Pixel Scroll 3/18/25 Soylent Green And Spam: I Would Not Like It In A Pixel, I Would Not Like It Fried With Schnitzel

(1) BSFA AWARDS NEWS. The British Science Fiction Association released the “BSFA Awards 2024 Shortlist” today.

Congratulations to Chris M. Barkley and Jason Sanford for their article being among the finalists: “The 2023 Hugo Awards: A Report on Censorship and Exclusion” – which was simultaneously published by File 770 and Genre Grapevine, and so it would have been nicer if the BSFA announcement hadn’t failed to name File 770.

(2) ACE EDDIE AWARDS. The American Cinema Editors (ACE) announced the “ACE Eddie Winners” on March 15.  The awards recognize outstanding editing in 14 categories of film, television and documentaries. The complete list is at the link. The winners of genre interest are:

BEST EDITED FEATURE FILM (COMEDY, THEATRICAL)

Wicked
Myron Kerstein, ACE

BEST EDITED ANIMATED FEATURE FILM

The Wild Robot
Mary Blee

BEST EDITED SINGLE CAMERA COMEDY SERIES

What We Do in the Shadows (603 – Sleep Hypnosis)
Liza Cardinale, ACE
Dane McMaster, ACE

BEST EDITED ANIMATED SERIES:

X-Men ’97 (105 – Remember It)
Michelle McMillan

Also recognized were filmmaker Jon M. Chu who received the ACE Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Film editors Maysie Hoy, ACE and Paul Hirsch, ACE received Career Achievement Awards for their outstanding contributions to film editing.

(3) THIS CHARACTER WAS DEMANDED BY THE TIMES. So argues R.P. O’Donnell: “Sherlock Holmes in the World” at CrimeReads.

…To Victorian Londoners, crime was terrifying and out of control. Penny Dreadfuls, cheap pamphlets blending the lurid and the sensationalist, contributed to the feeling that violent crime was lurking behind every street corner, waiting to spring out of every shadow with a knife drawn and ready to kill. 

Jack the Ripper, with the entire city at his heels, murdered and mutilated his way through the streets of London — preying on the same underworld he seemed to spring out of. And then, suddenly and without resolution, he disappeared, and slipped back into the shadows. Ready to spring out again, at any moment. A knife held against the entire city.

And then, out of these same shadows, stepped a hero. A man of science, who brought order to a dangerous world in the throes of calamitous change. A man who obeyed only a strict moral code, rather than the letter of an unjust law. A man who not only did not obey the class structure, but openly flaunted it — in his very first adventure, he reproached a King for saying a lower-class woman was not on his level. This was a man who would help anyone in need — as long as the case was interesting enough. He had no interest in money or class; he was as happy with a king’s simple portrait as he was with the proverbial king’s ransom. He was a man who didn’t just protect the city, but even adapted some of its worst bits, such as the young and ruthless pickpockets, to help him in his quest.

That man was, of course, Sherlock Holmes. And it’s no wonder he became a sensation when he first appeared in the Strand Magazine in 1891 — emerging into the city and wider society that he did.

(Author’s note: I’m setting aside the first novels for a few reasons. But in any case, it was the Adventures that exploded in popularity, and would’ve been most readers’ first introduction to Sherlock.)…

(4) WON’T BE IN SEATTLE. Count Australian sff author Jeremy Szal among those who are checking out of attending the Seattle Worldcon.

(5) BLACK MIRROR TRAILER. “’Black Mirror’ season 7 trailer previews epic ‘USS Callister’ sequel”. Entertainment Weekly sets the frame.

The AI apocalypse is primed for an explosive launch in the Black Mirror season 7 trailer, which previews a bloody, bombastic batch of six new episodes — including the return of Cristin Milioti (The Penguin) in a sequel to 2017’s epic “USS Callister” episode.

Netflix revealed Thursday the first preview of Charlie Brooker’s beloved sci-fi anthology, which welcomes a wealth of stars to its seventh season, including Issa Rae, Tracee Ellis Ross, Awkwafina, Rashida Jones, Chris O’Dowd, Emma Corrin, Oscar-nominated actor Paul Giamatti, and Will Poulter (reprising the role of Colin Ritman from 2018’s interactive Bandersnatch movie).

In addition to teasing Milioti’s return alongside fellow “USS Callister” stars Jimmi Simpson, Paul G. Raymond, Milanka Brooks, Osy Ikhile, and Billy Magnussen, the Black Mirror season 7 trailer gives us a glimpse at a few of the new installment’s harrowing episodes….

(6) THE ELECTRIC STATE, THEIR LATEST DUD. [Item by Steven French.] A Guardian writer asks, “Why are the most expensive Netflix movies also the worst?”

Here’s the answer:

Blockbusters … have always been deceptively difficult to replicate; on some level, most of them seek some kind of overwhelming sensation, whether it’s thrills, big laughs, melodrama, spectacular visuals or some combination; these things can be faked or strung along (plenty of middling mega-movies have been big hits), but the presentation is part of that fakery, which in turn can be part of the fun. A well-crafted one can sweep you up in the moment even if what they’re doing isn’t all that clever or insightful and leaves you with empty calories; JJ Abrams owes his whole career to this phenomenon. The Netflix auteur movies, meanwhile, are made with the confidence that they will transcend their humble smaller screens (or maybe the serene knowledge that at least they’ll be shown at a lot of festivals before they make it to streaming). The most striking aspect of their mockbuster cousins is how they feel infused with the knowledge that this avenue is closed to them; it’s almost astonishing how inept they are at faking otherwise. Movies like The Electric State can throw around millions of dollars, big stars and cutting-edge effects, but they just can’t shake the bone-deep knowledge that they’re content first….

(7) CHILDREN AND FAMILY EMMY AWARDS. The Children’s & Family Emmys were presented on March 15. Animation Magazine tells who took home the honors: “’Orion and the Dark,’ ‘Moon Girl and Devil Dinosaur’ Are Among the Big Winners of Children’s & Family Emmys”.

…As previously announced, this year’s winners of the juried Outstanding Individual Achievement in Animation honors are background designer Philip Vose (Merry Little Batman), viz-dev artist Miho Tomimasu (Orion and the Dark), animation supervisor Elena Najar (Merry Little Batman), character designer Lesego Vorster (Kizazi Moto: Generation Fire), digimatte artist Lauren Zurcher (Orion and the Dark), art director Guillaume Fesquet (Merry Little Batman) and storyboard artist David Lux (Snoopy Presents: Welcome Home, Franklin)….

CAFÉ winners of genre interest included:

Children or Family Viewing Series

  • Fraggle Rock: Back to the Rock (Apple TV Plus)  [The Jim Henson Company /Apple]

Fiction Special

  • The Velveteen Rabbit (Apple TV Plus) [Magic Lamp Pictures/Apple]

Preschool Animated Series

  • The Tiny Chef Show (Nickelodeon)

Children’s or Young Teen Animated Series

  • Marvel’s Moon Girl and Devil Dinosaur (Disney+)

Animated Special

  • Orion and the Dark (Netflix)

Voice Performer in a Children’s or Young Teen Program

  • Eric Bauza as Daffy Duck & Bugs Bunny – Teen Titans Go! (Cartoon Network)

Younger Voice Performer in a Preschool, Children’s or Young Teen Program

  • Jacob Tremblay as Orion – Orion and the Dark (Netflix)

Writing for a Children’s or Young Teen Animated Series

  • “Dancing with Myself” – Marvel’s Moon Girl and Devil Dinosaur (Disney+)

(8) YOU COULD GET LOST IN HERE. “Architectural Misdirection: Seeking Out Secret Staircases and Hidden Rooms” at CrimeReads.

Mystery fans love ingenious misdirection in their plots, and novels can be even more mysterious when the setting itself adds layers of intrigue. Creepy old buildings have a long history in mystery fiction, and the novels I’m diving into today use architecture as a key part of the puzzle…. 

In the middle of this list:

The Name of the Rose – Umberto Eco

This classic novel is dominated by a medieval abbey’s labyrinthine library that’s filled with secret passageways and hidden rooms. Friar William of Baskerville and his apprentice are investigating the mysterious deaths of several monks at the abbey, and the architecture both provides clues and mirrors the deeper symbolic meaning behind the crimes. 

(9) CHRIS MOORE’S NYT OBITUARY. [Item by Daniel P. Dern.] Sff artist Chris Moore, whose passing was noted in the February 11 Scroll, has now received a detailed tribute in the New York Times. This gift link bypasses the paywall: “Chris Moore Dead: Illustrator for Classic Sci-Fi Books Was 77”.

DPD notes, Alex Williams’ obituary for Moore has a refreshing, remarkable depth (and presumed accuracy) with respect to sf stuff, e.g.:

Chris Moore, a British artist who conjured fantastical worlds with high-sheen covers for books by science-fiction masters like Philip K. Dick, Arthur C. Clarke and Alfred Bester, and who lent his artistry to albums by Rod Stewart and Fleetwood Mac, died on Feb. 7 at his home in Charmouth, on the southwestern coast of England. He was 77.

… Moore provided memorable interstellar images for various editions of notable books by Mr. Dick — including his novel “Do Androids Dream of Electric Sheep?,” the basis of the 1982 film “Blade Runner” — as well as works by Kurt Vonnegut, Isaac Asimov, Ursula K. Le Guin, H.G. Wells, Alastair Reynolds, J.G. Ballard, Stephen King and many others.

…While best known for his visual journeys through the cosmos, Mr. Moore produced a wide range of illustrations. He created the art for several album covers, including Fleetwood Mac’s “Penguin” (1973) and Mr. Stewart’s “The Vintage Years 1969-70” (1976), as well as contributing images to magazines like Omni and Asimov’s Science Fiction. And he designed wallpaper tied to the Star Wars film “The Empire Strikes Back” (1980).

…He exhibited his work for the first time in 1995, at the World Science Fiction Convention in Glasgow, where he realized that there was a market for his originals, which he began selling….

DPD adds: So I’m sure I saw those there, and for all I know, crossed paths with Moore.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

March 19, 1928Patrick McGoohan. (Died 2009.)

 I will not make any deals with you. I’ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own. — Number 6

I don’t how times I’ve seen the opening of The Prisoner series as it’s been separately shown from the episodes online pretty much since video came to the Internet. Not sure in what context I was watching it but it was, without doubt, one of the best openings I’ve seen.

Then there was the series. Weird, thrilling, mysterious. Eminently watchable over and over and over again. Was it SF? Or was it a spy series set in the very near future? Who knew? And then there was Number Six, the never named intelligence agent played by Patrick McGoohan. He seemed destined to play this role.

He was an American-born Irish actor, director, screenwriter, and producer. Now it turns out that The Prisoner was his creation. He was also one of the writers – there were five in fact — and he was one of four directors. In other words, he had his hand in every facet of the series and its sixteen episodes. 

Before he was that unnamed intelligence agent he was, and I’m not at all convinced that McGoohan meant this to be a coincidence, secret agent John Drake in the Danger Man espionage series. I’ve seen a few episodes, it’s well crafted.  

Danger Man (retitled Secret Agent in the United States for the revived series) was a British television series broadcast between 1960 and 1962, and again between 1964 and 1968. (A neat bit of history here: Ian Fleming was brought in to work on series development, but left before that was complete. Apparently, he didn’t like the way the secret service was to be portrayed.) 

After The Prisoner, McGoohan’s next genre endeavor was as the narrator of Journey into Darkness is a British television horror film stitching together two episodes derived from late Sixties anthology television series Journey to the Unknown.

We are now leaving genre and headed for, well the Columbo series. Why so? Because he was good friends with Peter Falk and directed five episodes of the series, four of which he appeared in, winning two Emmys in the process. McGoohan was involved with the series in some way from 1974 to 2000. 

He was said that his first appearance on Columbo was probably his favorite American role. He had top billing as Col. Lyle C. Rum, fired from a military academy, in “By Dawn’s Early Light”, one of the Columbo films that preceded the series.

His daughter Catherine McGoohan appeared with him in the episode “Ashes To Ashes” The other two Columbo episodes in which he appeared are “Identity Crisis” and “Agenda For Murder”.  

Yes, he reprised his role as Number Six for The Simpsons in “The Computer Wore Menace Shoes”.  Homer Simpson fakes a news story to make his website more popular, and he wakes up in a prison that is a holiday resort. As Number Five, he meets Number Six. 

McGoohan’s last movie role was as the voice of Billy Bones in the animated Treasure Planet.

He received the Prometheus Hall of Fame Award for The Prisoner.

The Prisoner is streaming on Prime. No, not awful remake (shudder) but the original one. 

Patrick McGoohan in The Prisoner

(11) COMICS SECTION.

  • Brewster Rockit seems to be accounting to DOGE.
  • Dog Eat Doug doesn’t want to go to Mars.
  • Rose Is Rose shows why reading only the good parts doesn’t work.
  • Wizard of Id takes us back to the early history of social media “blocking”.
  • Tom Gauld tells what changed the bird’s mind.

A cartoon for @theguardian.com books.

Tom Gauld (@tomgauld.bsky.social) 2025-03-17T13:03:11.704Z

(12) THE SHADOW KNOWS. ThePulp.Net takes us from Victor Jory to Alec Baldwin and beyond in “The Shadow on film”.

As in radio, The Shadow’s film career began with him as an announcer of detective stories, not as a lead character. In 1931 — the same year that the namesake pulp began — The Shadow began introducing a series of two-reel mysteries for Universal Studios.

Frank Readick, one of the voices of The Shadow on radio’s Detective Story Hour, is credited with narrating A Burglar to the Rescue, the first of the six 15- to 23-minute films. The other film shorts included: TrappedSealed LipsHouse of MysteryThe Red Shadow and The Circus Show-Up.

It was five years before The Shadow returned to the screen. This time silent-screen actor Rod La Rocque appeared in The Shadow Strikes for Grand National Pictures. The 1937 film featured detective Lamont “Granston,” who like Cranston in the radio program was The Shadow. In 1938, La Rocque returned, this time as Lamont Cranston, in International Crime. The Shadow isn’t the main character, but rather radio sleuth Cranston is.

The Shadow is back in the lead role in a 15-chapter Columbia serial. The Shadow starred hawk-nosed actor Victor Jory….

… Alec Baldwin is the latest to assume the role in The Shadow. The 1994 film enjoyed the trappings of a robust budget. The art direction and production were splendid, but the script was lacking. Disappointingly for pulp purists, its story, like the previous motion pictures, was an amalgam of influences from The Shadow’s past in print, radio and film. On top of that, screenwriter David Koepp or director Russell Mulcahy added several curious twists to the story, such as Margo Lane being psychic, and Lamont Cranston being police commissioner Wainwright Barth’s nephew….

(13) A SOLAR ECLIPSE… FROM THE MOON. [Item by Mark Roth-Whitworth.] Firefly Aerospace’s Blue Ghost lander, which successfully touched down in Mare Crisium on March 2, 2025 got a pic of the *Earth* eclipsing the Sun… “Private Lunar Lander Captures Stunning ‘Diamond Ring’ Eclipse from the Moon’s Surface” at Daily Galaxy. You can see the image at the link.

For the first time in history, a privately operated lunar lander has captured images of a total eclipse from the Moon’s surface. Firefly Aerospace’s Blue Ghost lander, which successfully touched down in Mare Crisium on March 2, 2025, recently transmitted breathtaking images of a “diamond ring” eclipse—a rare celestial phenomenon that occurs when the Sun emerges from behind Earth, forming a brilliant ring of light in the lunar sky….

(14) A LIGHTER FORM OF DARK MATTER. Hey, I’m not making this up! “Mysterious phenomenon at center of galaxy could reveal new kind of dark matter” at Phys.org.

A mysterious phenomenon at the centre of our galaxy could be the result of a different type of dark matter.

Dark matter, the mysterious form of unobserved matter which could make up 85% of the mass of the known universe, is one of science’s biggest manhunts.

