Premios Ignotus 2020 Finalists

The finalists for the Premio Ignotus 2020 (2020 Ignotus Awards) have been announced by Spain’s Asociación Española de Fantasía, Ciencia Ficción y Terror.

They include works in Spanish translation by Aliette de Bodard, Christopher Golden, N. K. Jemisin, Stephen King, Kameron Hurley, Nnedi Okorafor, Alix E. Harrow, Joe Hill, Martha Wells and Bev Vincent.

Winners will be announced at the online Hispacón 2020.

Novela / Best Novel

  • Asuntos de muertos, by Nieves Mories (Cerbero)
  • El arcano y el jilguero, by Ferran Varela (El transbordador)
  • Inmóviles: Día, by Juan José Díaz Téllez (el autor)
  • Pakminyó, by Felicidad Martínez (Cerbero)
  • Voces en la ribera del mundo, by Diana P. Morales (Triskel)

Novela Corta / Best Novella

  • La pandilla UFO 2: El secreto del área 51, by Israel Moreno (el autor)
  • La última mujer de La Mancha, by Enerio Dima (Cerbero)
  • Las mocedades de Rodrigo, by Almijara Barbero Carvajal (Cerbero)
  • Los comuneros, by Sergio Salvador Campos (Matraca)
  • Mundo al revés: Origen, by Ángel Padilla (Sportula)

Cuento / Best Short Story

  • Corvus Corax, by Bruno Puelles (Wave Books)
  • “El falso comerciante de pimienta”, by David P. Yuste (en la revista Círculo de Lovecraft número 11)
  • “Martina ama su trabajo”, by Héctor Espadas López-Tello (in the anthology Seiya, la noche silenciosa published by Lengua de trapo)
  • “Nada mejor que la risa de un niño”, by Tony Jiménez (in the anthology Pasen y mueran published by Suseya)
  • “No hay delito”, by Tamara López (in the anthology Más macabras published by maLuma)

Antologia / Best Anthology / Collection

  • Actos de F. E., by various authors (Cerbero)
  • Crónica de sucesos, by Tamara López (collection) (Matraca)
  • Cuentos para Algernon: Año VII, selected by Marcheto (la web Cuentos para Algernon)
  • Pasen y mueran, coordinated by Tamara López (Suseya)
  • Tormenta e ímpetu, coordinated by Josué Ramos (Tinta púrpura)
  • Trece relatos de amor maldito, by Cristina Bermejo Rey (collection) (Papeles del duende)

Libro de ensayo / Best related Book

  • Cortázar visto por Elia Barceló, by Elia Barceló (Cazador de ratas)
  • Infiltradas, with selections by Cristina Jurado and Lola Robles (Palabaristas Press)
  • Moriremos por fuego amigo, by Juan Manuel Santiago (Cazador de ratas)
  • Supernovas. Una historia feminista de la ciencia ficción audiovisual, by Elisa McCausland y Diego Salgado (Errata Naturae)
  • ¡Todos flotan! Las pesadillas de Stephen King Vol. II (1990-2019), by Tony Jiménez (Applehead Team Creaciones)

Articulo / Best related work

  • “Aliette de Bodard sobre la supresión de la maternidad”, [Motherhood and Erasure] by Aliette de Bodard (en la web La nave invisible, with translation de Loreto ML)
  • “El niño que era Stephen King”, by Tony Jiménez (in the magazine Imágenes de actualidad número 404)
  • “Guía para empezar a leer Mundodisco de Terry Pratchett según tus gustos”, by Carla Campos (en la web Origen cuántico)
  • “La fetichización de la violencia contra las mujeres en las distopías”, by Laura Huelin (en la web La nave invisible)
  • “La impronta de No profanar el sueño de los muertos”, by Pako Mulero Arenillas (en la web La cabina de Nemo)
  • “Ochenterror”, by David P. Yuste y Tony Jiménez (in the magazine La cabina de Nemo número 6)

Ilustración / Best Cover

  • Cover of Darkgate, la oscuridad que devora, by José Raúl Orte Crespo (Tebeox)
  • Cover of El lamento de la sirena, by Libertad Delgado (Khabox)
  • Cover of La brigada lluminosa, by Marina Vidal (Mai Més)
  • Cover of Quien teme a la muerte, by Joey Hi-Fi (Crononauta)
  • Cover of ¡Todos flotan! Las pesadillas de Stephen King Vol. II (1990-2019), by Manuel J. Iniesta (Applehead Team Creaciones)

Producción audiovisual / Audiovisual production

  • Café librería (podcast), by Beatriz Aguilar Gallo, Carla Plumed, David Pierre, Gemma Martínez y Miriam Beizana Vigo
  • Klaus (largometraje), directed by Sergio Pablos
  • La olla de la Cocina del Infierno (podcast), by Sato Yasei David
  • Proyecto Terror (podcast), by Patricia Prida
  • Rock entre amigos (podcast), by Kike Molla Tormo

Tebeo / Comics

  • Darkgate, la oscuridad que devora, by José Raúl Orte Crespo y Tony Jiménez (Tebeox)
  • Lo que trajo Laqueus, by David Hueso y Fabián Álvarez (editado Tantor Books)
  • No mires atrás, by Anabel Colazo (La cúpula)
  • Ocultos, by Laura Pérez (Astiberri)
  • Very Horrible Stories 2, by Juan Carlos Cervera and Nacho Fito (Tantor Books)

Revista / Magazine

  • La cabina de Nemo, edición by Pako Mulero Arenillas
  • SuperSonic, dirección by Cristina Jurado (Palabaristas Press)
  • Tantrum, dirección by Sam G. C., Santiago Eximeno and Tomás Rivera (Impresiones privadas)
  • Vuelo de cuervos, edición by Lorena Gil Rey
  • Windumanoth, dirección by Álex Sebastián, David Tourón y Víctor Blanco

Novela extranjera / Foreign Novel

  • Ararat, by Christopher Golden (Grupo Tierra Trivium, with translation by Efraim Suárez)
  • El cielo de Piedra [The Stone Sky], by N. K. Jemisin (Nova, with translation by David Tejera Expósito)
  • El instituto [The Institute], by Stephen King (Plaza & Janés, with translation by Carlos Milla Soler)
  • La brigada de luz [The Light Brigade], by Kameron Hurley (Alianza, with translation by Natalia Cervera)
  • Quien teme a la muerte [Who Fears Death], by Nnedi Okorafor (Crononauta, with translation by Carla Bataller Estruch)

Cuento extranjera / Foreign story

  • “El experto en turbulencias” (“The Turbulence Expert”), by Stephen King (in the anthology Por los aires Penguin Random House, with translation by José Óscar Hernández Sendín)
  • “Las guías de la bruja: vías de escape. Compendio práctico de portales a mundos de fantasía” (“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies”), by Alix E. Harrow (en la web Cuentos para Algernon, with translation by Marcheto)
  • “Quedan liberados” (“You Are Released”), by Joe Hill (in the anthology Por los aires Penguin Random House, with translation by José Óscar Hernández Sendín)
  • Sistemas críticos (“All Systems Red”), by Martha Wells (La esfera by los libros, with translation by Carla Bataller Estruch)
  • “Zombis en el avión” (“Zombies on a Plane”), by Bev Vincent (in the anthology Por los aires published by Penguin Random House, with translation by José Óscar Hernández Sendín)

Sitio web / Web

Libro Infantil-Juvenil / Children’s-Youth Book

  • Cuenta nueve estrellas, by Andrea Maceiras (Anaya)
  • El abrazo de la sirena, by Ana Alcolea (Anaya)
  • El secreto de Olga, by Patricia García-Rojo (Anaya)
  • Prácticas mágicas, by Nahikari Diosdado (Cerbero)
  • Siete días en un planeta desconocido, by Bruno Puelles (Dilatando mentes)

Pixel Scroll 6/24/20 Pretty Pixels In The File, They Twinkle On The Screen, And Then Get Refreshed So That New Ones Are Seen

(1) JUMP ON THE TRUCK. In the Washington Post, Robert Zubrin and Homer Hickam have an opinion piece where they say that SpaceX Dragon’s success should make the preferred launch vehicle for a return to the Moon and NASA should shelve the Orion rocket as too unwieldy. “Send the SpaceX Dragon to the moon”.

In March 2019, Vice President Pence challenged NASA to land astronauts on the moon by 2024 “by any means necessary.” This was a potential breakthrough, because after nearly 50 years of drift, the White House was finally giving NASA’s human spaceflight program a concrete goal with a clear timeline and forceful support — a necessity for any progress and the restoration of the agency’s can-do spirit. The purpose for the mission itself is a blend of economic, scientific and world leadership goals designed to make the investment worthwhile to all Americans.

NASA’s response to Pence’s challenge was to proceed with what it already had in the pipeline: the Orion crewed spacecraft and the massive shuttle-derived Space Launch System (SLS) heavy-lift expendable booster rocket. SLS has been in slow-walk development since 2006, with more than $18 billion spent, but it is still years away from launch. Considering this track record, we unhappily doubt the SLS/Orion combination will meet the vice president’s challenge.

But now we have an alternative. The contract that resulted in the Dragon crewed spacecraft was issued by NASA in 2014. Six years and $3 billion later, it has flown astronauts into orbit. What SpaceX did was show that a well-led entrepreneurial team can achieve results that were previously thought to require the efforts of superpowers, and in a small fraction of the time and cost, and even — as demonstrated by its reusable Falcon launch vehicles — do things deemed impossible altogether. This is a revolution….

(2) RWA. The Romance Writers of America will hold a virtual RWA Conference from August 28-30. A full list of the RWA 2020 Conference Scholarships are at the link. Some new ones have been added.

