Pixel Scroll 11/24 The Choler out of Space

(1) Fans beat the pros at trivia – well, of course they did.

The awkward moment when Peter Capaldi, Steven Moffat and Mark Gatiss came third in a Doctor Who pub quiz.

The trio – who called themselves The Time Wasters – clearly didn’t know their wibbly wobbly timey wimey stuff

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(2) John Picacio teed off against the World Fantasy Con’s call for new award design submissions:

Artists — how do you feel about someone who says, “Give us your ideas for free. If we decide we like one of them, we’ll use it for our own personal branding and for our own prestige. We will hire someone to make multiple images of it and that person will not receive compensation either. We have zero respect for any of you as working professionals.”

As of today, that’s the official message that the World Fantasy Convention just transmitted to all professional artists as the WFC searches for a new image for their World Fantasy Award. See their new “World Fantasy Award Call for Submissions”.

That’s right. Your ideas and your work — for nothing.

It’s an extremely unprofessional message, and it’s not one that befits experienced professionals. It says to all of its members — writers, editors, agents, publishers — that the organization doesn’t value its own branding enough to properly invest in it. That’s very sad to see.

This stirred up debate among commenters on Picacio’s Facebook page, including Ellen Datlow, Sean Wallace, Irene Gallo and others.

(3) Two days ago I ran David Hartwell’s photo of a NY subway car wrapped in a graphical ad for The Man in the High Castle  — but today Amazon announced it will remove the ads amid uproar over their use of insignia inspired by Nazi Germany and Imperial Japan.

The online retailer made the decision to pull the ads amid widespread coverage of the wrap, which cover half the 42nd Street shuttle’s seats in decals of the American flag with the stars replaced by an emblem that closely resembles the Nazi Reichsadler, the heraldic eagle used by the Third Reich. The other side features a recreation of a World War II-era Japanese flag in red, white and blue….

Straphanger Ann Toback was disturbed to find the posters wallpapered on the Grand Central shuttle.

“Hate speech, hate insignia requires a response when you see it, you don’t just say, ‘oh, it’s New York,” said Toback. “You see, you have a choice to stare at the Japanese empire insignia or the Nazi insignia.”

A spokesman for the MTA said there were no grounds to reject the ads because they do not violate the authority’s content-neutral ad standards, which only prohibits advertising that disparages an individual or group. ..

Some activists and officials, however, expressed outrage that the advertisements were allowed to run.

“As a Jew, I am offended, and as a New Yorker, I am embarrassed,” said state Rep. Jeffrey Dinowitz. “The MTA should be ashamed of themselves and this ignorant advertising campaign, as it is offensive not just to the Jewish community, but to all Americans.”

Mayor de Blasio also decried the ads, calling them “irresponsible.”

…Not everyone was bothered by the marketing. One rider said, “It’s not like the end of the world, it’s not specifically targeting a group of people. It’s just for a show.”

(4) Justin Raimondo contrasts the novel and miniseries in “Myths of Empire: The Man in the High Castle: a review of sorts” at AntiWar.com.

Dick’s original version would never be allowed on American television: the political realities of our time forbid it. Empires are founded on mythologies – narratives in which historical events are interpreted in a way that justifies the status quo, and crowds out any dissenting version, consigning the truth – if such there is – to the margins.

(5) Myke Cole posted a photo of him receiving his promotion from NYPD Commissioner Bratton. (All I can find in bios is that he does “specialized work” there.)

(6) At National Review Online, Katherine Timpf discusses how she got death threats after she joked on the Fox News Channel comedy show Red Eye “I have never had any interest in watching space nerds poke each other with their little space nerd sticks, and I’m not going to start now.”

And:

“Yesterday I tweeted something, and all I said was that I wasn’t familiar with Star Wars because I’ve been too busy liking cool things and being attractive.”

Now, I received a few death threats right after I posted the aforementioned tweet — which, by the way, was why I was saying Star Wars fans were “crazy” in the first place. Overall, though, it wasn’t a big deal, and I kind of forgot about it.

Then, this week, one Star Wars super-super-super fan who calls himself “AlphaOmegaSin” made a ten-minute (!) video brutally ripping me apart.

(7) “NASA not ready for dangers of deep space, auditors say” writes Jerry Markon of the Washington Post.

American culture and cinema often glorifies space travel, from the heroic early adventurers of “The Right Stuff” to the more recent rescue of Matt Damon’s astronaut character from Mars in “The Martian.”

But the reality is less glamorous, with journeys into deep space posing serious dangers to astronauts that include inadequate food, radiation exposure and heightened risks of developing cancer and other maladies. And NASA is not yet ready to handle those dangers as it moves ahead with plans to send the first human mission to Mars by the 2030s, according to a recent audit.

NASA inspector general Paul K. Martin found that the legendary space agency “faces significant challenges” ensuring the safety of any Mars-bound astronauts,  and that its schedule to limit the risks is overly “optimistic.” As a result, he said, Mars crews likely will have to accept more risks to their health and safety than their predecessors who went to the moon and work in the International Space Station.

(8) “Mœbius & Jodorowsky’s Sci-Fi Masterpiece, The Incal, Brought to Life in a Tantalizing Animation” at Open Culture.

Last year we featured artwork from the Dune movie that never was, a collaboration between Alejandro Jodorowsky, the mysticism-minded Chilean director of such oft-described-as-mind-blowing pictures as El Topo and The Holy Mountain, and the artist Jean Giraud, better known as Mœbius, creator of oft-described-as-mind-blowing comics as Arzach, Blueberry, and The Airtight GarageIf ever a meeting of two creative minds made more sense, I haven’t heard about it. Alas, Jodorowsky and Mœbius’ work didn’t lead to their own Dune movie, but it didn’t mark the end of their artistic partnership, as anyone who’s read The Incal knows full well.

Telling a metaphysical, satirical, space-operatic story in the form of comic books originally published throughout the 1980s (with sequel and prequel series to come over the following 25 years), The Incal on the page became the fullest realization of Jodorowsky and Mœbius’ combined vision.

(9) Blue Origin’s New Shepard space vehicle successfully flew to space, reaching its planned test altitude of 329,839 feet (100.5 kilometers) before executing a historic landing back at the launch site in West Texas.

“But more significant,” notes the Washington Post, “was the landing of the rocket booster, which descended, flew through 119 mph high-altitude crosswinds and touched down on the landing pad by firing its engine again. The company based in Kent, Wash., said it landed just four-and-a-half feet from the center.”

 

(10) Today’s Birthday Boy

  • Born November 24, 1916 – Forrest J Ackerman

(11) “How an industry of ‘Amazon entrepreneurs’ pulled off the Internet’s craftiest catfishing scheme” in the Washington Post.

There’s only one problem with Dagny Taggart — she doesn’t exist. Evidence collected and examined by The Washington Post suggests that Taggart (who is named for a character in Ayn Rand’s “Atlas Shrugged”) is a made-up identity used by an Argentine man named Alexis Pablo Marrocco. Marrocco, meanwhile — and other self-described “Kindle entrepreneurs” like him — form part of a growing industry of “Amazon catfish.”

The catfishing process varies according to the specific “entrepreneur” using it, but it typically follows the same general steps: After hiring a remote worker to write an e-book for the Kindle marketplace, Amazon’s e-book store, publishers put it up for sale under the name and bio of a fictional expert. Frequently, Kindle entrepreneurs will then buy or trade for good book reviews. (Jeff Bezos, the owner of Amazon, also owns The Washington Post.)

