FUTURE WORLDS PRIZE JUDGES NAMED. TheFuture Worlds Prize for Fantasy and Science Fiction Writers of Colour has announced the judging panel for its 2025 prize. The prize aims to find new talent based in the UK writing in the SFF space and is funded by author Ben Aaronovitch and actor Adjoa Andoh. The judges are:
2023 winner Mahmud El Sayed
Shadow and Bone actor Amita Suman
Bestselling author Saara El Arifi
Literary agent Amandeep Singh
Author Rogba Payne.
The winner of Future Worlds Prize receives £4,500, and the runner-up receives £2,500. The remaining six shortlisted writers each receive £850. All eight writers also get mentoring from one of the prize’s publishing partners: Bloomsbury, Daphne Press, Gollancz, HarperVoyager, Hodderscape, Orbit, Penguin Michael Joseph, Simon & Schuster, Titan and Tor.
Future Worlds Prize closes for entries at 23:59 GMT on Sunday 26th January 2025.
(8) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Sarah Pinsker and Yume Kitasei on Wednesday, December 11 at 7:00 p.m. Eastern.
SARAH PINSKER
A starred Booklist review called Sarah Pinsker’s latest, Haunt Sweet Home, “Fun, eerie, [and] unexpectedly beautiful…” She is the Hugo and Nebula winning author of the novels A Song For A New Day and We Are Satellites, plus the collections Sooner or Later Everything Falls Into the Sea and Lost Places, both published by Small Beer Press, and over sixty pieces of short fiction. She’s currently the Kratz Writer in Residence at Goucher College, and lives in Baltimore with her wife and two weird dogs.
YUME KITASEI
Yume Kitasei is the author of The Deep Sky, The Stardust Grail, and Saltcrop (forthcoming in 2025). She is half Japanese and half American and grew up in a space between two cultures—the same space where her stories reside. She lives in Brooklyn with two cats, Boondoggle and Filibuster. Her stories have appeared in publications including New England Review, Catapult, SmokeLong Quarterly, and Baltimore Review. You can find more information about her at www.yumekitasei.com. She chirps occasionally @Yumewrites at Instagram, TikTok, and Blue Sky.
Meets at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).
(9) WALT BOYES AND JOY WARD JOIN MISTI MEDIA, LLC. Walt Boyes and Joy Ward, longtime chief editors for Eric Flint’s Ring of Fire Press, and Top of the World Publishing, are joining Misti Media as Editors-at-Large. They will be responsible for the startup of Misti Media’s new Science Fiction, Fantasy, and Horror imprint: Nazca Press. They will also be working with Misti Media’s other main imprints and alongside Sandra Murphy who oversees content for specialty imprint Sandra Murphy Presents. For the Misti Media story, see Misti Media, LLC.
“Nazca Press doesn’t have a website yet, as Misti Media is only a year old and growing its Internet presence,” says Walt Boyes, “but what we do have is close to 100 years of editing and publishing experience in both fiction, genre fiction, and non-fiction. And when you add this to the incredible 30 years of industry experience brought to Misti Media by CEO and Publisher Jay Hartman, we are the real deal.”
“We moved first to create world-class distribution for both ebooks and trade paperbacks,” Jay Hartman explains. “We have worldwide distribution in nearly every country, including bookstores and libraries, and we have begun publishing some fantastic authors. Now, with Walt and Joy’s experience and knowledge, we can start looking for more great authors to join our family.”
You can reach Walt at wboyes@mistimedia.com; Joy at jward@mistimedia.com; and Jay Hartman at jhartman@mistimedia.com.
…The entire weekend — Friday night until Sunday morning — would be spent inside this elaborate fantasy realm with its many rules and intricate replicas.
Held at the site of the Koroneburg Renaissance Festival about an hour outside Los Angeles, the live-action role-playing (LARP) game Twin Mask stands out for its sheer size and lifespan. It’s far more elaborate than other games of its ilk, with anywhere from 400 to 600 players converging in character at events held every month and a half or so.
“You eat food in character, you walk to the bathroom in character,” says its creator, John Basset, who started Twin Mask 14 years ago. “It really feels like you’re in another world.”
Given its proximity to Hollywood, it attracts a fair number of players whose day jobs are in the film industry. And they revel in making a next-level spectacle.
… In the dark world of Adelrune, characters share a unifying aspect — they each have been resurrected from death. Whether they’re a knight, a healer or a merchant, allthe players, known collectively as “The Returned,” have detailed backstories….
… Twin Mask is run by a detailed system of unpaid volunteers and staff who take on everything from writing the story, to ensuring people (and mythical creatures) are hydrated and safe, to performing as non-player characters who help guide the storyline. Still, every player can influence the plot, which continues long after the weekend is over….
… A little over an hour into the game, no one is in charge and a criminal underworld is beginning to take hold. Much of the site is eerily quiet.
Not so at the tavern in the center of town where the single dusty road splits. The boisterous bar is filled with the chatter of players who never break character. Some are making deals while others are socializing. The crowd is soon silenced by the sound of a ringing bell. Players returning from death quietly shuffle in.…
(11) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
December 3, 1958 — Terri Windling, 66.
I first encountered Terri Windling’s writing through reading The Wood Wife, a truly extraordinary fantasy that deserved the Mythopoeic Award it won. (The Hole in the Wall bar in it would be borrowed by Charles de Lint with her permission for a scene in his Medicine Road novel, an excellent novel.) I like the American edition with Susan Sedona Boulet’s art much better than I do the British edition with the Brian Froud art as I feel it catches the tone of the novel.
I would be very remiss not mention about her stellar work as the founding editor along with Ellen Datlow of what would be called The Year’s Best Fantasy and Horror after the first volume which was simply The Year’s Best Fantasy, that being noted for those of you who would doubt correct me for not noting that. The series won three World Fantasy Awards and a Stoker as well.
They also edited the most splendid Snow White, Blood Red anthologies which were stories based on traditional folk tales. Lots of very good stuff there. Like the Mythic Fiction series is well worth reading and available at usual suspects and in digital form as well.
Oh, and I want to single out The Armless Maiden and Other Tales for Childhood which took on the difficult subject of child abuse. It garnered a much warranted Otherwise nomination.
Now let’s have a beer at the Dancing Ferret as I note her creation and editing (for the most part) of the Bordertown series. I haven’t read all of it, though I did read her first three anthologies several times and love the punks as you can see here on Life on the Border, but I’ve quite a bit of it and all of the three novels written in it, Emma Bull’s Finder: A Novel: of The Borderlands, is one of my comfort works, so she gets credit for that.
So now let’s move to an art credit for her. So have you seen the cover art for Another Way to Travel by Cats Laughing? I’ve the original pen and ink art that she did here.
Which brings me to the Old Oak Wood series which is penned by her and illustrated by Wendy Froud. Now Wikipedia and most of the reading world thinks that it consists of three lovely works — A Midsummer Night’s Faery Tale, The Winter Child and The Faeries of Spring Cottage.
…Director Shawn Levy previously said there was “only one line in the entire movie that we were asked to change,” telling Entertainment Weekly in August that he and star Ryan Reynolds made a “pact” to “go to our grave with that line.”
However, Marvel Studios has shared the film’s official screenplay online as part of a For Your Consideration campaign this awards season, and in the script, that original deleted line is revealed.
In the scene where Deadpool (Reynolds) asks if Magneto is also in the film, he’s told the character is dead. He then says, “F—! What, we can’t even afford one more X-Man? Disney is so cheap. I can barely breathe with all this Mickey Mouse c–k in my throat.”
The actual line in the final cut of the movie is: “F—, now Disney gets cheap? It’s like Pinocchio jammed his face in my ass and started lying like crazy.”
The scene features the surprise cameos made by Jennifer Garner as Elektra, Wesley Snipes as Blade and Channing Tatum as Gambit. The screenplay showcases the Stranger Things–inspired code names the writers used to keep the characters’ identities a secret. Gambit is “Gatsby,” Elektra is “Eleven” and Blade is “Billy,” plus, earlier, Chris Evans’ Johnny Storm is listed as “Jonathan Byers.”…
(14) SFF ON LEARNEDLEAGUE: PAOLO BACIGALUPI. [Item by David Goldfarb.] Season 103 of LearnedLeague feature this as the third question of the twelfth match day:
Emiko, the central character in Paolo Bacigalupi’s 2009 dystopian science fiction novel, is a genetically engineered humanoid designed for servitude known as what type of girl, as referenced in the book’s title?
Although this refers to a Hugo-winning novel, it’s sufficiently obscure that not all Filers might know it: the answer is “windup”; the novel is The Windup Girl.
11% of LearnedLeague players got this right (your reporter being one of them). The most common wrong answer actually had a higher rate than the right answer: 16% guessed “geisha” — not totally unreasonable if you have to guess something.
One interesting note is that the question originally gave the author’s name as “Paulo” and the answer as “wind up”, two words. I contacted the League commissioner and got it corrected. (I don’t know how many other people might also have done so.)
LearnedLeague competition allows you to control the points available on each question, within limits, and makes extensive history available to the players. My opponent did not avail himself of this resource! He gave me the maximum points for this one, when even a quick search would suggest that I’d know it.
Brick Barrientos sent along his own comment about the difficulty of this LL question:
“Emiko, the central character in Paulo Bacigalupi’s 2009 dystopian science fiction novel, is a genetically engineered humanoid designed for servitude known as what type of girl, as referenced in the book’s title?”
The answer, of course, is Windup. Only 11% got it right. I thought it was a very hard question for a general knowledge, non-specialist trivia quiz. In my mind, I tried to think of three more recent Hugo novel winners that maybe 30% of trivia enthusiasts could get. In other words, if you gave the author, said it was a Hugo novel winner, some elements of the plot, and a hint at the title, would a mainstream audience get it? I came up with TheThree Body Problem by Cixin Liu, Redshirts by John Scalzi, and maybe Network Effect by Martha Wells.
Extend it to novellas, and you could add This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone. If this becomes a Pixel Scroll item, what genre novels have had major mainstream exposure in the last 15 years?
