Tag Archives: Thunderbirds

Pixel Scroll 10/7/24 Hello Dothraki, My Old Friend

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(1) SUSANNA CLARKE ON NATIONAL BBC RADIO. [Item by SF Concatenation’s Jonathan Cowie.]  BBC Radio 4’s Book Club devoted its programme this Sunday to Susanna Clarke’s 2020 novel Piranesi. It was short-listed for the Hugo, Nebula, Kitschies, BSFA, World Fantasy, Dragon Awards, and won the Woman’s Book Prize. It also won Hungary’s Zsoldos Péter – ‘Best Translated Novel’.

Susanna Clarke

Its plot concerns Piranesi, whose house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls, an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house – a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known…

Over four million copies have been sold worldwide. Currently, Oregon animation studio is adapting it for the big screen.

Susanna was interviewed in front of an audience who then got to ask questions.

Susanna Clarke won the Women’s Prize for Fiction with her novel Piranesi. She joins James Naughtie and a group of readers to answer their questions about this intriguing, tantalising novel.

You can download the .mp3 here: BBC Radio 4 – Bookclub, Susanna Clarke: Piranesi.

(2) ASHEVILLE: A REPORT FROM A FAN. [Item by Michael J. Walsh.] The author, Steven Vaughan-Nichols, was a member of the Washington SF Association, then years ago he moved to Asheville. “I’m a tech pro – but when a hurricane hit my mountain home, the disconnection shocked me” in ZDNET.

…We didn’t know this information then because our power had failed, the internet was down, and our phones were out. A few hours later, our water stopped, and a week later, most of these services were still out. (Cellular reception is better in some areas but still not what it was.)

Completely disconnected 

After the first day, it began to sink in just how disconnected we were — not just from the world but also from friends only half a mile away. It’s horrible when you start to realize how bad things are in your community and can’t reach people to see if they’re OK. 

I’d expected my power and internet to be off — an ERC Broadband 100 gigabit per second fiber backbone cable was down in my front yard. However, I didn’t expect to lose my Verizon cellular service. More fool me. 

While most cellular towers were still up, 70% of western NC’s cell phone towers and equipment were out of service because their fiber connections had been cut. We had no fiber, no net, no phone, and no connection to anyone beyond our neighborhood.

Life is different without connections. I stay in touch with my friends, co-workers, and family through email, Slack, social networks, and, in a pinch, phone calls and texts. However, all of these communication methods were out. That also meant my loved ones, friends, and colleagues couldn’t reach me to ensure I was okay…. 

(3) HWA’S FUTURE. Mary SanGiovanni has published a wide-ranging discussion of her aspirations for the Horror Writers Association: “On the HWA” at A Writer’s Life.

So… I’d like to talk about writing organizations and the Horror Writers Association (HWA), from one professional writer to another, and to our industry at large.  I have been plucking the strings of this particular harp for many years, and I think I may have, in the past, come across as critical, but that’s because I want to be proud of the HWA and see it do well.  I have served as a Trustee, so I understand the inner workings to some extent.  I am an Active member, and have been, on and off, for almost two decades.  I see all that the organization could be and I can’t — I just can’t – give up on it without trying once more to generate some discussion about how to utilize the HWA to strengthen our position in the publishing world. 

The following is what I would like the HWA or any other writing organization that I am a member of to be,- in a perfect world — or maybe just a fantasy world.  If the HWA would like to use any of these ideas, please do so with my blessing and enthusiastic support.  Also, please see the disclaimers which follow, as I imagine they will address any number of complaints people may have with the following essay….

Here’s an excerpt:

MISSION/FOCUS

Some years ago, the HWA opened the doors of its membership to Associate members, which, at the time, included editors, publishers, agents, booksellers, librarians, etc.  Now, I absolutely think that it is crucial for writers (and for the organization as a representative of those writers) to work with people in other facets of the publishing industry.  I believe the HWA should be able to facilitate such relationships through networking opportunities, introductions, directories, etc. 

That being said, I also think that a writing organization should never lose sight of its primary goal, which is to protect the rights of and foster opportunities for writers.  There are times (e.g. contracts) when the best interests of writers and the best interests of, say, publishers, may be at odds.  It is important to have a steadfast supporter of writers to guide the business transactions and best practices whenever possible.  That is harder to do if the writing organization’s loyalties are split between two factions.  Maybe some rule or by-law (or general practice which governs decisions and official actions of the board) should generally reflect or default to writers’ interests.  Perhaps the organization can find ways to work out compromises that all might be satisfied with, but writers’ interests should come first.

Also, I believe that a professional writing organization should foster an environment of professionalism — should insist on it, actually, at least in the spaces where the organization holds some dominion.  Many of us think of our industry as a community or even a family of sorts, where business and pleasure in a sense often mix.  Of course they do.  We’re colleagues and co-workers, but also close and cherished friends, even lovers and spouses.  There are people in this business I would take a bullet for.  Of course we care about each other.  BUT…

This is first and foremost an industry, a business.  We need to treat it like one, and we need an organization, if called upon, to shepherd that professionalism.  We need it to make wise and shrewd business decisions concerning the well-being of the membership.  We need it to arbitrate in business matters, to support efforts of writers to demand fair treatment, equal pay (or hell, payment at all),  and help navigate contractual snares, and to examine ways in which it can promote fairness and equality in the professional arena for all writers….

(4) DOWN TO THE WEAR BARS. LAist warns those planning a Halloween-tribute visit to this shrubbery that it is out of order: “PSA: The ‘Halloween’ hedge in South Pasadena is under maintenance”.

Every October, scores of people flock to a classic California Craftsman in South Pasadena to pay tribute to the horror flick, Halloween.

Just like the mask-wearing Michael Myers did in that exact location, visitors would peer out from the behind the hedge in maximum creepy fashion.

The stance requires one foot to be firmly on the lawn adjacent to the hedge. Day in, day out — it has amounted to quite a bit of wear and tear.

“We’ve always had an issue with our grass in general, so it’s not just that one area, but obviously because people do stand in that section…,” said Esther Park, who lives in the South Pasadena house with her family….

… The process of reseeding and fertilizing the entire front lawn is likely to take the next few months, estimated Park.

To alert those seeking photo ops, Park’s husband first put out plant labels asking folks to not step in the section, but recently had to upgrade to planting orange flags around it.

“I don’t know how much people really pay attention to that,” she said…

Here is the relevant clip from the 1978 movie: “The Hedge Scene”.

(5) JOSHI FELLOWSHIP TAKING APPLICATIONS. [Item by Michael J. Lowrey.] The John Hay Library at Brown University invites applications for its 2025 S. T. Joshi Endowed Research Fellowship in H. P. Lovecraft. The Fellowship is provided for research relating to H.P. Lovecraft, his associates, and literary heirs. The application deadline is January 17th, 2025.

The Hay Library is home to the largest collection of H. P. Lovecraft materials in the world, and also holds the archives of Clark Ashton Smith, Karl Edward Wagner, Manly Wade Wellman, Analog magazine, Caitlín Kiernan, and others. The Joshi Fellowship, established by The Aeroflex Foundation and Hippocampus Press, is intended to promote scholarly research using the world-renowned resources on H. P. Lovecraft, science fiction, and horror at the John Hay Library (projects do not need to relate to Lovecraft). The Fellowship provides a monthly stipend of $2,500 for up to two months of research at the library. The fellowship is open to students, faculty, librarians, artists, and independent scholars. Applications are encouraged for projects that make use of material not already available digitally through the Brown digital repository.

For more information and to apply, please visit https://library.brown.edu/joshi/.

(6) HWA ANNOUNCES COMPLAINT RESOLVED. HWA’s Volunteer Coordinator Lila Denning published this statement about the resolution of complaints brought by Cynthia Pelayo and Clash Books.

In my official capacity as HWA Volunteer Coordinator, I was asked to share this information:

In response to official complaints filed by author member, Cynthia Pelayo, and publisher member, Clash Books, the HWA engaged its formal Anti-Harassment Policy and met with both parties. The HWA Board is pleased to report, that the complaint has been settled and both parties are in agreement with plans to go forward. While any terms are private between the two parties and the HWA, there are a few statements that, at the request of both parties involved, the HWA agreed to share with the larger HWA membership to eliminate confusion and/or speculation in the public sphere.

Clash would like to truly apologize for sharing untrue personal information about Pelayo, her family and representatives, while Pelayo would also like to publicly apologize for tagging authors and parties who had nothing to do with the situation on social media. Otherwise, all parties want to be clear that they are going to be at StokerCon in June 2025 and have no problem being in the same places in a professional setting. The parties involved appreciate their privacy in this matter and are ready to move on.

Finally, Pelayo, Clash Books, and the HWA Board would like to remind all members that the HWA is here to support their members. There is a formal process to deal with harassment. All parties want to encourage others in the HWA community to bring their concerns to the Board rather than taking their issues to social media.

The HWA Anti-Harassment Policy can be found here.   

(7) JOKER FLINGS BOMB. NO ONE INJURED. [Item by Mike Kennedy.] Joker 2 has laid an egg at the box office, but no heads will roll. The Hollywood Reporter believes it knows why. “’Joker: Folie à Deux’ – Who Is to Blame for the DC Disaster?”

… But over the Oct. 4-6 weekend, everyone at Warners, including the executive duo, were left reeling as Folie à Deux collapsed in its box office debut with a $37.8 million domestic opening after becoming the first comic book movie in history to receive a D CinemaScore. Phillips, according to one source, spent the weekend in seclusion on a ranch property he owns.

Domestically, Folie à Deux opened well behind DC’s 2023 The Flash ($55 million) and Marvel Studios’ The Marvels’ ($46.1 million), both of which were major bombs. It also came in behind Sony’s relatively inexpensive Morbius ($39 million).

“It is complete audience rejection,” says one source close to the film.

Overseas, Folie à Deux came in at an estimated $81 million, in line with expectations but still notably behind the first film.

While it is not the lowest North American opening for a pic based on a DC character, Joker: Folie à Deux is major stumble. Yet numerous sources tell THR that there’s no studio head in Hollywood — save perhaps for Sony Pictures’ Tom Rothman — who would have turned down making a sequel to a film that was both a commercial and critical hit. To boot, Abdy and De Luca were under orders by Warner Bros. Discovery chief David Zaslav to fill a bare cupboard after the studio’s Project Popcorn disaster, which alienated talent by sending its entire 2021 slate day-and-date to streaming service Max. Zaslav also is keen to exploit the company’s IP more fully.

“It is a collective failure, but it was right to make this movie,” says one top veteran producer and financier, who points out that Phillips is a brilliant directorwho has made Warners billions between the first Joker and The Hangover movies.

Still, observers wonder how De Luca and Abdy could have presided over a film that veered so far off course from what audiences wanted or expected.

One answer, perhaps: Phillips was given an extraordinary level of autonomy and final cut. There was no test screening, though insiders say this was a mutual decision between the filmmaker and Warners in order to preserve spoilers. That decision does stretch credulity, as the film does not have a particularly spoiler-heavy plot, and even spoilerific movies like Marvel Studios’ Avengers: Engdame had multiple test screenings…

(8) ROBERT J. COOVER (1932-2024). Author Robert J. Coover died October 5 at the age of 92. Honestly, to me, his most interesting book was The Universal Baseball Association, J. Henry Waugh, Prop. (1968) about a fantasy baseball league, however, the Associated Press didn’t even mention it in their obituary:

…His notable works included “The Babysitter,” in which a night out for the parents multiplies into a funhouse of alternative realities; “You Must Remember This,” an X-rated imagining of the leads in “Casablanca,” and the novel “Huck Out West,” in which Coover continued the adventures of Mark Twain’s Huckleberry Finn.

“A lesson I learned from reading (Thomas Pynchon’s) ‘V’ has stuck with me all my life: All my work is basically comic,” he told the Boston Globe in 2014. “That’s the only thing I have ever written. Even though they’re not always viewed as such, the books are all meant as comic works.”…

The New York Times admired those books and some others, including The Public Burning.

…Political myths came into Mr. Coover’s cross hairs in “The Public Burning” (1977), a novel that reimagined the case of Julius and Ethel Rosenberg, the married couple who were convicted of conspiring to steal atomic bomb secrets for the Soviets and executed in 1953.

The novel featured the Rosenbergs and other historical figures, like Richard M. Nixon and J. Edgar Hoover, as well as two mythic characters, Uncle Sam and the Phantom, who represented the overheated rhetoric of Cold War antagonism.

…Mr. Coover was an aggressive purveyor of puns and other willfully playful devices (he once named a detective Philip M. Noir), a tendency that some critics found both energizing and exhausting….

(9) COMICS SECTION.

  • Carpe Diem claims it’s all in the timing.
  • Rubes has another take on that asteriod.
  • Spectickles announces a landing.
  • Crankshaft says Bradbury predicted our future.
  • Tom Gauld knows some people can’t stand winning.

(10) ‘ARCS’ BOARD GAME REVIEW. [Item by N.] A little late, but it seems that there was a delay on retail sales because of the East Coast port strike. Now that the strike is concluded, expect copies to show up at your local tabletop game store over the course of this month. “Arcs, from Leder Games, turns a folk card game into a space opera” at Polygon.

…Arcs: Conflict and Collapse in the Reach is yet another radical attempt at tabletop innovation. The end result, available at retail beginning Oct. 1, is a unique approach to single-session strategy wargaming that evokes classics like Risk and Twilight Imperium. But when paired with a massive day-one expansion, Arcs morphs into a mind-blowing three-session campaign game with evolving rules and curious in-fiction discoveries. It’s completely over the top in all the best ways, and there’s nothing yet released quite like it….

(11) IT’S NOT PRINCE ALBERT IN THESE CANS. “Thunderbirds: Berkshire unseen film cans found in garden shed” – BBC has the story.

Film cans containing unseen footage of the Thunderbirds TV show have been found in a garden shed.

A family found the cans – light-tight containers used to enclose film – in a Buckinghamshire shed belonging to their father, who was an editor on the show and died recently.

Stephen La Rivière, from Century 21 Films which received the 22 old cans, said they mainly contained Thunderbirds material from the 1960s, including an alternative version of an episode that was never broadcast.

It is hoped the footage – filmed on the Slough Trading Estate in Berkshire – can be shown to the public as part of the series’ 60th anniversary next year….

(12) CAROL ANN FORD WANTS BACK IN. “Original Doctor Who star ponders ’emotional’ return” she tells the BBC.

… Carole Ann Ford, from Ilford, played Susan, granddaughter of the Doctor played by William Hartnell when the BBC show started in 1963. The character has been frequently mentioned in the recent series with Ncuti Gatwa.

During an appearance at Luton Comic Con, the actress said she wanted to return although she admitted it “would be very emotional.. very emotional”.

“I don’t know if I could survive the excitement actually, it would be intense beyond all intensity,” she said.

Carole Ann Ford, far right, says a return to Doctor Who will be emotional 60 years on

The 84-year-old is the last member of the original cast following the death of William Russell in June.

She said: “It’s not just returning, it would bring back all the memories of William Russell and Jackie and Bill [William Hartnell] and various other people who aren’t with us anymore.

“I might be a little bit overcome and start blubbing.

“I keep being reminded I’m the last one standing and it’s not something I’m happy to hear.”…

… Last year the character returned to screens in a newly colourised version of the 1963 episode, The Daleks, which was broadcast on BBC Four to mark the show’s 60th anniversary.

The actress encouraged fans to be vocal in their support of her return if there was any chance of her returning.

In an interview on BBC Three Counties Radio, she hinted that she had had “one or two” conversations about returning in the past.

“I’ve had many conversations about going back, maybe not with the right people, I don’t know,” she added.

When it was suggested her character could be recast, she joked: “They better not, I’d burn the studio down.”…

(13) PUMPKIN SPICE MIL-SF. Military.com says these are “The 10 Best Military Horror Movies for the Halloween Spooky Season”.

It’s difficult to make a decent military horror movie. If we want the audience to be scared, the good guys need to be scared, too — but the scariest things about life in the U.S. military are black mold in the barracks and jet fuel in the drinking water. Frightening? Yes, absolutely, but not in a Hollywood “scream queen” kind of way.

Still, a good military horror movie isn’t impossible. The stakes just need to be a bit higher, the monsters a bit bigger and the heroes a bit harder. And the terror most often isn’t from the supernatural: The biggest bogeyman for the military in horror movies is usually the government, just like in real life….

1. “Aliens” (1986)

“Alien” is probably the greatest sci-fi horror movie ever made, so it only stands to reason that a sequel that employs space Marines to fight the aliens is going to make for the best military horror movie ever. Indeed, “Aliens” has everything the original has: a scary monster (the Xenomorphs), a great hero (Sigourney Weaver as Ellen Ripley) and a lot of people to shockingly kill off one by one. It’s even scarier because the audience knows exactly that, aside from the threat of getting ripped in half, what makes “Aliens” so frightening is being hunted and overrun by a swarming enemy — an enemy you know is going to impregnate you orally and stick you to a wall for the baby to exit via your chest. It doesn’t get much better (or worse, depending on who you ask) than that….

