2024 Writers Guild Awards Nominees

The Writers Guild of America has announced the 2024 Writers Guild Award nominees for screenwriting, television, new media, news, radio/audio, and promotional writing.

Here are the nominees of genre interest:

SCREENPLAY

Original Screenplay: Barbie, written by Greta Gerwig & Noah Baumbach;

Adapted Screenplay: Oppenheimer, screenplay by Christopher Nolan,

TELEVISION

Drama Series: “The Last of Us,” written by Neil Druckmann, Halley Gross, Craig Mazin, Bo Shim;

New Series: “The Last of Us,” written by Neil Druckmann, Halley Gross, Craig Mazin, Bo Shim;

Animation: Four episodes of The Simpsons and one of Futurama

Episodic Drama: “The Last Generation” (Star Trek: Picard), written by Terry Matalas; 

Episodic Comedy: “Pride Parade” (What We Do in the Shadows), Written by Jake Bender & Zach Dunn;

Children’s Episodic, Long Form And Specials:

  • “The Ballad of the Last Men” (Sweet Tooth), written by Jim Mickle & Bo Yeon Kim & Erika Lippoldt;
  • “I Accidentally Vaporize My Pre-Algebra Teacher” (Percy Jackson and the Olympians), written by Rick Riordan & Jonathan E. Steinberg;
  • “Romance Dawn” (One Piece), written by Matt Owens & Steven Maeda;
  • “Say Cheese and Die!” (Goosebumps), written by Rob Letterman & Nicholas Stoller;
  • “What Guy Are You” (American Born Chinese), written by Kelvin Yu & Charles Yu.

The awards will be presented during a ceremony on Sunday, April 14, 2024.

The complete list of nominees follows the jump.

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2023 Writers Guild Awards

Writers Guild of America West (WGAW) and Writers Guild of America, East (WGAE) tonight announced the winners of the 2023 Writers Guild Awards for outstanding achievement in writing for film, television, new media, news, radio/audio, and promotional categories during concurrent ceremonies.

Everything Everywhere All at Once won the award for Original Screenplay. Severance won two television category awards.

The complete list of winners follows the jump.

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2023 Writers Guild Awards: Television Writing Nominations Announced

The Writers Guild announced nominations for the 2023 Writers Guild Awards on January 11.  The awards for outstanding achievement in television, new media, news, radio/audio, and promotional writing during 2022 will be presented on March 5.

Andor and Severance are both Drama Series and New Series finalists.

The complete list of nominees follows the jump.

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2022 Writers Guild Awards

The winners of the 2022 Writers Guild Awards for outstanding achievement in writing for film, television, new media, news, radio/audio, and promotional categories were announced March 20 by the Writers Guild of America West (WGAW) and Writers Guild of America, East (WGAE) during a joint, virtual ceremony.

The lone winner of genre interest was Don’t Look Up by Adam McKay which won the Original Screenplay category, 

The complete list of winners follows the jump.

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2022 Writers Guild Awards: Film Screenplay Nominees

The 2022 Writers Guild Awards screenplay nominations were announced January 27. This year’s eligibility period was March 1-December 31, 2021. The winners will be named at the joint 2022 WGA Awards on Sunday, March 20.

Nominees of genre interest are: in the Original Screenplay category, Don’t Look Up by Adam McKay; and in the Adapted Screenplay category, Dune by Jon Spaihts and Denis Villeneuve and Eric Roth; and Nightmare Alley, by Guillermo del Toro and Kim Morgan.

The complete list of nominees follows.

