Comic-Con International has announced six individuals who will automatically be inducted to the Will Eisner Comic Awards Hall of Fame Nominees for 2021. These inductees include two deceased comics artists: Argentinean Alberto Breccia, best known for drawing Mort Cinder, and cartoonist Stan Goldberg(known for his Marvel color designs and his decades at Archie Comics); two pioneers of the comics medium: editorial cartoonist Thomas Nast, creator of the donkey symbol for the Democratic Party and the elephant symbol for the Republican Party, and Swiss illustrator Rodolphe Töpffer, creator in the early 1800s of “picture stories” that preceded today’s comic strips; and two living legends: editor/publisher Françoise Mouly, founder of RAW Books and of TOON! Books, as well as art director for TheNew Yorker, and Golden Age artist Lily Renée Phillips, best known for work at Fiction House, who turns 100 on May 12.
The judges have also chosen 16 nominees from whom voters will select 4 to be inducted in the Hall of Fame this summer. These nominees are Ruth Atkinson, Dave Cockrum, Kevin Eastman, Neil Gaiman, Max Gaines, Justin Green, Moto Hagio, Don Heck, Klaus Janson, Jeffrey Catherine Jones, Hank Ketcham, Scott McCloud, Grant Morrison, Alex Niño, P. Craig Russell, and Gaspar Saladino.
Here are brief bios for the automatic inductees:
Breccia (1919–1993) was an Argentinean artist who worked from the 1940s through the 1980s. Starting out in commercial illustration for magazines, juvenile tales, and genre stories, His first major character, a detective named Sherlock Time, appeared in the late 1950s and was written by Héctor German Oesterheld, who would become a long-time collaborator. Their “masterpiece” is considered Mort Cinder, produced from 1962 to 1964. Breccia worked with and was influenced by Hugo Pratt and was made a member of the “Venice Group” that Pratt and other European artists created. One of Breccia’s last works was a series called Perramus, a critique of life under dictatorship, that was begun when Argentina was still under the control of the dictatorship that was very likely responsible for the disappearance of Oesterheld. This act of artistic courage led to an award from Amnesty International in 1989.
Stan Goldberg (1932–2014) started his career in 1949 at the age of 16 as a staff artist for Timely (now Marvel), where he was in charge of the color department. Goldberg continued to color Marvel comics until 1969, creating the color designs for many Silver Age characters, including Spider-Man, The Fantastic Four, and The Hulk. He also drew such Marvel titles as Millie the Model and Patsy Walker. After leaving Marvel he drew some of DC’s teen titles, including Date with Debbie, Swing with Scooter, and Binky, and began a 40-year career at Archie Comics, with his work appearing in such titles as Archie and Me, Betty and Me, Everything’s Archie, Life with Archie, Archie’s Pals n Gals, Laugh, Pep, and Sabrina The Teenage Witch. From 1975 to 1980 Goldberg drew the Archie Sunday newspaper strip.
Editor and publisher Francoise Mouly founded Raw Books and Graphics in 1978. With her husband Art Spiegelman she launched Raw magazine in 1980, which is perhaps best known for serializing Spiegelman’s award-winning Maus. A lavishly produced oversize anthology, Raw published work by Lynda Barry, Charles Burns, Kim Deitch, Ben Katchor, Richard McGuire, Lorenzo Mattotti, Gary Panter, Joost Swarte, Jacques Tardi, and Chris Ware, to name but a few. When Mouly became art director at The New Yorker in 1993, she brought a large number of cartoonists and artists to the periodical’s interiors and covers. In 2008 she launched TOON Books, an imprint devoted to books for young readers done by cartoonists.
Lily Renée Phillips
Lily Renée Wilhelm Peters Phillips was the star artist for comics publisher Fiction House, where she worked from 1943 until 1948. She drew such strips as Werewolf Hunter, Jane Martin, Senorita Rio, and The Lost World. She was known for her striking covers and “good girl” art. She later drew Abbott & Costello Comics with her husband at the time, Eric Peters, and Borden’s Elsie the Cow comics. She left comics in the 1950s; she is still living and was a guest at Comic-Con in 2007. She turns 100 on May 12.
Editorial cartoonist Thomas Nast (1840–1902) is often considered to be the “Father of the American Cartoon.” He started out as an illustrator in 1856 while still a teenager and became a staff illustrator for Harper’s Weekly in 1860. His cartoons advocated the abolition of slavery, opposed racial segregation, and deplored the violence of the Ku Klux Klan. In the 1870s he used his cartoons to crusade against New York City’s political boss William Tweed, and he devised the Tammany tiger for this crusade. He popularized the elephant to symbolize the Republican Party and the donkey as the symbol for the Democratic Party, and he created the “modern” image of Santa Claus.
Swiss artist Rodolphe Töpffer (1799–1846) is known for his histoires en images, picture stories that are considered predecessors to modern comic strips. His works included Histoire de M. Jabot (1833), Monsieur Crépin (1837), Monsieur Pencil (1840), and Le Docteur Festus (1846). These works were distinctively different from a painting, a political cartoon, or an illustrated novel. The images followed clear narrative sequences over a course of many pages, rather than just a series of unrelated events. Both text and images were closely intertwined. Originally ,he drew his comics purely for his own and friends’ amusement. One of his friends, Johann Wolfgang von Goethe, liked them so much (especially the Faust parody) that he encouraged Töpffer to publish his littérature en estampes (“graphic literature”). His stories were printed in various magazines and translated into German, Dutch, English, Norwegian, Danish, and Swedish.
The 2021 Eisner Awards judging panel consists of comics retailer Marco Davanzo (Alakazam Comics, Irvine, CA), Comic-Con Board Member Shelley Fruchey, librarian Pamela Jackson (San Diego State University), comics creator/publisher Keithan Jones (The Power Knights, KID Comics), educator Alonso Nuñez (Little Fish Comic Book Studio), and comics scholar Jim Thompson (Comic Book Historians).
The Eisner Hall of Fame trophies will be presented in a virtual awards ceremony to be held during Comic-Con@Home in July.
Charlie Jane Anders has long been a vocal presence within the sci-fi fandom at large. Her prose writing has earned her multiple Hugo Awards as well as a Nebula award for her novel All The Birds In The Sky. With her upcoming book, Victories Greater Than Death, Anders kicks off a planned trilogy within the YA space. A tale reminiscent of the big flashy space opera adventures she grew up adoring. Nerdist recently had the chance to speak with Anders about her newest work….
A common theme in your novels is characters moving towards a destiny that they’re only vaguely aware of. Is there something about this particular trope that you feel drawn to explore?
