Pixel Scroll 5/14/24 Down The Seven Pixels Scroll

(1) BUTLER CONFERENCE AT HUNTINGTON THIS MONTH. The Huntington Library in Pasadena, CA will host a two-day conference, “Futurity as Praxis: Learning from Octavia E. Butler” on May 23-24.

Octavia Butler.

The year 2024 marks the beginning of the critical dystopian future Octavia E. Butler (1947–2006) envisioned in her groundbreaking novel Parable of the Sower. Her fiction and the story of her life compel us to reckon with power, leadership, creativity, the Earth, human relationships, and the unknown possibilities that await us in the stars. Now, intellectuals from different communities will gather to contemplate her legacy. This conference asks how we have learned from Butler’s writing and what her archive at The Huntington—a short distance from where the author spent her formative years in Pasadena, California—can help future generations discover.

One of the panels will feature well-known sff creators.

Session 1: Creativity as Praxis

  • Moderator: Sage Ni’Ja Whitson
    Queer & Trans anti-disciplinary artist and writer, Department of Dance and Department of Black Study at UC Riverside
  • Damian Duffy
    Author of the graphic novel adaptations of Kindred and Parable of the Sower
  • Steven Barnes
    Author of The Eightfold PathMarvel’s Black Panther: Sins of the King podcast series, and Horror Noire: A History of Black Horror on Shudder
  • Sheree Renée Thomas
    Editor of The Magazine of Fantasy & Science Fiction and the Dark Matter anthologies, poet, author of Nine Bar Blues: Stories from an Ancient Future

Tickets for the two-day conference are available here. General: $25 (Students free). Optional lunch: $20 (each day)

(2) ROMAN AROUND. “’Megalopolis’: New Teaser Trailer Drops Ahead of Cannes Premiere” reports Deadline.

Ahead of its world premiere here at Cannes, Francis Ford Coppola has dropped a teaser trailer for his master epic Meglopolis. While the first trailer showed Adam Driver’s ambitious architectural idealist Cesar attempting suicide atop a skyscraper, yet stopping time, here we see a montage of the pic’s action: a devastated city indulged in neon and noir infused Bacchanal.

Coppola’s latest is billed as a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare.  Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

(3) FROM SOUP TO NUTS. The Guardian has a long feature on the history of Coppola’s efforts to make this film: “’Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis”.

Early reactions to Megalopolis have been mixed. After a private screening in Los Angeles last month, one executive described it as “batshit crazy”….

…Others, however, were fulsome in their praise. “I feel I was a part of history. Megalopolis is a brilliant, visionary masterpiece,” said the director Gregory Nava after the screening. “I was so overwhelmed that I couldn’t do anything for the rest of the day.” An anonymous viewer at a London screening went even further: “This film is like Einstein and relativity in 1905, Picasso and Guernica in 1937 – it’s a date in the history of cinema.”…

(4) CAROL SHIELDS PRIZE. The 2024 Carol Shields Prize for Fiction, which provides $150,000USD to the winner, is the largest English-language literary prize in the world for women and non-binary authors. So the announcement of the winner may be of interest to you even if the book is not genre.

V. V. Ganeshananthan has been named the winner for her novel Brotherless Night, published by Random House.

(5) COMPUSERVE GETS A PLAQUE. It didn’t take as long as you might have expected for one of the building blocks of personal computing to earn its own historic marker. Alex Krislov shared a photo of Ohio’s salute to CompuServe.

(6) LATEST ITERATION OF FANHISTORIC CLIFTON’S. Boing Boing says “Legendary L.A. eatery Clifton’s Cafeteria is back! (but is called Clifton’s Republic now)”.

…To say Clifton’s is kitschy doesn’t begin to capture it. It’s more like if uber-kitschy, ur-kitschy and mondo-kitschy had a baby….

We’re interested because LASFS used to meet at Clifton’s in the late 1930s. And consequently, Discover Los Angeles’ article “Clifton’s Republic: The Story of an LA Icon” has the tidbit of greatest interest to fans:

…The third floor is home to the Gothic Bar, which features a booth named after sci-fi writer Ray Bradbury, a patron of the original Clifton’s who became a pal of Meieran’s. The back bar is a repurposed 19th-century gothic altar. The third floor also features Clinton Hall, a live performance and private event space, and lots of taxidermy dioramas created in consultation with experts from the Natural History Museum….

(7) HE’S ON THE COVER. Fantasy author Lev Grossman in on the front of Publishers Weekly.

(8) DON’T REIGN ON THEIR PARADE. Scavenger’s Reign may get a second chance on another platform. “Netflix Just Saved 2023’s Most Underrated Sci-Fi Show From Cancelation” reports Inverse:

Scavengers Reign, the remarkable but underseen sci-fi series that premiered on Max in late 2023. Scavengers Reign was widely regarded as one of the year’s best shows, and one of many projects that heralded a golden age for indie animation. Unfortunately, the series was canceled on May 10… but that development has a silver lining.

Per VarietyScavengers Reign will remain on Max (a rare concession for WB’s canceled shows), but its first season will also stream on Netflix. The rival streamer is reportedly interested in picking up the show for more seasons, but continuation is contingent on Scavengers’ success on the platform.

… Given Netflix’s growing interest in adult animation, the streamer might be an ideal destination. Scavengers Reign follows the crew of a deep space freighter after they crash on a hostile alien planet. Across 12 episodes, the crew works to find their way back to their ship, and survive a world trying to annihilate them. The series doesn’t shy away from dark themes, so it should feel at home alongside Netflix originals like Blue Eyed Samurai….

(9) TEDDY HARVIA CARTOON.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 14, 1944 George Lucas, 80. I can say without doubt George Lucas was a director whose first work I encountered was THX 1138. What a damn strange film that is. Upon rewatching it twenty or so years later, the Suck Fairy wasn’t pleased by it as I’ll say she holds that it just feels really dated now which I agree with her. 

Ahhh but then was Star Wars, and no I won’t accept the renaming it. Simply didn’t happen. The film itself which I’ve seen at the theater and watched a number of times since is extraordinary. That it garnered a Hugo at IguanaCon II shouldn’t surprise anyone here. 

George Lucas in 2009.

Confession time. I’ve not watched any of Star Wars films past the first three. I adore The Empire Strikes Back, a Hugo winner at Denvention Two, actually my favorite of the first three films. I don’t dislike the final film, Return of the Jedi, Hugo of course, this time at L.A. Con II, but I really do think the story is better in The Empire Strikes Back. Also, Lucas gave his screenwriting credit to Leigh Brackett for that film after her death from cancer.

So, what’s my next film that he did that I really like? Oh guess. It was when he was story writer and executive producer on the first four Indiana Jones films, which his colleague and good friend Steven Spielberg directed, so it is Raiders of The Lost Ark is my favorite film here (with Indiana Jones and the Temple of Doom being almost as good), and the last should been not have been done. So not surprisingly Raiders of The Lost Ark would win him and Spielberg a Hugo, this time at Chicon IV.

Need I say that The Young Indiana Jones Chronicles was wonderful? Yes, it stretched probability to the breaking point and way beyond continuously in terms of who young Indy met, but that was the sheer fun of the series. No Hugo nomination, why, oh why?

Did you know he wrote the story for Willow? (Not the screenplay.) Well, he did. Cool. I mean really cool. Noreascon 3 nominated it for a Hugo but a rabbit from Toon Town won that year. Speaking of really cool films, he was executive producer and co-edited Labyrinth with director Jim Henson. Yes, you nominated it for a Hugo, this time at Conspiracy ’87. 

He produced Howard the Duck, which the French had the gall to name on the one-sheets Howard Une nouvelle race de héros (Howard: A New Breed of Hero) was considered his worst film by far. It’s not a film I like but I feel that it should be noted here. No, you did not nominate Howard Une nouvelle race de héros for a Hugo. Nor did French give it any Awards either.

Finally for me, he also was the creator and executive producer of the Star Wars: The Clone Wars animated series which premiered with a feature film of the same name that aired just before its first episode. 

I know he’s done a lot more including some new material now on Disney+ but I’m not taking that streaming service now. At some point, I’ll gorge myself over there but not yet. 

(11) COMICS SECTION.

  • Bizarro depicts the benefits of home delivery.
  • UFO lets a great line go astray.

(12) SPEAKING OF GEORGE. “’Grow up. These are my movies, not yours’: George Lucas Won’t be Happy How Star Wars Fan Group is Illegally Saving the Original Trilogy” Fandomwire says confidently.

A long time ago, in a galaxy far, far away began George Lucas’ epic space opera tale that eventually grew into the pop culture phenomenon we know today as Star Wars. The original trilogy of films Lucas made during the 70s and 80s, became beloved across the globe, but the theatrical cuts of the movies have neared the brink of extinction following Lucas’ special edition re-releases.

As a result, a group of rebel Star Wars fans have taken it upon themselves to not only preserve but also digitally restore the original cuts so that the fanbase can enjoy the version of the films they first fell in love with. However, the group’s activities directly clash with Lucas’ vision for his franchise and border on a legal grey area. Here is why George Lucas won’t be happy with the rebel fans trying to preserve the original cuts of the original trilogy.

The original trilogy of Star Wars films, spearheaded by George Lucas were critical and commercial successes. However, in 1997 Lucas released the “Special Edition” of the films for the trilogy’s 20th anniversary, which featured extensive changes to the original theatrical cuts.

The original cuts have since become scarce. However, a group of Star Wars fans, known as Team Negative One have reportedly almost completely digitally restored the original cuts in 4K using 35-millimeter prints of the original trilogy….

To show how serious Lucas is about his later cuts —

…Similarly, when the National Film Registry aimed to preserve 1977’s Star Wars (later retitled Star Wars: Episode IV – A New Hope), Lucas reportedly refused to provide them with a copy of the original theatrical release…

(13) Q&A ABOUT FUNDRAISING ANTHOLOGY. Broken Olive Branches is a charity anthology; over 30 authors in the horror community donated stories to help the civilians of Palestine. The proceeds from the anthology go to ANERA and the Palestinian Children’s Relief Fund. Roseanna interviews the editor and some of the authors involved in “Roundtable Interview: Broken Olive Branches” at Nerds of a Feather.

(14) WHERE’S THE BEEF? AI raises the dead: “It was a classic rap beef. Then Drake revived Tupac with AI and Congress got involved” on NPR’s “Planet Money”.

In late April, Senator Thom Tillis (R-North Carolina) began his testimony before a Senate subcommittee hearing by doing something unusual for a stuffy institution like Congress: He played a new song from the rapper Drake.

But it wasn’t Drake’s rap verse that Tillis felt was important for Congress to hear. Rather it was a verse in the song featuring the voice of the legendary — and long dead — rapper Tupac Shakur.

In a kind of uniquely modern sorcery, the song uses artificial intelligence to resurrect Tupac from the dead and manufacture a completely new — and synthetic — verse delivered in the late rapper’s voice. The song, titled “Taylor Made Freestyle,” is one in a barrage of brutal diss tracks exchanged between Drake and Kendrick Lamar in a chart-topping rap battle. Kendrick is from California, where Tupac is like a god among rap fans, so weaponizing the West Coast rap legend’s voice in the feud had some strategic value for Drake, who is from Toronto.

Drake, apparently, thought it’d be okay to use Tupac’s synthetic voice in his song without asking permission from the late rapper’s estate. But, soon after the song’s release, Tupac’s estate sent a cease-and-desist letter demanding that Drake take the song down, which he did. However — given the murky legal landscape regulating AI creations — it’s unclear whether Tupac’s estate actually has the law on their side.

And so the beef between Drake and Kendrick Lamar has become not only one of the most brilliant — and most vicious — battles in the history of rap. It’s also become a historic flashpoint for the issues posed by what you might call AI necromancy — resurrecting traits of the dead using AI technology.

We’ve entered a new world where anyone can conjure the voice or visual likeness of a dead celebrity — or really anyone, dead or alive — with a few clicks using AI software.

(15) JEOPARDY! SFF. [Item by David Goldfarb.] Catching up on Jeopardy Masters and also watching tonight’s episode, here’s the SFF content I saw:

Jeopardy Masters, Wednesday 5/8/2024

Game 1:

Literature: Who Said It? $2000: “I freewheel a lot…I reckon I’ll become president of the galaxy, and it just happens, it’s easy”

Matt Amodio got the right book but the wrong character: “What’s Dent?”

(One of his quirks is that he never bothers to change his question words but just always says “What’s…?”)

Amy Schneider gave us, “Who is Beeblebrox?”

Most Filers I assume know this, but just in case I’ll fill in that the book was The Hitchhiker’s Guide to the Galaxy, and the characters Arthur Dent and Zaphod Beeblebrox.

Literature: Who Said It? $1600: “For if he is still with the quick un-dead, your death would make you even as he is. No, you must live!”

Yogesh Raut knew or correctly guessed, “Who is Van Helsing?”

Literature: Who Said It? $1200: A Daily Double for Yogesh, who wagered all of his 15,400 points. “She betrayed you, Winston. Immediately — unreservedly. I have seldom seen anyone come over to us so promptly”.

Yogesh hesitated a bit, then tried, “Who is…O’Brien?” And this was correct, the inquisitor from 1984.

Literature: Who Said It? $400: “What’s taters, precious, eh, what’s taters?”

Matt got it: “What’s Gollum?”

Game 2:

On the Director’s Résumé, $2000: He spoke the silent language of horror in 1922’s “Nosferatu”

Victoria Groce got it: “Who is Murnau?”

Regular Jeopardy!, Monday 5/13/2024

In the Double Jeopardy round:

TV’s Fantastical Places, $1200: This undersea abode of cartoon fame is based on an actual atoll used for atomic testing between 1946 and 1958

Michael Richter tried, “What is SpongeBob Squarepants?” but this was the name of the show, not the place.

Returning champ Will Stewart knew, “What is Bikini Bottom?”

TV’s Fantastical Places, $2000: First seen in 1969, this planet on “Doctor Who” was caught up in a time war with the Daleks

Will knew it: “What is Gallifrey?”

Literary Title Occupations, $800: In a special edition, J.K. Rowling did her own illustrations for the story collection title “The Tales of Beedle the” this

Michael got it: “What is a bard?”

Literary Title Occupations, $400: Emily Chambers is one of these spiritual intermediaries in a C.J. Archer novel, hunting a demon & talking to a ghost

Will: “What is a medium?”

Literary Title Occupations, $1200: In “The Magician’s Nephew”, animals talk like humans & Jadis, an evil witch, flees from Charn & reaches this fantasy land

Will got this one too: “What is Narnia?”

TV’s Fantastical Places, $800: This castle was the ancestral home of Ned Stark & family on “Game of Thrones”

Will, evidently an SFF watcher, knew “What is Winterfell?”

TV’s Fantastical Places, $800: Mystic Falls is the locale for blood-sucking brothers Damon & Stefan on this long-running CW show

Joyce Yang got in for “What’s The Vampire Diaries?”

Jeopardy Masters, Friday 5/10/2024

Game 1, Double Jeopardy round:

Oscars for Makeup & Hairstyling, $1600: For this 2015 film, Lesley Vanderwalt got the idea for Furiosa’s look from an image of a girl with clay across her forehead

Mattea Roach got it: “What’s Mad Max: Fury Road?”

Oscars for Makeup & Hairstyling, $1200: This man has won 7 Academy Awards for makeup, including one for his work on “An American Werewolf in London”

Amy Schneider responded, “Who is Baker?” And Rick Baker was correct.

Oscars for Makeup & Hairstyling, $400: Makeup artist Ve Neill used moss to make Michael Keaton look like he crawled out from underneath a rock for this 1988 film.

Mattea asked us, “What’s ‘Beetlejuice’?”

Game 2, Single Jeopardy round

A Literary Tipple, $600: It takes a lot of flowers (weeds, some say) to make a batch of this stuff, the title of a Ray Bradbury novel

James Holzhauer knew it was dandelion wine.

Made You Say It, $1000: Compelled by his people’s naiveté, this Trojan said, “Don’t trust the horse…even when they bring gifts, I fear the Greeks”

Victoria Groce gave us, “Who is Laocöon?”

(16) ALIEN EMBASSIES. [Item by SF Concatenation’s Jonathan Cowie.] It was the monthly  ‘Sci-Fi Sunday’ over at Science & Futurism with Isaac Arthur with a look at the SF trope of alien embassies.

Because it was a Sci-Fi Sunday episode, Isaac assumed some sort of FTL travel but not instantaneous communication. He takes a (he himself says) simple assumption of all civilizations arising together and expanding their sphere of influence, which in 3-dimensions would give each 12 neighbors.

With regards to SF, he draws mainly on cinema and TV looking at embassies Babylon V, Star Trek and Stargate.  However Niven and Pournelle’s A Mote in God’s Eye,  and Dune do get a look in.

He also points to flaws in many SF shows’ plot arising out of mis-understandings making a fairly plausible case against such actually taking place.

He opines that the embassy would be in space for control biological contaminants (both ways) and here, it is bacteria rather than viruses are the major problem. He also notes that assuming an advanced planetary system might be colonized out to the equivalent of it Kuiper belt, such is the distance between stars that any traveler passing through a stellar empire would likely come no closer than many thousands of times the Kuiper orbit distance to a single star’s civilization and so no need or practicality to control travelers simply passing through.

“We often imagine encountering many alien civilizations, and establishing trade and relationships with them, but what would being an alien ambassador be like?”

35-minute episode below…

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 5/13/24 Just Dropped In To See What Condition My Pixel Was In

(1) RAPHAEL HYTHLODAEUS’ UTOPIA. Go back to where Utopia began in “Utopian Realism, a speech by Bruce Sterling”.

…So, Thomas More and Peter Gillis are in this private home, avoiding actual work. They enjoy many free-wheeling, private, intellectual discussions, which are all about law, and justice, and business, and economics, and politics, and the general state of the world.