ORIGINAL SCREENPLAY
  • Being the Ricardos, Written by Aaron Sorkin; Amazon Studios
  • Don’t Look Up, Screenplay by Adam McKay, Story by Adam McKay & David Sirota; Netflix
  • The French Dispatch of the Liberty, Kansas Evening Sun, Screenplay by Wes Anderson, Story by Wes Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman; Searchlight Pictures
  • King Richard, Written by Zach Baylin; Warner Bros. Pictures
  • Licorice Pizza, Written by Paul Thomas Anderson; United Artists
ADAPTED SCREENPLAY
  • CODA, Screenplay by Siân Heder, Based on the Original Motion Picture La Famille Belier Directed by Eric Lartigau, Written by Victoria Bedos, Stanislas Carree de Malberg, Eric Lartigau and Thomas Bidegain; Apple
  • Dune, Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth, Based on the novel Dune Written by Frank Herbert; Warner Bros. Pictures
  • Nightmare Alley, Screenplay by Guillermo del Toro & Kim Morgan, Based on the Novel by William Lindsay Gresham; Searchlight Pictures
  • tick…tick…BOOM!, Screenplay by Steven Levenson, Based on the play by Jonathan Larson; Netflix
  • West Side Story, Screenplay by Tony Kushner, Based on the Stage Play, Book by Arthur Laurents, Music by Leonard Bernstein, Lyrics by Stephen Sondheim, Play Conceived, Directed and Choreographed by Jerome Robbins; 20th Century Studios
DOCUMENTARY SCREENPLAY
  • Being Cousteau, Written by Mark Monroe & Pax Wasserman; National Geographic
  • Exposing Muybridge, Written by Marc Shaffer; Inside Out Media
  • Like a Rolling Stone: The Life & Times of Ben Fong-Torres, Written by Suzanne Joe Kai; StudioLA.TV

2022 Writers Guild Awards: Television Writing Nominations Announced

Writers Guild of America West (WGAW) and Writers Guild of America, East (WGAE) have announced nominations for outstanding achievement in television, new media, news, radio/audio, and promotional writing during 2021. Winners will be revealed on March 20.

Genre shows with two nominations include The Handmaid’s Tale (Drama Series, Episodic Drama), and Loki (Drama Series, New Series). Animated series Bob’s Burgers and The Simpsons also scored two.

Other genre shows up for the award are: What We Do in the Shadows (Comedy Series), American Horror Story: Double Feature (Original Long Form), The Underground Railroad and WandaVision (both Adapted Long Form), and The Expanse (Adapted Short Form New Media).

Also nominated in the News Script – Analysis, Feature, Or Commentary category is “Woman in Motion: Star Trek’s Nichelle Nichols and The Transformation of NASA” from CBS Sunday Morning.

The full list of nominees follows the jump.

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2021 Writers Guild Awards Nominees

Writers Guild of America West (WGAW) and Writers Guild of America, East (WGAE) have announced nominations for outstanding achievement in television, new media, news, radio/audio, and promotional writing during 2020.

Winners will be honored at a joint 2021 Writers Guild Awards virtual ceremony on March 21.

The complete list of nominees is here. Nominees of genre interest include —

DRAMA SERIES

The Boys, Written by Eric Kripke, Ellie Monahan, Anslem Richardson, Craig Rosenberg, Michael Saltzman, Rebecca Sonnenshine; Amazon Studios

The Mandalorian, Written by Rick Famuyiwa, Jon Favreau, Dave Filoni; Disney+

COMEDY SERIES

What We Do in the Shadows, Written by Jake Bender, Jemaine Clement, Zach Dunn, Joe Furey, Shana Gohd, Sam Johnson, Chris Marcil, William Meny, Sarah Naftalis, Stefani Robinson, Marika Sawyer, Paul Simms; FX Networks

NEW SERIES

Lovecraft Country, Written by Misha Green, Shannon Houston, Jonathan Kidd, Kevin Lau, Ihuoma Ofordire, Wes Taylor, Sonya Winton; HBO

EPISODIC DRAMA

 “Raised by Wolves” (Raised by Wolves), Written by Aaron Guzikowski; HBO Max

CHILDREN’S EPISODIC, LONG FORM AND SPECIALS

“Countdown” (The Astronauts), Written by Dan Knauf; Nickelodeon

Pixel Scroll 2/23/17 We Scroll Not Because It Is Easy, But Because It Is Hard

(1) NAME THAT TRILOGY. The game show where you figure out the title of the third movie based on the first two! And who is our contestant today, George?

(2) NUANCES OF LESTER DENT. Cat Rambo’s new Doc Savage post — “Reading Doc Savage: The Spook Legion”.

Hideous and amazing! Let us begin. Leo does, of course, send off the telegraph and soon after Doc Savage calls on the phone. He points out certain subtleties we might have missed earlier:

The mysterious circumstances surrounding the appearance of the message then came out. Dr. Savage heard it through without comment then advised, “There is probably no A. N. Onymous listed in your directory.”

