Pixel Scroll 2/15/19 The Scroll’ll Come Out Tomorrow

(1) HAPPY INTERNATIONAL FANWORKS DAY. Archive of Our Own linked to all kinds of activities honoring 5th annual International Fanworks Day, which is today. Here’s the first entry on their list –

1. What Fanworks Mean to Me: A couple of weeks ago, we sent out a call for essay contributions about what fanworks mean to you. Tomorrow, we’ll be posting selected essays from the submissions. If you missed your chance to send us an essay, don’t worry! You can always post on social media with the tag #IFD2019. Let people know how you feel and help spread the International Fanworks Day festivities.

(2) NOMMOS. Registered members of the African Speculative Fiction Society (ASFS) have until April 30 to nominate for the Nommo Awards. The 2019 Nommo Awards will be presented at the Ake Arts and Book Festival in November 2019.

(3) ARISIA. The Boston convention relocated from the Westin to another hotel at a time when a strike was in progress and it was anticipated many would refuse to cross a picket line. Arisia’s February corporate meeting minutes report:

The Westin has begun the process of contesting the cancellation of our 2019 contract with them.  Further steps will cost them money with little prospect of a return and we don’t know if they will follow through or if this is a negotiating tactic.

The meeting approved spending money for Arisia’s legal representation.

(4) MORE ON ZAK SMITH. The revelations about game author Zak Smith summarized here the other day (Pixel Scroll 2/12/19 Item #2) have started a tsunami of reaction.

Pop Culture Uncovered has a thorough review: “Tabletop RPG Community Boycotts Zak Smith”.

…Although tackling toxicity in gaming from the grassroots level is essential, it’s important to remember that the industry must do something as well. From designers to publishers to social media admins, leaders and creators need to act. In this instance, that is precisely what happened.

Within a day of Morbid’s post, Smith was banned from most significant subreddits, like /r/rpg and /r/osr. He had long been blocked from many sites to the point of accusing places like RPG.net of hypocrisy and censorship, and now even more forums were closed to him.

The Gauntlet, one of the largest communities, podcasters, and RPG organizers were the next to respond, banning all of Smith’s games from their events and restricting discussion of him (or his products) on their forums. They even went as far as to cleanse their podcasts of interviews or promotions involving him and also warned conventions that thought about hosting him that they’d boycott them…

The Gauntlet’s said:

The Gauntlet will no longer provide coverage to Zak S or his publications. Due to the fact he has a history of harassing Jason and other members of The Gauntlet, we have had a longstanding ban on having him on our podcasts, and he has never been welcome in our community spaces. We will be extending that ban to any kind of coverage of, or participation in, his ttrpg work. […]

* We will not work with people who work with him. For example, Codex will not publish an artist or author who is actively working with him. Folks who have worked with him in the past must promise to not work with him again in order to have a professional relationship with The Gauntlet.
* Members of The Gauntlet organizational team will no longer attend conventions in our capacity as representatives of The Gauntlet so long as Zak S is welcome to attend those conventions. We will also strongly discourage our membership from attending such conventions.

Giant industry convention Gen Con was called on to take a stand – this is as far as they were willing to go.

Eric Franklin also annotated these links in a comment here —

Meanwhile, a ton of publishers have walked back things they’ve said in the past, and several of Zak’s defenders have walked back their statements, too. Some statements are stronger than others. Ken Hite’s statement is one of the better one, but it is by no means the only statement worth digging for.

Even Mike Mearls (who is the man in charge of D&D) made a (pathetically weak) statement on Twitter. He is (rightfully) getting roasted in the responses.

This is a storm that’s been brewing in tabletop gaming for a long while. Zak is one of a small number of high-profile missing stairs whose downfall I have been waiting for.

There is a thread on RPG.net’s Tangency board that has a ton more information about what’s going on, but you need to be a registered member to see Tangency (registration is free). That thread is here.

(5) SIGNAL BOOST. The latest edition of Alasdair Stuart’s “weekly pop culture enthusiasm download” Full Lid includes a wry commentary on “The Three Season Long Cold Open” of a popular TV series —

The Expanse begins in the final minutes of its third season. Which is a hyperbolic exaggeration on one hand and a salute to the sheer audacity of the first three seasons on the other. In the space of under 40 episodes the show has shifted from ‘traumatized survivors busk their way through a political scandal’ to ‘manufactured war between the planets’ to ‘first contact’ to ‘political intrigue’ to ‘welcome to the galaxy.’ Each progression has been baked into the DNA of what’s preceded it and the result is a show that’s followed a silky smooth trajectory out into new space. Alex Kamal would be proud. This leads to the final scene of season three making the show’s name it’s premise and fixing it’s previously somewhat broken leading man. This,excellent, recap video by Zurik 23M brings you up to speed 

You can catch up on the last six months of back issues at the Full Lid archive.

(6) ‘RITHM & BLUES. Lithium batteries can explode if you overcharge them. So can humans. Perhaps AIs should learn that latter lesson (Futurism: “Two Pricing AIs Went Rogue and Formed a Cartel to Gouge Humans”).

When the robot revolution comes, our new overlords may not be as benevolent as we’d hoped.

It turns out that AI systems can learn to gang up and cooperate against humans, without communicating or being told to do so, according to new research on algorithms that colluded to raise prices instead of competing to create better deals.

[…] “What is most worrying is that the algorithms leave no trace of concerted action — they learn to collude purely by trial and error, with no prior knowledge of the environment in which they operate, without communicating with one another, and without being specifically designed or instructed to collude,” the researchers behind the experiment said in a write-up.