At the end of this process, they hope to have a Kindle store bestseller: something with a catchy title about a hot topic, such as gambling addiction or weight loss.

“Making money with Kindle is by far the easiest and fastest way to get started making money on the Internet today,” enthuses one video that promises to guide viewers to riches. “You don’t even need to write the books yourself!”

(12) Cute set of fandom greeting cards.

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(13) ‘Tis the season to break this out again: WKRP “As God as my witness, I thought turkeys could fly” Thanksgiving

[Thanks to David K.M. Klaus, Martin Morse Wooster, Amy Sterling Casil, Brian Z., John King Tarpinian, and Tom Galloway for some of these stories. Title credit goes to File 770 contributing editor of the day GP.]

Pixel Scroll 11/23 Mister Scrollman, Bring Me A Screed

(1) Syfy offers a free viewing of the first episode of The Expanse  — Episode 1: Dulcinea. (Also available on the Syfy Now App, Hulu, Amazon, Google Play, Vudu, iTunes, Playstation, Xbox, and Facebook.)

(2) Variety says additional episodes have been ordered for Rachel Bloom’s series and CW’s iZombie.

Freshman comedy “Crazy Ex-Girlfriend” has landed five more episodes, bringing its first season total to 18, while “iZombie” has received an additional six-episode order, giving the second season a total of 19.

Audience for the Bloom series is growing slowly.

While the positively-reviewed “Crazy Ex-Girlfriend” hasn’t gained much ratings traction, it has posted its best numbers to date in recent weeks. Paired with sophomore critical breakout “Jane the Virgin,” the six episodes averaged a 0.34 rating in 18-49 and about 1 million total viewers in Nielsen’s “live plus-3” estimates.

(3) Misty Massey tells about a live slushpile reading in “Getting What You Ask For” at Magical Words.

Many, many times I hear writers complain how much they hate getting form rejections from editors, because such things do nothing to help them understand why the editor didn’t want to buy their story. Editors don’t understand, they cry, that writers can’t fix stories if they aren’t told what went wrong in the first place. Some writers say editors are lazy, others think they’re cruel. For whatever reason, it’s always the editor’s fault.

A couple of years ago, David Coe approached Faith Hunter and me to present a panel called Live Action Slush. (For those who don’t know, the writers submit the first pages of their novels anonymously. A designated reader reads each page aloud, and the three of us listen as if we were slush editors, raising our hands when we reach a place that would cause us to stop reading and move on to the next submission.  Once all three hands are up, the reading stops and we discuss what made us stop reading.) David had done such a panel at another con, to great acclaim, and wanted to bring it to ConCarolinas. We had two sessions, both standing room only. As far as we could tell, anyway. We were asked to present it at Congregate later that same summer, and since then we’ve offered it in various incarnations at any cons we attended.

Most of the time, the writers seemed happy to hear our suggestions, although once in a while we would run into a writer who just couldn’t handle the idea that their story wasn’t already perfect.  You see, the point of Live Action Slush is to give the writers exactly what they’ve been complaining they never receive – a specific, clear reason for the turndown. Sometimes the problem is that nothing is happening by the time we reach the end of the first page. Sometimes the writer spends the entire first page describing the characters without giving the reader the slightest idea what the book’s about. Characters might be hideous stereotypes, or flat and wooden.  There are tons of reasons, most of which are easily repaired once the writer knows what has happened. But there are some writers who really aren’t ready to hear what needs fixing. They’ve come to the workshop fully expecting that the panelists will declare their first page to be utter brilliance. Those are the writers who storm out of the room, instead of staying to listen to the critique of other writers under the same scrutiny. They go into the hallway and tell their friends how mean we were, how we don’t really know anything. Most important, they don’t make any changes.

(4) In an Absolute Write forum, Alessandra Kelley gives the context for a wisecrack James Frenkel made on a Windycon panel and asks “Is what I witnessed abusive behavior?”

There are a number of important questions that urgently need discussing if we are to have any sort of careful, agreeable, professional and accepting environment for our conventions.

Many people make thoughtless remarks or cruel witticisms or little jokes. Should people be more mindful of them?

Is it right to treat a category of people as inherently funny or insulting?

How much tolerance should there be for little jokes? At what point does laughing them away become aiding and abetting the marginalization of a segment of the community?

Should a person with a known history of abusive behavior be held to a higher standard than others? What about a person in a position of authority?

Should we not speak up when we see such behavior?

(5) Lucy Huntzinger reports that the Down Under Fan Fund will be receiving a $2,000 donation from Sasquan, the 2015 Worldcon. The DUFF co-administrator said, “Thank you for supporting face to face encounters between international fandoms!”

(6) Today In History

The first of a four-part pilot episode of the series aired on the BBC on this day in 1963. Titled “An Unearthly Child”, the story introduced the Doctor, the Tardis, and many other things that would become hallmarks of the program.

(7) Today’s Birthday Boys

  • Born November 23, 1887 — Boris Karloff, birthname William Henry Pratt, in Camberwell, London, England.
  • Born November 23, 1914 – Wilson “Bob” Tucker

(8) Early suggestions coming in for the 2016 Worldcon program…

(9) The Kickstarter for The Dark North – Volume 1, a premium coffee table art book with new stories from Scandinavia’s best illustrators and concept artists, is just fully financed, but it’s still possible to contribute.

Artist: Lukas Thelin

Artist: Lukas Thelin

(10) “Being a Better Writer: Names”  by Max Florschutz at Unusual Things has four good ideas for dealing with a fundamental sf writing challenge.

So, naming things. This is, as you might guess, a requested topic. And to be honest, I think it’s one worth talking about.

See, naming things can actually be pretty tricky. When creating a world from scratch, or even just a redesigned/repurposed version of our own world, often one of the first things a lot of young writers do is assign their characters, places, and things very interesting names. It’s kind of a trope by this point, but if I had to guess my prediction would be that to the new writer, the goal is to excitedly show you how fantastical their world is. So they don’t have people with names like Joe or Samantha. They have people with names like Krul’Qa’pin or something like that.  And they live in the city of Byulnqualalaltipo! Aren’t those fantastic?

Well, in sense, sure. They’re also completely unpronounceable, for a start. And that is just the start.

See, there are a host of problems with names like this. The first being that they’re difficult for the reader to read, pronounce, and parse. They’re these very out there, fantastical names that are hard to make sense of, and the more of them a writer puts into his story, the harder it will be not only for the reader to keep interest, but to keep everything straight. Especially if the writer has gone and made a number of the names similar through conventions such as “I’ll stick apostrophe’s here and here and that’ll make a name.” And while it certainly might create names that look impressive, the truth is that a lot of “name creation techniques” that novice writers go for tend to create a whole host of problems like what we just discussed.

Okay, so this is writing that, if not bad, is certainly not good, clearly. But in order to avoid this trap, it’s worth understanding why it’s a trap in the first place. Why are writers doing this? What makes creating a multi-syllable name that defies typical English attractive?

(11) A dress worn by Judy Garland in The Wizard of Oz, (which did not win the brackets, darn it) sold at auction for $1.56 million today.

The blue and white gingham dress, one of 10 thought to have been made for Garland in her role as Dorothy in the movie, was among the top items in the Bonham’s and Turner Classic Movies Hollywood memorabilia auction….

A year ago, the Cowardly Lion costume worn by actor Bert Lahr in the movie sold for almost $3.1 million at a Bonham’s auction.

