Pixel Scroll 8/20/17 A Pithy Pixel Portion Produced Promptly

(1) IT’S ALWAYS NEWS TO SOMEONE. Some Filers have already traveled hundreds of miles to get in position to see the eclipse tomorrow, however, there might be somebody who’s just heard it’s about to happen. These NASA resources will help the latecomers prepare:

  • NASA Eclipse Facts
  • NASA Eclipse Path (this is an interactive national map showing eclipse times at each location)
  • NASA Eclipse State Maps: Eclipse State Maps (includes viewable and printable maps showing the eclipse pathway and times)

(2) ART OF DARKNESS. In advance of the eclipse, Steve Duin of The Oregonian finds a thematically appropriate piece of unpublished sf art — “Alex Schomburg and ‘The Day the Sun Died'”.

The family discovered “The Day the Sun Died” several years ago, matted and tucked inside a 9×11 manila envelope. The artwork, in gouache, was apparently meant to illustrate a novel by Daniel F. Galouye, but the editors of Imagination Science Fiction selected a different cover.

 

(3) HAMIT WINS. Francis Hamit’s screenplay for Christopher Marlowe won the award for Best Screenplay at the New Renaissance Film Festival in London today. Shown here is one of the film’s Executive Producers, Stuart Malcolm Honey, who accepted the award on Hamit’s behalf.

Stuart Malcolm Honey

(4) THIRD ROCK. At NPR, Amal El-Mohtar reviews N.K. Jemisin: “In ‘The Stone Sky,’ Some Worlds Need To Burn”.

But the fact that The Stone Sky sticks the landing of this astonishing trilogy with timeliness and rigor is the smallest, simplest thing I have to say about it. The gratitude and love I feel for these books, and for what The Stone Sky adds to the triptych, is staggering….

(5) MEMORY. Decades-old memories can be a hazard. In 2015 Douglas Knipe posted a great gallery of photos from Noreascon 2 (1980) with almost 50 authors, plus shots of the Hugo ceremony. But not unlike this week’s unveiling of the digital photos from the Jay Kay Klein collection, it has a tremendous number of mistaken identifications, leading to a considerable amount of unintentional humor. For example, a photo of Craig Miller accepting the Hugo for Alien is misidentified as George R.R. Martin with his novelette Hugo, while a few pictures later the unrecognized (“?”) person receiving a Hugo from Harlan Ellison is the real George R.R. Martin.

(6) HEAD OF THE GLASS. At Nerds of a Feather, Charles Payseur has come up with an entertaining motif for their short fiction reviews: “The Monthly Round – A Taster’s Guide to Speculative Short Fiction, 07/2017”. The reviews include the kind of remarks a connoisseur would make about a “tasting flight” of assorted beers.

“Waiting on a Bright Moon” by JY Yang (Tor dot com)

Notes: Conflict mingles in the form of a carbonated fizz, giving this drink a shine that cannot hide a complex and mature flavor, and packs a surprising punch.

Pairs with: Belgian Ale

Review: Tian’s life is defined by duty and distance, and as an ansible singer she is part of a power that allows her empire access to the far reaches of the galaxy. As the story opens, though, bubbling tensions are beginning to boil and the relative safety of being an ansible is shattered as corruption, magic, and murder all meet to devastating effect. The story looks very closely at the ways that Tian has been pushed into living as a literal resource for the Empire, used for her talent but denied the open expression of her identity, stripped of her chance to be someone important because of who she loves. And even then, the story shows that as the Empire allows her a sort of space to be herself, it’s defined by distance, by denial. She isn’t allowed to be with the person she loves, isn’t allowed a physical expression of her desire, is instead pushed into being ignorant and, save for the beauty of the song she shares over lightyears, alone. Until a different woman enters her life with magic of her own and the power to break through the walls keeping Tian isolated and repressed. It’s an opening up even as it comes at a time of growing fear, uncertainty, and danger. They both end up becoming a part of a resistance that pushes them to the breaking point and maybe beyond, each of them willing to risk everything once they realize that they never really had anything, just the lies and illusions of securing and contentment they were fed by the powers that be. The story is violent and fast while still maintaining a definite weight around the very small and intimate actions Tian makes. And even amid the galaxy-altering conflict the story doesn’t lose sight of Tian and her desires, holding to the hope that they won’t be consumed by the ravenous jaws of war.