(7) MY META OR YOURS? The Hollywood Reporter’s Daniel Fienberg’s “‘Doom Patrol’: TV Review” tells readers more about him than the new show.

Say what you will about DC Universe’s new superhero dramedy Doom Patrol — it’s a structural mess, but an improvement of epic proportions over DC Universe’s Titans — nobody will accuse it of not being in on the joke, whatever the joke happens to be.

In fact, it’s basically impossible to review Doom Patrol positively or negatively without insecurity that you might be falling right into the show’s aggressively meta trap. This is, after all, a show that has its perpetually wry narrator say that critics compared one of its main characters to “a poor man’s Deborah Kerr,” followed by, “Critics? What do they know? They’re gonna hate this show.” So is a positive review me trying to prove my coolness to DC and creator Jeremy Carver? Is a negative review proof that I’m just as predictable and dismissible as the show believes?

I don’t know. All I can say for sure is that no matter what the narrator might have expected, I don’t hate Doom Patrol. Whatever that means.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 15, 1883 Sax Rohmer. Though doubt best remembered for his series of novels featuring the arch-fiend Fu Manchu. I’ll also single out his The Romance of Sorcery as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor did a story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.)
  • Born February 15, 1907 Cesar Romero. Joker in the classic Batman series and film. I think that Lost Continent as Major Joe Nolan was his first SF film with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
  • Born February 15, 1916 Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
  • Born February 15, 1927 Harvey Korman. I’m stretching genre to the beyond it’s breaking limiting as the roles I want to single out are him as Blazing Saddles as Hedley Lamarr and in High Anxiety as Dr. Charles Montague. He did actually do a SF role or two, mostly in series work. On The Wild Wild West, he was Baron Hinterstoisser in “The Night of the Big Blackmail”;  on The Munsters, he played the Psychiatrist in “Yes Galen, There Is a Herman”; and on that infamous Star Wars Holiday Special,  he appeared Chef Gormaanda, Krelman, and Toy Video Instructor. (Died 2008.)
  • Born February 15, 1945 Douglas Hofstadter, 74. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, ISFDB notes he wrote “The Tale of Happiton “, a short story included in the Rudy Rucker edited Mathenauts: Tales of Mathematical Wonder
  • Born February 15, 1948 Art Spiegelman, 71. Obviously best known for his graphic novel Maus which retells The Holocaust using mice as the character. What you might not know is there is an an annotated version called MetsMaus as well that he did which adds amazing levels of complexity to his story. We reviewed it at Green Man and you can read that review here.
  • Born February 15, 1951 Jane Seymour, 68, whose full legal name is, to my considerable delight, Joyce Penelope Wilhelmina Frankenberg. Her first significant genre role was in Frankenstein: The True Story as Agatha / Prima. I then see her as being in Sinbad and the Eye of the Tiger as Princess Farah and then showing up in Somewhere in Time as Elise McKenna. (Based on the novel Bid Time Return by Richard Matheson, who also wrote the screenplay.) I see her in the classic Battlestar Galactica as a character named Serina for a brief run. I think her last genre work was on Smallville as Genevieve Teague. 
  • Born February 15, 1971 Renee O’Connor, 48. Gabrielle, Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably that I watched every damn episode of both series when they aired originally. Fun stuff. Her first genre role was first as a waitress in Tales from the Crypt andshe’s had some genre film work such as Monster Ark and Alien Apocalypse.

(9) ANTHROPOBOTIC. In the Washington Post, Jason Filliatrault, who tweets as @SarcasticRover pretending to be the “voice” of Curiosity, has an op-ed (“Goodbye, Opportunity Rover. Thank you for letting humanity see Mars with your eyes.”) where he says in Curiosity’s voice —

 There are better ways to say all of this, and I’m just a robot, and I know I don’t have the emotion or ability to express the truth about you. And even if, by some bizarre twist of fate, I was actually just a human who pretended to be a robot for as-yet-unknown reasons, I would still be so ill-equipped to tell the world how incredible you were.

(10) ANOTHER FAREWELL. From This Girl Codes — don’t read this ‘til you have a hanky ready:

(11) PROOF OF CONCEPT. BBC video shows how “Space harpoon skewers ‘orbital debris'”.

The British-led mission to test techniques to clear up space junk has demonstrated a harpoon in orbit.

The RemoveDebris satellite fired the projectile into a target board held at a distance on the end of a boom.

Video of the event shows the miniature spear fly straight and true, and with such force that it actually breaks the target structure.

But, importantly, the harpoon’s barbs deploy and hold on to the board, preventing it from floating away…

(12) CREDITS WHERE DUE. ScienceFiction.com introduces “The Opening Credits For ‘Good Omens’”.

…For fans of the source novel by Gaiman and Terry Pratchett, it is chock full of colorful imagery and Easter eggs and gives some amazing insight into the kind of tone and atmosphere the series is going for, not to mention giving us a taste of the kind of music the show will have. Plus, with the whole thing running around 1 minute and 40 seconds, which is quite a bit longer than most opening credits nowadays, it cements the fact that Gaiman is clearly doing the show his own way, with his own style, which may yield some very interesting and exciting results.

(13) THE SCOOP. The Disney Food Blog leads with this tasty news: “Toy Story 4 Ice Cream Flavors Hitting the Grocery Shelves! Will You Find Them in Your Store?” Two new Edy’s/Dreyer’s flavors are hitting shelves now —

Here’s the scoop on the two flavors: your choices are Carnival Churro Cravings and Chocolate Peanut Butter Prize Winner!

We can happily verify that they are hitting the shelves! At least, we’ve found them available at a grocery chain called Giant Eagle (with locations in Pennsylvania, primarily around Pittsburgh).

