2018 Premio Ignotus Winners


The Premio Ignotus 2018 (2018 Ignotus Awards) were announced by Spain’s Asociación Española de Fantasía, Ciencia Ficción y Terror on November 17. The winners included Spanish translations of works by Kameron Hurley and Aliette de Bodard.

Novela / Best Novel

  • Las tres muertes de Fermín Salvochea, by Jesús Cañadas (ed. Roca)

Novela Corta / Best Novella

  • 36, by Nieves Delgado (ed. Cerbero)

Cuento / Best Short Story

  • “Humo y espejos”, by Elia Barceló (Dark Fantasies (ed. Sportula))

Antologia / Best Anthology

  • El zoo de papel, by Ken Liu (ed. Alianza)

Libro de ensayo / Best related Book

  • Wonder Woman. El feminismo como superpoder, by Elisa McCausland (Ed. Errata Naturae)

Articulo / Best related work

Ilustración / Best Cover

  • Cubierta de CloroFilia, by Cecilia G. F. (ed. Cerbero)

Producción audiovisual / Audiovisual production

  • La cueva, by Felicidad Martínez (canal de Youtube)

Tebeo / Comics

  • Anatomía del caos, de Manuel Amaro, Miguel Ángel Cáceres y Dr. Zonum (ed. Apache libros)

Revista / Magazine

  • Supersonic (dirección by Cristina Jurado)

Novela extranjera / Foreign Novel

  • Las estrellas son legión, by Kameron Hurley [The Stars Are Legion] (ed. Alianza)

Cuento extranjera / Foreign story

Sitio web / Web

[Thanks to Mark Hepworth for the story.]

Pixel Scroll 11/17/18 You Can Hear The Pixels Scroll One Hundred Files

(1) THE NEXT DAY. That’s got to smart. No sooner did Arisia announce its move to the Boston Park than the strike that forced the change came to an end. Boston’s CBS affiliate reports “Marriott Hotel Workers In Boston Reach Deal To End Strike”.

The union representing them, Unite Here Local 26, confirmed Saturday they “reached a tentative agreement” on a new contract. A few hours later, a ratification vote at Hynes Convention Center officially ended the strike.

“We can confirm we have a tentative agreement. We look forward to welcoming our associates back to work,” a Marriott International spokesperson said in an e-mail.

(2) WFC 2019 FALLOUT. Adam-Troy Castro is arguing that critics of Robert Silverberg, in trouble for his disdainful remark about N.K. Jemisin’s Hugo acceptance speech, should pull their punches:

This is how much a racially charged statement can affect status: the World Fantasy Convention is making public apologies for, among other things, inviting Robert Silverberg. Close to seventy years a fixture of the field, hundreds of novels and nonfiction books and short stories, an influence and footprint that cannot be denied; really, a giant, or the word “giant” doesn’t mean anything and never has. (DYING INSIDE, alone.) And now he’s in danger of having this become his entire legacy in eyes of the next generation, and…damn.

I understand why people are mad at him. I really do. I believe they should be. I am, whether you believe me or not….

… I have given the only reply that makes sense to me: that someday, your splendid, woke, brilliantly sensitive perfect generation will have this happen to you too. The attitudes you think natural will seem neanderthalic to those who come after you. The icons of your current cultural starscape will someday be torn down, for missteps or beliefs central to their work. Maybe it should happen, but when it does happen, it will hurt and you will protest and you will be condemned for any affection you still possess for those figures.

However, in Marta Randall’s comment there (screencapped by rcade), she casts doubt on this being a one-time lapse.

(3) NOT SO BAD. Today’s the 40th anniversary of the airing of one of TV’s negative icons – but The Hollywood Reporter had nice things to say about it at the time: “‘The Star Wars Holiday Special’: THR’s 1978 Review”.

If the prospect of a two-hour Star Wars Holiday Special conjured up visions of “May the force be with you” repeated ad nauseam in your head, this show on CBS was a welcome surprise….

For the most part the special was [an] inventive diversion that stood on its own merits.

(4) INFO DUMPSTER FIRE. Slate’s Dan Kois isn’t nearly as forgiving of this movie’s flaws s other critics: “The New Fantastic Beasts Is So Bad It Actually Makes the Other Books and Movies Worse”.

…Instead of building upon the story, characters, and conflicts that Fantastic Beasts torturously established, The Crimes of Grindelwald layers on further exposition and introduces yet more new characters. Even a character I thought was safely dead is once again alive! Remember poor Credence (Ezra Miller), the moody teen who sometimes turns into a screaming cloud of smoke? I swear he got disintegrated in the New York City subway at the end of the previous movie, but now here he is moping around Paris rooftops, trying to find his mom. In my opinion he should chill out; he’s got cheekbones to die for and a hot girlfriend who’s also a huge snake, which seems like a scenario out of any goth teen’s dreams….

(5) NO WRITER, NO SERIES. Funny how that works. Knock-on effects of Chuck Wendig’s exit from Marvel are still happening. Gizmodo’s io9 says that “Marvel Comics Scraps New Darth Vader Series After Chuck Wendig’s Controversial Exit”.

Almost a month and a half after it was first announced at New York Comic-Con, Marvel has pulled the plug on its latest Star Wars miniseries, Shadow of Vader, bringing an awkward end to the saga the publisher created by booting writer Chuck Wendig from the book in the first place.

Wendig made waves last month when he explained in a lengthy series of tweets that he had been fired from the Shadow of Vader title—at that point mere days after the series had been publicly unveiled—with the writer pinning the reasoning as allegedly down to an editor citing Wendig’s coarse language on social media, combined with the writer’s discussion of U.S. politics online. When initially asked, a Marvel Comics representative would not confirm why Wendig was suddenly off the book. It was the latest in a line of recent incidents in the pop culture space over hollow calls for civil discourse in the wake of targeted campaigns of harassment.

(6) IN TIMES TO COME. Congratulations to WIndycon 2019’s guests!

Windycon 46 will be held November 15-17 in Westin Lombard, IL. The guests are:

Author GoH: Elizabeth Moon
Artist GoH: Mitchell Bentley
Fan GoH: Chris Barkley
Toastmistress: Lee Martindale

Next year’s theme is “Space Opera”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 17, 1915 – Raymond F. Jones, Writer who is best remembered for his novel This Island Earth, which was made into a movie which was then skewered in Mystery Science Theatre 3000: The Movie. However, he produced a significant number of science fiction novels and short stories which were published in magazines such as Thrilling Wonder Stories, Astounding Stories, and Galaxy, including “Rat Race” and “Correspondence Course”, which respectively earned Hugo and Retro Hugo nominations. (Died 1994.)
  • Born November 17, 1925 – Rock Hudson, Oscar-nominated Actor whose best-known genre role was in The Martian Chronicles miniseries; he also played the President in the alt-history miniseries World War III. Other roles included The Golden Blade, based on a One Thousand and One Nights folktale; Embryo, about artificial gestational chambers in a much less benign scenario than Bujold’s; and Seconds, about transplanting the minds of wealthy elderly people into fresh young bodies. (Died 1985.)
  • Born November 17, 1931 – Dennis McHaney, Writer and Critic. Pulp writers in particular seem to attract scholars, both amateur and professional. Robert E. Howard was not an exception. So I give you this individual who, between 1974 and 2008, published The Howard Review and The Robert E. Howard Newsletter. Oh, but that was hardly all he did, as he created reference works such as The Fiction of Robert E. Howard – A Pocket Checklist, Robert E. Howard in Oriental Stories, Magic Carpet and The Souk, and The Fiction of Robert E. Howard: A Quick Reference Guide. A listing of his essays and other works would take an entire page. It has intriguing entries such as Frazetta Trading Cards, The Short, Sweet Life and Slow Agonizing Death of a Fan’s Magazine, and The Films of Steve Reeves. Fascinating… (Died 2011.)
  • Born November 17, 1944 – Danny DeVito, 74, Oscar-nominated Actor, Director, and Producer whose best-known genre role was as The Penguin in Batman Returns (for which he received a Saturn nomination), but he also had roles in Matilda (which he directed, and which was based on the Roald Dahl novel of the same name), Mars Attacks!, Men in Black, Big Fish, Junior, and the black comedy cult film Death to Smoochy, about an anthropomorphic character actor, which JJ thought was hilarious. He provided the voice for the credential detective Whiskers in Last Action Hero, as well as for characters in Look Who’s Talking Now, Space Jam, the My Little Pony movie, Hercules, The Lorax, Animal Crackers, and the forthcoming Dumbo.
  • Born November 17, 1966 – Ed Brubaker, 52, Writer and Artist of comic boooks and graphic novels. Sandman Presents: Dead Boy Detectives, I’d consider his first genre work. Later work for DC and Marvel included The Authority, Batman, Captain America, Daredevil, Catwoman, and The Uncanny X-Men. If I may single out but one series, it’d be the one he did with writer Greg Rucka which was Gotham Central. It’s Gotham largely without Batman, but with the villains, so the Gotham Police Department has to deal with them by themselves; grim and well done. In 2016, he joined the writing staff for the Saturn-winning Westworld series, where he co-wrote the episode “Dissonance Theory” with Jonathan Nolan. He’s had numerous nominations and wins for Harvey and Eisner Awards, as well as a Stoker nomination for Superior Achievement in a Graphic Novel.
  • Born November 17, 1971 – David Ramsey, 47, Actor and Martial Artist, who is best known for his role in the the Arrowverse (Flash, Arrow and Legends of Tomorrow) as John Diggle/Spartan, but he also had roles in The Nutty Professor and the pandemic film Fatal Contact, and has appeared in episodes of Ghost Whisperer, Space: Above and Beyond, Journeyman, and Charmed.
  • Born November 17, 1978 – Tom Ellis, 40, Actor from Wales who is currently playing Lucifer Morningstar in the Lucifer TV series based on the character from Neil Gaiman’s The Sandman. It’s quite good. He’s also had roles in Doctor Who, Once Upon a Time, Messiah, The Strain, and Merlin.
  • Born November 17, 1978 – Rachel McAdams, 40, Oscar-nominated Actor from Canada who played the titular character in the The Time Traveler’s Wife, a film based on the Clarke- and Campbell-nominated novel of the same name, which she followed up genre-wise by earning Saturn nominations for playing Irene Adler in Guy Ritchie’s Sherlock Holmes films and the terrorists’ target in the creepy Red Eye. She also had lead roles in Dr. Strange, Midnight in Paris, and another time-travel movie, About Time. Her sole series work is apparently in an episode of Earth: Final Conflict, and she had a voice role as The Mother in an animated version of The Little Prince.
  • Born November 17, 1983 – Christopher Paolini, 35, Writer known for the Inheritance Cycle, which consists of the books Eragon, Eldest, Brisingr, and Inheritance, the first of which was made into a Saturn-nominated film and a videogame of the same name. In December of this year, The Fork, the Witch, and the Worm, the first book in a series called Tales of Alagaësia, will be published.

