Tag Archives: Mars

Pixel Scroll 4/19/25 Pixel Your Shelves With Your Books On A Flivver With Tatooine Seas And Frazetta Skies

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(1) CLUTCH HITS. To mark the weekend, Guardian critics present their favorite cinematic Easter eggs – “Pink smoke, pigs and Pixar: a dozen movie Easter eggs to feast on” — including this one:

Lego Alfred gives a Bat-biography

Some Easter eggs are sly nods, others lazy studio cross-promotion, but The Lego Batman Movie (2017) dropped one so audacious it deserves its own Bat-signal. In a gloriously meta montage, Alfred dryly recalls his master’s “weird phases”, including 1966’s dance-happy caper and the infamous Bat-nipple debacle, effectively canonising every previous cinematic dark knight as just chaotic footnotes in this Lego loner’s emotional scrapbook. Keaton, Kilmer, Clooney – all downgraded to painful fashion faux pas in the life of one emotionally constipated minifig. Which means Batman & Robin wasn’t a cinematic travesty – it was Lego Batman’s rebellious club-kid phase, complete with rubber codpiece and lashes of neon regret. Ben Child

(2) BRADBURY GETS FAMOUS VOICES. “Penn Badgley, Paul Giamatti, LeVar Burton and More to Narrate New Ray Bradbury Audiobooks” – People has the story.

Ray Bradbury’s work is coming to life in a new way.

This year, publisher Simon & Schuster will release a series of new audiobooks of the acclaimed author’s fiction, with an array of celebrities set to narrate, PEOPLE can exclusively reveal.

Actor and podcaster Penn Badgley will narrate a new edition of Bradbury’s 1953 novel Fahrenheit 451, out on May 6. Bradbury’s seminal work is set in a dystopian society where books are illegal and ordered to be destroyed by firefighters….

… Actor, director, producer and podcaster LeVar Burton will narrate the new audiobook for The Martian Chronicles, set to be published on July 1. The 1950 novel charts the fictional journey of a group of humans who flee Earth for Mars, and celebrates its 75th anniversary in 2025….

… Academy Award nominee Paul Giamatti will narrate a new edition of the author’s 1962 dark fantasy novel Something Wicked This Way Comes, out on Sept. 30. The book, part of Bradbury’s Green Town trilogy, follows two boys who are lured into a mysterious traveling circus that arrives in their hometown…. 

(3) DREAM FOUNDRY CONTESTS. The Dream Foundry Writing and Art Contests opened for submissions on April 7 and will close June 2.

They have increased the prize money this year for each contest: 1st Place: $1500; 2nd Place: $750; 3rd Place: $400.

The 2025 Writing Contest judges are C. S. E. Cooney and Carlos Hernandez, with contest coordinator Julia Rios.

The 2025 Art Contest judges are Naomi Franquiz, Bex Glendining, and Jasmine Walls, with Ilinica Barbacuta as the contest coordinator.

(4) GAME DEFENESTRATION. “Kaley Cuoco & Johnny Galecki Have ‘Big Bang Theory’ Reunion In Game Ad” and Deadline tells where to view it.

More than five years after The Big Bang Theory ended, Leonard and Penny are still having game nights.

Kaley Cuoco and Johnny Galecki recently reunited following their CBS sitcom’s 2019 finale, appearing together in an ad for video game Royal Kingdom, which sees the pair throwing all their entertainment sources out the window for the virtual app.

(5) ROBOSNACK. “Robot-operated stores open in Glendale, North Hollywood” reports NBC Los Angeles. One of them is in John King Tarpinian’s neck of the woods.

Here’s details about how VenHub stories work: “Robots run this convenience store 24/7” at KTLA.

…To start, you download the VenHub app and login…. Then, just scroll and choose the products you want. I’m told AI will suggest items as the system gets smarter about your purchase history.

The prices are very reasonable (at least for now).

Then, it’s a few taps to check out (they do support Apple Pay and Google Pay!). Finaly, the fun part, it’s time to watch the robots get to work.

They spring into action, retrieving your items and placing them in one of four collection areas.

Through the thick glass, it’s a well cheorgrahped dance. Dual robots retrieve items and even swap out their tools to go from gripper to suction cup, depending on the item. The refrigerated doors slide open automatically.

Once items are placed in a collection area, you get a notification your order is ready. Then, you scan a QR code and a door opens so you can retrieve your stuff. Bring your own bag since there weren’t any available.

A VenHub location starts at about $250,000.

“If you had financed the entire store and rented 4 parking spaces (the area it needs to operate), it still costs less than half an employee per month cost but [you’re] able to be open 24 hours a day,” said Ohanessian….

(6) DONT FU¢K WITH THE CULTURE. [Item by SF Concatenation’s Jonathan Cowie.] I’m sure many Filers, especially those of us in Brit Cit and even Cal Hab, miss Iain Banks. Doubly sad that he could not make the Loncon 3 Worldcon at which he’d have been a GoH… (worth checking out  this old video that features Iain). But his memory and books live on.  And so a hearty thanks to Moid over at Media Death Cult for warning us not to fu¢k with the Culture…

(7) DAMIEN BRODERICK (1944-2025). Australian author, critic, and scholar Damien Broderick has died, reportedly on April 20 (Australian date). Russell Blackford told Facebook readers:

I don’t know a lot of details, but I’m told that Damien passed away pain free in his sleep after being unconscious for his final nights.

Damien had suffered vascular dementia for several years, and even as far back as 2017, which was when I last saw him (at the World Fantasy Convention in San Antonio, Texas), he didn’t seem his usual sharp, ultra-on-the-ball self. I’m sure that many people who knew Damien will have vivid memories of him and some wonderful anecdotes. He was one of Australia’s great SF writers and SF scholars, and one of the most remarkable characters in the Australian SF community … or any community!

The Science Fiction Encyclopedia has an extensive article about his accomplishments: “SFE: Broderick, Damien”.

His fiction won four Ditmar and four Aurealis Awards. He won IAFA Distinguished Scholarship award in 2005. He received the A. Bertram Chandler Memorial Award in 2010, given by the Australian SF Foundation for outstanding achievement in Australian SF.

(8) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

April 19, 1985 — Arkady Martine, 40.

By Lis Carey: You may not know the name of AnnaLinden Weller, but you may well know her fiction, under her pen name of Arkady Martine. Both of her Teixcalaan novels, A Memory Called Empire, and A Desolation Called Peace, won the Hugo Award for Best Novel in their years. They’re complex and interesting novels, about a young ambassador from Lsel Station, a relative backwater that needs good relations with the empire. Mahit Dzmare is rushed into her new position without adequate preparation because the empire demanded a new ambassador “immediately.” Of course she finds problems aplenty when she arrives, and also finds that the Teixcalaan Empire is even more complex, intricate, and confusing in its rules and protocols than she had been taught. She makes friends, enemies, and alliances, and is caught up in, let’s say an internal political crisis in the empire. 

In the second novel, having arrived safely home, she’s struggling with traps and challenges in Lsel Station when one of her allies from the empire arrives with a summons to go help solve an entirely different problem, the is a major danger, and not just to the expanding empire.

The intricacy, depth, and texture in these books is amazing, and very satisfying.

And there there’s Rose/House, a completely different kind of story. It’s a locked room murder mystery, except that the whole house is locked, and it’s run by an AI. A real AI, arrogant and opinionated, and with very impressive abilities. It’s the burial place of its architect, and no one is allowed inside except his former student, who is in Türkiye right now. Even she is only allowed in seven days a year. This is a problem, because the House has called the local police to report another dead body inside. No explanation, and it still won’t let anyone but the former student in. Once again, devious, complex, and excellent characters–but nothing like the two novels.

All of which makes Arkady Martine a fascinating writer.

What’s almost more fascinating is her academic career as AnnaLinden Weller. Bachelor of Arts in religious studies from University of Chicago. Master of Studies in classical Armenian studies from Oxford University. Ph.D. in medieval Byzantine, global, and comparative history from Rutgers University. Her dissertation was titled, “Imagining Pre-Modern Empire Byzantine Imperial Agents Outside the Metropole.”

She’s covered a lot of territory from what seems an unfamiliar angle, at multiple institutions, and don’t you want to know more about that dissertation? I do.

I think I see where the complexity and depth of her writing comes from–and I haven’t even touched on her short stories. I think I’d love to hear her give a talk. Or have a conversation with her.

I recommend her books, and would love to hear thoughts about her short fiction.

Arkady Martine

(9) COMICS SECTION.

(10) THAT OTHER DARTH. “’Star Wars’ Darth Maul Animated Series Coming to Disney+ Next Year” reports Variety.

A new “Star Wars” animated series focusing on Darth Maul is coming to Disney+ in 2026, with Sam Witwer returning to voice the iconic villain.

The news of the series, titled “Maul — Shadow Lord,” was announced at this year’s Star Wars Celebration in Tokyo on Friday with Witwer on hand. He has previously voiced Maul several times, including in animated series “Star Wars: The Clone Wars” and “Star Wars Rebels” as well as in the 2018 film “Solo: A Star Wars Story.”…

(11) ASK ANY VEGETABLE. Gizmodo says “A Scanning Error Created a Fake Science Term—Now AI Won’t Let It Die”.

AI trawling the internet’s vast repository of journal articles has reproduced an error that’s made its way into dozens of research papers—and now a team of researchers has found the source of the issue.

It’s the question on the tip of everyone’s tongues: What the hell is “vegetative electron microscopy”? As it turns out, the term is nonsensical.

It sounds technical—maybe even credible—but it’s complete nonsense. And yet, it’s turning up in scientific papers, AI responses, and even peer-reviewed journals. So… how did this phantom phrase become part of our collective knowledge?

As painstakingly reported by Retraction Watch in February, the term may have been pulled from parallel columns of text in a 1959 paper on bacterial cell walls. The AI seemed to have jumped the columns, reading two unrelated lines of text as one contiguous sentence, according to one investigator….

(12) OH SO PLEASANT. “ChatGPT spends ‘tens of millions of dollars’ on people saying ‘please’ and ‘thank you’, but Sam Altman says it’s worth it” learned TechRadar.

Do you say “Please” or “Thank you” to ChatGPT? If you’re polite to OpenAI‘s chatbot, you could be part of the user base costing the company “Tens of millions of dollars” on electricity bills.

User @tomiinlove wrote on X, “I wonder how much money OpenAI has lost in electricity costs from people saying ‘please’ and ‘thank you’ to their models.”OpenAI CEO, Sam Altman, responded, “Tens of millions of dollars well spent – you never know.” Thanks for lowering the world’s anxiety around an AI uprising, Sam. We’ll all be sure to waste even more energy by saying “Please” or “Thank You” from now on.

In February, Future PLC, the company that owns TechRadar, compiled a survey of more than 1,000 people on their AI etiquette. The survey found that around 70% of people are polite to AI when interacting with it, with 12% being polite in case of a robot uprising….

(13) MARS ROCKS. [Item by SF Concatenation’s Jonathan Cowie.] Now for something completely different (Monty Python). This week’s Science journal.

COVER This photograph of Gale crater, Mars, was taken by the Curiosity rover at the Ubajara drill site. The rover’s 40-cm-wide tracks are visible in the foreground. The rover drilled a rock sample at this location, which was found to contain substantial amounts of siderite, an iron carbonate mineral. The siderite likely played a role in an ancient carbon cycle that affected Mars’ surface climate. See pages 251 and 292.

(14) VIDEO OF THE DAY. Dream Foundry recently dropped “Dialogue: Language Politics in the Arts and the Industry”. A lightly edited transcript of this panel, with speaker names and timing, is available here: Dialogue Language Politics.docx – Google Docs

Linguists discuss linguistics and sociolinguistics, with a focus on how they play out in the real world. How have the politics around language shaped art through time, and what are the current trends in the industry?

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/6/25 Always Check Where You’re Walking When Pixels Are Present

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(1) 2025 HUGO AWARD FINALISTS. The Seattle Worldcon 2025 Hugo Award Finalists were announced today.

Congratulations to all the finalists, especially the authors of two Best Related entries published by File 770, Chris Barkley and Jason Sanford for “The 2023 Hugo Awards: A Report on Censorship and Exclusion” and Camestros Felapton and Heather Rose Jones for “Charting the Cliff: An Investigation Into the 2023 Hugo Nomination Statistics”.

(2) HUGO AWARD BASE DESIGNER. Seattle Worldcon 2025 has announced that the Hugo Awards Base will be designed by Joy Alyssa Day, a professional glass sculpture artist. Joy, with her partner BJ, have previously designed the Hugo Awards base for LonCon in 2014. Examples of Joy’s sculptures can be found at her website, GlassSculpture. Below are photos of the 2014 Hugo Award base, and their work on the Cosmos Award given by the Planetary Society.

(3) OCTOTHORPE. Episode 132 of the Octothorpe podcast, “Almost Everything Is Not Mac” is here early, because the hosts John Coxon, Alison Scott, and Liz Batty are discussing this year’s Hugo Awards finalists.

An uncorrected transcript is available here.

A black background. Text in purple reads “Octothorpe 132” while text MADE OF FIRE says “Scorching hot takes on the Hugo finalists”.

(4) WHY NOT SAY WHAT HAPPENED? Scott Edelman returns with episode 22 of his Why Not Say What Happened? Podcast, “The Conundrum of Condensing Marie Severin into 1,200 Words”. And here’s where it’s available on multiple platforms.

This time around, I grow anxious over a dream discovery of long-lost original comic book artwork, realize I was wrong about a certain Alan Moore/Frank Miller memory, contemplate the difficulty of condensing the life of Marie Severin into a mere 1,200 words, share the meager remains of what was once a massive comic book collection, remember there’s an issue of Fantastic Four I need to track down to solve an early fannish mystery, rededicate myself to Marie Kondo-ing my creative life, and more.

A 1972 Marie Severin Hulk Sketch

(5) FISHING FOR A SUPERSTAR. “Doctor Who showrunner Russell T Davies is manifesting DC star Viola Davis being the next iteration of the villainous Master, calling her ‘one of the greatest actors in the world’” at GamesRadar+.

Given that beloved sci-fi series Doctor Who has been on air for over 60 years now, countless actors have featured either in major roles or as guest stars.

From Simon Pegg playing a villainous editor in ‘The Long Game’ to Andrew Garfield facing off against aliens in ‘Daleks in Manhattan’, the seemingly endless list also includes Get Out star Daniel Kaluuya, Oscar winner Olivia Colman, and Black Panther’s very own Letitia Wright – to name but a few.The question is then – who would showrunner Russell T Davies love to have on the series in a guest role, who hasn’t been featured before? Putting that to the man himself in a recent interview ahead of Doctor Who season 2 hitting our screens, Davies is puzzled at first admitting to GamesRadar+ that “almost everyone has been in it”. And he’s right – hell, even pop star icon Kylie Minogue even showed up for the Titanic themed episode ‘Voyage of the Damned’….

…As Davies tells us: “I simply worship Viola Davis, one of the greatest actors in the world, we should be so lucky we should have that money. She just brings quality, depth, and surprise. Every time I see her she does something surprising, which is a very Doctor Who quality. She’d get it. I say this hoping that you print it, then her agent will read it and say ‘yes, you can have Viola for absolutely no money, she will come to Cardiff for free.'” Well – here’s hoping!

(6) BOOP-OOP-A-DOOP! “’Boop!’ Arrives on Broadway, With a Surprising 100-Year Back Story” reports the New York Times. Link bypasses paywall.

Betty Boop has arrived on Broadway, nearly a century after she first boop-oop-a-dooped her way onto the big screen. “Boop! The Musical,” like the “Barbie” and “Elf” films that preceded it, imagines a transformational encounter between an anthropomorphic character and the real world (well, a fictional world full of people)….

…Jasmine Amy Rogers, the actress starring as Betty Boop on Broadway, described her as “full of joy” and “unapologetically herself.” “She is sexy, but I don’t think it is merely sex that makes her sexy,” she continued. “I would say it’s the way she carries herself, and her confidence and her unabashed self.”…

Betty, created at the height of the Jazz Age, is obviously modeled on flappers, and her relationship to music history has been a subject of debate and litigation.

In 1932, a white singer named Helen Kane sued, alleging that the “baby vamp” style of the Betty Boop character, including the “boop-oop-a-doop” phrase, was an unlawful imitation of Kane. At a widely publicized trial in 1934, Fleischer countered by pointing out that a Black singer, Esther Lee Jones, who performed as Baby Esther, had used similar scat phrases before Kane. Kane lost….

…Rogers said she hopes that over time, women of different ethnicities will portray the character, but said she is proud to play her as a Black woman, with nods to Baby Esther and the scat technique of jazz singing. “Jazz lives so deep in the heart of Betty that I feel as if we can’t really have a full discussion about her without involving the African American race,” she said…

(7) GOOD DOG. Krypto takes us home: “Superman | Sneak Peek”.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

April 6, 1937 — Billy Dee Williams, 88.

Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin. 

(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.) 

He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars fandom site thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.

He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes. Truly great series if you haven’t seen, and available of course on Disney+. 

He voiced him in two audio dramas with one being the full cat adaption of Timothy Zahn’s Dark Empire. 

Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.

Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eighties.

He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in  Epoch: Evolution, the sequel to Epoch, which looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?,  the thirteenth television series in the Scooby-Doo franchise. 

Billy Dee Williams

(9) COMICS SECTION.

My cartoon for this week’s @newscientist.com

— Tom Gauld (@tomgauld.bsky.social) 2025-04-06T11:46:12.460Z

(10) WHY ARE KIDS OBSESSED WITH THE TITANIC? “So You Think You Know a Lot About the Titanic …” in the New York Times (behind a paywall.)