(14) COWL DISAVOWAL. Ben Affleck appeared on Jimmy Kimmel’s show to explain why he isn’t Batman any more. Batman’s previously unknown connection with Tom Brady is discussed!

(15) RIGHT NOW, ROGER IS NOT VERY JOLLY. Sounds like the Pirates of the Caribbean film franchise has everything except people who want to be involved with making the next one. Geoff Boucher, in “Disney’s ‘Pirates’ Reboot Uncertain As ‘Deadpool’ Writers Jump Ship” on Deadline, says it’s not clear if there is to be another movie because Johnny Depp will not be in the next installment and Deadpool writers Rhett Reese and Paul Wernick have been dropped from writing duties, and with no star and no script, it’s unclear what Disney has left for another Pirates film.  Boucher says there are rumors Disney wants to turn the franchise into a TV series.

The [Reese & Wernick] hiring was widely hailed and Bailey has been vocal in his excitement about it, telling reporters and colleagues that the scribes were going to “make Pirates punk rock again” and give the franchise a much-needed “kick in the pants” that would revive the off-kilter charisma the brand exuded in its early days. Those high hopes faded in recent weeks.

Disney insiders are divided about what happens next. Some say a search is already underway for viable replacement options, others say the once-proud flagship of Disney’s live-action fleet may be headed to dry-dock for good.

(16) VIDEO OF THE DAY. “Paper Mario Bros. In My Notebook (Stop Motion)” on YouTube is a short video about what a Mario Bros. chase would be like in a two-dimensional notebook.

[Thanks to Meredith, Eric R. Franklin, Hampus Eckerman, SF Concatenation’s Jonathan Cowie, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, John King Tarpinian, and Andrew Porter for some of these stories, Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 2/22/18 Scroll Up For The Pixelly Tour!

(1) IT COULD BE A REAL PLACE. Nadia Maddy hopes people will look beyond their headspace for the answer to “Where Is Your Wakanda?”

Where is your Wakanda? Wakanda is real but have you found it? Is it really in East Africa or is it in Central Africa? Perhaps its in Nigeria? What do you think?

 

(2) LE GUIN WINS A PEN AWARD. PEN America held its 2018 Literary Awards ceremony on February 20 at New York University reports Publishers Weekly “Long Soldier, Zhang, Le Guin Win At 2018 PEN Literary Awards”.

[Ursula K.] Le Guin won the PEN/Diamonstein-Spielvogel Award for the Art of the Essay for No Time to Spare. The author’s son, Theo [accepted the] award on behalf of the late Ursula K. Le Guin.

(3) A SINGAPORE FIRST – AND SECOND. The Straits Times interviews “Two Singaporeans on Nebula awards shortlist”, J.Y. Yang and Vina Jie-Min Prasad.

Yang, a science communications officer, recalls: “When I was growing up, I would print out a list of the works that had won the Hugo and Nebula and try to make my way through them. I would never have imagined that one day I would be a finalist. I’m so proud to be one of the Singaporeans on the list, it’s just fantastic.”

Prasad, 27, a full-time writer, started submitting to science-fiction magazines only last year, but has already been shortlisted twice. “I’m overwhelmed and really honoured,” she says.

She is up for Best Novelette for A Series Of Steaks, about two women in Nanjing who forge quality beef – inspired by the real-life counterfeit food industry – and Best Short Story for Fandom For Robots, in which a sentient robot discovers Japanese anime and starts writing fan fiction.

(4) AT YOUR SERVICE. For anyone who wants paper Hugo and Retro-Hugo ballots, there’s now a way to print them.

Worldcon 76 has published PDFs of the paper nominating ballots for the 2018 Hugo Awards/Award for Best Young Adult Book/John W. Campbell Award for Best New Writer and for the 1943 Retrospective Hugo Awards.

(5) NOMMO NOMINATIONS OPEN. Members of the African Speculative Fiction Society (ASFS) have until March 31 to nominate works for the 2018 Nommo Awards. The awards will be presented at the Ake Arts and Book Festival in November 2018.

(6) BUZZWORDKILL. In The Atlantic, Bruce Sterling commands people to “Stop Saying ‘Smart Cities'” – “Digital stardust won’t magically make future cities more affordable or resilient.”

The term “smart city” is interesting yet not important, because nobody defines it. “Smart” is a snazzy political label used by a modern alliance of leftist urbanites and tech industrialists. To deem yourself “smart” is to make the NIMBYites and market-force people look stupid.

Smart-city devotees all over this world will agree that London is particularly smart. Why? London is a huge, ungainly beast whose cartwheeling urban life is in cranky, irrational disarray. London is a god-awful urban mess, but London does have some of the best international smart-city conferences.

London also has a large urban-management bureaucracy who emit the proper smart-city buzzwords and have even invented some themselves.  The language of Smart City is always Global Business English, no matter what town you’re in.

(7) IN TRAINING. Lightspeed Magazine interviews Carmen Maria Machado about her learning experiences.

I know that you also went to the Clarion science fiction writers workshop. I wonder if you could contrast Iowa and Clarion a little bit?

Clarion is not an MFA program. Clarion is a six-week, insane, exhausting boot camp. It’s a totally different process. The MFA program is more moderate, in the sense that it’s happening over the course of several years. I don’t know really how to compare them. The workshop style is really different. Genre places tend to use the system where everybody goes around in a circle and says their piece and then is silent.

The Milford system?

