Pixel Scroll 3/31/25 Are Pixels Beyond Count Or Not?

(1) WILE E.’S DAY. We’ll get to see it after all: “Warner Bros Completes Sale Of ‘Coyote Vs. Acme’ To Ketchup” reports Deadline.

Ketchup Entertainment today confirmed their completed deal for worldwide rights to the live-action/animated hybrid film that brings Looney Tunes character Wile E. Coyote to the big screen. We had the deal pegged in the $50M range and the film is expected to get a theatrical release in 2026….

….The film is based on the Looney Tunes characters and the New Yorker humor article “Coyote v. Acme” by Ian Frazier.

Will Forte, John Cena, Lana Condor and Tone Bell star in the movie, which follows Wile E. Coyote, who, after Acme products fail him one too many times in his dogged pursuit of the Roadrunner, decides to hire a billboard lawyer to sue the Acme Corporation. The case pits Wile E. and his lawyer (Forte) against the latter’s intimidating former boss (Cena), but a growing friendship between man and cartoon stokes their determination to win….

(2) #30#. NaNoWriMo (National Novel Writing Month) has announced that the organization is shutting down. They offer a lengthy explanation in “The State of NaNoWriMo – A Community Update – March 2025” on YouTube.

We come to you today with a major operational update and important news about the future of the organization and we encourage you to listen to it in its entirety. This video shares real data and information that the organization has not discussed previously. It also contains some important acknowledgments and information about the logistics of our next steps.

This is the aftermath of a controversy that erupted last September when they issued an equivocal statement about using AI – when it did not go unnoticed that NaNoWriMo is sponsored by ProWritingAid, a writing app that advertises AI-powered technology, including text rewrites – and Writers Board members Daniel Jose Older, Cass Morris, and Rebecca Kim Wells immediately resigned. 

(3) KICKSTARTER FOR LONG LIST ANTHOLOGY 9. [Item by Ziv Wities.] The Long List Anthology series collects stories that show up on the Hugo Award finalist tally, based on the official report of the top fifteen finishers in each Hugo category.  

Long List Anthology Volume 9 is drawn from the Long List of the 2024 Hugo Awards. This volume is co-edited by David Steffen, Chelle Parker, and Hal Y. Zhang, with original cover art by Evelyne Park. The new volume includes stories by genre favorites, new voices, and three translations of stories originally published in Chinese — including one translation which is original to the LLA.

Join the Kickstarter here: “The Long List Anthology Volume 9 by David Steffen”.

(4) SOCIETY OF ILLUSTRATORS 2025 HOF INDUCTEES. The Society of Illustrators have announced the 2025 Hall of Fame recipients, contemporary artists Rudy Gutierrez, Kadir Nelson, and Tim O’Brien, and posthumous honorees Peter Arno, Frank R. Paul, and Marie Severin. The Society’s Hall of Fame Induction Ceremony will be held on Thursday, October 9.

Here is what the press release says about artists of genre interest Paul and Severin.

Art credit: Frank R. Paul, Stories of the Stars: Andromeda, circa 1950s. Gouache and ink on board.

Frank R. Paul (1884 – 1963) was a pioneering American illustrator best known for shaping the visual language of science fiction during the early 20th century. His bold, visionary artwork graced the covers of seminal pulp magazines such as Amazing StoriesScience Wonder Stories, and Fantastic Adventures, introducing readers to a vibrant, imaginative future filled with spaceships, robots, and alien worlds. Trained in mechanical drafting and architecture, Paul brought an unmatched level of technical precision and grandeur to his work, helping to define the aesthetic of speculative fiction long before the rise of popular sci-fi cinema. In an era before comic books or concept art departments, Paul created entire worlds from scratch, often illustrating full-color covers, interior black-and-white pieces, and even full spreads for each issue. Over the course of his career, he illustrated thousands of works and played a foundational role in inspiring generations of artists, writers, and filmmakers. He is widely regarded as the first major science fiction artist, and his influence is still seen in visual media today. Frank R. Paul was inducted into the Science Fiction Hall of Fame in 2009 for his trailblazing contributions to the genre.

Art credit: Marie Severin (interior pencils), Marvel Spotlight No. 32, Marvel Comics, February 1977. Ink and color on paper.

Marie Severin (1929 – 2018) was a legendary comic book artist and colorist whose work helped define the visual identity of both EC Comics and Marvel Comics throughout the mid-20th century. Beginning her career as a colorist at EC in the 1950s, she quickly earned recognition for her keen sense of composition, storytelling, and humor, eventually moving into penciling and inking as one of the few prominent female artists in the male-dominated industry of the Silver Age. At Marvel, she co-created iconic characters such as the Living Tribunal and worked on titles including Doctor StrangeThe HulkSub-MarinerIron Man, and Not Brand Echh, a satirical series that showcased her sharp comedic sensibility. Known affectionately as “Mirthful Marie” among peers, Severin brought a distinctive style that blended expressive characters with dynamic layouts, all while mastering the art of visual pacing. She had a unique ability to inject personality and emotion into every panel, making even the most fantastical scenarios feel grounded and human. Her behind-the-scenes influence also extended to production and design, contributing to Marvel’s overall visual tone during a crucial period of expansion and experimentation.

Her versatility as both a humorist and dramatic artist made her an invaluable creative force in every genre she touched—whether superheroes, horror, fantasy, or comedy. Severin was admired not only for her technical skill but also for her warmth, wit, and generosity within the comics community. In 2001, she was inducted into the Will Eisner Hall of Fame, and her legacy continues to inspire comic artists around the world. Marie Severin remains one of the most important and beloved figures in the history of American comics.

(5) BLACK MIRROR S7 EPISODE BRIEFING. “’Black Mirror’ Season 7 Trailer and Episode Details Revealed” by The Hollywood Reporter.

Such details include cast, synopsis, run time and credits for each standalone saga, which includes the first-ever Black Mirror sequel, for USS Callister, and a callback episode to Netflix’s first-ever interactive feature with Black Mirror: Bandersnatch.

(6) JAMESON QUINN DIES. Jameson Quinn was killed when he fell off a cliff in Guatemala on March 23. His death was announced by his mother on Bluesky. According to his son it happened when Quinn was trying to rescue a dog.

Jameson Quinn

Quinn is best known to science fiction fans for helping to reform the Hugo Award nominating system in the wake of the Sad/Rabid Puppies block voting episodes of 2013-2017. He designed the EPH (E Pluribus Hugo) voting method, and helped get it adopted by the World Science Fiction Society for use in nominations for the Hugo awards. He was an active participant on Making Light, and contributed articles to File 770 and also led comment discussions about the initiative here.

Quinn’s other noteworthy accomplishments in voting theory and/or voting reform included co-organizing and attending the British Colombia Symposium on Proportional Representation in 2018 (sponsored by the Center for Election Science), and popularizing the term “Voter Satisfaction Efficiency” (VSE).

A Harvard grad school blog profile about Jameson featured his contribution to EPH as an example of his work: “A Better Way to Vote”.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Isaac Asimov’s Foundation novel

It’s the seventy-fourth anniversary of the first publication of Isaac Asimov’s Foundation as a novel. So let’s tell the history of the novel. 

In the summer of 1941, Isaac Asimov proposed to John W. Campbell of Astounding Science Fiction that he write a short story set in a slowly declining Galactic Empire, based on the fall of the Roman Empire. Campbell thought the idea was great. 

Then Asimov proposed writing a series of stories depicting the fall of the first Galactic Empire and the rise of the second. Asimov would write eight stories for Campbell’s magazine over eight years (1942-1949), and they were later collected into three volumes known as The Foundation Trilogy which were published from 1951 to 1953.

Foundation was first published as a single book by Gnome Press. It has “The Psychohistorians”, “The Encyclopedists” “The Mayors”, “The Traders” and “The Merchant Princes”. “The Encyclopedists” and “The Mayors” were novelettes, the others are short stories.  As noted before, each was in Astounding Science Fiction

The cover art is by David Kyle. Please note that on the cover it is titled Foundation: An Interplanetary Novel. When Ace published it they renamed it The 1,000 Year Plan in their two editions of 1955 and 1962. 

At Tricon (1966), it would win the Hugo for Best All-Time Series. Other nominees were Burroughs’ Barsoom series, Heinlein’s  Future History series , E. E. Smith’s Lensmen series and Tolkien’s The Lord of the Rings

As you know, it is now streaming as a series as Apple+. 

(8) COMICS SECTION.

(9) THE INSIDE STORY. “Rare Merlin and King Arthur text found hidden in binding of medieval book”Popular Science tells how it was done.

Variations on the classic Merlin and King Arthur legends span hundreds, if not thousands, of retellings. Many are documented within handwritten medieval manuscripts dating back over a millenia—but some editions are far rarer than others. For example, less than 40 copies are known to exist of a once-popular sequel series, the Suite Vulgate du Merlin. In 2019, researchers at the University of Cambridge discovered fragments of one more copy in their collections, tucked inside the recycled binding of a wealthy family’s property record from the 16th century. But at the time of discovery, the text was impossible to read.

Now after years of painstaking collaborative work with the university’s Cultural Heritage Imaging Laboratory (CHIL), archivists have finally been able to peer inside the obscured texts—without ever needing to physically handle the long-lost pages.

Experts combined multiple conservation tools and techniques to construct a 3D model of the fragments. These included multispectral imaging (MSI), which creates high-resolution images by scanning an artifact with wavelengths ranging from ultraviolet to infrared light. After borrowing X-ray and CT machines from Cambridge’s zoology department, the team then examined the parchment layers to map unseen binding structures without the need to deconstruct the delicate material. CT scanning allowed researchers to examine how the pages were stitched together using thin strips of similar parchment.

Some of the Merlin texts were unreadable due to being hidden under folds or stitching, so the team also needed to amass hundreds of images from every angle using an array of magnets, prisms, mirrors, and other tools. The combined result is a high-definition, digitized 3D model of the entire relic that unfolds, allowing experts to analyze it as though reviewing the physical manuscript itself.

The results revealed not just a part of Suite Vulgate du Merlin, but insights into the time period in which it existed. Experts now believe the sections originally belonged to a shortened edition of the tale. Given small typographical errors as well as the red and blue ink used in its handwritten decorated initials, historians traced its origins to sometime between 1275–1315 CE…

(10) TIME FOR A SNACK. Invasion ’53, written by Danielle Weinberg,is making the rounds of film festivals. View the trailer at the link.

Invasion ’53, a 10-minute short film about a man-eating alien who crashes a suburban cocktail party. The movie stars Jeffrey Combs (Re-AnimatorStar Trek: Deep Space Nine) and was produced with Kurt Uebersax (Elf-Man, America’s Most Wanted).

(11) FROM AN OLD FAMILIAR SCORE. “What gave life on Earth its spark? Scientists recreating a decades-old experiment offer a new clue” says CNN.

In the 1931 movie “Frankenstein,” Dr. Henry Frankenstein howling his triumph was an electrifying moment in more ways than one. As massive bolts of lightning and energy crackled, Frankenstein’s monster stirred on a laboratory table, its corpse brought to life by the power of electricity.

Electrical energy may also have sparked the beginnings of life on Earth billions of years ago, though with a bit less scenery-chewing than that classic film scene.

Earth is around 4.5 billion years old, and the oldest direct fossil evidence of ancient life — stromatolites, or microscopic organisms preserved in layers known as microbial mats — is about 3.5 billion years old. However, some scientists suspect life originated even earlier, emerging from accumulated organic molecules in primitive bodies of water, a mixture sometimes referred to as primordial soup.

But where did that organic material come from in the first place? Researchers decades ago proposed that lightning caused chemical reactions in ancient Earth’s oceans and spontaneously produced the organic molecules.

Now, new research published March 14 in the journal Science Advances suggests that fizzes of barely visible “microlightning,” generated between charged droplets of water mist, could have been potent enough to cook up amino acids from inorganic material. Amino acids — organic molecules that combine to form proteins — are life’s most basic building blocks and would have been the first step toward the evolution of life….

(12) VIDEO FROM ANCIENT DAYS. A zillion years ago, Vincent Price was on The Tonight Show with Johnny Carson to promote Theatre of Blood, in which he murders all the critics who fail to praise his Shakespearean ham acting. (How long ago was this? Sitting next to him was the singer Mama Cass Elliot, who obviously wasn’t dead yet…!)

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Danny Sichel, Ziv Wities, Kevin Lighton, Thomas the Red, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/25/24 I Don’t Want A Pixel, Just Want To Ride On My Motorcyxle

(1) HWA AI POLICY UPDATE. The StokerCon Facebook page reports that the Horror Writers Association sent members the following email about their draft AI policy.

The Horror Writers Association Statement on Artificial Intelligence and Working AI Policy Summary

The Horror Writers Association stands firmly against AI-generated creative work and will act diligently with organizational stakeholders to ensure the rights of our members and nonmembers within the writing, editing, arts, and publishing industries are protected.

The Horror Writers Association is aware of the ongoing legal and regulatory hurdles and will work to ensure our policies reflect a changing technological environment, however the Horror Writers Association only supports work from human creators and work authored by humans.

While the Horror Writers Association acknowledges the unknown challenges ahead in an ever moving and shifting landscape, the HWA will always support human authored work, first and foremost.

Lastly, the full comprehensive document will be available for all

members to read no later than January 4th, 2025.

Here is the 12-page working AI Policy in a short, easy-to-read summary

1. Use of AI Within the HWA: No generative AI software will be used by HWA workers, including generative AI tools added to pre-existing software platforms we already use.

2. Oversight: All software tools used by HWA workers will go through an approval process first. The HWA Board or a committee appointed by the Board will do that, in addition to coordinating with any logistics and enforcement.

3. Software Review: Beyond just being against the use of generative AI, we want to make sure none of our materials, or the materials entrusted to us by members, will be used to train generative AI. This means regularly reviewing all new features added to software we use, and any changes to their terms of use or privacy policies.

4. Enforcement: The Board, or any AI Oversight Committee appointed, will investigate suspected policy violations. Any action taken as a result will be done by the appropriate committees in charge of the areas where infractions happened, or by the Board itself within the HWA, including the Bram Stoker Awards and any anthologies the organization publishes (within contractual purview) and not extending to third-party providers, vendors, or partners.

5. Awards: All works submitted for Bram Stoker Award® consideration must be non-AI[1]generated works. If a work under award consideration is found to be AI-generated the work will be banned from consideration.

6. Scholarships: No works involved in the scholarship process can be AI-generated. If the resulting work is found to have been AI-generated the scholarship recipient must return all scholarship funds.

7. Publications: Submissions for official HWA publications, and HWA-branded anthologies published by our industry partners, cannot be AI-generated.

8. Membership: Prospective members who use AI-generated work to meet eligibility requirements will be denied membership. If it turns out an HWA member has failed to comply with any part of this policy their membership can be put under review.

9. Grievances: While the Committee will continue helping HWA members resolve breaches of contract, or situations that clearly go against established industry ethics, we strongly recommend you consult legal counsel before signing new contracts or renegotiating old contracts. We can point you to examples of generative AI clauses to include in your contracts moving forward.

10. Subject to Revaluation and Updates: As mentioned earlier this is an area where software and legislation are expected to undergo rapid changes. We’ll stay on top of news to keep members informed, and to update our policy as needed.

HWA volunteers will be asked to sign an agreement that they will comply with the HWA’s generative AI policy. The final policy will include a glossary of terms, documents from external organizations, tutorial videos, and other supplemental material.

Sincerely, The Board of Trustees, Horror Writers Association

(2) THE FUTURE OF BACK TO THE FUTURE. It’s on the road, where else? “‘Back to the Future’ to Close on Broadway, Rerouting DeLorean to Germany” says the New York Times (behind a paywall).  

Back to the Future,” a nostalgia-rich and spectacle-laden musical adaptation of the much-loved 1985 film, will end its Broadway run on Jan. 5, succumbing to the difficult economics of the commercial theater business.