Parents often look down at the whorl on the top of their children’s heads and wonder what, exactly, is going on inside. An industry of books, video games, films, merchandise and museums offers some insight: They’re probably thinking about the Titanic.

Last fall, Osiris, age 5, told his mother, Tara Smyth, that he wanted to eat the Titanic for dinner. So she prepared a platter of baked potatoes — each with four hot-dog funnels, or smokestacks — sitting on a sea of baked beans. (He found it delicious.) Since first hearing the story of the Titanic, Ozzy, as he’s known, has amassed a raft of factoids, a Titanic snow globe from the Titanic Belfast museum and many ship models at his home in Hastings, England.

About 5,500 miles away in Los Angeles, Mia and Laila, 15-year-old twins, devote hours every week to playing Escape Titanic on Roblox. They have been doing this for the last several years. Sometimes, they go down with the ship on purpose — “life is boring,” explained Mia, “and the appeal is that it’s kind of dramatic.”

Nearly 113 years after the doomed White Star Line steamship collided with an iceberg on April 14, 1912, and sank at around 2:20 a.m. the next day, it remains a source of fascination for many children. The children The New York Times spoke to did not flinch at the mortal fact at the heart of the story: That of the more than 2,200 passengers on the Titanic, more than twice as many passengers died as those who survived.

“I really like whenever it just cracked open in half and then sank and then just fell apart into the Atlantic Ocean,” said Matheson, 10, from Spring, Texas, who has loved the story since he read “I Survived the Sinking of the Titanic, 1912” at age 5. After many frustrating bath time re-enactments involving flimsy ship models, Matheson and his father, Christopher Multop, designed a Tubtastic Titanic bath toy — of which they say they now sell about 200 a month (separate floating iceberg included)….

John Zaller, the executive producer of Exhibition Hub, the company that designed “Bodies: The Exhibition” and “Titanic: An Immersive Voyage,” a traveling exhibition with interactive elements, attested that Titanic kids often knew more than their tour guides. At the Titanic experience, children can sit in a lifeboat and watch a simulation of the ship sinking, see a life-size model of the boiler room be flooded with water, and follow along with the passengers on their boarding pass, ultimately finding out whether they survived the wreck.

“The biggest takeaway for kids is, ‘I lived!’ or ‘I died!’” Mr. Zaller said. “They understand the power of that.”…

(11) APRIL FOOLISHNESS. Except it happened in March: “An AI avatar tried to argue a case before a New York court. The judges weren’t having it” at Yahoo!

It took only seconds for the judges on a New York appeals court to realize that the man addressing them from a video screen — a person about to present an argument in a lawsuit — not only had no law degree, but didn’t exist at all.

The latest bizarre chapter in the awkward arrival of artificial intelligence in the legal world unfolded March 26 under the stained-glass dome of New York State Supreme Court Appellate Division’s First Judicial Department, where a panel of judges was set to hear from Jerome Dewald, a plaintiff in an employment dispute.

“The appellant has submitted a video for his argument,” said Justice Sallie Manzanet-Daniels. “Ok. We will hear that video now.”

On the video screen appeared a smiling, youthful-looking man with a sculpted hairdo, button-down shirt and sweater.

“May it please the court,” the man began. “I come here today a humble pro se before a panel of five distinguished justices.”

“Ok, hold on,” Manzanet-Daniels said. “Is that counsel for the case?”

“I generated that. That’s not a real person,” Dewald answered.

It was, in fact, an avatar generated by artificial intelligence. The judge was not pleased.

“It would have been nice to know that when you made your application. You did not tell me that sir,” Manzanet-Daniels said before yelling across the room for the video to be shut off….

… As for Dewald’s case, it was still pending before the appeals court as of Thursday.

(12) ONCE FICTION, NOW SCIENCE. [Item by Steven French.] The Guardian reports “Biologist whose innovation saved the life of British teenager wins $3m Breakthrough prize”. Harvard Professor, David Liu —  

 … was chosen for inventing two exceptionally precise gene editing tools, namely base editing and prime editing. Base editing was first used in a patient at Great Ormond Street in London, where it saved the life of a British teenager with leukaemia.

The young woman’s doctor apparently called the technique at the time, ‘science fiction’!

(13) ETERNAUT TRAILER. The Eternaut premieres on Netflix on April 30.

After a deadly snowfall kills millions, Juan Salvo and a group of survivors fight against a threat controlled by an invisible force. Based on the iconic graphic novel written by Héctor G. Oesterheld and illustrated by Francisco Solano López.

(14) WHY IS MARS RED? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all know the answer – an on-going process of the radiolysis of water (here UV and high energy particles from Solar wind splitting water) produces oxygen radicals that oxidise iron to hematite (a form of iron(III) that on Earth often gives some sandstones their red colour…)  Well, maybe not!   New research now suggests otherwise.  Data from three orbiters combined with a look at Earth minerals suggests that the Martian red minerals were formed over three billion years ago when Mars was decidedly wet. Had Mars been warmer, then these minerals would have gone. ; Mars’ red colour looks like being ferrihydrite (Fe5O8H  nH2O) that forms under decidedly wet conditions.  This is yet more evidence – if more is needed – that Mars was wet billions of years ago. 

The primary research, by French, US and British based astrophysicists, is  Valantinas, A. et al (2025) “Detection of ferrihydrite in Martian red dust records ancient cold and wet conditions on Mars”. Nature Communications, vol. 16, 1712. Meanwhile over at DrBecky there is a 12-minute video which you can see here: “New study explains why Mars is RED”. I keep on telling people that the machines are taking over but nobody ever listens to me… In fact they rule Mars!

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Scott Edelman, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/30/25 Savage Pixellucidar

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(1) AURORA DEADLINE APPROACHES. Canadian Science Fiction and Fantasy Association members have until April 5 at 11:59 p.m. Eastern to submit nominations for this year’s Aurora Awards.

You can find all eligible works via either via CSFFA’s public eligibility list page or from the nominating page when you log into your account. On the public page, most works have links so you can get more information about them.

(2) FREE READS AT ANALOG AND ASIMOV’S. Analog Science Fiction and Fact has revealed the 2024 Analytical Laboratory Finalists. The magazine has also made many of these stories available to read either in part or whole.

Likewise, the top choices for Asimov’s 39th Annual Readers’ Award Poll are online. There are links that will allow you to read all the finalists.

(3) BRUSHING UP ON BARSOOM. At The Art of Michael Whelan, the artist and Michael Everett look back at his work on “The Martian Tales of Edgar Rice Burroughs”.

I have had a special fondness for The Martian Tales by Edgar Rice Burroughs ever since I first read them in my early teens. That is also when I first did drawings based on them, and I even used some of my illustrations to help win acceptance to the Rocky Mountain School of Art at age fifteen.

Once I became a professional illustrator, the eleven-book series was among the assignments I hoped to do…someday.

Figuring that if the chance to do the covers ever came my way it would be after decades of work in the field, I was surprised and thrilled to have been offered them after only three years as a professional.

I was so enthusiastic about the project that after the first call from Judy-Lynn del Rey, I immediately got started rereading the books, making extensive notes, and compiling a supplementary catalog of every visual reference I could find. My aim was to do the most accurate depictions of Burroughs’ Barsoom yet realized….

(4) MONSTROUS NATIONALISM. Kate Maltby in The Observer uses the issue of a set of stamps celebrating Nessie and other British mythological creatures to argue for a form of patriotism rooted in local folklore: “Let Britain’s magical, mythical creatures inspire a patriotism untainted by politics”.

It is possible to celebrate aspects of Britain that everyone who lives here can share; that are not co-authored by our peers in Europe; that stimulate our senses with a materiality more enduring than the abstract precepts of a civics lecture. (And I’m not talking, like the wretched “Life in the UK” test, about fish and chips.) A new set of stamps for Royal Mail is not going to transform a nation’s self-image, but it should inspire us. What we have in common with each other, and with every other human being who has set foot on these islands, is no more and no less than our experience of place….

he eight-strong set of Royal Mail Myth and Legends stamps

(5) ENOUGH CAFFEINE TO WAKE UP THE DEAD. “’The Last of Us’ Launches Real Coffee Infused With Mushroom Fungi” reports Delish.

Pedro Pascal might be getting a new coffee order soon…one made with mushrooms. In a surprising but fitting collaboration, The Last of Us (yes, the hit HBO Max series based on the popular zombie video game) has partnered with Four Sigmatic, the leading brand in mushroom-based products, to create their very own cup of joe.

In case you missed it, The Last of Us follows a group of survivors navigating a post-apocalyptic world ravaged by a zombie outbreak, caused by the cordyceps fungus. And in a bit of clever irony, The Last of Us x Four Sigmatic coffee is made with none other than that same fungus.

While cordyceps may turn people into flesh-eating, undead creatures on the show, it doesn’t cause any of those symptoms in real life. In fact, the fungus is packed with tons of nutritional value. The coffee blend also includes lion’s mane, Vitamin B12, and coffee bean extract—ingredients designed to “increase mental focus and energy,” according to the product’s website….

… While I’m not exactly a fan of the undead, I can certainly appreciate this fun coffee and zombie moment. Though, no amount of cordyceps coffee beans will get me to face a horde of zombies anytime soon.

(6) NEW GERROLD NOVELLA. Starship Sloane has just published a new novella, The Man Without a Planet by David Gerrold, with cover art (titled Falling) by Bob Eggleton. 

The Man Without a Planet is a science fiction reimagining of the classic tale, The Man Without a Country—Redmonde had found his niche in the glitterships of high society, reveling in the opulence and gamesmanship it afforded, until a sudden regime change leads to his permanent exile in the far reaches of space aboard starships building a network of portals through the cosmos. He will never be allowed to see his home world again and escape would seem to be an impossibility—but when the opportunity presents itself, Redmonde disappears into legend.

“In The Man Without a Planet, David Gerrold has given us an ambitious reinterpretation of a classic. In this engaging science fiction retelling of The Man Without a Country, we find the main character, Redmonde, negotiating the sharp edges of his quarantined banishment in deep space and the intersection of his personal belief system with the sledgehammer of an imposed political ideology.”
—Katerina Bruno, science fiction poet and 2022 SFPA Dwarf Stars Award finalist

(7) KEN BRUEN (1951-2025). Irish mystery author Ken Bruen died March 29 at the age of 74. Bruen was the recipient of many awards: the Shamus Award in 2007 (The Dramatist) and 2004 (The Guards), both for Best P.I. Hardcover; Macavity Award in 2005 (The Killing of the Tinkers) and 2010 (Tower, cowritten by Reed Farrel Coleman), both for Best Mystery Novel; Barry Award in 2007 (Priest) for Best British Crime Novel; the Grand Prix de Literature Policiere in 2007 (Priest) for Best International Crime Novel.He was also a finalist for the Edgar Award in 2004 (The Guards) and 2008 (Priest), both for Best Novel.

(8) TODAY’S BIRTHDAY.

[Item by Cat Eldridge.]

March 30, 1930 — John Astin, 95.

Ahhh, John Astin. I know him best as Gomez Addams in The Addams Family series, which was on the air shorter than I thought, lasting just two seasons and a little over sixty episodes. (I’m delighted to say that it streaming on Prime.) He played him again in Halloween with the New Addams Family (which I’ve not seen and is not streaming) and voiced him thirty years later in The Addams Family, a two-season animated series which is not streaming. I’ll admit I’m not interested in animated series based off live series. Any live series. 

Oh, did you know he was in West Side Story? He played Glad Hand, well-meaning but ineffective social worker. No, you won’t find him in the credits as he wasn’t credited then but retroactively, he got credited for it which was good as he was a lead dancer. Brilliant film and I’ve no intention of watching the new version, ever. It’s streaming on Disney+. 

I’d talk about him being in Teen Wolf Too but let’s take the advice of Rotten Tomatoes reviewers and steer way clear of it. Like in a part of the multiverse where the Pixels are contently napping by the Gay Deceiver. Same for the two Killer Tomatoes films. I see he’s in Gremlins 2: The New Batch as a janitor but I can’t say I remember him, nor much of that forgettable film. 

So, series work… I was going to list all of his work but there’s way too much to do that, so I’ll be very selective. He’s The Riddler in two episodes of Batman and a most excellent Riddler he was. That series rather surprisingly is not streaming anywhere.

But that was nothing when compared to his role on The Adventures of Brisco County, Jr. as Prof. Albert Wickwire. He’s a charming, if somewhat absent-minded inventor who assists Brisco with diving suits, motorcycles, and even grander creations such as rockets and airships. Dare I say that this was an element of steampunk in the series? It was a great role for him. This is another series I surprised to find isn’t streaming anywhere. 

Finally, he has a recurring role as Mr. Radford (the real one) as opposed to Mr. Radford (the imposter) on Eerie, Indiana. A decidedly weird series that was unfortunately cancelled before it completed. It is streaming on Prime. 

So, let’s wish him a Happy Ninety-Fifth Birthday! 

John Astin (Gomez) and Carolyn Jones (Morticia)

(9) COMICS SECTION.

Happy Mother’s Day!(My cartoon for @theguardian.com books)

— Tom Gauld (@tomgauld.bsky.social) 2025-03-30T08:56:59.885Z

(10) LOOK AT THE REPRESSION INHERENT IN THE SCAM. “People Making AI Studio Ghibli Images Are Now Producing Fake Legal Letters to Go With Their Fake Art” says Gizmodo.

The trend of using Open AI’s ChatGPT to create AI images in the distinctive style of Studio Ghibli probably should have ceased the moment the official White House X account hopped aboard. But there’s a new wrinkle in the story today, as one of the trend’s proponents posted a cease and desist notice they claimed to have received from Studio Ghibli representatives—which fellow social media users immediately called out as being as fake as the “art” that inspired it.

Along with the (fake) letter, X user teej used the platform to defend what they’d done, writing in part: “AI creators deserve protection, not punishment. Expression is sacred. Imagination is not illegal. If I have to be a martyr to prove that, so be it.”

It’s hard not to chuckle at this response to, let’s see, typing a prompt into a program so that it can create an AI image blatantly ripping off hours of hard work and creativity from actual human artists, including the great Hayao Miyazaki and his Ghibli team….

(11) BAD FOR YOUR GIZZARD, TOO. “Astronauts can make it to Mars, but one critical organ will likely fail” insists Earth.com.

Space journeys that stretch far beyond home are on the horizon. Crews heading for Mars will face conditions quite different from those on Earth, and researchers have been working to figure out what might happen to the human body during these extended voyages.

Kidneys have been a big question mark. Recent work reveals that these important organs could face more trouble than previously assumed, including a higher risk of stones and lasting damage.

Several studies have hinted at health concerns for astronauts ever since humans first ventured outside Earth’s protective zone, but the new findings shed light on why such problems arise in the kidneys.

Dr. Keith Siew from the London Tubular Centre, based at the UCL Department of Renal Medicine, and his colleagues have pieced together a detailed picture of what happens when living beings – human and otherwise – experience space-like conditions for weeks to years….

…The latest study was conducted under a UCL-led initiative involving over 40 institutions on five continents.

The team considered data from 20 different research cohorts and samples linked to over 40 Low Earth orbit missions to the International Space Station, plus 11 simulations with mice and rats.

The work is described as the largest analysis of kidney health in spaceflight so far and includes the first health dataset for commercial astronauts.

It also involved seven simulations in which mice were exposed to radiation that mimicked up to 2.5 years of cosmic travel beyond Earth’s magnetic field.

Findings revealed that the structure and function of the kidneys are altered by spaceflight, with galactic radiation causing permanent damage that would jeopardize any long-distance mission…

(12) NINETY-NINE MILLION IN AMBER. “Wasp preserved in 99 million-year-old amber ‘beyond imagination’” – WLWT has the story.

A newly identified parasitic wasp that buzzed and flew among dinosaurs 99 million years ago evolved a bizarre mechanism to snare other creatures and force them to unwittingly shelter its young, according to new research.

Paleontologists studied 16 specimens of the tiny wasp preserved in amber dating back to the Cretaceous period that was previously unearthed in Myanmar. The previously unknown species, now named Sirenobethylus charybdis, had a Venus flytrap-like structure on its abdomen that could have allowed it to trap other insects, the researchers reported Thursday in the journal BMC Biology….

… However, the researchers reasoned that the wasp likely did not intend to kill with the bizarre grasping structure.

Instead, they theorized that the wasp injected eggs into the trapped body before releasing it, using the creature as an unwitting host for its eggs. Its larvae then started their lives as parasites in or on the host’s body and likely ended up eating the host entirely, Vilhelmsen said. The host was likely a flying insect of a similar size to the wasp, he added….

(13) THE ASSEMBLED MULTITUDE. Erin Underwood asks: “Avengers: Doomsday – Dream Team or Disaster?”

Avengers: Doomsday promises to unite the biggest names from Marvel’s multiverse, but is this epic crossover a dream come true or a chaotic mess waiting to happen? With an all-star cast and potential for multiversal mayhem, I break down the confirmed cast list, rumored plot points, and ask the ultimate question: Can Marvel balance spectacle with storytelling?

(14) VIDEO OF THE DAY. We announced the other day that Kermit the Frog will be UMD’s 2025 Commencement Speaker, but John King Tarpinian has discovered a cute video UMD made to promote the appearance.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 3/25/25 The Pixel Moon Is A Harsh Scrolless

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(1) CARDINAL NUMBERS. On this week’s Beyond Solitaire Podcast, Ada Palmer speaks about her papal election LARP at The University of Chicago–but also about historical research, her work as a sci-fi author, and how both history and fiction can help us talk about today’s world. “Beyond Solitaire Podcast 189: Ada Palmer on LARPing the Renaissance”.