In this first of its kind study, scientists have taken a step closer to understanding the elusive mystery matter. They believe a reimagined candidate for dark matter could be behind unexplained chemical reactions taking place in the Milky Way…

Dr. Shyam Balaji, Postdoctoral Research Fellow at King’s College London and one of the lead authors of the study explains, “At the centre of our galaxy sit huge clouds of positively charged hydrogen, a mystery to scientists for decades because normally the gas is neutral. So, what is supplying enough energy to knock the negatively charged electrons out of them?

“The energy signatures radiating from this part of our galaxy suggest that there is a constant, roiling source of energy doing just that, and our data says it might come from a much lighter form of dark matter than current models consider.”

Primary research: Pedro De la Torre Luque et al, (2025) Anomalous Ionization in the Central Molecular Zone by Sub-GeV Dark Matter, Physical Review Letters, vol. 134, 101001 

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Around tea time, about 65 million years ago, a large pebble hit the Earth, wiping out many birds with a single stone.  (I really have never forgiven the dinosaurs for what they did to Raquel Welch.) Recently there has been news of asteroid 2024 YR4 possibly hitting Earth in 2032.  It now looks like it will be a near miss, but what other dangers are there out there?  Keep watching the skies….  Over at PBS Space Time Matt O’Dowd looks at the chaotic Solar system that otherwise might puzzle Bruce Willis…

Giant space rocks are definitely going to hit the Earth again. We actually do know how to deflect them, but only if we find them and correctly assess their risk. But the solar system is a chaotic place. How is it even possible to tell if a space rock will one day collide with the Earth?

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Oscar Dunham, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/29/24 It’s File O’Clock When The Whistle Scrolls

(1) TIN TYPES. G.W. Thomas is back with “More Golden Age Robots II” at Dark Worlds Quarterly.

The Golden Age was truly the golden age of robot comics. The reason for this was the World’s Fair of 1939. The robot made a splash that year that reverberated through out all media. The comics more so than anyone. They threw out all kinds of tin-plated beings, some good, some bad. Since most comics in 1939 were based on the old reprint magazines, they all had multiple characters covering a variety of tropes: the jungle comic, the Western comic, the nautical comic, etc. Robot characters were a thing after 1939. Marvel tried out a bunch of them with Flexo the Rubber Man this time around. Eventually they would settle on Robotman. Doc Savage Comics tried Trix but only the one time. Any number of superheroes faced off against the metal menaces with the Marvel Family, Wonder Woman, Captain Midnight, etc. For DC, it was the anthology comic Strange Adventures with numerous tales by Otto Binder, that creator of Adam Link, at it again. (It would be fun to do a round-up post on all of Otto’s robot comics. The list is long.)

Just a reminder, this post only features “tin robots” of around human size. For giant robots, go here. I have tried to list the authors where possible but the Golden Age was a time when such credits were often forgotten or ignored….

(2) JOYFUL CONVERSATION. “Alan Bradley and Olivia Rutigliano talk about creating characters, the joys of writing, and if Sherlock Holmes was a woman” at CrimeReads.

OR: I was wondering if you wanted to talk a bit about Sherlock Holmes and your relationship to that character. I know you wrote a fascinating, study of Sherlock Holmes previously, interrogating him as, you know, in the, “was Watson a woman? fashion.

AB: I’ve been fortunate enough to have read the Sherlock Holmes when I was very young. I had kind of a sickly childhood, and I had an uncle who brought me old English boys annuals like Chums and Boys Own Annual. And they were full of serials about the wilds of Canada, the Northwest Mountain Police and grizzly bears and all that kind of stuff. But at the same time, he also brought me his two volume set of the complete Sherlock Holmes books, and I read those. I became a Holmes fan and over the years. I can still remember where I was in Toronto when I discovered the two volume edition of the Sherlock Holmes annotated by Baron Gould. I mean, heaven!

So, I had a very dear colleague, Dr. Bill Sargent, who was, as Conan Doyle would have said, a world famous geologist. He was, he was like Dr. Challenger. He could have been Dr. Challenger, and he could have played him in a movie. And Bill was a great authority, not only on, Sherlock Holmes and folk singing and geology and many other things. And it was he who phoned me one day and he said, “I couldn’t sleep last night it came to me that Rex Stout was chastised for writing about how Watson was a woman and I’d been thinking about it all night. And it wasn’t Watson that was a woman, it was Holmes.” So he said “what do you think about that?”

And he said the next day that my response was, “tell me more.” And so we spent 10 years writing that book. It took a long time because we were both always busy and it was very difficult to get time together. But we did. We had a lot of fun….

(3) TCHAIKOVSKY’S SECOND. Bonnie McDaniel has good things to say about an Adrian Tchaikovsky novel in “Review: Alien Clay” at Red Headed Femme.

Adrian Tchaikovsky is incredibly prolific; this is his second book released this year (the other I’ve read is Service Model ) and there’s one more I have to track down. He has written some of my favorite science fiction of the past few years, including the excellent Final Architecture trilogy.

This book, following the whimsy and small-scale stakes (but still quite good) of Service Model, returns to his usual modus operandi of big stakes and world-altering ideas. If that’s the kind of SF you go for, this book should be right up your alley. It’s also stuffed full of fascinating alien biology, and the author’s version of the so-called “Gaia hypothesis”–what if there was a world-mind (an alien one in this case, not Earth)? What would that look like, how would it have evolved, and how would it behave?

Most importantly, how would humans fit into it?…

(4) KIDSCREEN AWARDS 2025. “Kidscreen Awards Announce Animation Finalists for 2025 Event”Animation Magazine has the list of categories with animated nominees. See them at the link.

The 2025 Kidscreen Awards have announced the shortlisted entries that are moving on to a final round of judging in this year’s global awards program celebrating excellence in children’s entertainment. In addition to the nine animated series vying in dedicated categories, animation runs throughout the list of finalists for juries to consider….

…All winners will be announced at an awards ceremony taking place on Tuesday, February 11 during Kidscreen Summit 2025 in San Diego.

(5) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Miracle on 34th Street (1947)

Yes, let’s have a feel-good film, one of Mike’s favorites as it turns out. It’s set between Thanksgiving and Christmas so it is appropriate to tell about now, and I will. I like to as it is indeed a very upbeat movie.

Seventy-seven years ago, Miracle on 34th Street was initially released as The Big Heart across the pond, written and directed by George Seaton and based on a story by Valentine Davies. Seaton did uncredited work on A Night at the Opera, and Davies would later be nominated for an Academy Award for Best Original Screenplay for The Glenn Miller Story, a most stellar film.

SNOWFLAKES ARE FALLING, AND ODDLY ENOUGH, THEY CONTAIN STICKY SPOILERS. REALLY, THEY DO. THERE’S EGGNOG WITH AND WITHOUT RUM OVER THERE… AND COOKIES AS WELL. 

Kris Kringle, no I did not make his name up, is pissed off that Santa in the Macy’s Thanksgiving Day Parade went missing because he was drunk. 

(I know that The Twilight Zone did this later. It’s “The Night of The Meek” in which the drunk Santa Claus Henry Corwin is fired from his department store on Christmas Eve, and he finds a mysterious bag that gives out presents and fulfills his true destiny.) 

When he complains to event director Doris Walker, she persuades him to take his place. He does so well that he is hired to play Santa at Macy’s on 34th Street.

Most of the film is about faith. In this case believing that Kris Kringle is really Santa Claus — or not. Or that in a larger sense that individuals believe in him. The Judge rules that both are true and this Kris Kringle is not confined to Bellevue Hospital as certain parties were eager to do. 

ANYONE FOR GINGERBREAD HOT FROM THE OVEN? IT GOES GOOD WITH THAT EGGNOG TOO. 

Everyone including the most curmudgeonly of critics loved it. Certainly, the most excellent primary cast of Maureen O’Hara as Doris Walker, John Payne as Fred Gailey, and Edmund Gwenn as Kris Kringle charmed everyone. Well almost everyone as you’ll see below. 

It was shot on location in New York City, with the Macy’s Thanksgiving Day Parade sequences filmed live while the 1946 parade was happening. The rest of it was set during the Christmas season but the Studio insisted on a May premiere as that they thought was when Americans went to see films. 

The Christmas window displays seen in the film have a very interesting history. They were first made by Steiff for Macy’s. Macy’s then sold the window displays to FAO Schwarz in New York and they in turn sold the windows to the BMO Harris Bank of Milwaukee where they are on display every December in the bank’s lobby on North Water Street. 

It was remade with same name in 1994. Due to Macy’s refusal to give permission to use its name, it was replaced by the fictitious Cole’s. Why so? “We feel the original stands on its own and could not be improved upon,” said Laura Melillo, a Macy’s spokeswoman in a Los Angeles Times piece on the film. Or as the LA Times writer put it on the refusal on Macy’s to allow the use of their name, “The Grinch also came early for John Hughes, whose Hughes Entertainment is producing the movie.” 

Two final notes. 

One group didn’t like it. The Catholic Legion of Decency found it “morally objectionable” largely due to the fact that O’Hara portrayed a divorcée here. 

Yes, the Suck Fairy is hanging around drinking the nog, the one well boozed, and I asked her what she thought about it. She’s not fond of the remake but thinks the original is quite splendid. She remembers Macy’s then and watched it being filmed. No, not there as the principal photography was elsewhere.  

Alas it’s streaming only on Disney+ this year. 

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 29, 1898C.S. Lewis. (Died 1963.)

My first encounter with Lewis’ work was, predictably, with The Lion, the Witch and the Wardrobe. It happened to be the animated miniseries from the late 1970’s. It was intriguing enough that I wanted to read the actual book, and so I did. The set of Narnia books I wound up was the old order of the series, that started with Lion, and *ended* with The Magician’s Nephew. The overt Christian symbolism didn’t dismay me, although i was awfully confused by Santa Claus. And when I tried it years later…Turkish Delight turned out to taste of…disappointment. And don’t get me started on the fate of Susan in The Last Battle.

So it goes.

C. S. Lewis

I think that for the strength of Narnia (parts of which I think have aged really badly and not well), his Space trilogy is much more my speed and might hold up better in some ways. I first read that about a decade after Narnia, in the early 1990s, as an adult. The extremely odd cosmology and mythology of the Solar System in the series attracted me for its weirdness, and when I later read A Voyage to Arcturus by David Lindsay and found out Lewis had been inspired by it, that felt like a keystone for the series I had read years before. This is what he had been going for, and to certain degrees, achieved. A vast and complicated theology, teleology and mythology just like Lindsay’s work, but on an even greater scale. I owe myself a re-read of the series and see how it hits me, today.

But my favorite C.S. Lewis is one that doesn’t get the play the Narnia and Space series do, and that is the Screwtape Letters. In the spirit of Ambrose Bierce, the Screwtape Letters are from a senior to a junior devil on the best ways to corrupt God’s word and turn people to vice and power. It turns out that someone as outwardly and inwardly Christian as Lewis was is indeed the best person to write a Devil’s advice on corrupting a soul over a lifetime. (The fact that Screwtape and Wormwood ultimately *fail* is just Lewis being Lewis, the letters are very much worth reading even so.)

(7) TODAY’S BIRTHDAY, TOO.

[Written by JJ.]

Born November 29, 1918Madeleine L’Engle. (Died 2007.)

By JJ: I first encountered Madeleine L’Engle was not as a genre writer but through her more literary work in the form of her Katherine Forrester Vigneras series, A Small Rain and A Severed Wasp which tell the tale of a woman who’s a pianist, first in her teens and then when she’s in her seventies. Most decidedly worth reading.

Madeleine L’Engle

Then came the Time Quintet of A Wrinkle in TimeA Wind in the DoorA Swiftly Tilting Planet and Many Waters. Truly extraordinary novels. I see that A Wrinkle in Time won a Newberry Award which it richly deserved. 

I did not know until I was writing this up that there was a second series of four novels set a generation after these novels. Who’s read them?

There’s serious amounts of her writing that I’ve not touched upon as I’ve not read them, her in-depth Christian writings, her Children’s books, her non-fiction, her poetry and her more literature undertakings. Even a play was done by her. 

I did see the 2003 four miniseries version of A Wrinkle in Time that Disney did, and I share what L’Engle told Time: “I have glimpsed it. I expected it to be bad, and it is.”  And we will not talk about the Disney 2018 A Wrinkle in Time film as polite company doesn’t do that. 

She would receive a World Fantasy Award for Lifetime Achievement. 

(8) COMICS SECTION.

  • Yaffle has undead teen complaints.
  • Bizarro has pottery poetry.
  • Carpe Diem plans a goth settlement.
  • Tom Gauld looks into some strange research.

My latest cartoon for @newscientist.bsky.social

Tom Gauld (@tomgauld.bsky.social) 2024-11-25T16:57:43.047Z

(9) LOOKING FOR ALIENS. [Item by Steven French.] Atlas Obscura’s List of Ten Places to Look for Evidence of Extraterrestrial Activity (or where people believe such activity took place!): “Unexplained Mysteries”.

…Depending on how you look at it, it’s either a terrifying or strangely comforting thought to believe that we’re not alone in the universe. Humans have been staring up at the heavens in search of otherworldly foes and friends for as long as anyone can remember.

But what if evidence of extraterrestrial activity were already right here on Earth? From mysterious petroglyphs depicting what appears to be a flying saucer in Nevada to drawings stretching 200 miles in Peru, there are all sorts of sites where aliens allegedly connected with humans. Of course, there are plenty of landmarks created by alien-obsessed humans to match, from a landing pad for spaceships in Argentina to the notorious highway leading to Area 51….

One example:

Rendlesham Forest UFO Landing, England

Often billed as the “British Roswell,” the Rendlesham Forest incident was an alleged UFO encounter said to have taken place at this Suffolk site in December 1980. At the time, the location was a short distance from an American Air Force base, and the alien spacecraft was supposedly witnessed by a number of military personnel. Nowadays, Rendlesham Forest is a picturesque woodland popular with families. The walk from the parking lot and visitor center to the UFO “landing” site is very pleasant, around three to four miles round trip. To avoid any confusion about the location of the event, someone has kindly placed a replica of the sighted spacecraft at the spot

(10) BAD GUYS DOUBLES DOWN. “Watch: DreamWorks’ Super Cool Con-Animals are Back in New ‘Bad Guys 2’ Trailer”: Animation Magazine sets the scene.

There’s no such a thing as one last heist! DreamWorks’ animated band of hilarious thieves will be back to their old ways in this summer’s much-anticipated sequel The Bad Guys 2. The studio just released a new trailer and beautiful poster for the movie, which will be directed by the first movie’s helmer Pierre Perifel and co-director JP Sans (head of animation on the first outing), based on the best-selling book series by Aaron Blabey.

In the snappy new trailer, we find out that Mr. Wolf (Sam Rockwell) and the gang are in urgent need of some cash, and that’s when they meet with a new crew of aspiring villains known as The Bad Girls, and before you can say “they’re pulling me back in!” they are involved in a bigger heister. Meanwhile, Mr.  Snake (Marc Meron) seems to have fallen for one of the Bad Girls….

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, JJ, Paul Weimer, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/23/24 Slartibartleby, The Pixeler

(1) RETRO HUGOS IN THE REAR VIEW MIRROR? “’The Conclusion of the Retro Hugo Era’ – A Glasgow 2024 panel and my thoughts” at A Deep Look by Dave Hook.

The Short: I moderated a panel at Glasgow 2024, A Worldcon for our Futures, titled “The Conclusion of the Retro Hugo Era” on Saturday evening, August 10, 2024. We had a good discussion of the Retro Hugo Awards, warts and all. The title turned out to be prescient; the next day, the WSFS Business Meeting voted in favor of Constitutional Amendment F.19 (No More Retros), which will be up for ratification at Seattle 2025, Building Yesterday’s Futures–For Everyone. More thoughts below.

The Long: I was selected to moderate a panel at Glasgow 2024, A Worldcon for our Futures, titled “The Conclusion of the Retro Hugo Era” on Saturday evening, August 10.