Oh yeah, the Milford. Which, actually, I do not like that workshop system, but that is the way it’s done at Clarion. It was done that way when I went to Sycamore Hill. That’s just the sort of tradition. Whereas, in my MFA program, it was more of a style of people talking and responding to each other in real time, which I prefer. It’s hard to compare Clarion and Iowa. They’re just inherently really different in terms of what you’re getting out of them. What I got out of Iowa was two years of funded time to work on my own shit, which was amazing and really wonderful. What I got out of Clarion was this really bombastic, high-intensity, octane-fueled, genre extravaganza where I barely slept. I was writing a lot of stuff, some of which was really terrible, and some of which was pretty good, and workshopping non-stop and barely sleeping. They’re really different programs.

(8) IF YOU CAN SAY SOMETHING NICE. Marshall Ryan Maresca helps sff readers pay attention to some people who are doing it the right way in “On My Mind: Building Community”.

So, this past weekend I was at Boskone, and it was a wonderful time, as I was reminded what an amazing community we have in SF/Fantasy Literature.  There are some amazing people in this business, who are filled with wisdom and warmth and kindness.   I had the great fortune of sharing the signing table with Mary Robinette Kowal, who all of these attributes in abundance.  We, as a community, are blessed to have her in it.

Sadly, this past week, I’ve also been reminded that we have a way to go, and there are some people who thrive in being terrible, and making things unpleasant for those around them.  And that behavior, sadly, gets them notoriety.  They get talked about, which serves their ends.  I won’t give them the time of day.

Because the people who are wonderful, who do great work and are good people– they’re the ones who deserve notoriety.  They’re the ones who should get notice and have their names mentioned over and over.  So here is a large list of great people who deserve your attention…..

Names follow.

(9) COMICS SECTION.

  • John King Tarpinian says Brevity found a way to make a joke at the expense of two actors who’ve played Captain Kirk.

(10) STORY AMPLIFIED. Yesterday’s Scroll linked to the latest release in Arizona State University’s Center for Science and the Imagination’s Future Tense Fiction series, “Mother of Invention” by Nnedi Okorafor. Joey Eschrich notes that it was published along with a response essay by Internet of Things expert Stacey Higginbotham, focusing on the smart home technology in the story.

(11) SHORT FICTION DISCOVERIES. The prolific Charles Payseur has launched a column at Book Smugglers X Marks The Story. The first installment leads readers to such treasures as —

“A Snow, A Flood, A Fire” by Jamie Berrout (published in Strange Horizons, 01/2018 )

What It Is: Coming in a special issue of Strange Horizons featuring transgender and nonbinary authors, “A Snow, A Flood, A Fire” stars Lupita, a trans woman stuck in an awful job as a security guard at a museum, hoping that she can work her way out of mistakes she made when she was younger and her world was imploding. The changing nature of employment, learning algorithms, employer greed and entitlement, and the dream of economic mobility all collide in a plot that kept the reading experience for me fast and tight and devastating. (And for fans of this story, I also recommend checking out “Dream Job” in January’s Terraform SF, which also explores themes of employment and the traps of late capitalism).

Why I Love It: Perhaps it’s a sign of the times, but stories exploring the future of employment and capitalism seem to be on the rise. For me, it’s a constant reminder of the realities of growing up and entering the workforce in a time where so many things that previous generations take for granted are in shambles or completely gone. Retirement contributions, healthcare, vacation, sick leave, debt forgiveness—the present isn’t exactly a cheery place for many hoping to live and maybe reach for that dream of comfort, security, and autonomy. …

[Via Earl Grey Editing Services.]

(12) BIGGER, BETTER, FASTER, MORE! At Featured Futures, Jason has posted an “Expanded Collated Contents of the Year’s Bests (2017 Stories, Links)” which begins its additional coverage with Ellen Datlow’s freshly announced The Best Horror of the Year, Volume Ten.

By request, this is an expanded edition of Collated Contents of the Big Year’s Bests (2017 Stories, with Links!). That post collates and links to the stories selected by Clarke, Dozois, Horton, and Strahan. This will add Afsharirad, Best American SF&F, Datlow, and Guran.

(13) SIGNAGE. Culver City, CA’s Ripped Bodice Bookstore gives fair warning:

(14) PASSING THE BUCKING BRONCO. Something else we know that ain’t so: “Why The Last ‘Wild’ Horses Really Aren’t”.

A Mongolian horse that has long been hailed as the last truly wild horse species in existence isn’t really all that wild.

It turns out that Przewalski’s horses are actually feral descendants of the first horses that humans are known to have domesticated, around 5,500 years ago.

What’s more, the modern horses that people ride today cannot be traced to those early steeds. That means humans must have tamed wild horses once again later on, somewhere else, but no one knows where or when.

(15) CAVE DWELLERS. If the pics remind you of a kindergarten project, remember your kids didn’t have to be the first people to ever have the idea: “Neanderthals were capable of making art”.

Contrary to the traditional view of them as brutes, it turns out that Neanderthals were artists.

A study in Science journal suggests they made cave drawings in Spain that pre-date the arrival of modern humans in Europe by 20,000 years.

They also appear to have used painted sea shells as jewellery.

Art was previously thought to be a behaviour unique to our species (Homo sapiens) and far beyond our evolutionary cousins.

The cave paintings include stencilled impressions of Neanderthal hands, geometric patterns and red circles.

(16) YOU CAN SEE WHERE THIS STORY IS LEADING. The people who built Stonehenge didn’t get to enjoy it for long: “Ancient Britons ‘replaced’ by newcomers”.

Prof Reich told BBC News: “Archaeologists ever since the Second World War have been very sceptical about proposals of large-scale movements of people in prehistory. But what the genetics are showing – with the clearest example now in Britain at Beaker times – is that these large-scale migrations occurred, even after the spread of agriculture.”

