From Werewolf by Night to Tomb of Dracula, Marvel has a proud history of horror-themed comics, and this October, these classic terrifying tales will be honored in a series of Horror Variant covers! See your favorite Marvel characters like you’ve never seen them before as Spider-Man, the Avengers, and Captain America live out nightmarish visions just in time for Halloween. You now can see these chilling creations by artists Aaron Kuder, Javier Rodríguez, and Mirka Andolfo in their complete trade dress, paying homage to classic horror serials of the past!
(1) DC “TRANSFORMS” ITS DIGITAL COMIC PLATFORM/OFFERING. [Item by Daniel Dern.]“DC UNIVERSE Transforms Into DC UNIVERSE INFINITE!” I’ve been a happy-enough subscriber to DC Universe since its launch a year or so ago. My main motivation was the live action Doom Patrol (which I’ve loved) and to a lesser extent, l-a Titans (medium well done, though often fuzzy which plotlines were in motion, and canon-quirky, but they got Krypto, even), and for streamed comics, though not as satisfying a selection or as well organized as Marvel’s offering. But definitely worth the modest price. “New release comics are now available 6 months after they hit stores” — that’s sooner, for DC, although Marvel has already been doing this (for some issues/titles).
It looks like the price is staying the same for now, $7.99 a month or $74.99 a year.
Today DC Entertainment announced that as of January 21, 2021 DC Universe will “evolve” into DC Universe Infinite, a comics only service. It’s a shame, because DC Universe has lowkey been one of the best streaming services you could drop cash on every month—if you’re a giant nerd like myself.
The combination of old superhero TV shows, endless reams of comics, and solid original monthly programming like Doom Patrol and Harley Quinn made it a good deal…
Fast-forward 12 years, and Audible has accomplished remarkable things. The company has helped grow the audiobook market to the point where it is a vital revenue stream for publishers. And Audible commands a huge share of the digital audiobook market—as much 90% of the market in some verticals.
But, they never removed the DRM.
…Last week, I launched a Kickstarter for presales of the audiobook. Because I am set up to act as an e-book retailer for my publishers (including both Tor and Attack Surface UK publisher, Head of Zeus) I was able to list both the series backlist and the Attack Surface audiobook on the crowdfunding campaign. As of this writing, we have raised more than $207,000.
Look, $207,000 is a lot of money. And my family’s finances have taken a severe beating since the Covid-19 crisis hit—I’m sure you can sympathize. We need this. Thank you.
My belief is that once more authors and publishers find they can succeed outside of the Audible funnel, Amazon will have to give Audible customers and the authors and publishers who supply the content the technical means and legal right to take their business elsewhere if they choose. And once that happens, publishers and authors will finally regain some of the leverage needed to negotiate fair deals from Audible.
I recognize that not every author can do what I’ve done with Attack Surface. That said, there are plenty of writers with platforms who can—I mean, if I can do it they can do it too….
(3) CELEBRATE AVRAM DAVIDSON. In the premiere episode of the “The Avram Davidson Universe” podcast, which debuted September 16, Seth Davis sits down with Ethan Davidson, to discuss growing up with Avram Davidson as his father and to listen to a reading of “Or All The Seas With Oysters.”
In each episode of the podcast and video series, they will perform a reading, and discuss Davidson’s works with a special guest. Podcast is also available on Apple Podcasts, Stitcher, and Spotify.
… Writers JD Payne and Patrick McKay are developing the series and serving as showrunner, with Bryan Cogman (Game of Thrones) serving as a consultant. Juan Antonio (J.A.) Bayona (Jurassic World: Fallen Kingdom) is set to direct the first two episodes. Amazon Studios produces, in conjunction with the Tolkien Estate and Trust, HarperCollins, and New Line Cinema. The prequel series stars Robert Aramayo, Owain Arthur, Nazanin Boniadi, Tom Budge, Morfydd Clark, Ismael Cruz Córdova, Ema Horvath, Markella Kavenagh, Joseph Mawle, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, Charlie Vickers, Daniel Weyman, and Maxim Baldry.
The new stories will take place prior to J.R.R. Tolkien’s “The Fellowship of the Ring” and look to focus on the “Second Age” – a time when the Rings of Power were first revealed. “J.R.R. Tolkien created one of the most extraordinary and inspiring stories of all time, and as a lifelong fan it is an honor and a joy to join this amazing team. I can’t wait to take audiences around the world to Middle-earth and have them discover the wonders of the Second Age, with a never-before-seen story,” explained Bayona at the time the news was announced.
Following the success of SpaceX’s Crew Dragon mission, which marked the return of the U.S.’ capability for manned flights and the first private company to get people into orbit, a reality series wants to send a civilian into space.
Space Hero Inc., a U.S.-based production company founded by Thomas Reemer and Deborah Sass and led by former News Corp Europe chief Marty Pompadur, has secured a seat on a 2023 mission to the International Space Station. It will go to a contestant chosen through an unscripted show titled Space Hero. Produced by Ben Silverman and Howard Owens’ Propagate, the series will launch a global search for everyday people from any background who share a deep love for space exploration. They will be vying for the biggest prize ever awarded on TV.
The selected group of contestants will undergo extensive training and face challenges testing their physical, mental and emotional strength, qualities that are essential for an astronaut in space. I hear the idea is for the culmination of the competition to be in a an episode broadcast live around the world where viewers from different countries can vote for the contestant they want to see going to space.
(6) DUNE PREQUEL? ScreenRant’s “Dune Will Be Different Than Any Other Book Adaptation” on YouTube suggests that the indications are that the new movie will be faithful to Frank Herbert’s novel and reveals that a prequel series, with Denis Villeneuve directing the first episode, is in development at HBO Max.
(7) MEDIA ANNIVERSARY.
September 2005 — Snake Agent, the first of Liz Williams’ Detective Inspector Chen novels, was published on the now defunct Night Shade Books. Set in the near future city of Singapore Three where Heaven and Hell were very real and far too close, the series would reach six novels and two short stories before concluding for now according to the author with Morningstar. Jon Foster provided the cover art for the first four which are all on Night Shade. The first five novels are available from the usual digital suspects. Do read them in order as they do have a story that develops with each novel.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 18, 1824 – Richard Doyle. His cover for Punch 6 was used for the P masthead nearly a hundred years. Master illustrator of elves and fairies as Victorians imagined them; see here, here (“The Elf-King Asleep”), here, here, here. Here is his cover for Jack and the Giants. (Died 1883) [JH]
Born September 18, 1937 – Ed Cagle. Fanwriter until his early death (age 43). His fanzines were Kwalhioqua and (with Dave Locke) Shambles. Eric Mayer said, “Kwalhioqua was such an amazing zine I even remember how to spell it. No one before or since has written like Ed. His humor was outrageous, warped, rude, but never cruel. He found weird perspectives on things.” (Died 1981) [JH]
Born September 18, 1948 – Joan Johnston, 72. Lawyer with a master’s degree in theater; became a best-selling author, forty contemporary and historical romances. Five Romantic Times awards. Well into her Hawk’s Way series of Westerns she wrote a prequel with a Texas Ranger pulling a 19th Century woman into the 20th Century (A Little Time in Texas), expectable (by us) issues for the author, reactions from readers – some applauding, I hasten to add. Success resumed; 15 million books in print; no blame from me. [JH]
Born September 18, 1948 — Lynn Abbey, 72. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for awhile) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will need to tell me how it is. Most of the Thieves’ World Series is available from the usual digital suspects. (CE)
Born September 18, 1952 — Dee Dee Ramone. Yes, the Ramones drummer. He penned Chelsea Horror Hotel, a novel in which he and his wife move into New York City’s Hotel Chelsea where the story goes that they are staying in the same room where Sid Vicious allegedly killed his girlfriend, Nancy Spungen. Many predictable ghosts visit them. (Died 2001.) (CE)
Born September 18, 1953 – Michael Nelson, 67. Local club, WSFA (Washington, DC, SF Ass’n). Chaired Disclave 41, Capclave 2002 (successor to Disclaves). Helpful and reliable at other tasks too, e.g. Hugo co-administrator (with K. Bloom) at Torcon 3 the 61st Worldcon. Currently Publications Division head for DisCon III the 79th Worldcon scheduled for August 2021. [JH]
Born September 18, 1961 – Chris O’Halloran, 59. Fan Guest of Honor (with husband John) at Baycon 2013. Often found working in the Masquerade (onstage costume competition at SF cons); e.g. at the 77th Worldcon (Dublin) chief of the running crew we for some reason call ninja (instead of the existing Kabukiterm kuroko); sometimes competes, e.g. speaking of Torcon 3 she was part of the Best in Show “Trumps of Amber” from Zelazny’s books. She helped an outreach program bring six thousand free books to the 18th WonderCon. Master’s degree in Library Science. [JH]
Born September 18, 1980 – Kristine Ong Muslim, 40. Fifty short stories, two hundred twenty poems; recent collection, The Drone Outside; recent introduction, The Immeasurable Corpse of Nature. Co-editor Lontar 1-10 (journal of SE Asian SF; 2013-2018); Lightspeed special issue “People of Colo(u)r Destroy SF”. Translator, particularly of Mesándel Virtusio Arguelles. Website here. [JH]
Born September 18, 1984 — Caitlin Kittredge, 36. Wiki say she’s best known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s also writing the current Witchblade series at Image Comics, and she wrote the excellent Coffin Hill series for Vertigo. (CE)
“Tenet” was supposed to mark the return of the movie theater business in the United States. Instead, it has shown just how much trouble the industry is in.
