Pasadena School Renamed for Octavia Butler in Official Ceremony

A Pasadena (CA) middle school will now be known as Octavia E. Butler Magnet, a Dual-Language STEAM Middle School. A ceremony at the school on September 15 made official the name change first announced in February.

“This evening isn’t merely about a simple name change. It’s about the kind of change that Octavia believed should begin with education, change that could be ignited by dedicated teachers and fueled by a school community. Ultimately, it’s about change that I know will come from all the amazing kids who see Octavia as a role model and can learn from her legacy,” said Dr. Brian McDonald, Superintendent of Pasadena Unified School District.

Octavia Butler

Octavia E. Butler began some of her early novels at the former Washington Junior High School. She graduated from John Muir High School in 1965 and went on to achieve the highest honors in the field of science fiction writing.

The school originally opened in 1924. Students who attended there include Jack Parsons (1926), one of the principal founders of the Jet Propulsion Laboratory, and Jackie Robinson (1935). In 2020 the school library officially became the Octavia E. Butler Library, and it subsequently was decided to rename the school in her honor.

The ceremony was attended by students, teachers, parents, and elected officials. Dr. Shannon Malone, PUSD Senior Director of K-12 schools and former Octavia E. Butler Magnet Principal, read a letter that Octavia E. Butler wrote in 2000 to President Bill Clinton in response to his request of some of our country’s “greatest thinkers” to predict the vision for our future. In it, she says education can change everything:

“Mr. President: Education, of course, is the key to any hope we have for a comfortable, prosperous future… Education at its best teaches us to go on learning and thus to deal with whatever the future brings… What we become depends very much on what we do now and how we educate the poorest and apparently least promising among us.”

Read more about Octavia E. Butler Magnet at the school’s website.

Strand Critics, NoirCon, and Radio-Bremen Krimipreis Awards

STRAND MAGAZINE CRITICS AWARDS

The winners of the 2022 Strand Magazine Critics Awards were announced September 21.

The Critics Awards were judged by a select group of book critics from NPR, The Boston Globe, the Associated Press, CNN and The Wall Street Journal.

Seeing Razorblade Tears by S.A. Cosby win another award, Cora Buhlert said, “I haven’t seen such a sweep since Ancillary Justice.”

BEST NOVEL

  • Razorblade Tears by S. A. Cosby (Flatiron Books)

Other Finalists

  • The Dark Hours by Michael Connelly (Little, Brown and Co.)
  • The Low Desert by Tod Goldberg (Counterpoint)
  • These Toxic Things by Rachel Howzell Hall (Thomas and Mercer)
  • Dream Girl by Laura Lippman (William Morrow)
  • 1979 by Val McDermid (Atlantic Monthly)

BEST DEBUT NOVEL

  • Bullet Train by Kōtarō Isaka, Translated by Sam Malissa (Harry Abrams)

Other Finalists

  • Who Is Maud Dixon? by Alexandra Andrews (Little, Brown and Co.)
  • The Other Black Girl by Zakiya Dalila Harris (Atria Books)
  • Lightseekers by Femi Kayode (Mulholland Books)
  • Velvet Was the Night by Silvia Moreno-Garcia (Del Rey)
  • All Her Little Secrets by Wanda M. Morris (William Morrow)

LIFETIME ACHIEVEMENT AWARDS

  • Nelson DeMille
  • Sandra Brown

PUBLISHER OF THE YEAR AWARD

  • Morgan Entrekin

NOIRCON AWARDS

The NoirCon Awards, ordinary presented in alternate years, were last given in 2016 because the 2018 convention was cancelled, and there was no 2020 NoirCon, either, due to the COVID-19 pandemic. This year’s event is catching up on the missed 2018 awards, and has already announced the 2022 winners as well.

2018 Awards

David Goodis Award: Walter Mosley

Anne Friedberg Award for Contributions to Noir and its Preservation: Dana Polan

Kogan Award For Excellence: Geoffrey O’Brien and Max Rudin

2022 Awards

David Goodis Award: Megan Abbott

Anne Friedberg Award for Contributions to Noir and its Preservation: Sarah Weinman

Kogan Award For Excellence: Marcia Muller and Bill Pronzini

RADIO-BREMEN KRIMIPREIS

The winner of the 2022 Radio-Bremen Krimipreis, one of the best known crime fiction awards in Germany, was announced in July.

  • Åsa Larsson

The Swedish crime fiction writer is best known for her Rebecka Martinsson series, which has also been filmed.

[Thanks to Cora Buhlert for the stories.]

Pixel Scroll 9/23/22 Let The Midnight Pixel Shine Its Scroll On Me

(1) LITERARY LITIGATION. You have until September 29 to bid on this “Important Edgar Allan Poe Autograph Letter Signed, Regarding His Famous Feud with Poet Thomas Dunn English – ‘…in relation to Mr. English…some attacks lately made upon me by this gentleman…’” at Nate D. Sanders Auctions.

Edgar Allan Poe autograph letter signed, with dramatic content regarding his famous feud with poet and playwright Thomas Dunn English. Poe writes to John Bisco, publisher of the defunct ”Broadway Journal”, which Poe had once edited. Poe asks Bisco to call upon an attorney in relation to ”attacks made upon me” by Mr. English. This is the first time since 1941, when it was sold by Parke-Bernet, that this letter has been at auction.

Although the public feuding between Poe and English was not new – with both men trading veiled barbs in various publications over the years, English raised the stakes when he wrote a letter published in the 23 June 1846 edition of the ”New York Evening Mirror.” Not only did English accuse Poe by name of being a forger, drunk, deadbeat, and scoundrel for besmirching a lady’s honor, but also, perhaps most unforgivable, a serial plagiarist. Poe likely got advance notice of the article as this letter is dated 17 July 1846, only six days before the publication. However, although Poe couldn’t stop the article from running, he was successful in suing the ”Mirror” for libel, collecting $225.06 in damages a year later, likely more than Poe made during his lifetime from writing. 

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down with Wesley Chu in episode 181 of his Eating the Fantastic podcast, the first of six recorded at Chicon 8.