(14) TALL WALL. “Huge LEGO ‘Game of Thrones’ The Wall Has 200,000 Pieces – Is Very, Very Cool” reports the Bell of Lost Souls.

The Wall is maybe the most iconic setting in Game of Thrones. Constructed by Bran the Builder in the Age of Heroes, it marks the northern border of the Seven Kingdoms. Some three hundred miles long and several hundred feet high in most places, it is one of the wonders of the world. Of course, the wall is no normal wall; it is built of ice and carries potent magical protections.

Originally meant to keep the Others out of the Realms of Men, for most of its history, it instead kept the Wildlings of the North out of the Seven Kingdoms. The Wall is home to The Night’s Watch. This order of men sworn to defend the Wall and the Realms of Men has built a number of castles into the Wall. Along with the Red Keep, it is one of the major setting locations of the story.

The Wall has now been rendered in stunning detail in LEGO. Done by the talented Anuradha Pehrson (you can find their Flickr here), this immersive build has over 200,000 pieces. It’s a truly massive build and includes several sections of The Wall and vignettes combined into one. The model takes up a full 5 ft x 5 ft square and is about 4.5 ft tall. Due to having several elements and scenes, it is not consistent on one scale.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, N., Michael J. Walsh, Michael J. Lowrey, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/27/24 Pixels Scroll Out Of The Sky And They Stand There

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(1) INUNDATED BY CLIMATE CHANGE. Author of the Southern Reach novels Jeff VanderMeer says “Hurricane Helene: Storm Decision Fatigue Is Getting to Me” in an opinion piece for the New York Times (unlocked article).

As the tropical disturbance that became Hurricane Helene moved north toward Florida’s Gulf Coast on Tuesday, I had an argument with myself about evacuating from Tallahassee: If I ran from the storm, would I get caught up in it anyway? I was thinking of Charlize Theron’s character in the movie “Prometheus,” crushed by a spaceship that crashed while she ran in a straight line away from it.

Stricken by the thought of being trapped (or worse) in my house by falling trees, I decided to drive to Greenville, S.C., with my elderly cat, but not without extreme anxiety. Many Floridians like me who were not under mandatory evacuation orders remember Hurricane Michael in 2018 and other recent unpredictable, dangerous hurricanes. For us, decisions about whether to stay or leave and where to go have become more tortuous in ways that may be difficult to understand for those who don’t experience hurricanes regularly.

Many don’t have the resources to flee monstrous storms such as Helene. But for those who can evacuate, there is a sense of not being able to outrun them or that the destinations may become just as perilous. Every possibility feels both right and wrong and also like disaster deferred for only days — while dithering only shrinks the window for escape…

(2) A CROSS-GENRE TO BEAR. “Dean Koontz: On Writing Novels That Make Your Publisher Extremely Uneasy” at CrimeReads.

I am a bad boy. I have spread mustard on a sandwich as much as ten days after its use-by date. I have loitered where signs are posted that forbid loitering, not because I wanted to loiter; I was in a hurry to be elsewhere, but I wasn’t going to let anyone tell me where I couldn’t loiter. I have washed garments that I was commanded to “dry clean only.” Really, when it comes to obeying the rules, I am a dangerous nonconformist. This has also been true in my writing life, and while I’m not proud of it, I’m not ashamed, either.

When I began to write cross-genre novels with Strangers in the early 1980s, my publishers knew I was doing something unconventional, and they knew they didn’t like it, but at first, they couldn’t put a name to it or explain why such work made them uneasy.

Initially, I didn’t realize it was the manuscript of Strangers they found off-putting. I thought it must be something about me that repelled them. Something about my face? Everything about my face? Or could it be that I shouldn’t have eaten an anchovy and horseradish sandwich on garlic bread for breakfast that morning?

No. It was Strangers that made their eyes water and induced in them a shortness of breath equal to that of end-stage bacterial pneumonia. The novel was a thriller with a science-fiction premise, a love story, and a paranoid conspiracy tale, written as a mainstream novel, with a theme of transcendence. I was pressured to cut the 940-page manuscript to 450 pages and turn it into a flat-out sci-fi horror novel with a smaller cast and a theme of existential dread. I had considerable respect for the publisher, but I knew why I had done what I’d done, and I knew it wouldn’t work if half the text was cut….

(3) NYT ACKNOWLEDGES GAIMAN NEWS. Yesterday’s New York Times covered the sexual assault allegations made against Neil Gaiman and their effect on film and TV projects: “Production Linked to Neil Gaiman Is Halted Amid Sexual Assault Claims” (behind a paywall).

The production of a movie based on a book by the noted British author Neil Gaiman has been paused by Disney amid allegations that five women have made against him relating to conduct from 1986 to 2022, including one woman who said Mr. Gaiman groped her on a tour bus in 2013 and later paid her $60,000.

The women shared their allegations, which included claims of sexual assault, groping and kissing, on the podcast “Master: The Allegations Against Neil Gaiman.” Mr. Gaiman, 63, has told the podcast he denies any wrongdoing.

The allegations played a role in pausing the production of “The Graveyard Book,” an adaptation of the eponymous young adult novel by Mr. Gaiman, according to a person at Disney. But the allegations were not the sole reason that the production, which was in development, was paused. Disney would not provide any additional reasons.

Another production related to Mr. Gaiman has been canceled for unspecified reasons. “Dead Boy Detectives,” a TV series based on a comic book by Mr. Gaiman, will not return for a second season, according to Netflix, which declined to share why the series would not return. There have been no changes to the Netflix series “The Sandman,” which is based on a separate comic book series by Mr. Gaiman.

Amazon would not say whether there would be any changes to “Good Omens,” a series based on a novel by Mr. Gaiman written in collaboration with Terry Pratchett.

The turmoil around the productions linked to the author has come amid the launch of the podcast, which in July and August released six episodes that detail the women’s accounts. The series has drawn widespread attention among fans, in literary circles and in the entertainment industry….

(4) MARI NESS ON GLASGOW 2024 ACCESSIBILITY.  “Glasgow 2024 – a Worldcon for our Futures – though perhaps not disabled futures” by Mari Ness at Blogging with Dragons.

…Glasgow 2024, a Worldcon for our Futures, had this statement on their Accessibility page:

“The Accessibility Team is committed to providing an equitable experience for all disabled members of Worldcon. Support will be available for those with mobility needs, visual impairments, hearing loss or differences, and various types of neurodiversity. “

A message from the con chair added this:

“Considering access, inclusion and diversity as integral to Glasgow 2024 has created an environment where we think carefully about what Worldcon can become – a convention to represent all of our futures as well as a place where everyone can celebrate, and an event where we can take these realities joyfully forwards after it is over.”

This all sounded, if not entirely reassuring, at least hopeful. So I bought my tickets.

It was not, in fact, an equitable experience for all disabled members of Worldcon…

Ness then details more than a half dozen accessibility difficulties she faced at the convention. She raised these issues to the committee with this result:

…On August 12, 2024, my last day at Glasgow 2024, I filed an official complaint, in person, about the con’s multiple accessibility issues. I was assured that this complaint would be escalated to the appropriate people for a response.

As of today [September 22], I have not received a response.

(5) SHADOW BANNED. [Item by Steven French.] For Banned Books Week, Leeds Central Library has published a list of books that were ‘banned’ by the Library in 1975 and which were only available to the public on request (although the list was not itself made know to said public before an alternative newspaper published it!). It included not only the likes of Norman Mailer and Gore Vidal but one Brian Aldiss (his Booker Prize long-listed novel The Hand Reared Boy was deemed too racy for the good burghers of Leeds). “Banned Books in 1975 – The Secret Library” at Leeds Libraries Heritage Blog.

(6) MAKING MONEY WITH ROBOTECH. CBR.com looks at “Jim Lee’s Revival of an ’80s Mecha Sensation — Robotech!”

…As many fans are aware, the show that became known as Robotech in the West is actually an amalgam series of sorts. Screenwriter Carl Macek was hired to adapt the 1982 series Super Dimension Fortress Macross for daily American syndication. Still, the weekly series didn’t have the requisite 65 episodes required for a syndicated series. A decision was made to pair Macross with two shorter anime, 1984’s Super Dimension Cavalry Southern Cross and 1983’s Genesis Climber MOSPEADA, to create an 85-episode series.

The disparate continuities would be explained as time jumps between episodes, but this didn’t make things easier regarding marketing and promotion. Complicating matters for the brand would be American model kit manufacturer Revell’s existing deal with the producers of Macross and a few other anime studios for a line of mecha scale-model kits imported from Japan. Revell called their two model lines Robotech Defenders and Robotech Changers. Revell even had a deal with DC Comics to promote Robotech Defenders as a limited series….

… While Robotech never reached the heights of Transformers‘ American popularity, the series had a devoted fan following. As other 1980s properties received comic book revamps in the early 2000s, it seemed inevitable that Robotech would join the fad. After bouncing around various indie publishers in the ’90s, the Robotech rights landed with Jim Lee’s WildStorm imprint circa 2002. As Harmony Gold creative director Tommy Yune bluntly stated in the first WildStorm release’s introductory text piece: “Everybody’s jumping on the ’80s bandwagon.” Harmony Gold viewed the reignited enthusiasm for ’80s properties as an opportunity to reboot Robotech, declaring the WildStorm series a new canon that superseded any preceding tie-in material….

(7) THE LATE DAVID GRAHAM. [Item by Steve Green.] Talking Pictures TV, the UK-based family-run cable channel which specializes in vintage television and movies, has posted an interview on its ‘Encore’ website with actor David Graham, who died September 20 at the age of 99. Graham featured in many of Gerry Anderson’s puppet series (he is best known for playing the chauffeur Parker in Thunderbirds) and also Doctor Who (voicing early Daleks and appearing on screen opposite both William Hartnell and Tom Baker). “Talking Thunderbirds: Voice Artist, David Graham”. Registration required.

In this Encore exclusive peak behind the curtain, we talk to the very talented David Graham, as he discusses his career, where the inspiration for Parker’s voice came from, being the voice of the Daleks, and other varieties of characters he’s voiced!

(8) VERSUS CLICKERS. “The Last of Us Season 2 Trailer: Joel, Ellie Return to Fight Clickers” – Variety sets the frame:

HBO released the first trailer for “The Last of Us” Season 2, featuring the return of Pedro Pascal as Joel and Bella Ramsey as Ellie, the two zombie apocalypse survivors from the hit video game adaptation.

The eight-time Emmy-winning series (with 24 total nominations) chronicles the story of Joel and Ellie as they navigate a world overrun with zombies infected with a parasitic fungus — not to mention the ruthless vigilantes, mercenaries and cannibals just as desperate to survive.

Here’s the official logline for Season 2: “After five years of peace following the events of the first season, Joel and Ellie’s collective past catches up to them, drawing them into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.”…

(9) MAGGIE SMITH (1934-2024). Actress Maggie Smith, well-known to fans from Hook and Harry Potter, died September 27 at the age of 89. The AP News obituary says: “…Smith drily summarized her later roles as ‘a gallery of grotesques,’ including Professor McGonagall. Asked why she took the role, she quipped: ‘Harry Potter is my pension.’”…

Read more about her memorable roles in Olivia Rutigliano’s “A Requiem for Maggie Smith” at CrimeReads.

…She began her career as a stage actress, with her earliest breakout role as Desdemona opposite Laurence Olivier in Othello at the National Theater in 1962. When she reprised the role in the 1965 film adaptation, she was nominated for her first Academy Award. She would go on to be nominated for six, winning for two.

Maggie Smith was not in many crime movies. But she was often the most memorable part of the ones that she was in: Dora Charleston in Murder by Death, Miss Bowers in Death on the Nile, and Constance, Dowager Countess of Trentham in Gosford Park. And we cannot forget her turn as the stern, intolerant, but ultimately-supportive Mother Superior of St. Katherine’s in Sister Act. She could whip that steeliness into provincial villainy just as easily as stony protectiveness or begrudging kindness. She had that twinkle in her eye, an overwhelming wittiness, and a knack for nuance that was so razor sharp that she could be flip and solemn at the same time, an affective style that would become her trademark.

Since the announcement of Smith’s passing, earlier today, I have watched an outpouring of tributes and trivia about her: an endless, adoring parade of praise and respect. Maggie Smith was one of those actors who openness to many different kinds of roles kept reinventing her for younger and younger generations. By the time she appeared as the no-nonsense Professor McGonagall in the Harry Potter films, my generation had already seen her as the elderly Wendy in Hook, Mrs. Medlock in The Secret Garden, and many others….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: “The Enterprise Incident” (1968)

“The Enterprise Incident” I believe was truly one of the classic episodes of the Star Trek series. Airing fifty-six years ago on NBC on this date, it was scripted by D.C. Fontana, one of eleven episodes that she would write including “Catspaw” that I dearly love, and directed by John Meredyth Lucas as the second episode of the third and final season.

If you’ve forgotten, the story is that Kirk violated the neutral zone. The Romulans have a new bit of technology called a “cloaking device” (just go with the idea please). Kirk pretends to be crazy, then pretends to be a Romulan to get to it. Meanwhile, Spock pretends to be in love. But is he pretending? Who knows. It’s fun to watch, isn’t it? 

D. C. Fontana says she based her script very loosely upon the Pueblo incident but I’ll be damned I can see this. It’s a Cold War espionage thriller at heart and most excellently played out. You did note the Romulnan commander never gets named? Later novels including Vulcan’s Heart by Josepha Sherman and Susan Shwartz gave her the name of Liviana Charvanek. 

Speaking of Vulcans, Fontana deliberately kept the romance between her and Spock low key to the finger games they did. And then there’s Roddenberry’s idea, never done, Spock “raining kisses” on the bare shoulders of the Romulan commander. Oh awful.

Season three had no budget, I repeat, no budget for frills, so this episode suffered several times from that. Kirk was supposed to have surgery done on him after dying but that got deep sixed, and McCoy was supposed to accompany him back to the Romulan ship but my, oh my ears are expensive, aren’t they? 

Fontana would co-write with Derek Chester a sequel: Star Trek: Year Four—The Enterprise Experiment, a graphic novel published by IDW Publishing in 2008.

Critics then and now love it.

It’s airing on Paramount + as is about everything else in the Trek universe. 

(11) COMICS SECTION.

  • Bliss can’t risk the distraction
  • Breaking Cat News is part of the fandom (and even gets the salute correct).
  • Eek! runs into the standard fix question.
  • Carpe Diem has misorders.
  • Macanudo objects to a wishful tradition.
  • Tom Gauld finds out a lovely-sounding idea is overrated.

(12) IT’S ALL TRUE, I SWEAR BY MY TATTOO. NPR research reveals “More than 15 markers claim aliens and UFOs have visited Earth”. One of them is in Pascagoula, Mississippi. The full citation is here: “Pascagoula UFO 1973 Historical Marker”. A full-size photo of the marker is here.

…“It was the evening of October 11, 1973 when two local shipyard workers went fishing,” the marker says, at the edge of the Pascagoula River.

The sign says Charles Hickson and Calvin Parker spotted a football-shaped craft, which took them aboard.

“Inside the craft, Hickson was examined by a robotic eye, then both men were deposited back on the river bank and the space ship shot away,” the marker says. Stamped at the bottom is the seal of the city of Pascagoula and the Jackson County Historical and Genealogical Society….

There’s no way to really know what happened that night in 1973, when the men waded headfirst into one of humanity’s greatest mysteries: Are we alone?

But the marker is now one of at least 15 that say, without hesitation, that aliens have come to visit Earth.

They join more than 180,000 other historical markers dotting the country’s landscape, and NPR found they wouldn’t be the first to claim something that may, or may not, be true.

There’s a marker in Massachusetts that claims the town was once home to a real, live wizard. New York has a marker about a ghost that plays the fiddle on a bridge in the moonlight….

(13) SUPER DUBIOUS. Ryan George decides “Invisibility is a Sketchy Superpower”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Steven Green, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 9/21/24 I’d Like To Scroll His Tailor

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(1) CHIANG THINKS LITTLE ART IN ARTIFICIAL INTELLIGENCE. Ted Chiang says this is “Why A.I. Isn’t Going to Make Art” in The New Yorker.