(7) SPINNING. Bleeding Cool succeeded in getting an interview with Alisa Norris: “We Talk To The Supergirl Cosplayer ‘Along For The Ride’ At The White Nationalist Rally In Charlottesville”. It’s not a very sophisticated exchange:

…Alisa was clearly getting more annoyed and certain tropes seemed to start emerging. She told me:

“There were a couple of KKK members out of thousands. The lying press is labeling every person there a ‘Nazi’.”

I stated that the swastika flags didn’t help. She told me:

“Most flags were American or confederate or white nationalist flags… Of course they only show the swastika… Nazi Germany is dead and doesn’t even have anything to do with what happening today. It was stupid of those protestors to fly swastikas.”

(8) ROCKET MAN. Aaron Pound gives his thoughts about the effectiveness of the rules changes in “2017 Hugo Award Longlist” at Dreaming About Other Worlds.

This was the first year in which the E Pluribus Hugo voting system for nominations was implemented, and it seems to have worked as well as one could possibly hope to expect. The change in the voting rules, coupled with their waning ability to whip their adherents into a frenzy after being shellacked in the voting in 2015 and 2016, resulted in the Sad Puppies kind of slinking away after not even putting a token effort into putting together a voting slate. The Rabid Puppies continued their Quixotic quest, but changed tactics, putting forward only one or two candidates in each category in order to try to get someone on the ballot via “bullet voting”, and that seems to have had mixed results. They managed to get eleven finalists on the ballot, while five more appear on the longlist. They could have had five more finalists, but Rabid Puppy leader Theodore Beale is apparently really terrible at understanding the eligibility rules, so those five potential finalists were all disqualified as ineligible. The Rabid Puppies were able to get no more than one finalist per category.

(9) LEWIS OBIT. Comedian Jerry Lewis died today; the Daily Mail collected the celebrity tributes from Twitter: “‘The world is a lot less funnier today’: Jim Carrey, William Shatner and George Takei lead stars in paying tribute to comedy icon Jerry Lewis after his passing at age 91”.

William Shatner and George Takei were among the numerous celebrities to pay tribute to comedy legend Jerry Lewis, who died Sunday at the age of 91.

‘Condolences to the family of Jerry Lewis. The world is a lot less funnier today,’ Shatner, 86, tweeted on Sunday morning.

‘We have lost a great comedian and even greater heart,’ Takei, 80, tweeted. ‘Thank you for the laughs and the feels, Jerry Lewis.’

Lewis even did a genre movie – Visit To A Small Planet (1960). His legacy also includes more than $2.5 billion raised for the Muscular Dystrophy Association through the annual Labor Day telethon. I remember being at a Worldcon (Chicon 2000?) where, in one of the rooms not taken by the con, MDA was hosting a viewing and fundraiser.

(10) TODAY IN HISTORY

  • August 20, 1973 — Twentieth Century Fox Studio executive Alan Ladd Jr. blessed George Lucas with a small contract to first develop a shooting script and then direct Star Wars for the silver screen.
  • August 20, 1995Amanda & The Alien, based on a story by Robert Silverberg, aired on TV.

(11) TODAY’S BIRTHDAY BOYS

  • Born August 20, 1890 – H. P. Lovecraft
  • Born August 20, 1943 — Sylvester McCoy, the 7th Doctor. (He also played the wizard Radagast the Brown in Peter Jackson’s film adaptations of The Hobbit.

(12) COMIC SECTION. John King Tarpinian got a laugh from Off the Mark.

(13) SJW CREDENTIAL DOMINO EFFECT.

(14) CHANGE IN RANKING FOR BEST NOVEL. The Best Novel Hugo voting stats have been updated to reflect the change in fifth and sixth places.

(15) SWEEP. Mimi Mondal’s article in Scroll.in, “Women science fiction writers won big at the Hugo awards this year. Here are five you should read”, is illustrated with great photos by K. Tempest Bradford.

The 2017 Hugo Awards were announced on August 11 at the World Science Fiction Convention (WorldCon) in Helsinki. It has already made headlines for women writers and editors winning all twelve of the individual Hugos, as well as the John W Campbell award. The women writers are a significant part of the team awards as well.