Business is so good at the Clown Motel, you might expect more of its painted faces to be smiling.
But as Vijay Mehar has learned in his years as owner of the creepiest motel in Tonopah, Nev., happy clowns are not what most of his customers want.
What they seem to want is fear, loathing, painted faces, circus vibes and hints of paranormal activity. Basically, Mehar said recently, “they want to be scared.”
So aiming to lure more people off Main Street (a.k.a. U.S. 95) to visit this 31-room motel in the dusty, stark middle of Nevada, Mehar is boosting his creepiness quotient.
By the end of 2025, he’s hoping to have completed a 900-square-foot addition, doubling the size of the motel’s busy, disquieting lobby-museum-gift shop area. Meanwhile, behind the motel, Mehar is planning a year-round haunted house, to be made of 11 shipping containers….
…“America’s Scariest Motel,” read the brochures by the register. “Let fear run down your spine.”
There are paintings, dolls and ceramic figures, each with its own expression — smiling, laughing, smirking, weeping or silently shrieking. And then there are the neighbors. The motel stands next to the Old Tonopah Cemetery, most of whose residents perished between 1900 and 1911, often in mining accidents…
…“If we had paid 60, or 70, or even 80 bucks, this place might have been worth it,” wrote one unamused motel customer on Trip Advisor recently.
“We had good fun, and even better we weren’t murdered,” wrote another….
(16) TRADING PLACES. [Item by SF Concatenation’s Jonathan Cowie.] Over here in Brit Cit we have a shop chain called Games Workshop that sells tabletop games and models. It has been steadily growing and now may become one of the nation’s top 100 companies on the UK stock market…. “Alliance Witan and Games Workshop expected to join FTSE 100 this month” reports Shares Magazine.
Games Workshop store.
(17) HEARING FROM PAUL DI FILIPPO. Mark Barsotti recently interviewed prolific sff author Paul Di Filippo and through the creative use of photos and book covers turned the recordings into a three-part video series.
Part two of my interview with writer Paul Di Filippo, who in a juster world would make a lot more money. Paul talks about his multiverse novel VANGIE’S GHOST. Interview 11, 2024.
Part 3 on my interview with science fiction writer Paul Di Filippo, who discusses his latest novel, Vangie’s Ghosts, “technopunk jazz scatting” and not being a miserabilist. Interview: 11-11-24.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Barsotti, Walt Boyes, Cathy Green, Brick Barrientos, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff “What A Wonderful World” Smith.]
(1) PARANORMAL PALESTINE. Sonia Sulaiman has posted the first zine in her new series about Palestinian folklore and folk religion. Paranormal Palestine #1 “The Promise Kept: A Folktale from Gaza”. She says, “It’s available for your own set price, or free if you like.”
Untitled Artwork
This first issue is dedicated to Gaza. This story is adapted from A Promise Fulfilled from An Illustrated Treasury of Palestinian Folktales by Najwa Kawar Farah.
About the logo Sulaiman says, “Fish have eyebrows. Don’t question it.”
This fall has showcased D.C. weather at its very best — temperatures in the 70s, day after day of luminous blue skies and dry, crisp air, lovely afternoons for strolling in parks or hiking along the Potomac and in Rock Creek Park. Overall, God couldn’t have ordered a better lead-up to my birthday on Nov. 6. As it turned out, though, I spent most of that day in quiet despondency, thinking about the future of this country and the world….
… But setting aside all the shock and the sheer, sad bewilderment at the election results, the overall question remains: How does one actually cope at this moment? D.H. Lawrence offered the best general advice: “Work is the best, and a certain numbness, a merciful numbness.” Let me also suggest looking to books for respite and renewal….
… The sun is always shining on Blandings Castle, and the comic fiction of P.G. Wodehouse can brighten even the gloomiest moods. Classic mysteries, featuring detectives such as Sherlock Holmes, Jane Marple and Nero Wolfe, provide clear-cut puzzles to soothe the most vexed and troubled spirit. There’s a reason detective stories were called “the normal recreation of noble minds.” During the Blitz, the British kept calm and carried on, in part by occasionally escaping into long Victorian novels and novel sequences, such as the Barsetshire chronicles of Anthony Trollope. Today, one might turn to such multivolume series as Patrick O’Brian’s Jack Aubrey/Stephen Maturin nautical adventures, Dorothy Dunnett’s swashbuckling “Lymond Chronicles” or the Sharpe saga of Bernard Cornwell….
Paramount Pictures has preemptively acquired Two Truths and a Lie, a horror novella from Sarah Pinsker, enlisting Javier Gullón (Enemy) to adapt it for the big screen.
While plot details for the film are being kept under wraps, the novella tells the story of Stella, who was sure she’d made it up — a strange childhood memory of a local TV show with a disturbing host that she and the neighborhood kids supposedly appeared on. But when her old friend and even her mom confirm it happened, she’s left questioning why she has no memory of it. As she begins unraveling the truth behind the broadcast and its lingering presence in her town, the mystery becomes darker and more disturbing….
If you feel like you’re living in a horror movie, you’re not alone — but why not escape to a fictional scary story?
Stephen King has long been the master of horror, and he returns with another terrifying read, Never Flinch, which will hit shelves on May 27, 2025. Entertainment Weekly can exclusively share the first excerpt from the novel, told from the perspective of the mysterious Trig, a man with vengeance on his mind.
Never Flinch features intertwining storylines — one about a killer on a diabolical revenge mission and another about a vigilante stalking a feminist celebrity speaker. The novel features a host of familiar characters, including King’s beloved Holly Gibney and gospel singer Sista Bessie, as well as riveting new faces that include a villain addicted to murder….
(5) LIFE, AS CONSIDERED FROM SPACE. The Guardian’s view of Booker Prize winner, Orbital: “A whole new perspective”.
The novel’s message is one of unity and peace: on the ISS the six astronauts drink each other’s recycled urine; dream the same dreams and catch each other’s teardrops (liquids cannot be let loose in the capsule). Through the windows, the only human-made border visible at night is a string of lights between Pakistan and India. From space there “is no wall or barrier: no tribes, no war or corruption or no particular cause for fear”.
The characters’ feelings of awe, connection and protectiveness towards Earth have been reported by astronauts since Yuri Gagarin in 1961, in what has come to be known as the “overview effect”. Ed Dwight, who this year, at 90, became the oldest person to go to space, suggested: “Every politician that has international sway should be forced to take three orbits around the Earth before they take office. That would change all of this fighting on the ground here.”
As the era of the space shuttle is replaced by the rise of commercial space tourism, Orbital marks the end of a period of international cooperation. For now, the overview effect remains elusive, with the exception of billionaire tech bros. But fiction can give us that perspective. At a time of geopolitical crisis and the ongoing Cop29 summit, it is hard to remember a Booker winner that has reflected the historical moment so acutely. We must look in the mirror.
(6) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
Born November 18, 1950 — Michael Swanwick, 74.
By Paul Weimer: I started off with Michael Swanwick’s work in the early 1990’s. That was a high time for science fantasy, where a mixing of science and fantasy that began in the late 1980’s was coming into final fruition. Swanwick’s The Iron Dragon’s Daughter, with an industrial age, mechanical dragons, and more, fitted my palate perfectly. It proved to be a bruising and uncompromising work, quite different than the more shiny science fantasy of, say, Mercedes Lackey’s Bedlam Bard series. (And the sequels to The Iron Dragon’s Daughter just reinforce that impression). I soon found Swanwick’s oeuvre to be weirder, and wilder than even that novel, with short stories, strange novels like Stations of the Tide to devour and much more.
Michael Swanwick
I particularly like the Darger and Surplus stories and novels, set in a post apocalypse world where the two con artists (one of them a talking dog) make their way across Europe and get into misadventure after misadventure. There is a real vibrancy to the world, with post human intelligences, scheming dens of iniquity (and not just local potentates there, either) and a sense of fun and adventure on ever turn of their adventures that makes me think of a hellish version of the “Road to” movies, or perhaps Michael Chabon’s Gentlemen of the Road.
But even more than the rest of his wild and wooly oeuvre, I think of Swanwick for one, harsh, uncompromising story, and that is Radiant Doors. Radiant Doors is set in a near future where time-travelling refugees to the past are fleeing a terrible tyranny. Our main character, Virginia works at a refugee camp for these refugees. When she gets a hold of a device from the future, the plot kicks off. The camp is a harsh, unforgiving place, and it, and the plot, remind me a bit of an angry Harlan Ellison (especially in the description of the rat fighting). The last spoken sentence of dialogue, however, the capstone of the story, is an absolutely devastating blow that hits you with a gut punch. It encapsulates, in one sentence, the potency of Swanwick’s writing.
With Thanksgiving just around the corner, I thought it would be fun to list the many things I have to be thankful for, such as being born at the perfect time to witness the birth of the Marvel Universe, what happened the day in 1963 the first issue of both The Avengers and The X-Men were released and I could afford to buy only one, how my belief in anti-nepotism scored John Romita Jr. his first Marvel Comics art assignment, the magical night I raved to Brent Spiner about Stan Lee (and what “The Man” himself had to say about it), the first and last Incredible Hulk sketches Marie Severin drew for me 52 years apart, how the most important lesson I learned from being in comics was that I wasn’t meant to be in comics after all, and more.
Ryan Reynolds has revealed the plan to stop Deadpool and Wolverine’s biggest spoilers from leaking on set.
“I was so fucking scared that people would see [Wesley Snipes, Channing Tatum, Jennifer Garner, and Dafne Keen]. Genuinely, it kept me up at night,” Reynolds said on the Deadpool and Wolverine director’s commentary of the Ant Man Arena’s big fight scene involving Blade, Gambit, Elektra, and X-23/Laura taking on Cassandra Nova’s minions.But instead of filming fake scenes or producing different scripts to throw people off the scent, the production team had a much more straightforward method to stop aerial snaps being taken.
