Tag Archives: Bugs Bunny

Pixel Scroll 6/7/25 His Soul Swooned Slowly As He Heard The Pixels Falling Faintly Through The Universe 

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(0) A bit short because I’m out of time – need to go watch the Nebula Awards.

(1) SFWA INFINITY AWARD 2025. Dune author Frank Herbert (1920-1986) is SFWA’s Infinity Award honoree.

…Now in its third year, the SFWA Infinity Award serves to highlight the achievements of creators who did not live long enough to be considered for the Damon Knight Memorial Grand Master Award, but who achieved a distinct and tremendous legacy in science fiction and fantasy…

(2) RENAISSANCE BRANDING. At Paul Krugman’s Substack newsletter – “Inventing the Renaissance: Ada Palmer”.

…I think I first began reading Ada Palmer through her blog Ex Urbe, which is about, among other things, history, philosophy and gelato. Her day job is being a history professor at Chicago, but she’s also the author of a thought-provoking quartet of science fiction novels.

Ada was part of a panel we held at the Graduate Center on social science and science fiction, and has a new, fascinating book called “Inventing the Renaissance.” And I thought, correctly, that it would be fun to talk about it!…

…KRUGMAN: I should say, I really want to come back to this, that none of this would work unless we did see a lot of stuff in this Renaissance that we admire. There’s some damn good painting and architecture and innovative political thinking and a lot of other things going on. I think every professional historian now dumps on the notion of the dark ages, but if we were talking about the period that we used to call the dark ages, nobody would be claiming it, and in recreating the society of 11th century France, it’s the fact that the Renaissance left us things that we value that makes it.

PALMER: But I mean, there are two reasons that it seems to have left us so many more. One is that the rhetoric of the Renaissance as a golden age kicks in even during the Renaissance itself. It’s the Renaissance that invents itself as a golden age. And immediately afterward, so as early as the 17th and the 18th centuries, having Renaissance stuff made you part of this idea of a new golden age, it made you legitimate. Therefore, if you had Renaissance stuff, you kept your Renaissance stuff. If you had older stuff, you were like, “we’ll knock that medieval church down and build a new church, we don’t care, but the Renaissance one, we’re keeping.”…

(3) SO YOU WANT TO WRITE STAR WARS BOOKS? Delilah S. Dawson has an interesting thread about “How to Write IP” – basically, media-tie in fiction — here on Bluesky.

(4) LUKE SKYWALKER AS ‘NARRATIVE GAFFER TAPE’. [Item by Steven French.] “Mark Hamill has finally ruled out a return as Luke Skywalker. Can Star Wars survive without him?” asks the Guardian.

…Mark Hamill’s Luke Skywalker has been Star Wars’ ultimate backup plan for at least half a decade. The original trilogy has faded into the distance, and the movies set in that galaxy far, far away have become so poor in recent years that we’d all rather watch Andor. But there was always the option of plugging in Hamill – a sort of human Star Wars USB stick, primed to conjure up 1970s vibes as required. Not quite getting your fill of Force nostalgia? Here’s Luke tutoring Baby Yoda in The Book of Boba Fett. And here he is again, whinging about past mistakes in The Last Jedi. It may not quite have been Binary Sunset, or Yoda lifting the X-wing on Dagobah. But for a few shimmering, quite-possibly-digitally-retouched moments, it felt like we were back in the real Star Wars again…

(5) NO BLEEP, SHERLOCK. Camestros Felapton’s review starts by making an interest connection: “I’m enjoying the Murderbot TV show”.

I’m five episodes in to the series now but each episode is short (about half an hour including credits etc), so 5 episodes is closer to two and a bit episodes of most streaming shows. Short is an interesting choice and with the episodes ending on cliff hangers the show has this surprising similarity to classic Doctor Who.

Obviously Murderbot itself is the largely unlike the Doctor (it is not trying to involve itself, it very much doesn’t want to be there and is not insatiably curious) but prior to this TV adaptation I hadn’t really thought of Doctor Who and Murderbot having any more commonality than being science fiction. However, if we think about Holmesian detective fiction, in which the stories revolve around a central character who is, in late Victorian terms eccentric and in modern terms neuro-atypical, we see the similarity of form even when the template becomes as different as the TV show Monk and the TV show House. …

(6) SCI-FI LONDON FILM FEST PROGRAMME ANNOUNCED, [Item by SF Concatenation’s Jonathan Cowie.] The Sci-Fi London Film Fest is where ‘What if’ meets ‘WTF’. It runs Thursday 19th – Sunday 22nd June 2025 at the Picturehouse Finsbury Park just next to the joint rail/underground(tube) station’s west exit (SE England Filers see map below). (And there is a coffee shop bang opposite, while the Picture House has its own bar… So, all the basics there.)

This year’s line up sees a dozen feature films including a few UK premieres, plus there is a feature-length documentary on The Rocky Horror Show with the indelible Richard O’Brien.

As ever, the programme sees six sessions, each of several, SF short films. These are invariably rather good as if one short does not tickle your fancy then there will be another along in a few minutes time.

Also as ever, there will be the 48 Hour Film Challenge Awards. This is where budding short-film makers are given a line or two of dialogue and told to include a specific prop and then given two days to make a short SF film. If this year’s ceremony runs true to form, the short-list winning entries will be screened and then the winner announced. Challenge entrants get into the Award ceremony for free, but good luck everyone else as this is a popular event! (Past winners have included Gareth (Monsters, Rogue One, The Creator) Edwards, whose short ‘Factory Farm’ won the 2008 48-Hour Challenge.)

And then there are the free extras which as is usual includes a quiz, plus there is a creators’ signing session, an SF art display in the cinema’s bar, a DVD swop session, and a karaoke session.

Attendees can either pay individually for each film or short sessions, or if seeing nine or more of the score of screenings, there is an all-event pass (equivalent to attending membership and works out as a 50%+ discount). And, of course, there is a printed, full-colour programme book for everyone attending even if only for a single screening. (Yes, and they didn’t need a WSFS constitution to do it.)

For those for whom a long commute is not on, there are a number of hotels nearby including the Maldron Hotel Finsbury Park.

Now, SF Film Fests are important, though you would never have guessed it from Worldcons the past decade or so that have seen their film programmes whither (Glasgow 2024 was the fist British Worldcon not to screen any films!) and it is a long way form the excellent, three streams of films at the 2010 Worldcon. Yet, average Worldcon regulars greatly enjoy films as is evidenced by the numbers both nominating for and voting in the Best Dramatic Presentation Long Form Hugo Award category: it is one of the most popular Hugo categories! It is also further evidenced by over 42% of the 1,260 Glasgow Worldcon members voting to create a new Independent Film Hugo category! (Which makes Glasgow’s decision to abandon the film programme all the more puzzling.) What film fests do do is to enable SF fans to see offerings that don’t often make general release or the streaming platforms, not to mention enable fans access some of the vast wealth of non-Anglophone cinematic SF: they wave the flag for diversity in cinematic SF. Fests truly are worthy of your support.

And if Worldcon-runners and SMOFs wail that putting on a film programme is too difficult, then for goodness sake, they might get in touch with their own regional film fest organisers. Give them a budget and allow them to trail their own event at the start of each film they screen and let them get on with it. Simples.

Meanwhile, London area Filers might like to meet up at this year’s SFL Science Fiction Quiz (19.00 Saturday 21st June)?

(7) MEMORY LANE.

[Written by Cat Eldridge.]

July 6, 1957 — Bugs Bunny’s “What’s Opera, Doc?”

Sixty-eight  years ago, one of the very best Warner Bros. cartoons ever done was released,  Bugs Bunny’s “What’s Opera, Doc?”

It was directed by Chuck Jones as written by Michael Maltese, whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera. MGM Cartoons is best known for their Tom and Jerry cartoons; the latter for The Jetsons. 

BEWARE! SPOILERS! I MEAN IT! IF YOU’VE NOT SEEN IT GO AWAY! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des Nibelungen, Der Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well, let’s just say it’s just it gets even more manic. Really manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t be any surprise to those familiar with these cartoons theater there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

The short marks the final appearance of Elmer Fudd in a Chuck Jones cartoon.

It has been voted in numerous polls and picked by quite a few critics, a hard to please group indeed, as the best Warner Bros. cartoon ever. 

(8) COMICS SECTION.

(9) FOUND IN THE WILD. Sharon Lee took a photo of a surprising signboard she spotted in her town.

(10) YOUR VERDICT IS? For their American Indian Law class this spring, Crystal Huff wrote a parody episode of NPR’s “Wait Wait Don’t Tell Me” show. I actually got the first question right — one more than I expected to.

Spring of 2025, Professor Jon Witten (Tufts University) encouraged us to be creative with our final projects, and do something that demonstrated our learning from the semester. This is what I came up with: A parody script of NPR’s “Wait Wait Don’t Tell Me” show (approximately), with questions based on the cases we focused on in class. My friends and classmates agreed to help record it over Zoom so that it might be helpful and informative for future use. All errors are presumably my own.

(11) SOMETIMES IT’S NOT GOOD TO BE GREEN. [Item by Steven French.]  “Tool to identify poisonous books developed by University of St Andrews” reports the Guardian.

A new tool to quickly identify books that are poisonous to humans has been developed by the University of St Andrews.

Historically, publishers used arsenic mixed with copper to achieve a vivid emerald green colour for book covers. While the risk to the public is “low”, handling arsenic-containing books regularly can lead to health issues including irritation of the eyes, nose and throat along with more serious side-effects. The toxic pigment in the book bindings can flake off, meaning small pieces can easily be inhaled…

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, John A Arkansawyer, Olav Rokne,  Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 11/2/24 Pixie Scroll Is Unexpectedly Whimsical! As If All The News Is Being Delivered By Pixies

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(1) MINUS ONE GETS PLUS ONE. “Godzilla Minus One Sequel in Development From Takashi Yamazaki” reports CBR.com. So will it be titled Godzilla Minus Two or Godzilla Zero? (Wasn’t “New Math” supposed to prepare me to answer this question?)

Godzilla Minus One is getting a sequel. Toho and Takashi Yamazaki are reuniting for a new movie featuring the iconic monster.

The “EMERGENCY ANNOUNCEMENT” was made on the official X account for Toho’s Godzilla franchise. The 10-second video confirmed that production had been greenlit on a new Godzilla movie, with Yamazaki returning to write, direct, and supervise VFX. The last detail is perhaps the most important, as Yamazaki and his VFX team won the Best Visual Effects category at the 96th Academy Awards for Godzilla Minus One. 

The 8-second “emergency announcement” is on X.com here.

(2) NO ASTRONOMICON OR HELIOSPHERE IN 2025. Ralston Stahler told Facebook readers today that Astronomicon, held annually in Rochester, NY is taking 2025 off.

Well, some bad news. Due to me being somewhat burned out from trying to organize a NASFiC for the last two years, after Heliosphere it really made me think that my fannish energy has been severely depleted.

The NASFiC did good, people liked it and we did good financially, I just don’t have the energy to run Astronomicon for 2025. I let our guests know that things have changed and at least I need a break for a bit.

Heliosphere (I’ll post their announcement later) after running World Fantasy in Niagara Falls is also taking 2025 off. So the only science fiction con left anywhere nearby will be Albacon in Albany in 2025. They will be the only SF con in New York state next year.

I urge everyone to really think about attending. One of the things I have been saying is that SF cons are becoming very fragile things. They are put on by ever decreasing numbers of science fiction fans. Which is one of the things we need to work on. Getting people to help run them.

New Jersey’s HELIOsphere made a comparable announcement two days ago.

We regret to announce that New Amsterdam Science Fiction and Fantasy Fandom (NASF3) will not be presenting HELIOsphere in 2025.

HELIOsphere was to be held May 2–4, 2025 in Piscataway, New Jersey.

The chief reason is that we feel the need to take the extra time to organize, regroup, and refocus on what we want our home convention to be.

We fully expect to return in 2026, with a new, improved convention that more fully reflects the vision we had when we founded this event in 2017.

Our Guests of Honor, Catherynne Valente and Adam-Troy Castro, have, of course, already been informed of our change in plans. We regret not hosting them next year, but look forward to seeing them at other events … perhaps even at a future HELIOsphere.

We had not yet opened membership for HELIOsphere 2025, except for the memberships we took at the close of HELIOsphere 2024.

We will be issuing refunds for those memberships as soon as possible.

This is far from the end of HELIOsphere. In the coming year, we will be discussing our direction and focus, and planning a new beginning for our event.

(3) CLARION WEST ART OPPORTUNITY. “Call for Clarion West 2025 Featured Art” – complete guidelines at the link.

Clarion West is searching for an artist to create artwork for our 2025 featured artwork. Clarion West seeks to commission one custom illustration with unlimited global rights. Please share this call with the artists you know that might be a great fit, and see below for details.

What we’re looking for

Each year, we seek artwork that inspires us and our writers to create and explore with bravery and freedom. The art needs to represent the genres of science fiction, fantasy, and/or horror in some way, while also supporting our core values of diversity, inclusion, and supporting emerging writers. (You can see the work of our 2024 poster artist, Carolina Rodríguez Fuenmayor, here as just one example.)…

(4) BATTLING SCAM AI STORY SUBMISSIONS. Sue Burke reports from sff’s front lines in “AI Is Fueling a Science Fiction Scam That Hurts Publishers, Writers, and Even Some of the Scammers” at Chicago Review of Books.

…“The deluge is different now,” but it continues unabated, Clarke said at this summer’s World Science Fiction Convention in Glasgow, where he received a Hugo award for Best Short-Form Editor for the third time. His exasperation has grown with the “torment nexus” that he finds himself trapped in. He quietly reopened submissions in mid-March last year, and he’s created a sort of spam filter (which he won’t detail so it can’t be evaded) that he shares with Asimov’s. It moves likely AI stories to the end of the submission line, although they still get read because the filter can make mistakes. He’s banned thousands of spammers…

As to any attempt to defend AI here:

…So, it’s easy to claim—and perhaps believe—that an AI can create fiction and art, cure cancer, and eliminate your job, all in a matter of seconds, just before it destroys the Earth. Or this might be overhype. In any case, the AI programs are owned and controlled by major multinational corporations. Can we trust them with creativity?

“Experience should have taught us all by now that large corporations are the last entities that should be entrusted with our future, much less with what becomes of human creativity,” says Tonya R. Moore, poetry editor at Solarpunk Magazine, a poetry acquiring editor at FIYAH Magazine of Black Speculative Fiction, and an associate writer at Galactic Journey. “AI is still extremely undeveloped, and large corporations are already using the technology to manipulate and cheat people in the most underhanded ways.”… 

(5) A FAPA JUBILEE. [Item by John L. Coker III.] Robert Silverberg has just reached another major milestone: as of November 2024, he has been a continuously contributing member of FAPA for 75 years!

While still a teen-ager, Bob joined the Fantasy Amateur Publishing Association in November 1949.  This was back when Harry S. Truman was still the U.S. president.

(6) IT’LL DO. Camestros Felapton gives Agatha all Along his seal of approval. “Review: Agatha all Along (Disney)[some spoilers]”.

…Aside from anything else, WandaVision had one clever trick (playing off the cliches of suburban sitcoms from different eras) and the lead characters (Wanda Maximoff and Vision) where now dead in the MCU. Would Kathryn Hahn’s meddling witch carry a sequel?