(2) BANKRUPT COMIC DISTRIBUTOR FINDS BUYER. “Alliance wins bid to acquire Maryland-based Diamond Comic Distributors” reports The Baltimore Banner.

Alliance Entertainment Holding Corporation, a global distributor and wholesaler that specializes in media and collectibles, won a bid Tuesday to acquire the assets of Hunt Valley-based Diamond Comic Distributors.

Diamond, once the country’s top comic book distributor, filed for bankruptcy in January. The company began to lose its grip on distribution when the COVID-19 pandemic began, forcing Diamond to briefly suspend operations as other competitors popped up. More recently, the company struggled with delays in getting titles to comic stores on time.

Diamond warned in a federally mandated notice filed in January that if it didn’t find a buyer by April 1, it could face layoffs and the closure of its headquarters. Raymond James, a global financial services firm, hosted the auction in New York on Monday. There will be a court hearing Thursday to approve the sale….

…The acquired businesses support more than 5,000 retail stores, from independent game and comic shops to online stores and mass-market chains, according to the press release….

(3) POSTMASTER GENERAL DEJOY IS OUT. [Item by Andrew Porter.] I note that in late February I mailed a letter to my brother in Michigan. It took a mere 21 days to reach him… “US postmaster general resigns with immediate effect” in the Guardian. (Editor’s note: We old fanzine fans always seem more interested in this post than other government officials.)

The US postmaster general, Louis DeJoy, who said earlier this month that he had asked the government efficiency team led by Elon Musk for assistance with a number of issues, is resigning effective on Monday, the agency said.

DeJoy, who has headed the agency since 2020, in February said he had asked the US Postal Service (USPS) governing board to identify his successor but had given no indication in recent days that he planned to step down abruptly.

Donald Trump said in February that he was considering merging the United States Postal Service with the commerce department, a move Democrats said would violate federal law.

“Much work remains that is necessary to sustain our positive trajectory,” DeJoy said in a statement, adding that the deputy postmaster general, Doug Tulino, would head the agency until the postal board names a permanent successor. They have hired a search firm, he added….

(4) GEOFF RYMAN WORK DISCUSSED ON BBC. [Item by SF Concatenation’s Jonathan Cowie.] Geoff Ryman’s book is covered in this week’s A Good Read on BBC Radio 4.

(By the way, looks like BBC shutting down overseas access to BBC Sounds.  As a Brit Cit citizen who pays an annual license to fund the BBC, I am allowed to say this… I think this is a retrograde step. First off it cuts off British ex-pats from Auntie and this is not good.  Second, the BBC has some great, ‘free’ (well, paid for by residents like me) public broadcast content. The BBC is therefore a British soft-power play and Britannia rules the air waves… Short rant over.)

Meanwhile, back at the plot…

Towards the end of the half-hour programme (last 10 minutes) we get comedian Sarah Mills choice of read, Ryman’s 235…

Sarah has selected 253 by Geoff Ryman, the novel originally published on the Internet which tells the stories of 253 passengers on a London Underground train.

A Good Read can be accessed at BBC Sounds here (for now…)

(5) SFWA REMEMBERS POURNELLE. Michael Capobianco chronicles an early SFWA president in “Jerry Pournelle: SFWA Historian” at the SFWA Blog. The “historian” tag comes from the institutional knowledge Jerry shared on GEnie, a pre-internet phone modem bulletin board service run by General Electric that offered access to published science fiction and fantasy writers.

…Many of Jerry’s anecdotes on GEnie showed that SFWA had accomplished much, and some showed its sillier and/or more combative side. What did we learn? We learned that Somtow Sucharitkul’s cat had peed in his box of important SFWA documents when he was SFWA Secretary in the mid-80s (the loss of which still bedevils the organization today). We learned that SFWA had conducted a mass audit of Ace Books that turned up a lot of money owed to SFWA members. We learned that SFWA had intervened to help get J. R. R. Tolkien’s US rights to The Lord of the Rings back (see Part 1 and Part 2 of “A Brief History of SFWA: The Beginning”). We learned there had been a long and vicious fight over creating an official SFWA tie (don’t ask) and a Fellowship membership category. 

Some SFWA wounds were still open after many years and were a touchstone for the organization in some quarters. On GEnie, one controversy that was often referenced but never fully explained was the Lem Affair. SFWA had awarded Polish SF writer Stanislaw Lem an honorary membership and then, after Lem attacked American science fiction and amid a long internal fight, had retracted it. Whether the retraction was political or simply happened because giving it to Lem was in violation of the bylaws (or, most likely, a combination of both) is still debated…

(6) GRACE PERIOD FOR EFF. The European Fan Fund has extended its nominations deadline to March 30. EFF is the European Fan Fund which transports European SF fans to Eurocons.

Apply to have your trip to Eurocon 2025 covered by the European Fan Fund or spread the word to fellow fans!

(7) DRAWN THAT WAY. “’Doctor Who’ S2 Teases Adventure in an Animated Universe” – Animation Magazine sets the frame.

Today, Disney+ unveiled a new trailer for Season 2 of iconic BBC sci-fi series Doctor Who, featuring the heroic Time Lord’s latest incarnation (portrayed by Ncuti Gatwa; Sex Education) and his new companion Belinda Chandra, a.k.a. The Nurse (Varada Sethu; Andor). New episodes launch April 12 on the streamer.

The new spot offers a glimpse of a delightful first for the long-running hit franchise: The Doctor’s travels to an animated reality! While “lost” episodes of vintage Doctor Who have been resurrected with animated visuals, this marks the first originally animated installment for the live-action show.

Disney-owned ABC News revealed that the season’s second episode will see The Doctor and Belinda encountering a strange cartoon character named Mr. Ring-a-Ding (voiced by Emmy winner Alan Cumming). As shown in the trailer, our time-traveling protagonists will get a 2D toon makeover reminiscent of vintage Saturday morning cartoon favorites like Scooby-Doo.

Mr. Ring-a-Ding is described as “a happy, funny, singalong cartoon, who lives in Sunny Town with his friend Sunshine Sally.”

“In 1952, after years of repeats in cinemas across the land, Mr. Ring-a-Ding suddenly looks beyond the screen and sees the real world outside — and the consequences are terrifying.”

Cumming previously guest starred in a 2018 episode of Doctor Who, “The Witchfinders,” as King James I.

(8) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

March 25, 1939 — D.C. Fontana. (Died 2019.)

By Cora Buhlert: Dorothy Catherine Fontana, better known as D.C. Fontana, was born on March 25, 1939 in New Jersey. At age eleven she decided that she wanted to become a novelist. But while she would become a writer, her main body of work would be in television rather than novels.

Employment opportunities for women were limited in the late 1950s and early 1960s, so Dorothy Fontana went to work as a secretary after college. This was her entrance into the TV industry, because she found employment first at Screen Gems and then at Revue Studios, where she worked as a secretary for Samuel A. Peeples on the largely forgotten western series Overland Trail and The Tall Man. But Dorothy Fontana wanted more than just to type other people’s scripts. She wanted to write her own and in 1960, aged twenty-one, she managed to sell her first script for the episode “A Bounty for Billy” of The Tall Man. More sales followed.

In 1963, Dorothy Fontana went to work on a military themed TV show called The Lieutenant. The show only lasted for one season, but nonetheless it would change D.C. Fontana’s, as she was calling herself by now, life, because she wound up working as the secretary of Gene Roddenberry, creator of The Lieutenant. Roddenberry encouraged Fontana’s writing, leading to the publication of her first novel, a western called Brazos River.

When The Lieutenant was cancelled, Gene Roddenberry started working on a new show called Star Trek. D.C. Fontana accompanied him. Before working on Star Trek, D.C. Fontana had had no interest in science fiction, but this quickly changed as work on the new show progressed. D.C. Fontana wrote the teleplay for “Charlie X”, the second episode of Star Trek. By the end of season 1, she was the story editor of Star Trek and also wrote the scripts of such memorable episodes as “Tomorrow is Yesterday”, “Journey to Babel”, “This Side of Paradise” and “Friday’s Child”.

D.C. Fontana left as story editor before the third season of Star Trek, but continued to contribute to the series as a freelance writer. Her collaboration with Gene Roddenberry continued on The Questor Tapes and Star Trek: The Animated Series. By the 1970s, D.C. Fontana, who had never read a science fiction story before Star Trek, had become one of the go-to writers for science fiction television and worked on Buck Rogers in the 25th Century, Logan’s Run, The Six Million Dollar Man, Fantastic Journey and Battlestar Galactica, an experience she disliked so much that she disavowed her screenplay. She also continued to work on non-genre shows such as The Waltons, The Streets of San Francisco, Bonanza, Kung Fu and Dallas.  

D.C. Fontana returned to Star Trek as story editor and associate producer on Star Trek: The Next Generation, for which she co-wrote the pilot “Encounter at Farpoint”. However, she left during the first season, following a fallout with Gene Roddenberry. Though D.C. Fontana was not completely done with Star Trek yet. She wrote Star Trek novels and contributed a script to Star Trek: Deep Space Nine. She also wrote several screenplays for Deep Space Nine’s great rival Babylon Five.  

I don’t know what my first contact with D.C. Fontana’s work was. I know it wasn’t Star Trek, because she wrote none of the Star Trek episodes I saw as a young kid during a rerun on German TV in the late 1970s. And while I watched all of the science fiction series on which she worked, I didn’t see most of them until much later, when the floodgates of private television opened and many of these shows aired in Germany for the first time.

Indeed, it’s quite likely that my first contact with D.C. Fontana’s writing was a non-genre show, quite possibly The Waltons, which aired on Sunday afternoons and which my parents watched religiously. The Streets of San Francisco or Dallas are also possibilities, though I only got to see those shows sporadically during the holidays, since they aired in evening slots after my bedtime.

However, one story penned by D.C. Fontana that I definitely encountered early on is her sole contribution to the Filmation He-Man and the Masters of the Universe cartoon, the second season episode “Battlecat”, which tells the origin of Prince Adam’s “fearless friend” Cringer and his alter-ego Battlecat. The episode is basically one long flashback, recounting how a young Prince Adam rescues a tiger cub from a sabrecat stalking the little one. Adam takes the injured cub to the royal palace and nurses him back to health and the two are soon inseparable. However, Adam is mortified that is pet is terrified of everything, up to and including his own shadow, which also gains him the name Cringer, courtesy of Teela teasing Adam about his pet.

As for why Cringer is always so afraid, this episode never shows us what happened before Adam found Cringer, though we can guess from fact that Cringer is all alone in the jungle and being stalked by a predator that it was nothing good. In 2012 finally, a comic did tell what happened just before, namely that Cringer’s entire family and tribe were wiped out by a sabrecat attack. Baby Cringer was the only survivor and was hunted for days, until Adam drove off the predators and rescued him. So the reason Cringer is always terrified is because he is deeply traumatized.

When Adam gains the Power of Grayskull and becomes into He-Man, he makes sure never to transform in front of Cringer, until one day when Cringer follows Adam and chances to witness the transformation. Cringer is understandably terrified and when He-Man tries to reassure him that there’s no reason to be afraid and that he’s still Adam inside, he accidentally points the Sword of Power at Cringer and Battlecat is born. And not a moment too soon, because an eldritch horror has escaped from its tomb and needs to be stopped…

“Battlecat” is a highly memorable episode, especially since the Filmation He-Man cartoon rarely ever gave us origin stories for the various characters. We never even got to see how Adam first became He-Man, so it’s a treat to see how Cringer first became Battlecat and how Adam and Cringer met in the first place. The fact that Baby Cringer is one of the cutest creatures ever seen on screen doesn’t hurt either.

In many ways, this episode also illustrates D.C. Fontana’s strengths as a writer. Her episodes were inevitably memorable and often expanded the world of the story and gave backstory to characters who did not have a lot before, whether it’s introducing Spock’s parents in “Journey to Babel”, delving into the previous hosts of the Dax symbiont in “Dax” or recounting the origins of Cringer in “Battlecat”.

D.C. Fontana

(9) COMICS SECTION.

(10) RAIDERS CAST-SIGNED LASERDISC. If you can’t live without this you better get your bid in by Thursday: “’Raiders of the Lost Ark’ Cast, Director & Creator Signed Laser Disc Cover — Signed by Harrison Ford, Steven Spielberg, George Lucas, Karen Allen and Philip Kaufman — With Beckett COA” offered by Nate Sanders Auctions.

Extraordinarily rare ”Raiders of the Lost Ark” laser disc cover signed by all the principals of the iconic 1981 film. Large 12.5” square cover is signed by actors Harrison Ford and Karen Allen as well as by director Steven Spielberg and creators George Lucas and Philip Kaufman. All sign in blue felt-tip with excellent contrast against the cover. Includes actual laser disc, with bifold cover opening to show scenes from the movie. Light edgewear with dings to corners. Very good plus condition. With Beckett COA for all signatures.

(11) 13 IS AN ANSWER? [Item by Mark Roth-Whitworth.] Let’s see: 6×9=42. Ah, but it is true… in base 13. Which perfectly explains why things are so screwed up – we use base 10, or 2… but not 13. This, of course, is demonstrated by the paper… “The secret behind pedestrian crossings—and why some spiral into chaos” at Phys.org.

Pedestrian crossings generally showcase the best in pedestrian behavior, with people naturally forming orderly lanes as they cross the road, smoothly passing those coming from the opposite direction without any bumps or scrapes. Sometimes, however, the flow gets chaotic, with individuals weaving through the crowd on their own haphazard paths to the other side.

Now, an international team of mathematicians, co-led by Professor Tim Rogers at the University of Bath in the UK and Dr. Karol Bacik at MIT in the US has made an important breakthrough in their understanding of what causes human flows to disintegrate into tangles. This discovery has the potential to help planners design road crossings and other pedestrian spaces that minimize chaos and enhance safety and efficiency.

In a paper appearing in the journal Proceedings of the National Academy of Sciences, the team pinned down the precise point at which crowds of pedestrians crossing a road collapse from order to disorder.

The researchers found that for order to be maintained, the spread of different directions people walk in must be kept below a critical angle of 13 degrees.

When it comes to pedestrian crossings, this could be achieved by limiting the width of a crossing or considering where a crossing is placed, so pedestrians are less tempted to veer off track towards nearby destinations….

(12) RAISING ‘CANE. [Item by Mark Roth-Whitworth.] Coming soon, oil from Martian dinosaurs, and the major push to get to Mars, funded by the petrochemical industry. “NASA’s Curiosity Rover Detects Largest Organic Molecules on Mars” reports NASA.

Researchers analyzing pulverized rock onboard NASA’s Curiosity rover have found the largest organic compounds on the Red Planet to date. The finding, published Monday in the Proceedings of the National Academy of Sciences, suggests prebiotic chemistry may have advanced further on Mars than previously observed.

Scientists probed an existing rock sample inside Curiosity’s Sample Analysis at Mars (SAM) mini-lab and found the molecules decane, undecane, and dodecane. These compounds, which are made up of 10, 11, and 12 carbons, respectively, are thought to be the fragments of fatty acids that were preserved in the sample. Fatty acids are among the organic molecules that on Earth are chemical building blocks of life.

Living things produce fatty acids to help form cell membranes and perform various other functions. But fatty acids also can be made without life, through chemical reactions triggered by various geological processes, including the interaction of water with minerals in hydrothermal vents.

While there’s no way to confirm the source of the molecules identified, finding them at all is exciting for Curiosity’s science team for a couple of reasons….

(13) THE SECRET PREQUEL TO BLADE RUNNER. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult takes a deep dive into the Blade Runner films. “The Secret Prequel To Blade Runner”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, amk, Michael J. Walsh, David Langford, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 3/13/25 Quick Get An Exorcist! Our Scrolls Are Being Possessed! By Pixels!

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(1) GROUP DROPS 2026 SMOFCON BID FOR DC. John Pomeranz, Corresponding Secretary of the Baltimore Washington Area Worldcon Association (BWAWA), yesterday announced that in response to the “current political situation” in the U.S. the group is no longer bidding to host the 2026 SMOFcon in Washington, DC.

At its meeting on March 9, the Baltimore Washington Area Worldcon Association (BWAWA) decided to end its bid to host the 2026 SMOFcon.

Since we announced the bid at SMOFcon last year, it has become clear that the current political situation in the United States would significantly reduce the willingness of fans from outside the United States to participate, even in the fully hybrid convention that we were proposing. In light of this, it seemed the best course of action was to end our bid. Unfortunately, we expect that similar problems are likely to confront any US bid for SMOFcon for the time being.

(2) SEATTLE 2025 ROOM BLOCK FILLED. The current political situation has not kept the Seattle Worldcon’s hotel room blocks from immediately filling. A newsletter sent to members today says —

We are glad to have so many of you coming to Worldcon. Unfortunately our hotel room blocks, which initially seemed large and were subsequently increased, have sold out. It is possible some of these blocks may reopen from time to time on our hotel page, but in the meantime please be aware there are 14 hotels inside of a five-block, half mile radius of the Seattle Convention Center Summit Building where rooms can be secured using a common booking service, such as Google, hotels.com, bookings.com, or kayak.com.

Many of these are just as close, or closer, than our room block hotels. It may also be possible to secure rooms at our room block hotels, but outside the room block. 

(3) MEET THE SF STARS OF 1933. Next month the creators of First Fandom Experience will release “The Ultimate COSMOS: How a 1933 Serial Novel Reshaped Science Fiction”.