RWA also has clarified a recent announcement about Dreamspinner Press to say they are available to advocate for non-members, too. Thread starts here.

(3) FROM THE CANOE. Elizabeth Bear posted “an open letter to my friends and acquaintances in the publishing community who have been outed as serial harassers, and to the ones who still think they’re getting away with something.”

It begins:

Hey there. I know you’re having a rough time right now, and I’m sorry to say you earned it. I wish I had known about your behavior sooner; I wish I had known that you weren’t just making rank jokes among friends, as we all do once in a while, but engaged in serious abuses of your power, engaged in harming people.

I am, needless to say, very very disappointed in you.

I’m saddened for the people you have hurt, and I’m really disappointed that you have turned out not to be the person I thought you were. Even more, I’m wondering if you even have the self-awareness to realize how much you have harmed not just the people you harassed or gaslit or backstabbed, but also the communities you were a part of. How much you have damaged the people who care about you and who have tried to be your friends, as well….

(4) STOKERCON UK. The StokerCon UK committee has announced a new set of dates for the Horror Writers Association event which has been chased around the calendar by the coronavirus. The post is here.

…Secondly, we are grateful to the majority of you who, since our previous announcement, have allowed us to get on with trying to save the convention—or at least a version of it—by rescheduling it.

To that end, we are pleased to let you know that, at the moment, we have agreed tentative dates for the event with the two convention hotels of 28-31 January 2021. With events and advice changing so quickly, the hotels have agreed to follow UK Government advice and are prepared to reassess or postpone the event once again nearer the time, depending on the spread and hopeful containment of the virus.

(5) YOU ARE HERE. Kristine Kathryn Rusch writes about this moment with empathy and wisdom: “Business Musings: Shock, Survival, and Forgiveness”.

… We now know where we are. We’re in that prolonged change. It’s a transition, and we’ve finally hit it. All of 2020 will be a year of half-measures, making do, and getting through.

Frankly, I find knowing where we are calming. I now know how to proceed day to day. I don’t like it, but I don’t have to like it.

I, you, all of us just have to survive it.

The knowledge of where we’re at, though, took me out of survival mode. I’m no longer obsessively reading the news every day, trying to figure out where we are. I’m donning my mask when I go out. I make that daily calculation—is it worth the risk to my health (and Dean’s health) to do whatever it is I am planning to do?

I can calculate risk now. And, more importantly, Dean and I are agreed. We consult if we’re going to do something outside of our usual schedule, based on the level of risk.

We are more or less staying home, but we did anyway, since we work here.  That sense of ease, that feeling of no longer being on the knife’s edge, has made it easier to focus, although not always easier to work.

I’m one of the few people I know who has made the mental transition out of survival mode. (If one of us gets sick, I know I’ll head right back into it.) Now that I know how we’re going to be living day to day, I’m willing to live day to day. I don’t need to be ever vigilante for another tow truck, coming at us out of the dark.

Because I’ve made this transition, I can see other folks who haven’t. In my various social media feeds, I’m watching writers talk about their process or their lack of one. Writers, discussing how their work has changed or just plain stopped. Writers, who can’t face any of their usual projects, and who are feeling lost and don’t exactly know why.

Everyone knows the changes in their writing habits come from the pandemic, but most don’t understand what to do. And many people are worried that the changes to their writing methods are permanent.

Are those changes permanent? It depends on the change. They seem to fall into two categories…

… We are in a new place. Like any new place, it will take time to learn all its ins and outs. We have to explore it and understand it—and survive the transition into it.

If you’re dealing with actual life and death issues, from someone being very ill in your life to a major loss of income or career, then give yourself time to recover. Take the pressure off your writing. There’s enough pressure in your life….

(6) MEDIA BIRTHDAY,

  • June 24, 1982 Blade Runner premiered. It was directed by Ridley Scott, and was written by Hampton Fancher and David Peoples. It starred Harrison Ford, Rutger Hauer, Edward James Olmos and Sean Young. It was based very loosely on Philip K. Dick’s Do Androids Dream of Electric Sheep? It would win the Best Dramatic Presentation at ConStellation, beating out The Wrath of KhanE.T.The Dark Crystal and The Road Warrior. Critics were puzzled by it and t generated little street buzz nearly thirty years ago. It would vastly raise its stature over the years, now being considered one of the Best SF works ever done. It’s worth Warner Bros. released The Final Cut, a 25th-anniversary digitally remastered version; this is the only version over which Scott retained full artistic control.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 24, 1842 – Ambrose Bierce.  Four hundred short pieces, sixty poems.  A pioneer in realistic fiction; a great fantasist; a biting satirist.  When William Dean Howells said AB was among our three greatest writers, AB said “I am sure Mr. Howells is the other two.”  Translated into Croatian, Dutch, Finnish, French, German, Italian, Polish, Portuguese, Romanian, Spanish, Swedish.  (Died 1914, maybe) [JH]
  • Born June 24, 1915 – Sir Frederick Hoyle.  Coined the expression “Big Bang”, rejected the theory.  Radar research in World War II with more personnel than the Manhattan Project. Mayhew Prize, Balzan Prize, Crafoord Prize.  Founded the Cambridge Institute of Astronomy and resigned from it.  A dozen SF novels, two dozen shorter stories, some with co-authors; translated into Danish, Dutch, French, German, Hungarian, Japanese, Portuguese, Romanian, Serbian,  Spanish, Swedish.  (Died 2001) [JH]
  • Born June 24, 1937 – Charles Brown.  Founded Locus (with Ed Meskys and Dave Vanderwerf) as a fanzine; it grew, changed, and “semiprozine” was invented to describe it; 29 Hugos by the time of his death.  You could disagree with him; on panels with him I opposed his “mainstream literature is about the past, science fiction is about the present, nobody can write about the future”; no one has outdone him.  Writers & Illustrators of the Future Award for lifetime achievement.  (Died 2009) [JH]
  • Born June 24, 1947 Peter Weller, 73. Yes it’s his Birthday today too. Robocop obviously with my favorite scene being him pulling out and smashing Cain’s brain, but let’s see what else he’s done. Well there’s The Adventures of Buckaroo Banzai Across the 8th Dimension, a film I adore. And then there’s Leviathan which you I’m guessing a lot of you never heard of. Is it of the Naked Lunch genre? Well, Screamers based on Philip K. Dick’s short story “Second Variety” certainly is. Even if the reviews sucked.  And Star Trek Into Darkness certainlyqualifies. Hey he showed up in Star Trek: Enterprise! (CE)
  • Born June 24, 1948 – Kris Neri, age 72.Two novels for us; four more, sixty shorter stories.  After living in San Francisco, and Southern California, moved to Sedona (Arizona); now at home in Silver City (New Mexico).  Teaches writing through the U. Cal. L.A. Extension School.  Says her Samantha Brennan and Annabelle Haggerty magical mysteries feature “a questionable psychic who teams up with a modern goddess/FBI agent”.  Website here.  [JH]
  • Born June 24, 1950 Mercedes Lackey, 70. There’s a line on the Wiki page that says she writes nearly six books a year. Impressive. She’s certainly got a lot of really good series out there including the vast number that are set in the Valdemar universe. I like her Bedlam’s Bard series better. She wrote the first few in this series with Ellen Gunn and the latter in the series with Rosemary Edghill. The SERRAted Edge series, Elves with race cars, is kinda fun too. Larry Dixon, her husband, and Mark Shepherd were co-writers of these. Lackey and Dixon are GoHs of this year’s Worldcon, CoNZealand. (CE)
  • Born June 24, 1950 Nancy Allen, 70. Officer Anne Lewis in the Robocop franchise. (I like all three films.) Her first genre role was not in Carrie as Chris Hargensen, but in a best forgotten a film year earlier (Forced Entry) as a unnamed hitchhiker. She shows up in fan favorite The Philadelphia Experiment as Allison Hayes and I see her in Poltergeist III as Patricia Wilson-Gardner (seriously — a third film in this franchise?). She’s in the direct-to-video Children of the Corn 666: Isaac’s Return as Rachel Colby. (Oh, that sounds awful.) And she was in an Outer Limits episode, “Valerie 23”, as Rachel Rose. (CE)
  • Born June 24, 1961 Iain Glen, 59. Scots actor who played as Ser Jorah Mormont in Game of Thrones, he’s also  well known for his roles as Dr. Alexander Isaacs/Tyrant in the Resident Evil franchise; and he played the role of Father Octavian, leader of a sect of clerics who were on a mission against the Weeping Angels in “The Time of Angels” and “Flesh and Stone”, all Eleventh Doctor stories. (CE)
  • Born June 24, 1970 – Nicolas Fructus, age 50.  Recently, comics and storyboard art for animated films and video games.  Worked with Moebius, Philippe Druillet; founded Delcourt publishing house.  Here is a cover for Bifrost.  Here is one for Kij Johnson’s novella “The Dream-Quest of Vellitt Boe”.  Here is A Year in the Air.  [JH]
  • Born June 24, 1982 Lotte Verbeek, 38. You most likely know her as Ana Jarvis, the wife of Edwin Jarvis, who befriends Carter on Agent Carter. She got interesting genre history including being Geillis Duncan on the Outlander series, Helena in The Last Witch Hunter, Aisha in the dystopian political thriller Division 19 film and a deliberately undefined role in the now-concluded cross-world Counterpart series. (CE)
  • Born June 24, 1988 – Kasey Lansdale, age 32. Country music singer-songwriter who has been writing in our field with her father Joe Lansdale; six short stories with him, two alone; edited two anthologies, recently Impossible Monsters.  “Tremble” with JL was in Pop the Clutch from Dark Moon last year.   Website here.  [JH]
  • Born June 24, 1994 Nicole Muñoz, 26. You’ll perhaps best remember her for role as Christie Tarr (née McCawley) in the Defiance series. Her first role was playing a Little Girl in Fantastic Four. Likewise she was A Kid with Braces in The Last Mimzy, and yes, Another Girl, in Hardwired. The latter was written by Michael Hurst, and has apparently nothing to with the Walter Jon Williams novel of the same same. (CE) 

(8) COMICS SECTION.