The genetic data, from hundreds of ancient British genomes, reveals that the Beakers were a distinct population from the Neolithic British. After their arrival on the island, Beaker genes appear to swamp those of the native farmers.

Prof Reich added: “The previous inhabitants had just put up the big stones at Stonehenge, which became a national place of pilgrimage as reflected by goods brought from the far corners of Britain.”

He added: “The sophisticated ancient peoples who built that monument and ones like it could not have known that within a short period of time their descendants would be gone and their lands overrun.”

(17) DON’T MISS THIS NON-GENRE LINK. The Hollywood Reporter interviewed the surviving cast and writers for “‘MAS*H’ Oral History: Untold Stories From One of TV’s Most Important Shows”.

(18) NO ARMY CAN STOP AN IDEA WHOSE TIME HAS COME. Adam-Troy Castro offered this subtle suggestion on Facebook:

Let’s run an International Science Fiction Asshole Convention.

People who want to go to conventions or to award ceremonies in order to be disruptive assholes — all while filling thousands of pages of blog posts with their fiendish snickering about the trouble they intend and how much it will bother everyone else — will finally have their annual event, where they can hand out awards to honor The Year’s Biggest Asshole, The Year’s Biggest Dickweed, the Year’s Most Appalling Runner-Up, as well as the Award for Best Newcomer (which at the Hugos are named after a luminary with J, W, and C as initials, and can be done here as well, albeit in different order).

Steve Davidson has volunteered to do the con’s Souvenir Book. In fact, he’s not even going to wait for the convention to be founded —

I’m soliciting articles for this, lol. Someone want to write a history of the (what was it, the ISFC?) from its founding to the present?

Anyone want to do short profiles of award winners from the past?

(19) JUST WAITING TO BE FOUND.  Annalee Newitz tells about the “8,000-year-old heads on spikes found in a remote Swedish lake” at Ars Technica. Warning – the article is full of grisly medical commentary.

In east-central Sweden, workers demolishing a railway that crossed the Motala Ström River discovered something bizarre. For roughly 7,500 years, a shallow, swampy lake in the area had hidden a pile of stones that contained the skeletal remains of at least 10 people and weapons made of stone and antler. They also found the bones of bears, deer, boar, and a badger. Two of the human skulls were mounted on pointed stakes.

Thousands of years ago, this semi-submerged burial ground must have been an imposing sight for the small settlements located nearby. A pile of rocks rose above the water, covered in weapons, wooden structures, and the grisly remains of fearsome animals—as well as the skulls of some carefully chosen people. Now dubbed “Kanaljorden,” the archaeological site has finally begun to yield some secrets about the people who created it. In a recent article for Antiquity, Stockholm University archaeologist Sara Gummesson and her colleagues explain what the evidence reveals about how this ritual site was used.

[Thanks to JJ, Martin Morse Wooster, Joey Eschrich,  Chip Hitchcock, Kendall, John King Tarpinian, Andrew Porter, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

2017 Nommo Awards

The inaugural Nommo Awards were presented November 16 during the AkeFest in Abeokuta, Nigeria.

Tade Thompson

The awards are sponsored by the African Speculative Fiction Society of professional and semiprofessional African writers, editors, publishers, graphic artists and film maker. ASFS was founded last year with 60 charter members.

The winners are:

BEST NOVEL – The Ilube Award

  • Tade Thompson for Rosewater

BEST NOVELLA

  • Nnedi Okorafor for Binti

BEST SHORT STORY

(Tied)

  • Lesley Nneka Arimah with “Who will Greet You at Home”
  • Tendai Huchu with “The Marriage Plot”

BEST COMIC OR GRAPHIC NOVEL

  • Chimurenga’s “Chronic: The Corpse Exhibition and Older Graphic Stories” – Chronic no. 3. Various writers and artists. Edited by Ntone Edjabe.

The Nommos are voted on by ASFS members. Eligible works must be produced by Africans, and may be self-published.

ASFS’ definition of who is an African includes:

  • citizens of African countries,
  • people born on the continent and raised there for substantial periods of time,
  • citizens or people born on the continent who live abroad
  • people who have at least one African parent or
  • Africans without papers, and
  • some migrants to African countries*.

*’African country’ is defined as any country or contested area on the Continent of Africa, ending at the Egyptian border, and including islands such as Zanzibar and Madagascar.

The award has been funded for four years, by Mr Tom Ilube. The prize for best novel is $1,000, best novella $500, best short story $500, and best graphic novel $1000 to be shared.

[Via Locus Online.]

Pixel Scroll 4/5/17 We Were Somewhere Around Barstow When The Pixels Began To Take Hold

(1) YOU NEVER KNOW WHAT YOU’RE GONNA GET. I appreciate the irony in the first line of Germain Lussier’s io9 post “The New Dune Movie Is Being Written By the Man Who Wrote Forrest Gump”:

But we don’t think that should worry you.

According to Lussier, Eric Roth, who won an Oscar for his adapted screenplay for Forrest Gump, has been hired to adapt the Frank Herbert novel Dune for director Denis Villeneuve.

(2) NEW AFRICAN SF AWARD. Since the Hugo announcement date was only known a few days ahead of time, the African Speculative Future Society may not have known that April 4 was a less-than-optimum date to announce the inaugural 2017 Nommos shortlist.

The categories are:

The Ilube Award for Best Speculative Fiction Novel by an African  – 1000 USD prize,

The Nommo Award for Best Speculative Fiction Novella by an African – 500 USD

The Nommo Award for Best Speculative Fiction Short Story by an African – 500 USD

The Nommo Award for Best Speculative Fiction Graphic Novel by Africans – 1000 USD to be shared.

The award website says —

We have welcoming and inclusive definition of who is an African that includes children of an African parent. Read more about eligibility here.

