Mining for Foglio’s Gold

Before Phil Foglio was a prolific and dominant pro artist he was a prolific and dominant fan artist. He racked up two Best Fan Artist Hugos (1977, 1978). Over three decades later, Foglio’s vintage fanzine art is the heart of John Teehan’s new project:

I’ve gotten Phil Foglio to agree to let me (as Merry Blacksmith Press) take a stab at pulling together a bound collection of his early black and white fan art. He doesn’t have much from his early days still hanging around and wouldn’t know where to find them if he did. Kaja might know, but it was before her time and she’s not so sure either.

If anyone can help me track down some art, or help with some scans or originals to scan, I’d greatly appreciate it.

Can you can help? Contact John Teehan at jdteehaniphone (at) gmail (dot) com.

If I were Teehan I’d start looking through the top genzines published from 1976-1978 (or perhaps a little earlier). He not only needs to find Foglio illos, he needs to find well-reproduced copies. The best bet is to search in zines like Outworlds or Simulacrum.

(Foglio once sent me something but I made a mess of it. Save your time, no need to look in old issues of Scientifriction or Prehensile…)

[Thanks to Andrew Porter for the story.]

Who Guards The Guardians?

Six cameras in Maryland dedicated to catching speeding drivers have been vandalized since April. Now police are installing other cameras to keep an eye on their investment — because the speed cameras cost up to $100,000 to replace.

Add this to Connie Willis’ next list of things science fiction writers failed to predict. Not the vandalism — everyone from Heinlein to Mack Reynolds got that right — rather, the solution of a duplicate set of cameras.

LA City Council Considering Bradbury Square

Ray Bradbury Square will be the new name of the intersection of Fifth and Flower Streets, nearby the Los Angeles Central Library, if Councilman Jose Huizar’s motion passes. (Click here for the full text [PDF file].)

Huizar’s motion says Bradbury had “a special connection to Downtown Los Angeles” and that he “was known to do his writing on public typewriters in the Central Library.”

The motion appeared on the council’s September 11 agenda but was continued to September 18.

[Thanks to John King Tarpinian for the story.]

Bud Webster’s Estate Search

Bud Webster is about to update the list of deceased writers whose estates he’s looking for on behalf of SFWA’s Estate Project. If you can help, contact — budwebster (at) mindspring (dot) com

Banks, Raymond E.
Barnes, Arthur K.
Bates, Harry
Bechdolt, Jack (John Ernest)
Biltgen, Flonet (Elizabeth Wallace)
Binder, Eando (Earl and Otto)
Bok, Hannes (Wayne Francis Woodard)
Boule, Pierre (Francois Marie Louis)
Browne, Howard
Clifton, Mark
Cooper, Susan
Counselman, Mary Elizabeth
Evans, E. Everett
Farley, Ralph Milne (Roger Sherman Hoar)
Fyfe, H. B.
Gallun, Raymond Z.
Geier, Chester
Gordon, Bernard
Gotschalk, Felix
Guin, Wyman
Gygax, Gary
Holly, J(oan). Hunter
Jameson, Malcolm
Javor, Frank A. (Francis Anthony Jaworski)
Jones, D(ennis) F(eltham)
Jones, Neil R.
Kapp, Colin
Keller, David H.
Lymington, John (John Richard Newton Chance)
Maine, Charles Eric (David McIlwain)
McQuay, Mike
Merrit-Pinckard, Terri E.
Pavic, Milorad
Phillips, Rog
Smith, George H.
Smith, George O.
Wellen, Edward
Wells, Angus
West, Wallace
Williams, Paul O.
Wolfe, Bernard
Wright, Lan
Zagat, Arthur Leo

Webster adds: “Note, please, that in the cases of estates repped by family members or other private individuals, SFWA does NOT reveal their contact information. Instead, we either blind-copy the individual on our reply to the inquiry or simply forward queries to them. That way their e-mails, addresses and/or phone numbers stay private.”

[Thanks to Andrew Porter for the story.]

Dragon*Con’s Volunteer Fee? Not.

Atlanta Magazine’s recent article about Ed Kramer notes Dragon*Con’s reliance on volunteers, with a stinger:

By all accounts, the event has always had a small payroll, instead relying on up to 2,000 volunteers, with first-timers paying $20 a head for the privilege.