These two intellectuals agree that the state of the world is pretty terrible. Clearly the real world is quite bad, it’s not a Utopia at all. In fact the first part of the book “Utopia” is pretty much all dystopia. It’s about how bad things are in Europe, and it’s rather realistic too — these are grim assessments.

So, Thomas More and Peter Gillis, while discussing the world together, decide to invent this wandering scholar named Raphael Hythlodaeus. The wise and learned Raphael can speak Latin and Greek, just like they do — but Raphael has been to a country where everything works.

Peter Gillis even invents a Utopian alphabet, and he writes some poetry in the language of Utopia — just to demonstrate that he can play this fun Utopian game with his guest Thomas More.

Peter Gillis is willing to cooperate. He even pretends to personally introduce Thomas More to Raphael Hythlodaeus.

In the book, Raphael appears, and he starts talking. He recites the entire story of Utopia. Raphael speaks the book “Utopia,” aloud. It’s 30,000 words of text, so Raphael recites this book in one long afternoon. It’s a three and a half hour lecture, and Thomas More writes it all down.

However, it’s somehow not boring. It’s a brilliant, world-class lecture, because Raphael Hythlodaeus is quite an amazing guy. Raphael doesn’t look rich or famous. Basically, he looks like a sailor. He’s got a long beard, and he’s kind of weatherbeaten. He’s a long-haired wanderer in beat-up old clothes…

(2) WHO FELL? [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has aired a dramatisation of a mid-twentieth century classic The Man Who Fell to Earth (1963) by Walter Tevis. This was made famous beyond the SF book-reading community with the 1976 UK film starring starman David Bowie as the man himself from a dying world who comes to Earth for help and who uses his knowledge to create a techno-industry to fund his own space mission home, but whom the authorities rumble and capture…

This 1-hour radio play co-stars Doctor Who’s northern incarnation, Christopher Eccleston (also known for the apocalyptic 28 Days Later and a bit-part in the US series Heroes among much else) as Bryce. Harry Treadaway stars as Thomas Newton.

Prior to the radio play there was a separate introductory programme that most interestingly includes an audio clip of an interview with Tevis himself. This reveals that the story is as much about alcoholism: a man struggling to cope in a strange, hostile world, separated from his family.

“The Man Who Fell to Earth by American writer Walter Tevis was published in 1963. Unlike most sci-fi of its time, it’s not about space, far-off galaxies or a distant future, but set only a decade or so from the time of writing.”

I was unaware that a few years later Tevis modified the novel to include a reference to ‘Watergate’ but that (apparently (I’ve not read it)) this was unnecessary for the core of the story. Here’s  the BBC descriptor for the play…

“The classic novel that spawned the acclaimed film starring David Bowie, from the writer of The Queen’s Gambit and The Hustler.

An alien arrives in Kentucky with five years to save the handful of survivors of his dying planet, and to save humanity from itself. Calling himself Thomas Newton, his plan is to use his race’s advanced technology to make millions, and then build a spaceship to bring the last of his people to live on Earth.

But Newton begins to doubt his purpose, and finds himself unable to cope with the emotional weight of being human. He finds solace with two fellow outsiders – cheery functioning alcoholic Betty-Jo, who falls quietly in love with him, and widowed scientist Nathan Bryce, who tracks him down after recognising his tech as impossible.

Little do they realise that the Government are watching…”

You can download the introduction as an MP3 here.

You can download the play as an MP3 here.

(3) BAFTA TV AWARDS 2024. There was only one winner of genre interest in last night’s BAFTA TV Awards 2024.

REALITY

  • Squid Game: The Challenge Production Team – Studio Lambert, The Garden / Netflix

In contrast, there were many genre winners when the 2024 BAFTA Television Craft Awards were previously announced on April 28.

(4) QUIRINO AWARDS. Animation Magazine reports the winners of the “Quirino Awards: ‘Robot Dreams,’ ‘Jasmine & Jambo,’ ‘Lulina and the Moon’”.

The Ibero-American Animation Quirino Awards closed its seventh edition with the awards ceremony on Saturday. Streamed worldwide, the Tenerife event was swept by animation from Spain, which won five of the 10 awards….

7th Quirino Awards Winners

  • Best Feature Film – Robot Dreams by Pablo Berger. Arcadia Motion Pictures, Lokiz Films, Noodles Prod., Les films du Worso (Spain, France).
  • Best Series – Jasmine & Jambo – Season 2 by Sílvia Cortés. Teidees Audiovisuals, Corporació Catalana de Mitjans Audiovisuals, with the participation of IB3 (Televisió de les illes Balears), Institut Català de les Empreses Culturals (Spain).
  • Best Short Film – Lulina and the Moo by Marcus Vinicius Vasconcelos and Alois Di Leo. Estudio Teremim (Brazil).
  • Best Animation School Short Film – The Leak by Paola Cubillos. KASK & Conservatorium Hogeschool Gent, Vrije Universiteit Brussels (Belgium, Colombia).
  • Best Commissioned Animation – In the Stars by Gabriel Osorio. Punkrobot Studio, Lucasfilm (Chile, US).
  • Best Music Video – SIAMÉS “All the Best” by Pablo Roldán. Rudo Company (Argentina).
  • Best Video Game Animation – The Many Pieces of Mr Coo directed by Nacho Rodríguez. Developed by Gammera Nest (Spain).
  • Best Visual Development – Sultana’s Dream by Isabel Herguera. Abano Producións, El Gatoverde Producciones, UniKo Estudio Creativo, Sultana Films, Fabian&Fred (Spain, Germany).
  • Best Animation Design – Cold Soup by Marta Monteiro. Animais AVPL, La Clairière Ouest (Portugal, France).
  • Best Sound Design and Original Music – Robot Dreams by Pablo Berger. Arcadia Motion Pictures, Lokiz Films, Noodles Production, Les films du Worso (Spain, France).

(5) FURRY STEM. “Furries, Neurodivergence, and STEM: Finding Your Path from Zero to One to One Billion” is Furries at Berkeley’s inaugural Furry Masterclass event, the first in a series of talks featuring prominent academic voices from within the furry community.

This talk is hosted by the fantastic Dr. David “Spottacus” Benaron! Spottacus is an inventor, entrepreneur, biochemist, a founding editorial board member of the Journal of Biomedical Optics, and a former professor at Stanford University. Among his achievements are the invention of the green light heart sensor, the first in vivo imaging of light-emitting genes, and the multispectral wearable optical sensor for tracking hemoglobin and hydration levels. Last year, Spottacus won a lifetime achievement award in biomedical optical physics from the International Society for Optics and Photonics. Spottacus is also a furry; a member of a community based upon the appreciation of anthropomorphic animals, featuring all kinds of creative self-expression. While furry has long been the target of misinterpretation and vitriol, folks like Spottacus show that fandom engagement and living outside the box can be boons rather than limitations. Spottacus’ talk explores his personal experiences with; as well as the intersections between; his career in STEM, the furry fandom, and neurodivergence.

(6) SFF FILMS THAT PASS MUSTER. BGR conducts a roll call of “The best sci-fi movies ever, according to Neil deGrasse Tyson”.

Celebrity astrophysicist Neil deGrasse Tyson has never been shy about expressing his opinion about movies on X/Twitter — and, specifically, weighing in as to whether they got the scientific elements right or not. On a recent episode of his show StarTalk, meanwhile, he decided to actually share a detailed list of the sci-fi movies that he thinks are the best of the best, detailing what they got right, what they missed the mark on, and why some of them are so good that they deserve a “hall pass” for any errors….

These are two of the films on his list:

The Martian (2015): Tyson describes this one, starring Matt Damon as an astronaut who gets stranded on Mars, as “the most scientifically accurate movie I’ve ever witnessed.”

The Blob (1958): Reaching deep into the past for this one, Tyson gives this old-school creature feature high marks because of the way it imagines aliens looking amoeba-like — totally different, in other words, from almost every other movie in which you see an alien depicted as something like a little green man.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born May 13, 1937 Roger Zelazny. (Died 1995.)

By Paul Weimer: The author that got me into Science Fiction and Fantasy? Maybe.  My first science fiction and fantasy was Asimov (I,Robot), Bradbury (The Martian Chronicles) and Tolkien (The Hobbit and Lord of the Rings).  But it was Roger Zelazny who really made it stick. Sure, I read more of Asimov, and I tried to read The Silmarillion and failed, but it was reading Nine Princes in Amber and its sequels that really convinced me to get on the endless road through shadow to seek out other science fiction and fantasy. 

It is ironic that for a writer best known for his short stories that I started with, and for a while stuck with, Zelazny’s novels. After Amber came Jack of ShadowsDeus IraeDilvish the DamnedLord of Light and others. 

Roger Zelazny

If I had to point a single novel at a reader for Zelazny, I would go with Jack of ShadowsJack of Shadows does a lot of things that the second Amber series tries to do (and not always successfully) . And I have mentioned before and elsewhere science fantasy IS my jam. How can I resist a novel where the dayside of the Earth is run on science, and the darkside is run on magic? 

 It took me a while to actually find and delve into the short fiction that everyone had raved about.  The Last Defender of Camelot was the first collection of his I read, and then I started hunting his stories in “Best of” collections and other anthologies, and started filling in hjs oeuvre and trying to read all of his work. 

This is a process that continues to this day. 

Reading the NESFA collections of Roger Zelazny, which I have been reviewing here at File 770, I have realized how much of the Zelazny stories I have missed, and how much, for even the author that got me into SF and Fantasy, I still have a lot to learn about. My love for Roger Zelazny and his work is a lifelong journey. I suppose in theory there will come a day where I can say I have read all of Zelazny’s work. Someday. 

There are always surprises. I remember reading and liking a story in an old anthology of “best stories” that, much to my surprise, I only recently learned was a Zelazny story. (“The Game of Blood and Dust”). Zelazny continues to delight me.

But why do I like Zelazny’s work in the first place?  Even long before I picked up a camera, I’ve always been interested in imagery, in capturing moments. Zelazny captures these moments, that imagery, those scenes that resonate in my mind. Those moments captured, that lovely writing demands my attention. From Corwin walking down the stairs to Rebma, to Jack coming back from the death at the eastern pole of the world, to the Tristan and Isolde imagery of The Dream Master, to Hellwell in Lord of Light. And on, and on, and on. 

And such well drawn characters in often very limited space. They are often driven, and yes, the women very often have green eyes and red hair. (Zelazny had a type, you see) but I see that as feature, not bug. And yes, too many of them smoked, and that helped take him from us way way too soon. I never got to meet him, much to my sorrow. (He, Pratchett and Banks are three of my regrets in that regard). Dilvish the Damned, particularly comes across as a character we learn in bursts, in small bits of backstory and worldbuilding. (Also a lot of Zelazny’s characters are driven, almost to obsession.  They are passionate and seize things by the horns, and sometimes get the horns as a result.

But, finally, what other SFF author has written properties that I’ve mined and run roleplaying games out of for three decades, after all? Long live the work of Roger Zelazny.

(8) COMICS SECTION.

Tom Gauld has been busy again.

(9) IT’S A WRAP. “’The Mummy’ at 25: Director on Brendan Fraser, Dwayne Johnson, Reboot” in The Hollywood Reporter.

Brendan has talked about doing some of his own stunts, during which he endured some bumps and scrapes.

We had a great stunt team, but Brendan [Fraser] is a big, tough guy, and he was younger back then. We kind of beat the crap out of him. Everybody talks about the scene when he gets hung. Usually when somebody gets hung, it’s a dummy, and that’s why they put bags over people’s heads. Brendan was always gung-ho, and he was like, “Make the noose really tight on me.” Then he decided to let his knees sag a little bit. But what he forgot is that the minute you put that much pressure on your carotid arteries, it knocks you out. We all looked, and he’s completely unconscious. It was fine, and he recovered in 10 seconds. But he woke up like, “What happened?”

(10) AGATHA UPDATE, MAYBE. [Item by Daniel Dern.] “What the Heck Is Happening With Marvel Studios’ Agatha Show?” asks Gizmodo. The studio must be telling them it’s “Narnia business!”

The fact that a show about a devious witch has us so confused feels completely on brand. It started back in late 2021 when Marvel revealed it was working on a WandaVision spinoff series focused on Kathryn Hahn’s breakout character, Agatha Harkness. Since then, the show has had at least four publicly announced titles, with a possible fifth revealed in the most Agatha of ways. All of which (witch?) is to say, what the heck is happening?

The first title revealed back in 2021 was Agatha: House of Harkness. A few months later, at Comic-Con 2022, that was changed to AgathaCoven of Chaos. A year or so after that, it became AgathaDarkhold Diaries. Finally, earlier this year, it became just plain Agatha. You’d imagine it couldn’t change again (unless, of course, Marvel finally goes with the always-best choice Agatha All Along) but that may not be the case. Monday morning, the official Marvel Studios account tweeted a new Agatha title which was deleted only minutes later. The title was Agatha: The Lying Witch With Great Wardrobe….

(11) SPACE MINING. Ars Technica tells how “In the race for space metals, companies hope to cash in”. If they can get their tech to work.

…Potential applications of space-mined material abound: Asteroids contain metals like platinum and cobalt, which are used in electronics and electric vehicle batteries, respectively. Although there are plenty of these materials on Earth, they can be more concentrated on asteroids than mountainsides, making them easier to scrape out. And scraping in space, advocates say, could cut down on the damaging impacts that mining has on this planet. Space-resource advocates also want to explore the potential of other substances. What if space ice could be used for spacecraft and rocket propellant? Space dirt for housing structures for astronauts and radiation shielding?…

… To further the company’s goals, AstroForge’s initial mission was loaded with simulated asteroid material and a refinery system designed to extract platinum from the simulant, to show that metal-processing could happen in space.

Things didn’t go exactly as planned. After the small craft got to orbit, it was hard to identify and communicate with among the dozens of other newly launched satellites. The solar panels, which provide the spacecraft with power, wouldn’t deploy at first. And the satellite was initially beset with a wobble that prevented communication. They have not been able to do the simulated extraction.

The company will soon embark on a second mission, with a different goal: to slingshot to an asteroid and take a picture — a surveying project which may help the company understand which valuable materials exist on a particular asteroid….

(12) TO AIR IS HUMAN. [Item by SF Concatenation’s Jonathan Cowie.] This Earth-like exoplanet is the first confirmed to have an atmosphere. “‘Milestone’ discovery as JWST confirms atmosphere on an Earth-like exoplanet” in Nature. This is an important milestone in exo-planet astronomy.  55 Cancri e is too hot to support life as we know it, but could provide clues about Earth’s formation.

 Astronomers say that they have used the James Webb Space Telescope (JWST) to detect for the first time an atmosphere surrounding a rocky planet outside the Solar System1. Although this planet cannot support life as we know it, in part because it is probably covered by a magma ocean, scientists might learn something from it about the early history of Earth — which is also a rocky planet and was once molten.

Finding a gaseous envelope around an Earth-like planet is a big milestone in exoplanet research, says Sara Seager, a planetary scientist at the Massachusetts Institute of Technology in Cambridge who was not involved with the research. Earth’s thin atmosphere is crucial for sustaining life, and being able to spot atmospheres on similar terrestrial planets is an important step in the search for life beyond the Solar System.

Primary research here (abstract only as rest is behind a pay wall).

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff over at the Media Death Cult  YouTube channel has had a look at a book by Margaret Cavendish, Duchess of Newcastle, who was married to the Duke William Cavendish.  One of her books inspired Alan Moore…

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/12/24 With A Sprinkle Of Pixel Dust, You Can File Like A Bird

(1) COMPLAINTS AS FANIMECON DROPS MASKING REQUIREMENT AT LAST MINUTE. [Item by Janice Gelb.] FanimeCon in San Jose made the following announcement on May 12, 12 days before the con starts, and is refusing to provide refunds to people who now don’t feel they can attend safely (not to mention travel arrangement costs and the hotel’s cancellation policy now requires them to pay for one night). “FanimeCon | Masking Policy Change”.

FanimeCon is changing our masking policy from ‘required’ to ‘strongly recommended’ due to feedback from our attendees, staff, and local health partners. Some events may require mandatory masking due space issues and bigger crowds.

The complete policy is here: “FanimeCon COVID-19 Vaccination Policy”.

(2) LIADEN UNIVERSE® IS MARCHING ON. Sharon Lee was happy with Joshua Tyler’s article “The Best Sci-Fi Read You’ve Missed Is Filled With Spies, Romance, And Massive Space Battles Stretched Over 27 Books” at GiantFreakinRobot except for one thing, which she blogged about today: “From the mail bag” at Sharon Lee, Writer.

Despite being largely positive, Mr. Tyler’s piece contains a sentence which has . . . horrified, concerned, and angered some Liaden readers and fans, and thus I find letters in my mailbox.  This blog post is a blanket reply to those letters, and statements of concern.

Mr. Tyler states:  “Sadly, Liaden co-author Steve Miller died suddenly on February 20, 2024. He was 73. It’s unclear if Sharon will continue writing the series without him. As a fan of the series, I hope not.” (bolding is mine)

Now, whether this is opinion or corrigendum, I can’t tell you.  I am not the author of the piece.  In general, it’s wise to assume that what the author wrote is what the author meant, and Mr. Tyler is, as we all are, entitled to his opinion.

What I can say is this:  There are three Liaden Universe® novels now under contract with Baen Books.  I am currently lead on one of those, the sequel to Ribbon Dance.  In addition, before Steve’s death and the attendant dis- and re-organizations engendered by that cataclysm, I was making notes for the sequel to the sequel.  Steve was lead on Trade Lanes, which had become increasingly difficult for him as his heart slowly failed him.  I may or may not be able, eventually, to finish Trade Lanes.  If not, another Liaden book will fill the third slot.

So, for the moment, Mr. Tyler must reside in disappointment.  Sharon will be continuing the series, but, not, as he supposes, “without” Steve….