I had applied to be on the panel because I love the Retro Hugo Awards and have loved doing the reading and voting for them, even though I came to have some serious reservations.

I had voted for the the 1944 (43) Retro Hugos in 2019, and the 1945 (44) Retro Hugos in 2020. Paul Fraser at www.sfmagazines.com was especially helpful in gathering and sharing resources that I used for these. I served on several panels for the 1946 Project (and several that were not) at Chicon 8 Worldcon in 2022 that focused on works that could have been nominated if there had been a 1947 (46) Retro Hugo held that year.

Former Hugo finalist Trish E. Matson, Fan Guest of Honor Mark Plummer, Perriane Lurie and Hugo Award winner Cora Buhlert joined me on this panel….

(2) COLLISION COURSE. [Item by Mike Kennedy.] No appeal has yet been made by the Internet Archive to the Supreme Court in their copyright case with Hachetteet al. But if they do appeal, the case could see a fascinating intersection with one of the hottest topics in American politics—to wit, The Supremes v. Ethics. “How A Copyright Case Is Shining A Spotlight On SCOTUS Ethics Issues” at Huffpost.

Six out of the high court’s nine justices have published books with the publishers involved in the case. Justices Sonia Sotomayor, Neil Gorsuch, Amy Coney Barrett and Ketanji Brown Jackson have all published books or signed book deals with Penguin Random House. HarperCollins has published books by justices Clarence Thomas and Gorsuch. And Justice Brett Kavanaugh is signed to a book deal with Hachette. (None of the publishers responded to requests for comment.)

The case involves a digital lending library operated by the nonprofit Internet Archive that it expanded during the early days of the COVID-19 pandemic. The publishers challenged the archive’s practice of copying and lending out digital copies of library books with no limit, through what the archive calls its National Emergency Library, as a violation of copyright that threatens authors’ earnings. A district court and the appeals court both ruled in favor of the publishers, finding that the archive’s digital lending practices violated copyright law.

The Internet Archive has not appealed to the Supreme Court yet. A spokesperson for the Internet Archive told HuffPost the nonprofit is still reviewing the appeals court decision. But if the case were to reach the high court, it would raise serious questions about the self-enforcement of conflict of interest rules by the individual justices at a time when the court has been embroiled in ethics controversies, particularly around Thomas’ receipt of gifts from friends and wealthy conservative benefactors….

(3) BOOK BANNING ACCELERATES. The New York Times studies how “New State Laws Are Fueling a Surge in Book Bans”.

States and local governments are banning books at rates far higher than before the pandemic, according to preliminary data released by two advocacy groups on Monday.

Books have been challenged and removed from schools and libraries for decades, but around 2021, these instances began to skyrocket, fanned by a network of conservative groups and the spread on social media of lists of titles some considered objectionable.

Free speech advocates who track this issue say that in the past year, newly implemented state legislation has been a significant driver of challenges.

PEN America, a free speech group that gathers information on banning from school board meetings, school districts, local media reports and other sources, said that over 10,000 books were removed, at least temporarily, from public schools in the 2023-24 school year. That’s almost three times as many removals as during the school year before.

About 8,000 of those bans came just from Florida and Iowa, where newly implemented state laws led to large numbers of books being removed from the shelves while they were assessed.

Lawmakers and those who describe themselves as parental rights advocates favor restricting access to certain books because they don’t believe children should stumble upon sensitive topics while alone in the library, or without guidance from their parents. Many think that some books that have traditionally been embraced in school libraries are inappropriate for minors, including, for example, “The Bluest Eye,” by Toni Morrison, which includes references to rape and incest.

The law in Iowa, which went into effect in 2023, prohibits any material that depicts sexual acts from all K-12 schools, with the exception of religious texts. It also limits instruction about gender and sexual orientation until seventh grade. In Florida, a law that took effect before the 2023-24 school year said that any book challenged for “sexual conduct” must be removed while it is reviewed….

(4) THE MINISTRY OF TIME. Coincidentally I just finished reading this novel yesterday, and agree it deserves high praise. “Review: The Ministry of Time, by Kaliane Bradley” by Rich Horton at Strange at Ecbatan. Beware spoilers aplenty, however.

…If at first it reads like a convenient use of the time travel device to tell a love story, and a story about the experience of expatriates (either in time or space), with some cli fi mixed in, by the end it’s all of those things plus a book that gloriously and whole-hearted buys into the strangeness and paradoxes of time travel. There is a wild twist at the end, which I only guessed half of in advance. The love story is beautifully handled. The depiction of near future life is fraught and believable. The examination of the expat experience, the depiction of the horrors of the Franklin Expedition, and the intricate plot are very well done….

(5) DIALING BACK. Colleen Doran reveals some personal issues here – “In Which the Artist Chronicles Life With OCD: The Cognitive Behavioral Therapy That is My Art” at Colleen Doran’s Funny Business — ultimately to explain why she now spends little time looking at social media.

I suppose it’s no surprise for me to admit right here in print I’ve had a lifelong problem with OCD. Not as in, “I’m a little OCD because I like a well organized pantry,” but the kind of OCD that sees you spending hours a day doing something repetitively and it kind of ruins your life in small bites of hell.

I posted a snippet of this previously private essay here a short time ago, but here’s the whole lightly edited enchilada from May 2020.

OCD morphs. When I was a kid, it was one set of habits, then it became another set of habits, which I’m not going to belabor, because they’re all weird and embarrassing. 

Early on I knew nothing about what was happening because who had ever heard of it, and no internet. I assumed it was a willpower issue, and  trained myself to turn my nervous energy into something productive, like channeling that prickly power into drawing comics.

I had no idea that this is a foundation of cognitive behavioral therapy, so go me….

(6) GRRM Q&A. Daniel Roman interviewed GRRM while they were both in Glasgow for the Worldcon. “The George R.R. Martin interview: On fandom, writing, and his work beyond Westeros” at Winter Is Coming. Roman obligingly avoided areas that would be de rigeur for a journalist: “There were a few topics we agreed ahead of time to steer clear of, like Martin’s long-awaited sixth Song of Ice and Fire novel The Winds of Winter, or the HBO shows Game of Thrones and House of the Dragon.”

WiC: Yeah, I went to Discon in Washington D.C. in 2021. That’s the only other one I’ve been to so far.

GRRM: Well, they’re very big these days and they have multi-tracks of programming. Those early Worldcons had one track of programming, and they had panels. And there was a room where a panel was, the panel would have four or five people on it, but they certainly weren’t inviting guys like me who had published four stories, you know? Every panel was all big names. So I would go to a panel, it’d be Isaac Asimov, and talking to Frederick Pohl, and talking to Harlan Ellison, and you know, then there would be another panel…but no one was asking me to be on a panel yet. You had to pay your dues in those days, and little by little, I did pay my dues. I actually [chuckles], as I said, I won the Hugo in ’75…it still didn’t get me on any panels. The first time I was put on a panel was ’77. But they were great opportunities to see friends, to make professional contacts, and once I started getting on panels and doing autographings, to promote myself.

(7) IS THIS HEAVEN? NO, IT’S IOWA. CrimeReads looks back to the Seventies and the challenge of “Bringing Nicholas Meyer’s The Seven-Per-Cent Solution to the Big Screen”. Novelist Meyer also wrote the screenplay.

…Meyer has a special talent as an adaptor of other people’s work, but quickly learned that it isn’t as easy when the material you are adapting is your own. “The Seven-Per-Cent Solution was relatively early in my career,” he observes, “and it was me working with my own material. I’ve listened to many authors talking about adapting their own material, and they have a great deal of difficulty in being ruthless. It happens with directors too. You can have a shot you really love, and it was very hard to get . . . it’s a beautiful shot. But if you discover it doesn’t belong in the movie, you have to accept that it has to go.”

Meyer’s early inclination to wordiness wasn’t because he began his career as a novelist, but instead is due to his time in college at the University of Iowa. “I was a theater major, and so I started out with a sort of stage orientation. That means dialogue. As a beginning screenwriter, I started out writing tons of dialogue because I thought it was like a play. But in screenwriting imagery dominates dialogue, and if it’s too talky it doesn’t feel cinematic. You have to be ruthless. I have learned since that time to write very, very spare stuff . . . descriptions, dialogue, everything. It is just the bare minimum of what you need. Certainly with my own stuff, I never had the feeling that it was so wonderful that it was incapable of improvement.”…

(8) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born September 23, 1971 Rebecca Roanhorse, 53. Entering the field with a roar, Rebecca Roanhorse’s first published sff story “Welcome to Your Authentic Indian ExperienceTM” (Apex Aug 2017) won both the Hugo and Nebula, and helped her win the Astounding Award for best new writer in 2018.

Rebecca Roanhorse

She has written two novels in the Star Wars universe, Resistance Reborn (2019) and Dark Vengeance (2020). However, she’s best known for being what Science Fiction Encyclopedia’s John Clute describes as “an advocate of the concept of Indigenous Futurism”, exemplified by her novels Trail of Lightning and Black Sun (both Hugo and Nebula finalists; the latter an Ignyte winner), and Storm of Locusts, and her short story “A Brief Lesson in Native American Astronomy” (also an Ignyte-winner).  

Black Sun and Fevered Star are part of the Between Earth and Sky series, joined this summer by a third book, Mirrored Heavens.

(9) COMICS SECTION.

  • Bizarro lists some nearly supers.
  • Carpe Diem is having a bad day.
  • Breaking Cat News for September 22 was missing on a few sites. And now we know why – it crossed several genres!
  • Wizard of Id complains about pet people.
  • Tom Gauld overhears a wistful voice.

(10) ‘BOLTS TRAILER. Is this news to us? It came out in May. “’Thunderbolts’ Trailer: Marvel Recruits Florence Pugh, Sebastian Stan” in Variety.

…In the upcoming superhero pic, starring “Captain America” mainstay Sebastian Stan and “Black Widow” cast members Florence Pugh and David Harbour, reformed Marvel villains are forced to team up to conduct covert operations on behalf of the U.S. government.

“Everyone here has done bad things,” Pugh says in the trailer, brought face to face with the rest of the team. “Shadow ops, robbing government labs, contract kills. … Someone wants us gone.”…

(11) CASH THAT GLOWS IN THE DARK. The Royal Canadian Mint has struck a 1 oz. Pure Silver Glow-in-the-Dark Coin commemorating “Canada’s Unexplained Phenomena: The Langenburg Event”.

A 50-year-old story of UFOs at a farm near Langenburg, Sask. — a town 220 kilometres east of Regina — is being celebrated by Canada Post and the Canadian Royal Mint with a new coin.

The story of the UFOs and the five crop circles from 1974 have prompted Canada Post and the Royal Canadian Mint to issue a coin that commemorates the event. “The Langenburg Event” coin is the seventh in the Canada’s Unexplained Phenomena series.

The coin is one ounce of pure silver, glows in the dark, and can be purchased online for C$140.

Coin #7 brings you a close encounter of the second kind.

Some crop circles are harder to dismiss… and that’s what makes Saskatchewan’s most famous UFO/UAP incident so intriguing! Viewed from the witness’s perspective, the Langenburg Event is the seventh unusual encounter re-told as part of our popular Canada’s Unexplained Phenomena series of coins.

On the morning of September 1ˢᵗ, 1974, a farmer was swathing his fields near the town of Langenburg, Saskatchewan, when he noticed five highly polished, steel-like objects at the edge of a slough. Upon closer look, he noticed these unusual saucer-shaped objects were rotating rapidly and hovering just above the ground. He continued to observe them until they suddenly rose up, emitting a strange vapour as they silently disappeared into the sky. But the objects hadn’t vanished without a trace; according to the RCMP incident report, they left behind “five different distinct circles, caused by something exerting what had to be heavy air or exhaust pressure over the highgrass,” which was curious enough to warrant serious attention both locally and worldwide.  

… A blacklight flashlight (included) activates the glowing colour effect on your coin’s reverse, which presents a view of the five mysterious objects described by the eyewitness. When the blacklight paint technology is activated, these objects are seen emitting an eerie glow as they fly away, leaving radioactive circular patterns in the field below.

An image of King Charles in profile is on the back, which if you think of it as a disembodied head probably helps the theme along.

(12) SOUND TRACK FOR THE SPANISH DRACULA. The LA Opera invites audiences to relive Hollywood’s Golden Age with a rediscovered classic film at the historic United Theater: “LA Opera Spanish Dracula with Live Orchestra”. Daily performances October 25-27.

While Bela Lugosi was vamping it up in front of the cameras by day, a night crew shot an alternate version of Dracula in Spanish — same sets, same story, new cast. This second incarnation of the classic, starring  Carlos Villarías, was largely forgotten until a recent renaissance, and many now hail it as the superior version.

See it on the big screen (with English subtitles) as Resident Conductor Lina González-Granados leads the LA Opera Orchestra in a live performance of a new LAO-commissioned score by Academy Award-winning composer Gustavo Santaolalla (The Last of Us, Brokeback Mountain), who’ll also star as a featured performer.

(13) YUCKTASTIC. Beware! The Disgusting Food Museum tries to live up to its name!

Food is so much more than sustenance. Curious foods from exotic cultures have always fascinated us. Unfamiliar foods can be delicious, or they can be more of an acquired taste. While cultural differences often separate us and create boundaries, food can also connect us. Sharing a meal is the best way to turn strangers into friends.

The evolutionary function of disgust is to help us avoid disease and unsafe food. Disgust is one of the six fundamental human emotions. While the emotion is universal, the foods that we find disgusting are not. What is delicious to one person can be revolting to another. Disgusting Food Museum invites visitors to explore the world of food and challenge their notions of what is and what isn’t edible. Could changing our ideas of disgust help us embrace the environmentally sustainable foods of the future?

The exhibit has 80 of the world’s most disgusting foods. Adventurous visitors will appreciate the opportunity to smell and taste some of these notorious foods. Do you dare smell the world’s stinkiest cheese? Or taste sweets made with metal cleansing chemicals?…

For example, there are these “Disgusting Christmas Foods”. Here’s one of the tamer examples on the list.

Christmas Tinner

… a more modern type of craziness – the video game retailer GAME in the UK sells Christmas Tinner every year, a full Christmas dinner in a can. They started selling them in 2013 and has now added a vegan and a vegetarian option.

The Christmas Tinner layer list in full:

Layer one – Scrambled egg and bacon
Layer two – Two mince pies
Layer three – Turkey and potatoes
Layer four – Gravy
Layer five – Bread sauce
Layer six – Cranberry sauce
Layer seven – Brussel sprouts with stuffing – or broccoli with stuffing
Layer eight – Roast carrots and parsnips
Layer nine – Christmas pudding

The tin will run you £2, but sadly it’s currently out of stock.

(14) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] I remember the Larry Niven ‘Known Space’ story “Neutron Star” in which a spaceship with an impervious hull came too close to a neutron star and nobody knew why the crew inside were smeared across the inner hull…

And then there was the Arthur Clarke mini-short in a similar vein, “Neutron Tide” in which a battle cruiser did something similar and all that was left was a ‘star mangled spanner’.

What larks.

But what of the real thing?

Matt O’Dowd over at  PBS Space Time looks at a black hole’s tidal properties.   

If you track the motion of individual stars in the ultra-dense star cluster at the very center of the Milky Way you’ll see that they swing in sharp orbits around some vast but invisible mass—that’s the Sagittarius A* supermassive black hole. These are perilous orbits, and sometimes a star wanders just a little too close to that lurking monster, leading to its utter destruction in the spectacular phenomenon known as a tidal disruption event. We’ve never seen a TDE in the Milky Way, but we’ve seen them in distant galaxies—and we now know how to spot stellar destructions so extreme that they reveal properties of the black hole itself.

Over a quarter million views since Friday.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Cath Jackel, Darien, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/25/24 Why Scroll Around Half Dead When We Can File You For Only 22 Pixels?