“Paying…for the privilege” misrepresents these deeply-discounted memberships for first-time volunteers. They’re a perk, not exploitation. Volunteer memberships, says the FAQ, have “exactly the same privileges as any other convention attendee.” And volunteers who work 25 hours qualify for comp memberships the next time they volunteer at Dragon*Con.

Unlike the Atlanta Magazine reporter, conrunners shouldn’t be shocked that volunteers have to purchase memberships: that’s what conrunners are used to doing.  

Some conventions also will refund volunteer memberships afterwards if the con has a surplus. Dragon*Con’s economic model evidently doesn’t require the experienced volunteers’ memberships as a hedge against insolvency.

If you’re turned off that part of Dragon*Con’s profits go to Ed Kramer – which is completely understandable – you still should be pleased with Dragon*Con’s policy to give free or heavily-discounted memberships to volunteers, since that means there’s less money going into their coffers.

[Via Con-News.com.]

Ideas About Convention Community

Rose Fox at Genreville has advanced the harassment prevention discussion in her post “What Conventions Are and Aren’t.”

She develops several lines of thought that ought to be useful to anyone trying to comprehend fandom and conrunning. Our own implicit assumptions sometimes make it hard to listen to someone else’s point of view til they’re triggered, we become conscious of them, and decide how to address them. This piece isn’t so much about solutions as it is about illuminating things that get in the way of finding solutions:

Conventions are not communities in the traditional sense of the word. They are not townships. The conchair is not the mayor; the head of safety or security is not the chief of police; the concom and the board are not tribunals or juries. The organizing bodies are not directly or representationally elected and are almost never demographically representative of the convention-attending population. I think that treating conventions as in some way parallel to real-world communities governed by law is a really bad idea, especially when we get into these crime-and-punishment discussions. Conventions are not in the business of dispensing justice. They aren’t designed for it or equipped for it, and no one–especially not anyone involved in running a convention–should behave as though they are, even for a moment.

What conventions are designed for and equipped for is helping people to have fun. That’s the business model! And I think that is what conventions should stay focused on when someone pops up and starts making their spaces less fun for their customers.

[Thanks to Andrew Porter for the story.]

Chicon 7 and Kate Kligman

Kate Kligman’s tweets about being fired by the Chicon 7 committee and her account of the reasons, which began appearing around September 5, have elicited an official response from the committee.

Kligman’s Twitter account carries tweets and links to posts from fans and pros who have come alongside her.

Elsewhere, The Second Generation Fan has published a couple of very angry posts defending the committee leadership.

Worldcon Sunday Funnies

Chicon 7 achieved Fan Guest of Honor Peggy Rae Sapienza’s vision of giving Worldcon members a special Sunday morning edition of the daily newzine.  “The Sunday Funnies”  is now available at eFanzines.

Edited by Kurt Erichsen, the four-pages of color comics were created by Randy B. Cleary, Phil Foglio, delphyne woods, Richard Chwedyk, Alan F. Beck, Sheryl Birkhead, Kurt Erichsen, Steven Vincent Johnson, Howard Tayler, Anne Trotter, Kurt Erichsen, Taral Wayne and Spring Schoenhuth.

Picacio Salutes His Predecessors

John Picacio celebrates all the winners of the Best Professional Artist Hugo, of which he is the latest, in a post to his blog On the Front:

Stephan Martiniere: As far as I’m concerned, he’s the master of the futuristic cityscape. This is his cover art for Ian McDonald’s RIVER OF GODS. There are many artists that do this type of imagery so well, but I can’t think of any more transcendent than Stephan. Even as some traditionalists and collectors decry the evolution and impact of digital art, Stephan has done what the great artists do in all media throughout history — he has pushed the vocabulary of art forward, and that achievement goes beyond arguments over pencils, paints or pixels. He won the Hugo Award in 2008.

Autographed Frankenstein to Auction

Lord Byron’s copy of Frankenstein, autographed by Mary Shelley, will soon be auctioned by Peter Harrington.

It had lain untouched for 50 years in the library of Lord Jay until his grandson came to sort his things for donation to the Bodelian.

As the Huffington Post reminds us:

On a stormy night in June 1816 at the Villa Diodati on the shores of Lake Geneva, a ghost-story writing contest between Byron, the Shelleys, and Byron’s physician Polidori led to the composition of Mary Shelley’s novel…

Written on Mary Shelley’s return to England, the book was published in a small edition of only 500 copies, the publisher giving six copies for her personal use to Mary.

[Thanks to John King Tarpinian and Michael Walsh for the story.]