The show had a decent run — the first performance was on June 30, 2023, and for more than a year it grossed over $1 million most weeks — but it was costly to mount and expensive to sustain; its grosses took a dive in late summer and early fall, and although it had rebounded somewhat more recently, sales were still insufficient to justify continuing. Thus far it has been seen by 720,000 people at the Winter Garden Theater.

The long-gestating show began its production life in England, and won the 2022 Olivier Award for best new musical in London’s West End, where it has been running for more than three years. It has not been so fortunate on Broadway, where it won no Tony Awards. It cost $23.5 million to capitalize, according to a filing with the Securities and Exchange Commission. Ultimately it did not run long enough, or make enough money each week, to defray its New York costs.

But this is not the end of the line for the show. The Broadway set will move to Germany, where “Back to the Future” plans an open-ended run starting next season. The London run is ongoing, there is a North American tour now underway and productions are planned in Japan and on a Royal Caribbean cruise ship.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to share a bowl of Cullen skink with the award-winning Wole Talabi in Episode 239 of the Eating the Fantastic podcast.

Wole Talabi

Wole Talabi is the author of the critically acclaimed Nommo Award-winning novel Shigidi And The Brass Head Of Obalufon — which was also a finalist for the Nebula Award, the World Fantasy Award, the British Fantasy Award, the British Science Fiction Association Award, and the Ignyte Award — plus was named one of the best books of 2023 by The Washington Post.

He’s actually a three-time winner of the Nommo Award – because he also won in 2018 (for “The Regression Test”) and 2020 (for “Incompleteness Theories”). He’s been a finalist for the Hugo Award for his novelette “A Dream of Electric Mothers,” a story which also won him the Sidewise award for alternate history. His fiction has appeared in such magazines as Asimov’sAnalogF&SF, and Clarkesworld, and anthologies such as The Big Book of CyberpunkAfrica Risen, and Nowhereville: Weird Is Other People. Many of those stories may be found in his collections Incomplete Solutions (2019, Luna Press) and Convergence Problems (2024, DAW Books).

We discussed his love of combining contradictory ideas, why failing is an important step toward success, how optimism can be a choice (and why making that choice could also make the world a better place), how to convince others who might fear hurting your feelings you truly want their honest criticism, whether AI could ever actually be intelligent or create art, what he means when he says he often writes “two or three people in a room science fiction,” how a friend’s gift of a story seed led to the longest piece in his new collection, the things he learned from writing his first novel which are helping him write his second, the secret to writing successful flash fiction, the accidental catalyst which launched his editing career, the stubbornness that keeps him going both on the page and in the ring, and much more.

(4) WOLE TALABI Q&A. And you can get a second serving of Talabi in thisImaginize World interview: “Our Future and Challenging Perspectives with Wole Talabi”.

Nigerian science fiction author Wole Talabi describes into his unique writing process, shaped by his engineering background and the concept of convergence problems….

One of the questions was about the meaning of “Africanfuturism”.

WOLE: Africanfuturism is a bit of an interesting term because if someone asks you, “What are the defining literary features of Africanfuturism?” It would be very difficult to point to specific markers and say, “It’s stories that contain this, that contain that. That use this particular style.” There’s no unifying literary feature of it. It’s more of a geographically influenced genre, where it’s focused on the continent of Africa, on the history, on the culture. It basically centers Africa and moves outwards.

And I think, sometimes that’s a misconception some people have is that they think every Africanfuturist story is only about Africa. But I think in my work, especially, in my Africanfuturist stories and in other Africanfuturist stories as well, some of Nnedi Okorafor’s works and Suyi Davies Okungbowa’s as well, the central focus of the story is African, but the theme that we are working with, the larger theme is something that applies generally, globally….

(5) WHAT ABOUT THOSE SAYING NO TO NANOWRIMO? [Item by Mark Roth-Whitworth.] Just to let you know what’s been happening with NaNoWriMo since they refused to ban AI: someone I know very well, Morgan Hazlewood, replied when I asked her about her “November writing project”, replied, “there is a reason I am calling it my November project. Pretty much every group I know has disassociated from the parent group, but the people who found each other through the project are sticking together. And most of us are still doing our own challenges.”

(6) CAREER DERAILED. Sophia McDougall was asked whether there could ever be a third book in the Mars Evacuees universe. The answer is sad.

…It’s been long enough now that I don’t think there’s any reason not to give the frank answer to this question.

I did consider it. I had a plot worked out. Unfortunately these things aren’t always (or often) up to us.

The initial contract was for two books.

Around the time the first book was coming out, I wrote this incredibly mild feminist piece in the New Statesman about the gender discrepancy in bookshop displays and how it made me feel.

And then a certain prominent bookshop chain threatened me. It let my publicist know it didn’t want me in its shops to promote my book, because it didn’t know what I might do. And then, it decided not to carry the second book, which basically guaranteed it would not sell well.

Maybe those things are unrelated, but it certainly didn’t feel like it. My agent and publisher largely abandoned me, (it didn’t help at all that my initial editor, who loved the book, had sadly been away with cancer for much of this period) and as sales were obviously disappointing, there was no question of a new contract for a third book. And that’s why I haven’t published a book since….

(7) ROCKY HORROR GAME. CNET gave it a whirl: “We Played the New Retro Rocky Horror Show Game. Here’s What It’s Like”.

The antici…. pation can finally be over if you’ve been waiting for the Rocky Horror Show game adaptation. Announced early this month, The Rocky Horror Show Video Game is a retro-styled 2D side-scrolling platform game with chiptune versions of well-known songs from the show including The Time Warp and Dammit Janet. It’s been released for Nintendo Switch and for PC on Steam, with Xbox and PlayStation versions due later this month ahead of Halloween….

…A boss fight with Frank-N-Furter amounts to throwing objects at the character until they lose parts of their costume. Whenever Brad takes damage, he’s stripped down to his tighty-whitey underwear.

While the game is very limited in its design and gameplay, it may still be worth checking out for hardcore Rocky Horror fans for its retro aesthetic and enjoyable 8-bit soundtrack. For everyone else, even at about $10, it might be a time warp best left to Rocky Horror completists. 

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Star Trek’s “Spectre of the Gun” (1968)

Physical reality is consistent with universal laws. Where the laws do not operate, there is no reality. – Spock to McCoy, at the OK Corral.

Fifty-six years this evening on NBC, Star Trek’s “Spectre of the Gun” first aired. It was written by former producer Gene L. Coon (under the name of Lee Cronin) and directed by Vincent McEveety.  

It had one of the larger guest casts — Ron Soble as Wyatt Earp, Bonnie Beecher, Charles Maxwell as Virgil Earp, Rex Holman as Morgan Earp, Sam Gilman as Doc Holliday, Charles Seel as Ed the bartender, Bill Zuckert  as Johnny Behan, Abraham Sofaer as the Melkotian Voice and Ed McCready as Barber. 

SPOILER ALERT. GO DRINK WHISKEY WITH JONAH HEX. In the episode, having been found trespassing into Melkotian space, Captain Kirk and members of his crew are sent to die in a surreal re-enactment of the Gunfight at the O.K. Corral. Not surprisingly aliens are behind this entire affair, testing humans before they make contact with them by inquiring about Kirk’s refusal to kill. They finally grant the Enterprise permission to approach their planet. END OF SPOILER. WAS HEX GOOD COMPANY? NO? 

and END OF SPOILER.  WAS HEX HIS TACITURN SELF?  

The first I know the use a setting similar to this was the First Doctor two years previously, “The Gunfighters”. A later splendid use is Emma Bull’s Territory.

I will note that the budget wasn’t available to shoot on location on a full set, so instead a Western street of false building fronts and no sides was used. 

It’s considered one of the finest episodes of the original though Keith R.A. DeCandido of Tor.com inexplicably decided to criticize the episode for its historical inaccuracies.  Eh? 

Christian Science Monitor and Hollywood Reporter both put it in their  top 20 original Star Trek episodes, and the A.V. Club ranked this episode as one of top ten “must see” episodes of the original series.

(9) COMICS SECTION.

(10) MARVEL’S HAWKEYE COMING OUT ON DISCS. [Item by Daniel Dern.] Having just (re)watched Marvel’s Hawkeye series (Season 1, which is all that’s out so far), includes a bunch of deleted scenes and bonus material – great fun, well worth the time! — I was commending it to a friend who doesn’t subscribe to The Mouse That Streams (Disney+)…and a quick easy web search turns up that it (along with Loki Season 2) will be out (for sale) in “4K Ultra HD Dolby Vision along with Atmos audio,” (Blu-Ray) on December 3, 2024, as “Marvel Studios’ Hawkeye – The Complete First Season,”, according to Marvel and also Collider.com (“Available to pre-order from October 31, 2024.”)

Extras (“bonus content”) will include deleted scenes, gag reel, a “making of” and other  documentary/behind-the-scenes stuff,” and possibly some physical collectibles. (I’m going to request this from my library, so I’m not concerned with physical ephemera.)

(I’m also seeing some plain old DVD and Blu-Ray Hawkeye Season 1 disks, on eBay, dunno whether they’re legit, but either way, unlikely to have any/all of the bonus materials.)

‘Nuff scrolled!

(11) BE STILL MY BEATING HEART. “Science Names 2024 Irish Horror Movie Oddity One of the Scariest Films Ever Made”Movieweb tells why.

Every year, the Science of Scare project gathers together 250 people to help determine the most frightening horror movies ever made. While Scott Derrickson’s 2012 film Sinister and the 2020 UK film Host have been trading the top spots since the project began in 2020, a new independent horror movie has emerged out of Ireland this year to crack the Top 20, beating out a number of other 2024 films that were nowhere to be seen.

According to science, Damian McCarthy’s Oddity is now one of the scariest horror movies in history based on the data that was collected from a fresh group of 250 people that screened a plethora of spooky films throughout the year. Premiering at the South by Southwest festival back in March, Oddity made its way to the streaming service Shudder on September 27, and has been giving people the creeps ever since. Certified fresh on Rotten Tomatoes with a critical ranking of 96%, its audience score sits at a healthy 78% from over 1,000 fan reviews, with many people echoing the results of the scientific study by calling it one of the most “terrifying” movies they’ve ever seen….

…Are you wondering how science was able to determine which horror movies are the most terrifying of all? We’re glad you asked, because it’s simple, really. Each person involved in the study is hooked up to a monitor that measures their heart rate, and, as the Science of Scare project tells it:

“With heart rate (BPM), the higher the number, the faster the movie got our audiences’ blood pumping, an indicator of excitement and fear as part of your fight or flight instinct. On the other hand, heart rate variance (HRV) measures the time in between each beat of your heart. The lower the heart rate variance the more stressed our audience members became, a good indicator of slow burn fear and dread.”…

(12) I VOTE FOR ‘YUCK’. “Ketchup in space: ‘You gotta squirt it out’” – a BBC video.

NASA astronaut Matthew Dominick has recorded a video demonstration of what happens to ketchup in a zero gravity environment.

Dominick said “some interesting science stuff” was happening during the display, which he filmed aboard the International Space Station on Wednesday before departing for Earth.

In a post on X, he said: “Everyone I’ve shared it with either thinks it is awesome or gross. Nothing in between.”

(13) FOUR RETURN FROM ISS; ONE HOSPITALIZED. “SpaceX Crew-8 astronaut hospitalized in Pensacola after Dragon splashdown, in ‘stable condition’” reports Space.com.

The astronauts of Crew-8 were taken to a Florida hospital as a precaution, shortly after their successful splashdown on Friday (Oct. 25), NASA said.

The SpaceX Crew-8 group of four astronauts was evaluated at Ascension Sacred Heart Pensacola, a hospital nearby their splashdown site in the Atlantic Ocean, a NASA representative told Space.com via email. A newer update from NASA issued at 1:30 p.m. EDT (1730 GMT) said one astronaut, described as “in stable condition,” will remain behind in the hospital “as a precautionary measure.”…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Daniel Dern, Mark Roth-Whitworth, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 9/7/24 You Are Like A Pixel Scroll, There’s Files In Your Skies

(1) SANS CLUE. Cora Buhlert declares, “The Guardian is Clueless about Masters of the Universe”.

…That said, the casting of Alison Brie has attracted more mainstream attraction than the casting of Galitzine and Mendes, probably because Brie is better known. And so Ben Child, who has a weekly geek media column in The Guardian, penned a spectacularly clueless article about the proposed live action Masters of the Universe movie.

Even the headline is terrible: “Can Travis Knight’s He-Man movie do for boys what Greta Gerwig’s Barbie did for girls?”

Yes, we all know how fiercely gendered the toy industry is, but must we really perpetuate those shitty stereotypes, especially when we know they’re wrong? Because in the 1980s, Mattel found to their own surprise that forty percent of all Masters of the Universe toys were sold to girls, which is what prompted the introduction of She-Ra. The 1980s Filmation cartoon was eagerly watched by both boys and girls and though Masters of the Universe fandom skews male, there are plenty of female fans, me among them. This isn’t surprising either, because Masters of the Universe has always featured plenty of impressive female characters such as Teela, Evil-Lyn, the Sorceress, Queen Marlena and of course, She-Ra and her entire supporting cast. Finally, there are plenty of male Barbie collectors as well….

… The main problem with the article is that Ben Child seems unable to view Masters of the Universe as anything other than a joke…

(2) FORMER BOARD MEMBER, NOW 404 ERROR. Sarah Gailey, who was on the NaNoWriMo “writers board” is no longer, as explained in “Some Thoughts on NaNoWriMo”.

…It’s reasonable for people to have reacted badly; the “statement” they released was very silly. To say “we will not take one of two positions, but we will say that one of those positions is classist and ableist” is not the deft rhetorical maneuver that NaNoWriMo seems to think it is. The arguments themselves around this so-called classism and ableism wave off the actual existence of writing communities, critique groups, beta readers, and critique partners; they also ignore the creative realities of the impoverished and disabled artists, marginalized authors, and indie authors who have been working all this time without the help of language learning model software that was trained on work stolen from their peers and colleagues. …

And this is the statement Gailey sent to Kilby Blades, Interim Executive Director of NaNoWriMo:

And Gailey said:

… I haven’t heard anything back. As of the time I’m writing this, the urls for the staff page and the Writers’ Board page are returning 404 errors. So does the url for my pep talk. …

(3) GOOD OMENS THIRD SEASON STILL HAPPENING. “’Good Omens’ season three on track at Amazon despite Neil Gaiman allegations” reports Screen Daily.

The third season of Neil Gaiman’s Good Omens is understood to be going ahead as planned at Amazon Prime Video, even though Disney has paused a feature adaptation of Gaiman’s novel, The Graveyard Book, following allegations of sexual assault against the UK author and screenwriter….

Amazon officially greenlit the third season of fantasy drama Good Omens in December 2023. Screen understands plans have not changed for the third season starring Michael Sheen and David Tennant to start filming in early 2025 in Scotland. Gaiman is executive producer, writer and showrunner of the series that is based on a book he co-wrote with Terry Pratchett.

Gaiman is also executive producer and a screenwriter on Anansi Boys, a Prime Video series based on Gaiman’s novel of the same name. While production wrapped on the series last year, no official release date has been set. Screen understands there are no plans to not stream the series….  

(4) CRIME ACTUALLY DOES PAY. For seven years! “FBI busts musician’s elaborate AI-powered $10M streaming-royalty heist”Ars Technica tells how the scheme worked.

On Wednesday, federal prosecutors charged a North Carolina musician with defrauding streaming services of $10 million through an elaborate scheme involving AI, as reported by The New York Times. Michael Smith, 52, allegedly used AI to create hundreds of thousands of fake songs by nonexistent bands, then streamed them using bots to collect royalties from platforms like Spotify, Apple Music, and Amazon Music.

