Krypton Radio: Music for the Geeking World

It Begins with Love

I’m Gene Turnbow, the founder and station manager of Krypton Radio – and like the most worthwhile things in science fiction fandom, it began with love.

Susan Fox and I were group leaders of a bunch of gamers in 2009, and we wanted some inspiring sci-fi tunes to listen to while participating in our favorite MMO. We looked around for a radio station made just for us, and we couldn’t find one, so we did the obvious thing: we made one. It was the crudest thing you could imagine and still be an internet radio station. We had an ugly little web site, and posted an article or two a month, and we were happy. At first it was just a couple of albums of nice action music we’d put together, perhaps four or five hours’ worth, but that got us started. We told our friends about it, and on their requests we began adding more and more music to it. It was a great hobby, and it was starting to take on a life of its own.

Two years later, we took another look around the ‘net, and discovered that though there had been a short-lived imitator or two, nobody else was doing what we were doing. It seemed so obvious a thing to us that we thought there would be a dozen or more of them, but impossibly, we found we had a niche on the internet all to ourselves.

And all the love we were putting into what we were doing began to heterodyne.

Learning to Heterodyne

It’s a hard fact of life that most of the sudden successes you see are usually the result of great gouts of money diverted from some other already successful project. You look at some big new thing, and you say to yourself, “where on Earth did that come from? How did they get everything done so fast?” When you do that, you’re probably selling yourself short. It’s a lot easier to hit escape velocity if you happen to have a Saturn 5 strapped to your butt. So what have they got that you don’t have?

The better question is, what have you got that they don’t have? The answer is usually, “Quite a lot.” You have a passion for what you’re doing, and a vision that goes beyond a sixteen-frame pitch deck and an investor’s brochure. Yes, the money will make it easier, but it frequently won’t make it better. That’s the focal point where good ideas become great ones that spark people’s imaginations.

I’m a polymath, so I kept gravitating towards other people who were, and they to me. Every single person who works with me on the Krypton Radio project has four or five different skill sets they can bring to bear when needed.

  • Susan Fox is not only our executive producer and co-founder of the station, she’s also got some 30 years experience under her belt in the motion picture industry working in various capacities. Most recently she’s the managing editor of Hollywood News Calendar, and it was she who came up with the station’s slogan, “Sci-fi for your Wifi”. Without her love and support, Krypton Radio wouldn’t have been possible.
  • Our technical director Dan Vanderwood not only does server maintenance, he’s also a brilliant writer, and a sculptor, and a painter.
  • Our bookkeeper Nicole Brown took a turn at as newsdesk editor, but is a videographer and filmmaker as well.
  • Our morning DJ Shawn “Obi-Shawn” Crosby drives his custom-built Star Wars car around the country doing about 160 Lucasfilm-sanctioned charity appearances as Obi-Wan Kenobi a year.
  • We have Mr. Vestek of “Mr. Vestek’s Outpost”, who takes over our stream once a week from Dublin (or from the far side of the Asteroid Belt, take your pick). He’s an IT professional by day, but he’s also famously known for his tutorial project videos involving Raspberry Pi’s.
  • Gary DaBaum, our original DJ, has been doing this since 2006, and has literally helped raise tens of thousands of dollars for cancer research.
  • Willow Leafstorm, another of our DJ’s, is also an IT professional, and a musician.
  • Even our production manager Cat Carter is a newly minted web programmer!

We have a stable of writers, each of whom have various high-density specializations of their own. Add them all up, and the team is far, far greater than the sum of its parts.

Lightning in a Bottle

A radio station, whether it’s a terrestrial broadcast station, an internet-only station like ours, or a station that does both terrestrial and internet broadcast (a lot of them are set up that way) is a really complex technical and business structure. It’s like the definition of a helicopter: 10,000 spare parts, bent on self-destruction, flying in close formation. It doesn’t take much for the whole thing to come violently apart, and the internet is littered with the ghost imprints of the stations who came before us – or tried to mimic us – and failed. And yet, after eight years, we’re still rising.