(9) STICK WITH IT. USPS announced “New Stamps Celebrating Bugs Bunny’s 80th Birthday Coming Soon to a Post Office Near You”.

The U.S. Postal Service will issue commemorative Forever stamps celebrating Bugs Bunny’s 80th birthday. The Postal Service and Warner Bros. Consumer Products are excited to dedicate these stamps at a virtual ceremony on July 27, the 80th anniversary of Bugs Bunny’s official screen debut.

Bugs has always been known for his impeccable impersonations and his masterful masquerades, so the soon-to-be-revealed 10 designs on this pane of 20 stamps each showcase a costumed Bugs Bunny in some of his most memorable getups.

(10) A BIG IDEA. Rosamund Lannin is “Searching for Body Positivity in Fantasy” at Tor.com.

I remember the first time I encountered an attractive fat woman in a fantasy novel. My heart flipped a little as I read about a woman was for-real fat. She wasn’t your usual fictional overweight woman, either: there was no zaftig or curvy or voluptuous to be found near the Scientist’s Daughter in Haruki Murakami’s Hard-Boiled Wonderland and the End of the World. But she was definitely attractive. The narrator describes her as follows:

“A white scarf swirled around the collar of her chic pink suit. From the fullness of her earlobes dangled square gold earrings, glinting with every step she took. Actually, she moved quite lightly for her weight. She may have strapped herself into a girdle or other paraphernalia for maximum visual effect, but that didn’t alter the fact that her wiggle was tight and cute. In fact, it turned me on. She was my kind of chubby.”

(11) THE NEXT SHIFT. At The Mary Sue, Cree Myles advises: “If You Really Want to Unlearn Racism, Read Black Sci-Fi Authors”.

… Society generally views the science fiction genre as one of leisure. You read it because you have time, not because you want to learn something. However, this couldn’t be further from the truth. While all writers are charged with the task of creating a more empathetic society, science fiction writers have the additional burden of telling us what happens next.

Some of our best thinkers, and certainly our most comprehensive hopers, have been sci-fi writers. N.K. Jemisin has given us black female demigods who, despite their powers, still somehow suffer at the hands of an oppressive society. Octavia Butler has given us shapeshifters, time travelers, and voyagers who all had to react and survive under patriarchy and racism. Ursula K. Le Guin was creating entire non-binary societies … in the 1960s.

(12) IT’S IN THE OH! E. D. Ursula Vernon coins a word:

(13) BACK FROM THE FUTURE. “Segway: End of the road for the much-hyped two-wheeler”

Segway is ending production of its original two-wheeler, which was popular with city tour guides and some police forces – but not the public.

Launched in 2001, the much-hyped self-balancing vehicle promised to revolutionise personal transport.

The Segway, invented by US engineer Dean Kamen, debuted with much fanfare, but struggled to make a profit.

Accidents didn’t help with the Segway’s popularity, and the company was bought by Chinese rival Ninebot in 2015.

Made at a factory in New Hampshire, in the US, production of the Segway Personal Transporter will end on 15 July.

Announcing the news, Segway president Judy Cai said: “Within its first decade, the Segway PT became a staple in security and law enforcement, viewed as an effective and efficient personal vehicle.”

However, in the vehicle’s almost two decade-long history it has also been the subject of mockery and high-profile collisions as well as a tragic death.

(14) THE PASSENGER PIGEON OF VIDEO STORES. Atlas Obscura leads readers to something that’s the last of its kind: “Bend Blockbuster Video”.

In early summer of 2018, there were two Blockbusters left in Alaska and one in Oregon. The Alaska stores finally closed that summer, leaving the Bend store as the last one standing. National media attention soon followed and the Bend Blockbuster became a tourist site as well. And after the last Blockbuster Video in Australia closed in 2019, the Bend store became the only one left in the world. 

[Thanks to Microtherion, JJ, John Hertz, Lise Andreasen, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Michael Toman, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Amazon’s Best Books
of 2020 So Far

The 20 books picked by Amazon editors as “Best Books of 2020 so far” include works by sff authors Max Brooks, Suzanne Collins, N.K. Jemisin, and John Scalzi.

They also picked these 20 sff category books as Amazon’s Best science fiction and fantasy of 2020 so far:

  • The City We Became: A Novel by N. K. Jemisin
  • The House in the Cerulean Sea by TJ Klune
  • Network Effect: A Murderbot Novel by Martha Wells
  • Devolution: A Firsthand Account of the Rainier Sasquatch Massacre by Max Brooks
  • Bonds of Brass by Emily Skrutskie
  • The Ballad of Songbirds and Snakes by Suzanne Collins
  • The Obsidian Tower by Melissa Caruso
  • Legacy of Ash by Matthew Ward
  • Firewalkers by Adrian Tchaikovsky
  • The Night Country by Melissa Albert
  • The Book of Koli by M.R. Carey
  • Race the Sands by Sarah Beth Durst
  • Repo Virtual by Corey J. White
  • The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix
  • The Order of the Pure Moon Reflected in Water by Zen Cho
  • The House of Earth and Blood by Sarah J. Maas
  • A Longer Fall by Charlaine Harris
  • The Last Emperox by John Scalzi
  • Chosen Ones by Veronica Roth
  • Agency by William Gibson

DisCon III Hotel Waits
To Learn Fate

Employees of the Washington Marriott Wardman Park in Washington D.C., main venue of the 2021 Worldcon, have been notified of the hotel’s potential permanent closure. The facility has been shuttered since March due to the coronavirus outbreak.

Members of Local 25, the union representing hotel workers, told local ABC affiliate WTOP they were informed of the potential closure during Zoom calls held with more than 500 Wardman Park employees.

Marriott spokesperson Casey Kennett told a WTOP reporter:

Marriott International has provided advance notice to employees, government officials and union officials about a potential closure of the Washington Marriott Wardman Park.

The hotel has been temporarily closed since March. At this time, no decision has been made about the hotel’s future operation and reopening, as discussions are ongoing.

The 2021 Worldcon committee today posted a “Statement from DisCon III Regarding Marriott Wardman Park”:

DisCon III is aware of the news stories that have been published recently about the Marriott Wardman Park and we are monitoring the situation closely.  We are in contact with our salesperson at the hotel and other industry contacts, and are receiving updates. As the news stories made clear, there are ongoing discussions but no formal decisions have been made.

Just after winning the bid, DisCon III signed a contract with the Omni Shoreham for all of its function space and a significant majority of its hotel rooms.  This contract is not impacted by the discussions at the Marriott Wardman Park.

Throughout all of this, DisCon III remains committed and confident that we will host a fabulous Worldcon in Washington, DC next year, and we look forward to welcoming you.

The property was formerly the site of the Sheraton-Park Hotel, where the 1974 Worldcon was held. Sheraton replaced that structure with a modern brick tower and in 1980 reopened it as the Sheraton Washington Hotel. Marriott International took over management in 1998 and changed the name to the Washington Marriott Wardman Park.

If Marriott closes the hotel, there is always the possibility another chain might take it over. There would still be important questions about how soon it would resume operations, and what terms new management might require to host next summer’s Worldcon. Meanwhile, DisCon III has its space in the nearby Omni Shoreham.  

2020 McIlvanney Prize Longlist and Bloody Scotland Debut Shortlist Released

The Bloody Scotland festival on June 23 announced contenders for the two awards it hosts that celebrate Scottish noir, the McIlvanney Prize for the Scottish Crime Book of the Year, and the Bloody Scotland Debut Crime Book of the Year award.

Both awards are ordinarily handed out at the Bloody Scotland festival in Stirling, Scotland, which has been cancelled this year, however, the winners will be announced in September, the month when the festival would have taken place.

The McIlvanney Prize recognizes excellence in Scottish crime writing, and includes a prize of £1,000 and nationwide promotion in Waterstones.. Here is the McIlvanney Prize 2020 longlist:

McIlvanney Prize for the Scottish Crime Book of the Year Longlist

  • Lin Anderson, Time for the Dead (Macmillan)
  • Lisa Gray, Bad Memory (Thomas & Mercer)
  • Andrew James Greig, Whirligig (Fledgling)
  • Doug Johnstone, A Dark Matter (Orenda)
  • Val McDermid, How the Dead Speak (Little, Brown)
  • Ben McPherson, The Island (HarperCollins)
  • James Oswald, Bury Them Deep (Headline)
  • Ambrose Parry, The Art of Dying (Canongate) aka Chris Broomyre and Marisa Haetzman
  • Mary Paulson-Ellis, The Inheritance of Solomon Farthing (Mantle)
  • Caro Ramsay, The  Red, Red Snow (Severn House)
  • Craig Robertson, Watch Him Die (Simon & Schuster)
  • Francine Toon, Pine (Doubleday)

Bloody Scotland Debut Crime Book of the Year Shortlist

  • Deborah Masson, Hold Your Tongue (Transworld)
  • Stephen O’Rourke, The Crown Agent (Sandstone)
  • Marion Todd, See Them Run (Canelo)
  • Francine Toon, Pine (Doubleday)

Pixel Scroll 6/23/20 Nobody Would Have Come If I’d Yelled Chocolate

(1) ON THE DOUBLE. Connie Willis took a much-needed break from the news and devised this recommendation list: “Books And Movies: Doubling Your Pleasure”.

