Pixel Scroll 5/19/23 I’m Still Big; It’s The Pixels That Got Small

(1) EXPECT HUGO BALLOT IN “EARLY JUNE”. The Chengdu Worldcon committee today told Facebook readers when to look for the 2023 Hugo ballot:

The 2023 Chengdu Worldcon Hugo Awards nomination was officially closed on April 30th, and the shortlist will be out early June. Big thank you to all members who spent your valuable time to make the nominations.

(2) TAKE TWO. Cass Morris was very sorry to hear that Disney is closing the Galactic Starcruiser. And not for any abstract reasons – she was planning to go next year. However, the attraction’s inability to stay in business prompted Morris to embark on a vast thought experiment about the kind of Disney Star Wars immersive hotel experience which could work, and her results are quite entertaining. “Galactic Travels” at Scribendi.

…Unfortunately, while this news is terribly sad, it’s also not wholly unexpected. The Starcruiser has had trouble ever since it opened. The high price point, unusual conceit, and level of fannish commitment required for full enjoyment seem to have kept it operating at low capacity.

So, last night as I was nursing my sadness about probably never getting to go, I started thinking… 

If I were going to design a Star Wars hotel for Disney World, one that might stand a better chance of succeeding… what would I do?…

(3) MINDFULNESS ABOUT VIRTUAL GOHS. Oghenechovwe Donald Ekpeki has an idea for using virtual cons in a progressive way – involving international, disabled, and otherwise nontraveling creators — which he has shared with Facebook readers:

…Something I learnt along the way, from my first con I participated in, was that virtual cons are important. Having people of diverse backgrounds & voices be able to attend, contribute to the general pool of knowledge & discussions. I believe diversity, multiple viewpoints and experiences taking into account, people working together, will solve many world problems, including the recent AI scourge of the arts. twitter.com/Penprince_/sta

Sure, running virtual components isnt always possible. Funding, the tech issues, etc. It’s understandable when cons can’t have them. But when they do have them, it’s imperative, almost compulsory they have both virtual attendees and guests of honour like CanConSF & ICFA did. It gives a platform to allow people with the experience and expertise to contribute on a larger scale to genre development and history, the change to. As ICFA guest of honour, the first ever African born, Black writer to be, I created the genre #Afropantheology, which I believe hope, & plan will contribute and richly influence genre & storytelling generally. The GoH platform was very helpful in that. …

(4) IT’S BIG. Max Gladstone tells how his vacation was interrupted by word about the apotheosis of his writing career in “Big Bigolas Energy” at The Third Place.

…It unfolded for me in fits and starts, and almost out of order, as one would expect of a book about time travel.

While we were in transit, a friend who often texts us about Time War sitings in the wilds of social media sent my partner a screenshot of The Bigolas Tweet, which at that time had 12,000 likes.

I thought, how wonderful! Nice note to start the vacation. And also: what a great screen name. My brain was in vacation mode already, so I didn’t think about the numbers too much. As I’ve been told many times, Twitter Doesn’t Sell Books. 

Later that evening, Amal (that’s my New York Times Bestselling co-author Amal El-Mohtar, to be clear, though at this point we were neither of us New York Times Bestselling co-authors) sent me a screenshot of the same tweet; the numbers were much bigger (Bigolas-er?). I thought: wow! It’s really taking off. But still: Twitter Doesn’t Sell Books.

As they say: lol….

(5) INNOCENT BYSTANDER. Google Bard, another of these AI language models, has somehow managed to pull Nnedi Okorafor into the latest row about BasedCon.

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on mahi mahi with L. Marie Wood in Episode 198 of the Eating the Fantastic podcast.

L. Marie Wood

I knew L. Marie Wood for a decade or more before I learned at the last in-person Balticon before the pandemic that we’re basically neighbors, but never knew it. So after an earlier lunch during which we tried to figure out how we’ve somehow managed to avoid each other all these years, we got together at Brix 27 in downtown Martinsburg, West Virginia so I could learn more about who she is and how she came to be.

L. Marie Wood is a writer of psychological horror, supernatural suspense, and dark fiction of all kinds who’s been a professionally published writer for 20 years, ever since her first novel Crescendo and first short story “The Dance” were published in 2003. Her novels since then include The Promise KeeperCacophonyAccursed, and others, plus multiple short story collections, including Anathema and Phantasma. She’s also a screenwriter who’s a three-time winner of Best Horror Screenplay at the NOVA International Film Festival, Best Psychological Horror Short Script at Hollywood Horrorfest, and on and on. Her most recent publications are the novel The Open Book, accompanied by the related short story collection The Tales of Time, which contains the short stories being read by — and feared by — the characters in that first book.

We discussed the way she began her writing career selling poetry in parking lots, our differing experiences with hand selling our own books, the fears which keep horror writers up at night, the many misconceptions she had about the writing life back when he began, the uncomfortable novella she wrote when she was five, what our parents made of our horrific scribblings, the ever-present problem of dealing with rejection, our mutual love of pantsing, what should become of our papers, and much more.

(7) WHEN THEY WERE THE FUTURE. Fanac.org has posted video of a panel from this year’s Eastercon: “Conversation 2023 – The Third Row w/ John Coxon, Niall Harrison, Emily January & Abigail Nussbaum”.

At the 2023 Eastercon (Conversation), Guest of Honor Niall Harrison, and fellow “Third Row” fans John Coxon, Emily January and Abigail Nussbaum sat down for a discussion on the future of fandom (circa 2004). 

Moderated by Meg MacDonald,  the panel hilariously tells the story of Third Row Fandom, named and brought into being accidentally by Greg Pickersgill during a “Future of Fandom” panel at the 2004 Eastercon. 

Themselves dubbed “the future of fandom” by Greg, the fans seated in the third row at that panel have made good on the title, pulling others into their orbit and having an outsized influence on science fiction and science fiction fandom over the last 20 years.

Illustrated with powerpoint slides to map out their impact, this fascinating panel tells the story of a cohort of young fans maturing into movers and shakers in the field, as writers, reviewers, editors, award judges and convention organizers.

Many thanks to Conversation 2023 for providing this recording, and particularly to Alison Scott for her assistance.

(8) WORRA Q&A. The Horror Writers Association blog continues its series: “Asian Heritage in Horror: Interview with Bryan Thao Worra”.

What inspired you to start writing? 

These days I think a poet has a thousand beginnings. Sometimes I trace it back to an old encyclopedia with gorgons and dinosaurs, another, a 3rd-grade role-playing game almost no one remembers. Others it feels like an unrequited crush on a classmate, a fortune teller’s prediction about me shared to my grandmother, a ghost in an attic, or just the absence of seeing stories like my own in the news, in movies and novels, and especially poetry. Each moment was liberating in its own way….

(9) KNOW YOUR CONTRACT. “Editing Clauses in Publishing Contracts: What to Watch For” — Victoria Strauss issues warnings at Writer Beware.

Editing Clauses of Concern

Here’s an example of an editing clause that should be a dealbreaker (this and other clauses quoted below are taken from actual contracts in my possession):

“Publisher shall have the right to edit and revise the Work for any and all uses contemplated under this Agreement.”

What’s missing here? Any obligation on the publisher’s part to seek your approval before making the edits and revisions–or even allow you to see them before publication. A clause like this enables the publisher to edit at will without consulting or even informing you, and, if you do have the opportunity to see the edits, to unilaterally reject your concerns. If you sign a contract with this kind of language, you are at the mercy of the publisher and its editors. You shouldn’t be surprised if the publisher takes advantage of it.

(10) SPFBO 9. Right now Mark Lawrence’s Self-Published Fantasy Blog-Off judges are picking their favorite covers from among the 300 entrants. See them here: “SPFBO 9 – The Cover Contest!”

(11) MEMORY LANE.

1996[Compiled by Cat Eldridge.]

Mary Doria Russell’s The Sparrow is one of those novels that treats the Catholic Church with respect and is also a true SF novel at the same time, a very neat trick indeed. 

It was published by Villard twenty seven years ago, and was honored with an Arthur C. Clarke Award, the Otherwise Award, and a BSFA Award. It has a sequel, Children of God, published two years afterwards.