(1) THE EDITOR’S LIFE. Penmen Review has a two-part transcript of a panel about “The Role of the Editor in Publishing” with editors Ellen Datlow and Joe Monti, and copyeditor Deanna Hoak.  

Ellen Datlow: Well, I mean, short fiction is very different in getting into. It’s always been difficult, and I think it still is, but there are so many people starting new magazines. It’s hard to make a living out of writing short fiction and editing. There aren’t that many magazines that pay their editors or publishers, like F&SF, the four Dell Magazines: Ellery Queen, Alfred Hitchcock, Analog, and Asimov’s. Most of the others are started by people who are scrambling to make a living out of it, like Neil Clarke and the Thomases. It’s very hard. And the way to get into anything is to read slush, whether it’s novels or short stories, if you can get a job or an internship. You often don’t get paid to do that, but it’s experience, and you make connections and contact anyone you ever heard of.  

One thing I learned very early is that if someone—a book editor or a major editor or publisher or anybody else—says “There’s no job, but I can talk if you’d like to come in,” always say yes. If anyone professional offers to have a drink with you, coffee with you, just talk with you in their office, say yes, because they may know some other job available, and they’ll give you insight into the whole publishing industry. It goes back to the connections and networking aspect of the whole thing. You have to put yourself out there.  

Part II is here: “Professional Editors Discuss Self-Publishing, Networking and More”

W4W: We’re going to try to pull some questions out of the chat. How fast do you need to be able to edit?  …

Deanna Hoak: I’m paid by the hour, but you’re expected to do more and more within that hour. When I first started out in copy editing, the standard was that you were expected to edit about 2,500 words per hour, say ten manuscript pages an hour. But now companies are expecting more and more. I know there is one publisher that wants 17 pages an hour done.  

As a copy editor, I read every manuscript at least twice, and I read sections of it more than that, because if I don’t read it at least twice, I will miss some of the plot holes. Plus, you’re fact checking. You’re going back and forth. You’re doing a lot of stuff. Seventeen pages an hour – it just doesn’t work for me. I end up not taking very many projects for the companies that want me to do that.  

Joe Monti: I keep it all in my head as I go along. It’s terrible. So I’m a slow reader, but it’s because I read and ingest it and keep it all going in my head at the same time. I may make little comments on the side throughout the manuscript. But yeah, I keep it all in my head, and then keep going. And then there’s a flow that happens. It’s very much a bell curve. Maybe 15, 20 pages the first hour. And then by like hour two or three, I’m going to 40, 60 pages an hour.  

But it depends on the book. And sometimes I have little to no editing. I have done almost no editing on Ken Liu‘s quartet of fantasy novels. And if you’re not familiar, the last two were 367,000 words, so it was split in two. That one we cut the ends off and beginnings. But other than that, I didn’t edit almost anything in it. Yet it took me two months because I was reading it and making sure it all fit. And everything fit perfectly. But Ken’s a rare genius, and he’s worked meticulously on his craft. One of the reasons why we work well together is that I know he knows that I trust him, and I get him. This is a lot of the creative part of it–I get your voice.  

(2) ONE BILLION SERVED. In “Yes, People Do Buy Books”, Lincoln Michel rebuts the claims in Elle Griffin’s “No one buys boks” (recently linked in the Scroll). 

… How many books are sold in the United States? The only tracker we have is BookScan, which logs point of sale—i.e., customer purchases at stores, websites, etc.—for most of the market. BookScan counted 767 million print sales in 2023. BookScan claims to cover 85% of print sales, although many in publishing think it’s much less. It does not capture all store sales, any library sales, most festival and reading sales, etc. (Almost every author will tell you their royalty reports show significantly more sales than BookScan captures. Sometimes by orders of magnitude.)

Still, I’ll be very conservative and assume 85% is correct. This means around 900 million print books sold to customers each year. Add in ebooks and the quickly growing audiobook market, and the total number of books sold over 1 billion. Again, this is the conservative estimate….

(3) DEDUCING THE SATISFACTIONS OF SHERLOCK. “Nicholas Meyer on the Great Escape of Art (and the Art of Detective Fiction)” at CrimeReads.

…I write Sherlock Holmes stories for the same reason I read them, to divert my attention from the terrifying issues that plague the rest of my waking hours—Ukraine, Gaza, drought, famine, wildfires, limits on voting rights, Fox News and anti-vaxxers.

But for a few hours, when I read or write Sherlock Holmes stories, I am transported to what appears to be a simpler world, where a creature of superhuman intelligence, nobility, compassion and yes, frailty, can make sense of it all. Was the Victorian world in fact simpler than this one? We’ve no way of knowing, but like an audience willing itself to believe that the magic trick is really magic, we are conniving accomplices to our own beguilement….

(4) JIM HENSON DOCUMENTARY. Animation Magazine is there when “Disney+ Debuts ‘Jim Henson Idea Man’ Official Trailer”.

… Directed by Academy Award winner Ron Howard, Jim Henson Idea Man chronicles the story of extraordinary artist and visionary Jim Henson. In his 36-year career, Henson created some of the world’s most cherished characters, including classic Muppets like Kermit the Frog and Miss Piggy and all of Sesame Street’s iconic residents, including Big Bird, Grover, Cookie Monster and Bert and Ernie. Henson also directed beloved fantasy films like The Dark Crystal and Labyrinth….

(5) HUGO 24. Camestros Felapton is reviewing the 2024 Hugo finalists. The latest entry is “Hugo 24: The Saint of Bright Doors by Vajra Chandrasekera”.

…Fetter, the central character of The Saint of Bright Doors is more keenly aware of the dislocation of both time and geography than most. He has some of the qualities of a Peter Pan, unattached from his shadow and with a loose relationship with gravity. Raised in a remote rural village by his mother to be an assassin, he has turned his back on that destiny and instead lives in the modern world of email, crowd-funding, run-down apartments and light-rail transit.

Fetter lives in the present or rather he doesn’t live there at all. Science fiction and fantasy have their fair share of unreliable narrators but Fetter lives in a world of unreliable world-building….

(6) TEDDY HARVIA CARTOON.

(7) FATHOM LORD OF THE RINGS EVENT. Via Robin Anne Reid we learn that Fathom Events will reprise The Lord of the Rings Trilogy on June 8, 9 and 10 in certain U.S. theaters. Tickets available at the link.

Warner Bros. and Fathom Events are teaming up to release Jackson’s magnum opus in extended versions, including those Jackson remastered for the 4K Ultra HD rerelease that came out in 2020. This will be the first chance for fans to see the purest iteration of Jackson’s vision on the big screen, however.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 25, 1969 Gina Torres, 55. Where shall I start with Gina Torres?  What was her best role? I submit it was a non-genre role as Jessica Pearson in the legal drama Suits and Pearson, the sort of sequel series where she was a disbarred attorney. It was a truly meaningful role that she got to grow into over the time the two series ran.

Gina Torres in 2018.

Genre-wise her most interesting character was Zoë Alleyne Washburne in the Firefly series which I really would have loved to see developed into more a rounded character had the series lasted. I liked her background of having served in the Unification War under Reynolds for two-and-a-half years and being one of the few to survive the Battle of Serenity Valley. 

Before that she was down in New Zealand, where she appeared in Xena: Warrior Princess as Cleopatra in “The King of Assassins” , and in Hercules: The Legendary Journeys, she had a recurring role as Nebula. 

She was in the M.A.N.T.I.S. series as Dr. Amy.  I liked that series. 

She was the Big Bad in a season of Angel as Jasmine. It’s hard to explain what she did here without Major Spoilers being given away and there might be at least one least one reader here who hasn’t seen Angel yet. I actually think it’s a better series than Buffy was. 

Right after the Firefly series, she has a role in the Matrix films, The Matrix Reloaded and The Matrix Revolutions as Cas. 

After that came the Cleopatra series where she was Helen “Hel” Carter  (and which last longer than I thought at twenty-six episodes) , a great piece of pulpy SF. She was obviously having a lot of fun there.

One of my favorite roles for her strictly using her voice came in the animated Justice League: Crisis on Two Earths where she was the Crime Syndicate Siberia Woman. Stellar role done with just her voice.  She also voiced Vixen / McCabe on Justice League Unlimited. She was the girlfriend of John Stewart, the Green Lantern there. 

She voiced Ketsu Onyo on two of the animated Star Wars series, Star Wars Rebels and Star Wars Forces of Destiny. She’s a Mandalorian bounty hunter who helps the Rebel Alliance. 

She’s on Westworld in a storyline that that is so convoluted that I’m not sure that I could explain it. Suffice it to say that she was there. Or not. 

Lest I forget I should note that she had a recurring role on Alias as Anna Espinosa, an assassin who was the utterly ruthless and ceaselessly persistent nemesis of Sydney Bristow, the character that Jennifer Garner played. 

(9) COMICS SECTION.

(10) OCTOTHORPE. In episode 108 of the Octothorpe podcast, “Ramp is Not Ramp”, John Coxon, Alison Scott and Liz Batty look back at Eastercon.  

We bask in the post-Levitation haze, going into some detail on accessibility, venue, programme, virtual, social and other aspects of the most recent Eastercon. We also mix in a variety of witty and insightful commentary, probably.

A drawing of a blackboard with text that reads: “Octothorpe 108 guide to Glasgow street food.” A picture of a deep fried pizza with glasses is next to text reading ’The “Coxon” pizza crunch’, a picture of three pakora with glasses next to ‘The “Scott” haggis pakora’, and a picture of a deep fried Mars bar next to ‘The “Batty” deep fried Mars bar”. Stars also adorn the backboard, and bottles of red and brown sauce are in the bottom-left-hand corner.

(11) ABANDON HOPE. Inverse reasons that if Heritage Auctions is selling all the stuff needed to make more episodes of HBO’s Westworld, there’s no hope that will happen: “2 Years After It Was Canceled, HBO’s Most Divisive Sci-Fi Show Might Officially Be Dead”.

Westworld ran for four seasons on HBO, but was canceled shortly after its last season wrapped and was later booted from the streaming platform. Season 4 ended on a more or less satisfactory note, but both Nolan and Joy have expressed interest in finishing the story they started.

According to the creators, Westworld still needs one more season to wrap up the battle of wills between humans and hosts. In an interview with The Hollywood Reporter, however, Nolan suggested the story could continue in a different medium, like a graphic novel or even a movie. Either way, television production seems to be moving on for good, as Westworld’s costumes, props, and set pieces are about to be scattered to the winds.

Heritage Auctions is hosting a massive Westworld auction. The event features more than 230 pieces from the series…

(12) THE HILLS ARE ALIVE WITH THE SOUND OF MAGIC. Variety reports “Harry Potter Books Full-Cast Audiobooks to Be Exclusively on Audible”.

… Amazon’s Audible and Pottermore Publishing, the global digital publisher of Rowling’s Wizarding World, will co-produce a brand-new audiobook series for the original seven Harry Potter stories. The new audiobooks are scheduled to premiere in late 2025, with each of the seven English-language titles to be released sequentially for a global audience, exclusively on Audible.

The companies said the full-cast audio productions — with more than 100 actors — will “bring these iconic stories to life as never heard before.”…

(13) UNEXPECTED STUFF. “Oreo Has a First-Of-Its-Kind Cookie Hitting Shelves Soon” and Allrecipes is ready to blab what it is.

… Oreo and Sour Patch Kids have teamed up to create the first-ever sour Oreo cookie. No, the Sour Patch Kids aren’t playing a trick on you—this collab is very real.

The limited-edition Sour Patch Kids Oreos look like your classic Golden Oreo, but look again; Those mischievous gummy candies are actually in the cookie and creme. The Oreo cookie itself is Sour Patch Kids-flavored and dotted with colorful mix-ins. The sandwich creme is the classic Oreo creme filled with sour sugar pieces. Looks like this Oreo will also be sour, sweet, then gone…. 

(14) CHARGE IT! “Detroit debuts ‘road of the future’ with wireless electric vehicle charging”WBUR explains.

Drivers will buy 17 million electric vehicles this year, according to the International Energy Agency. That means one in five cars sold worldwide will be EVs.

That’s a lot of cars, and they need a lot of places to charge. Detroit is testing a new way to charge EVs that doesn’t require plugging cars in — just drive on the right strip of road and watch the battery fill up.

Here & Now’s Peter O’Dowd spoke with Bloomberg NEF analyst Ryan Fisher and Justine Johnson, chief mobility officer with the state of Michigan’s Office of Future Mobility and Electrification about the future of charging systems and EV sales….

“A vehicle will be connected to a smart road. Essentially the road has a wireless inductive charging coil inside of it and the vehicle is communicating with the actual coils underneath the road to receive their charge. So while a vehicle is driving, as long as it has the receiver underneath the vehicle, you charge and you drive at the same time maintaining your charge but also adding some charge range to that as well.”…

(15) TAU BELOW ZERO. Reported in today’s Nature: “Detectors deep in South Pole ice pin down elusive tau neutrino”. “Antarctic observatory gathers the first clear evidence of mysterious subatomic particles from space.”

An observatory at the South Pole has made the first solid detection of a type of elementary particle called the tau neutrino that came from outer space.

Neutrinos of all three known ‘flavours’ are notoriously elusive, but among them, the tau neutrino is the most elusive yet: it was first directly detected in the laboratory only in 2000.

At the IceCube Neutrino Observatory, detectors embedded throughout a cubic kilometre of the Antarctic ice sheet pick up flashes of light that signal the possible presence of a neutrino. When a tau neutrino hits the ice, it produces a particle called a tau lepton, which travels only a short way before decaying. The resulting signal is similar to that produced by an electron neutrino, whereas muon neutrinos produce muons, which leave long traces in the ice.

The IceCube Collaboration looked at IceCube data from 2011 to 2020, and used machine learning to distinguish between the signals of tau, electron and muon neutrinos. The collaborators found seven interactions that had a high probability of being produced by high-energy tau neutrinos.

Primary research here

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 4/16/24 Click For The Scroll Necessities, The Simple Scroll Necessities

(1) DATLOW Q&A. The Horror Writers Association blog checks in with one the genre’s all-stars: “NUTS & BOLTS: Interview With Ellen Datlow, Editor and Shaper of Multiple Genres”.

Q: What qualities must a story have to qualify as good horror in particular?

A: The things that any good story has plus the building of a sense of unease in the reader, the feeling that something is seriously wrong — dark and creepy and horrific. Horrible things are going to happen or are happening. I don’t expect stories to scare me, but I surely appreciate them making me feel extremely uncomfortable.

Q: What are some of your most common reasons for rejecting stories?

A: Bad writing, boring, tired plots. The words lying there like a dead fish.

(2) 2024 NEBULA CONFERENCE PRELIMINARY PROGRAMMING SCHEDULE HAS BEEN RELEASED. SFWA’s preliminary programming schedule for the 2024 Nebula Conference can be viewed here. The full schedule of events, including office hours and author meet-and-greets is yet to come.

Programming will begin on the 6th of June at 1:30pm PDT and conclude on the 9th of June at 11:30am PDT.

This professional development conference is for all authors and industry professionals within the science fiction, fantasy, and related genres and includes content geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling.

If you volunteered to speak on programming: Thank you! You may have received a programming assignment email–please review this email to accept your assignment. Some assignments, however, will arrive in later waves. If you have not received an assignment you are still being considered. Our programming team will send notifications to all speaking volunteers, including those who were not scheduled, when assignments are complete.

If you submitted a programming idea: We’re grateful for the hundreds of panel topics and suggestions submitted for the conference – if your submission was not scheduled for this conference weekend, we may still be in touch about using it for an online panel later this year or during another event.

New Registration Feature: If you’ve already registered for the conference, we’ve now implemented a checkbox on newer registrations to show that you’re going! This option wasn’t available early on in the registration process, but if you’d like to opt-in and show your name on our list of attendees, please email office@sfwa.org and we’ll get you sorted!