Actually, yes. This was an enormously entertaining miniseries….

(7) NEGATORY, GOOD BUDDY. “John Williams Shot Down One Request While Filming Disney+’s Music By John Williams, But I Think His Reasoning Makes So Much Sense” – read the explanation at CinemaBlend.

Music by John Williams – a new title streaming this week – provides viewers with an intimate portrait of the prolific composer behind films like Jaws and Schindler’s List. Through his conversations with Williams, director Laurent Bouzereau sheds light on the conductor’s personal life and his creative process as well. Bouzereau had many memorable moments working on the documentary, including one he revealed to CinemaBlend – which saw Williams shoot down a request. Yet the living legend’s rationale made so much sense.

I recently had the opportunity to speak with Mr. Bouzereau ahead of the release of his latest doc. During the interview, he regaled me with details on his film as well as fun anecdotes regarding his chats with its main subject. It was the latter that led the Five Came Back helmer to reveal that he asked the celebrated maestro to perform the original pieces of music he concocted for Close Encounters of the Third Kind. But, as Bouzereau explained to me, the now-92-year-old conductor declined for a very specific reason:

“Well, I had wanted John to – I knew that he had, for Close Encounters of the Third Kind, created different versions of the five notes and, sometimes, there were more than five. And I had said to him, ‘ [It would] be great if you could play on the piano the different incarnation[s] of those notes.’ And he said, ‘No.’ Because it’s so iconic that you are betraying something that is in everybody’s mind. And he didn’t want to suddenly have someone say, ‘Oh, that would have been better,’ or whatever, you know, what is in the movie, [is] what is in the movie. So I was kind of disappointed, but he said, ‘I’ll get you something. You’ll see.’”…

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary— Doctor Who’s “The Happiness Patrol” (1988)

The first part of Doctor Who’s “The Happiness Patrol” aired thirty years ago on this date. 

Written by Graeme Curry, it was intended (by him and the other writers) to be a parody of Thatcherism, with Helen A representing Margaret Thatcher herself. As you can seeing the picture below, she may or may not have more than passing resemblance to The Iron Lady.  

This was the Seventh Doctor so Sylvester McCoy was The Doctor and Sophie Aldred was Ace, who is still one of my favorite companions, and there’s one episode they did where I’m still cursing them for the emotional cruelty they did to her. Not saying which episode that was of course. 

All of the classic Doctor Who is available in the United States on Britbox.

The guest performers were Shelia Hancock as Helen A. with David John Pope as Kandy Man. 

Rowan Williams, the Archbishop of Canterbury, referred to this story in his 2011 Easter sermon, on the subject of happiness and joy. Really. Truly. So what is the story that he so truly liked? 

SPOILERS NOW, SO GET A CUP OF DARJEELING TEA AND A CHOCOLATE BISCUIT. 

They find themselves on a colony that is under the dictatorship of Helen A. where sadness and misery are capital crimes, and killjoys which is anyone, well, is sad, are is executed on the spot by  female assassins known only as The Happiness Patrol. 

Now this being the Whovian reality, we also have, according to the Tardis Wiki, “The Kandyman was a pathological, psychopathic android, employed as an executioner by the egocentric Helen A. It delighted in inflicting torture and destruction with confectionery. One of its favourite methods was drowning people in pipes filled with its “Fondant Surprise”, a thick solution composed of boiling liquid candy.”  

Needless to say the Seventh Doctor had to defeat Helen A., the Killjoys, the Kandyman and assorted less than sweet individuals in this episode. That they did in the usual Whovian manner, though the Seventh Doctor put his slightly darker twist on it.

About this parody of The Iron Bitch, errr, Thatcher and her years in power? The story makes it very apparent that it what is happening here. Remember the Miners Strike under her and her violent suppression of it? Well, this colony has an oppressed underclass of workers – depicted here as a literally different species. So they turn out to be miners. And they are victims of Helen A.’s regime. “Well, they may not look like it,” the Doctor tells Ace, “but they’re on the edge of starvation. No sugar in the pipes.” Sugar being their only food.

ENJOY THAT TEA AND BISCUITS? GOOD, YOU CAN COME BACK.

I can’t really discuss the critical response to it at the time as they give away way the much of the plot when they reviewed it. Suffice it to say that some like it, some thought it was utter shite because of the anti-Thatcher spin (need I note which papers they wrote for?), some never warmed to the Seventh Doctor so every episode got a blah at best review.

Me, I thought it was a fun story though stretching what was a thin plot over three episodes was just not a great idea. 

It got novelized and the story expanded even more, oh god. Big Finish brings the Kandyman back in the Eighth Doctor: Ravenous story.

We’ll let Helen A. have the final words, “And don’t forget, when you smile, I want to see those teeth.”

(9) COMICS SECTION.

(10) CANON TO THE LEFT OF THEM. “Queen Berúthiel is a Childless Cat Lady!” – Robin Anne Reid has found a Tolkien text resonates with a catchphrase from this year’s Presidential election campaign.

…Queen Berúthiel caught my attention in my very first reading (1965) and has resurfaced on a number of occasions in great part because of the lack of information about her in The Lord of the Rings. Even with just that one brief reference, she stood out: she was a Queen, and, more importantly, she had cats (plural!). She’s (possibly?) the only character in the legendarium who has cats (if you know of any others, please let me know in the comments!)

And although it turns out that she was married (but no children!), there was no mention of her husband in Tolkien’s first introduction of her…

(11) THE AVENGERS’ ELECTION PICK. “The Avengers Stars Reunite to Endorse Kamala Harris in New Video” – The Hollywood Reporter sets the frame.

As Election Day nears, Scarlett Johansson had her fellow Avengers join forces for a get-out-the-vote video.

In a video shared by Vanity Fair, Johansson, Robert Downey Jr., Chris Evans, Mark Ruffalo, Don Cheadle, Danai Gurira and Paul Bettany came together on a Zoom call to brainstorm a new catchphrase for Kamala Harris as she takes on Donald Trump. Some of their suggestions referenced moments from their respective movies, including Iron Man and Black Panther….

(12) YOUR INFINITY MAY VARY. [Item by Mike Kennedy.] Could all the chimpanzees in the world (OK, so technically not monkeys) ever type the works of Shakespeare? Not before the heat death of the universe say a pair of Australian mathematicians. “Monkeys will never type Shakespeare, study finds” at BBC News.

Two Australian mathematicians have called into question an old adage, that if given an infinite amount of time, a monkey pressing keys on a typewriter would eventually write the complete works of William Shakespeare.

Known as the “infinite monkey theorem”, the thought-experiment has long been used to explain the principles of probability and randomness.

However, a new peer-reviewed study led by Sydney-based researchers Stephen Woodcock and Jay Falletta has found that the time it would take for a typing monkey to replicate Shakespeare’s plays, sonnets and poems would be longer than the lifespan of our universe.

Which means that while mathematically true, the theorem is “misleading”, they say.

As well as looking at the abilities of a single monkey, the study also did a series of calculations based on the current global population of chimpanzees, which is roughly 200,000.

The results indicated that even if every chimp in the world was enlisted and able to type at a pace of one key per second until the end of the universe, they wouldn’t even come close to typing out the Bard’s works.

There would be a 5% chance that a single chimp would successfully type the word “bananas” in its own lifetime. And the probability of one chimp constructing a random sentence – such as “I chimp, therefore I am” – comes in at one in 10 million billion billion, the research indicates…

(13) 24 CARROT TRIVIA. “Bugs Bunny Facts That Fans Never Figured Out (What You Always Wanted To Know About Bugs Bunny)” at Idolator. Here’s one example:

Bugs Changed The Meaning Of The Word “Nimrod”

Bugs Bunny is so influential in American culture that he is the sole reason why America uses the term “nimrod” to mean idiot. Before Bugs, nimrod referred to a mighty hunter, named after the Biblical figure, Nimrod.

Bugs would sarcastically compare Elmer Fudd to Nimrod, and America picked up the phrase. The fact that the cartoon was able to change the definition of an established word shows just how much of a lasting impact it had on the world.

(14) ALIEN ASPIRATIONS. [Item by Steven French.] In the Guardian’s ‘Week in Geek’, hopes and concerns are expressed over the prospect of a sequel to Alien: Romulus: “Alien: Romulus thrilled fans – how can its follow-up avoid the saga’s past mistakes?”

Romulus’s power lay in its ruthless singlemindedness. Like the xenomorphs themselves, it was the perfect movie organism, a simple slasher-in-space tale of a bunch of kids lost in the cosmos who find they have bitten off more than they can chew, and are about to be bitten back hard. Part two should really be more of the same but somehow bigger, and yet the distinct impression from this mercurial saga is that whenever somebody tries to widen the Alien canvass, they wind up with a sprawlingly portentous or downright weirdmural where we really just wanted a nasty little close-up.

Perhaps all we need next time out is another hyper-focused horror romp, with just the tiniest side order of Weyland-Yutani intrigue. Anything more, and once again there’s a danger that this sleek and venerable old beast starts looking like an unwieldy colony ship with a leaking fuel line and a loose facehugger in the cargo hold….

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Michael J. Walsh, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel.]

Pixel Scroll 10/4/24 And When People Run In Pixels It’s A Very Very Mad Scroll

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(1) SFWA SECRETARY CANDIDATE WITHDRAWS. The Science Fiction and Fantasy Writers Association will open voting on October 9 for candidates to complete the terms of the president and secretary. SFWA today notified members the initial candidate for Secretary, Matthew Reardon aka JRH Lawless, has withdrawn from the race. There is a write-in for the position, Steven D. Brewer.

The office of President was vacated by the resignation of SFWA President Jeffe Kennedy on August 1. And when Interim President Chelsea Mueller resigned on August 15, Secretary Anthony W. Eichenlaub moved up to take her place.

Those chosen in the Special Election will serve the remainder of the current terms (until June 30, 2025).

(2) JUDY-LYNN DEL REY TRIBUTE ON PBS. The Renegades episode “Judy-Lynn del Rey: The Galaxy Gal” premiered October 1 on PBS and the 12-minute video can be viewed at the link. The episode features interviews with: Shelly Shapiro, an editor and Judy-Lynn del Rey’s former assistant; Stephen Donaldson; filmmaker and dwarfism historian Aubrey Smalls; Toni Weisskopf; Lois McMaster Bujold; and Dennis Wise, Professor at the University of Arizona and a Del Rey scholar.

About the Episode

Judy-Lynn del Rey (1943-1986) was a New York sci-fi and fantasy editor and a woman with dwarfism who revolutionized the world of sci-fi editing with books from luminaries such as Arthur C. Clarke, Isaac Asimov, and Philip K. Dick.

After studying literature at Hunter College, she began her career in 1965 at the digest-size magazine Galaxy Science Fiction as an Office Assistant, rising up the ranks as Associate Editor in just four years. Following her numerous science fiction bestsellers for Ballantine Books, she started her own imprint, Del Rey Books, and brought along her husband Lester del Rey to revitalize the Ballantine science fiction publishing program. Between 1977 and 1990, Del Rey Books was so dominant on the science fiction and fantasy market that they had 65 different titles reach a bestseller list. Del Rey brought us many of the classic sci-fi greats and was instrumental in obtaining the rights to publish novels based on George Lucas’s “Star Wars,” selling 4.5 million copies months before the first movie was even released. Del Rey Books continues to be a publishing leader in science fiction to this day.

Renegades: Judy-Lynn del Rey explores the life and legacy of Judy-Lynn del Rey and the overarching impact of science fiction on societal norms: its ability to shape collective imagination, foster empathy and understanding, and reconfigure cultural thinking towards disability. People with disabilities, as with most historically targeted communities, are often combating inaccurate, harmful narratives about themselves….

(3) WEIRD TAXONOMY. Clayton Purdom tells LA Review of Books readers that there is such a thing as “Weird Nonfiction”.

…I call it weird nonfiction: creative work that presents itself as journalism or nonfiction but introduces fictional elements with the intention of upsetting, disturbing, or confusing the audience. Works that are about the real world or some subject within it but also question their container or their ability to be about that thing—or which veer from the thing at hand toward the cosmic, horrifying, or absurd. Sometimes it is as if the element of unreality is chasing the author through the piece.

Early examples include the essays and essay-like fictions of Jorge Luis Borges, Orson Welles’s exasperated, exuberant F for Fake (1973), and of course Marker’s otherworldly documentaries….

There are 20 things the author “knows for sure” about “weird nonfiction”. Here’s number one.

…Let’s try something different. More breaks, more air. Here are some things I know for sure about weird nonfiction:

1.  The earliest example is Orson Welles’s 1938 radio play “The War of the Worlds,” which famously inspired widespread real-world panic. When one broadcaster attempted to assure his listeners that there was no actual alien invasion, he was accused of being part of the conspiracy. Weird nonfiction is an infection….

(4) PRH PUSHING BACK AGAINST BOOK BANS. “Rosalie Stewart is the anti–book banning public policy manager at Penguin Random House” – Slate provides an introduction.

While it’s not unusual for other industries to dedicate staff to influencing or changing public policy, it’s virtually unheard of in the relatively sleepy world of book publishing. Rosalie Stewart, however, has just been hired as Penguin Random House’s senior public policy manager, a new position that will fight the recent explosion in book-banning campaigns at schools and public libraries. At present, for example, officials in Texas and Iowa have attempted to argue that the book collections held by schools and libraries constitute “government speech” and are therefore not protected by the First Amendment. This bid to redefine the nature of public libraries was rejected by the 8th U.S. Circuit Court of Appeals in Iowa, but for Texas, the matter is being weighed by the notorious extremists on the “rogue” 5th Circuit. I spoke with Stewart recently about the battle before her….

… There have been two book-banning reports recently from the ALA and PEN America. The first said that book challenges are slowing down, and the second said that banning attempts have ramped up. Could you explain why there would be that difference?

My colleagues—my former colleagues, I should say—at ALA are very good at what they do, and they’re very smart. As a professional association, they just have a different focus in terms of what they’re counting. They’re focused on a very specific definition of a “book ban.” They only count book removals. But we know that this censorship is playing itself out in different ways. Not only are books being challenged, removed, and then put back on the shelf, but there is soft censorship. There’s a chilling effect in terms of the books that people are buying and teaching. I think that PEN America’s definition is a little more expansive and draws on a wider variety of sources. Censorship is not going down. Book banning is not fading away. That’s not what we’re hearing from people out there. That’s a major challenge: How do we fight back against this on such a diffuse battlefield? It’s happening at the state legislatures; it’s happening at the school boards; and it’s happening at the agency level….

 (4) PERHAPS YOU MIGHT TRY THE SOUP. [Item by James Bacon.] The first issue of a new zine emanating from the “North side inner-city gentrified Dublin catlands” entitled Perhaps you might try the Soup is now available to download at the link.  

Sole creator Pesto Jaguar has brought together an eclectic selection building on artistic experiences through other media and outlets. It is a very unusual zine, although an off the wall approach is not new, yet at the moment this feels different, but a mix of artists expression, satire, photographic imagery, inspired by comic culture, unorthodox yet authentic in an effort to share a set of unusual images that appeal to Pesto Jaguar and random thoughts. 

Pesto Jaguar can be found on Mastodon.

Details on Pesto are thin! It’s unclear if they are just a cat prancing on a keyboard filled with catnip or a cat person who digs Pasta, Electronic Music and Comics!