Okay, the world continues to go mad, with Covid-19, racism, and social injustice rampant. (Tonight, for instance, they’re tear-gassing people in D.C. again, coronavirus cases in Arizona are spiking, and two megachurch conmen are claiming they’ve invented a new air conditioning that kills 99.9 per cent of the virus. Note: They haven’t.)

I spend most of my days yelling and/or screaming at the TV and obsessing about how nuts everything is and how many things need to be fixed, and today’s no exception, but some of the time, just to keep a tenuous hold on our sanity, my family and I try to think about stuff that has nothing to do with the mayhem around us. To that end, my husband quilts, my daughter does the Getty Art Challenge, I read Agatha Christie mysteries, and together my daughter and I make up lists of favorite books and movies.

We thought you might need to take a mental break occasionally, too, so we’re sharing this, but I don’t want you to think that we’re not still VERY AWARE of how much is wrong and how much we need to do to rescue the world from its current messes.

So, in that spirit…

My daughter Cord and I had so much fun coming up with our lists of books that we reread over and over again, that we decided to put together another list, this one of movies and books that you should definitely read and/or watch….

For example:

5. BOOK: SENSE AND SENSIBILITY by Jane Austen
MOVIE: SENSE AND SENSIBILITY (with Emma Thompson, Kate Winslet, and Hugh Grant)

It’s impossible to improve on Jane Austen, but Emma Thompson almost pulls it off in her brilliant script for the 1995 movie, SENSE AND SENSIBILITY. She got rid of a bunch of extraneous characters and equally extraneous scenes and made the younger sister Margaret (a mere cipher in the novel) into a charming and fully-developed character who by the end was my favorite: “He’s kneeling down!”

(2) IGNORE THOSE CLICKBAIT WEBSITES. That’s what George R.R. Martin says. He means the other ones, not mine, I’m sure. Even if I am also linking to his Winds of Winter progress report. Because we all want to know!

…If nothing else, the enforced isolation [of the pandemic] has helped me write.   I am spending long hours every day on THE WINDS OF WINTER, and making steady progress.   I finished a new chapter yesterday, another one three days ago, another one the previous week.   But no, this does not mean that the book will be finished tomorrow or published next week.   It’s going to be a huge book, and I still have a long way to go.   Please do not give any credence to any of the click-bait websites that like to parse every word of my posts as if they were papal encyclicals to divine hidden meanings.

… Of late I have been visiting with Cersei, Asha, Tyrion, Ser Barristan, and Areo Hotah.   I will be dropping back into Braavos next week.    I have bad days, which get me down, and good days, which lift me up, but all in all I am pleased with the way things are doing.

I do wish they would go faster, of course.   Way way back in 1999, when I was deep in the writing of A STORM OF SWORDS, I was averaging about 150 pages of manuscript a month.   I fear I shall never recapture that pace again.   Looking back, I am not sure how I did it then.    

George is also preparing to participate in the virtual Worldcon.

…I still plan to host the Hugo Awards and fulfill all the rest of my toastmasterly duties for worldcon, and have started pre-recording some bits for the ceremony (a wise precaution, since I am hopeless with Zoom and Skype and like things), but that is a lot less time-consuming and distracting than flying to the other end of the world.   In between tapings, I return to Westeros.  

(3) DOCTORS IN THE HOUSE. SYFY Wire lets you “Watch Jodie Whittaker & David Tennant Judge Stay-At-Home Doctor Who Cosplay Challenge”.

Some inventive Doctor Who fans — and Nate — showed off their costume-making talents to the world, with The Doctors themselves assessing the results. 

The Late Late Show host and former Who cast member James Corden put out a call to Doctor Who fans to compete in a cosplay challenge where they would have some 24 hours to create a costume from the show “using only objects from around their homes.” This is, in fact, keeping with the tradition of the classic series, which has often been teased for its wobbly sets and very low-budget aesthetic. (Seriously, some of the creatures were clearly made from bubble wrap.)  

James Corden also did an interview segment with the two actors.

(4) A KIND OF REALITY. Leslie Klinger, who has annotated Gaiman’s American Gods, is the subject of a LitHub Q&A. “American Gods has a new annotated version with a Sherlockian twist.”

Aaron Robertson: I enjoyed the tongue-in-cheek, poetic quality of the annotations. I wonder if you have any literary influences of your own with those?

Leslie Klinger: The big “literary influence” on me is the best Sherlockian scholarship, written by hundreds of amateur scholars who love the world of Holmes and Doyle. Dorothy Sayers famously explained how Sherlockians approach the stories in their scholarship: “The rule of the game is that it must be played as solemnly as a county cricket match at Lord’s; the slightest touch of extravagance or burlesque ruins the atmosphere.”

I have carried that approach—the Sherlockian “game”—over to other books that I’ve annotated, pretending (or “pretending”) that the stories are true and analyzing them from a biographical/historical perspective. Could the character have really done that? Are the historical aspects presented true or made up?

Neil—no mean Sherlockian himself—is especially adept at weaving reality into his fiction. I discovered that in detail in the course of annotating Gaiman’s Sandman and so fully expected to find a wealth of historical underpinnings here.

(5) THE LADY IN THE MOON. “‘Over the Moon’ Cast and Filmmakers Debut Trailer, Discuss Animated Musical” in Variety.

…Actors Sandra OhPhillipa SooJohn Cho, Ruthie Ann Miles and newcomer Cathy Ang joined producers Gennie Rim and Peilin Chou, along with director Glen Keane, to discuss the making of the movie, a musical adventure about a young Chinese girl named Fei Fei (Ang), who builds her own rocket ship to travel to the moon in order to prove the existence of the legendary Moon goddess Chang’e (Soo). 

Soo, a Tony Award nominee for her work in “Hamilton,” noted that she has known about the story of Chang’e since childhood, through a children’s book written by Amy Tan. “I remember as a kid, asking my dad to read it over and over and over to me. Because I was just obsessed with this idea of the moon lady,” Soo said. “And when I was asked to play her, I was of course honored because it’s so infrequent that I’m being asked to play specifically Chinese characters. And also even more rare that I get to be in a film with incredible Asian actors who are surrounding me. So when I read the script and they invited me to come join them to create this beautiful story, I was, of course, immediately on board and so excited.”

(6) AGENT DROPS KRUEGER DUE TO ALLEGATIONS. Publishers Lunch reported today:

Agent DongWon Song announced that he was dropping Filipino-American fantasy author Paul Krueger as a client after allegations were made on Twitter that Krueger had harassed multiple women in publishing, although the specifics of the complaints available on that platform were unclear and mostly second-hand. Krueger posted a vague apology but has since deleted his Twitter account, and one person who publicly accused Krueger subsequently made her account private. DongWon said in his tweet, “I have terminated my professional relationship with Paul Krueger. This was a difficult decision to make but it is the right one.” He referred to “new information coming to light” in the past week and said he had “spoken to several people directly impacted by Paul’s behavior,” later adding, “Thank you to those of you who spoke up. That took courage and I am grateful to you all.”

(7) YOU THINK YOU HAVE TOO MANY BOOKS? “12 million books and a cherry-picker: Graduate Trainee visit to the Bodleian Storage Facility” — a Bodleian Libraries weblog invites you to see the BSF lift in action. You’ll wish one would fit in your home library!

… So how do you store 12.5 million books — and not only books, but maps, manuscripts, microfilms, periodicals and newspapers too? By 2009, the New Bodleian (which had 11 floors of space) as well as facilities at Nuneham Courtenay and a salt mine in Cheshire (yes, really) were at capacity. Costing approximately £25 million, and involving the biggest book-move in the Bodleian’s history (6.5 million items!), the BSF needed some serious storage. As we entered the main warehouse, it became clear that they really pulled it off.

… The BSF is huge. Its shelves are 11 metres high and over 70 metres long. Before the automatic lights kick in, the narrow aisles seem to converge into darkness. We wore high-visibility jackets to alert staff driving the book-retrieval vehicles to our presence. A cross between a cherry-picker and a forklift, these vehicles are configured to fit exactly between the shelves, allowing staff to retrieve an impressive average of one book per minute. Although I personally wouldn’t like to be 11 metres up in the air, Boyd assured us it’s a very safe operation!

(8) MEDIA BIRTHDAY.