After five months of pandemic-forced closure, the big movie theater chains reopened in roughly 68 percent of the United States by Labor Day weekend, in large part so they could show the $200 million film, which Warner Bros. promoted as “a global tent pole of jaw-dropping size, scope and scale.” But “Tenet,” directed by the box office heavyweight Christopher Nolan, instead arrived with a whimper: It collected $9.4 million in its first weekend in North America and just $29.5 million over its first two weeks.
Theaters remain closed in New York and Los Angeles, the two biggest markets in the United States and the center of Mr. Nolan’s fan base. In the areas where “Tenet” did play, audience concern about safety — even with theater capacity limited to 50 percent or less in most locations — likely hurt ticket sales. Box office analysts also noted that “Tenet” is a complicated, cerebral movie with little star power; a frothier, more escapist offering may have had an easier time coaxing people back to cinemas….
.. “Of course crime writers will survive. You may think it’s because we have done the exhaustive research on anti-zombie weapons in addition to mastering techniques for martial arts and amazing feats of self-defense in the face of a rising zombie population. Alas, the true reason for our survival will stem from our keen ability to avoid public places and hide in dark corners for months at a time.” —Danielle Girard, USA Today and Amazon bestselling author of White Out
Carl Corey wakes in Greenwood, an unfamiliar hospital. He has no idea how he got there. Indeed, thanks to his amnesia, he has only the staff’s word that he is “Carl Corey” and not, to pick a name entirely at random, Corwin of Amber. Some applied violence later and the curiously untrusting Carl Corey learns the name of the benefactor paying for his stay at the hospital: his sister, Evelyn Flaumel.
Escaping the hospital, he confronts the woman in question, who turns out to be no more Evelyn Flaumel than he is Carl Corey. She is, however, his sister. In fact, Corwin has a number of siblings, a Machiavellian litter imbued with powers unknown on the Earth on which Corwin woke, many of whom are rivals for the otherworldly Crown of Amber and some of whom might, if they knew he had escaped Greenwood’s comfortable oubliette, simply kill him.
William Shatner autograph essay signed ”William Shatner / Capt. Kirk Proud Jew”, with Shatner describing his happy memories of growing up Jewish. Composed on his personal embossed stationery, Shatner writes about ”Some Hanukkah Memories”, in full, ”First of all I’d like to say I recently released a Holiday album – I was going to call it ‘Dreidel Dreidel’ but then I thought better of it. Maybe I should have – maybe.
I was born in the Notre Dame de Grace neighborhood of Montreal Quebec Canada to a Conservative Jewish family – my Paternal Grandfather ‘Wolfe Schattner’ anglicized his family name to Shatner. All four of my grandparents were immigrants – they came from the Austria-Hungary and Russian Empires – location of present day Ukraine and Lithuania.
Third – during my childhood – the menorah stood somewhere on the mantelpiece – it was silver and black from use no matter how often it was polished – it stood there until used and then it was used with great reverence.
Fourth, my mother standing over the frying pan, pouring in a mixture of potatoes – ground-up potatoes into the sizzling fat – the oil – and frying up potato pancakes. The memory of those potato pancakes with applesauce and the family crowding around eating the pancakes is a memory that is indelible. / Happy Chanukah William Shatner / Capt. Kirk Proud Jew”. Single page measures 7.25” x 10.5”. Near fine condition.
Hubble’s sharp view is giving researchers an updated weather report on the monster planet’s turbulent atmosphere, including a remarkable new storm brewing, and a cousin of the famous Great Red Spot region gearing up to change color – again.
Legos are more than a toy. They’re an investment. The company that makes those little plastic building blocks pulled in more than $5.5 billion in sales last year. They often sell Legos in special kits, sometimes depicting famous movie scenes. And they retire those kits after a while, making them collector’s items for fans and upping their value. But where there’s money to be made, there are also scams. Let’s go into the world of counterfeit Lego sets with Stacey Vanek Smith and Sally Herships from the podcast The Indicator at Planet Money.
SALLY HERSHIPS, BYLINE: Tom Glascoe (ph) lives in Dayton, Ohio. He has three kids, and they all love Lego, which is how he got into trouble. He’d been looking for a Lego X-Wing Resistance Fighter for his son.
TOM GLASCOE: And so perusing Facebook one day, I saw an ad for it for what seemed to be a low but maybe not too low of a price.
HERSHIPS: The X-Wing was half price – just 30 bucks.
GLASCOE: The pieces weren’t the same quality, and they didn’t go together quite as nicely as regular Legos.
…Peeps, as it turns out, can’t seem to catch a break. The brand’s production is under fire again this week, albeit for an entirely different reason. Actor James Cromwell sent a letter to the CEO of Just Born demanding that the recipe for Peeps go vegan, because “the world is in turmoil.” ICYMI: One key ingredient in peeps is gelatin, which can be obtained from pork skin and bones.
“We use pork derived gelatin in our Peeps marshmallow to achieve a light, soft texture,” Peeps explains on its website: “Gelatin allows us to incorporate small finely divided bubbles allowing you to bite through the marshmallow cleanly with a creamy mouth feel.”
The demand is oddly-timed because the manufacturer has already said their will be no Halloween or holiday Peeps at all due to the pandemic.
(17) BUTTERFLY EFFECT. In the alternate timeline I now occupy, an author called Chuck Tingle plugs his Hugo nominations on the cover of his recent novel.
In this thrilling tale of The Tingleverse, you decide which path to take. With multiple endings to discover and several consequences to face, the reader is the star of the show as you fight to see your name in lights!
Will you and a punk rock unicorn take over the fine art scene after a battle with giant rats in Venna Beach?
Will you encounter The Valley Girls, a roving band of desert-dwelling barbarians in diesel-powered war machines, and live to tell the tale?
Will you find yourself house-sitting for dinosaur superstar Bob Downer, Jr. in the Tinglewood Hills, only to discover things are not exactly as they seem?
Adidas has teamed up with Star Wars once again, this time paying tribute to one of the series’ most iconic characters with an eye-catching sneaker collaboration.
The duo revealed their Rivalry Hi Chewbacca, a fur-covered high-top inspired by the beloved wookiee warrior, earlier this week. It features a neutral-toned color palette to represent the sci-fi desert landscape and hardware embossed with the words “STAR” and “WARS” on each shoelace.
Adidas and Star Wars also gave a nod to the belt Chewbacca wore during Star Wars: The Empire Strikes Back by adding a strap on the tongue of the show, and an image of the of the big-hearted wookie covers the soles.
(19) VIDEO OF THE DAY. In “Jurassic Park for 8 Cellos” on YouTube, Samara Ginsberg accompanies herself seven times playing the theme from Jurassic Park while cosplaying in a furry green dino costume!
[Thanks to Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, James Davis Nicoll, JJ, John Hertz, Michael Toman, Darrah Chavey, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
Both awards are ordinarily handed out at the Bloody Scotland festival in Stirling, Scotland, which was cancelled this year. The announcement was still made online in the month when the festival would have taken place.
McIlvanney Prize for the Scottish Crime Book of the Year
Pine by Francine Toon
The McIlvanney Prize recognizes excellence in Scottish crime writing, and includes a prize of £1,000 and nationwide promotion in Waterstones.
Constelación Magazine, a bilingual magazine of speculative fiction, will release its first issue in January of 2021.
Publishing quarterly, each themed issue will feature original artwork. Stories can be submitted in either English or Spanish; selections will be translated and published in both. Submissions for the first issue open in October, concurrent with the launch Kickstarter.
At the helm are Coral Alejandra Moore (Uncanny, Lightspeed, Strange Horizons) and Eliana González Ugarte (Elena Ammatuna, Itaú Digital, Roa Cinero award winner) with support from Cristina Jurado (Alucinadas, Spanish Women of Wonder, WhiteStar) and Hugo nominated Libia Brenda (A Larger Reality/Una realidad más amplia, Cúmulo de Tesla).
A sample issue can be seen at here. For more information on submissions guidelines and themes visit here.
(1) IGNYTE AWARDS. Voting for FIYAHCON’s inaugural Ignyte Awards has closed. 1,461 ballots were submitted, of which 1,431 were valid. The winners will be revealed Saturday, October 17 at 5 p.m. (GMT -4:00).
(2) DELANY. “WHY I WRITE”. Samuel R. Delany’s Windham-Campbell Lecture has been posted to Vimeo.