This clean sweep is a first, although women have been dominating the international science fiction and fantasy awards for years now. It is also a triumph, especially for the Hugos, which have been plagued since 2015 by a malicious right-wing voting bloc called the Sad Puppies, who sabotage the nominations every year and oppose any kind of “diversity” in the genre.

(16) TURN DOWN THE LIGHTS, THE PARTY’S OVER. The Worldcon 75 social media crew takes a victory lap: “The Road to Worldcon 75”.

To my own astonishment, this tweet gained a lot of traction, being retweeted by over 100 people during the course of a few days. It was my first taste of Worldcon 75 Social Media awesomeness and resulted in me being assigned to work as a Social Media (SoMe) staffer.

I’ve since then been working Worldcon 75-Social Media almost all of my waking hours for 2 years, save for a few breaks, work, and other cons. I did expect to work a lot, but in the end I worked a lot more than initially expected, just because it was such a wonderful experience, and unexpectedly rewarding. I love interacting with people online, and working customer service. Another benefit of working Social Media is that it gave me an overview of the all the different corners of the convention and included working closely with all the other divisions, meeting with and chatting with lovely staffers from all over the world. It’s the best position I could ever have hoped for.

(17) WSFS ROUNDUP. Michael Lee also chimed in with a “Worldcon 75 WSFS Division Post-Con Report”. Here’s a chance to read about something besides the Hugos —

Site Selection

We had done Site Selection for the Kansas City Worldcon, and we new Dublin was unopposed, so much was easier there. I was happy that Johan Anglemark signed on as a Site Selection admin as I wanted to see someone Nordic in the division, and he did an outstanding job.

Despite some mild trolling I participated in of some people opposed to electronic site selection, we never seriously considered it. I’m convinced that generally the current method works for now, and given the political opposition I think there are  other ways to improve the process. Note that emailing signed scanned ballots to someone else to print out and hand carry is allowed.

Electronic validation of voters against the registration database is something that worked and can be improved for future Worldcon site selection. Carrying around all of that Personally Identifiable Information on paper at Kansas City was nerve wracking, and something that could be improved without changing the overall traditions of a paper based site selection. I gather we didn’t save Dublin as much time after receiving the data as we hoped, but that may be something that future Worldcons could improve.

We accepted Dublin’s Advance Supporting Membership rate without sufficient consideration; which had differing amounts in Euro and USD. This was an error, as people would want to shop for the rate that was cheaper when they mailed items in, and our credit card banking was in Euro. Currency rates are complicated, especially for mail in ballots.

(18) VIRTUAL REALITY THEME PARK. The latest progress report on Utah’s Evermore Park, now under construction.

In VR we have been able to virtually walk around our park and understand many of the intricate details that frankly just a few years ago was not possible. 3D renderings on a 2D screen is not the same as walking around in what looks and feels like real space. We were able to fix many aspects of the park prior to the expense of physical construction. For example, one of our buildings was much to small, yet in 2D there was no way assess scale, but standing in front of the building (just like you would in the real world) showed us that it had scale issue and we were able to make adjustments with our architects prior to breaking ground. We were also able to use VR to understand and refine our garden/landscape design and sightlines, etc., making many adjustments. In the next week we will be launching our new website that will provide many new and exciting details about Evermore, including a closer look at the park and our Festival/Shows, Themed Parties and Garden Adventures.

(19) CHANNEL SURFING. British TV science fiction is quite the thing in 1962. Galactic Journey has the story — “[August 20, 1962] A Galaxy of Choices (British TV: The Andromeda Breakthrough)”.

Science fiction on British television used to be one of those once-in-a-blue-moon events.  When it happened, what we got could often be very good.  Certainly Nigel Kneale’s Quatermass series was compelling viewing, which drew in a large audience from the general population with millions tuning in each week to find out the fate of the infected astronauts.

The impact of Quatermass cannot be over stated, the name having taken root in the British public’s imagination.  And, now we have a sequel to A for Andromeda, which I reported on last year, to carry the torch for science fiction on British TV, which also looks like it will enter public’s lexicon.  With the additional transmission of the anthology show, Out of this World, we seem to be entering a golden age of science fiction on television.

(20) DEFENDERS. Today, TV shows air in beautiful living color. Camestros Felapton gives his opinion about one of the newest: “Review: The Defenders (Netflix) – minimal spoilers”.