Wesley Chu

Chu’s debut novel, The Lives of Tao, earned him a Young Adult Library Services Association Alex Award and a Science Fiction Goodreads Choice Award Top 10 slot, and was followed by three other books in that universe — The Deaths of Tao (also in 2013), The Rebirths of Tao (2015), and The Days of Tao (2016). He’s also published two books in his Time Salvager series — Time Salvager (2015) and Time Siege (2016). His novel Typhoon, set in The Walking Dead universe, was published in 2019.

He’s also the coauthor of the Eldest Curses series with Cassandra Clare, the first book of which — The Red Scrolls of Magic (2019) — debuted at #1 on the New York Times bestseller list, and was followed by The Lost Book of the White in 2020. His latest novel, The Art of Prophecy (2022), released in August, is the first book in The War Arts Saga. He was a finalist for the John W. Campbell Award for Best New Writer in 2014, and won the following year. But that’s not all! He’s also an accomplished martial artist and a former member of the Screen Actors Guild who has acted in film and television, worked as a model and stuntman, and summited Kilimanjaro.

We discussed why his new novel The Art of Prophecy has him feeling as if he’s making his debut all over again, the reason his particular set of skills means he’s the only one who could have written this project, why creating a novel is like trying to solve a 1,000-piece jigsaw puzzle without the picture on the box as reference, the heavy lifting a well-written fight scene needs to accomplish, why you’ll never get to read his 180,000-word first novel, how to make readers continue to care when writing from the POV of multiple characters, the benefits and pitfalls of writing bigger books, why he decided to toss 80,000 words from the second book in his series, the ways in which environments are also characters, and much more.

(3) WHAT PROFESSIONALISM MEANS IN SFF. Morgan Hazelwood shares notes and comments about another Chicon 8 panel, “Publishing As Collaboration”, at Morgan Hazelwood: Writer In Progress.

If you want to be a published author, a little professionalism goes a long way.

Bookshelves are packed with volumes about how to properly submit your manuscripts, but how does professionalism function in real-world publishing relationships? Moreover, what defines professionalism from culture to culture? Agents and editors share their best examples of what works best, and how to get back on track if your interactions go off the rails.

The titular panel at WorldCon 80 — otherwise known as ChiCon8 — had moderator Holly Lyn Walrath, with panelists Emily Hockaday, Joey Yu, and Joshua Bilmes.

Hazelwood also presents her comments in this YouTube video.

(4) PATHFINDER. James Davis Nicoll knows there are Martha Wells fans who haven’t yet discovered the rest of her work: “For Murderbot Fans Who Want More: Five Fantasy Books by Martha Wells” at Tor.com.

…Wells’ debut novel, The Element of Fire, appeared in 1993. To put that in terms grognards might better understand, by this point in their careers, Poul Anderson had just published A Knight of Ghost and Shadows, while Lois McMaster Bujold was about to publish Penric’s Demon.

This is, of course, good news! If you are only familiar with Well’s Murderbot books, know that there are plenty more Wells books to read. Allow me to suggest five Martha Wells books that Murderbot fans might like….

(5) THEY, THE JURY. Meanwhile, James Davis Nicoll has assigned the Young People Read Old SFF panel John Varley’s 1979 story “Options”.

This month’s Hugo Finalist is John Varley’s Options. First published in 1979, Options was both a Hugo1 and Nebula2 finalist. Options was popular with both fans and Varley’s peers. It might then seem a pretty safe bet to win the hearts and minds of the Young People. 

Except…

The second last Eight Worlds (phase one) story published, Options examines the impact of cheap, convenient gender reassignment. By the era most Eight Worlds stories were set, body modification was a common and uncommented upon aspect of the proto-transhumanist setting. Options is set just as the technology becomes available…. 

(6) DIGGING IN. “House and Senate Democrats prepare resolutions to oppose local book bans”Politico has the story.

Top congressional Democrats are preparing to address a wave of bans and restrictions on school library materials Thursday with new resolutions that call on local governments “to protect the rights of students to learn,” according to lawmakers and a draft copy of the legislation.

The moves represent urgent statements of concern from President Joe Biden’s party about ongoing controversies that affect as many as 4 million U.S. schoolchildren, according to one recent estimate. The congressional response has won endorsements from the American Federation of Teachers and National Education Association labor unions as well as prominent literary and left-leaning educational interest groups….

Both the House and Senate resolutions will face an uncertain path to a vote.

Alarmed Democratic lawmakers have nevertheless convened hearings this year over political organizing and state restrictions against books and curriculum that address gender identity and race. A group of party pollsters and strategists have also sought to draw voter attention to the controversies during fall’s midterm elections as they attempt to depict conservative-led campaigns as extremist and at odds with a significant share of public opinion.

(7) AUTHOR MAY NEED AROUND-THE-CLOCK CARE. “Rachel Pollack needs your help!” — a GoFundMe appeal has been launched for the American science fiction author, comic book writer, and expert on divinatory tarot.. The goal was $15,000, and at this writing 666 donors have given over $36,000.  

As many of you know Rachel is in the ICU.

If she is able to go home, she will need 24-hour care. Up to now, we haven’t needed your help. It is time now. If we are wrong, your pledge will not be collected. We love and honor you …. But you already know that. Keep up the prayers, rituals and love too. All is real and appreciated.

(8) MEDIA BIRTHDAY.  

1962 [By Cat Eldridge.] Sixty years tonight in prime time on ABC, The Jetsons debuted its very first episode, “Rosey the Robot”. Yes, a SF cartoon would start on in network television as a primetime series and would be the first program broadcast in color on ABC. 

Following its primetime run of three years and seventy-five episodes of roughly twenty to thirty minutes, the show aired on Saturday mornings for decades. It started on ABC for the 1963–64 season and then on CBS and NBC as it was syndicated after the first season.

The series was considered by some critics to be a sort of antithesis of The Flintstones being set in whimsical future approximately a century from now. Naturally William Hanna and Joseph Barbera were the creators, executive producers and producers (along with a long list of other folk) as it was a property of Hanna-Barbera Productions. 

It had a very extensive voice cast befitting the number of characters — George Jetson was voiced by George O’Hanlon, Jane Jetson by Penny Singleton, Elroy Jetson by Daws Butler, Judy Jetson, Rosey by Jean Vander Pyl, and Cosmo Spacely by Mel Blanc. No, that’s not a complete cast.