  • June 23, 1983 Twilight Zone: The Movie premiered. It was produced by Steven Spielberg and John Landis who says they conceived it as a cinematic interpretation of the 1959–1964 TV series at created by Rod Serling. The film stars Vic Morrow, Scatman Crothers, Kathleen Quinlan, and John Lithgow, with Dan Aykroyd and Albert Brooks in the prologue segment. Burgess Meredith took over as Host, the position of Rod Serling, in the series. So how did it fare? Critics were generally lukewarm, although some like as New York Times‘ media critic Vincent Canby, who called the movie a “flabby, mini-minded behemoth” were almost angry. The audience reviewers at Rotten Tomatoes give it a 54% rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 23, 1945 Eileen Gunn, 75. Her story “Coming to Terms” based on her friendship with Avram Davidson won the Nebula Award for Best Short Story. Her stories are in Stable Strategies and OthersSteampunk Quartet and Questionable Practices. With L. Timmel Duchamp, she penned The WisCon Chronicles, Vol. 2: Provocative Essays on Feminism, Race, Revolution, and the Future. (CE)
  • Born June 23, 1946 Ted Shackelford, 74. He’s mostly remembered as Lieutenant Patrick Brogan on Space Precinct which lasted a single season of thirty-four episodes. It was created and produced by Gerry Anderson. It combined live action, full-body prosthetics, puppetry, and Supermacromation techniques. The writing crew likewise was huge — thirty-seven are listed at IMDB. Likewise the cast was immense, Ted Shackelford, Simone Bendix, Lou Hirsch and Richard James who a cast of thirty-seven actors according ISFDB! He had the usual one-offs in Alfred Hitchcock PresentsThe Twilight ZoneDeadman’s Gun and The Outer Limits. (CE) 
  • Born June 23, 1951 Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. (CE) 
  • Born June 23, 1953 Russell Mulcahy, 67. You’ll likely remember him as directing Highlander, but he was responsible also for Highlander II: The Quickening, but disowned it after the completion-bond company meddled with production. He would later release this film as Highlander II: The Renegade Version. He also directed several episodes of The HungerOn The BeachPerversions of Science and Tales from The Crypt. (CE)
  • Born June 23, 1963 Cixin Liu, 57. He won a Hugo Award for The Three-Body Problem and a Locus Award for Death’s End. He also a nine-time recipient of the Galaxy Award, China’s SFF awards. Anyone got a clue what’s going on with the alleged Amazon production of The Three-Body Problem as a film? (CE)
  • Born June 23, 1972 Selma Blair, 48. Liz Sherman in Hellboy and Hellboy II: The Golden Army. She voiced the character also in the animated Hellboy: Sword of Storms and Hellboy: Blood and Iron as well. She’s Stevie Wayne in The Fog, a slasher film a few years later and was Cyane on the “Lifeblood” episode of Xena: Warrior Princess. Later on, she’d be Jessica Harris in the “Infestation” episode of Lost in Space. (CE)
  • Born June 23, 2000 Caitlin Blackwood, 20. She was the young Amelia Pond in these Doctor Who episodes; “The Eleventh Hour”, “The Big Bang”, “Let’s Kill Hitler”, and “The God Complex”, and had a cameo in “The Angels Take Manhattan”.  She’s the cousin of Karen Gillan who plays the adult Pond. No idea how she was cast in the role but it was brilliantly inspired!  (CE)
  • Born June 23, 1896  – Paul Orban.  His first sale was a watercolor at age 14 for $5 – about $135 in money of 2020.  Fifty years later he had done a dozen covers, some fourteen hundred interiors.  Brian Aldiss said he expressed “perennial things – unending quests, great aspirations, long farewells, and a welcoming pair of arms on the far side of light.”  Here is a cover for Astounding magazine.  Here is a cover for Marooned on Mars.  Here is an interior for The World of Null-A.  Here is an interior for Norman Menasco’s “Trigger Tale”.  (Died 1974) [JH]
  • Born June 23, 1931 – Nancy Share. With her sister Marie-Louise Share produced the fanzine Hodge-Podge for SAPS (the Spectator Amateur Press Society); with Larry Touzinsky, Fan To See (she was Art Director) which had contributions and letters from Robert Bloch, Terry Carr, Harlan Ellison, Juanita Wellons (later J. Coulson).  When Wrai Ballard wrote Non-Poetry that poetry-haters might like, NS countered with Am-So Poetry.  After the revelations of Ghu, Foo (or Foofoo), and Roscoe, NS proclaimed Ignatz.  She married Art Rapp, the first Rosconian.  (Died 2002) [JH]
  • Born June 23, 1937 – Richard Curtis, age 83.  Edited the anthology Future Tense; audio anthology Best of Science Fiction and Fantasy; wrote Squirm, a movie novelization; a few shorter stories.  Best known as a literary agent; contributed “Agent’s Corner” to Locus 1980-1992, collected as Mastering the Business of Writing (rev. 1996).  [JH]
  • Born June 23, 1947 – Mark Olson, F.N., age 73 Active Boston fan; has been President and Treasurer of both NESFA (New England SF Ass’n) and MCFI (Massachusetts Convention Fandom, Inc., which has produced three Worldcons, four Smofcons).  Chaired Boskone 23 and Noreascon 3 (47th Worldcon).  Fan Guest of Honor at ArmadilloCon 9, Minicon 34, WindyCon 33. Fellow of NESFA, a service honor.  Active with fanhistory Website fanac.org (fanac fan activity; FANAC = Florida Ass’n for Nucleation And Conventions ran the 50th Worldcon, then started the Website); oversees Fancyclopedia 3.  Fanzine, The Typo Machein.  [JH]
  • Born June 23, 1967– Tommy Ferguson, age 53.  Founded the Queen’s University of Belfast Science Fiction & Fantasy Society.  Lived in Belfast, Toronto, Belfast.  Long-time fanzine Tommyworld – TF beat Claire Brialey, Tom Digby, Mike Glyer, Cheryl Morgan, Ted White, and me for Best Fanwriter in the 1998 FAAn (Fan Activity Achievement) Awards – now a Website.  [JH]
  • Born June 23, 1981 – Ertaç Altinöz, age 39.  Digital artist (his name actually uses a dotless-i character which in Turkish stands for a sound different from i, but the software won’t show it).  Here is a cover for Clarkesworld 49.  Here is Shireen Baratheon teaching Ser Davos to read.  Here is “The Pointy End”, which for me recalls Princess Langwidere in Ozma of Oz.  [JH]

(10) FREE COMIC BOOK SUMMER. The revived event will last the summer, with 45 titles for readers to choose from. “Free Comic Book Day Changed to Weekly Event Lasting All Summer” reports Comicbook.com.

After being officially cancelled earlier this year due to the ongoing coronavirus pandemic, Free Comic Book Day is back! Though usually scheduled for the first Saturday in May each year, Diamond Comic Distributors have announced the event will take place in comic shops around the country with brand new free comics every week starting in July and running through September. Due to the length of the event now, it’s being rebranded as Free Comic Book Summer for this year. Retailers will receive five to six Free Comic Book Day (FCBD) titles in their weekly shipments during each week of the promotional window, the full slate of which you can find below.

“Every year, Free Comic Book Day is our big event to thank current comics fans, welcome back former fans and invite those new to comics to join the fun,” said Joe Field, originator of FCBD, and owner of Flying Colors Comics in Concord, CA. “In this very different year, Free Comic Book Day is more like Free Comic Book Summer… and there’s so much fun to discover in this year’s FCBD comics! So many cool stories are available for this stretched-out Free Comic Book Day 2020. I’m confident long-time fans and newcomers alike are going to find a story that’ll make them want to visit their local comic shop every week! Fans, bring your friends and family and head to your local comic shop every week starting July 15 through September 9 to check out the new, and fantastic, free comics available that week!”

(11) A RECORD NO ONE WANTS TO SURPASS. Rob Hansen has added a section on the 1970 UK Eastercon to his THEN fanhistory website, with photos and links to audiofiles.

SCI-CON the 1970 UK National Science Fiction Convention took place over the weekend of Friday, 27th March to Monday, 30th March. It was held in London at the Royal Hotel, Russell Square (located a hundred yards or so from Russell Square Underground station). It’s widely regarded as being the worst Eastercon ever held.

Well, I guess that’s frank enough!

Bill Burns’ Prologue gives immediate hints about why things didn’t go well.

…At the Oxford Eastercon in 1969, George Hay proposed with his then-usual enthusiasm that the 1970 convention should be held in London – without having done any prep work on finding a hotel (or indeed on anything else). In the absence of any other bids, George was awarded the con. At the time he was also starting something called “The Environmental Consortium” with an office in central London, whose aims were never quite clear to me, but which an on-line reference notes was one of George’s organisations to promote “applied science fiction”.

Despite winning the bid, George had no hotel, no committee, and no idea how to run a con. Derek Stokes and I looked at each other in dismay, and volunteered for the committee in the hope of steering the con at least partially along traditional lines, but George had his own agenda and couldn’t be restrained….

(12) HAMILTON. Some inside baseball about the Disney+ release of Hamilton.

(13) MIND THE GAP. Yahoo! News reports “‘Black neutron star’ discovery changes astronomy”.

Scientists have discovered an astronomical object that has never been observed before.

It is more massive than collapsed stars, known as “neutron stars”, but has less mass than black holes.

Such “black neutron stars” were not thought possible and will mean ideas for how neutron stars and black holes form will need to be rethought.

The discovery was made by an international team using gravitational wave detectors in the US and Italy.

(14) CATCH ‘EM ALL. Peel a Woodrow Wilson from your money roll and this could be yours: “Ultra rare Pokemon card expected to fetch up to $100,000”.

An extremely rare Pokemon card, thought to be one of only seven ever produced, is up for auction online and experts said it could sell for up to $100,000.

The Pokemon Super Secret Battle No. 1 Trainer card, being sold by Heritage Auctions, is billed by the auction house as the “holy grail” of collectible cards and its condition was rated a perfect 10 by experts at PSA Card.

(15) TURNING OVER NEW ROCKS. Now that a large number of exoplanets are known, NASA is chipping in some bucks toward SETI. From USA Today, via Yahoo! — “Scientists are searching the universe for signs of alien civilizations: ‘Now we know where to look'”.

For the first time in more than three decades, research scientists have received grant money from NASA to search for intelligent life in outer space.

Specifically, the [$278K, 2 year ] grant will provide funding for a project to search for signs of life via “technosignatures.”

Grant recipient Avi Loeb of Harvard is quoted as saying:

“Such signatures might include industrial pollution of atmospheres, city lights, photovoltaic cells (solar panels), megastructures or swarms of satellites.”

Anogher grantee, Adam Frank (University of Rochester) said:

“The Search for Extraterrestrial Intelligence has always faced the challenge of figuring out where to look. Which stars do you point your telescope at and look for signals? Now we know where to look. We have thousands of exoplanets including planets in the habitable zone where life can form. The game has changed.”