Imagine Pixar’s Inside Out but for grown-ups – each character represents one of the four key emotions: Guilt, Petulance, Sarcasm and Luke Cage. Luke Cage is an emotion now or at least he should be – some sort of combination of every positive association with masculinity you might want, with a deeply smooth voice and an excellent soundtrack.

(21) A VAGRANT THOUGHT. I gather The Philadelphia Story was on TCM today….

(22) NOW, VOYAGER. An overview of our furthest spacecraft on their 40th anniversary: “Voyagers: Inside the world’s greatest space mission”.

Remarkably, both Voyager spacecraft are still working. Whenever Voyager 1 sends back a signal, it is from the furthest distance any human-made object has travelled from Earth.

Voyager 1 left the solar system in 2013 and is (at the time of writing) 20 billion kilometres (12 billion miles) away. Voyager 2, on a different trajectory, is 17 billion kilometres (10.5 billion miles) away. Maybe it’s easier to imagine it like this: it takes a radio signal, travelling at the speed of light, 38 hours to travel from the Earth to Voyager 1 and back. And it’s some 30 hours for Voyager 2. (For their latest position, visit the Voyager home page.)

Chip Hitchcock adds, “Amusing note: the receiver station they mention using is the direct successor to the one that picked up the pictures of Armstrong setting foot on the moon, as vaguely remembered in The Dish.”

(23) IMAGINE THAT. Another sci-fi trope bites the dust – the BBC says most hackers aren’t sophisticated.

The ways in which young people become involved in this sort of activity were recently detailed in a report by the UK’s National Crime Agency (NCA). The average age of those arrested for malicious hacking activities was just 17 – the offences included vandalising websites, stealing data and breaking in to private computers.

Because our world is so much more connected than ever before, and those connections are often woefully insecure, it’s relatively easy to find ways of exploiting computer systems illegally. And ransomware in general is increasingly successful. In 2016, criminals made an average of $1,077 with every attack. For the BBC’s Cyber-hacks series, Click’s Spencer Kelly discovered how cyber-criminals can acquire off-the-shelf ransomware using only a search engine.

As Woodward points out, the easiest thing to do is “just cast it out there” – whether it’s ransomware, spyware or spam – and see what comes back. Many people are often surprised by the amount of spam they receive, especially because so many of the scams are so obviously illegitimate. But the reason you still get emails from a Nigerian prince offering cash out of the blue is because people continue to fall for such stories. Not huge numbers, but a few. And that’s all it takes to make a profit.

(24) BOARD OUT OF THEIR MINDS. Metro.uk has obviously played these: “Your favourite retro games renamed with the titles they really deserve”. Like the famous game of insincere apologies —

If board games were honest Credit: Smoosh.com

[Thanks to JJ, David Doering, Chip Hitchcock, Cat Eldridge, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day David Doering.]

2019 Site Selection: Validating Postal Votes

[Facing]: Johan Anglemark, Mark Linneman, Eemeli Aro, Emma England. [Opposite] Paul Taylor, Ben Yalow, Kate Secor.

By James Bacon: (Chair of the Dublin in 2019 bid). I’m observing the postal vote process. The administrator and the team are assisted by members of the Dublin in 2019 team and committee, people from six countries are taking part. Walter Jon Williams has joined us for a few moments, as I look on. Neutral separators are handling and ensuring it’s all correctly managed.  Worldcon 75 staff check against, their data and the level attention to detail and slow and steady methodical progress is taken seriously. The integrity of the procedure is impressive and I’m stunned at the knowledge of those here who deal with inevitable errors that may have occurred.

Here with me from the Dublin Team are Emma England, Ben Yalow and Paul Taylor. The bids are welcome and indeed expected to help and participate in the whole process, everything is run by volunteers, although this is something I have not done before and it feels like we are momentarily connected to people from far-flung places who want to participate in the decision-making process of who will get to host the Worldcon in 2019.

From Worldcon 75 there is Kate Secor, Michael Lee, Eemeli Aro, Mark Linneman and Johan Anglemark.

The large stack of envelopes is impressive and I’m allowed to photograph some of the stamps which I like. I love post and in many ways this is fabulous post.

Post has arrived at the US address from New Zealand, Germany, Canada and of course United States. The votes arriving at the Helsinki are even more varied with votes from Ireland, United Kingdom, Sweden, Austria, New Zealand, and Germany.