In 1963, Morey Amsterdam and Pat Carroll each filed $12,000 suits against Hanna-Barbera for breach of contract. They had been cast and signed to the roles of George Jetson and Jane Jetson, respectively. But someone didn’t like their work and fired them after the first episode work was done. (That voice work wasn’t used.) They were paid the five hundred dollars owed and showed off the lot. They claimed they were promised the entire first season, but they had no contract for this hence losing the Court case.

It’s worth noting that this series had devices that did not exist at the time but subsequently are now in usage such as computer viruses, digital newspapers, flatscreen television and video chat to name but a few.

It’s streaming on Amazon and HBO Max.

Audience reviewers at Rotted Tomatoes give it seventy percent rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 23, 1897 Walter Pidgeon. He’s mostly remembered for his role in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work, in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. (Died 1984.)
  • Born September 23, 1908 Wilmar House Shiras. Her story “In Hiding” was published in 1948 in Astounding Science Fiction, followed by a pair of sequels over the next two years, “Opening Doors”, and “New Foundations”. The three stories would become the first three chapters in the novel, Children of the Atom. Almost twenty years later she had three more short stories published in Fantastic. (Died 1990.)
  • Born September 23, 1928 John S Glasby. English writer who wrote a truly amazing amount of pulp fiction of both a SF and fantasy under quite a few pen names that included  John Adams, R. L. Bowers, Berl Cameron, Max Chartair, Randall Conway, Ray Cosmic, John Crawford, J. B. Dexter, John Glasby, J. S. Glasby, Michael Hamilton, J. J. Hansby, Marston Johns, Victor La Salle, Peter Laynham, H. K. Lennard, Paul Lorraine, John C. Maxwell, A. J. Merak, H. J. Merak, R. J. Merak, John Morton, John E. Muller, Rand Le Page, J. L. Powers and Karl Zeigfried. It is thought but not confirmed that he produced more than three hundred novels and a lot of short stories in a twenty year period that started in the early Fifties. (Died 2011.)
  • Born September 23, 1920 Richard Wilson. A Futurian, and author of a number of sff short stories and novels, his really major contribution to fandom and to Syracuse University where he worked as the director of the Syracuse University News Bureau was in successfully recruiting the donation of papers from many prominent science fiction writers to the Syracuse University’s George Arents Research Library.  The list of those writers includes Piers Anthony, Hal Clement, Keith Laumer, Larry Niven and Frederik Pohl. And, of course, himself. It has been called the “most important collection of science fiction manuscripts and papers in the world.” (Died 1987.)
  • Born September 23, 1948 Leslie Kay Swigart, 74. Obsessions can be fascinating and hers was detailing the writings of Harlan Ellison. Between 1975 and 1991, she published Harlan Ellison: A Bibliographical Checklist plus wrote shorter works such as “Harlan Ellison: An F&SF Checklist“, “Harlan Ellison: A Nonfiction Checklist“ and “Harlan Ellison: A Book and Fiction Checklist”. Her George R. R. Martin: A RRetrospective Fiction Checklist can be found in the Dreamsongs: GRRM: A RRetrospective collection. 
  • Born September 23, 1957 Rosalind Chao, 65. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar.
  • Born September 23, 1959 Frank Cottrell-Boyce, 63. Definitely not here for his sequels to Chitty-Chitty-Bang-Bang. He is here for such writing endeavors as Goodbye Christopher Robin, his Doctor Who stories, “In the Forest of the Night” and “Smile”, both Twelfth Doctor affairs, and the animated Captain Star series in which he voiced Captain Jim Star. The series sounds like the absolute antithesis of classic Trek
  • Born September 23, 1956 Peter David, 66. Did you know that his first assignment for the Philadelphia Bulletin was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1—The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel , Wolverine and Young Justice.

(10) COMICS SECTION.

(11) SWEET WATER, DRY GULCH. Paul Thompson tells how the landscape where movie history was made was also where American history has been mythologized: “The Girl and the Outlaw: Jordan Peele’s ‘Nope’ and the End of the Alien” at LA Review of Books.

ONE HUNDRED AND SEVEN years ago, Woodrow Wilson hosted the first-ever film screening at the White House. It was for D. W. Griffith’s adaptation of Thomas Dixon Jr.’s The Clansman, which was published originally as a novel but made famous as a stage play that traces the lives of a white family through the Civil War and Reconstruction. Griffith called it The Birth of a Nation. “It’s like writing history with lightning,” the president is reported to have said when he walked out of the East Room. “My only regret is that it is all so terribly true.”

In the century since its release, The Birth of a Nation has become shorthand for a specific, and specifically virulent, kind of early-20th-century American racism that was obsessed with relitigating that war and the legislation that came out of it (a shorthand so enduring, in fact, that Nate Parker’s 2016 The Birth of a Nation, about Nat Turner and the rebellion by enslaved people he led in 1831, was very plausibly greenlit because of its title’s provocation)….
Birth also invented whole swaths of cinematic language still in use today. It is likely — probably inevitable — that other filmmakers would have, on their own, in time, devised dramatic close-ups on actors’ faces, tracking shots to follow action as it moved, cross-cutting between different sequences, or fade-outs to exit scenes. But no one had done so before Griffith. The late critic Pauline Kael wrote that “[o]ne can trace almost every major tradition and most of the genres, and even many of the metaphors, in movies to their sources” in his work. The Los Angeles Times called Birth “the greatest picture ever made.”

And yet Woodrow Wilson was not talking about cross-cutting when he called Griffith’s movie “so terribly true.” Aside from sympathizing with its Klan-agitprop politics, the president, who grew up in Virginia and codified Jim Crow laws within the federal government, was apparently engrossed by the film’s other great technical achievement: its intricate battle sequence, where Griffith skips between disorienting close-ups, wide vistas, and the literal fog of war — gun smoke choking the camera.

This footage was not filmed on the ground of old battlefields. It was captured on arid land across Los Angeles County and edging into the Inland Empire….