‘Why I Write’ is the theme of this annual lecture celebrating the recipients of the Windham-Campbell Prizes. Due to Covid-19 this year’s lecture by Samuel R. Delany was pre-recorded and posted on the date and time it would have been delivered in person, September 16, 2020 at 5 PM.
(3) DELANY’S UPSTAIRS NEIGHBOR. On Facebook today, Delany related a celebrity brush from his early days in New York. (I bet you can guess before the excerpt ends how this story finishes!)
…I also gave myself a present: In the narrow four-story house in which we lived (in 21 Paddington St., beside Paddington Park), there was an Indian Restaurant on the ground floor, an African business office on the second floor, we lived on the third, and someone moved into the top floor shortly after we got there. Whoever it was brought a piano, and began to during the day. It was really beautiful music–and a couple of times I went upstairs and simply sat outside the door and listened. The second or third time I did so, I waited till player was almost finishing a piece. Then I stood up and knocked.
The player came to the door and answered. “Excuse me,” I told him. “I’m your downstairs neighbor. I just wanted to say, you play beautifully.”
“You really ???? it . . .?” he said.
“Yes, I really do. My name’s Chip Delany and I live with my wife downstairs.”
“My name’s Tim Curry,” he said. “I’m an actor, actually. But I also compose . . .”
Within the week Tim came down to dinner.
A couple of weeks later, Marilyn and I went to see Tim in a show Upstairs at the Royal Court, where he had a very small part doing a black-out parody of Enoch Powell in a very forgettable part. A few months after that, I saw him on the stairs and asked him how things were coming. Yes, he had another part–this was in a play at the Kings Road Theater, just across the street, it turned out, from the sprawl of the Kings Road Market.
Tim suggested we come to the second or third performance so that the show, which had rehearsed somewhere else, could settle into the space. I believe he even gave us the tickets….
(4) FACE OF THE ARCHIBALD PRIZE. Australian portrait artist Nick Stathpoloulos, a 1999 Hugo nominee and 10-time Ditmar Award winner, has once again had his work picked to represent the Archibald Prize exhibition at the Art Gallery of New South Wales, where Nick’s “Ngaiire” is one of the 2020 finalists.
Born in Sydney in 1959, Nick Stathopoulos is a self-taught artist known for his hyper-realistic style. Now a six-time Archibald Prize finalist, he won the 2016 People’s Choice with a portrait of Sudanese refugee lawyer Deng Adut. This year, his subject is Papua New Guinea-born, Australian-based singer-songwriter Ngaire Laun Joseph, who is known by the stage name Ngaiire.
The Peggy Glanville-Hicks Composers’ House where Ngaire was the 2019 composer-in-residence is just a couple of doors away from Stathopoulos’ studio. He approached Ngaire after seeing her perform live. ‘What an astonishingly powerful, emotive voice! She was wearing this elaborate headdress and make-up and I was captivated and started painting her in my head. After the performance, she happily consented to a portrait.
The great, late Diana Rigg was an inspiring and intimidating force both on and off camera as the Queen of Thorns Olenna Tyrell.
As detailed in the upcoming book Fire Cannot Kill a Dragon – the first uncensored behind-the-scenes story of the making Game of Thrones – Rigg was not only formidable as the crafty House Tyrell matriarch across five seasons of the HBO fantasy series, she could be fierce backstage as well.
The Royal Shakespeare Company veteran, who died earlier this month, was 74 when she was offered a recurring role in the series by showrunners David Benioff and Dan Weiss in 2012. “We had tea with her,” Benioff recalls. “Dames don’t audition for you; you audition for them. We loved her, she was funny, she was bawdy, she was everything we wanted for that character.” Adds Weiss: “She said with a big smile, ‘There’s an awful lot of bonking, isn’t there?'” of the show’s R-rated content.
Then Rigg impressed the producers by arriving at her first table read having already memorized all her lines for the season, showing some of the less experienced cast members how a seasoned pro prepares for a job.
… One time Rigg tried – and succeeded – in mischievously getting away with shortening her duties to perform a brief scene in season 6. It was the scene where Olenna discusses strategy with Ellaria Sand and famously cuts short Sand Snakes Obara, Nymeria, and Tyene by snapping, “Oh do shut up … Let the grown women speak.”
“She walked onto the set, and she went, ‘I’m ready now!'” recalls Jessica Henwick, who played the whip-snapping Nymeria Sand. “A cameraman came over and went, ‘Well, okay, but we haven’t finished setting up.’ She interrupted him and said, ‘Roll the cameras!’ And she just started doing her lines. She did two takes, and then the guy came over and was like, ‘Great, now we’re going to do a close-up.’ And she just stood up and she went, ‘I’m done!'”
“Now, she can’t walk fast. She has to be helped. So basically we just sat there and watched as Diana Rigg effectively did her own version of storming off the set, but it was at 0.1 miles per hour. She cracked me up. I loved her.”
…Twice in my life, I reached out to Iain Banks, and to my astonishment and perpetual pride, he replied on both occasions with a personal, type-written and signed letter. In one of the chapters of The Dream Architects, I briefly refer to one of these memories. At the time, my future was looking pretty bleak, and I had reached out to Banks in a desperate attempt to convince him to write for a sci-fi-themed game which I (naively) hoped would inexplicably get funded by the European Space Agency. “No thanks” Banks replied after a few weeks. The letter felt like an extraordinarily polite rejection, but nevertheless I wasthrilled! I thought: What if the letter had been written on the same typewriter as the Culture novels?! Although the message was just a considerate version of “farewell”, I took it differently. The presence of Banks warmth and wit in an actual tactile object that had somehow ended up in my hands turned the moment into a symbol of comforting hope, and as a result, the letter spurred me on. Maybe the world was enchanted after all?
Before 9/11, the biggest national expression of grief in my lifetime took place on January 28, 1986. That was when seven astronauts, including a teacher, Christa McAuliffe, boarded the space shuttle Challenger, took off and, about a minute later, died in a horrible fireball explosion. National tragedies aren’t all the same, though, and in subsequent years, that disastrous launch, although not forgotten, seems to have receded from the cultural memory. Partly, that’s probably because of more recent events like the 2001 terror attacks. But I also suspect that Challenger permanently changed how a lot of people felt about NASA, and space travel in general. Suddenly, neither of them seemed so alluring.
(8) TERRY GOODKIND DIES. Terry Goodkind (1948-2020), author of the epic fantasy series The Sword of Truth, died September 17 at the age of 72. He also was known for the contemporary suspense novel The Law of Nines (2009), which has ties to his fantasy series.
The Sword of Truth was adapted into a television series called Legend of the Seeker, which premiered in November 2008 and ran for two seasons.
(9) MEDIA ANNIVERSARY.
September 2000 — At Chicon 2000, Galaxy Quest would win the Best Dramatic Presentation Hugo. It would also win the Nebula Award for Best Script. It was directed by Dean Parisot with the screenplay by David Howard and Robert Gordon; the story was written by David Howard. The other finalists were The Matrix (which was just three votes behind it in the final count), The Sixth Sense, Being John Malkovich and The Iron Giant.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 17, 1917 – Betsy Curtis. A dozen short stories; fanzine, The Cricket with husband Ed. Early Pogo fan i.e. from 1949. B & E parents of Maggie Curtis Thompson of Comics Buyer’s Guide. B is in Pam Keesey & Forrest J Ackerman’s Sci-Fi Womanthology. (Died 2002) [JH]
Born September 17, 1920 — Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. If we accept Gilbert & Sullivan as genre adjacent, she was Grace Marston in The Story of Gilbert and Sullivan. (Died 2012.) (CE)
Born September 17, 1930 – Tom Stafford, 90. Commanded Apollo 10 and the Apollo-Soyuz Test Flight. Graduate of U.S. Naval Academy, then chosen by lottery for Air Force; brigadier general at the time of Apollo-Soyuz, so first general officer to fly in Space. Memoir We Have Capture. Space Medal of Honor, Russian Medal for Merit in Space Exploration. Explorers Club. [JH]
Born September 17, 1928 — Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he superbly voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. (Died 1998.) (CE)
Born September 17, 1939 — Sandra Lee Gimpel, 81. In Trek’s “The Cage”, she played a Talosian. That led her to being cast as the M-113 creature in “The Man Trap”, another first season episode. She actually had a much larger work history as student double, though uncredited, showing up in sixty eight episodes of Lost in Space and fifty seven of The Bionic Woman plus myriad such genre work elsewhere including They Come from Outer Space where she was the stunt coordinator. (CE)
Born September 17, 1947 – Gail Carson Levine, 73. Children’s fiction; a score of novels, half as many shorter stories, a nonfiction book about how. Many of her tales are retellings, e.g. The Princess Test of The Princess and the Pea, The Princess Sonora and the Long Sleep of Sleeping Beauty (“I give the prince a real reason to kiss Sonora even though, after 100 years, she’s covered with spider webs”). [JH]
Born September 17, 1951 — Cassandra Peterson, 69. Definitely better remembered as Elvira, Mistress of The Darkness, a character she played on TV and in movies before becoming the host of Elvira’s Movie Macabre, a weekly horror movie presentation in LA in 1981. She’s a showgirl in Diamonds Are Forever which was her debut film, and is Sorais in Allan Quatermain and the Lost City of Gold. (CE)
Born September 17, 1956 – Shauna Roberts, Ph.D., 64. Two novels, a dozen shorter stories. Earlier, nonfiction, mostly medical. Plays recorder and harp. Likes Renaissance and Baroque, Turkish, folk music and blues. [JH]
Born September 17, 1961 – Vince Docherty, 59. Co-chaired Intersection and Interaction the 53rd and 63rd Worldcons. Interviewed in StarShipSofa 153. Co-edited Journey Planet 38 celebrating forty years of SF cons at Glasgow, composed front cover from Bill Burns’ collection. Big Heart (our highest service award). At Opening Ceremonies of Interaction, appearing onstage in Scots full dress, said “Remember I told you there’d be no tartan tat? I lied.” Enter pipers. [JH]
Born September 17, 1973 — Jonathan Morris, 47. SFF television series are fertile grounds for creating spinoff book series and Doctor Who is no exception. This writer has only written four such novels to date but oh the number of Big Finish audiobooks that he’s written scripts for now is in the high forties if I include the Companions and the most excellent Jago & Lightfoot spin-off series as well. (CE)
Born September 17, 1991 – Morgan Bolt. A fantasy trilogy and a stand-alone science fiction novel, all achieved in a few years. Contracted and killed by a rare form of cancer. Insisted it did not shake his faith. (Died 2018) [JH]
Born September 17, 1996 — Ella Purnell, 24. An English actress best remembered as Emma in the Miss Peregrine’s Home for Peculiar Children film. She’s also in Kick-Ass 2 as Dolce, she’s Natalie the UFO film that stars Gillian Anderson, and she was the body double for the young Jane Porter in The Legend of Tarzan. In a genre adjacent role, she was Hester Argyll in Agatha Christie’s Ordeal by Innocence. (CE)
(11) COMICS SECTION.