 (3) TREK’S OWN STORAGE WAR. “Court is the final frontier for this lost ‘Star Trek’ model” reports the LA Times. Junot Diaz posted the text of the Times’ paywalled story on Facebook. It says in part:

In April, Heritage Auctions heralded the discovery of the original model of the U.S.S. Enterprise, the iconic starship that whooshed through the stars in the opening credits of the 1960s TV series “Star Trek” but had mysteriously disappeared around 45 years ago.

The auction house, known for its dazzling sales of movie and television props and memorabilia, announced that it was returning the 33-inch model to Eugene “Rod” Roddenberry Jr., son of series creator Gene Roddenberry. The model was kept at Heritage’s Beverly Hills office for “safekeeping,” the house proclaimed in a statement, shortly after an individual discovered it and brought it to Heritage for authentication.

“After a long journey, she’s home,” Roddenberry’s son posted on X, (formerly Twitter).

But the journey has been far from smooth. The starship model and its celebrated return is now the subject of a lawsuit alleging fraud, negligence and deceptive trade practice, highlighting the enduring value of memorabilia from the iconic sci-fi TV series.

The case was brought by Dustin Riach and Jason Rivas, longtime friends and self-described storage unit entrepreneurs who discovered the model among a stash of items they bought “sight unseen” from a lien sale at a storage locker in Van Nuys last October.

“It’s an unfortunate misunderstanding. We have a seller on one side and a buyer on the other side and Heritage is in the middle, and we are aligning the parties on both sides to get the transaction complete,” said Armen Vartian, an attorney representing the Dallas-based auction house, adding that the allegations against his client were “unfounded.”

The pair claimed that once the model was authenticated and given a value of $800,000, they agreed to consign it to an auction sale with Heritage planned for July 2024, according to the lawsuit. However, following their agreement, they allege the auction house falsely questioned their title to the model and then convinced them, instead of taking it to auction, to sell it for a low-ball $500,000 to Roddenberry Entertainment Inc. According to the suit, Eugene Roddenberry, the company’s CEO, had shown great interest in the model and could potentially provide a pipeline of memorabilia to the auction house in the future.

“They think we have a disagreement with Roddenberry,” said Dale Washington, Riach and Rivas’ attorney. “We don’t. We think they violated property law in the discharge of their fiduciary duties.”

The two men allege they have yet to receive the $500,000 payment.

For years, Riach and Rivas have made a living buying repossessed storage lockers and selling the contents online, at auction and at flea markets. In fact, Riach has appeared on the reality TV series “Storage Wars.”

“It’s a roll of dice in the dark,” Riach said of his profession bidding on storage lockers. “Sometimes you are buying a picture of a unit. When a unit goes to lien, what you see is what you get and the rest is a surprise. At a live auction you can shine a flashlight, smell and look inside to get a gauge. But online is a gamble, it’s only as good as the photo.”

Last fall, Riach said he saw a picture of a large locker in an online sale. It was 10 feet by 30 feet, and “I saw boxes hiding in the back, it was dirty, dusty, there were cobwebs and what looked like a bunch of broken furniture,” he said.

Something about it, he said, “looked interesting,” and he called Rivas and told him they should bid on it. Riach declined to say how much they paid.

There were tins of old photographs and negatives of nitrate film reels from the 1800s and 1900s. When Rivas unwrapped a trash bag that was sitting on top of furniture, he pulled out a model of a spaceship. The business card of its maker, Richard C. Datin, was affixed to the bottom of the base.

A Google search turned up that Datin had made “Star Trek” models, although the two men didn’t make the connection to the TV series.

“We buy lots of units and see models all of the time,” Riach said. He thought they would find a buyer and decided to list it on eBay with a starting price of $1,000….

(4) BALLARD’S MACHINED POETRY. The Conversation says “Novelist J.G. Ballard was experimenting with computer-generated poetry 50 years before ChatGPT was invented”.

…Listening recently to the audiobook version of Ballard’s autobiography Miracles of Life, one very short passage seemed to speak directly to these contemporary debates about generative artificial intelligence and the perceived power of so-called large language models that create content in response to prompts. Ballard, who was born in 1930 and died in 2009, reflected on how, during the very early 1970s, when he was prose editor at Ambit (a literary quarterly magazine that published from 1959 until April 2023) he became interested in computers that could write:

“I wanted more science in Ambit, since science was reshaping the world, and less poetry. After meeting Dr Christopher Evans, a psychologist who worked at the National Physical Laboratories, I asked him to contribute to Ambit. We published a remarkable series of computer generated poems which Martin said were as good as the real thing. I went further, they were the real thing.”

Ballard said nothing else about these poems in the book, nor does he reflect on how they were received at the time. Searching through Ambit back-issues issues from the 1970s I managed to locate four items that appeared to be in the series to which Ballard referred. They were all seemingly produced by computers and published between 1972 and 1977….

(5) BLEEPS WITHOUT END. Scott Lynch has a pretty clear idea about how Harlan would respond to Lincoln Michel’s question.

(6) IN A GALAXY OF SFF, ONE CONSTELLATION IS BLINKING OUT. The Verge argues that “Apple TV Plus is turning into the best place for streaming sci-fi”. The article discusses a large number of series. But one of them isn’t going to be around for long.

…More recently, the service has edged toward a darker tone. First there was the debut of Constellation earlier this year, which starred Noomi Rapace as an astronaut who returned to an Earth that’s very different than the one she left. And now we have Dark Matter based on the novel by Blake Crouch, which premieres on May 8th. It’s a multiversal story about a physicist played by Joel Edgerton who gets kidnapped by a parallel version of himself. So far, I’ve watched the first two episodes, and it manages to merge the tone of a tense thriller with the mind-bending nature of time travel, creating the kind of story that intentionally makes you feel unmoored. Also, there are some very large and impressive cubes…

Two days ago Deadline reported “’Constellation’ Canceled By Apple After One Season”.

 Apple TV+ has opted not to continue with a second season of Constellation, its sci-fi psychological thriller series starring Noomi Rapace and Jonathan Banks. The news comes a month and a half after Constellation‘s eight-episode first season wrapped its quiet run on the streamer March 27.

Created and written by Peter Harness, Constellation stars Rapace as Jo – an astronaut who returns to Earth after a disaster in space – only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.

… Sci-fi is a core genre for Apple TV+ whose roster of series also includes For All Mankind, recently renewed for a fifth season alongside a pickup for a spinoff series, Star City, as well as Foundation, Severance, Invasion and Silo — all slated to return with new seasons.

Apple’s latest entry in the genre, Dark Matter, premiered this week, with Neuromancer, starring Callum Turner, and Murderbot, headlined by Alexander Skarsgard, coming up. The streamer also had an surprise entrant into the space with the mystery drama Sugar, which took an unexpected sci-fi turn last week.

(7) LEIGH EDMONDS’ AUSTRALIAN FANHISTORY. From Bruce Richard Gillespie on Facebook I learned that Norstrilia Press has published Leigh Edmonds’ fanhistory Proud and Lonely: A History of Science Fiction Fandom in Australia. Part One: 1930 – 1961

Proud and Lonely is a new history of science fiction and its fans in Australia, telling the story of its arrival in Australia in the 1920s, and the start here of a sub-culture of fans of the genre.

Historian Dr Leigh Edmonds shows how science fiction was seen as a low form of literature and didn’t get public acceptance until at least the 1970s.

Because of the frequent ridicule, fans of the genre kept quiet about their interest in public. But in private they sought out other fans, locally and overseas. They corresponded, started clubs and published amateur magazines about the genre.

They created a fascinating sub-culture that was a microcosmos of Australian life from the 1930s to the 1960s.

Norstrilia Press in its first incarnation had its major focus on science fiction, and Leigh’s history makes a significant contribution to the study of the field. It will also be of value to people interested in cultural and literary studies.

Proud and Lonely is the first of a two-part history exploring how science fiction fandom developed in Australia, from its beginnings in the 1930s to the first World Science Fiction Convention held in Australia, in 1975.

Part one deals with the early period up to 1961, when government regulations prevented most science fiction from being imported into Australia, and the seeds were sown of a gathering energy that would raise Australia’s profile in the global science fiction community.

Available from bookshops and online.

(8) FROM BROOKLYN TO ROHAN. [Item by Dann.] Mike Burke found himself in the theater department auditioning for a part in Newsies: the Musical.  One of the songs from that production – “Brooklyn’s Here” — seemed to match the narrative of the riders of Rohan arriving at the Pelennor Fields.  And a little filking ensued. “Rohan’s Here!” at Storytelling Skunkworks.

…We are Riders (of Rohan!)

The beacons are lit and Gondor is hurtin’

Facing total disaster for certain

That’s our cue lads, it’s time to come runnin’

Hey Minas Tirith, the calvalry’s comin’!…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 12, 1950 Bruce Boxleitner, 74. Let’s look at our Birthday celebrant, Bruce Boxleitner, first for the interesting work he did before that series. 

One of my very favorite characters that he played was the top-level unnamed Agency operative Lee Stetson on the Scarecrow and Mrs. King which starred him and Kate Jackson as divorced housewife Amanda King and top-level Agency operative Lee Stetson as they began their unusual partnership and eventual romance after encountering one another in a train station. It ran for four seasons.

Remember Kenny Rogers’ song “The Gambler”? Well, it would afterwards become a series of Gambler movies. Boxleitner played Billy Montanain in three of five films being the sidekick to Roger’s Brady Hawkes character. He was the comic relief in those films apparently. I’ve not seen them. 

Bruce Boxleitner at Phoenix Comicon in 2011. Photo by Gage Skidmore.

He’s been on Outer Limits in “Decompression” as Senator Wyndom Brody in a twisty time travel episode that’d make Heinlein proud. Enough said of that story. He had a recurring role as another politician on the first Supergirl series as President Phillip Baker, a vain, egotistical man. He even played the President of the Planetary Union President on The Orville.

Then there’s Tron where he has the dual roles of Alan Bradley, a programmer at ENCOM Boxleitner and Tron, a security program developed by Bradley to self-monitor communications between the MCP and the real world. It’s an amazing dual for him. He’d reprise, in voice, so I supposed in spirit as well, that role in the animated TronUprising series, and then in I think finally in the animated Tron: Legacy film. 

So that brings us to Babylon 5 commander, Captain John Sheridan. What an amazing role it was for. Lis Carey says of him, “John Sheridan was raised in a diplomat’s family, and enlisted in the military–leading to him becoming a war hero, the only officer to win a battle against the Minbari. When he became the second commander of Babylon 5, he was not well received by the Minbari. Relations obviously improved, while the Earth Alliance was being transformed into a military dictatorship, which Sheridan opposed. In the last season, after confronting the Earth Alliance decisively, he became President of the new Interstellar Alliance, and subsequently married the Minbari ambassador, Delenn.”

Ok, it was a great role and if you haven’t seen it, go see it that’s all I have to say so. I’m ending this now. Have a good night.

(10) COMICS SECTION.

(11) COUNT HIM IN. [Item by Steven French.] Guardian television reviewer Joel Golby becomes one of us: “Doctor Who: even the haters will find it impossible to resist Ncuti Gatwa”.

The injection of Disney cash has definitely helped – the new series looks utterly, hugely epic, but without sliding into the “CGI on top of another layer of CGI” thing that could ruin a still pleasingly British-feeling series like this – and the casting of the two new leads is inspired. If it first came out now, a show like Doctor Who – an infinite number of universes and possible monsters and possible problems and possible ancient villains – would be easy to mess up, push it so it’s too sci-fi, forget to ever come back down to Earth, have Gatwa trapped in a studio for a few months acting opposite a tennis ball. But you’ve got 60 years of lore and an army of fans guarding it and ready to email you if you mess with it too much, and I honestly think that probably helps keep Doctor Who honest. I’ll see you for the Christmas special this year. I think I’ve been converted.

(12) THE PRICE IS A HORROR, TOO. The dramatically-staged Montegrappa Universal Monsters Fountain Pen – Frankenstein edition can be yours for a mere $9,175.

Vintage Hollywood staging and mechanical mayhem are the base ingredients for an homage to a horror icon. Montegrappa’s own strain of mad science brings Frankenstein’s creation back to life, with props and special effects that revisit the magic of a 1931 cinema classic. Energy pulses through its XXL, all-brass body, with ingenious complications to re-animate the senses – bringing fun to high function.

(13) AGED IN THE CROCK, ER, CASK. Nothing to do with sff, except for all the fans who like to drink this sort of thing. And for you, we present Tasting Table’s interview, “Pappy Van Winkle’s Grandson Tells Us 10 Things You May Not Know About Old Rip Van Winkle”.

… Additionally, Van Winkle III noted the 15-year bourbon makes a great cocktail. Now, we know that for some of you, mixing any Old Rip Van Winkle whiskey into a cocktail may sound like blasphemy. But Van Winkle III believes you shouldn’t be worried about mixing high-quality alcohol into a drink. Either way, because the 15-year hits that sweet spot of flavor between younger and older whiskey expressions, Van Winkle III thinks it’s “a fun one to have.”…

I laughed because it reminds me that when LASFS’ Len Moffatt hosted a party he warned the guys that violence would ensue if he found any of us making mixed drinks with his Cutty Sark.

(14) VIDEO OF THE DAY. Ryan George invites us to step inside the Pitch Meeting that led to Rebel Moon – Part Two: The Scargiver.

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, John J. Arkansawyer, Daniel Dern, Gary Farber, Janice Gelb, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Kevin Harkness.]

Pixel Scroll 5/11/24 I’m Still Scrolling After All This Time, Picking Up The Pixels Of My Life Without You In My File

(1) SCAM TARGETING WESTERN AUTHORS PURPORTS TO BE FROM SCIENCE FICTION WORLD. [Item by Ersatz Culture.] On Saturday May 11th, the Weibo account of Science Fiction World magazine issued a statement about fraudulent emails addressed to authors.  The emails claimed that SFW had decided to no longer publish work by the author that had previously been acquired, but would retain the copyright, and offered the author the chance to pay to reclaim their copyright.  The post did include an image showing part of the (English language) email that one affected author did receive, but redacted their name.  A Weibo post a day or so earlier identified at least one such affected author, but at time of writing, that author hasn’t posted about it on Twitter or Bluesky, so I’ve not included their name here.

A Google Translate rendition of the statement, with minor manual edits, follows.

Dear readers, authors and partners,

Recently, we have received feedback from foreign science fiction writers that we work with. Some criminals are using impersonation techniques to launch carefully planned email fraud incidents targeting those foreign writers.

This fraudulent email uses the email address “translations@sfw-international.com“, purporting to be from an editor at our company.  It falsely informs the author that their work will not be published due to so-called “commercial evaluation” or other reasons, and illegally claims to retain the copyright of the author’s work, proposing that the author should pay a fee to redeem their copyright.

We strongly condemn such illegal behavior and have taken corresponding measures to cooperate with law enforcement agencies and actively investigate the matter.  In order to protect the rights and interests of all authors, readers and partners, we hereby issue the following anti-fraud guidelines. Please be vigilant and jointly prevent such fraud as follows:

1. Get confirmation through official channels: Our company will formally notify you through official channels (the official contact channels are indicated on the copyright pages of “Science Fiction World” and its journals) for any decisions regarding the publication status of the work, copyright transfer, or financial transactions. . When receiving similar emails, please do not reply directly to the email, but verify through official channels.

2. Be wary of fake email addresses: Scammers often use addresses that are very similar to official email addresses to send emails.  When receiving similar emails, please carefully check the sender’s email address and pay attention to identifying subtle differences, such as adding or replacing characters, using different top-level domain names, etc.

3. Understand the formal processes: Our company has complete and strict business processes. For major matters such as copyright and contract changes, our company will implement a strict and formal process and will never make a hasty decision through just one email.

4. Direct communication verification: If you receive such an email, the most direct and effective way is to contact us through the official contact method you know to verify the situation. Never use the contact number or return address provided in the email for verification.

5. Improve information security awareness: Keep personal information and communications safe, and do not click on unknown links or attachments in emails to prevent personal information from being leaked or being attacked by malware.

We are fully aware of the importance of each author’s work and the hard work behind it.

We will fight resolutely to the end against any behavior that undermines the rights of authors. At the same time, we also encourage authors or other individuals who receive similar emails to report them to us and local law enforcement agencies in a timely manner, so as to jointly maintain a good creative and publishing environment.

Here, we reiterate our commitment to all partners: we will continue to strengthen information security protection and ensure that the rights and interests of every author who works with us are respected and protected to the greatest extent. The general public is requested to remain vigilant and work together to build a safe space for literary exchange.

Science Fiction World Magazine. May 11, 2024

(2)  PTERRY SURPRISE. The Terry Pratchett website has announced “Another lost Terry Pratchett story found”.

We are pleased (delighted, ecstatic) to announce that one further lost story by Terry Pratchett has been found.

A Stroke of the Pen: The Lost Stories, published in 2023, collected 20 rediscovered tales from when Terry wrote under a pseudonym back in the 1970s and 1980s. It was, at the time, believed to be the last stories of his. But, we were wrong.

One final published tale has been found, that was missed from this collection: Arnold, the Bominable Snowman, which brings us to some more news.

This new story will appear in the paperback edition of A Stroke of the Pen, which will publish in September 2024. Furthermore, the story itself will be published online – for free – by Penguin Books, so that those who bought the hardback do not miss out on this tale. More information on the paperback edition, and where to read the story online, will be made available at a later date….

(3) FANFICTION GOT THERE FIRST. In case you thought the title sounded familiar, The Hollywood Reporter says there’s a reason: “’The Hunt for Gollum’ LOTR Movie Already Exists”. And for a moment, Warner Bros.’ lawyers were trying to pitch the video into Mount Doom.

If Warner Bros.’ newly announced The Lord of the Rings movie idea The Hunt for Gollum sounded a bit like fan fiction, that’s because it already is.

There’s a 2009 fan-made film titled The Hunt for Gollum that you can watch below. The film, directed by Chris Bouchard, is rather ambitious. The Hunt for Gollum spans 39 minutes and has received plenty of praise from fans upon its release.