While the AI-generated element of this story is novel, Smith allegedly broke the law by setting up an elaborate fake listener scheme. The US Attorney for the Southern District of New York, Damian Williams, announced the charges, which include wire fraud and money laundering conspiracy. If convicted, Smith could face up to 20 years in prison for each charge.

Smith’s scheme, which prosecutors say ran for seven years, involved creating thousands of fake streaming accounts using purchased email addresses. He developed software to play his AI-generated music on repeat from various computers, mimicking individual listeners from different locations. In an industry where success is measured by digital listens, Smith’s fabricated catalog reportedly managed to rack up billions of streams.

To avoid detection, Smith spread his streaming activity across numerous fake songs, never playing a single track too many times. He also generated unique names for the AI-created artists and songs, trying to blend in with the quirky names of legitimate musical acts. Smith used artist names like “Callous Post” and “Calorie Screams,” while their songs included titles such as “Zygotic Washstands” and “Zymotechnical.”

…The district attorney announcement did not specify precisely what method Smith used to generate the songs….

(5) BULGACON. Начална страница (bulgacon.org) – Bulgacon, the Bulgarian national convention – takes place September 21-23 with Ian McDonald and Farah Mendlesohn as guests of honor. Dr. Valentin D. Ivanov reports, “Many panels will be in English and the committee is considering opening the online panels to everybody.”

(6) LEARNEDLEAGUE SFF: NARNIA AND MURDERBOT. [Item by David Goldfarb.] Question 1 on day 9 of the current regular LearnedLeague season asked us:

The Voyage of the Dawn TreaderThe Silver Chair, and The Magician’s Nephew are all books set in what mythical realm?

(I’ve spoiled the answer in my header, but I daresay very few Filers would have had any trouble with it.) This had a get rate of 89%, with no single wrong answer getting to 5% of the submissions.

In the most recent off-season there was a One-Day Special about File 770’s favorite rogue death machine: follow this link to see Murderbot for Everyone. As the title suggests, the questions try to include general-knowledge paths to the answers as well as knowledge of the books themselves. I actually didn’t do all that well on it: 9 right out of 12, and only 63rd percentile in the scoring. Filers may enjoy seeing if they could have done better.

(7) FLASH SF NIGHT. Space Cowboy Books of Joshua Tree, CA presents “Flash Science Fiction Night” online on Monday September 9 at 6:00 p.m. Pacific. Register to attend for free here.

This is the last Flash Science Fiction Night of the season! Join us online for an evening of short science fiction readings (1000 words or less) with authors Jenna Hanchey, Eric Fomley, and Marie Vibbert. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(8) SFWA TOWN HALL COMING. The Science Fiction and Fantasy Writers Association Board will conduct the organization’s first SFWA Town Hall for members on September 10, 2024.

This event is part of the ongoing effort to foster communication with the membership, talk about what the organization is current doing and planning, and to take an opportunity to listen.

By working together, the board can address concerns and begin writing the next chapters in the history of SFWA.

(9) TRIBUTE TO BROTHER. Inverse remembers, “40 Years Ago, a Cult Classic Sci-Fi Movie Beat John Carpenter to the Punch”.

…Compared to the bloated multiverse era where “less is more” is an alien concept, 1984 cult favorite The Brother from Another Planet seems like it’s been beamed in from an entirely different celestial body. Its $350,000 budget — a small sum even for the time — would be lucky to cover 30 seconds of a Marvel flick. Its special effects are limited to a few glowing lights and a deformed toe. And far from delivering any grandstanding speeches, its superhero is entirely mute.

The titular Brother, who’s not even given the luxury of a name, is an extra-terrestrial whose powers are far more intuitive (he can hear voices from the past by touching his surroundings) than communicative. But thanks to a nuanced performance from future Emmy winner Joe Morton, he still manages to convey the emotional complexities of the immigrant experience (just to make it clear the film is allegorical, his primitive spaceship crashlands on Ellis Island)….

(10) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Land of the Lost series (1974)

By Paul Weimer. “Marshall, Will and Holly, on a routine expedition…”

Before Buck Rogers, or Battlestar Galactica, or reruns of TOS Star Trek, the first genre shows I can recall watching, in the misty lands of the 1970’s, were reruns of the Sid and Marty Krofft TV shows, including and most especially, Land of the Lost

What was not to love in those days? The Marshall family trapped in another world. Dinosaurs! Lizardmen! Weird alien technology crystals? I watched the show avidly, until it fell away from TV screens, and other tv series took their place in my mind in the late 1970’s and early 1980’s.  And I mostly didn’t think about Land of the Lost for two decades.

Until Bubble Boy.

Bubble Boy was a 2001 film, and I can’t really counsel you to seek it out and watch it. It has a young Jake Gyllenhaal playing the titular immunocompromised character who goes on adventures despite being in a bubble. But he is as sheltered emotionally and otherwise as he is physically, having not been allowed to even watch much TV.  One of the shows he has been able to watch was, in fact, Land of the Lost…and very early in the movie, the titular character does a “punk rock version” of the theme song.  It brought me back immediately to my young watching of the show.  That song really is an earworm.

Later on, a few years later, I met a friend who was obsessed with the show, and insisted I watch it again. So, with the suck fairy an idea that had not formulated in popular culture, but was in my mind, I decided to rent it on Netflix DVDs and rewatch it. I was nervous it was more going to be than wasted time, that my fond distant memories of the show would burst like a bubble.

Yes the show is cheesy, the special effects not so much, and it is a kids tv show…but I was surprised at how much I liked the show for what it was. 

Watching the entire arc from start to finish, I saw the creative seeds of genius in the show (and also saw at least one episode I had missed back in the day. Crucially, an episode written by Larry Niven (!) where the Marshalls try to paddle out of the Land of the Lost, run into a Confederate Gold miner and discover they are, in fact, in an enclosed pocket universe. Combine that with the crystal powered pylons that allow time and space travel, a time loop episode and more, the strong SF roots of the show came to mind. 

And then there is Enik. Poor, poor Enik, the intelligent Sleestak..who thought he had traveled into the past to see the barbaric ancestors of his high-tech civilization. And the soul crushing realization he gets when he realizes that he has in fact traveled far to the future, and his high-tech civilization is doomed to fall to barbarism. Heady stuff for a kids TV show, eh?

Land of the Lost crops up again, visually and otherwise in fantasy novels and tv series. In the novel Paragaea, for instance, the main character, trapped on another planet, stumbles onto a jungle temple ruin, complete with Sleestaks, described exactly in terms of the tv series. 

But the remake movie with Will Farrell? Skip it. Just skip it. I’ve never seen the reboot series, either (that is apparently currently on Apple TV).

“When I look all around, I can’t believe the things I found…”

(11) COMICS SECTION.

(12) CAMPY CRANIUM. “New horror musical arrives in Ypsilanti just in time for Halloween”The Eastern Echo has details.

Getting antsy for the spooky season? Kick off those calendars with the premiere of “The Brain That Wouldn’t Die!”, a new musical written by Ypsilanti-area vocalist and stage director Carla Margolis.

Inspired by the 1960s cult classic of the same name, the musical is a reimagining that takes audiences through the infamous, campy storyline with an all-new original soundtrack. When a brilliant yet, reckless scientist’s fiancé is decapitated in a car accident, he uses a magical serum to keep her head alive. The head, while completely immobile, keeps its ability to sing and talk.

Fans of the movie can expect a more serious look at the same themes found in the original. 

“It focuses on bodily autonomy for women; now that it’s more perilous than ever, I don’t really address it specifically, but there was definitely an inspiration. There’s a lot of misogyny baked into this story,” Margolis said. 

Margolis’ unique take is rooted in a time period when feminist themes were less accepted in media, and that elevates the script to new levels, they said….

(13) ALL ABOARD FOR ALL ALONG. “How Marvel expands ‘WandaVision’ corner of MCU with ‘Agatha All Along,’ ‘Vision Quest’”Entertainment Weekly interviews a Marvel TV exec and a showrunner.

…These two shows will broaden what Schaeffer refers to as “the WandaVision corner” of the MCU, and Winderbaum says Agatha All Along, titled after Hahn’s chart-topping song of the same name as performed in that first series, “really led the charge.”

The premise kicks off when a mysterious goth teen who’s obsessed with witchcraft (Joe Locke) helps Agatha break free of Wanda’s spell, only now she’s completely left without her powers. This “Teen,” who’s been hexed by…someone so that he can never share his name or any identifying information with other witches, plants the idea of traversing the Witches’ Road, a mystical realm that faces wanderers with deadly trials. If conquered, Agatha could regain all her magic once more. She just needs a coven to pull it off. Enter Aubrey Plaza’s Rio Vidal, Patti LuPone’s Lilia Calderu, Sasheer Zamata’s Jennifer Kale, and Ali Ahn’s Alice Wu-Gulliver….

(14) SAIL SIGHTED. “NASA spacecraft captures 1st photo of its giant solar sail while tumbling in space”Space has the story.

On April 23, NASA launched a solar sail protype to orbit around our planet — a piece of technology that could very well revolutionize the way we think about spacecraft propulsion. Then, on Aug. 29, the agency confirmed this sail successfully unfurled itself in outer space. Yet, we still didn’t have official photographic evidence of this for some time. 

Now, as of Sept. 5, we indeed do. NASA has released the first image of the open solar sail, formally called the Advanced Composite Solar Sail System, and stated that the spacecraft from which the sail was released will continue to send back more footage and data as time goes on….

… As NASA says in the statement, it’s important to first remember there are four wide-angle cameras in the center of the spacecraft anchoring the sail. 

Near the bottom of the image, one camera view shows the “reflective sail quadrants supported by composite booms” while at the top of the photo, we can see the back surface of one of the craft’s solar panels. Most spacecraft are lined with solar panels because that’s how they power themselves up: with sunlight.

“The five sets of markings on the booms close to the spacecraft are reference markers to indicate full extension of the sail,” the statement says. “The booms are mounted at right angles, and the solar panel is rectangular, but appear distorted because of the wide-angle camera field of view.”…

(15) WHIP IT. Gizmodo says “Bear McCreary Wants to Bring an Obscure Lord of the Rings Song to Rings of Power”.

The soundtrack for Amazon’s Lord of the Rings prequel has afforded composer Bear McCreary a canvas as vast as Middle-earth to play with: Howard Shore-ish riffs, unique orchestral pieces, and increasingly in season two, lots of song work. We already know the lumbering hill-troll Damrod is getting his own heavy metal infused piece this season, and this week, McCreary weaved one of Tolkien’s own poems into a beautiful song to welcome Tom Bombadil to the show. But the composer has a much more obscure, and much more intriguing ditty from the franchise’s adaptive past he wants to make a nod to.

That song? “Where There’s a Whip, There’s a Way” from the Rankin Bass adaptation of Return of the King. “I’m looking. I’m looking for the moment,” McCreary said in a recent Instagram live chat of his desire to bring the song to Rings of Power (via /Film). “It hasn’t happened yet but I would love to make that happen.”

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, David Goldfarb, Paul Weimer, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 9/2/24 Fifth Scrollboard Outside Pixel, California

(1) AMIWRIMO? National Novel Writing Month (NaNoWriMo)’s post “What is NaNoWriMo’s position on Artificial Intelligence (AI)?” is drawing a critical response. Outraged Writers Board members Daniel Jose Older, Cass Morris, and Rebecca Kim Wells have all resigned. (Coincidentally, this year’s new NaNoWriMo sponsor is ProWritingAid.com, which has now added unspecified “AI” functionality: “How to Unstick Your Camp NaNoWriMo Project” [Archive.is link].) Their position statement on AI is quoted below — including an update added after the first wave of negative responses hit social media:

NaNoWriMo does not explicitly support any specific approach to writing, nor does it explicitly condemn any approach, including the use of AI. NaNoWriMo’s mission is to “provide the structure, community, and encouragement to help people use their voices, achieve creative goals, and build new worlds—on and off the page.” We fulfill our mission by supporting the humans doing the writing. Please see this related post that speaks to our overall position on nondiscrimination with respect to approaches to creativity, writer’s resources, and personal choice. 

Note: we have edited this post by adding this paragraph to reflect our acknowledgment that there are bad actors in the AI space who are doing harm to writers and who are acting unethically. We want to make clear that, though we find the categorical condemnation for AI to be problematic for the reasons stated below, we are troubled by situational abuse of AI, and that certain situational abuses clearly conflict with our values. We also want to make clear that AI is a large umbrella technology and that the size and complexity of that category (which includes both non-generative and generative AI, among other uses) contributes to our belief that it is simply too big to categorically endorse or not endorse. 

We believe that to categorically condemn AI would be to ignore classist and ableist issues surrounding the use of the technology, and that questions around the use of AI tie to questions around privilege. 

      • Not all writers have the financial ability to hire humans to help at certain phases of their writing. For some writers, the decision to use AI is a practical, not an ideological, one. The financial ability to engage a human for feedback and review assumes a level of privilege that not all community members possess.
      • Not all brains have same abilities and not all writers function at the same level of education or proficiency in the language in which they are writing. Some brains and ability levels require outside help or accommodations to achieve certain goals. The notion that all writers “should“ be able to perform certain functions independently or is a position that we disagree with wholeheartedly. There is a wealth of reasons why individuals can’t “see” the issues in their writing without help. 
      • General Access Issues.All of these considerations exist within a larger system in which writers don’t always have equal access to resources along the chain. For example, underrepresented minorities are less likely to be offered traditional publishing contracts, which places some, by default, into the indie author space, which inequitably creates upfront cost burdens that authors who do not suffer from systemic discrimination may have to incur. 

Beyond that, we see value in sharing resources and information about AI and any emerging technology, issue, or discussion that is relevant to the writing community as a whole. It’s healthy for writers to be curious about what’s new and forthcoming, and what might impact their career space or their pursuit of the craft. Our events with a connection to AI have been extremely well-attended, further-proof that this programming is serving Wrimos who want to know more…. 

Three Board members quit over this post:

Here is a selection from among the many other negative responses to the post.

(2) TRADITION DERAILED. [Item by Steven French.] One can only speculate why it was decided to end the ‘tradition’! “Harry Potter fans boo as King’s Cross ends ‘back to Hogwarts’ tradition” reports the Guardian.

Disappointed Harry Potter fans booed after an annual announcement at London King’s Cross railway station did not happen.

People gathered at the station hoping to hear a message on the public address system that the fictional Hogwarts Express would depart from platform 9 ¾ at 11am, as happens in JK Rowling’s books.

The back to Hogwarts tradition, which celebrates the start of each academic year at Hogwarts School of Witchcraft and Wizardry every 1 September, has previously also involved the train service being displayed on departure boards, with hundreds of fans attending the 2023 event.

But King’s Cross did not mark the occasion on Sunday.

A video posted on X shows an expectant crowd count down to 11am, and then booing when nothing happens.

Warner Bros Discovery, which owns the Harry Potter franchise, issued a statement in July urging fans to avoid travelling to King’s Cross on Sunday and instead watch a programme on YouTube hosted by the I’m a Celebrity … Get Me Out Of Here! winner Sam Thompson.

(3) PICKET LINES. [Item by Chris Barkley.] Something else conrunners (especially those who pine for a Labor Day Worldcon) need to worry about: “Thousands of hotel workers launch strike after talks stall with top chains” at NPR.

Thousands of hotel workers began a multiday strike in several cities across the U.S. to press for higher wages and increased staffing after contract negotiations with major hotel chains Hyatt, Hilton and Marriott stalled.

Workers walked off the job on Sunday in 25 cities including San Francisco, Seattle, Greenwich, Conn., and Honolulu, said Unite Here, a union representing hospitality workers across North America. The strikes are planned to last between two to three days, organizers said, noting the timing of the strike happening on Labor Day. Workers in Baltimore, New Haven, Conn., Oakland, Calif., and Providence, R.I., were also prepared to join the strike…

(4) THE MAKING OF GLASGOW 2024. Polish fan Marcin Klak reports on “Glasgow 2024 – A Worldcon Which I Helped to Make” at Fandom Rover.