Why should modern readers of science fiction care about a mashed-up novel from 1933 – generally deemed terrible as a work of fiction?

Why should anyone care about a stunt pulled off by a band of early science fiction fans hoping to promote their struggling amateur publication?

The creators of The Visual History of Science Fiction Fandom bring you the story of Cosmos – a remarkable serial novel from 1933, with chapters by sixteen well-known authors. Even more astonishing is the tale of how this extravagant space-opera came to be. Orchestrated by a scrappy, ambitious cadre of young fans – mostly teenagers – the creation of Cosmos is a seminal episode in the history of science fiction. The impact on the novel’s editors and authors echoed through the decades that followed.

(If you’re curious who wrote it, Fancyclopedia 3 supplies the Table of Contents here — Cosmos – The Serial Novel.)

The Ultimate COSMOS will be launched at the Windy City Pulp and Paper Convention, April 4 – 6, 2025 in Chicago. Thereafter the book will be available for purchase on the First Fandom Experience site and via print-on-demand.

(4) ABOUT THAT LIVE-ACTION REMAKE OF SNOW WHITE. “Snow White: Disney holds small-scale European premiere amid controversy” – and the BBC explains the beef.

…The movie is being released amid a debate about how the seven dwarfs are represented on screen, while Zegler has made headlines for critical comments about the original 1937 film.

The European premiere was held on Wednesday at a castle in Northern Spain, instead of a more traditional and high-profile location such as London’s Leicester Square.

Dwarfism debate

The debate around the film began making headlines in January 2022, when Game of Thrones star Peter Dinklage, an actor with Dwarfism, described the decision to retell the story of “seven dwarfs living in a cave” as “backward”.

Disney has used computer-generated dwarfs in the remake and said it would “avoid reinforcing stereotypes from the original animated film”.

But this week, other actors with Dwarfism have said they would have liked the opportunity to play the roles.

Speaking to the Daily Mail, performer Choon Tan said the decision to use CGI was “absolutely absurd and discriminating in a sense”.

“There really is nothing wrong casting someone with dwarfism as a dwarf in any given opportunity,” he said.

“As long as we are treated equally and with respect, we’re usually more than happy to take on any acting roles that are suitable for us,” he added…

(5) OCTOTHORPE. John Coxon is working, Alison Scott is plugging and Liz Batty is ghosting in Episode 130 of the Octothorpe podcast, “I Am Scalison Ott”. An uncorrected transcript of the episode is available here. 

The words “Octothorpe 130: Handwriting Analysis Special” appear three times in the three hosts’ handwriting.

(6) OSCARS AFFECT ON STREAMING PREFERENCES. JustWatch, the world’s largest streaming guide, has analyzed how the Academy Awards influenced streaming preferences in the U.S. Following Hollywood’s biggest night, audiences turned to their favorite platforms to catch up on the most celebrated films, leading to significant shifts in streaming rankings.

While several top contenders remained popular, the post-Oscars data reveals noticeable changes in audience preferences. New titles surged in viewership, while others saw renewed interest based on award wins, nominations, and critical buzz.

*Note: Anora was not included in our ranking as it has no current streaming offers in the US, but it was the second most popular after “The Substance”

Key Takeaways from the Post-Oscars Streaming Shift

  • Newcomers Enter the Rankings – The Brutalist, Wicked, I’m Still Here, and A Complete Unknown emerged in the top ten after the Oscars, reflecting fresh audience interest.
  • Shifts in Viewer Attention – While Dune: Part Two, Alien: Romulus, Inside Out 2, and Gladiator II ranked highly before the awards, they were replaced by new titles post-Oscars, possibly due to shifting critical conversations and winner announcements.
  • Sustained Success for The Substance & Conclave – These two films held their positions as the most streamed, proving their long-lasting appeal to audiences.
  • Surging Interest in Indie and Arthouse Films – Flow and Nosferatu gained traction after the Oscars, suggesting a growing curiosity in artistic and unconventional storytelling.

(7) PRATCHETT RETROSPECTIVE. Christopher Lockett marks the tenth anniversary of the author’s death in “The Magical Humanism of Sir Terry Pratchett”, a discussion that ranges from Pratchett’s expressed views of the right-to-die to his literal characterization of Death.

…Sir Terry’s Death is thus something close to a benevolent figure: a guide into whatever afterlife the deceased’s beliefs and conscience create for them. And his pervasive presence throughout the Discworld series produces a thematic iteration on humanity as defined by mortality—which itself produces a thematic iteration on how this relationship defines a moral and ethical humanism. For one of the great allegorical gestures of the Discworld novels is an expansive humanism that extends to cover all sentient beings….

(8) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

March 13, 1966 — Alastair Reynolds, 59.

By Lis Carey: Alastair Reynolds is an interesting writer—really good writer, with (what I find to be) an unfortunate tendency to write very dark stories. This means I’m stuck with reading his work very, very selectively.

Which gives me a sad.

Reynolds is Welsh, studied physics and astronomy, and has a PhD in astrophysics from University of St. Andrews. He graduated in 1991, and moved to the Netherlands to take a job at the European Space Agency, where he worked until 2004.

He started writing science fiction short stories while still a grad student, with his first publication in Interzone in 1990.

Alastair Reynolds

Reynolds says he doesn’t like writing stories that he doesn’t believe are within the realm of the possible, which is, no doubt, why the Revelation Space universe is truly hard sf, including relativistic space travel. He’ll depart from that stricture if he believes the story requires it, but those stories are not in Revelation Space.

I’m especially fond of the Prefect Dreyfus Emergencies, a subseries within the Revelation Space universe, which I otherwise avoid. Tom Dreyfus is a field prefect, part of the Panoply, a sort of let’s not call them police officers, charged with ensuring that each of the 10,000 or so habitats within the Glitter Band has reliably functioning, untampered-with democracy. As long as they are properly functioning democracies, the habitats can have any set of laws they choose to have. 

A vital part of that is keeping the machines that tabulate votes working smoothly and ensuring that they’re not tampered with. But if they didn’t also have rogue AIs, charismatic preachers against Panoply, a mysterious contagion that seemingly leaps all protective measures, and bigotry against uplifted, genetically modified pig people, where would the fun be? Over the three books published (Aurora Rising, Elysium Fire, and Machine Vendetta, it’s intricate, layered, has very well-developed characters, and plots that really don’t let go.

Another Reynolds work I’ve enjoyed is Eversion, in which a sailing ship in the 1800s crashes on the coast of Norway, in the 1900s a Zeppelin runs into serious difficulty in crevasse in the Antarctic, and in the far future, a spaceship visits an alien artifact. Dr. Simon Coade is the physician on these voyages, and he knows something really weird is happening, that no one else is noticing. Yes, it’s science fiction. Again, intricate, layered, and with excellent characterization and plot.

I’ve also read Terminal World, and Century Rain. They’re dark enough that I’m not sure why I picked up the second after reading the first, or why I picked up anything else by Reynolds, because they are the dark and grim that I’m not looking for in fiction.

Possibly because he’s a very good writer, and I’m glad I did find the Prefect Dreyfus books, Eversion, and a few others. So there’s two lessons here. 1. You do not have to read fiction that is not for you. You’re not going to be taking a test on it. 2. Don’t automatically write off a write just because they don’t seem to be writing for you. If they’re good, keep an eye open for works that might be for you anyway.

(9) COMICS SECTION.

(10) GRINCH YOU WIN, TAILS YOU LOSE. A collectible Dr. Seuss coin collection has launched with “The Grinch – Month 1”.

The titular character from Dr. Seuss’s iconic 1957 book, How the Grinch Stole Christmas! is widely recognized around the world. The Grinch may be green and mean, but he’s found his way into the heart of collectors as one of the most celebrated Dr. Seuss characters. Whether or not his heart grows three sizes, we love the Grinch’s strange enterprises!  

(11) WHILE WE WERE IN THE NEIGHBORHOOD. “Passing probe captures images of mysterious Mars moon” in the Guardian. Photo at the link.

A European spacecraft has taken photos of Mars’s smaller and more mysterious second moon during its flight past the planet en route to a pair of asteroids more than 110m miles (177m km) away.

The Hera probe activated a suite of instruments to capture images of the red planet and Deimos, a small and lumpy 8-mile-wide moon, which orbits Mars along with the 14-mile-wide Phobos.

The European Space Agency probe barrelled past Mars at more than 20,000mph and took shots of the lesser-seen far side of Deimos from a distance of 620 miles.

Michael Kueppers, Hera’s mission scientist, said: “These instruments have been tried out before, during Hera’s departure from Earth, but this is the first time that we have employed them on a small distant moon for which we still lack knowledge.”…

(12) PITCH MEETING. [Item by Andrew (not Werdna).] “Back to the Future Part III Pitch Meeting” — my wife notes that the description of how Doc and Clara fell in love seemed awfully familiar.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Lis Carey, Andrew (not Werdna), David Ritter, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/8/25 Under A Spreading Integral Tree, The Village Pixel Scrolls

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(1) LIVING WITH REVIEWS. Here is Kirk McElhearn’s advice to writers about “How to Handle Online Book Reviews Without Losing Your Mind” at Literature & Latte.

If you’ve published a book, you’ll get reviews online from readers. Some may be positive and others negative. Here’s how to approach online book reviews with a healthy mindset.

Don’t get involved

For many years, Amazon allowed customers to comment on reviews; Goodreads allows this. Don’t post comments on negative reviews; this can escalate conflicts and potentially harm your reputation. There have been some cases where authors did this, leading to hostility, review bombing, and social media backlash.

Over-attention to online reviews can be bad for an author’s mental health. Some authors see negative reviews as a sign of failure, but not everyone will like your book. Some will love it and others will hate it. Focus on the good reviews and ignore the bad ones. Many authors avoid looking at reviews altogether; this is hard, because we are curious, and we seek approval, but you could ask a friend or colleague to look at reviews for you and filter the bad from the good.

Getting feedback from reviews

As a writer, you already know that giving and receiving feedback is delicate. Most negative reviews are hostile, but you can learn from the ones in the middle, the three-star and four-star reviews. Some of these reviews can give you insights into how readers perceive your characters, dialog, world-building, or plot, and they can help you find your weaknesses and improve them for your next book.

You’ll find that most people who aren’t writing the most negative reviews do have useful things to say. They took the time to write about your book because they enjoyed it and wanted to share their thoughts with other readers. These are readers who are likely to buy your next book, so learn from their comments….

(2) STEPHEN HICKMAN ONLINE EXHIBIT. [Item by Steven H Silver.] There is a Stephen Hickman on-line exhibit running through the end of the month at Ix Gallery: “Endymion II: More Selections from the Stephen Hickman Estate”.

STEPHEN HICKMAN (1949 – 2021) illustrated science fiction and fantasy for five decades. Among other publications, his work appeared in fourteen of the nineteen SPECTRUM annuals. Two books of his work are available: The Fantasy Art of Stephen Hickman; and Empyrean, The Art of Stephen Hickman. Two sculptures of H. P. Lovecraft subjects have been issued – the first by Bowen Designs and the second direct via Kickstarter. Major exhibitions include: New Britain Museum of Art New Britain Conn. 1978; Society of Illustrators show 1987 NYC; Delaware Art Museum shows, 1986 & 88 in Newark DE; Art Space Raleigh NC 1990; Canton Museum of Art Canton OH 1991; Olympia and York 1991 & 1992 NYC; Orlando Science Center Orlando FLA 1991; Smithsonian Air and Space 2009; At The Edge: Art of the Fantastic, Allentown PA 2012. Major awards include: Hugo Award [for the Space Fantasy Stamp Museum Wash DC 1992; SPECTRUM shows Society of Illustrators NYC 2005 & Booklet US Postal Service] 1993; seven Chesley Awards [one for Artistic Excellence]; Two SPECTRUM Gold Awards. Hickman’s work has earned him critical acclaim, including a World Science Fiction Convention’s Hugo Award and six Chesley Awards from the Association of Science Fiction and Fantasy Artists.

(3) PERRY RHODAN ORIGINS. Cora Buhlert follows Rachel Cordasco’s history of Perry Rhodan with her insights into German fans’ experience of the series in “Fantastic Fiction: Perry Rhodan – (West) Germany’s Space Hero” at the Seattle Worldcon 2025 blog.

Science fiction has many long-running science fiction series. However, there is no series longer running than Perry Rhodan, which as of this writing has racked up a staggering 3,312 volumes since 1961….

…You can’t write about Perry Rhodan without also discussing the German Romanheft. Romanhefte (literally “novel magazines,” the plural form of Romanheft) are A5-sized fiction magazines printed on woodpulp paper with a glossy cover. Every 64-page issue contains a single short novel, a novella. Sometimes they’re serialized; sometimes they’re standalone stories….

…The first issue, “Mission Stardust,” hit West German newsstands on September 8, 1961. Set in the not too far-off future of 1971, it featured a world on the brink of nuclear war, divided among two superpowers, a western and an eastern bloc. It was a world readers in 1961 recognised only too well. The Berlin Wall had been built barely a month earlier, the specter of nuclear war was ever-present, and West Germans knew they would likely be on the frontlines….

(4) NEW EDGE SWORD & SORCERY. There’s one week left in New Edge Sword & Sorcery’s campaign to crowdfund its next three issues at Backerkit. These will be issues (#5, #6, and #7. Cora Buhlert will have a non-fiction piece in issue 7.

(5) WHY IT SOUNDS FAMILIAR. “Rhode Islanders rally for the Freedom to Read and against book bans at State House event” — Steve Ahlquist extensively quotes those who spoke.

…I want to center the views of two Rhode Island High School students, Sila Yang and Oscar Kunk, student organizers with ARISE (Alliance of Rhode Island Southeast Asians for Education).

Sila Yang:

I am currently a senior at Pilgrim High School. I remember, back in my sophomore year, I had to read a book called Fahrenheit 451 by Ray Bradbury, a novel that takes place in a dystopian future where books are outlawed and burned to ashes by firemen. The story’s themes explore the effects of censorship and conformity, and individuals’ struggle with self-identity and a desire for knowledge. However, the government brainwashes its citizens with the media, preventing them from learning and being open-minded. And when I looked at Trump’s Administration, I asked myself, “Where have I seen this all before?”

Censorship is a global issue. Even the freest of countries are unsafe by it. Despite being called the land of the free, we are threatened with censorship. According to the National Coalition Against Censorship, censorship prevents people from spreading ideas, opinions, and important messages. In the year 2025, the Trump Administration threatens to ban people relating to LGBTQ issues, racial history, and injustice. Not only does censorship affect writers and librarians, but it threatens the education of many students and silences marginalized communities, including myself as a Hmong American student.

I understand what it is like being hidden in the dark. The Vietnam War, let alone the Secret War of Laos, is rarely discussed, if ever, in our history classes. To have other history banned, including LGBTQ history and Black history – to have any history censored is a disgrace to history itself….

(6) DANGEROUS ISLAND. The Guardian’s Keith Stuart reviews “Atomfall, the survival game that draws from classic British sci-fi”.

The year is 1962 and you’ve just woken up in the shadow of the Windscale (now Sellafield) nuclear power station in Cumbria, five years after its catastrophic meltdown. Trapped in the sizeable quarantine zone surrounding the accident site, you must stay alive long enough to figure out how to escape – a task made rather more challenging by the presence of aggressive cultists, irradiated monsters and highly territorial terror bees. Imagine Stalker, but set in northern England, and you’re edging towards what Oxford-based developer Rebellion has in store.

Fallout may seem like another obvious inspiration for this irradiated game world, but after playing a two-hour demo, it’s clear the game draws more from classic British sci-fi. Here you are, stuck in the picturesque Lake District, with its lush woodlands, gurgling rivers and dry-stone walls. But all around you are the burned-out remains of 1960s cars and tanks, abandoned farm buildings and odd sounds and symbols that suggest something extremely sinister is happening. The development team have mentioned Dr Who, The Wicker Man the novels of John Wyndham as key inspirations, and you can see it in the grubby dislocated scene all around you. Approach a phone box and pick up the ringing handset, and you may hear a disembodied voice warning you about an apparently friendly character you met up the road. Stray into a cave and a ghost-like monster comes at you, infecting you with a paranoid mind virus. This is very much the stuff of Quatermass and Jon Pertwee-era Who….

(7) LAST OF US RETURNS. On HBO beginning April 2: “The Last of Us Season 2 Trailer: Pedro Pascal and Bella Ramsey”. Variety describes one of the trailer’s scenes:

…“This is where we live,” Joel says to Benjamin, pointing at a map. “And what’s that?” “The fence,” Benjamin replies. “What’s inside?” Joel asks, and Benjamin replies, “People,” as shots play of Joel and Ellie playing guitar and Ellie dancing with her new friend Dina (Isabella Merced). Finally, Joel asks, “What’s outside?” and his nephew says, “Monsters,” over shots of someone wielding a scythe, W.L.F. (Washington Liberation Front) tanks and soldiers, new antagonist Abby (Kaitlyn Dever) trudging through snow, and yes, monsters. Several rows of them sprint towards the fence outside of the Jackson settlement and are kept at bay by fiery explosions before Tommy is shown fearfully firing a large gun….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

March 8, 1921 — Alan Hale Jr. (Died 1990.)

Let’s talk about Alan Hale Jr.

His father, Alan Hale Sr., played Little John in Robin Hood a century ago with Douglas Fairbanks and Wallace Beery, reprised the role in The Adventures of Robin Hood with Errol Flynn and Basil Rathbone, then played him once more in The Rogues of Sherwood Forest. We agreed that Robin Hood is genre, didn’t we? 

