Lady Gaga kicked off her Saturday Night Live episode with some jokes about her movie Joker: Folie à Deux.
“Anyway, I’m an actor now,” the Oscar and Grammy winner says during her opening monologue before quipping, “I select films that would showcase my craft as a serious actor, films such as Joker 2. Apparently, people thought it was awesome. Joaquin [Phoenix] and I even got nominated for a Razzie, which is an award for the worst films of the year. So we won worst onscreen duo.”
She continues, “But jokes on them. I love winning things. My Razzie brings me one step closer to an EGORT. It’s like an EGOT, but it’s hurtful.”
Joker: Folie à Deux, the sequel to 2019’s Oscar-winning Joker, was nominated for seven Razzies after bombing at the box office last year. The movie ultimately won the Razzies for worst screen combo of Phoenix and Gaga and worst sequel.
Lady Gaga later adds, “Tonight, I promise to act, to sing and to not do Joker 3.”…
(2) REPURPOSED MINE HOSTS CON. Cora Buhlert attended a retro comic/toy/gaming con in the town of Dorsten in the Ruhrgebiet. The venue was a former coal mine and really cool. She took lots of photos, and wrote a three-part blog post about it.
A closer look at the row of chains in the washing hall of the Fürst Leopold mine. Also note the bench running along the curtain of chains. These benches were now used by exhausted con goers to sit down.
The Neukom Institute for Computational Science at Dartmouth College is accepting play submissions for the 2025 Neukom Institute Literary Arts Awards.
The seventh annual Neukom Award for Playwriting will consider full-length plays and other full-length works for the theater that address the question “What does it mean to be a human in a computerized world?”
Playwrights with either traditional or experimental theater pieces, including multimedia productions, are encouraged to submit works to the award program.
The award comes with a $5,000 honorarium as well as a week-long workshop and public reading produced by Northern Stage (https://northernstage.org/) in early 2026.
Works that have already received a full production are not eligible for the competition.
The deadline for all submissions is May 1, 2025 at 5pm. The award will be announced in the fall of 2025.
(4) WITHOUT EXCEPTION. Steve J. Wright is quite taken with the Starship Troopers motto “Everybody works, everybody fights.” The new US Secretary of Defense sounds like he is, too. But how does it work out in practice? “Marching on Its Stomach”.
…(There is no response from behind the door, but, nearby, a small hatch opens in the deck, and a STOKER‘s head pops out. The STOKER is a small man, dressed in coveralls like the PILOT, but much grimier.)
STOKER: Oi! What’s all the noise about? You stop that or you’ll wake the ship’s cat – besides, the head stoker’s got a hangover, he doesn’t want all this racket.
PILOT: Sorry, I – wait a minute, since when do starships have stokers?
STOKER: Since Rebel Moon: The Scargiver, that’s since when.
PILOT: … Whatever. Look, I’ve got a delivery here for the MI, and I can’t get a peep out of them. Called them on the radio, tried the intercom, nothing.
STOKER: The Mobile Infantry? Well, you’re out of luck there, mate, you’ll have to wait. They’re out.
PILOT: What do you mean, they’re out?
STOKER: Call to action, innit? Soon as they get that, they get into their little capsules and off they pop, down to the planet, kicking some E.T. arse….
This is a question that sometimes comes up when I do interviews. Writer Beware has been in operation for more than 25 years, yet it’s still so busy. There seem to be so many scams that target authors. Are writers somehow more vulnerable to fraud than other creatives?
In my opinion, no.
Writing scams aren’t unique. There are similar frauds in every creative industry. Headshot scams for models. Talent agency scams for actors. Representation scams for illustrators. Pay-to-play venues for musicians and artists. They may not be as numerous as writing scams, but they are widespread, and they use the same tricks and techniques to lure and ensnare victims.
Why are there so many writing scams, then?
Because (again in my opinion) there are so many writers.
Other creative pursuits have boundaries and requirements that create bars to entry. Musicians need training, not to mention instruments. Actors and singers may have limited venues in which to practice their craft: there isn’t a casting call around every corner. Painters and sculptors need often-costly materials. Models must conform to various standards of physical appearance–much broader these days than in the past, but still restrictive.
But writing: writing is just words. Everyone has those. If you can speak, you can write, and all you need to follow your impulse is an idea and a computer, or pen and paper if you prefer….
It’s commuter hour on a late-summer morning and the sun is still stretching through the leafy canopy of Melbourne’s Queen Victoria Gardens. In the cool, concrete sanctuary of MPavilion –the city’s annual architecture installation/event space/public shelter – a small group of people sit reading. Some recline on beanbags, some perch on stools; others lean against the fluted concrete wall, breeze running through their hair. For close to an hour, nobody speaks; they just read.
This is Silent Book Club, where there is no required book list, no entry fee, no organised discussion. Just reading, quietly, in company.
Billed as “book clubs for introverts”, Silent Book Club was started in 2012 when a couple of friends in San Francisco felt traditional book clubs involved too much pressure – to read a particular book in a certain amount of time, to “have something smart to say” – so they started their own kind of club, where neither was required. Silent book clubs have become global since then, with chapters opening on every continent….
(7) MEMORY LANE.
[Written by Cat Eldridge.]
The Return of Captain Nemo series (1978)
Forty-seven years ago this weekend, The Return of Captain Nemo aired on CBS. It was, need I say, based quite loosely off Jules Verne’s Twenty Thousand Leagues Under the Sea. The three-part series was one hundred eighty minutes long; a very much truncated theatrical version was released overseas, The Amazing Captain Nemo, running only one hundred two minutes.
Now the series was originally planned as run four sixty-minute episodes but CBS changed its mind and at the last moment told Allen that it’d be three instead.
It was written by a lot of screenwriters which included Robert Bloch. Robert Bloch and his fellow writers fleshed out producer Irwin Allen’s premise that after a century of being in suspended animation, Nemo is revived in modern times for new adventures.
It was intended as the pilot for a new series which didn’t happen obviously, another project by Irwin Allen widely considered as an attempt to follow-up on the success of his Voyage to the Bottom of the Sea series. A series didn’t happen. It was his last attempt to produce a series.
It had a very large cast but, in my opinion, the only performer that you need to know about is José Ferrer as Captain Nemo. He made a rather magnificent if very, very hammy one. Of course, a few years later he’d get to chew on scenery again in Dune where plays Padishah Emperor Shaddam IV. And oh, did he chew it up there as well. I still like that film not matter how bad it really is, or is it?
Nemo was aired over three nights with Bloch writing the final script of the finale. That episode which initially co-written with Larry Alexander is titled “Atlantis Dead Ahead”.
Later the miniseries would get condensed as I noted previously, rather choppily as reviewers criticized, into a film called The Return of Captain Nemo which generated one of the best review comments: “Best line in the film was when Hallick says Captain Nemo was a figure of fiction, and Ferrer says that Jules Verne was a biographer as well as a science fiction writer. From there get set for some ham a la mode.”
So, let’s let IGN have the final word: “If one comes to an Irwin Allen-produced adventure seeking a thoughtful, challenging film, they’ve come to wrong place.”
Need I say that is still under copyright by Paramount, so any copies at YouTube and elsewhere are illegally there and therefore links to them will be immediately assigned to the deepest ocean?
It is not, as near as I can tell, streaming anywhere.
(8) COMICS SECTION.
Alley Oop discovers an alien can’t keep his story straight.
(9) A RECENT MONGOLIAN TRANSLATION. [Item by Mikael Thompson.] You should be pleased by this: a recent Mongolian translation of Ray Bradbury’s Machineries of Joy. Here’s the cover and the table of contents.
(10) FREE AUDIO STORIES. Listen to George Clayton Johnson read his stories “The Hornet” and “Your Three Minutes Are Up” at the Lott W. Brantley III and Associates Motion Picture Literary Management website.
In this series, I’ve been going through my books in chronological order, and talking about their origins — where I got the idea, how it was written, what was going on in my life at the time, how the public responded to the book, what positive or negative impact it had on my career (if any), and other factors. This week, I focus on IN DELIRIUM and RUNNING WITH THE DEVIL.
[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, JJ, Mikael Thompson, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Few things are as emblematic of modern society as the nuclear family; nothing is as crucial to the nuclear family as the nuclear fallout shelter. Without a shelter, atomic war may bring swift incineration or painful death from radiation. With a shelter, one can survive with one’s loved ones…at least until the air and food runs out or the radiation finds its way in.
Living as we do in an era of unparalleled international peace and cooperation, fallout shelters might seem a ludicrous expense. During the Cold War, when World War Three seemed a perpetual twenty minutes away, matters were quite different. Many SF authors found fallout shelters inspirational. Here are five examples….
(2) DAHL COMPLAINTS ECHOED AT HIGHEST LEVEL. [Item by SF Concatenation’s Jonathan Cowie.] There’s this which is causing a small kerfuffle over here in Brit Cit: “Roald Dahl: Rishi Sunak joins criticism of changes to author’s books” at BBC News. PS. Rishi Sunak is our latest Prime Minister — I mention in case you’d lost track…
Prime Minister Rishi Sunak has criticised changes to Roald Dahl books, after the removal of some references to things like characters’ appearance and weight sparked a fierce debate.
Dahl’s estate and publisher said works including The BFG and Charlie and the Chocolate Factory had been updated to be more suitable for modern audiences.
Some said they approved of the changes.
But Mr Sunak’s spokesman said works of fiction should be “preserved and not airbrushed”….
The BBC has apologized to JK Rowling for the second time in less than a month after she was accused of having transphobic views on a live current affairs show.
In a discussion about Harry Potter video game Hogwarts Legacy on BBC Radio Scotland’s Good Morning Scotland show, a transgender woman said she had boycotted the game because it was being used to “fund the anti-trans movement.”
Carrie Marshall, a writer and broadcaster, said: “This is having a measurable effect on trans people’s lives and potentially our safety too. I think that’s why so many trans people are concerned about this game.”
The BBC said it reviewed audience complaints about the discussion, which broadcast on February 10. In a statement, it said the exchange did not meet editorial standards.
“The debate got into the issue of gender identity and claims were made about JK Rowling’s views. We accept that the programme failed to challenge these claims and acknowledge that our contributors gave their opinion as fact,” the BBC said.
“This fell below the rigorous editorial standards we’ve applied to our broad coverage of trans and gender recognition stories across BBC Scotland’s news and current affairs output, and we apologise for that.”
The ruling came despite another gamer, Lee Rob, arguing in favor of purchasing Hogwarts Legacy, saying it was “possible to separate the artist from the art.”
A similar discussion about the game on Radio 4’s PM show also failed to meet BBC standards after an attack on Rowling from transgender gamer Stacey Henley went unchallenged. The corporation received 200 complaints about the show and apologized earlier this month….
…On Thursday, the company announced that Magic had become its first billion-dollar brand in terms of annual sales, surpassing other toy lines in its stable, like Transformers and G.I. Joe.
That milestone was achieved after 30 years of nurturing the game for longtime fans while finding ways to coax new players to pick it up. It was a “winning playbook,” as Chris Cocks, the chief executive of Hasbro, put it in an interview.
Since it was introduced in the mid-1990s, more than 50 million people — including the rapper Post Malone and the actor Joseph Gordon-Levitt — have played Magic in hobby shops and around kitchen tables around the world. The game casts players as wizards who derive their powers by picking cards from the decks they have built, drawing from an ever-expanding universe of cards that are bought, sold and traded in a thriving secondary market. Magic’s popularity has spawned a cottage industry of video games, comic books, a Caribbean cruise and an animated series in development for Netflix.
On Friday, Wizards of the Coast, the Hasbro unit that publishes the game, will kick off MagicCon in Philadelphia.
After the initial buzz when it first appeared, Magic flew under the radar for many years, said Gerrick Johnson, an analyst at BMO Capital Markets who covers the toy industry. “Now you get to see how big it is,” he added. “I don’t think there is any toy brand that is even half that size.”
But Hasbro faces challenges making Magic even bigger, particularly player fatigue brought on by the release of 39 new card sets last year, up from 15 in 2019, according to an analysis by Bank of America. New sets can start around $50….
…One artist noticed that the whimsical A.I. selfies that came out of the viral app Lensa had ghostly signatures on them, mimicking what the A.I. had learned from the data it trained on: artists who make portraits sign their work. “These databases were built without any consent, any permission from artists,” Mr. Rutkowski said.
Since the generators came out, Mr. Rutkowski said he has received far fewer requests from first-time authors who need covers for their fantasy novels. Meanwhile, Stability AI, the company behind Stable Diffusion, recently raised $101 million from investors and is now valued at over $1 billion.
“Artists are afraid of posting new art,” the computer science professor Ben Zhao said. Putting art online is how many artists advertise their services but now they have a “fear of feeding this monster that becomes more and more like them,” Professor Zhao said. “It shuts down their business model.”
That led Professor Zhao and a team of computer science researchers at the University of Chicago to design a tool called Glaze that aims to thwart A.I. models from learning a particular artist’s style. To design the tool, which they plan to make available for download, the researchers surveyed more than 1,100 artists and worked closely with Karla Ortiz, an illustrator and artist based in San Francisco….
…Creating a deliberately amusing description via exaggeration can pair well with a threatening one, particularly if you’re writing horror comedy or action comedy.
There exists in this world a spider the size of a dinner plate, a foot wide if you include the legs. It’s called the Goliath Bird-Eating Spider, or the “Goliath Fucking Bird-Eating Spider” by those who have actually seen one. …
I don’t know how they catch the birds. I know the Goliath Fucking Bird-Eating Spider can’t fly because if it could, it would have a different name entirely. We would call it “sir” because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Flying Bird-Eating Spider said it was okay.
— from This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong
(8) MEMORY LANE.
1937 – [Compiled by Cat Eldridge.]
J.R.R. Tolkien’s The Hobbit: Or There and Back Again has I think one of the most perfect Beginnings I’ve ever had the pleasure to read. It tells the hobbits are creature of comfort, while hinting that one, a Baggins by name, will have an adventure.
The Hobbit was published eighty six years ago first in the UK by George Allen & Unwin. The cover which you see below was by Tolkien.
The first edition differs from latter editions as Tolkien made changes to it after writing the Lord of The Rings to bring into accomandation with those novels.
Need I see it is one of my favorite novels to read over and over?
And here is that wonderful Beginning…
AN UNEXPECTED PARTY
In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.
It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill—The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.
This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.
This is the presentation copy that was auctioned by Sotheby’s which is inscribed “Mr and Mrs Livesley | & Edgar | with best wishes | from | J.R.R. Tolkien.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 21, 1912 — Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing Stories, Astounding, The Magazine of Fantasy and Science Fiction, Marvel Tales, Super Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing initially for Astounding Science Fiction and later for its successor, Analog. He was awarded a special Hugo Award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
Born February 21, 1913 — Ross Rocklynne. The pen name used by Ross Louis Rocklin, an SF writer active in the Golden Age of the genre. He attended the first WorldCon in 1939. Though he was a regular contributor to several SF magazines including Astounding Stories, Fantastic Adventures and Planet Stories, he never achieved the success of fellow writers Isaac Asimov, L. Sprague de Camp and Robert A. Heinlein. ISFDB lists two novels for him, The Day of the Cloud and Pirates of the Time Trail. (Died 1988.)