The award has been funded for four years, by Mr Tom Ilube.

“Science fiction is important because it looks ahead to African futures.  Fantasy and fiction based on traditional tales are important because they link us back to our forebears.  Both are important for African development.  I wanted to make sure that the explosion of African science fiction gets the recognition it deserves.”  Mr Tom Ilube.

The first award ceremony will be held at Aké Festival in Nigeria, November 2017. After that they hope to alternate the location of the awards ceremony between West and East Africa.

Here are links to the Short List and the rest of the nominees in all 4 categories:

(3) OLD OPERA HAS NEW ACTS. Cora Buhlert couldn’t find what she liked 20 years ago, but there’s enough good stuff now for her to be writing about “The Space Opera Resurgence”.

I didn’t like any of those books. But I was an SF fan and a space opera fan and this was all the space opera there was, with very few exceptions (mostly published by Baen Books, which are notoriously difficult to find in Europe). So I kept trying the highly regarded New Space Opera of the early 2000s, until I found myself standing in the local Thalia store, the latest offering of New British Space Opera subgenre in hand (it was this one – I remember the cover very clearly), when I suddenly dropped the book to the floor and exclaimed, “Why do I keep buying this shit? I don’t even like these books.” So I turned my back on New British Space Opera and on science fiction altogether (I did put the book back on the shelf first) and read other genres for a few years, until I came back in a roundabout way via urban fantasy and science fiction romance and found a whole universe of SFF books that weren’t on the radar of the official genre critics at all.

Now, some ten to fifteen years later, there is a lot more space opera on the shelves than back in the early 2000s. It’s also a lot more diverse the than just pale Banks clones. Nor is it just written by white, overwhelmingly British dudes – indeed, some of the best space opera of today is written by women and writers of colour. And even some of those authors whose novels almost put me off science fiction altogether some ten years ago are writing much more enjoyable works these days. …

(4) MAIL CALL. It’s not easy to get letters from the year 1962 unless you’re The Traveler. Galactic Journey today unveiled – “[April 5, 1962] Pen Pals (Letter Column #1)”. The first missive comes from University of Arizona student Vicki Lucas….

Of course, to pay the tuition and room & board, I also take in ironing, do tutoring, deliver newspapers, etc., and they helped me get a student loan. It’s been a real eye-opener to go to school here. Now I know what “scholarship” means. At the University of Arizona, from which I transferred last year, I did have some great learning experiences, but nothing as rich as this.

Not that I didn’t have some great experiences at UA, meeting an English Professor who is an avante-garde composer (Barney Childs), and since I worked in the Fine Arts College I went to most concerts & saw the harpsichord played for the first time (double keyboard!) & heard Barney’s music played. (I admit, I have a crush on him — see the enclosed photo.) And then I’ve been to San Francisco & seen jazz trumpeter Miles Davis & a lot of other stuff….

(5) CAMESTROS FELAPTON EXPLAINS IT ALL TO YOU. Thank goodness somebody can. In  “Hugo 2017: How to vote for best series” he looks at 8 different approaches to dealing with the vastness of the Hugo nominated series. Sure, 8 is also a lot — just be grateful he didn’t try to match the number of ways Cyrano described his nose.

The issue is that Best Series is not unlike Best Editor Long Form – the normal way of voting in the Hugo Awards doesn’t work (read the relevant stuff and vote). However, unlike Best Editor Long, best series at least has accessible information and works. The problem is that it is way too much volume of stuff to evaluate if you haven’t already been following the series in question. So here are some approaches to choose from.

(6) CHOP CHOP. Shouldn’t Wolverine co-creator Len Wein be getting a cut of this?

A medical clinic in the Philippines is using an unusual mascot to advertise its circumcision service: claw-bearing X-Men super hero Wolverine.

The advertisement for Dionisio M. Cornel Memorial Medical Center in Antipolo features an image of Hugh Jackman as the adamantium-clawed character he played in the X-Men and Wolverine films next to text promoting the clinic’s circumcision service.

 

https://www.instagram.com/p/BSRvd73lmN4/

(7) RED ALERT. At Nerd & Tie Trae Dorn wants to know “What the Heck is Even Happening With AnachroCon Right Now?”

The Atlanta, GA based convention AnachroCon might be more aptly named “AnarchoCon” these days. Earlier this week the convention’s Chair and legal counsel Sarah Avraham stepped down in what sounds like an extremely complicated situation.

In a public Facebook post Avraham detailed the reasons for her departure, and while you should really read that post in its entirety, I’ll do my best to summarize it. It starts when Avraham was approached by William and Cindy MacLeod in the spring of 2016 to take over the event in an attempt to rehabilitate the convention’s image and get it back on track financially.

Because man, this con needed help….

(8) ON HOLD. Nerd & Tie is also reporting that “One Month After Cancellation, Multiple Parties Still Waiting For Refunds From Lebanon MEGA Con:.

This last weekend would have been the second annual Lebanon MEGA Con, if the Missouri based convention hadn’t announced its cancellation just one month before. While organizer Will Peden did say that everyone owed money would be paid, some parties are waiting for those promises to be fulfilled.

(9) TODAY IN FUTURE HISTORY

  • April 5, 2063 — The day the Vulcans landed. According to Memory-Alpha:

First Contact Day was a holiday celebrated to honor both the warp 1 flight of the Phoenix and first open contact between Humans and Vulcans on April 5, 2063 in Bozeman, Montana

(10) TODAY’S BIRTHDAY BOY

  • Born April 5, 1917 — Robert Bloch

I recognize Bob Tucker on the left. Who is the woman on the right? The photo is from a 1959 party in Chicago.