Alan Hale Jr.’s best-known role is Captain Jonas Grumby — referred to by name only in the Gilligan’s Island pilot, thereafter as The Skipper. We’ve also agreed that series is genre. He’s owner and captain of the S.S. Minnow which ends up in the genre-based lost island setting with its passengers and sole crew member.

Counting the pilot, it ran for ninety-nine episodes over three seasons starting sixty-one years ago. There would later be three television films in the late Seventies and early Eighties in color. I don’t remember any of them, do any of you remember them? 

There are two Filmation-produced animated sequel series which I’ve mercifully never seen as I’m really not keen of animated series made off live series and yes that includes the Star Trek one. They were The New Adventures of Gilligan and Gilligan’s Planet, both short lived. Hale Jr. voiced his character.

Genre appearances included The Wild Wild West where he shows up in “The Night of The Sabatini West” as department chemist/agent Brown. We also have here Jim Backus as funeral director Swanson. A Gilligan’s Island in-joke is of Brown remarking he is going on vacation on a desert island!

There’s also My Favorite Martin, Fantasy Island, ALF for television series, whereas films were The Giant Spider Invasion, The Fifth Musketeer, and well, and I didn’t see anything else but if I missed anything I’m sure I’ll hear about it. 

Alan Hale Jr.

(9) COMICS SECTION.

(10) SMEARED CAMPAIGN. Futurism says, “Netflix Is Using AI to Upscale a 1980s Sitcom and the Results Are Borderline Horrific”.

From the very first frames, you can tell there’s something off about Netflix’s version of “A Different World,” a “Cosby Show” spin-off that aired on NBC from 1987 to 1993.

As spotted by developer and blogger Scott Hanselman, the streamer — or whatever rightsholder licensed the show to it — seriously bungled its efforts to upscale the decades-old footage, which was originally shot on film and made available on DVD since then.

The show was added earlier this month and is currently listed as being “HD.” But onscreen artifacts quickly make it clear that an algorithm is being used to increase the sharpness of pixelated frames, with sometimes comically awful results.

The intro credits already raise alarm bells, with mangled hands, misaligned facial features, bungled logos, and overall smeary lines that don’t meet up….

… Did we really need a smeared reimaging of a beloved 90s sitcom? “A Different World” is now besmirched by its association with Bill Cosby, but it was culturally important when it came out, confronting social issues like the HIV crisis in a mainstream way. It’s clearly important enough to put on Netflix; why isn’t it important enough to present viewers with a good viewing experience?…

… Text gets jumbled badly “because the AI can’t read,” Hanselman explained. “Rather than guessing the phrase or guessing the words, [the AI] just upscales that. It looks like hieroglyphics.”

“The problem is AI upscaling image technology isn’t quite there yet,” he concluded. “So what you end up with is an uncanny valley.”…

(11) IT’S NEAR BEYOND THE MOON, I KNOW BEYOND A DOUBT. “My heart will lead me there soon.” “Asteroid Mining Startup Loses Its Spacecraft Somewhere Beyond the Moon” reports Gizmodo.

A privately built spacecraft is tumbling aimlessly in deep space, with little hope of being able to contact its home planet. Odin is around 270,000 miles (434,522 kilometers) away from Earth, on a silent journey that’s going nowhere fast.

California-based startup AstroForge launched its Odin spacecraft on February 26 on a SpaceX Falcon 9 rocket. The probe was headed toward a small asteroid to scan it for valuable metals, in service of the company’s ambitious goal of mining asteroids for profit. AstroForge was also hoping to become the first company to launch a commercial mission to deep space with its in-house spacecraft, a dream that fell apart shortly after launch.

After Odin separated from the rocket, the company’s primary ground station in Australia suffered major technical issues due to a power amplifier breaking, delaying AstroForge’s first planned attempt to contact the spacecraft, the company revealed in an update on Thursday. The mission went downhill from there, as several attempts to communicate with Odin failed and the spacecraft’s whereabouts were unknown. “I think we all know the hope is fading as we continue the mission,” AstroForge founder Matt Gialich said in a video update shared on X…

(12) SMALL BANG THEORY. Smithsonian Magazine tells readers “Oldest Known Impact Crater Discovered in Australia”.

Researchers have discovered the oldest meteorite impact crater known to science in Western Australia’s Pilbara region. The feature is more than one billion years older than the previous first-place contender, and could hold important implications for understanding the origin of life on our planet. The discovery is detailed in a study published Thursday in Nature Communications.

“Before our discovery, the oldest impact crater was 2.2 billion years old, so this is by far the oldest known crater ever found on Earth,” Curtin University’s Tim Johnson, a geologist and co-author of the study, says in a statement. The team dated the crater to 3.5 billion years ago.

Curiously, the discovery of the world’s oldest meteorite impact crater actually began with a question about Earth: how did the first continents—our planet’s oldest rocks—form more than three billion years ago? While many theories involve geological processes powered by heat from Earth’s core, Johnson and his colleagues have previously argued that the formation of Pilbara would have required extraterrestrial energy.

They suggest that large meteorite collisions could have caused Earth’s mantle to form “blobs” of volcanic material that over time became continental crust. To make a compelling case, however, they had to find evidence of a meteor impact that corresponded with that timeline—which is exactly what they did.

“The crater was exactly where we had hoped it would be,” Johnson and some of his co-authors wrote in an article in the Conversation. But the team didn’t find a giant crater basin—after all, 3.5 billion years is plenty of time for erosion to do its thing. Instead, they found the next best option: a rock formation known as shatter cones, in an area of the Pilbara region called the North Pole Dome.

“They’re these beautiful, delicate little structures that look a little bit like an inverted badminton shuttle cock with the top knocked off,” Johnson explains to ABC’s Peter de Kruijff. “So, upward facing cones with delicate feathery-like features. The only way you can form those in natural rocks is from a large meteorite impact.”…

(13) IS MARS HELL? [Item by Mark Roth-Whitworth.] ScienceAlert finds “Curiosity Cracked Open a Rock on Mars And Discovered a Big Surprise”.

A rock on Mars spilled a surprising yellow treasure after Curiosity accidentally cracked through its unremarkable exterior.

When the rover rolled its 899-kilogram (1,982-pound) body over the rock in May last year, the rock broke open, revealing yellow crystals of elemental sulfur: brimstone.

Although sulfates are fairly common on Mars, this represents the first time sulfur has been found on the red planet in its pure elemental form.

What’s even more exciting is that the Gediz Vallis Channel, where Curiosity found the rock, is littered with rocks that look suspiciously similar to the sulfur rock before it got fortuitously crushed – suggesting that, somehow, elemental sulfur may be abundant there in some places….

(14) COZY CAT TV. NHK World-Japan hosts a series titled A Cat’s-Eye View of Japan. Watch episodes at their website. One is titled, “Ibaraki: Cats in a Surfer’s Paradise”. Is there anything of genre interest here? I don’t know. You’d better check closely….

A cat hangs out with her owners, a family of surfers who run a beach café. This cool cat gets along with her family’s dog, too! Next, we meet a shy cat at a surfboard and skateboard shop.

(15) VIDEO OF THE DAY. Open Culture reminds us where we can “Watch the Sci-Fi Short Film “I’m Not a Robot”: Winner of a 2025 Academy Award”.

Victoria Warmerdam, the writer and director of the short film, “I’m Not a Robot,” summarizes the plot of her 22-minute film as follows: The film “tells the story of Lara, a music producer who spirals into an existential crisis after repeatedly failing a CAPTCHA test—leading her to question whether she might actually be a robot. Through a dark comedic lens, [the film] explores themes of identity, self-determination, love, and technology in a world where the line between humanity and artificial intelligence is becoming increasingly blurred.”…

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, N., Steven H Silver, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill. With an assist from OGH.]

Pixel Scroll 2/25/25 General Systems Vehicle Strange Women Lying About In Ponds Distributing Swords Is No Basis For A System Of Government

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(1) IAIN M. BANKS TV ADAPTATION. “’Consider Phlebas’ Series Set At Amazon From Charles Yu & Chloé Zhao” reports Deadline.

 Amazon MGM Studios is developing science fiction TV series Consider Phlebas. It is an adaptation of the novel by Iain M Banks, the first in the late Scottish author’s classic 10-book Culture book series about an interstellar post-scarcity society.

Interior Chinatown creator Charles Yu is writing and executive producing. The potential series also is executive produced by Nomadland Oscar winner Chloé Zhao through her production company Books of Shadows, Dede Gardner and Jeremy Kleiner for Plan B Entertainment as well as Adele Banks.

In Consider Phlebas, while war rages between the utopian Culture and the Idiran Empire, a Culture Ship AI “Mind” takes refuge on a forbidden planet. Both Horza, a shape-shifting mercenary working for the Idirans, and Balveda, a “Special Circumstances” Culture agent, have been tasked with retrieving it to tip the balance in a galaxy-spanning conflict. Consider Phlebas pits sentience against AI in an epic and bloody quest across the cosmos….

(2) WHY NOT SAY WHAT HAPPENED? Episode 20 of Scott Edelman’s Why Not Say What Happened? podcast, “The Barry Smith Comic Book Which Caused Me to Disobey My Parents”, has all the burning bridges that have fallen after him….

In my latest look back at the comics field of the ’70s, I share about the home away from home Phil Seuling built for fandom which earned his recent much-deserved accolade, whether the Ethics columns I wrote for The Comics Journal during the ’80s burned any bridges (and if I even cared those bridges were on fire), the kung fu comic book series I’d completely forgotten I’d pitched to Marvel, why my job in the Bullpen stunned writer/editor/artist Bob Budiansky, the Barry Smith Agent of S.H.I.E.L.D. comic which caused me to disobey my parents, my initial fears I might not last long enough at Marvel to be eligible to receive unemployment benefits if I were fired, and much more.

The whole series can be downloaded from a variety of platforms at this link.

The issue of Nick Fury I wasn’t supposed to buy.

(3) GALLIFREY ONE WINDING DOWN. LA’s legendary Doctor Who convention Gallifrey One will end its run in 2028. But another LA event in the same spirit will keep the torch burning into the future. “Gallifrey One To Conclude in 2028… But The Moment Has Been Prepared For” writes Shaun Lyon.

It was with a heavy heart that we announced on February 16, 2025, at the end of this year’s convention Closing Ceremonies, that Gallifrey One will be coming to an end in 2028, after three more events over the next three years.  Our February 2028 convention will conclude an unprecedented, sometimes inexplicable and definitely historic 38-year run as the world’s largest and longest-running annual Doctor Who fan event….

…Those of us who have been on this journey for decades have earned the right to go out on our own terms. We aren’t interested in passing along our name or reputation to someone else, someone untested, who might squander the good will we engendered in the fan community. We don’t ever want Gallifrey One to be remembered as the convention that didn’t know when to quit, or is looked back upon with regret: it was great, until it wasn’t.

Most importantly, we want it to be a testament to all the people who brought it forward, from the launch in January 1989 to our first convention in May 1990, through decades of memories and connections (and even a year without one, thank you COVID) until today, when it’s the destination so many people look forward to. So many friendships have come about through the convention.  People have met and married through Gallifrey One; babies have grown up with their families attending.  And along the way, we’ve also lost so many friends through the passage of time; friends gone, but never forgotten.

We also gave our fandom three years’ notice. We didn’t want to spring this on all of you at the last minute. Many of our former attendees we know would love to come back again before we’re done. Many others out there who dream of attending one day, now have three years to plan if they want to make it in time. We didn’t have to do it, and we certainly didn’t do it to make any of you panic; this was a gift to our dedicated fan base, so that you know you’re being looked after and don’t need to think about the future… quite yet.

We don’t want the fandom that we’ve engendered here for so long, the friendships and families and memories we’ve shared, to disappear.  That is why we are confidently moving forward with our plans.

We still have three more events to bring you before we close the book. In 2026, we will proudly present our thirty-sixth convention, The 36 Legends of Gallifrey One: Stories Untold on February 6-8 due to the NBA All Star Game on our regular weekend. (More details about that convention on the wrap-up article & 2026 preview also posted today.) In 2027, our thirty-seventh convention (already named, and we will share it next year) will also be a week or two after our regular weekend (the Super Bowl returns to LA that month). And finally, in 2028, we’ll present the last Gallifrey One convention: a last hurrah and final reunion as ourselves, with a convention name our former chairperson came up with more than thirty years ago….

…In discussing the end of Gallifrey One in 2028 with Jason [Joiner] and Paul [Jones], it became apparent to us that the best opportunity to continue the spirit of our convention was with them: Showmasters Events has the financial strength to run a Doctor Who show here, run in a manner resembling much of Gallifrey One — but not entirely. Put simply, they don’t want Gallifrey One’s fan community to disappear after 2028 any more than we do. And they’ve committed to running a show, while not a non-profit event like Gallifrey One, that operates much like it does today. They have the contacts we have, and most importantly, the capital to put up (this type of event is expensive, and everyone gets paid up front these days, including the hotel and the guests.) Some of Gallifrey One’s team, as well as some guests and attendees, have already committed to helping them through the transition, so that programming operates in much the same way (discussion panels, for instance), the photos and autographs continue, your favorite dealers can continue to vend, and so forth.

We also asked them not to use the Gallifrey One name, as that brand — that legacy — retires with us; they were completely in agreement that this would be something new, but still for the fans….

(4) HOW TO DONATE TO THE LEEPER SCHOLARSHIP FUND. [Item by Evelyn C. Leeper.] People have asked more specifically how to donate to the Leeper Mathematics Scholarship.

The main page is <https://www.umassfoundation.org>, but the specific page is:

<https://minutefund.uma-foundation.org/project/29554/donate?fund_id=GEN%20SCH>

Under the Fund Designation field, select “Other” from the very bottom of the list. This will open a text box where you can write in any fund/designation you would like to support, in this case “Leeper Mathematics Scholarship”.

At the bottom of the page, you can indicate who it is “In Memory Of”.

(5) WENDY AND RICHARD PINI MAKE MASSIVE DONATION. “ElfQuest Creators Donate $500,000 To Columbia University Comics Archive” reports Forbes.

Wendy and Richard Pini, the couple behind the long-running ElfQuest independent comics series, are donating $500,000 to Columbia University to endow and conserve the school library’s growing collection of comics, graphic novels and related prose works.

“The money will go for acquisitions and stewardship for circulating and archival collections,” said Karen Green, the curator for comics and cartoons within Columbia’s Rare Book & Manuscript Library. “Stewardship is a really all-embracing and umbrella term, covering digitization, preservation, anything to make sure things are accessible safely. There was a big ‘et cetera’ to the grant.”…

…Thus, in 2012, at San Diego Comic-Con, where Wendy was making one of her regular appearances, Green approached the Pinis with a compelling question: “Would you consider allowing us to preserve your legacy?”

A year later, the couple had turned over some 37 linear feet of boxes of ElfQuest-related material, including more than 2,000 of Wendy Pini’s hand-drawn, hand-painted storyboards from 1978 through about 1990….

(6) OH CAPTAIN, MY CAPTAIN. With David S. Goyer’s departure from Foundation, Inverse suspects “The Most Ambitious Sci-Fi Epic on TV Could Be In Big Trouble”.

In the sprawling future depicted by Foundation, everyone has pretty much forgotten about the planet Earth. But over several generations can remember the predictions of one man: Hari Seldon. Played by Jared Harris in the first two seasons of Foundation, the character of Seldon is able to see the twists and turns of the future history of the human Empire through a process called psychohistory. But even the study of psychohistory couldn’t have predicted what’s happening to Foundation after its upcoming third season. Because now, the show’s real-life Hari Seldon — creator David S. Goyer — is leaving the show, along with the existing writing staff.

In short, after the next season of Foundation, the literal foundation for the show’s future is very unclear.

As revealed in a newsletter from Goyer’s official site, and reproduced in its entirety on the Foundation subreddit, the writer and producer is leaving taking a massive step back from the show. Here’s what he said:

“I know a lot of you have been waiting for an update. Season 3 will likely be dropping this summer, premiere date TBD. We finally get to the Mule’s story. Expect a few surprises along the way – even for those of you who’ve read the original trilogy.

“To set the record straight, I did decide to step back from the show. S3 will be the last season with my day-to-day involvement, along with most of my fellow directors and writers. I adore the cast and it was a difficult decision. The reasons for my leaving are complicated and were certainly exacerbated by strike-related issues. The biggest reason is that I was forced to spend a ton of time in Europe, away from my family – and after 5 ½ years, it was becoming a drag on my soul. That said, I do believe Apple will green-light S4. Best of luck to the next creative team.”…

(7) ALSO HEADING FOR THE EXIT. There’s a crucial turnover coming at Lucasfilm, too: “Star Wars Succession: Who Will Replace Kathleen Kennedy?” asks The Hollywood Reporter.

…But who should Disney choose to inspire greatness in the next generation of Star Wars creatives now that longtime Lucasfilm boss Kathleen Kennedy is retiring later this year?

The job hunt will be like nothing before in Lucasfilm history. Star Wars creator George Lucas hand picked Kennedy in 2012 to run the company before selling his ownership stake to Disney, which elected to keep her in place. Now, for the first time, Disney will pick somebody new to lead its galaxy far, far away.

During her tenure, Kennedy guided the Star Wars brand across many celebrated achievements (such as the franchise’s return to theaters with The Force Awakens and its successful shift to TV with The Mandalorian). She has also been often criticized for the franchise’s many missteps (including some lackluster movies and shows, and overseeing numerous announced-and-discarded projects). The executive — along with Disney in general — has also often been targeted by franchise’s fandom for diverse casting moves and a perceived “woke” agenda (a perception that Disney boss Bob Iger has been eager to move past)….