Born February 21, 1935 — Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart. A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
Born February 21, 1937 — Gary Lockwood, 86. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot ,Mission Impossible, Night Gallery, Six Million Dollar Man and MacGyver.
Born February 21, 1946 — Anthony Daniels, 77. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it?
Born February 21, 1949 — Frank Brunner, 74. Comics artist whose career started at such venues as Creepy, Web of Horror and Vampirella. Worked later mostly at Marvel Comics on such features as Howard the Duck where he did his artwork for his early features. He also did the art for the Chamber of Chills, Haunt of Horror, and Unknown Worlds of Science Fiction anthologies. In addition, he and Moorcock collaborated on an adaptation of the latter’s sword-and-sorcery hero Elric in Heavy Metal magazine.
Born February 21, 1961 — David D. Levine, 62. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear over here. He has the most excellent Adventures of Arabella Ashby series which currently is three novels strong. To date, he has had one collection titled Space Magic.
(10) COMICS SECTION.
Non Sequitur made me shiver. Though they only set out to make breakfast.
… As well as a jam-packed roster of programmes, events and incredible costumes, the special convention also saw Jodie Whittaker take to the stage for her first-ever appearance at a dedicated Doctor Who convention.
It’s safe to say that the whole affair was very heartwarming, with Janet Fielding and Sophie Aldred joining the former Doctor on stage at the end of her panel talk….
3. The contradiction at the heart of Trek gives it a lot of its power.
Starfleet is simultaneously a militaristic organization loosely modeled on the U.S. Navy, and also a peaceful scientific institution whose members are encouraged to think for themselves and to take up artistic hobbies — as long as they only perform Shakespeare plays or music that someone from the mid-twentieth century would immediately recognize. Some of the most memorable scenes in TNG involve crewmembers who’ve disobeyed orders and get dressed down by Picard or some other officer. That moment when someone reaches the limits of Starfleet tolerance, and discovers that individualism and kindness aren’t always the order of the day, is always super fascinating. This dichotomy also powers a lot of the best Trek dilemmas, which boil down to whether to respond to some new, dangerous phenomenon with curiosity or aggression.
…Even with the design retraction and financial constraints, lead imagineer Tim Delaney oversaw the building of a masterpiece. Inside, and out, the ride was a sight to behold. The aesthetic of the whole area was beaux-arts steampunk, both ornate and mechanical: the exterior was shiny copper and steel, with glistening gears. Along the side of the pavilion, there was a giant golden canon, which would shoot the guests “into space” to start the ride. The cars would slingshot forwards and upwards before ducking into the pavilion, zooming around (and upside-down) through space and eventually towards a smiling moon, before hurtling back to earth. It had a full narrative, and its own original score. The coaster was named “Space Mountain: From the Earth to the Moon.” And, for a time, it alone solved the financial problems suffered by EuroDisney (then called “Disneyland Paris”)….
Author, film historian, and Bela Lugosi biographer Gary Don Rhodes introduces us to recently rediscovered (2023) footage of Bela Lugosi testifying on the horror of drug addiction in 1955. Bela Lugosi (October 20, 1882 – August 16, 1956), early in his Hollywood career in the 1930s, became addicted to narcotics to battle chronic pain in his legs, originating during his military service, and which had increased in severity over the years. For twenty years, use of morphine as a pain killer, and methadone to combat morphine addiction, with bouts of alcoholism, deteriorated his health and quality of life. In 1955, Lugosi, now in his early 70s, desperately sought help to shed these addictions. By court order in the State of California, Lugosi began treatment at The Metropolitan Hospital in Norwalk, California. The three-month treatment was successful, and Lugosi was “clean”. Lugosi was very keen and very candid about sharing his misfortunes with substance addiction, and was eager to warn the public and advocate for treatment at a time when the subject of drug addiction and treatment wasn’t openly discussed, but “swept under the rug”. We present recently rediscovered footage of Bela Lugosi testifying before a Senate Committee. He appears as a voluntary witness before Senator Price Daniels (D-Tex), a one-man Senate subcommittee, during a hearing on narcotics traffic in Los Angeles, November 16th, 1955. Said Bela Lugosi about his decades-long addiction, and especially the pain of withdrawal and rehabilitation, “…it was hell.”
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by OGH as inspired by Cat Eldridge.]
(1) GAIMAN AND DORAN. The Guardian has made the full video of the livestream event with Neil Gaiman and Colleen Doran available online now, introducing their new graphic novel Chivalry from Dark Horse Comics. In comic shops now, in bookstores next week.
(2) AS TIME GOES BY. Rachel Birenbaum, author of a time travel novel, discusses why time travel stories remain an important part of sf. “On Time Travel and Metafiction” at CrimeReads.
…Every iteration begins with rules. The author has to create their universe and dictate how long time travel lasts, how it’s done, how it might affect the protagonist physically, and more. Most tales send people hurtling forwards or backwards with orders not to affect anything but their target. While all the rules are different, the reason behind time travel is almost always the same: regret….
Looking to get in shape but need some extra motivation? A new gamified exercise program challenges players to log workouts in the real world as they virtually follow The Lord of the Rings characters Frodo and Sam from The Shire to Mount Doom to destroy the One Ring.
The Conqueror Virtual Challenges has teamed up with Warner Bros. for a new series of five virtual challenges based on The Lord of the Rings movies. Anyone can take part in exercises of varying lengths, with the ultimate goal of making it all the way to Mordor to destroy the ring.
The Conqueror Challenges app has been updated with a Middle-earth map that has five challenges to unlock: The Shire, The Fellowship, Mines of Moria, The Eye of Sauron, and the Mordor. Participants can run, cycle, swim, or walk to reach the set distance, and each stop has stories and postcards detailing Frodo and Sam’s journey. The distances are listed below….
“I think I can confidently say I’m done showrunning Doctor Who,” Steven Moffat (who was in charge of Doctor Who from 2010 to 2017) told RadioTimes.com at the Radio Times Covers Party.
“Everyone can stop worrying. I did it for six seasons on the trot. And I cannot imagine going back into doing that. I cannot. I simply cannot picture it.”
He added: “I loved the show. I don’t want anyone to think I didn’t love the show. And I loved every second I spent on it, although some of them were hellish. But I’ve done that. I have done it and I did it a lot.
“So no offence and no disrespect and certainly no disdaining of wonderful memories. But no, I will not be showrunning Doctor Who again.”
(5) AN APPEAL TO AUTHORS.[Item by SF Concatenation’s Jonathan Cowie.] Russia has been using SF/F fiction for a few years now to promote propaganda against Ukraine.
Even back in 2006 at the Eurocon in Ukraine it was possible to see how Russian publishing dominated over Ukrainian in that country. However, since then Russian propaganda against Ukraine has appeared in fiction including fantasy.
For example Eduard Limonov in Kyiv Kaput has written an alternate universe history of Ukraine that ends up predicting events in the future.
Mockups Design
Chytomo – the Ukrainian publishing news site – has created a pie chart of Russian publishers and the number of such propaganda books they publish.
Western writers may wish to note — once all this ghastly business is over — who these publishers are and avoid them translating western works. The chart is here.
Since 2009, Russia has been actively publishing books on the war between Russia and Ukraine in the «fantasy» genre, as well as «historical» and nonfiction literature about the «collapse of the Ukraine project» and mocking the independence of the «non-existent» Ukrainian people, «artificial» Ukrainian language.
These books can be easily found on the Internet for purchase and in services for open access books. In addition, children’s books began to offer more and more poems about the «great Russian army» that was coming to free everyone.
The import of books from Russia was limited in 2017 due to their aggressive content. Only books with anti-Ukrainian printed materials were restricted, such as publications aimed at eliminating Ukraine’s independence, promoting violence, inciting ethnic, racial, religious animosity, carrying out terrorist attacks, and violating human rights and freedoms. The State Committee of television and radio broadcasting of Ukraine was entrusted with the functions of examination and issuance of permits.
The State Committee of television and radio broadcasting of Ukraine processed more than 45,000 applications during this period: issued 39,416 permits to import publishing products, 5,275 refusals and revoked 2,227 previously issued permits.
Among the publications not allowed on the territory of Ukraine, many publications belong to authors who have been included in the lists of persons who pose a threat to national security — in particular, Zakhar Prilepin, Alexander Dugin and Alexander Tamonikov. The latter is «famous» because the list of anti-Ukrainian publications includes 20 of his works at once, not just with propaganda elements, but those whose sole purpose is to incite hatred against Ukraine and Ukrainians.
(6) MEDIA BIRTHDAY.
1978 — [Item by Cat Eldridge.] Much to my surprise, forty-four years ago a series called Quark aired as mid-season replacement on NBC. Why surprises me is that it only lasted eight episodes. I swear I remember it lasting longer than that.
It was created by Buck Henry, co-creator of Get Smart. It was co-produced by David Gerber who had been responsible for the series version of The Ghost & Mrs. Muir (try not to hold that against him) and Mace Neufield who after being a talent agent for such acts as The Captain and Tennille became responsible for The Omen as the producer.
The cast was Richard Benjamin, Tim Thomerson Richard Kelton Tricia Barnstable, Cyb Barnstable, Conrad Janis, Alan Caillou and Bobby Porter. The Barnstable twins got a lot of press, mostly for the fact that they didn’t wear much and really, really could not act. They previously appeared as the Doublemint Twins often with identical canines. I kid you not.
Ok, so how is the reception? Oh you have to ask? Seriously? One reviewer summed it up this way: “Only lasting eight episodes, it is eight episodes too many. The idea of spoofing science fiction is a given and there are only a handful that get it right, but this is a spectacularly awful show.” And another said succinctly that “A viewer seeking something a little different may find the series entertaining, but low expectations are a must.”
It has no rating at Rotten Tomatoes. It might be streaming on Crackle and Philo, two services that I’ve never heard of.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 7, 1909 — Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula like figure here, the September 1940 cover with the nightmarish skull-faced Bombers here, and finally, the May 1942 cover with the really scary living ship here. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
Born April 7, 1915 — Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories. His own work was done in close collaboration with C. L. Moore, his wife, and much of they would publish was under pseudonyms. During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 (2018) for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.)
Born April 7, 1928 — James White. Certainly the Sector General series which ran to twelve books and ran over thirty years of publication was his best known work. I’ve no idea how many or even which ones that I read but I’m certain that it was quite a few as I really, really loved this series. I’m not sure what else by him I’ve read but I’m equally sure there were other novels down the years. He was a 1996 Worldcon guest of honor at L.A.con III. It appears that only a handful of his novels are available from the usual suspects. (Died 1999.)
Born April 7, 1939 — Francis Ford Coppola, 83. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead who was seriously into Morrison — strange experience that was. Other genre works of his include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled “Rip Van Winkle”, Twixt (a horror film that I’m betting almost no one here has heard of), Captain EO which featured Michael Jackson, Mary Shelley’s Frankenstein, Jeepers Creepers and Jeepers Creepers2.
Born April 7, 1945 — Susan Petrey. Another who died far, far too young. Only three of her stories were published during her lifetime. More of her work appeared in the Gifts of Blood collection published after her death. She was nominated, also posthumously, for the Astounding Award for Best New Writer, and her story ”Spidersong” was nominated for the Hugo Award at Denvention Two. The Susan C. Petrey Clarion Scholarship Fund annually awards scholarships to both the Clarion & Clarion West workshops and also supports an instructor at Clarion West as a Petrey Fellow. (Died 1980.)
Born April 7, 1946 — Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. (He also did the Inspector Gadget film which I still haven’t seem.) He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well upon the time of his passing. I think we sum up his talent by noting that his four Oscars include a pair he won for Best Visual Effects and Best Makeup for his work on Terminator 2: Judgment Day. (Died 2008.)
Born April 7, 1951 — Yvonne Gilbert, 71. Though best remembered for her controversial cover design of Frankie Goes To Hollywood’s 1983 single “Relax”, she did a number of great genre covers including Le Guin’s A Wizard of Earthsea for Bantam in 1991 and Beagle’s A Dance for Emiliafor Roc in 2000. (CE)
…Thus, while Jemisin has become a leading figure, her influence and prestige have come through two decades of unrelenting commitment to sophisticated world-building, culturally rich, character-driven literary prose, and a remarkable capacity for experimental writing. This concentration of character-voice combined with a disciplined approach to speculative world-building appears in some of Jemisin’s best writing in How Long ‘Til Black Future Month?
The true Jemisin fan is going to be particularly thrilled to participate in some of her short story experiments that later become novels or full series. “The Narcomancer” has a tinge of a melancholy sweetness, a story of conscience and vocational risk that becomes part of the Dreamblood series (which I haven’t read yet). “Stone Hunger” was exciting for me to read, for I was privileged to see how Jemisin began to conceptualize the extremely complex character make-up of The Broken Earth Trilogy–and how deeply implicated the characters are in that universe with the speculative world itself. And “The City Born Great” has all the terrifying brilliance and bracing goodness of The City We Became–an experiment in allegorical fiction that I have argued (here and here) is more successful in this short story than in the full novel….
Three Liaden Universe® titles to be released by Baen in 2023 Scout’s Progress will be reissued in a new mass market/ebook edition March 2023 Salvage Right* will be published in Summer 2023 Trade Lanes** will be published in Fall 2023
Liaden Universe® Constellations audiobook editions Tantor Media will be releasing the first four Liaden Universe® Constellations, starting in June. Go to this link, and click on the individual titles to preorder.
Trade Lanes audiobook edition We are in contact with our publisher and hope to have news regarding the Trade Lanes audiobook edition soon. As soon as we have it, you’ll have it. Promise
_________________ *Salvage Right is set on Tinsori Light after the events described in Neogenesis. The cast of characters includes, but is not limited to: Jen Sin yos’Phelium, Seignur Veeoni, Tocohl Lorlin, Lorith, Tolly Jones, Hazenthull nor’Phelium, Theo Waitley
**Fair Trade is the third book following the adventures of Jethri Gobelyn ven’Deelin, who made his first, admittedly awkward, bow in Balance of Trade; his second, somewhat more nuanced, in Trade Secret.
(10) ON STAGE AT CALTECH. A musical adaptation of Verne’s From the Earth to the Moon will be performed by Theater Arts at Caltech (TACIT) in Pasadena’s Ramo Auditorium on six times next week – see full details at the link.
From the Earth to the Moon
From the writers of the record-breaking Caltech musical Boldly Go! comes a fresh new science fiction musical based on the Jules Verne classic written in 1865. Gauntlets are thrown, headlines made, duels waged, and alliances put to the test in this dynamic imagining of spaceflight in the late nineteenth century directed by Brian Brophy.
…TACIT, as Theater Arts at Caltech is familiarly known, typically prepares and performs two or three plays each academic year. Recent productions include She Kills Monsters, Avenue Q,Rent, Company and many original projects.
Members of the Caltech community have the opportunity to learn all aspects of the theatrical craft—acting, stage crew, set construction, wardrobe, light and sound operation, properties, house management, and publicity—and to work with professionals in areas of theater design: set, light, sound, costume, and music. This is a hands-on approach, not classroom theory. It also provides an appreciation of the theatrical literature and exposure to the literature of many languages (in translation).
At OpenAI, one of the world’s most ambitious artificial intelligence labs, researchers are building technology that lets you create digital images simply by describing what you want to see.