(12) National Geographic reveals “An 80-Year-Old Prank Revealed, Hiding in the Periodic Table!”

You wouldn’t know it, because it’s hiding down there at the bottom of the periodic table of elements, but it’s a prank—something a five-year-old might do—and the guy who did it was one of the greatest chemists in America. It’s pure silliness, staring right at you, right where I’ve drawn my circle, at element 94.

(13) At Motherboard, “For the First Time Ever, Astronomers Have Observed the Birth of a Planet”:

The new research, published this week in Nature, provides hard evidence of a developing gas giant orbiting a young Sunlike star called LkCa 15, located 450 light years away in the constellation Taurus. What’s more, it appears as if at least two other giant bébés are also forming around the star, though only one was directly detected.

“No one has successfully and unambiguously detected a forming planet before,” said astronomer Kate Follette, a co-author on the study, in a statement. “There have always been alternate explanations, but in this case we’ve taken a direct picture, and it’s hard to dispute that.”

(14) Click at your own risk! From ScienceFiction.com “Thanks To A Leaked Children’s Book We Have Some HUGE ‘Star Wars: The Force Awakens’ Spoilers!”

(15) “Steven Moffat Reveals the Nightmare Doctor Who 50th Anniversary Special We Could Have Had” on io9.

But while those meetings went on, more and more actors publicly denied that they would be a part of the special, prompting growing discontent from Doctor Who fans—who didn’t realize that behind-the-scenes problems with the script, and a ticking clock, meant that Moffat very nearly had to scrape together a story with whatever actors he could find. Case in point? In one form or another, there was a story outline for “The Day of the Doctor” that featured no Doctors at all… only Jenna Coleman as Clara.

(16) A project known as “Justice League Dark” is inching closer to a greenlight. Joblo lists the front-running candidates to direct:

Things are heating up for DARK UNIVERSE, as casting rumors have been swirling around the past week and now we have word on who the studio is eyeing to direct the supernatural superhero tale. We’re told that BIG BAD WOLVES directing duo Aharon Keshales and Navot Papushado, as well as EVIL DEAD remake director Fede Alvarez are the top contenders to take the gig right now. Both sets of filmmakers have a strong grasp of the dark and macabre genre and would easily fill the shoes of Guillermo Del Toro, who left the film after turning in his screenplay and toiling with the studio over casting and scheduling. However, Del Toro’s script is said to be excellent and one of the main reasons that the studio is pushing to get JLD underway with a shooting start in early 2016.

Yahoo! says Dark Universe is expected to put the spotlight on some of the lesser-known heroes and villains of the DC Comics universe whose adventures typically involve magic or supernatural elements of some sort.

Among the characters rumored to have a role in the film are occult detective John Constantine, who was featured in a short-lived television series of his own recently, and Swamp Thing, a multimedia sensation who was the subject of two live-action movies, a live-action television series, and an animated series to go along with his long-running comic book series and other projects. The film will also reportedly feature the villain Anton Arcane, the antihero demon Etrigan, and the sorceress Zatanna, as well as Madame Xanadu and the body-swapping spirit Deadman.

(17) Ice Age 5 short: Scrat In Space!

[Thanks to Hampus Eckerman, Will R., JJ, John King Tarpinian, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]

Pixel Scroll 10/7 The Sprite Stuff

(1) “The Phantom Fame: ‘Space Ghost Coast to Coast,’ Secretly TV’s Most Influential Show”. Shea Serrano explains his theory on Grantland.

Repurposing existing Space Ghost images from the original cartoons, Lazzo created the first animated late-night talk show in 1994. Operated in tandem with Keith Crofford, a fellow Southerner with whom Lazzo shared an office as well as seemingly a brain, the show boasted a premise that was somehow both simple and endlessly, mutably ridiculous. Now retired from the business of fighting intergalactic evil, Space Ghost (real name: Tad Ghostal) and a support staff consisting of his imprisoned enemies Zorak (anthropomorphic mantis/bandleader) and Moltar (gravel-voiced lava man/director) flies face-first into show business, interviewing pop-culture luminaries through a monitor screen lowered into the chair where a guest would normally sit. Interviews with the celebrities involved were filmed separately, in largely improvisational fashion, then combined with the cartoon characters’ dialogue — often producing results diametrically opposed to the context of the original questions.

(2) Christopher Martin says “Everybody’s Invited To My All-Male, All-White Literary Panel” on McSweeneys Internet Tendency.

Dear Writers,

Congratulations on having a short story accepted for publication in the anthology Rusted, Lusted, Busted: Contemporary Southern Fiction, edited by myself and my good buddy Richard Head!

Richard and I, both of us straight cisgender nominally Christian white males, have put a shit-ton of work into this anthology, mostly over beers and hot wings at the local Tilted Kilt while our wives assumed 100% of the burden of watching our kids. Now this baby we’ve labored over is out and it’s time to party!

That’s why we’re hosting an all-male, all-white panel tomorrow at Lily White Books in Mansfield, SC, to celebrate the anthology’s release and your contributions to it. We’d love it if some of you could come be part of the panel!

Given the twelve-hour notice, however, along with our inability to compensate you in any way, and our unwillingness to compensate you even if we could, I completely understand that most of you — including all our woefully underrepresented contributors who do not identify as heterosexual white men — will not be able to participate in this seminal event, except perhaps as late-arriving, paying audience members ($5 at the door).

(3) SF Signal’s latest Mind Meld, curated by Paul Weimer, taps the contributors’ autobiographies.

For each one of us, there is a book, or a series, that hooked us on genre fiction. Maybe it was the first SF book you read, maybe you had to read a couple before you hit the one that hooked you.

Tell me what book got you to become a fan of SFF, and why?

Answering the question are Gail Carriger, Tansy Rayner Roberts, Yoon Ha Lee, Rachel Swirsky, Beth Cato, Tehani Wessely, Alan Baxter, Sarah Hendrix, Olivia Waite, Anthony R. Cardno, Ann VanderMeer, Sarah Williams, Pamela Sargent, Jaye Wells, Mike Glyer, Sabrina Vourvoulias, , Kerry Schafer, Jim Henley, Melanie R. Meadors, M L Brennan, Meghan B., and Jon Courtenay Grimwood.

(4) The author explains it all to you in “The Big Idea: Ann Leckie” on Whatever.

So instead of going over the AJ stuff again–what is a person? Who is anybody anyway?–I instead give you the Ancillary FAQ. These are all questions I’ve actually gotten (or oveheard) at one time or another.

Q: How can you possibly wrap the story up in one more volume? There’s too much going on; I don’t see how you could manage it.

A: The easiest way for me to answer that is to actually do it. Which I have, and you can see the answer for yourself wherever fine books are sold. Or at a library near you. I love libraries. They’re awesome.

Q: Will there be more books after this one?

A: There will be more books, and certainly more books in this universe, but not books about Breq. Nothing against her, I’ve had a lovely time these past three books, but it will be nice to do something different.

(5) Brian Fung’s article for the Washington Post, “’The Martian,’ NASA and the rise of a science-entertainment complex”, looks at the extensive cooperation between NASA and the producers of The Martian, and notes that NASA hopes to get more out of this film than other projects with which it has extensively cooperated (like the Transformers movies).

When Navy flyboy Tom Cruise got too close for missiles and switched to guns in the spring of 1986, what seemed like an entire nation got up to follow him. Military recruitment booths popped up in theaters, eager to attract young Americans who’d just seen Maverick tell Charlie about the inverted dive he’d done at four Gs against a MiG-28.

