Star Wars Rebels – A First Peek

Star Wars Rebels, Lucasfilm’s new animated series, is coming to Disney Channel in 2014.

The action-filled series is set between the events of Episode III and IV — an era spanning almost two decades never-before explored on-screen. Star Wars Rebels takes place in a time where the Empire is securing its grip on the galaxy and hunting down the last of the Jedi Knights as a fledgling rebellion against the Empire is taking shape.

Executive producer Dave Filoni offers some general thoughts about Rebels to Pablo Hidalgo in this video from StarWars.com:

[Thanks to John King Tarpinian for the story.]

Spectrum 20 Award Winners

The 20th Annual Spectrum Awards ceremony was held at the Midland Theatre in Kansas City, MO, on May 18. The gold and silver award winners in the eight categories (and the 2013 Spectrum Grand Master) are:

SPECTRUM 2013 GRAND MASTER
Brom

ADVERTISING
Gold Award: Dan dos Santos, “Dragon Empress”
Silver Award: Android Jones, “Ganesatron”

BOOK
Gold Award: Dave Palumbo, “Fed”
Silver Award: Charles Vess, “Tanglewood: I Didn’t Know She Was a Bottle Witch”

COMICS
Gold Award: Paolo Rivera, “Daredevil #10″
Silver Award: David Petersen, “Mouse Guard: Black Axe #4, pg. 19″

CONCEPT ART
Gold Award: Allen Williams, “Tree of Tales”
Silver Award: Daniel Dociu, “Guild Wars 2, Norn Lodge”

DIMENSIONAL
Gold Award: Virginie Ropars, “Acanthopis III”
Silver Award: David Meng, “Sashimi”

EDITORIAL
Gold Award: Sam Bosma, “Stability”
Silver Award: Sam Weber, “Cancer Monster”

INSTITUTIONAL
Gold Award: Kekai Kotaki, “Stampede”
Silver Award: Lucas Graciano, “Dragon Swarm”

UNPUBLISHED
Gold Award: Cory Godbey, “The Fish Master”
Silver Award: Andrew Mar, “Tell-Tale Heart”

Get Ready To Read Tolkien’s “The Fall of Arthur”

British readers are reminded by Tolkien Society chairman Shaun Gunner that a brand new J.R.R. Tolkien epic, The Fall of Arthur, will be released in that country on May 23. (The book was released in the U.S. yesterday.)

Gunner comments:

We are all used to seeing Tolkien’s stories set in Middle-earth, but this is the first time we’ve ever seen Tolkien write about legendary Britain. We know Tolkien loved the powerful alliterative verse of Anglo-Saxon epics so Tolkien’s own re-imagining of Arthur’s downfall in this format will make for an interesting read. This is fundamentally important in terms of considering Tolkien’s academic career and his wider creative process, but it will also be fascinating to see how The Fall of Arthur – written before The Hobbit – may have parallels in Tolkien’s other stories.

It is always important when a new book is published by such a well-known and much-loved author, but this is particularly special due to the poetic format and subject matter. I am in no doubt that we will see the same skill and creativity on display in The Fall of Arthur as in Tolkien’s other works – this book will be a permanent feature of the Arthurian canon for centuries to come and will add to Tolkien’s own reputation as one of the most brilliant writers this country has ever produced.

HarperCollins says Tolkien set aside this work to write The Hobbit. It was left untouched for 80 years:

The Fall of Arthur recounts in verse the last campaign of King Arthur who, even as he stands at the threshold of Mirkwood is summoned back to Britain by news of the treachery of Mordred. Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries.

Christopher Tolkien edited the manuscript and wrote three essays for the book, (1) about the literary world of King Arthur, (2) the deeper meaning of the verses, and (3) his father’s work to bring it to a finished form.

LSC3 Memorial Day Weekend Membership Sale

LoneStarCon 3 will offer a discount on all Adult Attending membership purchases made over the Memorial Day weekend.

From Friday, May 24, through Monday, May 27, Adult Attending membership rates will be $200, a $20 saving. Anyone joining or upgrading their membership online will automatically receive this special discount. The offer will also be available to fans buying LoneStarCon 3 memberships in person at ConQuest in Kansas City, MO; Balticon in Hunt Valley, MD; and BayCon in Santa Clara, CA.

The con also reports there are now over 170 confirmed program participants, including David Brin, Ben Bova, Phil and Kaja Foglio, Joe Haldeman, Charlaine Harris, Robin Hobb, Steve Jackson, George R.R. Martin, Elizabeth Moon, John Picacio, Tim Powers, Alastair Reynolds, Robert Silverberg, Howard Tayler, Harry Turtledove, and Gene Wolfe.

The Exhibits Hall plans to feature presentations on Robert E. Howard, the genome of science fiction author Jay Lake, and the Texas-Israeli War of 1999 (based on the award-winning book by Jake Saunders and Howard Waldrop).

The full press release follows the jump.