(8) BY BIRTHDAY CANDLELIGHT. Rich Horton, in “Birthday Review: Stories of Raymond F. Jones”, gives reasons that name should not be forgotten.

Raymond F. Jones would have been 103 today. He’s not much remembered these days, but he was an interesting writer of the Golden Age of Science Fiction. His career continued into the 1970s — his last story appeared in Ted White’s Fantastic in 1978.  In his memory I’ve compiled this set of reviews of his stories, that I wrote based on reading several old magazines in my collection.

(9) TRIMBLES TAKE THE HIGH ROAD. Bjo and John Trimble responded on Facebook to Steve Davidson withdrawing Amazing Stories sponsorship of their GoH expenses at the 2019 NASFiC after they decided to continue as Arisia 2019 GoHs.

This is Steve Davidson’s reaction to our decision to attend Arisia. He makes some assumptions that we don’t agree with, but we’re not about to get into a “he said” “they said” conversation here. Suffice it to say that we feel strongly that Arisia is making an attempt to deal with their former transgressions, including offering space at the 2019 con to discuss this with people willing to do so. We look forward to that meeting. It may be a worthwhile contribution to something that has not yet been openly addressed in fandom.

(10) JOURNEY PLANET CALLING. Chuck Serface says the Journey Planet theme issue he’s working on is  looking for contributors:

A reminder to all that Christopher J Garcia and I are co-editing an issue of Journey Planet dedicated to Silicon Valley. We’re looking for articles, creative writing, and art based on anything related to this part of the world — technology, history, the arts, cultures, peoples, politics, stories, poetry, whatever strikes your interest. Our deadline for submissions is December 10, 2018, and we’ll get the issue out before the end of the calendar year. Send your entries to ceserface@gmail.com!

(11) ACE SEXTET. That’s what you get when Galactic Journey reviews three fresh-off-the-shelf (in 1963) Ace Doubles. In the first book, Leigh Brackett is on one side, and on the other –

Legend of Lost Earth, by G. McDonald Wallis

It’s common practice in SFF for women to initialize their first names (or flat-out take on male pseudonyms).  I have been told vociferously by one of my readers that this practice has nothing to do with any bias against women in the genre; nevertheless, it is puzzling that men don’t seem to do it.  In any event, the “G.” stands for Geraldine, and this is her second Ace Double, the first being The Light of Lilith, which I have not read.

(12) SUBSTANDARD COMPENSATION FOR SUBWAY ARTISTS. The ghost of Harlan Ellison was invoked by Toronto columnist Cliff Goldstein in “Drawing the line on a sketchy TTC ad campaign”.

I was on the subway recently, enjoying some of the lovely art created by local artists as part of the TTC’s Sketching The Line campaign. Curious to find out if the artists were paid for their contributions, I submitted a query through the artintransit.ca website listed on the posters and got a timely answer from Antonina MacDonald, sponsorships and events specialist for Pattison, the outdoor advertising giant.

“They are not compensated… in the form of money. It [compensation] is provided in the form of exposure on our subways and buses.”

This was not the answer I had expected from Canada’s largest outdoor advertising company that’s part of an international corporation with 39,000 employees worldwide and annual sales that have grown to $8.4 billion annually.

…One of my favourite authors, Harlan Ellison, said it best in the documentary Dreams With Sharp Teeth: there is no value in publicity for starving artists.

(13) WRITE MYSELF A LETTER. Cool idea — “Shrinking Swiss glacier hosts world’s largest postcard”.

Laid out on the shrinking Aletsch Glacier, this huge mosaic is actually made from 125,000 drawings and messages about climate change.

They measure 2,500 sq m (26,910 sq ft), and were created by children from all over the world.

“WE ARE THE FUTURE GIVE US A CHANCE,” urged one poster, standing out against the snow.

Seen from above, the whole picture read: “STOP GLOBAL WARMING #1.5 DEGREES C”

(14) HWA YA. The Horror Writers Association announced the Table of Contents for its next anthology for young readers, New Scary Stories to Tell in the Dark edited by Jonathan Maberry

Contents:
1. “The Funeral Portrait” by Laurent Linn
2. “The Carved Bear” by Brendan Reichs
3. “Don’t You See the Cat?” by Gaby Triana
4. “The Golden Peacock” by Alethea Kontis
5. “Strange Music” by Joanna Parypinski
6. “Copy and Paste Kill” by Barry Lyga
7. “The House on the Hill” by Micol Ostow
8. “Jingle Jangle: by Kim Ventrella
9. “The Knock-Knock Man” by Brenna Yovanoff
10. “The Weeping Woman” by Courtney Alameda
11. “The Neighbor” by Amy Lukavics
12. “Tag, You’re It” by Nancy Lambert
13. “The Painted Skin” by Jamie Ford
14. “Lost to the World” by John Dixon
15. “The Bargain” by Aric Cushing
16. “Lint Trap” by Jonathan Auxier
17. “Cries of the Cat” by Josh Malerman
18. “The Open Window” by Christopher Golden
19. “The Skelly Horse by Trisha Wooldridge
20. “The Umbrella Man by Gary N. Braunbeck
21. “The Green Grabber” by D.J. MacHale
22. “Brain Spiders” by Luis Alberto Urrea and Rosario Urrea
23. “Hachishakusama” by Catherine Jordan
24. “Light as a Feather, Stiff as a Board” by Margaret Stohl
25. “In Stitches” by Michael Northrop
26. “The Bottle Tree” by Kami Garcia
27. “The Ghost in Sam’s Closet: by R. L. Stine
28. “Rap Tap” by Sherrilyn Kenyon
29. “The Garage” by Tananarive Due
30. “Don’t Go into the Pumpkin Patch at Night” by Sheri White
31. “Pretty Girls Make Graves” by Tonya Hurley
32. “Whistle Past the Graveyard” by Zac Brewer
33. Title TBD by James A. Moore
34. “Mud” by Linda Addison
35. “The Tall Ones” by Madeleine Roux

(15) CALLING SANTA. Congratulations to Juniper Books for finding a way to make Harry Potter even more expensive to buy! These Harry Potter Sets in a luxurious traveling case sell for $275.

(16) A KIND OF SHREK QUILT. [Item by Mike Kennedy.] Movie remakes, right? Gotta love ‘em, right? (Or maybe I was looking for a different word.) Well, apparently someone loves them; about 200 someones in the case of Shrek Retold—a retelling of the first movie by a large group of artists, each using her or his own style. The Verge ( “Over 200 artists got together to remake Shrek”) has the story and the Retold trailer. The release is coming 29 November on on the 3GI website.

The internet’s favorite ogre may already be headed for another Hollywood-backed installment, but fans of the fantasy parody aren’t waiting around for its release. Instead, hundreds of artists have collaborated on their own scene-by-scene retelling of the first Shrek movie. Produced by Wisconsin comedy group 3GI, each artist brings their own style into the mix, meaning there’s everything from live-action bits to CGI and pixel art thrown into the same film. The project looks absurd in the best possible way, like a viral eBaum’s World video for 2018.

(17) HISTORIC PARK MAKES RECOVERY PLAN. These sets were on National Park land, and new ones may take their place: “Paramount Ranch, Western Town, will rise from the Woolsey fire’s ashes, officials vow”Daily News has the story.

Friday’s media event also announced the launch of The Paramount Project to rebuild the ranch’s Western Town. The 24-month projected rebuilding effort is organized by the Park Service’s nonprofit partner the Santa Monica Mountains Fund. You can get more information on the Project and contribute at www.samofund.org/2018/11/15/the-paramount-project/.

“This was a very emotional, iconic place, it captured history of the area and of Los Angeles,” Fund board president Sara Horner noted. “It’s globally significant, it is locally significant and culturally significant.

“Park Services, as you can imagine, is reeling from the losses,” she added. “So they will put together an assessment of their losses, and then we will refine the direction of the plan in place – which will probably change. But there is a plan of what we would like and a schedule for how it will get built, and the Santa Monica Mountains Fund will spearhead the fundraising for that.”

Horner said several movie studios have already called the fund inquiring about how they can help. Her organization is also planning meetings with location managers and other industry professionals to do informal surveys of what they would like to see in the rebuilt Western Town. Due to rigorous Park Service guidelines on what can and cannot be built on their land, she can’t say exactly, but Horner expects a combination of the setting looking somewhat like it did before the fire and new facilities to help the film industry to be up two years from now

LAist has a gallery of photos of the fire damage.

Today, the National Parks Service gave LAist a tour of the ranch post-fire. Little except smoldering piles of wood and cleared land remained of what was once a backdrop to legendary TV shows like The Cisco Kid and Dr. Quinn, Medicine Woman.

[Thanks to Cat Eldridge, rcade, Chip Hitchcock, Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]

Interview with Rowankind Trilogy Author Jacey Bedford

CARL SLAUGHTER:  Let’s start with the main characters.  At the beginning of the story, Ross is just trying to stay off the Mysterium’s radar.  Then she goes on various quests.  Then she plays liberator, protector, and negotiator.  Has she got a plan or is she figuring it out as she goes?