They call it DALL-E in a nod to both “WALL-E,” the 2008 animated movie about an autonomous robot, and Salvador Dalí, the surrealist painter.
OpenAI, backed by a billion dollars in funding from Microsoft, is not yet sharing the technology with the general public. But on a recent afternoon, Alex Nichol, one of the researchers behind the system, demonstrated how it works.
When he asked for “a teapot in the shape of an avocado,” typing those words into a largely empty computer screen, the system created 10 distinct images of a dark green avocado teapot, some with pits and some without. “DALL-E is good at avocados,” Mr. Nichol said….
A collaboration of hundreds of scientists have precisely measured the mass of the W boson, an elementary particle responsible for the weak nuclear force. The researchers found, to their surprise, that the boson is more massive than predicted by the Standard Model of particle physics, the working theory that describes several of the fundamental forces in the universe….
Scientists have presented a stunningly preserved leg of a dinosaur.
The limb, complete with skin, is just one of a series of remarkable finds emerging from the Tanis fossil site in the US State of North Dakota.
But it’s not just their exquisite condition that’s turning heads – it’s what these ancient specimens are purported to represent.
The claim is the Tanis creatures were killed and entombed on the actual day a giant asteroid struck Earth.
The day 66 million years ago when the reign of the dinosaurs ended and the rise of mammals began.
Very few dinosaur remains have been found in the rocks that record even the final few thousand years before the impact. To have a specimen from the cataclysm itself would be extraordinary.
Sir David will review the discoveries, many that will be getting their first public viewing.
Along with that leg, there are fish that breathed in impact debris as it rained down from the sky.
We see a fossil turtle that was skewered by a wooden stake; the remains of small mammals and the burrows they made; skin from a horned triceratops; the embryo of a flying pterosaur inside its egg; and what appears to be a fragment from the asteroid impactor itself….
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George, in “Morbius Pitch Meeting,” a spoiler-filled episode, says that Dr. Michael Morbius drinks vampire bat blood which causes him to bulk up “like a Calvin Klein underwear model.” But the producer tells the screenwriter to add many more references to Spider-Man, Vulture, and other Marvel characters because “we’re in the MCU now” at Sony.
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cleo Campion, Daniel Dern, Borys Sydiuk, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]
(1) SEND ME IN, COACH. Continuing yesterday’s “squeecore” discussion — John Scalzi is happy to be in the conversation anytime, but that doesn’t mean he agrees with the point he’s being used to illustrate. “Portrait of the Author As a Component of a ‘Punk-Or-Core’ Formulation” at Whatever. (Running the tweet, too, because I love the graphic.)
Hello Twitter I have just written something long, deeply nerdy and more than a bit narcissistic, about my thoughts on when people try to jam me and/or my work into a "X-punk" or "Y-core" SF/F subgenre formulation. COME WALLOW IN ITS OVERT, GRIMY ME-NESShttps://t.co/ICLwX32r0i
… My canal, as it turns out, runs across a lot of thematic ground, and does a fair amount of intersecting. Some of that is by design, since I am easily bored, as a human and a writer, and like to splash around in new places. Some of that is just following the lay of the land. At the end of the day, however, it means that depending one’s inclinations and rhetorical needs, and contingent on examples, I can be grouped in with the gun-humping dudes who write military science fiction, or the woke SJW scolds who are currently ruining the Hugos, or pretty much wherever else you need me to go to make your point.
And at least superficially you won’t be wrong. I mean, I did write that story that you’re pointing to, and it does exist in that sphere, and I’m not sorry I wrote that thing, and may write a thing like it again, if I have a mind to. But I suspect on a deeper level — the level that actually makes your point something more than a facile, half-baked thesis to burble out onto a blog post or podcast because content content content — using me as an example is not hugely useful….
(2) HER MILEAGE VARIED. Cora Buhlert also shared her thoughts about Rite Gud’s “squeecore” podcast and Camestros Felapton’s post in response: “Science Fiction Is Never Evenly Distributed”.
… The podcasters are not wrong, cause all of these trends definitely exist in current SFF, though they’re not one unifying trend, but several different trends. Uplifting and upbeat SFF is certainly a trend and it already has a name that is much less derogatory than “squeecore”, namely hopepunk. Reader-insert characters and a video-game/RPG feel is a trend as well and there is a term or rather two for it, namely LitRPG and gamelit.
I agree that there is a strong influence of YA fiction and a tendency to show younger characters gaining skills rather than being already fully developed in contemporary SFF, but that’s the result of the YA SFF boom of the past twenty-five years, which served as a gateway to the genre for countless readers….
… As I explained in this post, Galactic Journey is very good at showing how different trends as well as older and newer forms of SFF coexist in the same period, because we try to cover everything and not just the cherry-picked examples that later eras choose to remember.
Also, quite often works are shoehorned into a trend, because they vaguely match some characteristics thereof and came out around the same time, even though they don’t really fit. The Expanse novels by James S.A. Corey are a good example. They are often shoehorned into the 2010s space opera revival, even though The Expanse has nothing in common with the likes of the Imperial Radch trilogy, the Paradox trilogy, the Hexarchate series or A Memory Called Empire beyond being set in space. Meanwhile, The Expanse draws heavily on mundane science fiction (a movement that never really got beyond its manifesto), Cyberpunk, golden age science fiction and the 1990s “cast of thousands/everybody and the dog gets a POV” style of SFF epics that never got a name, even though it was very much a thing and still lingers on….
(3) STILL WRESTLING WITH AMAZON. Oghenechovwe Donald Ekpeki told Facebook followers that he heard from Amazon KDP again. And he posted more screencaps of his correspondence with them.
Some more updates on the Amazon KDP fiasco, they called me again yesterday, to explain why I can’t edit my banking details. Must have seen my tweet on it. They said it’s a security issue. And offered some more assistance in replacing it and ensuring I can get the royalties.
On another note, though related, I’m trying to use the account of a friend that was in the US because well, they don’t accept Nigerian bank accounts. I was using Payoneer, a service that mimics US bank accounts and essentially reads as if you are in the US. It’s legit btw, and accepted by Amazon. I’m pointing this out because a number of people latched on to this when I mentioned it, amongst the methods I use to get past through these restrictions. They said oh yes see, it’s your fault. One of those methods you use must have broken the rules.
This is how people enable racism even when they don’t cause it. They look for anything to justify and deny your marginalization. It either doesn’t exist, it didn’t happen, or it’s your own fault. A number of players were on every platform that carried this, saying this. You don’t even know what those methods are. But it must be one of them & this must all be my fault & deserved. The world tries to lock you out, then punishes you viciously for trying to not be locked out. Then people blame you for even trying at all to circumvent those lockouts. Every publishing-payment platform I’ve tried to use to do anything has either banned, blocked me or doesn’t work here or allow payment systems. From Draft2Digital to Smash words to Kickstarter to Paypal to Amazon KDP, to even Gofundme. But it must all be my fault. I must have violated all their rules somehow. Even GoFundMe that’s supposed to be for people in need of help. I wasn’t even qualified to beg for money. I needed an American to beg for me. If I had even tried to insert myself at any point into the arrangement, it’d have crashed….
While The Expanse team went into Season 6 knowing it would almost certainly be the show’s last, they chose to tell the story that included a Laconia-set subplot adapted from Expanse novella Strange Dogs. Unlike basically every other the story in Season 6, the Laconia subplot about a girl named Cara and her efforts to save brother Xan with the help some alien creatures was very forward-focused. It also properly introduced Admiral Duarte, a character who becomes incredibly important in the remaining books in the series. The decision to give so much of Season 6’s precious narrative time could have been made as a way to expand the scope of this world, and to pay homage to these future book plots, and/or it could hint that the Expanse production team have not completely ruled out the possibility of a future for this adaptation…
As the coalition forces prepare to storm the ring station in The Expanse series finale, the Rocinante crew is running through its systems check, and voices are heard in the background signaling their readiness. “Thrace ready!” we hear, and our ears perk up. How unusual to share the name of one of the most badass space dogfighters ever, Kara “Starbuck” Thrace of Battlestar Galactica. When that’s followed by “Ripley ready!” all doubt is removed. Naming yet another famous spacefarer, Ellen Ripley of Alien, can’t be a coincidence.
Fortunately, fans of Easter eggs like this are provided with a quick glimpse of the roster on Naomi’s screen, and it’s filled with the great heroes of space science fiction in movies and television. It’s fitting that, as The Expanse makes its final bow, the “Great Hunt” of sci-fi culture appears to assist in the battle to end all battles. It’s easy, in fact, to spot the rest of Ripley’s team from Aliens: Hudson, Hicks, and Vasquez. So who else is among the assault team?…
RS: Were there times when you and the cast watched the finished shows where you were surprised by how certain scenes came out, or by the work of your castmates?
SA: Absolutely. Every season, the producers would screen the first two shows for the cast all together in a theatre. There was one moment, maybe from season four or five, where Amos [Wes Chatham] was talking about his mother, and it was so powerful that I just lost it. I had to leave the theatre crying, I couldn’t help myself. The other cast members, my friends, came up to me and asked me what happened and I said I was just overcome seeing that scene. But you know, there were so many scenes and moments that felt so real like that, which made me feel like we did a good job bringing this saga to life.
(7) SPLASH-A-BOOM. An underwater volcano eruption this morning near Tonga caused a small tsunami which hit the west coast of Central, North and South America, and the east coast of Hawai’i. Hawaiian fan Dave Rowe says, “Here it was only one foot high (three feet was expected).” And he passed along a link to an impressive 2-second video compiled from real-time satellite photos of the eruption: “Shockwave By Near-Tonga Eruption Captured From Himawari Satellite” at Space Weather Gallery.
…He sold his first story in 1965, and in 1969 joined the staff of the UK speculative fiction magazine New Worlds, where he edited the books pages until 1978.
His novels include Climbers, which won the Boardman Tasker Prize for Mountain Literature in 1989; Nova Swing, which won the Arthur C. Clarke Award in 2007; and The Sunken Land Begins to Rise Again, which won the 2020 Goldsmiths Prize for innovation in fiction….
(9) I’VE SEEN THAT FACE BEFORE. Jordan D. Smith, who runs The Dark Crusade, a Karl Edward Wagner podcast, lists three examples of Karl Edward Wagner showing up as a character in other people’s fiction: “Three for the Road: Karl Edward Wagner in Fiction”.
… Below are three stories from the past ten years that have contained characters loosely based on, or inspired by, Karl Edward Wagner….
(10) TWO CATS FOR THE PRICE OF ONE. Mark Evanier eulogized voice actor “Leo DeLyon, R.I.P.” at News From ME. DeLyon died September 21 at the age of 96.
…We are especially interested in him because he occasionally did voices for cartoons. In the original Top Cat series in 1961, he did the voices of the characters Spook and Brain. That’s them above with Leo between them. He did other voices now and then for Hanna-Barbera…on The Smurfs and Paw Paws, and on a few specials when they needed voice actors who could sing. He was also the voice of Flunkey the baboon in the Disney version of The Jungle Book…
(11) MEDIA BIRTHDAY.
1995 — [Item by Cat Eldridge.] Twenty-seven years ago on this evening, the very short lived sequel to the Sixties Get Smart series aired on Fox. It too was called Get Smart. And it had Don Adams and Barbara Feldon still playing Maxwell Smart and Agent 99. Edward Platt who played The Chief had died some twenty years earlier.
The relative success of the reunion movie Get Smart, Again! six years earlier prompted the development of a weekly revival of Get Smart but the ratings were absolutely abysmal, so it was canned after seven episodes. Thirteen years later, the Get Smart film despite critics not particularly liking it was a great success.
The Variety review was typical of what critics thought of it: “Would you believe there is very little to laugh about in this return of Get Smart, a decidedly unfunny undertaking that could have clearly benefited from some input from Buck Henry or at the very least a phone call from Mel Brooks.”
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 15, 1879 — Ernest Thesiger. He’s here because of his performance as Doctor Septimus Pretorius in James Whale’s Bride of Frankenstein. He had a major role in Hitchcock’s not completed and now lost Number 13 (or Mrs. Peabody) which is even genre adjacent. He was also in The Ghoul which was an early Boris Karloff film. And he continued to show up in SFF films such as The Ghosts of Berkeley Square where he was Dr. Cruickshank of Psychical Research Society. (Died 1961.)
Born January 15, 1913 — Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, I’m listing it anyways because I’m impressed that it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. He’s the Pilot Col. Floyd Graham in Rocketship X-M, Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
Born January 15, 1928 — Joanne Linville. Best remembered I’d say for being the unnamed Romulan Commander Spock get involved with on “The Enterprise Incident”. (Vulcan’s Heart by Josepha Sherman and Susan Shwartz, calls her Liviana Charvanek.) She also starred in the Twilight Zone‘s “The Passersby” episode, and she starred in “I Kiss Your Shadow” which was the final episode of the Bus Stop series. The episode was based on the short story by Robert Bloch who wrote the script for it. This story is in The Early Fears Collection. (Died 2021.)
Born January 15, 1935 — Robert Silverberg, 87. I know the first thing I read by him was The Stochastic Man a very long time ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years. He has three Hugos with the first at NyCon II for Most Promising New Author, the other two being for his novella “Gilgamesh in the Outback” at Conspiracy ’87, and novella “Nightwings” at St. Louiscon. His “Hawksbill Station” novella was nominated at Baycon, and his Traveler of Worlds: Conversations with Robert Silverberg was nominated at Worldcon 75. He picked up a Retro Hugo at the Millennium Philcon for Best Fan Writer.
Born January 15, 1944 — Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if I find sometimes excessive dollop of humor. His best known novels are his Warlock in Spite of Himself series which I’ve read some of years ago. Who here has read his Starship Troupers series? It sounds potentially interesting. (Died 2018.)
Born January 15, 1945 — Ron Bounds, 77. A fan who was one of the founders of the Baltimore Science Fiction Society in the Sixties. He co-chaired Discon 2, was a member of both the Baltimore in ’67 and Washington in ’77 bid committees. He chaired Loscon 2. He published the Quinine, a one-shot APA. He was President of the Great Wall of China SF, Marching & Chop Suey Society which is both a cool name and a great undertaking as well.
Born January 15, 1965 — James Nesbitt, 57. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy Tales, The Young Indiana Jones Chronicles, Stan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role.
(13) SIGNAL BOOST. Since Hulu’s bad at promoting their films of this type, N. sent along a tweet he saw for I’m Your Man:
I'M YOUR MAN is now streaming on Hulu. A smart and funny little sci-fi romance, with the phenomenal Dan Stevens co-starring as an android trying to be human. It's also Germany's submission to the Oscars this year, currently shortlisted for Best International Feature. pic.twitter.com/yyhgDQ5crq
(14) MAKING LEMONADE WITHOUT LEMONS. [Item by Martin Morse Wooster.] I saw Dear Mr. Watterson, a 2013 documentary by Joel Allen Schroeder on YouTube, which you can watch for free, as long as you are willing to have your film interrupted with ads, Of course Bill Watterson refuses to be interviewed or even photographed, and has refused to license his characters. How do you make a film about him?