(16) TUBULAR. “Nasa Mars rover: Key questions about Perseverance” – BBC has the answers.

On 20 July, Nasa will get its first opportunity to launch the Perseverance rover to Mars. Here, we answer some common questions about the mission.

What will the rover do?

The Perseverance rover will land on Mars to search out signs of past microbial life, if it ever existed. It will be the first Nasa mission to hunt directly for these “biosignatures” since the Viking missions in the 1970s.

The rover will collect samples of rock and soil, encase them in tubes, and leave them on the planet’s surface for return to Earth at a future date. Perseverance will also study Martian geology and test out a way for future astronauts to produce oxygen for breathing and fuel from CO2 in the atmosphere.

In addition, a drone-like helicopter will be deployed to demonstrate the first powered flight on Mars. Perseverance will explore Mars’ Jezero Crater for at least one Martian year (about 687 Earth days).

(17) PETAFLOPSWEAT. The U.S. is nudged out of first place. “Japanese supercomputer, crowned world’s fastest, is fighting coronavirus”.

The newly crowned world’s fastest supercomputer is being deployed in the fight against the coronavirus.

Japan’s Fugaku supercomputer claimed the top spot on Monday, carrying out 2.8 times more calculations per second than an IBM machine in the US.

The US machine, called Summit, came top of the bi-annual Top500 list the previous four times.

Fugaku’s victory broke a long run of US-China dominance, returning Japan to the top for the first time in 11 years.

Top500 ranks the world’s most powerful non-distributed computer systems.

Fugaku has already been put to work on fighting the coronavirus, simulating how droplets would spread in office spaces with partitions installed or in packed trains with the windows open.

When it is fully operational next year, experts are hoping the machine will also be able to help narrow down the search for effective treatments for the virus.

The room-sized machine lives in the city of Kobe and was developed over six years by Japanese technology firm Fujitsu and the government-backed Riken Institute. Its name is another way of saying Mount Fuji.

Its performance was measured at 415.53 petaflops, 2.8 times faster than second-place Summit’s 148.6 petaflops. The US machine is housed at the Oak Ridge National Laboratory in Tennessee. A supercomputer is classified by being more than 1,000 times faster than a regular computer.

(18) SWIPER, NO SWIPING. Not as attention-grabbing as politics, but with long-term consequences: “Facebook bans ‘loot-to-order’ antiquities trade”.

Facebook has banned users trading in historical artefacts on the site.

It follows a campaign by academic researchers and an investigation by BBC News, exposing how items looted from Iraq and Syria were sold on Facebook.

One expert welcomed the move but said for anything to change, Facebook should invest in “teams of experts to identify and remove networks rather than playing whack-a-mole with individual posts”.

Facebook says all trade in ancient artefacts is banned on its platforms.

(19) PLAIN GOOFY. The Screen Junkies continue their look at older movies with their “Honest Trailer” on A Goofy Movie.

[Thanks to Chip Hitchcock, JJ, Martin Morse Wooster, N., Cat Eldridge, John Hertz, Mike Kennedy, Michael Toman, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Dramatic Presentation Watch:
The Clone Wars

Introduction: This is the first in an occasional series of recommendation posts spotlighting potential contenders for the 2021 Best Dramatic Long/Short Form Hugo categories (and possibly Graphic Story later).

By N.

DRAMATIC PRESENTATION WATCH: Star Wars: The Clone Wars: “Old Friends Not Forgotten”/”The Phantom Apprentice”/”Shattered”/”Victory and Death” (Long Form)

The final chapter of The Clone Wars happens over the course of 4 interconnected episodes. Ahsoka Tano finally returns to the Jedi order, reuniting with her master (and best friend) Anakin Skywalker. This reunion is short-lived when General Grievous attacks Coruscant…or rather, when the events of “Revenge of the Sith” kick into gear. What follows is a tragedy, as Ahsoka experienced Order 66 firsthand and the Clone Wars meet a harrowing end, to say little of what becomes of her friend…

Star Wars, to this writer, is a funny franchise. Its introduction to the global public in the 1970s no doubt shaped the course of moviemaking, further popularizing both the American blockbuster and clear-eyed, spectacular genre filmmaking, becoming a merchandising behemoth in the process (Holiday Specials notwithstanding). The following two entries of the trilogy served to further cement its legacy as not just a beloved piece of SF/F but a key part of pop culture, period.

And yet…something happened to Star Wars. George Lucas came back to direct the “Prequel Trilogy,” charting the fall of series villain Darth Vader from his rise as Jedi Anakin Skywalker, premiered in 1999 and concluded in 2005 to initial befuddlement that evolved into anger and mockery. This past decade saw the “Sequel Trilogy,” set after the original trilogy, which attempted to both invoke nostalgia for the original movies and recontextualize their binary view on good vs. evil in a 21st-century light. This resulted in an entry that heavily called back to “A New Hope” only to dissipate from the public consciousness, a highly polarizing entry, and an entry that tried to please everyone and pleased few. Connected to the “Sequel Trilogy” was a larger pushback from those fed up with Star Wars – fed up with the heavy marketing, the discourse that came with these new movies, and the extremely vocal fans.

The supplemental material of Star Wars, however, has always seemed to be better received than the later main entries. The dearly-departed Extended Universe greatly expanded the world of Star Wars, unlocking its potential and firing-up the imaginations of fans and writers, many of whom would wind up working on Star Wars properties themselves. Rogue One and Solo: A Star Wars Story both got resounding mehs, but the Disney+ series The Mandalorian holds rave reviews. There’s a disconnect here between these examples and the main movies; the Original Trilogy, as much as Empire Strikes Back elevated it, was still largely an exercise in invoking the old serials of Lucas’ youth mixed with an Akira Kurosawa-inspired 70’s brat mentality; the actual worldbuilding was incidental (A New Hope, in particular, has that “making this all up on the fly” feel to it.) The more popular the franchise became, the greater the urge to dig into the world became. Ultimately, this was largely to the greater series’ detriment; Like the later Sequel Trilogy, Lucas was attempting to do things with the prequels, both deconstructing the Jedi as a wholly just force and maintaining the series’ fun sensibility. If there’s a trend here, it’s that while works on the sidelines of Star Wars can explore its world with ease, main entries that attempt this seem to always stumble into poor critical receptions, arguably because that was never the intention of the series in the first place.

This writer himself was never big into Star Wars, and still, admittedly, feels a detachment from the franchise. It seems like a series one has to watch at a formative age to feeI a special attachment to; me, I was born a year before Phantom Menace came out and never watched any of the movies as a kid. The only piece of Star Wars media I watched was, coincidence, Clone Wars—not the 2003 miniseries, but this Clone Wars. I remember when the series first premiered in film form and was lambasted, coming fresh off the heels of the prequels and seeming to overturn the beloved miniseries in favor of a kiddie Saturday morning cartoon feel. Seven seasons and a jump to Netflix and Disney+ later, that’s been proven to not be the case. Dave Filoni and collaborators used that supplemental freedom to do what the prequels were unable to do; flesh out the world, flesh out characters that had previously been afterthoughts, and to give credence to the notion of moral ambiguity in the world of Star Wars

That plays out in this 4-part finale, where the already strong storytelling is bolstered by the dramatic irony of how ROTS plays out Ahsoka Tano went from an “annoying add-on” to one of the most beloved Star Wars characters ever; seeing the events from her perspective, as well as from the perspective of the Clones that audiences had come to love over the course of seven seasons, end the series on a sobering note of sublimity.

I had not seen Clone Wars since middle school, so (possibly unavoidably with Star Wars) I felt a hint of nostalgia while watching these episodes. Detached as they are from the rest of the season, they stand alone (though not apart from each other). Due to the cohesive storytelling and combined length, if they’re to be considered for the Hugo Awards, it really has to be for Long Form. Television has always had a spotty history in the category (only a few shows, only in their first seasons), so asking voters to look at what amounts to an arc might be a high order. But, speaking as someone who isn’t really into Star Wars, this set of episodes is worth it.

Pixel Scroll 6/22/20 Come Pixel Round Filers, Wherever You Scroll, And Admit That The Word Counts Around You Have Grown

(1) FOR ALL MANKIND. There’s a lot of information available about Season 2 of Apple TV+’s alternate history of the space race For All Mankind – only I didn’t locate a release date.

Take a guided tour of For All Mankind’s first lunar base. Former Astronaut and technical advisor Garrett Reisman helps show us around Jamestown.

Collider interviewed series creator Ronald D. Moore.

One of my favorite shows on any streaming service is the Apple TV+ series For All Mankind. Created by Ronald D. Moore (who previously developed the Battlestar Galactica reboot), the series takes place in an alternate history where the global space race of the 1960’s never ended. In this alt timeline, the Soviet Union landed on the Moon first and we follow NASA as they try and catch up while also dealing with the changing times. Loaded with fantastic performances, incredible production design, and an honest depiction of the space race, I strongly recommend watching the first season when you get the chance.

(2) BETTING ON RESNICK. Alex Shvartsman did a cover reveal for Mike Resnick’s The Hex Is In: The Fast Life and Fantastic Times of Harry the Book. Cover art by Túlio Brito. See it at the link.

From boxing matches to dragon races to elections, there’s no wager Harry won’t cover—so long as the odds are right.

Harry the Book operates out of a Manhattan bar booth, with his personal wizard and his zombie bodyguard close at hand. He’ll dope out the odds on any sort of contest, even if that gets him into a heap of trouble.

The book will be out in August, but you can order eARCs immediately at the link.