The Sparrow has one of the most perfect Beginnings I’ve ever read which you can see below if by any slim chance you’ve not read it yet. 

It was predictable, in hindsight. Everything about the history of the Society of Jesus bespoke deft and efficient action, exploration and research. During what Europeans were pleased to call the Age of Discovery, Jesuit priests were never more than a year or two behind the men who made initial contact with previously unknown peoples; indeed, Jesuits were often the vanguard of exploration. 

The United Nations required years to come to a decision that the Society of Jesus reached in ten days. In New York, diplomats debated long and hard, with many recesses and tablings of the issue, whether and why human resources should be expended in an attempt to contact the world that would become known as Rakhat when there were so many pressing needs on Earth. In Rome, the questions were not whether or why but how soon the mission could be attempted and whom to send. 

The Society asked leave of no temporal government. It acted on its own principles, with its own assets, on Papal authority. The mission to Rakhat was undertaken not so much secretly as privately—a fine distinction but one that the Society felt no compulsion to explain or justify when the news broke several years later. 

The Jesuit scientists went to learn, not to proselytize. They went so that they might come to know and love God’s other children. They went for the reason Jesuits have always gone to the farthest frontiers of human exploration. They went ad majorem Dei gloriam: for the greater glory of God. 

They meant no harm.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 19, 1937 Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer but his first named role was being Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh, and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.)
  • Born May 19, 1944 Peter Mayhew. Chewbacca from the beginning to The Force Awakens before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight.  Can we say he earned a Hugo at IguanaCon II? I know I’m stretching it there. (Died 2019.)
  • Born May 19, 1946 Andre the Giant. Fezzik in The Princess Bride, one of my all-time favorite films. Also, an uncredited role as Dagoth in Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. He died of cardiac arrest, not at all surprising given his size and weight of over five hundred pounds. (Died 1993.)
  • Born May 19, 1948 Grace Jones, 75. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last several genre roles to date were Christoph/Christine in Wolf Girl, and Death aka The Devil in Gutterdammerung, a film that also featured Henry Rollins, Slash and Iggy Pop! 
  • Born May 19, 1966 Jodi Picoult, 57. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder).  She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. Her latest work though marketed as a mainstream novel, Between the Lines Musical, is actually genre.
  • Born May 19, 1966 Polly Walker, 57. She appeared in Syfy’s Caprica, Sanctuary and Warehouse 13, as well as performing voice work in John Carter.
  • Born May 19, 1996 Sarah Grey, 27. Before DC Universe cast the present Stargirl in Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes.  The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not seen her as Alyssa Drake in The Order but I’ve heard Good Things about that series.

(13) COMICS SECTION.

  • Speed Bump shows even the ultimate Creator needs prompts.
  • The Far Side, on the other hand, shares an idea about Hell.  
  • The Far Side also imagined how this Star Trek personality would spend his time in Hell.

(14) KAIJU IN TRANSLATION. Never before available in English it says here. Now’s your chance to read the original Godzilla stories: “Godzilla and Godzilla Raids Again” coming from the University of Minnesota Press in October 2023.

The first English translations of the original novellas about the iconic kaijū Godzilla

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Shigeru Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

(15) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published Imaginary Papers, Issue 14, their latest quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

 In this issue, medievalist and SF writer Erin K. Wagner writes about C. S. Lewis’ science fiction novel That Hideous Strength, communication studies scholar and SF writer Jenna N. Hanchey considers the Africanfuturist film Neptune Frost, and we offer a brief reflection on the new essay collection Ex Marginalia, edited by Chinelo Onwualu.

(16) WHERE THE SKELETONS ARE. Ranker takes up “The Story of Theodore Rex, The Bizarre Whoopi Goldberg Dinosaur Film”.

Theodore Rex, the weirdest of weird ’90s movies, is a $33 million direct-to-video buddy cop movie starring Whoopi Goldberg and a wisecracking dinosaur. (Take as much time as you need to wrap your brain around that sentence. We understand.)

Theodore Rex wasn’t an attempt to tie into the dino-fever that swept the nation’s youth in the early ’90s; it was a genuine attempt at making a gritty sci-fi film about a detective and her dinosaur partner. That’s right. Legendary EGOT-winner Whoopi Goldberg and a Talking Man-Sized Dinosaur teamed up for a cop film and they demanded to be taken seriously. (The 90s were a very strange time.)

Even though the film is a complete nightmare, things behind the scenes of Theodore Rex were much worse. As weird as it sounds, we can’t stress this enough: nobody had fun on this Whoopi Goldberg/Dinosaur joint.

Ranker’s first little-known fact is –

Whoopi Goldberg Was Forced By Law To Be In This Movie

Whoopi Goldberg did, at one time, want to be in Theodore Rex and agreed to play the lead for $5 million and a share of the profits, but she quickly changed her mind and tried to back out (good instincts, Whoopi!). Goldberg had to learn the hard way that it’s just not that easy to simply walk away from expensive movies starring talking dinosaurs (a lesson we all could learn from). Because she had agreed to do the movie, the producers sued her for $20 million when she tried to back out. After an answering machine recording of Goldberg surfaced where she said she was “100% committed” to the project, she was forced to choose between appearing in the film or paying out the nose for a dinosaur detective movie that she agreed to appear in. There’s a famous saying in Hollywood: “The only thing worse than appearing in a terrible dinosaur movie is paying $20 million NOT to appear in a terrible dinosaur movie,” so Whoopi opted to appear in the terrible dinosaur movie.

(17) CASE SOLVED? “Who Stole Dorothy’s Ruby Slippers? A Minnesota Man Is Charged.” reports the New York Times.

A Minnesota man has been indicted on charges that he stole a pair of the famed ruby slippers worn by Judy Garland in “The Wizard of Oz” from the Judy Garland Museum in Grand Rapids, Minn., the actress’s hometown, nearly 18 years ago.

The red-sequined pumps were recovered in a sting operation that ended in Minneapolis in 2018, but the authorities said at the time that their investigation was continuing and they did not name any suspects.

On Tuesday, a federal indictment in U.S. District Court for the District of Minnesota charged Terry Jon Martin of Minnesota with stealing an authentic pair of the slippers, which officials estimated have a market value of $3.5 million, from the museum sometime between Aug. 27 and Aug. 28 of 2005. Mr. Martin was indicted on one count of theft of a major artwork….

Interesting – I recently corresponded with someone from this museum. They’re always looking for things related to cousin Judy, and I’m told some of my other cousins may be making donations. (I have nothing, myself, and never met her.)

(18) AU REVOIR. Deadline has posted a list of what’s being pulled: “Disney To Remove Dozens Of Series, Including ‘Big Shot’, ‘Willow’, ‘Y’ & ‘Dollface’”.

Big Shot [Disney+]
Turner & Hooch [Disney+]
The Mysterious Benedict Society [Disney+]
The Mighty Ducks: Game Changers [Disney+]
Willow [Disney+]
The Making Of Willow [Disney+]
Diary of a Future President [Disney+]
Just Beyond [Disney+]
The World According to Jeff Goldblum [Disney+]
Marvel’s Project Hero [Disney+]
Marvel’s MPower [Disney+]
Marvel’s Voices Rising: The Music of Wakanda Forever [Disney+]
Cheaper by the Dozen remake [Disney+]
The One and Only Ivan [Disney+]
Stargirl [Disney+]
Artemis Fowl [Disney+]
The Princess [Disney+]
Encore! [Disney+]
A Spark Story [Disney+]
Black Beauty [Disney+]
Clouds [Disney+]
America the Beautiful [Disney+]
Better Nate Than Ever [Disney+]
Weird but True! [Disney+]
Timmy Failure [Disney+]
Be Our Chef [Disney+]
Magic Camp [Disney+]
Howard [Disney+]
Earth to Ned [Disney+]
Foodtastic [Disney+]
Stuntman [Disney+]
Disney Fairy Tale Weddings [Disney+]
Wolfgang [Disney+]
It’s a Dog’s Life with Bill Farmer [Disney+]
The Real Right Stuff [Disney+]
The Big Fib [Disney+]
Rogue Trip [Disney+]
More Than Robots [Disney+]
Shop Class [Disney+]
Pick the Litter [Disney+]
Own the Room [Disney+]
Among the Stars [Disney+]
Harmonious Live! [Disney+]
Pentatonix: Around the World for the Holidays [Disney+]
Y: The Last Man [FX/Hulu]
Pistol [FX/Hulu]
Little Demon [FX/Hulu]
Maggie [Hulu]
Dollface [Hulu]
The Hot Zone [Nat Geo/Hulu]
The Premise [Hulu]
Love in the Time of Corona [Hulu]
Everything’s Trash [Hulu]
Best in Snow [Hulu]
Best in Dough [Hulu]
Darby and the Dead [Hulu]
The Quest [Hulu]
Rosaline [Hulu]

(19) DISORIENTING. Steven Heller interviews Hungarian artist István Orosz in “Illusions From a Visual Magician” at Print Magazine. Includes a gallery of images like the one below.