Eventually we had a gaggle of live DJ’s, adventure serials, talk shows and enough geeky music so that if we played it all back to back, it would take one person a solid 18 days to listen to all of it. By 2011 we realized that except for a couple of near misses, we were still the only ones doing what we were doing. By 2013 we had incorporated, and by 2015 we were in the black.

There’s a saying: “Nothing succeeds like success.” The reason this saying is bequeathed to each generation by the one before it is that it’s true on several levels at once. You could say to yourself, “Oh, of course, if you’re successful, you already have the advantages you need to be successful some more,” and you’d be right. There’s another side to the story, though, and that is that successful things are fun. People look at what you’re doing, and they’re inspired by it. They begin to walk alongside you on your path, because they can see how much fun it is, and they want to have fun too, their energy joins with yours and the whole thing starts to resonate. Love starts it, and love keeps it going.

Building the Station

It turns out that radio, as we knew it, is dead. Terrestrial radio is mostly chain operated, and plays the same music regardless of the city they’re in. Every city gets the same music; the opportunities for local bands to get the attention of the local DJ, hoping to get that all-important airplay, are gone. It’s a different world. Now everybody has access to the internet. It’s a level playing field. Of course, the problem with that is that everybody is on that same playing field at once. How do get started, and how do you get noticed?

Figuring it all out was pretty tough. There just isn’t any place you can go to ask how to set up a sci-fi radio station, and all the advice I found on the ‘net was obviously not going to work for me, because what we were doing was too different. Most of the information was either hopelessly outdated, too cursory to do me any good or intentionally wrong, given to me by bitter people who couldn’t stand the idea that I looked like I was about to do something they couldn’t.

Music streaming is a weird place to stand, from the standpoints of both business and technology. A background in audio code development comes in handy. So does a background in contract law, and a deep knowledge of the intricacies of music licensing for internet radio stations – who are subject to staggering heaps of regulations and license fees that traditional radio stations don’t have to bother with.

You’ll also need web design and graphic design, social media, project and personnel management, and if you’re in a niche market like we are, you’ll need something to drive listeners to your site, something to build a community around. We use geek news, served up daily, on our website. That meant we had to become journalists as well, and good ones.

Getting the word out and keeping the audience engaged is nearly a full-time job all by itself. Mostly, I join every club, group or association that’ll have me and talk to everybody who’s doing something even remotely similar to what I want to do. Nobody succeeds in a vacuum, and I didn’t either.

Why It Matters

That’s part of why Krypton Radio is important. We give geek bands airplay they couldn’t get anywhere else. That also means that listeners can hear bands on our stream that they would have a hard time finding elsewhere. Sure, a listener could find all the stuff we have for themselves, looking things up the same way we did. Because we did, though, they don’t have to. Instead of making a CD, or a podcast, or Yet Another Podcast Network, we created our own entire always-on distribution channel from scratch.

The only way we’re able to do what we do is to establish and maintain a near constant dialog with our listeners and fans. Everybody talks to everybody. The days when you could just broadcast out and have a one-way conversation are gone. To survive, a radio station now has to be interactive, and if possible, transmedia as well, so we’re starting to explore video, game technology, podcasting, traditional publishing, and VR.

Can’t Stop the Signal

Standing still and resting on your laurels is death. Complacency is death. Believing your own hype is death. Settling for being a big fish in a small pond is death. There’s a whole lotta death. It’s like Christopher Lee is standing there in a hooded shroud holding a scythe the entire time.

It turns out that it’s expensive to do what we’re doing, so we tried various crowdfunding platforms until we finally settled on Patreon to help us keep the lights on. It’s a struggle – we want to be able to pay our DJ’s and artists and other producers for all the hard work they do keeping everything running, but we’re not there yet. We are covering the server and licensing costs, but just barely.