Following WB’s announcement, the film was taken offline for many hours and YouTube put up a notice saying Warner Bros. had filed a copyright claim against the fan movie and blocked it. LOTR fans reacted quite negatively to the takedown online and, early Friday, the film was restored to YouTube….

The fan-made Hunt for Gollum is set during opening act of The Fellowship of the Ring and fills in a quest that was only briefly discussed in Jackson’s 2001 film: Gandalf (played by Patrick O’Connor in the short) meets with Aragorn (Adrian Webster) and asks him to hunt for Gollum to find out more about Frodo’s magic ring. Aragorn has a series of adventures, traps and loses Gollum and gets attacked by orcs and Ringwraiths. Gollum is recaptured by the Elves of Mirkwood, and he’s interrogated by Gandalf….

With my terrible hearing I can’t say whether the audio is in English – but the closed captioning is in Spanish.

(4) SPFBOX. Mark Lawrence’s tenth Self-Published Fantasy Blog-Off (“SPFBOX”) immediately filled its 300-entry quota on May 10 and has moved on to “SPFBOX phase 1”.

This is the VERY prelimary allocation of books to blogs.

What now follows will be swapping from blog to blog for books that meet the contest rules but have authors who are friends with someone in the blog they’ve been allocated to.

And elimination of books that don’t meet the rules, followed by their replacement with books that didn’t get selected in the original 300.

(5) FRANCHISE COLLISION. A reference to the latest episode of Doctor Who. A spoiler? I never know. “Could the 2 Oldest Sci-Fi Shows Finally Cross Over?” at Inverse.

In “Space Babies,” the debut episode of the newly relaunched 2024 Doctor Who “Season 1” (or Season 14, or Season 40, depending on how you count) the Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) have a quick discussion about how beaming works in the universe of Star Trek. When the Doctor makes one small quip, fans of both venerable sci-fi franchises might wonder if travel between the Final Frontier and the Whoinverse, is, indeed possible in some kind of mega-geek-multiverse….

At the start of “Space Babies,” Ruby asks the Doctor if they were just beamed somewhere, saying “Is that like a matter transporter? Like in Star Trek?” The Doctor grins broadly and says, “We gotta visit them one day.” This is not the first time Doctor Who has referenced Star Trek (or that Trek has referenced Who) but, it does seem to be the biggest indication to date — at least on screen — that the canon of Trek could exist in an adjacent dimension, rather than just as fiction.

Throughout all of post-2005 Doctor Who, there have been multiple references to characters and ideas from the Star Trek franchise. Rose called the 9th Doctor “Spock,” in the Season 1 episode “The Empty Child,” the 10th Doctor flashed the Vulcan “live long and prosper” hand symbol in the Season 2 episode “Fear Her,” while the 12th Doctor evoked the famous opening lines “Space… the final frontier,” in the Season 10 episode “Oxygen.” And that’s just a small sampling of Trek Easter eggs in Who!

(6) CHALLENGING HERSELF. “Brush and Ink” at Colleen Doran’s Funny Business, is illustrated with examples based on Gaiman’s Sandman series.

I used to get a lot of ribbing for having an elaborate, decorative style. The word was, artists who choose to add decoration and complex rendering are probably hiding drawing deficiencies.

While I agree that this is sometimes the case (and I can think of a few artists who make my hair go the wrong way with endless rendering and very weak underdrawing,) not all of us are covering up poor structure with frou frou.

I always start with a simple, solid drawing before adding the stylization. If the drawing isn’t solid, I don’t proceed until it is.

Awhile ago I decided to challenge my skill set with a series of minimalist brush and ink pieces. I limited the time cost of each drawing to 10 minutes or less. And I tried to stick to no underdrawing, if possible.

That is, one and done, no prelim. Ink only, nothing else.

While I’ve shown some of these drawings before, you folks on Substack probably haven’t seen most of them.

Most of the original exploratory sketches were based on characters from Neil Gaiman’s SANDMAN series, like this group of sketches of Death….

Nicki Lynch, left, and Sheila Strickland, right, at the Southern Fandom Press Alliance party during Worldcon 76 in San Jose. Photo by Kay McCutcheon.

(7) R.I.P. SHEILA STRICKLAND. Longtime File 770 subscriber Sheila Strickland died May 9. The Louisiana fan said in her zine for the Southern Fandom Press Alliance a few months back that her doctors had detected cancer and it had spread to her intestine and liver. She went into hospice just a few days ago. Rich Lynch says, “She was a great lady, always looking toward the future.  And now she’s very much missed.”

Guy H. Lillian III says Sheila’s sister told her Facebook friends that the family obituary will be in the New Orleans Advocate this week and the funeral on May 16 at the Greenoaks Funeral Home and Memorial Park in Baton Rouge at noon.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 11, 1918 Richard P. Feynman. (Died 1988.) I’ll admit that I don’t begin to understand what most of the work Richard P. Feynman did as a theoretical physicist. I seriously doubt most of you do. 

While at Princeton, Feynman was recruited for the theoretical division of the Manhattan Project, the very, very secret U.S. Army laboratory set up in Los Alamos, for the purpose of developing the atomic bomb. He was present at the first detonation of an atomic bomb.

Richard P. Feynman. (Caltech Archives)

In 1965, he shared the Nobel Prize in Physics with Julian Schwinger and Sin-Itiro Tomonaga. The three each created new mathematical tools for a theory called quantum electrodynamics, which describes how subatomic particles interact with light. 

Now there is the matter his influence on the genre. Although as I said was his work in theoretical physics, Feynman was largely pioneered the field of quantum computing and was solely responsible for the concept of nanotechnology. So yes, two widely used SF concepts are from him. 

By the late Fifties, he was already popularizing his love of physics through books and lectures including lectures  on nanotechnology called There’s Plenty of Room at the Bottom, and a multi volume publication of his undergraduate lectures, The Feynman Lectures on Physics. Yes, these are available from the usual suspects. 

He also became known through his autobiographical works Surely You’re Joking, Mr. Feynman! and What Do You Care What Other People Think?. Naturally there would be books written about him. The biography by James Gleick,  Genius: The Life and Science of Richard Feynman is the one I’ll single out as being the best.

It’s worth noting last is that he was selected to be a member the Presidential Rogers Commission that investigated the Space Shuttle Challenger disaster. 

Lis notes that during the Challenger explosion hearings, Feynman  demonstrated on camera that an O-ring dropped into ice water lost all the resilience critical to its function on the shuttle solid rocket fuel tanks. 

(9) ROBERT BLOCH WEBSITE UPDATE. Eight vintage photos of Robert Bloch with such friends/family as Bob Tucker, Dean A. Grennell, Fritz Leiber, Marion Bloch, and others have been added to the RobertBloch.net gallery.

(10) UNEXPECTED NETWORKING. At GamesRadar+, “Russell T Davies explains how his ‘accidental’ criticism of Loki led to the Marvel show’s director writing a Doctor Who episode”.

…As reported by Uproxx, during a virtual Pride month panel at Swansea University, Davies described the queer representation in the MCU show [Loki] as being a “feeble gesture”. As you may recall, Tom Hiddleston’s God of Mischief became the first openly queer lead character in MCU canon thanks to a reference to the character’s love life in the first season, but at the time Davies wasn’t impressed by the inclusion: “Loki makes one reference to being bisexual once, and everyone’s like, ‘Oh my god, it’s like a pansexual show.’ It’s like one word. He said the word ‘prince’ and we’re meant to go, ‘Thank you, Disney! Aren’t you marvelous?’ It’s a ridiculous, craven, feeble gesture towards the vital politics and the stories that should be told.”

…Reflecting on that statement now, Davies admits that his comments were a mistake, explaining that he reached out to Herron immediately to apologize. Little did he know that they would continue chatting, striking up a friendship, which would then result in working together on Doctor Who….

… For the upcoming season, Herron and her co-writer Briony Redman have penned episode 6 which is titled ‘Rogue’. Of course, since the Doctor Who team like to keep their cards close to their chests, little has been revealed about the episode, but we do know that it is set in the Regency era and will feature Mindhunter star Jonathan Groff.

(11) A PROBLEMATIC PIXIE? According to The Street’s report “Disney World cuts classic character from meet-and-greets amid scrutiny” it appears that Disney has permanently discontinued “meet and greet” sessions for Tinkerbell at almost all of their attractions. 

This action followed the New York Times’ 2022 article “Disney, Built on Fairy Tales and Fantasy, Confronts the Real World” which said the company’s Disney Stories Matter team “was marked for caution because she is ‘body conscious’ and jealous of Peter Pan’s attention, according to the executives…”

The Street’s May 7 report says:

…[The] Disney’s Stories Matter team was developed to spot and correct “negative depictions of people and cultures” in Disney’s products.

“We are reviewing our offerings beyond the screen, which include products, books, music and experiences,” reads the Stories Matter homepage on Disney’s website. “While advisories for negative depictions of people and cultures may be added to some offerings, others will be reimagined. We are also investing in new ways to better reflect the rich diversity of stories in our world. This work is ongoing and will evolve as we strive toward a more inclusive tomorrow.”…

The PlanDisney website, answering the question “Why does Tinkerbell no longer have a meet and greet and are their plans to bring her back?” says that currently the only location where Tink does meet visitors is at Pixie Hollow at the Disneyland Resort in California.

(12) MINNESOTA’S NEW FLAG. AP News is there as “Minnesota unfurls new state flag atop the capitol for the first time”. However, my real reason for running this story is that it was the first time I heard about the famed losing entry featuring a loon with lasers for eyes.

Minnesota officially unfurled its new state flag atop the capitol for the first time Saturday on statehood day.

The new flag and accompanying state seal were adopted to replace an old design that Native Americans said reminded them of painful memories of conquest and displacement.

The new symbols eliminate an old state seal that featured the image of a Native American riding off into the sunset while a white settler plows his field with a rifle at the ready. The seal was a key feature of the old flag. That’s why there was pressure to change both.

Officials didn’t pick any of the most popular designs submitted online that included options like a loon — the state bird — with lasers for eyes….

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Ersatz Culture, Lise Andreasen, Danny Sichel, Rich Lynch, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Kaboobie.]

Cat Eldridge Review: Funko’s Rock Candy Lady Thor Figure

Review by Cat Eldridge: I spotted this Lady Thor (aka Jane Foster in Marvel Comics) figure in a local comics shop that happens to carry a wide selection of the Funko figures. Now no one locally carries them all, as there are thousands, and the ones I’m interested in are not the big headed ones that most fans collect. I’ve got the masked Spider-Gwen, Captain Marvel and the Thirteenth Doctor, all Funko products in this scale.

Neither is close to the complexity of Lady Thor, though each is spot-on to her character. Her costuming rivals of much more expensive action figures – she cost just ten dollars — as she looks damn good from her boots and leg wrappings to her winged helmet. Even her face, what we can see of it is fairly realistic with a nice set of eyes and quite cute lips.

The blue eye design is, by the way, something that carries across most of the female Funko Rock Candy figures, and all of the ones I have share it. No, they’re certainly realistic and they certainly give the female figures a distinct design motif.

Keep in mind that’s she’s only five-and-a-half inches tall. That cape is remarkably good-looking considering that it is solid plastic and doesn’t move at all save the head. Her costume is spot on to what Jane Foster wore during her run in Thor. Just look at her helmet — perfectly detailed. As is Mjölnir, Thor’s Hammer.

All in all, a most excellent figure.

Pixel Scroll 5/10/24 Pride And Prejudice And Pixels

(1) STAR TREK WINS PEABODY AWARD. The Star Trek franchise was among the Peabody Award winners announced today. Given to television, radio, and other media, the Peabody honors “stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day.”

TrekMovie.com homes in on the story of greatest interest to fans: “Star Trek Franchise Wins Peabody Award”

… This is actually Trek’s second Peabody. In 1987 the Next Generation episode “The Big Goodbye” won the Entertainment, Children’s & Youth Award. The first season of Star Trek: Discovery was also nominated for the same award.

Here is the full text of the announcement for Star Trek…

The Institutional Award – Star Trek

The original Star Trek television series aired on NBC for only three seasons, from September 1966 to June 1969. It was fresh, prescient, and so ahead of its time that it couldn’t quite capture the mainstream audience required for hits during a particularly insipid time in television. But fast forward nearly 60 years, and creator Gene Roddenberry’s vision is alive and well, having spawned a media franchise of 13 feature films, 11 television series, and numerous books and comics, with a legendary fan following. Today Star Trek is more vibrant, imaginative, funny, entertaining, and progressive than ever. And these days, we’ve got the special effects to make it look stellar.

The original science-fiction series was set aboard a starship, Enterprise, whose mostly human crew encountered alien life as they traversed the stars, led by the iconic Captain James T. Kirk (William Shatner). It was groundbreaking for its diverse cast and for its unapologetically progressive values—exploration over colonialism, cooperation over violence. Its fandom grew over time, and the successors to the original series have updated the franchise without losing its moral core—the dream of a future free from human destruction, poverty, and bigotry. Subsequent captains have served as models of ethical and diverse leadership: The Next Generation’s Jean-Luc Picard (Patrick Stewart), Deep Space Nine’s Benjamin Sisko (Avery Brooks), and Voyager’s Kathryn Janeway (Kate Mulgrew) among them.

With every passing decade, new versions have proliferated, attracting new generations of fans. Film reboots directed by J.J. Abrams and Justin Lin revived Kirk and his crew with new, young actors, zippier dialogue, and vastly improved effects in the 2000s and 2010s. The Streaming Era has brought a raft of reimaginings with a variety of sensibilities, from the dark and complicated Star Trek: Discovery to the crowd-pleasing prequel Star Trek: Strange New Worlds (featuring a young Spock!) to the hilariously meta cartoon Star Trek: Lower Decks. As the latest versions of Star Trek invite in a new generation of viewers, the interstellar travelers still encounter danger and difficulty, of course. But the Starfleet crew always comes out on top— and without sacrificing essential values that seem quintessentially human: valor, self-sacrifice, curiosity, compassion, broadmindedness.

“From a groundbreaking television series to an expansive collection of films, novels, comic books and so much more, Star Trek has been delivering joy, wonder, and thought-provoking stories since the 1960s,” said Jones. “With powerful anti-war and anti-discrimination messages, it has blazed trails for all science fiction franchises while winning over passionate fans across the globe. We’re proud to honor Star Trek with Peabody’s Institutional Award.”

The Hollywood Reporter has the complete list of Peabody Awards 2024 Winners.

Other winners of genre interest are:

CHILDREN’S/YOUTH

Bluey (Disney+)
Creator Joe Brumm’s endearing family of animated Australian dogs have captivated both children and adults for years in episodes equally delightful and heartrending. Very little feels off the table, as Bluey fearlessly tackles topics from death to infertility to fleeting friendships, all while maintaining a sense of innocence and exuberance for the children, and affinity and understanding for the parents, who are allowed to be dynamic, imperfect beings on their own growth journey. 
Ludo Studio, Australian Broadcasting Corporation, BBC Studios

ENTERTAINMENT

The Last of Us (HBO | Max)
In HBO’s post-apocalyptic The Last of Us, a faithful adaptation of the critically-acclaimed Naughty Dog video game, the road trip odyssey of Joel and Ellie (played by Pedro Pascal and Bella Ramsey) functions as a recursive meditation on love and loss—and how love is capable of changing people, for good and for ill. In the hands of showrunner Craig Mazin, who worked in collaboration with Neil Druckmann, a co-director on the original game, this adaptation extracts new layers from the text that expand its meaning—imagining what a life of love and fulfillment, and survival, can look like at the end of the world.
HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog.

(2) MINNESOTA BOOK AWARDS. The Friends of the Saint Paul Public Library announced the Minnesota Book Awards winners. The complete list is at the link.

Emma Törzs’ fantasy novel Ink Blood Sister Scribe is the winner of the Genre Fiction category.

For generations, the Kalotay family has guarded a collection of ancient and rare books. Books that let a person walk through walls or manipulate the elements—books of magic that half-sisters Joanna and Esther have been raised to revere and protect.

All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna’s isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy. In the process, they’ll uncover a world of magic far bigger and more dangerous than they ever imagined, and all the secrets their parents kept hidden; secrets that span centuries, continents, and even other libraries . . .

(3) OUT OF TIME. Jonathan Russell Clark analyzes “Why We Love Time Travel Stories” for Esquire.

…For Wells’s contemporaries, Gleick notes, “technology had a special persuasive power.” For us, now a quarter of the way through the 21st century, things have grown complicated. Technology governs everything we do, but rather than enhancing our lives, our gadgets seem to exploit us, isolate us, box us in. Moreover, the technology itself has moved beyond our understanding, leaving us dependent on the two or three corporate entities producing it. The World of Tomorrow never arrived; no matter how much technology has progressed, it is still frustratingly Today.

Instead of holding out for a future that will solve our problems, contemporary readers now look into the past to address the wrongs inflicted on the less powerful, so what makes a convincing time-travel story in the 21st century isn’t the verisimilitude of the science but rather the morality of the characters’ intentions. In her book on ’80s movies, Life Moves Pretty Fast, Hadley Freeman notes that in Back to the Future, “Marty’s meddling in the past results in his parents living in a nice house, with chicer furnishings, posher breakfast dishes, and even domestic help in the form of Biff Tannen in 1985. Marty’s triumph is to lift his family up to middle-class status.” If Hollywood rebooted the franchise today, Freeman writes, “Marty’s challenge would be to save the world.” I still think a remake would keep Marty’s adventures confined to his personal bubble; it’s just that instead of reuniting his parents to ensure his existence, his mission would instruct him to meddle in his parents’ past because, down the line, this will save the world. Nowadays, to exploit time travel for personal gain—and indeed to tell a story in which such actions are uncritically celebrated—is unacceptable, as is returning to our discriminatory, segregated, slavery-filled history without seriously grappling with those realities. It’s no longer technology but rather moral conviction that now has a special persuasive power on us….