… Earlier I mentioned about the series of unfortunate events. You already know about the fire alarm in the middle of the night and about catching Covid. The latter may have happened after the con. On top of that I also got the achievement for being splashed with water from the puddle from the top of my head downwards. Even coming back home posed a challenge and airline had to move me to another (later flight). Should it not be enough they also managed to leave my luggage in Amsterdam thanks to which I lost another 30 minutes. Yet you know what? All those unlucky incidents didn’t spoil my experience.

Glasgow 2024 was an amazing adventure. I have not seen as much of Scotland as I wanted to but it doesn’t matter. What matters is that I had a great time. Once the con finished I was sad that it was over. And it lasted for eight days for me so, I dare to say, was rather long! It was definitely different than any of my previous Worldcons but I am happy with how it went. I don’t think that I should be rating it. As a member of concom I am not objective so I will leave the rating to the other members. Yet what I can say is that my experience was something I will treasure for many years to come….

(5) IF TANK MARMOT HAD A HAMMER. Doris V. Sutherland gives a rundown about the Dragon Awards winners at Women Write About Comics: “2024 Dragon Awards: John Scalzi and Rebecca Yarros Are Winners While AI Art Loses”.

… Charlaine Harris won the Best Alternate History award with All the Dead Shall Weep, the fifth book in her series about young mercenary Gunnie Rose. This was despite one of the other category finalists, Tom Kratman, lobbying his social media following to vote for his novel Dirty Water in retaliation for it receiving a negative review in Publishers’ Weekly; Kratman expressed a desire to “hammer the award up their collective ass,” a desire that must now remain unfulfilled…

(6) DRAGON AWARDS STATISTICS. Okay, you can stop laughing at the headline now. Here’s what Camestros Felapton – with a microscope – managed to extract from a press release: “Some Dragon Award Stats”.

…Anyway, here are the numbers they did provide:

“Approximately 7,000 fans cast ballots for this year’s Dragon Award winners, selected from among 67 properties in 11 categories covering the full range of fiction, comics, television, movies, video gaming, and tabletop gaming.”

Which is what they said last year, as in that is literally the same sentence….

(7) BECAUSE OF THE WONDERFUL WIZ HE IS. Deadline thinks “Ian McKellen Could Return As Gandalf In New ‘Lord Of The Rings’ Films”. An injury is keeping him on the sidelines til the end of the year. He’s likely to be available by the time they start filming – if they get him signed on.

…And it seems that Sir Ian McKellen could be coming back to his beloved role as J.R.R. Tolkien’s wizard after revealing that he had been approached about featuring in the new Lord of the Rings films.

McKellen told The Big Issue: “Enthusiasm for The Lord of the Rings shows no sign of abating … I can’t tell you any more than that. I’ve just been told there are going to be more films and Gandalf will be involved and they hope that I’ll be playing him.”

The 85-year-old actor, who is recovering from falling off stage in Player Kings in London’s West End, added: “When? I don’t know. What the script is? It’s not written yet. So, they better be quick.”

In a separate interview with BBC Breakfast, McKellen said he had no plans to retire from acting. “I shall just keep at it as long as the legs and the lungs and the mind keep working,” said the actor, who is promoting new movie The Critic.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born September 2, 1964 Keanu Reeves, 60. Keanu Reeves certainly has fascinating genre credits. So let’s get started and look at them.

First about that film. It was by no mean his first film, he’d done quite a few including some very serious films before that including Dangerous Liaisons, but his first film that we know him from is of course what is his most best loved  film of a genre nature which is Bill & Ted’s Excellent Adventure. He played Ted “Theodore” Logan. 

I’ll confess that since I deeply, madly adore this film, I’m not seen either of the sequels, Bill & Ted’s Bogus Journey or Bill & no Ted Face the Music. Why spoil perfection?

Keanu Reeves

A choice bit of stakes through the heart was up for him in Bram Stoker’s Dracula where he had the role Jonathan Harker               . 

Following that was Johnny Mnemonic which in its original version is considered one of the worst genre films ever made, but 12 years back, a black-and-white edition of the film which was titled Johnny Mnemonic: In Black and White was released and William Gibson says is much closer, closer to his original vision. I see it’s available on Amazon, either in BluRay or DVD.

So what next? The Matrix where he played Neo, the protagonist throughout The Matrix franchise. I saw the first, found it interesting, but not enough to watch the next two. I see it was nominated for a Hugo at Chicon 2000 but didn’t win as that was the year that Galaxy Quest deservedly won. 

He was Bob / Fed / Bruce in A Scanner Darkly as based off Philip K. Dick’s novel. And it too was nominated for Hugo, this being at Nippon 2007, the year Pan’s Labyrinth won.

Finally as John Wick can’t possibly be considered genre, he had potentially plum of a role as there was a remake of The Earth Stood Still and he was Klaatu! Yes, I did go to Rotten Tomatoes to see what to reaction was. 

Well, the audience yours gave it a 21% rating, Joe Morgenstern of the Wall Street Journal said this, which is the overwhelming consensus: “Where the original film was unpretentious, this version, with Keanu Reeves as Klaatu, is insufferably full of itself, an X-Files episode pumped up to pseudo-cosmic proportions.”

(9) COMICS SECTION.

  • Thatababy has a troublesome friend.
  • The Argyle Sweater finds a superhero frustrated by going green. (No, not literally. That’s a different superhero.)
  • Crankshaft continues the censorship storyline.
  • Brewster Rockit will appeal to metal detector enthusiasts.

(10) STAR WARS IN OJIBWE. “A new version of the 1977 Star Wars features a dub in a Native American language”NPR spoke with one of the voice actors.

SCOTT SIMON, HOST:

“Star Wars” fans in Minnesota and Wisconsin yesterday got to experience a whole new version of the 1977 movie “A New Hope.” It’s a version dubbed into the language of one of the largest Indigenous groups in the U.S. and Canada. Minnesota Public Radio’s Melissa Olson has more.

(SOUNDBITE OF JOHN WILLIAMS AND LONDON SYMPHONY ORCHESTRA’S “MAIN TITLE”)

MELISSA OLSON, BYLINE: Fans who came out to see the film got a chance to hear a language spoken in a galaxy far, far away for the first time. This version of the 1977 classic “Star Wars: A New Hope” has been dubbed in the Ojibwe language. It’s spoken by one of the largest Indigenous nations in the U.S. and Canada. One of the lead voice actors in the film just happened to be attending a showing in a Twin Cities suburb. He’s both a fan of the movie and a student of the language.

AJUAWAK KAPASHESIT: My name is Ajuawak Kapashesit, and I play Han Solo in this edition of “Star Wars: A New Hope.”…

(11) HASTA LA VISTA, BABY. “40 Years Later, Netflix’s New Terminator Show Just Fixed a Time-Travel Plot Hole” says Inverse.

The basic set-up of Terminator, in theory, creates two paradoxes. When the T-800 (Arnold Schwarzenegger) is sent back in time to terminate Sarah Connor (Linda Hamilton) before she can give birth to future Resistance leader John Connor, the AI that controls him, Skynet clearly feels this is a solid plan. But, in sending the T-800 back, Skynet also causes the Resistance to send a human agent back, Kyle Reese (Michael Biehn), who becomes John Connor’s father in the past. So Skynet messed up: Had they not sent the T-800 back in time, they wouldn’t have ever created their own, enemy, right?

In all great science fiction time travel stories, cause and effect don’t behave ordinarily, which is part of the fun. But, what the newest iteration of the Terminator franchise has just done has provided a new explanation not only for the set-up of the first film but the events of the second movie, too. Spoilers ahead….

(12) A NEW KIND OF DIG. “Aboard the ISS, Archaeologists Conduct the First ‘Space Excavation’” reports Atlas Obscura.

NEW RESULTS FROM THE FIRST archaeological fieldwork conducted in space show the International Space Station is a rich cultural landscape where crew create their own “gravity” to replace Earth’s, and adapt module spaces to suit their needs.

Archaeology is usually thought of as the study of the distant past, but it’s ideally suited for revealing how people adapt to long-duration spaceflight. In the SQuARE experiment described in our new paper in PLOS ONE, we re-imagined a standard archaeological method for use in space, and got astronauts to carry it out for us.

The International Space Station is the first permanent human settlement in space. Close to 280 people have visited it in the past 23 years. Our team has studied displays of photos, religious icons, and artworks made by crew members from different countries, observed the cargo that is returned to Earth, and used NASA’s historic photo archive to examine the relationships between crew members who serve together….

(13) ART ADMIRATION. Geoff Thew calls the fantasy manga Witch Hat Atelier “The Most Beautiful Manga I’ve Ever Read”.

(14) VIDEO OF THE DAY. Ryan George lets us step inside the Pitch Meeting that led to Alien: Romulus. You can check in any time you want, but you can never leave…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, N., SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Mike Kennedy.]

Pixel Scroll 11/14/23 Give Me Forty Pixels And I’ll Scroll This Rig Around

(1) WON’T BE THE FIRST TIME. The organizers anticipate some accepters will make some political statements from the stage of the National Book Awards ceremony on November 15: “Israel-Hamas War Sows Disruption at the National Book Awards” in the New York Times.

As the cultural fallout from the war in the Middle East continues, several finalists for the National Book Award plan to call for a cease-fire in Gaza during the ceremony on Wednesday. Two sponsors have decided not to attend the ceremony after learning authors were planning a political statement.

“I don’t want to look back on this time,” said Aaliyah Bilal, a finalist in the fiction category and one of the authors planing to speak out, “and say that I was silent while people were suffering.”

Rumors that authors would take a stand regarding the Israel-Gaza conflict during the ceremony were flying in the days leading up to the event, but it was unclear what the statement would include, leaving several sponsors concerned.

One of the sponsors that withdrew after learning that some authors were planning a political statement was Zibby Media. Zibby Owens, the company’s founder, wrote in an essay published on Substack that her company had withdrawn because she was afraid the remarks at the ceremony would take a stance against Israel, noting that “we simply can’t be a part of anything that promotes discrimination, in this case of Israel and the Jewish people.”

Another sponsor, Book of the Month, has also decided not to attend. In a statement, the organization said it continued to support the event.

On Tuesday, the National Book Foundation sent a message to all the sponsors and those who purchased tickets, alerting them to the likelihood that winners were planning to issue political statements from the podium. The letter said that one group had decided to withdraw its sponsorship altogether….

(2) PROTESTORS AT GILLER PRIZE CEREMONY. Last night’s Giller Prize ceremony in Toronto was interrupted twice by protestors: “Three people charged in Giller Prize protest” at CP24.

Toronto police say three people are facing charges after a surprise protest which hijacked a gala for the Scotiabank Giller Prize – one of the biggest nights in Canadian literature.

The glitzy awards ceremony was held at the Four Seasons Hotel in Yorkville Monday night.

The $100,000 Scotiabank Giller Prize went to Montreal native Sarah Bernstein for her novel, “Study for Obedience.”

Just as the prize was being announced, a protester posing as a photographer interrupted the ceremony – which was being broadcast live on CBC – with antiwar slogans.

A video of the incident posted to social media shows a woman yelling at the room while several others held up signs accusing Scotiabank of “genocide” for investment in an arm’s company that deals with Israel.

Publishers Lunch reports a Scotiabank asset investment fund holds a five percent stake (worth roughly $500 million) in Elbit Systems, the “largest non-government-owned defense company in Israel.”

(3) NANOWRIMO CONCERN. This report about the NaNoWriMo Youth Forums says the Board of Directors had to step in because of allegations against a moderator. The following is an excerpt from a thread which begins here.

And this tweet links to a 5-minute Rebecca Thorne Tik-Tok video commentary on the situation where she says “Now is the time to change your password, your email, and check your kids if they’ve been on these forums”.

(4) 2024 GRAMMY BALLOT INCLUDES SFF NOTABLES. The “2024 GRAMMY Nominations” were released on November 10, with nearly one hundred categories. William Shatner stands alone in his category, but the next four are almost entirely filled by musical works of genre interest.

68. Best Audio Book, Narration, and Storytelling Recording

Boldly Go: Reflections On A Life Of Awe And Wonder
William Shatner

69. Best Compilation Soundtrack For Visual Media

Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album.  In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

AURORA
(Daisy Jones & The Six)

Barbie The Album
(Various Artists)

Black Panther: Wakanda Forever – Music From And Inspired By
(Various Artists)

Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3
(Various Artists)

Weird: The Al Yankovic Story
Weird Al Yankovic

70. Best Score Soundtrack For Visual Media (Includes Film And Television)

Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.

Barbie
Mark Ronson & Andrew Wyatt, composers

Black Panther: Wakanda Forever
Ludwig Göransson, composer

The Fabelmans
John Williams, composer

Indiana Jones And The Dial Of Destiny
John Williams, composer

Oppenheimer
Ludwig Göransson, composer

71.  Best Score Soundtrack for Video Games and Other Interactive Media

Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.

Call Of Duty®: Modern Warfare II
Sarah Schachner, composer

God Of War Ragnarök
Bear McCreary, composer

Hogwarts Legacy
Peter Murray, J Scott Rakozy & Chuck E. Myers “Sea”, composers

Star Wars Jedi: Survivor
Stephen Barton & Gordy Haab, composers

Stray Gods: The Roleplaying Musical
Jess Serro, Tripod & Austin Wintory, composers

72. Best Song Written For Visual Media

A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)

Barbie World [From “Barbie The Album”]
Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)

Dance The Night [From “Barbie The Album”]
Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)

I’m Just Ken [From “Barbie The Album”]
Mark Ronson & Andrew Wyatt, songwriters (Ryan Gosling)

Lift Me Up [From “Black Panther: Wakanda Forever – Music From And Inspired By”]
Ryan Coogler, Ludwig Göransson, Robyn Fenty & Temilade Openiyi, songwriters (Rihanna)

What Was I Made For? [From “Barbie The Album”]
Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)

(5) LEARNEDLEAGUE. [Item by David Goldfarb.] The last day of the current LearnedLeague off-season featured a fun quiz on invented religions in a wide range of SF and fantasy. I got 9/12. You can find the questions here: “Fictional Theology”.

(6) SACRIFICIAL RAMMING SPEED. While you may have missed the latest NCIS television spinoff (I certainly did), Camestros Felapton confesses “I watched NCIS Sydney.

…The choice of city is obvious from the opening shots which take in the Harbour Bridge and the Opera House before taking us to the naval base near Woolloomooloo. You really can’t go wrong with filming Sydney Harbour, it is genuinely photogenic and really does have visiting naval vessels in it. Apparently, the real NCIS does have an Australian sub-office but it is in Perth, which is a lovely city but lacks the kind of recognisable landmarks that invading aliens or kaiju like to destroy….

(7) IT TURNS OUT MOUNT DOOM IS FREEWAY CLOSE TO POMPEII. In Italy, where the right wing is trying to appropriate Tolkienesque icons and themes, Politico takes readers “Inside Giorgia Meloni’s Hobbit fantasy world”.

Introducing soon-to-be Prime Minister Giorgia Meloni at her final election campaign rally last year, the compère lifted a line from a battle speech in J.R.R. Tolkien’s Lord of The Rings: “The day of defeat will come, but not today.”

Meloni has made it no secret that the fantasy epic is her favorite literary work. As a young activist she dressed up as a hobbit; after she became a minister, she posed next to a statue of Gandalf for a magazine photoshoot….

…The Ministry of Culture is funding an exhibition in Rome marking 50 years since the author’s death at a cost of €250,000, according to an official, who said the ministry hopes to recoup the funds from ticket sales. Meloni herself will open the show on November 15 at the National Gallery of Modern and Contemporary Art before it moves to other Italian cities.