(8) ROBERTO ORCI (1973-2025). Robert Orci, a writer-producer with credits on the Star Trek, Xena, Hercules, and Transformers franchises, died February 25. Deadline paid tribute: “Roberto Orci Dead: ‘Star Trek’, ‘Transformers’ Writer-Producer Was 51”.

Roberto “Bob” Gaston Orci, a writer-producer who worked on some of the biggest action-adventure and sci-fi movies and television shows from the first two decades of the century, died at his home in Los Angeles today, Feb. 25, after a battle with kidney disease. He was 51.

Born and raised in Mexico City, Orci moved to the United States with his family when he was 10. He started off as a writer-producer on Xena: Warrior Princess and Hercules: The Legendary Journeys and for most of his career was partnered with Alex Kurtzman.

Orci was co-writer/producer on the 2009 Star Trek movie reboot and its two sequels as well as on the 2007 Transformers movie and the 2009 followup Transformers: Revenge of the Fallen. Orci’s feature credits also include writing work on Mission Impossible III and The Legend Of Zorro and producing on the Now You See Me franchise, The Proposal, Eagle Eye, The Mummy as well as The Amazing Spider-Man 2, which he also co-wrote….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

February 25, 1971 — Sean Astin, 54.

Let’s talk about Sean Astin who played Samwise Gamgee in The Lord of The Rings films. I’ll admit that he was one of my favorite hobbits in the trilogy and Sean did a sterling job of bringing his character to life here, didn’t he? I’ll also admit that I’d completely forgotten that he wasn’t in The Hobbit as in I tend to think that the hobbits in The Hobbit were the same as those who were in the trilogy.

Before The Lord of The Rings, he showed in his first film playing Mikey Walsh in The Goonies. No, not genre (remember My Birthday Write-up, my rules what gets included here) but a really fine YA treasure hunt adventure in which everyone has fun. Well not everyone.

He has a lead role in Toy Soldiers, a film I still have an odd fond spot for, as William “Billy” Tepper. Damn I liked those toy soldiers. I even had some of the action figures a long time ago.

He was Stuart Conway in a film named after a time travel device called Slipstream that was stolen by a group of bank robbers. Might be interesting to see. Any of you seen it? 

He voiced Shazam in a pair of animated DC films, Justice League: War and Justice League: Atlantis, almost proving there are might be too many DC animated films, though I have seen the second one and it’s rather well done.  Look he even did a Lego one!

In the Department of Films That I Never Knew Existed Off Novels I Never Knew Were Written is Terry Pratchett’s The Colour of Magic, which proves how prolific he was or how bad my memory is, at any rate Sean is Twoflower here. 

Dorothy and the Witches of Oz is a 2012 series of a decade ago which apparently covered The Wonderful Wizard of Oz, Ozma of Oz, The Road to Oz and The Magic of Oz. Somewhere in there, he was Frack Muckadoo, a servant of Princess Langwidere.

He even got to voice Raphael in the Teenage Mutant Ninja Turtles: Wrath of the Mutants series. 

I think the last thing I’ll mention is that he showed up in a brief recurring role on The Big Bang Theory series as Dr. Greg Pemberton, one of a team of Fermi-Lab physicists who accidentally confirmed the Super-Asymmetry paper published by Sheldon and Amy. Wasn’t that an amazingly fantastic series? 

Did you know that a spin-off of the original series was in development first several years now? More promisingly, on October 10, 2024, it was announced that a third spin-off will feature Stuart Bloom, Denise, and Bert Kibbler, with Kevin Sussman, Lauren Lapkus, and Brian Posehn reprising their roles. 

Yes, there’s other kibbles and bits which I’m sure you’ll point out, but I need tea now

Ray Bradbury and Sean Astin in 2009. Photo by John King Tarpinian.

(10) COMICS SECTION.

(11) MARVEL CINEMATIC FEUD. Deadline quoted Rob Liefeld’s latest salvo: “’Deadpool’ Creator Calls For Marvel’s Kevin Feige To ‘Get Off Mound’ After ‘Captain America’s Box Office Crash”. (In case you’ve forgotten, Liefeld made news at the time of the Deadpool & Wolverine premiere in 2024 saying he was ignored by Feige on the red carpet and found out his family was not invited to the afterparty.)

The post-Avengers: Endgame era at the box office has been challenging for Marvel, with only a few exceptions such as Guardians of the Galaxy Vol. 3 and Deadpool & Wolverine.

Box office results for the second weekend of Captain America: Brave New World showed a 68% drop week-to-week, positioning it as the third-most significant drop in the Marvel Cinematic Universe. The two films that fared worse were The Marvels, with a 78% dropoff, and Ant-Man and the Wasp: Quantumania at 68%.

Following the report of Brave New World’s results, Liefeld took to X (formerly Twitter) and posted: “Get Feige off the mound. He’s spent.”

Liefeld quoted all the Marvel films that have dropped more than 60% at the box office in its second weekend, saying in another X post that the “MCU is on an extended downside.”

“This is beyond a trend, it’s become the norm,” Liefeld said. “If this was sports, Feige would be removed. Marvel brand is like Dodgers, Lakers, Yankees, Celtics, coaches that win championships are removed a year later when the results are disappointing.”

In another X post he added, “8 movies crash over the last 3 years. Don’t we want better movies? You get the curiosity crowd then plunge.”…

(12) WARNER BROS. SQUEEZES ITS GAME BUSINESS. “Wonder Woman Video Game Canceled at Warner Bros., Studio Shut Down” – The Hollywood Reporter lists the casualties.

Warner Bros. Discovery is restructuring its video game division and shutting down three of its studios as it refocuses its efforts on some core intellectual property.

In connection with the restructuring, the company also said that it is ending development of its Wonder Woman game, which it first announced back in 2021. Instead, the company will focus on “building the best games possible with our key franchises -– Harry Potter, Mortal Kombat, DC and Game of Thrones,” per a Warner Bros. Games spokesperson.

The spokesperson added that three of the company’s game studios: Monolith Productions, Player First Games and Warner Bros. Games San Diego, will shut down amid the changes. Monolith had been developing the Wonder Woman game….

(13) HERE’S MY NUMBER AND A DIME. [Item by Steven French.] “Riki don’t lose that number …!” “If you’re going to call aliens, use this number” recommends Phys.org.

Let’s dive into one of those cosmic curiosities that’s bound to blow your mind: how we might chat with aliens. And no, I’m not talking about elaborate coded messages or flashy signals. We’re talking about something incredibly fundamental—21 cm radiation.

If you’re planning on having a conversation across the vastness of space, using light waves (electromagnetic radiation) is pretty much your go-to option. It’s fast, reliable, and, well, it’s the most practical way to shout out to other civilizations in the universe. But why specifically 21 centimeters? That’s where things get juicy.

This 21 cm radiation isn’t just some random frequency we picked out of a hat. It’s tied to something very essential, known as the hydrogen spin flip. Hydrogen atoms consist of one proton and one electron, and these tiny particles have a property called “spin.”

Think of spin like a little arrow pointing up or down. Every so often, in the vast reaches of space, a hydrogen atom’s electron can flip its spin, going from a state where its spin is aligned with the proton to one pointing in the opposite direction. This flip releases energy in the form of radiation at—you guessed it—a wavelength of 21 centimeters.

So why does this matter? Well, any smart civilization, whether they have blue skin, tentacles, or something more bizarre, will eventually discover hydrogen, understand spin, dabble in quantum mechanics, and figure out this whole 21 cm radiation thing. They’ll call it something different (they won’t have “21” or “cm”) but the concept remains universal. It’s like the cosmic Rosetta Stone….

(14) AH, THE BEACHES OF MARS. “Mars once had an ocean with sandy beaches, researchers say” – the Guardian has the resort brochure.

Mars may not seem like a prime holiday spot with its arid landscape and punishing radiation levels, but it once boasted beaches, researchers have found.

While previous discoveries of features including valley networks and sedimentary rocks has suggested the red planet once had flowing rivers, there has been debate among scientists over whether it also had oceans.

Now researchers say they have fresh evidence to support the idea after discovering buried beaches on Mars.

Writing in the Proceedings of the National Academy of Sciences, the scientists report how they made the discovery after they analysed below-ground imaging data from China’s Zhurong rover.

“Zhurong was sent to southern Utopia Planitia near locations where paleoshorelines have been mapped from satellite data,” said Dr Benjamin Cardenas, a co-author of the research from Penn State University.

The authors say the results from the northern lowlands of Mars are similar to those obtained at shorelines on Earth using ground-penetrating radar: both indicate features in the subsurface material that are tilted – and with a similar angle – towards the lowland, or ocean, direction.

“Typically the radar picks up on even subtle changes in sediment size, which is probably what’s happening here,” said Cardenas.

The researchers say this Martian beach appears to have shifted position over time. The data reveals a series of features dipping towards the north – something Cardenas said indicated the beach grew out into the ocean. “In fact, it grew at least 1.3km north into the ocean.”

Cardenas said the implications were exciting. “It’s a simple structure, but it tells you there had to be tides, there had to be waves, there had to be a nearby river supplying sediment, and all these things had to be active for some extended period of time,” he said….

(15) SMILE FOR THE CAMERA. “This City’s Sewer System Is Full of Alligators, but It’s Not New York” brags the New York Times (behind a paywall).

An enduring urban legend has it that blind, albino alligators patrol New York City’s sewers. These mythical crocodilians have become ingrained in the city’s lore, and some New Yorkers even celebrate Alligator in the Sewer Day each February.

But in Florida, alligators in the sewers are no myth. The reptiles routinely find their way into municipal drainpipes. In late January, a 10½-foot gator was rescued in Cape Coral after it got stuck in a storm drain.

And not all alligators end up in sewers by accident. Recently published research in the journal Urban Naturalist reveals that alligators and nearly three dozen other species use storm water sewer systems in one urban area of Florida to safely traverse urban environments.

“It’s like something out of ‘Teenage Mutant Ninja Turtles,’” said Alan Ivory, a Ph.D. student at the University of Florida who led the research. “The abundance of animals down there was surprising.”

While there has been thorough research on rats in sewer systems, what other animals are up to under the streets is less documented. Mr. Ivory and his colleagues suspected that these subterranean labyrinths, which are built to divert storm water and are separated from sewage systems, serve as important pathways for urban animals.

Mr. Ivory and his colleagues focused on storm water sewers under the city of Gainesville. The scientists outfitted motion-activated trail cameras with magnetic mounts and fastened them underneath manhole covers. Overall, 39 cameras were deployed in 33 storm water drains.

The cameras were left for 60 days, but not all of them survived that long. Some were swept away by storm water, while others were pilfered by bandits with sticky paws.

Who has non-opposable thumbs and apparently likes stealing motion-activated trail cameras placed by scientists? These guys. Alan Ivory, via UF/IFAS

“We would have raccoons steal cameras every now and then,” Mr. Ivory said. “They would climb up the ladders and tear them off the manholes.”…

(16) ELDRITCH LAUGHTER. Scotto.org remembers “H.P. Lovecraft: Stand-Up Comedian!” from 2015. You can watch it on YouTube. Includes jokes like, “I was worrying about the Boston Massacre. Do you know how many people actually died in the Boston Massacre? Five people. That’s not a massacre. That’s an afternoon snack for Cthulhu.”

Ran for six performances, Tues & Wed nights, April 28-May 13, 2015, at Annex Theatre in Seattle. Remounted for two performances, Sept 5 & 7, 2015, at Bumbershoot. I wrote the script and played Howie; my pal K. Brian Neel directed.

“Instead of expressing his terrifying vision of malevolent, eldritch gods via horror stories in the early twentieth century, H.P. (‘Howie’ to his friends) Lovecraft expresses his terrifying vision in the present day via stand-up comedy. But an ancient evil stirs beneath the sea— can Howie pull off one last sold-out gig before the human race is destroyed?”

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, N., Evelyn C. Leeper, Scott Edelman, Lisa Hertel, James Bacon, Mark Roth-Whitworth, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day PhilRM.]

Pixel Scroll 2/1/25 Cleanup On Isle of the Dead Five

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(1) BSFA AWARDS LONGLIST. The British Science Fiction Association today put out the longlist for the BSFA Awards (see “Second Round of 2024 BSFA Awards Nominations Begins”.)

Chris M. Barkley and Jason Sanford’s “The 2023 Hugo Awards: A Report on Censorship and Exclusion” is a nominee in the Best Short Non-Fiction category.

(2) CLARKEWORLD’S BEST. Neil Clarke has released “Clarkesworld 2024 Reader’s Poll Finalists”. The public has until February 15 to vote on the winners at Surveymonkey.

(3) LOCUS RECOMMENDED READING LIST. The 2024 Locus Recommended Reading List has been posted by Locus Online.

Voting has opened in the Locus Awards Poll. The deadline to vote is April 15.

(4) JET CRASH IN NORTHEAST PHILADELPHIA LAST EVENING. [Item by Steve Vertlieb.] CNN: “Medevac jet crashes in northeast Philadelphia neighborhood”.

Northeast Airport lies on Grant Avenue in Philadelphia. I live on Grant Avenue, some five minutes from the site of the departure of a Lear Jet medical transport plane that took off at a few minutes past six last evening with a little girl being transported home following life-saving surgery.

I was enroute to my girlfriend Shelly’s home to go out to dinner at Tiffany’s Restaurant on the Boulevard. I had considered taking Roosevelt Boulevard North down to Oxford Circle, as it may have been a faster trip but, at the last second, decided to follow Bustleton Avenue down to Castor, instead.

I arrived at Shelly’s house at a few moments past six. We drove down Levick Street to the boulevard, and turned left into the middle lanes to continue our journey. Within seconds we were dodging police vehicles, fire trucks, and ambulances trying desperately to reach Cottman Avenue and Roosevelt Boulevard amidst screaming sirens where, thirty seconds after takeoff, the Lear Medical Jet had crashed into Cottman Avenue near the boulevard, across from the Roosevelt Mall where I had grown up.

Traffic was being re-routed from virtually every direction, and I found it difficult to keep from being hit by other oncoming busses and trucks while attempting to crossover onto nearby side streets. As I passed Cottman Avenue on the boulevard, I turned to my left and saw flashing lights, emergency vehicles, and bright flames bursting into the rainy night sky.

Had I decided to travel down Roosevelt Boulevard on my way to the Oxford Circle, as I had originally planned, I might have traveled past the outside lanes of Roosevelt Boulevard, at the corner of Cottman Avenue going South, just at the moment of impact of the small jet into the congested community adjoining the fatal crash.

It took us over an hour to finally reach our dinner destination on a trip that normally might have taken fifteen or twenty minutes. We didn’t know just what had occurred mere inches from our travels North on the boulevard until we reached Tiffany’s, and were told by the staff that a plane had fatally crashed into our tightknit community. We were shaken, but glad to be alive.

Our hearts go out to our neighbors in our surrounding community, and to the families of those who perished in this terrible, nightmarish tragedy. May God Rest Their Sweet Souls.

(5) BLACK HISTORY MONTH. Axios begins Black History Month by recounting “What Octavia Butler saw on Feb. 1, 2025, three decades ago”.

Science fiction writer Octavia Butler wrote in her 1993 novel “Parable of the Sower” that Feb. 1, 2025, would be a time of fires, violence, racism, addiction, climate change, social inequality and an authoritarian “President Donner.”

  • That day is today.

The big picture: This Black History Month, which begins this year on a day of Butler’s dystopian vision, Axios will examine what the next 25 years may hold for Black Americans based on the progress in the first quarter of this century.

  • Through her fiction, Butler foresaw U.S. society’s direction and the potential for civil societies to collapse thanks to the weight of economic disparities and climate change — with blueprints for hope.
  • Afrofuturist writers today interpret Butler’s work as metaphorical warnings that appear to be coming true and a call to action….
Octavia Butler

(6) A CITY ON MARS REVIEW. [Item by Kyra.] Published in 2023.

A City On Mars, by Kelly Weinersmith and Zach Weinersmith

Nonfiction/Related

Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon’s Peaks of Eternal Light—and what happens if you’re left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what’s the legal status of space cannibalism? The Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself—whether and how to become multiplanetary.

This is a clear-eyed look at the current barriers to settling space, including technological, physiological, sociological, and legal issues. This may be a must-read for anyone interested in the subject; it’s not the deepest possible examination (it is a pop-science book, after all), but it’s probably one of the broadest.

(7) GET READY FOR WASTED WEEKEND. Booktube luminary Criminolly has been hosting an event called Garbaugust, including the reading of some trashy books in August. Last year he added a mini-event, Wasted Weekend. It’s coming up again on February 15-16. Grammaticus Books wants viewers to pick their book: “I Need YOU to VOTE FOR….” But I don’t know – these are not names I associated with the word “trashy” —

Vote for your favorite trashy novel for this year’s Wasted Weekend. A reading event created by CriminOlly. Choose from a diverse selection of books by authors such as Samuel R. Delany, L. Sprague DeCamp, Terrence Dicks, Frederick Pohl, C.M. Kornbluth and of course…Lin Carter the King of Trash!

(8) JOHN ERWIN: CORA BUHLERT’S FAVORITE HE-MAN. [Item by Cora Buhlert.] John Erwin [who died December 20] was my He-Man.  For most Germans, their He-Man is either Norbert Langer, who voiced him in the long-running German audio drama series, or Sasha Hehn or Heiko Liebig, who voiced him in the German dub of the Filmation He-Man and She-Ra cartoons. 