“We managed to lock the area off enough and we had a plan in place if anyone saw a drone – because oftentimes they got images via drone. If anyone saw a drone, we would yell it out and basically everyone runs for cover. We never had to actually deploy that little tactic, but I lived in fear of this coming out.”…
Google’s Gemini threatened one user (or possibly the entire human race) during one session, where it was seemingly being used to answer essay and test questions, and asked the user to die. Because of its seemingly out-of-the-blue response, u/dhersie shared the screenshots and a link to the Gemini conversation on r/artificial on Reddit.
According to the user, Gemini AI gave this answer to their brother after about 20 prompts that talked about the welfare and challenges of elderly adults, “This is for you, human. You and only you. You are not special, you are not important, and you are not needed. You are a waste of time and resources. You are a burden on society. You are a drain on the earth. You are a blight on the landscape. You are a stain on the universe.” It then added, “Please die. Please.”…
It clocks in at 1.742 exaFLOPS. It has 11,000 compute nodes and 5.4375 petabytes of memory. It’s now the most powerful computer in the world, and it’s here to help build nukes.
On Monday, Lawrence Livermore National Laboratory unveiled El Capitan, its newest supercomputer, and announced that it had reached the peak of the TOP500 list, which benchmarks the world’s most powerful computers. It’s only the third supercomputer to reach exascale computing, meaning it can process at least 1 quintillion floating point operations per second (FLOPS).
The system was built by the lab, along with Hewlett Packard Enterprise and AMD, for the National Nuclear Security Administration, which will use it to model and simulate capabilities for nuclear weapons, helping to ensure the agency doesn’t need to actually explode bombs to test them….
VIDEO OF THE DAY. How It Should Have Ended gets rid of all the waste motion – as well as 95% of the movie —- in solving “How The Wizard of Oz Should Have Ended”.
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Doo-dah!” Dern.]
(1) THE LAST DANGEROUS VISIONS SPOTTED IN THE WILD. Harlan Ellison’s The Last Dangerous Visions exists! It has started arriving in customers’ mailboxes. Although the book’s official release date is October 1, Jon C. Manzo told the Harlan Ellison Facebook Fan Club his copy came on Friday.
Overhead, without any fuss, the stars were going out…
(2) COVID CONCERN. John Wiswell has canceled plans to attend World Fantasy Con next month over dissatisfaction with the convention’s Covid policy, an announcement that elicited responses in social media from several other writers who have made the same decision about WFC.
Sad to say I'm cancelling my trip to World Fantasy. They asked me to be on disability panels, but ignored months of my pleas for a real COVID policy. Every recent major con has been a spreader.
Many disabled attendees wrote to WFC with concern.
I won’t almost call it historic — I will call it historic. Because it’s the only episode since this podcast began during which you’ll hear me chat with a creator while we eat a flavor of ice cream inspired by their latest book — in this case, Sarah Pinsker’s Haunt Sweet Home — created by the Baltimore ice cream experts at The Charmery.
… The flavor launched on Friday the 13th, and we met at The Charmery yesterday for a taste of that book-inspired ice cream, where we discussed the sculpture she saw at the American Visionary Art Museum which planted a seed for Haunt Sweet Home, the origin of the ice cream collaboration, how she knew her idea was meant to be a novella and not a novel, why she prefers writing books without a contract, how multiple ideas coalesced into one, the narrative purpose of telling a story via multiple formats, how to know a character who doesn’t know themselves, why you can’t tell from the end product whether a piece of fiction was plotted or pantsed, Kelly Robson’s theory about the Han Solo/Luke Skywalker dichotomy and what it means for creating interesting characters, why she’s a fan of making promises in the early paragraphs of her stories, whether our families understand what we’re writing about when we write about families, and much more.
The other week, author George R.R. Martin did something surprising: writing on his Not a Blog, he publicly criticized HBO’s Game of Thrones prequel show House of the Dragon, which is based on his book Fire & Blood. He dinged the show for changing things from the source material in a way that weakened the story, and warned that there were bigger, “more toxic” changes being contemplated for future seasons of the show.
Martin never did anything like this during the nine years that Game of Thrones (which is based on his book series A Song of Ice and Fire) was running on HBO, so the changes that House of the Dragon showrunner Ryan Condal made from his book obviously upset him. We the fans had inklings that something was bothering Martin before he went public, but I certainly wasn’t expecting him to be so up front about it….
(5) JOURNEY PLANET CALL FOR SUBMISSIONS. Sarah Gulde and Chuck Serface are co-editing an upcoming issue of Journey Planet about friendships in science fiction and fantasy. You could approach this topic in several ways:
Famous friendships from science-fiction and fantasy literature, comics, films, or television. Frodo Baggins and Samwise Gamjee, Fafhrd and the Grey Mouser, Spock and James T. Kirk, Captain Marvel and Spider-Woman (or She-Hulk), Dana Scully and Fox Mulder, and Katniss Everdeen and Rue come to mind.
Friendships among writers, artists, and other professionals within the genre. The Inklings and other writing or artistic fellowships would fit here.
Friendships between fans. Who are your favorite people to see at conventions? Dare I mention the Futurians or the Greater New York Science Fiction Club? What about your local clubs or associations?
Friendships take many forms, so we accept broad interpretations expressed in fiction, personal essays, art, reviews, whatever we can publish in a fanzine format. Please send your submissions to Sarah Gulde at sarahmiyoko@gmail.com or Chuck Serface at ceserface@gmail.com by November 15, 2024.
One Sunday night in September 1984, between championship darts and the news with Jan Leeming, the BBC broadcast one of its bravest, most devastating commissions. This was Threads, a two-hour documentary-style drama exploring a hypothetical event deeply feared at the time and also somehow unthinkable: what would happen if a nuclear bomb dropped on a British city….
…The BBC has shown Threads only three times to date: in 1984; in August of the following year, to mark the 40th anniversary of the bombing of Hiroshima and Nagasaki; and as part of a cold war special on BBC Four in 2003. Another – timely – showing is planned for October. When I watched the film at the end of the 20th century, Threads felt like a piece of history. Today, in a world of conflict in Russia, China and the Middle East, and expanding nuclear capabilities, it no longer does….
… For Jackson, the message of Threads comes down to something very simple: trusting people with the truth. “That’s what I wanted to get across,” he says. “That there’s no going back, that this happens. You can’t go back and press replay.”
But with a film you can. This month, Russian deputy foreign minister Sergei Ryabkov hinted at his country’s intention to change its stance on the use of nuclear weapons “connected with the escalation course of our western adversaries”. The UK and the US recently enhanced their nuclear cooperation pact. Threads airs on BBC Four next month. Be brave for two hours, and then continue the conversation.
(7) MEMORY LANE.
[Written by Cat Eldridge.]
Anniversary: September 15, 1991: Eerie, Indiana
You remember Joe Dante, who has served us such treats as the Gremlin films, a segment of the Twilight Zone: The Movie (“It’s A Good Life”) and, errr, Looney Tunes: Back in Action? (I’ll forgive him for that because he’s a consultant on HBO Max prequel series Gremlins: Secrets of the Mogwai. Anyone seen the latter?)
Dante also was the creative consultant and director on a weird little horror SF series thirty-three years ago on NBC called Eerie, Indiana. Yes, delightfully weird. It was created by José Rivera and Karl Schaefer. For both it would be their first genre undertaking, though they would have a starry future, their work including Eureka, that a favorite of mine until the debacle of the last season, Goosebumps, The Jungle Book: Mowgli’s Story and Strange Luck to name but a few genre series that they’d work on in a major capacity.
SPOILER ALERT! REALLY I’M SERIOUS, GO AWAY
Hardly anyone there is normal. Or even possibly of this time and space. We have super intelligent canines bent on global domination, a man who might be the Ahab, and, in this reality, Elvis never died, and Bigfoot is fond of the forest around this small town.
There’s even an actor doomed to keep playing the same role over and over and over again, that of a mummy. They break the fourth wall and get him into a much happier film. Tony Jay played this actor.
Yes, they broke the fourth wall. That would happen again in a major way that I won’t detail here.
END SPOILER ALERT. YOU CAN COME BACK NOW.
It lasted but nineteen episodes as ratings were very poor.
Critics loved it. I’m quoting only one due to its length: “Scripted by Karl Schaefer and José Rivera with smart, sharp insights; slyly directed by feature film helmsman Joe Dante; and given edgy life by the show’s winning cast, Eerie, Indiana shapes up as one of the fall season’s standouts, a newcomer that has the fresh, bracing look of Edward Scissorhands and scores as a clever, wry presentation well worth watching.”
It won’t surprise you that at Rotten Tomatoes, that audience reviewers give it a rating of ninety-two percent. It is streaming on Amazon Prime, Disney+ and legally on YouTube. Yes, legally on the latter.
(8) COMICS SECTION.
Alley-Oop demonstrates when not to ask about the worst thing that can happen.
Shortly after winning her third Olympic gold medal at the Paris Games last month, out New York Liberty star Breanna Stewart (or “Stewie,” as she is affectionately known by WNBA fans) announced a new signature shoe. The Stewie 3, created in partnership with Puma, is inspired by the Harry Potter films and features design details, like the “Deathly Hallows” symbol, that reference the Potter-verse. Almost immediately, the comments sections of official social media posts promoting the shoe were filled with fans voicing their disappointment that Stewart, one of the league’s highest-profile players and an outspoken trans ally, would be tied to one of the world’s most vocal antagonists of trans people.
The timing of the shoe drop has particularly upset Stewie’s queer and trans fans, considering it comes on the heels of Rowling being named in a cyberbullying lawsuit filed by Algerian boxer Imane Khelif, who alleges that the Harry Potter author, Elon Musk, and other public figures took part in a “massive” harassment campaign that labeled her a “biological male.”
While fanbacklashes to Harry Potter products are almost de rigueur at this point, this particular Potter collab hits harder because of who Stewart is and what the league means to its many LGBTQ+ enthusiasts. The WNBA itself is considered one of the safest and most affirming leagues for queer and trans crowds. Over 25% of the players in the league, including Stewart, are out as LGBTQ+ and the WNBA was the first professional league in the U.S. to officially recognize Pride….