Speed Bump shows 2020’s most dangerous science fair exhibit.
(12) A GENERATION OF COMIC BOOK ARTISTS. Michael Gonzalez leads his CrimeReads post “On The Art And Life Of Jeffrey Catherine Jones” with a log reminiscence of the 1977 Creation Comic Book Con. Tagline: “In 1970’s New York City, Jones and a few artist friends reinvented what comic art could be.”
…Whereas most fantasy artists of that era drew in a macho style, Jones painted with sensitive strokes. His work was visual Emo, the dreamy visual equivalent of Pink Floyd and Kate Bush. “Jeff’s paintings had something else,” former protégé George Pratt wrote in a 2019 essay. “Hard to describe. Hard to nail down. But they lived in a different space that was emotionally deeper, for me at least. They were rich in self-reflection, a mood at once quieter, contemplative, and more viscerally honest.”
The series centers on lawyer Jennifer Walters (Maslany), cousin of Bruce Banner, who inherits his Hulk powers after she receives a blood transfusion from him. Unlike Bruce, however, when she hulks out Jennifer is able to retain most of her personality, intelligence, and emotional control.
… “She-Hulk” is one of several Marvel series in the works at Disney Plus, with several others set to feature stars from the Marvel Cinematic Universe. “Falcon and the Winter Soldier” and “WandaVision” are on deck first for debuts later this year, followed by “Loki” in early 2021. Marvel Studios is also developing the shows “Hawkeye,” “Ms. Marvel,” and “Moon Knight” as live-action shows.
(15) BUT. In his article “H. P. Lovecraft Is Cancelled” for Crisis Magazine (“A Voice for the Faithful Catholic Laity”), Charles Coulombe thinks it should be possible to compose people’s respect for Ray Bradbury into a shield for H.P. Lovecraft – but if not, threatens that Bradbury will go down the memory hole next. The World Fantasy Award trophy and S. T. Joshi also get entered in evidence, as you might expect, but somehow so do George R.R. Martin, John W. Campbell, Jr. and Jeannette Ng.
…Was Lovecraft a racist? He was indeed, in the manner of H. L. Mencken, H. G. Wells, and any number of noted scientificists of his day. As were they, he was also an atheist, and disliked all of the immigrants who, in his mind, were destroying the purity of Yankee New England: Italians, Poles, and my own French-Canadians (although his views of the last-named altered radically after visiting the Province of Quebec; one wonders what would have happened had he been able to journey to Poland and Italy). As with the change of his views regarding the French-Canadians, he was also amenable to altering his opinions and, according to those who knew him, never allowed them to affect his treatment of individuals. Indeed, despite his expressed anti-Semitism, he married a Jewish lady.
All of that aside, however—and despite the fact that I find his religious views abominable, as I do those of Mencken and Wells—it does not diminish either his intense talent nor his great literary achievement. Were I to discount him on the basis of his views, I should have to do so with the vast majority of writers in the English canon. But not too surprisingly, Bradbury had a handle on what is coming to fruition now decades ago. Asked in 1994 if he thought Fahrenheit 451 stood up well at that time, he replied: “It works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can’t say certain things. The homosexual groups don’t want you to criticize them. It’s thought control and freedom of speech control.” Now, of course, it is being applied retroactively, and I shall not be surprised if his legacy too comes under attack…..
In the past few decades, the number of planets discovered beyond our Solar System has increased rapidly, and current estimates are that around one-third of all Sun-like stars host planetary systems1 . Given that the Milky Way contains around ten billion Sun-like stars, there are likely to be billions of planets in our Galaxy. All of these planet-hosting stars will eventually die, leaving behind burnt-out remnants known as white dwarfs. What becomes of the stars’ planetary systems when this happens is unclear, but in some cases it is thought that planets will survive and remain in orbit around the white dwarf2 . On page 363, Vanderburg et al.3 report the discovery of a planet that passes in front of (transits) the white dwarf WD 1856+534 every 1.4 days. Their work not only proves that planets can indeed survive the death of their star, but might offer us a glimpse of the far future of our own Solar System.
“There simply aren’t T. rexes like this coming to market,” James Hyslop, head of the auction house’s science and natural history department, said in a statement. “It’s an incredible rare event when a great one is found.”
Stan, who was unearthed in 1987, is named after his discoverer, Stan Sacrison. It’s unknown what name his parents gave him, if any.
(18) MORE ABOUT VENUSIAN GAS. See the primary research about phosphine gas in the atmosphere of Venus at Nature Astronomy.
…Studying rocky-planet atmospheres gives clues to how they interact with surfaces and subsurfaces, and whether any non-equilibrium compounds could reflect the presence of life. Characterizing extrasolar-planet atmospheres is extremely challenging, especially for rare compounds1. The Solar System thus offers important testbeds for exploring planetary geology, climate and habitability, via both in situ sampling and remote monitoring. Proximity makes signals of trace gases much stronger than those from extrasolar planets, but issues remain in interpretation.
(19) UNDERGROUND ART. Take a fantastic subway trip in this Adobe Photoshop commercial – view it at DailyCommercials,com.
(20) VIDEO OF THE DAY. In Floaters on Vimeo, Karl Poyser and Joseph Roberts explain what happens when a spaceship is busted by the space traffic cops.
[Thanks to Andrew Porter, Bill, Mike Kennedy, Martin Morse Wooster, JJ, N., John King Tarpinian, Michael Toman, Jeff Smith, SF Concatenation’s Janathan Cowie, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
The Ig Nobel Prizes honor achievements that make people LAUGH, and then THINK. The prizes are intended to celebrate the unusual, honor the imaginative — and spur people’s interest in science, medicine, and technology.
Each winning team was given a cash prize — of a 10 trillion dollar bill from Zimbabwe.
For Acoustics: Stephan Reber, Takeshi Nishimura, Judith Janisch, Mark Robertson, and Tecumseh Fitch, for inducing a female Chinese alligator to bellow in an airtight chamber filled with helium-enriched air.
Psychology: Miranda Giacomin and Nicholas Rule, for devising a method to identify narcissists by examining their eyebrows.
Peace: The governments of India and Pakistan, for having their diplomats surreptitiously ring each other’s doorbells in the middle of the night, and then run away before anyone had a chance to answer the door.
Physics: Ivan Maksymov and Andriy Pototsky, for determining, experimentally, what happens to the shape of a living earthworm when one vibrates the earthworm at high frequency.
Economics: Christopher Watkins and colleagues for trying to quantify the relationship between different countries’ national income inequality and the average amount of mouth-to-mouth kissing.
Management: Xi Guang-An, Mo Tian-Xiang, Yang Kang-Sheng, Yang Guang-Sheng, and Ling Xian Si – five professional hitmen in Guangxi, China, who subcontracted a murder one to the other with none of them in the end actually carrying out the crime.
Entomology: Richard Vetter, for collecting evidence that many entomologists (scientists who study insects) are afraid of spiders, which are not insects.