(6) THIS HAPPENS WHEN SURPLUSAGE HAS NOT BEEN ESCHEWED. Muse from the Orb kicks the pith out of “Late Stage RINGS OF POWER”.

…They say God stays in heaven because He fears what He’s created, and to that I say, cool. Two seasons of The Rings of Power have convinced me God should stay out of our business, actually; the people who write Rings of Power in a windowless conference room at Amazon can take it from here. As the inevitable corporate singularity spreads toward the horizon, and our human shells are hooked up to an endless feed of shows like this, I think that we could stand to marvel more at these vast images we have been given. My roommate asked, “Are the dwarves digging down to get to sunlight?” They were.

I’ve decided that we can’t judge Rings of Power on a human scale; perhaps not even on the scale of the aforementioned God. As a piece of art, it’s far too baffling. The deeper you stare, the more it starts to feel like some non-Euclidean artifact from a Lovecraft story staring back at you. What does this dialogue mean? Why did they switch to iambic pentameter for this speech? He’s just called “The Dark Wizard”? Last season, when Galadriel’s brother Finrod turned to her in the very first episode and said

“Do you know why a ship floats and a stone cannot? Because the stone sees only downward. The darkness of the water is vast and irresistible. The ship feels the darkness as well, striving moment by moment to master her and pull her under. But the ship has a secret. For unlike the stone, her gaze is not downward but up. Fixed upon the light that guides her, whispering of grander things than darkness ever knew”

my soul left my body and floated awhile against the border of some tessellated realm as far beyond our comprehension as computer circuits are to ants’. You know how inmates trapped in solitary confinement start to lose their notions of reality the longer they’re alone? Watching Rings of Power feels a bit like that. You’re witnessing a story that’s not actually series of human interactions but a single block of inorganic text, ventriloquized by humans who seem less real with every minute that passes. After binging a few episodes, one’s sense of place and time begins to slip….

(7) UNMENTIONABLE. The movie Coraline apparently made a lot of money this summer and will make some more on Halloween: “’Coraline’ Returns to Theaters for Halloween After Summer Rerelease”. You might not be surprised that the Variety article doesn’t contain Neil Gaiman’s name. For reasons.

… The beloved, stop-motion animated film from 2009 will return on Halloween for a limited-time engagement in newly remastered 3D and 2D formats.

If you feel like you just saw “Coraline” back in theaters, it’s not deja vu — you’re right. The film just had a successful summer rerelease for its 15th anniversary, where it made $53 million globally. Henry Selick’s film now stands at a lifetime haul of $185.7 million worldwide and is the highest-grossing stop-motion film in the U.S. It’s also the highest-grossing rerelease in the U.S. in the past 10 years and the highest-grossing of Fathom’s 20-year history. Attendees on Halloween will also get a sneak peek of Laika’s upcoming film “Wildwood.”…

(8) BARELY, I TELL YOU. “‘We were only slightly influenced by the Cantina music’: the underworld sounds of Star Wars Outlaws” – so they tell the Guardian.

Have you ever thought what walking into a sweaty, dusty club on one of Star Wars’ desert planets would sound like? About what plays on the radios in the casinos on those Las Vegas-like planets? What do the merchants and miscreants of Tatooine listen to when they’re not working the moisture farms or fending off Tusken Raiders? Pondering questions like that has been Cody Matthew Johnson’s life for the past few years. The composer and artist has flirted with video game music before, with credits on Devil May Cry, Resident Evil, Bayonetta, and the cult indie Kurosawa-inspired side-scroller, Trek to Yomi. But for Ubisoft’s Star Wars Outlaws, he was tasked with making music for its seedy criminal underbelly.

(9) MAKANA YAMAMOTO Q&A. In The Bookeller: “Author Interviews – Makana Yamamoto. ‘Writing about my identity is a political statement’”.

“It’s ‘Ocean’s Eight’, but everybody’s a lesbian and it’s in space,” says Makana Yamamoto over video call from their home in Boston, Massachusetts, of their début novel Hammajang Luck. “That’s the joke answer. If I had to condense it down, it would be a heist novel about family, about home, culture and coming back home.”…

…They continued: “I had a lot of fear about it. I really wanted to do right by my community.” Début author Yamamoto is māhū, a Hawaiian term for people who embody the female and male spirit. Even if the book did not begin as a “political statement” about the Hawaiian diaspora, for Yamamoto the very act of writing is charged. “My identity is politicised. Even if I don’t want to be politicised, it’s just the nature of existing in this world as someone who is non-binary, who is māhū, who is not white, who is a lesbian. Writing about my identity is a political statement even if I don’t want it to be.”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born October 4, 1923 – Charlton Heston. (Died 2008.) For the late 1960s and into the 1970’s, Charlton Heston was the face of SF cinema in a way that I think in terms of ubiquity across multiple movies and subgenres is matched only by Jeff Goldblum in this modern era. If there was a SFF movie to be made, Heston was likely to be in it. Planet of the Apes, and its sequel Beneath the Planet of the Apes. The Omega Man. The Three and Four Musketeers, as the gold standard Cardinal Richelieu. Earthquake. And of course, perhaps the most iconic of these, Soylent Green. An ending which spawned a thousand memes, his hardbitten cop in an overcrowded New York City is a strength of character and role that is overshadowed by the even better Edward G Robinson in his last performance. 

And if you wanted to branch a bit out of genre, there are always his historicals – Ben Hur, El Cid, 55 Days at Peking, The Ten Commandments, Khartoum, and Julius Caesar. I may have been violently opposed to his politics, but the man’s ability and charisma on screen remains for me, unquestioned. Even in the absolutely terrible movie Solar Crisis, which no one should watch for fear of losing SAN points, he is watchable in it, whenever he is on the screen.

Note: I picked a photo of him in Tombstone, where admittedly he only appeared in a handful of scenes as the famed rancher Henry Hooker, but oh wasn’t he magnificent! 

(11) COMICS SECTION.

(12) WASCALLY WECRUIT. Heritage Auction’s October 18 – 22 The Art of Anime and Everything Cool…Volume V Signature® Auction, running October 18-22, includes such exotic treasures as Bugs Bunny’s WWII Marine Corps service record!

“Bugs Bunny RARE US Marine Corp Service-Record Book (Warner | Lot #17117” (Warner Brothers, 1942). In the ending for the 1943 cartoon Super-Rabbit, Bugs Bunny states he has some “important work to do” and marches off in a Marine uniform towards “Tokyo, Berlin, and Points East,” according to a sign he passes. With that in mind, here’s proof of his “enlistment” – an official Marine Corps Service-Record booklet numbered 000386 for “Bunny, Bugs” with the rank of Private, and below that, Sergeant. The booklet, specially prepared by the Leon Schlesinger Studio, is rubber-stamped “Sep 1 1942” and his date of birth is noted inside as April 1, 1938; the recruiting officer is Lt. Col. Newton B. Barkly from Dallas, Texas. Lt. Col. Barkely was a big cartoon fan and Bugs Bunny was his favorite; he personally contacted Schlesinger requesting art for his Marine unit, and this booklet is one of several things sent from Schlesinger’s studio. There’s a “photo” of Bugs holding a carrot on the inside front cover of this 4.125″ x 10″ tan-cover booklet. On the inside-back cover, the rabbit’s specialties are “Heckling and Wisecracking” while his favorite hobby is “heckling Elmer Fudd.” There are fingerprints but noted as “with gloves on.” Bugs really was officially inducted into the Corps as an official mascot, issued dogtags, and finally discharged at the end of World War II as a Master Sergeant. Wow! This museum-quality item has been kept with Lt. Col. Barkley’s family all this time and is fresh to the marketplace; there’s not another one in existence. Condition is Very Good with minor handling wear.

(13) NINTENDO MUSEUM. “Former Nintendo factory in Kyoto opens as nostalgia-fuelled gaming museum” and the Guardian peeks inside.

Traditionally, visitors to Kyoto in October come for momijigari, the turning of the autumn leaves in the city’s picturesque parks. This autumn, however, there is a new draw: a Nintendo museum.

The new attraction, which opens on Wednesday, is best described as a chapel of video game nostalgia. Upstairs, Nintendo’s many video game consoles, from 1983’s Famicom through 1996’s Nintendo 64 to 2017’s Switch, are displayed reverently alongside their most famous games. On the back wall, visitors can also peer at toys, playing cards and other artefacts from the Japanese company’s pre-video-game history, stretching back to its founding as a hanafuda playing card manufacturer in 1889. Downstairs, there are interactive exhibits with comically gigantic controllers and floor-projected playing cards….

… Situated on the site of the video game company’s old manufacturing plant in Uji, a 20-minute train ride south of central Kyoto, the museum is expected to welcome up to 2,000 people a day. Tickets – which are allocated via a lottery system and cost 3,300 yen (£17) for an adult – are sold out three months in advance. When it opened in 1969, Nintendo’s Uji Ogura plant manufactured the toys and playing cards that were Nintendo’s money-makers at the time. After the dawn of the video game age in the 1970s, it operated as a customer service centre for console repairs until 2016. The building is far from Kyoto’s other tourist attractions: the suburban town surrounding it has been renovating its train station, preparing for a flood of visitors in Mario hats….

… Visitors are given 10 virtual coins per visit, used to spend on the interactive exhibits. An adjacent hanafuda workshop guides guests through making their own Japanese playing cards, above a cafe that serves custom burgers. Given Nintendo’s notorious secrecy about its creative process – and corporate secrets – it is perhaps unsurprising that there is no insight into how any of the games or consoles on display were made, or who played a part in their development. Only a small display of factory prototype controllers give the briefest peek behind the curtain….

(14) BASS ACKWARDS? Futurism says a “Weird New Quantum Experiment Sounds Suspiciously Like Time Travel”.

…But quantum physicists, who pride themselves on staring into the abyss and gleaning its spooky secrets, have just discovered another baffling phenomenon to make your mind melt: “negative time.”

As detailed in a yet-to-be-peer-reviewed study covered by Scientific American, a team of researchers say they’ve observed photons exhibiting this bizarre temporal behavior as the result of what’s known as atomic excitation.

What essentially happened, as SciAm explains, is that when the photons were beamed into a cloud of atoms, they appeared to exit the medium before entering it. Trust us: we’re just as confused as you are.

“A negative time delay may seem paradoxical, but what it means is that if you built a ‘quantum’ clock to measure how much time atoms are spending in the excited state, the clock hand would, under certain circumstances, move backward rather than forward,” Josiah Sinclair from the University of Toronto, whose early experiments formed the foundation of the study, but wasn’t directly involved, told the magazine….

(15) LET’S TREAD BOLDLY. [Item by SF Concatenation’s Jonathan Cowie.] Now, way back when (shhh 1970s) when I joined fandom there was a lot of sneering in some quarters of fandom at Trekkies and Trekkers, but I must admit to having something of a soft spot for Star Trek even if these days I find the sheer number of series a tad overwhelming.  To me it is a bit of fun with occasionally some episodes having great concepts, and I was particularly delighted when the opening credits would occasionally feature a script writer who was also a novelist whose books I also enjoyed.  As a scientist one has to suspend one’s disbelief and that can be more easily done if there is some brief technobabble that’s not too convoluted — I can be a forgiving soul.  Of course, one can be critical.  Becky Smethurst is an astrophysicist at Oxford University who has a weekly vlog, Dr. Becky.  This week she looks at the science of Star Trek: The Next Generation…

In this episode of Astrophysicist reacts we’re watching Star Trek: The Next Generation Season 1 Episode 6 “Where No One Has Gone Before” to pick out the science from the fiction in this sci-fi show. We’re chatting about faster than light speed travel, warp drives, special relativity including time dilation, and the idea of negative energy.

(16) VIDEO OF THE DAY. “Not even Pitch Meeting can explain this movie,” says a commenter. Ryan George’s “Megalopolis Pitch Meeting”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, James Bacon, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 7/6/22 I Come From A Pixel Down Under, Where Fen Scroll and Pros Wonder

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(1) HEARING FROM DELANY. Sally Wiener Grotta kicks off a new video interview series — “What If? Why Not? How?” – with the help of Samuel Delany (who has more to say in the comments at Facebook).

A few weeks ago, when Samuel Delany and I were at a gathering of friends at Michael Swanwick‘s and Marianne Porter’s home, he explained why he feels that spelling “black” with a capital “B” is racist. As is always true, Chip’s discourse was fascinating, keeping us spellbound. There and then, I knew I would want to record him on the subject. So, here he is, helping me launch my new video interview series: “What If? Why Not? How?” 

(2) IN PERSON IN SAN DIEGO. Heidi McDonald scouts the layout for Publishers Weekly in “San Diego Comic-Con Is Back”.

For the first time in three years, San Diego Comic-Con is returning as an in-person event. However, in a world changed by an ongoing global pandemic, even the gigantic pop culture institution will look very different when fans finally return to the San Diego Convention Center July 20–24.

It’s all part of the event industry’s transition away from the most severe pandemic restrictions, as comics publishers and media companies approach events, sales, and marketing in a new social and economic landscape. For publishers, online sales have soared, and the cost of exhibiting at giant pop culture conventions isn’t always justified financially. Nevertheless, the glamour and excitement of SDCC remains a draw, and the intangible value of seeing popular artists, as well as industry colleagues, in person has been much missed.

But this year the layout of the exhibit floor at the San Diego Convention Center will feature significant changes. Warner Bros. Discovery, the newly formed parent company of DC, has pulled out of the massive booth that once anchored the end of one hall and housed DC’s SDCC booth presence. DC will have a full lineup of panels and talent, but no booth. Dark Horse Comics, which has had a large centrally located booth for years, will also be missing, along with the longtime floor presence of indie publisher Drawn & Quarterly and publisher/merchandise producer Graphitti Designs. Image Comics, also a major presence on the exhibit floor, will have a much smaller booth.

Making up for this, newer graphic novel publishers, such as Immortal Studios, Interpop, Tapas Media/Wuxia World, Three Worlds/Three Moons, and Z2, will have booths for the first time….

(3) TRACKING COVID AFTER WESTERCON. Westercon 74, held over the July 4th weekend in Tonopah, has created a COVID tracking page on its website to collate COVID-19 reports.

We ask that any person who contracts COVID-19 during Westercon 74 or for one week following the convention please send an email to covid@westercon74.org so that we can track any possible outbreak. We will not release any personally-identifying information without prior approval from the person who reports having been infected.

So far there is one report from an attendee of Westercon 74 reporting a positive COVID-19 self-test.

Kevin Standlee emphasizes, “We won’t report personal information without the person’s permission.”

(4) A SLICE OF MIDDLE-EARTH. Here’s about 25% of The Lord of the Rings: The Rings of Power Prime Video Exclusive Sneak Peek available today to Prime Video subscribers.

(5) DOMINIQUE DICKEY Q&A. Sarah Gailey interviews “Dominique Dickey of Plant Girl Game”, “a cozy tabletop roleplaying game about a family of plant children working together to prevent an ecological disaster.” The crowdfunding appeal for the game is open for another 14 days at Gamefound.

The character age range for this game is young, ranging from 11 years old and up. What makes a child or adolescent’s perspective on community unique?