Culture Minister Gennaro Sangiuliano announced the show to the youth wing of Meloni’s party in July as “a gift.”

On Wednesday, presenting the exhibition, Sangiuliano said the show was “not by accident but deliberate and desired.” In response to a question by POLITICO, he insisted that Meloni had not requested the show but “only found out later.”

In the 1970s the far right would organize “Hobbit camp” festivals; Meloni has recalled that her friends were nicknamed Frodo, Gandalf and Hobbit, after central characters from the books.

She has quoted liberally from Tolkien throughout her career, from one of her first political speeches as a youth leader in 2002, to her autobiography in 2022. In 2015 she called on followers to combat that “sly enemy that Tolkien called the rings of power,” referring to the global financial elite….

(8) A BIG IMPROVEMENT. Christopher Nieman’s cover for The New Yorker shows robots are here to help us. (Click on item to see all panels.)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 14, 1907 Astrid Lindgren. Creator of the Pippi Longstocking series and, at least in the States, lesser known Emil i LönnebergaKarlsson-on-the-Roof, and the Six Bullerby Children series as well. In January 2017, she was calculated to be the world’s eighteenth most-translated author, and the fourth-most translated children’s writer after Enid Blyton, H. C. Andersen and the Brothers Grimm. There have been at least forty video adaptations of her works over the decades mostly in Swedish but Ronja, the Robber’s Daughter was an animated series in Japan recently. (Died 2002.)
  • Born November 14, 1951 Beth Meacham, 72. In 1984, she became an editor for Tor Books, where she rose to the position of editor-in-chief. After her 1989 move to the west coast, she continued working for Tor as an executive editor until her retirement.  She does have one novel, co-written with Tappan King, entitled Nightshade Book One: Terror, Inc. and a handful of short fiction.  A Reader’s Guide to Fantasy that she co-wrote wrote with Michael Franklin and Baird Searles was nominated for a Hugo at L.A. Con II. She has been nominated for six Hugos as Best Professional Editor or Best Editor Long Form.
  • Born November 14, 1963 Cat Rambo, 60. All around great person. Past President of SFWA.  She was editor of Fantasy Magazine for four years which earned her a 2012 nomination in the World Fantasy Special Award: Non-Professional category. Her novelette Carpe Glitter won a 2020 Nebula, and her short story “Five Ways to Fall in Love on Planet Porcelain” was a 2013 Nebula Award finalist.  Her impressive fantasy Tabat Quartet quartet begins withBeasts of Tabat, Hearts of Tabat, and Exiles of Tabat, and will soon be completed by Gods of Tabat. She also writes amazing short fiction as well.  The Rambo Academy for Wayward Writers is her long-standing school for writers that provides her excellent assistance in learning proper writing skills through live and on demand classes about a range of topics. You can get details here. Her latest, Devil’s, was a stellar listen and an outstanding sequel to You Sexy Thing.
  • Born November 14, 1969 Daniel Abraham, 54. Co-author with Ty Franck of The Expanse series which won a Hugo at CoNZealand. Under the pseudonym M. L. N. Hanover, he is the author of the Black Sun’s Daughter urban fantasy series.  Abraham collaborated with George R. R. Martin and Gardner Dozois to write the Hunter’s Run. Abraham also has adapted several of Martin’s works into comic books and graphic novels, such as A Game of Thrones: The Graphic Novel, and has contributed to Wild Cards anthologies. By himself, he picked up a Hugo nomination at Denvention 3 for his “The Cambist and Lord Iron: A Fairy Tale of Economics” novelette. 

(10) COMICS SECTION.

  • Eek! has a grotesque Wolverine joke.

(11) ARMOR MUSEUM EXHIBIT IN HUNTSVILLE. [Item by Marc Criley.] Armor frequently plays a key supporting role in high fantasy and historical fiction set in a certain era.

Pay a visit to the Huntsville Museum of Art in Huntsville, Alabama to see what really protected those that became the storytellers’ myths and legends. The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum on display now until January 14, 2024.

Far from the ungainly exoskeleton we often imagine today, the suit of armor was made to be sleek and stylish—painstakingly engineered, elegantly designed, and treasured as the expression of its owner’s taste, sophistication, and prowess.

Wolfgang Stäntler, Swept-Hilt Sword for the Munich Town Guard, about 1600,

(12) DISGRACELAND. “Shock of the old: eight abandoned and appalling theme parks” – the Guardian has a little list. Here’s one example:

Gulliver’s Kingdom, Japan

Given its wholesome location, nestled up against the Aokigahara “suicide forest” and the Aum Shinrikyo cult headquarters in Japan, it’s impossible to imagine why this Jonathan Swift tribute park didn’t catch on. It’s the kind of thing you could threaten your kids with: “Be good, or we’ll go and see the vast, nightmarish statue of a man in a book you’ve never read.” Did they serve Modest Proposal burgers? It’s been demolished now; probably best for the planet’s collective psychological wellbeing.

(13) TODAY’S THING TO WORRY ABOUT. [Item by Steven French.] Well, who hasn’t lost a ring at some time or another …?! “Saturn’s Rings Will Temporarily Disappear From View in 2025” according to Smithsonian Magazine.

… In reality, it all has to do with planetary alignment. Saturn’s rings are so thin that they seemingly vanish when viewed edge-on. And as Earth and Saturn travel around the sun on their respective orbital paths, our planet reaches this particular vantage point like clockwork, roughly every 13 to 16 years.

As Saturn completes its orbit over approximately 29.4 Earth years, it leans at an angle of 26.7 degrees. This means that our view of Saturn toggles between the upper side of its rings when it’s tilted toward us and the lower side when it’s tilted away. We get the special, ringless view of the planet when Earth transitions between each of these perspectives and passes through Saturn’s “ring plane,” essentially, any area of space that’s in line with the edge of its rings.

From that angle, “they reflect very little light and are very difficult to see, making them essentially invisible,” Vahe Peroomian, a physicist and astronomer at the University of Southern California, tells CBS News’ Caitlin O’Kane…

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, Marc Criley, Nicholas Whyte, Steven French, Lise Andreasen, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy, for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 10/23/23 In A Scroll In The File, There Lived A Pixel

(1) WORLDS OF IF REVIVAL. The title that won three straight Hugos in the Sixties under the editorship of Frederik Pohl, Worlds of If, then folded in 1974, is making a comeback here.

The classic science fiction magazine Worlds of IF will live again starting February 2024. The magazine will be relaunched with Justin Sloane of Starship Sloane as editor-in-chief and publisher, Jean-Paul L. Garnier of Space Cowboy Books filling the role of deputy-editor-in-chief, and Dr. Daniel Pomarède as science editor. The inaugural issue will be available both in print and free download PDF, with works from multiple generations of SFF authors, artists, and poets. Leading up to the release, the website will feature teasers including interviews with notable SFF authors and fans, audio adaptations of classic tales from the original IF, and articles about SFF and beyond. In the tradition of IF, the editors plan on experimenting with new forms and styles of SF, showcasing new authors, interacting with fandom, and bringing fun and weird science fiction to readers.

Visit Starship Sloane Publishing’s homesite for a free webzine reissue of the April 1955 Worlds of IF, featuring novelettes by James E. Gunn and Fox B. Holden, with a short story by Philip K. Dick.  Learn more and find bonus content here.

(2) TOLKIEN STUDIES NEWS. David Bratman of Tolkien Studies today announced his co-editor, Verlyn Flieger, is ending her run with the journal. Her place will be taken by Yvette Kisor, Professor of Literature at Ramapo College of New Jersey.

After 22 years as co-Editor of Tolkien Studies, Verlyn Flieger will be retiring to take up the position of Editor Emerita. One of the co-founders of the journal, Verlyn has co-edited 20 volumes of the journal. Highlights include editing previously unknown material by Tolkien, some of his scholarly works that had become very difficult to access, and many of the most insightful and original articles published on Tolkien in the past two decades. It is impossible to list even a fraction of the contributions Verlyn has made to every single aspect of the journal’s operations, so we are reduced to saying the obvious: without Verlyn, there would be no Tolkien Studies. We will miss her terribly (though we expect to be drawing upon her wisdom on a regular basis). Volume 20, to be published later this year, will be the last issue she will have co-edited.

Tolkien Studies is delighted to announce that, beginning with Volume 21, Yvette Kisor, Professor of Literature at Ramapo College of New Jersey, will be taking up the position of co-Editor. The co-editor of Tolkien and Alterity, Yvette is well known to the international community of Tolkien scholars both for her publications on Tolkien, including “‘The Lay of Aotrou and Itroun’: Sexuality, Imagery, and Desire in Tolkien’s Works,” in Tolkien Studies 18 (2021), and her work organizing the influential “Tolkien at Kalamazoo” sessions at the International Congresses on Medieval Studies at Western Michigan University. A medievalist by training, Prof. Kisor has also published extensively on Old and Middle English literature. We are extremely pleased that she will be joining the journal’s editorial team.

(3) UNCANNY HUGO ACCEPTANCE SPEECH. Best Semiprozine Hugo winner Uncanny Magazine hasposted the video with the team’s acceptance remarks.

(4) ANDREW CARNEGIE MEDALS LONGLISTS.  The Longlist for 2024 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction is now available on the awards’ website.

Forty-five books (21 fiction, 24 nonfiction) have been selected for the longlist for the 2024 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction. The list is now available on the awards’ website. The six-title shortlist—three each for the fiction and nonfiction medals—will be chosen from longlist titles and announced on November 14, 2023. The two medal winners will be announced by 2024 selection committee chair Aryssa Damron at the Reference and User Services Association’s (RUSA) Book and Media Awards livestreaming event, held during LibLearnX in Baltimore on Saturday, January 20, at 9:45 a.m. Eastern. A celebratory event, including presentations by the winners and a featured speaker, will take place in June 2024 at the American Library Association’s (ALA) Annual Conference in San Diego.

The fiction longlist contains the following works of genre interest. Several are novels, while others are story collections in which one or more of the stories have a genre component.

  • Adjei-Brenyah, Nana Kwame. Chain-Gang All-Stars (Pantheon)
  • Blaché, Sin and Helen Macdonald. Prophet (Grove)
  • Brinkley, Jamel. Witness (Farrar)
  • Huang, S. L. The Water Outlaws (Tordotcom)
  • Labatut, Benjamin. The MANIAC (Penguin)
  • Norris, Kelsey. House Gone Quiet (Scribner)
  • Qian, Cleo. Let’s Go Let’s Go Let’s Go (Tin House)

(5) ASKING FOR FLASH FICTION NEBULA. A letter being circulated for signatures calls for SFWA to create a Nebula Award for Flash Fiction. The letter says in part:

… Flash fiction, short-short fiction, drabbles, dribbles, and other forms of very short prose stories have long had a place in genre fiction. Over the years, there have been many respected genre publications devoted exclusively to flash, while other publications recognize it as a distinct category. Despite this, works of flash rarely appear on the SFWA Nebula final ballot, and even fewer works of this length have won.

We do not think this is because SFWA members do not appreciate or enjoy flash fiction or other forms of very short fiction. Rather, it is likely because the strategies and techniques of flash often differ from those used in short stories, which makes it difficult to compare them to these longer works. In particular, flash as a form encourages experimentation, and pieces of flash fiction are more likely to include unusual narrative structures and points of view, to blend elements of poetry and prose, or to otherwise approach storytelling differently than longer works of fiction.

Indeed, in early 2022 the SFWA membership recognized the value of flash fiction and its presence in the genre community by passing two rules changes to the membership qualification criteria that removed the minimum word count for joining as an associate or full member….

(6) SIDEWISE AWARD PRESENTATION. [Item by Steven H Silver.] The Sidewise Awards will be presented this Friday, October 27 at 12:30 CDT (UTC-5) at the World Fantasy Con  in Kansas City, Missouri.

The presentation will be made by judges Eileen Gunn and Steven H Silver in the Chicago A Room.

Finalists who will not be in attendance can appoint a designated acceptor or e-mail an acceptance speech to Steven H Silver at shsilver@stevenhsilver.com.

(7) NANANA NONOMO HEY HEY. Cass Morris’ latest newsletter is full of advice about “Worldbuilding for NaNoWriMo: Preptober Edition”.

What do you need to get started?

A perennial question for the worldbuilding writer: How much do you need to do before you actually start drafting?

The answer varies by writer, of course. Some of us compile chonky world bibles before setting down a word; some of us start with the plot and fill the world in as we go. For me it’s usually somewhere in the middle. The dolls and the dollhouse tend to come at least a bit at the same time.

The answer can also vary by project. Some may need more scaffolding before you can set to work. That may be dictated by how near or far your speculative world is from the “real world,” or by how much research you need to do.

When it comes to Nano, though, it can help to target your worldbuilding to the sort of story you think you’re working on. Me, I gravitate towards political plots, so I can’t really get started until I know a lot of details about what sort of government a world has, how it functions, and what factions are at play. If you’re doing a tightly-focused fantasy of manners, however, that might be something you can handwave….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 23, 1880 Una O’Connor. Actress who appeared in the 1930s The Invisible Man as Jenny Hall. She had a bit part in Bride of Frankenstein, and a supporting role in the genre The Adventures of Robin Hood. Though not even genre adjacent, she was Mrs. Peters in the film adaptation of the quite excellent Graham Greene’s Stamboul. Great novel, I’ll need to see if I can find this film. She’s in The Canterville Ghost, and shows up twice in TV’s Tales of Tomorrow anthology series. (Died 1959.)
  • Born October 23, 1918 James Daly. He was Mr. Flint in Trek‘s most excellent “Requiem for Methuselah” episode. He also showed up on The Twilight ZoneMission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler
  • Born October 23, 1935 Bruce Mars, 87. He was on Trek three times, one uncredited, with his best remembered being in the most excellent Shore Leave episode as Finnegan, the man Kirk fights with. He also had one-offs in The Time TunnelVoyage to the Bottom of The Sea, and Mission: Impossible.  He is now Brother Paramananda with the Self-Realization Fellowship in Los Angeles which he joined shortly after ending his acting career in 1969. 
  • Born October 23, 1942 Michael Crichton. An impressive number of Hugos, both winners and nominations. The Andromeda Strain nominated at L.A. Con, Westworld at Discon II and the Jurassic Park film would win a Hugo at ConAndian.  I’m very fond of the original Westworld film, not at all enamored of anything that has followed. Same holds for The Andromeda Strain film which I think is a perfect adaptation of his novel unlike the latter series that trashes the novel. (Died 2008.)
  • Born October 23, 1948 Brian Catling. Author of The Vorrh trilogy whose first novel, The Vorrh, has an introduction by Alan Moore. Writing was just one facet of his work life as he was a sculptor, poet, novelist, film maker and performance. And artist. Impressively he held Professor of Fine Art at the [John] Ruskin School of Drawing and Fine Art in Oxford and was a fellow of Linacre College. Yeah that John Ruskin. (Died 2022.)
  • Born October 23, 1953 Ira Steven Behr, 70. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine which is still my favorite Trek though Strange Worlds has its charms, on which he served as showrunner and executive producer. As writer and or producer, he has been in involved in Beyond RealityDark AngelThe Twilight ZoneThe 4400Alphas, and Outlander
  • Born October 23, 1969 Trudy Canavan, 54. Australian writer who’s won two Ditmars for her Thief’s Magic and A Room for Improvement novels and two Aurealis Awards as well, one for her “Whispers of the Mist Children” short story, and one for The Magician’s Apprentice novel.  It’s worth noting that she’s picked up two Ditmar nominations for her artwork as well. 

(9) COMICS SECTION.

  • Shoe contains a horrible, horrible, genre-adjacent pun. Did I mention it’s horrible?
  • Tom Gauld’s pick is probably number one in its own obscure Amazon category.