JACEY BEDFORD:  She’s figuring it out as she goes at the beginning of Winterwood. She doesn’t really want anything to do with the mysterious magical box, and, indeed, she tries to throw it overboard, but it washes up on the next tide. She’s been able to stay off the Mysterium’s radar while she’s been at sea. They don’t have much authority outside the British Isles, but as soon as she steps back on British soil they become a tangible problem. Once she learns what the box is and what it contains she has to decide whether to follow through. She does, and it seems as though everything is rosy, until (at the start of the second book) there are repercussions. She’s scrambling once more, but each time she’s faced with a problem she grows to meet it (with Corwen, of course). Ditto with the third book, when all the problems come together.

What about Corwen.  Does he have a drastic effect on Ross and a drastic effect on the plot or is he a secondary to Ross?

Ross doesn’t meet Corwen until part way through the first book. She’s not looking for love. She has the ghost of Will, her dead husband, for company. Initially she resists trusting Corwen, which makes him secondary, but gradually she comes to see his worth and his support is vital. By the time the second and third books happen, Corwen is an equal partner in Ross’ endeavours. In fact, the second book is mostly about Corwen’s family situation and his problem brother, Freddie (a very reluctant shapechanger). The third book, ROWANKIND, sees Ross and Corwen in an equal partnership, each playing to their strengths.

All these other magical creatures.  Are they bumping into each other or seeking each other out?  

The rowankind, newly freed from their servitude, have a gentle weather magic of their own. Also there are magical creatures accidentally freed into the world. In the second book we met two kelpies, in the third there’s a troll who is both in danger and dangerous. The Lady of the Forests (the consort of the Green Man) rules over magical creatures, helped by a small army of sprites and a number of magicals who have gravitated to her home in the Okewood and become a community.

Is the Mysterium a nuisance or a menace?

It’s a menace. Any magic user who does not register with them by their 18th birthday is automatically an unregistered witch, and therefore likely to be hanged without trial if they are caught. In SILVERWOLF the Mysterium is exceeding its brief which causes a head-on clash with Ross, Corwen and a bunch of magicals. In ROWANKIND, the Mysterium has begun to realise that the newly freed rowankind have magic, so it’s treating them as unregistered witches. Thus the danger escalates and the Fae decide to step in. That’s bad news for Britain. The Fae may have left mortals alone for centuries, but that’s mostly because they didn’t care to be involved. However, don’t think that they are harmless. Once they get involved, they aren’t going to back down. Something’s got to give and it won’t be the Fae.

Is the Mysterium involved in political intrigue and social unrest or do they keep their distance?

They know their place and they have their instructions. They don’t intend to let anyone or anything stand between them and their duty to persecute unregistered magic. But at the end of the day they are simply a government department – albeit a powerful one. Walsingham is above the Mysterium while remaining independent. He reports only to the king and the king’s spymaster (or the first minister). He’s very dangerous once he gets you in his sights.

The social unrest is purely economic because (check out actual history) there have been a series of bad harvests and the wars with France are taking their toll. When the price goes up, there are bread riots. The government is truly worried that they are only one more bad harvest away from famine and then the social powder keg will blow. One of the driving reasons for peace with France (1802) is that Britain is getting close to the end of available resources and peace will give them a chance to take a breather and gather resources. Of course, France is doing the same, so it soon kicks off again.

How do King George and Emperor Napoleon factor into all this?

Napoleon is the unseen threat to Britain from overseas. His ships are the ones Ross’ privateer crew prey upon, but he’s not a character in the books. King George III becomes important as a character when the Fae expect him to be able to protect the rowankind. Of course it’s not as simple as that because the king’s personal power is limited by parliament. (The Fae don’t understand this because the last time they engaged with the human world, a king’s power was absolute.) Ross discovers King George’s madness is magical and hopes that this will make him sympathetic… well, it was a nice thought, but it’s not going to be that easy.

Same question for the Industrial Revolution.

That’s an interesting one. In 1800 the industrial revolution is not all that far advanced. There are steam engines for pumping water, but no steam locomotives yet. The cloth trade is changing. Cottage industry is being replaced by factories, but they are mostly powered by water wheels for some processes (fulling for example). Belt technology is not sufficiently advanced for mass production. What will make a difference from the end of ROWANKIND onwards is that the rowankind can manipulate wind and water, which, if used on an industrial scale, is going to slow down the advent of steam power. Why develop expensive steam technology when cheap magic does the job? Why light the streets with gas when you can light them with magic?

I see lots of plot activity and lots of character interaction, but I don’t see any themes.  Am I missing something?

Broadly the theme is tolerance and understanding for those with differences, but I don’t hit the theme with a hammer. It’s there if you look for it.

Are we going to see any spinoffs, prequels, or sequels to Rowankind?

I’ve been working on a YA book set in a present day which is a future projected from the Rowankind books. It’s the 21st century without computers, mobile phones and television. Technology is roughly a century behind where it is now.

What about your Psi Tech series.  Are you ever going to revisit that fictional universe?

I’m looking at the possibilities of that right now, but I’m not very far along the road with a new project. It might or might not happen.

What other projects have you got brewing?

I’m in the final polishing stages of The Amber Crown, a new standalone historical fantasy set in an analogue of the Baltic States in the 1600s. I’m very excited by it. It’s got magic and politics. It’s told from the viewpoint of three disparate characters and opens with the assassination of a king. The characters are Valdas, the failed bodyguard, whose job it was to keep the king safe; Mirza, a Romani witch, who is given the job of guiding Valdas in a task, and Lind, the assassin. These are complex characters, especially Lind who has more hangups than a wardrobe full of coathangers.

Are you still with DAW for the foreseeable future?

I certainly hope so. When I look along my bookshelves a huge proportion of the SF books I’ve been reading for years are published by DAW. I think I’m a good fit for them, and they’re a good fit for me. My (Hugo-winning) editor is Sheila Gilbert. She’s delightful to work with and brings a wealth of experience to any project I present. She’s also a really nice person to work with.

Jacey Bedford

Where can readers catch up with you for a signing, photo, or panel?

I’ve just finished my round of UK conventions for this year. I attended Eastercon, Fantasycon and Bristolcon, and just a few days ago gave a workshop on worldbuilding and did a panel on characters at the Escafeld event in Sheffield. Next year I’m planning to be at Dublin Worldcon, but I haven’t booked any UK conventions yet. But people can always contact me via my website: www.jaceybedford.co.uk. I’m always happy to engage with readers. I also have a blog at https://jaceybedford.wordpress.com/ and I do answer comments. My facebook writing page is https://www.facebook.com/jacey.bedford.writer/ and ditto about responding to comments. I also tweet @jaceybedford, though I confess I’m not on there every day.

Rowankind Trilogy Completed

By Carl Slaughter: In November 2018, DAW author Jacey Bedford wrapped her alternate history magic trilogy Rowankind.

A magic regulatory agency that controls magic by whatever means necessary, a swashbuckling crew of pirates and their lady captain, recently unbound magic creatures roaming the streets of London, a shapeshifting werewolf, a jealous husband ghost.  Throw in historical figures:  Mad King George, and the Industrial Revolution.  Plenty of plot twists and subplots.

The protagonist is a young woman trying to maintain her independence, stay alive, find romance, resolve family issues, and help her fellow magic creatures.  No, she’s not trying to determine the course of history.  Like the other protagonists in this story, she’s just trying to discover and achieve her destiny.

ROWANKIND TRILOGY
by Jacey Bedford
DAW

  • Winterwood

It’s 1800. Mad King George is on the British throne, and Bonaparte is hammering at the door. Magic is strictly controlled by the Mysterium, but despite severe penalties, not all magic users have registered.

Ross Tremayne, widowed, cross-dressing privateer captain and unregistered witch, likes her life on the high seas, accompanied by a boatload of swashbuckling pirates and the possessive ghost of her late husband, Will. When she pays a bitter deathbed visit to her long-estranged mother she inherits a half brother she didn’t know about and a task she doesn’t want: open the magical winterwood box and right an ancient wrong—if she can.

Enter Corwen. He’s handsome, sexy, clever, and capable, and Ross doesn’t really like him; neither does Will’s ghost. Can he be trusted? Whose side is he on?

Unable to chart a course to her future until she’s unraveled the mysteries of the past, she has to evade a ruthless government agent who fights magic with darker magic, torture, and murder; and brave the hitherto hidden Fae. Only then can she hope to open the magical winterwood box and right her ancestor’s wrongdoing. Unfortunately, success may prove fatal to both Ross and her new brother, and disastrous for the country. By righting a wrong, is Ross going to unleash a terrible evil? Is her enemy the real hero and Ross the villain?

  • Silverwolf

Britain, 1801. King George’s episodic sanity is almost as damaging as his madness. First Consul Napoleon is gathering his forces in France. The disease of democracy is spreading. The world is poised on the brink of the modern era, but the rowankind, long a source of free labor, have shaken off their bonds.

Some have returned to laru to find freedom with the Fae; others are trying to find a place in the world, looking for fair treatment under the law. The course of the industrial revolution may change forever.

Wild magic is on the rise. Creatures of legend are returning to the world: kelpies, pixies, trolls, hobs, and goblins. Ross and Corwen, she a summoner witch and he a wolf shapechanger, have freed the rowankind from bondage, but now they are caught in the midst of the conflict, while trying their best to avoid the attention of the Mysterium, the government organization which would see them hanged for their magic.

When an urgent letter calls Corwen back to Yorkshire, he and Ross become embroiled in dark magic, family secrets, and industrial treachery. London beckons. There they discover a missing twin, an unexpected friend, and an old enemy—called Walsingham.

  • Rowankind

What do you do with a feral wolf shapechanger who won’t face up to his responsibilities? How do you contain magical creatures accidentally loosed into Britain’s countryside? How do you convince a crew of barely-reformed pirates to go straight when there’s smuggling to be done? How do you find a lost notebook full of deadly spells while keeping out of the clutches of its former owner? How do you mediate between a mad king and the seven lords of the Fae?

Ross and Corwen, she a witch and he a shapechanger, have several problems to solve but they all add up to the same thing. How do you make Britain safe for magic users?