Children often think of very simple solutions to complex problems, because they’re more immersed in how the world should work than how it actually functions. Adolescents tend to run face first into that complexity: I remember at the age of fifteen or so, going from “Well, why can’t we just fix climate change?” to “A lot of very powerful people are invested in maintaining the status quo, and we have a narrow window of time in which to break that status quo, and it won’t be easy to do so.” I was absolutely enraged, because the childish part of me was still unable to conceptualize cruelty on a larger scale than playground bullies or mean girls in the locker room. I had a child’s expansive empathy, and wasn’t able to understand why anyone would lack that empathy.

Which is a roundabout way of saying that I want players to face that tension. I want players to begin a session of Plant Girl Game with the childlike knowledge that the world should be a kinder, fairer place, and leave with the adolescent realization that if we want that world—for ourselves and for our loved ones—we’re going to have to fight like hell for it….

(6) BE A FRINGE FAN IN A GOOD WAY. [Item by Alison Scott.] Filers might in general be interested in the Chicon Fringe programme, with local Chicago and online events. Events are free and you do not need to be a Chicon 8 member to attend. 

But I’m writing specifically because I’m hosting, on behalf of Glasgow in 2024, an online ‘book club’ discussion on the Best Fanzine finalists.

Tuesday 19th July, 19:30 p.m. BST, 1:30 p.m. CDT. Tickets, which are free, are available at Eventbrite here.

It would be lovely to see Filers, and fanzine readers more generally, there. 

(7) DEVELOPING FRIENDSHIPS. Elizabeth Bear’s guest post on Mary Robinette Kowal’s blog is about a different bit than she anticipated: “My Favorite Bit: Elizabeth Bear Talks About The Origin of Storms”.

When I sat down to write this essay, I was thinking that I was going to write about the extremely ancient and slightly dimensionally shifted dragon, possibly, or maybe that I was going to write about the snarky magic pen. But (“upon contemplation,” as they say) I realized my favorite part of The Origin of Storms—the thing that was absolutely the most fun to write—is the friendships…..

(8) ON THE TUBE. “Neil Gaiman’s Books Have Enchanted Millions. Finally, Hollywood Is on Board” reports the Washington Post.

…“All of the things that made ‘Sandman’ wonderful were the same things that made it almost impossible to adapt for film and television for 30 years,” says David S. Goyer, a filmmaker and producer who was a co-writer on the “Dark Knight” Batman trilogy. “All of the features that we love about ‘Sandman’ — that it is, in essence, a story about stories — are the bugs that stymied Hollywood.”

Today that is no longer the case. Quietly and steadily over the past six years, Gaiman has matched some of the most prolific creators in Hollywood. And after 32 years trapped in the purgatory of Hollywood development, a 10-episode series based on “The Sandman” will premiere on Netflix on Aug. 5. Developed by Gaiman, Goyer and writer Allan Heinberg, it represents one of the streaming service’s biggest-budget original productions. Meanwhile, Gaiman’s 2005 novel “Anansi Boys,” a modern twist on the ancient stories of the West African trickster god Anansi, is now an Amazon Studios series in postproduction, and “Good Omens” recently wrapped filming its second season. These follow on the heels of the series“American Gods,” which premiered in 2017 on Starz — earning two Emmy nominations for its first season — and aired its third season last year.

In total, Gaiman has seven shows that he has developed or that are based on his writing, with more in the works. He has become the great adapter, pulling from the store of fable and myth for his books, and transmogrifying his written work into radio and stage plays, audiobooks and movies. And now television.

Gaiman’s books “couldn’t get made in a three-network landscape,” Hamm says, owing to their complexity. As television has matured, though, so too have the opportunities to tell more-nuanced stories….

(9) MEMORY LANE. 

1957 – [By Cat Eldridge.] Sixty-five year ago, one of the very best Warner Bros. cartoons ever done was released on this in the form of Bugs Bunny’s “What’s Opera, Doc?”

It directed by Chuck Jones as written by Michael Maltese whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera.

BEWARE! SPOILERS! I MEAN IT! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des Nibelungen, Der Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well let’s just say it’s just it gets even more manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t surprise there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

It has been voted the best Warner Bros. Cartoon ever. 

A look at the iTunes stores shows it is available there. 

There’s are clips from it legally up YouTube but the entire cartoon is not so please do not offer links to such as they’ll just need to be removed as we don’t host pirated material here. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit.  After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.)
  • Born July 6, 1918 — Sebastian Cabot. He’s here because he’s in The Time Machine, which was nominated for a Hugo at Seacon, as Dr. Philip Hillyer. Several years later, he’ll be in the animated The Sword in the Stone voicing both Lord Ector and The Narrator. Likewise he’d be Bagheera in The Jungle Book, and The Narrator in The Many Adventures of Winnie the Pooh. Lastly he shows up in several episodes of Fifties series Conrad Nagel Theater. (Died 1977.)
  • Born July 6, 1927 — Janet Leigh. Certainly best remembered as doomed Marion Crane in Alfred Hitchcock’s Psycho. She would also be in with her daughter, Jamie Lee Curtis, in both The Fog and Halloween H20: 20 Years Later. She’s also in the Night of the Lepus, a very odd 70s SF film. (Died 2004.)
  • Born July 6, 1945 — Rodney Matthews, 77. British illustrator and conceptual designer. Among his many endeavors was one with Michael Moorcock creating a series of 12 large posters that showed scenes from Moorcock’s ‘Eternal Champion’ series. This is turn became the Wizardry and Wild Romance calendar. He also worked work with Gerry Anderson on the Lavender Castle series. 
  • Born July 6, 1945 — Burt Ward, 77. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1946 — Sylvester Stallone, 76. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the 2000 A.D. series which was something the second film, which though it had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect.
  • Born July 6, 1950 — Rick Sternbach, 72. Best known for his work in the Trek verse sharing with Star Trek: The Motion Picture where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 andVoyager. He also pretty much designed every starship during that time from from the Cardassian and Klingon ships to the Voyager itself. He would win Best Professional Artist Hugos at SunCon and IguanaCon II, and he was the Artist Guest of Honor at Denvention 3. 

(11) COMICS SECTION.

  • Bizarro is about a bit of financial planning for frogs that reminds me of a bit in Hitchhiker’s Guide.
  • The Argyle Sweater is funny – if you get the reference. I once had a 5-year-old, so I do.

(12) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listened to the podcast Leonard and Jessie Maltin did with Dean Fleischer Camp about Marcel the Shell with Shoes On.  Both the Maltins very much like this film. Camp doesn’t provide many technical details, although he credits animation director Kirsten Lepore with doing a lot of the work during the 2 1/2 years it took to make this film.  He also explained that Isabella Rosselini was attached to the project because she likes making quirky artistic choices. Camp also discussed how he and Jenny Slate, who voices Marcel and worked on the script, remain close professional collaborators even though they broke up their relationship. Fun unrelated fact:  director Mike Mills lifts the spirits of his set by bringing in a harpist every friday to play for an hour. “Maltin on Movies: Dean Fleischer-Camp”.

The Maltins also had a 2017 conversation with Jenny, available here.

(13) UPGRADE. “The Mars Express spacecraft is finally getting a Windows 98 upgrade” reports The Verge. Although you probably want to know, the ESA hasn’t detailed the exact software that the MARSIS is being upgraded to.

Engineers at the European Space Agency (ESA) are getting ready for a Windows 98 upgrade on an orbiter circling Mars. The Mars Express spacecraft has been operating for more than 19 years, and the Mars Advanced Radar for Subsurface and Ionospheric Sounding (MARSIS) instrument onboard has been using software built using Windows 98. Thankfully for humanity and the Red Planet’s sake, the ESA isn’t upgrading its systems to Windows ME.

The MARSIS instrument on ESA’s Mars Express was key to the discovery of a huge underground aquifer of liquid water on the Red Planet in 2018. This major new software upgrade “will allow it to see beneath the surfaces of Mars and its moon Phobos in more detail than ever before,” according to the ESA. The agency originally launched the Mars Express into space in 2003 as its first mission to the Red Planet, and it has spent nearly two decades exploring the planet’s surface….

(14) SOMETHING FOR HUMMERS TO BE HUMBLE ABOUT. “Over 11 years and 570 episodes, John Rabe and Team Off-Ramp scoured SoCal for the people, places, and ideas whose stories needed to be told, and the show became a love-letter to Los Angeles. Now, John is sharing selections from the Off-Ramp vault to help you explore this imperfect paradise.” Off-Ramp at LAist.

Alex Ross says you’re probably humming “Star Wars” wrong … and more on the surprising music of John Williams, who is NOT a copycat.

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it’s hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people. (Off-Ramp theme music by Fesliyan Studios.)

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metal Gear Rising: Revengance,” the narrator says that this game is like equivalent of “if George Orwell downed 10 Monster Energies and asked you to cut up with a katana in the backyard.” It’s slice and dice action that “lets you rip through everything like a kid at Christmas.” And “revengance” means “revenge with a vengance.”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day HoosierDragon.]

Pixel Scroll 4/30/22 Those Who Cannot Remember Past Pixel Scrolls Are Doomed To Re-File Them

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(1) CAT RAMBO AT FUTURE TENSE. The new entry from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives. Cat Rambo’s “The Woman Who Wanted to Be Trees” at Slate.

“For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”…

Tamara Kneese, an expert on the digital afterlife, delivers a response in her essay “Is a Lasting Digital Memorial to a Dead Person Even Possible?”

I’m a death scholar and a sustainability researcher at a major tech company, so Cat Rambo’s “The Woman Who Wanted to be Trees” hit home. In the story, a death care worker is asked to memorialize clients in innovative ways, using cutting-edge technologies to blur the boundaries between life and death, and between humans and the natural world. For the past 15 years, I have been researching how people use technology to remember and communicate with the dead. My forthcoming book, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond, explores the fundamental incompatibility between dreams of technologically mediated life extension and the planned obsolescence of material technologies…. 

(2) AUTHOR MAGNET. The inaugural Santa Fe Literary Festival will take place May 20-23, at the Santa Fe Community Convention Center in Santa Fe, NM. The authors who are scheduled to appear include Margaret Atwood, Sandra Cisneros, John Grisham, Joy Harjo, Anne Hillerman, Craig Johnson, Phil Klay, Jon Krakauer, Emily St. John Mandel, George R.R. Martin, N. Scott Momaday, James McGrath Morris, Douglas Preston, Rebecca Roanhorse, Bob Shacochis, Colson Whitehead and Don Winslow.

Besides author readings and book signings, the festival will feature meals during which chefs and food writers will talk about the food they’ve prepared, their work and their books; Walk & Talks, during which attendees and authors will together explore parts of Santa Fe; and Tea & Tequila, featuring tea and tequila tastings. On Monday, the last day of the festival, attendees will be able to go on literary day trips in Santa Fe and nearby areas in northern New Mexico.

(3) FRESH VIEWPOINT. Artists & Climate Change’s “Wild Authors: Oghenechovwe Donald Ekpeki” is a Q&A with a 2022 double-Hugo-nominee and editor of The Year’s Best African Speculative Fiction (2021). 

In your short story “Mercy of the Wild,” you wrote from the viewpoint of a lion. What inspired that story?

“Mercy of the Wild” was a point of experimentation for me. I love to experiment with forms and styles or speculative fiction, and that was one such experiment that I was delighted to follow up on. The story was inspired by an almost childlike, wide-eyed curiosity about what goes on in the minds of the creatures we share the planet with. What if we heard their story, from the horse’s mouth so to speak. Or as the Igbo proverb says, “Until the lion learns to tell its story, the hunt will always glorify the hunter.” This got me wondering, what if the roles were reversed? Its telling impresses on me the need for people of diverse cultures to champion and find spaces for their stories to thrive in the world of today.

(4) GREAT LEAP FORWARD.  Cora Buhlert was a guest on the Dickheads podcast (as in Philip K. Dick) and discussed “‘The Big Jump’ – Leigh Brackett” with Grant Warmack and host David Agranoff.

In the first episode of this podcast, Solar Lottery, David said he would someday do this episode. So four years later, in January of this year, he sat down with a couple of colleagues and discussed the lesser-known novel The Big Jump by Leigh Brackett. The pair of talents he was privileged to have here are newcomer to Leigh Brackett writer/music manager/tarot reader Grant Wamack and long time ‘Bracketteer’ teacher/translator/writer and three time Hugo nominee Cora Buhlert. Enjoy.

(5) S&S: Here is more about the nascent New Edge sword and sorcery movement: “New Edge S&S Guest Post: Oliver Brackenbury” at Scott Oden’s blog.

[Scott Oden:] I put out the call, a few days ago, for a few guest posts relating to the New Edge of Sword & Sorcery. And here is our first victim . . . er, participant. Oliver is a podcaster, a screenwriter, and a novelist; he’s also one of the organizers of the whole New Edge movement. Oliver, you have the floor . .

[Oliver Brackenbury]: …I’ve been in conversations like that before, in other scenes and settings, and I thought “Wouldn’t be nice if all this energy was directed at really changing the situation?”. So I proposed an open, yet specific question – “What could we do to get more young people into this genre we all love?”.

Now, I can take credit for asking the question, but I cannot take credit for the incredible amount of energy I unwittingly tapped into by asking it. The conversation that took off was galloping and enthusiastic and good-natured and productive and WOW!

Scott Oden’s own thoughts about the movement appear in “Putting a NEW EDGE on an Old Blade”.

A genre can grow dull. The accretion of old social mores — the misogyny, racism, and homophobia of bygone eras — can oxidize a genre, making it seem as graceless as a barnacle-encrusted hunk of metal drawn from the sea. A genre’s founders can (and will) die, leaving less-invested imitators to tease out only the surface tropes while its deeper meanings are lost to the ages. And, over time, that genre starts to become irrelevant to the world at large.

In today’s fiction market, this is largely the fate of sword-and-sorcery. Mainstream publishers are loath to market a work as S&S because they consider it a dead end market. Readers less concerned with genre labels use the term nowadays to describe any book with swordplay and magic, from Tolkien to Pratchett — and they’re unaware that it has (or had) a very specific meaning. In short, the term sword-and-sorcery has lost its edge. It has rusted, and is stuck in a very old and problematic scabbard.

There is, however, a nascent movement that has started in the small press sphere to remove that blade from its sheath, to clean the rust from it, sharpen it on a grinding wheel, and fashion a new scabbard — one free from the old problems of the genre. That movement is called the NEW EDGE of S&S….

(6) SUBGENRE GETS NEWSLETTER SOURCE. There’s now also a free weekly sword and sorcery newsletter with the delightful name “Thews You Can Use” from Sword & Sorcery News. It just started.

This week’s Roundup will be a little different—not that you’d know, since it’s the first. Rather than covering the week in S&S news, I’ll go back over the last couple months. Here’s a quick roundup of S&S news from February through April…. 

(7) MURDERBOT AND POLICY. The New America website will hold a gathering of its Science Fiction/Real Policy Book Club to discuss All Systems Red on June 1 at 6:00 p.m. Eastern. Register here.

Science fiction can have real policy impacts, and comes rife with real-life commentary. For the next, we have selected All Systems Red by Martha Wells.

The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.

Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).

(8) SPACE FORCE OFFICIALLY GROUNDED. I hadn’t realized the show wasn’t already canceled. Well, it is now: “Netflix cancels Steve Carell sci-fi comedy ‘Space Force’” reports SYFY Wire.