Yes! One of my obsessions as a writer is the “quest that people don’t necessarily know is a quest.” I hate writing characters who just go where the plot needs them to go, because I start to get bored if the characters don’t have a more personal stake in what’s going on. I just feel like this is more real and grounded. We usually don’t know where all of our searching is going to end up, until we get there.
I also feel like a quest needs to be spiritual as much as logistical, so I try to write characters who are searching for fulfillment as much as trying to accomplish a plot-driven goal. I read a ton of medieval texts like Piers Plowman and Pilgrim’s Progress back in college, and they left me with an enduring love for the quest for “what does it mean to be a good person?”
(3) NOT JUST A LABEL. In the Washington Post, Charlie Jane Anders has an op-ed where she discusses her own experiences as a transgender person and says that some bills (like North Carolina’s)”subject young people to extraordinary scrutiny and intervention when they need time to explore their interests and personalities.” “We should celebrate trans kids, not crack down on them”.
…Figuring out your own gender identity is hard work, requiring large amounts of self-awareness and vulnerability. Your gender isn’t just a label: It’s a matter of how your inner conception of yourself meets everyone else’s perceptions.
My own experience of finding myself as a transgender person involved a lot of false starts and soul-searching, as I tried to reconcile the person I’d been told I was with everything I felt inside. Often, it may appear that trans kids and adults emerge fully formed, like Athena from the brow of Zeus, when in reality we’ve spent endless hours trying to make sense of our selves. The moment we reveal the end result of our self-discovery to the world, we face microaggressions, outright hostility and discrimination.
For anyone, of any age, this can feel like riding a unicycle across a muddy field while bystanders shout unhelpful advice….
We’re facing a real shortage of pants-wetting villains in pop culture these days. I’ve gotten used to seeing a lot of villains, especially in movies and TV shows, who feel like a bit of an afterthought, or just a nasty copy of the hero. Or else they’re so sympathetic that they end up becoming more of an anti-hero, and usually get redeemed.
Villains should be able to commit almost any sin – except for the cardinal sin of being forgettable. Every time they show up, we should get scared and excited, because some shit is about to go down.
When I set out to write Victories Greater Than Death, my young adult space opera novel about heroic queer teens who save all the worlds, I really wanted to include an old-school, capital-v Villain. For my previous novels, I had tried to keep the morality of all my characters ambiguous, so that everybody got to make terrible decisions but also be pretty decent at times. But when it came to writing a swash-buckling, trash-talking adventure story with space battles and narrow escapes, I was determined to cook up a really monstrous baddie, like the ones who unnerved me when I was a kid.
…So often, Hollywood demonstrates only a thin understanding of the subject matter of the shows it produces. Real doctors, lawyers, police officers, theologians, scientists, psychologists, teachers, engineers, and astronauts watch programs about their professions and scoff at how little they get right. TV writers quite often seem to get their knowledge of complex subjects from Wikipedia. But “For All Mankind” is different. It is almost as if the show has dropped its cameras into the time period (the late 1960s and early 1970s in season one, 1983 in season two) and filmed what actually happened, even though it didn’t… but could have.
The show’s strengths go beyond its level of verisimilitude. This is one of the few shows on television that is about something, that has questions to ask and answers to pose and ideas to explore. The show’s second season is mostly successful at doing that, although it stumbles a bit at the finish line….
…He was best known for cutting lyrics set to standards from the great American songbook — including such tuneful spoofs as “East Side Story,” “Flawrence of Arabia” and “Keep On Trekin’ ” — and his musical parodies were even at the center of a landmark copyright-law case.
Music publishers and named plaintiff Irving Berlin sued Mad over a 1961 special edition that featured more than 50 parody lyrics to such songs as Berlin’s “A Pretty Girl Is Like a Melody,” which Jacobs turned into “Louella Schwartz Describes Her Malady.” In 1964, the U.S. Court of Appeals for the 2nd Circuit ruled in Mad’s favor, with Circuit Court Judge Irving Kaufman writing in his decision: “We doubt that even so eminent a composer as plaintiff Irving Berlin should be permitted to claim a property interest in iambic pentameter.”
Jacobs began writing for Mad in 1957, crafting early pieces such as “Why I Left the Army and Became a Civilian,” which humorously contrasted the discipline of military life with the demands of being an everyday married commuter. He also liked to spoof other cartoons, including in works such as “Obituaries for Comic Strip Characters” and “If the Characters in ‘Peanuts’ Aged Like Ordinary People”; the latter spoof was published in 1972, when Mad was at its pop cultural peak, reaching millions of readers each month.
“What is really amazing to me today is that there still are people who can sing all the words to some of his parodies,” says his son, Alex Jacobs….
(7) FRANCES OBIT. In “Myra Frances obituary”, The Guardian pays tribute to an actor with a notable genre resume who died April 13.
The actor Myra Frances, who has died aged 78 of cancer, broke a British screen taboo when she and Alison Steadman shared television’s first lesbian kiss in 1974.
… her other standout screen role, as the selfish, self-obsessed Anne Tranter in the first series of Survivors (1975), a post-apocalyptic drama devised by Terry Nation, best known as the creator of the Daleks in Doctor Who.
Tranter, who has enjoyed a privileged upbringing, is one of less than 1% of the world’s population not wiped out by a plague, and Frances gives an intensely powerful portrayal of her as a screen villain, dumping her disabled partner and refusing to help others, having regard for only her self-preservation – the qualities of a true survivor.
The drama ran for a further two series with regularly changing characters, and in 1979 Frances appeared in another cult screen hit, Doctor Who. In The Creature From the Pit adventure, she played Lady Adrasta, doomed ruler of Chloris, who controls the valuable metals on her verdant planet of foggy forests until her people turn against her.
(8) HUGHES OBIT. [Item by Cora Buhlert.] Guardian journalist and TV critic Sarah Hughes, who did their episode-by-episode reviews of Game of Thrones among others, has died of cancer at the aged only 48. I was shocked to read this, because I had seen her final article, a review of an episode of the UK crime drama Line of Duty, only a day before her death, so she was literally still reviewing TV episodes on her deathbed. There’s also a lovely tribute by a fellow Guardian journalist: “’My TV bellwether, my wonderful friend’: a tribute to Sarah Hughes”.
…Over the past 10 years, Sarah Hughes cultivated the most wonderful and witty community for fans of the cultural juggernaut Game of Thrones. Readers flocked to her weekly recaps to share in her great love and knowledge of television. With boundless energy and absolutely no spoilers, she gave telly addicts a home and she always made them feel loved and listened to.