It’s 1802. A tenuous peace with France is making everyone jumpy. The Fae, and therefore Ross and Corwen at their behest, have unfinished business with Mad King George, who may not be as mad as everyone thinks–or if he is, he’s mad in a magical way. The Fae have left mankind alone up to now because they don’t care to get involved with mortals, but don’t be fooled into thinking they’re harmless.

Arisia Changes Hotels in Response to Strikes

The Arisia Eboard announced November 16 they are moving Arisia 2019 from the Westin Boston Waterfront hotel to the Boston Park Plaza Hotel, as a result of strikes affecting the hotels they were planning to use. The dates of the convention remain January 18-21, 2019.

The Eboard explained on the Arisia Inc. Facebook page:

An ongoing labor dispute between the Marriott Corporation and the UniteHere labor organization has resulted in strikes at Marriott properties across the country. The strike includes both the Westin Boston Waterfront and the Aloft Boston Seaport, the hotels where Arisia 2019 was to be held. The consistent message that we’ve heard from our members – attendees, staff, and corporate – is one that aligns with Arisia’s values: that we must take seriously the very real concerns that have driven these workers to strike. As a result, we cannot cross a picket line and support a corporation that is in serious dispute with its workers.

A Park Plaza Move FAQ page has been added to the convention website with additional background:

Why now?

Moving a convention of Arisia’s size in just two months is a major undertaking. We gave the Marriott management as much time as we felt we could. We hoped for a quick settlement to the labor dispute, but we also have to be realistic about the time, travel, and money commitments made by our community. We could not wait any longer. When polled on the question of whether to cancel the convention or move, Arisia Corporation members indicated by nearly a 4:1 majority that they preferred the convention move. Our Hotel Search Committee was able to find another host hotel that enables us to have an Arisia with most of the amenities and programming our attendees have come to expect in the last decade, on our target weekend dates, without requiring a drastic cut in attendance.

What is the effect on Arisia convention activities?

We do not know the full impact yet. The Park Plaza offers us sufficient space that most of the usual types of programming (panels, games, LARPs, dances, etc.) can occur, though some things will be downsized. Some event organizers and panelists had already indicated they could not attend this year, and we are likely to reconfigure some things to fit into the different spaces of the Park Plaza.

The Arisia Innkeeper team will cancel all Westin and Aloft reservations made through their booking links. They will announce when reservations open for the Park Plaza, and have assured fans, “We have a room block large enough that we do not expect to sell out.”

Arisia 2019 will have a lower membership cap in the new facility. What that number will be is not yet known.

The Eboard’s general announcement noted that the hotel situation is just one of the critical issues on their plate:

We also understand that the strike is not the only or overriding concern for our community. We acknowledge concerns around the safety of attendees, and around our ability to handle incident response in ways that meet our standards and goals. On Sunday, November 11th, the corporation elected new members of the Eboard with the implicit directive to correct the mistakes made by the previous board and move forward with initiatives to improve our culture, our responses, and our processes. The Eboard will have much more to say on all these subjects in the days to come.

Pixel Scroll 11/16/18 A Pixel May Not Scroll A Human Being, Or Through Inaction, Allow A Human To Be Scrolled

(1) DIVERSITY STARTS EARLY. The 2019 World Fantasy Convention responded to Silvia Moreno-Garcia’s criticism (see yesterday’s Scroll, item #3.) She answered in a thread that begins here.

(2) IN DETAIL. NPR’s Glen Weldon gets specific: “‘Fantastic Beasts: The Crimes Of Grindelwald’: Beasts? Check. Crimes? Check. Fantastic? Not Quite.”

The Crimes of Grindelwald is better than the first Beasts film, and not just because that turns out to be such a low bar to clear, but because it has a firmer grasp on what kind of movie it wants to be. It feels more familiarly Potter-y, in that it assumes the distinctive narrative shape of Harry Potter stories.

Once again: Structurally, it’s familiar, not, you know: good.

Can we all admit, here, that the plots of Harry Potter books and movies were always frustrating in the extreme? Rowling’s characters delighted in keeping vital information from Harry — and by extension, the reader — turning every tale into an ersatz, low-rent mystery where the goal was never to uncover whodunnit, but to eke out even the most basic understanding of whatthehellsgoingon? Inevitably, we’d discover the answers — well, “discover” is inaccurate. We’d be told, when Rowling would finally sit Harry down to have him listen to an extended monologue, filled with secret history to which neither he nor we could have been expected to be privy.

That’s the kind of plotting The Crimes of Grindelwald serves up, down to a hilariously out-of-nowhere pseudo-climactic scene in which characters who’ve spent the movie scheming to murder one another just stand around listening patiently to a series of monologues like they’re sleepy kindergartners at storytime.

(3) JUST PINING FOR THE FJORDS. In the midst of this excitement let’s not overlook that Unbound Worlds ends its life as a blog this month:

Today we’re announcing that the conversation with our readers is ready to evolve in new and exciting ways. In the new year, the articles, interviews, and lists you have enjoyed on Unbound Worlds will have a new home within penguinrandomhouse.com. That means we’ll no longer be publishing new content on Unbound Worlds after this month, but we’re excited to be able to deliver even more of the very best in science fiction, fantasy, and horror books, curated collections, and offers through our email programs.

(4) A BETTER LIGHTSABER. Don’t just sit there – spend money on Star Wars toys! “Disney Designs New Lightsaber That Extends and Retracts Just Like the Film Versions”.

For some of us out there, society’s technical advancements can all be measured by answering one question: How close are we to a real lightsaber?

While the model outlined in Disney’s newest patent application may not cut through solid steel, it will have an advantage over previous toys and replicas. Published today by Disney Enterprises, Inc., “Sword Device with Retractable, Internally Illuminated Blade” outlines a lightsaber design which allows the “energy blade” to shoot forth and retract in a way that properly mimics the iconic weapon’s use in the Star Wars franchise.

Currently, if you want to walk the path of the Jedi you’ve got two basic options. The cheaper choice involves purchasing a toy with a telescoping blade, with larger segments near the hilt and smaller segments near the tip, creating a triangular — and not very film accurate — shape. For more money you get more accuracy, so you could also purchase a fixed blade that looks closer to the movie ones when lit, but can’t extend or retract at all. Remember that iconic scene where Mace Windu stopped to screw in his purple blade before battle? Nope, neither do we.

(5) BRINGING THE HAMMER. Marvel is ready for another climactic moment —

This April, the war that has exploded across the Ten Realms finally blasts into the last realm standing…ours.

WAR OF THE REALMS IS COMING!

Starting in April, the award-winning creative team of Jason Aaron, Russell Dauterman and Matthew Wilson will usher in an event of unparalleled scale! And like the mega-event Secret Wars, no corner of the Marvel Universe will be untouched!

“I have been building towards WAR OF THE REALMS for the entire duration of my Thor run. So we’re talking six years and 80-something issues and counting,” teased Jason Aaron. “This is a war that covers the entire globe and involves the biggest heroes of the Marvel Universe, as you can see in this amazing promo piece by my MIGHTY THOR collaborators, Russell Dauterman and Matthew Wilson, who I’m so thrilled to be working with again on WAR OF THE REALMS.”

(6) GOING TO THE WORLDCON. The Shimmer Program announced that the winners of the Dublin 2019 Attending Funding for Chinese fans offered by Storycom are Constance Hu and Amelia Chen. Each will get RMB 10,000 for use in attending and staffing the con. They are expected to gain experience in the Worldcon organizational work and help with future Chinese bids.

Tammy Coxen & Adam Beaton, Member and Staff Services DH & DDH of Dublin 2019, and Colin Zhang, winner of Worldcon 75 Attending Funding & Hospitality DDH of Worldcon 75, worked as judges for the selection.

There are photos and introductions to the two winners at the link.

(7) DEVORE COLLECTION FOR SALE. The daughters of the late Howard Devore are selling the remainder of his collection/stock at ScienceFictionSales.com. Many interesting items going on the block, including Gene Roddenberry’s thank-you letter to 1966 Worldcon chair Ben Jason. Howard got one, too, but it’s not for sale —

Bjo [Trimble] wrote the following in honoring Howard as he received the Science Fiction World Convention Fan Guest of Honor award (posthumously) in 2006:

“How Howard helped save Star Trek”

When NBC decided to cancel Star Trek after its second season in 1967, the Trimbles decided to organize a write-in campaign to the network. “This was before computers and the Internet, so we had to rely on obtaining mailing lists. We asked but were turned down by several people who had mailing lists, but Big-Hearted Howard DeVore gave us his list to start the campaign. He also talked others into letting us use their mailing lists. He never got credit for this, though the [sic] we (John and Bjo Trimble) mentioned his name in interviews.”  So it may surprise many fans to know that without Howard, the Save Star Trek campaign might not have succeeded.

(See also the letter written by Roddenberry to thank a good friend of Dad’s, Ben Jason, for the letter writing campaign which we offer for sale in the Oddities and Curiosities section of the website. Our letter is not for sale.)

(8) FURTHER DEVELOPMENTS AT WHITE WOLF. Corporate management has taken drastic action to deal with problems at White Wolf:

My name is Shams Jorjani, VP of Business Development at Paradox Interactive and interim manager at White Wolf Publishing. I wanted to inform you of some changes that will be implemented at White Wolf, starting immediately.

Sales and printing of the V5 Camarilla and Anarch books will be temporarily suspended. The section on Chechnya will be removed in both the print and PDF versions of the Camarilla book. We anticipate that this will require about three weeks. This means shipping will be delayed; if you have pre-ordered a copy of Camarilla or Anarchs, further information will follow via e-mail.

In practical terms, White Wolf will no longer function as a separate entity. The White Wolf team will be restructured and integrated directly into Paradox Interactive, and I will be temporarily managing things during this process. We are recruiting new leadership to guide White Wolf both creatively and commercially into the future, a process that has been ongoing since September.

Going forward, White Wolf will focus on brand management. This means White Wolf will develop the guiding principles for its vision of the World of Darkness, and give licensees the tools they need to create new, excellent products in this story world. White Wolf will no longer develop and publish these products internally. This has always been the intended goal for White Wolf as a company, and it is now time to enact it.