Well, in the first half-hour Schroeder blows it with all sorts of talking heads, many of them comic strip creators, telling how special Calvin and Hobbes was as a strip. Schroeder even goes back to his boyhood home in Appleton, Wisconsin to see his bedroom where he posted Sunday strips on the wall when he was a kid. Who cares?
Things pick up when Schroeder goes to Chagrin Falls, Ohio, where Watterson grew up, and goes to the local library to see early illustrations Watterson drew for the local paper and hold an original strip about overdue books that is in the head librarian’s office. He then goes to the Billy Ireland Library at Ohio State, where Watterson’s archive is stored, and I thought that was interesting. I bet a good documentary could be made about that library.
Then in the final third we get to the real subject of the film which is whether Watterson’s decision to forego all licensing deals was a good idea. Here Berkeley Breathed, Stephen Pastis, and Jean Schultz had intelligent things to say. As Pastis notes, there is a difference between licensing a Snoopy stuffed animal a four-year old could hold and having Snoopy sell life insurance through Met Life. Seth Green also makes an appearance to note that he made bootleg Calvin t-shirts.
But one result of only having Calvin and Hobbes available in books is that these books are in school libraries and six- and seven-year-old kids love reading them. That might not have happened if their first exposure to Watterson’s characters was through animated cartoons.
Dear Mr. Watterson is worth watching but you might want to fast forward through the first half hour.
https://www.youtube.com/watch?v=Kv94mpKE71c
(15) TWENTY THOUSAND PENNIES UNTO THE FEE. If you’re in the market for an online course about Jules Verne, The Rosenbach would like to sign you up: “Jules Verne’s Scientific Imagination with Anastasia Klimchynskaya”. Four sessions. Tuition for this course is $200, $180 Delancey Society and Members.
Verne is often cited as one of the fathers of science fiction and a lover of both literature and technology. Verne combined the earlier genres of the extraordinary voyage, travel narrative, and adventure story with unprecedented scientific rigor, creating the scientific romance genre, or roman de la science. This course will explore Verne’s unique mix of science and imagination and how it helped solidify the genre.
Around 1971 Dave Arneson and his circle of Minneapolis gamers invented games where players controlled individual characters who grew with experience and who could try anything because dice and a referee determined the outcomes. The group tried this style of play in various settings, but Dave invented one that proved irresistible: the dungeon.
Dave’s Blackmoor game—the campaign that spawned Dungeons & Dragons—began with a gaming group playing fictional versions of themselves in a fantasy world. The characters became champions in a series of miniature battles featuring armies clashing above ground. Without dungeons, the Blackmoor game might have stayed miniature wargaming rather than becoming D&D and a game nearly as well known as Monopoly. But by creating the dungeon crawl, Dave invented a new activity that transformed the campaign and ultimately made a lasting addition to popular culture…
For 62 years, scientists have pointed instruments toward outer space in hopes of finding some sign that we’re not alone in the universe. But those instruments always scanned just a tiny swath of sky for a short span of time, limited mainly to listening for stray radio waves and leaving us largely blind to any visual evidence of extraterrestrials in the darkness of space.
Until now.
As the space age enters its seventh decade, the search for extraterrestrial intelligence (SETI) is getting a lot wider and more deliberate. And that could significantly boost our chances of actually finding something for the first time.
In mid-December, scientists with the SETI Institute in California finished installing a new laser instrument: an expensive lens-camera-computer combo at Haleakala Observatory, situated on a mountaintop on Maui, Hawaii, 10,000 feet above sea level.
The east-facing instrument, when combined with an identical west-facing system at the Robert Ferguson Observatory in Sonoma, California, scans a 150-degree arc of the night sky more than a thousand times a second, filtering the light and looking for the telltale signature of laser light—a possible sign of intelligent life. “We’re trying to cover all the sky all the time,” Eliot Gillum, the principal investigator for the LaserSETI project, told The Daily Beast.
(18) HIBERNATING ALIENS. Why can’t we find them? Isaac Arthur says it might be because they’re taking a kip… (Just like the Norwegian blue.)
One explanation for the Fermi Paradox is that aliens may be undetected because they slumber, quietly hidden away in the galaxy. But how and why might such Extraterrestrial Empires hibernate?
A long filament-like cloud of hydrogen atoms lurking on the far side of the Milky Way is among the largest such structures in the Galaxy — and offers a rare glimpse into one of the earliest stages of star formation.
Scientists first reported evidence of the filament, which they nicknamed Maggie, in 2020. Now, some of those scientists, including Jonas Syed at the Max Planck Institute for Astronomy in Heidelberg, Germany, along with more astronomers, have conducted a detailed follow-up investigation. It shows that the filament stretches some 1,200 parsecs, roughly 1,000 times the distance from the Sun to its nearest stellar neighbor, Proxima Centauri.
Theory predicts that, over time, the neutral hydrogen atoms in the filament will pair up, forming dense clouds of hydrogen molecules. Such clouds ultimately give birth to stars.
SpaceX’s Starlink has been making steady gains with its fledgling satellite internet service, surpassing 100,000 terminals shipped in 2021 and showing promising improvements in performance after initial speed tests produced lackluster results. However, the company’s run into an unforeseen hiccup with its dishes: Cats love them….
Starlink works great until the cats find out that the dish gives off a little heat on cold days. pic.twitter.com/uyH3Kbqrie
(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Matrix Resurrections,” the Screen Junkies say that the fourth film asks, “Do you take the blue pill and reboot this with Tom Holland as Neo or do you take the red pill and see how far up its own ass the story will go?” Also, since the film has musical theatre greats Neil Patrick Harris and Jonathan Groff (who was King George in Hamilton, and has also been in Frozen, Frozen II, and “Glee’) when is The Matrix musical coming?
[Thanks to Martin Morse Wooster, JJ, Chris Barkley, John King Tarpinian, Daniel Dern, Cora Buhlert, Dave Rowe, N., SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
By Jeffrey Smith: I’ve always enjoyed making lists of books, though with the internet and its copious bibliographies I don’t do near as many as I used to. I love my recent, handwritten Agatha Christie reading order one; I keep thinking I should type it up, except I like the handwritten one so much, with its arrows shifting the positions of books around.
Thinking about Jules Verne, with the new TV version of Around the World in Eighty Days about to start, I just bought the Wesleyan edition of Five Weeks in a Balloon, translated by Frederick Paul Walter – after researching what the good modern translations of Verne are. Verne has been abysmally translated into English over the years, but there’s been a push to correct that.
In the back of this edition, there is a bibliography of Verne’s work that includes lists of good translations and bad translations for each novel. I typed up a simplified version of just the recommended editions of the Voyages Extraordinaires for my own use, and then decided to share it here. This bibliography is from 2015, so reasonably up to date, though there might have been a few good translations since then.
If the recommended ones are old, I’ve marked them “best available” instead of “recommended,” figuring they still aren’t as good as a modern translation. And while my initial thought was that all the ones from the 1960s on were probably good, that doesn’t seem to be the case. Also, anything translated by I.O. Evans is an automatic don’t-buy; although he loved Verne’s work and thought he was providing a service by translating so many of his novels, and some of them might not be bad, they are spectacularly unreliable. Many of the later novels have no recommended versions at all.
We love hearing a good story well told, and we know that you do, too: the comfort and intimacy of a voice in your ear, the pleasure of being completely swept up in a narrative. That’s why, every December, we are so glad to celebrate audio excellence by selecting AudioFile’s Best Audiobooks. Thank you to all of the narrators, directors, producers, and publishers who filled our year with good listening.
(2) A PAY SERVICE NIXES DISCON III. “WeChat Restrictions, We Tried, We Really Tried” says DisCon III:
“We have had to remove WeChat as a payment option. Due to their restrictions on charitable giving, we are unable to use WeChat services at this time. Our tech team is working to find a workaround to help overseas fans who want to pay using WeChat. That said, all of our other avenues are still available, and there’s still time to join us at DisCon III. Please visit our member services page to purchase your membership.” said Mary Robinette Kowal, Chair of DisCon III.
(3) ON BROADWAY. [Item by Daniel Dern.] The opening of (Marvel) Hawkeye (new TV series) includes Clint “Hawkeye” Barton (and his 3 kids) going to a performance of Rogers The Musical (note that the signage looks very Hamiltonian), and we get to, delightfully, see about half of “I Can Do This All Day” about the NYC invasion, in the first Avengers movie.
… Written by Marc Shaiman and Scott Wittman, who have collaborated on other Broadway musical adaptations like Hairspray and Catch Me If You Can, Rogers is the MCU’s latest attempt to reminisce over past battles with a wink and nod. A little like the scene in Loki where the God of Mischief finds Infinity stones being used as paperweights, the silliness of Rogers asks the audience if they can remember what all the fuss was about….
…A strong cast gives the characters more weight and also pushes them closer to how Jordan intended them to be (from context) rather than how they come over in the books. Nynaeve in particular is clearly meant to be a strong-willed character in the books but comes over as just whiny and annoying (your impression may differ) in Jordan’s dialogue. However, the show’s Nynaeve is a really compelling character played by New Zealander Zoë Robins, full of intensity and suspicion of what she (correctly) perceives as a hostile world….
(5) FUTURE TENSE. The November 2021 entry in the Future Tense Fiction series is “Ride,” by Linda Nagata, a story about climate, public transportation, and AI in Hawaii.
…The boy waved at them, then turned again to Jasmine. “Give it a try,” he exhorted her in a conspiratorial whisper. “Promise you will?”
Those eyes.
Her smile brightened. She didn’t want to disappoint those eyes. So she played along, teasing, “I might.” And maybe she really would. It was just a little game, after all….
I like to think of myself as deeply skeptical of the many internet algorithms telling me what I want and need. I turn off targeted advertising wherever I can. I use AdBlock to hide what’s left. Most of my YouTube recommendations are for concerts or sports highlights, but I know I’m just a few clicks away from a wild-eyed influencer telling me to gargle turpentine for a sore throat. Twitter trending topics? I regret clicking immediately.
But I make an exception for the sweet, all-knowing embrace of the Spotify algorithm, to whom I surrender my ears several times a day. This software doesn’t just know my taste in music better than my friends; it acts on it, with chains of songs that build off things that I know I like, or forgot I did….
(6) HARLAN IN THE WILDERNESS. Stephen Bowie interviewed Harlan Ellison in 1996 about his early days writing for television: “Harlan Hits Hollywood” at The Classic TV History Blog.
…I was going to ask you if you remembered watching “Memos From Purgatory” when it was first broadcast, but perhaps you don’t, since it wasn’t actually the first one.
It’s a moderately funny story about what happened the night it aired. I was living in Beverly Glen, in this little treehouse. The television set that I had was a real small TV, with rabbit ears, and the antenna was up the side of the mountain behind the house. I mean this house, literally and actually, sat half on a rock ledge and the other half sat in the crotch of a gigantic banyan tree. It was raining that night, it was raining terribly. And the antenna, which was up the hill – rabbit ears down in the house and an actual antenna up on the hill; I mean, there was no cable – well, the antenna fell over.
I had invited all these people to come and see the show, and we couldn’t get any reception. So a friend of mine volunteered to go up, and he put on my raincoat, and he stood up there in the pounding rain, a really torrential downpour. He stood up there holding the fuckin’ antenna up. And I was kind of, you know, upset that he was up there, not to mention that there were cougars or mountain cats – really, there were catamounts or cougars or whatever the fuck they are – up there running loose, because it’s all watershed land. And I was terrified that he was going to get eaten, or washed away, or drowned, or fall off the mountain, or something. So about midway through I went up and I took his place. And I came back drenched, soaking wet, I looked like a drowned rat, and everybody was raving about this thing, and I had only seen about half of it….
HBO’s hit series “Game of Thrones” came to an end in 2019 with two shortened seasons, which brought the total to eight seasons and 73 episodes. But the story’s original creator, the author George R.R. Martin, pushed for up to 10 seasons and 100 total episodes, according to a new book.
Miller, who conducted 757 interviews for the book, spoke with Martin, Martin’s agent, Paul Haas, and Richard Plepler, HBO’s former CEO.
“George would fly to New York to have lunch with Plepler, to beg him to do ten seasons of ten episodes because there was enough material for it and to tell him it would be a more satisfying and more entertaining experience,” Haas told Miller.
(8) IN XANADU. Henry Farrell points to the availability of the video of a panel he was on with Paul Krugman, Ada Palmer, Noah Smith, and Jo Walton. And he has a few more things he’d like to say in his post “The Future Finds Its Own Uses for Things” at Crooked Timber.
So this event on the relationship between social science and science fiction went live late last week. It has Paul Krugman, Ada Palmer, Jo Walton, Noah Smith and … me. I’ve been wanting to say something a little bit more about this relationship for a while. Here is one take, which surely misses out on a lot, but maybe captures some stuff too.
…The Hume quote captures a particular – and very common – way of thinking about the world. It suggests that beneath the vast procession of history, the extraordinary profusion of ways in which human beings organize their society, their politics and their economies, lies a hidden and coherent unity. He emphasizes “the constant principles of human nature” – other social scientists have other notions about what the underlying unity involves and entails. But from this perspective all the ways in which things are different across time and space are really illustrations of how they are really deeply the same. This is a powerful lens for understanding the world and perhaps changing it.
When Marco Polo counters Kublai Khan, he points towards quite the opposite phenomenon; how an apparent unity -an abstract of plane forces – can be opened up to disclose the quiddity of things. A chessboard is a plane divided into sixty-four squares – yet it is also something physical, made out of joined-together pieces of wood, each with its own history. The apparently all encompassing abstract unity conceals a world of variation. Unless you understand how the squares were formed – a year of drought; a frosty night; a caterpillar’s appetite; you cannot understand how the chessboard came to be as it is.
It is a little too simple to say that social science is on Hume’s side of the dialectic, while science fiction is on Marco Polo’s. What makes more sense, I think is that very good social scientists and very good science fiction writers each work the tensions between the two understandings of the world, more from the one side than the other….
(9) NAME YOUR PRICE. Filer Jane Sand’s novelette “Not Poppy Nor Mandragora” is in the newly released Fusion Fragment issue #9. The publishers invite readers to “download Fusion Fragment #9 for free or pay what you want!”
…Verne’s story, in turn, inspired the late 19th-century journalist Nellie Bly to make her own world tour, completing the trip in 72 days. She even met Verne in Amiens and wrote her own bestselling book about her adventures. Monty Python alum Michael Palin made the charming TV travelogue, Around the World in 80 Days with Michael Palin, in 1988, detailing his recreation of Fogg’s journey, without resorting to airplanes….
(11) MEDIA BIRTHDAY.
2002 — [Item by Cat Eldridge.] Nineteen years ago on NBC, It’s a Very Merry Muppet Christmas Movie first aired. It was the first film to be made for television by The Muppets franchise. It was directed by Kirk R. Thatcher (in his feature directorial debut though he earlier been hired by Nimoy to associate produce the Conspiracy ’87 Hugo-nominated Star Trek IV: The Voyage Home) and written by Tom Martin and Jim Lewis.
It starred the usual Muppet puppeteers (Steve Whitmire, Dave Goelz, Bill Barretta and Eric Jacobson) plus a number of human guests: David Arquette, Joan Cusack, Matthew Lillard, William H. Macy and Whoopi Goldberg. Executive producers Juliet Blake and Brian Henson, though the actual producers were Martin G. Baker and Warren Carr.