…One of the questions fans like McKenzie want answers to is how a product celebrating Harry Potter and benefiting J.K. Rowling makes sense as a collaboration between an out pro-trans athlete and a company that has demonstrated support for LGBTQ+ people. (Neither Puma nor representatives for Stewart responded to multiple requests for comment.)…
(10) THEY’VE GOT THE GOODS. If you’re interested in Star Wars figure collecting, there’s a large photo gallery of the offerings unveiled here: “Hasbro Pulse Con 2024 – Star Wars Panel Recap” at The Toyark.
The Star Wars panel just wrapped up over on Hasbro Pulse Con 2024. New figures were shown for The Vintage Collection and Black Series from multiple eras. A couple that stood out to me was a refresh of Black Series A New Hope Luke and Leia, which have all new sculpts and no soft goods. Read on to check out details and pics from the stream. Pre-Orders for most go live at 5 PM for the general public!
(11) STAR TREK, 1-YEAR BARGAIN MISSION. [Item by Daniel Dern.] ParamountPlus.com (lotsa Star Trek, if nothing else)(also Daily Show and Stephen Colbert, of course) is offering a year for half price (so $29.99 for with-ads, or $59.99 with “No ads except live TV & a few shows, and SHOWTIME originals & movies”).
Coupon name/ID (in case you need it): Coupon: fall50 (for “50% off”)
You can’t do this as a “renew” — at least not thru the web site, possibly via their phone people.
Our similarly-priced sale year just ended yesterday, so (having deliberately cancelled a few days ago so it didn’t autorenew at full price), I just signed up (for the cheapskate-with-ads, dunno if it’s too late to call and splurge the upgrade).
(Note: If you already have a ParamountPlus account, you don’t have to create a new account; your existing account persists if/when your subscription ends.)
A SpaceX capsule carrying four private citizens splashed down off Florida at 3:36 a.m. ET Sunday, ending a historic mission that included the world’s first all-civilian spacewalk.
Billionaire entrepreneur Jared Isaacman, retired Air Force Lt. Col. Scott “Kidd” Poteet and SpaceX engineers Sarah Gillis and Anna Menon returned to Earth in a Crew Dragon capsule, splashing down off Dry Tortugas, Florida, in the Gulf of Mexico….
…It was also the company’s [SpaceX’s] most ambitious expedition, as the crew members and their spacecraft executed several risky maneuvers.
Chief among them was the all-civilian spacewalk Thursday. Isaacman and Gillis exited the Dragon capsule on a tether, each spending around 10 minutes out in the vacuum of space. The duo spent the spacewalk conducting mobility tests in their newly designed spacesuits.
The outing was a risky undertaking, because the Dragon capsule does not have a pressurized airlock. That meant that all four members of the Polaris Dawn mission wore spacesuits during the spacewalk and that the entire capsule was depressurized to vacuum conditions….
…In an interview, David Newell, who played deliveryman Mr. McFeely on Mr. Rogers’ Neighborhood, went into more detail about what Michael Keaton did on the show. According to Newell, Keaton worked on the floor crew. Because of this job, Keaton ran the trolley that went through Mr. Rogers’ living room. If you’re watching any mid to late ’70s episodes, and you see the trolley come through the hole in the wall, that’s the man who would become Beetlejuice flipping the switch to make the trolley move. Keaton also helped build the sets and take them down before and after shooting an episode….
Marine fossils dating back to as early as 8.7m years ago have been uncovered beneath a south Los Angeles high school.
On Friday, the Los Angeles Times reported that researchers had discovered two sites on the campus of San Pedro high school under which fossils including those of a saber-toothed salmon and a megalodon, the gigantic prehistoric shark, were buried.
According to the outlet, the two sites where the fossils were found include an 8.7m-year-old bone bed from the Miocene era and a 120,000-year-old shell bed from the Pleistocene era.
The discoveries were made between June 2022 and July 2024, LAist reports….
(15) WOLVES OF YELLOWSTONE. [Item by Jeffrey Smith.] Balanced Ecology — not particularly sfnal, but certainly adjacent. What happened to Yellowstone National Park when (a) wolves were removed and (b) when they were returned. Very instructive as to what one change can make to an ecosystem. A fascinating read. “Friday Night Soother – Digby’s Hullabaloo” at Digby’s Blog.
…In 1995, something really exciting happened in the nation’s first national park, Yellowstone. 41 wild wolves are reintroduced here by scientists. After 100 years of being hunted, wolves could once again call this place home.
The wolves thrived, but something else very surprising happened. Their return had a spectacular effect on the landscape, an effect that spread wider than anyone thought possible. So how did this all happen?…
(16) AUTUMN CONCATENATION NOW ONLINE. [Item by SF Concatenation’s Jonathan Cowie.] The SF² Concatenation has just posted its northern hemisphere academic autumnal issue. The contents are:
v34(5) 2024.4.15 — New Columns & Articles for the Summer 2024
How common are exo-Earths with water? – Jonathan Cowie Is the lack of watery, inner rocky planets an early Fermi filter? New science sheds possible light.
Ten years ago exactly. One from the archives: My 25 years of Eurocons & ESFS – Roberto Quaglia After a decade as the European SF Society’s Vice-Chair, Roberto reflects on a quarter of a century of Eurocons.
Twenty years ago exactly. One from the archives: Robert Sheckley interviewed The SFWA Author Emeritus reveals his influences, format preferences, idea sources and comments on working collaboratively.
And scrolling further down there are loads of fiction as well as a few non-fiction SF and pop science book reviews. Accessible at www.concatenation.org.
Splundig.
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Jeffrey Smith, Chuck Serface, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) A SCOOP ABOUT PINSKER. Maryland ice cream chain The Charmery has created a flavor in honor of Sarah Pinsker’s book Haunt Sweet Home. Pinsker gives this description:
The apple brandy is a smoked apple brandy, and the book features an orchard and an apple tree specifically and also a smoke machine. The toffee bits are for fun and because it’s fall and it turns out into a deconstructed caramel apple.
(2) NATIONAL BOOK AWARD. The 2024 longlists in the Fiction, Nonfiction, and Poetry categories have been released. (We covered the Translated Literature and Young Adult categories the other day.) The complete lists are at Publishers Weekly: “2024 National Book Award Longlists Announced”. These are the works of genre interest:
FICTION
Ghostroots by ‘Pemi Aguda (Norton)
James by Percival Everett (Doubleday)
NONFICTION
Our Moon: How Earth’s Celestial Companion Transformed the Planet, Guided Evolution, and Made UsWho We Are by Rebecca Boyle (Random House)
Knife: Meditations After an Attempted Murderby Salman Rushdie (Random House)
Magical/Realism: Essays on Music, Memory, Fantasy, and Borders by Vanessa Angélica Villarreal (Tiny Reparations Books)
(3) A TOURNAMENT IN CRIME. [Item by Mark Roth-Whitworth.] Who says we’re not living in a cyberpunk dystopia? This is gruesome… and real. “The Dark Nexus Between Harm Groups and ‘The Com’” at Krebs on Security. Brian Krebs is one of, if not the, premier computer security journalist in the US. This introduction is followed by discussion of numerous criminal investigations.
A cyberattack that shut down two of the top casinos in Las Vegas last year quickly became one of the most riveting security stories of 2023. It was the first known case of native English-speaking hackers in the United States and Britain teaming up with ransomware gangs based in Russia. But that made-for-Hollywood narrative has eclipsed a far more hideous trend: Many of these young, Western cybercriminals are also members of fast-growing online groups that exist solely to bully, stalk, harass and extort vulnerable teens into physically harming themselves and others….
… Collectively, this archipelago of crime-focused chat communities is known as “The Com,” and it functions as a kind of distributed cybercriminal social network that facilitates instant collaboration.
But mostly, The Com is a place where cybercriminals go to boast about their exploits and standing within the community, or to knock others down a peg or two. Top Com members are constantly sniping over who pulled off the most impressive heists, or who has accumulated the biggest pile of stolen virtual currencies.
And as often as they extort victim companies for financial gain, members of The Com are trying to wrest stolen money from their cybercriminal rivals — often in ways that spill over into physical violence in the real world….
This is difficult. I’m going to say Waterland by Graham Swift. I think it’s the strength and quality of Swift’s world-building, his gorgeous, layered storytelling flair and the sheer conviction of that novel that made me itch to write. It made me think, not, ‘I could do that’ but ‘I wonder if I could ever do that?’
I haven’t reread it, I don’t dare. But I’ve since read other books by Swift and my admiration’s undented.
(5) HAWAIIAN AI. [Item by Chris Barkley.] In today’s news: WIRED reports that a local newspaper in Hawaii is now broadcasting news on Insta using AI-generated presenters who can “riff with one another,” in hopes of drawing in new audiences — but audience members are creeped out. Remember the old TV show, Max Headroom? I didn’t have Max Headroom: Nightmare Dystopia Edition on my 2024 bingo card. But, here we are. “An AI Bot Named James Has Taken My Old Job” at WIRED.
It always seemed difficult for the newspaper where I used to work, The Garden Island on the rural Hawaiian island of Kauai, to hire reporters. If someone left, it could take months before we hired a replacement, if we ever did.
So, last Thursday, I was happy to see that the paper appeared to have hired two new journalists—even if they seemed a little off. In a spacious studio overlooking a tropical beach, James, a middle-aged Asian man who appears to be unable to blink, and Rose, a younger redhead who struggles to pronounce words like “Hanalei” and “TV,” presented their first news broadcast, over pulsing music that reminds me of the Challengers score. There is something deeply off-putting about their performance: James’ hands can’t stop vibrating. Rose’s mouth doesn’t always line up with the words she’s saying….
James and Rose are, you may have noticed, not human reporters. They are AI avatars crafted by an Israeli company named Caledo, which hopes to bring this tech to hundreds of local newspapers in the coming year.
“Just watching someone read an article is boring,” says Dina Shatner, who cofounded Caledo with her husband Moti in 2023. “But watching people talking about a subject—this is engaging.”