We’re doing a lot of good in the community. We help writers, filmmakers, artists and musicians of all kinds to reach their audience, in a world where there is a hurricane of corporate noise that ordinarily drowns out individual creative efforts. Krypton Radio matters.

From the beginning, the Krypton Radio station motto has been “we all rise together”. I think that’s something worth fighting to keep. Around here, we try to inspire that creative spark and help it along its way. If you feel the same way, perhaps you’ll consider joining us on the path.

For Krypton Radio, I’m Gene Turnbow.

Pixel Scroll 3/11/17 It’s Always In The Last Pixel You Scroll

(1) VAMPIRE DIARIES GOES GENTLE INTO THAT GOOD NIGHT. As the series goes off the air, The Guardian asks “Better than Buffy? Spare a thought for the Vampire Diaries”.

The eight-season run of the Vampire Diaries ended quietly on Friday night, without a hint of the outsized media fanfare so liberally bestowed on series finales in television’s so-called golden age. The glossy adaptation of LJ Smith’s young-adult novel series, even before its latter-season decline in form and ratings, never did inspire the type of sophisticated critiques reserved for the major-network or cable darlings. But even amid a landscape that’s only been further crowded by the emergence of Netflix and Amazon, there is a place for the pure concentrated entertainment that was offered up for years by the CW’s deliciously pulpy supernatural soap opera. Television will be poorer – and a less fun place – without it.

(2) HUGO REMINDER. Worldcon 75 sent members an alert that the deadline to nominate for the Hugos is only days away.

Even if you have already submitted nominations, you may update your selections as long as the nomination period continues. But we recommend that you do so in advance of the deadline to avoid any problems in the final hours when the system will be very busy.

You may make changes to your nominations until 17 March 2017 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 06:59 Greenwich Mean Time, 08:59 in Finland, all on 18 March), by using the following link to sign in again:

(3) FOLLOW THAT CAT. Timothy the Talking Cat has stolen the keys to Camestros Felapton’s blog and posted his own “appalling” Hugo slate

Remember that this year the rules have changed! The social justice witches have put their broomsticks together and decided that you can no longer just vote for Dune over and over again. But no fear! As a grandmaster of non-euclidean hyperbolic  7-dimensional chequers, I can adjust my plans accordingly. See below!

(4) DEEP POCKETS. The Deep Space: Nine Documentary by Ira Steven Behr, David Zappone and Adam Nimoy hit 420% of its Indiegogo goal. The extra money will be used to add 50% more latinum minutes to the video, and lots of bonus features. Space.com has the story — “’Star Trek: Deep Space Nine’ Doc Warps Way Beyond Crowdfunding Goal”.

 After nearly quadrupling their Indiegogo goal to produce a new documentary on “Star Trek: Deep Space Nine” (DS9), the creators are busy trying to figure out how to best deploy their newfound wealth.

Today (March 10) is the final day of the campaign to produce “What We Left Behind,” and backers on the crowdfunding site have raised more than $575,000 for the film. The show is co-led by DS9 showrunner Ira Steven Behr, produced by David Zappone and directed by Adam Nimoy. Zappone and Nimoy are known for the 2016 documentary “For The Love of Spock,” and Zappone also produced the 2011 “Star Trek” documentary “The Captains.”

In an interview with Space.com, Behr and Nimoy, who is the son of the first “Star Trek” series’ actor Leonard Nimoy, said they are reconfiguring their plans for the now 90-minute documentary, which is 30 minutes longer than their original vision, because of the extraordinary response to the crowdfunding effort.

(5) CHEATERS EVER PROSPER. Naked Security analyzes “How online gamers use malware to cheat”.

“We typically think of malware as something used to steal data from corporations or knock down websites in politically motivated attacks.  But if you’re a gamer, sometimes it’s simply a tool for winning. “SophosLabs threat researcher Tamás Boczán has been studying this trend, and recently gave a talk about it at BSides Budapest.  This article reviews his findings and offers us a chance to share some of his presentation slides.”