The World of Darkness has always been about horror, and horror is about exploring the darkest parts of our society, our culture, and ourselves. Horror should not be afraid to explore difficult or sensitive topics, but it should never do so without understanding who those topics are about and what it means to them. Real evil does exist in the world, and we can’t ever excuse its real perpetrators or cheapen the suffering of its real victims.

In the Chechnya chapter of the V5 Camarilla book, we lost sight of this. The result was a chapter that dealt with a real-world, ongoing tragedy in a crude and disrespectful way. We should have identified this either during the creative process or in editing. This did not happen, and for this we apologize….

(9) SPACE COLLECTIBLES CASH IN. HA’s recent Space Exploration Auction set records:

The “star of the show” was my personal favorite piece, the Apollo 11 Lunar Module Flown Spacecraft ID Plate. When the fierce bidding was over, it had sold for $468,500 to a bidder in the room. Four lots tied for “second place” at $275,000 each: two Apollo 11 LM Flown Wright Flyer Propeller Pieces (Lot 52284 and Lot 52285); the Apollo 11 Flown Largest Size American Flag; and the Apollo 11 LM Flown Apollo 1 Fliteline Medal. This last lot was particularly poignant as Neil Armstrong and Ed White II were close friends; the medal was taken to the moon as a tribute to White who perished in the Apollo 1 training fire. A special thanks to the dedicated staff at Collectibles Authentication Guaranty (CAG) who worked tirelessly to authenticate and encapsulate or certify every single item in The Armstrong Family Collection™. Another sincere “thank you” goes out to Rick and Mark & Wendy Armstrong who were always available to help in any way needed.

This auction also featured an incredible selection of material from several dozen regular and new consignors. One thing I noted was that Gemini-flown Fliteline medals were particularly strong in the early Friday session. The examples we offered all had incredible provenance from various astronauts and many were graded by NGC. We set new price records for the following missions: Cooper’s Gemini 5 ($35,000); Schirra’s Gemini 6 ($8,750); Lovell’s Gemini 7 ($10,625); Cooper’s Gemini 8 ($30,000); Stafford’s Gemini 9 ($32,500); Young’s Gemini 10 ($5,750); Conrad’s Gemini 11 ($12,500); Lovell’s Gemini 12 Silver-colored and Gold-colored ($9,375); and Chaffee’s Apollo 1 ($20,000). Oh, by the way, the Gemini 3 ($16,250) and Gemini 4 ($9,375) records were set the previous day by lots from The Armstrong Family Collection™. That makes it a “clean sweep.”

(10) GOLDMAN OBIT. William Goldman, author of The Princess Bride, has died. Deadline has the story — “William Goldman Dies; Oscar Winning Writer Of ‘Butch Cassidy And The Sundance Kid’ Was 87”.

Goldman began as a novelist and transitioned to writing scripts with Masquerade in 1965. While his greatest hits were the indelible pairing of Robert Redford with Paul Newman in the George Roy Hill-directed Butch Cassidy and the Sundance Kid, and Redford and Dustin Hoffman in the Alan Pakula-directed toppling of President Richard Nixon drama All The President’s Men, he wrote the scripts for many other great movies. The list includes the Hoffman-starrer Marathon Man (Goldman also wrote the novel, which made dentist visits even more undesirable),as well as The Princess Bride, The Stepford Wives, The Great Waldo Pepper, A Bridge Too Far, Chaplin and Misery. He also did a lot of behind the scenes script doctoring without taking a screen credit, as on films that included A Few Good Men and Indecent Proposal.

(11) TODAY’S BIRTHDAYS.

  • Born November 16, 1907 – Burgess Meredith, Actor of Stage and Screen, Writer, Director, and Producer. His two most significant roles were in Twilight Zone: The Movie as the Narrator, and in a delightful take as The Penguin in the original Batman series. Genre film appearances include Magic, Clash of the Titans, Torture Garden, The Sentinel, and Beware! The Blob. He also showed up in Tales of Tomorrow, an anthology SF series that was performed and broadcast live on ABC from 1951 to 1953, and episodes of The Invaders, The Twilight Zone, Faerie Tale Theatre (Thumbelina, with Carrie Fisher!) and The Wild, Wild West. Did I mention he voiced Puff the Magic Dragon in a series of the same name? He also narrated the documentary Debrief: Apollo 8, with footage from the historic spaceflight. (Died 1997.)
  • Born November 16, 1939 – Tor Åge Bringsværd, 79, Writer, Editor, and Fan from Norway who co-founded Norwegian fandom. He and his university friend Jon Bing were huge SF readers in a country where SF publishing did not exist, so they founded, in 1966, the still-existing Aniara science fiction club and its fanzine at Oslo University. In 1967, they produced an SF short story collection Ring Around the Sun, which is known as the first science fiction by a Norwegian author. In 1967, they persuaded Gyldendal, the leading Norwegian publisher, into launching a paperback SF line with themselves as editors. Between then and 1980, this imprint released 55 titles which included the first Norwegian translations for many authors, such as Aldiss, Bradbury, Le Guin, and Leiber. He quit university to become a full-time SF writer, and since then has accumulated an impressive array of awards, including the Norwegian Academy Award, the Ibsen Award, and the Norwegian Cultural Council Award.
  • Born November 16, 1942 – Milt Stevens, Law Enforcement Analyst, Fan, Conrunner, and Filer. Excerpted from Mike Glyer’s tribute to him: Milt attended his first Los Angeles Science Fantasy Society meeting in 1960 at the age of 17. By 1970 Milt was President of LASFS he signed my membership card when I joined. He was somebody to look up to who also became a good friend. Milt won the Evans-Freehafer Award for service to the club in 1971. He was on the LASFS, Inc. Board of Directors for a couple of decades, and was Chair for around five years. After the original LASFS clubhouse was bought in 1973 Milt dubbed himself the “Lord High Janitor,” having taken on the thankless task of cleaning the place. Milt was among the club’s few nationally-active fanzine publishers and fanpoliticians. He put out an acclaimed perzine called The Passing Parade. He coedited and bankrolled later issues of my fanzine Prehensile. For many years he was a member of the Fantasy Amateur Press Association (FAPA). He was Chair of LA 2000, the original Loscon (1975), and later the 1980 Westercon. And he co-chaired L.A.Con II (1984), which still holds the attendance record. He was made Fan GoH of Loscon 9 and Westercon 61. (Died 2017.)
  • Born November 16, 1952 – Candas Jane Dorsey, 66, Writer, Poet, and Critic from Canada whose works include poetry, fiction, television and stage scripts, magazine and newspaper articles, and reviews. Her fiction has garnered a Tiptree Award, numerous Aurora Award nominations and wins, and a Sunburst nomination. She was a co-founder of SF Canada, was editor-in-chief of The Books Collective from 1992 to 2005, and has co-edited two editions of Canadian Science Fiction’s long-running annual anthology Tesseracts.
  • Born November 16, 1952 – Robin McKinley, 66, Writer. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work, and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels not based on folktales are Sunshine, Chalice, and Dragonhaven. Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015; they lived together in Hampshire. They co-wrote two splendid collections of Tales of Elemental Spirits: Water and Fire. I’d be very remiss not to note her other bonnie Awards: a 1983 Newbery Honor for The Blue Sword, the 1986 World Fantasy Award for Anthology/Collection for Imaginary Lands, and as editor, the 1998 Phoenix Award Honor Book for Beauty, and the 2004 Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed!
  • Born November 16, 1958 – Marg Helgenberger, 60, Actor who played Hera in Wonder Woman. She also appeared in Conan: Red Nails, Species and Species II, After Midnight, Always, the miniseries The Tommyknockers, an episode of Tales from the Crypt, and a recurring role in Under the Dome.
  • Born November 16, 1964 – Harry Lennix, 54, Actor of Stage and Screen and Producer, who has appeared in Suspect Zero, two of The Matrix movies, Man of Steel, Timeless, Batman v Superman: Dawn of Justice, and has provided character voices for animated features and series including Transformers: Robots in Disguise and Justice League: Throne of Atlantis.
  • Born November 16, 1967 – Lisa Bonet, 51, Actor whose first genre work was in an episode of Tales from the Darkside and as Epiphany Proudfoot in Angel Heart, a decidedly strange horror film. More germane was that she was Heather Lelache in the 2002 A&E adaptation of Le Guin’s Lathe of Heaven. She later played Maya Daniels in the Life on Mars series as well.
  • Born November 16, 1972 – Missi Pyle, 46, Actor who played Laliari in Galaxy Quest, which is one of my (and JJ’s) favorite SF films of all time. She also appeared in Josie and the Pussycats, Big Fish, Pandemic, Charlie and the Chocolate Factory (which is is just plain awful), Percy Jackson: Sea of Monsters, A Haunted House 2, and Jumanji: Welcome to the Jungle, and episodes of Star Trek: The Next Generation, Roswell, The Tick, Pushing Daisies, and Z Nation.
  • Born November 16, 1976 – Lavie Tidhar, 42, Writer, Editor, and Critic from Israel. The first work I read by him was Central Station, which won 2017 John W. Campbell Memorial Award for Best Science Fiction Novel. It certainly deserved that accolade! The next work by him I experienced was The Bookman Histories, in which Mycroft Holmes is murdered and, well, everything of a pulp nature gets tossed into alternate history England: it’s both brilliant and annoying at times. I’m reading Unholy Land, his telling of the founding of a Jewish homeland long ago in Africa, now. It’s a quieter read than much of his work. He edited the first 3 editions of the anthology series The Apex Book of World SF, an evolution of his BSFA-winning and World Fantasy Award-nominated The World SF Blog, where he posted reviews on international SFF from 2009 to 2013.
  • Born November 16, 1977 – Gigi Edgley, 41, Actor and Singer from Australia. Though her genre experiences are varied, I think she’ll be best remembered for her role as Chiana, one of the Nebari, a repressive race that she rebels against, and as a result, becomes a member of the crew on Moya on the Farscape series. Other genre appearances include a role in Richard Hatch’s robot film Diminuendo, and guest parts in episodes of Beastmaster, The Lost World, Quantum Apocalypse and the web series Star Trek Continues (in “Come Not Between the Dragons”). She is a popular guest at SFF media conventions.