The process takes over two hours but the atmosphere is lovely and it’s an amazing thing to see the mechanics of this process which has existed in this form since 1983.

Science Fiction has permeated so much of our culture that some of the stamps used have particular relevance and make me smile.

More votes will be hand-carried and passed to the voting table from tomorrow and then of course everyone present here is entitled to vote.

 

Pixel Scroll 1/24/2016 I Saw The Best Scrolls Of My Generation Destroyed By Pixels, Filing Hysterical Numbered

(1) THE FINNISH. Finland hosts the World Science Fiction Convention in 2017 — but if you can’t make it to Helsinki, hit the library: more and more Finnish speculative fiction authors are getting English translations, as NPR reports in “Finnish Authors Heat Up The Speculative Fiction World”.

In the middle of Johanna Sinisalo’s novel The Core of the Sun, the reader is interrupted by an ad. It’s for Fresh Scent, a personal fragrance available from the State Cosmetics Corporation of Finland. It’s marketed to woman, although “marketed” is an understatement. In Sinisalo’s nightmarish, alternate-reality vision of her homeland, a tyrannical patriarchy splits women into two classes — docile “eloi” and undesirable “morlocks,” terms cheekily drawn from H. G. Wells’ The Time Machine — as part of an oppressive national health scheme that crosses insidiously over into eugenics.

The ad for Fresh Scent is just one of the novel’s many fragmentary asides. In additional to its more conventional narrative, which centers on Vanna, a woman with an addiction to chili peppers (it makes sense a skewed sort of sense, really), The Core of the Sun is made up of epistolary passages, dictionary entries, article excerpts, transcripts of hearings, scripts for instructional films, homework assignments, folk songs, and even fairytales that exist only in Sinisalo’s twisted version of the world. Chillingly, one passage concerning the social benefits of human sterilization is taken from a real-world source, a Finnish magazine article from 1935.

There’s a streak of scathing satire to the book’s fragmentary science fiction, and in that sense it sits somewhere between Margaret Atwood and Kurt Vonnegut — but Sinisalo crafts a funny, unsettling, emotionally charged apparition of the present that’s all her own.

(2) SPEAKING OF COLD PLACES. The New York Times captioned this tweet “A Wookie Chills in Washington (Not Hoth)”

(3) AN ALARMING INSIGHT.

(4) DEATH OF A GOLDEN AGE. Saladin Ahmed’s Buzzfeed article argues “Censors Killed The Weird, Experimental, Progressive Golden Age Of Comics”.

In the 1940s, comic books were often feminist, diverse, and bold. Then the reactionary Comics Code Authority changed the trajectory of comic book culture for good.

The comics themselves exhibited wild stylistic variety. A single issue of Keen Detective Funnies could contain one story with gorgeous Art Nouveau-ish illustration, and another with glorified stick figures. The comic books of the Golden Age were also significantly more diverse in terms of genre than today’s comics. On newsstands across America — in an era when the newsstand was an urban hub and an economic juggernaut — comic books told tales of True Crime, Weird Fantasy and Cowboy Love, Negro Romance, and Mystery Men. And Americans bought them.

Even as Amazing-Man and Blue Beetle were rescuing helpless, infantilized women, badass superheroines like the Lady in Red, the Spider Queen, and Lady Satan were stabbing Nazis and punching out meddlesome, sexist cops.

(5) NOW THAT SHE HAS OUR ATTENTION. Kristine Kathryn Rusch’s post “Business Musings: Poor Poor Pitiful Me Is Not A Business Model” actually is not a rant telling writers to buck up, it’s a discussion of the true levers of culture change. But it begins with a rant….

Granted, in the recent past, the major publishing companies were the only game in town. But they are no longer the only game in town. A major bestselling writer can—and should—walk from any deal that does not meet her contractual and business needs.

Hell, every writer should do that.

But of course most writers won’t. Instead, an entire group of them beg for scraps from the Big All-Powerful Evil Publishers, proving to the publishers that writers are idiots and publishers hold all the cards.

I already bludgeoned the Authors Guild letter last week, so why am I going back to the same trough? Because this poor-poor-pitiful-me attitude has become the norm in the publishing industry right now, and I’m really tired of it.

The big battles of 2014 and 2015, from all of the fighting over the meaning of Amazon in the past few years to the in-genre squabbling over the Hugo awards that science fiction indulged in last year to the hue and cry indie writers have treated us to over the various changes in Kindle Unlimited since its inauguration have all had the same basic complaint.