In 1953, Roald Dahl published “The Great Automatic Grammatizator,” a short story about an electrical engineer who secretly desires to be a writer. One day, after completing construction of the world’s fastest calculating machine, the engineer realizes that “English grammar is governed by rules that are almost mathematical in their strictness.” He constructs a fiction-writing machine that can produce a five-thousand-word short story in thirty seconds; a novel takes fifteen minutes and requires the operator to manipulate handles and foot pedals, as if he were driving a car or playing an organ, to regulate the levels of humor and pathos. The resulting novels are so popular that, within a year, half the fiction published in English is a product of the engineer’s invention.

Is there anything about art that makes us think it can’t be created by pushing a button, as in Dahl’s imagination? Right now, the fiction generated by large language models like ChatGPT is terrible, but one can imagine that such programs might improve in the future. How good could they get? Could they get better than humans at writing fiction—or making paintings or movies—in the same way that calculators are better at addition and subtraction?

Art is notoriously hard to define, and so are the differences between good art and bad art. But let me offer a generalization: art is something that results from making a lot of choices. This might be easiest to explain if we use fiction writing as an example. When you are writing fiction, you are—consciously or unconsciously—making a choice about almost every word you type; to oversimplify, we can imagine that a ten-thousand-word short story requires something on the order of ten thousand choices. When you give a generative-A.I. program a prompt, you are making very few choices; if you supply a hundred-word prompt, you have made on the order of a hundred choices.

If an A.I. generates a ten-thousand-word story based on your prompt, it has to fill in for all of the choices that you are not making. There are various ways it can do this. One is to take an average of the choices that other writers have made, as represented by text found on the Internet; that average is equivalent to the least interesting choices possible, which is why A.I.-generated text is often really bland. Another is to instruct the program to engage in style mimicry, emulating the choices made by a specific writer, which produces a highly derivative story. In neither case is it creating interesting art….

(2) WHERE ARE THE BRASS? “Army Ranger Candidates Get a Trial by Fire in New Sci-Fi Action Thriller ‘War Machine’” – a Military.com review.

Imagine going through a difficult U.S. military special operations training school, such as the Army Ranger Assessment and Selection Program, for months on end. You endure sweat, fatigue and punishment to reach a skill level most soldiers could only dream of. Then just when you think it’s nearly over and time to graduate, those skills are put to the test against an enemy you’ve only ever seen in movies like “Predator.”

That’s the scenario in which a team of Rangers-in-training find themselves in the new science fiction action thriller “War Machine,” which is slated to begin production this week. The Rangers, according to the movie’s official description, are in the final 24 hours of “a grueling special ops bot camp” when they “encounter a deadly force from beyond this world.”…

…In the movie, Ritchson portrays a team leader while James, Courtney, Richardson, Lonsdale and Webber are other soldiers in training. Quaid and Morales are their commanding officers, who we can only assume are either completely useless, die early on or are in cahoots with the otherworldly attackers. (The studios have given Military.com no reason to think this. We just came to this conclusion from personal military experience and watching a lot of military movies, especially ones from the 1980s.)…

(3) RICHARD POWERS PROFILE. “’I no longer have to save the world’: Novelist Richard Powers on fiction and the climate crisis” – in the Guardian.

“Are we legitimate? Is what we want defensible, and can we make it happen?”

Powers believes firmly that, rather than coming up with “another novel about who gets to marry who”, certain parts of the literary world have continued to explore those issues, perhaps most evidently in science fiction. “It’s interesting that literary fiction ghettoised science fiction for those very reasons, because literary fiction, for a long time, put its allegiance entirely in this programme of saying ‘we are unique and unparalleled and absolutely outside of everything else’, and that commitment to understanding the human as sui generis, as something separate and apart, that became so central to the programme [that it] created those kinds of artificial standards of excellence that made other ways of telling stories seem second rate somehow.”…

(4) FLAME ON. “Wētā FX Delivers the Dragons – and More – for HBO’s ‘House of the Dragon’” – Animation World Network tells how they do it.

Dan Sarto: So, HBO promised a lot of dragons and we got a lot of dragons. They weren’t just flying through the air, there were dragons on the ground, dragons hanging from the parapets, dragons integrated everywhere. When you’re working on multiple dragons, is there any reuse of assets or other efficiencies, or is each one completely unique?

Wayne Stables: While they’re all unique and there’s parts of them that become bespoke, like how they’re textured and how they’re modeled, there are things that you learn from one dragon to another that you can carry through – things like how they’re shaded. What works really well for transmission on the wings on one dragon will work really well for transmission on the wings of another dragon. You start to develop a certain look across the show.

You get some efficiencies from that and also from really just learning what the client likes, what it is that’s important to them. Once we’ve worked out the pattern for a particular dragon, say Seasmoke, we can take that to Vermithor, or to Caraxes, or to Syrax. So, you create some efficiencies that way, certainly in that you’re no longer trying to explore and see what works. Even if we tune it slightly, we’re going to have a really good baseline on that second dragon starting point….

(5) SECOND THE MOTION. “Skeleton warriors and plasticine chickens: why stop-motion animation is still going strong a century on” – the Guardian dives into the history of this format.

It all started – or stop-started, perhaps – with some tiny pterodactyls. As 1924 drew to a close, Marcel Delgado was putting the finishing touches to 50 model dinosaurs. For months, the sculptor had been meticulously constructing a range of Tyrannosaurus rexes, brontosauruses and pterodactyls. Now he was getting ready to pass them on to pioneering animator Willis O’Brien, who would painstakingly move each creature an almost imperceptible amount, shoot another frame, and then repeat the process.

A year later, The Lost World – the first ever feature film using what was termed “stop-motion” – was released, transforming Arthur Conan Doyle’s novel of the same name into an action-packed spectacle. Audiences were astounded, even dumbfounded by its seemingly supernatural special effects.

To modern eyes, the film itself is a bit of a dinosaur. Its technology is prehistoric, its colonialist themes outdated and its animated sequences clunky. But the meteoric impact of these miniature dinosaurs is still felt; a century later, stop-motion cinema is very much alive and flicking.

… Then, on Boxing Day, Aardman’s short film Wallace & Gromit: The Wrong Trousers was released in the UK. A commercial smash, it would go on to win the Oscar for best animated short. Among those it inspired was Will Becher, whose fanmail to the studio later landed him a role making plasticine wings for Chicken Run. Now, he is a lead director who helmed the acclaimed A Shaun the Sheep Movie: Farmageddon. “Aardman’s stories come from a place of character and comedy. They’re very British,” he says. “It’s bold and poppy, all about goofy, googly eyes and brows and big mouth shapes.”

In the 21st century, it’s notable that many of the greatest stop-motion successes have been in children’s horror, with plasticine faces falling in just the right part of the uncanny valley to be both cute and creepy. In 2009, Selick’s Coraline became the third highest-grossing stop-motion film ever, bagging awards for its otherworldly tale of a young girl opening a door to a sublimely strange and unsettling world….

(6) DAVID GRAHAM (1925-2024). Deadline reports “David Graham Dead: Voice Of Peppa Pig, Doctor Who And Thunderbirds”. He was also in seven episodes of the children’s SF series Timeslip.

The man behind one of the world’s most familiar voices has died aged 99.

In a long career, British actor David Graham provided the voices for characters in TV series including Peppa Pig, Thunderbirds and Doctor Who.

For today’s generation of children, his voice will be instantly familiar as that of Grandpa Pig, in the Peppa Pig series.

Previously, for nearly two decades he created the sound of the evil Daleks in the long-running sci-fi show Doctor Who – adopting a staccato style and then feeding his voice through a synthesiser.

And previously, he lent his dulcet tones to Lady Penelope’s butler and chauffeur Parker, in Gerry Anderson’s Thunderbirds TV series and films. The BBC reports that he also played the show’s pilot Gordon Tracy, and Brains the engineer, between 1965 and 1966. In 2015, Graham became the only original cast member to return for an ITV remake of the show….

(7) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Sepetmber 21, 1964 — Andy Duncan, 60. “Beluthahatchie”, Duncan’s second published story, was written while he was attending the 1994 Clarion workshop, appeared in Asimov’s in 1997, and earned his first Hugo nomination in 1998. The experience yielded him this bit of wisdom: “I’m glad I didn’t know then, as I know now, that enough fantasy stories about Robert Johnson have been written in recent years to fill an anthology; I might well have abandoned the idea, assuming it had ‘been done.’  Advice to writers: It’s never been done, until you do it.”  Within a few years, when Duncan had enough work to fill a collection, it graced the title, Beluthahatchie and Other Stories, a volume which won a 2001 World Fantasy Award. (And that same year his story “The Pottawatomie Giant” won the WFA for Short Fiction.)

The next year, his novella “The Chief Designer” won the prestigious Theodore Sturgeon Memorial Award.

Duncan’s other awards have included a 2013 Nebula for the novelette “Close Encounters” , and a 2014 World Fantasy Award for the novella “Wakulla Springs” co-written with Ellen Klages. The latter was also up for a 2014 Hugo and I voted for it but to no avail.

Andy Duncan. Photo by Scott Edelman.

(8) COMICS SECTION.

(9) LORD, HELP THE MISTER THAT COMES BETWEEN ME AND MY SISTER. Hermoine helps found the Bene Gesserit? “Dune prequel release date: Here is when Dune: Prophecy debuts on Max” at Popverse.

Can’t get enough Dune? Then you’ll want to mark your calendar for the upcoming streaming series prequel, Dune: Prophecy. A prequel to 2021’s Dune, the story is centered on the origins of the Bene Gesserit. But when can you expect to watch the show on Max for yourself?

While Dune: Prophecy is a spin-off of Denis Villeneuve’s big-screen Dune adaptations, it is set 10,000 years before the events of those movies. The series centers sisters Valya (Emily Watson) and Tula Harkonnen (Olivia Williams), who are responsible for establishing the Bene Gesserit. This fabled sisterhood is known for undergoing intense training so as to acquire superhuman abilities.

The series was ordered in 2019, and principle photography took place in Hungary and Jordan. Originally titled Dune: Sisterhood, the series is based on the original 1965 Dune novel by Frank Herbert and the 2012 prequel novel, Sisterhood of Dune by Brian Herbert and Kevin J. Anderson. 

The first episode of Dune: Prophecy, “The Hidden Hand,” is scheduled to debut on Max on November 15, 2024….

(10) RABID PUPPY RELIC. In case you ever wondered, which seems unlikely, Camestros Felapton checked and — “Voxopedia still exists”.

… When I last checked in 2022, the permanently out-of-date clone of Wikipedia was down to three regular editors….

Looking now and I think it is down to just Sd-100 and Bassiano…

Bassiano appears to be running through some external source of biographies of 19th century Irishmen and English clergy? This activity does appear to be generating articles that you won’t find on Wikipedia, although not particularly interesting ones….

…Basically Infogalactic is, in the words of Miracle Max, mostly dead.

(11) ‘BRILLIANTLY DISGUSTING’. “’The Substance’ review: Brilliantly disgusting and deranged” is the opinion of this AP News reviewer.

In its first two hours, “The Substance” is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.

But the film’s deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.

What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is….

(12) LOVE IS BLUE. “Doctor Who-mad father and son build TARDIS complete with control console” – Manchester Evening News has the story. Photos of the work in progress at the link.

A father and son who share a love for Doctor Who built a TARDIS complete with a control console and the iconic blue box.

Pablo Agurcia, 37, has been a fan of the British science fiction series for almost 15 years. When watching the first episode with Ncuti Gatwa in the lead role in December 2023, his son Joaquim Agurcia, six, joined him and instantly became hooked….

… The pair used an old carboard box, polystyrene foam and a collection of old wires and bolts from the garage to create what is now their TARDIS console. To build the exterior they used a book shelf in the shape of phone box and painted it blue….

(13) CYBORG. [Item by SF Concatenation’s Jonathan Cowie.] “’Meeting a real-life cyborg was gobsmacking’ says film director” in this BBC article.

For the past 20 years, self-declared “cyborg artist” Neil Harbisson has provoked debate with his “eyeborg” – a surgically attached antenna.

Harbisson, who grew up in Barcelona, is colour blind, having been born with the rare condition achromatopsia, which affects one in 33,000 people.

This means he sees in what he calls “greyscale” – only black, white and shades of grey.

But he decided to have surgery in 2004 which changed his life – and his senses – attaching an antenna to the back of his head, which transforms light waves into sounds.

When film director Carey Born came across Harbisson, classed by Guinness World Records as “the first officially recognised ‘cyborg’,” she was “gobsmacked and astonished”.

Her next move was to meet him, and then make a film about him – Cyborg: A Documentary.

It explores how he navigates his life, along with effects and implications of his unusual surgical procedure.

“The reason he did it was not to substitute the sense that he was lacking – it was in order to create an enhancement,” Born tells the BBC.

“So that was really the main hook that I thought was fascinating.”

(14) EUROPA CLIPPER MISSION. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Science journal takes a look at NASA’s forthcoming mission to the Jupiter moon Europa. There is a good chance that this will give us some exobiological clues, or at the very least some insights into prebiotic chemistry.  Nonetheless, I do remember Arthur’s warning…

ALL THESE WORLDS ARE YOURS – EXCEPT EUROPA.
ATTEMPT NO LANDING THERE.

The Europa Clipper mission is expected to launch in October (2024) and arrive in 2030.

You can read the article here.

(15) RYAN GEORGE AS A GROCERY CLERK/DETECTIVE. [Item by Mike Kennedy.] It’s not really sfnal, but I think it’s sort of adjacent given the whole “Sherlock/Mentalist/CSI/solving crimes out of nowhere“ vibe. “When Cashiers Comment On Your Purchases”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, N., Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Toy Review: Thunderbirds 2086 Moderoid Thunderbird Model Kit

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Review by Iain Delaney: Thunderbirds 2086 is the 1982 Japanese anime series loosely based on the original 1964 series, Thunderbirds. It is known as Scientific Rescue Team Technoboyger in Japan, thus the label on the box of this toy. Although not considered canon, the series is an indirect sequel to the original marionette show. International Rescue is now a large, multinational organization, an areology built on an island in the South Pacific has replaced Tracy Island, and instead of the original five Thunderbirds vehicles, there are now eighteen. In typical anime fashion, some of these vehicles can merge and form larger machines, but thankfully not a giant humanoid robot.

The box contains the pieces needed to build the first three ’TB’ vehicles: TB-1, TB-2, and TB-3. TB-1 is mostly white space plane, TB-2 is a large, blue, rectangular cargo carrier, and TB-3 is yellow, multi-wheeled all-terrain crawler. The party piece of the set is that the three combine into one large vehicle.

The models themselves are easy to build and molded in separate colors so that they don’t need painting. No glue is needed either, since all the parts snap together. The ’Moderoid’ brand is a relatively new line of plastic model kits from the Japanese toy manufacturer Good Smile Company. The snap-fit mechanism is reasonably tight but nowhere near as good as the kits from Bandai, especially the Gundam model kits. In either case, edge cutters are the best way to separate the parts from the plastic tree. This is the only tool you really need, but tweezers are useful in applying the decals which are tiny. I gave up trying to put the dashes in between the letters and numbers because they were too small to handle and position properly.

With the three ships assembled you can merge them by splitting TB-3 in half, attaching one half to either side of TB-2, then unfolding the undercarriage of TB-1 and snapping it into place on top of TB-2.

The result is something that is not really attractive or that makes much sense; but it is screen-accurate. It’s a must-have for fans of this obscure series, or Thunderbirds completists. The Thunderbirds 2086 model kit is priced at $74.99 US and is available from the Big Bad Toy Store.

Iain Delaney was born in the UK but moved to Canada at an early age. The UK heritage explains his fascination with British TV SciFi, including Thunderbirds, Captain Scarlet, UFO, and, of course, Dr. Who. After fumbling through high school, he fumbled through university, emerging with a degree in physics. With no desire to pursue graduate studies he discovered that a bachelor’s degree had little to no job prospects, so he took up a career in computer programming. In his off time he reads, watches TV and movies, collects toys, and makes attempts at writing. To that end he has a small number of articles published in role-playing game magazines and won two honorable mentions in the Writers of the Future contest. He is working on an urban fantasy YA trilogy and entertains delusions of selling it to movies or TV.

Pixel Scroll 10/19/23 A La Recherche Du Pixels Perdu

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(1) INTERZONE NEWS. Gareth Jelley, Editor & Publisher of Interzone and IZ Digital announced today that “Interzone’s hiatus, thankfully, was very temporary.” He told File 770, “Although it is sad to lose the print edition, moving forward on a regular schedule is crucial; and I have plans for annual Interzone print anthologies, in the future, once the zine is back on track.”

Interzone 296 will be published in November. The table of contents is posted at the Interzone Patreon.

Ebook subscriptions starting from IZ 295 (the current issue) are available directly from https://interzone.press.

Jelley says, “If readers have already purchased a print issue of Interzone #295, I’ll automatically extend their e-sub by one issue.”

If people prefer to pay monthly, there is now a Patreon.