…As cases of cheating have risen, so have the examples of anti-cheat technology from various companies. As various sides have upped the ante, both sides have drawn in people of greater skill. He said:

Hacking an online game is not that easy any more. In the old days, script kiddies could to do it, but now hacking is a serious game that requires a skilled attacker. So why would a skilled attacker waste their time and skill on a video game?

He mapped out the sequence of events this way:

  • All this was originally about having fun.
  • Then the gaming industry grew.
  • The games went online.
  • People began to cheat for profit, just as hackers often do when targeting companies.
  • In response, an anti-cheating movement has sprouted up that mirrors security companies….

(6) FORGEHAM OBIT. John Forgeham (1941-2017): British actor, died Friday, aged 75. Best-known for a long-running role in the UK soap Crossroads, other screen appearances included The Avengers (one episode, 1965), The Stone Tape (1972), Sheena (1984), T-Bag and the Rings of Olympus (one episode, 1991).

(7) TODAY IN HISTORY

  • March 10, 1818 Frankenstein; or, The Modern Prometheus is published

(8) LE GUIN’S NEXT BOOK. Ursula K. Le Guin’s essay collection No Time to Spare comes out December 5.

Her next book, No Time to Spare, will be a collection of recent essays. It comes with an introduction from Karen Joy Fowler, who, like Le Guin, knows a thing or two about writing across genres.

As Fowler notes in her introduction to the collection, Le Guin is currently enjoying a moment of mainstream cultural appreciation: Filmmaker Arwen Curry recently raised funds on Kickstarter for a documentary on the author, The Worlds of Ursula K. Le Guin, and back in October, The New Yorker ran a profile on Le Guin and her enduring influence.

You can read an excerpt from Fowler’s introduction at the linked post.

(9) BURIAL IN SPACE. At Krypton Radio, Thaddeus Howze reviews the long history of Star Trek, then dares to ask: Is it time to retire the franchise?

My point of all of this review is this: Since Star Trek: Enterprise as well as the three Kelvin Timeline Star Treks, (Star Trek (2009), Star Trek: Into Darkness and Star Trek: Beyond) we have stopped looking to the future. Star Trek has become as lame as the political rhetoric many of us despise in our real lives…

“Make America Great Again” is the rallying cry used to talk about the past as if it were some great thing to be reclaimed and returned to. When the truth of the matter is the past is never as good as it seems and to seek refuge in the past is to deny the present and refute the future altogether.

CBS’ latest television series Star Trek: Discovery also takes place in the past (presumably the original timeline past, not the Kelvin Universe past) some time after Archer but before (or maybe during Kirk’s Enterprise) period. What we do know is this is not a far future Star Trek.

It is not an extrapolation of all we can be. It is not a look at the future of Humanity at our best and our worst. It is a remix of Treks, mashing costumes, designs, ships, and probably stories.

(10) SHADOW CLARKE DOINGS. The Shadow Clarke Jury’s latest activity includes two reviews and a FAQ.

N.K. Jemisin’s The Fifth Season casts a long shadow on the Clarke submissions list, having won the Hugo Award for Best Novel last year and having been shortlisted for almost everything else. Thousands of words have already been spent praising it, critiquing it, speculating about it online since it came out in the US in 2015 and I imagine few people reading this are encountering it for the first time. In spite of its pedigree I was sceptical going in. The only other book by Jemisin I’d read – The Killing Moon – wasn’t a highlight. I thought its excellent world-building came at the expense of almost everything else. Then there was the thorny issue of eligibility and whether or not The Fifth Season conforms to the Clarke requirement that books be science fiction rather than more broadly speculative. When I shortlisted it I did so partly because it offers an opportunity to wade into the eligibility question and partly as a test for myself, to see if I would admire it as much as everyone else. I almost hoped I wouldn’t because, let’s be honest, it’s easier to talk about what doesn’t work in fiction than what does.  Also, dissent prompts debate and this project is all about that. But, sorry folks, I’m afraid I’m about to tell a familiar story. The Fifth Season is just as good as everyone said it was and the genre controversy is dead in the water. It’s perfectly eligible for the Clarke Award.