Someone—be it a publisher (that Amazon is Evil argument) or a writer (the rest of it)—believes they’re entitled to something, and when they don’t get that something, they complain loudly, on social media or in traditional media or via group letter or through (in sf’s case) hateful spiteful posts about the opposing parties.

Only a handful of people take responsibility for the situation they’re in—if, indeed, they are responsible. Only a few actually analyze why the situation exists.

(6) HIGH PRAISE. The first line in David Barnett’s review of Charlie Jane Anders’ All the Birds is —

Imagine that Diana Wynne Jones, Douglas Coupland and Neil Gaiman walk into a bar and through some weird fusion of magic and science have a baby. That offspring is Charlie Jane Anders’ lyrical debut novel All The Birds In The Sky.

Do you think that’s a lot to live up to?

(7) TODAY IN HISTORY

  • January 24, 1888 — Typewriter “copy” ribbon patented by Jacob L. Wortman. Harlan Ellison still uses one.
  • January 25, 1984 – Apple’s Macintosh computer went on sale. Price tag: $2,495.

(8) TRI ROBOT. Mickey Zucker Reichert, the author of To Preserve, is a working physician and the author of Isaac Asimov’s I, Robot Trilogy (To Protect, To Obey, To Preserve). The third book will be published in hardcover by Roc in February.

Nate, has been Manhattan Hasbro Hospital’s resident robot for more than twenty years. Nate’s very existence terrified most people, leaving the robot utilized for menial tasks and generally ignored. Until one of the hospital’s physicians is found murdered with Nate standing over the corpse.

As programmer of Nate’s brain, Lawrence Robertson is responsible for his creation and arrested for the crime. Susan Calvin knows the Three Laws of Robotics make it impossible for Nate to harm a human. But maybe someone manipulated the laws to commit murder.

(9) DOUGH-REY. Kip W. pays tribute to characters from that billion-dollar movie The Force Awakens.

Poe, a flier; a fast male flier
Rey, who scavenges a bit,
Maz, a host who knows the most,
Finn, a white shirt drone who quit,
Snoke, a hologram quite tall,
Ren, a very angry joe,
Beeb, a droid head on a ball,
Which will bring us back to Poe. Poe, Rey, Maz, Finn, Snoke, Ren, Beeb, Poe!

(10) FLEXIBILITY. Nick Osment analyzes the benefits of reading science fiction in “What We Can Learn From a Time Lord: Doctor Who and a New Enlightened Perspective” at Black Gate.

If tomorrow you stepped inside a time machine and found yourself standing in the yard of this man who is separated from being your neighbor only by the passage of a century, then suddenly his opinions would become somewhat more relevant because now you would actually have to interact with him. But they would not become any more credible to you just because you were now hearing them face-to-face. You would still hear them from the vantage of having come from the future.

Now imagine your life today not as if you were living in your own time but as if you were visiting from a hundred years in the future. The weight given by proximity, i.e., these people are my neighbors, is leveled off, much the way that visiting that long-dead neighbor would be. Detach yourself from all the noise of the television and the Internet and your workplace, your college, your local pub. See it from a more objective position — of not being of this time, with the knowledge that this time, too, will pass, and all these people who are speaking right now; they all, too, will be dead and most of them forgotten.

(11) BIGGER ON THE OUTSIDE. 11.22.63, the eight-part event series based on Stephen King’s 2011 novel, premieres Presidents Day, February 15 on Hulu.

11.22.63 is a thriller in which high school English teacher Jake Epping (James Franco) travels back in time to prevent the assassination of President John F. Kennedy — but his mission is threatened by Lee Harvey Oswald, falling in love and the past itself, which doesn’t want to be changed

 

(12) LONG TAIL OF SALES. Fynbospress summarizes the impact of streaming on the music business, and explains the parallels in book publishing to Mad Genius Club readers in “The Importance of Being Backlist”.

In summary, if publishing continues to mirror music, then streaming will continue to increase, but frontlist sales may continue to fall, and it become harder and harder to get discovered in the initial release period. However, backlist volume is growing, and people are discovering their way through the things that have been out there a while. So, while you can and should do some promotion of your latest release – if it fails to take off, don’t despair. Instead, write the next book, the greatest book you’ve written yet. Sometimes you make your money on the initial release surge, and sometimes, it’ll come in having a lot of things out there all bringing in an unsteady trickle.