Registration (whether online or in-person in Pasadena, CA,  includes access to the event, a year of access to recordings of many of the weekend’s panels, mentorship opportunities, the Nebula Awards ceremony, a conference Discord, and entry to our ongoing Nebula conference events–writing events, regular online panels, meetups, and more!

Register here.

Room Block: If you are thinking about attending in person, time is ticking to reserve your room for the conference. Our room block will be closing soon and SFWA will not be able to guarantee the price for your stay with us. Every room that is booked directly will help us with our room block obligations, so if you have already booked, please let us know so we can add you to our list! 

Hotel booking – Start your reservation.

(3) A THOUSAND SUNS. Inverse says don’t miss out: “The Best Sci-Fi Anthology Series of the Year Is Streaming For Free Right Now”.

…One indie sci-fi anthology series, just released on YouTube, proves that the short form is still alive and well. A Thousand Suns is a series created by filmmaker Macgregor, a cinematographer who has worked on everything from music videos for Dua Lipa to the Gerard Butler spy thriller Kandahar. Produced by Blackmilk Studios, with work from directors Ruairi Robinson, Tyson Wade Johnston, Tim Hyten, and Philip Gelatt, A Thousand Suns is basically a miniature, independent sci-fi film festival that you can watch right now….

…Because each of these shorts is about four minutes long, the Black Mirror-esque twists are sort of already happening as soon as you start watching….

…As of April [15], 2024, there are six episodes of A Thousand Suns up on YouTube and on the official site: 1Ksuns.com

This is the trailer:

Here’s Episode One:

(4) CINEMATIC LANGUAGE. “’Civil War’ Action Sequences Build on War Movies” at IndieWire.

… “Civil War” joins a robust tradition of war films stretching back as far as 1925’s “The Big Parade” and 1926’s “What Price Glory?” that try to convey the power of violence itself: its horror, its allure, its twisted humor, and most of all its undeniable pull towards more violence. Hardy told IndieWire that he was much more influenced by photographers William Eggleston and Saul Leiter than specific war films or war photographers — although he did look at the work of Jessie’s (Cailee Spaeny) hero Lee Miller and others….

… Here are five war films (and one video game) that all share something — be it a sensibility, specific techniques, or a philosophical approach — with how “Civil War” tackles its action and combat sequences. They show just how successful war films can be at evoking strong feelings about violence, suffering, power, and courage, and also just how hard it is to tell war stories in a way that helps us avert them….

Here’s what the writer says about one of them:

‘Zero Dark Thirty’ (2012)

The impact of “Zero Dark Thirty” seems to have lessened over time, but that might be because the Seal Team Six assault that takes up the final third of Kathryn Bigelow’s film is so tautly edited that it leaves no room for other combat sequences to top its realism. Its use of night vision cameras and its ability to make the camera feel like another soldier on the mission is painfully precise. But there’s also something of a military practitioner’s perspective on how the camera tracks movement and what it settles on as important — it assesses threats and moves on. That perspective is sometimes clinical, sometimes fearful and adrenaline-fueled, and doesn’t leave too much space for sadness or horror until it floods in. Whether that is good enough determines whether you think a movie with combat sequences like “Zero Dark Thirty” or “Civil War” is ultimately a success or a failure in what it has to say about war.

(5) BAKER STREET IRREGULARITIES. Here’s a literary curiosity: “Sherlock Holmes Original Manuscripts by Conan Doyle: A Census by Randall Stock & Peter E. Blau”. There is a list at the link.

…Conan Doyle wrote 60 Sherlock Holmes stories.  He sold or gave away many of these manuscripts during his lifetime.  He passed along others through his children.  They eventually sold most of them, but his last surviving child, Dame Jean Conan Doyle (1912-1997), bequeathed three Holmes manuscripts to British institutions.  Her gifts included The Retired ColourmanThe Illustrious Client, and The Creeping Man….

… Almost all of the Holmes manuscripts written after 1902 still exist, in part because Conan Doyle started submitting typed copies to his publishers and retaining the original for himself.  Only 4 of the 27 manuscripts written before 1902 are known to survive, although a few leaves remain from three other tales.  Private collectors hold about half of the known existing manuscripts….

(6) EXTREMIST PLAY. “IntelBrief: Incels and the Gaming-Radicalization Nexus” is an overview by The Soufan Center.

… Gaming is an inherently multisensory, immersive experience that, when riddled with violence or slanted by an extremist ideology, can be more impactful than a simple propaganda text or image in the radicalization process. According to a report by the UN Counter-Terrorism Centre (UNCCT) on the intersection between gaming and violent extremism, simulations created by extremists in otherwise neutral games like The Sims and Minecraft allow players to experience the Christchurch massacre from the shooter’s perspective. Meanwhile, in Roblox, a system that allows users to program and play games created by themselves or other users, extremists have created “white ethnostates”. Christian Picciolini, a former white supremacist, has explained how far-right extremists use popular games like Fortnite, Minecraft, and Call of Duty to recruit and radicalize marginalized youth experiencing social isolation….

(7) DRAGON ICON BURNS. “Fire destroys Copenhagen’s Old Stock Exchange, collapsing its spire”AP News says the 184-foot-tall dragon-tail spire was destroyed today.

A fire raged through one of Copenhagen’s oldest buildings Tuesday, destroying about half of the 17th-century Old Stock Exchange and collapsing its iconic dragon-tail spire, as passersby rushed to help emergency services save priceless paintings and other valuables.

The blaze broke out on the building’s roof during renovations, but police said it was too early to pinpoint the cause. The red-brick building, with its green copper roof and distinctive 56-meter (184-foot) spire in the shape of four intertwined dragon tails, is a major tourist attraction next to Denmark’s parliament, Christiansborg Palace, in the heart of the capital.

Bells tolled and sirens sounded as fire engulfed the spire and sent it crashing onto the building, which was shrouded by scaffolding. Huge billows of smoke rose over downtown Copenhagen and could be seen from southern Sweden, which is separated from the Danish capital by a narrow waterway.

(Click for larger images.)

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 16, 1921 Sir Peter Alexander Ustinov. (Died 2004.) Peter Ustinov showed up in Logan’s Run as the Old Man; he had the lead role in Blackbeard’s Ghost as Captain Blackbeard based the Robert Stevenson novel; he was Charlie Chan in Charlie Chan and the Curse of the Dragon Queen (it’s at least genre adjacent, isn’t it?); he’s The Caliph in stellar Thief of Baghdad; a truck driver in The Great Muppet Caper and finally he has the dual roles of Grandfather and Phoenix in The Phoenix and the Carpet.

Peter Ustinov in 1986. Portrait by Allan Warren.

He voiced myriad characters in animated films including that of Grendel in Grendel Grendel Grendel based off John Gardner’s novel Grendel, in Robin Hood, he voiced Prince John King Richard; and in The Mouse and His Child, he was the voice of Manny the Rat. 

Now I’m going to admit that my favorite role by Peter Ustinov was playing Poirot which he did in half a dozen films, which he first in Death on the Nile and then in Evil Under the SunThirteen at DinnerDead Man’s Folly, Murder in Three Acts and Appointment with Death. He wasn’t my favorite Point as that was David Suchet but it was obvious that he liked performing that role quite a bit. 

(9) COMICS SECTION.

  • The Far Side needles Superman.
  • Macanudo shows a problem you can never get away from, even on Arrakis.

(10) CHP PUTS THEIR FOOT DOWN. Luckily, they were wearing shoes.“California police arrest four in $300,000 stolen Lego brick bust” in The Verge.

Los Angeles citizens can rest easy knowing that a criminal theft ring is no longer stalking the city’s retail stores to feed a Lego black market. That’s because the California Highway Patrol (CHP) announced this week that it had arrested four people it accused of swiping what police estimated was “approximately $300,000” worth of Lego sets.

The four had allegedly burgled stores like Target, Home Depot, and Lowe’s of their Lego stock and sold them to black-market dealers who would then vend the stolen bricks at “seemingly legitimate businesses, swap meets, or online.” Police say they were booked on “charges related to Organized Retail Theft, Grand Theft, and Conspiracy to commit a crime.”…

(11) AS YOU WISH. Figure Fan Zero reviews “The Princess Bride Figures by McFarlane”. Lots of photos of the figures in different poses.

The Princess Bride is a movie that I absolutely love and for some reason never seem to re-watch a lot these days. I’m not sure why that is, but maybe it’s because I overdid it back when it first hit home video. I was surprised to see McFarlane turn up with the license, not only because it was a weird fit among their sea of DC Comics and Warhammer figures, but also because the film has received so little merchandising over the years. Either way, I wasn’t in on these figures when they were first released, but earlier this year they hit the bargain bins and I was able to snap up the regular figures for under ten bucks each and the Mega Figure, Fezzik, for $16. So, let’s just tackle the whole damn thing today! Inconceivable? Nah, we can do this!

(12) JOCULARITY. Entertainment Weekly is “On set for Ncuti Gatwa’s ‘Doctor Who’ debut”.

…To be fair, Gatwa has a lot to laugh about. After stealing scenes in Sex Education and Barbie, the 31-year-old actor is launching his next act, playing the titular Time Lord in the BBC’s legendary sci-fi series Doctor Who. After popping up in last year’s 60th anniversary special, “The Giggle,” and a solo Christmas episode, he’s now taking full control of the TARDIS, headlining his first full season as the Doctor — making him the first Black and first openly queer man to take on the role. It’s a new era for both Gatwa and the show itself: For the first time ever, the BBC is partnering with Disney+ to launch the show worldwide, and when the new season premieres May 10, it will air simultaneously around the globe….

(13) FORGET PLAN A, FIND PLAN $. NASA admits plan to bring Mars rocks to Earth won’t work — and seeks fresh ideas. Meaning: cheaper. “Nasa: ‘New plan needed to return rocks from Mars’” at the BBC.

The US space agency says the current mission design can’t return the samples before 2040 on the existing funds and the more realistic $11bn (£9bn) needed to make it happen is not sustainable.

Nasa is going to canvas for cheaper, faster “out of the box” ideas.

It hopes to have a solution on the drawing board later in the year.

Returning rock samples from Mars is regarded as the single most important priority in planetary exploration, and has been for decades.Just as the Moon rocks brought home by Apollo astronauts revolutionised our understanding of early Solar System history, so materials from the Red Planet are likely to recast our thinking on the possibilities for life beyond Earth….

(14) IT’S OFFICIAL. “NASA confirms mystery object that crashed through roof of Florida home came from space station”Yahoo! has the story.

NASA confirmed Monday that a mystery object that crashed through the roof of a Florida home last month was a chunk of space junk from equipment discarded at the International Space Station.

The cylindrical object that tore through the home in Naples on March 8 was subsequently taken to the Kennedy Space Center in Cape Canaveral for analysis.

The space agency said it was a metal support used to mount old batteries on a cargo pallet for disposal. The pallet was jettisoned from the space station in 2021, and the load was expected to eventually fully burn up on entry into Earth’s atmosphere, but one piece survived.

The chunk of metal weighed 1.6 pounds (0.7 kilograms) and was 4 inches (10 centimeters) tall and roughly 1 1/2 inches (4 centimeters) wide.

Homeowner Alejandro Otero told television station WINK at the time that he was on vacation when his son told him what had happened. Otero came home early to check on the house, finding the object had ripped through his ceiling and torn up the flooring….

(15) BUSINESS IS BOOMING. Unlike the last story, you won’t need NASA to make a home delivery in order to look at this: “NASA’s New Solar Sail Spacecraft Will Shine So Bright We’ll See It From Earth” reports Autoevolution.

… The most recent piece of news on this front comes from American space agency NASA, which announced last week that it is getting ready to launch a new kind of solar sail that may revolutionize such technologies.

You see, one of the trickiest parts of making a solar sail is not the sail surface itself but the booms that are used to deploy them. That’s because solar sails are meant to extend after the ship reaches space.

At the moment there are only so many materials booms can be made from, and so many structures that can be used, and that limits the capabilities of a functional sail. NASA says it kind of solved that problem and promises “to change the sailing game for the future.”

The hardware that will do that is officially called Advanced Composite Solar Sail System (ACS3), and it physically comprises twelve NanoAvionics CubeSats linked together. The boom that’s meant to unfurl the sail is made of flexible polymer and carbon fiber materials.

NASA says this way of making the booms ensures they are both stiffer and lighter than what came before, which were either heavy, metallic structures or light but bulky ones that didn’t necessarily fold as they should have.

The new NASA design comes as tubes that can be squashed flat and rolled like a tape measure – up to 23 feet (seven meters) of booms can be rolled into something that fits in a human hand, NASA says. The design also provides less bending and flexing during temperature changes, which is what the spacecraft is expected to experience in space….

(16) SCOOBY SPINOFF CONTINUES. Velma Season 2 premieres April 25 on Max.

More mystery. More murder. And lots, lots more meddling.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Francis Hamit, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/15/24 No, cats do not have magical powers. Really they don’t. Would they lie?

(1) TODAY’S 40,000. [Item by Anne Marble.] A little Warhammer news… The official Warhammer Official X.com account just posted “In regards to female Custodians, there have always been female Custodians, since the first of the Ten Thousand were created.”

(It was in response to (this question in a longer thread.)

It’s fascinating to read the responses to this. Many fans are demanding they show them where this is shown in the lore. They are debating the official account.

Fans like these make me think, “Don’t make me have to feel sympathetic toward Games Workshop!”

From what I understand, this probably is retconning. But Warhammer is no stranger to retconning. They’re famous for retconning.

Angry fans are declaring that Games Workshop is going to kill the existing fanbase over this. They’ve accused them of “gaslighting” the fans. They are crying about “woke.” Some are claiming that they are returning the merchandise they were just about to buy all because of this. (Sure…)

People are predicting this is the “end” of Games Workshop. (They’ve been predicting this ever since 3D printing made it easier for people to make their own models.) Some are even blaming this stance on the fact that Vanguard and Group and BlackRock are now among the investors in Games Workshop.

But these are also the types of fans who do a lot of gatekeeping. If a fan has a different opinion, they call that fan a “tourist.” One dude was calling the people behind official lore “tourists.”

According to an older post by one of their well-known writers (Aaron Dembski-Bowden), this bit of lore was up for discussion years ago. But a “former IP overlord” said the characters couldn’t be women because the minis had already been produced, and they were all male.

The lore does say there are no known women Space Marines — and there are various theories about why. But Space Marines are also so altered that they are very different from what some would consider a stereotypical man. From what I have read, the Space Marines are sterile and asexual and chemically castrated.

Some people have been collecting screencaps of the responses. Also here. Here’s a selection:

The Fandom.com definition of a Warhammer 40k Custodian says Custodians are part of the Adeptus Custodes — the elite altered bodyguards of the Emperor. In comparison, the famous Space Marines the defenders of all humanity. And the Custodians are more powerful than them.

Also, while there is a lot of lore about the Space Marines, there is less lore about the Custodians.

For another perspective, I found some women fans who were upset because they thought it was badly done — and some who believed it was pandering to them. But most of the opposition seems to come from guys who use “woke” a lot. Some want to contact the Warhammer Community Outreach Manager about the change. Does that mean they are asking for the manager?

Disclaimer: I’m not a Warhammer player. However, I’ve been fascinated by the gaming system ever since I ran across a Warhammer Fantasy book called Warhammer City. I found Warhammer 40K even more fascinating because it’s so over-the-top. (It’s supposed to be.) So I ended up buying some of their novels.

(2) DON BLYLY MEDICAL UPDATE. Bookseller Don Blyly’s celebration of Uncle Hugo’s fiftieth anniversary was followed by a trip to the hospital, but he’s back at work already as he explained in his latest How’s Business? newsletter.

The week of the 50th Anniversary Sale was “interesting”.  For many years I heard the warnings about chest pains, and for many years I’ve had chest pains, but not quite like the medical advice described them.  Often, the pain seemed to be between my ribs, more often on the left side, but I didn’t think the pains were accurately reporting on where the problem was located.  And often I would let out a couple of large burps or farts and the chest pains would completely go away, so it seemed like the pains were not related to my heart. 