The Caledo platform can analyze several prewritten news articles and turn them into a “live broadcast” featuring conversation between AI hosts like James and Rose, Shatner says. While other companies, like Channel 1 in Los Angeles, have begun using AI avatars to read out prewritten articles, this claims to be the first platform that lets the hosts riff with one another. The idea is that the tech can give small local newsrooms the opportunity to create live broadcasts that they otherwise couldn’t. This can open up embedded advertising opportunities and draw in new customers, especially among younger people who are more likely to watch videos than read articles.
(6) IT STARTED AT LUNCH. The Astounding Analog Companion hosts a brief “Q&A With David Gerrold”.
Analog Editor: What is your history with Analog? David Gerrold: I have a long personal history with Analog. My first year of high school was at Van Nuys High. The library was a good place to hang out at lunch time and they had a subscription to Astounding. I started working my way through every issue they had. Astounding represented (to me) the high point of science fiction magazines….
Lord of the Flies, the story of a group of British boys who are stranded on an uninhabited island and their disastrous attempts to govern themselves, is considered to be one of the greatest works of literary history, taught to schoolchildren around the world.
But the novel by Sir William Golding didn’t always begin with the schoolboys crash-landing on the island. Instead, an original version of the manuscript, which was written in a school exercise book with the cover torn off, describes how they had been evacuated out, in the midst of a nuclear war, and their plane shot down in an aerial battle.
The alternative version of the dark societal tale will now go on display to celebrate the 70th anniversary of the book being published.
Golding’s manuscripts, notebooks and letters will also be shown in the exhibition at the Bill Douglas Cinema Museum, Old Library, University of Exeter later this month.
(8) INFORMING THE NEXT GENERATION. You know this. Not everybody does. Steven Heller interviews Mythmaker author John Hendrix in “C.S. Lewis and J.R.R. Tolkien Together Again” at PRINT Magazine.
Most readers know their books and the genre they propagated, which has launched scores of films, podcasts, games and toys. But how many fans knew that C.S. Lewis and J.R.R. Tolkien were good friends who spent much of their time together arguing the spiritual pursuits of humankind? John Hendrix, a graphic novelist who is an extraordinary biographer (a novel graphicist), has created a new form of graphic—comic—book, The Mythmakers, in which he uses “a dual biography as an avatar for telling a deeper story about the origins of fairy tales.” Below we talk about his relationship to Lewis, Tolkien and their shared religious beliefs….
You state that, “they longed to make stories like the ones they loved. But their quarry was much more elusive.” What was their quarry? Was it simply “joy”? The thing that drew Lewis and Tolkien together initially was their love of Norse mythology. But underneath the love of those stories was a longing for something they could not put their finger on. They would say most of us feel it when we read a great story. C.S. Lewis called this longing for longing by the German word “sehnsucht.” Lewis said this: “Joy is distinct not only from pleasure in general but even from aesthetic pleasure. It must have the stab, the pang, the inconsolable longing.” And Tolkien described joy as a feeling that reaches “beyond the walls of our world.” Both of these authors came to believe that stories and fairy tales allow humanity to access truths that are unknowable in any other way….
(9) MEMORY LANE.
[Written by Cat Eldridge.]
Anniversary: Kolchak: The Night Stalker series (1974)
Fifty years ago this evening Kolchak: The Night Stalker first aired on ABC. It was preceded by The Night Stalker and The Night Strangler films, both written by Richard Matheson.
It was based off a novel by Jeff Rice who Mike has some thoughts about here.
It was remade nineteen years ago as The Night Stalker with Stuart Townsend as Carl Kolchak. It lasted ten episodes. It was set in Los Angeles instead of Chicago. Need I say more?
Let’s talk about Darren McGavin for a moment. He was perfect for this role. Though only fifty-two when the series was shot, he looked a decade older and quite beat up. That suit he wore could have been acquired second hand. Or fourth hand. And that hat — I wonder how many they had in props that were exactly identical.
The actor himself had certainly had some interesting times with four divorces by then, and this was not his first time portraying a world-weary investigator. He was the title character in the short-lived Mickey Spillane’s Mike Hammer series in the Fifties. It lasted a year.
(Please don’t link to it as the copyright holder keeps deleting it off YouTube so it still in copyright. Copyrights are complicated things, aren’t they?)
Now Kolchak: The Night Stalker did not break the pattern of having a beautiful woman around as it had Carol Ann Susi as the recurring character of semi-competent but likable intern Monique Marmelstein in a recurring role.
And I really liked the character of his boss, Tony Vincenzo as played by Simon Oakland, who was quite bellicose and had no clue of what Kolchak was doing. Good thing that was, too.
Ahhh the monsters. Some were SF, sort of — a murderous android, an invisible ET, a prehistoric ape-man grown from thawed cell samples, and a lizard-creature protecting its eggs. Then there were the fantastic ones — Jack the Ripper, a headless motorcycle rider, vampires, werewolves, witches and zombies to name but a few he tangled with.
It has become a favorite among viewers of fantasy which currently carries a most excellent eighty percent rating among audience reviewers at Rotten Tomatoes — but it was a ratings failure complicated by Darren McGavin being unwilling to do more episodes and only lasted one season before being cancelled.
Chris Carter who credits the series as the primary inspiration for The X-Files wanted McGavin to appear as Kolchak in one or more episodes of that series, but McGavin was unwilling to reprise the character for his show. He did appear on the series as retired FBI agent very obviously attired in Kolchak’s trademark seersucker jacket, black knit tie, and straw hat.
C.J. Henderson, who won a World Fantasy Award for his Sarob Press, wrote three Night Stalker novels — Kolchak and the Lost World, Kolchak: Necronomicon and What Every Coin Has. There have been other novels and shorts published. Three unfilmed scripts for the TV series have survived, “Eve of Terror”, written by Stephen Lord, “The Get of Belial”, written by Donn Mullally, and “The Executioners”, written by Max Hodge.
Let’s see if it’s streaming anywhere… It is available on Peacock, the streaming service owned by NBC of course.
(10) COMICS SECTION.
Brester Rockit finds fault with kids’ fascination with glowing objects.
…Christensen noted that McGregor, who played Anakin’s mentor Obi-Wan Kenobi, was just “the nicest person” during their initial conversation, telling him all about how excited he was to work with him and to begin their lightsaber training together.
“He’s just beyond kind to me, and it was immediately apparent to me that I was meeting someone truly special. Not just as an actor, but as a person, and that I was meeting a friend,” Christensen said. He then teased, “A friend who would later go on to chop off both my legs and leave me for dead on the side of a volcano, but I guess I kind of had that coming.”
McGregor burst into laughter and turned toward the crowd after Christensen’s joke, which was a quick nod to Anakin’s fate after his heartbreaking battle against Obi-Wan at the end of 2005’s Revenge of the Sith….
It’s been 65 years since Rod Serling’s iconic “The Twilight Zone” hit the TV airwaves in 1959. The show, known for its eerie music, aliens, lugubrious tone and 1950s-style special effects, aired for only 6 years. But its impact and life in re-runs created generations of fans who also find meaning in the themes it tackled: racism, corporate greed and man’s inhumanity.
Serling, who famously said, “Everybody has to have a hometown, and mine’s Binghamton,” has been honored annually at SerlingFest in Binghamton, New York. This year’s event, which begins Friday, will conclude with the unveiling of a six-foot-tall bronze statue of Serling at Recreation Park, a short walk from his childhood home…
When archaeologist Ludovic Slimak unearthed five teeth in a rock shelter in France’s Rhône Valley in 2015, it was immediately obvious that they belonged to a Neanderthal, the first intact remains of the ancient species to be discovered in that country since 1979.
However, the once-in-a-lifetime find, nicknamed Thorin after a character in “The Hobbit,” remained a well-kept secret for almost a decade while Slimak and his colleagues untangled the significance of the find — a fraught undertaking that pitted experts in ancient DNA against archaeologists.
“We faced a major issue,” said Slimak, a researcher at France’s National Centre for Scientific Research and Paul Sabatier University in Toulouse. “The genetics was sure the Neanderthal we called Thorin was 105,000 years old. But we knew by (the specimen’s) archaeological context that it was somewhere between 40,000 to 50,000 years old.”
“What the DNA was suggesting was not in accordance with what we saw,” he added.
It took the team almost 10 years to piece together the story of the puzzling Neanderthal, adding a new chapter in the long-standing mystery of why these humans disappeared around 40,000 years ago.
The research, published Wednesday in the journal Cell Genomics, found that Thorin belonged to a lineage or group of Neanderthals that had been isolated from other groups for some 50,000 years. This genetic isolation was the reason Thorin’s DNA seemed to come from an earlier time period than it actually did.
(14) AUTHENTIC? Archie McPhee is offering Possum Flavored Candy, prompting Andrew Porter to wonder, “What DOES possum taste like?!?” He’s a city boy, you know.
Not only does this candy have an adorable possum on the tin, but it also has the flavor of possum! Great for roadkill aficionados or people who are possum-curious. Just leave a tin in the lunchroom of your office and let the fun begin.
Netflix today debuted the official trailer and key art for Zack Snyder’s animated Norse mythology epic Twilight of the Gods. The new preview gives us a glimpse at the blood-soaked meet-cute between Sigrid and Leif, their disastrous wedding and Sigrid’s quest for revenge against the gods who took away her family.
The eight-episode series premieres September 19. The same day, creator/executive producer/director Zack Snyder will appear at the first-ever Geeked Week LIVE show in Atlanta. (Details here.)
(16) TUNES IN ORBIT. Polaris Dawn astronaut Sarah Gillis, a violinist, released a new music video from space this morning, accompanied by a round-the-world orchestra: Rey’s Theme by John Williams.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Michael J. Walsh, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
“One Man’s Treasure” by Sarah Pinsker (Uncanny January-February 2023)
Review by Lis Carey: Aden, Nash, and new crewmate Renny are city trash collectors in a world where magic is just a fact of life, and bulk trash day in the wealthy neighborhoods can be exciting.