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Dan Dare Operations Manual

dan-dare-bookThere’s now a Dan Dare Pilot of the Future – Space Fleet Operations Manual for devotees of the Dan Dare comic that appeared in Britain’s Eagle magazine during the 1950s and 1960s. The book, which can be ordered from Haynes Publishing, includes –

  • A personal introduction by the Controller of Space Fleet, Dan Dare.
  • A history of spaceflight, propulsion systems and our first steps to the Moon and Mars.
  • Comprehensively annotated cutaway drawings of the principal ISF spaceships, space stations and installations, along with many of the alien craft that Space Fleet has encountered, by cutaway artist Graham Bleathman.
  • Profiles of ISF personnel, and the aliens they have faced over the years.
  • Space Fleet history: a guide to ISF’s missions and Dan Dare’s adventures.

Artist Frank Hampson created Dan Dare

and assembled around him a team working at fever pitch in Epsom, Surrey, to script his stories, design his space-craft and gadgets and bring the character and his adventures to life.

Hampson used family, friends and colleagues to pose up in costumes for photographs which formed the basis of the finished drawn strips.

But it wasn’t pure fantasy, with as much care taken with the science – as far as was known or hinted at at the time – as with the fiction.

A Daily Mail reporter writing about the new book seems to feel Star Trek got credit for a bunch of ideas it looted from Dan Dare –

Indeed many technologies which appeared in Star Trek in the mid 1960s had their first outing in Dan Dare more than a decade earlier. For example, ‘Beam me up Scottie’ became a catch-phrase in the transporter room of the Starship Enterprise.

But the teleportation technology was seen as early as 1950 in Dan Dare where it was called a ‘telesender’ – technology which scrambled and unscrambled atoms to send people vast distances.

Hampson, who died in 1985 aged 66, commented in later life that Star Trek had ‘really cleaned out’ Dan Dare’s technology cupboard of ideas.

Although there’s a reason Hollywood is notorious for thieving other people’s material, and who knows where Star Trek first saw the idea, teleportation was already part of the canon of science fiction by the time Hampson started using it.    

Arthur Conan Doyle’s “The Disintegration Machine” (1927) is a story in the Professor Challenger series about an invention that can dissolve matter and reassemble it.

Arthur C. Clarke – said to have been a science advisor for Dan Dare – described a technology in “Travel by Wire!” (1937) that disassembles an object and transmits the information to a receiving device at the destination where it is reassembled out of thin air.

Just how far back can this idea be traced? Richard Wagner’s Der Ring des Nibelungen features the Tarnhelm, a magic helmet which confers, among other things, the power of teleportation. Siegfried makes use of that capability in Götterdämmerung.

I find it appealing to think that coincidence inspired Clarke’s famous quote, “Any sufficiently advanced technology is indistinguishable from magic.”

And I bet Hollywood lawyers have a corollary — “Any idea that can be traced to the public domain is indistinguishable from mine.”

[Thanks to John King Tarpinian for the story.]

Should You Read This?

Click through and enjoy “Should You See It? A Curious Consumer’s Decision-Making Guide to Star Trek Into Darkness by Mark Lisanti for Grantland. As good as this introduction is, the rest of his article is even funnier –

And so we fast-forward to stardate 05.16.2013 (note: not a valid stardate), four summers hence, and Abrams has returned to deliver the inevitable sequel, in fulfillment of the contractual prophecy etched into the wall of a Spock-sheltering ice cave by an advanced race of business-affairs aliens. Can Abrams once again pull off the massively profitable trick of satisfying both the core and summer audiences before tearing off his loosely affixed latex Vulcan ears, slipping into a Jedi robe, and taking stewardship of his childhood obsession? And, most important of all, should you support this latest Trek adventure with your ticket purchase? We’re here to answer some questions and help you make the best-informed decision possible.

While you’re deciding whether to see the movie another factor unmentioned in the article but reported by John King Tarpinian is that the film includes a reference to a starship named Bradbury. (And by attaching that factoid here I can keep up File 770’s tradition of being “all Bradbury all the time.”)

My Idea of a Spoiler-Free Star Trek Post

Loved the special effects in Star Trek: The Middle School Musical, a segment from The Mythical Show.

I’ve learned my lesson – this time I’m not going to reveal any spoilers about Spock’s singing. (Except it’s a musical, get it?)

And I won’t blab anything about the story line. Or about the three redshirts in the crew. Ooops.

[Via Gerry Williams.]

2013 Hugo Voter Packet Released

LoneStarCon 3 has opened the 2013 Hugo Voter Packet to members.

Congratulations to the organizers, who secured submissions from every Hugo and John W. Campbell Award nominee (apart from the Dramatic Presentations), including all nominated works in the written fiction categories.

The packet, whose contents have been made available by publishers and creators so members can familiarize themselves with the award finalists before voting, will remain available to Supporting, Attending, Military and Young Adult members until voting closes on Wednesday, July 31, 2013 at 11:59pm CDT.

You can get started reading immediately if you have your LoneStarCon 3 Hugo PIN and Membership # — or if you don’t there is a utility that will promptly e-mail you a copy. Just head over to the login page.

2012 Nebula Award Winners

Science Fiction and Fantasy Writers of America announced the winners of the 2012 Nebula Awards on May 18, 2013.