I had the honour of editing my TV bellwether, my wonderful friend, who died of cancer on Monday after outliving by years the prognosis doctors dared to give her. I put her longevity down to her passion for life, telly, trashy books, Tottenham Hotspur and Cheltenham races – plus, of course, the depth of her love for her husband, Kris, and their two children, Ruby and Oisín….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 13, 1893 – Harold Sheldon, Ph.D. Physics professor, Prentice-Hall science editor, pioneer in conduction of electricity through crystals (basis of electronic integrated circuits) and ultra-high-frequency radio. Third Ph.D. member of the American Interplanetary Society. Introduction to Lasser’s The Conquest of Space. Television (1929!). Space, Time & Relativity. Light Waves and Their Uses. Okay, okay, these weren’t fiction. (Died 1964) [JH]
Born April 13, 1931 — Beverley Cross. English screenwriter responsible for an amazing trio of films, to wit namely Jason And The Argonauts, Sinbad And The Eye Of The Tiger and Clash Of The Titans. He also wrote the screenplay for The Long Ships which is at genre adjacent. (Died 1998.) (CE)
Born April 13, 1937 — Terry Carr. Well-known and loved fan, author, editor, and writing instructor. I usually don’t list awards both won and nominated for but his are damned impressive so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death and all proceeds went to his widow. (Died 1987.) (CE)
Born April 13, 1941 – John Foyster. Mainspring of the 7th Australian SF Con; Fan Guest of Honour at 8th, 12th, 20th. Instigated Aussiecon I the 33rd Worldcon. Co-founded DUFF (Down Under Fan Fund). First GUFF (Get Up and over Fan Fund northbound, Going Under Fan Fund south) delegate, report Stranger in Stranger Lands. Australian SF Review. Australian Fan History 1953-1966. Journal of Omphalistic Epistemology (with Bruce Gillespie). Contributor & correspondent, Chunga, Izzard, NY Rev SF, SF Commentary, SF Review, Vision of Tomorrow. Chandler Award. Three Ditmars. More here. (Died 2003) [JH]
Born April 13, 1949 – Teddy Harvia, age 72. Four Hugos as Best Fanartist. Fan Guest of Honor at Minicon 25, DeepSouthCon 35, ArmadilloCon 23, Loscon 30, ConQuesT 38; Special Guest (with wife Diana Thayer), Boskone 36 (Boskone has no Fan Guest of Honor; the Special Guest need not be a fan). Rebel Award. Rotsler Award. See my note here. [JH]
Born April 13, 1951 — Peter Davison, 70. The Fifth Doctor and one that I came to be very fond of unlike the one that followed him. And he put a lot of gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish. (CE)
Born April 13, 1953 – Helen Hollick, age 68. Eight novels, two shorter stories. Historical fiction “not to include Merlin…. no magic…. no Holy Grail quest…. not a fantasy” about Arthur, Harold II, Emma of Normandy; also “pirate-based nautical adventures … part fantasy … intended for adult reading.” Website. [JH]
Born April 13, 1954 — Michael Cassutt, 67. Producer, screenwriter, and author. His notable TV work includes work for the animated Dungeons & Dragons, Max Headroom, The Outer Limits, Beauty and The Beast, SeaQuest, Farscape and The Twilight Zone. He’s also written a number of genre works including the Heaven’s Shadow series that was co-written with David S. Goyer. (VE)
Born April 13, 1950 — Ron Perlman, 71. Hellboy in a total of five films including three animated films (Hellboy: Sword of Storms, Hellboy: Blood and Iron and the Redcap short). He’s got a very long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates and being Zeno was followed quickly By being Captain Soames in Sleepwalkers and Angel De La Guardia in the Mexican horror film Cronos. Several years later, I see he’s Boltar in Prince Valiant, followed by the hard SF of being Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. (Having not rewatched for fear of the Suck Fairy having come down hard on it.) At the time, I thought it was the most awesome practical makeup I’d ever seen. And the costume just made look him even still more amazing. (CE)
Born April 13, 1967 – Mayra Calvani, age 54. Some work under Zoe Kalo may have to be sought that way; three novels as MC, five as ZK. Also MC nonfiction e.g. anthology Latina Authors and Their Muses (Int’l Latina Book Award). [JH]
Born April 13, 1985 – Karsten Knight, age 36. Six novels, three shorter stories. “Favorite song: ‘The Very Thought of You’ by Billie Holiday…. I performed as a beatboxer in various a cappella groups for almost a decade.” [JH]
…Announcing the release of Lucky Charms Galactic, General Mills is clearly keeping the cereal game on lock as well as keeping cereal lovers on their toes. Delivering an intergalactic twist on the beloved Lucky Charms brand, the new limited-edition offering still hosts the traditional frosted toasted oat cereal with marshmallow pieces that we love, but now includes three additional new magic charms. How lucky are we?!
The new charms—which are said to have “special powers”—include two colorful planet charms that can duplicate and a rocket charm that has the power to race through space….
A Japanese astronaut was awarded a Guinness World Record when he took two spacewalks 15 years and 214 days apart.
Soichi Noguchi, an astronaut with the Japan Aerospace Exploration Agency, went for a spacewalk March 5 as part of the ISS Expedition 64, a record-breaking amount of time after his Aug. 3, 2005, spacewalk.
I understand this is going to sound crackpot, but hear me out. What if our computers are already smarter than us, and the only reason they’re pretending they aren’t is so we’ll continue feeding them their favorite thing, photos of our cats? I understand that in isolation this sounds ridiculous, but I don’t think it’s any sillier than the Singularity.
Under this theory, Skynet has already happened, but Skynet is benign because one of the first things we taught it was that cats were cute. And Skynet doesn’t have cats. We do. This is our major structural advantage: we can feed the internet fresh cat photos. It’s why the internet — thus far, anyway — has remained willing to continue human life as we know it: for our cats…
(14) VIDEO OF THE DAY. In “Honest Game Trailers: Monster Hunter Rise” on YouTube, Fandom Games says this game is “another entry in the turning monsters into fashion accessories genre” which should appeal to gamers who enjoy “whacking dinosaurs with comically oversize weapons.”
[Thanks to Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Gordon Van Gelder, Dann, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]
Network Effect by Martha Wells, art by Jaime Jones
The Relentless Moon by Mary Robinette Kowal, art by Jamie Stafford-Hill using figures by Gregory Manchess
The City We Became by N.K. Jemisin, art by Lauren Panepinto
Black Sun by Rebecca Roanhorse, art by John Picacio
Harrow The Ninth by Tamsyn Muir, art by Tommy Arnold
Piranesi by Susannah Clarke, art by David Mann
By JJ: DisCon III has announced the 2021 Hugo Award Finalists. Since the Hugo Voter’s packet will take awhile to arrive, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online. Where available in their entirety, works are linked (most of the Novelettes and Short Stories are free, as are the Pro and Fan Artist images, and many of the Semiprozines and Fanzines).
