(1) I WONDER WHAT THE KING IS DOING TONIGHT. Kameron Hurley observes that fame and fortune don’t go hand-in-hand: “Dancing for Dinner: Fame, Publishing, and Breakout Books”.
In my own life, I find I have to remind people often that I have a day job. I actually had a client email me after a conference call one time and ask, “Are you THE Kameron Hurley?” and I had to admit that I was. I had to have a conversation with my boss about online harassment, and how the release of my upcoming essay collection, The Geek Feminist Revolution, might create some pushback at my job, and how we should handle that should it happen. The whiplash you get in going to an event where people literally scream with happiness when you walk into a room and back to private life where you’re just another cog is really weird (to be truthful, I greatly enjoy my anonymity in Ohio, and don’t want it another way, but the dissonance is weird).
Yet this balancing act between public and private life, or public personae and private day job, is something that many thousands of other writers and artists struggle with every day. I was reading that Joe Abercrombie kept his day job for a lot longer than you might have thought (and even then, picked up freelancing jobs until a few years ago), and Gene Wolfe has had a day job his whole career. Most of us have to do this. It’s just… increasingly awkward to find that the fame part comes so much faster than the money part (if the money comes at all). There’s this strange assumption that by being an artist, you have traded away your private life in exchange for money. But what about those of us who never have the money to keep ourselves safe from the fame?
(2) HILL’S DARKSIDE. Coming in October from IDW, “Joe Hill’s Terrifying Scripts For Tales From The Darkside Collected”.
Originally planned as a reboot for the storied series, Hill’s scripts for these never-broadcast television episodes allow the New York Times bestselling author to stretch his creative muscles, his effortless mastery of the twisted subject matter injecting new terrors into this silver screen legend.
Joining Hill in resurrecting this classic is Charles Paul Wilson III, known to many Joe Hill fans as the artist responsible for the nightmare vision made real in their most recent collaboration…
“When I was offered a chance to reinvent Tales from the Darkside, I leapt,” said Hill. “This was a landmark show for my generation: our Twilight Zone, our Outer Limits. Right away, I wanted to do something that honored the spirit of the original Darkside… and at the same time I wanted to go bigger, to do something fresh, something with scope. In the end I wrote three scripts and sketched a vision for a whole Darkside universe. I envisioned a series of individual horror stories that would, ultimately, turn out to be connected by a single mythology. I really wanted to do something with the scale of Locke & Key. TV is tough and in the end we didn’t quite make it to the little screen. But it’s a delight and a thrill to share the scripts alongside Charles Paul Wilson’s beautifully sick illustrations. Here’s the show that could’ve been, now playing in your imagination.”
Tales From The Darkside was created by George A. Romero.
(3) MONSTER CENSUS. Max Florschutz, in “Being a Better Writer: Micro-Blast #3”, answers the question “Do I Need Fantastic Creatures in My Fantasy?”
All right, let me explain a bit more. Usually when we think of fantasy we think of fantastic creatures: Beings like dragons, unicorns, monstrous beasts, etc. Such creatures fill the realm of myth and legend the world over, and are a common sight in fantasy stories. But do you need one in your story?
Well, no. There are plenty of stories out there where the fantastic and the incredible happen without any sort of mythical, shocking, or otherwise out-of-the-ordinary beasts and creatures entering the narrative. A lot of stories are about human interaction, no beasts needed. You can still write a fantastic fantasy without any indication or even mention of fantastic beasts, and there are plenty of fantasy books that prove this as well. For example, take the success of GRRM’s Game of Thrones books. Granted, they pull in dragons and other fantastic beasts as the series moves on, but such elements only, if I recall correctly, appear right at the end of the first book—the rest of that introduction to the series draws more on the characters and the goings-on of a political kingdom to keep you reading (as well as lots of incest and other elements, which is why I only ever read that first book and didn’t care to move on).
My disinterest in the series aside, the first title in the series shows that your fantasy doesn’t need to have fantastical beasts in order to be gripping. You can write a fantastic amount of drama, magic, and excitement without ever needing a fantastical creature.
(4) STRAW WARS. Bence Pintér, editor-in-chief of the Hungaran SF portal Mandiner.sci-fi, recommends a funny video from Hungary. Public workers created Star Wars sculptures from bales of straw in Tiszaigar, a small village in the Great Hungarian Plain.
(5) PLANETARY SOCIETY. Robert Picardo’s Planetary Post, “A Visit to JPL.”
Welcome to the fourth installment of The Planetary Post, our monthly newsletter from Robert Picardo featuring the most notable space happenings. This month we head to JPL for a tour with two young friends.
(6) LONGLIST. Aaron Pound is gathering data for “The Hugo Longlist Project” at Dreaming of Other Worlds.
As I noted a few days ago, it does not appear that anyone is tracking the nominees on the Hugo longlist. There are plausible reasons for this, the most important of which is that it is entirely informal and unofficial. The Hugo administrators usually do not even bother to determine if a particular nominee is eligible in the category they have been nominated in unless it makes the list of finalists. This does not mean, however, that this data is not without value. Thus far, however, it has not been compiled into a coherent whole. This project is intended to fill in this gap by compiling all of the Hugo longlist data into a series of posts so it is all accessible in one location. Some notes:
- Though the Hugo statistical data that is released concerning the top fifteen nominees lists the total number of nominations each work received and ranks them accordingly, they are presented here in alphabetical order. Perusing the statistics, it is not uncommon for a work to receive the most nominations in the nominating round, but not win the Hugo award in the award selection round. This indicates to me that the raw number of nominations is not a worthwhile guide to whether one work is “better” than another in the eyes of the Hugo voters.