Novel
2312, Kim Stanley Robinson (Orbit US; Orbit UK)

Novella
After the Fall, Before the Fall, During the Fall, Nancy Kress (Tachyon)

Novelette
“Close Encounters,” Andy Duncan (The Pottawatomie Giant & Other Stories)

Short Story
“Immersion,” Aliette de Bodard (Clarkesworld 6/12)

Ray Bradbury Award for Outstanding Dramatic Presentation
Beasts of the Southern Wild, Benh Zeitlin (director), Lucy Alibar and Benh Zeitlin (writers), (Journeyman/Cinereach/Court 13/Fox Searchlight )

Andre Norton Award for Young Adult Science Fiction and Fantasy
Fair Coin, E.C. Myers (Pyr)

Damon Knight Grand Master Award
Gene Wolfe

Solstice Award
Carl Sagan and Ginjer Buchanan

Kevin O’Donnell Jr. Service To SFWA Award
Michael H. Payne

I Guess This Isn’t News

By Andrew Porter: I tried to get a press pass for Book Expo America, coming up the end of this month, but couldn’t qualify.

Apparently when I send links and news items to the people, news blogs and interested parties on my list (what I think of as my Usual Suspects), it’s not news, nor is it anything that Book Expo’s registration forms can categorize.

So I won’t be there. I will be at a party Baen Books is running on May 31 for Sharon Lee and Steve Miller, authors of the Liaden Universe series. Baen tells me that I don’t need a badge to attend their party.

Most of the people I worked for are all dead, anyway; among the most recent was Walter Zacharius, publisher of Lancer Books when I worked there in 1967-68. I’d liked to have given a whole bunch of photos I’d taken over the years of Peter Workman to his family (I guess I can do this directly at the company, any time).

My first BEA — then called the American Booksellers Association, ABA convention — was during a Disclave some time in the 60s or 70s, when both were held simultaneously in Washington’s Sheraton and Shoreham Hotels. I remember when the exhibits were little card tables, set up by publishers in the Shoreham’s garage. ABA grew, of course, and the first one I actually registered for was in 1975.

I have my memories of glorious parties at the conventions, for instance the party for The Name of the Rose at the Washington DC mansion of the Italian Ambassador to the US, canapes served around a swimming pool set in a hillside; DAW’s 10th anniversary party on a riverboat in New Orleans; watching the first performance of the Rock Bottom Remainders, with Amy Tan in a silver lamé dress, and famous writers belting it out (recently rediscovered several rolls of color photos of the performance); the Playboy parties at the Mansion in Chicago, and in 1992 at Hugh Hefner’s house in LA (and the horror when everyone who worked at Playboy Press was killed when their DC-8 crashed on take-off from Chicago, en route to ABA in LA); and the press party for Newt Gingrich’s Tor book, Window of Opportunity, in the Capitol Building’s Mike Mansfield caucus room, during the 1984 ABA.

Present were Gingrich, Tom Doherty (see my photo of the pair on page 22 of the August 1984 SFC), various authors, and Reagan-era politico Lynn Nofziger. There was an awkward moment when Nofziger enthusiastically asked the room whether everyone was going to get behind President Reagan’s re-election bid. Dead silence greeted this, and Nofziger suddenly realized that the room was full of liberal New York publishing types, not dyed-in-the-wool Republicans. He left shortly after.

Memories: Bantam changing the color of their booth each day; the tiger at the Brigham Young University Press booth; McGraw-Hill’s enormous sand castle, finished minutes before the end of the convention; lots of press screenings of upcoming films, including Alien, before release, before anyone knew about John Hurt’s chest-bursting scene (I shut my eyes); Goonies, before the pirate ship was inserted in the closing scene, and the actors starred in amazement at an empty horizon; all the Star Wars films; and countless others.

I used to do a guide to the SF/Fantasy/Horror on display at the convention, complete list lists of genre authors signing, relevant freebies, and other facts, done by going to the Publishers Weekly offices where PW allowed me evening access to their original publisher forms. Where are Genevieve Stuttaford, Barbara Bannon, Sybil Steinberg, Sonja Bolle, the wonderful photographer Helen Marcus, now? (I still have incriminating photos of a much younger Calvin Reid and thousands of others, and my “Honorary Important Person” badge as authorized and signed by a passing Garrison Keillor.)

Eventually my guide, which started at several pages, shrank to two, then finally one. The number of SF publishers and relevant booths dwindled; genre authors fell to a handful; most editors stopped coming. I did the 20th and last Guide in 2002, the same year I was fired from the magazine I started in 1979, Science Fiction Chronicle.

I find it inexplicable that I’m still doing news, still sending out links and articles more than 50 years since I was a columnist in Science Fiction Times — is it an obsession or just a disease?

Oh well. A nice run. See some of you at (some) of the parties.

Andrew I Porter

PS: Hey, look, it’s that young lad, Calvin!

Calvin Reid. Photo by and copyright © 2013 Andrew Porter.

Calvin Reid. Photo by and copyright © 2013 Andrew Porter.