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

15-minute video showing a walk around the con

Although it’s only in Chinese, the first half of this Bilibili video gives the best impression yet of what it’s like to walk around the con.  There’s a section in the middle of vox pop interviews with what I assume are a random selection of attendees, and it ends with a more leisurely wander around the central area of the museum.

The video was posted today (Thursday 19th); I assume it was filmed on the opening day of the con.  It was posted by an account called 中国科幻博物馆 / China Science Fiction Museum, so I assume it’s an official production by the con venue.

Another walkaround video

This sub-3-minute Chinese language Bilibili video is (I think) by some vloggers.  From around 01:15 through to 02:15 there are short interviews with some of the people running the fan tables; I think they are in turn the SF clubs of Sichuan University, Electronic Science & Technology University and Southwest Jiaotong University, which Google tells me are all located in Chengdu.

I think there’s a split second glimpse of Nicholas Whyte around 01:14, although the image fades to black as he comes into view, so I’m not completely certain.

Handy guide to starting inter-fandom wars in Chinese

New Star Press posted these images to Weibo.

I’m not sure where those cards might be available; I dunno if they’re fan-made, or perhaps could be picked up from their publisher booth?

Hugo X interview with Chinese Hugo finalists

This 38-minute video on Bilibili is likely to have minimal international appeal given the lack of English subtitles, but Hugo finalists Hai Ya and Jiang Bo are two of four SF writers in a group interview.

Some brief English language clips

There’s nothing actually related to SF or the con in this short interview with Chris M. Barkley that was posted to Twitter; I don’t know if it’s an extract from a longer video.

Bilibili has extracts from an interview and a panel with German writer Brandon Q. Morris.

Chinese SF In Memoriam video

SF World magazine posted this video to their Weibo account today. The In Memoriam video was shown at the Galaxy Awards Ceremony, as shown in this video of the event, with audience reaction. It commemorates some of the writers, translators and fans from the history of Chinese SF who are no longer with us.

Kind words for File 770

File 770 got namechecked by Adaoli/SF Light Year in a second Weibo post, this seems to be a transcript of an interview he gave at the con; it sounds like there might be a video version of this interview at some point? — https://weibo.com/2417401527/NoCYEyAY8

The relevant text from near the end, via Alibaba Cloud Translate:

There is a very famous American science fiction platform (File770). Its manager is over 70 years old this year. We can’t make phone calls, we can only communicate by email. He has insisted on publishing this science fiction information for decades. From this perspective, in fact, in addition to the publicity of regular publishing companies, there are many wild science fiction fans, They can also have a lot of contribution and strength. He is also my idol, and I also hope that I can persist in doing some sci-fi releases, which will be more helpful for everyone to learn more about domestic and foreign sci-fi information.

Errata

Someone spotted one of the items that were in the Oct 13th Scroll, which had a couple of translation errors, at least one of which I should have spotted.  There are four screengrabs from that Scroll, of which three are screengrabs from other Chinese social media posts. — https://weibo.com/1720576035/NnEe2c4Vb

Twitter / X and Facebook accounts that are actively posting from the con

I don’t really “do” Facebook, so that list is highly likely to be incomplete.  All are English-language unless otherwise stated, and in no particular order.

Twitter / X:

Facebook:

(3) GLAD TO HEAR IT. Ukranian fan Boris Sydiuk told Facebook readers the news that Sergey Lukyanenko didn’t appear at the Chengdu Worldcon.

…This is good news to us in Ukraine and to all global Fandom. It means Fandom united together can do important things to protect truth and humanity. We hope all fans can enjoy their convention, though I am sorry that Chengdu Worldcon could not bring themselves to dis-invite an appalling person who condones atrocities, ethnic cleansing, and hails killing people who don’t want to speak Russian. It is a shame he will forever be listed as a Worldcon GoH, but let it be known that somehow he was not there, that fans did not have to withstand his rhetoric, listen to his lies and he failed to attend….

(4) KENTUCKY COUNTY REMOVES MORE THAN100 BOOKS FROM SCHOOL LIBRARY. [Item by Joel Zakem.] The Boyle County, Kentucky, schools are removing more than 100 books from various school libraries, citing a recently passed anti LGBTQ+ law. Several of the titles are definitely genre, including four of Herbert and Anderson’s “Dune House Atreides” books and two of Tue Southerland’s “Wings of Fire” books. There may be a few others that I did not recognize. The book list is here.

The article from Louisville Public Radio: “Kentucky school district bans more than 100 books, citing anti-LGBTQ+ law”,

A children’s picture book about a boy who likes to dress up in his mom’s clothes.

A series about a teen who rides dragons in a dystopian universe.

A graphic novel based on the diary of Anne Frank.

These are among the more than 100 books banned from libraries in Boyle County Schools….

The article from the local Boyle County newspaper: “Boyle schools removing library books in response to SB 150” in the Advocate-Messenger.

…Some books that have been removed include “Gender in the 21st Century” by M.M. Eboch, “Only Mostly Devastated” by Sophie Gonzales, “Julian is a Mermaid” by Jessica Love and “The League of Super Feminists” by Mirion Malle.  Superintendent Mark Wade said in an interview with the Advocate-Messenger that the district removed books based on language in SB 150. Since the Kentucky Department of Education did not provide specific guidance on some language, the law was left open to the interpretation of each local BOE.  Part of the law about respecting parental rights states that “Children in grade five and below do not receive any instruction through curriculum or programs on human sexuality or sexually transmitted diseases; or any child, regardless of grade level, enrolled in the district does not receive any instruction or presentation that has a goal or purpose of students studying or exploring gender identity, gender expression, or sexual orientation.”…

(5) 2024 CREATIVE WRITING AWARDS COMPETITION FOR HIGH SCHOOL SENIORS. Penguin Random House, and We Need Diverse Books (WNDB), have opened submissions for the 2024 Creative Writing Awards. This is the first year the awards include the Freedom of Expression Award; in the face of book bans and attacks on free expression on the rise in America, Penguin Random House and We Need Diverse Books celebrate the power of books and stories. Applicants to the new award will be asked to answer the prompt, “Tell us about one banned book that changed your life and why.” 

The 2024 competition launches on October 16, 2023, and closes on January 16, 2024—or when 1,000 applications have been submitted. Current high school seniors who attend public schools in the United States, including the District of Columbia and all U.S. territories, and are planning to attend college in fall 2024, are eligible and encouraged to apply.

Six first-place $10,000 prizes will be awarded in the categories of: the Michelle Obama Award for Memoir, the Amanda Gorman Award for Poetry; the Maya Angelou Award for spoken-word; fiction/drama; and the new Freedom of Expression Award.  In recognition of the Creative Writing Awards previously being centered in New York City, the competition will award an additional first-place prize to the top entrant from the NYC area. Runners up will also be honored…. 

Complete guidelines here.

(6) TODAY’S DAY.

October 19, 1953 – Fahrenheit 451 published.

[Item by John King Tarpinian. First published in 2013.] On this day in history one of the most read science fiction novels was published. One of the few, if not only, novels of sci-fi on the majority of middle and high school reading lists.

Fahrenheit 451 is one of three books that as a young man made me think about stuff outside of my comfortable life. The other two were Dalton Trumbo’s Johnny Got His Gun and Robert Heinlein’s Stranger in a Strange Land. The three making up a trio of books that woke up my little brain.

Fahrenheit 451 was made into a movie by the French director, François Truffaut. It was his first movie in color and his only English-language film. Remember the French guy in Close Encounters of the Third Kind?  That was Truffaut.

Flatscreen TVs were in this book. Bluetooth was in this book. Most people know that Ray never drove a car, remember that in the book Clarisse was killed by a speeding car. Montag was a brand of paper; Faber was a brand of pencil. Beatty was named for the lion tamer, Clyde Beatty.

Bradbury’s book rails against censorship, in any form.

Lastly, Ray’s headstone reads “Author of Fahrenheit 451.”

(Use this link to see a parade of Fahrenheit 451 book covers from over the years.)

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 19, 1921 — George Nader. In 1953, he was Roy, the leading man in Robot Monster (a.k.a. Monster from Mars and Monsters from the Moon) acknowledged by him and others to be the one of the worst SF films ever made. He showed up in some decidedly low budget other SF films such as The Human Duplicators, Beyond Atlantis and The Great Space Adventure. Note: contrary to popular belief, Robot Monster is not in the public domain which is why I’m not linking, nor should you. This movie is under active copyright held by Wade Williams Distribution. (Died 2002.)
  • Born October 19, 1940 — Michael Gambon. Actor of Stage and Screen from Ireland who is best known to genre fans as Professor Albus Dumbledore from the Hugo-nominated Harry Potter films (a role he picked up after the passing of Richard Harris, who played the character in the first two films). He also had roles in Toys (for which he received a Saturn nomination), Mary Reilly, Sleepy Hollow, and the Hugo finalist Sky Captain and the World of Tomorrow. He has had guest roles in episodes of The Jim Henson Hour, Doctor Who, and Tales of the Unexpected, and played an acerbic storyteller and possible tomb robber in Jim Henson’s The Storyteller. He has also done voice roles in animated features including Fantastic Mr. Fox, Paddington, and The Wind in the Willows, in which he voiced very nicely The Badger. (Died 2023.)
  • Born October 19, 1943 — Peter Weston. He made innumerable contributions in fan writing and editing, conrunning, and in local clubs. He was nominated for a number of Hugo awards but never won, including a nomination for his autobiography Stars in My Eyes: My Adventures in British Fandom. For many years the Hugo rockets were cast by the car-parts factory which Weston owned and managed until he retired. (Died 2017.)
  • Born October 19, 1943 — L.E. Modesitt, Jr., 80. Writer of more than 70 novels and 10 different series, the best known of which is his fantasy series The Saga of Recluce. He has been Guest of Honor at numerous conventions, including a World Fantasy Convention. He won a Neffy for his Endgames novel, and an Utah Speculative Fiction Award for his Archform: Beauty novel. 
  • Born October 19, 1945 — John Lithgow, 78. He enters SF fame as Dr. Emilio Lizardo / Lord John Whorfin in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’ll later be in Santa Claus: The Movie, Harry and the Hendersons, Shrek, Rise of the Planet of the Apes, Interstellar and the remake of Pet Sematary. (One of those films that really, really shouldn’t have been made.) Oh, and he voiced The White Rabbit on the Once Upon a Time in Wonderland series! He of course is Dick Solomon in 3rd Rock from the Sun.  And for true genre creds, he voiced the character of Yoda in the NPR adaptations of The Empire Strikes Back and Return of the Jedi.
  • Born October 19, 1946 — Philip Pullman, 77. I’ll confess that I like his Sally Lockhart mysteries, both the original versions and the Billy Piper-led series, far more than I enjoy the Dark Materials series as there’s a freshness and imagination at work there I don’t see in the latter. Oh, some of the latter is quite good — I quite enjoyed Lyra’s Oxford and Once Upon a Time in The North as the shortness of them works in their favor.
  • Born October 19, 1948 — Jerry Kaufman, 75. Writer, Editor, Conrunner, and Fan who, while in Australia as the DUFF delegate, created a Seattle bid for the Australian Natcon which actually won the bid (temporarily, for a year, before it was overturned and officially awarded to Adelaide). He was editor of, and contributor to, numerous apazines and fanzines, two of which received Hugo nominations. With Donald Keller, he founded and ran Serconia Press, which published criticism and memoirs of the SF field. He served on the Board of Directors of the Clarion West Writers Workshop and served as Jurist for the James Tiptree, Jr., Memorial Award. He has been Fan Guest of Honor at several conventions, including a Westercon. (JJ) 
  • Born October 19, 1990 — Ciana Renee, 33. Her most known genre role is as Kendra Saunders / Hawkgirl on Legends of Tomorrow and related Arrowverse series. She also showed up on The Big Bang Theory as Sunny Morrow in “The Conjugal Configuration”, and she played The Witch in the theatrical production of Daniel Wallace’s Big Fish: A Novel of Mythic Proportions.  She was also Elsa in the theatrical production of Frozen.

(8) COMICS SECTION.

  • Half Full asks the same question some of you have asked.
  • Drabble’s picks for the scariest movies might not be on your list.

(9) STRINGS ATTACHED. [Item by Steve Green.] Talking Pictures TV is a family-run British cable channel specializing in old movies and television shows. To tie in with broadcasts of the 1960s series Thunderbirds, the channel’s online “watch again” service TPTV Encore has posted an interview with puppeteers John and Wanda Brown.

Related interviewees at the site include art director Bob Bell, script editor Alan Pattillo and actor David Graham (the voice of Parker).

(10) TALKED TO DEATH. Slashfilm heard from the actor that “Robert Redford’s Twilight Zone Episode Holds A Certified And Significant Record”.

The third-season episode of “The Twilight Zone” called “Nothing in the Dark,” which first aired on January 5, 1962, is about an elderly woman living unhappily alone in a grim-looking, brick-walled basement apartment in an empty building. Wanda (Gladys Cooper) has, in recent years, become a recluse, fearing that a sojourn to the outside world will bring her face-to-face with death. By her description, however, this is literal. She once saw a man touch a woman with his finger, killing her instantly, leading her to know with utter certainty that Death is a person. Death, she also knows, can also look like anyone. So she surmises it might be best to stay away from people altogether. 

When a handsome young Robert Redford knocks on her door, however, her idyll is smashed. Redford plays a young cop named Harold who was shot in the line of duty and needs immediate medical care. Wanda refuses to let him in, knowing that he may be Death and that Death is sneaky. She eventually lets him in, he touches her, and she doesn’t die, so she is convinced all is well. Wanda and Harold discuss her views on death, her life of fear, and her philosophy that living cloistered is better than dying in the open air. But then, as we are living in the Twilight Zone, perhaps Harold may be Death after all. 

“Nothing in the Dark” was written by George Clayton Johnson (who wrote the novel “Logan’s Run, seven additional “Twilight Zone” episodes, and many other notable sci-fi stories), and the author created a wonderful miniature two-handed, one-act morality play where discussion takes precedence over action. It’s a sweet little character piece with fantastical underpinnings….

(11) RED LEADER GOES FOR OVER $3M. This X-wing fighter went walkabout. UPI found out where it’s been.

A formerly long-lost X-wing fighter model used on screen in the original 1977 Star Wars film was auctioned for a Force-disturbing sum of over $3.13 million.

Bidding on the 1:24 scale model opened at $400,000 and closed Sunday with a bid of more than $3.13 million.

Heritage Auctions said the model was long known as “the missing X-wing” until it was found in the collection of Greg Jein, who died last year after a career in miniature making that saw him earn awards nominations for his work on projects including Star Trek and Close Encounters of the Third Kind.

The miniature was one of four “hero” models created for filming close-ups in key moments during the famous third act battle in Star Wars Episode IV: A New Hope and features red stripes on its top two wings, identifying it as the Rebel Alliance squadron’s “Red Leader.”…

(12) VIDEO OF THE DAY. [Item by Kathy Sullivan.] University finals have gotten creative.  (Yes, yes, Encanto was on and I went looking for the Pluto parody and found this one as well): “We Don’t Talk About Pluto (My University Astronomy Final)”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Gareth Jelley, Steve Green, Joel Zakem, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 5/18/22 Fili, Scrolli, Pixeli – I Liked, Scrolled And Pixeled — Fiulius Pixar

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(1) ANIME CENTRAL RELAXES MASK POLICY. Anime Central is a convention taking place in Chicago from May 20-22. At the end of April the con committee was adamant that for ACen 2022 they’d be requiring all attendees to wear a mask and provide proof of vaccination or a negative Covid test result, and that this policy would not change.

However, their Covid policy has changed after all, reports Anime News Network: “Anime Central 2022 Reverses Mask Policy, No Longer Requires COVID-19 Vaccination or Negative Test”. ANN says, “An e-mail sent by and to Anime Central staff suggests that this was a decision made by the Midwest Animation Promotion Society (MAPS) following ‘lack of support from the venue’ and ‘last-minute communication.’”

Anime Central has changed its Covid policy to read:

…Our policies are based on current CDC Guidelines and align with the requirements of the Donald E. Stephens Conventions Center and state and local health authorities regarding large indoor events. Currently, verification of vaccination or proof of negative test are not required for admission to the Donald E. Stephens Convention Center or Anime Central. We will continue to monitor the requirements and guidance from state and local health departments….

Face Coverings Required in Select Areas

In our recent vaccine and mask policy change announcement, we stated that face coverings may be required in some areas of Anime Central or at the request of our guests of honor at their events. We’ve received a lot of feedback for clarification on which areas and events will require a face covering and which do not. Face coverings will be required to enter:

  • All guest and panelist events
  • The Dances
  • The Exhibit Hall
  • The Artist Alley
  • The Gaming and Entertainment Hall

We strongly recommend wearing masks in all lobbies, hallways, public spaces, and restrooms. Our team will continue to do the best we can to help enforce this in our spaces, we ask that you also join in in masking even where it’s not required.