…In addition to Carell as General Mark Naird, the show also starred an A-list supporting cast of John Malkovich (Dr. Adrian Mallory), Ben Schwartz (F. Tony Scarapiducci), Tawny Newsome (Captain Angela Ali), Lisa Kudrow (Maggie Naird), and Diana Silvers (Erin Naird). 

That group is chock full of talent, which may have been part of its downfall — according to THR, the show’s large budget was reportedly in part because of the actors’ salaries, with Carell getting over $1 million per episode. That much built in spending, along with mixed reviews for both seasons, apparently resulted in a failure for Space Force to (ahem) launch into a third season…. 

(9) MEDIA BIRTHDAY.

1938 — [Compiled by Cat Eldridge.] Not his official appearance as Bugs Bunny that will happen in “A Wild Hare” on July 27, 1940. But a preliminary version of the character we now know as him first showed up in “Porky’s Hare Hunt” eighty-four years ago today. The Looney Tunes cartoon was directed by Ben “Bugs” Hardaway (do note his name) and an uncredited Cal Dalton. It stars Porky Pig as a hunter whose quarry is a rabbit named Happy. Yes, Happy.

Oh, I well know that most Bugs Bunny fans will tell you that July 27 is the day that he was created as that is the anniversary of the 1940 debut of the familiar rabbit and his adversary, Elmer Fudd. In that July debut people also heard for the first time Bugs’s famous line, “What’s up, Doc?”

But today is the real anniversary of the creation of this character.  He first appeared on the theater short called as I noted above “Porky’s Hare Hunt.” Perhaps the reason people don’t recognize, or indeed want to credit him as that rabbit, is Bugs in that early cartoon was credited as Happy Rabbit. And admittedly it really looks pretty much like any rabbit save the smirking face, doesn’t it? Or does he? 

It’s been uploaded to YouTube so go watch it. It may not look like him but it acts like him and it sounds like him. Several sources state that Mel Blanc voiced him here but the cartoon itself has no credits.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1930 — Bill Buchanan. A musician who was not a filker but might have been. Really. Truly. His most famous composition took place in 1956, when he and Dickie Goodman created the sound collage “The Flying Saucer”.  They then did “The Flying Saucer Goes West” which is a lot of fun. A short time later, they would do “The Creature (From A Science Fiction Movie)” / “Meet The Creature (From A Science Fiction Movie)”. With other collaborators, he did such works as “Frankenstein Of ’59/Frankenstein Returns”.  Checking iTunes, quite a bit of what he did is available. (Died 1996.)
  • Born April 30, 1938 — Larry Niven, 84. One of my favorites author to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version as you know since I wrote an essay on them. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me. 
  • Born April 30, 1968 — Adam Stemple, 54. Son of Jane Yolen. One time vocalist of Boiled in Lead. (Which I just discovered has not released a recording in a decade. Damn.) He was the lead vocalist for Songs from The Gypsy which was based on The Gypsy, the novel written by Steven Brust and Meghan Lindholm. A truly great album.  With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are well worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as quite engaging.
  • Born April 30, 1973 — Naomi Novik, 49. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won her the Astounding Award for Best New Writer. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novelwhich won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. She has a number of Hugo nominations starting at Nippon 2007 for His Majesty’s Dragon, then next at MidAmericaCon II for Uprooted, The Temeraire series at Worldcon 75. No wins yet which really, really surprises me. She’s twice been a finalist for Lodestar Award for Best Young Adult Book with A Deadly Education at DisCon III for  and this year at Chicon 8 for The Last Graduate.
  • Born April 30, 1982 — Kirsten Dunst, 40. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
  • Born April 30, 1985 — Gal Gadot, 37. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production Death on the Nile which is quite lovely but not genre adjacent, but I really don’t mind as they’re lovely mysteries. Oh, and she’s playing The Evil Queen in the forthcoming Snow White film.
  • Born April 30, 2003 — Emily Carey, 19. Yes, nineteen years old. She has had a lot of roles for her age. First she played the twelve-year-old Diana in Wonder Woman followed by playing  the fourteen-year-old Lara in the rebooted Tomb Raider.  And then she’s in Anastasia: Once Upon a Time in the lead role of Anastasia.  She’s Teen Wendy Darling in the forthcoming The Lost Girls. She was in the genre adjacent Houdini and Doyle as Mary Conan Doyle, and finally she’s in the not-yet-released G.R.R. Martin’s House of the Dragon series as the young Alicent Hightower. 

(11) COMICS SECTION.

(12) CHALK AROUND THE CLOCK. The Pasadena Chalk Festival returns June 18-19 at The Paseo.

The Pasadena Chalk Festival began in 1993 after a summer intern at the Light Bringer Project attended a street painting festival in Paris and brought back her amazing pictures and observations. The first “Chalk on the Walk” took place at Centennial Square at Pasadena City Hall with over 150 visual artists participating in the first Los Angeles-area event. All proceeds went toward community arts programs and HIV/AIDS resources.

In 2010, The Pasadena Chalk Festival was officially named the largest street painting festival by the Guinness World Record, welcoming more than 600 artists using over 25,000 sticks of chalk and drawing a crowd of more than 100,000 visitors in one weekend. 

Below is an hour-long video of last year’s Chalk Festival. And here is File 770’s roundup of sff art from the 2019 festival via Twitter.

(13) DON’T SAY PAY. The Florida legislature’s move to punish Disney for publicly opposing the “Parental Rights in Education” bill, also known as the “don’t say gay” bill fails to conform to other requirements of state law says the corporate giant: “Disney’s special tax district suggests its repeal is illegal” in the Miami Herald.

As Florida legislators were rushing through passage of a bill to repeal the special district that governs Walt Disney World last week, they failed to notice an obscure provision in state law that says the state could not do what legislators were doing — unless the district’s bond debt was paid off. Disney, however, noticed and the Reedy Creek Improvement District quietly sent a note to its investors to show that it was confident the Legislature’s attempt to dissolve the special taxing district operating the 39-square mile parcel it owned in two counties violated the “pledge” the state made when it enacted the district in 1967, and therefore was not legal. The result, Reedy Creek told its investors, is that it would continue to go about business as usual.

The statement, posted on the website of the Municipal Securities Rulemaking Board on April 21 by the Reedy Creek Improvement District, is the only public statement Disney has supplied since lawmakers unleashed their fury over the company’s vocal opposition to the “Parental Rights in Education” law, also known as the “don’t say gay” bill. The statement, first reported by WESH 2, quotes the statute which says, in part, that the “State of Florida pledges…it will not limit or alter the rights of the District…until all such bonds together with interest thereon…are fully met and discharged.”

… In essence, the state had a contractual obligation not to interfere with the district until the bond debt is paid off, said Jake Schumer, a municipal attorney in the Maitland law firm of Shepard, Smith, Kohlmyer & Hand, in an article for Bloomberg Tax posted on Tuesday and cited in a Law and Crime article.

The law passed by the Republican Legislature on a largely party-line vote, and signed into law by the Republican governor, either violates the contract clause of the Florida Constitution, or is incomplete, Schumer told the Herald/Times on Tuesday. If the Legislature wants to dismantle the Reedy Creek Improvement District, it has more work to do.

(14) FLY YOU FOOLS! J. Michael Straczynski would like to tell you about the worst musical he ever saw. Thread starts here.

(15) DO TOUCH THAT DIAL. Tor.com’s Robert Repino beggars the imagination by reminding readers about “Six Bizarro Made-for-TV SFF Movies That Actually Exist”. Such as —

Gargoyles (1972)

Not to be confused with the prematurely canceled ’90s cartoon of the same name, Gargoyles starred B-movie tough guy Cornel Wilde (from The Naked Prey). The opening voiceover raises the stakes pretty high: In the aftermath of the war between God and Satan, a race of creatures climbs out of hell to terrorize mankind every few centuries. In the modern age, the gargoyles are relegated to myth and statues, leaving humans completely unprepared for their next onslaught.

Whoa. That sounds serious. Until you notice that the gargoyles reemerge in a desert that is surely within driving distance of the studio. And it takes only a handful of armed townsfolk to quell the apocalyptic uprising. But those minor details aside, this movie remains a guilty pleasure for my generation, in part because of the Emmy-winning makeup wizardry of Stan Winston. The gargoyles aren’t that scary, but they look pretty darn cool, and some of them even fly. And by “fly,” I mean “slowly lift off the ground with a barely concealed cable.”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King meets the evil emperor, who wonders why the people don’t love him!

What do you do when you’ve seized power and/or purchased a large social media company? You monologue.

[Thanks to Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 7/7/21 Just The Scroll For A Pixel! The Bellman Cried, As He Ticked His Box With Care

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(1) VISUAL EFFECTS HISTORY. SF Concatenation’s Jonathan Cowie recommends BBC Radio 4’s progam Unreal: “The VFX Revolution, A Long, Long Time Ago…” – the first of a three-episode series about SF cinematic special effects from 2001 to Star Wars and Close Encounters.

The story of how visual effects changed and changed cinema told from the inside by the Oscar winning Paul Franklin. In 1975, in a nondescript warehouse in Van Nuys, George Lucas and John Dykstra created a visual effects startup that would make history. Industrial Light & Magic. A group of many talents spent well over a year in R&D to perfect the dream of motion control before X-Wings and the Millennium Falcon could soar. Meanwhile the magic eye of Douglas Trumbull and his team was creating the light show for Steven Spielberg’s Close Encounters. It was the beginning of a revolution.

With the voices of Robert Blalack, John Dykstra, Richard Edlund, Dennis Muren & Doug Trumbull.

(2) SPLISH SPLASH. In the latest “Building Beyond” – “Liquid Assets” Sarah Gailey is joined by Wen Wen Yang and Meg Elison to play with this writing prompt:

The Cosmic Orb has issued a new Natural Law: at random intervals for the rest of time, the wealthiest 10% of humans in the universe will spontaneously dissolve into potable water.

(3) HUGO REFORM OF THE DAY. John Scalzi has good reasons to be confident about the second category. Would I be mistaken to underrate his chances of winning the first one?

(4) ON THE CASE. In the Washington Post, Mark Athiatakis discusses how it’s not really possible to organize your book collection as he comes up with several unusual and funny ways to organize your books. “Why bother organizing your books? A messy personal library is proof of life”.

… I recently went hunting for my copy of Lydia Davis’s “Essays One,” a collection of nonfiction that revealed itself stuffed sideways on a shelf where the works of Philip Roth and Marilynne Robinson first took up residence. That would’ve been an unthinkable genre incursion when I’d first moved in, and the search itself revealed more shelving indignities. Locating Davis meant scanning through books that are no longer so much shelved as much as piled in a sedimentary manner throughout the office….

(5) THE ODIFEROUS AGE. WIRED’s Jason Kehe says it’s not Amazon’s horn that’s tooting in Solos: “The Futuristic Stink of Amazon’s Science Fiction”.

…Amazon has shat out science-fiction programming for years, and it ranges, on the smell-o-meter, from the merely obnoxious to the just plain noxious—a flatulence that fluctuates. Early on, the company mostly Philip K. Dick’d around, first with an adaptation of Man in the High Castle and then with Electric Dreams, an anthology series based on that author’s short stories. The former collapsed in due course, and the latter was never more than off-brand, harder-trying Black Mirror, but at least neither tried to speak to our bowels.

With Solos, Amazon stoops to a condescending science fiction that’s just like us, farts and all….

(6) SPACE JAM 2 PROMO. Bugs Bunny and LeBron James pay a visit to the Metropolis of Superman: The Animated Series in a new clip from Space Jam: A New Legacy. [Via Gizmodo.]

(7) MEMORY LANE.

  • 1990 — Thirty-one years ago, Another Way to Travel, the second album by Minneapolis based Cats Laughing comes out. Genre wise, it’s notable as it has Emma Bull, John Ford and Stephen Brust as lyric writers. The cover illustration was done by Terri Windling (the original artwork was given to Cat Eldridge some years back by Pamela Dean’s husband) The vehicle was known as the Catmobile and was used to transport the band. It owned by Brust, and it was a Cadillac ambulance that had been painted yellow, light blue, and dark blue, with murals. You can listen to “For it All” here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 7, 1907 — Robert Heinlein. Let’s have Paul Weimer tell about his favorite Heinlein works: “If I had to pick one favorite Heinlein novel, and that’s a tough road to hoe, I am going to go with the novel I’ve re-read the most and it’s probably not going to be the one you think.  It’s Glory Road. Yes, Glory Road. The back matter once the quest is done can be overcooked, but Heinlein had a keen eye for epic fantasy quests, the good and the bad, long before the rise of Tolkien clones. It was an early Heinlein for me, and the novel has stuck with me since, with a number of audio re-reads. I survived a boring drive across the flatness of the Great Plains by listening to the adventures of Oscar Gordon.” // If I had to pick one Heinlein story, I have a strong fondness for All You Zombies, which encapsulates all the potential paradoxes of time travel in a way that has been done at greater length, but not, I’d argue, with better effect. (The movie Predestination with Ethan Hawke is pretty darned good by the way). Oh, and my favorite book ABOUT Heinlein is Farah Mendelsohn’s The Pleasant Profession of Robert Heinlein. (Died 1988.)
  • Born July 7, 1919 — Jon Pertwee. The Third Doctor and one that I’ll admit I like a lot. He returned to the role of the Doctor in The Five Doctors and the charity special Dimensions in Time for Children in Need. He also portrayed the Doctor in the stage play Doctor Who – The Ultimate Adventure.  After a four-year run there, he was the lead on Worzel Gummidge where he was, errr, a scarecrow. And I must note that one of his first roles was as The Judge in the film of Toad of Toad Hall by A. A. Milne. (Died 1996.)
  • Born July 7, 1936 — Lisa Seagram. I’m noting her here because she was in the Batman episode “Louie, the Lilac” as Lila in which Milton Berle played the title character. She also had one-offs in both The Man from U.N.C.L.E. and The Girl from U.N.C.L.E., plus My Favorite Martian and Bewitched. (Died 2019.)
  • Born July 7, 1948 — Kathy Reichs, 73. Author of the Temperance Brennan series, the basis of the Bones series, which is genre adjacent given it’s connected to the Sleepy Hollow series, and she’s also the author of Virals, a YA series about a group of young adults with minor super powers. 
  • Born July 7, 1959 — Billy Campbell, 62. There are some films so good in my memory that even the Suck Fairy can’t spoil them and The Rocketeer in which he played stunt pilot Cliff Secord is one of them. And IDW did a hardcover edition called Dave Stevens’ The Rocketeer: The Complete Adventures which Amazon has it for a mere twenty bucks! The ePub is available from the usual suspects for a mere five dollars and ninety-nine cents. 
  • Born July 7, 1968 — Jeff VanderMeer, 53. Ok, I’ll admit that I’m ambivalent about the  Southern Reach Trilogy and am not sure if it’s brilliant or not though I’ll say it is quite disturbing. I also will say the pirate anthology he and his wife Anne did, Fast Ships, Black Sails, is quite tasty reading. 
  • Born July 7, 1980 — Martin Lewis, 41. He’s been the reviews editor for the British Science Fiction Association’s Vector critical journal for twenty years now. He’s written one book, SF Writers on SF Films from Akira to Zardoz. 
  • Born July 7, 1987 — V. E. Schwab, 34. I’m very pleased with her A Darker Shade of Magic which explores magicians in a parallel universe London. It’s part of her Shades of Magic series. Highly recommended. Her Cassidy Blake series is also good provided you’re a Potter fan as she makes a lot of references to that series. 