What you see is never what you really see. It is neither real nor surreal, it is art—the result of precision drafting and intricate mathematical logic. Hungarian illustrator, animated film director and poster artist István Orosz basks in the mystique of his ambitious visual contortions, implausible objects and incredible optical illusions. He is a visual punster on the highest plane who is happiest when making confounding images and anamorphoses relying on forced perspective that echo, not coincidentally, his famous mathematics teacher (and inventor of the Rubik’s cube) Ernő Rubif….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Joey Eschrich, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/20/23 But You Gotta Make Your Own Kind Of Pixel, Scroll Your Own Special Scroll

(1) PRO TIPS. With in-person cons resuming throughout fandom, Cass Morris has advice for “Giving Good Panel” in her latest newsletter.

Practice (and tailor) your introduction

Introducing yourself at the start of the panel isn’t the time to go into your full CV or publication history. It’s not even the time to recite your full 100 word bio that’s printed in the program.

A good formula? “Hi, I’m [name], I’m the author of [most recent publication or series] and [something else relevant to your writing career]. I’m also [whatever your day job is, or if you don’t have one, mention a hobby].”

Then, if there’s anything particularly relevant to the panel I’m on, I’ll mention that. I tend not to go into my background as a Shakespeare scholar, for instance, because that’s usually not directly relevant — but at RavenCon last April, it was! I was on a panel called “Elements of the Fantastic in Shakespeare,” so it was good to establish my credibility to speak on that particular topic.

Keep the intro to your book or series brief — an apposition, just a short phrase. “I’m the author of the Aven Cycle, historical fantasy set in an alternate ancient Rome” or even just “I’m the author of epic fantasy series the Aven Cycle.”…

(2) X CORP. No, not X-corps (a Heinlein reference). X Corp is the successor to Twitter, Inc. — which “no longer exists.” Slate reports “Twitter Isn’t A Company Anymore”.

In a court filing on Tuesday, April 4, Twitter Inc. quietly revealed a major development: It no longer exists. The company is currently being sued by right-wing provocateur Laura Loomer, who accused it of violating federal racketeering laws when it banned her account in 2019. Loomer has a Twitter account again, and her absurd lawsuit is bound to fail—but until it does, Twitter, as a defendant, must continue to submit corporate disclosure statements to the court. And so, in its most recent filing, the company provided notice that “Twitter, Inc. has been merged into X Corp. and no longer exists.” As the “successor in interest” to Twitter Inc.—that is, the survivor of the merger—X Corp. is now the defendant in Loomer’s suit. Its parent corporation is identified as X Holdings Corp.

(3) BATTLEGROUND LIBRARY. “When the Culture Wars Come for the Public Library” in The New Yorker.

…On a spring day in 2019, Ellie Newell, the youth-services librarian at the main branch, in a historic post office in downtown Kalispell, hosted a special story time for a visiting class of preschoolers. Newell was raised by librarians and had taken the job straight out of graduate school, drawn to Flathead’s reputation for “doing cutting-edge library stuff.” Several years earlier, the library had rebranded to adopt a new name and logo, as well as an updated, possibly foolhardy mission. The Flathead County Library System became the ImagineIF Libraries and set out to use technology and interactive programs to bring together far-flung residents of the county. This new approach earned ImagineIF a John Cotton Dana Award (the equivalent of a library Oscar) and the title of State Library of the Year.

Like most children’s librarians, Newell did a lot of story times and kept a stack of read-aloud books on her desk. She considered it important to mix things up: some books with animals, some with people; some classics, some new releases. At the top of Newell’s pile that day was “Prince & Knight,” a fairy-tale picture book published in 2018. The story features a charismatic dragon, but no lady who wins a warrior’s heart. The romance instead unfolds between the titular prince (a man) and knight (also a man). Newell thought the book was sweet: a bit edgy in its gayness, but still chaste and traditional, culminating in marriage. Her calendar didn’t show any special book requests or even the name of the visiting school, so she grabbed “Prince & Knight” off her desk and went out to read it. She opened her eyes wide behind her glasses and swivelled to connect with every member of her audience. The children giggled and clapped. But, at the end of the reading, their teacher looked upset.

The class had come from a Catholic school, and, a few days later, the teacher wrote to the Daily Inter Lake, a local newspaper, saying how “shocked and grieved” she was by the presentation of a book about “homosexual marriage.” She argued that “such a controversial topic” should not be introduced to “innocent children.”…

…During the pandemic, Flathead became the fastest-growing county in the state, thanks in part to new migration. The arrivals were split between lovers of the outdoors (of various political persuasions) and people in search of a Trumpian refuge from urban ills. The responses to the “Prince & Knight” reading tracked with the county’s divergent politics. Was the story time a sign of open-mindedness or proof that the library was promoting “all these alternative lifestyles,” as one Kalispell man wrote to the Inter Lake? The Catholic schoolteacher filed a formal challenge to “Prince & Knight,” seeking its removal from ImagineIF’s collection. The library director, Connie Behe, recommended that the book be retained because the work as a whole conformed to ImagineIF standards. The final decision was up to the library’s five-member board of trustees….

(4) THEY’VE COME FOR WODEHOUSE! [Item by Dann.] Word minders have come to claim another author.  P.G. Wodehouse. “Penguin Removes ‘Unacceptable’ Words from P. G. Wodehouse Novels, Adds Trigger Warnings for ‘Outdated’ Language” reports National Review. Penguin Random House has edited the works of P.G. Wodehouse to remove “unacceptable” prose. Right Ho, Jeeves and Thank You, Jeeves have both been adjusted.

…The warning on the opening pages of the 2023 reissue of Thank You, Jeeves reads: “Please be aware that this book was published in the 1930s and contains language, themes and characterisations which you may find outdated. In the present edition we have sought to edit, minimally, words that we regard as unacceptable to present-day readers.”

The NR article goes on to state that the changes do not affect the story itself. The 2022 edition of Right Ho, Jeeves has also been edited and features the same disclaimer.

Wodehouse, who died in 1975, is known for authoring over 90 books, his oeuvre often hailed as the funniest in the English language. The Jeeves stories follow the idle upper-class gentleman Bertie Wooster and his resourceful valet Reginald Jeeves. The stories served as the basis for the well-known British comedy Jeeves and Wooster, which starred Stephen Fry and Hugh Laurie. The show was broadcast on ITV in the 1990s.

Racial terminology has been removed throughout the novels. A racial term used to describe a “minstrel of the old school” has been removed in Right Ho, Jeeves. In Thank You, Jeeves, whose plot hinges on the performance of a minstrel troupe, numerous terms have been removed or altered, both in the dialogue between characters and from the first-person narration of Bertie Wooster.

Economics author and Washington Post columnist Megan McArdle has declared that she is abandoning the purchase of classics on Kindle as a result.

Another National Review article has declared such efforts to be the work of a “cabal of history vandals” that bear a strong resemblance to the clueless elites that populate Wodehouse’s works. “The Literature Vandals Don’t Know When to Stop”.

It is an impossible coincidence that the people endorsing retroactive edits to the works of P. G. Wodehouse are the very types of thickheaded dilettantes Wodehouse spent most of his 90 years lampooning.

Other, one presumes more faithful, electronic editions are available via Project Gutenberg and Archive,org.

(5) LANSDALE’S TIPS. The Horror Writers Association blog brings us “Nuts and Bolts: Writing Tips From Master of Horror Joe R. Lansdale”.