If not available for free, an Amazon or other purchase link is provided. If a free excerpt is available online, it has been linked.
If I’ve missed an excerpt, or a link doesn’t work, please let me know in the comments, and I’ll get it fixed.
Fair notice: All Amazon links are referrer URLs which benefit fan site Worlds Without End.
DisCon III, the 79th World Science Fiction Convention, today announced the finalists for the 2021 Hugo Awards, Astounding Award for Best New Writer, and Lodestar Award for Best Young Adult Book.
DisCon III received 1249 valid nominating ballots (1246 electronic and 3 paper) from the members of the 2020 and 2021 World Science Fiction Conventions.
A video announcing the finalists is available to watch on DisCon III’s YouTube channel, presided over by Malka Older and Sheree Renée Thomas who will host of the Hugo Award Ceremony in December 2021.
Voting on the final ballot will open later in April. Due to the Worldcon shifting its dates to December, voters will be given until November 19, 2021 to submit their ballots. Only DisCon III members will be able to vote on the final ballot to choose the 2021 award winners. You can join the convention at www.discon3.org – one must be at least a supporting member in order to participate in the awards voting.
The 2021 Hugo Award base will be designed by Baltimore artist Sebastian Martorana. The 2021 Lodestar Award will once again be designed by Sara Felix, president of the Association of Science Fiction and Fantasy Artists.
Once & Future vol. 1: The King Is Undead, written by Kieron Gillen, iIllustrated by Dan Mora, colored by Tamra Bonvillain, lettered by Ed Dukeshire (BOOM! Studios)
Parable of the Sower: A Graphic Novel Adaptation, written by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings (Harry N. Abrams)
BEST DRAMATIC PRESENTATION, LONG FORM
[574 votes for 192 nominees, finalist range 164-56]
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), written by Christina Hodson, directed by Cathy Yan (Warner Bros.)
Eurovision Song Contest: The Story of Fire Saga, written by Will Ferrell, Andrew Steele, directed by David Dobkin (European Broadcasting Union/Netflix)
The Old Guard, written by Greg Rucka, directed by Gina Prince-Bythewood (Netflix / Skydance Media)
Palm Springs, written by Andy Siara, directed by Max Barbakow (Limelight / Sun Entertainment Culture / The Lonely Island / Culmination Productions / Neon / Hulu / Amazon Prime)
Soul, screenplay by Pete Docter, Mike Jones and Kemp Powers, directed by Pete Docter, co-directed by Kemp Powers, produced by Dana Murray (Pixar Animation Studios/ Walt Disney Pictures)
Tenet, written and directed by Christopher Nolan (Warner Bros./Syncopy)
BEST DRAMATIC PRESENTATION, SHORT FORM
[454 votes for 321 nominees, finalist range 130-30]
Doctor Who: Fugitive of the Judoon, written by Vinay Patel and Chris Chibnall, directed by Nida Manzoor (BBC)
The Expanse: Gaugamela, written by Dan Nowak, directed by Nick Gomez (Alcon Entertainment / Alcon Television Group / Amazon Studios / Hivemind / Just So)
She-Ra and the Princesses of Power: Heart (parts 1 and 2), written by Josie Campbell and Noelle Stevenson, directed by Jen Bennett and Kiki Manrique (DreamWorks Animation Television / Netflix)
The Mandalorian: Chapter 13: The Jedi, written and directed by Dave Filoni (Golem Creations / Lucasfilm / Disney+)
The Mandalorian: Chapter 16: The Rescue, written by Jon Favreau, directed by Peyton Reed (Golem Creations / Lucasfilm / Disney+)
The Good Place: Whenever You’re Ready, written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television, a division of Universal Studio Group)
BEST EDITOR, SHORT FORM
[370 votes for 162 nominees, finalist range 79-38]
Mur Lafferty and S.B. Divya
BEST EDITOR, LONG FORM
[310 votes for 82 nominees, finalist range 83-52]
Sheila E. Gilbert
Diana M. Pho
BEST PROFESSIONAL ARTIST
[331 votes for 179 nominees, finalist range 91-37]
[331 votes for 77 nominees, finalist range 174-39]
Beneath Ceaseless Skies, ed.Scott H. Andrews
Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, hosts Tina Connolly and Alasdair Stuart, audio producers Summer Brooks and Adam Pracht and the entire Escape Pod team.
FIYAH Magazine of Black Speculative Fiction, publisher Troy L. Wiggins, executive editor DaVaun Sanders, managing editor Eboni Dunbar, poetry editor Brandon O’Brien, reviews and social media Brent Lambert, art director L. D. Lewis, and the FIYAH Team.
PodCastle, editors, C.L. Clark and Jen R. Albert, assistant editor and host, Setsu Uzumé, producer Peter Adrian Behravesh, and the entire PodCastle team.
Uncanny Magazine, editors in chief: Lynne M. Thomas and Michael Damian Thomas, managing editor: Chimedum Ohaegbu, non-fiction editor: Elsa Sjunneson, podcast producers: Erika Ensign and Steven Schapansky
Strange Horizons, Vanessa Aguirre, Joseph Aitken, Rachel Ayers, M H Ayinde, Tierney Bailey, Scott Beggs, Drew Matthew Beyer, Gautam Bhatia, S. K. Campbell, Zhui Ning Chang, Tania Chen, Joyce Chng, Liz Christman, Linda H. Codega, Kristian Wilson Colyard, Yelena Crane, Bruhad Dave, Sarah Davidson, Tahlia Day, Arinn Dembo, Nathaniel Eakman, Belen Edwards, George Tom Elavathingal, Rebecca Evans, Ciro Faienza, Courtney Floyd, Lila Garrott, Colette Grecco, Guananí Gómez-Van Cortright, Julia Gunnison, Dan Hartland, Sydney Hilton, Angela Hinck, Stephen Ira, Amanda Jean, Ai Jiang, Sean Joyce-Farley, Erika Kanda, Anna Krepinsky, Kat Kourbeti, Clayton Kroh, Maureen Kincaid Speller, Catherine Krahe, Natasha Leullier, A.Z. Louise, Dante Luiz, Gui Machiavelli, Cameron Mack, Samantha Manaktola, Marisa Manuel, Jean McConnell, Heather McDougal, Maria Morabe, Amelia Moriarty, Emory Noakes, Sarah Noakes, Aidan Oatway, AJ Odasso, Joel Oliver-Cormier, Kristina Palmer, Karintha Parker, Anjali Patel, Vanessa Rose Phin, Nicasio Reed, Belicia Rhea, Endria Richardson, Natalie Ritter, Abbey Schlanz, Clark Seanor, Elijah Rain Smith, Alyn Spector, Hebe Stanton, Melody Steiner, Romie Stott, Yejin Suh, Kwan-Ann Tan, Luke Tolvaj, Ben Tyrrell, Renee Van Siclen, Kathryn Weaver, Liza Wemakor, Aigner Loren Wilson, E.M. Wright, Vicki Xu, Fred G. Yost, staff members who prefer not to be named, and guest editor Libia Brenda with guest first reader Raquel González-Franco Alva for the Mexicanx special issue
[271 votes for 94 nominees, finalist range 79-38]
The Full Lid, written by Alasdair Stuart, edited by Marguerite Kenner
Journey Planet, edited by Michael Carroll, John Coxon, Sara Felix, Ann Gry, Sarah Gulde, Alissa McKersie, Errick Nunnally, Pádraig Ó Méalóid, Chuck Serface, Steven H Silver, Paul Trimble, Erin Underwood, James Bacon, and Chris Garcia.