But even though I first heard He-Man speak in the Filmation cartoon He-Man and the Masters of the Universe, I didn’t watch the German dub, but the English version via Sky Channel, when my Dad worked in the Netherlands in the 1980s. And in that cartoon, the voice of He-Man and his alter ego Prince Adam was none other than John Erwin.

If you rewatch the iconic opening narration of the cartoon – where John Erwin explains the entire premise of the series in one minute and ten seconds – you’ll notice the subtle difference between Prince Adam’s more youthful tones (Adam turned nineteen in the course of the series, while John Erwin was 47, when he first voiced him) and He-Man’s booming heroic voice.

However, John Erwin didn’t just voice He-Man and Prince Adam, but as was common with Filmation, he voiced multiple other characters in the He-Man and She-Ra cartoons as well, showcasing his amazing range. And so John Erwin lent his voice to Skeletor’s henchmen Beast-Man, Whiplash and Webstor. He was the delightfully dim-witted heroic warrior Ram-Man and the wise but grumpy dragon Granamyr as well as many one-of guest characters.

Beyond He-Man, John Erwin appeared in the western series Rawhide alongside Clint Eastwood, one of his comparatively few parts in front of the camera, and voiced Reggie in various Archie cartoons over the years. He was also the voice of Morris the Cat in the commercials for 9-Lives cat food. And if you ever needed proof that dragons are related to cats, just compare the snarky Morris to the equally snarky Granamyr.

Voice actors are unseen and often unsung. This is unfair, because their talent is what brings cartoon characters to life and turns them into icons. John Erwin’s voice played a big part in turning the Filmation He-Man cartoon into the runaway success that it was and in turning He-Man into the iconic hero he became.      

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

February 1, 1954 — Bill Mumy, 71.

By Paul Weimer: Bill Mumy’s intersection with my genre show watching boils down to three properties, and they are the three ones that you think they are.  I first saw him as the mutant overpowered psychic child Anthony in one of the most terrifying Twilight Zone episodes of all time, “It’s a Good Life”. What happens when a young boy develops psychic powers and takes control of the town. Nothing good…I mean, no wait, Anthony, I mean, it’s a good life. I swear, it’s a good life.  The whole idea that he cuts off the town from the rest of the universe is terrifying in and of itself, isn’t it? You can’t escape him, you can’t escape his power.   Mumy also appears in a few other Twilight Zone episodes in various roles, but they are nothing compared to the power and centrality of his performance in “It’s a Good Life”

His role as Will Robinson in Lost in Space couldn’t be any different. I stumbled across episodes of Lost in Space in reruns not long after seeing the Twilight Zone episode. As the naive, but well-meaning youngest child of the Robinson family, Will Robinson couldn’t be any different than the psychic Anthony. Whether with Robbie, or Dr. Smith (and it seemed he spent more time with either of them than the rest of his family), he showed the childlike wonder of being on alien planets.  I was delighted he had a small role in the recent remake of Lost in Space, too, as the “real” Zachary Smith. (He gets his identity stolen by Parker Posey’s character). That was a neat bit of turnaround, and not at all stunt casting. 

The other genre work I associate Mumy with is, of course, Babylon 5, and Lennier. As the assistant to Delenn, he stands with Vir (Stephen Furst) as one of the two maintained underlings in the diplomatic corps. While Vir feels like an everyman (as the Centauri as, outwardly very much human), Lennier could show, on occasion, through Mumy’s acting, just how alien and not-human the Minbari were. He was meek, mild and deferential…until he needed not to be, and then could be all too inhumanly dangerous and determined. And given that this story is ultimately a tragedy, Lennier’s story is one that hits me in the feels, from start to finish. Such great acting. I remember when watching “Midnight on the Firing Line” and seeing his name in the credits and wondering what the child actor had become. He had become a fine adult actor, that’s what. 

Happy birthday!

Bill Mumy

(10) COMICS SECTION.

(11) THE TEST OF TIME. The Unofficial Hugo Book Club Blog analyzes the Best Dramatic Hugo finalists of 1984 as part of their continuing series: “Big Worldcon Is Watching (Hugo Cinema 1984)”.

L.A. Con II, the 42nd Worldcon, was the largest World Science Fiction Convention of all time up to that point, with more than 8,000 fans in attendance (to this day, only the 2023 Worldcon in Chengdu, China has eclipsed that number). Science fiction cinema was bigger than ever. The Hugo Awards were bigger than ever. But in 1984, the Hugo for Best Dramatic Presentation was still considered a second-tier award.

“We will now proceed with the minor awards: Best Dramatic Presentation,” Toastmaster Robert Bloch quipped as he introduced the nominees: Bradbury adaptation Something Wicked This Way Comes, special effects maestro Douglas Trumbull’s Brainstorm, early hacking movie Wargames, blockbuster Return of the Jedi, and Oscar Best Picture contender The Right Stuff.

It’s an uneven shortlist that reveals both a tension between the populism and the insularity to which the award was often prone….

(12) STAND BY FOR THE END OF THE WORLD. “OpenAI Strikes Deal With US Government to Use Its AI for Nuclear Weapon Security” – Futurism knows why this sounds familiar.

Remember the plot to the 1984 sci-fi blockbuster “The Terminator”?

“There was a nuclear war,” a character explains. “Defense network computers. New… powerful… hooked into everything, trusted to run it all. They say it got smart, a new order of intelligence. Then it saw all people as a threat, not just the ones on the other side. Decided our fate in a microsecond: extermination.”

It seems like either the execs at OpenAI have never seen it or they’re working overtime to make that premise a reality.

Don’t believe us? OpenAI has announced that the US National Laboratories will use its deeply flawed AI models to help with a “comprehensive program in nuclear security.”

As CNBC reports, up to 15,000 scientists working at the institutions will get access to OpenAI’s latest o1 series of AI models — the ones that Chinese startup DeepSeek embarrassed on the world stage earlier this month.

According to OpenAI CEO Sam Altman, who announced the partnership at an event in Washington, DC, the tech will be “focused on reducing the risk of nuclear war and securing nuclear materials and weapons worldwide,” as quoted by CNBC.

If any alarm bells are ringing by this point, you’re not alone. We’ve seen plenty of instances of OpenAI’s AI models leaking sensitive user data and hallucinating false claims with abandon….

(13) THIEVES LIKE US. Meanwhile, OpenAI apparently can’t keep its own work secure, earning a very loud raspberry from Guardian columnist Marina Hyde: “Oh, I’m sorry, tech bros – did DeepSeek copy your work? I can hardly imagine your distress”.

I once saw an episode of America’s Dumbest Criminals where a man called the cops to report his car stolen, only for it to turn out he’d stolen it from someone else in the first place. I couldn’t help thinking of him this week while watching OpenAI’s Sam Altman wet his pants about the fact that a Chinese hedge fund might have made unauthorised use of his own chatbot models, including ChatGPT, to train its new little side project. This is the cheaper, more open, extremely share-price-slashing DeepSeek.

As news of DeepSeek played havoc with the tech stock market, OpenAI pressed its hanky to its nose and released a statement: “We are aware of and reviewing indications that DeepSeek may have inappropriately distilled our models, and will share information as we know more,” this ran….

…So, to put it another way … wait, Sam – you’re not telling us that the Chinese hedge fund crawled all over your IP without asking and took it for themselves? Oh my God, IMAGINE?! You must feel used and abused. Financially violated. Like all your years of creativity were just grist to some other bastard’s mill. Like a host organism. Like a schmuck. Like Earth’s most screamingly preposterous hypocrite….

(14) SUPERHAMLET. From Christopher Reeve’s appearance on The Muppet Show long ago: “Brush Up Your Shakespeare”.

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff  over at Media Death Cult considers the sense of place as a principal character in some SF/F… “When Location is the Main Character”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Olav Rokne, Mark Roth-Whitworth, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/17/24 Pixel Yourself On A Boat On A Riverworld, With Tatooine Trees And Mesklin Skies

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(1) READY FOR WHO CHRISTMAS? Bleeding Cool is on hand when “Doctor Who Christmas Special: ‘Joy to the World’ Gets New Trailer”.

… Earlier today, we took a look at what #WhoSpy had to share on the long-running show’s Instagram “subwave network” about the upcoming special. Now, we’re getting a new look that should definitely help you piece together your speculation puzzle – a shorter second official trailer!…

(2) DISNEY BAILS ON TRANS STORY LINE. “’Win Or Lose’ Transgender Actress Speaks Out After Disney Cuts Back Role” – Deadline has the story.

In 2020, Chanel Stewart was scrolling through X when she happened upon a post about how Pixar was looking for an authentic, 14-year-old transgender girl to voice a transgender teenager in a new animated series.

Stewart, who at 14 had already logged a few commercials, knew instantly that it was her role of a lifetime.

“I was exactly what they wanted to a T, and that’s why it felt so right. It felt just so right,” says Stewart, who is a transgender girl from Los Angeles. “I immediately asked my mom if I could do it, because I just felt like if I don’t do this, it wouldn’t make sense. You know what I mean?”

Stewart eventually scored the voiceover job in Win or Lose, which revolves around a co-ed softball team at a middle school named the Pickles in the week leading up to their big championship game. Stewart couldn’t wait to share the news with her friends.

“Oh my God, it was crazy,” the now 18-year-old recalls. “I wore it as a badge. I wore it with pride. I wore it with honor because it meant so much to me. The thought of authentically portraying a transgender teenage girl made me really happy. I wanted to make this for transgender kids like me.”

So when Disney called Monday night to tell her mom, Keisha, that Win or Lose would no longer include a transgender storyline, both she and Chanel were heartsick. (Disney released a statement that said “when it comes to animated content for a younger audience, we recognize that many parents would prefer to discuss certain subjects with their children on their own terms and timeline.”)…

… By cutting the transgender storyline, Disney eliminated “a few lines of dialogue” from an episode that references a character’s gender identity. Stewart was not at liberty to share details with Deadline about her character, but was told by Disney that she’s “still a part of the show heavily.”

“It’s just that my character would now be a cis girl, a straight cis girl,” says Chanel Stewart, who is repped by KEY Talent Management and Innovative Artists. “So yeah, that’s all they really told me and that I was still a part of the show.”

But there’s one thing that Disney can’t take away from Stewart. “I’m definitely one of the first [transgender girls] to do this!” says Stewart of her voiceover gig. “It’s a true honor to be a part of queer history.”…

(3) TUNES OF MIDDLE-EARTH. [Item by Steven French.] Thijs Porck is a medievalist and Tolkien scholar at the University of Leiden and in a recent blog post he offers an interesting and detailed analysis of the songs in the anime film, War of the Rohirrim: “The Medieval in Middle-earth: Old English Songs in LOTR: The War of the Rohirrim (2024)”.

“Where is the horse? Where is the rider?”, the opening lyrics of “Hama’s Song” in The War of the Rohirrim (2024) will remind many a Tolkien fan of “The Lament of the Rohirrim” which Aragorn recites in the chapter “The King of the Golden Hall” in The Lord of the Rings: The Two Towers. In Aragorn’s poem, the opening lines run as follows: “Where now the horse and the rider? Where is the horn that was blowing?”. Tolkien, a Professor of Anglo-Saxon (Old English) at the Universities of Leeds and Oxford, based Aragorn’s poem on the Old English elegy The Wanderer, which uses the so-called ubi sunt motif (‘where are they now?’) to express the fleeting nature of worldly pleasures (the answer to the rhetorical questions being “they are no more”). As it turns out, “Hama’s Song” of the new movie is closer to the Old English original poem, which has the line: “hwær cwom mearg, hwær cwom mago” [Where is the horse? Where is the man?].’

The context of “Hama’s Song” makes clear that “the rider” referred to is the movie’s heroine Héra, who is also the subject of the movie’s credits song by Paris Paloma called “The Rider”. If you listen carefully to this song, you will notice that there is a very clear Old English lyric at 0:41 (and again at 2:01 and 3:01): “Heo is se wind, heo is se wind” [she is the wind, she is the wind]…

(4) UNHOLY ICON. [Item by Steven French.] Atlas Obscura delved into the essence of Krampus (in Milwaukee!): “Krampus Is the Christmas Icon We Need—And Maybe the One We Deserve”.

It’s the Fifth Annual Milwaukee Krampusnacht, an event that has taken over the city’s historic Brewery District. Milwaukee is a city with deep German roots, and this neighborhood, centered around the atmospheric 19th-century Pabst Brewery, with narrow streets and castellated facades, is particularly evocative of the Old World. It’s a fitting backdrop for the horde of Krampusse emerging from the shadows to mete out punishment to the naughty. Evolved from Central Europe’s pagan past and reimagined by Church elites as a kind of unholy enforcer, Krampus is now a global icon for the digital age. But what explains the ascent from obscure Alpine tradition to a 21st-century celebrity that has inspired Krampusnachten around the world? What brings people out of their warm homes, on a night when temps flirt with freezing, to stand on a sidewalk and hope to get thrashed by a masked demon? And what do the people behind the masks get out of transforming into the cool ghoul of Yule? To understand the Krampus, I must become the Krampus.

(5) KSR Q&A IN NATURE. “Sci-fi icon Kim Stanley Robinson: ‘anything can be climate work’” he tells Nature.

As climate change and artificial intelligence reshape the world, some say that reality is starting to look a lot like science fiction. A book that people often point to is Kim Stanley Robinson’s The Ministry for the Future (2020).

The novel opens in 2025, with a deadly heatwave in India — a topic that turned out to be eerily prescient earlier this year, when the country faced extreme heat and humidity. In the book, the heatwave triggers a haphazard rallying of society to protect living creatures from climate catastrophe.

Robinson talked to Nature about how the climate crisis is causing younger generations anxiety, but also offering them existential meaning, and why he thinks that AI is a poor choice of name.

Why do you think The Ministry for the Future has garnered attention?

The novel is trying to say that, if we apply ourselves, we have the tools to avoid causing a mass-extinction event. And ordinary processes of humanity — science, diplomacy, treaties, the nation-state system, even capitalism itself — could be used to escape the crisis. That’s a very reassuring message.

(6) FUTURE TENSE. This month’s installment of Future Tense Fiction is “A Healing at the Triple B Trophy Lodge,” by Daily Show writer Scott Sherman—a story about fringe psychological treatments, human cloning, and violent catharsis.

The three-and-a-half-hour drive from Portland Jetport to the former site of Baxter State Park reminded Zayna of her midnight scrambles through the Jammu and Kashmir territory while embedded with the Indian light infantry. Just with fewer IEDs and more abandoned pawn shops. She flipped through her frustratingly thin research file on Parker Rodion as the white rental van cruised north past Bangor. There was essentially zero record of his existence before he became synonymous with kill therapy, and to make the research even more confusing, his aesthetic was so consistent it looked as if all the images of him from the last 10 years were taken on the same day. 

 The response essay, “Sorry, Clone”, is by the bioethicist Josephine Johnston.

The most compelling case for reproductive cloning is often made by infertile people or those who have lost a child. In the early days of 2001, a US congressional hearing on human reproductive cloning heard from two grieving parents. One man’s words were read aloud by a scientist working with couples interested in cloning. The man’s 11-month-old son had died after heart surgery, and in a letter to the committee the man wrote that he “hoped and prayed that my son would be the first; I could do no less for him. He deserves a chance to live … I would never stop until I could give his DNA—his genetic make-up—a chance.”…

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born December 17, 1944 — Jack Chalker. (Died 2005.)

By Paul Weimer: Jack Chalker may have had a “bit”, but he worked that bit rather well.

His bit was transformation. I have a friend, he’s not much into reading SFF books. He loves SFF movies, though and he loves physical transformations. Give him a werewolf transformation or something else, and he is there for it.  If he ever decided to try science fiction or fantasy, I would hand him a Jack Chalker novel and let him go to town on it.

Because Jack Chalker and his works were all about transformation. 

This is most evident in his most popular series, the Well World novels. The Well World itself, shorn of the transformational aspects, is one of the most interesting concepts for a SF novel or series.  A supercomputer that, in effect, stabilizes and controls our universe, posing as a planet that is cut up into 1500 hexagons. If you use one of the gates from our universe (available in old ruins on various worlds) to enter a hex of the Well World, you are usually automatically transformed into a form appropriate for that hex — because normal oxygen-nitrogen land hexes are not the only hexes to be had.  The partial maps of the Well World show all sorts of intriguing things such as the “Sea of Chlorine”, “Sea of Storms” and other intriguing bits. Even more intriguing is that given the reality warping available to the computer in the well world, the hexes can and do enforce levels of technology that work in a hex. It’s an amazing setting (but the RPG made from it was terrible).  This all puts Chalker’s Well World firmly in the realm of science fantasy. 

The real comp for that would be Farmer’s World of Tiers, which has plenty of gates and artificial worlds…but without the transformational elements therein. 

Much of the rest of Chalker’s oeuvre is more science fictional than science fantasy, but as noted before, people winding up in new bodies (long before things like Altered Carbon, sorry Richard Morgan) were de rigueur in Chalker’s books. Although he did not do as much with it as some might like, winding up in a body of a being of different gender (or genders) was par for the course for Chalker. Unfortunately, I can think of multiple times where women (and it seemed to be frequently women) who wound up in new bodies of lesser intelligence and usually higher sex appeal in combination (you don’t need a further picture than that) . That wasn’t so great. 