… In Nope, the Haywoods exist on the fringes of the industry that drives this imagination. But these are, truly, the fringes: Agua Dulce, practical in the age of computer-generated imagery, horse handlers when superheroes have replaced cowboys. The land that the studios have found to be such a convenient stand-in for the moon, Mars, and beyond — the land that is meant to support them as they support the city, unseen until needed — has turned, if not hostile, something just short….  

Beyond the traditional routes to fame — sports, entertainment, even politics — Nope hints at a morbid dovetail between its twin focuses on race and film. Though its protagonists are motivated by profit, it’s difficult to watch without thinking, at least in passing, of the way police brutality was disbelieved or minimized before the broad dissemination of videos depicting it — or of the way those videos are in turn reduced over time by cable news and political pundits to mere spectacle….

(12) ON THE RIGHT TRACKS.  Paul Weimer makes you want to read this book in “Microreview: Last Car to Annwn Station at Nerds of a Feather. Last Car to Annwn Station takes what is now a famous trope in Urban Fantasy –the presence of Faerie in the Twin Cities, and puts his own, Welsh mythological spin. Oh, and Streetcars.”

… Faerie in Minneapolis has been a thing ever since Emma Bull introduced the Faerie to Minneapolis with War for the Oaks, and permanently highlighted the Twin Cities as a hotbed of Faerie activity for games like Changeling the Dreaming, and other stories and novels taking up the cause.  A modest but not overwhelming city on the edge of Prairie and forest,plenty of lakes, a vibrant cultural scene that punches above its weight, and much more make the Twin Cities a logical place to set stories like this…. 

(13) HOW WELL DO YOU SPORCLE? Surely a national trivia convention in Washington D.C. is fandom-adjacent? SporcleCon runs September 23-25. Here is the schedule of events.

(14) THE BLUE BIRD OF HAPPINESS? You probably never thought of doing this. Now you won’t be able to get it out of your mind: “F.D.A. Warning on NyQuil Chicken Alerts Many to Existence of NyQuil Chicken” in the New York Times.

A truism of the internet, central to the work of researchers who study the spread of dangerous trends and misinformation, holds that attempting to discourage bad behavior can, if clumsily handled, reinforce the bad behavior by amplifying it to people who would have otherwise never considered it.

Which leads us to the NyQuil chicken.

In recent weeks, some people on TikTok, Twitter and other sites discovered years-old videos and images of people pouring blue-green NyQuil, a nighttime cold medicine, over chicken breasts in a pan or pot. It was, to be clear, a dangerous idea that no one should do — it could lead to consuming unsafe levels of the product, and over-the-counter medicines should be used only as directed….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Bill, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Horror Writers Association 2022 Election Results

The Horror Writers Association (HWA) held its annual election in September for the offices of President, Secretary, and to fill three open Trustee positions. The winners are:

  • President: John Edward Lawson
  • Secretary: Becky Spratford
  • Trustees: Linda Addison, James Chambers, and Ellen Datlow.

Lawson, who succeeded John Palisano as President, and Spratford ran unopposed.  

The elected officers shall hold their respective offices for terms of two years, beginning on October 31 at midnight.

The members of the HWA Election Committee were Lisa Marie Wood, Rhonda Jackson Joseph, and Nicole Kurtz; Ballot Master: Angel Leigh McCoy; Verifiers: Lila Denning and Shawnna Deresch; and administrator: Brad Hodson.

2022 Elgin Awards

The Science Fiction and Fantasy Poetry Association’s Elgin Award winners have been announced by Jordan Hirsch, the 2022 Elgin Award Chair.

The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book.

CHAPBOOK CATEGORY

WINNER

  • Field Guide to Invasive Species of Minnesota by Amelia Gorman (Interstellar Flight Press, 2021)

SECOND PLACE

  • Tug of a Black Hole by Deborah P Kolodji (Title IX Press, 2021)

THIRD PLACE

  • Visions at Templeglantine by John W. Sexton (Revival Press, 2020)

BOOK CATEGORY

WINNER 

  • Can You Sign My Tentacle? by Brandon O’Brien (Interstellar Flight Press, 2021)

SECOND PLACE

  • Tortured Willows: Bent. Bowed. Unbroken. by Christina Sng, Angela Yuriko Smith, Lee Murray, and Geneve Flynn (Yuriko Publishing, 2021)

THIRD PLACE

  • Unquiet Stars by Ann K. Schwader (Weird House Press, 2021)

There were 14 chapbooks nominated and 45 full-length books; 62 SFPA members voted.

2022 Elgin Chair Jordan Hirsch writes speculative fiction and poetry in Saint Paul, Minnesota.  Her work has appeared with Apparition Literary Magazine, The Dread Machine, Daily Science Fiction, and other venues. 

Jewish Futures Book Kickstarter

Fantastic Books, a Brooklyn-based small press of speculative fiction, has announced a new crowd-funded project of Jewish science fiction stories called Jewish Futures. In its first day of crowdfunding on Kickstarter, the project raised about two-thirds of its $6,000 goal, demonstrating the high interest in the idea.

“There hasn’t been an anthology of all-new science fiction stories with a Jewish theme for a long time,” said Ian Randal Strock, publisher of Fantastic Books. “We wanted to explore the possible futures our writers could imagine. What will Jews be up to fifty years from now? A hundred? A thousand? Will the Jewish people still be mostly living where they are now? Will Judaism still be recognizable in the many forms in which it exists today? Will there be Jewish aliens? Jewish robots? Our writers will imagine it all.”

Strock is no stranger to crowd-funded anthologies, having successfully run Kickstarter campaigns which resulted in the publication of the themed anthologies Release the Virgins and Three Time Travelers Walk Into… (both edited by Michael A. Ventrella), and Across the Universe (an alternate Beatles anthology edited by Ventrella and Randee Dawn).

Michael A. Burstein

The editor tapped to select the stories for “Jewish Futures” is Michael A. Burstein, a multiple Hugo and Nebula finalist and winner of the Campbell/Astounding Award for Best New Writer. Burstein, who lives in the Boston area, is the author of previous Jewish-themed science-fiction stories, including “Kaddish for the Last Survivor” and “The Great Miracle.” Burstein enlisted a group of high-level writers for the book, including award winners and finalists such as Leah Cypess, Esther Friesner, and Steven H Silver.