On writing action sequences and fight scenes:

“I’m not proud of it,” Joe R. Lansdale said in a recent phone interview, “but I’ve been in a lot of fights. You start to learn what’s real and what isn’t.”

He draws on his background as a martial artist, bouncer, and bodyguard from a rough part of East Texas when writing his fight scenes. Most real fights are over fast, he said, and it’s possible to reflect that in your writing while still giving them impact.

“I always think less is more,” he said. “To make it seem like you’ve given a lot of description, but you haven’t. You’ve chosen the right words. You have to write like a cinematographer. I’ve always found that the greatest thing outside experience is stopping and thinking about it from an observational standpoint. The more you do it, the more you’re able to envision that action sequence.”

For action sequences, he recommends short sentences and paragraphs. Another way of injecting a sense of immediacy is to give it a stream-of-consciousness structure, as in: “I spin and dodge his fist, then hit him with …” 

“Some people will say that’s a run-on sentence,” he said. “It isn’t, if it’s done right.”

(6) OF INTEREST TO TOLKIEN AND SFF SCHOLARS. Robin A. Reid has assembled a list of hybrid and virtual conferences of interest to those working in Tolkien studies. The first edition is available at “The Online Conference Project”.

After seeing outstanding presentations at the 2021-22 Virtual PCA conferences by a significant number of Tolkien scholars who had never been able to attend the f2f PCA in the past, and who will not be able to attend future f2f PCA conferences because of the various barriers, I started the Online Conference Project.

My goal is to collect and share information about conferences that are either hybrid (meaning allowing for both virtual and in-person presentations and attendance) or virtual (meaning completely online), especially those of interest to those of us working in Tolkien studies and fantasy/speculative fiction studies generally

… In the list below, I provide basic information: conference name/theme, organization or institution organizing it; proposal submission deadline; delivery mode (hybrid, meaning an online track added to a f2f conference; or virtual, meaning entirely online); registration fee (if available); dates of conference…

(7) SUMMER IN NYC WILL FEATURE BUTLER THEMED OPERA. “Lincoln Center Revives Summer for the City, Hoping to Draw New Fans” – the New York Times says an Octavia Butler-inspired opera will be one of the offerings.  

Lincoln Center will bring back its Summer for the City festival this year, the organization announced on Monday, continuing its efforts to attract new audiences by embracing a wide variety of genres, including pop and classical music, social dance and comedy.

An opera based on Octavia E. Butler’s novel “Parable of the Sower,” by the folk and blues musician Toshi Reagon and the composer Bernice Johnson Reagon, will get its New York City premiere at Geffen Hall on July 14.

John Mansfield in 2015. Photo taken by and (c) Andrew Porter.

(8) PAST WORLDCON CHAIR DIES. John Mansfield, chair of the 1994 Worldcon in Winnipeg, died April 19. He was to be fan guest of honor at this year’s NASFiC, Pemmi-Con, also in Winnipeg.

Mansfield co-founded the Ontario Science Fiction Club (OSFiC) in 1966 with other Toronto locals he’d met at that year’s Worldcon, Peter Gill, Mike Glicksohn, Ken Smookler, and Maureen Bournes. Mansfield had decided to attend the Worldcon after reading a series of articles about fandom in If written by Lin Carter.

Mansfield also had a connection to early Star Trek fandom, contributing an article to the 1968 Comerford/Langsam fanzine Spockananalia 2, “Communication From Starfleet Intelligence”, about Klingon military techniques for interrogating Vulcans:

… Since the prisoner will show no emotion, it will be very hard to determine his mental state as he tries to adapt to captivity. They are a proud race, and consider many of the other Galactic races below them. We have found that if one breaks, he will break completely, and all the past frustrations and emotions will pour out. Experienced interrogators describe this as a rather long and sometimes boring experience….

Mansfield served in the Canadian Armed Forces for 25 years, retiring in 1990. While stationed in New Brunswick, he chaired OromoctoCon in 1970, with attendance of about 30, including some fans who drove up from Boston.

He and his wife, Linda Ross-Mansfield, ran the Pendragon Games specialty store at various locations in Winnipeg over the decades. His influence in gaming fandom is reflected in the fact that the Origins Awards, presented at the Origins Game Fair, are referred to as his “brainchild” in the official history.

He helped develop Winnipeg’s regional Keycon. Beginning in 1989 he published Con­TRACT, a zine for Canadian conrunners, continuing until 2002. In the last issue he delivered this snapshot of his life at the time:

Here in Winnipeg, I get to do lots. …I’m part of a Media con and a Horror con, with more possibilities to come. I have the chance to promote some 20 movies a year. I am responsible for promoting various game companies via tournaments from Thunder Bay to Alberta. I’m still running the second largest Game store in Canada, that continues to grow in sales ever since our start in 1982. I know that I am only held back by my imagination and the time I wish to commit to my world.

When he led the 1994 Worldcon (ConAdian) committee, knowing that attendance would be sparse in comparison to Worldcons held in cities many times larger than Winnipeg, he showed a degree of commercial ingenuity that may be common among trade shows but had never been equaled by any previous Worldcon. He courted dozens sponsors and advertisers to gain new sources of revenue at the same time he unsentimentally cut expenses. At opening ceremonies the Mayor of Winnipeg said ConAdian would be the largest conference gathering in Winnipeg this year — the audience buzzed with interest when they heard that.

By then, I was already chair of the forthcoming 1996 Worldcon (L.A.con III), and I was deeply appreciative for all the times John sat with me to share his knowledge and experience.

He would have liked to bring the Worldcon back to Winnipeg for 2003, and started a bid, but the Toronto bid for that year became the unified Canadian entry, winning over a bid for Cancun.  

He co-chaired the 2005 Westercon in Calgary. In 2012 he helped start the short-lived A.E. Van Vogt Award for Canadian science fiction on behalf of the Winnipeg Science Fiction Association (WINSFA), Conadian, and Science Fiction Winnipeg (SFW).

He is survived by his wife, Linda Ross-Mansfield, NASFiC co-chair.

(9) MEMORY LANE.

2016[Compiled by Cat Eldridge.]

The entire Terra Ignota series was nominated at Chicon 9 for a Hugo Award for Best Series. It was also nominated for an Otherwise Award,

The first work was Too Like The Lightning was published by Tor Books seven years ago. It was rapidly joined by the rest of the quartet, Seven Surrenders (2017), The Will to Battle, (2017) and finally Perhaps the Stars (2021). 

I think it’s a brilliant if somewhat flawed series and that is all I’ll say here.

Now shall we read the Beginning of Too Like The Lightning? Of course we will…

A Prayer to the Reader

You will criticize me, reader, for writing in a style six hundred years removed from the events I describe, but you came to me for explanation of those days of transformation which left your world the world it is, and since it was the philosophy of the Eighteenth Century, heavy with optimism and ambition, whose abrupt revival birthed the recent revolution, so it is only in the language of the Enlightenment, rich with opinion and sentiment, that those days can be described. You must forgive me my ‘thee’s and ‘thou’s and ‘he’s and ‘she’s, my lack of modern words and modern objectivity. It will be hard at first, but whether you are my contemporary still awed by the new order, or an historian gazing back at my Twenty-Fifth Century as remotely as I gaze back on the Eighteenth, you will find yourself more fluent in the language of the past than you imagined; we all are. 