This is also the final Muppets production from the Jim Henson Company, as The Muppets were in their final years of ownership by the Henson family before being sold to Disney in 2004.
Critics were generally very impressed by this film with such comments as the Canadian Movie News saying it “is a medley of familiar Christmas classics such as It’s a Wonderful Life, A Christmas Story and The Grinch, amongst others, with a distinct Muppet spin.” Interestingly audience reviewers at Rotten Tomatoes were less impressed giving a mediocre fifty-one percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 29, 1898 — C S Lewis. I first encountered him when reading The Screwtape Letters in University. I later read of course The Chronicles of Narnia which I found most excellent though I’ll admit that I’ve not read his Space Trilogy. (Died 1963.)
Born November 29, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories. The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which are can be found in Once Upon a Star: A Novel of the Future. The usual suspects has a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time and its sequels: A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. One of her non-genre works that I recommend strongly is the Katherine Forrester Vigneras series. She has a World Fantasy Award for Life Achievement. (Died 2007.)
Born November 29, 1950 — Peter Hooten, 71. He played the title character in the late Seveties Dr. Strange film, well before the present MCU film reality existed. His other genre appearances are all in definitely low-grade horror films such as Orca, House of Blood and Souleater. And one Italian film that had so many name changes that I’d accused it of name laundering, including 2020 Texas Gladiators.
Born November 29, 1955 — Howie Mandel, 66. He was the voice of Gizmo in Gremlins and Gremlins 2: The New Batch. His longest voice acting gig was on the Muppet Babies where he did a lot of different voices, and he voiced Sam-I-Am in In Search of Dr. Seuss which is not nearly as serious as it sounds.
Born November 29, 1969 — Greg Rucka, 52. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four-issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseries as someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central.
Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther alias Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say. And he even appeared on Fringe in the “Subject 9” episode as Mark Little / Cameron James. (Died 2020.)
An episode of The Simpsonsduring which the family visits Tiananmen Square is missing from Disney+’s Hong Kong platform.
Episode 12 of season 16 was found today to be absent from the streamer’s catalogue in the nation, having launched in Hong Kong earlier this month.
The episode features the family going to China to try to adopt a baby. At one point, they visit Tiananmen Square, which was the site of a deadly crackdown in 1989 against democracy protestors. A satirical sign in the cartoon square reads “On this site, in 1989, nothing happened.”
At time of publication, it is not clear whether Disney+ removed the episode or was ordered to by the authorities and Disney has not responded to requests for comment.
The discovery will lead to further concerns over censorship in Hong Kong….
… Since its inception in the mid-1970s, the tabletop role-playing game Dungeons & Dragons (D&D) has brought together a far more diverse array of players than its stereotypes suggest. Earlier this year, the game’s publisher, Wizards of the Coast, released a report showing that, of its estimated 50 million players, 54% were younger than 30 and 40% identified as female. What it didn’t reveal was the rise in visibility of queer and neurodiverse players.
…For people such as Shadia Hancock, the founder of advocacy group Autism Actually and Dungeon Master to a group of young neurodiverse players, the therapeutic potential of the game has always been clear.
“It’s about creating a sense of community,” Hancock says. “I work out the players’ expectations at the beginning of a game. Some get really into creating their characters, some are more interested in finding items and exploring the world, others are really interested in how the characters met. We all have a mutual love of gaming, but we all want something different from the session.”
Some characteristics expressed by some of Hancock’s players – social anxiety, increased empathy, difficulty adapting to change, feeling overwhelmed in noisy environments – have become familiar to many Australians in the wake of lockdowns. Studies cited by the Australian Institute of Health and Welfare found reported levels of social anxiety increased over the past two years among all age groups, with young neurodiverse Australians even more likely to have experienced a decline in wellbeing.
“While other people are excited about going out, I’m filled with dread,” Hancock tells me. “With Covid, we [autistic communities] had all these sudden changes, often with short notice, and there was this need to constantly adapt to new rules. Not knowing what is coming up is really anxiety-inducing. During the pandemic, that became a shared experience.”
(15) NEXT TIME, TAKE THE TRAIN. John Holbo’s “The Ones Who Take the Train to Omelas” is adorned with a big Omelas-themed travel poster (which you can see at the link.)
*Confused? This page contains a parody of a famous story, “The Ones Who Walk Away From Omelas”, by Ursula K. Le Guin. I’d point you to it, but there are no versions legally free on the web. Buy a book! Read Wikipedia. If you are somehow here about the BTS song – sorry, I don’t know about that. (But with half a billion hits, somebody probably does.)
I’ve written notes on my take on Le Guin. An essay! That’s here.
Also, once I made the graphics I tossed ’em on Redbubble. Forgive me. It seemed funny.
“I incline to think that people from towns up and down the coast have been coming in to Omelas during the last days before the Festival on very fast little trains and double-decked trams.”
– Ursula K. Le Guin, “The Ones Who Walk Away From Omelas”
If you’ve been slavering for your chance to spend thousands upon thousands of dollars to head to Walt Disney World’s upcoming Star Wars Galactic Starcruiser experience, might I suggest you towel off your chin for the time being? Disney has released a video preview of some of what awaits families who come aboard the Halcyon, and it doesn’t look particularly enticing.
The first thing you should know about this video is that it stars Disney Parks Imagineer Ann Morrow Johnson and The Goldbergs’ sitcom actor Sean Giambrone. The two take a very short tour of the Starcruiser, but instead of them just talking like normal people about what people who come to the Halcyon can expect, it’s scripted and painfully unfunny. You’ve been warned. But this video also raises an important question, which is: Disney wants $6,000 for this?
https://www.youtube.com/watch?v=Kpyi_I9316Q
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Danny Sichel, Jayn, Bill, Joey Eschrich, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
(1) MASSIVE DOCTOR WHO POLL. Herald of Creation today finished releasing the results of its poll of the best Doctor Who episodes, a Twitter marathon that began in July with number 296 “The Battle of Ranskoor av Kolos” (a Thirteenth Doctor episode, unfortunately.) Here are the top five, with apologies that WordPress won’t display single tweets. (And since Herald of Creation revealed them in last to first order, that shuffles things up, too.)
With flat cave floors, the least convincing monster since the Myrka, Peri bouncing, very dodgy sexual politics & a plot that has been recycled twice before I'll still stand by this as the best Doctor Who has been. Grips and doesn't let go pic.twitter.com/PFlG3UIvpP
If you could capture joy on film this is probably what it would look like. The script sparkles, the Tomfoolery is on point, there are some wonderful images (the artist's picture of Romana) and an exceptional guest cast. Comfort Who pic.twitter.com/yR9GowGYrk
It is this story that made the cancellation of the series a tragedy. The production team were beginning to get to grips with the story they wanted to tell and this does a fine job particularly with Ace's story arc. Great guest cast pic.twitter.com/ittlYzYmmz
This is one of those bad news but not the worst news posts, which is to say that I’ve been diagnosed with early stage breast cancer and am in the process of scheduling surgery and radiation for it.
This means that The Folded Sky will probably be a little delayed, because at least two months of my life are going to vanish in a puff of waiting rooms and lasers. The good news on that front is that I’m working on the copy edits for The Origin of Storms right now and those should be handed back very soon. And I think I’ll get the short story I’m working on finished by deadline, too…
Don’t fret about me too much: I’ve got a great care team and a great group of local family and friends, and the odds are in my favor. The survival rate for early detected breast cancer is 99% these days.
I expect to be crushingly bored and annoyed and somewhat terrified for three months or so, and then suffer through biannual mammograms for the rest of my life, however long that is….
(3) MEMORY BOOK. A Kickstarter appeal has been launched to fund a limited edition hardcover book of art by the world famous fantasy and science fiction artist, Rowena — Paintings and Drawings by Rowena by Kim DeMulder.
The magically amazing artwork of Rowena is known to people everywhere in the world. She painted literally hundreds of book covers and illustrations for many different publications. She won many awards during her career, including the British Fantasy Award for Best Artist in 1984, and was a four-time Hugo finalist for Best Professional Artist. Her professional peers made her a 1999 Chesley Award nominee. And the World Fantasy Conventions awarded her a lifetime achievement award in 2020.
Sadly, Rowena passed away in February 2021 and the art world experienced a profound loss.
And that means, of course that there will be no more Rowena art produced…ever. However, legends never die and here is the opportunity to keep her legend alive. This new book of her artwork contains many pieces that were never published before. And will also include several pieces that were never published in Rowena’s previous art books. Over 100 pages of paintings and drawings and even some poetry are contained within this hard cover volume.
This beautiful book is being lovingly designed and edited by Kim DeMulder, who had lived with Rowena for approximately the last 18 years.
(4) DOES YOUR CON NEED HELP? Speculative Literature Foundation is still taking applications for their Convention Support Grants. It’s a rolling grant – the first recipients were announced last month.
This has been a difficult year for the conventions that have long been the lifeblood of our field. The SLF is pleased to announce a new Convention Support Grant for 2021-2022.
We’ll be giving out $10,000 over the course of the year, in grants of $500 – $1000 each, to science fiction and fantasy conventions. (Literary conventions that have significant speculative literature content are also welcome to apply.)
These grants are intended to support conventions both in developing their online presences (through the purchase of tech, training costs, hosting costs, etc.) and making in-person gathering safer once it’s appropriate, perhaps in the last quarter of 2021 (through purchase of cleaning supplies, masks, renting additional rooms for better spacing, etc.). Non-profit organizations preferred.
Applications will be reviewed on a rolling basis. Open for submissions: Conventions taking place between January 1 and May 31, 2022, application period: August 15 – September 15, 2021
…Essentially, reports Le Monde and WorldCrunch, the French Military of Defense is working with the University of Paris Sciences and Lettres to train their military on sci-fi-esque ideas. The science fiction writers, already in the business of thinking of futuristic technology and social innovations, come up with futuristic scenarios that could possibly endanger France between 2030 and 2060. Once the sci-fi writers, called the “Red Team,” fact-check with “The Purple Team,” academics working in AI and tech, and the “Blue Team,” military, the military uses those ideas as practice scenarios.
…A little surprisingly, a fraction of the scenarios are made available for public consumption on the Red Team’s website; the two scenarios currently on the site are “The Sublime Door Opens Again,” a world where hypervelocity missiles have caused armies to design shields that can cover a whole city, and “Chronicle of an Announced Cultural Death,” a world where communities have siloed themselves into “safe spheres”.
The Red Team also has a YouTube channel filled with what are essentially commercials for themselves.
(6) IN A HOLE IN THE GROUND. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the August 28 Financial Times (behind a paywall), Lorien Kite discusses a vacation she took with her family in Iceland, organized by Black Tomato “Take me on a Story” based on Jules Verne’s Journey To The Centre Of The Earth.
The action begins almost as soon as we make it through the melee of duty-free shopping and Covid-related bureaucracy at Keflavik arrivals only to be greeted by our guide for the next four days, Arnar Olafsson. Outside, loading the vehicle, we find an envelope wedged under the windscreen wiper, which opens to reveal a letter with certain words rendered in Scandinavian runes together with part of a runic-to-roman key–though not a big enough part for us to make much headway. Later, after we are dropped off at our base for the first two days, the stylish Hotel Husafell near the Lankjokull glacier, a parcel including the missing section is delivered to our door.
The packages keep coming, all containing puzzles or messages that whet the appetite for the next day’s activities and sustain the narrative of a mysterious uncle with the initials “GH” who has discovered a way to the centre of the Earth and is now on the run: It’s a kind of treasure hunt, borrowing from the 1959 and 2008 films as well as from the book.
(7) DHALGREN IN DEPTH. On Samuel R. Delany’s Dhalgren, edited by Bill Wood, and put together with a great deal of assistance from Delany himself, will be released by Fantastic Books on September 9.
This book—full of reviews, critical essays, and in-depth analyses of Dhalgren as a novel, and as commentary on life and the world—is an excellent companion to the novel itself. There are also discussions of how to read the novel, and clues to unraveling some of the mysteries hidden therein. Dhalgren is a difficult novel to read—playing with the reader’s perception through the use of circular text, interior echoes, multistable perception, and repeated imagery—but it is a worthwhile read. The book includes nine full-color illustrations (and more spot black-and-white illos), as well as an essay on “The Making of Hogg,” Delany’s infamous and nearly unpublishable novel.
Samuel R. Delany is the winner of two Hugos and four Nebula Awards. He has been honored with lifetime achievement awards, including SFWA’s Grand Master, the Eaton Award, the Lambda Pilgrim Award, and the Gaylactic Spectrum Award, and was inducted into the Science Fiction Hall of Fame. Dhalgren, his most popular and most controversial novel, was first published in 1975. It was nominated for the Nebula Award, remains in print to this day, and has sold close to two one million copies in a variety of editions.
Contributors include Douglas Barbour, Mary Kay Bray, Rudi Dornemann, Harlan Ellison, Robert Elliot Fox, Jean Marc Gawron, Kenneth R. James, Gerald Jonas, John Nizalowski, Steven Paley, Darrell Schweitzer, Steven Shaviro, K. Leslie Steiner, Theodore Sturgeon, and Samuel R. Delany himself.
2003 – Eighteen years on this date, Seven Seasons of Buffy: Science Fiction and Fantasy Writers Discuss Their Favorite Television Show was published by BenBella Books. It’s a look by Buffy the Vampire Slayer and Angel by genre writers who are very obviously fans of those series. I won’t list all of the authors and their essays who are here so I’ll single out just a few such as David Brin who wrote “Buffy vs. the Old-Fashioned ‘Hero'”, Laura Resnick’s “The Good, the Bad, and the Ambivalent” and Sherrilyn Kenyon “The Search for Spike’s Balls”. It’s available should you want to read it from the usual suspects for a mere four dollars and ninety nine cents.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1940 — Pauline Collins, 81. She played Queen Victoria in the Tenth Doctor story, “Tooth and Claw”, a most excellent tale, but she first showed up on Who over thirty years earlier as Samantha Briggs in “The Faceless Ones”, a Second Doctor story. She’s appears in Tales of the Unexpected, The Three Musketeers, Julian Fellowes’ From Time to Time film and the Merlin series.
Born September 3, 1943 — Valerie Perrine, 78. She has an uncredited role as Shady Tree’s sidekick in Diamonds Are Forever, her first film appearance. Her first credited film role is as Montana Wildhack in Slaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II. She showed up as Tins in “The Three Little Pigs” episode of Faerie Tale Theatre, and was April Flowers in “Who’s Who: Part 3” of Ghostwriters.
Born September 3, 1943 — Mick Farren. Punk musician who was the singer with the proto-punk band the Deviants. He also wrote Hawkwind lyrics who several genre writers have included in their novels. His most well-known genre work was the The Renquist Quartet about an immortal vampire. His late Eighties novel The Armageddon Crazy was set in a post-Millennium States dominated by fundamentalists who toss the Constitution away. (Died 2013.)
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, andrew j offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of toxoplasmosis, complicated by AIDS to be precise. (Died 1989.)
Born September 3, 1969 — John Picacio, 52. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Professional Artist at LoneStarCon 3 and at CoNZealand. He’s nominated this year for the same Award.