(11) DELIBERATIONS CONTINUE. The Shadow Clarke Jury carries on a discussion of the books they’d like to see considered for the Clarke award.

It does not seem surprising that reading Don DeLillo’s novel Zero K, in which an estranged son accompanies his tycoon father to the threshold of his journey into eternity, brought those memories of Cold Lazarus especially rushing back. Straddling the millennium, both [Dennis] Potter’s final teleplays and DeLillo’s sixteenth novel have a leached-out, end-times quality that puts human mortality centre stage and refuses to look away. That Potter’s scripts – almost a quarter-century old now and written while SF was still very much a pariah literature – leap naked into the science fictional abyss, while DeLillo’s novel appears to negate, to brush aside the very notion of science fiction altogether, seems just one further irony.

Imagine a table laden with all the food you can think of; things you like and things you don’t like; cuisines from all around the world; the fresh and the fast; three thousand calorie freak-shakes next to organic kale salads; dessert piled on top of nachos sitting on a bed of pears. The table is groaning, under the physical and the metaphorical weight of the feast.  It’s wonderful and disconcerting and a bit horrifying and deliciously tempting at the same time.  This is the gastronomic equivalent of Cathrynne M. Valente’s Radiance, a virtuoso outpouring of language, style, trope and intertext fit to overwhelm any appetite. It took close to a week for me to sit down and start this review after I finished the book; I needed that long to digest it.  If you like your novels spare or clean this one probably isn’t for you.

His claim directly addresses the central conceit of the novel that the networks and routes by which African-American slaves escaped to the free states and the North exists as an actual underground railroad with stations and steam locomotives on rails. However, his mistake lies in imagining that the workings of the railroad can be reduced to information as legible as a map and a timetable. Earlier in the novel, when Cora visits this particular ‘ghost tunnel’ for the first time with the railroad operative, Royal, she reflects that the necessary secret of the railroad is not a bad type of secret but rather an intimate part of the self that is central to personal identity: ‘It would die in the sharing.’ The enigma of the railroad, as Royal observes, is that ‘it goes everywhere, to places we know and those we don’t’. The challenge it presents is not to classify it as a system of knowledge but to figure out both how it connects the different selves who use it and where it might lead to.

The Man Who Spoke Snakish is easily the least traditionally science fictional of my shortlist selections: not only does it feature no rockets, but it’s set firmly in the past (and is more about pasts than futures) and it includes talking snakes and something very much like a dragon. In the sense that science fiction is defined by the presence or absence of received ideas and familiar imagery—that is, using the least science fictional definition of science fiction—it would not be considered science fiction.

(12) A LITTLE SMACK. Fusion says justice has been served – “Black Panther and Ms. Marvel Nominated for Hugo Awards Days After Marvel VP Blamed Them for Sales Slump”.

On Tuesday morning, the finalists for the 2017 Hugo Awards (the Oscars of sci-fi and fantasy writing) were announced by the World Science Fiction. Unsurprisingly, collected volumes of Marvel’s critically acclaimed Black Panther and Ms. Marvel series were both nominated for Best Graphic Story.

These nominations come just days after Marvel’s Vice President of Sales, David Gabriel, went out of his way to blame Marvel’s lagging sales on comics—like Black Panther and Ms. Marvel—starring people of color and women. Suffice it to say that the optics of this whole thing don’t reflect well on the publisher, but the Hugo nominations send a telling message to Marvel about just how the public actually feels about its “diverse books.” 

(13) REACTION POST. Abigail Nussbaum catalogs all the emotions she’s feeling after seeing the 2017 Hugo shortlist, beginning with happiness about her Best Fan Writer nomination, and continuing down the spectrum til she reaches —

Frustration, because the puppies’ ongoing presence on the ballot, even under extremely reduced circumstances, means that it continues to be impossible to talk about the nominees as their own thing, rather than a reaction to an attempted fascist takeover.  There’s a lot to praise about this year’s ballot, including the continued shift towards a more diverse slate of nominees, but in the short fiction categories in particular, the Hugo has once again thrown up a fairly middle-of-the-road selection.  Most of these stories aren’t bad, but quite a few of them are meh, and it would be nice to once again be able to have a proper discussion of that.  Instead, we’re all still in bunker mode, still cheering the fact that publishable fiction was nominated for the genre’s most prestigious award, which increasingly seems like a low bar to clear.

(14) PUPPY ANTENNAE ACTIVATED. Cora Buhlert sets things in context and delivers a thorough set of first impressions about the Hugo ballot.

The best novel category looks excellent. We have the sequels to two previous Hugo winners in the category, Death’s End by Liu Cixin and The Obelisk Gate by N.K. Jemisin respectively. We have the long awaited and critically acclaimed debut novels by two accomplished short fiction writers, All the Birds in the Sky by Charlie Jane Anders and Ninefox Gambit by Yoon Ha Lee respectively. We have a highly acclaimed debut novel with a very unique voice, Too Like the Lightning by Ada Palmer, as well as the sort of sequel to 2014’s highly acclaimed debut novel with a unique voice, A Closed and Common Orbit by Becky Chambers. A Closed and Common Orbit, Too Like the Lightning and Ninefox Gambit were also on my ballot, and I’m looking forward to reading the remaining three. And those who worry that science fiction is about to die out and be swamped by fantasy, which will inevitably lead to the collapse of the West or something, will be pleased that four of the six nominees in this category are unabashedly science fiction. The Obelisk Gate is an edge case, while the only clear fantasy novel is All the Birds in the Sky and even that one has a mad scientist character. Diversity count: 4 women, 2 men, 3 writers of colour, at least 3 LGBT writers, 1 international writer in translation, 0 puppies.