I wondered once why authors of ancient days so often prostrate themselves before their audience, apologize, beg favors, pray to the reader as to an Emperor as they explain their faults and failings; yet, with my work barely begun, I find myself already in need of such obsequies. If I am properly to follow the style I have chosen, I must, at the book’s outset, describe myself, my background and qualifications, and tell you by what chance or Providence it is that the answers you seek are in my hands. I beg you, gentle reader, master, tyrant, grant me the privilege of silence on this count. Those of you who know the name of Mycroft Canner may now set this book aside. Those who do not, I beg you, let me make you trust me for a few dozen pages, since the tale will give you time enough to hate me in its own right.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 20, 1908 Donald Wandrei. Writer who had sixteen stories in Astounding Stories and fourteen stories in Weird Tales, plus a smattering elsewhere, all in the Twenties and Thirties. The Web of Easter Island is his only novel. He was the co-founder with August Derleth of Arkham House. He has World Fantasy Award for Lifetime Achievement, and he’s a member of First Fandom Hall of Fame. Only his “Raiders of The Universe“ short story and his story in  Famous Fantastic Mysteries (October 1939 issue) are available at the usual digital suspects. (Died 1987.)
  • Born April 20, 1937 George Takei, 86. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel.  Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again
  • Born April 20, 1939 Peter S. Beagle, 84. I’ve known him for about twenty years now, met him but once in that time. He’s quite charming. (I had dinner with him here once some years back.)  My favorite works? TamsinSummerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has a World Fantasy Award for Lifetime Achievement.
  • Born April 20, 1943 Ian Watson, 80. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for the charmingly titled “The World Science Fiction Convention of 2080”.  He has written in Warhammer 40,000 universe including The Inquisition War trilogy.
  • Born April 20, 1949 John Ostrander, 74. Writer of comic books, including GrimjackSuicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well. 
  • Born April 20, 1959 Clint Howard, 64. So the most interesting connection that he has to the genre is playing Balok, the strange childlike alien, in Star Trek’s “The Corbomite Maneuver” which I remember clearly decades after last seeing it. He’s also John Dexter in Cocoon, and Mark in The Rocketeer as well as Jason Ritter in the Austin Powers franchise. He’s got a minor role in Solo: A Star Wars Story as a character named Ralakili.
  • Born April 20, 1964 Sean A. Moore. He wrote three Conan pastiches, Conan the HunterConan and the Grim Grey God and Conan and the Shaman’s Curse. He also wrote the screenplay for Kull the Conqueror, and the novelization of it. All were published by Tor. He was active in Colorado fandom. He died in car crash in Boulder. (Died 1998.)

(11) JEOPARDY! Neal Stephenson figured in the climactic round of tonight’s Jeopardy! episode. Andrew Porter was watching.

Final Jeopardy: Modern Words

Answer: Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name

All three contestants got it wrong, with “What is powder?” “What is uber?” and “What is avalanche?”

Correct question: “What is Metaverse?”

(12) OLD TECH HAS NEW FANS. “‘Such a fun way to consume music’: why sales of the ‘obsolete’ cassette are soaring” in the Guardian. “With more cassette tapes being bought than since 2003, readers tell why they prefer them to modern music players.”

“Buying a cassette direct from an independent artist on platforms such as Bandcamp is such a fun way to consume music. Often produced in very small runs, it is nice to receive something though the post that is relatively scarce. In these days of Spotify funnelling payments only to the superstars, it feels good to support small artists and labels. I love vinyl, too, but the magic of a cassette is that you have no way to skip tracks; you press ‘play’ and listen from start to finish with only the satisfying thud of one side ending to interrupt the experience. The noisy, tactile controls of a cassette player are the perfect tonic to the ways most of us consume media throughout the day, making it more of a special event and something to look forward to.” Dan White, 40, Norwich

(13) RECORD STORE RESOURCE. April 22 is “Record Store Day”. This link will take you to any store participating, anywhere, plus lots of other information.

This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role they play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point. 

(14) FAILURE OR SUCCESS? “Unmanned Starship explodes over gulf after liftoff” reports MSN.com.

SpaceX’s Starship lifted off the pad in Southern Texas and cleared the launchpad, its first milestone, but then began tumbling as it was preparing for stage separation and the vehicle came apart some four minutes into flight.

… SpaceX’s Kate Tice said it was unclear what caused the rocket to come apart. She said that “teams will continue to review the data and work toward our next flight test.”

Still, since it was a test, SpaceX hailed the flight as a success because it would provide the company new information about how the vehicle performs in real life that will help them on future flights. And it did not damage the launchpad, a risk SpaceX CEO Elon Musk had said was his greatest worry….

(15) CRASH COURSE. [SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story “DART’s data verify its smashing success at deflecting asteroid moon Dimorphos” looks at four NASA DART papers…

Although currently there is no known threat to Earth from asteroids, strategies to protect the planet from a collision are being explored. On 26 September 2022, NASA and the Johns Hopkins Applied Physics Laboratory successfully tested one such approach: the Double Asteroid Redirection Test (DART) spacecraft was deliberately crashed into Dimorphos, a moon orbiting the small asteroid Didymos, resulting in a change in the moon’s orbit. In this week’s issue, five papers explore the test and the effects of the collision. “Successful kinetic impact into an asteroid” reconstructs the impact; a second looks at the change to Dimorphos’s orbit caused by the impact. A third paper reports observations from the Hubble Space Telescope of the material ejected during the collision. A fourth paper uses modelling to characterize the transfer of momentum that resulted from the impact. And the final paper reports on citizen science observations before, during and after the collision.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lloyd & Yvonne Penney, Moshe Feder, Danny Sichel, SF Concatenation’s Jonathan Cowie, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/11/23 Do Pixels Prefer Coke Or Pepsi? No, It’s Scroll Soda For Them

(1) ONE ARTIST, INDIVISBLE. Charlie Jane Anders’ latest Happy Dancing newsletter is about “J.K. Rowling and ‘Separating the Art from the Artist’”.

… And that’s the thing : JK Rowling is the public face of the “Wizarding World.” She owns it and exercises complete control over it, and it’s pretty much impossible to talk about Harry Potter or the Fantastic Beasts movies without referencing her. In fact, she’s gone to great lengths to make her art inseparable from herself. Other authors seem to fade into the background a little bit more, especially as their books and adaptations get more and more prominence. I know tons of people who obsess about Murderbot, but who don’t know that much about Martha Wells, for example. JK Rowling made a choice to center herself in the discussion of her work, starting with how her “rags to riches” story was used to market her novels….

(2) MARSCON. Cass Morris has a wise commentary on the outcome of the MarsCon kerfuffle: “All* Are Welcome (*terms and conditions may apply)”. (What Morris means by DARVO can be learned from “A guide to DARVO, the gaslighting response people give when they’re called out” at Metro News.)

… a MarsCon regular guest very mildly voiced a concern, on FB, over whether or not he was the right choice for a con that claimed to want to be inclusive.

This GOH, and others like him, do not respond well to such statements. When they hear “Some people choose not to be around you because they find you unpleasant,” they perceive it as an attack, and they determine that a rabidly vitriolic response is not only warranted but necessary. (Again, DARVO).

The GOH wasted no time, it seems, in calling in his flying monkeys to harass the person who voiced concern, swiftly turning the FB threads into an unqualified shitshow. MarsCon responded by shutting down all comments and, rather than addressing the concerns that had just been proved entirely valid, doubling-down on their support for their aggressive GOH.

A whole choice.

MarsCon then made the choice to post a new “Interim Online Policy” claiming that “MarsCon is as it has always been an apolitical Science Fiction and Fantasy Convention. It is the firm stance of MarsCon that personal politics should be left outside of the convention. It will not allow itself to used as a place for anyone to try and forward their personal political views.”

There’s more to the statement and the word “political” is doing some heavy lifting throughout….

(3) PREPPER. [Item by SF Concatenation’s Jonathan Cowie.] This is great fun from BBC Radio 4. Be prepared for the end of the world. “Prepper, Series 1, The Kit in Your Head”. Pearl Mackie plays one of the leads.

Trump. ISIS. The Courgette Crisis. Signs of civilisation’s fragility are all around. No wonder the Doomsday Clock just nudged closer to midnight. In this fearscape, more and more ordinary people are wondering how they’d cope if everything we take for granted (law and order, access to healthcare, iceberg lettuces in Sainsburys) was taken away.

(4) ENGLAND SWINGS SF. Martin Wisse asks “Is it possible to buy too much science fiction?” at Wis[s]e Words. The answer is, not if the book has been on your want list forever.

…Among that stack of paperbacks is the perfect example of what I mean: Judith Merril’s England Swings SF, a book I’ve spent literal decades looking for. A book I’ve known about, have read about for decades I yesterday finally got to hold in my hands. England Swings SF is an incredibly important book in the history of science fiction. A key work of the New Wave, a defining statement of what New Wave science fiction was all about. It’s Judith Merril’s defining work, the jewel in the crown of her work as an editor. You know how important and controversial it was just from the publisher writing its own introduction washing its hands of the whole thing.