To say “Top Gun” was a boon for recruitment would be an understatement. That year, the Navy signed up 16,000 more people than it did the entire year before, according to the author Richard Parker, writing for Proceedings, the U.S. Naval Institute’s monthly magazine. Other estimates suggest that among naval aviators alone, this spike in registrations amounted to growth rates of 500 percent….

With “The Martian,” NASA has the same opportunity defense officials had in the 1980s, only now with additional social media superpowers. By highlighting everything from the real-world technologies depicted in “The Martian” to explaining the science behind Martian dust storms to calling on young women to take after the fictional Ares III mission commander, Melissa Lewis, NASA’s hoping to turn moviegoers into the nation’s next generation of scientists, technologists and the other all-around bad-ass eggheads celebrated in the film. In the run-up to the movie’s release, NASA even made a major announcement about the discovery of liquid water on Mars that some believed was simply too conveniently timed to be a coincidence.

(6) The Motherboard’s Jason Koebler eschews any idea of a jolly NASA/media alliance from the very first words in his post “NASA Wants Astronauts to Use Mars’s Natural Resources to Survive”.

Humans have thoroughly wrecked Earth’s environment, now it’s time to move on to using the natural resources of another planet.

Fresh off the discovery of flowing, liquid water on Mars, NASA said Wednesday it wants ideas for how to best exploit the natural resources of the Red Planet for human survival…. NASA plans on giving away modest $10,000 and $2,500 prizes to people who can come up with potentially viable ideas for Mars resource use.

(7) Todd VanDerWerff asked the editors of The Best American Science Fiction and Fantasy 2015 to name “10 of the best science fiction and fantasy short stories ever” for Vox.

Because some of the most exciting American writing is happening in the fields of science fiction and fantasy right now, I hopped on the phone with the book’s two editors, Joe Hill and John Joseph Adams, to hear their picks for the 10 best science fiction and fantasy stories ever written.

They included stories from Malamud, Tiptree, LeGuin, Keyes, Harlan Ellison, Link, Bradbury, Borges, and others.

(8) Today In History –

  • October 7, 1849 – Edgar Allan Poe succumbs to a mysterious condition, days after having been found delirious in the streets of Baltimore. Tragically, only seven people attended his funeral. Quoth the Raven: Nevermore.
  • October 7, 1960 — CBS broadcasts the premiere episode of “Route 66.”  Why do we care? Because Episode #79, “A Gift for a Warrior” was based on a story by Harlan Ellison.

(9) “Superman’s Getting a Brand New Secret Identity” and io9 has the name. Spolier warning!

Spoilers ahead for today’s Action Comics #45!

Now that Superman (and Clark) are taking the heat for Lois’ story leaking his alter-ego, Kal-El has had to go into hiding and lay low. Fired from the Daily Planet when his co-workers discover they’d been in grave danger simply by being in Clark’s vicinity all the time, and facing persecution from the Government, Superman has vanished… and replaced himself with a mild-mannered trucker.

Yes, Clark Kent is now Archie Clayton! It doesn’t quite have the same ring to it, does it?

(10) The Today show reunited the Rocky Horror cast for an interview, including Susan Sarandon, Tim Curry, Barry Bostwick and Meat Loaf.

(11) Unlike many other original Ghostbusters cast members, Rick Moranis turned down the offer to appear in the reboot.

When the new all-female Ghostbusters reboot arrives in theaters next summer, nearly all the living actors from the original 1980s films — Bill Murray, Dan Aykroyd, Sigourney Weaver, et al. — will be doing cameos. But not Rick Moranis, who was offered the chance to appear in a walk-on role but turned it down. “I wish them well,” says the 62-year-old comedic legend, who’s so stunned by the outcry over his absence in the film that he decided to grant a rare interview with THR. “I hope it’s terrific. But it just makes no sense to me. Why would I do just one day of shooting on something I did 30 years ago?”

(12) In a follow-up to his “Fisking the New York Times’ Modern Man”, Larry Correia’s “Update! Modern Manhood ACHIEVED!” shares photos of his important new acquisition —

Yes! That is a melon baller! Despite my never buying shoes for her, my wife purchased this for me when she saw it in a store. Because Modern Manhood ACHIEVED!

Now all I need is some Kenneth Cole oxfords and a crying pillow, and I’m set.

(13) Coin World discusses a silver coin commemorating exploration of the space-time continuum.

2015-Cooks-Island-Space-Time-Continuum

A four-dimensional concept is now presented in a three-dimensional format.

A 2015 $2 coin in the name of Cook Islands visibly explains the relationship between space and time, as created by scientist Hermann Minkowski. Building on Albert Einstein’s 1905 Special Theory of Relativity, Minkowski suspected the existence of a fourth dimension (time, in addition to height, width and length), in which space and time are connected geometrically, and he created a diagram illustrating the connection.

The Prooflike half-ounce .999 fine silver $2 Space–Time Continuum coin was issued by Coin Invest Trust. It was struck by B. H. Mayer‘s Kunstprägeanstalt Mint in Munich, Germany.

The reverse of the coin depicts the Minkowski diagram, a geometric illustration of the formula of special relativity, which is engraved in one of the diagram’s columns together with the inscription SPACE–TIME CONTINUUM. The center of the high-relief coin is marked with a magnetic sphere, which can be removed.

The obverse, whose shape is a mirror or inversion of the reverse, displays the Ian Rank-Broadley portrait of Queen Elizabeth II, the issuing nation and the face value.

Einstein incorporated Minkowski’s ideas into his general theory of relativity in 1915, six years after Minkowski died.

(14) A black eye for Myke Cole?

[Thanks to JJ, Martin Morse Wooster, Rob Thornton and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]

Pixel Scroll 9/28 One Scroll To Live

(1) If film criticism ever becomes a duel to the death, people will say, never bet against David Gerrold when cinematic science fiction is on the line…. See his new review on Facebook.

All right, so let’s talk about SNOWPIERCER, a brilliantly produced movie that ultimately fails in the two most important ways a science fiction film can fail.

I’ll take the easy one first — the audience will suspend disbelief, they will not suspend common sense.

The idea here is that the Earth has frozen over. The only survivors are living on a train that circles the globe endlessly.

1) The Earth is frozen over because scientists have decided to put something called CW7 in the atmosphere to halt global warming. They do it with chem trails. It works too well. The planet gets too cold, everything freezes down so cold you’ll freeze to death in minutes.

Now, look — whatever that CW7 stuff is — you’re gonna have to put several million tons of it into the atmosphere to cools down the planet. That’s a lot of chem trails. It’s going to take a long time. Years. Decades perhaps. Even if you could retro-fit every jet plane in the world on its next scheduled maintenance, it would still take millions of miles. And you would think that as soon as the temperature gradients start falling too fast, not matching the projections, the scientists — or whatever agency behind it — would stop the process to evaluate the results. But no — whatever this CW7 is … bam, it freezes everything to a giant planet-sized popsicle.

2) Where did all that water come from? Even in this planet’s worst ice ages, there wasn’t enough H2o to make enough snow to cover every continent. ….

Unfortunately … even as an ALLEGORY this thing doesn’t work.

That’s the second and much bigger failure…..

(2) A killer review like that leads indirectly to the sentiment expressed in “Why Peter Capaldi Said No To Extra Doctor Who”.