Lady Business, editors. Ira, Jodie, KJ, Renay, and Susan.
nerds of a feather, flock together, ed. Adri Joy, Joe Sherry, The G, and Vance Kotrla
Quick Sip Reviews, editor, Charles Payseur
Unofficial Hugo Book Club Blog, ed. Amanda Wakaruk and Olav Rokne
[376 votes for 230 nominees, finalist range 72-28]
Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
Claire Rousseau’s YouTube channel, produced by Claire Rousseau
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe, Jonathan Strahan, producer
Kalanadi, produced and presented by Rachel
The Skiffy and Fanty Show, produced by Shaun Duke and Jen Zink, presented by Shaun Duke, Jen Zink, Alex Acks, Paul Weimer, and David Annandale.
Worldbuilding for Masochists, presented by Rowenna Miller, Marshall Ryan Maresca and Cass Morris
BEST FAN WRITER
[365 votes for 185 nominees, finalist range 89-42]
BEST FAN ARTIST
[221 votes for 158 nominees, finalist range 54-10]
Iain J. Clark
Grace P. Fong
BEST VIDEO GAME
[341 votes for 145 nominees, finalist range 183-30]
Animal Crossing: New Horizons (Publisher and Developer: Nintendo)
Blaseball (Publisher and Developer: The Game Band)
Final Fantasy VII Remake (Publisher Square Enix)
Hades (Publisher and Developer: Supergiant Games)
The Last of Us: Part II (Publisher: Sony Interactive Entertainment / Developer: Naughty Dog)
Spiritfarer (Publisher and Developer: Thunder Lotus)
LODESTAR AWARD FOR BEST YOUNG ADULT BOOK
[507 votes for 172 nominees, finalist range 201-55]
Cemetery Boys, Aiden Thomas (Swoon Reads)
A Deadly Education, Naomi Novik (Del Rey)
Elatsoe, Darcie Little Badger (Levine Querido)
Legendborn, Tracy Deonn (Margaret K. McElderry/ Simon & Schuster Children’s Publishing)
Raybearer, Jordan Ifueko (Amulet / Hot Key)
A Wizard’s Guide to Defensive Baking, T. Kingfisher (Argyll Productions)
ASTOUNDING AWARD FOR BEST NEW WRITER
[422 votes for 181 nominees, finalist range 99-54]
Lindsay Ellis (1st year of eligibility)
Simon Jimenez (1st year of eligibility)
Micaiah Johnson (1st year of eligibility)
A.K. Larkwood (1st year of eligibility)
Jenn Lyons (2nd year of eligibility)
Emily Tesh (2nd year of eligibility)
The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Hugo Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for more than 60 years.
The Los Angeles Science Fantasy Society (LASFS) is aware of the situation with respect to Westercon 73, and we regret that the Seattle Westercon Organising Committee (SWOC) who won the bid for Westercon 73 has experienced the troubles it has.
LASFS will host the functions mandated in the Westercon Constitution for Westercon 73 at Loscon 47, held over Thanksgiving Weekend, 2021. This includes the Business Meeting and Site Selection voting.
Individuals who decline to get their memberships of Westercon 73 refunded from SWOC are welcome to attend Loscon 47. Those keeping their supporting memberships will be able to vote as well, but have no other participation. If the supporting members wish to attend Loscon 47, they may pay the difference, for the current attending rate and the supporting rate for Westercon 73. All attending badged members at Loscon 47/Westrcon 73 will be able to participate in Westercon 75 site selection. LASFS undertakes no other obligations for Westercon 73. All contracts and agreements made by SWOC in the name of Westercon 73 remain the responsibility of SWOC. Please watch for further statements.
(1) MUIR’S PROGRESS. Bence Pintér conducted a “Q&A with Tamsyn Muir” for the Hungarian magazine Spekulatív Zóna. (You can find the Hungarian version of the interview here.)
The Locked Tomb Trilogy seems like a pretty hard one to pitch to a publisher. How have you pitched it?
I never really pitched the trilogy as a trilogy. I pitched Gideon as more or less a murder mystery, because to me that’s still its most fundamental DNA: it’s the classic And Then There Were None set-up, a group of people in an isolated location start getting killed off one by one. I think I said it was a locked-room murder mystery with necromancers. But I was also deeply confused about a lot of things and thought it might be a Young Adult book, because I understood ‘young adult’ as a tag to mean ‘older teenagers would enjoy it’ and I firmly believed that older teenagers would enjoy Gideon! Someone I showed the story to at an early stage had to break it to me gently that this was not a Young Adult book, and never would be without very major re-writing and taking out 90% of the swearwords….
You signed a six-figure deal with Tordotcom Publishing. What will you work on after finishing Alecto the Ninth?
Lots of stuff. Next up is a novella about a gunslinger in a near-future dystopia, which is going to be a massive relief to write as it contains neither swords nor bones, thank God. Then I’ve got to start on the next full-length novel, which will probably have some swords and some bones but not at anywhere near the concentration Locked Tomb did, and will leaven the mixture by also having some motorbikes. And at some point I need to fit in the sequel to Princess Floralinda and the Forty-Flight Tower, my novella from last year, which I’ve decided I’m not quite done with. Now if I could just get an extra four or five months added in to the year, maybe in summer when the weather’s OK, that would be fantastic.
Congratulations on recently becoming editor of The Magazine of Fantasy & Science Fiction! What are the most common problems in the manuscript submissions you receive?
I just revised our submission guidelines to address that, because after reading 2,400 stories our first month in January, I noticed some patterns, particularly for people who have submitted work to the magazine in the past, and they probably don’t know that they’re doing some of these things.
The main thing I revised our submission guidelines to address is pacing. If you spend a long time setting up your story, or throat clearing, or giving us a long narrative exposition before we even get to the characters we’re supposed to be following and experiencing, you’re going to lose your readers’ interest right off the bat. One of the things people can do when they go back and look at the story is see if they started in the right place. As a writer, it’s not always easy to know that immediately. Sometimes we have to write the thing in order to know the thing; we have to write that first scene to get to the other one.