(3) ROTHFUSS TEAMS WITH ONE SHOT PODCAST. Patrick Rothfuss will partner with One Shot Podcast, releasing new episodes every Monday through July 27, for an actual play miniseries set in The Kingkiller Chronicles’ world of Temerant.

One Shot is a weekly actual play podcast that explores different role playing systems with self contained One Shot stories. A rotating cast of improvisers, game designers, and other notable nerds show off the variety and diversity in RPGs run a new game every month.

The multi-performer audio production will feature original music by Arne Parrott and sound design by Casey Toney (NeoScum, Campaign Skyjacks, Hey Riddle Riddle.) Performers include Patrick Rothfuss himself alongside Satine Phoenix (Gilding Light, GMTips) Liz Anderson (Campaign: Skyjacks, Jackbox Games, Contributor at The Onion), Bee Zelda (The Broadswords), and Gamemaster James D’Amato (One Shot, Campaign: Skyjacks). 

While new to his readers, this is not the first time Rothfuss has roleplayed Temerant. In the years before the publication of The Name of the Wind, he fleshed out the world and tested ideas in private games he would run for friends and family.

“Long before I ever tried to write a novel, I made characters and built worlds for roleplaying games,” says Rothfuss. “Telling stories like this will give me a chance to show off corners of my world that don’t appear in my novels, and it’s playful and collaborative in a way that I really miss. Most importantly, these are stories that will let people spend time in my world sooner rather than later, while they’re waiting for the next book to come out.” 

Rothfuss and D’Amato set their first Temerant story at The University, following students who find themselves at loose ends at the end of the term: juggling financial responsibilities, personal relationships, and their hopes for the future. 

“It’s a college road trip movie,” said D’Amato. “For our first adventure, I wanted to look to the left of Kvothe’s rougeish heroics to see what else we can learn about Temerant.”

“I had such fun,” said Rothfuss. “It’s the first time I’ve ever PLAYED a game in my world instead of running it. I got to share details about the culture and magic I’ve never talked about before. I loved making characters and seeing where our shared story took us. I’ll admit, it wasn’t at all what I anticipated….” 

(4) THE SCALZI FENESTRATION. John Scalzi’s “The Hugo Window” takes off from an observation in Camestros Felapton’s recent post “Back to Flint”.

… Camestros Felapton blog, as part of a more general examination about who wins and/or is a finalist for Hugo Awards, and when they win them (and when they stop winning them, if they do indeed ever start winning them). The proprietor of the blog essentially argues that for every writer there is a Hugo window, during which they and their work are both popular enough and new enough to draw attention. But sooner or later that window closes.

I come up because I’m used as an example:

“I am not saying John Scalzi will never win another Hugo Award but I don’t expect him to even though I think he’ll be writing good, entertaining sci-fi for many years. This is not because he’s not sufficiently left-wing for current Hugo voters but because we’ve read lots of John Scalzi now and sort of know what to expect.”

It’s not about me, it’s about my Hugo window.

And do I think this is correct? Sort of, yes! And also sort of not….

And Scalzi goes on to develop the thinking behind his answer.

(5) DO YOU KNOW THE WAY. James Davis Nicoll finds “Five SFF Stories That Prove You Can Never Go Home Again” at Tor.com.

To quote Princess Leia, sometimes you cannot go home again. Why this might be varies from story to story… Perhaps home is unrecognizable, or has vanished entirely. Perhaps you yourself have been changed and can no longer fit in as you did in the past. Whatever the reason behind this particular experience of alienation, it is fodder for engaging stories. You might enjoy these five examples.

(6) DEATHSTAR WARMED OVER. You have until June 25 to bid on “”Star Wars” 20” x 16” Photo Signed by 23 of the Cast — Many With Personal Notes Such as Carrie Fisher Writing ”I know…Did you?” — With Becket COA for All Signatures” at Nate D. Sanders Auctions.

Visually powerful 20” x 16” photo of the second Death Star from ”Star Wars”, signed by 23 of the cast, many of whom write their character name or a playful note such as Carrie Fisher’s, ”I know…Did you?” All autographs are penned in silver felt-tip, showing excellent contrast against the black and silver photo. With Beckett COA for all signatures, including: Harrison Ford, Mark Hamill, Carrie Fisher, Peter Mayhew, Jeremy Bulloch, Dave Prowse, Gary Kurtz, Kenny Baker, Anthony Daniels, Paul Blake and Billy Dee Williams. Photo is framed with a ”Star Wars” plaque to a size of 27.625” x 26.75”. Near fine condition.

(7) SCHUMACHER OBIT. Batman Forever director Joel Schumacher died June 22.Variety paid tribute: “Joel Schumacher, Director of Batman Films and ‘Lost Boys,’ Dies at 80”.

Joel Schumacher, costume designer-turned-director of films including “St. Elmo’s Fire,” “The Lost Boys” and “Falling Down,” as well as two “Batman” films, died in New York City on Monday morning after a year-long battle with cancer. He was 80.

… Schumacher’s second and last film in the franchise was 1997’s “Batman and Robin,” with George Clooney as Batman and Arnold Schwarzenegger as villain Mr. Freeze. For “Batman Forever,” the openly gay Schumacher introduced nipples to the costumes worn by Batman and Robin, leaning into the longstanding latent homoeroticism between the two characters. (In 2006, Clooney told Barbara Walters that he had played Batman as gay.)

(8) MEDIA BIRTHDAY.

  • June 22, 1979 Alien premiered. It would win the Hugo for Best Dramatic Presentation at Noreascon Two (which had Robert Silverberg as Toast Master). Released by  20th Century Fox, it was directed by Ridley Scott.  Screenplay was by Dan O’Bannon based on the story by Dan O’Bannon and Ronald Shusett.  It starred Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The Alien and its accompanying objects were designed by the Swiss artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the more mundane settings. Jerry Goldsmith was the composer. Critics loved the film, it did a great box office and the audience reviewers at Rotten Tomatoes give it a stellar 94% rating. (CE)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 22, 1856 – Sir Henry Rider Haggard.  Most famous for King Solomon’s Mines introducing Allan Quatermain, and She introducing Ayesha (yes, that’s She Who Must Be Obeyed); fifty more novels, some about him, her, or both; twenty shorter stories; translated into Dutch, Finnish, French, Galician, German, Italian, Portuguese, Serbian, Spanish.  Had 100 letters in The Times.  (Died 1925) [JH]
  • Born June 22, 1900 – Leo Margulies. Sometimes called the Giant of the Pulps, partly because he was physically short, partly because (it is said) he at one time edited 46 of them, including Captain FutureStartlingStrangeThrilling Wonder; later Fantastic Universe and Satellite.  With Oscar Friend, co-edited My Best SF StoryFrom Off This WorldThe Giant Anthology of SF.  First reviver of Weird Tales, 1973.  By his nephew, Leo Margulies (P. Sherman, 2017).  (Died 1975) [JH]
  • Born June 22, 1927 – Lima de Freitas.  Ceramicist, illustrator, painter, writer.  Officer of the Order of Merit (France); Order of St. James of the Sword (Portugal).  A hundred eighty covers for us; here is Fahrenheit 451here is The War Against the Rullhere is Foundation and Empire.  (Died 1998) [JH]
  • Born June 22, 1936 Kris Kristofferson, 84. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium, which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistler in Blade and Blade II, a meaty undertaking indeed! Lastly, he voiced Karubi in Planet of the Apes. (CE)
  • Born June 22, 1947 – Octavia Butler.  Fourteen novels, nine shorter stories, two Hugos.  Translated into Bulgarian, Croatian, Dutch, French, German, Italian, Japanese, Portuguese, Spanish.  Guest of Honor at WisCon 4, OryCon V, LTUE 7 (Life, the Universe, and Everything), Eastercon 48, Lunacon 41, Balticon 34, Rustycon 21; Parable of the Sower was Book of Honor at Potlatch 17.  U.S. Air Force Academy Special Achievement Award.  MacArthur Fellowship (first SF author to receive this).  Solstice Award.  (Died 2006) [JH]
  • Born June 22, 1949 – John-Henri Holmberg.  Critic, editor, fan, translator.  Co-edited Science Fiction Forum.  Started first SF bookstore in Sweden.  Co-chaired Stockon 5 & 6.  Reporter for Science Fiction Chronicle.  Published Fandom Harvest.  European SF Award for Nova magazine.  Fan Activity Achievement (FAAn) Award for “Worldcon Kaleidoscope” (Trap Door 34).  Big Heart Award.  Guest of Honor at Swecon 14 (33rd Eurocon), at 75th Worldcon (Helsinki, 2017).  [JH]
  • Born June 22, 1949 Meryl Streep, 71. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it. (CE) 
  • Born June 22, 1953 Cyndi Lauper, 67. Ok, I’m officially old as I’m thinking of her as always young. Genre wise, she played a psychic, Avalon Harmonia, on the Bones series. She also has one-offs in series as diverse as The Super Mario Bros. Super Show!Shelley Duvall’s Mother Goose Rock ‘n’ Rhyme and Happily Ever After: Fairy Tales for Every Child. Oddly enough she has one serious acting credit, Jenny (Ginny Jenny/Low-Dive Jenny) in Bertolt Brecht’s The Threepenny Opera. (CE)
  • Born June 22, 1958 Bruce Campbell, 62. Where to start? Well, let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked just as much The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. (CE) 
  • Born June 22, 1971 Laila Rouass, 49. She was Sarah Page, an Egyptologist on Primeval, a series I highly recommend if you’ve not seen it. She played Colonel Tia Karim, a traitorous UNIT officer in the two part “Death of The Doctor” on The Sarah Jane Adventures. This story was the last to feature Sarah Jane Smith and the Doctor, The Eleventh here, together onscreen. Jo Grant would also show up. (CE)
  • Born June 22, 1973 Ian Tregillis, 47. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a rather good serial fiction anthology (if that’s the proper term) and he’s got another series, The Alchemy Wars, I need to check out.  (CE)
  • Born June 22, 1958 – Johanna Sinisalo.  Eight novels; forty shorter stories, two dozen for us; three anthologies, notably The Dedalus Book of Finnish Fantasy (i.e. in English); also comics, television; translated into English, French, German. Tiptree Award (as it then was).  Seven Atorox Awards.  Finlandia Prize. Guest of Honor at Worldcon 75.  [JH]
  • Born June 22, 1984 – Robert Bennett.  Nine novels, four shorter stories; translated into Bulgarian, Czech, French, German, Hungarian, Latvian, Polish, Romanian, Russian, Turkish.  Interview in Clarkesworld 64.  Two Shirley Jackson awards.  His Website is here.  [JH]

(10) COMICS SECTION.