Leo Bell looked in the directory.

“No,” he said. “There is not.”

“The name was the result of a trick writing of the word ‘anonymous,’” Doc pointed out. “The dictionary defines an anonymous work as one of unknown authorship, which seems to fit in this case.”

Lemony Snickett has nothing on Lester Dent. Leo and the night manager discuss the mysterious telegram and then vanish from the book, never to be seen again.

(3) THEY’RE BLACK, AREN’T THEY? Blastr says “We’re finally going to find out what black holes look like. Sort of.”

We think we know what black holes look like. NASA renderings and sci-fi special effects artists usually imagine the eerie glowing ring of an event horizon around what appears to be an impenetrable dark chasm. It happens that they aren’t so far off from the truth — and a groundbreaking (sky-breaking?) telescope is about to prove it.

Supermassive black holes have long been suspected to lurk at the center of every galaxy, including ours. These mysterious phenomena were initially predicted by Einstein’s Theory of Gravity over a hundred years ago. Don’t get any time-travel ideas yet, but their gravitational power is intense enough to warp space-time. Activity that occurs at the edge of one of these dark leviathans can actually ripple through the entire galaxy it resides in. Despite their awe-inspiring power that has fueled pages and pages of brilliant science fiction and even an iconic Muse song, no one has actually ever seen one.

(4) SAVING TED’S HOME. Ted White’s appeal “Save My House” has funded. He asked for $15,000, and within two days 352 donors have given $17,948.

(5) LAWLESS AND DISORDERLY. “Stories ripped from the headlines” as it’s famously said about one TV franchise. Amanda Bressler tells readers of the HWA Blog how to profit from this strategy in her post “Horror in the Headlines: Using the News for Novel Ideas”.

Multiple points of view While good journalism tries to cover a story in a balanced way, you really never get the whole picture. Everyone involved in a tragedy or mysterious event will have a slightly different version of what happened. Fiction gives authors the ability to explore and create those various angles through multiple points of view. School shooting novels especially use this tactic as these encounters are so personal—the gunman, the victims, the bystanders are the friends, teachers, siblings, and classmates with whom there is history and relationships. Allowing for many first person accounts gives a fuller picture of this tangled web of high school connections and emotions that culminate in a horrific and terrifying event.

The book Violent Ends takes a unique approach to multiple points of view by giving 17 YA authors one chapter each to write from the perspective of a student in a high school that has been taken hostage by a fellow classmate. It achieves an even more complex study into what would drive a person to such violence, and the variety of styles throughout the book make for a more interesting reading experience.

(6) WHO KNEW? The President of SFWA may be mighty but she is not in charge of your Wikipedia entry.

(7) ODDS AGAINST. Meanwhile, a former SFWA President swats another fly – “Reminder: There’s No Such Thing as an Automatic Award Nomination”.

Over at Inverse, writer Ryan Britt is annoyed that two of his favorite science fiction books of the year, Death’s End by Cixin Liu, and Babylon’s Ashes by James S.A. Corey, are not on the Nebula list of nominees for Best Novel. His argument for both basically boils down to they’re both amazing so they should be obvious nominees, obviously, which to be fair is the same general argument anyone makes when they complain about something they love getting what they perceive to be a snub for whatever award they think the thing the love should be up for….

…It’s pretty much 100% certain this didn’t happen here; instead, people just voted for the novels they preferred, and preferred other books.

But Death’s End and Babylon’s Ashes were good books! Indeed they were. But there were five Best Novel slots available on this year’s Nebula ballot and dozens of SF/F novels (at least!) of sufficient quality to make the ballot. The two novels that Britt points out are only a couple of the novels that could have been on the ballot, from the perspective of quality, but aren’t. There are — thankfully — always more good SF/F novels in a year than may fit on a Nebula ballot.

And not just novels but novellas, novelettes, short stories, YA novels and screenplays, those being categories that SFWA awards annually. I mean, let me use me as an example: My novella The Dispatcher was eligible for the Novella category this year. It was very well reviewed, had a huge audience, and is already up for other awards. I’m a well-known and (mostly) liked science fiction writer, and former president of SFWA, so I’m also familiar to the folks who nominate for the Nebula. The Dispatcher should be a shoo-in for a nomination, yes? Yes! I say yes! A thousand times!