(4) A RARE HEINLEIN CONNECTION. Dave Hook has done fascinating research into a forgotten Heinlein collaborator: “Who is Elma ‘Miller’ Wentz?”

I know I’ve read this story in “Beyond the End of Time” at least once, but I remember nothing about it or even that it existed until seeing this. I found this very interesting for several reasons:

  1. To my knowledge, this is the only fiction published by Heinlein with a co-author during his lifetime.
  2. Heinlein clearly was not fond of it, as he never allowed this and two of his other early stories published as by “Lyle Monroe” to be reissued in a Heinlein collection during his lifetime (per Wikipedia).
  3. I had no idea who “Elma Wentz” was.

…Sometime in the early 1930s, she moved to Los Angeles. Her family did also, although it’s not clear if they moved at the same time or not.

William H. Patterson, Jr.’s “Robert A. Heinlein: In Dialogue with His Century: Volume 1: 1907-1948: Learning Curve” (“Robert A. Heinlein: In Dialogue…”), 2010 Tor, noted that Elma was working for Upton Sinclair on Sinclair’s California 1934 governor’s campaign as his personal secretary. Patterson also notes that she and her husband to be, Roby Wentz, met Robert A. Heinlein when Heinlein joined Sinclair’s related “End Poverty in California” (EPIC) movement in early 1935. The EPIC movement overlapped substantially with Sinclair’s run for governor. This resulted in her and Roby becomes friends with Robert A. Heinlein and his first wife Leslyn (MacDonald) Heinlein, and with journalist (and future SF writer) Cleve Cartmill….

(5) GUARDIAN REVIEW ROUNDUP. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” for the Guardian encompasses The Other Valley by Scott Alexander Howard; A View from the Stars by Cixin Liu; Flowers from the Void by Gianni Washington; The Dark Side of the Sky by Francesco Dimitri; The Hungry Dark by Jen Williams; and To the Stars and Back by various writers.

(6) VANISHING POINT. Atlas Obscura advises “Don’t Stare at the Dark Watchers”.

… There are dozens of similar accounts of so-called dark watchers by hikers in the Santa Lucia Mountains near Big Sur, California. The stories often share details: The figure stands seven to 10 feet tall and has a walking stick and hat, for example. No one has ever been able to interact with the looming figures—they always disappear once the hiker acknowledges them…

…Despite their ephemeral nature—and claims that they only appear to hikers with low-tech, old-school gear—stories of these cryptids go back hundreds if not thousands of years. Some people trace the legend to the pre-colonial oral stories of the Chumash, Indigenous peoples that have lived along the Central Coast of California and the Channel Islands for 13,000 years. But while there are many Chumash accounts of various creatures in December’s Child by Thomas Blackburn—the most complete written record of Chumash stories—it’s unclear whether any describe the dark watchers.

“These entities—whatever they are—have not just influenced the local people,” says Offutt. “They influenced some pretty famous people, too.” The earliest written accounts of dark watchers go back to the 1700s, when Spanish colonists gave the mysterious beings their name: los vigilantes oscuros. Since then, sightings have continued, and in 1937, the creatures made their literary debut….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 10, 1969 John Scalzi, 55. This is not full accounting of everything that the rather prolific John Scalzi has done, nor is it limited to his fiction. Now that I’ve got that out of the way let’s start…

I was trying to remember what I first read by him and I think it was actually Old Man’s War whereas I expect you know the characters of Old Man’s War are senior citizens who leave Earth to have their brains transplanted into cyborg bodies and sent off to be fight in an interstellar war. Scalzi has said the series was in homage in Heinlein’s Starship Troopers.

John Scalzi in 2019.

I only read further in the series through the “Questions for a Soldier” short story, The Ghost Brigades and the Zoe’s Tale. The latter broke my heart really it. Damn, I so like the main character here, and spoiler alert, what happened to her really did severely distressed me. Effing hell. 

So who here has read and liked The Android’s Dream novels? I liked everything I read by Scalzi save this. Maybe it was the premise itself, maybe the weirdness of the sheep hybrid which I’ll not discuss lest somebody be here who’s keen to read it still, maybe there there was too much Philip K. Dick in it. Whatever it was, I didn’t like it. So tell me why I should have.

Space opera, I knew he had it in him. And the Interdependency series certainly proved that amply. Lovely premise of an Empire, spoiler alert again so go drink Romulan blood wine, as the portals connecting the worlds of their Empire are apparently collapsing. The titles of the final novel in the trilogy sums up the trilogy up nicely, The Last Emperox.

And then there’s the Hugo winning Redshirts. Obviously off the Trek’s infamous oh my he’s a red shirt and will die a horrible death meme, it allowed Scalzi to play around with that delicious premise. No, I’m not saying a word more, so no spoiler alert needed. It’s a great story told well. There’s even something that Scalzi might well have borrowed from the Clue film here.

The last novel I want to talk about involves Fuzzies. Fuzzy Nation, authorized by the estate of H. Beam Piper, was not intended to be a sequel to Little Fuzzy, the Piper novel which was nominated for a Hugo. Scalzi wrote it first and then got permission from the Estate to publish it. It doesn’t feel like something the Piper would have written, but it’s worth reading none the less. 

Now let’s note Whatever, no doubt the most entertaining blog done by any writer, genre or otherwise. Is this what he won a Fan Writer Hugo for? If so, great choice. It’s something I very much look forward to reading every day. I see his Hugo for Best Related Book was related to his blog, Your Hate Mail Will Be Graded: A Decade of Whatever 1998–2008. 

Ok, that’s what I like by him. No, it’s not everything but I did say it would be. As always, I know you’ll give copious comments about what I didn’t mention. 

(8) COMICS SECTION.

  • Off the Mark’s lines up the usual suspects.
  • Shoe lets the name speak for itself.
  • Speed Bump disappoints these readers.
  • Carpe Diem has an unexpected haunting.
  • Nathan W Pyle shows a character resisting inimical forces!

(9) A VICIOUS GANG OF FACTS. Those skeptics at ScreenRant pooh-pooh “8 Sci-Fi Movie Inventions Ruined By Real Science”. First on their list of impossibilities:

8. Lightsabers

The Star Wars Series

One of the most iconic movie weapons ever created, lightsabers need little introduction. The mythical weapons of both the legendary Jedi order and the insidious Sith, these blazing hot swords of pure light can slice through nearly anything in the Star Wars universe, barring specialty-made materials like Durasteel. Not only that, but they’re also capable of deflecting bolts from energy-based blaster weapons, making them an impressive source of offense as well as defense. In the lore of the franchise, the lightsabers are powered by the mysterious Kyber crystals.

The lightsabers operate on different laws of physics than those in reality. Creating a powerful enough beam of light to cut through solid metal would result in a much longer, unwieldy weapon, not limited in its projection to a mere three feet. Even ignoring the issues regarding the lightsabers’ power source, which would easily need to be connected to some kind of power-generating backpack with today’s available technology, the ability of the weapons to physically clash with one another disobeys the properties of light. In reality, crossing lightsabers would simply pass through one another.

(10) BEWARE DOCTOR WHO SPOILER. Is it really? I don’t know, so better safe etc. “Doctor Who’ Star Ncuti Gatwa Filmed With 20 Babies in Season Premiere”.

While filming episode one of “Doctor Who” season 14, entitled “Space Babies,” Millie Gibson had to do the impossible: keep the attention of 20 infants at once. Although she was bearing her soul in a speech integral to her character’s backstory, the babies kept dozing off and losing their attention to the flashing lights of the space-age set. So, to keep their little eyes focused on her, she delivered her lines while a nursery rhyme played on her phone just out of camera view.

“It was so hard honestly,” recalled Gibson. “It was the most bizarre thing but it will stay in my mind forever.”

…“They were such divas,” Gatwa joked about his toddler co-stars. “They had so many demands.”…

(11) FLAME ON! I don’t know how this cooking news item ended up at Popular Mechanics: “’Star Wars’ Fans, Truff’s Latest Super-Spicy Hot Sauce Is for You”.

…That’s right: Truff—the brand behind the decadent truffle-infused hot sauces Oprah has named to her Favorite Things list for the last three years—just dropped a new hot sauce with some serious Star Wars flair. Truff’s Star Wars Dark Side Hot Sauce is nothing to play with, given it’s now the brand’s spiciest sauce, featuring the hot-as-Hades ghost pepper.

Yes, the ghost pepper is certainly quite hot, topping out at over 1 million Scoville Units. That said, it isn’t the hottest. That title only recently belongs to Pepper X, which reaches more than double the ghost pepper’s 1+ million Scoville Units. According to Britannica, though, less than 20 years ago, the ghost pepper actually was the fieriest, most fearsome of them all. But just because there’s one hotter out there now doesn’t mean ghost peppers aren’t still fierce, as you’ll find out when you crack open this hot sauce….

(12) MONSOON Q&A. A BBC interview: “Doctor Who star Jinkx Monsoon on playing ‘zany’ villain Maestro”.

… American drag queen Jinkx Monsoon, who plays the new nemesis, tells BBC Newsbeat her “dreams have been granted in a wonderful way”.

Jinkx is known as the “Queen of Queens” after winning a regular and All Star season of RuPaul’s Drag Race.

And she says moving to the world’s longest-running science fiction show felt like a natural progression for a self-described trans queer actor.

“Sci-fi has always been queer. Anyone who tells you otherwise is delusional,” she says.

“There are prominent writers, directors, producers who are queer in these fields. And it just hasn’t really been able to be talked about and a lot of them nowadays are done being silent.”

She adds there has been “so much queer progress” in society, but feels in the entertainment industry “there’s still been this thing of queer people behind the cameras”.

“And only certain palatable society-approved queer people get to be in front of the camera.

“What I really love about this Doctor Who season is it saying: ‘To hell with that’.”

(13) HOLY SH!T! Aka the video of the day — Hell and Back by Scott Base. A short film based on original Bad Space comic. Mark sent the link with a warning, “I’m not sure I’d want to see a whole movie…”

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Lise Andreasen, Mark Roth-Whitworth, Michael J. Walsh, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 5/9/24 When Pixel Filed, And Scroll Span, Who Then Melted Jack Dann?

(1) PARDON MY WTF. “Apple Apologizes for iPad Pro Ad After Criticism”The Hollywood Reporter explains why they need to. (Though they can’t be too sorry because the kerfuffle has helped the ad draw 53 million views.)

Apple is apologizing for an iPad Pro ad that was widely criticized when it debuted earlier this week.

The dystopian spot, titled “Crush,” shows several instruments, including a guitar and piano, being crushed by a hydraulic press. Also among the items being smashed flat are balls that look like emojis and an Angry Birds statue….

Apple CEO Tim Cook posted the spot on X (formerly Twitter) on Tuesday (it also was posted on YouTube). His post and the YouTube video are still up, but the spot won’t run on TV, according to Ad Age.

“Meet the new iPad Pro: the thinnest product we’ve ever created, the most advanced display we’ve ever produced, with the incredible power of the M4 chip. Just imagine all the things it’ll be used to create,” Cook wrote….

[One of the many negative comments was,] “Crushing symbols of human creativity and cultural achievements to appeal to pro creators, nice. Maybe for the next Apple Watch Pro you should crush sports equipment, show a robot running faster than a man, then turn to the camera and say, ‘God is dead and we have killed him.’”

(2) KGB. Ellen Datlow has posted photos from Wednesday night’s Fantastic Fiction at KGB session where John Wiswell and Anya Johanna DeNiro read from their recent novels.

(3) CHOOSING CONVENTIONS. The new episode of Mur Lafferty’s I Should Be Writing podcast is “Conquering Conventions; Crafting Confidence”. (There’s also an excellent transcript available – yay!)

In this episode, she shares her experiences and insights on convention attendance, from choosing the right ones to the art of mingling without the cringe. Plus, she tackles the ever-present concern of COVID safety in crowded spaces.

Whether you’re a cosplayer or a casual attendee, Mur advises on how to present yourself professionally, connect with industry pros, and enjoy the con experience while staying true to your comfort level. And for those not ready to dive back into the physical con scene, she discusses the merits of virtual conventions and how they can be a great alternative.

(4) LEVAR READS RAY. LeVar Burton Reads “The Toynbee Convector” © 1983 by Ray Bradbury in his latest podcast.

The world’s only time traveler finally reveals his secrets.

(5) ‘THE HUNT FOR GOLLUM’. “New ‘Lord of the Rings’ Movie Coming in 2026, Andy Serkis Directing”Variety has the story.

Warner Bros. will release the first of its new batch of live-action “The Lord of the Rings” films in 2026, which will focus on Andy Serkis’ Gollum.

Original “The Lord of the Rings” trilogy filmmaker Peter Jackson and his partners Fran Walsh and Philippa Boyens are producing the movie and “will be involved every step of the way,” Warner Bros. Discovery CEO David Zaslav said during an earnings call Thursday.

The project is currently in the early stages of script development from writers Walsh and Boyens, along with Phoebe Gittins and Arty Papageorgiou, and will “explore storylines yet to be told,” Zaslav said.

In a press release from Warner Bros. later Thursday morning, the studio revealed that the working title for the film is “Lord of the Rings: The Hunt for Gollum,” and it will be directed by and star Serkis in his iconic titular role….

…A separate, animated Middle-earth movie, “The Lord of the Rings: The War of the Rohirrim,” is due on Dec. 13 via Warner Bros. and director Kenji Kamiyama. That movie is set 200 years before the events of “The Hobbit.”…

(6) OCTOTHORPE. In episode 109 of the Octothorpe podcast, “But Also a Worrying One”, John Coxon is middle, Alison Scott is even sadder, and Liz Batty is sorry.

We have a bumper mailbag in Octothorpe 109, and we continue our discussion about accessibility in Eastercon before segueing into a discussion of money and privilege with respect to conventions. We also mention the latest news out of Chengdu. Massive thanks to Ulrika O’Brien for the gorgeous cover art this week!

The background is a starry, lightning-filled square in blues, purples, and yellows. Atop that, there is a spaceship, somewhat like a rocket, with engines coming out of the sides. There are yellow lights shining from it, and a ladder reaches up to a central archway. John, Alison and Liz are depicted as silhouettes, regarding it with wonder. Their shadows stretch off the canvas, and they look faintly alien or futuristic in a hard-to-define manner.

(7) SERLING’S TRUNK STORY. “A short story by The Twilight Zone’s Rod Serling is published for the first time” reports NPR.

…Not long after he returned from the war in 1946, Serling attended Antioch College on the G.I. bill. There, in his early 20s, he penned “First Squad, First Platoon,” a short story which is being published for the first time Thursday in The Strand. It was one of his earliest stories, starting a writing career that Serling once said helped him get the war “out of his gut.”

“It was like an exercise for him to deal with the demons of war and fear,” said his daughter, Jodi Serling. “And he sort of turned it into fiction, although there was a lot of truth to it.”

The story is set on Leyte Island in “heavy jungle foliage” and a “hostile rain that caked mud on weapons, uniforms, equipment.” Each of the five chapters in the 11,000-word story is about a different soldier and how they died….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 9, 1936 Albert Finney. (Died 2019.) I’m very, very fond of British performers and among them is Albert Finney. So let’s look at the career of this most talent actor.

His first genre performance is as Ebenezer Scrooge in Scrooge. Scrooge is my favorite Albert Finney film and it is benefitted immensely by the many extraordinary strong performances by actors like him. To give a good sense of him in that role, I feel obligated to show him in his full Victorian regalia. 

That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. Wolfen to me is the perfect werewolf film as it is a police procedural firmly within the horror genre. His character here Detective Dewey Wilson along with Diane Venora as Detective Rebecca Neff unraveled the grisly murders that turn-out to be based in First Folk reality. 

He plays Edward Bloom, Sr. Big Fish in the wonderful Big Fish. He’s central character here.  He is a story-teller but his only son, Will, doesn’t enjoy them because he believes they are simply not true. Of course, they are, but they’re just exaggerated. Or are they being so? 

He voices Finis Everglot in Corpse Bride. Now I’d love to tell how he was in that role but I’ll confess and say that I’ve not see that film as I am not a big fan of Tim Burton’s animated work at all. 

He was Kincade in Skyfall. He’s the gamekeeper of Skyfall Lodge and the ancestral Bond family estate in Scotland. He’s got a major role in that film.

He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. He’s the somewhat inebriated owner and landlord of The Green Man, an inn that he says is haunted by ghosts.  He tells tales of these to scare guests as it amuses, or trying to seduce them to no avail as he’s not at all handsome. But it may be that The Green Man is truly haunted and those ghosts are happy with him…  it’s a great role for him and he play it quite well.

Lastly, I’ll wrap up with Murder on the Orient Express, the 1974 version. I have that poster, an original, not a reproduction, framed and hanging here as I truly love this film. Christie, who lived just long enough to see the film get released and be a box office success, said that Murder on the Orient Express and Witness for the Prosecution were the only movie versions of her books that she liked although she expressed disappointment with Poirot’s moustache as depicted here was far from the creation she had detailed in her mysteries.

She’s misremembering her detailing of that moustache which I confirmed checking the many such novels I have on hand in Apple Books. Most novels have no detailed description at all, and this in The Mysterious Affair at Styles  being typical: “Poirot seized his hat, gave a ferocious twist to his moustache, and, carefully brushing an imaginary speck of dust from his sleeve, motioned me to precede him down the stairs; there we joined the detectives and set out for Styles.”

Finney made a most excellent Poirot though many later critics compared him to David Souchet who they consider the definitive version of the character. I always wondered what Dame Christie would have thought of Souchet.  

(9) COMICS SECTION.

  • Free Range might not be teaching what the student wants to learn.
  • Carpe Diem has an unexpected Egyptian traffic sign.
  • Heathcliff’s latest in a week-long series of guest appearances comes from Star Wars.
  • Nathan W. Pyle emphathizes with creators.