“I’ve always been interested in the intersection of Jewish fiction and science fiction,” Burstein said. “I remember the Wandering Stars anthology Jack Dann put together in the 1970s and 1980s. Those books were great but mostly contained reprinted stories. I wanted to see what today’s authors could create if given a chance to envision a Jewish future.”

Fantastic Books will be running the Jewish Futures Kickstarter over the next month, coinciding with the fall Jewish holidays. The book is planned for a July 2023 release.

[Based on a press release.]

Pixel Scroll 9/22/22 On Tsundoku Did OGH, A Stately Pixel-Scroll Decree

(1) TO BOLDLY SNIFF. No need to be shy about writing this subgenre:“Imagining The Real World by Rae Mariz” at Stone Soup.

…I write climate fiction and it took me a while to realize how saying that in a declarative sentence made publishing professionals recoil like I’d asked them to smell my skunk. I put it proudly in my pitches and query letters. Climate! Fiction!… Smell! My! Skunk! I didn’t know you weren’t supposed to say the c-word in polite company. I’m still not sure why that is, why it’s not something people are actively “looking for” in fiction. Because for me, stories are ideal places to work out the tangles of complicated issues—especially the “what are we not talking about when we refuse to talk about the climate crisis?” questions….

(2) BAIKONUR BOOGIE. Today I learned there is also a Russian Space Forces (they use the plural). And I’m told this is their anthem. You can dance to it!

(3) WINDOW ON CHICON 8. Keith Stokes’ photos of the Worldcon are now online at “Chicon 8 – the 2022 World Science Fiction Convention”.

Here’s his shot of the Chengdu Worldcon exhibit table.

(4) TOLKIEN IN THE BOOT. The New York Times covers “Hobbits and the Hard Right: How Fantasy Inspires Italy’s Potential New Leader”

Giorgia Meloni, the hard-right leader who is likely to be the next prime minister of Italy, used to dress up as a hobbit.

As a youth activist in the post-Fascist Italian Social Movement, she and her fellowship of militants, with nicknames like Frodo and Hobbit, revered “The Lord of the Rings” and other works by the British writer J.R.R. Tolkien. They visited schools in character. They gathered at the “sounding of the horn of Boromir” for cultural chats. She attended “Hobbit Camp” and sang along with the extremist folk band Compagnia dell’Anello, or Fellowship of the Ring.

All of that might seem some youthful infatuation with a work usually associated with fantasy-fiction and big-budget epics rather than political militancy. But in Italy, “The Lord of the Rings” has for a half-century been a central pillar upon which descendants of post-Fascism reconstructed a hard-right identity, looking to a traditionalist mythic age for symbols, heroes and creation myths free of Fascist taboos.

“I think that Tolkien could say better than us what conservatives believe in,” said Ms. Meloni, 45. More than just her favorite book series, “The Lord of the Rings” was also a sacred text. “I don’t consider ‘The Lord of the Rings’ fantasy,” she said….

(5) HORROR FILM MAGAZINE INTERVIEWS VERTLIEB. The new issue of We Belong Dead Magazine, the prestigious British horror film magazine, includes a twelve-page interview and color layout on the life and times of Steve Vertlieb. It’s issue No. 31, and is available now at Barnes and Noble, and wherever good books and magazines are sold throughout the globe. Get your copy now!

(6) I LIVE IN A CLOCK NOW. Keegan-Michael Key and Jordan Peele take on steampunks in this 2020 sketch. “When Your Friend Goes Steampunk”.

(7) MEDIA BIRTHDAY.  

1997 [By Cat Eldridge.] Time Travel series aren’t exactly rare, are they? A quarter of a century ago on this evening one such series, Timecop, premiered on ABC. It was based on the much more successful Jean-Claude Van Damme Timecop film. Yes, I liked that film a lot. 

If you blinked you missed this series as it lasted just nine episodes before the cancellation blues played out.

Mark Verheiden who later co-produced the more successful Falling Skies series for TNT created this series. 

It starred Ted King as the Timecop, Officer Jack Logan. You may remember him as Andy Trudeau on Charmed during its first season. There is only one character, Captain Eugene Matuzek, carried over from the film, but the premise is the same. 

And yes, the beautiful female character trope held true here. 

I wouldn’t say its originality quota was high as here’s the story for the pilot: “A time traveler from the twenty-first century kills Jack the Ripper and takes his place.” That Jack becomes the main antagonist.

Nine of the thirteen episodes ordered were televised. No, there’s not four unaired episodes out there as they were never produced.

A trilogy continuing the story was published by Del Rey Books: The ScavengerViper’s Spawn and Blood Ties.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 Samuel A. PeeplesMemory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek lore, “[Gene Roddenberry] got ‘Wagon Train to the stars’ from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, ‘Yeah? Why don’t you do Wagon Train to the stars?’” (Died 1997.)
  • Born September 22, 1939 Edward A. Byers. Due to his early death, he has but two published novels, both space operas, The Log Forgetting and The Babylon Gate. EOFSF says “Byers was not an innovative writer, but his genuine competence raised expectations over his short active career.” There’s no sign his double handful of stories was collected, though his two novels are in-print. (Died 1989.)
  • Born September 22, 1952 Paul Kincaid, 70. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction. His latest publication is The Unstable Realities of Christopher Priest.
  • Born September 22, 1954 Shari Belafonte, 68. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well known genre performance. Bet hardly of you saw her as Linda Flores in Time Walker, an Eighties SF horror film, or the Mars SF film in which she played Doc Halliday. 
  • Born September 22, 1957 Jerry Oltion, 65. His Nebula Award winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000. 
  • Born September 22, 1971 Elizabeth Bear, 51. I’m only going to note the series that I really like but of course you will course add the ones that you like. First is her White Space series, Ancestral Space and Machine, which I’ve read or listened to each least three times.  Next up is the sprawling Promethean Age series which is utterly fascinating, and finally The Jenny Casey trilogy which just came out at the usual suspects.
  • Born September 22, 1982 Billie Piper, 40. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North. 
  • Born September 22, 1985 Tatiana Maslany, 37. Best known for her superb versatility in playing more than a dozen different clones in the Orphan Black which won a Hugo for Dramatic Presentation (Short Form) at the 73rd World Science Fiction Convention for its “By Means Which Have Never Yet Been Tried“ episode. She received a Best Actress Emmy and more than two dozen other nominations and awards. She is Jennifer Walters / She-Hulk in the new Marvel She-Hulk series.