Johanna Sinisalo’s The Core of the Sun is a tale about loss, in the form of a gender-stiffening social experiment wrapped in a family drama murder mystery, suffused with oppressive norms, self-delusional recounting, and fabulist nostalgia for a world that once was that actually never was. It’s the kind of novel that joins the ranks of extreme, performative, sociological SF, in the vein of Brunner, Ballard, and Pohl, and the feminist dystopias of Atwood, Russ, and Tiptree. It’s the kind of book that people will say doesn’t belong because a.) it isn’t needed in this age of post-women’s lib, b.) its agenda involves too much agenda, and c.) it isn’t science-y enough. But, as the list of authors cited above indicates, precedence invalidates these kinds of arguments.

What is the Arthur C. Clarke Award Shadow Jury?

An initiative developed by Nina Allan and hosted by the Centre for Science Fiction and Fantasy beginning in 2017, the Shadow Jury is a panel of talented, passionate members of the SF community who come up with their own personal shortlists and winners for a given year.

(11) CRITICAL MASS. Charles Payseur analyzes the nature of book reviewing and his own reasons for doing it.

Let me say that there’s a great many reasons why people review. Some want to become authorities on a particular form or genre. They want to be engaged in creating a canon or they want to help determine the boundaries of genres or any number of other things that essentially boil down to gatekeeping. They want to be able to say what is and what is not, what should and what should not be considered when talking about science fiction or literary fiction or horror. When they review they might refuse to look at certain works because they don’t cleave close enough to what they expect and enjoy. This is not the kind of reviewer I hope to be. And there are reviewers out there who just want to express their opinions as honestly as they can. They want to go onto Goodreads and Amazon and rank what they liked good and what they didn’t bad and concentrate mostly on their immediate reaction to a story or work. This is actually much closer to what I do but it’s not quite what I aim for….

(12) KONG KILLED AGAIN. Reader’s Digest version – Locus film reviewer Gary Westfahl says the new Kong movie sucks little black rocks – “Bungle in the Jungle: A Review of Kong: Skull Island.

Kong: Skull Island actually begins quite promisingly, as we are introduced to a diverse and generally appealing cast of characters, and they gather together to journey to the mysterious Skull Island and confront the enormous, and initially hostile, King Kong (also glimpsed in a prologue). One briefly imagines that director Jordan Vogt-Roberts has finally achieved what John Guillermin (in 1976) and Peter Jackson (in 2005) could not achieve – namely, a King Kong film that recaptures the charm and élan of Merian C. Cooper’s classic 1933 production. Unfortunately, the film devolves into an iterative, and increasingly unpleasant, series of variations on the two basic set pieces observed in all giant monster movies: humans vs. monster, and monster vs. monster; and the only suspense involves which character will next be dispatched to a gory demise….

 (13) RED PLANET RADIO. It’s Mars Season on BBC Radio 4, with fiction, interviews, documentaries, and quizzes.

William Shatner introduces the “We Are The Martians” series, which explores the Mars of imagination, science and history.

[Thanks to Michael O’Donnell, Cat Eldridge, JJ, Mark-kitteh, Steve Green, John King Tarpinian, and David K.M.Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 11/26/16 And Pixel,  When You Call Me, You Can Call Me Scroll

(1) ELLISON KICKSTARTER FULLY FUNDED. The Harlan Ellison Books Preservation Project Kickstarter has blown past its $100,000 goal. The total raises at this time is $102,409, with four days to go.

(2) TELL ME YOU’RE KIDDING. CinemaBlend says Guardians of the Galaxy Vol. 2 may give us more Howard the Duck.