It seems like eons pass in between series of Doctor Who. As with many shows which only run 10 or so episodes in a season, they’re over so quickly, and then there’s another year or more of wait before the show comes back. It turns out that the BBC would love to see more Doctor Who as much as fans would. However, the cast and crew, led by Peter Capaldi himself, have said no to requests for more episodes. The reason, according to Capaldi, is that while they could make more episodes, what they couldn’t do is make more good episodes.

(3) David Brin turns his thoughts to “Sentient animals, machines… and even plants!” at Contrary Brin.

In Brilliant Green: the Surprising History and Science of Plant Intelligence, plant neurobiologist Stefano Mancuso and journalist, Alessandra Viola, make a case not only for plant sentience, but also plant rights. Interesting, though science fiction authors have been doing thought experiments about this for a long time, e.g. in Ursula LeGuin’s novel “The Word for World is Forest” and in my own “The Uplift War.” Jack Chalker’s “Midnight at the Well of Souls” portrayed sentient plants, as did Lord of the Rings.

There is a level where I am all aboard with this.  Ecosystems are webs of health that combine fiercely interdependent predation/competition with meshlike interchanges of sight/sound/chemicals that clearly manifest types of cooperation, even communication…. as I elucidated in “EARTH.”

On the other hand, I also step back to see the qualities of this book that transcend its actual contents, for it fits perfectly into the process of “horizon expansion” that I describe elsewhere.  A process of vigorously, righteously, even aggressively increasing the scope of inclusion, extending the circle of protection to the next level, and then the next. See also this Smithsonian talk I gave about the never-ending search for “otherness.”

(4) And look for Brin to be in residence at Bard College in October.

David Brin, a scientist, a science fiction author and a commentator on the world’s most pressing technological trends, is in residence at the Hannah Arendt Center at Bard College from Oct. 5 to Oct. 25.

As part of Brin’s fellowship, he will mentor selected Bard students on their fiction and nonfiction writing. He will also offer a number of lectures and discussions. On Sept. 30, at 11:30 a.m., Brin will talk with Hannah Arendt Center Academic Director Roger Berkowitz and “Roundtable” host Joe Donahue on WAMC radio.

On Oct. 7 at 5 p.m. in Reem-Kayden Center 103, Brin will speak about his book, “The Transparent Society: Will Technology Force Us to Choose between Privacy and Freedom?,” with Berkowitz. On Oct. 14 at 7 p.m. in the Bertelsmann Campus Center’s Multipurpose Room, he will attend a debate on “National Security is More Important than the Individual Right to Privacy.”

Bard College is located in Annandale-on-Hudson, NY.

(5) Cheryl Morgan advises on “Writing Better Trans Characters” at Strange Horizons.

Trans people are a big thing these days in equality circles. People are asking what they can do to help the trans cause. Quite simply, the most important thing cis people can do for the trans community right now is to accept us as fully human; not as something to be gawped at and whispered over, not as a clever metaphor with which to discuss gender, but as ordinary people just like you. For cis writers, that means putting us in their stories.

I reject the idea that trans characters should only be written by trans people because cis folk are bound to get it wrong. While there are some really fine trans writers, there simply aren’t enough of us in the world to do what is needed. We have to be part of all fiction, not just fiction that we write ourselves.

(6) Kim Stanley Robinson defended his notion of future technology in Aurora as part of an article about science fiction realism for the Guardian.

Robinson makes no apology for the 21st-century tech of his 26th-century explorers, arguing that progress in science and technology will asymptotically approach “limits we can’t get past”.

“It’s always wrong to extrapolate by straightforwardly following a curve up,” he explains, “because it tends off towards infinity and physical impossibility. So it’s much better to use the logistic curve, which is basically an S curve.”

Like the adoption of mobile phones, or rabbit populations on an island, things tend to start slowly, work up a head of steam and then reach some kind of saturation point, a natural limit to the system. According to Robinson, science and technology themselves are no exception, making this gradual increase and decrease in the speed of change the “likeliest way to predict the future”.

(7) Les Johnson’s guest post about putting together a mission to Mars on According To Hoyt suits the current Mars-centric news cycle very well.

Since I work for NASA and have looked extensively at the technologies required to send people to Mars, I am often asked how close we are to being able to take such a journey. [DISCLAIMER: The very fact that I work for NASA requires me to say that “the opinions expressed herein are my own and do not reflect the views of my employer.”] Basing my opinion solely on information that is publicly available, the answer is… not straightforward. Let me break it into the three areas that Project Managers and Decision Makers (the ones with the money) use when they assess the viability of a project in an attempt to explain my answer.

(8) MARK YOUR CALENDAR:  April 3, 2016 will be the next Vintage Paperback Show in Glendale, CA at the Glendale Civic Auditorium from 9 a.m. to 4 p.m. STILL $5.00

(9) Editors Eugene Johnson and Charles Day have started an Indiegogo appeal to fund their Drive-In Creature Feature anthology from Evil Jester Press.

Get in line. Buy a ticket, and take a trip to the DRIVE-IN CREATURE FEATURE. Where the monsters from the classic films from the 1950’s to 1980’s shined on the large iconic sliver screens. Where the struggle between human and monsters came alive for the fate of the world. Monsters created from an experiment gone wrong, legendary beasts long asleep, now awaken by melting humans, visitors from a far off world that aren’t as friendly as they appear. Monsters like giant parasitic bugs and ancient sea beasts on the prowl. A mysterious plague turning the homeless population into Moss people. A government sponsored monster goes toe-to-toe with a monster of Celtic myth. and many more are included.

Intriguing tales by some of the best names in horror, including New York Times Best selling authors and comic book writers, Jonathan Maberry, S.G. Browne,  Elizabeth Massie, Ronald Kelly, William, F. Nolan, Lisa Morton, Joe McKinney, Jason  V. Brock, Weston Ochese , Yvonne Navarro, including cover art by Cortney Skinner…

 

drive in creature feature(10) Alamo Drafthouse has commenced its touring food and film event honoring the 50th anniversary edition of Vincent and Mary Price’s A Treasury of Great Recipes.

During the months of September and October, Alamo Drafthouse locations nationwide will host THE ABOMINABLE DR. PHIBES Feast, featuring a screening of the Vincent Price classic paired with a delectable multi-course feast using recipes from the book. Topping each evening off, Victoria Price – daughter of Vincent and Mary – will be in person sharing memories of her father before the film with her multi-media presentation “Explore, Savor, Celebrate: Life with Vincent Price.”…

In 1965, Mary and Vincent Price published A Treasury of Great Recipes — now regarded as the one of the world’s most beloved cookbooks. The book features recipes collected by Vincent and Mary at restaurants around the world, including original menus from classic restaurants and photographs by the great William Claxton. It has come to be regarded as “one of the most important culinary events of the 20th century” (Saveur Magazine) and was recently named the eighth most popular out-of-print book of any kind by Booklist. The 50th anniversary edition incorporates the original edition, unchanged and in its entirety, along with a new Foreword from Wolfgang Puck and A Retrospective Preface from Victoria.

Here are links to the rest of the schedule — San Antonio, TX – 9/28, Austin, TX – 9/29, Richardson, TX – 9/30, Kalamazoo, MI – 10/6, Kansas City, MO – 10/7, Littleton, CO – 10/14, Ashburn, VA – 10/20, Winchester, VA – 10/22, Yonkers, NY – 10/26.

(11) Vox Popoli has posted a political cartoon by Red Meat and Vox Day about the nonrelease of 2015 Hugo nominating data, “Cabal? What Cabal?”