(9) COMICS SECTION.

(10) IT COULD ALWAYS GET WORSE. Stephen King reviews Celeste Ng’s Our Missing Hearts for the New York Times: “Celeste Ng’s Dystopia Is Uncomfortably Close to Reality”.

The definition of “dystopia in the Oxford English Dictionary is bald and to the point: “An imaginary place in which everything is as bad as possible.”

Literature is full of examples. In “The Time Machine,” the Morlocks feed and clothe the Eloi, then eat them. “The Handmaid’s Tale” deals with state-sanctioned rape. The firefighters in “Fahrenheit 451” incinerate books instead of saving them. In “1984”’s infamous Room 101, Winston Smith is finally broken when a cage filled with rats is dumped over his head. In “Our Missing Hearts,” Celeste Ng’s dystopian America is milder, which makes it more believable — and hence, more upsetting.…

(11) MORE HORRIFYING THAN PUMPKIN SPICE. “Demonic Doll ‘Chucky’ Gets Pumpkin Beer for Halloween”. The official collaboration between Elysian Brewing and NBCUniversal has been launched to celebrate the second season of Chucky’s eponymous TV show. (That red color comes from the added cranberry juice.)

…”Chucky is one of Halloween’s most iconic, beloved characters, and we have found the perfect partner in Elysian Brewing to capture his spirit this season,” Ellen Stone, executive vice president for entertainment consumer engagement and brand strategy at the networks’ parent company NBCUniversal Television and Streaming, stated. “This custom pumpkin beer provides a fresh, unique way for fans and beer fanatics alike to quench their thirst with a taste of Chucky ahead of the season two premiere….

(12) IRON CONTRACT. “’Iron Widow’ YA Bestseller to Be Adapted Into Movies” reports Variety.

Iron Widow,” the New York Times bestselling novel by Xiran Jay Zhao, is headed to the big screen.

Erik Feig’s Picturestart has obtained adaptive rights and is plotting a franchise around the science fiction premise, with J.C. Lee (of the forthcoming “Bad Genius” remake) set to write the screenplay.

The book is set in the fictional world of Huaxia, where humanity’s only hope against alien invaders are giant transforming robots called Chrysalises, which require a boy-girl pair to pilot…. 

(13) THE 3-D LAWS OF ROBOTICS. [Item by SF Concatenation’s Jonathan Cowie.] Nature’s cover story is about new robots — move over Asimov… “Builder drones”.

Ground-based robots have potential for helping in the construction industry, but they are limited by their height. In this week’s issue, Mirko Kovac, Robert Stuart-Smith and their colleagues introduce highly manoeuvrable aerial robots that can perform additive 3D construction tasks. Inspired by natural builders such as wasps and bees, the researchers created BuilDrones (as shown on the cover) that can work in an autonomous team to perform 3D printing tasks using foam- or cement-based materials. They also created ScanDrones to assess the quality of the structures being built. The team hopes that this approach of ‘aerial additive manufacturing’ could help to build structures in difficult to access areas.

Aerial-AM allows manufacturing in-flight and offers future possibilities for building in unbounded, at-height or hard-to-access locations.

(14) JWST LOOKS AT NEPTUNE. “New Webb Image Captures Clearest View of Neptune’s Rings in Decades”. Read the NASA release at the link.

…Webb also captured seven of Neptune’s 14 known moons. Dominating this Webb portrait of Neptune is a very bright point of light sporting the signature diffraction spikes seen in many of Webb’s images, but this is not a star. Rather, this is Neptune’s large and unusual moon, Triton….

(15) VIDEO OF THE DAY. Ryan George takes you inside the Pitch Meeting that led to Pinocchio (2022)!

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, N., Lise Andreasen, Alan Baumler, SF Concatenation’s Jonathan Cowie, Steve Vertlieb, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Amazon Changing Its Ebook Return Policy

In response to pressure from the Society of Authors, the Authors Guild, and individuals, Amazon plans to change its ebook return policy, most notably de-activating self-service returns for any book read past 10%. This comes after viral TikTok videos encouraged refunds which harmed many authors’ earnings. The return policy reform is expected to take effect by the end of the year.

Amazon’s returns policy for ebooks currently allows readers to receive a full refund for up to seven days, even if they have read the full work. The Society of Authors says the use of this refund loophole has been encouraged by users on the social media platform TikTok, with videos on how to return books being viewed over 17 million times.

Amazon has informed the Authors Guild it plans to change its ebook return policy to restrict automatic returns to purchases where no more than 10 percent of the book has been read. The planned change will go into effect by the end of the year. Any customer who wishes to return an ebook after reading more than 10 percent will need to send in a customer service request, which will be reviewed by a representative to ensure that the return request is genuine and complies with Amazon’s policies against abuse. This process will create a strong deterrent against buying, reading, and returning ebooks within seven days, and readers who attempt to abuse the return policy will be penalized under Amazon’s policies. The Authors Guild and the Society of Authors, its counterpart organization in the U.K., had taken up this issue with Amazon’s senior executives earlier this year.

Scores of indie authors also advocated for this change. This was echoed by a petition on Change.org which attracted more than 78,000 signatures.

In an email to the SoA and the Authors’ Guild on September 21 David Naggar – Amazon’s Vice President of Books & Kindle Content – said, “we do hear all you have said over the course of our conversations on this topic and are planning to make meaningful changes … Most notably, we will de-activate self-service returns for any book read past 10%, adding substantial friction to the process.”

While stressing that in Amazon’s view returns on Kindle products continue to be low, with “no discernible spikes”, Naggar confirmed that the company will introduce the change to all the platforms that support Kindle, including eReaders, computers and smartphones. He said their developers have, “reprioritized existing product roadmaps … and believe this improvement can be implemented by the end of the year”.