(10) GLIMPSE THE NEXT CHAPTER OF NEIL GAIMAN AND MARK BUCKINGHAM’S GROUNDBREAKING MIRACLEMAN SAGA. Miracleman By Gaiman & Buckingham: The Silver Age #1-7 is now available as a complete collection. Catch a glimpse of the action in the new trailer, featuring artwork from all seven issues.

In THE SILVER AGE, Miracleman has created a utopia on Earth where gods walk among men and men have become gods. But when his long-dead friend Young Miracleman is resurrected, Miracleman finds that not everyone is ready for his brave new world! The story that ensues fractures the Miracleman Family and sends Young Miracleman on a stirring quest to understand this world — and himself. It’s a touching exploration of the hero’s journey that ranges from the top of the Himalayas to the realm of the towering Black Warpsmiths — and into the secret past of the Miracleman Family!

 (11) X-MEN ONE-DAY SPECIAL ON LEARNEDLEAGUE. [Item by David Goldfarb.] LearnedLeague just had a One-Day Special quiz about the X-Men. It focused more on the comic books than the various adaptations, which suited me just fine. I’m currently scored at 11/12, but I’ve submitted an appeal on the one answer where I was marked wrong. We’ll see if that goes through.

You can find the questions behind this link, although nearly all of them have pictures that people who aren’t LL members won’t be able to see. None of the pictures are absolutely necessary, but at least a couple of them have valuable clues.

(12) VIDEO GAME ANIMATION INSIGHTS. “’Harold Halibut’ brings with handmade charm and stop motion inspirations” on NPR’s “Here and Now”.

“Harold Halibut” is a new sci-fi video game set in an underwater space colony. But it’s got a novel look; all of the characters and sets in the game were made by hand, then 3D scanned and animated digitally….

(13) BRAINS DON’T GROW ON TREES. [Item by Mike Kennedy.] 1 cu. mm of brain tissue. 5000 slices. 23 cm of blood vessels. 57,000 cells. 150,000,000 neural connections. Lots of surprises. The Guardian reports “Scientists find 57,000 cells and 150m neural connections in tiny sample of human brain”.

… “The aim was to get a high resolution view of this most mysterious piece of biology that each of us carries around on our shoulders,” said Jeff Lichtman, a professor of molecular and cellular biology at Harvard. “The reason we haven’t done it before is that it is damn challenging. It really was enormously hard to do this.”

Having sliced the tissue into wafers less than 1,000 times thinner than the width of a human hair, the researchers took electron microscope images of each to capture details of brain structure down to the nanoscale, or thousandths of a millimetre. A machine-learning algorithm then traced the paths of neurons and other cells through the individual sections, a painstaking process that would have taken humans years. The images comprised 1.4 petabytes of data, equivalent to 14,000 full length, 4k resolution movies.

“We found many things in this dataset that are not in the textbooks,” said Lichtman. “We don’t understand those things, but I can tell you they suggest there’s a chasm between what we already know and what we need to know.”

In one baffling observation, so-called pyramidal neurons, which have large branches called dendrites protruding from their bases, displayed a curious symmetry, with some facing forwards and others backwards. Other images revealed tight whorls of axons, the thin fibres that carry signals from one brain cell to another, as if they had become stuck on a roundabout before identifying the right exit and proceeding on their way…

(14) INSULIN PUMP ISSUE. “FDA Warns on Insulin Pump Problem” at MedPage Today. “This has been a plot point in several movies and tv shows lately,” says Chris Barkley.

A mobile app used with an insulin pump that led to 224 injuries was recalled by Tandem Diabetes Care, the FDA announced today.

The recall is for the 2.7 version of the Apple iOS t:connect mobile app, used in conjunction with t:slim X2 insulin pump with Control-IQ technology, the agency said.

The FDA identified the action as a Class I recall, the most serious type. The recall is a correction, not a product removal, and was prompted by a software glitch that may cause the pump battery to drain sooner than expected. Users are being urged to update the app to the latest software….

(15) VIDEO OF THE DAY. Adam Savage tells “How Star Wars: Ahsoka’s Jedi Shuttle Filming Model Was Made!”

During the production of Star Wars: Ahsoka, Adam Savage visited the miniatures filming stage set up at Lucasfilm to watch the practical model of Ahsoka’s T-6 Jedi Shuttle being filmed. Modelmaker John Goodson and machinist Dan Patrascu spent four months building the 30-inch model of that T-6 ship for the show–an incredible hero ship model not only equipped with lights, but was fully mechanized with a rotating wing!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, David Goldfarb, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/8/24 Ansible And Grendel

(1) TOMLINSON AND ROBINSON SUE MILWAUKEE. In February, Patrick Tomlinson and his partner, Niki Robinson filed a lawsuit against the City of Milwaukee over the multiple instances of swatting: “Robinson v. City of Milwaukee, 2:24-cv-00264”. At the link you can download (free) the original and amended complaints.

The amended complaint filed May 1 details several experiences with swatting, and in addition to the City of Milwaukee names 10 police officers as defendants. Here is an excerpt:

1. Niki Robinson and Patrick Tomlinson are the targets of a vicious campaign of domestic terrorism, carried out at the hands of a group of bullies who hide behind the anonymity of the internet.

2. The bullies’ main weapon of choice is something called “swatting,” which is when someone who wants to endanger the life and safety of another calls 911 and lies to provoke a dangerous police response to the victim’s home….

…11. Niki and Patrick have tried to work with the City of Milwaukee to stop this, but the City of Milwaukee failed to adopt a policy or train its officers on how to prevent Niki and Patrick’s stalkers from using the police department as a tool of terror.

12. And while many of the police officers who have responded to Patrick and Niki’s home have been kind, understanding, and compassionate, others have not.

13. The worst offender is Sergeant Lyndon Evans.

14. On three occasions, Sergeant Evans responded to a swatting call with abuse and violence.

15. Sergeant Evans told Niki and Patrick that he was “well aware” of the situation, but still demanded to be let inside their home, going so far as to threaten to break down the front door if he was not allowed inside.

16. Niki and Patrick live in a constant state of fear, worried that the next encounter they have with the police will be their last.

17. Every knock on the door or police car that drives by leaves them terrified that they are about to be staring down an officer’s gun or that they will be paraded outside in handcuffs to their further humiliation.

18. This lawsuit seeks to end the madness and vindicate the violation of Plaintiffs’ constitutional rights. It seeks to effect change through punitive damages by punishing the Defendants for their egregious conduct with the hope that the punishment is significant enough to prevent this from happening again in the future…

(2) SPACE COMMAND ARRIVES. “Crowdfunded ‘Space Command: Redemption’ Released, Features Star Trek’s Doug Jones, Robert Picardo & More” at TrekMovie.com.

A dozen years after its first crowdfunding campaign, the first installment of Marc Scott Zicree’s Space Command has been released, with several Star Trek actors in the cast. “Space Command: Redemption” is out now on Tubi, VOD, and physical media, with more installments from the series in the works.

Space Command is a sci-fi series inspired by Star Trek. The ensemble cast for “Space Command: Redemption” features Star Trek: Discovery’s Doug Jones in a leading role. Other franchise stars include Robert Picardo (Voyager), Armin Shimerman (Deep Space Nine), Faran Tahir (J.J. Abrams’ Star Trek), and the late Nichelle Nichols (TOS). The cast also includes several Babylon 5 stars including Bill Mumy,  Bruce Boxleitner, and the late Mira Furlan….

(3) I, THE JURY. Alec Nevala-Lee shared with Facebook readers that he was part of a Pulitzer Prize jury this year.  

Now that the list of winners has been announced, I can reveal a very cool fact: I served on the jury for the 2024 Pulitzer Prize for Biography! I spent much of last year reading through dozens of books with four other jurors, and I’m delighted to finally share the titles we chose: KING by Jonathan Eig, MASTER SLAVE HUSBAND WIFE by Ilyon Woo, and LARRY MCMURTRY by Tracy Daugherty.

(4) SFF POETS TAKE UP AI ISSUE. The Science Fiction & Fantasy Poetry Association (SFPA) Executive Committee and key volunteers have put together two options for the SFPA to adopt as its policy regarding works derived from generative tools (including AI, large language models, etc).

Members have been sent an introductory statement and have until May 22 to vote for one of three options: 

  1. A limited AI ban
  2. A complete AI ban
  3. Neither statement

(5) ADVANCED RELEASE OF NOAF HUGO VOTER PACKET SUBMISSION.  The Nerds of a Feather 2024 Hugo Packet and Introduction can be downloaded at the link. It’s available in PDF and EPUB formats.

The Voter’s Packet for the Hugo Awards will be released shortly and made available to all members of Glasgow Worldcon. As is traditional, Nerds of a Feather has put together a compilation of what we feel represents the best and the breadth of our collective work published in 2023. While the purpose of the Voter’s Packet is to help eligible voters make an informed decision when casting their ballots, we are also making the packet available to all of our readers who may want to take a look back at what we did last year…. 

(6) BLIND LEADING THE BLIND? A highly skeptical Philip Athans says “Beware Of Friends Bearing Feedback” at Fantasy Author’s Handbook.

…If you have a trusted beta reader, someone who you know knows books, knows story, knows the genre you’re writing in, and you know that person to be smart and creative, capable of giving you solid advice, then wow—congratulations. Hold that person close. Give them gifts of frankincense and myrrh.

But unfortunately, most of the people we know can not reasonably be described in such glowing terms. I wish I could remember who it was, decades ago that, in a documentary about screenwriting, described the focus group as:

The uninformed reporting on the unknowable to the unimaginative.

…but that pretty much nails it. And what are beta readers or our writers group friends but a focus group? In Story Trumps Structure, Steven James wrote on the subject of beta readers:

I can’t think of any other field in which people who aren’t experts critique other people who aren’t experts in the hope of everyone becoming an expert.

Yes, people chosen at random or from a pool of friends and family may have opinions, but do they have informed  opinions? And if they say something akin to “I didn’t get it,” “I liked it, I guess,” “It was really creative!” and so on (you know you’ve seen stuff like this) sans detail or actionable advice, well… does that help?…

(7) FIVE UNEASY PIECES. Maya St. Clair makes a confession and reviews a hard-to-forget New Wave anthology in “FIVE FATES: Sci-Fi’s Nightmare Blunt Rotation”.

I’m in a weird place professionally. To get a job in publishing, it’s pretty much imperative that you stay abreast of recent trends and read voraciously from current frontlist books. And I certainly try. But left to my own devices, I inevitably end up crawling back to New Wave sci-fi like a starving flatworm whose only brain cell yearns for stream-of-consciousness novellas about interdimensional alien sex written fifty years ago by chainsmokers in dagger-collared shirts.

If you share my foibles, or if you’re simply in a reading rut, you’d be hard-pressed to find something more exciting than Five Fates. Not only does it boast a sci-fi supergroup (Frank Herbert, Harlan Ellison, Poul Anderson, Gordon Dickson, and Keith Laumer), it provides a fascinating snapshot of where speculative fiction was “at” during a pivotal moment of the genre’s history….

Five Fates, published in 1970, positions itself firmly in this mindfuck vein of the New Wave. Per the jacket copy, it’s “one of the most bizarre and original fictional concepts ever created,” a showcase opportunity for five of spec fic’s foremost writers to go absolutely wild. Its biggest names are red-hot at the time of publication: Frank Herbert has just finished Dune Messiah, and Harlan Ellison is in the midst of his decade-long, nearly-unbroken Hugo streak (he’s hard at work, the back cover informs us, on Again, Dangerous Visions.)

The central concept of Five Fates is this: all five contributors were sent the same disturbing prompt — in some dystopic world, a man named William Bailey is admitted to a Euthanasia Center and killed. The surrounding questions — how did he get there? how did society descend to this point? is there an afterlife? — are left up to the writers to flesh out. Each of the five resulting novelettes (which average around 30 pages) offers a vastly different concept, style, and literary goal. It’s a literary blunt rotation/samsara, a hallucinogenic journey that produces several great tales and one masterpiece….

(8) AI LIKES MIKE. Reason set the AI program Grok the task of reviewing a Heinlein book: “Review: ‘The Moon Is a Harsh Mistress’ Highlights Technology’s Role in Freedom”. Grok homed in on the book’s supercomputer character. The full two-paragraph review is at the link. Here’s the introduction:

For Reason’s June 2024 special issue on AI, all of our brief reviews involve AI in some form or another. Of course, we decided to ask an AI to write one of the reviews. Since X’s AI is named Grok, after the term coined by sci-fi author Robert Heinlein in Stranger in a Strange Land, it was only natural that we’d ask Grok to write a review of another Heinlein novel, The Moon Is a Harsh Mistress. See what Grok wrote for us below….

(9) RTD ON THE RADIO. The Planetary Society’s Planetary Radio did a “TARDIS Talk: Space, Time, and ‘Doctor Who’ with Russell T. Davies”. Hear the audio on YouTube.

This week on Planetary Radio, we celebrate the longest-running science fiction show in history, “Doctor Who.” We explore how this iconic series has influenced the scientific community and look forward to the new season of the show with Russell T. Davies, the past and present showrunner of “Doctor Who.” Then, space fans from around the world share how the show has impacted their lives and space careers. We close out with Bruce Betts, our chief scientist, as we discuss what we would do with a time machine in What’s Up.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 8, 1940 Peter Benchley. (Died 2006.) Yes, Peter Benchley, the writer responsible for Jaws. I’ll get to that in a minute. Really I will. Trust me.

Although Jaws is what he’s best remembered for, his work that has been adapted for film and television includes genre: BeastCreatureThe DeepThe Island and White Shark. He has one film work of interest at least to me that’s non-genre, Mrs. Parker and the Vicious Circle, about writer Dorothy Parker and the members of the Algonquin Round Table. 

Peter Benchley

So, let’s look at some of his novels other than JawsJaws was his first and his second was a more or less an adventure genre novel, The Deep, of treasure hunters who discover Spanish treasure. Well and drugs. Then it gets complicated. Columbia Pictures purchased the rights to it even before its publication, hiring Benchley to write a screen adaptation. 

The Island, several years later, is effectively genre as it has two elements that are fantastic. One is that is a lost colony of pirates that have remained undetected since the establishment of their pirate enclave by Jean-David Nau, the notorious buccaneer L’Olonnais, in 1671; second is a sort of Logan’s Run premise is that the pirates kill anyone over thirteen that they capture. It too would be filmed.

In Beast — and none of his titles will win awards for originality, will they? — a fishing community in Bermuda is disrupted by a series of mysterious disappearances at sea. Think large sea monster and you wouldn’t be wrong. Yes once again it became a film. 

White Shark does not feature a shark, despite what the title suggests. It has Nazis and biological weapons with nary a shark to bite into anyone, not even a Nazi, the pity. To avoid confusion and to capitalize on the miniseries adaptation, the book was republished as Creature. It was also a film called, errr, White Shark

Which brings us to Jaws. It was published fifty years ago, his first novel. It was an outgrowth of his interest of the experiences of Montauk, New York shark fisherman Frank Mundus. Doubleday gave him a rather nice advance to write the novel while he was he was still a freelance journalist.

Despite critics generally hating it, it did exceptionally well with the reading public as Doubleday undertook an extraordinary publicity campaign including getting it adopted by book clubs everywhere. As a result, it stayed on bestseller lists for nearly a year, and millions of copies of the paperback edition were sold.

Jaws is definitely horror. With Very Big Teeth. Lots Of  Sharp Pointy Ones. Now that we’ve got that Very Important Fact out of the way, let’s talk about it. 

It premiered forty-seven years ago on this date. It was Spielberg’s first major film after directing such things as episodes of Night Gallery, The Name of the GameColumbo, and the rather excellent Sugarland Express

The screenplay is credited to Peter Benchley. He wrote the first draft here, and actor-writer Carl Gottlieb who’s Harry Meadows here and was Ugly John in the MASH series  (and I can still picture him in that role with his rather full mustache), then continuously rewrote the script during principal photography. That must have been an annoying thing to the director! 

It had a kickass cast  of Roy Scheider as Chief Martin, Robert Shaw as Quint, with Richard Dreyfuss as Matt Hooper as the studio didn’t get any Really Big Names that they wanted so badly — which was as Speilberg intended, and he got what he wanted here, for the “the superstar was gonna be the shark of the film” as he stated in interviews. Very Big Teeth. Lots Of  Sharp Pointy Ones was going to be the Superstar. Yes, that did make a very good superstar. Well of multiples these together did as there were lots of mechanical sharks. They broke down a lot. The mechanics of this wasn’t quite there yet. 

It was the first major motion picture to be shot on the ocean and if something could go wrong, it did. Repeatedly. And of the multitude of mechanical sharks added immensely to the budget woes so the film apparently went four to five million over its eight million budget. Or more. The studio has never actually released accurate production costs.  That really didn’t matter as it made nearly a half billion in its first run at the theatre. Repeat — it made a half billion dollars.

I discovered that there are three sequels, Jaws 2Jaws 3-D and Jaws: The Revenge. I can happily admit that I’ve seen none of them. Who here has? I think y’all know my admittedly low opinion of sequels and the idea of a sequel to this perfect film leaves me, well, sea sick. 

(11) COMICS SECTION.

(12) PROUDLY LESS NOBLE THAN THE SCA. The University of Maryland’s Maryland Today publication asks “Whatever Happened to … the Maryland Medieval Mercenary Militia?” The truth is out there.

Charging across the hilly terrain, swords raised, shields gripped against their chests, the Normans and the Anglo-Saxons faced off, their bodies protected only by chain mail cobbled together from … wire clothes hangers. Just beyond the grassy battlefield, students strolled by on their way to class.

This was the fall of 1969, when a group of Terps marked the 903rd anniversary of the Battle of Hastings with a re-enactment on South Chapel Lawn. It was the fitting official launch of a new group on the University of Maryland campus called the Maryland Medieval Mercenary Militia (MMMM), in which members gave themselves archaic names, learned English country dances and meticulously studied the military strategies of the Middle Ages so that they could recreate historical battles for kicks.