Medical Education: Jair Bolsonaro of Brazil, Boris Johnson of the United Kingdom, Narendra Modi of India, Andrés Manuel López Obrador of Mexico, Alexander Lukashenko of Belarus, Donald Trump of the USA, Recep Tayyip Erdogan of Turkey, Vladimir Putin of Russia, and Gurbanguly Berdimuhamedow of Turkmenistan, for using the Covid-19 viral pandemic to teach the world that politicians can have a more immediate effect on life and death than scientists and doctors can.
Materials Science: Metin Eren, Michelle Bebber, James Norris, Alyssa Perrone, Ashley Rutkoski, Michael Wilson, and Mary Ann Raghanti, for showing that knives manufactured from frozen human faeces do not work well.
Kiran Kaur Saini is the winner of the Speculative Literature Foundation’s 2020 Older Writers Grant.
Graham Robert Scott, Jeff Reynolds, and S.E. Greco received Honorable Mentions.
Kiran Kaur Saini is a writer of speculative and literary fiction whose short stories have appeared in Glimmer Train , Pleiades , and The Tahoma Literary Review , among other publications. She is a graduate of Smith College and received her MFA from Sarah Lawrence College.
Born in California, Kiran grew up in rural Pennsylvania, the daughter of a Sikh from Punjab and a North Carolina native. In the last year Kiran stepped away from a 15-year career in film production to care for her aging mother and now finds her writing focused on issues of aging, cultural identity, and autonomy.
The Speculative Literature Foundation’s Older Writers Grant is awarded annually since 2004 to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. The $1,000 grant can be used as each writer determines will best assist his or her work.
Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers.
During a live stream today, Orbit Books officially announced the title and cover for the final installment of James S.A. Corey’s science fiction series, The Expanse: Leviathan Falls, which will hit stores sometime in 2021 .
…Orbit didn’t release any synopsis for the book, but Abraham and Franck did explain that the novel will provide a definitive ending for the series.
During the live stream, Abraham and Franck answered a handful of reader questions. In addition to Leviathan Falls, they plan to have another novella that’ll come out after that final book, which will provide a “nice grace note” to some hanging threads from the series. Abraham noted that he’s been waiting to write the story for “years.”
Franck explained that they don’t plan to write any novels in the world, but that Alcon could always put together another Expanse-related project for television.
(2) RSR UPDATE. Rocket Stack Rank’s Greg Hullender announced today in “Taking a Break” that he’ll be on hiatus as a short fiction reviewer —
After five years of writing reviews for Rocket Stack Rank, I’m going to take an indefinite break. This month marks five years since we started the site, and so it seemed like a good time to pause.
Eric Wong says he will continue to update RSR with monthly lists of stories that readers can flag and rate and find reviews for, as well as aggregate recommendations from various sources (currently 6 reviewers, 16 awards, 7 year’s best anthologies) for the Year-To-Date and Year’s Best lists.
Five years ago, in September 2015, Eric and I started Rocket Stack Rank as a response to the Sad/Rabid Puppy episode that ruined the 2015 Hugo Awards. As we said at the time, we wanted “to create a website to encourage readers of science fiction and fantasy to read and nominate more short fiction.”
The response was very positive, and we’ve enjoyed steady support from readers. We quickly ramped up to a few thousand unique monthly users, with 20-30,000 monthly page views (we recently passed 1,000,000 total page views), and we’re currently the #1 Google result for “short science fiction story reviews.” Best of all, we were finalists for the Hugo Award for Best Fanzine three times (2017, 2018, 2019). Thank you for supporting us!
(3) ANOTHER VIEW OF ROWLING’S CONTROVERSIAL LATEST. Alison Flood, in “JK Rowling’s Troubled Blood: don’t judge a book by a single review” in The Guardian, says she’s read Rowling’s Troubled Blood and although there are parts she says are “tone-deaf” that she doesn’t consider the novel “transphobic” since the cross-dressing character is not the main villain and is not described as trans or even a transvestite.
…Perhaps some will still consider this depiction transphobic, given Rowling’s rightly widely criticised views on trans people. It is, at best, an utterly tone-deaf decision to include an evil man who cross-dresses after months of pain among trans people and their allies. But there is also reason to be wary of any moral outrage stoked by the Telegraph, a paper that generally doesn’t shy away from publishing jeering at the “woke crowd”, or claims that children are “put at risk by transgender books”, or attacks on “the trans lobby”. And we should also be wary of how one review has been reproduced without question by countless newspapers and websites, by journalists who have shown no indication of having read the book themselves.
…The McFadden-fronted podcast will be the first one from the Nacelle Company and serves as a stepping stone for its NacelleCast Studios, the company’s neighboring podcast studio in Burbank. The new podcast studio will serve as the main production space for all NacelleCast productions.
The Nacelle Company has created a number of pop history-focused titles including Netflix’s The Movies That Made Us, The Toys That Made Us and the CW’s Discontinued. Branching into the podcast space is a step in the company’s efforts to broaden its reach of pop history-focused content.
Anil Menon is joining Gadi as co-host for a one-hour discussion on science fiction and change, bringing along friends and colleagues Christopher Brown, Claude Lalumière, Geoff Ryman, Nisi Shawl, and Vandana Singh. This Saturday, 19 September.
Arguably, science fiction has had a focus on working out the consequences of a change (what-if scenarios) rather than how a certain change comes to be. This seems to be especially true in the case of social or political change. The distinguished panelists will discuss the possibilities and limitations of (science) fiction for representing a changing world.
(6) GENUINE PIXEL NEWS. Plans for a Japanese adaptation of The Door Into Summer were unveiled on Twitter. Thread starts here.
(7) UNDERTALE CONCERT. Beginning at the 45-minute mark in this YouTube video, you can listen to the full orchestral concert that was staged for the 5th anniversary of the video game Undertale.
This is probably why many folks who watched the concert last night absolutely got in their feelings about the game. The top comment on the YouTube video says, “I cried like twice through the whole thing.” I saw the same sentiment unfold across my Twitter timeline, where folks reminisced on the game’s highlights and what it meant to them when they played it. It was a total mood shift from the general depressing and terrifying tenor of the year. Undertale is, at its heart, an optimistic game about friendship and love.
…How would we know such organisms might exist? Many chemical compounds that simple microbes produce are also made by non-biological processes. But one, phosphine or PH3, is difficult to produce on Earth abiotically (without life) and, as argued by Seager and her colleagues in another paper, could be a good “biosignature” or sign of life on planets around other stars. This isn’t always the case: The compound is found in the dense hydrogen-rich atmospheres of Jupiter and Saturn, where it is understood to be an abiotic product of simple chemistry, and will likely be found on gas giants around other stars using the James Webb Space Telescope, planned for launch next year. But Venus — which has an atmosphere in which hydrogen is extremely scarce — is a place where phosphine is a plausible biosignature.
The detection of sufficient quantities of phosphine in Venus’s atmosphere would be an intriguing pointer to the possibility of life in the sulfuric-acid clouds of our sister planet, but many questions would remain. Is it possible that planetary chemists have overlooked ways to produce phosphine on Venus in the absence of life? And if phosphine is produced by biology, where did that life originate? It is one thing to imagine life adapting to and hanging out opportunistically in the clouds of Venus. It is quite another to imagine that life could have originated there, sandwiched between the hell of the surface and the frozen realms of the thin upper atmosphere….
(9) MEDIA ANNIVERSARY.