Though it may seem strange now, the New Wave was revolutionary, was controversial because it set out to deliberately undo science fiction’s dogmas, both literally and politically. Worse, as it originated in the UK and its most important early writers were British like Moorcock, Ballard and Aldiss, it also upset the natural order of America as the centre of the SF universe. When England Swings SF was released in 1968, the controversy had been raging for almost half a decade between the upstarts and the SF establishment…. 

(5) AI: A CREATOR’S TOOL OR RIVAL? Jason Sanford has put together a new column on what AI generated art and writing programs might mean for artists and authors. The column includes some predictions on how all this might play out in the coming years. “Genre Grapevine on What AI Generated Art and Writing Might Mean for Artists and Authors” a public post on Patreon.

… So far OpenAI hasn’t been very open about the works their programs are trained on.

The same with Midjourney, whose founder David Holz recently said he didn’t seek consent from living artists or those with work still under copyright because it was essentially too hard to do that. And don’t think this is a small issue – in an interview with Forbes, Holt admitted Midjourney was trained on at least a hundred million images without consent.

Because these AIs were trained on works by living artists, this can result in the programs creating images based on their art. For example, Deb JJ Lee discovered that someone had crafted an AI model to create art similar to Lee’s own distinctive work. Worse, when Lee pushed back on their art being used in this way, they were accused of being a “gatekeeper.”

As Lee said, “I never hide how I draw. I teach classes and share *everything*, from my layer structure to my inspirations to Gradient mapping. At Lightbox this year I would show my original files to ppl who come to my table to demonstrate how I do everything. I’m the opposite of a gatekeeper.”

Despite that, Lee was essentially blamed by a number of supporters of AI programs for daring to question the use of their own art in the training of machine learning programs.

It’s almost like, as Alasdair Stuart said, “the entire system is powered by artists but devalues them in every way.”…

(6) GRANTING AI UNLIMITED RIGHTS? At Writer Beware, Victoria Strauss considers the AI implications in contractual language: “Findaway Voices, Machine Learning, and the New Rights Frontier”.

Audiobook creation service Findaway Voices has become a popular alternative to Audible’s ACX, especially in the wake of #Audiblegate (the controversy over ACX’s author-penalizing returns policies that has generated at least one lawsuit).

In the past few days, though, authors and narrators have been drawing attention to this paragraph from Findaway’s Digital Distribution Agreement, which grants Apple–a third party–a license to use the rights holder’s audiobook files for “machine learning”, aka AI training…

…Unsurprisingly, there are now multiple lawsuits. Microsoft, Github, and Open AI are being sued for copyright-related issues over Github’s AI-powered coding assistant, Copilot. A group of artists has filed a class action suit against Stability AI (owner of Stable Diffusion), Midjourney, and DeviantArt for copyright violation and unlawful competition. Getty Images is also suing Stability AI, alleging that it scraped millions of copyright-protected images from Getty’s database. On a different side of the issue, computer scientist Steven Thaler is suing to overturn the US Copyright Office’s determination that AI art can’t be copyrighted. There will no doubt be much more legal action to come….

(7) NED BEAUMAN INTERVIEW. “Ned Beauman: ‘After reading Terry Pratchett, it feels like something is missing from most fiction’” in the Guardian.

My favourite book growing up
I devoured The Colour of Magic and at least 20 other Terry Pratchett novels as a child and consequently have never got over the feeling that there’s something pretty fundamental missing from nearly all “grown-up” fiction (ie jokes).

The book that changed me as a teenager
We perhaps expect novelists to feel a reverent fascination with human consciousness, how miraculous it is, sacred, ineffable, unique etc. But if you read too much Greg Egan at an impressionable age, all of that gets absolutely napalmed. A book like Permutation City is dangerous (and mind-expanding) stuff.

(8) EUGENE LEE OBITUARY. The New York Times profiles a stage and TV figure whose work you may have been seeing for years: “Eugene Lee, Set Designer for Broadway and ‘S.N.L.,’ Dies at 83”. “He won Tony Awards for Wicked and other shows while also overseeing the sets for the late-night franchise’s fast-paced sketch comedy.”

For decades it was possible for Saturday night theatergoers in New York to get a double dose of Eugene Lee’s work, though it’s likely that few would have realized they were doing so. They might have taken in “Sweeney Todd,” “Ragtime,” “Wicked” or other Broadway shows whose striking sets were designed by Mr. Lee, then could arrive home in time to tune into “Saturday Night Live” — a show for which he served as production designer when it began in 1975, and on which he was still working this season….

(9) MEMORY LANE.

1971[Compiled by Cat Eldridge.]

I’m very, very fond of SF genre short stories as I like them because they are often distilled versions of longer takes. Larry Niven I think in his prime wrote some of the best genre short stories ever done. 

He won Hugos for them — “Neutron Star”, “Inconstant Moon” and “The Hole Man” to be precise.  A collection, Convergent Series, one of my favorite collections to read, won a Locus Award.  Not bad at all. 

Not so with this story, Niven’s “For A Foggy Night” which was first published in the All the Myriad Ways collection published by Ballantine Books in 1971. 

Niven like the idea of alternative worlds and I believe wrote more than ones of these stories with another story I really like being “All Myriad Ways”.  It’s wonderfully done story that I won’t spoil as I suppose it’s possible that someone here hasn’t read it yet but to say that it has a great narration, fascinating story and a conclusion that makes perfect sense. 

And now the Beginning… 

The bar was selling a lot of Irish coffee that night. I’d bought two myself. It was warm inside, almost too warm, except when someone pushed through the door. Then a puff of chill, damp fog would roll in.

Beyond the window was grey chaos. The fog picked up all the various city lights: yellow light leaking from inside the bar, passing automobile headlights, white light from1971 frosted street globes, and the rainbow colors of neon signs. The fog stirred all the lights together into a cold grey-white paste and leaked it back through the windows.

Bright spots drifted past at a pedestrian’s pace. Cars. I felt sorry for the drivers. Rolling through a grey formless limbo, running from street globe to invisible street globe, alert for the abrupt, dangerous red dot of a traffic light: an intersection; you couldn’t tell otherwise . . . I had friends in San Francisco; there were other places I could be. But it wasn’t my city, and I was damned if I’d drive tonight.

A lost night. I’d finished my drink. One more, and I’d cross the street to my hotel.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 11, 1908 Tevis Clyde Smith. He’s a curious story indeed as he collaborated on three short stories with Robert E. Howard. Those stories are “Red Blades of Black Cathay”, “Diogenes of today” and “Eighttoes makes a play”. ISFDB suggests that he might have written other short stories and poetry. Anyone encounter these? (Died 1984.)
  • Born February 11, 1910 L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.) Some of these stories were adapted as radio dramas.  Sleep No More is available from the usual digital suspects. (Died 1974.)
  • Born February 11, 1926 Leslie Nielsen. I know the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films but I think he’s brilliant here. (Died 2010.)
  • Born February 11, 1939 Jane Yolen, 84. She loves dark chocolate. That I know as I just sent her some a few weeks ago. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt, and I love that she financed the production of Boiled in Lead’s Antler Dance which her son Adam Stemple was lead vocalist on. And yes she’s on the chocolate gifting list as well.
  • Born February 11, 1948 Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are mostly popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.)
  • Born February 11, 1950 Alain Bergeron, 73. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott).
  • Born February 11, 1953 Wayne Hammond, 70. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on him that’s been done including J. R. R. Tolkien: Artist and IllustratorThe Lord of the Rings: A Reader’s CompanionThe Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide

(11) COMICS SECTION.

  • Eek! imagines what would happen if Skywalker Sr. was analyzed by Ancestry.com.
  • The Argyle Sweater mines Harry Potter for a horrible pun. Which of course I had to share.

(12) INSCRIBED TO THE DEDICATEE. Macmillan and HBG just raised starting salaries to $45,000. So you could say eBay is asking a year’s salary for this dedication copy of Rocket Ship Galileo signed by Heinlein. (Well, two Heinleins, actually.)