“Nowadays, re-enactment is a big thing. Back then, it was Confederates, Union, Revolutionary War and that’s it,” said Bruce Blackistone ’72, one of the founders of the group. “This was way off-center for the average re-enactment group.”…

… Blackistone, who by then was the self-designated first warlord, hoped to have a dozen soldiers on each side of the battle, but in the end, it was a six-on-seven fight. (Blackistone came down with a 104-degree fever the night before and had to stay home.) They carried shields made from lids of peach baskets and wore hand-sewn tunics. Nucker also threw on a sheepskin leather jacket borrowed from her mother.

After the Battle of Hastings’ re-enactment, the group grew, doing swordplay demonstrations on campus and branching out to recreating medieval life more broadly with feasts and dances. They began gathering in a small space under the steps of Francis Scott Key Hall, though they’d often “spill out onto the front or back lawns and womp on each other’s shields a bit,” said Blackistone.

Like any warring faction, the group developed rivals. A few years after MMMM’s founding, a chapter of the Society for Creative Anachronisms (SCA), which started in Berkeley, Calif., in 1966, popped up in the area. “They were high medieval upper class, and we were low medieval lower class,” said Blackistone. “Everyone who belonged (to SCA) was some kind of nobility. We had very little nobility, and a lot of Vikings and peasants and riffraff.”…

…As more of the club’s members graduated, an offshoot formed: Markland Medieval Mercenary Militia, which eventually ballooned to some 600 members across the mid-Atlantic. Just as Privé graduated, the university moved the club to a smaller office in a distant corner of campus. These two events, Privé speculated, led to a dwindling of the club’s presence on campus. Sometime in the years following the office move, MMMM died a quiet death at UMD.

For some, though, MMMM was just the beginning of a lifelong madness for the medieval. Nucker and Blackistone still sail Viking ships together through the Longship Company, a nonprofit organization inspired by the vessel they converted out of a Navy Motor Whaleboat in a parking lot behind the North Campus residence halls during their college years. Now, they take the public out on their 39-foot, 12-oarred Sae Hrafn (“sea raven” in Norse) to teach guests about Viking seafaring. (They’ve also commissioned two other boats, the tall ship Fyrdaca, or “fire drake,” and the smaller Gyrfalcon, named after a type of Arctic falcon.)…

(13) LOOKS AWFULLY FAMILIAR. “China Releases CGI Video of Moon Base and It Contains Something Very Strange” says Futurism.

The China National Space Administration (CNSA) has shown off a CGI video of its vision of a lunar base, a vastly ambitious plan the country is hoping to realize in a matter of decades.

The showy — albeit dated-looking — render shows plans for the International Lunar Research Station, a Chinese and Russian endeavor that was first announced in 2021.

The video is also raising eyebrows for a bizarre cameo: a NASA Space Shuttle taking off from a launch pad in the distance, as spotted by Space.com.

It’s either some next-level humor from the Chinese space program or a hilarious oversight, since the Shuttle has been retired for more than a decade — not to mention that China and NASA aren’t even allowed to talk to each other, nevermind collaborate.

As space reporter Jack Kuhr later spotted, the state-run China Global Television Network came up with an equally hilarious fix to hide the Shuttle taking off in the background.

“Boom problem solved,” Kuhr tweeted. “CGTN went ahead and slapped an ol’ reliable blur bar over the Shuttle.”

The Shuttle (now properly blurred) appears at about the :40 second mark in the video.

(14) PRESIDENTIAL MEDAL OF FREEDOM FOR FORMER ASTRONAUT. “Ellen Ochoa, Former NASA Astronaut and First Hispanic Woman in Space, Receives Presidential Medal of Freedom”Smithsonian Magazine has the story.

Ellen Ochoa, the first Hispanic woman to go to space and one of NASA’s most decorated astronauts and leaders, was awarded the Presidential Medal of Freedom on Friday, the country’s highest civilian honor. Across her 30-year career, Ochoa flew on four space shuttle missions and led operations as director of NASA’s Johnson Space Center in Houston.

Ochoa is the tenth astronaut, and second female astronaut, to receive the Medal of Freedom. She was presented the award at the White House along with 18 other honorees, including Jane Rigby, an astrophysicist at NASA’s Goddard Space Flight Center who played a large role in the James Webb Space Telescope’s mission….

(15) AN INFLATED PROJECT. Scientific American invites readers to “Meet HELIX, the High-Altitude Balloon That May Solve a Deep Cosmic Mystery”.

This spring NASA will launch what could become one of this decade’s most transformative missions in astrophysics. But you’ve almost certainly never heard of it—and it’s not even going to space. Dubbed the High-Energy Light Isotope eXperiment (HELIX), the mission seeks to solve a long-standing mystery about just how much antimatter there is in the universe and where it comes from—all from a lofty perch in Earth’s stratosphere, slung beneath a giant balloon set for long-duration flights above each of our planet’s desolate poles.

Led by Scott Wakely, an astrophysicist at the University of Chicago, HELIX is designed to study cosmic rays—subatomic particles that pelt our planet from the depths of interstellar and even intergalactic space. These particles include those of ordinary matter’s opposite-charge version, called antimatter. Scientists suspect the sources for the antimatter showering Earth from space could be almost anything, ranging from emissions by conventional astrophysical objects to the esoteric behavior of dark matter, the invisible stuff that seems to govern the large-scale behavior of galaxies. Figuring out which explanation is right may depend on a deceptively simple measurement: gauging how much time each of two specific particles spent hurtling through the galaxy. It’s like carbon-dating cosmic rays. “The models are all over the place. A measurement of this ratio is what everybody wants,” says Nahee Park, an astrophysicist at Queen’s University in Ontario and a member of the HELIX team….

(16) DUBIOUS KICKS. Stephen Graham Jones is a bit skeptical about the footwear in this new Superman publicity photo.

(17) VIDEOS OF THE DAY. [Item by Mike Kennedy.]  Boston Dynamics has a new humanoid robot, so they say goodbye to the outgoing HD Atlas…

And then say hello to All New Atlas with a freaky lil’ routine…

Maybe to take an edge off of All New Atlas, Boston Dynamics then dresses up Spot as Sparkles…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Bill, Michael J. Walsh, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who says his title “feels like it should be an anthology of ‘future fairy tales’ (perhaps edited by Jane Yolen)”.]

Pixel Scroll 5/7/24 Of Course It’s Not Real. You Think I’d Be Scrolling Here If I Could Afford A Real Pixel?

(1) NEBULA AWARDS TOASTMASTER NAMED. Sarah Gailey, Nebula and Hugo finalist, will serve as toastmaster for SFWA’s 59th Annual Nebula Awards® Ceremony. The ceremony will take place in Pasadena, CA on June 8, 2024. The organization will be livestreaming the ceremony on YouTube.

Sarah Gailey

Sarah Gailey is a Hugo Award Winning and Bestselling author of speculative fiction, short stories, and essays. They have been a finalist for the Hugo, Nebula, and Locus awards for multiple years running. Their bestselling adult novel debut, Magic For Liars, was published by Tor Books in 2019. Their most recent novel, Just Like Home, and most recent original comic book series with BOOM! Studios, Know Your Station are available now. Their shorter works and essays have been published in MashableThe Boston GlobeViceTor.com, and The Atlantic. Their work has been translated into seven different languages and published around the world.

Honoring 2023’s outstanding SFF genre works, the Nebula Awards Ceremony will be a highlight of the hybrid 2024 SFWA Nebula Conference, taking place June 6-9, 2024, online and at the Westin Pasadena in Pasadena, CA. Aspiring and professional storytellers in the speculative fiction genres may benefit from attending the entire professional development weekend full of panels and networking opportunities.

Tickets for the Nebula Awards Ceremony banquet, which precedes the ceremony itself, are also available. Queries and banquet tickets may be purchased by emailing events@sfwa.org or visiting events.sfwa.org.

(2) SAMUEL R. DELANY PRIDE MONTH Q&A SCHEDULED. Author Samuel R. Delany will be interviewed live in Philadelphia in June: “Pride Month: How Science Fiction Dances to the Music of Time”. Saturday, June 15, 2024. 3:30 p.m. Eastern. In the Music Department at Parkway Central Library (1901 Vine Street (between 19th and 20th Streets on the Parkway), Philadelphia, PA 19103).

Samuel R. Delany

“A visionary novelist & a revolutionary chronicler of gay life” (The New Yorker), Samuel R. Delany speaks with Music Department library trainee & Hollywood indie film composer Mark Inchoco on the intersections between science fiction & music. Hear how great musicians, librettists, & musical events such as Cab Calloway, Pete Seeger, the Newport Folk Festival, Igor Stravinsky, Bob Dylan, Samuel Barber, Leontyne Price, & Macy Gray came into Delany’s art & life.

In conversation with Mark Inchoco, library trainee, conductor, & Hollywood indie film composer

Samuel R. Delany is a novelist, literary critic, & emeritus professor. He is the winner of four Nebula Awards, two Hugo Awards, the William Whitehead Memorial Award for lifetime contribution to gay & lesbian literature, & the Anisfield-Wolf book award. He was inducted into the Science Fiction Hall of Fame in 2002. In 2013, he was named the 31st Damon Knight Memorial Foundation Grand Master by the Science Fiction & Fantasy Writers of America.

Delany’s novels include Babel-17, The Einstein Intersection, Nova, & Dhalgren. His collection, Tales of Nevèrÿon, contains the first novel-length story to address the AIDS crisis. His 2007 novel Dark Reflections won the Stonewall Book Award. He is the author of the widely taught Times Square Red / Times Square Blue, & his book-length autobiographical essay, The Motion of Light in Water, won a Hugo Award in 1989. His interview in The Paris Review’s “Art of Fiction” series appeared in spring 2012. In 2015 he was the recipient of the Nicolas Guillén Award for philosophical fiction. Delany retired from teaching literature & creative writing at Temple University at the end of 2015. He lives in Philadelphia with his partner, Dennis Rickett.

Mark Inchoco is a composer, conductor, & music librarian from Port Richmond. His film scores were screened at the Academy Award & BAFTA qualifying LA Shorts Festival & the Newport Beach Film Festival. His compositions were performed in the U.S. & Europe. In 2018, Inchoco was the first music historian laureate of the Cité Internationale des Arts by the French Republic. Currently, he is assistant conductor of the Lower Merion Symphony. Inchoco holds degrees in English & historical musicology from Temple & the University of California, Riverside.

Location: Montgomery Auditorium

(3) TIME’S UP. Variety has snaps of last night’s J.G. Ballard-themed event: “Met Gala 2024 Red Carpet Photos: The Best Celebrity Looks”. View the photo gallery at the link.

The theme of “The Garden of Time” is drawn from J.G. Ballard’s 1962 short story of the same name. The garden party theme is already in full bloom as the Metropolitan Museum of Art’s stairway is adorned with hundreds of fake flowers. This gala complements the Met’s current exhibit, “Sleeping Beauties: Reawakening Fashion.”

The exhibit “which opened for press previews on Monday morning, features approximately 250 rare items drawn from the Institute’s permanent collection. Spanning over 400 years of fashion history, the pieces include designs by Schiaparelli, Dior, Givenchy, and more.”

(4) SF ENCYCLOPEDIA’S LATEST CENSUS. Yesterday John Clute delivered Facebook readers “Another periodic ruthless Encyclopedia of Science Fiction blurb”.

We’ve just gone over 7,000,000 words, almost 10 times the length of the 1979 edition, more than 5 times longer than 1993. We’re still a dozen short of 20,000 entries but hey. Have also reached 34,000 scans in the Picture Gallery, most of them of first editions (but also retitlings and revisions). We are homing in on 250,000 internal hyperlinks, way better than double the 2011 figure, when we went online with Gollancz.

—We’ll never change our title, which has been in our bones early and late, but our entries today do reflect the fact that genre sf is now a large raft in a huger flood….

(5) ON GENDER IN BAUM. Abigail Arnold analyzes “B-Sides: L. Frank Baum’s ‘The Enchanted Island of Yew’” at Public Books.

…The Enchanted Island of Yew (published in 1903, early in his Oz phase) stands out by any account. Yet this matter-of-fact tale of gender transformation has never received the buzz accorded to Baum’s more famous series. Perhaps what is most laudable about the book, in retrospect, is the unconcerned tone with which the narrative presents the subversive “gender trouble” at its heart.

The gender agnosticism of Baum’s work contrasts noticeably to the priorities of the world around him. In his 1906 children’s fantasy John Dough and the Cherub, Chick the Cherub, a young child, is never assigned a gender. When Baum’s publishers came after him about this, he allegedly replied, “I cannot remember that Chick the Cherub impressed me as other than a joyous, sweet, venturesome and loveable child. Who cares whether it is a boy or a girl?”1 Bad timing: in an era rife with threatening jeremiads about “the New Woman” and pressure on men to trade domesticity for adventure tales and sporting life,2 the publishers were dissatisfied with casual gender ambiguity. They launched a contest for child readers, offering prize money for the best answers as to whether Chick was a boy or a girl and why.3

Baum himself, though, did not succumb. While the world around him fixated on gender and instilled the ideas of conventional gender presentation in children from a young age—to the point of paying them to go along!—gender play is just one element among many that makes up his fantasy worlds….

(6) BEHIND CLOSED DOORS? “The Complicated Ethics of Rare-Book Collecting” in The Atlantic. Paywall surmounted, courtesy Brad Verter.

…The dilemma regarding the ethical placement of a rare book isn’t convoluted for Tom Lecky, who was the head of the rare-books and manuscripts department at the auction firm Christie’s for 17 years and now runs Riverrun Books & Manuscripts. When I mentioned the Hemingway manuscript of “The Short Happy Life of Francis Macomber” that sold for $248,000 at Christie’s back in 2000, he pointed out that institutions had had “every bit the opportunity to buy it as a private individual.” Other singular works that have been up for auction are James Joyce’s “Circe” manuscriptSylvia Plath’s personally annotated Biblea serial printing of Uncle Tom’s Cabin in the National Era newspaper, and the proofs of that first Great Gatsby dust jacket. In each case, I was captivated by their fate. The National Library of Ireland bought Joyce’s manuscript for $1.5 million and digitized it; Plath’s Bible went to an undisclosed buyer for about $11,000; so did the newspapers, for $126,000. Nobody placed a winning bid for the Gatsby cover art.

For Lecky, the ethical question we should be asking isn’t whether institutions should acquire rare books instead of collectors, but what happens when “a private owner owns something that no one knows that they have.” Lecky, like many others in the trade, works to dispel myths about how private collections work. Private collections tend to be temporary and books often jump between hands, but for the time that a collector owns a book, in my view, they should make efforts to share it. “Most collectors don’t think of it as possession but caretaking,” Lecky said. “They’re a piece of the chain in the provenance, not the end of it.”…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 7, 1922 Darren McGavin. (Died 2006.) How could I possibly resist doing the Birthday of Darren McGavin?

Before we get to very obvious reason why I’m doing him, let’s look at some of his other genre and perhaps not-so-genre work.

I’m fairly sure his earliest genre role was in the Tales of Tomorrow anthology series as Bruce Calvin in “The Duplicates” episode which was over seventy years ago. I’m reasonably sure that his next genre role is a decade later in Witchcraft in a major role as Fred. 

He has a lot of genre appearances, some of which I’ll note here. He’s in A Man from U.N.C.L.E. as Victor Karmak in “The Deadly Quest Affair” and yes, I remember him in that episode; the same year he shows up in Mission: Impossible as J. Richard Taggart in “The Seal”; several years later, he’d be in the pilot of Six Million Dollar Man as Oliver Spencer. I never did really get into that series, or that spin-off one. And he’s even in The Martian Chronicles as Sam Parkhill.  

He was also I think, and let me now go check, yes he was, in the first television series featuring  Mike Hammer as that character in Mickey Spillane’s Mike Hammer serieswhich was the  syndicated television series based on Spillane’s series. Though it only ran from January 7, 1958 through November 28, 1959, it had seventy-six half-hour episodes.  

Darren McGavin as Kolchak.

Fifty-one years ago, ABC aired The Night Stalker, the first of two films that preceded Kolchak: The Night Stalker series, the other being The Night Strangler. I’m reasonably sure that I’m seen them though I can’t remember seeing them. This is a casting decision when Darren McGavin was the only performer considered for the role. 

And oh did he ever settle into the role of Chicago reporter Carl Kolchak who investigates mysterious incidents. He encountered, to name some of his stories that his Editor didn’t believe, an alien stranded on Earth, a prehistoric ape-man created  from cell samples, vampires (of course he had to given the original character in the novel did), mummies, and a zombie. Even an android. I thought they did the headless motorcycle rider rather well. 

His character originated in an unpublished novel, The Kolchak Papers, written by Jeff Rice about a Vegas newspaper reporter named Carl Kolchak tracks down and defeats a serial killer who turns out to be a vampire. Yes, the novel is not available as an epub. And Rice wrote yet more novels based on this series.

What I hadn’t realized some fifty years on from first seeing it as a teenager and some thirty years since I last saw it was that of 26 episodes ordered, only 20 were produced. I could’ve sworn that I saw more episodes than that! There was a 2005 revival of 10 episodes, only 6 of which aired before ABC cancelled it due to abysmally bad ratings.

Carter wanted McGavin to appear as Kolchak in The X-Files, but McGavin was very adamant that he would not reprise the character for the series. However he would appear in several episodes as Arthur Dales, a retired FBI agent who was supposed to be the “father of the X-Files”. 

In the third episode of the 2016 revival series, a character prominently featured in the “Mulder and Scully Meet the Were-Monster” episode is conspicuously attired in Kolchak’s trademark seersucker jacket, black knit tie, and straw hat. Why so, you ask? Well, you should ask. 