(12) MISTAKES WERE MADE, INFO WAS DUMPED. Beware! Paralysis (from laughter) may ensue when you read “The Concerning Fine by Tim Catzi: Part 2 of the Colluding Umpire” at Camestros Felapton.

Chapter 5
Brunomars Nicechap stood in front of the crowd of angry looking space geologists.
“Please,” he pleaded, “you have to believe me that the whole Interminabledependnecy is going to collapse!”
“Of course we believe you,” said the scientists, “your math checks out and anyway the whole thing started to collapse in the last book. We aren’t idiots.”
“But, but, we’ve a whole chapter to fill with you guys not believing me.” said Brunomars Nicechap.
“Maybe we could just all sit here and check our emails instead?” suggested the scientists.
Which is what they did.

(13) INTERNATIONAL LIFE. Other languages have words for “10 Personality traits English Can’t Name”. Chip Hitchcock marvels, “Who knew Greek had a word for ‘schlimazel’?”

Learning other languages offers insights into the way that other cultures see the world. For someone like myself, gaining those insights can become addictive, and that fixation has led me to study 15 different languages. My recent book, ‘From Amourette to Zal: Bizarre and Beautiful Words from Around Europe’, explores some of the words that other languages have, but that English doesn’t. The following 10 words, for example, describe character traits and behaviours that may be familiar to us all, but that the English language struggles to succinctly express.

(14) HONOR ROLL. BBC snaps pics as “Tom Hardy made a CBE by Prince Charles”. (Fortunately, they didn’t blame him for the Venom script.)

Film star Tom Hardy has been made a CBE for services to drama by Prince Charles at Buckingham Palace.

The Mad Max and Venom actor is a friend of Princes William and Harry and was among the guests at Harry’s wedding to Meghan Markle in May.

(15) CURRENT AFFAIRS. It’s official: “Kilogram gets a new definition”. But Chip Hitchcock says, “I hope some other Filer can explain why this works, or what the BBC has left out. ISTM that they’re measuring weight rather than mass, which means that the same object would have different results depending on where on Earth the measurement happened — on a mountain or at sea level, at the equator vs. the pole.”

How does the new system work?

Electromagnets generate a force. Scrap-yards use them on cranes to lift and move large metal objects, such as old cars. The pull of the electromagnet, the force it exerts, is directly related to the amount of electrical current going through its coils. There is, therefore, a direct relationship between electricity and weight.

So, in principle, scientists can define a kilogram, or any other weight, in terms of the amount of electricity needed to counteract the weight (gravitational force acting on a mass).

Here’s the tricky part

There is a quantity that relates weight to electrical current, called Planck’s constant – named after the German physicist Max Planck and denoted by the symbol h.

But h is an incredibly small number and to measure it, the research scientist Dr Bryan Kibble built a super-accurate set of scales. The Kibble balance, as it has become known, has an electromagnet that pulls down on one side of the scales and a weight – say, a kilogram – on the other.

The electrical current going through the electromagnet is increased until the two sides are perfectly balanced.

By measuring the current running through the electromagnet to incredible precision, the researchers are able to calculate h to an accuracy of 0.000001%.

This breakthrough has paved the way for Le Grand K to be deposed by “die kleine h“.

(16) OTHER CURRENT EVENTS. This week’s BBC News Quiz (and closes) with a gift for Filers. A good thing, because I got the rest of the quiz wrong!

(17) COLLECTIVE MAMATAS. Fantasy Literature delivers a parallax view of Nick Mamatas’ short fiction: “The People’s Republic of Everything: An experimental collection”.

Jana Nyman —

On the whole, though, the stories within The People’s Republic of Everything often feel like they’re lacking something (narrative/thematic focus, clarification of details or character motivation, sometimes even just character voice) that would bring all of the elements together into a cohesive whole. I found myself relying heavily on Mamatas’ notes after each story in order to parse out what his goals and mindsets were for each work.

Marion Deeds —

I enjoyed Nick Mamatas’s story collection The People’s Republic of Everything more than Jana did. My experience with Mamatas’s work is his novel I am Providence, which I enjoyed very much, a few short stories, and his role as a gadfly on Twitter. I had a pretty good idea what to expect from this 2018 collection and I was not disappointed.

(18) SHARED UNIVERSE. Adri Joy makes this sound pretty good — “Microreview [Books]: Redemption’s Blade by Adrian Tchaikovsky and Salvation’s Fire by Justina Robson” at Nerds of a Feather.

Oh hey, a shared universe! In books! Perhaps I’m not reading the right things, but this feels like a pretty rare occurrence, and aside from George R. R. Martin’s Wildcards series (which I haven’t read) and the occasional posthumous series continuation, I’m struggling to think of any intentional collaborations of this kind. Redemption’s Blade and Salvation’s Fire are a sequential pair which together open the “After the War” series. Redemption’s Blade – and, I believe, the concept for the whole world – was written by Adrian Tchaikovsky, who is fast on his way to becoming one of my favourite authors; Salvation’s Fire continues with Justina Robson, whose work I hadn’t read before.

…The fantasy world here is probably best described as “Legend of Zelda except society makes sense”. Humans share their world not with Tolkien-issue elves and dwarves but with the (formerly) winged Aethani, the water-dwelling Shelliac, forests full of ethereal Draeyads (some of which are now eternally on fire), some spider people (a Tchaikovsky special!), and most prominently, the Yorughans….

(19) LOST IN TRANSLATION. If alternative history with John Adams battling giant snakes is SF/Fantasy, then this is a good thread — starts here.

(20) NOT GENRE, JUST WEIRD. The 41st Pasadena Doodah Parade steps off Sunday, November 18.

Known as the twisted sister of the conventional Rose Parade, the Occasional Pasadena Doo Dah Parade began as a grassroots event in 1978 to gain national attention for its eccentric and, often, irreverent satire. The parade which has spawned numerous off-beat replicants across the country was even highlighted in last year’s Wall Street Journal. It was also named by Readers Digest as “America’s Best Parade,” and was recently featured in the book 50 Places You Must Visit Before You Die.

[Thanks to Mike Kennedy, Joel Zakem, Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Reuben, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Wandering Through the Public Domain, Episode 1

[[Introduction: Colleen McMahon, who writes comments as cmm, is launching a new series of posts about sff available through public domain sites like Project Gutenberg and Librivox. Welcome to our guide to these resources!]]

By Colleen McMahon: Hello! I want to first think OGH, Mike, for kindly taking me up on my proposal to contribute a regular feature to File 770, in which I’ll write about science-fiction, fantasy, and horror works that are in the public domain and are available online for free. My plan is to make a biweekly post providing a simple roundup of links and short descriptions of books and other publications in our favorite genres. (Yes, your personal Mt. Tsundoku is likely to grow some new peaks and crags!)

Note: since I’m based in the United States, I’m going to be talking about works that are in the public domain in the U.S., that is, published prior to 1923, or between 1923 and 1964 with a copyright that was not renewed. I believe that most of the works I’ll mention will be in the public domain worldwide, but access to some items may be blocked in countries where copyright expires 50 or 70 years after the death of the author. I apologize in advance for any frustrations, and will mention birth and death dates where I know them.

My interest in public domain works is an offshoot of one of my hobbies — I volunteer for Librivox, an all-volunteer project that creates free audiobooks from works in the public domain. I had been listening to their audiobooks for several years, and decided to take the plunge into volunteering as a reader in early 2017. I quickly became hooked, and have recorded multiple chapters of group projects, contributed short pieces to compilations, and am in the middle of my third solo book project.

The process of finding books and other pieces to record led me first to Project Gutenberg, a site that has been publishing free e-texts of public domain works for decades now (Librivox is actually a spinoff from Project Gutenberg), and then to the Internet Archive, a huge repository of all kinds of stuff, from ebooks to music to film and more. I’ve developed a habit of roaming both Project Gutenberg (PG from here on out) and the Internet Archive (IA) looking through their offerings. (Not everything on IA is public domain, so I tend to limit my searches there to the American Libraries section, as most of it is from 1922 and earlier.)

I regularly come across F/SF and horror books and short stories, and it occurred to me that my fellow Filers might also be interested in some of these. I also thought it would also be a good way to raise awareness of these awesome websites and the work they are doing to make obscure older books and stories available.

So that’s what I’m up to here — a regular roundup of links to public domain works of fantasy, SF, horror, and other adjacent genres that might appeal to File 770 fans.  Be advised that I won’t have yet read or listened to most of the works I mention here (my own Mt. Tsundoku is enormous, though it would be smaller if I spent more time reading and less browsing..), so I make no promises of quality.

Enough with explanations, and onto the good stuff:

A recent File 770 post about R.A. Lafferty (1914-2002) led me to check Project Gutenberg (PG) to see if they have any Lafferty tales on their site. I found six short stories:

Four issues of Ray Bradbury’s fanzine, Futuria Fantasia, are available on PG. They are the issues from Summer 1939, Fall 1939, Spring 1940, and Winter 1940.

There is also one short story by Ray Bradbury (1920-2012), A Little Journey, from Galaxy, August 1951.

Sometimes more recent books show up on PG, because the author releases them as public domain works. One of these is 100 New Yorkers of the 1970s by Max Millard. The introduction explains that this is a collection of interviews he did with famous New Yorkers in the late 1970s for a regular feature in a local free newspaper. Most are actors and others in the entertainment industries. Of interest here because it includes interviews with Isaac Asimov and Stan Lee, and possibly others with genre-related credits.

Recent Librivox audiobook releases:

The novel is set in a parallel world in which the existence of psychic powers has permitted the development of witchcraft into a science; in contrast, the physical sciences have languished, resulting in a modern culture reminiscent of our eighteenth century.