(10) MYTHING ANSWERS. The Scots Magazine invites you to take the “Scottish Myths And Folklore Quiz”. Flying absolutely blind I scored 7 out of 10. All those fantasy book blurbs I’ve read must have helped.

Do you know the name of the Loch Ness Monster’s cousin, who is said to live in Loch Morar? Or which season, Beira, who washes her clothes in the Corryvreckan whirlpool, represents?

There’s so much more to learn about Scotland’s strange and mystical past….

(11) MONSTER MAVEN. The Hollywood Heritage Museum presents “Jack Pierce: Hollywood’s Greatest Monster Maker” on October 25. Tickets for this in-person event are available at the link.

Please join us on Wednesday, October 25th at 7:30PM as we kick off the 2023-24 season of our Evening @ The Barn series with a very special Halloween edition!

In this exclusive multimedia event, the career of Jack Pierce, legendary makeup department head at Universal Pictures from 1928-1947, will be explored in depth. Unquestionably, Pierce was responsible for many of cinema’s most memorable screen characters, including The Frankenstein Monster, The Mummy, The Bride of Frankenstein, The Wolf Man, and The Phantom of the Opera, during that seminal period in horror films. Videos, photos, and unique, rarely seen elements will be critical aspects of this two-hour presentation hosted by author and historian Scott Essman. Additionally, special guests and surprises are in store for attendees!

Free parking is available in Hollywood Bowl Lot “D” which is directly adjacent to the museum.

In case you’ve never heard of the Hollywood Heritage Museum before:

The Hollywood Heritage Museum is a must-visit for cinema enthusiasts. It is located in the oldest surviving motion picture studio in Hollywood. Here, you can learn about the history of the studio and how it played a crucial role in the birth of Paramount Pictures Corporation in 1916. The first feature length film was produced here in 1912 by Jesse L. Lasky and Cecil B. DeMille. This 1901 barn turned studio was designated California State Historic Landmark No. 554 in 1956. 

(12) SPIELBERG Q&A. SYFY Wire speaks to the director about Laurent Bouzereau’s new book in “Spielberg: The First Ten Years Excerpt Reveals E.T. Secrets”.

Last fall, Neil DeGrasse Tyson made the claim that E.T., the lovable cosmic visitor, “was a sentient plant” during a guest appearance on The Late Show with Stephen Colbert. When asked how he came by this strange piece of information, DeGrasse Tyson simply replied: “Steven Spielberg told me in my office.” He didn’t elaborate any further than that, but we now know he wasn’t just blowing smoke.

The legendary director confirms the titular alien of his 1982 coming-of-age classic (now streaming on Peacock) is “more like a plant or a vegetable” in the pages of Laurent Bouzereau’s new book — Spielberg: The First Ten Years

Bouzereau is, perhaps, one of the few people alive who could actually pull off something like this. After all, he’s spent decades cultivating a close professional relationship with the celebrated storyteller while serving as director on the numerous behind-the-scenes documentaries found on the home release editions of Spielberg’s own movies.

Hitting stands tomorrow, Tuesday, October 24, from Insight EditionsSpielberg: The First Ten Years features exhaustive and must-read interviews centered around the productions of DuelThe Sugarland ExpressJawsClose Encounters of the Third Kind, 1941Raiders of the Lost Ark, and, of course, E.T. the Extra-Terrestrial….

What other references did you study?

I wanted E.T. to give the impression of a thousand-year old wizened life form. Carlo took directions the same way an actor would — but it’s of course really the actor who creates the performance, and in that sense, it’s really Carlo Rambaldi who created E.T. I also remember saying to Carlo that E.T. should kind of waddle when he walks like Chaplin with his cane, that he should look like Bambi on ice. When E.T. starts to walk on Earth, he is ungainly, and he is insecure. Several times in the movie, we showed how awkward E.T. is and how funny he is when he falls over…

(13) WHAT CATS THINK. This book trailed for The Adventures of Trim series is pretty cute – probably because several cats are interviewed on camera.

(14) VIDEO OF THE DAY. Please Don’t Destroy: “Bad Bunny Is Shrek” on Saturday Night Live.

Three guys listen to Bad Bunny’s idea for a script.

[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, Lynne M. Thomas, Daniel Dern, John-Paul L. Garnier, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 11/27/21 And In The Barkness Dine Them

(1) SEVERANCE PAY. On The Last Leg, Jodie Whittaker tells the host about her emotional final day on Doctor Who, and the souvenir she stole from the set.

(2) NANOWRIMO DEADLINE APPROACHES. November is National Novel Writing Month (NaNoWriMo) – and guess which month is almost over? Mad Genius Club’s Amanda S. Green hit the goal, but knows from experience what can happen when “NaNoWriMo meets real life”.

… But the real problem for me and for a number of other writers is NaNo is a complete deviation from our normal way of writing. To push through and finish “the book”, most of us have to turn off the internal editor. We have to give ourselves permission not to write in all the details we usually put in during the first draft. We have to remember that what comes out is not the final product but is, at best, an expanded outline which will need another month or two to get ready for publication….

(3) GATOR GENESIS. It’s interesting that a Gothamist writer claims to have authenticated this story, because during my early days in fandom I’d heard it was perpetrated by Galaxy editor H.L. Gold. “The Alligator In The Sewer: Evidence Behind NYC’s Urban Legend”. The Wikipedia also devotes an article to “Sewer alligator” legends.

On a chilly day in 2010 I stood on the steps of City Hall to hold a press conference. Equipped with a proclamation from the Manhattan Borough President and an enlarged clipping from the NY Times, I was there to announce the First Annual Alligator in the Sewer Day, a pseudo-holiday I have been celebrating every year since.

Exactly 75 years earlier, on February 9th 1935, New York City’s greatest urban legend was born, and the NYT story, which ran the following day, proved that legend was true.

“Alligator Found in Uptown Sewer,” read the headline. The piece recounted how some East Harlem teens were shoveling snow down a storm sewer when one of them noticed movement below. He peered into the darkness and was stunned by what he saw. “Honest, it’s an alligator!” he proclaimed to his buddies….

(4) NO AHHHS ARC. Camestros Felapton provides the “Interim, spoiler-free, review of Doctor Who: Flux” you may not have known you needed.

… Overall, I think so far it has been pretty good. Like previous Chibnall seasons, there’s no stand-out 100% future-classic episode but he is leaning into his strengths. Those strengths include a good sense of the aesthetics of “good” Doctor Who episodes (but not the substance of it) and longer story arcs. Rehashing classic villains isn’t a great way of moving the series forward but Chibnall’s attempts at new ideas previously have largely fallen flat, so…I think I prefer him playing it safe….

(5) A WAY OUT. New Scientist’s Sally Adee reviews Charlie Jane Anders’ new collection in “Even Greater Mistakes review: Short sci-fi stories without the sexism”. The post ends:

… But as Anders shows us, we have choices in how to deal with these rigged systems. We can always throw the whole lot in the bin.

(6) VINDICATION. Vincent Czyz, reviewing a new edition, says “The jury’s in. The critics who agreed with an early assessment that 1975’s Dhalgren is a ‘literary landmark’ get to touch champagne flutes and congratulate one another,” in “Book Review: Samuel R. Delany’s ‘Dhalgren’ – A Critical War of Words” at The Arts Fuse.

“Very few suspect the existence of this city. It is as if not only the media but the laws of perspective themselves have redesigned knowledge and perception to pass it by. Rumor says there is practically no power here. Neither television cameras nor on-the-spot broadcasts function: that such a catastrophe as this should be opaque, and therefore dull, to the electric nation! It is a city of inner discordances and retinal distortions.” – Samuel R. Delany, Dhalgren

Dhalgren is a tragic failure,” howled science fiction heavyweight Harlan Ellison in his February 1975 review for the Los Angeles Times. “An unrelenting bore of a literary exercise afflicted with elephantiasis, anemia of ideas, and malnutrition of plot.”

“I have just read the very best ever to come out of the science fiction field,” countered Theodore Sturgeon, another SF heavyweight who, in my opinion, was a tad heavier. “Having experienced it, you will stand taller, understand more, and press your horizons back a little further away than you ever knew they could go.” Galaxy Magazine published his take on Dhalgren after Ellison weighed in.

Critic Darrell Schweitzer, writing for the fanzine Outworld (October 1975), threw in with Ellison, calling Dhalgren “shockingly bad.” “It is a dreary, dead book,” he went on to say, “about as devoid of content as any piece of writing can be and still have the words arranged in any coherent order.”

That seems a pretty definitive judgment, and yet forty-five years later Schweitzer repented: “I have to admit that Dhalgren seems well on its way to fulfilling the definition of ‘great literature’ I give here, i.e., that it means something different to readers and different points in their lives, and they keep coming back to it.”…

(7) MARCHING ON TURKEY DAY. Gothamist has a large gallery of photos from the “2021 Macy’s Thanksgiving Day Parade In NYC”. Here are two of them:

(8) LOVES A CHALLENGE. [Item by Martin Morse Wooster.]  In the Washington Post, Michael Cavna interviews Lin-Manuel Miranda, who wrote seven songs for the new Disney animated film Encanto and who will write new songs with Alan Menken for the live-action The Little Mermaid remake scheduled to be released in 2023. “’Encanto’’s Lin-Manuel Miranda has become a go-to songwriter for Disney”.

…But it was while working together on Disney’s 2016 animated hit “Moana” — which yielded Miranda’s Oscar-nominated “How Far I’ll Go” — that the composer vocalized an “I Want” wish to screenwriter Bush, who recalls: “He told me he wanted to write the definitive Latin American Disney musical.”

Soon the two were talking with Bush’s “Zootopia” collaborator and fellow brass musician Byron Howard,who would also become a writer-director on “Encanto” (as would Charise Castro Smith). They shared the experience of coming from large extended families. Out of that grew an “Encanto” story that spotlights a dozen main characters — “unheard of in Disney animation,” says Bush….

(9) PEDESTRIAN FACTS. MeTV wants you to know: “Here’s what’s on the ground in ‘The Jetsons’”.

…One of the most common misconceptions about The Jetsons is that the cartoon never shows the ground beneath Orbit City. The Jetson family lives in the Skypad Apartments. George works at Spacely Space Sprockets. Both cylindrical buildings project into the sky like birdhouses on long poles. It is a world of flying cars.

This optimistic vision of the 21st century often left viewers wondering — what is on the ground? Well, the answer is… hobos, walking birds, concrete and parks.

One of the best views of the surface level comes in the seventh episode, “The Flying Suit.” Remember, The Jetsons originally aired for a single season in 1962–63, as reruns kept it on Saturday mornings for years. Anyway, this particular episode revolves around W.C. Cogswell and Mr. Spacely both developing a red jumpsuit that allows people to fly. Meanwhile, Elroy had concocted pills that allow people to fly. A mix-up at the dry cleaners swaps the suits, and in the end, both companies think their flying suit is a dud. Besides, who wants to slip on a special unitard when you can just pop a pill? The episode closes with Cogswell tossing his X-1500 flying suit out the window, believing it to be worthless….

(10) SONDHEIM OBIT. Stephen Sondheim, whose works includes CompanyA Funny Thing Happened on the Way to the ForumSunday in the Park with GeorgeSweeney ToddFolliesInto the WoodsAssassins and lyrics for West Side Story and Gypsy, died November 26 at the age of 91. The New York Times obituary is here cites one of his lesser-known genre creations:

…Mr. Sondheim’s first professional show business job was not in the theater at all; through the agency representing Hammerstein, he was hired to write for a 1950s television comedy, “Topper,” about a fussbudget banker haunted by a pair of urbane ghosts. (Much later, Mr. Sondheim wrote a whodunit film script, “The Last of Sheila,” with the actor Anthony Perkins; it was produced in 1973 and directed by Herbert Ross.)

Sondheim coauthored this episode of the fantasy sitcom Topper in 1954 when he was 24.

(11) MEMORY LANE.

[By Cat Eldridge.]

1995 — Twenty-six years ago this evening, the writers of Deep Space Nine decided to riff off of James Bond with the “Our Man Bashir” episode. It was directed by Winrich Kolbe from a story that originated with a pitch from Assistant Script Coordinator Robert Gillan which was turned into a script by Producer Ronald D. Moore. 

Although the episode takes its title from Our Man Flint, a major inspiration for the story was the James Bond films. This obvious influence resulted in Metro-Goldwyn-Mayer complaining to Paramount about it as they had GoldenEye coming out. Though why they thought it would affect the success of the film is a mystery as it was the best Pierce Brosnan Bond film and the most successful of his films. 

It was well-received at the time and has not been visited by the Suck Fairy which I hold is true of the entire series. Charlie Jane Anders at io9 considers it one of goofiest Deep Space Nine episodes, and Keith DeCandido at Tor.com says “holy crap is it fun”.  The trailer is here.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 27, 1907 L. Sprague de Camp. The Tales from Gavagan’s Bar he wrote with Fletcher Pratt are my favorite works by him. Best novel by him? I’d say that’s Lest Darkness Fall. His only Hugo was awarded at LoneStarCon2 for Time & Chance: An Autobiography. He got voted into the First Fandom Hall of Fame Award, and he got World Fantasy Award for Lifetime Achievement. His very first Award was an IFA for Lands Beyond that he wrote with Willie Ley. (Died 2000.)
  • Born November 27, 1935 Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series.  Wiki has her producing an episode of Doctor Who called “A Happy Ending” in 2006 which it tuns out is one of this fannish productions notable for the presence of Susan, played by Carole Ann Ford, the daughter of the First Doctor.  (Died 2007.)
  • Born November 27, 1940 Bruce Lee. His only genre role was as Kato in The Green Hornet which to my utter surprise only lasted for twenty-six episodes between 1966 and 1967. He also appeared on Batman in three episodes, “The Spell of Tut”, “Batman’s Satisfaction”, and “A Piece of The Action”. Despite the various weird rumors, including Triad induced curses about his death, it was quite mundane. Donald Teare, an experienced forensic scientist who had been recommended by Scotland Yard was assigned to the Lee case. His conclusion was “death by misadventure” caused by cerebral edema due to a reaction to compounds present in the combination Equagesic medication. (Died 1973.)
  • Born November 27, 1951 Melinda Snodgrass, 70. She wrote several episodes of Next Gen while being the series’ story editor during its second and third seasons. She has also contributed produced scripts for the series Odyssey 5Outer Limits, Beyond Reality, and SeaQuest DSV. She’s contributed a lot of stories of the Wild Cards series of which she is co-editor, and I’m very fond of her Imperials Saga which is what that promo blurb referring to Bridgerton was about. 
  • Born November 27, 1957 Michael A. Stackpole, 64. Best known for his myriad Star Wars and BattleTech books, but I’m going to single him out for the excellent Once a Hero which was nominated for a Nebula, his Conan the Barbarian novel, and the two Crown Colonies novels.
  • Born November 27, 1961 Samantha Bond, 60. Best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years. She was also Mrs Wormwood in three episodes of The Sarah Jane Adventures, the spin-off of Doctor Who, and played Helga in Erik the Viking which written and directed by Terry Jones. 
  • Born November 27, 1963 Fisher Stevens, 58. He’s best remembered as Ben Jabituya in Short Circuit (and renamed Ben Jahveri in the sequel), Chuck Fishman on Early Edition, and Eugene “The Plague” Belford in Hackers. He’s also had roles on The HungerLostThe Mentalist, Medium and Elementary.
  • Born November 27, 1974 Jennifer O’Dell, 47. Her only meaningful role to date, genre or otherwise, has been that of Veronica on Sir Arthur Conan Doyle’s The Lost World but what a pulp heroine she made there . She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield and Dr. Laurie Williams on Vampire flick Slayer but nothing major to date.

(13) COMICS SECTION.

  • Bizarro  tells the story of Dorian Moneybags.

(14) MIYAZAKI RETURNING. “Studio Ghibli’s Hayao Miyazaki Comes Out Of Retirement For New Film”Deadline has the story.