In case you’ve somehow forgotten about Howard the Duck’s surreal appearance in Guardians of the Galaxy, he was briefly spotted in a display case during the main movie as part of The Collector’s…well, collection. Later in the post-credits scene when The Collector sat by his destroyed museum, Howard (voiced by Seth Green) sat nearby and criticized the eccentric entity for letting Cosmo the Spacedog lick his face. Funny enough, James Gunn didn’t originally plan on including Howard the Duck in Guardians of the Galaxy because the original post-credits scene was supposed to tease Avengers: Age of Ultron. When Captain America: The Winter Soldier “stole” that, Gunn and editor Frank Raskin noticed in their existing footage that Beneicio del Toro looked to the side at a box, thus providing a way to sneak Howard in and redeem the character a little bit for that movie of his that still occasionally haunts our dreams.

With or without Howard the Duck’s participation, Guardians of the Galaxy Vol. 2 hits theaters on May 5, 2017.

(3) BRUCE SCHNEIER. What’s he been doing since he worked on E Pluribus Hugo? The Daily Dot reports on his recent testimony before Congress — “Bruce Schneier: ‘The Internet era of fun and games is over’”

Internet pioneer Bruce Schneier issued a dire proclamation in front of the House of Representatives’ Energy & Commerce Committee Wednesday: “It might be that the internet era of fun and games is over, because the internet is now dangerous.”

The meeting, which focused on the security vulnerabilities created by smart devices, came in the wake of the Oct. 21 cyberattack on Dyn that knocked Amazon, Netflix, Spotify, and other major web services offline….

Here’s how he framed the Internet of Things, or what he later called the “world of dangerous things”:

As the chairman pointed out, there are now computers in everything. But I want to suggest another way of thinking about it in that everything is now a computer: This is not a phone. It’s a computer that makes phone calls. A refrigerator is a computer that keeps things cold. ATM machine is a computer with money inside. Your car is not a mechanical device with a computer. It’s a computer with four wheels and an engine… And this is the Internet of Things, and this is what caused the DDoS attack we’re talking about.

He then outlined four truths he’s learned from the world of computer security, which he said is “now everything security.”

1) ‘Attack is easier than defense’

Complexity is the worst enemy of security. Complex systems are hard to secure for an hours’ worth of reasons, and this is especially true for computers and the internet. The internet is the most complex machine man has ever built by a lot, and it’s hard to secure. Attackers have the advantage.

2) ‘There are new vulnerabilities in the interconnections’

The more we connect things to each other, the more vulnerabilities in one thing affect other things. We’re talking about vulnerabilities in digital video recorders and webcams that allowed hackers to take websites. … There was one story of a vulnerability in an Amazon account [that] allowed hackers to get to an Apple account, which allowed them to get to a Gmail account, which allowed them to get to a Twitter account. Target corporation, remember that attack? That was a vulnerability in their HVAC contractor that allowed the attackers to get into Target. And vulnerabilities like this are hard to fix. No one system might be at fault. There might be two secure systems that come together to create insecurity.

3) ‘The internet empowers attackers’

4) ‘The economics don’t trickle down’

The engineers at Google, Apple, Microsoft spent a lot of time on this. But that doesn’t happen for these cheaper devices. … These devices are a lower price margin, they’re offshore, there’s no teams. And a lot of them cannot be patched. Those DVRs are going to be vulnerable until someone throws them away. And that takes a while. We get security [for phones] because I get a new one every 18 months. Your DVR lasts for five years, your car for 10, your refrigerator for 25. I’m going to replace my thermostat approximately never. So the market really can’t fix this.

Schneier then laid out his argument for why the government should be a part of the solution, and the danger of prioritizing surveillance over security.

We’re now at the point where we need to start making more ethical and political decisions about how these things work. When it didn’t matter—when it was Facebook, when it was Twitter, when it was email—it was OK to let programmers, to give them the special right to code the world as they saw fit. We were able to do that. But now that it’s the world of dangerous things—and it’s cars and planes and medical devices and everything else—maybe we can’t do that anymore.