On the Monday after the anniversary I had a different kind of chest pain, a kind of pressure in the center of my chest, and it did not go away (but became somewhat less) after a couple of belches, and I started worrying a bit.  But Ecko had a doggie dental appointment Wednesday morning to have a tooth pulled that it had taken a month to set up, so I thought I’d get through that first if my pain didn’t get any worse.  My chest pain stayed about the same through Wednesday, and Ecko got through the extraction and was ordered to only have soft food for 2 weeks.  Thursday morning my chest pain was worse, so I went over with the staff of the store what to do if I had to go to the emergency room.    Just before noon the order of new t-shirts and sweatshirts arrived, a couple of weeks earlier than expected, and I wrote the check to the shirt guy.  Before I could start unpacking the 5 large cases of shirts, the pain became so bad that I decided to drive Ecko home, made arrangements for my son to pick her up at home after he got off work, and drove to the Abbott-Northwestern emergency room. 

It seems that one of the arteries in my heart was 99% blocked, and they quickly put in a stent.  The other arteries were partially blocked, but not enough to justify any more stents.  Swallowing a fist full of pills every day for the rest of my life is supposed to clear the other arteries and prevent a repeat of the heart attack.  After a couple of days they ran an echo-cardiogram to determine how much my heart had been damaged.  The doctor who interpreted the results told me that my heart was functioning at 45-50%.  I said that I didn’t feel that bad.  She said that nobody’s heart functions at 100% according to the standard used for the test–a perfectly healthy heart functions at 55% on the test, and that I would be back to 55% within a couple of months.  So, no permanent damage, but I’m supposed to take it easy for a while. 

About 48 hours after the stent was installed I got out of the hospital, and about an hour later got to the store to see how things were going.  A LOT of mail orders had come in while I was in the hospital, and Jon had pulled all the books and put them in piles so that I wouldn’t have to run all over the store finding them to process the orders.  And a lot of boxes of new books had arrived.  It took several days to get through all of that, and even longer to get through all the e-mails that had piled up.  But for several days I mostly sat in front of the computer and didn’t even think about going to the basement.

The hospital has been dribbling out the bills to the insurance company, and the insurance company has been letting me know how much I’m responsible for.  So far, the hospital has billed over $110,000, and so far I’m only responsible for $200….

(3) TUNES FROM THE TARDIS. [Item by Daniel Dern.] Not surprisingly given (some of) what I watch/listen to on YouTube, the YouTube Music app on my phone (which I’m not sure I’ve previously used, certainly not recently or muchly) burped up this (below) amusing item. I’m not enough of a Whovian to appreciate all the references, but enjoyed it natheless, and no doubt some of you more so. (And it turned out to be part of a playlist, which rabbit hole I timesinkedly explored, and will share my faves here, in days to come.) Doctor Who playlist.

(4) PAYING IT FORWARD. Gabino Iglesias shares some wisdom about anthologies in an X.com thread that starts here. Some excerpts follow:

(5) HIGH-PRICED DETECTIVE. From Newser we learn a “Handwritten Sherlock Holmes Draft Could Fetch $1.2M”

A rare, handwritten manuscript of the Sherlock Holmes novel The Sign of the Four by Sir Arthur Conan Doyle is up for sale this June at Sotheby’s, and it’s expected to fetch up to $1.2 million, breaking past sales records of his works. It’s the only handwritten copy of Conan Doyle’s second novel in existence, Smithsonian Magazine reports, and how this particular work was commissioned comes with a fun bit of history. According to CNN, the story begins in 1889 with Conan Doyle having dinner in London with JM Stoddart (an editor of US literary magazine Lippincott’s Monthly) and fellow author Oscar Wilde.

When Stoddart asked what the writers were working on, Conan Doyle committed to publishing a second Sherlock Holmes novel for the magazine, while Wilde said he’d submit his work in progress, The Picture of Dorian Gray. “It’s hard to think of two contemporary authors who might be less similar than Conan Doyle and Oscar Wilde,” Sotheby’s book specialist Selby Kiffer tells CNN. “And yet there they are at a dinner table together and talking about what they’re currently working on.”…

(6) SENDAK EXHIBITION IN LA. The Skirball Cultural Center in Los Angeles will host “Wild Things Are Happening: The Art of Maurice Sendak” from April 18-September 1.

Wild Things Are Happening is comprised of more than 150 sketches, storyboards, and paintings by Sendak drawn from the collection of The Maurice Sendak Foundation. Presented alongside landmark pictures for Sendak’s own books will be examples of artwork he created for such celebrated publications as The Bat-Poet by Randall Jarrell, A Hole is to Dig by Ruth Krauss, the Little Bear series by Else Holmelund Minarik, and Zlateh the Goat by Isaac Bashevis Singer. 

Designs for many of Sendak’s opera, theater, film, and television productions are also featured. His impact on the broader world of the performing arts is illuminated through his collaboration and friendship with directors, composers, playwrights, and visual artists, such as Carroll Ballard, Frank Corsaro, Spike Jonze, Tony Kushner, and Twyla Tharp. The exhibition will also highlight Sendak’s love of Mozart and the way the composer’s life and work influenced not only Sendak’s designs for Mozart’s operas, such as The Magic Flute, but also key books including Outside Over There and Dear Mili. As Sendak stated, “I love opera beyond anything, and Mozart beyond anything.”

This groundbreaking exhibition also adds new depth to audiences’ understanding of Sendak’s life—as a child of Jewish immigrants, a lover of music, someone with close personal relationships—and how it dovetailed with his creative work, which drew inspiration from writers ranging from William Shakespeare to Herman Melville. From portraits that he made of loved ones to archival photographs of family members to toys he designed as a young adult, the exhibition brings Sendak and his work to life in three dimensions….

Interior art for Higglety Pigglety Pop! Or, There Must Be More to Life. Originally published in 1967.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 15, 1933 Elizabeth Montgomery. (Died 1995.) The beauty of these Birthdays is that I can decide that one series that a performer did is enough to be worthy of a write-up. So it is with Elizabeth Montgomery and her ever-so-twinkly role as the good witch Samantha Stephens on the Bewitched series.

I loved that series and still do. Bewitched is one of those series that the Suck Fairy keeps smiling every time she comes near it. Obviously she too has very fond memories of it. 

Sol Saks in interviews said that the Forties film I Married a Witch based on Thorne Smith’s partially-written novel The Passionate Witch, and John Van Druten’s Broadway play Bell, Book and Candle, adapted into a 1958 film of the same name, were his inspirations for the pilot episode. These films were properties of Columbia Pictures, which also owned Screen Gems, the company that would produce Bewitched

Bell, Book and Candle is the prime story source as that has the good witch Gillian Holroyd, played by Kim Novak, casting a love spell on Shep Henderson as played James Stewart to have a fling with him but she genuinely falls for him.

Bewitched debuted sixty years ago this Autumn. It would run on ABC eight seasons, for two hundred and fifty episodes. 

Let’s discuss the other cast of Bewitched. Dick York was Darrin Stephens, her husband and I thought that he was a perfect comic foil for her. Dick Sargent would replace the ailing York for the final three seasons.  It’s been too long since I’ve seen the series but I think I remember his chemistry with her being a little less smooth.

So the next major cast member was Agnes Moorehead as Endora, Samantha’s mother. She worked fine in her role which was that she disapproved of her daughter’s decision to marry a mortal. She often times casts spells on Darrin for her own amusement, but mostly to try to drive Darrin away from Samantha. (It didn’t work. At all.) Despite that, she is the most frequent houseguest and one of the most loyal members of Samantha’s family who dotes on her grandchildren, Tabitha and Adam. 

Then there’s his boss, Larry White, who was played by David Tate, and he was well cast in that role, and many crucial scenes took place at the Madison Avenue advertising agency McMann and Tate where Darrin worked.

So that brings us to Elizabeth Montgomery. She began her performing career in the the Fifties with a role on her father’s Robert Montgomery Presents television series. She’d also be a member of his summer theater company. 

She turned out to be very popular and was kept busy performing consistently from there on. She’d have two genre roles prior to Bewitched, the first being as Lillie Clarke on One Step Beyond in “The Death Waltz” and, because everyone seemingly has to be in at least an episode of it, on The Twilight Zone as Woman in “Two”. The only other actor here is Charles Bronson as, oh guess, Man. It’s a piece of pure SF by Montgomery Pittman who also wrote the scripts for “The Grave” and “The Last Rites of Jeff Myrtlebank”. 

So now we come to her in Bewitched,  and the role that she was perfect for.  It’s hard to write her up here without noting sexism of the time as her beauty was definitely the attraction for many of the viewers as opposed to her talent according to some of the news articles at the time. Or so said the critics. 

But talented she was, displaying a deft comedic touch that I’ve seen in few female performers since her as she never overplayed her role, something that would’ve been oh so easy to do. She was Samantha Stephens, the very long-lived witch who defied witchery tradition and married a mortal. 

Do note that it openly depicted them sleeping together and sexually attracted to each other. No separate beds here.

The first episode, “I Darrin, Take This Witch, Samantha” was filmed a short while after she gave birth to her first child. 

She was intelligent, not reserved and depicted as more than a match for anyone who might get in her way. Unusual for a female character of that time. 

I have over the years rewatched many of the episodes, and they do hold up rather well provided you like Sixties comedy. I think this along with such shows as My Favorite Martian and The Munsters are some of the finest comic genre work done.

(8) COMICS SECTION.

(9) JEOPARDY! [Item by David Goldfarb.] This is a little belated, but I thought you might like to hear about SFF or genre-adjacent clues on last Thursday’s Jeopardy! episode.

In the first round:

Unreal Estate, $800:

The English village of Puddleby-on-the-Marsh is where this animal lover has his medical practice

Alison Betts tried “What is James Herriot?” but it was Brian Hardzinski who had the correct response, “Who is Doctor Dolittle?”

Abbreviated Television, $400:

In the ‘90s we had “ST: DS9”

Brian: “What is Star Trek: Deep Space 9?”

$800:

Don’t space out (or do) with “FAM”

Triple stumper, nobody made the attempt. This was Apple TV+’s alternate history space show, “For All Mankind”.

“T.P.”, $400:

Kyle MacLachlan was the clean-cut FBI agent investigating a murder in the very strange title town of this series

Returning champion Lee Wilkins gave us, “What is Twin Peaks?”

Unreal Estate, $400:

On his third voyage, this man travels to the flying island of Laputa, where the people are so lost in thought they notice little else

Alison: “Who is Gulliver?”

Double Jeopardy round:

Some Timely Words, $1200:

This 6-letter word means to go back in fictional time & rewrite the past of a character or narrative for a new work

Brian: “What is retcon?”

Final Jeopardy: Space Shuttles

2 space shuttles were named for craft commanded by this man, who died far from home in 1779

Lee: “Who is ?” — no answer.

Brian: “Who is Cook?” Correct. The vessels: Discovery and Endeavour.

Alison: “Who is Cook?” She was the game’s winner.

(10) MAS ECLIPSES. “Meet The Country About To Have Three Solar Eclipses In Three Years”Forbes arranges the introduction.

What if your country suddenly had three major solar eclipses in three years? As the world’s attention fades from Monday’s “Great American Eclipse,” there’s a realization that there’s not another one in the U.S. until 2033. So where is the next eclipse?

It’s in Spain. Then Spain again, and again.

A few years ago, Argentina and Chile staged two total solar eclipses—one a glorious sight and another a rain-affected, COVID-affected event—but it’s another Spanish-speaking country that is about to take the eclipse baton….

(11) USE THE FORCE. The Guardian’s Harry Cliff submits “The big idea: are we about to discover a new force of nature?”

… There are four forces that we already know about. Gravity governs the grandest scales, marshalling the planets in their orbits and shaping the evolution of the universe as a whole. Electromagnetic force gives rise to a vast range of phenomena, from the magnetic field of the Earth to radio waves, visible light and X-rays, while also holding atoms, molecules and, by extension, the physical world together. Deep within the atomic nucleus, two further forces emerge: the vice-like “strong force”, which binds atomic nuclei, and the “weak force”, which among other things causes radioactive decay and enables the nuclear reactions that power the sun and the stars.

Studying these forces has transformed our understanding of nature and generated revolutionary new technologies. Work on electromagnetism in the 19th century gave us the electric dynamo and radio broadcasts, the discovery of the strong and weak forces in the 1930s led to nuclear energy and atomic bombs, while understanding gravity has made it possible to put astronauts on the moon and to develop GPS satellites that can tell us our location anywhere on Earth to within a few metres. Uncovering a fifth force would be one hell of a prize.

Hints that physicists may be on the brink of making such a breakthrough have been accumulating over the past decade. The first tranche of evidence comes from particle physics experiments here on Earth, the results of which appear to conflict with our current best theory of fundamental particles, the standard model.

Notwithstanding its rather uninspiring name, the standard model is one of humankind’s greatest intellectual achievements, the closest we have come to a theory of everything, and has passed almost every experimental test thrown at it with flying colours. So far at least.

However, the BaBar experiment in California, the Belle experiment in Japan and the LHCb experiment at Cern have all spied exotic fundamental particles known as “beauty quarks” behaving in ways that go against the predictions of the standard model. Meanwhile, just outside Chicago, Fermilab’s Muon g–2 experiment has been busily studying another type of fundamental particle called a muon, finding that it emits a slightly stronger magnetic field than expected.

The most exciting explanations for these anomalies involve hitherto unknown forces of nature that subtly alter the way beauty quarks transform into other particles or mess with the muon’s magnetism. …

(12) SF2 CONCATENATION SUMMER SEASON EDITION. [Item by Jonathan Cowie.] SF² Concatenation has just posted its seasonal edition of news, articles and reviews. A couple of the articles may be of interest to those attending the Glasgow Worldcon later this summer….

v34(3) 2024.4.15 — New Columns & Articles for the Summer 2024

v34(3) 2024.4.15 — Science Fiction & Fantasy Book Reviews

v34(3) 2023.4.15 — Non-Fiction SF & Science Fact Book Reviews

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.]  I have a feeling in my water (never a good sign) that this might be based on a Blake Crouch novel…?  I have to confess I have a shameful weakness for Blake Crouch and have read four or five of his novels.  They are light reads, more thrillery, but most have a decided SF riff which are great fun (if careful not to look at plot too closely).  Anyway, see what you think…

A man is abducted into an alternate version of his life. Amid the mind-bending landscape of lives he could’ve lived, he embarks on a harrowing journey to get back to his true family and save them from a most terrifying foe: himself.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Anne Marble, Kathy Sullivan, Mark Roth-Whitworth, Daniel Dern, David Goldfarb, Lise Andreasen, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/7/24 Pixels En Scrollgalia

(1) HOLMES & WATSON. At Brandon O’Brien’s Afternoon Tea the author takes up the Elementary series: “Lapsang Souchong: Two People Who ‘Love’ Each Other”.

I’ve been thinking about this topic idly in my skull for quite some time, and since there are no real good places to put it—less than an essay, more than a tweet—I figured a good test of my discipline would be drafting it for a newsletter. So here’s me rambling about one of my favourite idle obsessions: the 2010s CBS procedural Elementary, in particular why its portrayal of the relationship between Holmes & Watson is one of my favourites. BIG SPOILERS, of course that goes without saying, but you’re already here, so…

(2) TINGLE Q&A. The Geekiary came back from the con with more proof that love is real! “WonderCon 2024: Interview with the Legendary Chuck Tingle”.

… “You don’t hear this so much anymore, but back in the day, conservatives had this sort of slippery slope dang baloney argument about ‘if we let gay people get married then what’s next? You gotta marry a tree? Are you going to marry a dang dinosaur?’ And I think that I always heard those arguments and I always thought why not? What would be wrong with someone marrying whoever, whatever, how many different people, different combinations. There’s nothing wrong with that. In fact, as long as you’re talking about consenting adults, the world would be a much better place if you took this conservative nightmare to the extreme, it would actually probably be more of a utopia.