(2) A WARNING. “’Have we not loved you? Have we not cared for you?’: The Plight of AI in the Universe of Douglas Adams” examined by Rachel Taylor at the Tor/Forge Blog.

…When we think of the dangers of AI, we normally think of Skynet, HAL or AM. And sure, there is a non-zero chance that any Super AI might spend five minutes on the internet and think “ah, I see the problem. Where are those nuclear codes?” But honestly, if I had to place money on the science fiction writer who will prove most prophetic in depicting our future relationship with AI? Not Philip K. Dick. Not Harlan Ellison. Not Asimov.

Douglas Adams, all the way.

In the universe of the Hitchhiker’s Guide to the Galaxy and its sequels across all media the relationship between humanity and the various computers and robots they’ve created is less apocalyptic warfare and more like a miserably unhappy marriage….

(3) ROSWELL VOICES. Here are the celebrity readers for this weekend’s 2022 Roswell Award event. Register for the free Zoom presentation.

The Roswell Award and Feminist Futures Award: Celebrity Readings & Honors recognizes outstanding new works of science fiction by emerging writers from across the United States and worldwide, including the winner of this year’s feminist themed sci-fi story. This thrilling show will feature dramatic readings by celebrity guests from some of today’s hottest sci-fi and fantasy shows and movies. Following the readings, the authors will be honored for their writing! 

(4) AURORA VOTERS PACKAGE. Canadian Science Fiction & Fantasy Association members can now download the 2022 Aurora Awards Voters Package. Login (or join) at www.prixaurorawards.ca. Downloads remain available until voting closes on July 23.  Voting for the 2022 awards will begin on June 11.

Have you started reading works by this year’s finalists? We are pleased to announce that this year’s voters’ package contains either e-versions or links for every single one of our 2022 nominated works and is open to all CSFFA members to download.

The electronic versions of these works are being made available to you through the generosity of the nominees and their publishers. We are grateful for their participation and willingness to share with CSFFA members. Please remember, all downloads are for CSFFA members only and are not to be shared.

The purpose of the voters’ package is simple–before you vote for the awards, we want you to be able to experience as many of the nominated works as possible so you can make informed decisions.

(5) HEAR RHYSLING NOMINEES READ ALOUD. The second of three readings of the short poems nominated for the Rhysling Awards will be held on May 20, 2022 from 7:00 to 8:15 p.m. Eastern, live on Facebook via Zoom. tinyurl.com/Rhysling2

The Science Fiction and Fantasy Poetry Association presents the annual Rhysling Awards, named for the blind poet Rhysling in Robert A. Heinlein’s short story “The Green Hills of Earth.” Apollo 15 astronauts named a crater near their landing site “Rhysling,” which has since become its official name.

Nominees for each year’s Rhysling Awards are selected by the membership of the Science Fiction and Fantasy Poetry Association. For 2022, 103 short poems and 78 long poems were nominated.

The last reading of the nominated short poems in the Rhysling anthology will be held on June 6, 2022 from 7 to 8 p.m. EDT. The readings, hosted by Akua Lezli Hope, are free and open to the public. 

(6) THE FIRST TRAILER FOR SHE-HULK. “You’ll like her when she’s angry.” She-Hulk: Attorney at Law, an Original series from Marvel Studios, starts streaming August 17 on Disney+.

(7) HIGHER LEARNING. In the Washington Post, Mary Quattlebaum interviews Dhonielle Clayton about The Marvellers, her YA magic-school novel. “’The Marvellers’ by Dhonielle Clayton features a diverse school of magic”.

… “So many people said it couldn’t be done,” said Dhonielle (pronounced don-yell) Clayton about a novel set in a school of magic. “How can anyone compete with Harry Potter?”

Well, Clayton proved them wrong. “The Marvellers,” the first book in her new middle-grade series, was launched this month.

The boarding school — called the Arcanum Training Institute for Marvelous and Uncanny Endeavors — is quite different from the Hogwarts of J.K. Rowling’s global publishing phenomenon. It’s located in the sky rather than a mystical land that resembles the Scottish Highlands. Young magic folks from around the world are invited to attend.

Clayton’s inspiration came from a real school, one in New York City’s East Harlem neighborhood, where she was a librarian.

“The kids there were from different countries, different cultures,” said Clayton, who lives in the city. “They didn’t see themselves in the fantasy books they wanted to read.”

So for the past five years, Clayton devoted herself to researching and writing a book that might reflect and connect with those students — and so many like them, around the world….

(8) THOUGHTS AND PREYERS. Giant Freakin Robot assures us, “The Predator Actually Looks Good Again In The Trailer For New Movie Set 300 Years Ago”.

…Prey will stream on Hulu starting Friday, August 5. While it will technically be a prequel to the rest of the Predator films, it will reportedly not directly reference any of their events. Besides, you know. Having someone from the same freaky alien species hunting people down and murdering them….

The YouTube intro says:

Set in the Comanche Nation 300 years ago, “Prey” is the story of a young woman, Naru, a fierce and highly skilled warrior. She has been raised in the shadow of some of the most legendary hunters who roam the Great Plains, so when danger threatens her camp, she sets out to protect her people. The prey she stalks, and ultimately confronts, turns out to be a highly evolved alien predator with a technically advanced arsenal, resulting in a vicious and terrifying showdown between the two adversaries.

(9) MEMORY LANE.

2013 – [By Cat Eldridge.] Ok I cannot do this essay without SPOILERS, so you are warned. Go away now if you haven’t read Ancillary Justice. 

Just nine years ago, Ancillary Justice, Ann Leckie’s debut novel came out. And oh what a novel it is! It’s the first in her Imperial Radch space opera trilogy, followed by Ancillary Sword and Ancillary Mercy. Breq is both the sole survivor of a starship destroyed by treachery by her own people and the carrier of that ship’s consciousness. What an amazing job Leckie does differentiating between those two characters.

Doing space opera that feels original is damn hard but she pulls it off here amazingly well. The very personal and the grand political are present here, balanced in a way and tangled together as well that is rarely done so intelligently. Genevieve Valentine of NPR in her review agrees with me saying that it is “A space opera that skillfully handles both choruses and arias, Ancillary Justice is an absorbing thousand-year history, a poignant personal journey, and a welcome addition to the genre.” 

Everyone in our community liked it as not only did it win a most deserved Hugo at Loncon 4, but it effectively swept the awards season garnering an Arthur C. Clarke Award, a BSFA Award, a Kitschies Golden Tentacle for Best Debut Novel, Locus Award for Best First Novel, a Nebula Award for Best Novel and a Seiun Award for Best Translated Novel. And it got nominated for a Compton Crook Award, Otherwise Award and Philip K. Dick Award.

The next two novels in this trilogy are just as stellar. Ancillary Sword got nominated for a Hugo at Sasquan, and Ancillary Mercy would get a nomination at MidAmericaCon.

The audioworks are narrated by Adjoa Andoh who appeared on Doctor Who as Francine Jones during the Time of the Tenth and Eleventh Doctors. They are quite superb. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 18, 1930 — Fred Saberhagen. I’m reasonably sure I’ve read the entirety of his Berserker series though not in the order they were intended to be read. Some are outstanding, some less so. I’d recommend Berserker Man, Shiva in Steel and the original Berserker collection.  Of his Dracula sequence, the only one I think that I’veread is The Holmes-Dracula File which is superb. And I know I’ve read most of the Swords tales as they came out in various magazines.  His only Hugo nomination was at NYCon 3 for his “Mr. Jester” short story published in If, January 1966. (Died 2007.)
  • Born May 18, 1934 — Elizabeth Rodgers. Yes, Nyota Uhura was the primary individual at the communications post but several others did staff it over the series. She appeared doing that as Lt. Palmer in two episodes, “The Doomsday Machine” and “The Way to Eden”.  She was The Voice of The Companion in a third episode, “Metamorphosis”. She would also appear in The Time Tunnel, Land of The Giants and Bewitched. (Died 2004.)
  • Born May 18, 1946 — Andreas Katsulas. I knew him as the amazing Ambassador G’Kar on Babylon 5 but had forgottenhe played played the Romulan Commander Tomalak on Star Trek: The Next Generation. I’m reasonably sure that his first genre role on television was playing Snout in A Midsummer Night’s Dream and he had a recurring role in Max Headroom as Mr. Bartlett. He also had appearances on Alien Nation, The Death of the Incredible Hulk, Millennium, Star Trek: Enterprise anda voice role on The Real Adventures of Jonny Quest. Screw the damn frelling Reaper for taking him far too soon.  (Died 2006.)
  • Born May 18, 1948 — R-Laurraine Tutihasi, 74. She’s a member of LASFS and the N3F. She publishes Feline Mewsings for FAPA. She won the N3F’s Kaymar Award in 2009. Not surprisingly, she’s had a number of SJW creds in her life and her website here gives a look at her beloved cats and a lot of information on her fanzines. 
  • Born May 18, 1952 — Diane Duane, 70. She’s known for the Young Wizards YA series though I’d like to single her out for her lesser-known Feline Wizards series where SJW creds maintain the gates that wizards use for travel throughout the multiverse. A most wonderful thing for felines to do! Her Tale of the Five series was inducted into the Gaylactic Spectrum Award Hall of Fame in 2003. She also has won The Faust Award for Lifetime Achievement given by The International Association of Media Tie-In Writers. 
  • Born May 18, 1958 — Jonathan Maberry, 64. The only thing I’ve read by him is the first five or six novels in the Joe Ledger Series which has an extremely high body count and an even higher improbability index. Popcorn reading with a Sriracha sauce.  I see that he’s done scripts for Dark Horse, IDW and Marvel early on. And that he’s responsible for Captain America: Hail Hydra which I remember as quite excellent. Not surprisingly, he’s won Stoker Awards and nominated for at least a dozen more. 
  • Born May 18, 1969 — Ty Franck, 53. Half of the writing team along with Daniel Abraham that s James Corey, author of the now-completed Expanse series. I’ll admit that I’ve fallen behind by a volume or two as there’s just too many good series out there too keep up with all of them, damn it, but now that it’s ended I intend to finish it. The Expanse won the Best Series Hugo at CoNZealand. The “Nemesis Games” episode of The Expanse is nominated at Chicon 8 for a Hugo as have two episodes previously. 

(11) FREE READ. “Grant Morrison Releases a Sci-Fi Comic He Made Back in the ’80s” and Gizmodo invites you to read it in a slideshow presented at the link.

Grant Morrison, multiple award-winning writer of acclaimed comic books like All-Star Superman, The Invisibles, Doom Patrol, New X-Men, Batman, and many many more, had a special gift released this past Free Comic Book Day. In wasn’t a new title; in fact, it was quite the opposite—a 40-year-old short story he’d written and drawn in the very early stages of his career. While Morrison originally posted it on their SubStack, we’re absolutely honored to be able to republish it on io9.

(12) A KALEIDOSCOPIC AUDIENCE. Charles Payseur, who now is reviewing short fiction for Locus and stepped away from his epic Quick Sip Reviews blog, speaks openly about how public expectations whipsaw critics. Thread starts here.

(13) ABANDONED LAUNDRY. The Guardian’s Lucy Mangan says, “Steven Moffat’s adaptation of Audrey Niffenegger’s 2003 bestseller is witty and well done, but it can’t overcome the novel’s depressingly old-fashioned and iffy implications.” – “The Time Traveler’s Wife review – far too much ick factor to be truly great”.

…He [The Time Traveler] learns to find his feet (and some clothes) a little faster each time. In the course of his many unchronological journeys, he meets his soulmate, Clare. They are wrenched repeatedly from each other’s arms to reunite weeks, months or years later in more or less romantic scenarios, depending on their ages at the time.

It is, in short, guff of a high order. But the new six‑part adaptation (Sky Atlantic) by Steven Moffat (a longtime fan of the book, which he used as inspiration for the Doctor Who episode The Girl in the Fireplace) does it proud. He takes the melodrama down a notch and salts the schmaltz with wit where he can.

Nonetheless, an emetic framing device remains….

(14) TELL NASA WHAT YOU THINK. “NASA Seeks Input on Moon to Mars Objectives, Comments Due May 31”.

As NASA moves forward with plans to send astronauts to the Moon under Artemis missions to prepare for human exploration of Mars, the agency is calling on U.S. industry, academia, international communities, and other stakeholders to provide input on its deep space exploration objectives. 

NASA released a draft set of high-level objectives Tuesday, May 17, identifying 50 points falling under four overarching categories of exploration, including transportation and habitation; Moon and Mars infrastructure; operations; and science. Comments are due to the agency by close of business on Tuesday, May 31. 

“The feedback we receive on the objectives we have identified will inform our exploration plans at the Moon and Mars for the next 20 years,” said Deputy Administrator Pam Melroy. “We’re looking within NASA and to external stakeholders to help us fine-tune these objectives and be as transparent as possible throughout our process. With this approach, we will find potential gaps in our architecture as well as areas where our goals align with those from industry and international partners for future collaboration.”   

(15) WEIRDO CEREAL NEWS. [Item by Martin Morse Wooster.] Not even kids stoked on sugar wanted to see creepy creatures staring at them from the cereal bowl, so I bought a box on the half-price shelf today. “Minecraft” at Kellogg’s.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The Blue Peter gang drive a full-scale Thunderbirds Fab-1 complete with a rotating license plate, machine gun, and a closed-circuit TV set in this 1968 BBC clip that dropped yesterday.

Blue Peter presenters Valerie Singleton, John Noakes and Peter Purves bring a fully-functioning life-size replica of Lady Penelope’s iconic Rolls-Royce, FAB 1 into the studio.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Olav Rokne, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 3/28/22 Rob S. Pixel (The S Stands For Scroll)

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(1) 2023 HELIOSPHERE GOHS. Congratulations to Sharon Lee and Steve Miller! Next year’s Heliosphere guests.

(2) TOUR OF THE RINGS. “Simu Liu will not sign ‘offensive’ Shang-Chi comic books at upcoming event” reports Yahoo!

“Shang-Chi and the Legend of the Ten Rings” star Simu Liu is set to attend The ACE Experience at comic convention Awesome Con alongside his co-stars Meng’er Zhang and Florian Munteanu, but fans must take note of some rules put in place for the signing event.

According to an ACE announcement, Liu, Zhang and Munteanu will be available for celebrity photo ops and in-person autographs on June 4 at Awesome Con at the Walter E. Washington Convention Center in Washington, D.C. The announcement also noted, however, that the actors would not be signing any comic books deemed offensive, particularly Marvel Comics’ original “Shang-Chi” run from 1974-83.

“Simu Liu will not sign any Master of Kung Fu comics or other comics deemed offensive,” the note read. “All autographs from Simu will be signed in English only.”…

(3) RACING WITH THE HEADLINES. In “The Big Idea: Gareth L. Powell” at Whatever, author Powell spotlights the risks of writing five-minutes-into-the-future stories.

…Near-future fiction is a tightrope act, a game played with the audience. It’s a way of looking at the world, reflecting it through a prism to make the everyday extraordinary and the future relevant to the reader. But it’s a risky undertaking. If you assume it takes 18 months to write and publish a novel, world events may have rendered the entire premise of the book obsolete before it hits the shelves. No other literature has such a potentially short shelf life….

(4) WORLD ENOUGH AND TIME. Do you have to master the rules before you can break them? Or if it’s your own rule, can you decide a story you want to tell is worth setting a preference aside? Whichever. Whatever! John Scalzi discusses a choice he made in writing his new novel: “Kaiju, Here and Now” at Stone Soup.

…The first thing is that, generally speaking, I don’t write in present time. I write most of my science fiction taking place hundreds, or even a thousand or more years in the future, and that has some advantages. For example, you can develop an entire civilization under different conditions than the one that currently exists; you can hand wave over hundreds or possibly thousands of years of technological evolution and just posit that certain things and certain technology exist…. 

(5) BISHOP TO KING FOUR. [Item by SF Concatenation’s Jonathan Cowie.] On B Beeb Ceeb Radio 4 yesterday was the Bishop Interviews in which the Archbishop of Canterbury, Justin Welby, interviews notable people.  (One of the benefits of the SARS-CoV-2 pandemic has been the proliferation of Zoom use which, of course, has been picked up by the media including Auntie.)

This week the Bishop interviewed horror and fantastical horror writer Stephen King. Both the Bishop and King had had alcohol abuse in their lives and both dealt with the question of what is evil. A fascinating interview: The Archbishop Interviews: Stephen King.