That’s not necessarily what Schneier wants, but he recognizes its necessity

(4) BIG DATA. Mark R. Kelly spent a busy day updating the Science Fiction Awards Database, that indispensable research tool —

Latest Updates

2016 Anlab, Asimov’s Readers, and Dell Magazine results

— posted Saturday 26 November 2016 @ 5:33 pm PST

More 2016 results: the readers’ polls from Analog and Asimov’s magazines, and the Dell Magazine Undergrad Awards, reported in Asimov’s magazine.

AnLab: 93 new and updated pages

Note the Analog readers’ poll now has a poetry category. Also, first page in this index for Alvaro Zinos-Amaro.

Dell Magazines Awards: 37 new and updated pages

Note these awards have a new dedicated website: http://www.dellaward.com/

Asimov’s Reader Awards: 91 new and updated pages.

Also updated: 2016 Results

Assorted 2016 results

— posted Saturday 26 November 2016 @ 3:37 pm PST

Updated today:

Big Heart 2016
First Fandom 2016
WSFA Small Press 2016
Dwarf Stars 2016
Elgin 2016
Copper Cylinder 2016

(5) REACHING A MILESTONE. Adam Whitehead celebrates a decade of blogging in “10 Years of the Wertzone: Listing the Classics”.

Occasionally I award a particularly special book, video game, movie or TV show the honour of being a “Wertzone Classic”. To be a classic, the work has to both be excellent and also to have withstood the test of time and emerged as a true defining work in its field. The following is a complete list of all works to be awarded a “Classic” award since the start of the blog in 2006. I would strongly recommend all of these works to anyone interested in science fiction and fantasy, be it in print or on screen.

The list includes 30 books.

(6) VISITS WITH ROBERT SILVERBERG. At Locus Online, “Russell Letson reviews Alvaro Zinos-Amaro”.

Traveler of Worlds: Conversations with Robert Silverberg, Alvaro Zinos-Amaro (Fairwood Press 978-1-933846-63-7, $16.99, 274pp, tp) August 2016. Cover by Patrick Swenson.

Robert Silverberg’s career has spanned more than half the history of modern American science fiction: he began reading SF magazines in 1948, during the ‘‘Golden Age,’’ and by 1954 was writing for the pulps, producing the first entries in a bibliography that now runs to 600-plus items of fiction and booklength nonfiction alone. Between receiving a Hugo Award for ‘‘Most Promising New Author’’ in 1956 and attaining SFWA Grand Master status in 2004, Silverberg has been in a position to meet nearly everyone of consequence in the SF field, sell to nearly every editor (and do plenty of editing himself), and explore nearly every market niche, while also (for a while) carrying out parallel careers turning out carefully-researched nonfiction and pseudonymous, non-SF yard-goods.

(7) A THOUGHT FOR THE DAY

“To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.” — W. Somerset Maugham

(8) BOB FELICE OBIT. Cynthia Felice told her Facebook readers, “My beloved and much-loved husband of 55 years, Bob Felice Sr. died yesterday. While his death was sudden and swift, it was not unexpected, not even by him.”

Cat Rambo says of Cynthia, “[She] is an SF writer and was the SFWA ombudsman (currently the position’s held by the amazing Gay Haldeman) for years, solving member problems with serenity and grace.”

(9) TODAY IN HISTORY

  • November 26, 1862 — Oxford mathematician Charles Lutwidge Dodgson sends a handwritten manuscript called Alice’s Adventures Under Ground to 10-year-old Alice Liddell.

(10) TODAY’S BIRTHDAY BOYS

  • Born November 26, 1909 — Eugene Ionesco
  • Born November 26, 1922 — Charles Schulz
  • November 26, 1926 – Poul Anderson
  • Born November 26, 1853 — William “Bat” Masterson. (John King Tarpinian sent this one in because, “The theme song from the TV show still reverberates between my ears.”)