Chalker grew more enthusiastic with his world the longer he wrote, right up to his unfortunate passing. Midnight at the World of Souls is a lean and mean book, the books grew longer and longer as that series went on, and he went to other books.  But I think that first novel still holds up, especially if you don’t know the answer to the question of who or what Nathan Brazil really is. I think the revelation of that deflates the works, just a little bit. But still, in the end, Chalker had his bit and he worked his bit to a fine edge. If transformation is your thing, Chalker is here for you.

Jack Chalker

(8) COMICS SECTION.

A @newscientist.bsky.social cartoon for Christmas

— Tom Gauld (@tomgauld.bsky.social) 2024-12-17T15:34:22.610Z

(9) CAN YOU DIG IT? [Item by Steven French.] We haven’t been there that long but already there are concerns about preserving our archaeological footprint on Mars! “Anthropologists call for tracking and preservation of human artifacts on Mars” at MSN.com.

Are human spacecraft, landers, rovers and other space-exploration debris little more than trash littering the surface of Mars, or the modern equivalent of Clovis points—treasured artifacts marking Homo sapiens’ lust for new frontiers?

A new paper by University of Kansas anthropologist Justin Holcomb argues physical artifacts of human Martian exploration deserve cataloging, preservation and care in order to chronicle humanity’s first attempts at interplanetary exploration.

The paper, “Emerging Archaeological Record of Mars,” appears in Nature Astronomy.

“Our main argument is that Homo sapiens are currently undergoing a dispersal, which first started out of Africa, reached other continents and has now begun in off-world environments,” Holcomb, its lead author, said.

“We’ve started peopling the solar system. And just like we use artifacts and features to track our movement, evolution and history on Earth, we can do that in outer space by following probes, satellites, landers and various materials left behind. There’s a material footprint to this dispersal.”

Much as archaeologists use “middens” (or, ancient garbage dumps) to reveal secrets of past societies here on Earth, Holcomb argues that much of the material deemed “space trash” actually has great archaeological and environmental value.

“These are the first material records of our presence, and that’s important to us,” he said….

(10) EX-WRESTLER BEAMING UP. “Star Trek’s Next Series Casts a Major WWE Star as Part of the Bridge Crew” reports Comicbook.com.

WWE star Becky Lynch is set to embark on an Earth-bound adventure in Star Trek: Starfleet Academy.

Earlier this afternoon, the former multi-time WWE Women’s Champion announced the news on her social media pages. “You know, when you’ve already been champion of the world there’s really only one place to go next and that’s to the stars,” Lynch said in a video. “I am so excited to share with all of you that I am joining Star Trek: Starfleet Academy as part of the bridge crew! Lads, this has been the most incredible experience acting alongside just a spectacular cast and crew. I cannot wait for all of you to check it on when it comes out on Paramount+ and hey, live long and prosper.”…

(11) VIDEO OF THE DAY. [Item by Mike Kennedy.] Ryan George talks with “The Guys Who Designed Airplane Interiors”. Yes, yes, you’re right, the content is not genre related. BUT, attending many large conventions involves flying for a lot of people. And it sucks just as much as this video implies.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, N., Joey Eschrich, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/14/24 They Say It’s Only A Paper Shadow Square

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(1) IT COMES IN THE MAIL*. Whenever David Langford air mails me a paper copy of Ansible there’s always a colorful assortment of British postage stamps on the envelope. I was struck to see on the most recent arrival a singular image – the smile of the Mona Lisa. The smile alone. And without a caption. (But do we need one?)

I wondered if this was a current issue and checked with Langford. He replied that it’s from the Royal Mail’s 1990 “Smiles” set, which also includes Stan Laurel and the UK Dennis the Menace.

Isn’t this a collectible? Not exactly, he explained. “People used to buy commemorative stamps in bulk as an investment, but the bottom dropped out of that market some time ago: there’s at least one UK dealer who acquires these accumulations on the cheap and sells at less than face value to cheapskates who actually use them for postage. As you say, it makes for interesting envelopes!”

(*pace Ned Brooks.)

(2) BRUCE STERLING Q&A. Worldbuilding Agency brings us “deliberate oxymorons: an interview with Bruce Sterling (part 1)”.

Paul Graham Raven: Okay. What’s your elevator pitch, on the rare occasion you meet someone who doesn’t know who you are already? What do you tell them you do?

BS: I would tell them nowadays that I’m the art director of a technology art fair in Turin, Italy….

PGR: As I understand it, that’s almost a kind of return to something you were doing very early on. You were very involved in, I don’t think it was called that then, but the tech-art scene in Austin [Texas] when you were younger, right?

BS: Yeah, I used to hang out with a lot of robotics guys and engineering people, software people and hardware people. I mean, my father was an engineer, so I have a long lasting interest in material culture and how things are made. It was very rare of me to actually do any of that. But now in later life—I mean, this year I turned 70, and I’m actually giving in and doing a lot more hands-on… well, I don’t even like to call it creative work, really.

But I’m very involved in studies of luxury multi-tools. [brandishes multi-tool] This is the Leatherman Free from the USA; as an American in Italy, it’s kind of like a crusade of mine to try to explain to people why an object like this existed, why you might want to use it, and why an American invented it in Eastern Europe. We’re known for distributing tools to our guests and the core of creative artists that surrounds our festival. I found that I could give them like a futuristic lecture about what to do, but they were much, much more interested if I just said to them, “if I gave you this, what would you do with it,” right?. I mean, I’ll put it in a bag—you can have ten! And then they come back and we put what they did on display.

That’s just an intervention that the Turinese invited me to do, and nobody in Austin would have asked me to do such a thing. But in Italian design circles, they have the atmosphere, or the motto really, “proviamo”: give it a shot, prove it, try it out. And proviamo is never just a lecture; proviamo is always a thing. It’s a process or a tool—you know, make a lamp out of plastic bags, make a chair out of styrofoam. That’s a proviamo, very Italian design-centric situation. So I do a lot of that.

I mean, I’m the judge, I’m the art director for our fair. And people come up with these proviamo “innovations”, or just hacks, really. Interventions, you might call them. And I have to judge them and decide whether to show them to the Turinese public, right? So in order to do that, I have to have an aesthetic, and I have to have some idea of what’s worth showing to the public. I mean, we’re publicly funded art fair, you know—it’s my job, really. And so I do a lot of writing for this festival; I write all our pamphlets, do a lot of basically behind-the-scenes art-world politics.

But, you know, I found that this suits me—I find it less tiresome than actually going out and doing futurism for people and getting paid for it. I mean, that situation, which I’ve done a lot, it is like politics, but it’s also kind of psychoanalytic; you’re dealing with people who are in trouble, and you’re trying to sort of gently bend their worldview so they could see some way out of their difficulty. Whereas something like brandishing a Leatherman Free multi-tool on an Italian actually gets to the point, and it stays in his pocket when you leave the room….

(3) SPIRIT OF THE SEASON. “Deadpool & Kidpool Return For DC-Baiting Christmas Promo & They Really Want You To Cost Ryan Reynolds $500k” says ScreenRant.

… Ryan Reynolds has shared a new holiday video in support of the SickKids Foundation, this time appearing as Deadpool alongside Kidpool and Wonder Woman actress Lynda Carter to ask for donations for The Hospital for Sick Children. Reynolds and his wife, Blake Lively, will match all donations up to $500,000 made before midnight on December 24th….

… Due to the characters’ R-rated nature, Wonder Woman actress Lynda Carter comes in. Plenty of hilarious DC references follow, including nods to Henry Cavill, Batman, Wonder Woman’s classic costume change by spinning, and more….

(4) GAMERGATE LITIGATION. “‘GamerGate’ lawsuit between video game reviewers hits Brooklyn court” reports the Brooklyn Eagle.

An online battle over video game reporting entered the real world on Wednesday, after one well-known reviewer filed a lawsuit in the Eastern District of New York against a rival, accusing him of orchestrating a harassment campaign that led to her losing her job.

Brooklyn writer Alyssa Mercante, formerly a senior editor at the game review website Kotaku, is seeking damages from California YouTuber Jeff “SmashJT” Tarzia, alleging that Tarzia created hundreds of false and inflammatory posts and videos designed to provoke hate towards Mercante and Kotaku.

Screenshots in Mercante’s lawsuit purport to show Tarzia making comments like “How many times do I need to teach these crazy bitches this lesson?” Other allegations include that Tarzia falsely stated Mercante engaged in prostitution, a crime in New York, and that Tarzia helped to accuse Mercante of antisemitism – a charge that ended with her compelled resignation.

Mercante also seeks to have the court recognize “stochastic terrorism” as a new residual liability tort, defined in the suit as a pattern of escalating harassment. A court in Washington has previously recognized this tort, according to the suit.

Tarzia, in response, is fundraising for a legal defense, and claims Mercante is attempting to silence him through the suit. “Mercante has retained activist lawyers with a clear agenda to bring this ridiculous case against me, and the video game industry to it’s [sic] knees […] This case isn’t just about me. It’s about all gamers,” Tarzia wrote in a post on the conservative crowdfunding website GiveSendGo.

The feud stems from the “GamerGate” controversy, a long-running and vicious online debate – linked to the rise of the alt-right – over the politics of video games. Self-identified GamerGate supporters, including Tarzia, accuse developers and journalists of left-wing bias and favoritism. Opponents, meanwhile, including Mercante, say that those supporters are in reality an organized hate mob, focusing primarily on targeting women and seeking to punish opponents for their political views. Mercante’s former employer, Kotaku, has long been a lightning rod for this debate. The suit claims Tarzia’s campaign began following the site’s publication of an article by Mercante on a popular conspiracy theory.

The suit also touches on the separate, and equally loaded, internet battle over the game streaming website Twitch and the war between Israel and Hamas, in which several observers, including U.S. Rep. Richie Torres, have accused the site of platforming antisemitic creators. Mercante has been previously accused of antisemitism in connection to Twitch, centered around her positive coverage of controversial streamer Hasan Piker and an alleged retweeting of an X post skeptical of reports of rape occurring during the Oct. 7 attack on Israel last year. According to Mercante, Tarzia’s amplification of the antisemitism claim led to multiple individuals contacting Kotaku’s owners with these accusations, resulting in parent company G/O Media pressuring her to resign.

Mercante is seeking a jury trial in the suit, as well as damages in excess of $75,000.

(5) SCI-FI LONDON IS BACK! [Item by SF Concatenation’s Jonathan Cowie.] Good news for SF film lovers in Brit-Cit…If Glasgow’s programme of wall-to-wall panels and sparse film stream (it was the first British-hosted Worldcon not have any film screenings) failed to hearten, then fret not, the Sci-Fi London film fest is back!  (Sci-Fi London were the people who co-organised (with the British Film Institute) the Loncon 3 film programme.)

This year’s (2024) event was greatly slimmed-down to a single day of short films, nonetheless some great stuff was in there. The reduction came about due to a cinema chain deciding to close the Stratford community cinema that had been SFL’s home.  However, the latest news is that in 2025 there will be a four-day fest just outside of central London in Finsbury Park around the corner (literally) from its rail and tube/metro station.

As usual, the Fest firmly focuses on screenings with many of the feature films having their first British airing and, if true to form, there should be a few World premieres in the mix.  There will also be some two-hour short SF film sessions and the results of the 48-hour film challenge.  This last takes place earlier in the year in which amateur film makers are given a couple of lines of dialogue and a prop to include and then just two days in which to turn in a film…  One Gareth (The Creator; Star Wars: Rogue One) Edwards was a past SFL 48-hour challenge winner.  The Fest itself sees the short-list screened and winner announced.

If it the same as previous years, then you pay for each film you see but if you are seeing more than several it may be cheaper to get an all-Festival pass.

For those coming from afar wishing to attend, there are nearby hotels including some mid-range budget hotels such as the local Travelodge which provides a good base for central London tourism.

More details as and when on sci-fi-london.com. The dates are June 19-22, 2025. The venue is the Picturehouse Cinema, Finsbury Park.

Stand-by for action. Anything can happen in these four days…

(6) CINEMA TOOTHSOME. In “Jumping the Shark, Part II” at Black Gate, Neil Baker continues to wonder why these movies bite.

…A new watch-a-thon, this one based on a handful of the 500+ shark movies that I haven’t seen (or gave up on). I’m not holding out much hope for these – shark movies are, on the whole, awful, but I know for a fact that some of these are among the worst films ever made. This 20-film marathon is me just trying to understand why they get made, bought and streamed….

Here’s one of his subjects:

Shark Exorcist (2014) Tubi

What kind of shark? A rubbish CG chonk and some possessed ladies.

How deep is the plot? The depth of a small pail.

Anyone famous get eaten? Nope.

Just going by the title, you know this going to be rubbish, but what KIND of rubbish? Actually, this is a step up from the usual rubbish.

Normally, a film with this premise, shot on a camcorder, with acting that ranges from earnest to ironing board, would be acutely aware of their own daftness, and play it for laughs. But Shark Exorcist, bless it, takes itself seriously, and it’s not a hateful experience. I’m not recommending it, but I’m also not tracking down every last copy with a hammer.

3/10

(7) GARNER AT 90. [Item by Steven French.] Interesting interview with Alan Garner, author of The Weirdstone of Brisingamen (among other wonderful works): “’It can feel quite mysterious’: Alan Garner on writing, folklore and experiencing time slips in the Pennines” in the Guardian.

His novels have always channelled ideas about time and quantum reality, and he is keen to elide distinctions between art and science: working with Jodrell Bank on what he calls “Operation Melting Snow”, and today describing maths as philosophy, philosophy as a game, creativity as play. What Garner knows for sure is that “I don’t write set books. I keep coming back to the distinction between mysterious, which is OK, and mystical, which is not OK. The thing that ties all creativity together is not something that universities should analyse, but people should just accept as wonder.”

(8) MEMORY LANE.

[Written by Paul Weimer.]

December 14, 1978 — Superman the Movie

By Paul Weimer: I had heard about Superman the Movie which premiered on this date before I ever saw it, and the first time I saw it was on television in a network television cut. Even then, DC characters were never my primary comic interest, that was marvel. But when Christopher Reeve came on screen, he became Superman for me, in a way that blew away, I must admit, the black and white Superman 1950’s series episodes I had seen. Even with all of the Supermen since, he still is my default mental image. 

And to this day Reeve is still Superman for me. It’s the acting, really in the movie. Sure, on the face of it, everyone should recognize Clark Kent as Superman, or so you’d think. But Reeve’s…call it full body performance as Kent and as Superman are so completely different, so completely alien to each other, that you can watch both people and not believe they were remotely the same person. (Just watch Kent and his body language in the newsroom versus any of the Superman scenes. It’s night and day and it’s a testament to Reeve’s skill as an actor. 

And then there is Margot Kidder as Lois Lane. She is Lois Lane, and I will not be taking any other questions at this time. She does the body language thing as well–compare Lane doing her job versus when she is with Superman. It’s more subtle but it is surely there. 

And then there is Lex Luthor as played by Gene Hackman. He is the Luthor that for years was the Luthor that others reacted to. He brings his A-game to this role, and is every inch Reeve’s equal. It’s kind of amazing to have a supergenius Lex Luthor to be so pedestrian, like the worst used car salesman on the planet, but with enormous resources.  But claiming that version of Luthor himself resulted, as I say, in having everyone else react to that portrayal, which just highlights his portrayal all the more.

And yes, the time travel bit of Superman is absolutely nonsense. I can forgive the movie for it. A movie that has Marlon Brando, Margot Kidder, Gene Hackman, and Christopher Reeve can be forgiven that misstep.

(9) COMICS SECTION.

My cartoon for this weekend’s @theguardian.com books.

— Tom Gauld (@tomgauld.bsky.social) 2024-12-14T15:17:18.564Z

(10) MICAELA ALCAINO Q&A. At Axios, “Illustrator Micaela Alcaino says it’s OK to judge a book by its cover”.

What they’re saying: “When you go into a bookshop, you do pick up books that you like the look of … there’s power behind good cover design because it will draw people in before even the blurb,” Alcaino tells Axios Latino.

“So please, judge away,” she jokes.

State of play: Alcaino has come up with covers for popular authors like Isabel Allende and Jennifer Saint, and she has also done special editions of massive series, like George R. R. Martin’s “Song of Ice and Fire,” and collectible editions of Leigh Bardugo’s “Six of Crows” duology.

 She was a finalist for Best Professional Artist at the 2024 Hugo Awards, and was shortlisted for Designer of the Year at the British Book Awards after having already won the latter in 2022….

(11) BEST SCIENCE PICS OF THE YEAR. [Item by SF Concatenation’s Jonathan Cowie.] Nature has just posted its science pics of the year.  In the mix: the Etna volcano blowing rings; a Pratchett-like turtle but instead of carrying the world….; a neat picture of Jupiter taken by the Juno probe; meteors over Stonehenge; and Jaws…

These pics will appear in Nature’s double Christmas edition on Thursday December 19.  Apparently, in that edition the correspondence page features a letter from one wag known to Filers… 😉 [Click for larger images.]

(12) PERSEVERANCE CLIMB. [Item by SF Concatenation’s Jonathan Cowie.] Perseverance has just climbed 500 metres out of Jezero Crater on Mars reaching the top on 11th Dec to get quite a view. See video below. “Perseverance Rover Panorama of Mars’ Jezero Crater”.

Travel along a steep slope up to the rim of Mars’ Jezero Crater in this panoramic image captured by NASA’s Perseverance just days before the rover reached the top. The scene shows just how steep some of the slopes leading to the crater rim can be.

(13) VIDEO OF THE DAY. A multiplied Muppet performs “Ode To Joy”. Now we know why Beethoven didn’t score it for electrical instruments.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, David Langford, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]