(8) THE FLY STRIKES BACK. Swatted is just a metaphor, of course, for while people were reading Scalzi’s fine-tuned mocking, his target, Ryan Britt, was busily (buzzily?) typing a reaction piece, “Science Fiction Awards are Basically Bullshit”. But he writes as if he suffered an actual rather than metaphorical concussion. Today, for a brief and shining moment, Britt seemed to understand how works get shortlisted for the Nebula, something he misstated in Tuesday’s post (“Two Huge Sci-Fi Novels Were Snubbed by the Nebula Awards”) —

In order for something to make it on the ballot of the Nebulas, it has to be nominated by members or associate members of the Science Fiction and Fantasy Writers of America. This is a little better than the Hugo nominating process, which is loose enough to create loopholes that let all sorts of bigoted groups to hijack the process. But still, the non-insider fan gets bamboozled: SFWA ignores great science fiction writing published outside of the places they usual look. The Nebulas and Hugos will nominate books about fantasy worlds and spaceships, but when the technological sci-fi speculation gets closer to home, those types of books tend to be overlooked. And this doesn’t mean they aren’t finding really obscure, indie sci-fi authors. Just the opposite. Mainstream literary fiction — which is totally sci-fi — gets snubbed by the Nebulas and the Hugos completely.

Unfortunately, by the last paragraph he was again telling people the Nebula finalists are the product of a “nominating committee.” His syntax was pretty groggy, too —

This year, the Nebula Nominations have proven again that they’re nominating committee is only seeing half the picture. With two huge science fiction novels nowhere on the list — Death’s End and Babylon’s Ashes — it feels like a good time for fans can start looking elsewhere for good science fiction book recommendations.

(9) USE YOUR PLACE AT THE TABLE. What to do after you’ve been to the ISS: “After Making History In Space, Mae Jemison Works To Prime Future Scientists” at NPR.

On encouraging more women and minorities to enter math and science

I think that there are really important things that we have to do with students to get them to succeed in science, to go on and stay with careers. And that includes the idea of being exposed to something.

So if you know that those things exist, it makes it easier for you to get involved. For example, it helps to know what an engineer is. It helps to know what a biotechnician is, so you’re not afraid of it.

Then, it’s experience. When you do hands-on science, you learn to — you learn about electricity by wiring a flashlight. And then it’s expectation. And that expectation is, we should expect our kids to succeed and to achieve. Children live up or down to our expectations. And so, I always call it the three E’s: experience, expectation and exposure.

(10) TODAY IN HISTORY

  • February 23, 1896 — Tootsie Roll introduced by Leo Hirshfield.

(11) YESTERDAY IN HISTORY

  • February 22, 1957  — Incredible Shrinking Man premieres.

(12) COMIC SECTION. John King Tarpinian recommends the LOTR joke in today’s Brevity.

(13) A BOLD DEFENSE. In Kate Paulk’s Mad Genius Club post she never names the person she is standing up for.

So when a controversial figure’s book deal is suddenly canceled because of a manufactured furor (not even over the content of the lies used to create that furor because the publisher has printed and supported far worse from those who happen to have not had the howling mobs roused against them) it impacts all of us readers and authors.

For the record, I don’t give a flying fuck what that – or any other author – does in privacy with consenting partners. Even if I would be squicked to high heaven by the details if anyone was crass enough to tell the world. I don’t care what he – or anyone else – believes as long as it’s not being shoved down my throat and nobody is being damaged by it. If I don’t like the author’s behavior or politics I don’t have to buy their books and I certainly don’t have to read them. I am sufficiently mature that I do not see the need for a legion of sensitivity readers to take their works and massage them into bland, tasteless pap.

What I care about is that someone who has – objectively – done not one damn thing wrong is the subject of a coordinated effort to not merely silence him, but disappear him. I’ve seen this happen in the past. It happened to Larry Correia. To Brad Torgersen. I didn’t get the full force of it last year, but instead got the cold shoulder of people doing their best to pretend I’d already been disappeared

(14) WRITERS GUILD AWARDS. SciFi4Me points out that Arrival hasn’t lost all the awards to its song and dance rival:

LaLa Land may be the heavy favorite to sweep the Oscars this year, but on February 19 the Writers Guild of America (WGA) awarded Best Adapted Screenplay to the underdog science fiction film Arrival.