(11) ANIMAL ASTRONAUTS. The art is irresistible and the story is cute. Krypton Radio tonight will air an interview with STEM children’s book author Andrew Rader.

Buckle up, space fans, for an intriguing conversation with Andrew Rader, author of the upcoming children’s book Mars Rover Rescue, and its predecessor, MC Longneck’s Epic Space Adventure. Andrew has a PhD in human space flight from MIT, and works professionally as an aerospace engineer. This gives him a unique perspective when it comes to creating educational children’s books that can ignite the imaginations of young budding future scientists. The new book has already blown past its goal on Kickstarter, and now the second book about the self-assured “giraffestronaut” is well into stretch goal territory….

Tune in this evening at 9 pm PT / Midnight ET for the first broadcast of this fascinating interview with Andrew Rader. Your hosts this evening are Susan Fox and Gene Turnbow….

 

(12) NEXT STEPS. Cat Rambo begins her blog post “Nattering Social Justice Cook: Prepare to Ride, My People” with a list of links to disturbing post-election news, then tells how she plans to move forward.

The world is broken. Love isn’t enough to fix it. It will take time and effort and blood and sweat and tears. It will stretch some of us almost to the breaking point and others past it. We must help each other in the struggle, must be patient and kind, and above all hopeful. We must speak out even when we are frightened or sad or weary to the bone….

In my opinion. You may disagree, and that’s fine. This is what I think and what’s driving my actions over the next four years. I am going to speak up and object and point things out. I am going to support institutions that help the groups like the homeless, LGBT youth, and others whose voting rights have been stolen and whose already too-scant and under threat resources are being methodically stripped away.

I am going to continue to insist that honesty, tolerance, and a responsibility for one’s own words are part of our proud American heritage, the thing that has often led us along the path where, although there have been plenty of mistakes, there have been actions that advanced the human race, that battled the forces of ignorance and intolerance, and that served as a model for the world. That “liberty and justice for all” are not hollow words, but a lamp lifted to inspire us and light our way in that direction.

I will continue to love in the face of hate, to do what Jesus meant when he said hate the sin while loving the sinner. I will continue to teach, formally and by setting an example of what a leader, a woman, a good human being should do, acknowledging my own imperfections so I can address them and keep growing and getting better at this human existence thing. If I see a fellow being in need, I will act, even if it means moving outside my usual paths.

(13) DOGGONE IT. Adam-Troy Castro sees no reason for feudin’ and fussin’ over awards:

I have won a few significant (if in prestige second-tier) awards at this gig, and on those occasions, I won because some folks thought that I had written the best story, and by God, that is less complicated, and more satisfying than AGITATING FIGHTING COMPLAINING CAMPAIGNING FRETTING RAGING AND DECLARING ENEMIES FOR MONTHS ON END could possibly be. It certainly was. I don’t have a Hugo or a Nebula or a Stoker, and may never get one, but by God I came close a bunch of times, and each time it was without the help of a carefully-managed campaign by hundreds of yahoos screaming bile. It was just me, putting words down, getting what acclaim I got all on my own, and that was *it*. Again, it feels better.

Since Gustav Gloom, I have gotten that feeling just being beamed at by kids.

And on top of that? Typing THE END at the close of work of fiction, and knowing, *knowing*, that it’s a superior piece of work, is where that great feeling comes first.

(14) CANCEL THE CONSTITUTIONAL CRISIS. Now we know what the Sad Puppies are waiting on –

(15) IT’S ON THE BAG. Fan artist Jose Sanchez – who provided the back covers of my past two paperzines – announces his online shop http://www.shopvida.com/collections/jose77sanchez, which he touts as a place “where you can find my artwork on new apparel products that can make great gifts-especially now in the holidays!”

sanchez-tote

(16) RON GLASS’ TWILIGHT ZONE EPISODE. You can watch “I of Newton” on YouTube. Teleplay by Alan Brennert based on a short story by Joe Haldeman.

[Thanks to Steve Green, Cat Rambo, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]