To escape from Mars, all Clayton had to do was the impossible. Break out of a crack-proof exile camp—get onto a ship that couldn’t be boarded—smash through an impenetrable wall of steel. Perhaps he could do all these things, but he discovered that Mars did evil things to men; that he wasn’t even Clayton any more. He was only—The Man Who Hated Mars. Included in this recording are four more stories by Garrett: Bramblebush, Viewpoint, Time Fuze and Heist Job on Thizar.

This is a volume of short stories of supernatural fiction by American author Emma Frances Dawson. Not all of the tales depend on ghosts, most of them are much more subtle than that. The author skillfully creates undercurrents, adding a distinct quality to these stories.

Pixel Scroll 11/15/18 Pixel Longstalking

(1) STOP BREAKING THE RULES, DAMMIT. Thanks to Doctor Science, I discovered “Jonathan Franzen’s 10 Rules for Writing Novels” (at LitHub) and the mirth he’s inspired in many of our friends. (Links take you to the thread.)

The first time I meet him, I’m in an almost-empty laundromat. It’s the height of the August heatwave. I’m folding my towels when he comes in. His hair is tousled. He wears a rumpled, button-up shirt with a ten-year-old blazer that was already ten years old when he bought it from a Salvation Army.

I know this, because he tells me it. I haven’t asked. He tells me he’ll forgive me for not having asked, this once….

And while we’re on the subject, writers can learn a lot from this – “Ask a Triceratops: Susan’s 10 Rules for Novelists” at Camestros Felapton. Here are the first two:

  1. Ensure your primary narrator is comfortable. Remember the novel is an aural medium and your narrator should have a comfy nest of uprooted plants to stand or lie down on.
  2. Pay attention to the little things: how did the t-rex get drunk? What kind of tree is she trying to climb?

(2) TRANSLATED LITERATURE. Europa SF brings word that the winner of The 2018 National Book Award for Translated Literature is of genre interest – the dystopian novel The Emissary by Yoko Tawada (Japan/Germany), Translated by Margaret Mitsutani. Europa SF has a long post about the award and the winning writer.

(3) WFC ACCOUNTABILITY. Silvia Moreno-Garcia takes the 2019 World Fantasy Convention committee to task:

So I’ve been wondering if I should say something here because I am busy and tired and I don’t need the attention, but I think I must: the WFC guest of honor lineup for 2019 is sad. The con takes place in Los Angeles but all the GOHs are white. The theme is Fantasy Noir.

Los Angeles has a huge Latinx population. But the one mention of diversity on the website right now is about “culinary diversity,” making me think POC are only good for making tacos.

On top of that there’s the odd choice of having Robert Silverberg, who was recently the cause of much Internet talk due to some of his comments related to Jemisin, as the toastmaster.

(4) FROM EXPERIENCE. Rachel Swirsky has written a “Q&A on Being a Jewish & Disabled Author”.

…I think my interest in Jewish science fiction stems from my interest in Jewishness itself, which is probably related to my self-identification as Jewish. I’m not sure why I have a strong identification with Judaism — I didn’t have to. As the granddaughter of a secular Jew who tried to cut all connections, I could have just put it aside; my brothers have. Our father is from WASPy blood with deep roots in American history–we’re descended from one of the people who signed the Declaration of Independence–and I could have chosen to identify with that to the exclusion of my Jewish ancestry.

What are you writing about now?

I’m writing a lot about disability. As a disabled person, there’s a lot of rich material to mine–and I still have a lot of unreconciled thoughts about disability, and things I’m figuring out. I think a lot of good writing is produced when the author is still on the edge of revelations, instead of settled.

(5) AMC OPTIONS SF. Good news for Annalee Newitz.

(6) WHO SWITCHES HOLIDAYS. It takes a Time Lord to fix a problem like this – or to cause it in the first place. BBC announces “Doctor Who to skip Christmas Day for first time in 13 years”.

The festive edition of Doctor Who will be shown on New Year’s Day on BBC One instead of Christmas Day for the first time since the drama’s return in 2005.

It will be the first Doctor Who episode to debut on 1 January since the second part of David Tennant’s series exit aired on the first day of 2010.

(7) HAVE AN APPLE? Mythic Delirium has revealed Ruth Sanderson’s cover for Snow White Learns Witchcraft by Theodora Goss.

In these eight stories and twenty-three poems, Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in Snow White Learns Witchcraft re-center and empower the women at the heart of these timeless narratives.

They also made sure we didn’t miss this —

Just yesterday, Variety broke the news that the CW is developing The Strange Case of the Alchemist’s Daughter for television. We want to sincerely congratulation Dora and wish her luck that this project comes to full fruition. Needless to say, we’re thrilled to be releasing her next book into the publishing wilds.

(8) FANZINES OF 1943. Dublin 2019 has announced that they will present Retro Hugos for works published in 1943. In order to provide material for those that would like to nominate fan materials for the awards, Fanac.org has assembled the list of fanzines published in 1943, with links to those available on line. Several hundred fanzines are already available, and they plan to add more as they become available, so keep checking back — http://fanac.org/fanzines/Retro_Hugos1943.html

(9) VALE, STAN. Stan Lee’s Twitter account (“The Real Stan Lee”) tweeted out a final statement from Lee as a short video.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 15, 1877 – William Hope Hodgson, Writer from England whose best known character by far is Thomas Carnacki, featured in several of his most famous stories, and at least partly based upon Algernon Blackwood’s occult detective John Silence. Two of his later novels, The House on the Borderland and The Night Land would be lavishly praised by H.P. Lovecraft. It is said that his horror writing influenced many later writers such as China Miéville, Tim Lebbon, and Greg Bear, but I cannot find a definitive source for that claim. (Died 1918.)
  • Born November 15, 1929 – Ed Asner, 89, Actor and Producer whose genre work includes playing Santa Claus to Will Farrell’s Elf, and roles on episodes of TV shows spanning decades: The Outer Limits, Alfred Hitchcock Presents, The Invaders, Voyage to the Bottom of the Sea, Tall Tales & Legends,The Girl from U.N.C.L.E., Mission: Impossible, The Wild Wild West, Hercules, The X-Files, The Dead Zone, Spider-Man, and the upcoming Dead to Me. He has lent his distinctive voice to the main character in the Oscar-winning and Hugo-nominated Pixar movie Up, as well as with a long list of other animated features, series, and videogames, most notably in Captain Planet and the Planeteers, Gargoyles, and as Jacob Marley in The Christmas Carol.
  • Born November 15, 1939 – Yaphet Kotto, 79, Actor, Writer, and Director who’s known mainly for playing gruff law enforcement officers, but whose short genre film resume nevertheless packs a punch. Assuming we count the Bond films as genre – and I do – his first genre performance was as Dr. Kananga aka Mr. Big in Live and Let Die, and roles in Dan O’Bannon’s Alien, Stephen King’s The Running Man, Robert A. Heinlein’s The Puppet Masters, and Freddy’s Dead: The Final Nightmare, as well as guest parts in Night Gallery and seaQuestDSV.
  • Born November 15, 1951 – Beverly D’Angelo, 67, Actor and Singer whose genre roles include appearing in The Sentinel, High Spirits, and episodes of TV series such as Tales from the Crypt and Shelley Duvall’s Faerie Tale Theatre and Tall Tales & Legends. She was also a primary cast member in The Man Who Fell to Earth, a 1987 pilot for a series that never got picked up for continuation, which was based on Walter Tevis’s 1963 novel and Nicolas Roeg’s 1976 film.
  • Born November 15, 1972 – Jonny Lee Miller, 46, Actor and Director from England who has been playing Sherlock Holmes in the Elementary series for the last seven years, but his first genre role was as a 9-year-old in an episode with Peter Davison, the Fifth Doctor Who. While he’s had a fairly steady stage, film, and TV career across the pond since then, it’s only in the last decade that he’s become well-known in the States – unless, like JJ, you remember that 23 years ago he appeared in a shoddy technothriller called Hackers, with another unknown young actor named Angelina Jolie (to whom he ended up married, until they separated 18 months later). Other genre appearances include a trio of vampire films, Dracula 2000, Dark Shadows, and Byzantium, the live-action Æon Flux movie, and the lead in the pseudo-fantasy TV series Eli Stone.

(11) COMICS SECTION.

(12) WHITE WOLF ANSWERS. In Item #2 of the Pixel Scroll for November 8, Joseph D. Carriker identified a big problem with the next Camarilla book for Vampire: the Masquerade 5th Edition. The next day, publisher White Wolf replied:

White Wolf Community – We realize the way we have portrayed various topics in the recent Camarilla and Anarch setting books can be viewed as crude and insensitive. We appreciate this feedback and we are actively examining our choices in these books. Earlier this year, we made a pledge to you to meet certain standards and be more direct with the community regarding the World of Darkness and our games. That’s a pledge we failed to uphold, and we are deeply sorry.

White Wolf is currently undergoing some significant transitions, up to and including a change in leadership. The team needs a short time to understand what this means, so we ask for your patience as we figure out our next steps.

We thank you for your support, and for calling us out when it’s needed. Your thoughts and opinions are essential to the improvement of White Wolf.

(13) NOVEMBER BOOKS. Raise Mt. Tsundoku high! Andrew Liptak recommends “11 new sci-fi and fantasy books to check out in late November” at The Verge.

I wonder if my daughter will want to read this one –

Firefly: Big Damn Hero by James Lovegrove and Nancy Holder

Earlier this year, Titan Books announced that it was releasing a trilogy of Firefly novels, expanding the world of Joss Whedon’s short-lived TV show. With Whedon on board as a consulting editor, the first novel follows the crew of the Serenity as they’re hired to transport a cargo of explosives to a buyer. Things go sideways the Alliance takes an interest in the cargo and as a band of rebel Browncoat veterans begin to cause trouble. In the midst of it all, Captain Malcolm Reynolds goes missing, and his first mate, Zoë, has to make a choice between finding him and saving her crew.

And for the rest of you, there’s –

How Long ‘Til Black Future Month? by N.K. Jemisin

N.K. Jemisin recently won her third consecutive Hugo Award for The Stone Sky, the concluding volume of her phenomenal Broken Earth trilogy. She has another book in the works right now, but her next will be her first collection of short fiction, How Long ‘Til Black Future Month? The book features 22 of her fantastic, shorter works. Kirkus Reviews gave the book a starred review and said that the stories “demonstrate both the growth and active flourishing of one of speculative fiction’s most thoughtful and exciting writers.”