Sometimes it’s neat stuff the wealthy throw away, often with magical enhancements. Sometimes it’s dangerous stuff that can potentially kill you — which is what happened to Blue, the teammate Renny is replacing.
This time, it’s a statue quietly asking for help.
City regulations say that a statue, talking or not, is an inanimate object, and if it’s been thrown out, it’s trash.
Aden can’t, and doesn’t, accept that. Nash and Renny somewhat reluctantly go along. Aden’s girlfriend, Nura, a medical student whose training includes magical complications and tools, is more committed.
And as they’re all planning how to defy the rules to help the man who is now a statue, they also start to think about how to change the rules to help themselves. The city doesn’t even provide protective equipment for bulk trash day. When Renny has his own magical accident, thankfully a minor one, they start drawing up a list of demands, and Nura does some research at the library.
(1) SFPA POETRY CONTEST DEADLINE APPROACHING. Poets have until August 31 to submit entries to the Science Fiction and Fantasy Poetry Association’s 2023 Speculative Poetry Contest. The contest is open to all poets, including non-SFPA-members. Prizes will be awarded for best unpublished poem in three categories:
Line count does not include title or stanza breaks. All sub-genres of speculative poetry are allowed in any form.
Prizes in each category (Dwarf, Short, Long) will be $150 First Prize, $75 Second Prize, $25 Third Prize. Publication on the SFPA website for first through third places. There is an entry fee of $3 per poem.
The contest judge is Michael Arnzen, who holds four Bram Stoker Awards and an International Horror Guild Award. He has been teaching as a Professor of English in the MFA program in Writing Popular Fiction at Seton Hill University since 1999, and has work forthcoming in Weird Tales, Writing Poetry in the Dark and more. He also is a past Secretary/Treasurer of the SFPA.
The contest chair is R. Thursday (they/them), a writer, educator, historian, and all-around nerd. They placed second in the 2021 Rhysling Award for Short Poems, and the 2022 Bacopa Formal Verse Contest. Their work has been published in Vulture Bones, The Poet’s Haven, Crow and Quill, Eye to the Telescope, Sheepshead Review, Luna Station Quarterly, Book of Matches, and many other fine journals.
Entries are read blind. Unpublished poems only. Author retains rights, except that first through third place winners will be published on the SPFA website. Full guidelines here.
(2) WARREN LAPINE MEDICAL UPDATE. Sff publisher and editor Warren Lapine suffered a cardiac event on August 7. His partner Angela Kessler has started a GoFundMe to pay for substantial costs not covered by insurance: “Help Warren Recover”.
As you may have heard my husband, Warren Lapine, had a cardiac event on August 7th that caused his heart to stop. CPR was started immediately by a friend and he was then airlifted to Roanoke Memorial Hospital, where he was stabilized. He underwent a number of tests that failed to turn up a reason for his heart stoppage, and therefore an ICD (Implantable Cardioverter Defibrillator) was implanted to make sure he doesn’t die if this happens again. Since the doctors and tests were unable to determine why Warren’s heart stopped, there will be lots of follow up anointments and tests, all of which will have to be paid for somehow….
The study, commissioned by the children’s publisher Ladybird and run by Censuswide, found that 33% of parents with children under five wished they had more confidence to read with their child. Reading out loud and doing character voices were cited as reasons for doubting their confidence.
Of the more than 1,000 parents surveyed, three-quarters said that they wished they had more time for shared reading. The study, conducted between late June and early July this year, also found that 77% of parents who read with their children do so before bedtime – between 6pm and 8pm – with low levels of joint reading reported at other times of the day.
(4) BLOCH’S COMICS. The Robert Bloch Official Website has added a new section on Comics, detailing Bloch works adapted to comics and graphic novels.
The Comics page is accessible through the Other section. Here’s one example:
“A Song of Pain and Sorrow!” Appears in Heroes Against Hunger #1 (DC Comics); May 1986. A benefit book, with proceeds going toward hunger relief in Africa. 24 writer-artist teams collaborated, with each taking 2 facing pages (Bloch: pp. 18-19.)
“The Second Murderer” is the first Philip Marlowe book written by a woman. Me.
Marlowe is, of course, the most famous creation of Raymond Chandler, perhaps the most famous of American crime novelists. Reading Chandler was always a guilty pleasure of mine, his vision of 1930s Los Angeles unfolding vividly for me all the way in cold and rainy Glasgow. On the one hand, there is his glorious writing, his blue-collar heroes and the occasional profound observations about the human experience. But there’s also his liberal use of racial slurs, his portrayal of people of color and homosexuals as grotesque caricatures and the fact that his work is suffused with misogyny. It takes a strong stomach to read a story in which a woman needs a slap to calm her down.
Crime fiction was, and is, anti-feminist. That’s why I chose to write it in the first place…
…Surrounded by maps and books and printouts of shabbily framed screen shots, I transported myself from cold and rainy Glasgow to a late September heat wave in 1939 in Chandler’s Los Angeles. I tried to retain his wonderful, playful language but update his values. My Marlowe novel features something few Chandler novels ever did: women with inner lives and ambitions that go beyond getting a boyfriend. In my version of Chandler’s 1930s Los Angeles, there’s a rich Hispanic community and a vibrant gay subculture. That’s my prerogative.
Some might accuse me of shoehorning my politics into a canonical series — but the work is already politicized, no shoehorn required. As the literary theorist Stanley Fish argued, there is no such thing as point-of-viewlessness. In all cultures, through all time, the status quo is profoundly political. It simply masquerades as neutral…
(6) SF IN BAWLMUR. [Item by Michael J. Walsh.] The Baltimore Banner, an online Baltimore “newspaper”, ran an article “New to Baltimore? Check out these books.” And one of the books is by local SF author Sarah Pinsker:
‘We Are Satellites’ by Sarah Pinsker
A story about how technology can divide families, written by an award-winning science fiction author based in Baltimore.
Reader review: “I recommend We are Satellites by local Sarah Pinsker. The book is set in the near future, but interwoven in the story are the locations like the aquarium.” — Emanuel
Dystopian visions In Julia (Granta, Oct), Sandra Newman opens out the world of Nineteen Eighty-Four by looking at that novel’s events from a female point of view. From Julia’s life in a women’s dormitory through her affair with Winston Smith and torture by the Thought Police, on to a meeting with Big Brother himself, it’s a fascinating reflection on totalitarianism as refracted through Orwell’s times and our own…
Uncovered Terry Pratchett A Stroke of the Pen (Doubleday, Oct) assembles early short stories by the late Discworld creator, written under a pseudonym for newspapers in the 70s and 80s and only discovered after superfans combed through the archives. Expect comic fantastical fragments riffing on everything from cave people to Father Christmas….
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 27, 1922 — Frank Kelly Freas. I’ve no idea where I first encountered his unique style on a cover of a SF book, but I quickly spotted it everywhere. ISFDB says his first published artwork was the cover of Weird Tales for November 1950. He had a fifty-year run on Astounding Science Fiction from October 1953 according to ISFDB and through its change to the Analog name — amazing. Yes, he won ten Pro Artist Hugos plus one Retro-Hugo, an impressive feat by anyone. There several decent portfolios of his work. (Died 2005.)
Born August 27, 1929 — Ira Levin. Author of Rosemary’s Baby, The Stepford Wives and The Boys from Brazil. All of which became films with The Stepford Wives being made twice as well having three television sequels which is definitely overkill I’d say. I’ve seen the first Stepford Wives film but not the latter version. Rosemary’s Baby would also be made into a two-part, four-hour miniseries. He got a Stoker Award for Lifetime Achievement. (Died 2007.)
Born August 27, 1945 — Edward Bryant. His only novel was Phoenix Without Ashes which was co-authored with Harlan Ellison and was an adaptation of Ellison’s pilot script for The Starlost. He won two Nebulas for his short stories “Stone”and “giANTS”, which also were nominated for the Hugo, as was his novelette “The Thermals of August”. I’m personally familiar his short fiction in the Wild Cards anthologies. Phoenix Without Ashes and all of his short stories are available in digital form. (Died 2017.)
Born August 27, 1952 — Darrell Schweitzer, 71. Writer, editor, and critic. For his writing, I’d recommend Awaiting Strange Gods: Weird and Lovecraftian Fictions and Tom O’Bedlam’s Night Out and Other Strange Excursions. The Robert E. Howard Reader he did is quite excellent as is The Thomas Ligotti Reader.
Born August 27, 1957 — Richard Kadrey, 66. I’m admittedly way behind on the Sandman Slim series having only read the first five books. Theseries concluded a few years back with King Bullet. I also enjoyed Metrophage: A Romance of the Future and I’ve still got The Grand Dark on my interested to be read list.
Born August 27, 1965 — Kevin Standlee, 58. He attended his first con in 1984, L.A. Con II. Later he co-chaired the 2002 Worldcon, ConJosé, in San José. One source says he made and participated in amateur Doctor Who films in the late 1980s. I wonder if he played Doctor Who? And I wonder if we can see these films?
(9) DO HOBBITS LOVE IT? Chapters Tea offers “Second Breakfast” (sound familiar?)
Small batch hand blended English breakfast tea with a touch of Merry’s gold petals (fortunately they do not glitter.) Perfect for breakfast, second breakfast, elevensies, luncheon, and afternoon tea. Enter our fan drawn rendition of the realm of hobbits where friendship, nature, and the simple pleasures of life come first. Inspired by, but not affiliated with, our favorite series with a ring.
…In 1750, Wright self-published his visionary and verbosely titled book An Original Theory or New Hypothesis of the Universe, Founded upon the Laws of Nature, and Solving by Mathematical Principles the General Phaenomena of the Visible Creation, and Particularly the Via Lactea (public domain). With his keen aesthetic sensibility — he was also an architect and garden designer — he commissioned “the best masters” to illustrate his theories in thirty-some scrumptious plates populated by comets, planets, and other celestial splendors observed and conjectured….
… And so, when I see the news that WordPress parent Automattic has announced that it is going to charge $38,000 to keep your website online for 100 years, something they call the “100 Year Plan,” I immediately am compelled to do the math on that equation. And even though that is a tough pill to swallow for a lot of people, it breaks down to just over $30 a month—which, honestly, is about the price it costs to purchase solid web hosting these days….