(9) COMICS SECTION.

(10) THE BEST. Publishers Weekly has a short and enthusiastic review of We’re Here: The Best Queer Speculative Fiction 2020 edited by C.L. Clark and series editor Charles Payseur.

Clark (The Unbroken) and Payseur (The Burning Day) present a diverse, well-crafted anthology of queer speculative fiction, bringing together 16 stories from both established and emerging authors…. 

(11) JEOPARDY! Andrew Porter was glued to his set when tonight’s episode of Jeopardy! challenged contestants with this:

Category: Chapter of the 19th Century Novel.

Answer: By H.G. Wells, “The reversion of the beast folk”

Wrong question: “What is ‘The Time Machine’?”

Right question: “What is ‘The Island of Dr. Moreau’?”

(12) PINT SIZE. Movies on Glass is offering a Star Trek: Deep Space Nine Quark’s Bar Pint Glass. Bottom’s up! (if you want to read the CBS license legalese).

  • SPECIAL EDITION IN UNIVERSETM: The Star Trek: Deep Space Nine Quark’s Bar pint glass features the Quark’s Bar logo digitally printed in full color.
  • LICENSED COLLECTIBLE MERCHANDISE: Officially licensed by CBS Consumer Products. CBS legal line is etched in the base of the glass.

(13) DOES ANYBODY REALLY, REALLY, REALLY KNOW WHAT TIME IT IS. [Title by Daniel Dern.] “For Precision, the Sapphire Clock Outshines Even the Best Atomic Clocks” declares IEEE Spectrum.

… The new clock—also known as the Sapphire Clock—isn’t better than an atomic clock; it’s different. That’s because accuracy and precision are different things: Accuracy is how well a clock can measure a true second, now defined as the time it takes cesium atoms under controlled conditions to oscillate between two energy states exactly 9,192,631,770 times. Since 2013, even more accurate types of atomic clocks have been built, but over 400 atomic clocks based on cesium-133 atoms are still used to create civil time across the globe. If you’re reading this article on a smartphone or a laptop, the time displayed on the edge of your screen is derived from one of those atomic clocks.

For many applications, such as satellite-based global positioning systems, accuracy is paramount. And make no mistake, even cesium atomic clocks are stunningly accurate. The NIST-F2 cesium clock operated by the U.S. National Institutes of Standards and Technology in Boulder, Colo., is so accurate that it would have to run for 300 million years to gain or lose a second.

But for some applications, accuracy is less important than precision. Precision has to do not with delineating the perfect second but rather with creating extremely regular ticks, or oscillations. Imagine a game of darts. Atomic clocks are able to land all their darts, or oscillations, broadly around the bull’s-eye so that the average position is right on target, even though any given dart might be a centimeter or two away from dead center. Luiten’s device doesn’t aim for the bull’s-eye: instead, it is able to land all its darts at exactly the same point on the dartboard. In other words, each tick is really, really, really just like another….

(14) WHY, ‘TIS CLEAR AS IS THE SUMMER SUN. Transformers: War for Cybertron Trilogy – Kingdom is coming July 29 to Netflix. Here’s the story line —

Now the Autobots must team up with the Maximals to confront the Decepticons, who have joined forces with the Predacons, in the race to find the missing AllSpark. However, the Predacons are in control of the Golden Disk, a mysterious artifact which has a personal connection to Megatron and gives him an untold advantage over his enemy, Optimus Prime. Which faction will triumph in the final battle that will decide the fate of Cybertron’s future?

(15) OUT THUNDERING THE LIZARDS. Chicxulub is called “The comet that killed the dinosaurs” – Geology Page listens to a theory about its origins.

…The enduring puzzle has always been where the asteroid or comet that set off the destruction originated, and how it came to strike the Earth. And now a pair of Harvard researchers believe they have the answer.

In a study published in Scientific Reports, Avi Loeb, Frank B. Baird Jr. Professor of Science at Harvard, and Amir Siraj ’21, an astrophysics concentrator, put forth a new theory that could explain the origin and journey of this catastrophic object and others like it.

Using statistical analysis and gravitational simulations, Loeb and Siraj show that a significant fraction of a type of comet originating from the Oort cloud, a sphere of debris at the edge of the solar system, was bumped off-course by Jupiter’s gravitational field during its orbit and sent close to the sun, whose tidal force broke apart pieces of the rock. That increases the rate of comets like Chicxulub (pronounced Chicks-uh-lub) because these fragments cross the Earth’s orbit and hit the planet once every 250 to 730 million years or so.

“Basically, Jupiter acts as a kind of pinball machine,” said Siraj, who is also co-president of Harvard Students for the Exploration and Development of Space and is pursuing a master’s degree at the New England Conservatory of Music. “Jupiter kicks these incoming long-period comets into orbits that bring them very close to the sun.”

It’s because of this that long-period comets, which take more than 200 years to orbit the sun, are called sun grazers, he said.

“When you have these sun grazers, it’s not so much the melting that goes on, which is a pretty small fraction relative to the total mass, but the comet is so close to the sun that the part that’s closer to the sun feels a stronger gravitational pull than the part that is farther from the sun, causing a tidal force” he said. “You get what’s called a tidal disruption event and so these large comets that come really close to the sun break up into smaller comets. And basically, on their way out, there’s a statistical chance that these smaller comets hit the Earth.”

(16) THE LIGHTS IN THE SKY. Auroras on Mars occur not only at the poles but all around the planet. The Emirates Mars Mission is collecting images. “Mars Has Auroras and a U.A.E. Spacecraft Captured New Pictures of Them” – photos at the New York Times.

When barrages of charged protons and electrons erupted from the sun head our way, Earth’s magnetic field deftly deflects them around the planet. This buffeting generates shimmering, glowing curtains of color known as the aurora borealis in the Northern Hemisphere’s polar regions, and aurora australis in the south.

That same phenomenon happens on Mars, too. But there it is not just the northern lights and southern lights, but also the equatorial lights, mid-latitude lights, eastern lights, western lights — all around the planet.

The Hope spacecraft launched by the United Arab Emirates and orbiting the red planet since February, has captured unique images of these dancing atmospheric lights, known as discrete auroras.

Mission officials released the pictures on Wednesday.

“It will allow new doors of study to be opened when it comes to the Martian atmosphere,” said Hessa al-Matroushi, the science lead for the first interplanetary mission by the U.A.E., “and how it interacts with the solar activity.”

(17) VIDEO OF THE DAY. In “Honest Game Trailers:  Dark Alliance,” Fandom Games says this D&D line extension is “a story that had zero effort put into it” and is so boring “It’s less like watching a car crash and more like going to the DMV.”

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Daniel Dern, Alan Baumler, SF Concatenation’s Jonathan Cowie, David K.M. Klaus, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Mister Dalliard (a 2018 suggestion).]

Pixel Scroll 8/2/20 Lemonade Stand On Zanzibar

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(1) READY FOR MY CLOSE-UP. On the last day of CoNZealand, Jenny Hammond posted to Discord a verse about attending the first virtual Worldcon.

Five days of insanity
Oh the humanity
I click on a room
It refuses to Zoom
I say words of depravity!

(2) CONZEALAND MEMBERSHIP STAT. Interesting revelation.

https://twitter.com/CherylMorgan/status/1289860094872576001

(3) INSIDE THE HUGO CEREMONY. Erin Underwood, who presented the Best Fan Writer Hugo, told Facebook readers some specifics about the lack of support she received, and offered these general comments —

A few more thoughts, the ConZealand Hugo Awards Ceremony production team owned the production of the event (edited to be clear). It was their show. What we saw was what they created. George owns his words and choices, but they own the decision of using those videos. They produced the show that we saw.

… It is hard to push back against an iconic guest and to provide critical guidance for improved performance, but that was their job. ConZealand owned that Hugo Ceremony from start to finish. As con runners and volunteers, it’s our job to make sure that our speakers and guests are well-prepared and know exactly what’s expected of them, and if they fail, we fail.

Nicholas Whyte, Deputy Hugo Administrator added this comment:

CoNZealand Hugo administrators were as much in the dark about what was going on as you were. Probably more so in that we had no input at all, whereas at least you recorded a video.

Edited to add: practically the first thing we did with finalists was to ask the correct pronunciation of their names.

(4) AVOID FRIENDLY FIRE. Michi Trota is concerned about collateral damage from the social media response to the troubled Hugo Awards ceremony.

(5) ASPIRATION PLUS PERSPIRATION. Cheryl Morgan analyzes some of the challenges of managing Worldcons in “Why Worldcons Go Wrong” and says in conclusion:

…There’s a tendency in certain quarters to sneer when people say that running Worldcon is hard, but it is, and unless you have actually done it you probably don’t understand just how hard it is. Which is not to say that people don’t make terrible mistakes, and should not be called to account for them. I can assure you that I have done that often enough in my time (ask people about TorCon 3 if you don’t believe me). However, I have always tried to do so in the hope that we can learn from our mistakes and make Worldcon better. I hope you can see from the above that fixing things, or creating an alternative, is not simply a matter of vowing to “do better”.

(6) CLOSED CAPSHUNNING. The AI still needs some work.

(7) CHANGE THE CHANNEL. Heroes & Icons tickles your memory about these “15 Forgotten Science-Fiction TV Shows Of The 1980s”.

The Eighties were a golden era for science-fiction. Cineplexes were chockablock with blockbusters like The Empire Strikes Back, Back to the Future, Aliens and The Terminator. On the small screen, you could get your space fix with Star Trek: The Next Generation. Sitcoms had aliens and androids as their stars in ALF and Small Wonder. Even the cars could talk on Knight Rider.

Of course, not everything was a hit. For every smash, there were scores of knock-offs. Every network attempted to launch its own time travel adventure, it seems. While these shows rarely made it to a second season, they remain cult favorites of those who watched them. They might have thrived today, in our geek culture of a thousand options…

13. THE POWERS OF MATTHEW STAR (1982–83)

Peter Barton starred alongside Lou Gossett, Jr., in this 1982 superhero series. Production began in 1981, though was put on hold after Barton fell onto a pyrotechnics flare, suffering severe third degree burns. Production was shut down, as the actor healed for several months in a hospital. Barton had edged Tom Cruise for the lead role, an alien prince hiding out in high school on earth. Star Trek fans take note: Leonard Nimoy directed an episode, and Walter Koenig wrote one.

(8) YOUR NAME HERE. The New York Times’ John Schwartz has been “Tuckerized” – in fact, he even uses that word in his article “Boldly Writing What I Hadn’t Written Before: Science Fiction”.

I’m a character!

I mean, in a novel. OK, a minor character, more like a cameo, but still — my name is the first that you see in the first chapter of “The Relentless Moon,” the new novel in Mary Robinette Kowal’s “Lady Astronaut” science fiction series. The novels are set in an alternate timeline that has the world, after a devastating meteorite strike and the resulting runaway global warming, greatly accelerating its space program to get humans off the doomed planet.

HALFWAY TO MARS
John Schwartz, Special to the National Times
KANSAS CITY, March 28, 1963 — If all goes as it should — and in space, that is no sure thing — then sometime today, thirteen brave voyagers will cross a Rubicon that no man ever has: the halfway point between our home planet and Mars.

Ms. Kowal, who has won Hugo and Nebula awards and who is president of the Science Fiction & Fantasy Writers of America, makes her novels something of a group project by relying on the expertise of others for thorny passages: She gets help with orbital mechanics and spacecraft piloting, for example, from actual astronauts. She puts the names of real people into her work, including astronauts.

But she tucks in other names, as well….

(9) DON COMES UP LIKE THUNDER. [Item by Martin Morse Wooster.] Last night I heard a 2019 podcast Leonard and Jessie Maltin did with Don Hahn.  Hahn began his career at Disney in the mid-1970s, back when an animator who asked to “see a scene” could have an intern go to the storage area where the original cels were stored.  Hahn’s been associated with Disney ever since, surviving the first attempt to revive the animation decision in the early 1980s and the second one when Disney shifted to musicals with The Little Mermaid.  He was the producer of the first versions of Beauty and The Beast and The Lion King, and tells many stories about the era, including how The Lion King was nearly scored by ABBA. He’s also proud of spotting talent early, including seeing the potential in composer Hans Zimmer and director Tim Burton, and says Burton became a success because of “an incredible work ethic.”

Hahn also writes books, including books about animation and an edited version of Walt Disney’s memos about animators.  He paints and published a collection of his art called Hahn Solo.

Hahn also directs documentaries about Disney.  His most recent one is Howard, about Howard Ashman, who revived the American musical with his lyrics for The Little Mermaid  and Beauty and The Beast  but whose career was tragically cut short after he died of AIDS in the early 1990s. Howard is dropping on Disney+ on August 7, 

Hahn was going to come to a movie convention Maltin held last year, and promised he would sign a book any way a customer wanted “as long as it was legal according to the laws of the state of California.”

Hahn’s website is donhahn.com.

(10) IN (LONDON) TIMES TO COME. [Item by Andrew Porter.] Behind a paywall at The (London) Times: “Why the future looks bright for science fiction” by Bryan Appleyard.

John Clute, the co-editor of the six million-word Encyclopedia of Science Fiction, is pleading with me.

“Please don’t use it, it is deeply vulgar and very stupid. It’s really kind of reprehensible . . . I shouldn’t have mentioned it at all, and I didn’t.” But, John, it’s out there, it’s in your book. I really have no choice.

The term he loathes is “cli-fi”. It means climate-change fiction — stories about the world after a climate catastrophe, stories that used to be called science fiction. The purpose cli-fi serves is not noble, it is pure snobbery. It is, as the entry says, a way of “distancing from the perceived downmarket nature or Pulp roots of Genre SF”. “Speculative fiction” is another class-ridden term used by authors who don’t like to be seen slumming it. Even “sci-fi” is not welcome — in TV listings and the like it describes superhero nonsense.

Yet calling it SF will not, for many readers, drag it out of the lower ranks of the literary league table. Jessica Harrison, the editor of the new SF series from Penguin Modern Classics, admits that for her the term at first evoked book or magazine covers with “half-naked girls and purple planets”. Neither is present on the austere white covers of her list…

… Now, and here comes the optimism, SF has gone global, with new waves of Asian and African writers. One Chinese author in particular has to be mentioned, Liu Cixin. I’ve just started reading his book The Three-Body Problem — it is different from anything else and beautifully written. It is also brave, in that it starts with a vivid description of the horrors of Mao’s Cultural Revolution in the 1960s and 1970s. Barack Obama loved the book, not least because it made his “day-to-day problems with Congress seem fairly petty”. That, of course, is exactly what SF should do.

SF will survive even as technological progress seems to race ahead of some of its wildest imaginings. It will survive because it is a way of seeing — not aliens, time warps, superluminal travels and so on, but ourselves. Dr Snaut nailed it in the greatest of all SF movies, Tarkovsky’s Solaris (1972).

“We don’t want other worlds; we want a mirror. We seek contact and will never achieve it. We are in the foolish position of a man striving for a goal he fears and doesn’t want. Man needs man!”