Famed anime director Hayao Miyazaki revealed he is coming out of retirement once again to make a feature length animated film.

In an interview with the New York Times, Miyazaki didn’t give much detail about the film, but mentioned its based on Genzaburo Yoshino’s 1937 book How Do You Live? The story follows a teenage boy in Tokyo who moves in with his uncle after his father dies. The novel is reportedly one of the director’s favorites.

Miyazaki didn’t confirm if the film would have the same name as the book, but when asked why he was returning to direct the film, he simply answered “Because I wanted to.” Studio Ghibli co-founder and producer Toshio Suzuki described the new film as “fantasy on a grand scale.”…

(15) PURPLE PEOPLE. In the Washington Post, David Betancourt interviews Hailee Steinfeld, who plays Hawkeye’s sidekick Kate Bishop in Hawkeye but could play an increasingly important role in the MCU in the future. “Hailee Steinfeld of ‘Hawkeye’ could become the next big star of the Marvel universe”.

Hailee Steinfeld had no idea how much one color was about to take over her new superhero life.

Purple has become her second skin during the production and promotion of her highly anticipated series “Hawkeye.” Steinfeld kept seeing the color splashed across the “thousands” of pages she read of the Hawkeye comics, which she enjoyed so much she keeps them on display at her home. Both her character, Kate Bishop, and Clint Barton, played by Jeremy Renner, have purple suits — and it was obvious her chats with the wardrobe department on “Hawkeye” would have a singular focus.

“It’s so funny because, I of course obviously knew about the purple walking into this … but I guess maybe I didn’t. Because it has become my world,” Steinfeld told The Washington Post. “But I’m not mad about it. I do love the color purple.”…

(16) TO PROMOTE PRINT SALES. “Solana Beach Art Gallery to Host Dr. Seuss Art Collection” says Times of San Diego.

Exclusive Collections in Solana Beach announced this week it will host a private collection of artwork by beloved author Theodor Seuss Geisel, also known as Dr. Seuss.

Virtually unknown to the general public, the art collection features paintings and sculptures created by the famous children’s author.

Organizers described the work as “a mind-expanding collection based on decades of artwork, which Dr. Seuss created at night for his own personal pleasure.”

(17) CAVE LIBRUM. In the Washington Post, Alexandra Petri says we probably ought to ban all books, because books are dangerous! “School boards should ban all books. They’re just too dangerous.”

… Books follow you home and pry open your head and rearrange the things inside. They make you feel things, sometimes, hope and grief and shame and confusion; they tell you that you’re not alone, or that you are, that you shouldn’t feel ashamed, or that you should; replace your answers with questions or questions with answers. This feels dangerous to do, a strange operation to perform on yourself, especially late at night when everyone else in the house is sleeping….

(18) ANTIQ-TOCK-QUITY. “Surveillance, Companionship, and Entertainment: The Ancient History of Intelligent Machines” at The MIT Press Reader.

Robots have histories that extend far back into the past. Artificial servants, autonomous killing machines, surveillance systems, and sex robots all find expression from the human imagination in works and contexts beyond Ovid (43 BCE to 17 CE) and the story of Pygmalion in cultures across Eurasia and North Africa. This long history of our human-machine relationships also reminds us that our aspirations, fears, and fantasies about emergent technologies are not new, even as the circumstances in which they appear differ widely. Situating these objects, and the desires that create them, within deeper and broader contexts of time and space reveals continuities and divergences that, in turn, provide opportunities to critique and question contemporary ideas and desires about robots and artificial intelligence (AI)….

(19) STAR WARS NEWS. Disney dropped the trailer for their Boba Fett series today: “The Book of Boba Fett”.

“The Book of Boba Fett,” a thrilling Star Wars adventure teased in a surprise end-credit sequence following the Season 2 finale of “The Mandalorian,” finds legendary bounty hunter Boba Fett and mercenary Fennec Shand navigating the galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Alan Baumler, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/30/21 We’ve Replaced Their Files With Scroller’s Pixels. Let’s See If Anyone Notices

(1) CLARION WEST OCTOBER CLASSES. Clarion West is offering three more months of classes. See the full schedule here. Below are the October offerings — click the links for tuition cost and to register.

This class will discuss the history and traditions of the genre, give tips on how to update those traditions in your writing while maintaining a timeless tone, and provide suggestions on creating a modern Southern Gothic atmosphere in your writing. Students will gain a clearer understanding of the genre and its archetypes, as well as be given tools to more readily generate ideas on how to incorporate recognizable traditions of the genre into modern work.

This class is geared toward writers of long and short speculative fiction. As this is a course focusing on genre, it can be relevant to beginning, intermediate, or advanced writers unfamiliar with Southern Gothic and/or desirous of learning how to bring this genre up to date.

The Afro-Surreal is a storytelling approach allowing creators to examine Black contemporary life much more concisely than a traditional literary narrative by permitting that which is physically impossible or defies explanation. Despite Black-centered horror going mainstream, we have yet to see Afro-Surrealism incorporated widely to amplify aspects of psychological horror, weird fiction, traditional supernatural narratives, or splatterpunk. This workshop will define what constitutes Afro-Surrealism, which horror works have successfully employed it, and how to incorporate Afro-Surrealism in your writing while maintaining your own voice. Key aspects of plot, characterization, and action will be discussed, including: the overlap between the Afro-Surreal and the supernatural, dialogue and the disconnect between how marginalized and privileged people experience an interaction, the unreality of action since facts are frequently suppressed or denied when it comes to the Black experience.

Beginning, intermediate, and advanced authors can use this workshop to refine existing drafts or craft new material for future projects. Students will come away from the workshop equipped to adapt techniques developed by surrealists of the African diaspora for communicating bizarre, unreal experiences in their own horror-centric work.

Voice, Dialogue, and Characterization

Many non-Native writers are reticent to develop Native characters, but leaving out Indigenous characters is not an option, especially when writing science fiction, because it makes assumptions about the future. In the book Writing the Other, Nisi Shawl and Cynthia Ward give practical advice for how to write characters whose backgrounds differ from one’s own. One of their most pertinent pieces of advice is to build relationships with people from those backgrounds. A good start to building a relationship with Indigenous folks is to study their texts.

In this three-hour class, we will discuss several Indigenous futurist texts with Indigenous characters in order to learn how to diversify our science fiction (or otherwise-genred) story in a good way.

Attendees will be provided with readings for class. Writing exercises and prompts will also be provided.

This class is geared toward beginning writers.

Creatives, writers especially, are entirely too familiar with burnout, even before 2020. Trying to get your work published, let alone make a living as an author, requires a volume of effort that can be crushing. 

In this workshop, we’ll focus on regaining a sense of joy and delight in your writing, and generating ideas, characters, and settings that keep your joy front and center as you continue your journey.

How can we make the familiar scary? The aesthetics of a contemporary urban city doesn’t quite have the spine-chilling factor of an ancient village shrouded in fog, but that doesn’t mean there can’t be plenty of scares in everyday life.

In this class, attendees explore how to design new tools to build horror written in contemporary settings that take us beyond expected traditional tropes. Five excerpts from five works of horror fiction, period and contemporary, ranging from Bulgakov’s The Master and Margarita to N.K. Jemisin’s The City We Became, will be analyzed and discussed, with the ultimate goal of understanding how these examples have gone against the grain in horror to create an original approach to a classic field. Based on these examples, students will propose their own premises and approaches to a non-traditional horror story or novel. In the second session, we will workshop those ideas, flesh them out, and exchange suggestions for improvement. Then students will write excerpts of their own premises. In the third session, we all evaluate how effective each excerpt is and how it can be improved.

How many words does it take to create true fear? There are many genres of horror that can exist in little spaces. In this workshop, attendees will learn how to create short and scary stories within the confines of micro and flash fiction (100-1,000 words). We’ll study the similarities between comedy and horror in terms of timing, expectation, and subversion. We’ll learn about wildcard characters, invented worlds, and pacing strategies to set up suspense. Throughout the workshop, we’ll stay close to character and keep an eye on how turning points and climaxes are related to the specificity of voice, desire, and fear. By the end of this workshop, participants will have the beginnings of several new horror flash pieces based on in-class writing prompts, a worksheet for outlining a short horror piece, and resources and recommendations for further reading. 

If you’ve ever wanted to include the Tarot in your novel or short story without looking like a Fool, this class will teach you how to avoid common divinatory pitfalls. Learn why an all-Majors spread is statistically unlikely (and laughably overused), the basics behind each suit’s themes, and why the Eight of Swords can be scarier than Death itself!

Alternatively, if you just want to use the Tarot to help you get unblocked in your own writing, this class can provide tips and tricks for that too. Tarot can also be used as a tool to help clarify plot arcs and themes in your writing. Iori and Vida will discuss finding (and breaking in!) the right deck, interpretation tips, and useful spreads and layouts. 

(2) INSPIRED MUSIC. And on October 9, the Bushwick Book Club Seattle presents original music inspired by Nnedi Okorafor’s Akata Witch. This will be a hybrid in-person and livestreamed event. Get tickets here.

An evening of musicians and artists premiering new, original works inspired by the written word.

Story: For Sunny, twelve years old and albino, her arrival in Nigeria from America was shocking enough—until she discovers herself smack in the middle of a world of indescribable magic.
Themes: Self-discovery, friendship, tradition
Heads-up: Killer on the loose, racism (more at Book Trigger Warnings / Trigger Warning database)

(3) RITE GUD. Raquel S. Benedict’s Rite Gud podcast discusses “Tragedy of the Creative Commons: Superheroes and Modern Mythology” in a new installment that dropped today.

Whenever a critic complains about the ubiquity or the creative emptiness of superhero narratives in contemporary pop culture, fans argue back that mass entertainment is just the modern incarnation of our rich cultural heritage: superheroes are mythology, and fandom is folklore. Is this true, or is this a way to flatten the complexities of traditional art while giving commercial media a spiritual significance it does not deserve?

Karlo Yeager Rodríguez joins us.

(4) LEFT BANK LOGROLLING. The New York Times covers a French literary kerfuffle: “In Paris, It’s Literary Scandal Season Again”.

The sidewalks of Paris were already strewn with fallen chestnuts by the time the literary season’s first scandal finally broke.

Most Septembers, as French publishers release their most promising books and start jockeying for prizes, the world of letters is engulfed in the Left Bank’s version of the Ultimate Fighting Championship.

This season had been unfolding smoothly — unnaturally, impossibly so, some literary observers quipped — until trouble hit the one big French literary prize known for its probity: the Goncourt, the 118-year-old standard-bearer of the French novel, whose laureates include Marcel Proust, Simone de Beauvoir and Marguerite Duras.

Things started when the Goncourt’s 10 jurors gathered this month, over a lunch of roast duckling with cherries and bottles of Château Maucaillou 2015, to come up with their long list of contenders. The author of one book up for consideration happened to be the romantic partner of one of the jurors, Camille Laurens, a novelist and book reviewer at Le Monde. In fact, the book was dedicated to a certain “C.L.”

Other French prizes are also known for their jurors’ conflicts of interest.

…At the Renaudot and other big prizes, jurors openly lobby for books in which they have a personal or professional stake. Some judges are also editors at big publishing houses and advocate titles by their employers — or books they have themselves edited.

Before the changes at the Goncourt, it, too, was referred to by some critics as “the Goncourt mafia,” recalled the jury’s current president, Didier Decoin, who has been a juror since 1995.

(5) WRITING PROMO COPY. At Dream Foundry, Catherine Lundoff advises about “Words that Sell: Writing Marketing Copy for Your Novel”.

…Some day, when we can have book tables at conventions again, it’s very helpful to watch people when they pick up your books and read the back. That reaction can be magical or disappointing, but either way, it tells you when your copy grabs someone’s attention. In the meantime, look at your reviews, particularly the ones from readers. If they are consistently “expecting something else,” that may be a sign to review your marketing copy and ask writer friends to help you vet it.…

(6) THEY TURNED DOWN THE VOLUMES. The Pew Research Center can tell you “Who doesn’t read books in America?”

Roughly a quarter of American adults (23%) say they haven’t read a book in whole or in part in the past year, whether in print, electronic or audio form, according to a Pew Research Center survey of U.S. adults conducted Jan. 25-Feb. 8, 2021. Who are these non-book readers?

Several demographic traits are linked with not reading books, according to the survey. For instance, adults with a high school diploma or less are far more likely than those with a bachelor’s or advanced degree to report not reading books in any format in the past year (39% vs. 11%). Adults with lower levels of educational attainment are also among the least likely to own smartphones, an increasingly common way for adults to read e-books….

More statistical cross-sections at the link.

(7) TOMMY KIRK (1941-2021). Best known as a young Disney star, actor Tommy Kirk died September 28 at the age of 79. His first venture for Disney was in the Mickey Mouse Club’s genre-adjacent serial The Hardy Boys: The Mystery of the Applegate Treasure, and the studio later cast him in numerous sort-of-genre productions like The Shaggy Dog, Son of Flubber, The Absent Minded ProfessorBabes in ToylandMoon PilotThe Misadventures of Merlin Jones and The Monkey’s Uncle. He was also in several Sixties beach party movies, a couple of them sf-tinged — playing a Martian in the 1964 feature film Pajama Party, and in The Ghost in the Invisible Bikini. His other sff roles included the campy Village of the Giants, and Mars Needs Women. Late in his career he appeared in Attack of the 60 Foot Centerfold (1995), Billy Frankenstein (1998) and The Education of a Vampire (2001).

(8) MEDIA BIRTHDAY.

1988 – Thirty-three years ago on this date, Elvira, Mistress of the Dark premiered. It was directed by James Signorelli from a script by Sam Egan, John Paragon, and of course Cassandra Peterson who is as you know the person behind the impressive facade of Elvira, Mistress of the Dark. She’s really the only cast that matters here as this is Her Vehicle.  Critics liked it with one saying that it was “Campy, witty and always eager to push the bawdy limits of a PG-13 rating”. 

Unfortunately for Elvira, Mistress of the Dark at the box office the distributor went dramatically out of business without warning the day before it came out, so it would only ever appear on five hundred screens instead of the twenty-five hundred that was intended, so it ended up losing a lot of money despite only costing seven-and-a-half million to produce. (Her costume might be the most expensive thing in the film.) Audience reviewers at Rotten Tomatoes give it an excellent sixty-five percent rating.  

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 30, 1932 — Antoinette Bower, 89. I’ll start off with her being Sylvia in the classic Trek episode of “Catspaw” written by Robert Bloch. She had a previous genre appearance in a Twilight Zone story, “Probe 7, Over and Out” in which she was Eva Nord. It’s a shaggy God story as so termed by Brian Aldiss. She also had one-offs in The Man from U.N.C.L.E.The Wild Wild WestMission: ImpossibleGet Smart and The Six Million Dollar Man.
  • Born September 30, 1946 — Dan O’Bannon. Screenwriter, director, visual effects supervisor, and  actor. He wrote the Alien script, directed The Return of the Living Dead, provided special computer effects on Star Wars, was writer of two segments of Heavy MetalSoft Landing and B-17, co-writer with Ronald Shusett and  Gary Goldman of the first Total Recall. That’s not complete listing by any stretch! (Died 2009.)
  • Born September 30, 1950 — Laura Esquivel, 71. Mexican author of Como agua para chocolateLike Water for Chocolate in English. Magical realism and cooking with more than a small soupçon of eroticism. Seriously the film is amazing as is the book. ISFDB says she’s also written La ley del amor (The Law of Love) which I’ve not read. 
  • Born September 30, 1951 — Simon Hawke, 70. Author of the quite superb Wizard of 4th Street series as Well as the TimeWars series.He has written Battlestar GalacticaTrekFriday the 13th, Predator and Dungeons & Dragons novels as well as the genre adjacent Shakespeare & Smythe mysteries which bear titles such as Much Ado About Murder
  • Born September 30, 1959 — Debrah Farentino, 62. She’s was in the cast of Earth 2 (never saw it — how was it?) and the recurring character of Dr. Beverly Barlowe on Eureka (superb, her character and the series). She was also in Son of the Pink Panther, Baker Street: Sherlock Holmes Returns, and the “Mind Over Matter” episode of Outer Limits. 
  • Born September 30, 1960 — Nicola Griffith, 61. Editor with Stephen Pagel of the genre gender anthologies, Bending the Landscape: Science Fiction and Bending the Landscape: Fantasy (World Fantasy Award and Lambda winner) and Bending the Landscape: HorrorAmmonite won both the Lambda and Otherwise Awards. She also garnered a Lambda and a Nebula for the most excellent Slow River. All of her novels are available from the usual digital suspects. 
  • Born September 30, 1972 — Sheree Renée Thomas, 49. Writer, Shotgun Lullabies: Stories & Poems and Sleeping Under the Tree of Life; Editor, Dark Matter: A Century of Speculative Fiction from the African Diaspora which won a World Fantasy Award, and Dark Matter: Reading the Bones which also won a World Fantasy Award. She’s also written a variety of poems and essays including “Dear Octavia, Octavia E. Butler, Ms. Butler, Mother of Changes”. In 2020, Thomas was named editor of The Magazine of Fantasy & Science Fiction.