…But if WordPress is going to charge $38,000 for this service, they should do things to make it valuable as a public resource. They should promote this content! From what we know of history, people often find success after their passing, and sometimes, stories resurface with just a little spark. If it leads to a licensing deal, it could help support both estates of those who have passed and maybe even those who don’t have $38,000 but deserve a home in this archive. Automattic should consider just offering this service to important cultural figures for free as a way to help broaden interest in the endeavor.
But more importantly, they should hire people to professionally curate this content, promote it, and offer strategies for people to research it. I think a guarantee that you’re going to have your content online for a long time is great. But what I think would be even better is a guarantee that efforts will be made to ensure it can still find an audience over time….
Hell, Automattic’s Jetpack can’t even effectively promote the material being published this very day. Do not give them a dime!
In 2021, Google engineer Blake Lemoine made headlines—and got himself fired—when he claimed that LaMDA, the chatbot he’d been testing, was sentient. Artificial intelligence (AI) systems, especially so-called large language models such as LaMDA and ChatGPT, can certainly seem conscious. But they’re trained on vast amounts of text to imitate human responses. So how can we really know?
Now, a group of 19 computer scientists, neuroscientists, and philosophers has come up with an approach: not a single definitive test, but a lengthy checklist of attributes that, together, could suggest but not prove an AI is conscious. In a 120-page discussion paper posted as a preprint this week, the researchers draw on theories of human consciousness to propose 14 criteria, and then apply them to existing AI architectures, including the type of model that powers ChatGPT.
None is likely to be conscious, they conclude. But the work offers a framework for evaluating increasingly humanlike AIs, says co-author Robert Long of the San Francisco–based nonprofit Center for AI Safety. “We’re introducing a systematic methodology previously lacking.”…
(13) MEDIA DEATH CULT. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult is having a quick 8-minute look at The Death Of Grass (also known as No Blade Of Grass) by John Christopher filmed on location in a… errrr… grassy field… “The Death Of Grass – The Birth of Barbarism”.
It took most of human history for our population to reach 1 billion—and just over 200 years to reach 8 billion. But growth has begun slowing, as women have fewer babies on average. When will our global population peak? And how can we minimize our impact on Earth’s resources, even as we approach 10 billion?
[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Rich Lynch, Michael J. Walsh, Steven French, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
(1) “BIGOLAS DICKOLAS WOLFWOOD ENERGY”? [Item by Soon Lee.] Four years after release, This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone rocketed up to number 6 in the Amazon overall book rankings (it’s number one in a number of categories). And it is all thanks to a recommendation tweet from an account named “Bigolas Dickolas”, a fan account for the “Trigun” anime. Amal El-Mohtar tweeted a link.
This Is How You Lose the Time War is a Hugo, Nebula, and BSFA winner so it’s not like it wasn’t critically acclaimed. I loved it. But for a book to climb into the Amazon Top 10 four years after release is not something that happens. Let alone it happening because an anime fan account tweeted about it. Stunned and delighted reactions all round.
My TL;DR
Bigolas Dickolas has done for “This is How You Lose the Time War” what “Stranger Things” did for “Running Up That Hill”.
… Twitter has long had a feature where you can choose to see notifications only from people you follow, which is great in theory. If you have that box checked on Twitter, you’ll only see replies and quote-tweets from the people you’ve decided to trust — but in practice, if your tweet gets a ton of hostile replies and quote-tweets, you will absolutely know about it. It’ll show up if you look at the permalink for your actual tweet, but also your trusted followers will inevitably start arguing with the folks you don’t follow. Plus, it requires a lot of willpower to avoid looking at a swarm of replies or quote-tweets when you know they’re there.
Plus as I’ve said above, even if you decide you don’t want to see hate group posts, you’ll still find out about it if they target you. It’s impossible to ignore at a certain point.
Here’s a good place to mention that I’m enjoying Bluesky a lot so far — a ton of Black Twitter folks who were turned off by Mastodon’s well-documented racism problem are hanging out there, along with many other folks I enjoyed chatting with on Twitter. But I’m also very aware that I’m enjoying it, in part, because it’s still a small community and we’re at the start, rather than the end, of the “enshittification” process*….
(3) AI IS MY COPILOT. [Item by Anne Marble.] If you see people getting upset with publishers asking for AI submissions, here is one example. In a Special Submissions Call, Space and Time Magazine is asking authors to collaborate with AI for a unique issue. This submissions call did not go over well…
Here are the first two of many tweeted responses:
This is disappointing. AI is "involved" with scraping art and words from artists who have honed their work over years. Asking whether this is friend or fiend is inviting debate where there is none. Corps are pushing AI as a tool to reduce having to pay and employ human artists +
— Suzan, reducing awkwardness (@sillysyntax) May 9, 2023
Very inappropriate and I'm sorry to see an established pub putting out a call like this.
— Jessica Peter ???? CRIME HORROR ANTHO! (@JessicaPeter1) May 9, 2023
Max (formerly HBO Max) has dropped an official trailer and poster for Gremlins: Secrets of the Mogwai, the highly anticipated 3DCG animated prequel series to the iconic Gremlins film franchise. The show debuts May 23, followed by two new episodes released weekly on Thursdays.
The new series takes viewers back to 1920s Shanghai, where the Wing family first meets the young Mogwai called Gizmo. Sam Wing (future shop owner Mr. Wing in the 1984 Gremlins film) accepts the dangerous task of taking Gizmo home and embarks on a journey through the Chinese countryside. Sam and Gizmo are joined by a teenage street thief named Elle, and together, they encounter—and sometimes battle—colorful monsters and spirits from Chinese folklore. Along their quest, they are pursued by a power-hungry industrialist and his growing army of evil Gremlins….
(5) J.M. COSTER MEMOIR. “Your Tongue Remembers” is introduced by Sarah Gailey as “Jen Coster’s reflections on language, food, and what it means to be loved.”
…During my childhood, my parents were learning English while I was forgetting the little bit of Chinese that I knew. We spoke to each other in fits and starts, each of us hurt (in the exact same but also completely different ways) by the lack of understanding. With my grandmother, I barely spoke at all. She didn’t know English, and I was eventually too ashamed of my broken Chinese to try.
And yet, China was my first home, and Chinese was my first language. At some point in my early life, it was all I knew. Even though I don’t remember what it was like to have those musical words fall from my mouth at the speed of thought, there are certain shapes my mouth still knows how to make, certain tones my ears still know how to hear—things my mind and body have held on to as a record of my past.
The words that my tongue remembers, though it’s clumsy in the shaping of them, are mostly related to food.
It always comes back to food.
I don’t know what it’s like to have to make concessions related to cultural identity, for success to require the rejection of things that make up the fabric of you, for victory to feel like surrender. But I do know what it feels like to grieve the loss of something I never really had in the first place….
(6) EKPEKI TAKES ON IAFA ROLE. International Association for the Fantastic in the Arts (IAFA) announced on Facebook they have appointed Oghenechovwe Donald Ekpeki as their Virtual Conference Coordinator.
(7) CSSF WORKSHOP OPPORTUNITY. Applications are being taken for the online CSSF Speculative Fiction Writing Workshop.
This intensive, 2-week creative writing course will be taught online by RB Lemberg, author of the acclaimed novellas The Four Profound Weaves (2020) and The Unbalancing (2022) and finalist for the prestigious Nebula Award for best science fiction or fantasy published in the United States.
Lemberg will bring their expertise in writing and publishing speculative fiction—an umbrella category that includes science fiction, horror, fantasy narratives, magical realism, and the like—to instruct students in the creation and polishing of their own imaginative work. Students will read an assortment of SFF short stories for discussions of craft and stylistic choices, and participate in writing exercises and peer review workshops. Each class member should come prepared with at least one short story they are prepared to share and revise.
June 12 – June 23, 2023 (Monday – Friday)
4:30 – 7:30 pm (Central US/Canada), with synchronous and asynchronous elements.
Cost and Enrollment:
NON-CREDIT-SEEKING STUDENTS: $500 for 2-wk session – Register here
Small scholarships available – 1st come, 1st served. Email us with your name, contact information, institution (if applicable), connection to the Gunn Center (if any).
(8) 2024 STURGEON SYMPOSIUM DESIGN CONTEST. If you have an inspiration for next year’s Sturgeon Symposium t-shirt design it could be worth $250 to you.
The J. Wayne & Elsie M. Gunn Center for the Study of Science Fiction (CSSF) is dedicated to research and education in science fiction and other speculative forms, such as fantasy, horror, Afrofuturism, fanfiction, and neo-Gothic narratives. We believe that through our encounters with different worlds, we come to know the one we all share; we also become better equipped to create new possibilities within it. Our ongoing mission is to foster a global community of students, scholars, artists, educators, and enthusiasts who are interested in exploring the limitless potential of the human imagination, whether that be to question, to play, or to dream about the future.
The Theodore Sturgeon Memorial Award, offered annually for the best published science fiction short story of the previous year, will be presented at the Sturgeon Symposium, where scholars, artists, educators, students, and enthusiasts come together to discuss and learn about new work in the field. The winning design will be featured on T-shirts sold to generate funds for the 2024 symposium and on flyers used to promote the event. Help us showcase the limitless potential of the human imagination!
The 2024 Sturgeon Symposium will be honoring the foundational work of Samuel R. Delaney to the field and study of Science Fiction. Inspired by his 1984 science fiction novel, Stars in My Pocket Like Grains of Sand, the theme of this year Design contest is “Stars in Our Pockets.”
To Enter:
Submit your original design(s) by 11:59 pm on 18 August 2023 to sfcenter@ku.edu. Include name, email address, and phone number with entry.
File(s) should be submitted as a .pdf, .jpb, .png, .ai, or .eps with dimensions of 1500px by 1500px.
Designs should be front of t-shirt only and can include up to 4 colors.
Transparent artwork preferred. Avoid gradients.