(12) Dave Freer has an axiom about who it’s important for a writer to please in a post at Mad Genius Club.

That is something that many authors fail to grasp – and not just new ones. I recently read a diatribe by Adam Troy Castro – who missed this completely (He was attacking John Wright, who seems to be engaging his readers… who aren’t part of his publisher’s tribe). I quote: “has been abusing his publisher in public and attacking his editors as people” which is a bad thing, according to Castro “being an asshole to the people who give you money is not a good career move.”

The latter part of that is certainly true. What Castro seems to have failed to figure out is that the money doesn’t actually come from the publisher. It comes from readers – the subset of the public who love your work. If you abuse them, you’re dead. If your publisher abuses them (which is a fair assessment)… lose your publisher. Reassure your readers that this is not your attitude.

(13) Myke Cole, in “You are not crying in the wilderness”, tells why he writes.

Here’s the thing about writing: It’s really hard. It’s a LOT of work. You do most of this work alone and then you send it away and you have absolutely no idea whether it’s reaching anyone or not, how it’s being received, whether or not it means to others what it means to you. I have said before that I am no Emily Dick­enson. I write to com­mu­ni­cate, to receive a signal back from the array I am con­stantly sending out in the world.

I write to not be alone.

(14) Alex Pappademas shreds the new Muppets series in “A Rainbow Rejection” at Grantland.

The most fanciful thing about ABC’s muppetational but seldom celebrational The Muppets is that the late-night talk show behind whose scenes it takes place has a female host. In this regard, I support its vision. I support nothing else about The Muppets except the pilot’s use of the great Jere Burns, drier than a silica gel packet as always, in a B-plot in which he refuses to accept his daughter’s interspecies relationship with Fozzie Bear. His issue seems to be more about Fozzie being a bear than being a Muppet — at dinner, he makes snide comments when Fozzie compliments the salmon — but in a broad-stroke sense, I am with Burns on this one. I guess I’ve found the one marriage-equality hypothetical on which I’m a fuming mossback conservative: Turns out I am opposed to the sexualization of the Muppets and therefore to the implication that humans and Muppets1 can or should miscegenate.

This puts me roughly on the same team as the fainting-couch wearer-outers at the Donald Wildmon front group One Million Moms, who took a break from their courageous war on homofascist breakfast cereal and sinfully delicious lesbian yogurt on Monday to declare a fatwa on the new Muppets as “perverted” based solely on the ads — particularly the one that promises “full frontal nudity” and features Kermit the Frog in a casual locker-room pose. A clock that stopped in 1955 and should be thrown in the garbage because it’s an insanely and attention-hungrily homophobic clock is still right twice a day: There is nothing good about this ad, and perhaps you should not be in the Muppet-selling business if you can’t sell the Muppets in 2015 without adding the implication that Kermit fucks, let alone that Miss Piggy wants to fuck Nathan Fillion.

(15) Marc Scott Zicree has posted a new Mr. Sci-Fi video about the Profiles in History room at Monsterpalooza that showed items from his collection that will be going up for auction tomorrow.

(16) The Mets, one day after clinching the National League East, had their rookies take the super hero “hazing” to another level… Or, rather, they removed another level…

new-york-mets-rookies-underwear

[Thanks to James H. Burns, Andrew Porter, the other Mark, SF Site News, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]

The Paw of Oberon 5/4

aka The Puppy In God’s Eye

The Geiger counter pours out a relentless beat as the fallout rains down. The glow in today’s roundup comes from Kameron Hurley, Jo Lindsay Walton, Martin Wisse, Mark Nelson, The Weasel King, Joe Sherry, George R.R. Martin, Vox Day, Jim Butcher, Larry Correia, Lou Antonelli, T. C. McCarthy, Michael Johnston, Alexandra Erin, John Scalzi, Myke Cole, Brad Torgersen, Dave Freer, William Reichard, Michael Z. Williamson and less easily identified others. (Title credit belongs to File 770 contributing editors of the day Steve Moss and Laura Resnick.)

https://twitter.com/KameronHurley/status/595286661342175235

 

Kameron Hurley on Motherboard

“It’s About Ethics in Revolution” – May 4

Sorva took her seat on the other side of the table and waited. Both men could pass for Caucasian, as if that even bore mentioning, and sat in stuffed leather chairs. They wore extravagant codpieces that matched their suits, their members so cartoonishly large she could see the tips peeking up from the edge of the table. They both wore backwards caps.

It was the Director of Business Development, Marken, a lanky man with a sincere, pudgy face, who spoke first.

“Do you understand that when we choose the very best forward-looking brand messages each year for the Business Development Award ballot we open to our corporate writers, it must adhere to certain standards?”

 

Jo Lindsay Walton

“Quick Hugo thought”  – May 4

Some folk out there seem to be prevaricating between (a) No-Awarding the Puppies selections or (b) No-Awarding every Puppy-dominated category, since it would be totally unfair to give “The Day the World Turned Upside Down” a Hugo by default, and pretty unfair to give e.g. The Goblin Emperor a Hugo with reduced competition.

I’m prevaricating too, and I know exactly what would let me make up my mind: releasing the full nomination data. That way you could see who else could have been on the ballot. Then the procedure’s simple: you construct a virtual ballot from a Puppy-free world (the kind of Stalinist disappearing we SJWs lurve) and make your choice. If your selection from the virtual ballot is on the real ballot as well, you vote for them above No Award; otherwise you No Award the whole category.

But we don’t have the full nomination data, right?

 

Martin Wisse on Wis[s]e Words

“No Award All The Things” – May 4

No Award All the Things!

Sorry Thomas Olde Heuvelt, you may actually get your Hugo this year, but since you’re the only candidate there on merit I felt uneasy voting for you by default. Better luck next year.

 

Mark Nelson on Heroines of Fantasy

“An Ever Changing Landscape” – May 4

Who pays when the real world intrudes on our imaginary landscape? If we start turning against each other and fall to squabbling over increasingly empty honors, how does that make us look? The truth is SFF needs to grow up.  At times I have felt that our genre heading allowed us to adopt a mock superior tone; mostly as a response to being ignored by “real literature” and those who write criticism.  We reveled in being aberrant. We rallied around our awards and celebrated our words in spite of the roaring silence from the wider world. We were a club with giants as members. We were privy to secret knowledge with informed, inclusionary eye-winks. We were the wandering Jews relegated to pulp fiction status, respected by none other than those lucky, lucky few who accepted the words and understood the latent power of the language of ideas. I wonder if the worst thing to ever happen to the genre was its popular success.  The bigger “it” got, the more insistently came the calls for “it” to be taken seriously.  And when film tech caught up with story tech, a marriage of commercial explosion formed. “Money, money changes everything…”  And at present the affect has not been altogether positive. We were once the progressives. Now we look like idiots fighting over cheesecake while the Titanic’s deck begins to tilt. Wow. We have all but rendered the Hugo award useless. WorldCon cannot avoid the taint of controversy. The folks putting on the con deserve better.

 

The Weasel King

“theweaselking.livejournal.com/4673543” – May 4

The Locus Awards: A collection of skiffy fic untainted by ballot-stuffing assholes. Maybe not all to your taste, but reliably “dickface asslimousines did not shit on this ballot and then demand that you to eat it with a smile” Bonus sick burn: Connie Willis, awesome author[1] and perennial Hugo presenter, told the Hugos to fuck off because of the penisnose MRA anuscacti who hijacked their nomination process, and she’s presenting the Locus Awards.

