Taking Inventory of Future Worldcon Bids

Next year fans will choose the site of the 2021 con, for which Washington, DC is currently running unopposed. Beyond that?

This list matches the list of bids on the Worldcon.org page.

2021

DC in 2021

Proposed Site: Washington, DC
Proposed Dates: August 25-29, 2021
Bid Chairs: Bill Lawhorn and Colette H. Fozard
Website: DC in 2021
Facebook: DC in 2021
Twitter: DC in 2021
Code of Conduct: DC in 2021 Code of Conduct
Worldcon 76 questionnaire: DC in 2021 questionnaire for Worldcon 76

2022

Chicago in 2022

Proposed Site: Chicago, IL
Proposed Dates: Mid-August – Labor Day Weekend, depending on venue availability.
Bid Chairs: Helen Montgomery and Dave McCarty.
Website: Chicago in 2022 Worldcon Bid
Facebook: Chicago Worldcon
Worldcon 76 questionnaire: Chicago in 2022 questionnaire for Worldcon 76

2023

Chengdu in 2023
Proposed Site: Chengdu, China
Twitter: Chengduworldcon

The bid was announced at Worldcon 76. See the File 770 post “China Bids for 2023 Worldcon”

France in 2023

Proposed Site: Nice, in the south of France
Proposed Dates: August 2-6, 2023
Bid Leadership: (From a Smofcon questionnaire)

At the moment, our team is led by a group of seven individuals who have been active in the French fandom for several decades. Some are editors, writers, translators, many with past or current experience running local conventions and festivals.  These seven persons are: Alex S. Garcia, Alain Jardy, Sybille Marchetto, Arnaud Koëbel, Albert Aribaud, Thomas Menanteau and Patrick Moreau.

Website: Nice in 2023
Twitter: Worldcon in France
Facebook: Worldcon in France (English)
Worldcon 76 questionnaire: Nice in 2023 questionnaire for Worldcon 76

New Orleans in 2023

Proposed Site: New Orleans, LA
Proposed Dates: August 23-27, 2023
Facebook: New Orleans Worldcon Bid Year 2023
Worldcon 76 questionnaire: New Orleans in 2023 questionnaire for Worldcon 76

2024

UK in 2024

Proposed Sites: Two cities are being considered — Glasgow, Scotland; London, England.
Proposed Dates: August 2024
Bid Leadership: Esther MacCallum-Stewart and Vanessa May
Website: UK in 2024
Facebook: UK in 2024
Worldcon 76 questionnaire: UK in 2024 questionnaire for Worldcon 76

2025

Seattle in 2025

Proposed Site: Seattle, WA
Proposed Date: Mid-August 2025
Bid chair: Kathy Bond
Worldcon 76 questionnaire: Seattle in 2025 questionnaire for Worldcon 76

Perth in 2025

Twitter: Perth in 2025
Dates: August 2025
Committee: Jack Bridges, Dave Cake, P R Khangure, Sarah Parker (per questionnaire for Worldcon 75)
Worldcon 76 questionnaire: Perth in 2025 questionnaire for Worldcon 76

DISCUSSION POINTS. There is a drumbeat of opinion in favor of denying the U.S. all future Worldcons, energized by each new instance of an sff fan or writer being put through the wringer by TSA, or denied entry upon arrival in US due to visa rules enforcement. Here are several examples of what has appeared in social media. Apart from Adam Roberts, the rest live in the U.S.

Then, in a comment on File 770, Olav Rokne opened a discussion about whether the choice of Worldcon sites should be influenced by a nation’s human rights record —

One might base it on a simple “Does the World Freedom Index list the country as Free?” or “Does it rank highly on Amnesty International’s list“?

Update 09/30/18: Picked up some data from questionnaires submitted to Worldcon 76.

China Bids for 2023 Worldcon

A bid to host the 2023 Worldcon in Chendgu, China was announced at today’s Fannish Inquisition session at Worldcon 76. Chengdu joins a field which already includes bids for Nice, France, and New Orleans, LA.

A new chengduworldcon account is sharing information on Twitter:

Chengdu is well-known as the site of an annual International SF Conference.

It has also been one of the stops for the touring sf writers and well-known fans who in recent years have been brought to China by various organizations and sponsors.

SFWA President Cat Rambo wrote up her 2016 trip to China: “Beijing/Chengdu Trip, September 2016: Some Notes, Observations, and Images”.