(7) NEBULA TRIP REPORT. Zak Zyz filled in readers about “My trip to the Nebulas, Installment 1: Cry Havoc and let slip the Blogs of War”.
I was sick as hell on Thursday but made a point to get out to see at least @MikeRUnderwood’s sales panel. Very valuable info, he first went into an explanation of a few retail-style presentation techniques useful for displaying books when working a booth at a con.
Two presentation points I plan to implement:
- Have bookstands, a tablecloth, and ideally a banner or a sign that complement your brand
- Have a stack of books underneath yours, so people know they aren’t taking your last copy.
Mike Underwood has a lot of sales and retail experience and it shows. He talked about a flowchart method to his sales pitch, favoring a soft-sell approach with a lot of emphasis on gauging the comfort and interest level of a prospective buyer. He talked about the importance of genre familiarity, knowing what’s popular for comparison not just to your own genre, but to build bridges to people who aren’t necessarily SFF readers (or even big readers at all) in larger conventions with a more diverse crowd. A final tip was offering people who were interested but not willing to commit to a sale a chance to join your email list.
This was a valuable panel that taught me a few things that will make it easier to sell books in person. He also fielded my question about selling books to independent stores, with some great advice about talking to book buyers. Just the information in this one panel was worth the price of admission to me.
I should also note Mike has an active Kickstarter going for Genrenauts.
(9) ZERO YOBS. Nigel battled Damien Walter on Twitter.
@Nigellicus Just another justification. It took Goodreads less than a week to ban exactly this group of people. We're on year 3…
— Mr. Damien Walter (@damiengwalter) May 17, 2016
@Nigellicus Private events can refuse participation to anyone they want. It's not a constitutional matter on any level.
— Mr. Damien Walter (@damiengwalter) May 17, 2016
I don’t think Walter is actually wrong. Those looking for WSFS rules permitting an action should try the thought experiment of looking instead for rules that will prevent that action. The WSFS rules give great latitude to the committee in all matters that aren’t specifically addressed in the WSFS constitution. The necessary ingredient is for the corporate entity running the con to have the political will to act — I have no idea whether MACII has even discussed the idea. Also, it would cost money to refund memberships — don’t underestimate that issue.
(10) S.H.I.E.L.D. TRAVELS IN TIME. Comic Book Resources reports “ABC Bumps ‘Agents of SHIELD to New Timeslot”.
When “Agents of S.H.I.E.L.D.” returns to ABC this fall, the show will air in a new timeslot: Tuesday nights at 10 pm EST. This pushes the show back an hour from its original 9 pm slot, which will now be filled by “Fresh Off the Boat” and “The Real O’Neals.”
The news follows the cancellation of “Agent Carter,” which aired during “S.H.I.E.L.D.’s” past two winter hiatuses, and ABC’s decision not to move forward with the Mockingbird-centric “Marvel’s Most Wanted” spinoff.
(11) INNOVATION. The Valley Forge in 2017 NASFiC bid has posted a new progress report on Facebook.
We’re pleased to announce the Valley Forge 2017 Mobie Fund!
Mobie Fund Mission: The Mobie Fund will provide monetary assistance to those fans who have difficulty attending NASFIC due to the financial burden of mobility scooter rental. We will seek donations from all who want to help make NASFiC accessible. Valley Forge 2017 will match donations to the fund, up to $500.
After the site selection vote at MidAmeriCon II, the 2016 WorldCon, we will accept donations in cash or through Paypal via our website. At the same time, those who wish to apply for financial assistance for mobility scooter rental can contact us through our website.
Please note: The Mobie Fund is first-come, first-serve. We will confirm that your spot is available, but it won’t be secured until we receive your registration for the con. Upon arrival at the hotel, you can pick up your pre-paid mobie at the mobie rental spot. If, at the end of the con, the Mobie Fund still has a balance, we will reimburse that money among the other mobie riders at the con.
(12) SUICIDE SPINOFF. According to Yahoo! Movies, “Margot Robbie Spearheads Proposed Harley Quinn Movie With More Female DC Comics Characters”.
Months ahead of the opening of Suicide Squad, Warner Bros. is already contemplating a spin-off for the DC Entertainment anti-heroine, Harley Quinn.
Margot Robbie, who stars as the villainess in Suicide Squad, is attached to reprise the character and would also produce the untitled spin-off, The Hollywood Reporter has learned.
But in an interesting twist, the project is not a Quinn solo movie. Rather, it would focus on several of DC’s female heroes and villains.
Details are being closely guarded but names such as Batgirl and Birds of Prey have surfaced, although in what capacity, it’s not clear. Warner Bros. isn’t commenting.
There is also a scribe penning the script but those details, too, are being kept secret, although it is known that the writer is female.
(13) STANISLAW LEM HONORED. A Kraków Science Festival will be named after Stanislaw Lem says Radio Poland.
Late science-fiction writer, philosopher and futurologist, Stanislaw Lem, is the patron of the 16th edition of the Science Festival, which begins in Kraków, southern Poland, on Thursday.
This year marks the 10th anniversary of Lem’s death. The slogan of this year’s festival is “Time and Space”. “Lem’s work strongly refers to the concept of time and space, which are also the domain of science,” the chairman of the festival’s organising committee, prof. Robert Stawarz, said.
(14) OLDIE BUT GOODIE. Just discovered this 2011 Robot Chicken video today: “Aliens Acid Blood.“
[Thanks to John King Tarpinian, Bence Pintér, JJ and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Leslie C.]