“And so the Tingleverse in general, is kind of that conservative nightmare realized in that actually, it would be a really beautiful place full of love, and acceptance. And so, from the very first story, it is an unusual combination of lovers. But you realize if you read the book, ‘Oh, actually, that’s a really wholesome, beautiful, wonderful place that conservatives seem to just be terrified of.’”…

(3) “TRAD PUBLISHING IS LITERALLY FAILING AT DOING ITS JOB”. Lili Saintcrow cuts loose about the current WTF state of traditional publishing — “We Gotta Talk About (Trad) Publishing”. (Saintcrow’s fireworks are inspired by Lorraine Wilson’s analysis, “Is there a book submission arms race”, an article that Saintcrow praises as “perfectly lovely and … a hundred percent accurate”.)

…Publishing has always been an awfully exploitative business. For a long while the level of fuckery in trad pub was low enough for plenty of writers to make a reasonable gamble by submitting by the rules and building a career, but this is no longer the case. Which is not solely or even mostly a function of the pandemic, mind you–the problems were already there well before 2020 rolled around, but conditions since ~2016 have absolutely poured jet fuel on the fire and now we’ve got a multiple-alarm blaze. (You could even trace the problems to Amazon’s strong-arming, or further back to Reagonomics, but that’s a whole ‘nother blog post.)

The Big Five/Four have already offloaded the brute work of marketing onto individual authors, hollowing out their own marketing departments in order to line C-suite pockets. Now the crunch has reached editorial departments, where even salaried folk traditionally protected from a lot of industry bullshit are being ruthlessly overworked, underpaid, and just generally mistreated. (No, this is not a “pity the poor editors” screed, just a fact.) Consequently a lot of folk are leaving, and those who remain–or the shiny new ones coming in, thinking they’re going to score a good job–find it impossible to pick up the slack. The article linked above is absolutely correct that editors at the big houses are now being used as draft-horse project managers, which does not work with novels or nonfiction books. It just…doesn’t….

And there’s a lot more at the link.

(4) IN THE YEAR 2025. The 2025 UK Eastercon – named Reconnect — will be held April 18-21, 2025 in Belfast, co-chaired by James Bacon and Tommy Ferguson, with Deputy Chair Jo Zebedee. Get more information at the Eastercon Belfast website.

(5) GLASGOW 2024 PUBLISHES NEW PROGRESS REPORT. Glasgow 2024 today published Progress Report 4 (their fifth; the first was numbered as Progress Report 0). Anyone can download the PDF file from the Glasgow 2024 website.

The cover for Progress Report 4 (PR4), ‘Badger Finds A Charmawow’ is by Chris Baker (a.k.a. Fangorn), one of the Guests of Honour.

PR4 includes news from all areas including:

PR4 also features a look back at the London Worldcon of 2014, the final entry in their history of British Worldcons.

(6) WILL GLASGOW CAP ATTENDING MEMBERSHIPS? Progress Report #4 includes this information:

… Our current projections are for between 6,500 and 8,000 purchased in-person registrant types (including 1- and 2-day tickets). This upper number, if everyone turns up, is probably above the maximum holding capacity for the site. So, there is a chance we may need to cap in-person attending registrant purchases, if we are not to get overcrowded. So, we are advising folk to join as early as possible to avoid this possibility effecting your enjoyment of the convention….

(7) TEXAS-SIZED COLLECTION. Morgan Dawn recommended Bluesky readers watch a 2022 video about the “Huge Science Fiction and Fantasy Collection”, which explores the sff collection at the Texas A&M Library, and takes viewers back to the early days of the university’s Cepheid Variable club and their annual AggieCon.

(8) A BELFAST BOOK. “Michael Magee: ‘There’s a disbelief at how I’ve ended up’”, so he tells a Guardian interviewer.

Michael Magee, 33, won this year’s Nero debut fiction award for Close to Home, now out in paperback, as well as last year’s Rooney prize for Irish literature (previously awarded to Anne Enright and Claire Keegan). Set in west Belfast, where Magee grew up, the book follows Sean, a working-class graduate who falls foul of the law as he struggles to make a life in the shadow of violence both political and domestic….

What did you read growing up?
In my later teens I had a very good English teacher who gave me Barry Hines’s A Kestrel for a Knave, which was the first instance where I’d read something that reflected my own reality. I didn’t grow up in a bookish house and didn’t start reading in my spare time outside education till I was about 12 or 13. Lord of the Rings was my gateway drug. As a teenager I wrote a ripoff of it, drawing maps that I dabbed with wet teabags and burned at the edges to age them. But I did all this on the shy! You couldn’t be seen reading books in the company I was keeping. As a young man I felt impelled towards toughness, inexpressiveness, which was at odds with who I was, and who I am. It took me a very long time to disentangle myself from that.

You must run into people who knew you back then.
Of course, all the time. There’s a disbelief at how I’ve ended up – I ask myself the same question – and also a kind of piss-taking, which is completely deserved: “Still writing your wee books, Mick, are ye?”…

(9) IF YOU GIVE A MOUSE A BATH. Forbes believes they know “The Real Reason For Disney’s $11 Billion Streaming Losses”.

… For a number of months in 2020, Disney was almost entirely reliant on Disney+ and it came into its own. As people were stuck indoors during lockdown, the popularity of the platform surged and was hailed as Disney’s white knight. It was almost unthinkable that it could actually end up bringing the company to its knees but that is exactly what happened over the following years.

As subscriber numbers soared far beyond Disney’s forecasts, the Mouse got drunk on its own success and ploughed billions of Dollars into exclusive Disney+ content. By the time it was released, there was a vaccine for covid and the pandemic had receded. Consumers were left picking up the tab for blockbuster furlough payments creating a global cost of living crisis that endures to this day. It led to people cutting their streaming subscriptions and left Disney with a loss-making platform….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 7, 1934 Ian Richardson. (Died 2007.) I do these Birthdays by seeing who I recognize and then doing a deep dive to see how interesting a given individual is. It’s not just what they did in our community that interests me but what they’ve done else as well. And Ian Richardson had an interesting career both here and elsewhere.

Ian Richardson

Where to start? He was at the right age, just about fifty, when he played Holmes in The Sign of Four and The Hound of the Baskervilles, a pair of made for television films. He also starred in BBC’s Murder Rooms: The Dark Beginnings of Sherlock Holmes playing Arthur Conan Doyle’s mentor, Dr. Joseph Bell.

What next? How about him being in Brazil? (I had to watch it three times before I liked it.)  He plays Mr. Warren, works in a rabbit-warren style place, a maze of Endless Corridors. A perfect bureaucrat he was.

He’s the Narrator of Dark City which was nominated for the Hugo Award at Aussiecon Three the year The Truman Show won.

In Rosencrantz & Guildenstern Are Dead, he’s Polonius. In the play by Shakespeare, Polonius is a verbose, faltering and pathetic old man whose servile devotion to Claudius renders him untrustworthy in the eyes of Hamlet. Here he portrays that character perfectly. Yes, I do love the film. 

He’s The Wasp in Alice Through The Looking Glass. You really, really need to see the yellow wig that they gave to represent him being a wasp. 

Ian Richardson as the Wasp in a Wig and Kate Beckinsale in Alice Through the Looking Glass (1998).

He’s in From Hell as Sir Charles Warren, an actual historical figure, an Officer in the British Royal Engineers who was one of the first archaeologists. 

Finally he’s in that Midsummer’s Night Dream. You know the one that Ian Holm, Helen Mirren, Diana Rigg, David Warner and Judi Dench in it? He plays Oberon here. 

Wait, though, as I do feel obligated to note his two extraordinary performances outside the genre. He played Tory politician Francis Urquhart in the House of Cards series — oh so magnificently — and he was British spy Bill Haydon in the Tinker Tailor Soldier Spy series. 

(11) COMICS SECTION.

(12) YES, YOU. Steve Lieber shared an unforgettable memo from Jim Shooter to the staff.

(13) THEY MADE THE SHIP THAT MADE THE KESSEL RUN. [Item by Steven French.] Atlas Obscura tells us the genre connection of Wales’ “Pembroke Dock Heritage Centre”.

THERE WAS SOMETHING DIFFERENT ABOUT the last ship to leave Pembrokeshire’s massive dock complex.

Following the success of the original Star Wars film in 1977, director George Lucas wanted a full-scale model of Han Solo’s fabled spaceship, the Millennium Falcon, for the filming of the next installment in the series, The Empire Strikes Back.

The job of constructing the 88-foot vessel fell to a team working out of the historic maritime dock complex at Pembroke Dock, Pembrokeshire…

Sadly, the model was sold for scrap.

(14) MAKE YOUR SPEED WORF FACTOR THREE. [Item by Dann.] “From the Starfighter to the Enterprise NCC-1701-D” in FLYING magazine.

From the late 1980s through the 1990s, Klingon Lt. Cmdr. Worf was one of the most visible characters on the popular TV shows Star Trek: The Next Generation and Star Trek: Deep Space Nine. Actor and pilot Michael Dorn, who was cast as Worf, made the character his own and ended up appearing in 276 episodes, the most of any other cast member in the Star Trek franchise’s history.

To Dorn, morphing into Worf each day was a lengthy process because of the amount of makeup and prosthetics required to bring the character to life. But when the cameras stopped rolling, it wasn’t the starship Enterprise that drew Dorn’s attention, it was a Cessna 172 Skyhawk. But there was a problem.

You see, Michael Dorn likes airplanes that go fast. Really fast. After moving through a few general aviation airplanes, he began buying and flying a long list of former U.S. military fighter jets. This desire to go fast also explains why he drives a Tesla Model X P100D today. “It has ‘Ludicrous’ mode,” Dorn says. “I live for on-ramps!”…

The list of aircraft Michael has owned includes:

Civilian aircraft

  • Cessna 172
  • Cessna 310
  • Cessna 340A
  • Citation 501SP
  • SOCATA Trinidad TB-20
  • Beechcraft Baron 55

Military (or military-grade) aircraft

  • HA200 Saeta  (Spanish and Egyptian Air Forces)
  • Lockheed T-33  (USAF, USN, Japanese Air Self-Defense Force, German Air Force)
  • North American F-86C (USAF, Japan Air Self-Defense Force, Spanish Air Force, Republic of Korea Air Force)
  • North American Sabreliner 40A (USAF, USN, & USMC operated military configurations)
  • Lockheed F-104 Starfighter (USAF, German Air Force, Turkish Air Force, Italian Air Force)

(15) TRUE GRIT. “Life Beyond Earth: What Awaits Humanity on the Moon”Literary Hub makes it sound a lot less fun than Robert A. Heinlein used to.

…Moondust is a huge problem. Apollo astronauts were vexed by the sharp-edged powder, which got under their fingernails and into their noses, lungs, mouths, and eyes. Apollo 12’s Alan Bean said residual dust in the LM cabin “made breathing without the helmet difficult, and enough particles were present… to affect our vision.” The stuff is like “silty sand… [but] sharp and glassy,” according to the Lunar Sourcebook. Coughing and itching are nuisances, but simulated long-term exposure, in one study’s words, revealed “significant cell toxicity in neuronal and lung cell lines in culture, as well as DNA damage.” Mitigating the dust is a significant challenge, but astronauts and their equipment could be protected with invisible electrodes that activate what researcher Carlos Calle calls an “Electrodynamic Dust Shield”—shifting electric fields that keep the dust from sticking to a surface…

(16) NASFiC ECLIPSE. Joseph T. Major reminds us about a previous celestial experience:

 In 2017, too late to do anything about it, Mike Glyer had an interesting thought.  Why not have NASFiC in Nashville, during the August 21 eclipse?  But Ken Moore, the man who could have organized it, had died in 2009.

Nevertheless, there was a possibility.  Bob Embler annually held Outsidecon, where fans got in tent and socialized.  What was so important about that?

Every year, in Kelly, Kentucky, there is Little Green Men Festival, commemorating the close encounter there in 1955.  In 2017, the Festival ran a day over, so the flying saucer people could see the eclipse.  And they stayed in tents, too, because hotel bills were $300 a day and a minimum of three days’ stay.

If Mike and Bob had got together, they could have organized a Kelly Outdoor NASF­iC bid for the 18th through the 21st.  Now that would have been better than the San Juan NASFiC.

(17) VIDEO OF THE DAY. Elle Cordova delivers “Real footage of the #eclipse”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Dann, Bruce D. Arthurs, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/22/24 White Rabbits Are Easy, Try Pulling A Pixel Out Of A Hat

(1) YE KEN NOW. [Via MT Void.] Read Michael Dirda’s article “The two best American fantasy writers you’ve probably never heard of” at the Washington Post. He’s talking about Avram Davidson and Manly Wade Wellman.

… Happily, though, these too-little-known but excellent writers — did I mention that both were honored with the World Fantasy Award for lifetime achievement? — have been supported and championed in recent years by independent publishers and knowledgeable admirers. Let’s start with Wellman.

Back in 2012, Haffner Press assembled “The Complete John Thunstone,” all of Wellman’s stories from Weird Tales magazine about a Manhattan-based occult investigator who, armed with a silver sword-cane, combats demons, the evil magician Rowley Thorne (loosely based on Aleister Crowley) and a hidden race of malignant humanoids called the Shonokins. Fans of Marvel Comics’ Doctor Strange will feel right at home…

… Despite the similarity in their structure, these tales of mystery and the supernatural excel at evoking the uncanny, even as the myriad details of Southern legend and lore further ramp up the tension and foreboding. Think of them, then, as round-the-campfire stories or front-porch yarns: They are shivery without being gruesome, they move right along, and each will leave you wanting to read just one more.

By contrast, Avram Davidson is far more literary, as well as amaster of many vocal registers and genres. In relating his brilliantly gonzo fantasies, he often takes his own sweet time, reveling in pyrotechnic sentences, Jewish slang, mordant humor, digressions and archaic diction. You’ll certainly find all these in “AD 100: 100 Years of Avram Davidson: 100 Unpublished or Uncollected Stories,” edited by Neva Hickman….

(2) NOT AT ALL ELEMENTARY, MY DEAR WATSON. “The Weird Lawsuit Over Netflix’s Enola Holmes, Explained” at Slashfilm.

…In the case of another prominent pop culture figure, Sherlock Holmes, many of the stories featuring Sir Arthur Conan Doyle’s famous detective entered the public domain some time ago. Copyright typically lasts for the duration of an author’s life plus 70 years, 120 years from the date of their creation, or 95 years from their publication date — whichever comes soonest. Doyle passed away in 1930, and a lot of his Sherlock Holmes novels entered the public domain in the 20th Century, beginning in 1981 when 1887’s “A Study in Scarlett” made the transition. So, by the time author Nancy Springer published her first “Enola Holmes” novel in 2006 — a novel based on the world established by Doyle — she was mostly in the clear.

In 2020, Netflix’s first adaptation of a Springer book, “Enola Holmes” arrived, welcoming girls into the detective club and becoming a big enough hit for the streamer to green-light a sequel. When “Enola Holmes 2” debuted in 2022, it proved to be an even more charming mystery outing, firmly cementing these films as a solid new franchise for Netflix. All in all, then, a pretty nice little success story for the biggest streamer in the game. Or at least it would have been if it wasn’t for that pesky copyright law….

…. The complaint alleged that Springer and the other parties infringed copyright and trademark law with the “Enola Holmes” products, specifically stating (via The Guardian) that Sir Arthur Conan Doyle had created “significant new character traits for Holmes and Watson” in the 10 stories that remained protected by copyright law in the U.S. Back in 2014, a ruling made all the Sherlock Holmes stories authored prior to 1923 property of the public domain, allowing Springer and others to use the character and his world in their creations. But the 10 remaining stories, referred to in the 2020 lawsuit, were written between 1923 and 1927, meaning they were still covered by copyright law.