(11) DIFFICULT QUIZ OF THE DAY. A Buzzfeed contributor throws down a challenge: “I Will Be Seriously Impressed If You Can Figure Out Whether These Are “Star Trek” Compounds Or Skincare Ingredients”. I scored 9 out of 20. Which earned me the Picard facepalm. Do better.

(12) MODDING UP. “My Kid Could Do That” by Elvia Wilk on the N Plus One magazine blog is a sf short story about augmented reality.

Today 60 percent of the American population, according to recent reports, possesses a database implant that allows a range of augments to be downloaded directly into the brain. The artificial intelligence can allow a person, for example, with no chiseling experience the ability to create a lifelike wooden sculpture. While there are no reliable statistics within the art world, a recent anonymous survey of working artists in New York City under 40 reported an above-average augmentation rate compared with the general population.

(13) JEMISIN ONLINE. N. K. Jemisin discussed her latest novel, The City We Became, with sociopolitical comedian W. Kamau Bell during a live virtual event held by the New York Public Library earlier this month. The video is now available.

(14) IF YOU CAN MAKE IT THERE. “Review: The City We Became by N K Jemisin” at Camestros Felapton.

…If you are immediately thinking of Neil Gaiman’s Neverwhere, then that’s not unreasonable but whereas Gaiman’s London is narrow, weird, convoluted and Victorian, Jemisin’s New York is loud, colourful and in your face. Whereas Neverwhere is a rabbit warren of a mystery, The City We Became owes more to superheroes, a genre that is as New York as they come. I can’t claim Jemisin has grasped that same sense of place as Gaiman did with London because I don’t know New York except through it’s own fictional depictions but it feels like it does.

The superhero comparison is not a shallow one. This is very much a story about a group of New Yorkers who each gain unique powers and who must find a way to fight a supernatural evil…

(15) FOR THE RECORD. [Item by Rob Thornton.] As the wheel turns and progressive rock begins to make a comeback once more, evidently the extravagant extra-long science fiction concept album must also return, as seen in this Bandcamp Daily review: “Neptunian Maximalism, ‘Éons’”

At 123 minutes and—in its physical form—three CDs long, Éons, the new album from Belgium’s Neptunian Maximalism, is unquestionably a massive work. Even so, the size and scale of the project—formed in 2018 by multi-instrumentalist Guillaume Cazalet and saxophonist Jean-Jacques Duerinckx—never feels unnecessary or extravagant as this aptly named collective uses the healthy runtime to explore heavy psych, tribal rhythms, free-jazz freakouts, meditative drone and the vast, shadowy spaces in between. Arriving in the wake of a four-song EP and a largely improvised live album that hinted at Neptunian Maximalism’s ambition, Éons fully delivers on those early promises. The sonic epic not only gives the band plenty of room to roam, but also follows a conceptual framework that imagines the end of Earth’s human-dominated anthropocene era and the onset of a ‘probocene’ era, in which the planet is ruled by superior, intelligent elephants.

(16) THE MIDDLE. [Item by Cat Eldridge.] Well it’s not The Monolith from that film… Atlas Obscura visits “The Center of Santa Clara Valley”.

ALONG COYOTE CREEK ON A far-flung San JoseCalifornia trail, a mysterious plaque sits next to a bike path. At first glance, it appears to be entirely covered in ones and zeroes. But from a different angle, the words “Santa Clara Valley” are faintly visible, etched beneath the numbers.

The reason for the plaque’s strange location is that it marks the geographical center of the Santa Clara Valley, which may be more familiar by its other moniker: Silicon Valley. The numbers, as it happens, spell out three words in binary. 

(17) IN A HOLE IN THE GROUND. “Stonehenge: Neolithic monument found near sacred site” reports BBC.

A ring of large shafts discovered near Stonehenge form the largest prehistoric monument ever discovered in Britain, archaeologists believe.

Tests carried out on the pits suggest they were excavated by Neolithic people more than 4,500 years ago.

Experts believe the 20 or more shafts may have served as a boundary to a sacred area connected to the henge.

“The size of the shafts and circuit is without precedent in the UK,” said Prof Vince Gaffney, a lead researcher.

The 1.2 mile-wide (2km) circle of large shafts measuring more than 10m (30ft) in diameter and 5m (15ft) in depth are significantly larger than any comparable prehistoric monument in Britain.

(18) INCLUSIVE. “Is this the most accessible game ever?”

The first time Steve Saylor fired up the hotly-anticipated new game The Last of Us Part II, he burst into tears.

“Y’all don’t even know how much…” he says between sobs in his video of the moment, which has now had nearly half a million views.

“I’m sorry. I don’t even know what to say.”

Steve is legally blind, and was looking at the overwhelming accessibility options menu.

Courtney Craven, editor of accessibility-focused gaming site Can I Play That, is hard of hearing and has some motor-control issues, and had a similar reaction.

“The first thing I did upon launching [the game] for the first time was FaceTime a friend and cry,” she says.

The game has already been dubbed “the most accessible game ever”.

It has more than 60 different accessibility settings, allowing an unprecedented level of customisation and fine-tuning.

Every button can be changed, and one-handed control schemes are available by default.

Players like Courtney can turn on direction arrows on subtitles to indicate where the sound is coming from; players like Steve can outline characters and enemies in vivid colours.

(19) ROLL ‘EM IF YOU GOT ‘EM. NPR declares “The Latest Pandemic Shortage: Coins Are The New Toilet Paper”.

Just as supplies of toilet paper are finally getting back to normal, the coronavirus has triggered another shortage of something we typically take for granted: pocket change.

Banks around the U.S. are running low on nickels, dimes, quarters and even pennies. And the Federal Reserve, which supplies banks, has been forced to ration scarce supplies.

“It was just a surprise,” said Gay Dempsey, who runs the Bank of Lincoln County in Tennessee, when she learned of the rationing order. “Nobody was expecting it.”

Dempsey’s bank typically dispenses 400 to 500 rolls of pennies each week. Under the rationing order, her allotment was cut down to just 100 rolls, with similar cutbacks in nickels, dimes and quarters.

That spells trouble for Dempsey’s business customers, who need the coins to stock cash registers all around Lincoln County, Tenn.

“You think about all your grocery stores and convenience stores and a lot of people that still operate with cash,” Dempsey said. “They have to have that just to make change.”

…The U.S. Mint produced fewer coins than usual this spring in an effort to protect employees from infection. But the larger problem — as with many other pandemic shortages — is distribution.

During the lockdown, many automatic coin-sorting machines that people typically use to cash in loose change were off-limits. And with many businesses closed, unused coins piled up in darkened cash drawers, in pants pockets and on nightstands, even as banks went begging.

“The flow of coins through the economy … kind of stopped,” Powell said.

(20) VIDEO OF THE DAY. “Neil Gaiman on ‘Game of Thrones,’ Favorite Words, and Tattoos” on YouTube is a 2015 interview with WNYC where Gaiman explains that, given a choice between living in Game of Thrones or Lord of The RIngs, he’d choose a world with better plumbing.

[Thanks to JJ, Cat Eldridge, Michael Toman, Andrew Porter, Olav Rokne, John King Tarpinian, John Hertz, Mike Kennedy, Martin Morse Wooster, Darrah Chavey, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

CoNZealand 2022 Site Selection Payments Available

The advance membership tokens required for voters in the 2022 Worldcon Site Selection can now be purchased through the CoNZeland website

Full information about buying tokens and guidelines for voting in 2022 Site Selection are available at the link. The deadline for CoNZealand to receive postal mailed ballots is July 13, and the deadline for email ballots is July 29 at 12:00n New Zealand time.

Whether you vote by mail or online, you must pay an Advance Supporting Membership (Voting) Fee of NZ$72 to vote in the 2022 Worldcon site selection. Payment may only be made via the information on the CoNZealand website, using your credit card. No checks or cash will be accepted by mail. Voters must purchase their site selection token before July 29 for their ballot to be counted. 

Foundation Teaser Trailer

Apple TV+ has dropped a teaser trailer for its adaptation of Asimov’s series, Foundation.

Based on the award-winning novels by Isaac Asimov, Foundation chronicles a band of exiles on their monumental journey to save humanity and rebuild civilization amid the fall of the Galactic Empire: https://apple.co/_Foundation Foundation stars SAG Award-winner and Emmy-nominee Jared Harris as Hari Seldon; Lee Pace as Brother Day; Lou Llobell as Gaal; Leah Harvey as Salvor; Laura Birn as Demerzel; Terrence Mann as Brother Dusk; and Cassian Bilton as play Brother Dawn.