Born September 3, 1974 — Clare Kramer, 47. She had the recurring role of Glory, a god from a hell dimension, that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
(10) COMICS SECTION.
The Argyle Sweater rings up another Hugo memory – just not the kind you might expect.
… The book I wish I’d written The Man Who Was Thursdayby GK Chesterton. It’s an extraordinary novel, funny and clever. It is subtitled A Nightmare. But it’s an odd sort of nightmare – one where terror keeps dissolving into cheerfulness (which is the opposite way round from most nightmares, and from a lot of contemporary fiction). Chesterton describes scenes and objects and colours with an almost heraldic vividness – or, looked at another way, as if they were pages in a modern graphic novel. He makes London feel like a fairytale, which to him I think it was. I have read The Man Who Was Thursday many, many times, but I still don’t understand it. I’ll keep going.
A word of warning: it is a book of its times. There are no women characters. Well, there might be one, but she says three things and vanishes immediately….
(12) DUELING KAIJU. John Scalzi’s tweet brings to mind something I saw during the 1986 Worldcon, possibly in the same hotel. (How many downtown Atlanta hotels have these glass-walled elevators?) Quote follows.
…At other times, the illusion of flight and the view of other elevator cars hurtling past inspired new fannish stunts. Late Friday night the car I was riding stopped at the 38th floor, admitting Jerry Pournelle and Barbara Clifford. Seconds later, another car stopped beside us on the 38th floor. Staring from its window was a 3-foot-tall inflatable Godzilla held upright by two laughing fans. Both elevators left the 38th floor together, and raced downward on a parallel course. Like a tailgunner sighting bogies through his perspex dome, Pournelle jackhammered his arms from the recoil of imaginary twin-.50s and yelled, “Die, monster, die!” Godzilla’s bodyguards imitated Jerry and they shot each other down into the lobby….
(13) MORE NEWS. Petréa Mitchell returns to the con reporting field with the launch of her new Substack newsletter SMOF News. Issue 1 is live here.
SMOF News aims to be a newsletter covering fan conventions and related topics of interest. Please send your press releases, your news tidbits, and your outraged letters to smofnews@gmx.com.
Each issue will have 4 parts:
Discussion of the big news of the week. If there is no big news, the space will be filled by editorializing, helpful tips for congoers, Q&As, or whatever else seems appropriate to the moment. Like this introduction, for instance.
News in brief from around the convention world.
Convention listings for the next five weekends.
One interesting link that may or may not have anything at all to do with geek fandoms.
Newsletters will be published every Wednesday evening, Pacific Time.
(14) OCTOTHORPE. Episode 39 of the Octothorpe podcast is now up. John Coxon, Alison Scott, and Liz Batty are at their computers for the first time in ages, and spend awhile catching up on locs before talking about convention COVID-19 policies. Listen here: “Bar Cookies”.
On TikTok, the hashtag #disneyhouse currently has over 120 million views. Here, you can see everything from handles shaped like the talking doorknob in Alice In Wonderland to princess beds to Aladdin rugs to doors decaled to look like Boo’s from Monsters, Inc. In recent years, much has been made of ‘Disney adults’ – often childless millennials with an all-consuming love of Walt’s wares. Disney adults subtly dress like Disney characters, they holiday in the parks multiple times a year and they fill their homes with Disney décor.
(16) TEN PERCENTER. Powell’s Books has picked a list of 50 Books for 50 Years. I’ve read five. (Sometime I’m going to make my own list so for once I can have a good score.)
Which books have foretold the present, lit our paths, warned us back, egged us on? What books stand with us now, reflecting the present?
Read why we picked each of these remarkable volumes of fiction, nonfiction, poetry, and comics for our anniversary list — and share your favorites with us using the hashtag #50Books50Years.
(Click for larger image.)
(17) MADE OF CHEESE. The moon, maybe, the movie for sure. Moonfall comes to theaters February 4, 2022.
In Moonfall, a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler (Academy Award® winner Halle Berry) is convinced she has the key to saving us all – but only one astronaut from her past, Brian Harper (Patrick Wilson, “Midway”) and a conspiracy theorist K.C. Houseman (John Bradley, “Game of Thrones”) believes her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
(18) VIDEO OF THE DAY. Mark Hamill talks to Star Wars Coffee about his role in The Mandalorian. This is actually quite interesting and only four minutes long.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, Ian Randal Strock, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jack Lint. Or Kendall. I’m not sure.]
(1) EVERYBODY COMPLAINS ABOUT THE WEATHER. And they complain even more if somebody does something about it. Sierra Garcia points to research about “How Early Sci-Fi Authors Imagined Climate Change” at JSTOR Daily.
More than a century before melting polar ice caps, geoengineering schemes, and soaring greenhouse gas emissions became the norm, humans causing climate change was the stuff of science fiction.
For a few decades in the late nineteenth and early twentieth centuries, authors from across ideologies and genres published stories that today would be called “cli-fi,” or climate fiction. French author Jules Verne, best known for popular adventure stories like Around the World in 80 Days and Twenty Thousand Leagues Under the Sea, penned a novel in 1889 called Sans Dessus Dessous about capitalists intentionally heating the Arctic to extract coal reserves. Mark Twain included a subplot of selling warm climates in his 1892 novel The American Claimant. Recently, literary scholar Steve Asselin reexamined these and dozens of other early cli-fi stories, finding several disquieting themes relevant to how we think about modern-day climate change.
…First the why: [Jude] Doyle says they left Substack because they were upset that Substack was publishing — and in some cases offering money upfront to — authors they say are “people who actively hate trans people and women, argue ceaselessly against our civil rights, and in many cases, have a public history of directly, viciously abusing trans people and/or cis women in their industry.”
Substack’s main business model is straightforward. It lets newsletter writers sell subscriptions to their work, and it takes 10 percent of any revenue the writers generate (writers also have to fork over another 3 percent to Stripe, the digital payments company).The money that Substack and its writers are generating — and how that money is split up and distributed — is of intense interest to media makers and observers
But in some cases, Substack has also shelled out one-off payments to help convince some writers to become Substack writers, and in some cases those deals are significant….
(3) CUT TO THE CHASE. In the Washington Post, David Betancourt interviews Zack Snyder and Deborah Snyder about the release of Zack Snyder’s Justice League, with Deborah Snyder saying “the fans got a huge corporation to listen to them and make this (Snyder cut) a reality,” but with Betanourt noting the release of the Snyder cut is also because HBO Max is hungry for superhero content to compete with Disney. “’Zack Snyder’s Justice League’ is what the director really wanted all along”.
… Knowing the Snyder Cut would be a streaming experience and not a theatrical one allowed it to grow. The film is four hours and two minutes, twice as long a the original. HBO Max’s hunger to have game-changing new superhero content to compete with Netflix and Disney Plus — not to mention a pandemic making everyone eager for more at-home offerings — created a golden opportunity for all involved.
“What the streaming services have done is allowed a lot more risks to be taken,” Deborah [Snyder] said. “There’s movies getting made — and [the Snyder Cut] is a perfect example — that wouldn’t be made if it wasn’t for the streamers. As a filmmaker and as a producer, that is exciting to me. I want to see the envelope being pushed and risks to be taken.”
(4) JOURNEY PLANET IS GETTING CRAFTY! They’re looking for a few good crafters… or any crafters really. Team Journey Planet (this time being James Bacon, Sara Felix, and Chris Garcia) is putting together a Crafting in the Time of COVID-19 theme issue that will explore the DIY methods that people tried to pass the time they would normally spend out in the world. They’re looking for stories of hobbies taken up or re-kindled, photos of crafts managed, art cars or campers created, art you might have created during lockdown, and much more.
Did you build a rudimentary lathe and start turning artisanal batbase bats? We wanna hear about it. Did you start painting alternate bookcovers for your favorite novels? We wanna see ’em? Take up bookbinding, or clockmaking, or knitting, crocheting or tiara-making? Share ’em with us.
China told local media not to broadcast next month’s Oscars ceremony in real time and to play down coverage of the awards, according to people familiar with the matter, after a documentary on the Hong Kong protests was nominated and amid concern over the political views of Best Director contender Chloe Zhao.
…“Do Not Split,” nominated for best short documentary, chronicles the anti-Beijing demonstrations that took hold in Hong Kong in mid-2019 and China’s growing power and influence in the former British territory.
…While initially lauded in the Chinese press for the success of her naturalistic film “Nomadland,” Zhao — who won the Golden Globe for Best Director last month — has since attracted criticism for a 2013 interview where she is said to have described China as “a place where there are lies everywhere.”…
(6) FRANK THORNE OBIT. Frank Thorne (1930-2021), artist of the Red Sonja comics of the 1970s has died. Heavy Metal pays tribute:
… Red Sonja, a character from the Conan-verse created by Robert E. Howard, made her Marvel Comics debut in Marvel Feature #1, penciled by Dick Giordano. Thorne took over as artist in the second issue, and remained Red Sonja’s artist through the title’s seventh and final issue, dated November 1976. Red Sonja got her own title beginning in January 1977, illustrated by Thorne (he did it all — pencils, inks, colors and lettering, and cover art) through issue 11.
Thorne clearly relished Red Sonja; his association with the title went beyond a job and became part of his identity. There was also a performative aspect — Thorne would show up at conventions dressed in a wizard costume, accompanied by a model or few (calling themselves “The Hyborean Players”) wearing the famous scale-mail bikini of Red Sonja. One of the Red Sonja models was Wendy Pini, who managed to make conventions and photo shoots when she wasn’t illustrating the series that would make her famous in the comics world: ElfQuest. Yup, that Wendy Pini….
(7) MEDIA BIRTHDAY.
March 19, 1999 — On this day in 1999, Farscape premiered on Syfy. The series was conceived by Rockne S. O’Bannon and produced by The Jim Henson Company and Hallmark Entertainment. The Jim Henson Company was responsible for the various alien make-up and prosthetics, and two regular characters, Rygel and Pilot were completely Creature Shop creations. Filmed in Australia by Network Nine, it would would last for four seasons ending in The Peacekeeper Wars which is considered the fifth season.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 19, 1821 — Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. He worked on the translation of an unexpurgated version of One Thousand and One Nights. Also, Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. Philip Jose Farmer made him a primary character of the Riverworld series. (Died 1890.) (CE)
Born March 19, 1894 – Lilith Lorraine. Author of poetry and otherwise, editor, radio lecturer, under various names. Half a dozen short stories, a hundred poems. Founded Avalon poetry ass’n; The Avalonian carried Robert Silverberg’s first paid story. Time Grows Thin posthumous coll’n of poetry (so consider the title!) has an introduction by Steve Sneyd. (Died 1967) [JH]
Born March 19, 1926 — Joe L. Hensley. He was a First Fandom Dinosaur which is to say he was active in fandom prior to July 4, 1939 and he received the First Fandom Hall of Fame Award. He is also a published genre author with ”And Not Quite Human” in the September 1953 issue of Beyond Fantasy Fiction being his first published work, and The Black Roads being his only genre novel. It does not appear that his genre works are available in digital editions. (Died 2007.) (CE)
Born March 19, 1928 — Patrick McGoohan. Creator along with George Markstein of The Prisoner series with him playing the main role of Number Six. I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but do comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host. (Died 2009.) (CE)
Born March 19, 1936 — Ursula Andress, 85. I’m sure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films. (CE)
Born March 19, 1946 – John Gribbin, Ph.D., age 75. Eight novels, a score of shorter stories; columnist, correspondent, reviewer for Analog, Omni, Vector; fourscore books of nonfiction e.g. Almost Everyone’s Guide to Science (with wife Mary Gribbin); Hyperspace, Our Final Frontier; biographies of Einstein, Feynman, Schrödinger. Lifetime Achievement Award from Ass’n of British Science Writers. [JH]
Born March 19, 1953 – Laurie Sutton, age 68. A dozen novels. Worked for the Comics Code Authority awhile; “I never considered my job to be one of censorship…. being a comic book fan.” Then comics for DC (including Adam Strange) and Marvel (including Star Trek); introduced Frank Miller to Japanese comics. Publishing Innovation Award. [JH]
Born March 19, 1955 — Bruce Willis, 66. So do any of the Die Hard franchise count as genre? Setting them aside, he has a very long genre list, to wit Death Becomes Her (bit of macabre fun), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), Looper (most excellent), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill). (CE)
Born March 19, 1960 – Karen Cooper, age 61. Chaired Ditto 12 (fanziners’ con; Ditto, a brand of spirit duplicator). Long-time member of Minn-Stf. Her Minicon 34 Restaurant Guide (with husband Bruce Schneier) was a Hugo finalist for Best Related Book (as the category then was, now “Best Related Work”). Fan Guest of Honor at WindyCon 40. [JH]
Born March 19, 1964 — Marjorie Monaghan, 57. JoJo on all six episodes of Space Rangers. My brain keeps insisting it lasted much, much longer. She also was on Babylon 5 as the Mars Resistance leader during the Earth Alliance Civil War, where she was known as Number One. She’s also appeared on Quantum Leap, in the cyberpunk Nemesis film, in The Warlord: Battle for the Galaxy film, on Andromeda series and on The Great War of Magellan film. (CE)
Born March 19, 1970 – Kimberly Sabatini, age 51. One novel so far. Alice Curtis Desmond Award. When her father died, she “discovered … she’s full of questions that need to be answered.” Has read Endurance (Scott Kelly), The Wonderful Wizard of Oz, Hidden Figures, Frankenstein, Nothing Stopped Sophie (Sophie Germain), Seabiscuit, Gone With the Wind. [JH]
Born March 19, 1973 – Josh Rountree, age 48. One novel, twoscore shorter stories including “The Review Lester Bangs Would Have Written for the New Stones Album if He’d Lived Long Enough to Witness the Fall of Humanity and the Rise of the Other”. Seen in Andromeda Spaceways, Beneath Ceaseless Skies, Daily SF, Electric Velocipede, Realms of Fantasy. [JH]
Of the seemingly thousands of Pop figures that Funko has made, it’s weird to think that the company has only released six from Star Trek: The Original Series, way back in 2013. Sure, it’s made characters from The Next Generation, the Star Trek Beyond movie, and even put the cast of The Big Bang Theory in Trek uniforms since then. But Funko will finally right this wrong later this year with eight new figures from TOS.
The original six Pop figures included Kirk, Spock, Scotty, a Klingon, an Andorian, and an Orion Slave Girl. It shouldn’t be surprising that after so long, as StarTrek.com reports, the new series also contains a Kirk and Spock, but now the former is sitting in his captain’s chair, while Spock is, uh… holding a cat…
Spock with Gary Seven’s familiar from “Assignment: Earth”
The Scottish National Gallery of Modern Art has turned its Ray Harryhausen tribute into a “virtual experience” after spending years working on the exhibition with the legendary movie-maker’s family.
A £10 pass, which is available from today, will offer unlimited access to the online incarnation of the exhibition, which explores how Harryhausen inspired cinematic legends like Steven Spielberg, George Lucas and Peter Jackson thanks to his groundbreaking work on Jason and the Argonauts, Clash of the Sitans, Earth vs the Flying Saucers and the Sinbad series.
They will be able to secure glimpses of rarely-seen models, drawings, sketches, photographs, posters and storyboards drawn from the archives of the Ray and Diana Harryhausen Foundation, which is run by the family of the Californian-born special effects legend and his wife, who both passed away in 2013.