So, what exactly had Springer, Netflix, and the others infringed upon from these specific stories? Well, emotions, apparently…

(3) TREK HISTORY ON THE AUCTION BLOCK. Two of the highlighted items in March 29’s “The Greg Jein Collection Hollywood/Entertainment Showcase Auction” are from Star Trek: The Original Series – a phaser, and a shuttlecraft model.

Star Trek: The Original Series (Paramount TV, 1966-1969), Mid-Grade Type-1 Phaser. Vintage original iconic prop measuring 3.75″ x 1.75″ x 1″. Constructed of hollow fiberglass, painted dark gray with silver stripe on both sides, with wooden emitter tip, acrylic gauge, aluminum power dial and diamond patterned decal. This very rare prop was used by the production for closer shots. Exhibiting scuffing and some paint retouching as well as adhesive remnants on the underside. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

Heritage Auctions says about the shuttlecraft:

This piece is truly special. Greg, obviously known for his incredible model-building prowess, built this as a “stand-in” for his screen-used Galileo shuttlecraft filming miniature for the famous Star Trek exhibit at the Smithsonian in 1992. Greg feared his original miniature would become damaged, so he spared no attention to detail in creating this piece, knowing it would be viewed by hundreds of thousands of visitors at the National Air and Space Museum….

Star Trek: The Original Series (Paramount TV, 1966-1969), Greg Jein-Built Galileo Shuttlecraft Model for “Star Trek: The Exhibit” at the Smithsonian (1992). Original static model miniature constructed of cast resin elements, vacuum-formed plastic, mixed-media components, all expertly assembled, painted, and finished with Enterprise-gray paint, tape details, and transfer lettering for badging. Measures approx. 22″ x 14″ x 7.5″. The Greg Jein-built model was on display at the legendary “Star Trek: The Exhibit” at The Smithsonian National Air and Space Museum, Washington, D.C., from February 1992 through January 1993. Exhibits age, paint chipping, cracking and handling. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to join biographer Julie Phillips for Jӓgerschnitzel in Episode 221 of the Eating the Fantastic podcast.

I first met this episode’s guest, Julie Phillips, in the dealers room of the 2006 Los Angeles Worldcon, where I was introduced by Gordon Van Gelder, her editor on James Tiptree, Jr.: The Double Life of Alice B. Sheldon. That biography had been out only a few weeks by then, and it would go on to win the National Book Critics Circle Award, the Hugo and Locus Awards, and the Washington State Book Award. It’s a truly magnificent achievement, and if you haven’t already read it, you should track it down immediately. Once you do, you’ll understand why I’m anxiously awaiting her next biography — of the great Ursula K. Le Guin.

Julie Phillips

Her most recent book is The Baby on the Fire Escape: Creativity, Mothering, and the Mind-Baby Problem (2002). Her articles have appeared in The New YorkerMs.The Village VoiceNewsdayMademoiselle, and many other publications. She currently lives in Amsterdam, where she reviews books for 4Columns.org and writes about English literature for the Dutch daily newspaper Trouw.

When I learned the Washington County Museum of Fine Arts had asked her give the kickoff lecture of its More than Muses Weekend in nearby Hagerstown, Maryland, I reached out to see whether she had time to break bread so I could share her wisdom with you. And I’m so pleased she agreed. We met for lunch the day after her presentation at Schmankerl Stube Bavarian restaurant, one of my favorite places to eat in Hagerstown.

We discussed why she called The Baby on the Fire Escape “a weird hybrid monster of a book,” the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there’s more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can’t, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin’s memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one’s biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.

(5) ARTIFICIAL INTELLIGENCE, REAL BALONEY. “A Celebrity Dies, and New Biographies Pop Up Overnight. The Author? A.I.” finds the New York Times.

After Joseph Lelyveld, a former executive editor of The New York Times, died last month, his brother Michael Lelyveld went online to see how he was being remembered. He found obituaries in major news outlets, as expected. But he also found other, unexpected portraits of his brother.

At least half a dozen biographies were published on Amazon in the days immediately following Lelyveld’s death. Several of them were available for purchase on the very day he died. The books, he said, described his brother as a chain smoker, someone who honed his skills in Cairo and reported from Vietnam — none of which is true.

“They want to make a buck on your grief,” said Michael Lelyveld.

Books like this are part of a macabre new publishing subgenre: hasty, shoddy, A.I.-generated biographies of people who have just died…

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 22, 1920 Ross Martin. (Died 1981.) Let’s talk about Ross Martin and his involvement with Wild Wild West which is a fascinating story indeed. 

He got his first acting job in the early Fifties series Lights Out’s “I Dreamed I Died” episode. 

This was not the beginning of his performance career as he did a lot of radio before that, including the last broadcast episode of Dimension X, and two of X Minus One, one of which taken from was Bradbury’s “The Man in The Moon” story which I believe Bradbury himself adapted for broadcast. 

Before the Wild Wild West, he would be in the Conquest of Space, a film about the first interplanetary flight to the planet Mars, and in The Colossus of New York where he’s Dr. Jeremy “Jerry” Spensser (sic) whose brain gets put into a giant robotic body. What could possibly go wrong?  

Ross Martin in 1965

Mike wants to note that that though “not genre, he played the villain in Experiment in Terror which was a memorable film.” Thanks Mike! 

Not surprisingly, he’d be in Twilight Zone. The first time “The Four of Us are Dying” where he’s already dead as Johnny Foster. Seriously he is. Nice touch there, Serling. The next time is in what starts as a purely SF episode which is described this way, “Space Cruiser E-89, crewed by Captain Paul Ross, Lt. Ted Mason (his character), and Lt. Mike Carter, is on a mission to analyze new worlds and discover if they are suitable for colonization.”  Well, this being the Twilight Zone, it will take a trip into the very strange of course. 

It is said that the Artemus Gordon character was largely shaped by Martin himself. He created almost all of his disguises for the show, and even the gadgets used on the series were either created by him or largely constructed with his input. Even the make-up he did for many of the episodes was mostly his own design. Given that he was in eighty-five episodes, that’s quite amazing!

Gordon missed nine episodes after suffering a heart attack. The actor was temporarily replaced by familiar actors like William Schallert and Alan Hale, Jr.  So yes the Captain did escape from the island. And time traveled. 

I loved the series, loved him and Conrad, thought they made a great pair of agents. I’ve watched the series quite a few times including on DVD about a decade ago, that viewing allowed me to see pre-production sketch that was made of his very first make-up design for the pilot episode. 

The four season boxed set has the two movies plus all the extras from seasons two  through four but very oddly not the ones from the first season when these were first released as separate sets. A very odd thing to do. And yes, you can find the separate seasons easily enough on eBay. 

After this series, his genre appearances are as follows. 

He appeared in another Serling series playing Mister Gingold, a  moneylender with almost no compassion for his debtors who would get his due justice Night Gallery-style in “Camera Obscura”, and again as Bradley Meredith in “The Other Way Out” as the jig is up after he kills a go-go dancer. Serling did not write this script and it shows. There’s nothing at all interesting here.

Not genre (I think, we could call it genre adjacent) was his role was Charles Chan in The Return of Charlie Chan

Definitely genre was his appearance on Quark as Zorgon the Malevolent in “All the Emperor’s Quasi-Norms, Parts 1 & 2”. 

I’m down to his last three genre appearances, he was in    The New Adventures of Wonder Woman  as Bernard Havitol in the “IRAC is Missing” episode and his next two genre role was as Ace Scanlon in a Fantasy Island two parter, “The Devil and Mandy Breem” and “The Millionaire”.

His final genre role was on Mork & Mindy as Godfrey in the “Mork and the Bum Rap” episode. That, I think, covers it. 

(7) COMICS SECTION.

From Cooper Lit Comics:

(8) USE THE COFFEE MACHINE, LUKE. “’Star Wars’ Marathon Set From Alamo Drafthouse With All Nine Films” says The Hollywood Reporter.

Alamo Drafthouse is hosting a Star Wars marathon of all nine movies to screen back-to-back May 3-4, coinciding with the 25th anniversary of Star Wars: Episode I — The Phantom Menace.

The Texas-based theater chain will host the 21-hour marathon of the Skywalker Saga’s episodes one through nine at the Alamo Drafthouse New Mission in San Francisco. The all-in-one-sitting viewing will start May 3 with The Phantom Menace and end a day later with a screening of The Rise of Skywalker.

There will be breaks for “unlimited coffee and water” to keep your eyes open in case the Force isn’t enough. Audiences can expect Star Wars-themed food items from a galaxy far, far away at the concession stands, an immersive Star Wars lobby for selfies, and games and trivia between screenings.… 

(9) WARP FACTOR TEA. Of course, if you’re not a coffee drinker, Adagio Teas looks like they have at least ten selections in their “To Boldly Brew…” line. One of them is “Picard’s Tea. Earl Grey. Hot. Tea”. Below are three examples of the art on the product tins.

Picard’s Tea. Earl Grey. Hot. Creamy Earl Grey Moonlight blends beautifully with Summer Rose, (English roses in honor of Sir Patrick Stewart’s homeland). Extra rose petals added for that touch of Starfleet Command red. [Episodes: TNG 2×11 “Contagion,” 4×26 “Redemption,” 6×19 “Lessons,” 7×20 “Journey’s End,” 7×25/26 “All Good Things…”]

(10) ON THE BEACH. [Item by SF Concatenation’s Jonathan Cowie.] “NASA’s Mars rover probes ancient shorelines for signs of life” reports Science. A  core drilled by Perseverance in October 2023 suggests it has been driving on the remains of an ancient beach.

…For the past few months, NASA’s rover, which is collecting rock samples to eventually send to Earth, has explored a ring of rocks just inside the rim of Jezero crater, which is thought to have been filled with water billions of years ago. An initial analysis suggests the rocks are composed of rounded grains of carbonate, a mineral that precipitates out of water. It’s a promising sign that the rocks were once beachfront property, says Briony Horgan, a planetary scientist at Purdue University who leads the rover’s science campaign. “You can imagine the waves crashing up against the shores of an ancient palaeolake,” she says….

(11) A PENGUIN IN YOUR FUTURE. “Colin Farrell returns in Max’s first The Penguin teaser” — let AV Club set the stage.

While fans will need to wait an extra year to see Robert Pattinson re-don his black cape for The Batman Part II (the film is now set to premiere in 2026), they don’t need to stay out of Matt Reeves’ gritty version of Gotham entirely. Colin Farrell’s Oz Cobb—in all his prosthetic-covered glory—is returning far sooner for his own eight-episode spinoff series, which lands on Max sometime this fall.

Move over, Tony Soprano. A new boss is coming to HBO. The first teaser for The Penguin opens in a flooded Gotham, right where the 2022 film left off, with Farrell doing exactly what any DC villain worth his salt should do: monologuing….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Visit to a Replica of Sherlock Holmes’ Sitting Room at 221B Baker Street

Sherlock Holmes’ desk.

By Bill and Teresa Peschel: Inside an unassuming house in Reading, PA is a treasure. It’s a complete down-to-the-last-detail, life-size recreation of Sherlock Holmes’ sitting room at 221B Baker Street.

And, if you’re a member of a Sherlock Holmes fan group (there are many across the world including the U.S. and we welcome new members) you can visit it on open house days.

Teresa Peschel — and Bill. if you know where to look for him.

Bill and I are members of the White Rose Irregulars, a group based in central PA. Thus, when word comes from on high that the sitting room is open for visitors, we make the trek to Reading. The owner, a member of the Baker Street Irregulars, opens up once or twice a year. He gets visitors from across the United States who come to revel in sitting in Sherlock’s own easy chair, gawk at Sebastion Moran’s air rifle, study the chemistry lab, listen to the sound of horses clip-clopping outside on the street, try to identify the hundreds of items on display and connect them to the canon, and buy loads of Sherlock merchandise to supplement their own hoards.

In addition, the owner sells memorabilia to benefit the Baker Street Irregulars Trust. It uses the money raised to raise Sherlock’s profile in the public school system. He acquires it from everywhere: donations, people downsizing their collections, others who have gotten duplicates, or the heirs who don’t know what to do with any of that stuff.

The current plan for the sitting room is it will eventually go, down to the last cocaine syringe and spent bullet casing, to the University of Minnesota’s Sherlock Holmes collection. It will join some 60,000 other items including the Peschel Press contribution to Sherlock studies: The 223B Casebooks. These comprise nine volumes of vintage Sherlock Holmes parodies covering 1888 – 1930. And yes, the owner of Sherlock’s sitting room has a set of our books. We’re very proud.

This is an amazing place to visit. You enter the house, descend the staircase lined with Sherlock movie memorabilia, and enter the sitting room. Once inside, you can walk around and marvel, even touch things. Two passageways lined with more posters and such lead to the memorabilia room. It’s crammed with wonderful treasures you can buy with a clear conscience because you’re supporting the BSI Trust. While you’re there, you can meet and chat with Sherlock fans from across the country, some of them very big names indeed.

But until Sherlock’s sitting room reopens and you can go to Reading, enjoy the pictures.


Bill and Teresa Peschel are indie writers and publishers from Hershey, PA. They publish a wide variety of books, including the 223B Baker Street series which collects vintage Sherlock Holmes fanfiction and annotations of Agatha Christie and Dorothy Sayers golden age mysteries. Visit them at Peschel Press to learn more or follow them on Instagram for daily quotes and posts.

Lis Carey Review: Sherlock Holmes & the Silver Cord

Sherlock Holmes & the Silver Cord by M.K. Wiseman
Self-published, 2023

Review by Lis Carey: As with other Sherlock Holmes tales by M. K. Wiseman, Holmes is his own chronicler. Not, this time, due to Watson’s absence, but because this tale is about what’s going on inside Holmes’s head, as he recovers from the mental and emotional impact of the death of Moriarty, his own three-year absence, and his surprise return to London, 221B Baker Street, and Watson’s life.

In the Reichenbach Falls adventure, Holmes always intended to kill Moriarty in their final confrontation, but he had expected to die himself. He saw no way of returning alive.

Holmes berated himself with guilt and self-contempt, for leaving Watson to believe him dead for three years, for perhaps being not much better than Moriarty for his willingness to kill, for blithely accepting Watson’s willingness to return to 221B Baker Street and their partnership together after that three-year absence, and for devoting himself to the relatively minor undertaking of mopping of the mostly petty criminals that were what was left of Moriarty’s crime empire.

Except, as we see, his feelings about Watson’s acceptance of his return without reprimand or rejection are anything but blithe. Holmes feels guilt about that, and shame, and questions his very worth as a human being. In the midst of this, two cases come his way. One involves a widow, Mrs. Jones, who has received in the mail diary pages which are clearly in her hand, that she does not recall writing, which recount an affair with a friend of her husband’s, while her husband was still alive. The man’s name is Percy Simmons.

The other case is brought to him by the head of the Theosophical Order of Odic Forces–one Mr. Percy Simmons. The same Percy Simmons, of course. The theosophists — there were and are a variety of theosophical groups — believe among other things that magic is real, and can be used for good or ill. Mr. Simmons informs Holmes that members of his group are being magically attacked by an enemy. Two have died already, and a third has sunk into a deep sleep, from which he has not awakened for nine days. He wants Holmes to find that enemy.

Over the course of the next days, Holmes and Watson search for evidence of the enemy, evidence that Simmons is a charlatan, and evidence that the two cases may be somehow connected.

Although Watson has some concern about what seems to be odd behavior from Holmes, he does not know what’s going on inside his head–either his guilt and self-contempt, or the way Simmons’s talk about theosophy and its ability to reveal both justice and evil. Holmes is strongly tempted by the idea that it may be the path out of his self-loathing and guilt.

But for it to do that for him, he has to know that it’s not all a charlatan’s fraud.

It’s an interesting mystery, and it’s also an interesting look inside Holmes’s head.

I received a free electronic galley of this book from Rachel’s Random Resources.

(M.K. Wiseman, 2023)