The dedication copy of the author’s first published novel, signed and inscribed by Robert A. Heinlein in the year of publication “with best wishes to my nephew Lawrence Lewis ‘Buddy’ Heinlein [signed] Robert Heinlein Nov. 1947” with an arrow pointing to Buddy’s printed name on the dedication page. Additionally signed by Lawrence Lewis Heinlein as “L. L. Heinlein” on the front free endpaper. Lawrence was the son of Robert’s brother.

(13) IT’S A WRAP! [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story has nothing on Boris Karloff. “How to make a mummy”.

The cover shows sarcophagi used to house the mummified remains of Ancient Egyptians in the Saqqara region of Egypt. Although the existence of mummies is well known, the details of how ancient embalmers practised their art have remained largely obscure. In this week’s issue, Maxime Rageot, Philipp Stockhammer and their colleagues draw on finds from an embalming workshop in Saqqara that dates to around 664–525 BC to reveal many of the details of the process. The researchers analysed 31 ceramic vessels found in the workshop. By combining biochemical analyses of the residues in the vessels with the inscriptions, such as “to be put on his head”, featured on many of them, they were able to establish which chemicals were used and how they were mixed, named and applied. The researchers also note that some of the embalming substances were imported from the Levant or even from south or southeast Asia, indicating that mummification might have helped to promote long-distance trade.

(14) FOOD: GHOSTLY OR GHASTLY? It’s Saturday, and today this sounded amusing enough to put in a Scroll: Ghostbusters: The Official Cookbook by Jenn Fujikawa and Erik Burnham.

Who you gonna call… to eat?! Featuring more than 50 recipes inspired by the beloved Ghostbusters 1984 film and continuing into present day with Ghostbusters: Afterlife, this cookbook celebrates the bold personalities of Egon, Venkman, Zeddemore, and Stantz, along with the spooks, spectres, and ghosts that tried to transform New York City to a Babylonian dystopia.

But they’re not alone — they’ve got company with a new generation of Ghostbusters like Phoebe, Trevor, Podcast, and Lucky that saved Summerville, Oklahoma from the second coming of Gozer! In fact, it’s Podcast’s, well, podcast that inspires this book! Now he and Ray are combing through the Ghostbusters archives and recording new episodes to bring the group’s favorite new and old foods to delicious life.

With luscious full-color photography and packed with the fun and spirit of the films, Ghostbusters: The Official Cookbook is a must-have for foodies and paranormal investigative fans alike.

(15) CLOUDS OF WITLESS. Sure, this couldn’t backfire: “There’s a Radical Plan to Cool the Earth With … Moon Dust” at Popular Mechanics.

A long time ago (in every sense of the phrase), a Mars-sized celestial object named “Theia” smacked into Earth and formed our moon. Now, 4.5 billion years later, scientists want to put that moon back to work by using its dust to cool down its fever-induced planetary neighbor.

Scientists from the University of Utah suggest that “ballistically eject[ing]” millions of pounds of lunar dust around Earth could help deflect the sun’s rays and cool down the planet. The idea follows similar solar geoengineering concepts like ejecting reflected sulfur dioxide (SO2) into the stratosphere to gain the same sun-reflecting benefits (but with less potential health concerns).

However, this research is decidedly more sci-fi as it would likely require lunar infrastructure, electromagnetic cannons, and even orbital space platforms. The results of the study were published in the journal PLOS Climate….

[Thanks to Chris Barkley, Andrew Porter, Steven French, SF Concatenation’s Jonathan Cowie, Jason Sanford, Michael J. Walsh, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

Pixel Scroll 1/25/23 The Demolished Music Man

(1) CANADA READS SFF. Silvia Moreno-Garcia’s Mexican Gothic is a finalist in the 2023 CBC Canada Reads competition. She told her newsletter readers today:

Canada Reads is a literary battle, with panelists championing five books. Each day, they vote to eliminate one book, until a single title is chosen as the book the whole country should read this year. 

 The champion for my novel is TikTok creator and nursing student Tasnim Geedi, known as groovytas. The debates will take place March 27-30, 2023. They will be hosted by Ali Hassan and will be broadcast on CBC Radio One, CBC TV, CBC Gem and on CBC Books. 

(2) SF RELATED CONTENT ON JEOPARDY! 2023-01-24. [Item by David Goldfarb.] The current Jeopardy! champion is four-time LearnedLeague champion Troy Meyer. On Tuesday’s episode he faced some SF-related clues.

In the first round, one of the categories was “Finding Nimoy”. At the $1000 level:

This remake about a pod people takeover moved the action from a small town to San Francisco, with Leonard as a famous psychologist.

Troy Meyer correctly responded, “What is Invasion of the Body Snatchers?”

At the $400 level:

Nimoy’s plentiful voice-over work included the evil robot Galvatron in the cartoon movie version of this TV show.

Joe Incollingo responded, “What is Transformers?”

At the $200 level:

Nimoy appeared in other TV series with this “Star Trek” co-star, including “The Man From U.N.C.L.E.” and “T.J. Hooker”.

Troy Meyer responded, “Who is William Shatner?”

In the Double Jeopardy round, one of the categories was “Pop Culture Goes to Mars”. This category was actually majority mundane, cluing things like “Veronica Mars” and the rock band “30 Seconds to Mars”, but there were two actual SF clues:

$1200: Jack Nicholson was the President & Glenn Close, the First Lady in this 1996 Tim Burton film.

Troy Meyer responded, “What is Mars Attacks?”

$400: “Mars ain’t the kind of place to raise your kids, in fact it’s cold as hell”, sang Elton John in this hit.

Troy Meyer responded, “What is Rocket Man?”

(3) ROME PLUS MAGIC. At Speculative Fiction Showcase, an “Interview with Cass Morris, author of The Bloodstained Shade, Book 3 of The Aven Cycle”.

… Where Aven differs from the Rome of antiquity is that, in this version of the world, magic has shaped the course of history as much as war, politics, law, and religion. Adding that additional lever of power complicates both interpersonal and geopolitical relationships in ways that I adore playing with.

You co-host the Hugo Award Finalist podcast Worldbuilding for Masochists. Why ‘for masochists’?

It’s a teasing way of referring to those of us with a tendency to go way overboard in our worldbuilding. The “iceberg principle” of worldbuilding says that there’s far more below the surface than makes it onto the page of the finished product. My cohosts and I are people who have really, really big icebergs, and the way we create them can sometimes seem like self-torture….

(4) STRONG Q&A. Karen Strong, editor of the young adult anthology Cool. Awkward. Black, answers questions about books she’s read in “Shelf Awareness for Wednesday, January 25, 2023”.

Handsell readers your book in 25 words or less:

CoolAwkwardBlack. is a multi-genre anthology that centers Black teens who celebrate their nerdy passions of cosplay, manga, STEM, gaming and the arts….

Favorite line from a book:

“In her spare time, she looked to books or the stars for company.” —Gods of Jade and Shadow by Silvia Moreno-Garcia

I read so many books and have many favorite lines but this particular one has stayed with me. I truly believe books and stars can be great company.

(5) MELTS IN YOUR BRAINS, NOT IN YOUR HANDS. “M&M’s Replaces ‘Spokescandies’ With Maya Rudolph”The Takeout has the story.

In news that has arrived suspiciously close to Super Bowl Sunday, M&M’s announced today that the brand’s “beloved spokescandies” would be placed on “indefinite pause” for being ostensibly divisive. The spokescandies will be replaced by comedian Maya Rudolph, who will be tasked with “champion[ing] the power of fun.”…

In the past year, M&M’s changes to the personalities and likenesses of its candy characters have stoked the ire of conservatives, who facilitated a minor uproar against the brand for being too “woke” as it made such minor adjustments as redesigning some M&M’s shoes and removing titles like “Mr.” and “Mrs.” from certain candies.

(6) IN PASSING: MICHAEL DOUGAN. Cartoonist Michael Dougan died recently. Specifics about exactly when are scarce, however, there are two solid tributes.

The Editors of The Comics Journal: “Remembering Michael Dougan”.