(11) ZOOMING WITH THE BENFORDS. Fanac.org’s next FanHistory Zoom will be “The Benford Twins, Fandom and the Larger Universe” on March 27, 2021, 2 pm Eastern. To receive a Zoom link, please RSVP to fanac@fanac.org.
Jim and Greg Benford (founding editors of the legendary fanzine Void) became fans in the 1950s, and throughout a lifetime of science, professional writing, and extensive accomplishments, they have remained fans. In this Zoom session, they’ll talk about their introduction into fandom, their fandom over the years, and tell stories about the important and interesting people they’ve met. What influence has fandom had on them? Did relocation change their interactions with fandom? How have their professional lives influenced their fandom? Join us and find out (and expect a few surprises.)
The current schedule of future Fan History zoom sessions is available here.
NASA completed an engine test firing of its moon rocket Thursday, after the first attempt in January ended prematurely.
This time, the four main engines of the rocket’s core stage remained ignited for the full eight minutes. Applause broke out in the control room at Mississippi’s Stennis Space Flight Center once the engines shut down on the test stand.
NASA officials called it a major milestone in sending astronauts back to the moon, but declined to say when that might occur or even whether the first test flight without a crew would occur by year’s end as planned.
Our solar system’s first known interstellar visitor is neither a comet nor asteroid as first suspected and looks nothing like a cigar. A new study says the mystery object is likely a remnant of a Pluto-like world and shaped like a cookie.
Arizona State University astronomers reported this week that the strange 148-foot (45-meter) object that appears to be made of frozen nitrogen, just like the surface of Pluto and Neptune’s largest moon Triton.
The study’s authors, Alan Jackson and Steven Desch, think an impact knocked a chunk off an icy nitrogen-covered planet 500 million years ago and sent the piece tumbling out of its own star system, toward ours. The reddish remnant is believed to be a sliver of its original self, its outer layers evaporated by cosmic radiation and, more recently, the sun.
(15) VIDEO OF THE DAY. “MCI Commercial With Leonard Nimoy, TOS Cast, and Jonathan Frakes” on YouTube reveals that in 1993 the original Star Trek cast was eager to call 1-800-3BEAMUP to get 20 percent off the MCI Friends and Family Plan. But who invited Jonathan Frakes to the party?
[Thanks to John King Tarpinian, Cora Buhlert, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Nicole J. LeBoeuf-Little.]
(1) JEMISIN’S LATEST MILESTONE. [Item by Rob Thornton.] N.K. Jemisin received an interesting present for Christmas when she learned that The City We Became was chosen as a Book Of The Month.
(2) AWARDED SFF BY POC. [Item by Eric Wong.] Rocket Stack Rank’s annual Outstanding SF/F by People of Color 2019, with 67 stories by 60 authors that were that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction.
Included are some observations obtained from highlighting specific recommenders and pivoting the table by publication, author, awards, year’s best anthologies, and reviewers.
Stories by People of Color make up 29% of SF/F awards finalists with 29 stories out of 99 award-finalist stories from the 2019 Best SF/F. Nine stories won awards in their respective categories.
These stories did the worst, at 25%, among prolific reviewers with 26 stories out of 105 award-worthy stories from the 2019 Best SF/F. A.C. Wise thought 11 of the 26 were award-worthy, followed by Gary Tognetti who thought 10 were award-worthy.
As for RSR, we recommended 11 stories (3 award worthy), were neutral on 18 stories, recommended against 13 stories, and did not review 25 (view by RSR rating).
(3) CALL FOR REVIEWERS. If you’re interested in reviewing PDFs of either of these for File 770, contact me at mikeglyer (at) cs (dot) com.
FIREFLY: THE ARTBOOK An original glossy coffee table book bursting with brand new and exclusive art, includes over 120 pieces by professional artists, illustrators, concept artists, comics artists and graphic designers.
RIVERS OF LONDON BODY WORKS DELUXE WRITERS’ EDITION CSI meets Harry Potter in this fantastic DELUXE WRITERS’ EDITION graphic novel from Ben Aaronovitch, writer of the bestselling Rivers of London supernatural police procedural crime novel series! Presents the full script of the graphic novel along with the unlettered, full-color artwork, allowing the reader to read the original script and see the artwork side-by-side.
As one of Star Trek’s most beloved characters, Montgomery “Scotty” Scott spent a lifetime exploring the galaxy on the USS Enterprise, boldly going beyond the final frontier.
Now it can be revealed that in death the actor who played the starship’s chief engineer has travelled nearly 1.7 billion miles through space, orbiting Earth more than 70,000 times, after his ashes were hidden secretly on the International Space Station.
A note. In 2012, it was also announced that some of James Doohan’s ashes were being launched into space on a Falcon 9 flight that would put them in orbit for about two years. That was known, but not the same as Richard Garriott carrying his ashes aboard a Soyuz to place them on the ISS, which was not previously known.
WW84 starts on a promising note, taking a page from the Superman playbook: Wonder Woman sweeps into a shopping mall and dispatches a gang of crooks while saving imperiled children, even sharing a knowing wink with one of them. It’s a moment of pure fun that leaves you with a smile on your face and shows our heroine actually enjoying her superpowers.
From that point on, the movie struggles to be relevant and serious, but in a superficial, cartoony way. It drones on for two and a half hours but it hasn’t got a lot to say, and sputters whenever it’s trying to convey a message. A prologue on Paradise Island only makes one wish they made more use of that setting and its strong female characters….
…Responding to a tweet from Guardians of the Galaxy director James Gunn, Hamill laid out the full extent of the Space Force’s thievery.
So they grab the "Guardians" from your movies, they use the "Force" from our movies… then they have the gall to just steal their logo from "Star Trek"? Let's file a 3-way joint lawsuit & really nail these larcenous bastards! ???????????????????????#MayTheDorksBeWithYouhttps://t.co/AAbOexR4WYpic.twitter.com/0zIdLldcrB
The other week I linked to a few “best of…” lists for 2020. On Twitter, Hampus also suggested another round-up source here https://www.cbr.com/best-video-games-2020/ I’ve since collated those lists along with the video games already listed on the Hugo Sheet of Doom. I’ll confess that I have taken a scattershot approach to deciding whether games are SFF or not. It isn’t always easy! Does a historical game count as alternate-history if you can reshape events (eg Crusader Kings III)? Is Call of Duty SFF because there is a zombie option? I don’t know!
(8) GUNN OBIT. SFWA Grand Master James Gunn died December 23. Colleague Kij Johnson has a tribute: “With great sadness”.
This morning, James Gunn passed on at the age of 97. We’re not sure of what, but it probably was congestive heart failure. He went into the ER on Saturday morning, where they were not able to regulate his heartbeat. There will be official announcements and eventually a memorial.
Gunn’s leadership in the field of sff studies at the University of Kansas is commemorated by the Center there that bears his name. His academic work included a series of filmed interviews with leading creators in 1970, including Rod Serling.
https://www.youtube.com/watch?v=jAVIfOByXaU
(9) MEMORY LANE.
In 1958 at Solacon held at South Gate, California, Fritz Leiber would win the first of ten Hugos that he would garner to date (counting Retros), for The Big Time. The Big Time was published originally in Galaxy Magazine‘s March and April 1958 issues as illustrated by Virgil Finlay who has multiple Retro Hugos as an artist. In 2012, it was selected for inclusion in the Library of America’s two-volume American Science Fiction: Nine Classic Novels of the 1950s.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 25, 1890 – Robert Ripley. Dropping out of high school to help his family after his father’s death, he worked as a cartoonist, invented Ripley’s Believe It or Not! and became world-famous. Said he documented everything. Invited readers’ contributions, was read by eighty million, may have received more mail than the U.S. President. Short cinema features, radio, television, visited 200 countries. When R noted that in fact the U.S. had no national anthem, John Philip Sousa applauded “The Star-Spangled Banner” – which everyone had been singing – and it was finally adopted. Also NY State handball champion. Not in touch with us during his life (though he did interview Maud Baum) – he didn’t want fiction; the continuing R enterprise runs museums, publishes books: in RBI (R’s Bu. of Investigation) #2 The Dragon’s Teeth teen agents have special gifts. (Died 1949) [JH]
Born December 25, 1915 – Dora Pantell. Teacher, author of textbooks and manuals (many on English as a second language), she continued the Miss Pickerell books of Ellen MacGregor (1906-1954) about a New England spinster (as such were known until quite recently) with a good mind who takes technological adventures and applies science. EM left copious notes, DP wrote a dozen Pickerell books (MP on the Moon, MP and the Weather Satellite) and as many shorter stories. (Died 1996) [JH]
Born December 25, 1924 — Rod Serling. Best remembered for the original and certainly superior Twilight Zone and Night Gallery with the former winning an impressive three Hugos. He’s also the screenwriter or a co-screenwriter for Seven Days in May, a very scary film indeed, as well as The New People series, The Strange Case of Dr. Jekylland Mr. Hyde, A Town Has Turned to Dust, UFOs: Past, Present, and Future and Planet of the Apes. ISDB lists a lot of published scripts and stories by him. (Died 1975.) (CE)
Born December 25, 1928 — Dick Miller. He’s appeared in over a hundred films including every film directed by Joe Dante. You’ve seen him in both Gremlins, The Little Shop of Horrors, Terminator, The Howling, Small Soldiers, Twilight Zone: The Movie, Amazon Women on the Moon, Batman: Mask of the Phantasm where he voiced the gravelly voiced Chuckie Sol and Oberon in the excellent “The Ties That Bind” episode of Justice League Unlimited. (Died 2019.) (CE)
Born December 25, 1939 — Royce D. Applegate. His best known role was that of Chief Petty Officer Manilow Crocker on the first season of seaQuest DSV. He’s got appearances in Quantum Leap, Twin Peaks (where he played Rev. Clarence Brocklehurst), Tales of the Unexpected and Supertrain. (Died 2003.) (CE)
Born December 25, 1945 — Rick Berman, 75. Loved and loathed in equal measures, he’s known for his work as the executive producer of Next Gen, Deep Space Nine, Voyager and Enterprise which he co-created with Brannon Braga. He’d be lead producer on the four Next Generation films: Generations, First Contact (which I like), Insurrection and Nemesis. (CE)
Born December 25, 1947 – Bill Fesselmeyer. Active U.S. Midwest fan, worked on MidAmeriCon I the 34th Worldcon, satirized our Worldcon Business Meetings – so hard that we don’t always do them well – in “How the Grinch Stole Worldcon”, as you can read here, thanks again to Leah Zeldes Smith. Earned a barony in the Society for Creative Anachronism. With wife Sherry, Fan Guests of Honor at BYOB-Con 7. (Died 1984) [JH]
Born December 25, 1948 –Kathleen Meyer. Chaired Windycon XI-XII and XV; Fan Guest of Honor at Capricon 8. Ran Membership Services at Chicon IV the 40th Worldcon; chaired Chicon V the 49th; survived to run Events at Chicon 2000 the 58th. Twenty-five years Treasurer of parent ISFiC (Illinois SF in Chicago). I knew her, Horatio. (Died 2016) [JH]
Born December 25, 1952 — CCH Pounder, 68. She’s had one very juicy voice role running through the DC Universe from since Justice League Unlimited in 2006. If you’ve not heard her do this role, it worth seeing the animated Assault on Arkham Asylum which is far superior to the live action Suicide Squad film to hear her character. She also had a recurring role as Mrs. Irene Frederic on Warehouse 13 as well. She’s also been in X-Files, Quantum Leap, White Dwarf (horrid series), Gargoyles, Millennium, House of Frankenstein and Outer Limits. Film-wise, she shows up in Robocop 3, Tales from the Crypt presents Demon Knight, The Mortal Instruments: City of Bones and several of the forthcoming Avatar films. (CE)
Born December 25, 1969 – Holly Phillips, age 51. Reared in Trail and other small towns in British Columbia. Sunburst Award for collection In the Palace of Repose. Anthology Tesseracts 11 with Cory Doctorow. Two novels, three dozen shorter stories, half a dozen poems. “As weird as I try to make my fiction, it’s never as weird as the real world.” [JH]
Born December 25, 1969 – Christopher Rowe, age 51. Three novels, thirty shorter stories. Co-author of Wild Cards 25, entitled Low Chicago. Extended chapbook Say…. into a small-press magazine for five years. Has read The Last Great Walk, Lolita, two Jane Austen novels, one Dickens and one Dumas, The Hunt for “Red October”, one Shakespeare. Website. [JH]
Born December 25, 1984 — Georgia Moffett, 36. She’s the daughter of actor Peter Davison, the man who was Fifth Doctor and she’s married to David Tennant who was the Tenth Doctor. She played opposite the Tenth Doctor as Jenny in “The Doctor’s Daughter” and in she voiced ‘Cassie’ in the animated Doctor Who: Dreamland which is now on iTunes and Amazon. And yes she’s in The Five(ish) Doctors Reboot as herself. (CE)
(12) UNDERSTANDING THE CRIMINAL MIND. Amanda Weaver finds the motive lacking for two recent newsmaking capers.
Okay, so that NY Times article about some phishing scam to harvest drafts of books, and now this NetGalley hack…it feels connected. But like the underpants gnomes, there seems to be the "???PROFIT" part missing.
The Hollywood Foreign Press has come under fire again for the rule that disallows “Minari,” the story of a Korean immigrant family struggling to build a better life in Arkansas, from competing in the Golden Globes race for best drama or musical/comedy. As the entertainment industry faces pressure to become more diverse and inclusive, both in the stories it tells and in terms of the actors and filmmakers it champions, the HFPA should have foreseen the outcry from Hollywood.
The rules around Golden Globes eligibility for best picture categories are outdated and need to be overhauled — fast.
“Minari,” which stars an American, is directed by an American and produced, financed, and distributed by U.S. companies, is ineligible in the best picture categories and must compete in the foreign language category. The problem was also faced by last year by “The Farewell,” Lulu Wang’s acclaimed dramedy, in 2019, which, like “Minari,” was forced into the foreign language race and excluded from competing for the Globes’ top prizes.
(14) SEEING VS. BELIEVING. [Item by Martin Morse Wooster.] In the December 19 Financial Times, Raphael Abraham interviews Soul director Pete Docter about how the Pixar crew filming Soul discussed how to depict a soul.
Having consulted clinical psychologists for Inside Out, which made manifest a teenage girl’s emotional inner workings, this time Docter and his team turned to spiritual advisers for guidance ‘We did a lot of research, talking with priests and rabbis, looking at Hinduism, Buddhism, all sorts of different traditions to see what they could teach about the nature of the soul,’ he says. However, when it came to visual representation, they came to a dead end, ‘Largely, it was not too helpful because it said they’re non-visible. And we thought: well, great, but we’ve got to film something!’
Looking within themselves instead, the animators devised a solution that has the film flirting with abstraction as the action moves from the temporal world to the ethereal landscapes of ‘The Great Beyond,’ ‘The Great Before,’ and the ‘Counsellors’ who inhabit them.
Here they turned to art history for inspiration. ‘We looked at a lot of modernist sculpture, Picasso wire sculptures, Alexander Calder. We thought of the Counsellors as the universe dumbing itself down so that the humans and souls could understand it.’