(11) BRIMLEY OBIT. Actor Wilford Brimley, who appeared in Cocoon and its sequel, died August 1 at the age of 85. He was also in The Thing (1982), the Ewoks: Battle for Endor TV movie, Progeny, and in the genre-adjacent Remo Williams: The Adventure Begins (1985) as the head of C.U.R.E.

(12) BELATED MEDIA ANNIVERSARY.

  • In July 1997, Donnerjack was published by the Easton Press. This was the true first edition as the Avon Books hardcover edition wouldn’t be out for another month. Though it was started by Roger Zelazny, this novel was largely completed by Jane Lindskold. He completed a few hundred pages of the first draft and left detailed notes for its remainder. The outline Zelazny did was entitled ”Donnerjack, of Virtù: A Fable for the Machine Age“. It was to be the first novel in a trilogy but as Zelazny said in his Hugo Award winning “24 Views of Mt. Fuji, by by Hokusai“ novelette, “I know, too, that death is the only god who comes when you call.” (CE)

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 2, 1916 — Elizabeth Russell. She’s best remembered as the Cat Woman (though the voice was dubbed by Simone Simon) in The Cat People. And she was Barbara Farren In The Curse of the Cat People — some of the same characters, not a sequel.  She was also Countess Lorenz in The Corpse Vanishes where her co-star was Bela Lugosi. Lastly she was Dean of Women Grace Gunnison in Weird Women which was sort of based off Fritz Leiber’s Conjure Wife. (Died 2002.) (CE)
  • Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second-season Trek episode that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild, Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”,  “The Minus-X Affair”,  and “The Pieces of Fate Affair”.  (Died 1967.) (CE)
  • Born August 2, 1942 – Isabel Allende, 78.  Adventures in and beside literature include ten novels for us, a score of shorter stories, translated into Dutch, French, German, Portuguese; many others (one of which, Chip Hitchcock, is Zorro).  Fan of Shakespeare.  Translator of romance novels into Spanish, fired for altering dialogue to show the heroines smarter, plots to show them more independent.  First woman to receive the Gabriela Mistral Order of Merit.  Harvard Litt.D. (Latin, Litterarum Doctor “doctor of letters”, in her case honoris causa “for the sake of the honor” i.e. honorary degree).  Memoir, The Sum of Our Days.  American Academy of Arts & Letters.  Chilean Literature Prize.  Gish Prize.  US Medal of Freedom.  [JH]
  • Born August 2, 1945 — Joanna Cassidy, 75. She is known for being the replicant Zhora Salome in Blade Runner and Dolores in Who Framed Roger Rabbit, two of my favorite films. She also did really bad horror films that don’t bear thinking about. I mean really bad horror. (CE)
  • Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. (Died 2009.) (CE)
  • Born August 2, 1949 — Craig Shaw Gardner, 71. Comic fantasy author whose work is, depending on your viewpoint, very good or very bad. For me, he’s always great.  I adore his Ballad of Wuntvor sequence and highly recommend all three novels, A Difficulty with Dwarves, An Excess of Enchantments  and A Disagreement with Death. Likewise his pun-filled Arabian Nights sequence will either be to your liking or really not. I think it’s worth it just for Scheherazade’s Night Out. (CE)
  • Born August 2, 1949 – Joe Siclari, F.N., 71.  Collector, fanhistorian, active in cons and fanzines.  New Yorker and Floridian.  Chair of MagiCon the 50th Worldcon.  Co-founded SMOFcon (“Secret Master Of Fandom”, as Bruce Pelz said a joke-nonjoke-joke) and FanHistoriCon.  Published The Complete “Quandry” (Q being Lee Hoffman’s fanzine; note spelling), The Enchantment (Walt Willis), A Wealth of Fable (Harry Warner’s fanhistory of the 1950s); edited a photo-illustrated ed’n of All Our Yesterdays (HW fanhistory of the 1940s).  Fellow of NESFA (New England SF Ass’n; service award).  Chairman of FANAC (fanac has long been short for fan activity; in this case, the Florida Ass’n for Nucleation And Conventions) which sponsored MagiCon and now sponsors Fancyclopedia 3 and the FANAC Fan History Project.  Fan Guest of Honor at MiniCon 31 (with wife Edie Stern), DeepSouthCon 34, Loscon XXVI, Lunacon 51.  DUFF (Down Under Fan Fund) delegate (with Stern).  Big Heart (our highest service award; with Stern).  FAAn (Fan Activity Achievement Award) for Best Online Archive or Resource (i.e. the FANAC Fan History Pjt; with Stern).  Named Fan Guest of Honor (with Stern) for Chicon 8 the scheduled 80th Worldcon.  [JH]
  • Born August 2, 1952 – Hope Leibowitz, 68.  Only person to have attended every Ditto (fanziners’ con; named for a brand of copying machine).  Has lived in Toronto longer than New York (38 yrs, 30 yrs).  Contributor to FLAP (Fannish Little Amateur Press, an apa).  Sent a birthday card to Bob Madle (see here and here).  Likes the cover for Mike Resnick’s Paradise – but I forgot to ask if she meant this one (Whelan) or maybe this one (Gauckler).  [JH]
  • Born August 2, 1954 — Ken MacLeod, 66. Sometimes I don’t realize until I do a Birthday note just how much I’ve read a certain author. And so it was of MacLeod. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, all of The Fall Revolution, just the first two of the Corporation Wars and every one of his one-off novels save Descent. I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available digitally! (CE)
  • Born August 2, 1973 – Prapda Yun, 47.  Writer, filmmaker, graphic designer.  S.E.A. Write Award for Probability (short stories); The Sad Part Was, mostly therefrom, seems the first translation of Thai fiction published in the UK.  PY himself has translated Lolita and Pnin, A Clockwork Orange, R.U.R.  Songs and other music for Buahima and the Typhoon Band.  [JH]
  • Born August 2, 1976 – Emma Newman, 44.  Eleven novels, as many shorter stories (one for Wild Cards).  Collection, From Dark Places.  Audiobooks.  “How LARP [Live-Action Role Playing] Changed My Life” here.  Best-Fancast Hugo for Tea and Jeopardy (with husband Peter), see here.  [JH]
  • Born August 2, 1994 – Dawson Vosburg, 16.  Three novels. “I love my imagination.  It’s the one thing I’m thankful for every day.”  Here’s Chapter 2 of Incognito.  [JH]

(14) DAYS OF OUR LIVES. The sand ran out?

https://twitter.com/taracomics/status/1289994048543928320

(15) WASCALLY FOREVER. John King Tarpinian has received his Bugs Bunny stamps.

(16) UNDER THE LID. Where does Alasdair Stuart find the time? Here’s what he covers this week in The Full Lid for 31st July 2020:  

This week in The Full Lid! With the movie riding high I dig into the second volume of the original Old Guard comic series. Force Multiplied changes the game for the immortals in some big ways and is both a good read and a great basis for the almost certain sequel. 

Elsewhere this issue I take a look at Fredrica and Stefon Bristol’s audacious and smart time travel movie See You Yesterday which is one of those films that will stay with you after viewing. Finally, I take a look at the first issue of Bleed Them Dry, a vampire/cyberpunk/murder mystery from Vault Comics and the team of Hiroshi Kuzumi, Elliot Rahal, Dike Ruan, Tim Daniel and Miquel Muerto. Our interstitials this week are remixes of classic Calvin and Hobbes strips by the Blindspotting team of Rafael Casal and Daveed Diggs.

The Full Lid is weekly, free and published every Friday at 5 p.m. BST. You can find an archive and a subscription link at the top of this week’s issue.

(17) ROCKET SCIENCE. Here is how Siobhan Carroll would improve the Retro-Hugos:

 …my suggestions would be to focus on the award’s goal of introducing fans to lesser-known works and teaching us something about SF history. I’d suggest the following format changes:
1) make it a juried award, with the jury consisting of academics and critics who’ve done historical recovery work; 
2) reduce the slate from 12 or so awards to 1 or 2, which would allow for more fan engagement with the work(s) in question; 
3) make its guiding question not, ‘what works might have won in a given year’ but  ‘Which lesser-known SF works from the years of eligibility most speak to the genre and the SF community in 2022?’”

(18) READ FASTER. Review site BookNest.eu will turbocharge the growth of your Mt. TBR with their list of favorites from the 21st century:“Fantasy List: Top 100 Fantasy Books Of Our Century”.

We at BookNest.eu are incredibly excited to announce that we have reached the extraordinary milestone of TWO THOUSAND reviews! That’s an incredible number, considering all of the hours that go into crafting even a single review. We are proud of our reviewers, who have worked for years with passion and dedication to deliver our reviews to the fantasy community in the hopes of increasing awareness of authors and titles we are excited about.

In celebration of this occasion, our reviewers have compiled a list of our picks for the top one hundred fantasy novels that have been published this century. This list is, of course, subjective, so if your favourite book is missing, we apologize in advance. We have not read every book in the world, and the taste of our reviewers may not reflect your own.

(19) PRETTY COLORS. Goobergunch is definitely showing something here. Excuse me a minute while I go learn from the Wikipedia what it is….

(20) THEY MADE IT! “Splashdown! SpaceX And NASA Astronauts Make History” – NPR has the story.

Two NASA astronauts are back on Earth after their space capsule splashed down in the Gulf of Mexico, off the coast of Pensacola, Florida.

The last time any NASA astronauts came home by splashing down was in 1975—and back then, they were in an Apollo space vehicle. This time, the astronauts were in a white, bell-shaped capsule owned by SpaceX.

The success of their test flight, to the International Space Station and back, is a milestone for SpaceX, the first private company to send people to the outpost.

The company has been taking cargo to and from the station for years. This flight with people on board was the final test for SpaceX’s crew system to be certified by NASA as ‘operational’ for future astronaut missions.

That means the U. S. once again has its own ability to put people in orbit and return them safely. Since retiring its space shuttles in 2011, NASA has had to buy seats for its astronauts on Russian spaceships.

NASA can now rely on an American space taxi that takes off from Florida, and it’s already assigning astronauts to future SpaceX missions–including Megan McArthur, who happens to be married to one of the just-returned astronauts, Bob Behnken.

The BBC also has a movie of the parachute deployment and descent (splashdown at 1:18) and one of the crew checking out of the ISS.

(21) SOCIALLY DISTANCED MAGIC. [Item by N.]

If you wanna watch, it’s live right now on Twitch.

(22) A HORSE, OF COURSE. Adam Thirwell says Bojack Horseman reminds him of everything from Don Quixote to Ibsen in “A Horse’s Remorse” at The New York Review of Books.

…I’m in no way an avid watcher of cartoons but, to risk a sense of disproportion, I began to feel something similar as the animated series BoJack Horseman unfolded on Netflix over six seasons and seventy-seven episodes, beginning in 2014 and ending early this year. “It’s not Ibsen,” went a repeated refrain in the show, which was funny not just because it was a form of immediate self-deprecation about the show itself—a cartoon comedy whose supporting cast includes a news anchor who’s an irascible blue whale and a film studio renamed Warbler Brothers—but also because this show was Ibsen in a way, just an opioid version: a wild investigation of self-deception and failure. Or rather, that’s what I concluded by the end. At first it was simply zany and delightful, this series about a talking horse who’s the washed-up star of a now-forgotten 1990s hit sitcom, Horsin’ Around, a saccharine confection about a horse who adopts three human orphans. But by the time it finished, it had become something much grander and more terrible. Exactly what, however, and exactly how, are conundrums that have preoccupied me….

[Thanks to John Hertz, Chip Hitchcock, rcade, Andrew Porter, JJ, John King Tarpinian, Michael Toman, Dann, N., Mike Kennedy, Cat Eldridge, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/9/20 I Can’t Scroll Yet, I Haven’t Seen The Pixel Story.

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(1) HENKIN OUT AS CHAIR OF SAN ANTONIO EVENT. Anime News Network reports “San Japan Chair Resigns After Claiming PoC Guests Aren’t Profitable”. But Henkin reportedly owns the for-profit corporation that owns San Japan, and still controls the event. (The committee’s full statement is on Facebook.)

Staff of the San Antonio-based convention San Japan announced on Saturday that chairman Dave Henkin will step down immediately following “hurtful and ignorant comments” he made on his private Twitter account. Henkin wrote in a private post that the reason the convention doesn’t book People of Color (PoC) guests is because the convention is often asked to book “sexual predators and popular asshole divas” and those guests bring more money.

“Show up by the hundreds with cash to PoC, then I’ll book them,” Henkin wrote on Thursday. He later followed with a public apology on his Facebook account the same day.

San Japan wrote that the committee will select guests “by a combination of fan submissions, staff recommendations, and formal recommendations made by an equity committee.”

…”Our staffing, programming, and community programs will begin an immediate and comprehensive review of acceptance criteria and any possible biases that exist as barriers to entry to the convention,” the convention staff stated. “Please do not hold the stupidity of one man against the work of countless POC and LGBTQ+ individuals who have worked for over a decade to make this a model conference. We look forward to the opportunity to prove ourselves during our next convention.”

San Japan’s convention board will function without a chairman for the time being and make decisions based on committee…

(2) IT’S IN THE CAN. Just like in a Hallmark Channel Christmas Special, you can have a Doctor for Christmas.Entertainment Weekly has some rare good news: “Doctor Who star Mandip Gill confirms next holiday episode has been shot: ‘We were lucky'”.

Thanks to the pandemic, the immediate future of many shows is in doubt. But Doctor Who star Mandip Gill confirms that the annual special holiday season episode of the time travel series, titled “Revolution of the Daleks,” has already been shot. “I can confirm that,” says Gill, who plays companion Yasmin Khan on the Jodie Whittaker-starring show. “There is a festive episode. We happened to be quite lucky and fit it in, so that will be exciting.”

(3) EXCELLENT TRAILER. Warner Bros. dropped a teaser trailer for Bill & Ted Face the Music.

Whoa. The wait is finally over, dudes! Keanu Reeves and Alex Winter star in the first official trailer for Bill & Ted Face the Music! Watch now! And remember: be excellent to each other. Directed by Dean Parisot with returning franchise writers Chris Matheson and Ed Solomon, the film will continue to track the time-traveling exploits of William “Bill” S. Preston Esq. and Theodore “Ted” Logan. Yet to fulfill their rock and roll destiny, the now middle aged best friends set out on a new adventure when a visitor from the future warns them that only their song can save life as we know it. Along the way, they will be helped by their daughters, a new batch of historical figures, and a few music legends — to seek the song that will set their world right and bring harmony in the universe.

(4) RARE ACCOMPLISHMENT. N’dea Yancey-Breas’s article “NASA Astronaut From Historic Spacewalk Becomes First Woman to Reach Deepest Part of Ocean” in USA Today, tells how Kathryn Sullivan, who was the first woman to walk in space in 1984, became the first woman to both walk in space and travel to the bottom of the Challenger Trench, the deepest part of the ocean.

…She traveled to the deepest point in the ocean, located in the Western Pacific Ocean, on a submersible called the Limiting Factor piloted by Victor Vescovo of Caladan Oceanic before returning to its mothership the Pressure Drop. Vescovo, who has also piloted the Limiting Factor on a recent dive to the Titanic, became the fourth person to reach Challenger Deep last year.

(5) CAPER CRUSADERS. In “Future Crime: Top 5 Crime Movies In Futuristic Settings” on Criminal Element, Drew Murray, whose new novel is about a murder at a Midwestern Comic Con, discusses five sf movies involving crime and criminals. Number two on the list is —

2. Inception (2010)

Who doesn’t love a professional thief? What if instead of stealing your material possessions they want to take knowledge from your mind?