(14) SECOND OPINION. Answering Collins Dictionary’s choice of “single-use” (Pixeled recently), “’Toxic’ Is Oxford Dictionaries’ Word of 2018”.

(15) WHERE HE’S LEAST EXPECTED. BBC tells how “Lost Disney ‘Oswald’ film found in Japan”.

An anime historian had the cartoon for 70 years before he realised it was one of seven lost films.

The two-minute short features Oswald the Lucky Rabbit, a precursor to Mickey Mouse.

Yasushi Watanabe, 84, bought the film from a toy wholesaler in Osaka when he was a teenager, paying only ¥500 (£3.45 at current exchange rates).

Originally called Neck & Neck, the 16mm cartoon was tagged with the name Mickey Manga Spide (Mickey Cartoon Speedy), and remained in Mr Watanabe’s personal collection for 70 years.

(16) DUMBO. Here’s a recommendation for you – io9’s Beth Elderkin promises “The New Trailer for Disney’s Live-Action Dumbo Will Pretty Much Rip Your Heart to Shreds”. Not to mention, you’ll believe an elephant can fly…

(17) WORLDBUILDING. In this case, literally. Nature shares “A key piece in the exoplanet puzzle”.

The detection of a low-mass exoplanet on a relatively wide orbit has implications for models of planetary formation and evolution, and could open the door to a new era of exoplanet characterization.

The orbital distance of the reported planet is similar to that of Mercury from the Sun (Fig.). This places the planet close to the snow line of Barnard’s star — the region out from the star beyond which volatile elements can condense. The snow line is a key region of planetary systems. In particular, there are indications that the building blocks of planets are formed there.

(18) MORE ABOUT THAT EXOPLANET. Mike Kennedy notes, “The planet is, alas, probably outside the zone where liquid water could be expected to exist. Wikipedia has a partial list of stories taking place at or near Barnard’s Star. The earliest they note is Jack Williamson’s The Legion of Space.”

National Geographic notes:

[…] Barnard’s star is a small red dwarf that’s older than the sun and about a sixth its size. It’s invisible without a decent telescope—the close star wasn’t even discovered until 1916.

Still, Barnard’s Star has long been buttoned into the lore of science fiction, inspiring astronomers to propose the presence of orbiting worlds as far back as the 1960s, and prompting fiction authors to weave tales of adventure around the hidden pinprick of light.

[…] “We’re 99-percent sure this is a planetary signal—but 99 is not 100,” he says. “What if the Barnard Star planet is not really there? It will be shot many, many times and people will try to kill it, but that’s how science works.”

(19) ONE PAGE SF. Jonathan Cowie announces SF2 Concatenation just posted its penultimate Best of Nature  ‘Futures’ 1-page SF story of year.

(20) ORIGIN STORY. The Verge tells us that “YouTube’s tech-noir series Origin is Lost… in space (With a hefty dose of Alien and Dead Space on the side)”. The YouTube Originals show is on YouTube Premium, which is available in about 30 countries.

A man wakes up abruptly, gasping in shock. He’s alone in an unexpected place. Something has clearly gone wrong with the trip he was on, but he won’t know just how wrong until he finds his fellow passengers. They’ll have to work together to manage their basic needs and unravel the mystery of why they didn’t arrive safely at their destination. But can they trust each other, given their various unsavory backgrounds, which will largely be revealed by a series of flashbacks? On Lost, this man’s name is Jack Shephard. But in YouTube Premium’s new space series Origin, it’s Shun Kenzaki (Sen Mitsuji).

In Origin, the passengers wake up from stasis, en route to the distant planet Thea. They were supposed to reach the planet before being revived, but they’re still on board their transport ship, Origin. The Siren Corporation, which put them on the ship, offers its colonists a clean slate. Signing on for a colony means having all records of their history on Earth sealed — which gives the writers a perfect excuse to create crew members with particularly colorful pasts. “We’re five light-years from Earth. Who’s going to stop us?” one Siren spokesperson says in a promotional VR experience, channeling the sort of corporate hubris that always goes so well in science fiction stories.

 

[Thanks to John King Tarpinian, Mike Kennedy, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Daniel Dern, Andrew Porter, Carl Slaughter, Rachel Swirsky, Mike Allen, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Remembering Jerry Ohlinger

By Steve Vertlieb: Jerry Ohlinger, who died November 12 was, perhaps, the first movie memorabilia dealer that I ever met or had dealings with. I entered organized fandom in the Fall of 1965 when my brother and I were invited by Forrest J Ackerman to attend the very first Famous Monsters of Filmland convention at Loew’s Midtown Manhattan Motor Inn in New York City. Jerry, along with Steven Sally, were very much a presence in the mid-sixties in New York, and their movie memorabilia shops were popular havens for movie geeks like myself who wanted to own a particular still, poster, or pressbook from our favorite films. Visiting Jerry Ohlinger’s Movie Memorabilia Shop became a singular rite of passage for anyone on the East Coast aspiring to be a serious movie collector. If you didn’t know Jerry, then you weren’t really a “fan.”

Jerry was very personable and friendly, as well as a wealth of knowledge and anecdotal information. As I grew comfortably into the passion of collecting half a century ago, Jerry became one of my principle contacts for source materials. I visited his shop in Manhattan periodically, and grew to enjoy a relationship with him over the years. In these mildly prehistoric days of early collecting, Jerry Ohlinger became the Monstrous maven who guided us through fannish heaven as we came to understand that virtually anything that we wanted, any significant piece of movie collectable, was available for a nominal fee. Jerry was, perhaps, the East Coast godfather for collectors of all shapes, sizes, and bank accounts.

Jerry was a warm, friendly guy with endless patience and a huge heart. He was especially good, kind, and generous to the remarkable cast of characters who worked for him … often housing, feeding, and caring for them when times were lean. These included Ray Pence who lived in the Roxborough section of Philadelphia for a time, and Mike Woodin who both became good pals and chums. Their presence at numerous conventions was always both reassuring and somehow comforting.

My ventures into the big apple had grown infrequent by the early eighties, but I would still bump into Jerry regularly at neighboring conventions in Philadelphia and New Jersey, and Jerry (though growing older like the rest of us) remained a warm, patient, and reassuring presence in my life. I hadn’t seen Jerry in years when I learned, to my infinite sadness the other day, that Jerry had lost his long battle to cancer. I was probably only in my late teens or early twenties when first I encountered the remarkable Jerry Ohlinger. I’ll turn seventy-three in mid December. Jerry Ohlinger occupied my thoughts, my memories, my heart, and my life for much of the past half century. His tutelage and warmth will ever remain firmly ingrained in my journey through fantasy, horror, and science fiction fandom. I was but a mere lad when first we met. I owe much of my life’s passion for collecting to you. Rest In Peace, old friend. My thoughts, memories, and my enduring affection go with you.

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #36

Election Day 2018 : A New Hope

By Chris M. Barkley:

Tuesday, 6 November 2018, was a beautiful day.

The forecast had called for rain but in the mid-afternoon, the temperature was in the low 60’s a scattering of wispy cumulus clouds dotted the skies of southwest Ohio.

I was in a neighborhood park with my nearly three-year-old granddaughter Lily, watching her madly dash around the playground in an effort to tucker her out and be more amenable to an afternoon nap.

Lily has been the main focus of my world for the better part of the past two years. She is beautiful, ebullient, smart, assertive, curious, opinionated and fearless almost to a fault.

She also has a quality I rarely see in children her age. When she was playing and sliding on the artificial hillside, she became very concerned when an older boy and girl were tumbling together down and into a heap at the bottom. Even though they were laughing, Lily turned to me and expressed her worries by saying , “They gonna hurt Papa, hurt,” she said in a concerned tone.

Lily’s show of empathy is quite remarkable for a child as young as she is. Just knowing there are children like Lily out there, being raised by responsible, loving parents and caregivers, gives me hope that America, and the world, can survive our current travails.

My mood last week was cautiously optimistic. News outlets were reporting a record turnout for the mid-term elections and Hamilton County was no exception. I voted in person at the Board of Elections with my partner Juli more than a week and a half earlier. There was steady stream of people present to cast an early ballot.

Traffic control was necessary due to the large number of people crossing the street from the parking lot. I witnessed one telling incident; a car driven by a middle-aged white man was approached by several black women who shouted at him to encourage him to stop in and vote early. The man visibly recoiled from these loud, but friendly entreaties and looked relieved when he was permitted to proceed by the police.

My county has been seen as a growing Democratic stronghold the past few election cycles and a quarter of the people in line were holding lists of party candidates. But my hope had been tempered by the fact that southwest Ohio has been gerrymandered in favor of the Republican Party for the past eighteen years. Still, I was feeling hopeful as I filled out my ballot.

As it turned out the Republican incumbent won his house seat again, but only by five and a half points. And most of the statehouse will be red as well, but, paradoxically, our current Democratic Senator held onto his seat.

Across the nation, more than one hundred million people voted in the mid-term elections, the largest turnout in a non-presidential election year. The House of Representatives changed hands and the Senate (as of today) may end up being a 50-50 tie.

The results of this election cycle is sent a clear message from voters that our current dystopia was unacceptable and that at least a modicum of oversight was in order.

That folks, is hope. And that, coincidentally, is the message that the best imaginative literature offer as well. And when our children read, listen to, watch imaginative literature and stories, we produce better and more aware children.

Well, at least that’s what I think. Which brings me back to the young adults who are coming of age today and all of the other children who will come after them, including Lily.

The future of our country, and our world, is going to eventually rest on their shoulders.

The most apt piece of advice I can give them came in the form of a very inspirational (and viral) Facebook meme posted by (but not authored by) a fan named Michael Annis on November 1st:

To which I reply, “SO SAY WE ALL!”

Excelsior!

(Dedicated with Much Love & Gratitude to the memory of Stan Lee)