… Michael was so well-rounded; he was at times a cartoonist, a newspaperman, a barista, a restauranteur, a tv writer, and a great conversationalist, to name a few. His work is not as well-remembered as it should be, although his best book, I Can’t Tell You Anything, was released by Penguin in 1993 and still holds up as some of the best autobiographical work of its era. Part of Michael’s obscurity is because in 2006 a fire destroyed his house in Seattle, taking all of his art and archives—and in some ways his comics career—with it. He seemed to process what was a cartoonist’s Worst Case Scenario better than most could have, but it also seemed to fuel a desire to move forward rather than look backward. He spent a couple of years in LA writing for television. Whenever I brought up doing a collection of his work, he was interested but ultimately dismissed it as being too much of an “epic undertaking” to find the time for…. 

Robert Boyd: “In memoriam Michael Dougan” at The Great God Pan Is Dead.

I first became aware of Michael Dougan in the mid-80s from his work in Weirdo. The first story of his that I can remember was “Dennis the Sullen Menace”, written by Dennis P. Eicchorn. This issue (no. 19) was edited by Aline Kominsky-Crumb, who took over the editorship of the magazine after Peter Bagge moved on. Bagge had been the editor until issue 17, and his tastes still informed the contents of Weirdo. In addition to Michael Dougan and Dennis P. EicchornWeirdo No, 19 had Mark Zingarelli and Bagge himself. Bagge knew all of the aforementioned cartoonists because they were all Seattle homers. Bagge got a bunch of his fellow Seattlites to contribute. Therefore, when I moved to Seattle in 1989, I got to know those guys, as well as other cartoonists from the region in Bagge’s artistic and social circle….

(7) MEMORY LANE.

1958 [Compiled by Cat Eldridge.]

Poul Anderson loved beer. In fact, he was the first writer to imagine a spaceship powered by beer in the Bicycle Built for Brew novel published in Astounding Science Fiction sixty-five years ago.  It’s available from the usual suspects in The Makeshift Rocket.

It wasn’t unusual for his characters to hoist a brew or two as I experienced when listening to some of the Nicholas Van Rijn stories recently. 

So I leave you with a quote from “The Innocent Arrival” which is collected in Karin and Poul Anderson’s The Unicorn Trade (highly recommend and available from the usual suspects as a Meredith Moment): 

“I see. Well, what are you having to drink?”

“Beer,” said Matheny without hesitation.

“Huh? Look, pal, this is on me.”

“The only beer on Mars comes forty million miles, with interplanetary freight charges tacked on,” said Matheny. “Tuborg!”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 25, 1905 Margery Sharp. Her best remembered work is The Rescuers series which concerns a mouse by the name of Miss Bianca. They were later adapted in two Disney animated films, The Rescuers and The Rescuers Down Under. I’m reasonably sure I’ve seen the first one a very long time ago. Her genre novel, The Stone of Chastity, is according to her website, based on English folklore. Other than the first volume of The Rescuer series, she’s not really available digitally though she is mostly in print in the dead tree format. (Died 1991.)
  • Born January 25, 1918 King Donovan. His first SF films has him as Dr. Dan Forbes in the 1953 The Magnetic Monster and as Dr. Ingersoll In The Beast from 20,000 Fathoms. The very next year, he plays James O’Herli in Riders to the Stars. And now we get to the film that you know him from — Invasion of the Body Snatchers in which he plays Jack Belicec. After that, I show him only in Nothing Lasts Forever which has never been released here in the States. (Died 1987.)
  • Born January 25, 1920 Bruce Cassiday.Under two different pen names, Con Steffanson and Carson Bingham , he wrote three Flash Gordon novels (The Trap of Ming XIIThe Witch Queen of Mongo and The War of the Cybernauts) and he also wrote several pieces of non-fiction worth noting, The Illustrated History of Science Fiction, co-written with Dieter Wuckel, and Modern Mystery, Fantasy and Science Fiction Writers. The latter done in ‘93 is rather out of date and out of print as well. Checking the usual suspects shows nothing’s available by him for this genre though some of his pulp novels are available with appropriately lurid covers such as The Corpse in the Picture Window. (Died 2005.)
  • Born January 25, 1943 Tobe Hooper. Director of such genre films as The Texas Chain Saw Massacre (the original of course), Poltergeist (damn scary film) Invaders from Mars and Djinn, his final film. He directed a smattering of television episodes including the “Miss Stardust” of Amazing Stories, “No More Mr. Nice Guy” of Freddy’s Nightmares, “Dead Wait” of Tales from the Crypt and the entire Salem’s Lot miniseries. He also wrote a horror novel with Alan Goldsher,  Midnight Movie: A Novel, that has himself in it at a speaking engagement. (Died 2017.)
  • Born January 25, 1958 Peter Watts, 65. Author of the most excellent Firefall series which I read and enjoyed immensely. I’ve not read the Rifters trilogy so would welcome opinions on it. And his Sunflower-linked short stories sound intriguing. He won a Hugo for Best Novelette at Aussiecon 4 for “The Island”.
  • Born January 25, 1973 Geoff Johns, 50. Where to begin? Though he’s done some work outside of DC, he is intrinsically linked to that company having working for them for twenty years. My favorite work by him is on Batman: Gotham KnightsJustice League of America #1–7 (2013) and 52 which I grant which was way overly ambitious but really fun. Oh, and I’d be remiss not to note his decade long run on the Green Lantern books. He’s the writer and producer on the most excellent Stargirl that streamed on HBO Max. Johns is producing the Green Lantern series that will stream on HBO Max.
  • Born January 25, 1975 Mia Kirshner, 48. She was Amanda Grayson in Star Trek: Discovery. Her first genre was in the really not great The Crow: City of Angels as Sarah Mohr. (I editorialize, it is what I do. It’s like cats playing with string.) She had another run as Isobel Flemming in The Vampire Diaries and one-offs in The War of The WorldsDracula: The SeriesAre You Afraid of the Dark? and Wolf Lake. She had a plum role in Defiance as Kenya Rosewater. 

(9) COMICS SECTION.

  • Blondie copes with cats’ wedding ideas.

(10) INSTANT RED PLANET LIBRARY. Manhattan Rare Books has an online preview of the specialty collection it is offering for $975,000: “Mars and the Imagination: A Record of Our Relationship with the Red Planet”.

Background

Mars and the Imagination was conceived and assembled by the experienced collector David Wenner – whose comprehensive collection on the history of physics now resides at the Niels Bohr Library of the American Institute of Physics – and represents much more than a “collection” of works. Through his years of research and study, Wenner was able to unearth important and previously unrecognized literary and historical texts, making new connections among them. Contextualized in such a way, the items in Mars and the Imagination collectively tell an illuminating story through primary sources that to our knowledge has not been previously attempted. It is the story of our fascination with the Red Planet, a story of our wonder about something that is just out of reach, a story that has revealed as much about us as it has about Mars.

Fiction and Non-Fiction

For hundreds of years, Mars has been observed by scientists, but lurked tantalizingly on the edge of our ability to truly understand the nature of the planet. It thus became a perfect template for speculation: What are the conditions on Mars? Is it hospitable to life? Are there, or have there ever been, living beings on Mars and if so, are they like us? Superior to us? Threatening to us? Will we ever be able to visit Mars?

The approaches to answering these questions have been varied, with both scientific inquiry and imaginative fiction in a continual dialogue of influence on each other. Mars and the Imagination, therefore includes texts by such scientific giants such as Kepler, Huygens, Hooke, and Cassini, but also fiction by literary masters such as Swift, Wells, Asimov, Bradbury, and Clarke.

(11) A KLINGON SCREWDRIVER. Or more like a Swiss Army knife, except these aliens aren’t neutrals: “Star Trek Klingon Bat’leth 6-In-1 Multitool Kit”.

Tools Of Honor: No Klingon ever breaks his word. Shaped like the traditional Klingon Bat’leth weapon, this 6-in-1 multitool will help you tackle a variety of daily tasks. Perfect for when you’re exploring the universe, hiking, or camping.

(12) NOT ICE NINE. BBC News covers how the “Webb telescope hunts life’s icy chemical origins”.

The new super space telescope James Webb has ventured into the freezer.

It’s been probing some of the darkest, coldest regions in space for clues about the chemistry that goes into making planets, and perhaps even life.

This newly released image shows a segment of the Chameleon I molecular cloud, some 630 light years from Earth.

It’s here, at temperatures down to about -260C, that Webb is detecting types of ice grains not previously observed….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]