September 1995 — Twenty five years ago this month at Intersection, Lois McMaster Bujold’s Mirror Dance won the Hugo for Best Novel. Other finalists were John Barnes’ Mother of Storms, Nancy Kress‘s Beggars and Choosers, Michael Bishop‘s Brittle Innings and James Morrow’s Towing Jehovah. It would be the third Hugo winner of the Vorkosigan saga, and Bujold’s third Hugo award-winning novel in a row. It’s the direct sequel to Brothers in Arms. The Vorkosigan saga would win the Best Series Hugo at Worldcon 75. (CE)
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 16, 1898 — Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.) (CE)
Born September 16, 1917 – Art Widner. Pioneer in earliest days, he left for a few decades to teach school, beget children, other mundane matters, then returned, resuming his fanzine YHOS (“Your Humble Obedient Servant”, pronounced ee-hoss though I said it should rhyme with dose), the Eo-Neo. See here. Here is his cover for the Mar 40 Spaceways. On his board game Interplanetary see here. DUFF (Down Under Fan Fund) delegate. Big Heart (our highest service award). First Fandom Hall of Fame. YHOS first took my note on The Glass Bead Game. As of his passing he may have been Oldest of All; rooming with him at a few cons, I promised not to call him “Woody” (see Mary Sperling in Methuselah’s Children). Our Gracious Host’s appreciation here. (Died 2015) [JH]
Born September 16, 1916 — Mary, Lady Stewart (born Mary Florence Elinor Rainbow, lovely name that). Yes, you know her better as just Mary Stewart. Genre wise, she’s probably best known for her Merlin series which walks along the boundary between the historical novel and fantasy. Explicitly fantasy is her children’s novel A Walk in Wolf Wood: A Tale of Fantasy and Magic. (Died 2014.) (CE)
Born September 16, 1930 — Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E. and played several roles on Fantasy Island as well. (Died 2011.) (CE)
Born September 16, 1932 — Peter Falk. His best remembered role genre is in The Princess Bride as the Grandfather who narrates the Story. The person who replaced him in the full cast reading of The Princess Bride for the Wisconsin Democratic Party fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role. He also plays Ramos Clemente in “The Mirror”, an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.) (CE)
Born September 16, 1932 – Karen Anderson. Fan and pro herself, wife of another, mother of a third, mother-in-law of a fourth. While still Karen Kruse she was WSFA (Washington, DC, SF Ass’n) secretary and joined SAPS (Spectator Amateur Press Society) and The Cult. Marrying Poul Anderson she moved to the San Francisco Bay area, bore Astrid, and thus was mother by marriage to Greg Bear. Stellar quality also in filk, costuming, and our neighbor the Society for Creative Anachronism. At an SF con party a few decades ago I arrived in English Regency clothes having just taught Regency dancing; she sang “How much is that Dukie in the window?” See here; appreciation by OGH here. (Died 2018) [JH]
Born September 16, 1938 – Owen Hannifen, 82. How he found the LASFS (Los Angeles Science Fantasy Soc.; “LASFS” pronounced as if rhyming with a Spanish-English hybrid “mas fuss”, unless you were Len Moffatt, who rhymed it with “sass mass” and had earned the right to do it his way) minutes, then and now known as The Menace of the LASFS, I’ve never learned; with a good Secretary – Jack Harness, Mike Glyer, John DeChancie – they’ve been swell; anyway they lured OH to L.A. (from Vermont?), where he roomed with Harness and others in a series of apartments, the Labyrinth, Labyrinth 3, Labyrinth of Valeron, Labyrinth DuQuesne (see here). He was in N’APA, OMPA, SAPS, and The Cult. Dungeons & Dragons was fire-new then; he and his wife Hilda (also “Eclaré”) did that. They moved to the San Francisco Bay Area, Sampo Productions (named for the magic sampo in “Why the Sea Is Salt”), and incidentally the SCA. [JH]
Born September 16, 1948 – Julia Donaldson, C.B.E., 72. Author, playwright, performer; almost two hundred books. Famous for The Gruffalo. Half a dozen stories of Princess Mirror-Belle. Busked in America, England, France, Italy. Bristol Street Theatre, British Broadcasting Corp., Edinburgh Book Festival. Honorary doctorates from Univ. Bristol, Univ. Glasgow. Children’s Laureate of the United Kingdom 2011-2013. Commander of the Order of the British Empire. Website here. [JH]
Born September 16, 1952 — Lisa Tuttle, 68. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Loverscollection. Her latest novel is The Curious Affair of the Witch at Wayside Cross. (CE)
Born September 16, 1960 – Kurt Busiek, 60. Writer for Dark Horse, DC, Dynamite, Eclipse, Harris, Image, Marvel, Topps. Known particularly for Astro City, Marvels, the Thunderbolts. Nine Eisners, six Harveys; two Comics Buyer’s Guide Awards for Favorite Writer. Here he’s interviewed about Conan. Alex Ross put KB and wife Ann into Marvels 3 reacting to the arrival of the Silver Surfer and Galactus. I’ll leave out Page 33. What jewels these Filers be. [JH]
Born September 16, 1960 — Mike Mignola, 60. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What-If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories are quite excellent too. I’m very fond of the first Hellboy film, not so much of the second, though the animated films are excellent. (CE)
Born September 6, 1982 – María Zaragoza, 38. Three short stories for us; novels, poetry, film scripts, graphic novels. Post-human, anthology of Spanish SF authors. Atheneum of Valladolid Award, Young Atheneum of Seville Novel Prize. Part of Fernando Marías Amando’s storytelling collective “Children of Mary Shelley”; of “The Cabin” collective of mutant artists (painters, poets, writers, sculptors, photographers), Ciudad Real. [JH]
(10b) BELATED BIRTHDAY. Worldcon 76 chair Kevin Roche turned 60 on September 15 — we wish him a cake-full of candles for the occasion!
(11) COMICS SECTION.
Thatababy calls it a “new Mary Worth” storyline. Daniel Dern says, “I had to convince myself I hadn’t dreamed it.”
Lio discovers what happens when horror movies take over your yard.
(12) CLAREMONT ANNIVERSARY SPECIAL. Marvel Comics will honor the extraordinary career of writer Chris Claremont in December with the Chris Claremont Anniversary Special.
For the past 50 years, Claremont has graced the Marvel Universe with his brilliant storytelling—creating and defining some of its most iconic heroes and building the framework for one of its most treasured franchises.
In the Chris Claremont Anniversary Special, the acclaimed writer returns to the world of the X-Men with a brand-new story. Dani Moonstar is drafted for a mission across time and space for an incredible psychic showdown against the Shadow King—joining forces with other characters created and defined by the pen of Chris Claremont! In this extra-sized milestone issue, Claremont will team up with a host of iconic artists including Brett Booth and reunite with his classic New Mutants collaborator, Bill Sienkiewicz.
…Chris Claremont’s influential run on X-Men changed the comic book landscape forever. As the architect behind the epic tapestry that makes up the world of mutants, Claremont’s contributions went far beyond the creation of characters but to the very themes, concepts, and allegories that are ingrained in the X-Men today. Claremont’s work catapulted the X-Men into unprecedented success with now classic stories such as Dark Phoenix Saga and Days of Future Past as well as series like New Mutants and Wolverine’s first solo series. In addition to his groundbreaking work on X-Men titles, Claremont also had memorable runs on books such as Ms. Marvel and Fantastic Four.
Just before “Fargo” returned to production in August, Noah Hawley — the writer who somehow adapted an eccentric and beloved Coen brothers film into one of the most decorated television series of the past decade — sent a letter to the show’s cast and crew. He wrote about the importance of safety. He wrote about mutual responsibility. He wrote about Tom Cruise.
“Someday in the not too distant future Tom Cruise will go to space,” the message began. “He will bring a film crew with him. He will bring a director and actors. They will shoot a film. Now space, as we know, is an airless vacuum where nothing can live. A hostile void where a suit breach or airlock malfunction can kill, where even the simplest tasks must be done methodically, deliberately. Astronauts train for years to prepare. They drill protocols and procedures into their heads. They know that surviving in space will require their full concentration. Now imagine doing all that AND making a movie.”
The “Fargo” crew is rather more earthbound, but Hawley likened its experience to that of Cruise, who is indeed planning a trip to the International Space Station to shoot an action movie. (It was reported in May that he will do this with the help, of course, of Elon Musk.) But before Tom Cruise ascends into space, the cast and crew of “Fargo” are gathering in Chicago to film the final two episodes of the show’s fourth season in a 13-day stretch — five months after being forced to break camp by the coronavirus pandemic.
You may not have realized it, but sitting atop one of the highest points in the San Gabriel mountains, looming 5,700 feet over L.A., is arguably one of the world’s most important spots for scientific discovery: the Mount Wilson Observatory.
The 114-year-old site is covered in equipment that not only helped mankind discover the universe and cement Southern California as an astronomy hub, but still connects normal people to wonders beyond our own world.
Worryingly, the Bobcat Fire is charging right for it. Only 500 feet away as of Tuesday afternoon.
Descanso Gardens has announced a month-long fall exhibit for those of you who get really into decorative gourd season. “Halloween at Descanso” is a socially distant, “pumpkin-filled extravaganza” that takes place October 1-31.
The exhibit is suitable for all ages, so don’t worry about this Halloween event being too scary. Instead, expect a winding hay maze, a house built entirely out of pumpkins, a pumpkin arch that leads to a forest filled with pumpkin-headed scarecrows, and colorful pumpkin mandalas. The pathways that lead to the Hilltop Gardens, the Japanese Garden, and the main promenade will feature hand-carved jack-o-lantern boxes.
(16) JEOPARDY! Andrew Porter says tonight’s Jeopardy! contestants struck out on this one.
Category: Summarizing the novel.
Answer: Utopia (not); I ain’t goin’ nowhere; the butler did it (in 1872).
Margie went into the schoolroom…and the mechanical teacher was on and waiting for her,’ the passage (from Asimov) read, ‘The screen was lit up, and it said, ‘Today’s arithmetic lesson is on the addition of proper fractions. Please insert yesterday’s homework in the proper slot.’ Margie did so with a sigh.”
These days, Bradley–who teaches middle school in Fairfax County Public Schools–feels a lot like the ‘mechanical teacher.’ He spends ever morning huddled ina spare room in his Northern Virginia home staring at his computer screen. The monitor is filled with small rectangles: Each one depicts an anonymous, identical silhouette.