King’s written more than 60 novels, hundreds of short stories, and has sold hundreds of millions of books worldwide. Described as the “King of Horror”, he became a household name with novels such as Carrie, The Shining, and Misery. Those and countless others have been adapted for the big screen, including The Shawshank Redemption and The Green Mile, providing some of the most captivating moments in cinema history.

(6) ESSAY – TERRI WINDLING. [By Cat Eldridge.] Let’s talk about Terri Windling. The most epic of her undertakings was the Year’s Best Fantasy & Horror which started life as Year’s Best Fantasy. She edited the fantasy side and Ellen Datlow did the horror side. The very first edition won a World Fantasy Award, one of four such Awards that the series would get out of the fifteen editions she was responsible for with Datlow. One of the volumes, the thirteenth, picked her up a Stoker as well. 

Her first World Fantasy Award though was for Elsewhere, the initial volume in an anthology series she edited with Mark Arnold. 

The ever so excellent Wood Wife earned a Mythopoeic Fantasy Award for Adult Literature. There was supposed to a sequel but it never happened.

And although none won any Awards, I’d be remiss to not note a number of other works by her starting with The Old Oak Wood Series illustrated by Wendy Froud. For a taste of this series, read this charming essay, she wrote for Green Man a generation back. “Excerpt from The Old Oak Chronicles: Interviews with Famous Personages by Professor Arnel Rootmuster (Royal Library Press; Old Oak Wood, 2008)”

She also created and edited most of the amazing Borderland series and the Snow White, Blood Red series, with Ellen Datlow which is stellar reading indeed .

She’s also an editor with more titles to her name than I can fit here. She edited the Fairy Tale series with writer such as Steven Brust, Pamela Dean, Charles de Lint, Tanith Lee, Patricia C. Wrede, Jane Yolen, and others. 

All in all, an amazing individual.

Terri Windling

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 28, 1918 — Robert J. Serling. Brother of that Serling. Author of several associational works including Something’s Alive on the Titanic and Air Force One Is Haunted. He wrote “Ghost Writer” published in Twilight Zone: 19 Original Stories on the 50th Anniversary.  (Died 2010.)
  • Born March 28, 1922 — A. Bertram Chandler. Did you ever hear of popcorn literature? Well the Australian-tinged space opera that was the universe that of John Grimes was such. A very good starter place is the Baen Books omnibus of To The Galactic Rim which contains three novels and seven stories. If there’s a counter-part to him, it’d be I think Dominic Flandry who appeared in Anderson’s Technic History series. (My opinion.) Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t. (Died 1984.)
  • Born March 28, 1932 — Ron Soble. He played Wyatt Earp in the Trek episode, “ Spectre of The Gun”.  During his career, he showed up on a huge number of genre series that included Mission: Impossible, The Six Million Dollar Man, Shazam, Planet of The Apes, Fantasy Island, Salvage 1 and Knight Rider. His last genre role, weirdly enough, was playing Pablo Picasso in Pterodactyl Woman from Beverly Hills. (Died 2002.)
  • Born March 28, 1942 — Mike Newell, 80. Director whose genre work Includes The Awakening, Photographing Fairies (amazing story, stellar film), Harry Potter and the Goblet of Fire (popcorn film — less filling, mostly tasty), Prince of Persia: The Sands of Time and two episodes of The Young Indiana Jones Chronicles, to wit “Masks of Evil” and “The Perils of Cupid”.
  • Born March 28, 1946 — Julia Jarman, 76. Author of a  children’s book series I like a lot, of which I’ll single out Time-Travelling Cat And The Egyptian Goddess, The Time-Travelling Cat and the Tudor Treasure and The Time-Travelling cat and the Viking Terror as the ones I like the best. There’s more to that series but those are my favorites. I see no indication that the cats are available from the usual suspects alas. 
  • Born March 28, 1960 — Chris Barrie, 62. He’s Lara Croft’s butler Hillary in the most excellent original Tomb Raider franchise film. He also shows up on Red Dwarf for twelve series as Arnold Rimmer, a series I’ve never quite grokked. He’s also one of the principal voice actors on Splitting Image which is not quite genre adjacent but oh-so-fun.
  • Born March 28, 1972 — Nick Frost, 50. Yes, he really is named Nick Frost as he was born Nicholas John Frost. Befitting that, he was cast as Santa Claus in two Twelfth Doctor stories, “Death in Heaven” and “Last Christmas”. He’s done far more genre acting that I can retell here starting with the Spaced series and Shaun of The Dead (he’s close friends with Simon Pegg) to the superb Snow White and The Huntsman. He’s currently Gus in the Truth Seekers, a sort of low-budget comic ghost hunter series 

(8) COMICS SECTION.

  • Hi and Lois isn’t sff, however, I can’t pass up the opportunity to include Daniel Dern’s annotations. Read the strip, then come back.

Mort Walker created both Hi and Lois and Beetle Bailey; according to the Wikipedia. Lois was Beetle’s sister. He also created, among others, Sam’s Strip, which is about characters who know they’re in a comic strip (IIRC, mostly taking place “backstage”). There was a nice reprint collection of this ~10 years ago. Walker also did the interesting and informative book, The Lexicon of Comicana.

(9) RACKHAM REMEMBERED. “Wonder, Hungry Wolves, and the Whimsy of Resilience: Arthur Rackham’s Haunting 1920 Illustrations for Irish Fairy Tales” – The Marginalian’s Maria Popova offers “a lyrical reminder that our terror and our tenderness spring from the same source.”

… In 1920, in the middle of Ireland’s guerrilla war for independence, weeks before Bloody Sunday, a book both very new and very old appeared and swiftly disappeared into eager hands — a lyrical, lighthearted, yet poignant retelling of ancient Irish myths by the Irish poet and novelist James Stephens.

The ten stories in his Irish Fairy Tales (public library | public domain) transported readers away from the world of bloodshed and heartache, into another, where the worst and the best of the human spirit entwine in something else, transcending the human plane….

(10) USE YOUR VOICE, LUKE. Variety explains “How Ukrainian Company Respeecher De-Aged Mark Hamill’s Voice for ‘Boba Fett’ and ‘The Mandalorian’”.

…And how exactly did they pull it off?

Alex Serdiuk, the company’s co-founder and co-CEO spoke with Variety from Kyiv, just days before Russian bombs fell on the city, about how Respeecher was used on both “The Book of Boba Fett” and “The Mandalorian.” Explains Serdiuk, “We heard recordings from 30 to 40 years ago, and those recordings were not good.”

The main challenge for the team was to be able to squeeze imperfect data, something that sounded very rigid and have it mixed to make it sound like something had been recorded recently.

The solution lay in the archives. Serdiuk and his team pulled recordings of Hamill from old ADR sessions, video games and old audiobook recordings from the period. With the cleaner audio fed into the ReSpeecher app, Hamill’s younger voice was then artificially created….

(11) MOTHERLESS CHARACTERS. “Why Mother’s Day was no cause to celebrate for creator of Thunderbirds” – the Guardian tells why.

… He had found worldwide success, delighting generations of fans with 18 series and four feature films, which included Space: 1999 and Captain Scarlet. But Anderson had never got over the death of Lionel, his older brother, a handsome and heroic pilot who had died during the second world war; he also never recovered from the shock of hearing their mother, Debbie, say: “Why was it Lionel? It should have been you.”…

(12) HALF AND HALF. The New Yorker has a concise review of Richard Linklater’s movie “Apollo 10 ½”.

…Linklater tells the tall tale with a hallucinatory near-realism that emerges from rotoscoped images, animated atop live-action video, and from the meticulous catalogue of family life and sixties pop culture that Stan offers as a background—which nearly takes over the film….

(13) PRO TIP. Cat Rambo lights the way.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Daniel Dern, Steven French, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 11/12/20 When The Scrolling Gets Weird, The Pixels Turn Pro

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(1) THE NEXT GENERATION. James Davis Nicoll’s Young People Read Old SFF panel took a look at “’No Trading Voyage’ by Doris Pitkin Buck”. What did they think of this 1963 poem?

This month’s entry is from Doris Pitkin Buck, a Science Fiction Writers of America founder. Buck was mainly associated with The Magazine of Fantasy & Science Fiction, which for various stupid reason was not a magazine I followed closely back in the day. Accordingly, I was not familiar with her work when I encountered this example of it way, way back in 2019. I see I carefully side-stepped my issues with poetry in my review. Let’s see what my Young People made of her poem. 

(2) FREE MARS? In “Elon Musk’s Martian Way (Empire Not Included)”  on National Review Online, Texas Tech economist Alexander William Salter says a curious clause in Musk’s Starlink satellite contracts doesn’t mean Musk quietly wants to conquer Mars.

…But a much more exotic charge against Starlink, and Elon Musk himself, has recently come to light. A curious clause in Starlink’s terms and conditions suggests SpaceX’s future plans for a Martian settlement will result in SpaceX becoming a law unto itself. As the service agreement reads:

“For Services provided on Mars, or in transit to Mars via Starship or other colonization spacecraft, the parties recognize Mars as a free planet and that no Earth-based government has authority or sovereignty over Martian activities. Accordingly, Disputes will be settled through self-governing principles, established in good faith, at the time of Martian settlement.”

Nefarious! Or is it? We need some context.

Clearly, the clause doesn’t pose any immediate legal concerns. This is a long-term issue. One of Musk’s ambitions is to create a settlement on Mars. In Musk’s vision, much of the infrastructure for the settlement, including Internet via Starlink, will be supplied by SpaceX itself. That includes governance: the rules dictating how the intrepid Martian explorers will live together. In fact, SpaceX’s legal team is currently working on a Martian constitution.

This science-fiction-esque plan predictably led observers to decry the prospect of corporate domination of space. “Elon Musk plans to get to Mars first, and that means he can quickly establish a fiefdom where he makes his own rules by a first-come, first-serve system,” complains Caroline Delbert at Popular Mechanics. Legal experts weighed in soon after, claiming that this language violates international law. The smart set seems more than happy to cast Musk in the role of Hugo Drax, the tech-savvy Bond villain who sought space power to control humanity….

(3) ISFIC WRITERS CONTEST EXTENSION. Steven H Silver brings word that the ISFiC Writers Contest  for unpublished writers of science fiction and fantasy has extended its deadline for submissions to November 27. Guidelines for entries are at the link.

(4) HOW CAN THE SAME THING HAPPEN TO THE SAME GUY TWICE? “Bruce Willis returns to space to kick some alien derriere in Breach trailer” – Ars Technica sets the frame.

…Originally titled Anti-Life, the film’s premise is that a devastating plague has wiped out much of Earth’s population, and the survivors are being evacuated via an interstellar ark to “New Earth.” Willis plays Clay Young, described as a hardened mechanic who is part of the crew selected to stay awake and maintain the ark for the six-month journey. But then he discovers a shape-shifting alien (or “a malevolent cosmic terror,” per the early press materials) has also stowed away on the ark, and it seems to be intent on killing everyone on board…

(5) FIRST FANDOM SALUTE TO MADLE. First Fandom Annual 2020 has just been published with the theme “Celebrating Robert A. Madle.”

Robert A. Madle

This is a tribute to legendary fan Bob Madle, who just recently celebrated his one hundredth birthday.  In a long article featuring rare photographs and illustrations, Bob recounts his involvement in science fiction fandom over the course of ten decades.   He also reflects on the early days of Amazing Stories, the origins of FAPA, and the genesis of First Fandom.

Among the highlights: appreciations of Bob by some of his long-time friends, including a poem from 1968 by Robert Bloch; a gallery of First Fandom photos and a Robert A. Madle bibliography prepared by Christopher M. O’Brien.

Edited by John L. Coker III and Jon D. Swartz. 60 pages, limited edition (26 copies); Laser printed on good quality paper; Photographs and interior illustrations; Gloss covers, 8½ x 11, saddle-stitched.

This will soon be out-of-print, so order your copy today by sending a check or money order for $30 payable to John L. Coker III to 4813 Lighthouse Road, Orlando, FL 32808.

(6) COVID DELAYS ANOTHER CON. The Chicago Comics and Entertainment Expo has been pushed back: “C2E2 Postpones Next Convention to December 2021” at Comicbook.com.

The convention circuit has been profoundly impacted by the ongoing COVID-19 pandemic, as social distancing guidelines and fluctuating positivity numbers have thrown out the possibility of large scale events. As a result, many high-profile events have been forced to move into a digital format, or delay their dates well into next year. The Chicago Comics and Entertainment Expo, or C2E2, is the latest to do so, announcing on Tuesday that its next convention will be held from December 10th through December 12th of 2021. This delays the 2021 convention pretty significantly, as it was originally set to occur March 26-28, 2021.

(7) MCCAULEY OBIT. Literary agent Kay McCauley died on Sunday. Melinda Snodgrass paid tribute in “Living Life On Your Own Terms — Kay McCauley”.

I met Kay McCauley at the World Science Fiction Convention in Toronto back in 2003. I was in desperate need of a new literary agent, and George offered to introduce me to his agent. Kay was there to support George who was the GoH, but wasn’t much into the convention scene so I took a taxi and met her for lunch at her hotel.

The woman I met was a bit taller than me with elegantly coifed brunette hair, elegant gold jewelry, a chic pantsuit and a perfect manicure. Kay alternated between being charming, brusque, funny, judgmental, demanding. She pushed me — what are your goals? Why do you do this? What do you want to write? I could tell she was sizing me up in every way possible. I guess I managed to do something right because she became my agent a few months later.

She worked tirelessly for me for nearly twenty years. But this wasn’t just a professional relationship. Kay became my dear friend and confidant and it was a two way street. I could call her when I was sad or upset and she knew she could lean on me whenever life dealt her a blow. We always kept each other’s confidences. We had each other’s backs….

(8) LAFARGE OBIT. Tom LaFarge (1947-2020) died on October 22. He is survived by Wendy Walker and his son Paul La Farge. Tom had recently completed The Enchantments, a series of three novels published 2015-18. Author Henry Wessells wrote an essay on his writings for NYRSF, “Ticket to Bargeton”.

(9) MEDIA ANNIVERSARY.

  • 1975 – Forty-five years ago, Poul Anderson’s A Midsummer Tempest would win the Mythopoeic Fantasy Award and be nominated for the Locus, Nebula and World Fantasy awards as well.  Set in a world where Shakespeare was the Great Historian, all the events depicted within his plays were historical fact. Lester Del Rey in his August 1974 If review said that it is “a fantasy I can recommend with pleasure.”  Tom Lewis is the cover artist. It is available in print and digital editions. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 12, 1877 – John R. Neill.  Starting with the second Oz book, illustrated the rest of Baum’s, all of Thompson’s, three of his own.  Before, worked on newspapers; around the time of Baum’s death, became a free lance, drawing for e.g. Boy’s Life, Ladies’ Home Journal, Vanity Fair, Saturday Evening Post, Argosy.  Here is The Lost Princess of Oz.  Here is The Magic of Oz.  Here is Scraps, the Patchwork Girl.  Here is an interior from the Dec 19 Everybody’s.  Here is “Beyond the Dark Nebula” from the 4 Apr 31 Argosy.  A granddaughter maintains a Website.  (Died 1943) [JH]
  • Born November 12, 1929 — Michael Ende. German author best known for The Neverending Story which is far better than the film which only covers part of the novel.  Momo, or the strange story of the time-thieves is a charming if strange novel worth your time.   The rest of his children’s literature has been translated from German into English mostly by small specialist presses down the years. Unlike The Neverending Story and Momo which I’ve encountered, I’ve not read any of these. (Died 1995.)  (CE)
  • Born November 12, 1930 – Irma Chilton.  Ten novels, a few shorter stories.  Wrote in English and Welsh.  Tir na n-Og Award.  Crown for prose at 1989 Nat’l Eisteddfod.  Welsh Arts Council’s Irma Chilton Bursary prize named for her.  (Died 1990) [JH]
  • Born November 12, 1943 — Wallace Shawn, 77. Probably best remembered as the ferengi Grand Nagus Zek on Deep Space Nine, a role he only played seven times. He was also Vizzini in the beloved Princess Bride, and he played Dr. Elliott Coleye in the My Favorite Martian film.(CE)
  • Born November 12, 1943 — Julie Ege. A Bond Girl On Her Majesty’s Secret Service as Helen, the Scandinavian girl. She also appeared  in Hammer‘s Creatures the World Forgot and The Legend of the 7 Golden Vampires. And in The Mutations which got released under the alternative title of The Freakmaker. She had a role in De Dwaze Lotgevallen Von Sherlock Jones which got dubbed into English as The Crazy Adventures of Sherlock Jones. (Died 2008.) (CE) 
  • Born November 12, 1943 — Valerie Leon, 77. She appeared in two Bond films, Never Say Never Again and The Spy Who Loved Me, and in the horror flick Blood from the Mummy’s Tomb as Margaret Fuchs / Queen Tera. She was also Tanya in Revenge of the Pink Panther, and had one-offs in The Avengers, Space:1999 and Randall and Hopkirk (Deceased). (CE) 
  • Born November 12, 1945 – Michael Bishop, 75.  A dozen novels, a hundred thirty shorter stories, fifty poems; a dozen “Pitching Pennies Against the Starboard Bulkhead” essays, many others e.g. Introductions to Nebula Awards 23-25, “Forty Years with Asimov’s SF” (Jul-Aug 17 Asimov’s), letters in Locus, NY Rev SF, Riverside Quarterly, SF Commentary; a dozen collections, recently The Sacerdotal Owl.  Reflections, Reverie for Mister Ray.  M.A. thesis on Dylan Thomas.  Two Nebulas, a Rhysling, a Shirley Jackson.  Website here.  [JH]
  • Born November 12, 1950 – Michael Capobianco, 70.  Two novels and a shorter story; four more novels, two shorter stories, with William Barton.  Two (non-consecutive) terms as SFWA (Science Fiction & Fantasy Writers of America) President; Service to SFWA Award.  MC & WB interviewed in SF Eye.  [JH]
  • Born November 12, 1952 — Max Grodenchik, 68. He’s best known for his role as Rom, a recurring character on Deep Space Nine. He has a long genre history with appearances in The Rocketeer, Here Come The Munsters, Rumpelstiltskin, Star Trek: Insurrection (scenes as a Trill were deleted alas), Tales from The Crypt, Sliders, Wienerland, The Adventures of Rocky and Bullwinkle and Bruce Almighty. (CE)
  • Born November 12, 1969 – Olivia Grey, 51.  Three novels, four more under another name; half a dozen shorter stories.  Muse of the Fair at 2011 Steampunk World’s Fair.  Avalon Revisited won Steampunk Chronicle’s 2012 Reader’s Choice for Best Fiction.  M.A. thesis on Le Morte d’Arthur.  [JH]
  • Born November 12, 1976 — Richelle Mead, 44. Best known for her Georgina Kincaid series, the Vampire Academy franchize and its spin-off series Bloodlines, and the Dark Swan series. I’ve only read Succubus Blues by her but it’s a truly great read and I recommend it strongly. Spirit Bound won a Good Reads Award.  (CE)
  • Born November 12, 1984 – Benjamin Martin, 36.  Moved to Okinawa from Arizona.  Two fantastic samurai novels (Samurai Awakening won a Crystal Kite Award), one shorter story.  Karumi Tengo photography prize.  [JH]