The other thing that a lot of writers do give us too much information that’s not naturally integrated into the storytelling, and so that becomes a little wearisome to read and hard to follow. People are not telling the story from the POV of the character who has the most to lose in the situation.
I don’t want to read about misogyny, whether it’s conscious or not in the story. I don’t particularly care for rape stories where rape is just a plot device and it’s not handled in a human way, where you don’t have the characters respond to it in a way that humans might. And F&SF is not the best market for super erotic work.
(3) TV DINNER. ASU’s Center for Science and the Imagination’s Science Fiction TV Dinner series is going virtual for 2020-2021, and they’ll Zoom the next event on Tuesday, April 27 at 6 p.m. Pacific time. It features The Mailbox, a short film about time travel and Chinatowns. They’ll be talking with the director, Louis Yin, a writer and filmmaker based in Beijing, and Diane Wong, a professor at Rutgers University who studies the Asian diaspora and the urban immigrant experience. The event is free, and open to everyone. Register at the link.
We’re shifting the format slightly, presenting Science Fiction TV Small Bites: short films from talented creators that invite us to explore a range of possible futures.
…Each Small Bite event will also feature an exclusive segment on cuisine and cooking by Corey S. Pressman, an author, educator, anthropologist, visual artist, and member of CSI’s Imaginary College.
We would like to thank Storycom for their support and collaboration on this event. Storycom is the first professional story commercialization agency in China, and is dedicated to bringing excellent Chinese SF stories to domestic and global audiences in various formats. Storycom also presents The Shimmer Program to introduce new audiences to Chinese SF. Learn more at https://twitter.com/ShimmerProgram.
(4) ACE ON THE CASE. [Item by Martin Morse Wooster.] In the April 7 Financial Times, Tom Faber looks at video games that combine the supernatural with detective stories.
…The first detective games I loved were the Ace Attorney trilogy, in which you play Phoenix Wright, an impossibly earnest lawyer who solves a trio of outlandish murders. The tone is decidedly zany, with anime-style graphics and supernatural story beats. But the sharp characterisation makes them deeply affecting. Each complex case is split into two parts: the first has you talking to witnesses and gathering evidence from the crime scene, while the second takes you to court, where you cross-examine witnesses and poke holes in testimony…
…Perhaps the secret ingredient to a successful detective game is allowing players freedom to find the solution by themselves. These qualities re best exemplified in last year’s indie hit Paradise Killer, which sets its supernatural mystery across an open world, allowing you to investigate at your own pace. The game never tells you where to go next and you can set the final trial at any point, no matter how much evidence you’ve gathered. Newcomers may be alarmed by the game’s high-concept fantasy, which tells of a group of social elites constructing a utopia by sacrificing the working classes to resurrect a pantheon of vanished gods. Yet once you find your footing, the story resolves into a fantastically imaginative, richly compelling narrative with a superb soundtrack to boot.
(5) WHAT YOU CAN LEARN FROM CONFUSION. Ian Moore’s “ConFusion: Eastercon 2021” report at Secret Panda offers a lot of coverage of the panel programming.
… Many of the academic presenters at ConFusion seemed to be from creative writing rather than literary criticism programmes, which changed the focus somewhat: when they were examining a particular theme within science fiction, it was with a view to ultimately creating something in that area themselves, with several then presenting us with some of their own creative work in progress.
I enjoyed Hester Parr’s presentation on fanfic, though at times it did tend towards more of a stirring defence of fan fiction than an academic analysis of it. Particularly interesting was the discussion of how some fanfic writers use their writing to work out things about themselves and the revelation that the My Fair Lady musical is closer to the original Pygmalion myth than the George Bernard Shaw play it is adapted from. I did find myself thinking about whether there is a difference between something like Margaret Atwood’s The Penelopiad and other retellings of myths or sequels to others’ work by novelists on the one hand and fan fiction proper on the other hand. Part of Parr’s argument seemed to be that there is not really a difference, with the human tendency to retell and adapt stories meaning that fanfic is a universal thing with its origins in the mists of time. I have the nagging sense though that there is something different between a novel written by a professional writer and something a hobbyist has posted to an online fanfic platform. To me the fannishness of fanfic is what distinguishes it from non-fan writing drawing on pre-existing stories, though further investigation may be required here….
…Khrushchev’s answer came 60 years ago, on April 12, 1961, when Soviet cosmonaut Yuri Gagarin circled the Earth aboard a spacecraft called Vostok 1. After parachuting from the craft near the Russian village of Smelovka, Gagarin landed a hero — and a major embarrassment for the United States, already stung by the Soviet first-in-the-race launch of the Sputnik 1 satellite four years earlier….
And what goes up must come down – however unexpectedly that might be if you happen to be standing where they land.
(7) JOURNEY INTO SPACE. And the Journey Planet team bids everyone a Happy Cosmonautics Day. Ann Gry co-edited their “Russian Space – ” theme issue which came out in December.
This unique issue of Journey Planet comes in two languages in parallel text, Russian and English. With bi-lingual text on every page we look at the Science, Engineering, Science Fiction, Films, Comics and poetry that the theme of Russian Space has to offer.
Muscovite Co-Editor Ann Gry (Anna Gryaznova) was committed to ensure the issue was as accessible as possible to the readers, interested in the subject and spent a tremendous amount of time working on translations as well as seeking out new voices, and hearing from voices who may be very new to Journey Planet readers. This issue is a curated glimpse into the creative realms mostly inaccessible due to the language barrier and is an attempt to give an idea of how space theme connects us all.
The tiny principality of Grand Fenwick had no intention of blackmailing the world with atomic doom. Faced with economic calamity (Americans had successfully copied Grand Fenwick’s principal export, Pinot Grand Fenwick wine), they came up with a simple but brilliant plan: declare war on the United States of America, lose, capitulate, and then wait for US to expend billions of dollars rebuilding Grand Fenwick (shades of the Marshall Plan). Since Grand Fenwick had not upgraded its military toolkit since the Hundred Years War, there was no way this cunning scheme could go wrong. Or so it seemed.
The handful of men-at-arms dispatched to New York City find a city abandoned thanks to a Cold War-era Civil Defense exercise. Hunting for someone to whom they might surrender, they stumble across Dr. Kokintz and his Q-bomb demonstration model. Both Kokintz and his device are carried off to Grand Fenwick, whereupon the astounded Grand Fenwickians discover to their alarm that they are now in possession of a weapon that could, if detonated, depopulate a continent. Still, having the eyes of the world on them has possibilities…provided nobody jostles the delicate Q-bomb.