 

Joe Sherry on Adventures in Reading

“Books Read: April 2015” – May 4

Discovery of the Month: If not for all of the fracas over the Hugo Awards, I may never have read Eric Flint’s 1632, which was a fairly enjoyable romp taking a group of twentieth century Americans back into seventeenth century Europe. I already have the next book, Ring of Fire, coming in from the library.

 

George R.R. Martin on Not A Blog

“LOCUS Nominations Announced” – May 4

While this year, admittedly, may be different due to the influence of the slate campaigns, over most of the past couple of decades the Locus Poll has traditionally had significantly more participants than the Hugo nomination process. Looking over the Locus list, one cannot help but think that this is probably what the Hugo ballot would have looked like, if the Puppies had not decided to game the system this year. Is it a better list or a worse one? Opinions may differ. The proof is in the reading.

 

Vox Day on Vox Popoli

“Three centuries strong” – May 4

As Supreme Dark Lord of the Evil Legion of Evil, we are pleased to declare that Malwyn, Whore-Mistress of the Spiked Six-Whip, has reported that she has completed the initial Branding of the Minions. She has now gone to take a well-deserved vacation in one of the more secluded lava pits in our Realm of Deepest Shadow, where she will no doubt be nursing her aching wrists and filing for overtime as well as worker’s compensation….

“How many of us are there?”

335 as of this morning.

 

 

Larry Correia on Monster Hunter Nation

“Arthur Chu sucks at everything but Jeopardy” – May 4

Many regulars may remember Social Justice Warrior and Salon author Arthur Chu as the dipshit who declared Brad Torgersen’s 20 year interracial marriage and his biracial children as “shields” to hide Brad’s racism. He is one of the morons who blamed the Sad Puppies’ success on GamerGate.

Well, after a day of futile harassment, his team of idiots couldn’t even call in a bomb threat correctly.

 

T. C. McCarthy on YouTube

“Local 16, Bizarre Tweets, and Bomb Threats: #GamerGate an #SadPuppies Supporters Meet in DC #GGinDC” – May 4

 

Lou Antonelli on This Way To Texas

Reach out and insult somebody – May 4

The official announcement of the nominations for the 2015 Hugo awards was made on April 4, so its been a month since then, Gee, time flies when you’re having fun.

One thing I’ve learned in the past month is that, thanks to the wonders of the latest technology and the internet, someone you don’t know and have never met, who may live thousands of miles away, can call you an “asshole” in public.

 

Michael Johnston in a comment on Whatever – May 4

Rachel Swirsky said: “Please, please, please, please stop with the “put down” rhetoric about the puppies, and the “you know what has to be done about rabid animals” and “take the dog out behind the barn.”

It’s vicious and horrible. The puppies and how they’ve acted toward me and others sucks. But good lord, let’s keep threats of violence, however unserious, out of it. Please.”

This, in particular, illustrates the difference between the puppies and their perceived enemies. In every “liberal” space I’m following, any threats or overly abusive rhetoric is met with calls for civility. In the SP/RP spaces, the rhetoric is largely about how we deserve horrible things done to us, which are often described in detail–and the moderators not only allow it, but indulge in it themselves.

 

Alexandra Erin on Blue Author Is About To Write

“What! Your Sad Puppies Are Evolving” – May 4

This is a significant shift from Day for two reasons.

The first is that it signals what he thinks is most likely to happen. He rode high on the sweeping fantasy vision of himself as a Roman general leading a slavering horde of berserkers across the frozen river to assault the well-fortified position of his enemies (note to self: suggest history lessons for Vox), but he has just enough self-awareness to know that his strategy of lying and repeating the lie could come back and bite him if he tried to claim a sweeping victory where none existed, so he’s starting the spin now.

The second is that—as mentioned before—the endgame he now endorses is something the Sad Puppies have claimed to have wanted as their ultimate endgame.

 

Season of the Red Wolf

“A Pox on both their Houses: Sad Puppies, Vox Day, Social Justice Warriors, the Hugos circus and the irrelevancy of a dying genre” – May 4

As with Torgersen, Correia can’t be bothered with addressing what Vox Day actually writes about blacks (the problem there – in the linked blog entry – is not the silly and ridiculous debate itself that Vox Day quotes from, it’s Vox Day’s own commentary on African-Americans in response to that debate that is eyebrow raising) and women alone. Of course as soon as one does acknowledged what Vox Day actually writes about blacks and women (never mind gays), then the only way to defend those indefensible prejudices, is by sinking into prejudice itself. Correia, like Torgersen, thus avoids that trap (defending the actual indefensible remarks/comments of Vox Day’s) by not ever quoting Vox Day’s most egregious commentary in this regard, and getting to grips with what he actually says. Correia, as with Torgersen, just doesn’t go anywhere near what Vox Day actually writes about blacks, women and gays for that matter. The easier to whitewash why Vox Day is considered persona non grata, namely for very good reasons. Yes it’s all so hypocritical, given the genre Left’s multiple prejudices (including of course their anti-Semitism that doesn’t bother anybody really, least of all genre Jewry) but this also misses the point.

 

John Scalzi on Whatever

“I’d Rather Like Men Than To Be a Sad Puppy” – May 4

 

Myke Cole

“An open letter to Chief Warrant Officer Brad R. Torgersen” – May 4

Chief War­rant Officer Torgersen,

As you are no doubt aware, The Don’t-Ask-Don’t-Tell Repeal Act of 2010 removed bar­riers to homo­sexual mem­bers in the armed ser­vices, who may now serve openly and as equals.

You have long held the posi­tion that homo­sex­u­ality is immoral behavior, and most recently made den­i­grating jokes regarding the ori­en­ta­tion aimed at Mr. John Scalzi.

Your moral posi­tions are your own, and I will not ques­tion them. How­ever, I will remind you that you are a mil­i­tary officer and charged with the lead­er­ship of men and women of *all* walks of life, reli­gions, creeds, sexual ori­en­ta­tions, socio-cultural back­grounds and eth­nic­i­ties. Every single one of these people has the right to believe that you will faith­fully dis­charge your duties as an officer, not spend their lives care­lessly, not make them endure unnec­es­sary hard­ship, that you will care for them with com­pas­sion and ded­i­ca­tion. On or off duty, you are *always* an officer.

Your repeated state­ments of your thoughts on homo­sex­u­ality in public forums create the very rea­son­able appre­hen­sion among homo­sexual mem­bers of the ser­vice that you hold them in con­tempt and will not lead them to the utmost of your ability, will not look to their needs and con­cerns, and may place them at undue risk. That this is surely not your inten­tion is irrelevant.

Fur­ther, your pub­li­cally den­i­grating state­ments regarding Mr. Scalzi are base, undig­ni­fied and show ques­tion­able judg­ment. You, Chief War­rant Officer Torg­ersen, are an officer, but no gen­tleman. Your posi­tions are incon­sis­tent with the values of the United States mil­i­tary, and its com­mit­ment to being a ser­vice that belongs to ALL Americans.

Our nation deserves better.

Respect­fully,

Myke Cole

 

Vox Day on Vox Popoli

“Never retreat, never apologize” – May 4

Does no one listen or learn? Never, EVER apologize to SJWs! Case in point: “The apology was worse than the ini­tial attempted slur — it rein­forced the fact that Torg­ersen thinks calling someone gay is a slur.” I repeat. NEVER APOLOGIZE TO SJWs. They will see it as fear, take the apology, and use it as a club with which to beat you. Never back down to them, never retreat, never apologize.Notice that this was all posted AFTER Torgersen apologized to Scalzi.