In Sicily, it’s said you should never give a gift in the shape of a cat to someone who is engaged to be married, as this foretells sudden and violent death. However, in other cultures, if your partner gives you an actual cat as a present, it means you will never be parted.
(16) GHASTLY IMAGININGS OF THE SEASON. Dean Koontz’ holiday newsletter (available to subscribers) begins —
Tis the season to be jolly. That’s better than a season to be angry and mean. However, I find something unsettling about too much jolliness, especially when the jolly one is a snowman that has been brought to life by the magic in “an old black hat.” Whose hat was it? Huh? Did it belong to a serial killer, and did he die wearing it, and is his hideous, corrupted soul in that hat?
Frosty’s button nose is okay, but I’m creeped out by those two eyes made out of coal. We can often read other people’s intentions in their eyes, but NOT IN EYES MADE OUT OF COAL! The teeth in his grin are made of coal, too, and he’s always grinning, which suggests he’s psychotic…
(17) YESTERDAY’S MEDIA BIRTHDAY. This one is too good to skip. On December 24, 1916 the silent film 20,000 Leagues Under the Sea, directed and written by Stuart Paton, premiered. Starring Allen Holubar and Jane Gail, Carl Laemmle, later to be founder of what would become Universal Pictures, produced it. Paton used most of Verne’s 20,000 Leagues Under the Sea novel and elements of Mysterious Island as well. Yes it’s in the National Film Registry as it should be. Indeed it was a box office success as it made eight million on a budget of two hundred thousand. You can watch it here.
… “Black hole radiation is one of the perhaps most peculiar processes,” Weinfurtner told Gizmodo. Thanks to her experiment, “you can reproduce this process in the lab.”
More complex dumb holes followed; Weinfurtner eventually went on to lead her own group, now at the University of Nottingham in the United Kingdom, which devised a black hole analog from a vortex produced by a draining, rotating fluid. The vortex amplified waves traveling over the liquid that bounced into it, and the experiment became a first observation of a process called superradiance in the lab—an analogy to the Penrose process, where spinning black holes turbocharge the particles in the space around them….
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Polar Express Pitch Meeting” on Screen Rant, Ryan George explains the premise of The Polar Express is that when a kid “gets into a stranger’s vehicle in the middle of the night, his life is going to change,” but don’t worry, the vehicle is The Polar Express, so this is supposed to be a fun Christmas movie, even if the motion-capture animation leads to “dead eye characters and uncanny valley vibes.”
[Thanks to Cat Eldridge, Rob Thornton, Eric Wong, James Davis Nicoll, Mike Kennedy, John Hertz, John King Tarpinian, Michael Toman, JJ, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anne Sheller.]
(1) TITLE BOUT. Shelf Awareness publicized the release of the six-book shortlist for the 2020 Diagram Prize for the Oddest Book Title of the Year. “Founded by Trevor Bounford and the late Bruce Robertson in 1978 ‘as a way to stave off boredom at the Frankfurt Book Fair,’ the Diagram Prize has had a home at the Bookseller and with legendary diarist Horace Bent since 1982.” The finalists are —
A Dog Pissing at the Edge of a Path by Gregory Forth
Introducing the Medieval Ass by Kathryn L Smithies
Classical Antiquity in Heavy Metal Music by K.F.B. Fletcher and Osman Umurhan
How to Make Love to a Despot by Stephen D. Krasner
Lawnmowers: An IllustratedHistory by Brian Radam
The Slaughter of Farmed Animals: Practical Ways to Enhance Animal Welfare by Temple Grandin and Michael Cockram
The winning title will now be chosen by members of the public via an online vote. The public vote closes on Friday 20th November, with the winning entry to be announced on Friday 27th November. There is no prize for the winning author or publisher, but traditionally a passable bottle of claret is given to the nominator of the winning entry. If a title wins that was nominated by The Bookseller staff, the claret will be given at random to a member of the public who participated in the online voting.
(2) FIYAH FOUNDER Q&A. The latest episode of The Imagination Desk, a podcast from the Center for Science and the Imagination at Arizona State University, is live now, featuring an interview with speculative fiction author Troy L. Wiggins, who is also one of the founders of FIYAH Literary Magazine. Listen in here.
The next episode will be with science fiction author and researcher Regina Kanyu Wang.
Here is the CSI newsletter on Black Speculative Fiction Month activities, which features this podcast, among other things. And here are direct links to the podcast, on the CSI website (which links out to the other services), Apple Podcasts, Spotify, RadioPublic, and Libsyn.
(3) ROCKY HORROR LIVE FUNDRAISER. This invitation was sent in Tim Curry’s name for a Rocky Horror Live virtual event to aid the Wisconsin Democratic party.
Right now, we can almost see blue skies through the tears… of the Trump presidency, of course. But we absolutely must keep the pressure on!
That’s why we’re doing the Rocky Horror Show — LIVE — this Halloween night — to help get out the vote in Wisconsin. RSVP and reserve your spot today!
This is a live, once-in-a-lifetime musical livestream event, featuring cast members both old and new. There will be singing, dancing, laughs and plenty of fun.
…Chip in any amount to join us for the Rocky Horror Show Livestream on Halloween with Tim Curry, Wilmer Valderrama, Lance Bass, Rosario Dawson, Jason George, Nell Campbell, Seth Green, Jason Alexander, David Arquette, and more!
Featuring musical performances by The Dresden Dolls, Miss Peppermint, Eiza Gonzalez, Josh Gad, Ben Barnes, Jenna Ushkowitz, Rachel Bloom, Karen Olivo, Marissa Jaret Winkour, Madison Uphoff, Kalen Chase, and Rumer Willis.
This event is only going to be livestreamed once at 9pm CT on Saturday, October 31st.
…These are the similarities between the Dupin stories and Sherlock Holmes, and there are many. One writer said that “The only difference between Dupin and Holmes is the English Channel.” Similarity number one: in both stories we have at the heart a highly intelligent but somewhat eccentric and enigmatic detective. The word detective did not actually exist when Poe was writing, which gives you a sense of how novel he was. He might have taken the idea from a series of magazine articles about a French policeman. Otherwise, he was on his own. This was all his….
… Examples of the mad scientist/evil genius in everything from comic books to classics spring to mind without even breaking a sweat: Dr. No of James Bond fame, whose experiments with atomic energy cost him his hands as well as his conscience; Christopher Marlowe’s Dr. Faustus, whose unquenchable thirst for knowledge drove him to a deal with the devil; Dr. Henry Wu, who fooled around with genetics and opened a questionable theme park in Michael Crichton’s Jurassic Park, and, my personal favorite, Robert Louis Stevenson’s Dr. Jekyll, whose work brought to the surface his baser self as Mr. Hyde.
It is the last example, I think, that speaks most clearly to our fears. Scientists are people like the rest of us—multi-faceted, unpredictable and (for the most part) human. Like all of us humans, there’s always that slim chance that they’re going to turn to the proverbial dark side, especially when they get a taste of power….
(6) MEDIA ANNIVERSARY.
2000 — Twenty years ago at Chicon 2000, the Hugo for Best Novella went to Connie Willis for “The Winds of Marble Arch”, a precursor to her Blackout/All Clear novel which would win the Best Hugo Novel eleven years later at Renovation. Runner-ups were Harry Turtledove‘s “Forty, Counting Down”, Adam-Troy Castro and Jerry Oltion‘s “The Astronaut from Wyoming”, Mike Resnick‘s “Hunting the Snark” and Kage Baker‘s “Son, Observe the Time”. It can be found in The Winds of Marble Arch and Other Stories, the Subterranean Press collection, which is available from the usual digital suspects.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 26, 1942 — Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might-be genre film, and he’s Smee in Hook as well. (Died 2014.) (CE)
Born October 26, 1945 – Jane Chance, Ph.D., D.Litt., 75. Mellon Distinguished Professor emerita at Rice; first woman appointed to tenure track in English; founder president of the Consortium for the Teaching of the Middle Ages; doctorate of letters, Purdue. For us, six books on Tolkien; a score of others, a hundred articles. [JH]
Born October 26, 1951 – Melanie Herz, 69. Hardworking Florida fan. Many regionals and Worldcons; chaired Traveling Fête 1996, Tropicon 21, OASIS 6. When we’ve been on the same con committee, and particularly when we were on the same DUFF (Down Under Fan Fund) ballot, we tried to make sure our mail didn’t get crossed. Still wasn’t as bad as when I had an office down the hall from a man named Heitz. [JH]
Born October 26, 1954 — Jennifer Roberson, 66. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed is her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells the Robin Hood tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis. (CE)
Born October 26, 1960 — Patrick Breen, 60. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. And he has a recurring role as Larry Your-Waiter, a member of V.F.D. on A Series of Unfortunate Events series. (CE)
Born October 26, 1960 – David LaRochelle, 60. A score of children’s books, many with fantasy elements. Also an amazing astounding stellar thrilling pumpkin carver; see here. [JH]
Born October 26, 1962 — Cary Elwes, 58. He’s in the ever-so-excellent Princess Bride as Westley / Dread Pirate Roberts / The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things. (CE)
Born October 26, 1969 – Mary Ting, 51. A score of novels; taught a score of years, toured with the Magic Johnson Foundation. Makes Twilight-themed jewelry. Besides husband, children, has two dogs Mochi and Mocha. [JH]
Born October 26, 1971 — Anthony Rapp, 49. Lieutenant Commander Paul Stamets on the most Discovery series . His first role ever was Wes Hansen in Sky High, and he showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors. (CE)
Born October 26, 1972 – Zetta Elliott, Ph.D., 48. Five novels, seven shorter stories for us; poetry; essays; plays; children’s illustrated books under her Rosetta Press. “I write as much for parents as I do for their children because sometimes adults need the simple instruction a picture book can provide.” [JH]
Born October 26, 1973 — Seth MacFarlane, 47. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? I’ll must admit that having it described as trying to be a better Trek ain’t helping. (CE)
Born October 26, 1975 – David Walton, 45. Author and engineer. Seven novels, a dozen shorter stories. Baen Memorial Award, Campbell Memorial Award, Philip K. Dick Award. Plays chess and go. “Science fiction can show us the viewpoints of people whose lives and experiences are so far away from ours that … our minds are stretched and our vision is expanded.” [JH]
(8) COMICS SECTION.
Bizarro finds law enforcement pondering why no pumpkin is safe!
Yesterday’s Bizarro recalls that time Sesame Street fought for its independence. (Just when was that, anyway?)
Jonathan Muroya’s Greek Quarantology shows how all your favorite mythical figures are dealing with life during COVID-19.
After you take a look at this Wulffmorgenthaler cartoon for Denmark’s Politiken you’ll want a translation for the dialog (courtesy of Lise Andreasen):
“The death star is flat.”
“Actually, some of us believe, the death star is flat. That being round business is a conspiracy.”
This was a charming, thoughtful, often whimsical story full of a deep horror that at times wholly unnerved me. I’ll be discussing many key plot points and revelations….
(10) THE DOOM FROM THE SUN. [Item by Olav Rokne.] In a quirky bit of science news, astronomers recorded a large solar flare that happened to look like a prop from an old science fiction TV show… “NASA satellites capture massive ‘Doomsday machine’ solar flare”.
From the article: “The image of the explosion was described by some as the stuff of science fiction, specifically the Doomsday machine from Star Trek. Fortunately, the CME did not hit Earth.”
(11) SILENT GOLD. Leonard Maltin has a roundup of silent film releases — “Rare Silent Films On Blu-Ray And DVD”. One of them is the rediscovered 1916 version of Twenty Thousand Leagues Under The Sea. The poster for this movie is very cool.
It’s not a typo: Universal produced a feature-length version of Jules Verne’s 20,000 Leagues Under the Seain 1916, and the new DVD/Blu-ray release is a 4K transfer of the surviving material. Luckily for us, silent film historian Anthony Slide delivers a highly informative commentary track that tracks the careers of underwater-photography specialists Ernest and George Williamson. Indeed, it is their work that makes this release so intriguing, not the hackneyed mishmash of Verne’s famous story and The Mysterious Island. Alan Holubar, then a prominent actor about to turn director, and Jane Gail star. The music score is credited to Orlando Perez Rosso.
(12) SOL SEARCHING. [Item by SF Concatenation’s Jonathan Cowie.] A new way has been found to determine which stars are likely to host weird planetary systems and those stars likely to have planetary systems more like our own Solar system.
The following will appear in next season’s SF² Concatenation but they’ve shared it with File 770 now…
How many Solar system type planetary systems are there in our spiral arm? We may soon be finding out from new research. Some planetary systems around stars are very unlike our Solar system. For example, they will have what are called hot Jupiters with a gas giant close to their star in an orbit similar to that of Mercury about our sun, rather than beyond the asteroid belt where Jupiter is in our system.
It had been thought that the type of planetary system that forms is determined by the star’s protoplanetary disk of gas and dust. While this may be so, there is also another factor at play – whether the star formed in comparative isolation or along with loads of others in a stellar nursery.
Up to now it has been impossible to address this question as stars disperse (as the Galaxy rotates, spiral arms oscillate, local stellar conditions etc) from when they were born within a billion years of their formation. However, ESA’s Gaia star mapping has helped British and German astronomers to determine that whether or not a star is born in a stellar nursery or more isolated by itself, is key to the type of planetary system it will host.
You see the Gaia probe not only maps stars positions, it does it so accurately that after a few years and the star is re-mapped, it is possible to discern its movement, velocity and direction. What the researchers have found is that they can correlate those stars that seem to be moving more or less parallel to, and with a similar velocity, to other stars. These stars can be assumed to have a common birthplace in a stellar nursery. Other stars that have no movement correlation with others, can be assumed to have been born in comparative isolation. With this in mind, the astronomers looked at 600 stars Gaia had mapped.
What the astronomers found was that systems with hot Jupiters tend to be formed in crowded stellar nurseries, while those with gas giants further from their star almost invariably saw the star’s birth in comparative isolation: there were few such systems with hot Jupiters – a hot Jupiter system was roughly ten times more likely in a star born in a stellar nursery.
As the researchers themselves point out, their discovery has “possible implications for planetary habitability and the likelihood of life in the Universe” questions. (See Winter, A. J., Kruijssen, J. M. D., Longmore S. N & Chevance, M. (2020) Stellar clustering shapes the architecture of planetary systems. Nature, vol. 586, p528-532.)
Planetary systems around stars born in stellar nurseries less likely to have Solar System type planetary arrangement, but will be more likely to have hot Jupiters.
…Available this fall for $60, the Star Wars: The Mandalorian the Child “Real Moves Plush” stands 11 inches tall, so it’s slightly smaller than the animatronic figure used in the series. Mattel still managed to stuff it full of electronics, including authentic sound effects and motors to bring it to life.
The Child’s head can turn from side to side, and look up and down while it’s giant ears wiggle, and all the mechanisms are hidden under a flexible outer skin, which makes sense when you say it, but out of context feels like a horrifying thing to say about a baby. His tiny, snuggly robes can also be further adorned with an included Mythosaur skull pendant, like the one gifted to him by Din Djarin at the end of the first season.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, Olav Rokne, Martin Morse Wooster, Cat Eldridge, John Hertz, Michael Toman, Joey Eschrich, Lise Andreasen, Jeff Smith, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]
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