Leonardo DiCaprio is that cat burglar, slipping into your subconscious while you sleep. In Inception he’s given the ultimate challenge: to plant an idea inside the target’s mind without them knowing. This ingenious concept launches an excellent heist movie set against a mind-bending backdrop that is stunning and surreal, like a Dali painting brought to life.

There’s an excellent supporting cast here with Tom Hardy, Joseph-Gordon Levitt, and Ellen Page, forming the motley crew that every great heist needs. There’s innovative action, using multiple physical dimensions as well as time itself. Sure, it can be confusing if you think too deeply about it, so don’t. Buckle yourself in and just enjoy the ride.

(6) TODAY’S THING TO WORRY ABOUT. Kevin Polowy, in the Yahoo! Entertainment story, “Looney Tunes’ Strips Elmer Fudd of Trademark Guns To Acclaim–And Controversy” — says that in the new Looney Tunes show on HBO Max Elmer Fudd no longer has a gun, although the show’s writers say that Fudd continues to violently attack Bugs Bunny without using a firearm.

…”We’re not doing guns, but we can do cartoony violence — TNT, the Acme stuff. All that was kind of grandfathered in,” executive producer Peter Browngardt told the New York Times. While Fudd’s disarming is drawing the bulk of media attention, his fellow legacy gunslinger Yosemite Sam has also lost his trusty firearms since the new series launched late last month.

Unsurprisingly, the decision has been met with equal parts accolades and scorn in a country still fiercely divided on gun issues.

“You can’t take away his gun!” Joe Piscopo, the Saturday Night Live comedian-turned-radio host said on Fox News. “Drop an anvil on his head, it’ll be fine. Explode some dynamite, that’ll be fine….”

One of the show’s animators fired back – so to speak: “Looney Tunes Cartoons Artist Addresses Backlash Over Elmer Fudd Gun Ban” at ComicBook.com.

“Do you guys SERIOUSLY care whether or not Elmer Fudd has a gun in our shorts? You know how many gags we can do with guns? Fairly few,” Michael Ruocco, an animator on New Looney Tunes and Looney Tunes Cartoons, tweeted Sunday. “And the best were already done by the old guys. It’s limiting. It was never about the gun, it was about Elmer’s flawed, challenged masculinity.”

(7) TODAY IN HISTORY.

  • June 9, 1870 –One hundred and fifty years ago, Jules Verne’s Twenty Thousand Leagues Under the Seas: A World Tour Underwater was published in Paris as Vingt mille lieues sous les mers: Tour du monde sous-marin. The novel was first translated into English in 1873 by Reverend Lewis Page Mercier,  but it was rife with errors and the Reverend cut a quarter of the text. In 1962 Anthony Bonner published a fresh, essentially complete translation of Verne’s masterwork. This edition also included a special introduction written by Ray Bradbury.  The novel has seen several adaptions to film including Walt Disney’s 20,000 Leagues Under the Sea and the Fifties SF anthology series Tales of Tomorrow adaptation. Captain Nemo gets borrowed by film makers and used in a number of other video and text fictions, always played by a Caucasian actor even though he’s East Indian in the novel. He’s got a lead role in Alan Moore’s League of Extraordinary Gentlemen which was as you made into a film. The film does not use a Caucasian In this role, instead employs Naseeruddin Shah, an Indian actor. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 9, 1911 – J. Francis McComas.  With Raymond Healy (1907-1997) edited the pioneering and still excellent anthology Adventures in Time and Space – and got Random House to publish it.  Thus although not having planted the crops, he knew to harvest: they also serve who only sit and edit.  With Anthony Boucher (1911-1969) founded The Magazine of Fantasy and Science Fiction, the best thing to happen among us since Astounding.  Half a dozen stories of his own.  Afterward his widow Annette (1911-1994) edited The Eureka Years; see it too.  (Died 1978) [JH]
  • Born June 9, 1925 – Leo R. Summers.  Twenty covers for Fantastic, eight for Amazing, six for Analog; almost six hundred interiors.  Here is a Fantastic cover; here is one for Analog; here is an interior for H.B. Fyfe’s “Star Chamber” from Amazing.  A fruitful career.  (Died 1985) [JH]
  • Born June 9, 1925 — Keith Laumer. I remember his Bolo series fondly and read quite a bit of it. Can’t say which novels at this point though Bolo definitely and Last Command almost certainly. The Imperium and Retief series were also very enjoyable though the latter is the only one I’d re-read at this point. The usual suspects have decent though not complete ebooks listings for him, heavy on the Imperium and Retief series and they’ve just added a decent Bolo collection too. (Died 1993.) (CE)
  • Born June 9, 1930 — Lin Carter. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series. As a writer, His first professional publication was the short story “Masters of the Metropolis”, co-written with Randall Garrett, in The Magazine of Fantasy and Science Fiction, April 1957. He would be a prolific writer, average as much as six novels a year. In addition, he was influential as a critic of the fantasy genre and an early historian of the genre. He wrote far too much to me to say I’ve sampled everything he did but I’m fond of his Castillo, Great Imperium and Zarkon series, all great popcorn literature! (Died 1988.) (CE)
  • Born June 9, 1934 — Donald Duck, 86. He made his first appearance in “The Wise Little Hen” on June 9, 1934. In this cartoon, Donald and his friend, Peter Pig, lie their way out of helping the titular little hen tend to her corn. You can watch it here. (CE)
  • Born June 9, 1943 – Joe Haldeman.  Two dozen novels, eighty shorter stories; ninety published poems.  Seven Hugos, five Nebulas; three Rhyslings; Tiptree (as it then was); Skylark.  Edited Nebula Awards 17.  Pegasus Award for Best Space Opera Song.  SFWA (Science Fiction & Fantasy Writers of America) Grand Master.  Science Fiction Hall of Fame.  Guest of Honor at – among others – Windycon I and 20, Disclave 21, Beneluxcon 7, ConFiction the 48th Worldcon (1990).  His wide range has its virtues; he’s told how one story sold at a penny a word and five years later was adapted for television at five times as much; also “I don’t have to say Uh-oh, I’d better get back to that novel again; I can always write a poem or something.”  [JH]
  • Born June 9, 1949 – Drew Sanders.  Officer of LASFS (L.A. Science Fantasy Soc., oldest SF club in the world) and later of SCIFI (S. Cal. Inst. for Fan Interests – pronounced skiffy) when it incorporated separately.  First-rate costumer while married to Kathy Bushman; here they are as “Golden Apples of the Sun, Silver Apples of the Moon” in the Masquerade costume contest at Suncon the 35th Worldcon; he served as Masquerade Director himself, a huge task, e.g. at Nolacon II the 46th Worldcon (1988); here he is as the Joker, from Batman; he said, brilliantly, “the Masquerade is like a cross between kabuki and Little Theater”.  Part of the world of LASFS pastimes when that included LASFS Poker, which ran to games like Soft Shoe (because you could shuffle off to bluff a low).  Among few close friends of Bruce Pelz.  [JH]
  • Born June 9, 1949 – George Kelley, 71. Notable collector and blogger with 30,000 books in his basement, which he points out include “many books NOT in the Library of Congress.” (OGH)
  • Born June 9, 1951 – Jim Glass.  LASFS Librarian in the days of our first Clubhouse; earned our service award, the Evans-Freehafer, 1978; trained his successor Sue Haseltine who earned the Evans-Freehafer herself, 1985; now that’s service.  Associate Technical Fellow at Rocketdyne; an idea man; a steady stream of visitors to his office asked him about propellants and nozzles and mining Lunar polar regolith and Mars.  He liked to quote Konstantin Tsiolkovsky (1857-1935), “The Earth is the cradle of humankind.  But one cannot stay in the cradle forever.”  This drawing by Angelo Dinallo was brought to his memorial.  (Died 2007) [JH] 
  • Born June 9, 1954 — Gregory Maguire, 66. He is the author of Wicked: The Life and Times of the Wicked Witch of the West based off of course the Oz Mythos, Confessions of an Ugly Stepsister retelling the tale of Cinderella and Mirror, Mirror, a revisionist retelling of the Snow White tale which is really excellent. Well you get the idea. He’s damn good at this revisionist storytelling. (CE)
  • Born June 9, 1963 — David Koepp, 57. Screenwriter for some of the most successful SF films ever done: Jurassic Park (co-written with Michael Crichton, which won the Best Dramatic Presentation Hugo at ConAdian), The Lost World: Jurassic Park, War of The Worlds and, yes, it made lots of money, Indiana Jones and the Kingdom of the Crystal Skull. (CE)
  • Born June 9, 1966 – Christian McGuire.  This amazing astounding fan chaired eight Loscons (three with Shaun Lyon, one with Cathy Johnson, one with Michelle Pincus, and one with Crys Pretzman), Westercon LXIII, Conucopia the 7th NASFiC (N. Am. SF Con, held when the Worldcon is overseas), and L.A.con IV the 64th Worldcon. He was also a founder of Gallifrey One and chaired, or co-chaired its first 12 years. In between, Fan Guest of Honor at Baycon 2002, Westercon 51, Capricon 29, Loscon 36. He has been a panelist on Kevin Standlee’s Match Game SF. He is still alive. [JH]
  • Born June 9, 1967 – Dave McCarty.   Having chaired three Capricons, he chaired a bid to hold the 70th Worldcon in Chicago; when the bid won, he chaired the con, by no means inevitable.  It was Chicon 7 (2012), which by our custom means the seventh Worldcon in the same town with continuity from the same community.  No one else has managed this, or come close; the nearest have been Noreascon IV (62nd Worldcon) and L.A.con IV (64th Worldcon).  Also served as Hugo Awards Administrator, and on the World SF Society’s Mark Protection Committee, among our least conspicuous and most demanding work.  Fan Guest of Honor at Capricon 38, Windycon 38.  [JH]

(9) COMIC CREATORS SIDE WITH BLM. [Item by Olav Rokne.] Veteran comic book writer and editor Gail Simone has challenged fellow comic book writers to sell a piece of art from their collection, with money going to Black Lives Matter. Using the hashtag #ComicWritersChallenge, she’s inspired dozens of writers (including some very high profile creators) to participate. Some of the art that’s been up for auction is the sort of work that is literally never available. This includes such treasures as an original page from Crisis On Infinite Earths, the first page of Mike Grell’s run on Green Arrow, a piece by Greg Hildebrandt, a piece autographed by both Neil Gaiman and and Bryan Talbot, a page from Grant Morrison’s All-Star Superman and more. In one week, they’ve raised more than $200,000 for BLM. 

I wish I had the disposable income to keep bidding on the Bill Sienkiewicz piece. 

It’s worth reading the thread that started it all off. Thread starts here.  

There’s a spreadsheet tracking all the donations and bids: here. (Google Docs)

(10) MCDUFFIE AWARD TAKING NOMINATIONS. ComicsBeat says it’s time to “Send in your 2020 Dwayne McDuffie Award for Diversity in Comics nominations now”. Submissions will be taken until September 1.

The Dwayne McDuffie Award for Diversity in Comics is now officially accepting submissions for its sixth annual ceremony. Like so many other events, the McDuffie award has shaken off COVID delays, but continues nonetheless. The event will name one winner from five honored finalists, whose work resembles a commitment to excellence and inclusion on and off the page, much like the late Mr. McDuffie’s own efforts to produce entertainment that was representative of and created by a wide scope of human experience.

The Dwayne McDuffie Award’s motto, in his own words, is as follows: “From invisible to inevitable.”

Master of ceremonies, actor Phil LaMarr will announce the winner later this year via video. 

(11) YAKKITY-YAK. Cora Buhlert is back with a “Retro Review: “A God Named Kroo” by Henry Kuttner”.

…Warning: Spoilers beyond this point!

“A God Named Kroo” begins with Kroo, a minor village god in the Himalayas. Kroo has a problem, for his last worshipper died fifty years before. Ever since then, Kroo’s temple has lain abandoned, avoided by the villagers. Now the only follower that Kroo has is a yak, which wandered onto the temple grounds one day in search of food and now belongs to Kroo according to ancient tradition….

(12) ONE FOR THE RECORDS. Mike Allen says, “The appearance the four of us just made on John Scalzi’s Whatever blog, ’The Big Idea: C. S. E. Cooney, Jessica P. Wick, Amanda J. McGee, Mike Allen’ …sets a new record for the ‘largest number of authors co-writing a single Big Idea piece,’” according to John.

(13) GAIMAN’S TAKE. Neil Gaiman fielded a question about the latest J.K. Rowling controversy.

https://www.tumblr.com/neil-gaiman/620303808459882496/hey-neil-due-to-a-certain-british-author-saying

(14) SCHRÖDINGER’S EGG. Randall Munroe illustrates what he found out from scientists in “Can You Boil an Egg Too Long?” at the New York Times. It’s all very earnest.

…If you boil an egg for five or 10 minutes, it becomes firm and cooked. If you boil it for hours, it becomes rubbery and overcooked. Beyond that, things get a little mysterious.

Eggs are full of coiled-up protein molecules. Heating the proteins makes them uncoil and link up with one another to form a three-dimensional lattice, transforming a runny raw egg into a firm, rubbery cooked egg. This scaffolding helps give baked goods their structure.

(15) ON THE EVE OF STAR TREK. Vintage Everyday posted a gallery of Jay Kay Klein’s masquerade photos from the 1966 Worldcon: “Science Fiction & Fantasy Costume Contestants Posing at the 24th World Science Fiction Convention in Cleveland, 1966”.

The three co-chairmen of that Worldcon each represented their city’s fandom; they were Ben Jason of Cleveland, Howard DeVore of Detroit, and Lou Tabakow of Cincinnati. The guest of honor was L. Sprague de Camp and the toastmaster was Isaac Asimov. Of special note: Gene Roddenberry premiered the pilot episode for his TV series Star Trek at Tricon.

This collection is primarily comprised of photographs taken by Jay Kay Klein has he documented Science Fiction & Fantasy fandom at the 24th World Science Fiction Convention in Cleveland, Ohio. The majority of images were taken by Klein while attending Science Fiction & Fantasy conventions and events….

(16) UP FROM THE RANKS. Fanac.org has posted an audio recording of the first segment of the “Fans Into Pros” panel at the 1978 Worldcon.

IguanaCon II, the 36th Worldcon, was held in Phoenix, Arizona in 1978. Guest of Honor Harlan Ellison, along with Robert Silverberg, Dick Lupoff and Ted White participated in a panel on “Fans Into Pros”. This audio recording (enhanced with more than 50 images) is Part 1 of that panel. It’s clear that the participants are old friends, with the combination of sharp wit and long familiarity. There are multilingual puns, sincere stories of friends that helped them become professionals, tales of writerly poverty, editorial benevolence and malevolence, and a ready acknowledgement (in detail!) of how fandom helped these writers become professionals in the field. Well worth listening to for both the content and the occasional conversational gymnastics. This recording courtesy of IguanaCon chairman Tim Kyger.

[Thanks to John King Tarpinian, Andrew Porter, Olav Rokne, Martin Morse Wooster, Chip Hitchcock, Michael Toman, Mike Kennedy, Todd Mason, Cat Eldridge, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]