Here are some WGA winners of genre interest.

FILM NOMINEES

ADAPTED SCREENPLAY

Arrival, Screenplay by Eric Heisserer; Based on the Story “Story of Your Life” by Ted Chiang; Paramount Pictures- WINNER

TELEVISION AND NEW MEDIA NOMINEES

ADAPTED SHORT FORM NEW MEDIA

“Part 4” (Fear the Walking Dead: Passage), Written by Lauren Signorino & Mike Zunic; amc.com – WINNER

CHILDREN’S EPISODIC

“Mel vs. The Night Mare of Normal Street” (Gortimer Gibbon’s Life on Normal Street), Written by Laurie Parres; Amazon Studios – WINNER

VIDEOGAME NOMINEES

OUTSTANDING ACHIEVEMENT IN VIDEOGAME WRITING

Uncharted 4: A Thief’s End, Written by Neil Druckmann, Josh Scherr; Additional Writing Tom Bissell, Ryan James; Naughty Dog – WINNER

(15) NO BUCK ROGERS, NO BUCKS. Jim C. Hines continues to analyze the data from his latest survey — “2016 Novelist Income Results, Part 4: Impact of Marketing and Promotion”.

Does this mean the time and money I spent last year as a large-press author traveling to signings and conventions and doing online promotion was completely wasted? Not necessarily. We’re looking at overall trends, and any individual data point might buck a given trend. (Also, correlation =/= causation. I think I’ve said that on every post so far.)

There’s also the question about how you’re spending that time. 20 hours spent standing on a street corner wearing a BUY LIBRIOMANCER! sign probably wasn’t as effective as 20 hours spent researching reviewers and sending out targeted review copies of my book.

(16) SPACE STATION OF THE APES. First there were snakes on a plane. Now there’s a gorilla on the ISS.

Astronauts aboard the international space station recently had a surprise visitor, but it wasn’t an alien.

In a video posted on Twitter, NASA astronaut Scott Kelly dresses up in a gorilla suit and chases his colleagues around the space station.

Kelly’s brother, Mark Kelly, posted a video of the incident on Monday with the hashtag #ApeInSpace.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day bookworm1398.]

2016 Writers Guild of America Awards

Rhianna Pratchett

Rhianna Pratchett

While most Writers Guild of America nominees of genre interest were not among the winners announced on February 13, one winner is very well-known to fans.

Rhianna Pratchett was the Lead Writer for the team voted the “Outstanding Achievement in Videogame Writing” award for Rise of the Tomb Raider. Other team members were Lead Narrative Designer John Stafford, Narrative Designer Cameron Suey, and Additional Writer Philip Gelatt.

The guild’s 68th annual awards were chosen by a vote of the WGA’s 12,000 members. Here are other results of genre interest —

DOCUMENTARY SCREENPLAY

  • “Going Clear: Scientology and the Prison of Belief,” Written by Alex Gibney; HBO Documentary Films

NEW SERIES

  • “Mr. Robot,” Written by Kyle Bradstreet, Kate Erickson, Sam Esmail, David Iserson, Randolph Leon, Adam Penn, Matt Pyken; USA

SHORT FORM NEW MEDIA – ADAPTED

  • “Chapter Two: Phoebe” (Heroes Reborn: Dark Matters), Written by Zach Craley; nbc.com

ANIMATION

  • “Housetrap” (Bob’s Burgers), Written by Dan Fybel; Fox

CHILDREN’S SCRIPT – EPISODIC AND SPECIALS

  • “Gortimer, Ranger and Mel vs. The Endless Night” (Gortimer Gibbon’s Life on Normal Street), Written by Gretchen Enders & Aminta Goyel; Amazon Studios

Variety notes —

The WGA screenplay nominations did not include four Oscar nominees — the adaptations of “Brooklyn” and “Room” and the original scripts for “Ex Machina” and “Inside Out” — which were excluded because the scripts were not produced under WGA jurisdiction.