From his home in Cape Canaveral, Air Force pilot Alex Layendecker explained how he had been drawn to the study of sex and reproduction in space. “I had been immersed in the space environment in the Air Force, assigned to launch duty, and was simultaneously pursuing an M.A. in public health, and then at the Institute for Advanced Study of Human Sexuality, and I was looking for a dissertation topic,” he recalled. “I decided that sex and reproduction in space had not received the attention they deserved—if we’re serious about discussions of colonization, having babies in microgravity—on Mars or other outposts of the Earth, then more needs to be learned.” His general recommendation was that because of the squeamishness of NASA to study sex in space, a private nonprofit organization, or Astrosexological Research Institute, should be founded for this research critical to human settlement of outer space.
What were the prospects for space-based sex lives? Layendecker’s study of the literature yielded both good and bad news. Sex should be possible, even lively, but reproduction, critical for space colonization, could entail severe health consequences…
(20) BE SEATED. In Two Chairs Talking Episode 36 – “Marrying the genre next door” — Perry Middlemiss and David Grigg talk about novels which blur the boundaries between genres: literary novels with strong elements of fantasy or science fiction. Call them “genre adjacent” fiction. And David interviews Matthew Hughes, author of the historical fiction novel “What the Wind Brings.”
(21) SHARP, POINTY. The final trailer for Guillermo del Toro’s Antlers has dropped.
A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences.
[Thanks to Darrah Chavey, Daniel Dern, N., John King Tarpinian, Mike Kennedy, Martin Morse Wooster, John Hertz, JJ, Cat Eldridge, Michael Toman, Gadi Evron, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]
Kathrin Hutson has been writing Dark Fantasy, SFF, and LGBTQ Speculative Fiction since 2000. She is a member of the Science Fiction and Fantasy Writers of America and the Horror Writers Association. Kathrin lives in Vermont with her husband, their young daughter, and their two dogs, Sadie and Brucewillis.
Sleepwater Static, Book Two in the LGBTQ Dystopian SF Blue Helix Series by Kathrin Hutson was released May 26 by Exquisite Darkness Press.
Wyoming’s Sleepwater chapter is on the run, hunted for their ability to spin a beat. With little time to mourn the members they’ve lost, Bernadette Manney takes the group to the one place she swore she’d never see again: the cabin in Hollywood, South Carolina. It’s remote enough to lay low and catch a break, but not for long.
Their beats are condemned as mutations, radical terrorist tactics, and felonies punishable both by and outside the law. Bernadette thought Sleepwater would be safe here, but returning to her Southern roots unleashes more demons than she left behind.
MIKE GLYER: In your Blue Helix series, the condemned mutation that confers special abilities — the beat – almost floats in a colloidal suspension where it comes in contact with the profoundly human stories that you want in the foreground. Instead of a big comic book bang, we see how individuals or families relate and conflict, only with more tools that may or may not help them. The genre elements tend to be pushed to the margins while focus is on the human relationships, romances, family histories and conflicts. What what was it specifically that attracted you to science fiction and fantasy as a setting?
KATHRIN HUTSON: I’ve always been more attracted to science fiction and fantasy as genres in general, and I think that came mostly from my desire as a kid, adolescent, and young adult to escape what was happening around me in my real life. Today, I choose to write in these genre for a few reasons. First, story always comes first. For me, the story is more exciting when I can work with these genre elements (even if they’re pushed to the margins) in order to create that sort of surrealist escapism while still keeping it grounded in what we as readers are all able to identify with – fleshed-out characters and profoundly human stories.
Second, these genres are just so dang fun. With fantasy especially, I get to work with worlds to change them and shape them in whatever way I see fit. As long as it fits the overall story too, of course. With the Blue Helix series, which is all I’ve written in the science fiction genre so far (dystopian and very “light” on the science part), I had to do a lot more research to create this world and these characters than I really have ever done for any of my other work, all of which is fantasy. But I did choose dystopian science fiction very specifically for the Blue Helix series because of what I wanted to say within the broader context of this “condemned mutation” found in my main characters and supporting characters. Originally with Sleepwater Beat, Book 1, I wanted to create an only slightly different world from our reality — a parallel universe, if you will. I believed it was really important to be able to show these parallels between worlds in order to highlight the disparities between marginalized communities and “the majority”. So I looked at these marginalized groups – the LGBTQ community, BIPOC, drug addicts, addiction survivors, victims of emotional and physical abuse, the homeless, the disenfranchised, those struggling with mental illness, disabled peoples, and anyone living on the fringes of society — and used this fictionally marginalized group in the books who have this special-ability mutation to open a window into the injustices, double-standards, and outright ridiculousness of bigotry and discrimination in all its forms. As it turned out, this parallel universe I created and fully intended to be farther in the future (2031 in the Blue Helix series) ended up having so many eerie similarities to what the world and specifically the United States has been experiencing as each book was published. They’ve been called timely and prescient, though I think I ended up giving “the future” too much credit for being farther away than it turned out to be.
MIKE GLYER: These books maintain a wonderful dynamic between characters on the run and rich sense of the location they’re presently in. I saw an author say he starts his stories from a sense of place—where do you start?
KATHRIN HUTSON: I start my stories from a sense of character and really getting inside their heads first. I think this is a lot easier for me to do than starting from a physical location or a sense of place because my “record” for the longest amount of time lived in one house in the last twenty years is two and a half years… and that was just recently reached in my last house in Vermont (my family moved to Colorado this past July, so now I’m starting over). One of the greatest lessons I’ve learned personally through always moving around for most of my life is that I can still be myself and carry everything I am and want to be with me, no matter where I end up. I hope that my characters provide that same feeling of “self” throughout my stories, even when these characters are fleeing across the country from persecution and holing up wherever they can find a roof over their heads for the night. Sometimes even just a car roof. But then when I have the characters down (and they don’t change who they are at the core, even with a different setting – unless it’s part of the story, of course), I get to play with bringing the setting to life almost as much as the people inhabiting it. I’ve lived in four different states in the last eight years – Colorado, South Carolina, California, and Vermont, in that order – and have gotten a decent sense of what each place feels like, what kind of people are found there, and how a physical location can play less or more or just as much of a role in the characters’ experiences as the people around them or the plot itself. But always, characters come first. And the fun lies in choosing how they do or don’t interact with the space around them when it changes.
MIKE GLYER: In The Blue Helix series, the special gifts the characters have in common bring them together because they are persecuted. Would that thing be enough reason to organize together if they were free to express their gifts?
KATHRIN HUTSON: This is a fantastic question. My immediate reaction was actually to think, “Well, it’s common ground. Common interests. Of course we’re drawn to other people like us.” But is that really the reason for gathering with like-minded individuals when we aren’t facing danger, persecution, and hatred simply for personal traits, beliefs, orientation, skin color, age (you name it) that we have no control over whatsoever?
I think there are two different reasons for these characters with “the beat”, who later joined to form the organization Sleepwater, to come together as they do in these series. Before their ability was weaponized, demonized, and relegated to something the rest of the world was told over and over again to fear and hate, yes. Beat-spinners gathered together to listen to each other’s individual abilities and form a sense of community around what made them different. Even when the rest of the world wouldn’t understand or had no idea of what they could do. There’s always a chance that “being different” will give others who fall under “normal” (like there’s even such a thing as “normal” anyway) a reason to taunt, make fun of, villainize, or otherwise act out against us. Take the overused (and sometimes still very real) trope in any YA entertainment media where high school is involved. We have “the nerds”, and even though “the nerds” get picked on by “the jocks” (or insert whichever high school clique you like) for being who they are, they still come together to play videogames, trade comic books, play chess, etc. because that’s a part of who they are. And they enjoy those parts of themselves (to be clear, I’ve done all of those things but play chess. I did, however, play D&D in high school, so there’s that). And in this hypothetical high-school setting, being “a nerd” isn’t necessarily a life-threatening “label” to carry. Sure, it makes things more difficult sometimes. I’m fortunate enough to have been “a nerd” in high school and still didn’t experience any bullying because of it, so I can say that seeking out like-minded individuals with similar interests and abilities in a relatively safe environment does absolutely exist.
On the other hand, when the danger and the discrimination become so wildly disproportionate to whatever makes us “different”, then yes. There is more of a reason to band together – for support, encouragement, hope, and to remind ourselves that we’re not alone in our struggles, even when it feels like we’re being persecuted for who we are on a core, raw human level. I wish more people had the opportunity to experience community in the former arena, i.e. within safe spaces and because we are drawn to people like us, even during good times. That’s part of the reason I wrote this series in the first place.
MIKE GLYER: Who was your favorite character to write?
KATHRIN HUTSON: I love this question, because the answer surprised me so much. While each of the characters in the Blue Helix series were phenomenally fun to write (and gave me more insight into myself and my understanding of the nearly infinite scope of individual human experiences), the character I enjoyed writing the most was Donna. And when I set out to write Sleepwater Static, Book 2, I had no idea that I would be writing her as much as I did. Honestly, I expected her to remain a mentioned side-character in the pen-pal letters between the main character Bernadette and her best friend Janet. But then I realized I needed to put Bernadette and her boyfriend Darrell into a room with Janet and Donna to explore some more ideas of interpersonal relationships I was playing with, and it happened more than once.