[Based on press releases.]

Gene Autry and The Phantom Empire

By Lee Weinstein: One of the fond memories from my childhood is a movie serial I followed on a Saturday afternoon kiddie television show back in the late 1950’s.  Although I wasn’t to see it again until 1980, it made a lasting impression on me.  

The Phantom Empire, a twelve chapter Mascot serial, was originally released in February, 1935. A strange concoction for a serial, it is at once science fiction film, a Western, and strangely enough, a musical. It was the first real science fiction sound serial and its popularity soon inspired other serials about fantastic worlds.

The story revolves around the subterranean city of Murania, located 25,000 feet underground, beneath the ranch of radio’s singing cowboy, Gene Autry, who plays himself.  It is a city of futuristic spires, domes and bridges, featuring robot workers, wireless phones, televisors, and other technological marvels.  Some of it was filmed at the then newly completed Griffith Observatory in Los Angeles, shortly before it opened to the public.

The convoluted plot required Autry to make a broadcast at two o’clock every afternoon to maintain his contract and avoid losing his ranch, Radio Ranch.  Professor Beetson (Frank Glendon), a villainous scientist, and his cohorts want to get rid of Autry so they can freely prospect for the radium deposits detected there, and also look for the entrance to “lost city of Mu” they believe is under the ranch. At the same time Tika, the queen of Murania (Dorothy Christy, who had previously played Mrs. Laurel in Sons of the Desert), also wants to get rid of Autry, to prevent the discovery of the secret entrance to her city.

Frankie and Betsy Baxter, teenage children of Autry’s business partner, have spied Tika’s Thunder Riders on the surface, and have assembled a large “Junior Thunder Riders” club, with capes and bucket helmets, in imitation of them. 

Gene Autry was an unusual choice to star in the film. It was originally to have been singing cowboy  Ken Maynard, who had starred in the previous Mascot serial Mystery Mountain (1934), but he was fired by the studio and replaced by Autry, who was a bit player in the previous serial.  The music over the opening credits is the same in both serials.  Whereas Maynard did not sing in Mystery Mountain, Autry’s singing is an important plot point in Phantom Empire, to help make up for his lack of acting experience. His singing is played up as much as his heroics, and he manages, amid the mayhem, to perform a number of his own songs.

 In addition, he is supported throughout by numerous helpers as he weaves his way through the various plotlines. Smiley Burnette (the train engineer in Petticoat Junction) and William Moore were his adult comic sidekicks, Oscar and Pete. Frankie Darro (of The Bowery Boys) and Betsy King Ross (billed as the World’s Champion Trick Rider), who lead the Junior Thunder Riders Club, enact their motto, “To the rescue” many times to save Autry.

But the real star of the film is the city of Murania, itself.  In the opening credits, following the cast, are the words “Featuring the Scientific City of Murania” superimposed over the futuristic cityscape.  In chapter one, we learn the Muranians have descended from the ”lost tribes of Mu” who were driven underground by the glaciers during the last ice age, 100,000 years earlier.

According to various sources, the idea for the serial was allegedly dreamed by head screenwriter Wallace MacDonald while under anesthesia for a tooth extraction, after he had read a magazine article about Carlsbad caverns. MacDonald was a Canadian silent film actor who went on to a brief stint as a screenwriter, starting with this film, and a much longer one as a film producer.  His co-writers were Gerald Geraghy, who scripted a large number of westerns, his brother Maurice (who was uncredited), and Hy Freeman who later joined the staff of the Groucho Marx show.

The screenplay, despite MacDonald’s hallucinatory dreams and minor borrowings from Mystery Mountain, shows evidence of literary influences.  In an early chapter, Frankie and Betsy actually mention having read books about scientifically advanced subterranean cities.  Indeed, there is a long tradition of subterranean civilizations in imaginative literature, if not in film.  The Coming Race (1871) by Edward Bulwer Lytton is one of the more influential. The Moon Pool (1919) by A. Merritt, with its subterranean world of “Muria,” was influenced by it and was also very popular. The Encyclopedia of Science Fiction suggests the serial was influenced by The Coming Race.

In Coming Race, the locale of the entrance to the underground world is undisclosed, but in The Moon Pool, Muria, as it is called, is entered on a remote Pacific island. The subterranean people in it have descended from an unnamed Pacific continent which sank. Muria is obviously a shortened form of Lemuria. Could the name “Murania” have been suggested by “Muria?”

One wonders if MacDonald or one of his cohorts wasn’t also aware of the legends surrounding Mt. Shasta in Northern California, These legends, popularized by Harvey Spencer Lewis with his book Lemuria: the lost continent of the Pacific (1931), involve a race of people descended from the lost continent of Lemuria who somehow found their way into the depths of the mountain and built an advanced underground city called “Telos.”  Lemuria and Mu, both supposed to have been sunken Pacific continents, are often considered to be synonymous.  Mt. Shasta is certainly geographically closer to Autry’s ranch than a Pacific island.

But whereas the fictional subterranean utopias created by Bulwer Lytton, Merritt, and Lewis are mainly based on advanced mental powers, Murania is full of science fictional hardware, complete with robots, television, and death rays. Bulwer’s underground race derives its power from a hypothetical form of energy called “vril,” seemingly occult, although he had intended it to be something akin to electricity.  Murania, on the other hand, is powered by the radioactive element radium and Tika’s control room has impressive looking displays of scientific equipment with glowing tubes, televisor screens, and rows of levers and switches. The Coming Race does refer in a few places to mechanical automatons who do the menial labor of the inhabitants, but they are barely described. The film makes much more use of its somewhat comical-looking metal robots for the same purpose.

As the story progresses, Autry is framed by Professor Beetson for the murder of his partner and is helped to escape by his friends, who enable him to continue to make his broadcasts throughout the early chapters.

While we see a great deal of Murania throughout these chapters, it is not until the end of chapter five, halfway through the serial, that Autry, himself, finally enters the underground kingdom. Disguised as a Thunder Rider, he is taken down a tubular 25,000 foot elevator to Murania and then to the queen’s throne room. As a “surface man” he is immediately sentenced to death by the queen, but her traitorous chancellor, Lord Argo (Wheeler Oakman), allows him to escape as part of his own plan to stage a rebellion against her.