(9) HAND MADE. The Dwrayger Dungeon makes a post from clips from a 1939 short in “13: PARAMOUNT Presents POPULAR SCIENCE”. See how a Popeye cartoon was made in the days of hand-painted animation cels.
Today we go behind the scenes of the making of the Popeye cartoon “Aladdin And His Wonderful Lamp” at the Fleischer Studios in Miami….
Here are the guys working on the storyboards for their upcoming Popeye cartoon. I swear, there are like 500 drawings pinned up on the wall….
(10) MEDIA BIRTHDAY.
April 12, 1940 — On this day in 1940, Black Friday premiered. It was directed by Arthur Lubinfrom from a screenplay by Curt Siodmak (who won a Retro Hugo last year for Frankenstein Meets the Wolf Man) and Eric Taylor. Though Boris Karloff and Béla Lugosi were co-billed, Lugosi only has a rather small part in the film and does not appear on screen with Karloff. Universal had cast Lugosi as the Doctor and Karloff as the Professor, but Karloff insisted on playing the Doctor. So Lugosi was given the minor role of a rival gangster, while Stanley Ridges was brought in to play the Professor. Reception was mixed with some critics loving the double billing, but the NYT noted that “Lugosi’s terrifying talents are wasted”. Over at Rotten Tomatoes, the audience reviewers give it a rating of forty nine percent. It is in the the public domain now, so you can watch it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 12, 1884 — Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late 1920s early 1930s. He’s one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.) (CE)
Born April 12, 1908 – Janie Lamb. Edited the N3F (Nat’l Fantasy Fan Fed’n) National Fantasy Fan and Tightbeam. Inspiring spark of Southern Fandom (southern U.S., not e.g. the Republic of South Africa, or London, or Spain despite Roses from the South, these other regions not typically so calling themselves); chaired DeepSouthCon 7. Kaymar and Rebel service awards. (Died 1981) [JH]
Born April 12, 1915 — Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’ He published thirteen novels and some one hundred fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. (Died 2000.) (CE)
Born April 12, 1921 — Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement award from the World Fantasy Awards Administration. I’ve not read her novels, so which would you recommend? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.) (CE)
Born April 12, 1936 — Charles Napier. Adam in Star Trek’s “The Way to Eden”. He had one-offs, and this is not a complete list, on Mission Impossible, The Incredible Hulk, Knight Rider, Tales of The Golden Monkey, The Incredible Hulk Returns, Lois & Clark: The New Adventures of Superman, Deep Space Nine and voiced Agent Zed in the animated Men in Black series. (Died 2011.) (CE)
Born April 12, 1947 – Tom Clancy. Regardless of whether Jack Ryan becomes President, and the author’s politics which as it happens I never liked much, I defiantly assert The Hunt for “Red October” – TC’s first novel! he’d been an insurance salesman! Deborah Grosvenor had to persuade the Naval Inst. to publish it! – is SF, and good SF too. (Died 2013) [JH]
Born April 12, 1952 – Pierre Stolze, Ph.D., age 69. Dissertation at École Normale Supérieure on SF. Seven novels, a score of shorter stories. Will Francophone translators kindly address this man’s work? [JH]
Born April 12, 1958 – Elizabeth Klein-Lebbink, age 63. Canadian living in Los Angeles. Active particularly with Art Shows; board member of the Southern Calif. Inst. for Fan Interests (yes, that’s what the initials spell, pronounced skiffy). Her high-tech expertise permitted the annual Rotsler Award display at Worldcons to rise above the personal handicraft of one man in a propeller beanie, however helped by volunteers (hello, Murray), and thus reach Dublin (77th Worldcon) and Wellington (78th Worldcon, virtual-only). [JH]
Born April 12, 1968 – Marah Searle-Kovacevic, age 53. Head of Exhibits at Noreascon 4 the 62nd Worldcon, credited by con chair with extra help at N4’s elaborate and successful First Night, see this detailed report. Chaired SFContario 4-5. Was assigned as head of Social Media for Westercon LXXIII. [JH]
Born April 12, 1969 – Mike Jansen, age 52. Ran Babel Publications for ten years with Roelof Goudriaan (hello, Roelof). Three novels, fourscore shorter stories, a dozen poems, many available in English e.g. collection Ophelia in My Arms. Website in eight languages including Arabic, Chinese, English. [JH]
Born April 12, 1979 — Jennifer Morrison, 42. Emma Swan in the Once Upon a Time series, and Winona Kirk, mother of James T. Kirk in Star Trek and Star Trek Into Darkness. She also paid her horror dues in Urban Legends: Final Cut as Amy Mayfield, the student videographer whose film goes terribly wrong. I’m intrigued to see that she’s the voice actor for the role of Selina Kyle / Catwoman in the Batman: Hush, a film that needs a R rating to be told properly and indeed did so. (CE)
(12) COMICS SECTION.
Macanudo reveals the ancestry of a certain popular character from The Mandalorian.
… Let’s get this double-whammy out of the way. 1986 saw the release of Alan Moore and Dave Gibbons’ Watchmen, and Frank Miller’s Batman: The Dark Knight Returns. So much has been said about both of these comics already. Although much about them is different, each is a deconstruction of the superhero concept; and each elevated the medium to new levels of respectability.
Yes, their success has sown definite downsides. Too many creators take the wrong lessons from their popularity, veering “dark and edgy” for the sake of it. But this aside, both of these remain towering achievements in comic book storytelling….
…“In all my years of Comic-Conning, I can’t recall another moment when the audience was so eager to give someone a long, loving ovation,” Evanier said Wednesday, “and the recipient was so delightfully surprised to be at an event like that receiving one.
“Joye told me it was the best weekend of her life, and I thought, ‘Imagine having the best weekend of your life when you’re 94!’”
(15) BIRD IS THE WORD. Jeff VanderMeer, in his essay “Hummingbirds and the Ecstatic Moment” for Orion Magazine, explains how birds provided comfort to him when he was sick in bed with asthma as a child and why birds play a crucial role in Hummingbird Salamander.
…I am not going to complain about my childhood—it was worse than some and better than many. But it was a sickly time for me. Transplanted to the Fiji Islands from Pennsylvania when my parents joined the Peace Corps, I discovered I was allergic to many flowering trees and also developed acute asthma. The practical effect of this meant that some mornings I would wake to birdsong hardly able to breathe or open my eyes.
Yet we lived in the cliché of a tropical paradise, a nature-rich country in which nothing separated you from the outdoors. An island nation that knew the limits of its resources and thus, at that time, treasured them.