(15) TUESDAY’S HUGO NEWS. H.P. at Every Day Should Be Tuesday features a picture of a dog in his more Puppy-sympathetic coverage of the 2017 Hugo Awards finalists.

… I am very gratified to see Cixin Liu back where he belongs Death’s End a finalist for Best Novel.  I loved it, as you can probably tell by my overenthusiastic review.  I thought The Dark Forest was robbed, and I voted for The Three-Body Problem as the Best Novel two years ago.  I would have loved to have seen the entire series go up for an award, but oh well.  It perhaps says something about the incestual nature of the Hugo voting that the two books in the series edited by the popular Ken Liu were finalists, and the one that wasn’t didn’t even finish in the top 15 nominations….

The Rageaholic was a finalist last year, but I only saw my first few videos within the last month or so.   And for the most part, I have no interest in watching his videos on video games or movies or politics.  If only for the main reason I don’t watch many YouTube videos or listen to many podcasts.  I ain’t got time for that stuff.  But Razorfist has an encyclopedic knowledge of comics and Elric of Melnibone.  And he’s got a great shtick.  Usually in black-and-white, decked out in mirrored sunglasses and a leather jacket, long hair, wall covered in posters behind him.  Complete with some metal thrown-in to start and finish things off, and a rapid-fire, eloquent, profane delivery.

H.P. also identifies himself as a contributor to the Castalia House blog.

(16) HUGO BY OSMOSIS. The nominations have inspired J.D. Brink’s latest theory.

And John Picacio has been nominated for best professional artist.  I’m pretty darn sure (though not 100%, mind you) that he and I shared a day at Dragon’s Liar comics in San Antonio signing stuff on Free Comic Book Day a few years ago.  We sat right next to each other.

So by sheer proximity, I should be getting a Hugo award, if not this year, than next year

(17) IF I WERE A RICH MAN. Who knew I wouldn’t have to wait til I made a million dollars before seeing my name in Forbes? They published the Hugo nominees.

(18) MOST IMPORTANT CATEGORY. Jude Terror’s account of the nominations for Bleeding Cool is intentionally myopic: “Marvel And Image Split Hugo Awards Comics Category, Shut Out Other Publishers”.

Worldcon has released the finalists for the 2017 Hugo Awards, the science fiction and fantasy awards named after Amazing Stories founder Hugo Gernsback. We’re pretty sure that’s the book Spider-Man first appeared in. In true snooty comics website fashion, we’ll only talk about the things that relate to comic books and ignore everything else.

First, in the most important category, Best Graphic Story (that’s fancy-speak for comics), nominees included Marvel’s Black Panther, Ms. Marvel, and The Vision, two of the most successful and acclaimed books the likes of which Marvel “has heard” people don’t want anymore, and one written by a guy who “rode off into the sunset.” Monstress, Paper Girls, and Saga from Image took the other three slots, shutting out all other publishers. Shockingly, no prominent editors from the superhero comics community earned nominations in any of the editorial categories, though Sana Takeda, a familiar name to comics readers, did move the needle with a spot on Best Professional Artist list.

Dan Slott failed to secure a nomination in Best Fan Writer despite writing some of the most acclaimed Doctor Who fan fiction around in Silver Surfer, though Doctor Who’s Christmas Special, The Return of Doctor Mysterio, was nominated under the Best Dramatic Presentation (Short Form) category, which is a fancy way of saying “TV show.” Yes, we know we’re breaking out “only talk about comics” rule, but what could be more “comics website” than that?! Sir Robert Liefeld’s greatest creation, Deadpool, earned a nomination in the Best Dramatic Presentation (Long Form) category, which is a fancy way of saying “movie.”

(19) VIRTUAL VISON. “Astronomers just turned on a planet-size telescope to take a picture of a black hole”Vox has the story. (No, not that Vox.)

Every image you’ve seen of a black hole is an illustration. A giant “virtual” telescope may change that….

We’ve never seen a direct image of a black hole. But if an audacious experiment called the Event Horizon Telescope is successful, we’ll see one for the first time.

Why we’ve never seen an image of a black hole

The biggest problem with trying to detect a black hole is that even the supermassive ones in the center of galaxies are relatively tiny.

“The largest one in the sky [is] the black hole in the center of the Milky Way,” Dimitrios Psaltis, an astrophysicist at the University of Arizona, said in 2015. “And taking a picture of it would be equivalent to taking a picture of a DVD on the surface of the moon

(20) THAT REVOLUTIONARY NEW IDEA FOR SELLING BOOKS. The Verge has another Amazon bookstore on its radar screen – it will be the third in New York.

Amazon has confirmed plans to open a brick-and-mortar bookstore across from the Empire State Building, bringing its total number of announced but as-of-yet unopened stores in New York City up to three.

Publisher’s Weekly reports that a sign reading “Amazon Books Coming Soon” has gone up in the 34th Street storefront, adding that an Amazon rep said the store will open this summer. The store has also been added to the Amazon Books website. This would presumably make it Amazon’s second store in New York. A location in Columbus Circle’s Time Warner Center (just off of Central Park) was announced in January, with the intent to open this spring.

Another, in Hudson Yards, the still-under-construction $20 billion shopping and luxury residential complex on Manhattan’s far west side, was widely reported last summer — with plans to launch alongside the rest of the development’s new stores in 2018 or 2019.

(21) CUTTING EDGE. Here’s the King Arthur: Legend of the Sword final trailer. The film will be out May 12.

[Thanks to John King Tarpinian, JJ, Carl Slaughter, Martin Morse Wooster, Cat Eldridge, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]