Queen Tika, tall and statuesque (perhaps an allusion to The Coming Race, where the women are larger and more powerful than the men, or to Yolara, the high priestess in The Moon Pool), is an unforgiving ruler who wants to prevent “surface people” from discovering her utopia. During the first half of the serial, Autry, like most serial heroes, has many close brushes with death, often being rescued by his friends.

Then, in chapter seven, still underground, he undergoes an experience that has never happened before or since in a movie serial. He actually dies. After he is fatally injured in an explosion, he is pronounced dead by Tika’s chief surgeon. The queen then emphatically tells him, “No one is dead in Murania, unless we do not wish to revive him.” And she wished him to be revived so she can discover the identity of the traitor who had saved him from her previous death sentence. The chief surgeon, at her command, brings him back to life by means of the “radium revival chamber.”  When Autry comes to, he is babbling nonsense syllables, which the chief surgeon explains is “the language of the dead.” 

Once Autry is brought back, he takes a noticeably more active role, and escapes from Murania without the help of his various sidekicks.  Once on the surface, he rescues Frankie and Betsy from the professor and his men and ultimately, several chapters later after re-entering Murania, he actually saves the queen from the rebels, becoming her ally.

As in the Moon Pool, there are two factions in Murania at odds with each other.  In The Moon Pool the high priestess, Yolara, who controls the evil faction, wants to invade the surface world using such weaponry as a death ray that can vibrate the atoms of matter apart. In Murania the division is between those loyal to the queen, and the rebel faction.  The rebels, interestingly, also have a “”disintegrating, atom-smashing machine” that can destroy matter.  Even as the secret gold mine is blown up at the end of Mystery Mountain, killing the villain in the process, the activated disintegrating machine goes out of control at the end and destroys Murania. The final scenes of Murania and Queen Tika, literally melting like wax, an effect achieved by melting the celluloid film frames, are unforgettable.

In the final scenes back on the surface, Beetson is exposed as the murderer of Autry’s partner, thanks to a bit of Muranian technology appropriated by Frankie.

The Phantom Empire has its share of faults.  The writing and acting often come across as wooden to amateurish.  Nonetheless, the sheer outrageousness of the mixture of genres somehow worked, and the unique serial was quite successful at the box office. It was so successful that Universal, the following year, adapted the Flash Gordon comic strip into a 13 chapter serial. This was followed by The Undersea Kingdom (1936) from Republic (the successor to Mascot) two more Flash Gordon serials in 1938 and 1940, and a Buck Rogers serial in 1939. But the influence of The Phantom Empire can be seen most clearly in Flash Gordon’s Trip to Mars (1938), in its costuming, futuristic sets, televisor screens, and electrical death chambers.  Both Tika, and Azura are haughty queens who undergo a character change for the better when facing death at the end.  Tika, with her final effort, opens the doorway for Gene and his friends to escape the destruction while refusing to leave the melting city, herself. Azura, with her dying breath, gives Flash the magic sapphire needed to free the Clay People.

The impact of Phantom Empire went further.  It launched the movie, and later television, career of Autry as a cowboy star and Smiley Burnette as his sidekick.

Ripples of the influence of the serial may have entered written science fiction in the once popular but controversial series of stories by Richard S. Shaver, which ran in Amazing Stories starting with “I Remember Lemuria” (1944). Shaver reportedly read and enjoyed The Moon Pool. It is not known if Shaver or his uncredited collaborator, editor Ray Palmer, ever saw the serial, but the protagonist describes a futuristic cityscape, and takes a high-tech elevator ride down to Mu, which is below Atlantis in the story. Later on, an underground race known as the “deros” attack humans on the surface with ray machines, bringing to mind Tika’s viewer which can tune in on anyone anywhere, and her interference ray which causes an airplane to crash in one episode.

In the spring of 1979, the short-lived TV series Cliffhangers ran on NBC. It featured three different movie serial-like segments, one of which was titled The Secret Empire. The storyline involved a US marshal in 19th century Wyoming who discovers the advanced underground civilization of Chimera, accessed via a cavern and a Muranian-like elevator.  Unlike the Muranians, the Chimerans are bent on attacking the surface world. The subterranean scenes were shot in color while those on the surface were in black and white. Despite this, the visuals were lackluster compared to those of the 1935 serial.

The following year, PBS ran the series Matinee at the Bijou which tried to give audiences a taste of the movie-going experience of earlier decades. The first season included weekly episodes of The Phantom Empire, edited down to ten chapters.  I enjoyed rewatching it after having seen NBC’s pale imitation.

In 1988, independent filmmaker Fred Olen Ray referenced it in his low-budget horror film also titled The Phantom Empire. Explorers enter a cave leading to an underground world complete with dinosaurs, robots, cannibalistic mutants, and a race of scantily clad women.  It was very poorly received by critics and audiences.  And in 2020, the newspaper comic strip Funky Winkerbean by Tom Batiuk had a short dream-like sequence referencing the serial. In this episode, characters visiting Bronson Canyon are saved from a fire by Muranian robots and are taken into Murania where they meet Queen Tika.

The original Phantom Empire, for all its faults in acting, scripting, and direction, does retain a charm lacking in the more modern remakes.  Somehow the melange of disparate elements blends together to make a film greater than the sum of its parts.

All twelve chapters are available on DVD, Blu-Ray and YouTube.


Read more articles by Lee Weinstein at his website.

Glasgow 2024 Calling Artists

Are you an artist? Would you like to have your art featured in the Glasgow 2024 Worldcon publications?

Between now and the convention, and for special events at the convention itself, they will be creating a mix of digital and physical publications for Glasgow 2024.

They need pieces for the Progress Reports, which will be produced every few months, and the Souvenir Book which will be available at the convention. Doodles, spaceships, cartoons, armadillos, anything fan-related… they want them! Submissions should be —

  • Small single-column line art (approximately 3 1/2″ wide)
  • Submitted at 300dpi in CMYK

Submit your art to the Publications team at [email protected]. Once they are submitted, they will be checked by the designer and will need approval for publication. All entries must be received by 31 March 2024.