I was originally invited by the heads of the China World Science Fiction society, Renwei Dong, Haijun Yao, and Wu Yan, to attend the Chinese Nebula Awards ceremony in Beijing, through the kind offices of Ruhan Zhao. Later the invitation was extended by the company Xinhuanet for Wayne and I to then spend a week in Chengdu.

Derek Kunsken, one of the guests of honor, told Black Gate readers about “The 4th International Science Fiction Conference, Chengdu, China, November 2017”:

For the first time ever, I was invited to a literary conference to be an Author Guest of Honor. It was the 4th International Science Fiction Conference in Chengdu, Sichuan, China. It was sponsored by SFWorld, a Chinese magazine and book publisher, with media and tech giant Tencent as one of the sponsors. I was one of about a dozen foreign authors and editors in attendance….

Among the international guests were authors Michael Swanwick and Ted Komsatska from the USA, Taiyo Fujii from Japan, Robert J Sawyer and I from Canada, and editors Neil Clarke from the USA, Francesco Verso from Italy, con organizer Crystal Huff from the USA, and a few others.

Huff is a former Worldcon 75 co-chair. Japanese sf writer Taiyo Fuji has been chair of the Science Fiction and Fantasy Writers of Japan since 2015.

In 2018, two winners of The Shimmer Program’s first Two-way Exchange Fund were Pablo M.A Vazquez, chair of the 2017 NASFiC, and Mihaela Marija Perkovi?, Croatian writer and past GUFF winner.

Science fiction has to a degree become a national imperative. The Shimmer Program posted Sanfeng’s “Science Fiction in China: 2016 in Review” when it came out, which says in part:

SF as National Agenda

Historically, the trajectory of Chinese SF was heavily influenced by top-down political forces at times. Recently it begins to receive continuous and influential support from the governments at all levels. On the one hand, following the tradition of focusing on ‘science’ in science fiction, the government re-emphasizes SF as a useful instrument for popularizing science and improving citizen’s scientific literacy. On the other hand, due to the high popularity and penetration rate of SF media, it is conceivable that the so-called ‘SF industry’ is often adopted in governmental agenda for creative and cultural industry development.

In a central government’s paper regarding promoting citizens’ science literacy issued by State Council in February 2016, it is explicitly stipulated that the government shall support science fiction writing as part of popular science writing. More details were revealed in a later talk given by Han Qide, president of China Association for Science and Technology (CAST), announcing that CAST will set up a national award for SF and host international SF festivals. The story reached the climax when Vice Chairman Li Yuanchao attended 2016 National SF Convention held in September 2016 and gave a speech at the opening ceremony warmly encouraging SF writing.

And according to Lavie Tidhar’s 2017 article in New Scientist, “In China, this is science fiction’s golden age”.

In the 1980s, science fiction once again fell foul of the ruling party, as a new “Anti-Spiritual Pollution Campaign” emerged as a backlash to Deng Xiaoping’s modernisation and liberalisation policies. Deng’s opponents in the party railed against Western “bourgeois imports” of all kinds, and with sci-fi seeming to fall firmly in that category, it was all but wiped out for a time.

The genre’s recovery was partly led by the emergence of Science Fiction World magazine in Chengdu, and its energetic editor, Yang Xiao, herself the daughter of a prominent party member. Having such influential backing allowed Science Fiction World to bring together many young writers for an “appropriate” reason.

By the end of the century, Chinese sci-fi entered its own golden age. Although the authorities still raised the issue of literary “appropriateness”, the old restrictions had gone. One prominent contemporary sci-fi author is Han Song, a journalist at the state news agency Xinhua. Many of his works are only published outside the mainland due to their political themes, but Han is still widely recognised at home. His fiction can be dark and melancholy, envisioning, for instance, a spacefarer building tombstones to fellow astronauts, or the Beijing subway system being turned into a graveyard in which future explorers, arriving back on Earth, find themselves trapped on a fast-moving train. Along with Liu Cixin and Wang Jinkang, he is considered one of the “Three Generals” of Chinese sci-fi.

Chengdu also figured in the creation of the new Asia Science Fiction Association, which held its first meeting on July 17, and announced a plan to hold its first Asiacon there in 2019. ASFA’s president is Liu Cixin, whose Three-Body Problem (translated by Ken Liu) won the Best Novel Hugo in 2015.