The episode can trace its origin back to a script entitled “The M Word” episode of the the Night StalkerX-File’s executive producer Frank Spotnitz’s was also the executive producer for that series. So that script was reworked by a different writer into this script with Kolchak being given a nod.

The series is airing Peacock for free or Amazon for $1.99 an episode. Peacock has a lot of SF like Farscape, Primeval, the original Quantum Leap  and the now-cancelled reboot series, and Warehouse 13. Oh, and Columbo as well. I know it’s not genre, but I thought I’d mention it. Alas McGavin never appeared in a Columbo mystery. Too bad.

(8) COMICS SECTION.

(9) REPLICANTS RETURNING. “Michelle Yeoh to Star in ‘Blade Runner 2099’ Series at Amazon” reports Variety.

The “Blade Runner” series in the works at Amazon Prime Video has cast Michelle Yeoh in a lead role, Variety has learned.

The series, titled “Blade Runner 2099,” was ordered at Amazon in September 2022. It serves as a sequel to both the original “Blade Runner” film and the followup film, “Blade Runner 2049.” Exact plot details are being kept under wraps, but sources say Yeoh will play a character named Olwen, described as a replicant near the end of her life…

(10) IT’S A PREQUEL AND A SEQUEL. But not a breath mint. Walt Disney Studios dropped a teaser trailer for Mufasa: The Lion King, in theaters December 20.

A lion who would change our lives forever. #Mufasa: The Lion King. “Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.

(11) REALLY HARD SF. When you make the science hard enough, most science fiction goes out the window. But not all of it. “The Movies That Confronted the Scariest Challenges of Space Travel” at Den of Geek.

Space is great. It’s massive, it’s colorful, and you can have big fights with lasers there. It really does have everything you could want. But it also has problems—mainly, like we said, that it’s massive. In fact it’s so massive that if you want to go anywhere in it (apart from a few nearby planets with hardly anyone to shoot lasers at), by the time you get there, you’re dead. Now you might think that if you can just go fast enough, you’ll get there before you die, but there’s a problem.

That problem, as Albert Einstein tells us, is the speed of light….

Here’s one of the films that Den of Geek gives a passing grade:

Interstellar (2014) 

Christopher Nolan’s space exploration flick is probably the most famous take on time dilation. It is, it has to be said, a film that has done its homework. Although it uses a wormhole to get our astronauts into outer space, a combination of speed and veering too close to serious gravity wells means that decades pass at home while only a short time passes on board the ship. As well as portraying some of the realities of time dilation, this movie also gave us our most scientifically accurate visualization yet of a black hole.

It also, admirably, does not insist on a magic backward-time-travel fudge to restore a familial status quo at the end. The film ends with Matthew McConaughey reunited with his daughter, who is now an old lady, and there is no question of magically reversing that to let him watch her grow up. But even here, the scientifically accurate black hole allows Matthew McConaughey to send a message backward in time to his daughter’s childhood because of the cosmic power of love, or something, making the entire plot into a bootstrap paradox.

(12) QUANTUM CLICKBAIT. “’Warp drives’ may actually be possible someday, new study suggests” – well, not exactly, admits Space.com.

…Alcubierre published his idea in Classical and Quantum Gravity. Now, a new paper in the same journal suggests that a warp drive may not require exotic negative energy after all.

“This study changes the conversation about warp drives,” lead author Jared Fuchs, of the University of Alabama, Huntsville and the research think tank Applied Physics, said in a statement. “By demonstrating a first-of-its-kind model, we’ve shown that warp drives might not be relegated to science fiction.”

The team’s model uses “a sophisticated blend of traditional and novel gravitational techniques to create a warp bubble that can transport objects at high speeds within the bounds of known physics,” according to the statement. 

Understanding that model is probably beyond most of us; the paper’s abstract, for example, says that the solution “involves combining a stable matter shell with a shift vector distribution that closely matches well-known warp drive solutions such as the Alcubierre metric.”

The proposed engine could not achieve faster-than-light travel, though it could come close; the statement mentions “high but subluminal speeds.” 

This is a single modeling study, so don’t get too excited….

(13) ONE FOOT AT A TIME. [Item by Mike Kennedy.] How is Superman like you? According to the first official photo from the upcoming reboot movie, when he’s getting dressed it’s how he, um, re-boots. 

David Corenswet, 30, stars in the first official photo from the upcoming Superman reboot, directed by James Gunn. 

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/6/24 You Saved The Ringworld Old Wu, Louis

(1) TOMLINSON CRITICIZES PENGUINCON FOR CAVING TO HIS CYBERSTALKERS. In “PenguiCon 2024 Postmortem or How Not to Handle Cyberstalking”, Patrick S. Tomlinson explains how he was disinvited from a convention – one he didn’t originally apply to present at, until he was contacted by the committee about a proposal submitted by a cyberstalker.

…Now we can fast forward to this year, specifically February. I didn’t apply to attend PenguiCon in 2023 because my wife and I were traveling internationally too close to the convention to make it work logistically. So, I was surprised and happy to receive an email from the person who’d invited me in 2022 asking about scheduling for 2024. The surprise quickly turned to confusion when they asked if I’d submitted a panel suggestion Alien Crabs and Dragonpox: How STDs are depicted in SFF and why we need more sex-positive representation.”

Reader, I had not. I’m all for sex positivity, but no I didn’t want to run a panel on space herpes.

What had actually happened was a member of the stalking cult had impersonated me to abuse the convention’s unsecured panel suggestion form. I politely declined to run their panel but offered to do another presentation of my own choosing. My counteroffer was quickly accepted and a presentation “Why not Venus?” about terraforming our closest planetary neighbor was put on the official schedule. I booked my room and set to work researching, preparing, and practicing the presentation, an intermittent process which took a total of about two weeks.

Again, I need to reiterate the organizers of this convention were not only aware of the cult stalking us, but had previous experience identifying, confronting, and mitigating their criminal harassment to the benefit of all involved. I therefore approached the coming convention confident any stalker attacks would be properly wrangled, which is why what happened next caught me so completely off guard.

Two Mondays ago, just hours after putting the finishing touches on my presentation, the same person who had booked me was tasked by the PenguiCon board to inform me I’d been disinvited from the convention because the cult stalking my family had sufficiently harassed and threatened other attendees through social media and other vectors to the point I learned later a Guest of Honor was forced to withdraw out of concern for their safety….

I wanted to handle this privately, I really did. Both to try and salvage the relationships and to help everyone involved avoid embarrassment. But between the PenguiCon board ceasing all communication with me, and these libelous statements being made public by our stalkers as a result of poor OpSec on the part of at least one board member, I’ve been forced to present the facts and refute the false narrative being presented by both our stalkers AND the PenguiCon board itself, even if accidentally….

…I want to reiterate that all of this was a known issue that PenguiCon had prior experience with and had handled professionally and competently the last time around. Which is why I find the results and fallout from this year, which again I didn’t even sign up to appear at initially, so incomprehensible. I realize this means my chance of appearing at future PenguiCons now hover near absolute zero, and I’m genuinely upset about that. They have a great con with a unique blend of creators and builders from diverse disciplines that encourages conversation and cross pollination. And as someone who’s hand sold thousands of books, their co-op style bookstore for attending authors should be a model for conventions everywhere.

But for everything they do well, the way they handled cyberstalking, especially for a convention focused on sci-fi and tech, needs to be held out as an example of what not to do for other con runners and boards. Our situation is an extreme example, but when you’re working with guests who are quasi-public figures or even celebrities like authors, artists, and actors can be, you need awareness of the potential for cyberstalkers and have policies and procedures in place.

Policies which do not include victim-blaming their targets and rewarding their criminal behavior.

(2) TOMLINSON ON AGENT LESLIE VARNEY. Tomlinson today also wrote a thread on X.com — that starts here – criticizing literary agent Leslie Varney. It begins: “And now I have to deal with Leslie Varney. Again. Leslie is a literary agent representing other authors like me. Over the last 11 months, she has also made the conscious choice to closely align herself with the criminal cult stalking and SWATTing my family.”

(3) PULITZER PRIZES. The 2024 Pulitzer Prize winners were announced today. The complete list is at the link.

The lone winner of genre interest is film critic Justin Chang of the Los Angeles Times, for his writings about sff movies. The Pulitzer Prize website cites the reviews listed below. Unfortunately, you will probably find them paywalled.

(4) ON THE TRACK OF MIDWEST FURFEST GAS ATTACK. Fur and Loathing has dropped the first of six episodes in a “Furry True Crime podcast of six episodes, releasing weekly”. Connect at the link.

Dogpatch Press reminds fans what is being investigated in its post “Midwest Furfest 2014 chemical attack – new findings by Fur And Loathing podcast”.

Think you’ve heard everything about the 2014 chemical attack on Midwest Furfest? Wait until you hear this.

The intentional release of chlorine gas sent 19 people to the hospital. It was one of the largest chemical weapons terrorist attacks in American history.

Who did it? And… why?

The targets deserve to know, because they were lucky to survive. The weapon’s deadly potential was only avoided by fast response. The level of crime fell just behind the 2001 anthrax attacks, but strangely, nobody was ever charged for it. The story faded into underreporting, disrespect towards the community, murky rumors, and hopes that it won’t happen again. There’s pride in resilience — but 10 years later, justice wasn’t served. It’s the biggest cold case in furry fandom.

The case revived when investigation by Dogpatch Press drew journalist Nicky Woolf and Project Brazen to seek FBI records, identify suspects, and fly across America to interview sources. Nicky is a journalist who reports on internet culture, with stories in The Guardian, and his original podcast series Finding Q and The Sound: Mystery of the Havana Syndrome. Nicky and Brazen’s series Fur And Loathing delivers never-before reported findings to empower the community….

(5) AMAZON’S UNION-BUSTING. Cory Doctorow tells how “Amazon illegally interferes with an historic UK warehouse election” at Pluralistic.

…When it benefits Amazon, they are obsessive – “relentless” (Bezos’s original for the company) – about user friendliness. They value ease of use so highly that they even patented “one click checkout” – the incredibly obvious idea that a company that stores your shipping address and credit card could let you buy something with a single click: https://en.wikipedia.org/wiki/1-Click#Patent

But when it benefits Amazon to place obstacles in our way, they are even more relentless in inventing new forms of fuckery, spiteful little landmines they strew in our path. Just look at how Amazon deals with unionization efforts in its warehouses.

Amazon’s relentless union-busting spans a wide diversity of tactics. On the one hand, they cook up media narratives to smear organizers, invoking racist dog-whistles to discredit workers who want a better deal: https://www.theguardian.com/technology/2020/apr/02/amazon-chris-smalls-smart-articulate-leaked-memo

On the other hand, they collude with federal agencies to make workers afraid that their secret ballots will be visible to their bosses, exposing them to retaliation: https://www.nbcnews.com/tech/tech-news/amazon-violated-labor-law-alabama-union-election-labor-official-finds-rcna1582

They hold Cultural Revolution-style forced indoctrination meetings where they illegally threaten workers with punishment for voting in favor of their union: https://www.nytimes.com/2023/01/31/business/economy/amazon-union-staten-island-nlrb.html

And they fire Amazon tech workers who express solidarity with warehouse workers: https://www.cbsnews.com/news/amazon-fires-tech-employees-workers-criticism-warehouse-climate-policies/

But all this is high-touch, labor-intensive fuckery. Amazon, as we know, loves automation, and so it automates much of its union-busting: for example, it created an employee chat app that refused to deliver any message containing words like “fairness” or “grievance…

(6) CHRIS HEMSWORTH TAKES A LIE DETECTOR TEST. Vanity Fair wired up actor Chris Hemsworth and asked him some uncomfortable questions.

Vanity Fair’s May cover star Chris Hemsworth takes our infamous lie detector test. Between him and Matt Damon, who usually pays the bill? Does he think he’s fashionable enough to be a co-chair for the 2024 Met Gala? Is it true that his little brother Liam also auditioned for “Thor”?

(7) THEY’RE THE TOPS. MoovitApp ended up with a list of 30 titles as they went about “Ranking The Most Popular and Beloved Books Of All Time”. Works by Hemingway, Tolkien, Harper Lee, and Nabokov are here – would you like to guess in what order?

It’s hard to say exactly what makes a book great; they are after all, pieces of art that are just as subjective as anything else. However, there are some books that seem to endure for longer and resonate with more readers. Whether or not you’re a fan of literature, these are the stories that some might consider required reading. So, did you read all the best ones, and did your favorite make the list? Read on and see!…

(8) ROGER BOZZETTO (1937-2024). French academic and literary critic Roger Bozzetto died March 20. His passing was reported on Facebook.

The specialist in science fiction and fantastic literature was one of the most important and relevant European SF&F critics and theoreticians.

He was Professor Emeritus of general and comparative literature at the University of Provence, France.

He was also a member of CERLI (Centre d’Études et de Recherches sur les Littératures de l’Imaginaire/Center for Studies and Research on the Literatures of the Imagination, founded in 1979, the pool of great SF&F specialists of the last three decades in the French university landscape).

(9) JEANNIE EPPER (1941-2024). Stuntwoman Jeannie Epper, who worked on myriad films, many genre or genre-adjacent, died May 5 at the age of 83. The Hollywood Reporter paid tribute:

Jeannie Epper, the peerless, fearless stunt performer who doubled for Lynda Carter on Wonder Woman and swung on a vine across a 350-foot gorge and propelled down an epic mudslide as Kathleen Turner in Romancing the Stone, has died. She was 83.

Epper died Sunday night of natural causes at her home in Simi Valley, her family told The Hollywood Reporter.

Just one member of a dynasty of stunt performers that Steven Spielberg dubbed the “Flying Wallendas of Film” — starting with her father, John Epper, there have been four generations of Eppers in show business since the 1930s — she worked on 150-plus films and TV shows during an astounding 70-year career.

In 2007, Epper received the first lifetime achievement honor given to a woman at the World Taurus Awards and ranks among the greatest stuntwomen of all time.

Known for her agility, horse-riding skills and competitiveness, the 5-foot-9 Epper also stepped in for Linda Evans on the ABC shows The Big Valley in the 1960s and Dynasty in the 1980s. When Evans’ Krystle was engaged in one of those knock-down, drag-out catfights with Joan Collins’ Alexis, chances are it was Epper you saw mixing it up.

Epper also put herself in harm’s way for Kate Jackson on Charlie’s Angels, for Lindsay Wagner on The Bionic Woman, for Angie Dickinson on Police Woman, for Jessica Walter in Play Misty for Me (1971), for Jill Clayburgh in Silver Streak (1976) and for Nancy Allen in RoboCop (1987).

… Epper worked for Spielberg (as director or producer) on eight films, among them Close Encounters of the Third Kind (1977), 1941 (1979), Poltergeist (1982), Catch Me If You Can (2002) and Minority Report (2002)….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born May 6, 1969 Annalee Newitz, 55. By Paul Weimer: Newitz’s work for me has been far less about their science fiction and much more about their non fiction writing. Sure, Autonomous is a solid novel with a lot of things to say about autonomy, slavery, and a heck of a lot about economics and the free market, and gender dynamics. But it is Newitz’s  journalism at i09, Gawker, Gizmodo and elsewhere, writing about society and technology that really drew my attention to their work. That would also include the podcast Our Opinions are Correct, which Newitz co-hosts with Charlie Jane Anders. While I don’t always agree with them and their opinions, I have always found Newitz’ point of view (as well as Charlie Jane’s) to be interesting, strongly reasoned and worthy of engaging in and thinking about. 

Annalee Newitz in 2023. Photo by Scott Edelman.

Newitz’s book Four Lost Cities, to date, is my favorite of their works. Strongly grounded in their journalism chops, the book looks at four cities that have fallen into decay and ruin:  Çatal höyük, one of the very first and earliest of cities, Pompeii, perhaps the most famous and well known of the four cities, Cahokia, the Mound city whose mounds still remain on the other side of the Mississippi from St. Louis, and finally, Angkor Wat.  The last, particularly, was a revelation for me, as I didn’t quite realize the hydraulic engineering that went into and kept Angkor Wat running. Given Newitz’s interest in science and engineering, Newitz is particularly interested in how and when circumstances caused that engineering to slip. And consequently, just how the city’s inhabitants had to face a slow motion collapse and apocalypse. The fall of cities due to internal and external factors definitely loom over the other three cities in the volume as well, but Angkor Wat, as their capstone, definitely is where the themes of the book, and perhaps of a lot of Newitz’s concerns in general, really come to the fore and in full flower and their full powers.

(11) COMICS SECTION.

  • Eek! shows the beginnings of an eternal problem.
  • Tom Gauld teases about AI:
  • And here’s Teddy Harvia’s contribution!

(12) UNICORN. Michaele Jordan has allowed File 770 to share her latest micro story published by 50 Give or Take.

(13) VINTAGE X. The final trailer for Marvel Animation’s X-Men ’97 dropped a week ago. The series is on Disney+.

(14) STAR WARS THAT NEVER WAS. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff at Media Death Cult goes all alternate future with a Star Wars film that could have been… “The Star Wars Sequel That Was Never Made”.

We dive into the Star Wars sequel that could have been, Splinter Of The Mind’s Eye.The novel written by Alan Dean Foster.

(15) LEGO STAR WARS. And here’s some more Star Wars that should never be – but which Gizmodo tells us is going to get its own four-part Disney+ animation: “Darth Jar Jar Strikes in Lego’s Crazy New Star Wars Series”. (Can anything including Jar Jar really be called “intellectual property”?)

The Star Wars Universe gets turned upside down in Lego Star Wars: Rebuild the Galaxy, a fun what-if style series. When ordinary nerf-herder Sig Greebling (Gaten Matarazzo) unearths a powerful artifact from a hidden Jedi temple, the galaxy as we know completely changes.

In the four-part special debuting on Disney+ September 13, the good guys are bad, bad guys are good, and it all falls on Sig’s shoulders to become the hero the galaxy needs to put everything back together…. 

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Michaele Jordan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern. (Daniel was inspired by this Allan Sherman parody.]