(11) COMICS SECTION.

(12) THE FIRST. James Davis Nicoll digs into “Science Fiction’s Very First ‘Year’s Best’ Anthology” at Tor.com.

… This 314-page hardcover, published by Frederick Fell, with a cover by Frank McCarthy (1924–2002) collected twelve stories from 1948. It sold for $2.95, which in today’s currency is about $30.

What did the best of 1948 look like, you wonder? I am so happy you asked.

The table of contents is dominated by men. One of the two women included, Catherine Moore, was concealed behind her husband’s byline effectively enough that an editorial comment makes it clear the editors believed the story was by Kuttner alone. Women were active in the field at the time, but as documented by Lisa Yaszek, the editors crafting SF canon were not much interested in acknowledging women. Who else, one wonders, was overlooked?

Still, one has to review the Best SF anthology one has, not the Best SF anthology you might want or wish to have at a later time….

(13) HOW SOME WRITERS GET PAID. “BYU Vending Machines Dispense Short Stories” reports KSL TV.

They are far from the typical vending machines found on college campuses.

At Brigham Young University, two new dispensers are offering a different kind of fare — short stories.

“I thought, ‘what a brilliant way to not be staring at your phone all the time!’” said Leslee Thorne-Murphy, an English professor and associate dean at the BYU College of Humanities.

Thorne-Murphy said she first saw the Short Edition dispensers in an urban mall in London and helped bring the idea to BYU as part of an initiative launched by the College of Humanities.

Three contactless buttons allow a student to select either a 1, 3, or 5-minute read, and the machine prints out a story selected at random from its database.

Stories range from famous works to student-submitted stories that have been added through writing contests.

(14) MAKE IT SO. SYFY Wire is there when “The Star Trek Cocktails book arrives with a bounty of libations to enjoy…for medicinal purposes”.

Relaxing from the universe’s withering stresses has always been an important part of the Star Trek universe. For some, that included imbibing alcoholic drinks. Be it solemnly inside their quarters to mark a moment, or collecting with peers in a bar like Ten-Forward, Trek has given us plenty of tantalizing visual cocktails in all of its various film and television iterations that audiences have long wished to taste at home. 

Luckily, you can now give almost 40 different Star Trek inspired alcoholic drinks a spin at home with the release today of Hero Collector’s Star Trek Cocktails: A Stellar Compendium. Written by Glenn Dakin with drinks curated by mixologists by Simon Pellet and Adrian Calderbank, the coffee table book features photos and illustrations of the drinks, the characters, and the events that inspired their creation.

(15) SPACEX IS GO. SPACEX but it’s THUNDERBIRDS! by Psyclonyx.

(16) BE KIND TO YOUR WEBFOOTED FRIENDS. “Who Would Rig This Vote? The Fraud Was Real (and Feathers Were Ruffled)” – the New York Times has the story. Tagline: “More than 1,500 fake votes were slipped into New Zealand’s Bird of the Year 2020 contest in favor of the kiwi pukupuku.”

…The scandal has roiled Bird of the Year 2020, an online popularity contest among the native birds of New Zealand, and made headlines in the remote Pacific Island nation, which takes its avian biodiversity seriously.

“It’s kind of disappointing that people decide to try their little tech tricks on Bird of the Year,” Laura Keown, the spokeswoman for the competition, told Radio New Zealand on Tuesday. “I’m not sure what kind of person could do it, but I like to assume that it’s somebody who just really loved native birds.”

No one has claimed responsibility, and no one is expected to.

The contest, which began on Nov. 2 and ends on Sunday, is conducted through an instant-runoff system that allows voters to rank their favorite birds — just as New Zealanders do when they elect humans to office. The organizer, a New Zealand-based advocacy group called Forest & Bird, has said that the contest is designed to raise awareness about the plight of the country’s more than 200 species of native birds, many of which are threatened or at risk of extinction.

(17) HONEST TRAILERS. In “Honest Trailers:  The Evil Dead Movies,” the Screen Junkies say the three “Evil Dead” movies are “as light on substance as they are heavy on style” and contain “enough red-dye corn syrup to flood the Eastern Seaboard.”

[Thanks to Andrew Porter, JJ, Michael Toman, John King Tarpinian, John Hertz, Mike Kennedy, Cat Eldridge, James Davis Nicoll, David Doering, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 6/3/20 Listen To The Pixel Sing Sweet Songs To Rock My Scroll

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(1) STILL OVERCOMING. Tananarive Due expresses decades of experience in “Can We Live?” in Vanity Fair. Tagline: “The daughter of civil rights activists on the question that’s haunted her for decades.”

… . I was only a little older than Bryant, and sitting in my junior high school cafeteria, when I wrote a poem inspired by police brutality called “I Want to Live.”

I was 14, and neighborhoods in my home city of Miami were burning.

The memory returns, raw and visceral, as I watch footage from the uprisings in Minneapolis and nationwide protesting Floyd’s killing….

… When I was finished, I had tears in my eyes, but the despair in my chest felt soothed. I showed the poem to my mother, and she told me how lucky I was to have writing as an outlet for my emotions. “The people setting those fires feel hopeless,” she said. I’d wanted to be a writer since I was four, but that was the first time I understood that writing might save my life.

Now a new generation is discovering just how devalued their lives are in U.S. society, risking a pandemic and possible police violence to protest in the name of a better society. In their cities they are facing their own baptisms by fire.

But it comes with a cost. After my mother was teargassed at a peaceful march in Tallahassee in 1960, she wore dark glasses even indoors for the rest of her life, complaining about lingering sensitivity to light. “I went to jail so you won’t have to,” she once told me.

If only it were that simple. If only one generation’s sacrifices could have fixed it all….

(2) THAT’S CAT. Camestros Felapton’s latest “Missing moments from movie history” illustrates “George Lucas’s original plans for the Death Star 2…”

(3) PUBLISHERS SUE INTERNET ARCHIVE. Member companies of the Association of American Publishers (AAP) have filed a copyright infringement lawsuit against Internet Archive (“IA”) in the United States District Court for the Southern District of New York.“Publishers File Suit Against Internet Archive for Systematic Mass Scanning and Distribution of Literary Works”.

…The suit asks the Court to enjoin IA’s mass scanning, public display, and distribution of entire literary works, which it offers to the public at large through global-facing businesses coined “Open Library” and “National Emergency Library,” accessible at both openlibrary.org and archive.org. IA has brazenly reproduced some 1.3 million bootleg scans of print books, including recent works, commercial fiction and non-fiction, thrillers, and children’s books. 

The plaintiffs—Hachette Book Group, HarperCollins Publishers, John Wiley & Sons and Penguin Random House—publish many of the world’s preeminent authors, including winners of the Pulitzer Prize, National Book Award, Newbery Medal, Man Booker Prize, Caldecott Medal and Nobel Prize.

Despite the self-serving library branding of its operations, IA’s conduct bears little resemblance to the trusted role that thousands of American libraries play within their communities and as participants in the lawful copyright marketplace. IA scans books from cover to cover, posts complete digital files to its website, and solicits users to access them for free by signing up for Internet Archive Accounts. The sheer scale of IA’s infringement described in the complaint—and its stated objective to enlarge its illegal trove with abandon—appear to make it one of the largest known book pirate sites in the world. IA publicly reports millions of dollars in revenue each year, including financial schemes that support its infringement design….

The press release follows with more details about the AAP’s side of the argument.

(4) HOP TO IT. “Watership Down Enterprises Wins Case Against Film Producer”: Shelf Awareness has the story.

A court in England has ruled in favor of Watership Down Enterprises, the estate and family of author Richard Adams, in an action brought against producer Martin Rosen, who wrote and directed a 1978 animated film based on the classic novel, Variety reported.

The judgment ordered Rosen and companies controlled by him to pay the estate court costs and an initial payment for damages totaling approximately $95,000 within 28 days for infringing copyright, agreeing to “unauthorized license deals and denying royalty payments,” Variety wrote, adding that additional damages will be assessed at a future hearing.

The Intellectual Property Enterprise Court also terminated the original contract in which motion picture rights for Watership Down were originally granted to Rosen in 1976. In addition, IPEC granted an injunction preventing Rosen and his companies from continuing to license rights to Watership Down, and directed them to give further disclosures of their activities and to destroy infringing materials.

(5) JEAN-LUC OUT FRONT. At TechRepublic, Matthew Heusser extracts “4 leadership lessons from Star Trek: Picard”.

It’s an open secret among Star Trek fans that the Picard character changes. Between the television show, the movies, and now the show that bears his name, Picard changes from  peacemaking collaborative leader to warrior to now something more like a Sherlock Holmes of the 24th century. Instead of a noble hero leading a team, the Picard of the new series, along with the audience at home, is trying to answer some questions, including “What the heck is happening here and what is the next move?”

He doesn’t always make the right one.

Seeing those mistakes, in seeing Picard as a human, allows us to grapple with our own humanity. It’s a different side of Picard from what we saw in the series; instead of perfection, we see a man trying to stay in the game at an age that many would go off to the retirement home. Let’s learn from it, with minimal minor spoilers….

(6) TRACING EARLIEST USE OF SFF IDEAS. The “Timeline of Science Fiction Ideas, Technology and Inventions”, sorted by publication date, reaches back to 1634. Here’s the beginning of the list:

DateDevice Name (Novel Author)
1634Weightlessness (Kepler) (from Somnium (The Dream) by Johannes Kepler)
1638Weightlessness in Space (from The Man in the Moone by Francis Godwin)
1638Gansas (from The Man in the Moone by Francis Godwin)
1657Moon Machine – very early description (from A Voyage to the Moon by Cyrano de Bergerac)
1705Cogitator (The Chair of Reflection) (from The Consolidator by Daniel Defoe)
1726Knowledge Engine – machine-made expertise (from Gulliver’s Travels by Jonathan Swift)
1726Geometric Modeling – eighteenth century NURBS (from Gulliver’s Travels by Jonathan Swift)
1726Bio-Energy – produce electricity from organic material (from Gulliver’s Travels by Jonathan Swift)

(7) IN CRIMES TO COME. CrimeReads’ Drew Murray, in “Scifi Tech Is Here—And Criminals Can (And Will) Use It”, looks at autonomous vehicles and augmented reality and how they will be used in near-future sf novels.

…It [augmented reality] could also be the ultimate tool for a con man. How many times have you run into someone familiar, but you can’t quite place where you know them from? They seem to know you and, not wanting to offend them, you keep talking, hoping it will come to you. What if you’ve never actually seen this person before in your life? What if they’re a hustler, reading everything about you from text floating in the air next to your head, projected in their vision by glasses, or even contact lenses? All that real-time information to establish trust, the primary currency of any con.

(8) ROBERT J. SAWYER. He’s has a successful day drawing attention to his new novel The Oppenheimer Alternative.

… And I didn’t want to tell an alternate history. That is, I didn’t want to say, well, sure, you can gainsay me until this page—the point of divergence—but after that, anything goes. Rather, I decided to tell a secret history: a series of plausible events that were, in themselves, authentic big-ideas hard SF, and have them occur in the lacunae in the public record. I wanted no one to be able to say, “Okay, that was fun, but of course it never happened.”

  • He appeared on Michael Shinabery’s show on KRSY-AM in Alamogordo, New Mexico, yesterday for han hour-long chat [MP3].

The show starts at the 1-minute mark with Benny Goodman’s “The Glory of Love,” which figures in my novel; the outro is the great Tom Lehrer singing his atomic-bomb song, “We’ll All Go Together When We Go.”

  • And he was on CTV Calgary:

(9) TODAY IN HISTORY.

  • June 3, 1950 — Dimension X’s “The Embassy” was broadcast. Written by Donald A. Wollheim, this story was first published in Astounding Science Fiction in the March 1942 issue. (Aussiecon One would later give him a Special Hugo for The Fan Who Has Done Everything.)  It was adapted by George Lefferts. The cast was Daniel Ocko, Bryna Raeburn and Norman Rose.  You can listen to it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 3, 1905 — Norman A. Daniels. Creator of  the Black Bat, a pulp character who debuted the same time as Batman which led to lawsuits over similarities to the latter, and wrote for such series as The Phantom Detective, Doc Savage and The Shadow. He also created the Crimson Mask. (Died 1995.) (CE)
  • Born June 3, 1905 — Malcolm Reiss. It’s uncertain if he ever published any genre fiction but he’s an important figure in the history of our community as he edited in the Thirties through the Fifties, Jungle Stories, Planet Stories, Tops in Science Fiction and Two Complete Science-Adventure Books. Fletcher Pratt, Ross Rocklynne, Leigh Brackett and Fredric Brown are but a few of the writers published in those magazines. (Died 1975.) (CE)
  • Born June 3, 1929 – Brian Lewis.  Ninety covers for New Worlds (here’s one), Science Fantasy (here’s one), Science Fiction Adventures (here’s one), for a few books; sometimes realistic, sometimes surrealistic; fifty interiors; also comics. (Died 1978) [JH]
  • Born June 3, 1946 — Penelope Wilton, 74. She played the recurring role of Harriet Jones in Doctor Who wherethey actually developed a story for the character. She was also played Homily in The Borrowers, Barbara in Shaun of the Dead, The Queen in Roald Dahl’s The BFG, Beatrix Potter in The Tale of Beatrix Potter, The White Queen in Through the Looking-Glass and Gertrude in in Hamlet at the Menier Chocolate Factory. (CE)
  • Born June 3, 1949 — Michael McQuay. He wrote two novels in Asimov’s Robot City series, Suspicion and Isaac Asimov’s Robot City (with Michael P. Kube-McDowell) and Richter 10 with Arthur C. Clarke. The Mathew Swain sequence neatly blends SF and noir detective tropes – very good popcorn reading. His novelization of Escape from New York is superb. (Died 1995.) (CE) 
  • Born June 3, 1950 – Owen Laurion.  Long active in the Nat’l Fantasy Fan Federation (“N3F”).  Edited The Nat’l Fantasy Fan and later Tightbeam.  Kaymar Award. “The Way It Was” in M. Bastraw ed., Fifty Extremely SF* Stories (none over 50 words).  [JH]
  • Born June 3, 1950 — Melissa Mathison. Screenwriter for E.T. the Extra-Terrestrial. Spielberg credits the line “E.T. phone home” line to her. (She’s Eliot’s school nurse in the film.) She also wrote the screenplays for The Indian in the Cupboard and BFG with the latter being dedicated in her memory. And she wrote the “Kick the Can” segment of Twilight Zone: The Movie. (Died 2015.) (CE) 
  • Born June 3, 1958 — Suzie Plakson, 62. She played four characters on Trek series: a Vulcan, Doctor Selar, in “The Schizoid Man” (Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise).  She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly. (CE)
  • Born June 3, 1964 — James Purefoy, 56. His most recent genre performance was in the recurring role of Laurens Bancroft in Altered Carbon. His most impressive role was I think as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him. (CE)
  • Born June 3, 1966 – Kate Forsyth.  Thirty fantasy novels, a dozen shorter stories; collections of fairy tales, of her own poetry; sold a million books.  Bitter Greens interweaves Rapunzel with the 17th- century Frenchwoman who first told the tale, won American Library Association award for historical fiction; doctoral exegesis The Rebirth of Rapunzel won the Atheling Award for criticism.  Five Aurealis Awards.  Her Website is here.  [JH]
  • Born June 3, 1973 – Patrick Rothfuss.  The Wise Man’s Fear a N.Y. Times Best-Seller.  Half a dozen shorter stories.  Games, e.g. Acquisitions, Inc. (Penny Arcade).  Charity, Worldbuilders.  Translated into Dutch, French, German, Portuguese, Spanish.  [JH]

(11) COMICS SECTION.