(13) TWO COMIC CONS MAY SETTLE. A settlement may be at hand in the San Diego Comic-Con’s suit against the Salt Lake Comic Con for for trademark-infringement. The Salt Lake Tribune reports that on Thursday, attorneys for both conventions asked the judge to extend a procedural deadline so that they could work “diligently” on a settlement. The conventions have scheduled a meeting with Adler on Wednesday in San Diego.

Drafts of the agreement have been exchanged,” according to the Thursday court filing requesting the extension, “and the parties hope to soon reach agreement as to all terms.”

San Diego Comic-Con is a trademarked name, and lawyers have argued that the similarity of “Comic Con” in the name of the Salt Lake City event has confused people into thinking the event is somehow associated with San Diego’s convention.

As Salt Lake’s organizers have seen it, the legal battle isn’t just between them and the flagship convention; it’s a threat to the dozens of other comic book conventions around the world that also use “comic con” in their names. Salt Lake Comic Con co-founder and chief marketing officer Bryan Brandenburg previously asserted that if San Diego wins the case, the precedent will allow it to do this to other organizations.

(14) RING OF POWER. Jim C. Hines snapped this photo at Confusion:

[Thanks to JJ, John King Tarpinian, Andrew Porter, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Jim Henley.]

Cornell and CONvergence

Michael Lee of CONvergence, where Paul Cornell will appear in July, sends his answers to my survey questions about the gender balance initiative.

> Do you think Cornell’s initiative will change or has already changed your approach?

> Do you have any comments on Paul Cornell’s and Si Spurrier’s actions?

Michael Lee: It’s possible that since our convention’s theme is Women Characters and Creators this year, and we’ve had Paul as a guest, I might have something to add.

I’m the head of activities at CONvergence, and that means the programming department reports up to me, and I also sit on the board of directors for our non-profit. I was also a programming head for five years before that. This is primarily my own thoughts here, and isn’t an official CONvergence statement.

CONvergence had Paul Cornell as a guest of honor two years ago, and he’s returning on his own this year. He’s a popular and fantastic panelist and participant, and I respect what he’s trying to do here. Our convention theme this year is “Women Characters and Creators in Science Fiction in Fantasy” — and the organization chose to make all of our guests this year women, in part because we haven’t historically been as representative as we could have been with guests of honor, and we’re trying to do better. Our membership is very evenly matched with men and women, as well as having a mix of men and women on our staff all the way up to our board of directors.

One thing I did was I started to track the overall distribution a little closer than before in response to Paul’s request in our programming database for CONvergence — not because I expected that each panels will balance 50/50, and we don’t have genders identified for all of our panel participants. We’re still in the process, so I don’t know where we’re going to end up, and I’m sure we’ll have things that work well and things that don’t.

I believe that the threat of civil disobedience to make spontaneous programming replacements is something that most conventions can avoid with some co-operation with participants. I know that he’s made his request about being on gender-balanced programming items to CONvergence’s programming team, and that’s not really much different of a request than people who don’t want panels before noon, or don’t want to be on a panel with someone they don’t get along with, or that they want to be on a panel with their friends, or any number of other requests that people make to program teams. I know that we try to plan our programming schedule out far enough that we’re trying to work with Paul on specific items, just as we try to balance a lot of peoples’ desires to see what they want in programming.

I think Paul’s efforts have helped emphasize the issue of women on convention panels, and I think that is a good discussion to have. I think we’ve seen that across the wide variety of responses you’ve already had on this subject, by a lot of people that I have a lot of respect for.

I think it’s part of a larger movement that we’ve been seeing, not just in SF fandom, but also very strongly in comics fandom and Doctor Who fandom (which Paul is actively a part in as well), and other parts of the culture (like technology) where women making their presence known and acknowledging the institutional barriers to women (as well as other groups) in the culture. And really, I think it’s important for those of us that are conrunners toot just making programming participants more varied, but also making a stronger more diverse mix as guests of honor. And it’s also to seek out and be happy when you see a more varied mix of creators in books, comics, and television shows. We’re after all in a world where perhaps the most successful fantasy book series and the most successful science fiction book series are written by women. That needs to be reflected in our conventions as well.

Thanks,

Michael Lee