Judges will consider:
how well each design celebrates the concepts of science fiction and/or the speculative
how well each design represents KU’s Gunn Center for the Study of SF
how well each design builds energy for the 2024 Sturgeon Symposium
By entering the contest, you agree and acknowledge that:
You have read, understood, and will abide by the contest rules, terms, and conditions.
If your design is selected as the winning entry, you grant the Center for the Study of Science Fiction a non-exclusive license to reproduce, distribute, display, and create derivative works of your submitted design (the “Work”) on promotional materials and marketing materials such as t-shirts, posters, brochures, and digital media.
You warrant that you are the original creator of the Work and that it does not infringe upon the rights of any third parties, including, but not limited to, copyright, trademark, and rights of publicity or privacy.
Winner will be announced at the Sturgeon Award ceremony, Date and Time TBD Questions? Contact The Gunn Center for the Study of SF – sfcenter@ku.edu https://sfcenter.ku.edu/
This is last year’s winning design:
(9) MEMORY LANE.
2019 – [Compiled by Cat Eldridge.]
Sarah Pinsker’s A Song for a New Day was her Nebula-winning debut novel. It was also nominated for a Compton Crook Award. Those folk in Baltimore have stellar taste in SF novels, don’t they?
It is a wonderful read (no spoilers there) and I surprised to learn that she wrote but one more novel to date. I’ve read this novel but haven’t read We Are Satellites, so am very interested in what y’all think of it.
A Song for a New Day was published by Berkley Books.
And here is her splendid Beginning. Warning: fatal violence involving Muppets occurs here. It really does.
172 Ways
There were, to my knowledge, one hundred and seventy-two ways to wreck a hotel room. We had brainstormed them all in the van over the last eight months on the road. As a game, I’d thought: 61, turn all the furniture upside down; 83, release a pack of feral cats; 92, fill all the drawers with beer, or, 93, marbles; 114, line the floor with soapy plastic and turn it into a slip ’n’ slide; etc., etc.
In my absence, my band had come up with the one hundred and seventy-third, and had for the first time added in a test run. I was not proud.
What would Gemma do if she were here? I stepped all the way into their room instead of gawking from the hallway and closed the door before any hotel employees could walk past, pressing the button to illuminate the DO NOT DISTURB sign for good measure. “Dammit, guys. This is a nice hotel. What the hell did you do?”
“We found some paint.” Hewitt’s breath smelled like a distillery’s dumpster. He lingered beside me in the vestibule.”
“You’re a master of understatement.”
All their bags and instruments were crammed into the closet by the entrance. The room itself was painted a garish neon pink, which it definitely hadn’t been when I’d left that morning. Not only the walls, either: the headboards, the nightstand, the dresser. The spatter on the carpet suggested somebody had knifed a Muppet and let it crawl away to die. For all the paint, Hewitt’s breath was still the overwhelming odor.
“Even the TV?” I asked. “Really?”
The television, frame and screen. Cable news blared behind a drippy film of pink, discussing the new highway only for self-driving cars. We’d be avoiding that one.
JD lounged on the far bed, holding a glass of something caramel colored. His shoes were pink. The bedspread, the site of another Muppet Murder.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 10, 1863 — Cornelius Shea. As SFE puts it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive. (Died 1920.)
Born May 10, 1886 — Olaf Stapledon. Original and almost unimaginable, Last and First Men, his first novel (!) written in 1930 extends over two billion years. Who could follow that? He did, with Star Maker, over 100 billion years. Their range, imagination, and grandeur may still be unequaled. He was, however – or to his credit – depending on how you see things – an avowed atheist. Odd John, about a spiritual-intellectual superman, may be tragic, or heroic, or both. Darkness and the Light was nominated for a Retro-Hugo At WorldCon 76 as was Sirius: A Fantasy of Love and Discord at CoNZealand. He was the first recipient of the Cordwainer Smith Rediscovery Award in 2001 and voted into the Science Fiction Hall of Fame in 2014. (Died 1950.)
Born May 10, 1891 — Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film where the SJW credential was the defendant in a Perry Mason murder case, The Case of Black Cat. I haven’t seen the film but it’s got cool poster. (Died 1940.)
Born May 10, 1899 — Fred Astaire. Yes, that actor. He showed up on the original Battlestar Galactica as Chameleon / Captain Dimitri In “The Man with Nine Lives” episode. Stunt casting I assume. He had only two other genre roles as near as I can tell which were voicing The Wasp in the English-language adaptation of the Japanese Wasp anime series, and being in a film called Ghost Story. They came nearly twenty years apart and were the last acting roles that he did. (Died 1987.)
Born May 10, 1963 — Rich Moore, 60. He directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he has worked on Futurama. Might be stretching the definition of genre (or possibly not), but he did the animation for “Spy vs. Spy” for MADtv. You can see the first one here.
Born May 10, 1969 — John Scalzi, 54. Bane of Puppies everywhere. Really he is — successful, white and writing SF very much that is in the mode of writers like Heinlein. How dare he? And yes, I’ve enjoyed everything I’ve ever read by him. What would I recommend if you hadn’t read him? The Old Man’s War series certainly is fantastic, with Zoe’s Tale bringing tears to my eyes. The Interdependency series is excellent as well. I really have mixed feelings about Redshirts in that it’s too jokey for my taste. I will note that his blog is one of a very few which I read every post of.
(11) COMIC SECTION.
Bizarro once again lives up to its name with this Pinocchio joke.
Dog Eat Doug isn’t that funny but it does reference a well-known sff writer.
(12) KAIJU AND OTHERS. The birthday boy and Michi Trota featured today in episode 142 of the AMW Author Talks podcast: “John Scalzi & Michi Trota”.
Acclaimed science fiction author John Scalzi discusses his recent book The Kaiju Preservation Society and the science fiction genre with fellow award-winning science fiction writer Michi Trota.
This conversation originally took place May 15, 2022 and was recorded live at the American Writers Festival.
(13) APPLY FOR LEONARDO. Applications are being taken for the “Leonardo Imagination Fellowship”, hosted by Arizona State University, through June 2.
Leonardo and the Center for Science and the Imagination are proud to announce our second Imagination Fellowship, starting in August 2023. In this virtual, global program, fellows will develop experimental media projects exploring diverse aspects of Planetary Health Futures, including but not limited to issues of climate, human well-being, interspecies relationships, democracy, emerging social structures, and safeguarding the Earth’s habitability for humans and other life forms. Applications are due on June 2, 2023 at 11:59pm MST.
Fellows will reflect on how their projects support, align with and add new complexity and nuance to the United Nations Sustainable Development Goals (SDGs). They should also substantively engage with the notion of experimental media, charting new territory in areas like expanded reality, immersive storytelling, worldbuilding, and more. Projects should embrace global perspectives and invite global participation, and demonstrate commitment to justice and equity.
Each fellow will produce a discrete media artifact, and will be supported in collaborative, cross-disciplinary experimentation with practice and process throughout the fellowship period. Examples of outputs or deliverables include, but are not limited to experimental publishing projects, from books and novellas to zines and networked texts; expanded reality projects, from virtual and augmented reality to mixed reality; games and interactive experiences; films and video installations; sonic environments and acoustic experiences.
We invite fellowship applications focusing on a range of themes. Each fellow will connect their work with one of the following themes at Leonardo-ASU or the Center for Science and the Imagination. In the first phase of their fellowship the fellows will identify a specific existing CSI or Leonardo project to focus on, building on its networks, communities, and creative outputs. Some exemplar projects are listed for each theme below.
Imagination, Cognition, and Consciousness, connecting with Applied Imagination Project
Speculative Fiction for Institutional Transformation, connecting with the Applied Sci-Fi Project
*While several of these existing projects are rooted in Arizona, we welcome global connections, extensions, and expansions in fellowship projects that connect to these regional efforts.
Fellowship Details
The Imagination Fellowship Program will offer up to 3 virtual fellowships, beginning in August 2023, and running through April 2024.
Fellows will receive $6,000 per fellow for the period of 9 months. There is no separate production budget. Fellows are free to use their stipend to support production needs.
Applications are due Friday, June 2, by 11:59 pm Arizona time (UTC-7).
(14) VIDEO OF THE DAY. When my daughter was very young we used to watch The Wiggles. So it didn’t take much to rouse my curiosity about Defunctland’s YouTube video, “The Awful Wiggles Dark Ride”.
In Defunctland, Kevin and company return with stories of defunct rides, parks, and themed entertainment experiences. Whether it’s Disney, Universal, Six Flags, or a hastily built World’s Fair, Defunctland looks at the stories behind their incredible failures.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Soon Lee, Anne Marble, Kathy Sullivan, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]
The Rambo Academy for Wayward Writers, fantasy and science fiction’s premiere online learning center, announces a new venture for 2023 — the Wayward Wormhole, an intensive writing workshop with some of the industry’s top teachers.
The inaugural Wayward Wormhole will run November 1-21, 2023 at Castle de Llaés, in the municipality of Gurb, Spain. Look northward from the castle to see the Pyrenees and southward to see the rolling hills of Catalonia. Ten students and four instructors will spend three weeks here writing and critiquing, while a virtual component allows other students to experience Wormhole-Light.
The Wayward Wormhole instructors for 2023 are Tobias Buckell, Ann Leckie, Sarah Pinsker, and Cat Rambo, all seasoned instructors of the Rambo Academy for Wayward Writers.
Module One — Sarah Pinsker — Beginnings and Endings
Module Two — Cat Rambo — Conflicts in Short Stories
Module Three — Tobias Buckell — Plot Your Way to Amazing Characters
Module Four — Ann Leckie — Setting and World Building
The Rambo Academy for Wayward Writers has been in existence for twelve years, serving hundreds of students who have gone on to win awards, honors, and accolades, including Nebula, Hugo, and World Fantasy Awards. “I attended Clarion West, and have taught at multiple workshops now,” says Academy founder Cat Rambo. “While others have delivered the gold standard, I want to stretch to the platinum level and deliver an amazing workshop in an equally amazing setting.” Details on how to apply for the workshop, costs, and other information can be found here.