 

Brad R. Torgersen

“Keyboard rage” – May 4

Today, I am told Myke Cole is on about me. Since Myke doesn’t really know me from Adam, I have to shrug and take whatever he said with a grain of salt. But then, most people who’ve been on about me lately — because of Sad Puppies 3 — don’t know me, either. I may take it personally if a friend, a family member, or a respected senior I admire, has hard words for me. But total strangers spewing hard words?

Well, total strangers may have an opportunity to reconsider at a later point. Especially if they meet me face-to-face.

 

Cirsova

“Hugo Awards Best Fan Writer Category” – May 4

So, in this post, I will try to define what “Fan Writer” means and use it to justify my support of Jeffro Johnson in this year’s Best Fan Writer category.

On the face of it, a Fan Writer is just that. A fan who writes. They are a fan of something in the realm of fantasy and science fiction, and they write about fantasy and science fiction from the perspective of someone who is a fan to an audience of fellow or potential fans. A good fanwriter is like an evangelical minister of fantasy and science fiction; they give sermons to the believers to help them better understand the texts they know and love and they take the good word to those who have not heard it. You’ve been missing something in your life, and you don’t quite know what it is, but I think I can help you; here’s this story by Lord Dunsany!

 

Dave Freer on Mad Genius Club

“Research, Hard-SF, stats and passing small elephants” – May 4

John Scalzi kindly provided us via his friend Jason Sanford a near text-book perfect example of GIGO. “Recently author John Ringo (in a Facebook post previously available to the public but since made private) asserted that every science fiction house has seen a continuous drop in sales since the 1970s — with the exception of Baen (his publisher), which has only seen an increase across the board. This argument was refuted by author Jason Sanford, who mined through the last couple of years of bestseller lists (Locus lists specifically, which generate data by polling SF/F specialty bookstores) and noted that out of 25 available bestselling slots across several formats in every monthly edition of Locus magazine, Baen captures either one or none of the slots every month — therefore the argument that Baen is at the top of the sales heap is not borne out by the actual, verifiable bestseller data.” As I said: first you need to understand what you’re sampling. For example, if you set up a pollster at a Democratic convention, at 10 pm, in a site just between the bar and the entry to the Men’s urinals… even if he asks every person passing him on the way in, you’re not going to get a very good analysis of what Americans think of a subject. Or what women think of the subject. What you will get is middling bad sample of what mildly pissed male Democratic Party conference attendees think. Middling bad, because many of the passers will be hurry to go and pass some water first. It’s vital to understand what you’re sampling – or what you’re not. Let’s just deconstruct the one above. In theory Sanford was attempting to statistically prove John Ringo’s assertion wrong. What he proved was nothing of the kind (Ringo may be right or wrong, but Sanford failed completely). What he proved was that on the Locus bestseller list, (the equivalent of the Democratic Party convention and the route between the bar and the gentleman’s convenience) that Baen was not popular. That is verifiable. The rest is wishful thinking, which may be true or false. Firstly ‘Bestseller’ does not equal sales numbers. A long tail – which Baen does demonstrably have, can outsell ‘bestseller’ and five solid sellers outsell one bestseller and four duds. Secondly, independent bookstores who self-select by accepting polling, selected by a pollster (Locus) with a well-established bias are not remotely representative of book sales in general, or representative of the choices book buyers have. Thirdly, it is perfectly possible to ‘capture’ no bestseller slots at all, even in a worthwhile sample (which Locus polling isn’t) and STILL be the one house that is actually growing. It depends what you’re growing from – which of course this does not measure and cannot.

Short of actual book sales numbers, and data on advances – which we’ll never see, staffing is probably the best clue. I know several authors at other houses whose editors have left, and quite a lot of other staff at publishers who’ve been let go. Over the last few years, the number of signatures on my Baen Christmas card have gone up year on year.

 

William Reichard

“Silent Punning (aka ‘The Hijacker’s Guide to the Galaxy’”) – May 4

Having run through quite a few sci-fi themed puns regarding the Hugo Award debacle, the community is apparently moving on to Westerns (e.g., “A Fistful of Puppies“).

I have to say, this is my favorite part of online warfare–when the rest of the community acknowledges the madness of it all and just starts having fun again. Because there should be some kind of silver lining in this.

 

Sad Puppy 1911 Holster Right Hand

Sad Puppy 1911 Holster Right Hand

https://twitter.com/mzmadmike/status/595265324263546881

syberious _ny on “Ebay: Sad Puppy 1911 Holster Right Hand”

Here’s the scoop…I designed this holster (and its companion holster in Left Hand configuration) because of the whole Sad Puppy / Hugo Award kerfuffle. My original thought was to perhaps raffle them off to raise money for a veterans organization. But, online raffles in the state of Tennessee (where I live and have my business) are tightly regulated, and it would have cost more to run a raffle than what the raffle could potentially bring in.

So, I’m listing these here on FleaBay, with the proceeds going directly to help a friend who is a veteran, who has run into some heavy financial problems with squatters in her rental home. On her GoFundMe page, she’s committed to only using the cash that she needs, and anything extra will be donated to a veterans organization of her choosing.

Myke Cole Explains His Changed Military Status

Fans of military sf author Myke Cole will want to read his eloquent explanation about why he requested a transfer from his current reserve status  to “Indi­vidual Ready Reserve or IRR, an unpaid, non-drilling force that main­tains a mod­icum of mil­i­tary readi­ness, but who gen­er­ally aren’t called up except in the event of an exis­ten­tial crisis (i.e. inva­sion of the home­land).”

A major part of it is to give priority to his writing and police work, but there’s another important reason:

Three tours in Iraq put paid to that notion. I went to fight al-Q’aida, and instead hun­kered down under indi­rect fire from mostly Shi’a old men and young boys, shooting off decrepit, refur­bished rockets for the paltry sums they needed to keep their fam­i­lies fed for another day. These people hadn’t attacked us on 9/11. They weren’t plan­ning to attack us in the future. And we were killing them. I was killing them.

More rev­e­la­tions fol­lowed: Man­ning and Snowden, the slow reversal in Iraq, watching every­thing I fought for, that my friends died for, return to the hands of ISIS. I finally stood in the lobby of a hotel in Wash­ington, DC as Obama announced that we were sending another 1,500 troops to Iraq and I asked myself: “if they called you now, would you want to go?”

And I real­ized that, for the first time, the answer was, “no.”

Myke Cole at WORD Brooklyn on 2/5

Myke Cole (the Shadow Ops series) will join Adrian Bonenberger (The Afghan Post), Phil Klay (Redeployment, coming March 2014) and moderator Ryan Britt to talk about war and PTSD at WORD Brooklyn on February 5 at 7 p.m.

Cole explains on his blog

If I do this right, it’ll be serious without being heavy, and you might even find a thing or two inspiring. Only one way to find out. Hope to see you there.

Cole Wins Compton Crook

Myke Cole’s novel Control Point has won the 2013 Compton Crook Award. The presentation was made May 24 at Balticon – click here to see Cole in dress blues holding his plaque.

The Compton Crook Award honors the best first novel of the year written by an individual author (collaborations are not eligible) in the SF/fantasy/horror genres.

[Via Locus, Amazing Stories and basically the rest of the internet.]