Donna is a sharp-witted, charismatic, well-educated, affluent, biracial lesbian living in Vincent, Alabama in the 1980s who also happened to have this beat-spinning ability herself. She is Janet’s partner through most of the book, and she later becomes the spearhead of a revolutionary movement/rebellion by a group of people with this same “mutant ability” even before the rest of the world knew what Sleepwater and people like them could do. She was so much fun to write precisely because she is so complex, and not always in a good way. I wanted to write her in as a character (including that full description above) that I found lacking in speculative fiction when it comes to BIPOC characters, especially in the South and especially in the ’80s. And while Donna knows how to play a room to her full advantage, how to win people over with her gorgeous smile and her go-get-’em attitude, how to organize and stoke the fires of inspiration and action in others, she’s one of the most insecure characters in this series. She’s manipulative, sensitive, emotionally abusive toward Janet at times, and terrifyingly territorial. Nothing stops her, and she’ll do whatever it takes to circumvent any obstacle standing between her and what she wants, even if it happens to be her own partner. I didn’t intend to use writing Donna and Janet’s relationship as a way to juxtapose a “seemingly normal” relationship that’s actually quite dysfunctional with a purely healthy, loving, respectful relationship we see between Bernadette and Darrell. But as I kept writing, that’s what it became. And it served another purpose “layer” of showing how impossible and senseless it really is to “judge a book by its cover” – or, in this case, to judge a person by physical, economic, financial, and intellectual status. I also really love writing sharp-edged characters you can’t help but admire and appreciate even after seeing glimpses of their “masochistic side”, and Donna most definitely fits that bill.
MIKE GLYER: Have you ever received any pushback from editors or readers when you’ve included marginalized characters in your stories?
KATHRIN HUTSON: This was one of the things that I was actually quite nervous about experiencing when I wrote both Sleepwater Beat and Sleepwater Static. Fortunately, I haven’t gotten any blowback whatsoever. In some ways, that still throws me for a loop, and I’m always expecting that feedback to come down the line at one point or another (I’ll chalk it up to knowing I have to have that “thick author skin”, and if I’m expecting it, it’s not that heavy of a blow when it happens). But so far, the worst feedback I’ve received from anyone — and it was a reader — was “some people may like reading about the seedier sides of other people” but the story “wasn’t happy enough”. That garnered me a two-star review for Sleepwater Beat, which I was actually thrilled to receive. I did not in any way set out to write this series with the intention of making it a happy-go-lucky sci-fi read with action and intrigue thrown in for fun. That’s just not what I write. And even though it was a two-star review, it still solidified in my mind the belief that I’m writing exactly what I want to write with this series. Not everyone is going to enjoy it. Not everyone wants to read fiction about “the darker underbelly of society” that just isn’t “happy enough”. And that’s okay. The people who do want to read it, like myself, appreciate it for what it is.
I was especially nervous about the potential for negative feedback when I wrote Sleepwater Static, because in addition to touching on the marginalized communities I explored and shed light on in Sleepwater Beat, Book 2 in this series also focuses a lot on racism, racial discrimination and injustice, interracial relationships and families, and the difficulties BIPOC face on an every day basis. The closest I felt I could respectfully get to touching on these issues, as a white woman who’s been the target of other forms of discrimination but not those based on skin color, was to write from the perspective of a main character who: is a white woman; has been the target of discrimination but not discrimination based on the color of her skin; is in a healthy romantic relationship with a black man in the South and has a child with him; and finds herself willing to do whatever she can to protect the people she loves, even if she happens to take it too far and make mistakes she deeply regrets along the way. My editor was such a huge part of reaffirming for me that I hit the points in Sleepwater Static delicately and respectfully. The other instrumental resource in ensuring I didn’t perpetuate harmful stereotypes, cross the boundaries into acceptable representation, or get things flat-out wrong was using a sensitivity reader. Fortunately, this sensitivity reader agreed with my editor, and I didn’t have to make any changes to the manuscript. I suppose I didn’t have to agonize over doing this “the right way” for as long as I did while writing this book, either, but it was a valuable experience nonetheless.
I recently was a guest on the Sci-Fi Saturday Night podcast with The Dome and Cam to talk about Sleepwater Static, and they told me something after the show that was so invaluable for me to hear and that I think is a pretty important nugget for any writer wanting to tackle bigger issues within a work of speculative fiction. In a nutshell, they told me that the difference between writing on a large scale like this to the same effect of standing up on a soap box with a megaphone — spouting “political or social stances” — and writing in a way that is clear, versatile, and accessible to everyone, without becoming didactic or overblown, is whether or not we as writers are tackling these issues and writing our stories from a place of anger and fear. That was a hugely enlightening moment for me. I’ve written so many of my own personal life experiences into the Blue Helix series — some of them remarkably traumatic at one point in time — after I’d already found a place within myself where that rage and that fear could be removed. Not completely ignored or erased, because I’m well aware of the fact that the causes of that rage and fear (and the work I’ve done in my own life to move past them) will always be a part of who I am. But they are detached from my writing process, and it allows me to create stories like these that don’t feel didactic or like I’m trying to “sell” readers on any particular stance. Because I’m not. This is the one of the things, in my opinion, that may be a reason why I haven’t received a lot of pushback from editors or readers of the Blue Helix series since Sleepwater Beat released in November of 2018. I just want to offer readers a chance to look at the world around them from a different perspective, maybe even to realize that they’re not alone in how they think or feel or what they’ve gone through, and in doing that, I always prioritize the quality of my craft – good story, robust characters, real moments — first.
MIKE GLYER: Corporate villains, family betrayal, chemical addiction, racism, and sexual self-discovery, aren’t just issues explored in your books, they’re decision points a character may pay the price for with their lives. In one of your bios you talk about “Happily Never Afters.” What are the keys to writing stories like this that appeal to readers who probably grew up conditioned to Disney-style resolutions?
KATHRIN HUTSON: Answering this question as so many layers I could probably keep peeling back forever. But the first thing that comes to mind is that I’m already well aware of the fact that we as writers can’t possibly appeal to everyone. Fiction would become quite bland indeed if that were the endgame. But I think that appealing to these readers who probably grew up conditioned to Disney-style resolutions is made possible through what I believe is the cornerstone of every good story, which is that human connection. Despite race, age, gender, sexual orientation, economic status, education level, religion, belief system, any and all demographics I could list here, we all have something in common. We are all living, breathing, feeling human beings who hold personal values and care about something. Appealing to this shared human experience through fiction, I believe, is the best way to reach so many more people who would otherwise not have been open to reading about these things in the first place, or maybe even reading dark fiction as an overarching genre.
As an example, I met with a book club last year in Vermont who’d all read Sleepwater Beat beforehand. When this group came together to talk with me about the books (and it really turned into an hour-and-a-half-long discussion of them mostly describing their experiences and thoughts when reading, which was phenomenal), I was blown away by the demographics represented just in this small group — BIPOC, men, woman, straight cis-gendered men, LGBTQ people, parents, people without children, and the age rage went from 25 to 76. Each and every one of these book-club members had something to say about different parts in the book that spoke to them, touched on their own experiences, made them think differently, made them feel like they were seen and recognized, and helped them tap into the gratitude they carried for what they had in their own lives. And this was possible, I’d like to say, because of the fact that I do choose to put human relationships and “profound human stories” into the foreground of my work, especially with the Blue Helix series. We all have different experiences, and many of us break away from what we’re “conditioned” to believe, feel, think, understand simply through interactions with other humans and their experiences. I’m lucky enough to say that after everything I’ve been through in my life (and there’s plenty more of it to come), I’ve found my own version of a “happy ending”. And I think that by writing Happily Never Afters, at the very least, I may help others come to understand that reaching theirs is actually possible and not just relegated to fairytale resolutions.
MIKE GLYER: Finally, would you like to tell us about any other new or upcoming releases you have?
KATHRIN HUTSON: This may sound like a complete 180 after answering that last question, but my next upcoming release is the first in a Dark Urban Fantasy series called Accessory to Magic. Book 1 is The Witching Vault, which will be available on December 10th, 2020. I’m trying something a little bit different with this series, going for a “lighter” approach to fiction more for entertainment purposes than the complex levels of picking apart “the human struggle” found in the Blue Helix series. But, of course, the Accessory to Magic series still has my dark spin on it and quite a bit of my own experiences peppered throughout: An apprentice witch with a criminal past inherits a magical bank that can think for itself – and the clientele are almost as dangerous as what’s inside their safety deposit boxes.
I’m excited to see how my darkness-loving readers will react to something a little more on the fun-escapist side with a heck of a lot more snark. And, of course, I’m also working on Book 3 in the Blue Helix series, which will release in Spring of 2021. So readers have about eight months to prepare for that one, and it’s shaping up to be the series wildest ride yet.