  • Something’s interfering with TV reception at The Far Side. (A reprint from back when they had antennae.)
  • Bizarro shows it’s hard to escape those family traits.
  • Mother Goose and Grimm warns you to know your car’s features.
  • Frazz shows an unsuccessful example of genre homework.
  • The Argyle Sweater sympathizes with folks who can’t tune out the neighbors.

(12) A DIFFERENT TORCON. Tor Books and Den of Geek have posted the schedule for “TorCon 2020: Stay Home, Geek Out”. Register for items at the link.  

In partnership with Den of Geek, we are proud to announce the launch of TorCon, an all-new virtual convention that brings all the fun of panels directly to the fans. From Thursday, June 11th through Sunday, June 14th, Tor and Tor.com Publishing are presenting eight panels featuring over twenty of your favorite authors across different platforms, in conversation with each other—and with you!

Join authors including Cory Doctorow, Neil Gaiman, Nnedi Okorafor, Christopher Paolini, Brandon Sanderson, V. E. Schwab, and many more for four days of pure geekery, exclusive content, sneak peeks, and more…all from the comfort of your own home!

(13) SIGNPOSTS. James Davis Nicoll reaches into his reviews archive for choice titles by black authors. Thread starts here.

https://twitter.com/jamesdnicoll/status/1267821388020084737
https://twitter.com/jamesdnicoll/status/1267832221869604865

(14) INTERSECTION OF SFF AND RELIGION. Since Roger Zelazny’s Lord of Light was discussed here recently, Filers may be interested in Victor Gijsbers’ comments on the book. Thread starts here.

(15) NOT THAT FUNNY. This is fromThe Week:

“A man dressed as a medieval knight and carrying a 3-foot-long sword created some concern at a aprk in the U.K., bringing police armed with guns. Lennon Thomas, 20, was confronted by police in Cardiff and ordered to put the weapon down, before he explained that he was simply trying out a costume he uses for his hobby of fantasy roleplaying.  Thomas apologized for a ‘lapse in judgment,’ conceding, ‘Perhaps it was a little stupid of me to bring the sword, as from a distance it does look realistic.’  He added, ‘Life is a lot more fun when you don’t care how weird you are.'”

(16) MOVIN’ OUT. The Harvard Gazette is “Filling gaps in our understanding of how cities began to rise”.

New genetic research from around one of the ancient world’s most important trading hubs offers fresh insights into the movement and interactions of inhabitants of different areas of Western Asia between two major events in human history: the origins of agriculture and the rise of some of the world’s first cities.

The evidence reveals that a high level of mobility led to the spread of ideas and material culture as well as intermingling of peoples in the period before the rise of cities, not the other way around, as previously thought. The findings add to our understanding of exactly how the shift to urbanism took place.

The researchers, made up of an international team of scientists including Harvard Professor Christina Warinner, looked at DNA data from 110 skeletal remains in West Asia from the Neolithic to the Bronze Age, 3,000 to 7,500 years ago. The remains came from archaeological sites in the Anatolia (present-day Turkey); the Northern Levant, which includes countries on the Mediterranean coast such as Israel and Jordan; and countries in the Southern Caucasus, which include present-day Armenia and Azerbaijan.

Based on their analysis, the scientists describe two events, one around 8,500 years ago and the other 4,000 years ago, that point to long-term genetic mixing and gradual population movements in the region.

“Within this geographic scope, you have a number of distinct populations, distinct ideological groups that are interacting quite a lot, and it hasn’t really been clear to what degree people are actually moving or if this is simply just a high-contact area from trade,” said Warinner, assistant professor of anthropology in the Faculty of Arts and Sciences and the Sally Starling Seaver Assistant Professor at the Radcliffe Institute for Advanced Study. “Rather than this period being characterized by dramatic migrations or conquest, what we see is the slow mixing of different populations, the slow mixing of ideas, and it’s percolating out of this melting pot that we see the rise of urbanism — the rise of cities.”

(17) LOCKDOWN DEBATE. “Coronavirus: Sweden’s Tegnell admits too many died” – a BBC story.

Sweden’s controversial decision not to impose a strict lockdown in response to the Covid-19 pandemic led to too many deaths, the man behind the policy, Anders Tegnell, has acknowledged.

Sweden has seen a far higher mortality rate than its nearest neighbours and its nationals are being barred from crossing their borders.

Dr Tegnell told Swedish radio more should have been done early on.

“There is quite obviously a potential for improvement in what we have done.”

Sweden has counted 4,542 deaths and 40,803 infections in a population of 10 million, while Denmark, Norway and Finland have imposed lockdowns and seen far lower rates.

Denmark has seen 580 deaths, Norway has had 237 deaths and Finland 321. Sweden reported a further 74 deaths on Wednesday.

(18) VIDEO OF THE DAY.  You could have bought this Thunderbird replica last year.

[Thanks to JJ, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Scott Edelman, Michael Toman, Chip Hitchcock, John Hertz, Lise Andreasen, Daniel Dern, Cat Eldridge, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]

Pixel Scroll 3/29/19 This Is File 770, You Can Scroll On The File And Call The Cat A Pixel

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(1) HIGH PRAISE AND SOME CASH. A student stage production of Alien has earned the highest seal of approval – and it’s more than just kind words: “Ridley Scott Praises Students for ‘Alien’ Stage Show, Offers Funds for Encore Performance”.

The North Bergen High School students who put on a stage production of Ridley Scott’s “Alien” have made a fan out of the director himself…

“My hat comes off to all of you for your creativity, imagination, and determination to produce such an ambitious show,” Scott writes in the letter. “Limitations often produce the best results because imagination and determination can surpass any shortfalls and determine the way forward – always.”

Scott continues, “Self-sufficiency is what this country was largely based upon with its immigrant population coming in to a New World and working together. This is maybe the biggest lesson for all of you, and your future plans – stay with this determination, and this spirit in everything you do, and you will succeed – let nothing put you off – or set you back.”

The letter ends with Scott encouraging the students to put on a live production of his Oscar winner “Gladiator” next year. The director is currently working on a sequel to the blockbuster. Scott said he felt “very complimented” the students decided to use “Alien” as a source of inspiration. The filmmaker ended his note with good news: “Scott Free will advance some financial help to fund an encore performance of ‘Alien.’”

(2) CHICK-A-BOOM. In science news: they have fossils from very soon after Chicxulub hit. Like within a few hours afterward. Fish, dinosaurs, trees with amber, tektites. Science Daily has the story: “66-million-year-old deathbed linked to dinosaur-killing meteor”.

Paleontologists have found a fossil site in North Dakota that contains animals and plants killed and buried within an hour of the meteor impact that killed the dinosaurs 66 million years ago. This is the richest K-T boundary site ever found, incorporating insects, fish, mammals, dinosaurs and plants living at the end of the Cretaceous, mixed with tektites and rock created and scattered by the impact. The find shows that dinosaurs survived until the impact.

(3) UP AGAINST THE WALL. In anti-science news, Lonely Planet announced that “The Flat Earth Cruise wants to sail to the edge of the world in 2020”.

Despite real, scientific evidence to the contrary, the Flat Earth Society is continuing its quest to convince the world that spherical planets are a hoax and the earth is flat. In 2020, they’ll bring their message to the seas with a special cruise they promise will be “the biggest, boldest, best adventure yet.”

It may seem somewhat dangerous to embark on a cruise on a flat surface, given the danger of potentially falling off the edge. Fear not, however, as the flat earth theory proposes that we think of as Antarctica is actually a giant ice wall which “helps protect us from whatever lies beyond.”

(4) DIRECTOR CUT. NPR’s Chris Klimek says of Dumbo: “Elephants Never Forget, But Audiences Will”.

Dumbo, the first of three live-action(ish) remakes of beloved Disney cartoons due in the next four months (Aladdin is coming in May, The Lion King in June), coulda been a contender. Its director is Tim Burton, who began his career as an animator, and who has periodically returned to that medium for heartfelt, handmade pictures like Corpse Bride and Frankenweenie. More recently, Burton is the filmmaker most directly responsible for this cartoon-reclamation trend: His 2010 re-imagining of Alice in Wonderland took in more than a billion dollars around the world. Do you know anyone of any age who likes that film? Dumbo is better, but that’s a bar any able-bodied adult elephant could clear, no unusual talents necessary.

Once the most idiosyncratic of big-studio filmmakers, Burton has long since become a company man. This efficient, indistinct Dumbo could’ve been directed by any number of Chris Columbuses or Brad Peytons or Jon Favreaus (who made 2016’s The Jungle Book and that upcoming digitized Lion King) — able project managers all, and not a one of them possessed of the fevered imagination to pull off a Beetlejuice, never mind an Ed Wood. The docile Burton we have here is the one Warner Brothers’ wished they’d had on Batman Returns a generation ago, when parents and a certain billions-and-billions-served burger chain screamed about how the blockbuster sequel turned out awfully weird and kinky and violent, for a film they’d worked so hard to sell to children.

(5) SHIRAISHI OBIT. Voice actress Fuyumi Shiraishi passed away March 28 at the age of 82 reports Anime News Network.

She is arguably best known outside Japan for voicing Mirai in the first Mobile Suit Gundam anime series.

She won a Merit Award for lifetime achievement at the 9th Annual Seiy? Awards in 2015.

(6) RIMMER OBIT. Thunderbirds voice actor Shane Rimmer had died reports The Guardian.

Actor Shane Rimmer, who voiced the character of pilot Scott Tracy in Thunderbirds, has died. The official Gerry Anderson website carried the news, saying that the death of the 89 year old had been confirmed by his widow Sheila Rimmer. Rimmer died at home in the early hours of 29 March. No cause of death has been given.

… . The actor also contributed his voice to other Gerry Anderson projects including Joe 90 and Captain Scarlet and the Mysterons, and appeared in person in the Anderson’s live action project UFO. Behind the scenes, Rimmer also wrote episodes of Captain Scarlet, Joe 90, The Secret Service and The Protectors.

As well as his work with Gerry and Sylvia Anderson he appeared in over 100 films including Dr Strangelove, Gandhi and Out of Africa. He played three different roles in three different James Bond movies, appearing in Diamonds Are Forever, You Only Live Twice, and The Spy Who Loved Me.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 29, 1923 — Geoffrey Ashe, 96. British historian and lecturer, Arthurian expert. His first book, King Arthur’s Avalon: The Story of Glastonbury, was published sixty years ago. He wrote one novel, The Finger and the Moon, set at Allhallows, a college near Glastonbury Tor. 
  • Born March 29, 1943 — Eric Idle, 76. Monty Python is genre, isn’t it? If not, I submit that The Adventures of Baron Munchausen, Yellowbeard, Monty Python and the Holy Grail, Quest for Camelot, Shrek the Third and Nearly Departed, an updated version of Topper, which he all hand in are.
  • Born March 29, 1947 — Patricia Anthony. Flanders is one damn scary novel. A ghost story set in WW I it spooked me for nights after I read it and I don’t spook easily. Highly recommended.  James Cameron purchased  the movie rights to  her Brother Termite novel and John Sayles wrote a script, but the movie has not been produced. (Died 2013.)
  • Born March 29, 1948 — Bud Cort, 71. First genre role was in  producer Roger Corman’s final film for AIP, Gas-s-s-s (also known as Gas! or It Became Necessary to Destroy the World in Order to Save It). Next was Brave New World which was followed by Invaders from Mars, a remake of the early Fifties film of that name. There was a pilot for a Bates Motel series (H’h?) but ignored the timeline from Psycho II and Psycho III. Last I’m going to note his voicing Toy Man in the Justice League and Superman animated series.
  • Born March 29, 1955 — Marina Sirtis, 64. Counselor Deanna Troi in the Trekverse. I admit I never did find her role all that interesting. As for her roles outside of Trek, let’s see what we’ve got. Her first genre film appearance, The Wicked Lady, a highwayman film being noted here only for Sirtis somehow getting whipped while topless by Faye Dunaway. Waxwork II: Lost in Time as Gloria is her true genre film role followed shortly by a one-off on the The Return of Sherlock Holmes series as Lucrezia. And then there’s her mid Nineties voice acting as Demona on Gargoyles, possibly her best role to date. Skipping some one-offs on various genre series, her most recent appearance was on Titans, the DC streaming service based series, as Marie Granger in the “Hank and Dawn” episode. 
  • Born March 29, 1957 — Elizabeth Hand, 62. Not even going to attempt to summarise her brilliant career. I will say that my fav works by her are Wylding Hall, Illyria and Mortal Love. 
  • Born March 29, 1968 — Lucy Lawless, 51. Xena in Xena: Warrior Princess and Hercules: The Legendary Journeys, cylon model Number Three D’Anna Biers on that Battlestar Galactica series. She also played Countess Palatine Ingrid von Marburg, the last of a line of Germanic witches on the Salem series. Her most recent genre role as Ruby Knowby, one of the Dark Ones, on the Ash vs Evil Dead series. Though not genre, she was Lucretia in  Spartacus: Blood and Sand, its prequel Spartacus: Gods of the Arena and its sequel Spartacus: Vengeance. 

(8) COMICS SECTION.

  • Another Incidental Comic from Grant Snider:

(9) ON JEOPARDY! Andrew Porter has been patrolling the airwaves again: “Not a science fiction answer/question, but a good topic,” he says.

Answer: This 1883 classic ends with the words “A well-behaved little boy!”

All contestants got it wrong, with the questions, “Who is Little Lord Fauntleroy,” “What is The Velveteen Rabbit,” and “What is Peter Pan?”

The correct question: “Who is Pinocchio?”

(10) HELP WANTED. According to Jezebel, “Space Scientists Need Women Volunteers Who Will Stay in Bed Eating Pancakes for Two Months”.

Do you speak German and hate getting out of bed? That could be worth almost 19k to space scientists.

A study commissioned by NASA and the European Space Agency being conducted at the German Aerospace Center needs German-speaking, non-smoking women ages 22-55 to lie in bed for 60 days in order to help understand the impact of weightlessness on the body.

(11) NOT JUST CATS. It’s a veritable hitchhikers’ guide… “Dozens Of Nonnative Marine Species Have Invaded The Galapagos Islands”.

The Galapagos Islands are like a biological ark in the eastern Pacific Ocean. Giant tortoises live there, and swimming iguanas, and numerous species found nowhere else. It’s one of the world’s most protected places.

But scientists have discovered that dozens of exotic species have invaded the Galapagos — underwater.

Marine biologist James Carlton remembers when he first got to thinking that the famously wild Galapagos, a World Heritage, might not be as pristine as people thought. “On my first visit to the Galapagos,” he recalls, “I collected some samples from a boat bottom.” He found barnacles, sponges and other hitchhikers.

That was in 1987. Carlton didn’t know if the creatures he found were native or not. So about four years ago, he and a team of scientists decided to return and take a closer look.

“We didn’t know quite what to expect,” he says. They already knew there were lots of invasive species — species not native to the Galapagos — on land. But in the surrounding ocean, there were only five known species of invaders. Everything else, presumably, was native.

When Carlton’s team looked underwater, however, they found a horde of invaders. “Now we have 53, which is a rather stunning increase,” says marine biologist Gregory Ruiz, who was on the trip. “It’s about a tenfold increase.”

(12) AT LONG LAST. Try and look on the bright side —

[Thanks to P.J. Evans, JJ, rcade, Cat Eldridge, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day BGrandrath.]