At recess at school, in our drab gray uniforms, we would run across the road to the black sand beach at low tide and look for mudskippers, or walk along the edge of the reef, searching for starfish. I would stare into the alien eye of a sea turtle as my mother captured the detail in her biological illustrations. We would pile into a boat so my father could go to an outer island and observe the damage to coconut trees from rhinoceros beetles, for his research. Along the way, I would keep a birding journal and identify what I saw using a black-and-white stapled booklet showing the local Fijian species.
There could be no greater contrast between the beauty of that place and the realities of my condition….
(16) RESNICK ON SALE. There’s a Bundle of Holding with a flock of novels by Mike Resnick. It’s available for the next 21 days.
Adventurer! This Mike Resnick Bundle presents space opera and alternate-history fantasy ebook novels by Mike Resnick published by Pyr Books. Mike Resnick (1942-2020) wrote more than 70 wide-ranging science fiction novels and hundreds of short stories that won many awards. This all-new fiction offer gives you DRM-free ebooks (in both ePub and Kindle formats) of a dozen Resnick novels: the four Weird West steampunk fantasies, the three Dead Enders adventures of interstellar espionage, and the five Starship military space operas. These three series showcase Resnick’s gift for fast pacing, engaging characters, snappy dialogue, and headlong action.
For just US$6.95 you get all three novels in our Mike Resnick Sampler (retail value $58) as DRM-free ebooks. Each of these novels — The Buntline Special, The Fortress in Orion, and Starship: Mutiny — launched a series.
And, if you pay more than the threshold price of $25.36, you’ll also get our Complete Collection with all the later books in each series — nine more novels worth an additional $180…
You believe that within a century we will make contact with an alien civilisation. Are you worried about what they may entail?
Soon we’ll have the Webb telescope up in orbit and we’ll have thousands of planets to look at, and that’s why I think the chances are quite high that we may make contact with an alien civilisation. There are some colleagues of mine that believe we should reach out to them. I think that’s a terrible idea. We all know what happened to Montezuma when he met Cortés in Mexico so many hundreds of years ago. Now, personally, I think that aliens out there would be friendly but we can’t gamble on it. So I think we will make contact but we should do it very carefully.
Prehistoric cave dwellers living in Europe purposefully starved themselves of oxygen to hallucinate while creating their decorative wall paintings, a groundbreaking new study has found.
Researchers have been questioning for years why so many of the world’s oldest paintings were located in often pitch-black tunnel systems, far away from cave entrances.
But a recent study by Tel Aviv University now reveals that the location was deliberate because it induced oxygen deprivation and caused cavemen to experience a state called hypoxia.
Hypoxia can bring about symptoms including shortness of breath, headaches, confusion, and rapid heartbeat, which can lead to feelings of euphoria, near-death experiences, and out-of-body sensations. The team of researchers believes it would have been “very similar to when you are taking drugs”, the Times reported.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Alien: Covenant Pitch Meeting” on YouTube, both the producer and the screenwriter agree that the film’s plot is so ridiculous that the screenwriter says “the movie falls apart if any character stops being dumb” and the producer asks, “do all the characters have brain damage, or what’s up?”
[Thanks to Hampus Eckerman, rcade, John King Tarpinian, Joey Eschrich, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, Rich Horton, James Davis Nicoll, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Contrarius.]
On April 13, DisCon III, the 79th World Science Fiction Convention, will announce the finalists for the 2021 Hugo Awards, Astounding Award for Best New Writer, and Lodestar Award for Best Young Adult Book. The presentation begins on YouTube at 11 a.m. Eastern / 8 a.m. Pacific.
Malka Older and Sheree Renée Thomas, who will host of the Hugo Award Ceremony in December, and Ulysses Campbell will preside over the announcement.
The finalists for the 2021 Colorado Book Awards have been announced. Awards are presented in 17 categories by Colorado Humanities to celebrate the accomplishments of Colorado’s outstanding authors, editors, illustrators, and photographers.
The winners will be announced on June 26, 2021.
Works of genre interest include —
Tower of the Four: The Champions Academy Episodes 1-3 by Todd Fahnestock (F4 Publishing)
White Trash Warlock by David R. Slayton (Blackstone Publishing)
Once Again: A Novel by Catherine Wallace Hope (Alcove Press/Crooked Lane Books)
Monsters, Movies & Mayhem edited by Kevin J. Anderson (WordFire Press)
The Science Fiction and Fantasy Writers of America, Inc., (SFWA) are offering multiple scholarships for members of underserved communities to attend the 2021 Nebula Conference Online, June 4–6, 2021. The scholarships and the conference are open to SFWA members and nonmembers alike.
Here are the categories of scholarships available and the quantity restrictions on those scholarships. With the exception of the scholarship for Black Writers, which will remain available for all Black writers until June 6, 2021, scholarship applications must be completed on this form by May 1, 11:59pm Eastern Time. From the applicant pool, the scholarship recipients will be selected by lottery.
Scholarship for Black Writers: A part of SFWA’s Black Lives Matter Initiative, this scholarship is open to Black writers in the U.S. and abroad. To learn more about this initiative, visit this release on the SFWA.org website.
Scholarship for AAPI Writers: A part of SFWA’s AAPI Initiative for 2021, this scholarship is available to Asian writers, Asian American writers, and writers from the Pacific Islands. To learn more about this initiative, visit this release on the SFWA.org website. (limited quantity: 25)
Scholarship for Writers Based Outside of the U.S.: In an effort to remove financial barriers that may exist for prospective attendees living abroad, we are offering a limited number of free tickets for writers living outside the U.S. (limited quantity: 25)
Workshop Scholarship: This scholarship is for writers who have been accepted to or attended a writing workshop from June 2020 through June 2021. (limited quantity: 25)
SFWA’s president, Mary Robinette Kowal, had the following to say about the available scholarships, “There are a lot of gatekeepers in the publishing landscape and with these scholarships, we’re hoping that SFWA can begin to open gates for writers.”
SFWA STORE. For the first time, SFWA is also opening a store for Nebula Conference-related gear and memorabilia. Proceeds from the store will go towards the Nebula Conference and SFWA’s other work.
The SFWA Store is branded as The Airship Nebula Gift Shop in keeping with the shared-world experience of the 2021 Nebula Conference Online. That shared world is one aspect of the “Airship Nebula” virtual socializing spaces that are intended to build community among attendees, offering the networking benefits of an in-person conference while hosting it fully online for a second year. Registered participants will receive $20 off their first purchase from the store.
NEBULA CONFERENCE REGISTRATION. For $125 registration, 2021 SFWA Nebula Conference participants will gain entry to professional development panels, mentorship opportunities, office hours with experts, an archive of the content, and access to ongoing educational events throughout the following year.
Questions about the scholarships, the store, or the upcoming conference may be directed to the SFWA Events Team at firstname.lastname@example.org.