(10) COMICS SECTION.

  • Half Full proves no matter where you go there’s no escaping the spam.

(11) GUESSING WHO. Radio Times speculates about “Who will be the next Doctor Who after Jodie Whittaker?”.

At the moment there’s not much to go on, and the BBC have only said the decision will be revealed “in due course” – but, based on a few of the names swirling about, our own theories about how the next Doctor would be chosen and recommendations from RadioTimes.com staff, here are a few of our picks for the Fourteenth Doctor.

Spoiler alert: we are almost certainly wrong. But if we’re right, well, you heard (or read) it here first….

Meanwhile, “Billie Piper hints at possible Doctor Who return”.

The I Hate Suzie star, who played the Ninth and Tenth Doctor’s companion Rose Tyler from 2005 until 2008, said in a recent Cameo video that she would consider reprising the iconic role if the moment was right.

“Would I ever go back? I think if the circumstances and the story were right,” she said. “I feel like I’ve had enough time away from it to really, really want back in on it.

“I feel like my kids are are at a good age and may appreciate that too, which is often my incentive to do anything.”…

And Radio Times’ Paul Kirkley adds his own evidence-free guesses about “What to expect from Russell T Davies’ return”.

…Will it be easy, this gear shift? Not for a second. Firstly, anyone who thinks this is going to mean a return to regular Saturday night audiences of eight million (faithful) viewers is probably deluding themselves; that world no longer exists. Sure, the likes of Line of Duty and Vigil may have proved that reports of linear TV’s death continue to be exaggerated, but Doctor Who relies on continually refreshing its audience with a new generation of younger viewers. And, as Ofcom has warned, the traditional broadcasters are currently staring down the barrel of a “lost generation” who, lured away by sexy young buzz brands like Netflix, Disney Plus and YouTube, increasingly view the BBC as that funny old thing your nan watches in the afternoons. (BBC One’s average viewing age, lest we forget, is 61.)

… If, as hinted, Russell does want to expand the Doctor Who “empire”, what sort of expanded portfolio might we reasonably expect? The short answer: haven’t got a Scooby. But has that stopped you starting to build your own fantasy Doctor Who Cinematic Universe in your head? Of course it hasn’t.

So what’s on your bingo card? How about an anthology series featuring one-shot appearances from former – possibly unseen – Doctors? (Hugh Grant as a pre-Hartnell Doctor, anyone?) A stylish period spy-fi drama about the early years of UNIT? Jo Martin’s Fugitive Doctor versus The Division? A Dalek cartoon for the kids? The Humker and Tandrell Adventures…?

Will Russell be dusting off his proposal for Rose Tyler: Earth Defender? Is Torchwood coming back? (Er, probably not.) And will they please, for the love of the mighty Jagrafess of the Holy Hadrojassic Maxarodenfoe, just give us something – anything – with Paul McGann in?

(12) PRODUCT PLACEMENT IN PRATCHETT. [Item by Meredith.] This is old (a 2011 post) but it’s so incredible I thought it might still deserve a spot in the Scroll: Terry Pratchett changes his German publisher because they inserted a soup advert into the text of one of his novels. “Terry Pratchett and the Maggi Soup Adverts” at Stuffed Crocodile.

…Fans of course got used to it, if it gave them access to the books, why not? But it became more and more grating the more genre literature was accepted into mainstream.

And then you actually had a bestseller author like Pratchett jump ship and go to the direct contender (Goldmann), just because one of these stupid stunts. I wonder how that actually was taken by the Heyne CEOs. Back then Pratchett was at the verge of becoming a star in Germany as well, so they lost him just when he was getting big….

There’s a scan of an ad in the post, too.

Diane Duane also wrote a post (with scans) on her blog in 2015: “What’s the Rihannsu for ‘soup’?” at Out of Ambit.

If the above (and below) images look a little bizarre, well, they should. They’re from long-ago German editions of My Enemy, My Ally and The Romulan Way into which the publisher inserted soup ads.

(13) NANO BUNDLE. StoryBundle is offering a 2021 NaNoWriMo Writing Tools Bundle, curated by Kevin J. Anderson.

Each year, as countless determined writers, both aspiring and professional, look at November as National Novel Writing Month, or NaNoWriMo, we put together a grab back of helpful books that cover all aspects of writing, from craft, to business, to indie publishing, to marketing. This year is no exception.

Presenting a world-class StoryBundle of 16 books that will help you up your game as a writer. Plus, if you meet the bonus price, you can also get discount coupon codes for the ebook editing apps Jutoh 3 and Jutoh 3 Plus!

(14) IT’S A THEORY. Did social media clamoring for actress Lucy Lawless to be cast backfire? “Lucy Lawless Says ‘Mandalorian’ Fan Campaign to Replace Gina Carano Hurt Chances of ‘Star Wars’ Gig” at Yahoo!.

…Lawless revealed to Metro that she was actually circling a different “Star Wars”-adjacent role at the time of Carano’s firing, and she said the fans urging for her “Mandalorian” casting might’ve cost her a trip to a galaxy far, far away.

“Well to be honest with you, I was already in discussions about something on — it wasn’t ‘The Mandalorian’ — something Star Wars-affiliated,’ Lawless said. “[The fan campaign] might have hurt me in some way, because then [Lucasfilm] couldn’t hire me because it would seem to be pandering to…I’m just guessing here, I don’t know anything, but in some ways, it can be unhelpful, because if they pander to this fan group, then how are you going to pander to every other fan group, do you know what I mean?”…

(15) OCTOTHORPE. The Octothorpe podcast team, John Coxon, Alison Scott, and Liz Batty, say about episode 41: “We recorded this before Fantasycon, but that didn’t stop us talking about it a whole bunch. We also talk about Novacon’s COVID policy, discuss the Ignyte Awards and do picks.”  “Leaves the Beans In”.

(16) ICE CUBE ROOTER. The New York Times knows “Where NASA Will Send Its First Robotic Moon Rover to Search for Ice”.

NASA has been planning for years to send a robotic rover to the moon’s polar regions. Water ice trapped at the bottoms of craters there could be a boon to future visiting astronauts, providing water to drink, air to breathe and rocket fuel to propel them back to Earth or even farther out into the solar system.

Now, NASA has identified the crater that the rover — the Volatiles Investigating Polar Exploration Rover, or VIPER — will spend about 100 days exploring when it arrives in a couple of years.

VIPER will land near the moon’s south pole, at the western edge of the 45-mile-wide Nobile crater, which formed when something hit the moon. Near the poles, the sun is low on the horizon and the bottoms of craters, lying in permanent shadows, are among the coldest places in the solar system….

(17) BEYOND GOOSEBUMPS. SYFY Wire promotes the trailer for a new series based on R.L. Stine’s YA comic: “Just Beyond on Disney+ drops first spooky trailer for R.L. Stine series”.

Just Beyond. Based on the BOOM! Studios YA comic of the same name (written by Goosebumps and Fear Street creator, R.L. Stine), the eight-episode anthology heads for Disney+ in October. 

The official press release teases a collection of “astonishing and thought-provoking stories” about witches, aliens, ghosts, parallel dimensions, and more. Each episode will feature an entirely new cast of characters “who must go on a surprising journey of self-discovery in a supernatural world.” 

Seth Grahame-Smith (author of Abraham Lincoln: Vampire Hunter and one of the writers behind HBO Max’s upcoming Green Lantern series) serves as writer, executive producer, and showrunner….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: WarioWare: Get It together!” Fandom Games says this new extension of the Warioware franchise features snappy little games with characters named 5-Volt, 9-Volt, and 12-Volt and in the next edition they’ll  “eliminate the middleman,” and is a snack-size alternative to watching TikTok videos of men punching themselves over and over.

[Thanks to Andrew Porter, John King Tarpinian, Michael Toman, Meredith, R.S. Benedict, Mike Kennedy, Martin Morse Wooster, JJ, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 3/29/20 Look Around You… Can You Fashion Some Sort Of Rudimentary Lathe Of Heaven?

(1) IF YOU CAN’T DO THE TIME. Steven James “op-ed from the future” for the New York Times, “Criminals Should Serve Their Sentences Psychologically”, explains how that would work. (It’s part of a series in which sff authors and others write Op-Eds that “they imagine we might read five, 10, 50 or even 200 years from now.”)

…It’s time that we stop allowing our justice system to hand out sentences that we know a person cannot possibly serve. Imagine spending two thousand years in solitary confinement. That’s what we’re currently sentencing people to — we just don’t expect the prisoner to be alive to serve it. It has been argued that we should sentence someone for each crime committed (hence the 50-year sentences for every murder) to ensure that all victims’ families receive justice. I agree. The victims and their families deserve to see justice carried out. But these meaninglessly long sentences aren’t justice — they’re a mockery of it.

Yes, those who commit such abhorrent crimes deserve to be punished. And yes, they deserve to serve the entire sentences that they’re given. Otherwise, our criminal justice system would either be giving perpetrators prison terms that no one intends them to serve or sentences that could only be completed if they lived for thousands of years — neither of which is a rational pursuit of justice. We know that a person cannot live for dozens or hundreds of lifetimes, but what if they could perceive themselves to have lived that long? What if they could have the perception that thousands of years have passed?

(2) DONALDSON REDISCOVERED. What Adam Roberts thinks about “Stephen Donaldson, “The War Within” (2019)”, at Sibilant Fricative (found via Ansible Links.)

…The selling point of Lord Foul’s Bane, back in the day, was the way it elaborated a charming, hippyish Tolkienian fantasy realm (called ‘The Land’) only to flag-up horriblenesses of a kind Tolkien would never countenance—for example, Thomas Covenant, leperous visitor from our world and the series protagonist, starts his sojourn in The Land by raping someone. It was the first intimation of what was to become Grimdark, I suppose, although it would presumably read as thin stuff to today’s more committed and Sadean Grimdarkster.

The other notable thing about Donaldson was his prose, what David Langford somewhere calls his ‘knurred and argute vocabulary’, an attempt to elevate the idiom of Fantasy that crashes precipitously into the ceiling of the Ludicrous: ‘they were featureless and telic, like lambent gangrene. They looked horribly like children’ [White Gold Wielder] and the like.

…Now, though, Donaldson has stepped back from such gaudier excesses of style. Both volumes of his new Fantasy series, The Great God’s War [Seventh Decimate (2017) and The War Within (2019)] are written in a markedly plainer prose, a gambit in which the advantage of not being actively fucking ridiculous must be balanced against the disadvantage of positive dullness. Swings, we might say, and roundabouts, although in this instance there are rather more roundabouts than swings.

(3) TWO TO TWAIN UP. I linked to Lionel’s Star Trek train in January, but courtesy of Andrew Porter here’s a much better set of images to show what makes them entertaining.

This year, Lionel wanted to Boldly Go Where No One Has Gone Before” and offer an out-of-this-world line of iconic Star Trek offerings! Whether you are a lifetime Star Trek fan, or new to the fandom, our Star Trek LionChief Set and add on cars are sure to be some of the most classic pieces on your layout. Let your true Star Trek heart “Live Long and Prosper,” and don’t miss out on these amazing offerings.

(4) RECAP. [Item by Daniel Dern.] The Magicians S5E12: “Fillory’s Extraordinary Playlist” aired March 25 on Syfy.

(Actual title, “The Balls”) Not the final-final episode quite yet – this is the penultimate, with the season and series finale scheduled for April 1, 2020 — but this is the last musical episode. In this episode, as an unintended/unexpected side-effect of a group communications spell to aid in planning a heist, the gang periodically “goes full Glee,” with (unlike in Zoe’s Extraordinary Playlist) all the under-the-influencers aware of what’s going on.

I’m only partway (and one musical number) into the episode so far, FWIW.

(5) ONE FIRST AFTER ANOTHER. Here’s video of Joe Siclari’s conversation with legendary First Fandom Hall of Famer Bob Madle at Philcon in 2013, via Fanac.org.

A science fiction reader and fan since the early 1930s, Bob Madle has been a part of the SF field for almost 90 years. He has done it all – he’s pubbed his ish, worked on conventions, been a TAFF fan fund winner, a worldcon Fan Guest of Honor, and one of the best known book dealers in science fiction. His encyclopedic command of the field is legendary. Bob is the one that named the Hugos (and he talks here about how the awards came to be). In this 2013 interview by fan historian Joe Siclari, Bob talks about it all, from his first entry into fandom to his experiences across the years.

(6) PENDERECKI OBIT. Polish composer Krzysztof Penderecki, whose original instrumental music was used in such genre films as The Exorcist and The Shining, has died at the age of 86. The Syfy WIRE tribute promises, “Even if his name doesn’t sound all that familiar, you’ve almost certainly heard his work in a famous movie before.”

(7) TODAY IN HISTORY.

  • March 29, 1968 Star Trek’s “Assignment: Earth” first aired as part of the second season. Guest starring Robert Lansing as Gary Seven and Terri Garr as Roberta Lincoln, our crew which has time-travelled to 1968 Earth for historical research encounters an interstellar agent and Isis, his cat, who are planning to intervene in Earth history. It was intended as a pilot for an Assignment: Earth series but that never happened. Interesting note: The uncredited human form of Isis was portrayed by actress, dancer, and contortionist April Tatro, not Victoria Vetri, actress (in Rosemary’s Baby under the name of Angela Dorian) and Playboy Playmate of the previous year, as would become part of Trek lore.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 29, 1930 John Astin, 90. He is best-known for playing as Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like to single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode. 
  • Born March 29, 1938 Barry Jackson. I’ve been good, with not a Doctor Who performer in several days, so now you’ll  get one. Or maybe several if I’m feeling generous. He appeared in the series during the time of the First Doctor, in “The Romans” and in “Mission to the Unknown” which served as a prelude to “The Daleks’ Master Plan”. He would also played Drax, a school pal of the Doctor, in the Fourth Doctor story, “The Armageddon Factor.“ (Died 2013.)
  • Born March 29, 1943 Eric Idle, 77. Monty Python is genre, isn’t it? If not, I know that The Adventures of Baron MunchausenYellowbeardMonty Python and the Holy GrailQuest for CamelotShrek the Third and Nearly Departed, an updated version of Topper, which he all hand in certainly are. And it turns out he’s written a witty SF novel, The Road to Mars: A Post-Modern Novel, which involves an Android, comedy and interplanetary travel.
  • Born March 29, 1947 Patricia Anthony. Flanders is one damn scary novel. A ghost story set in WW I it spooked me for nights after I read it and I don’t spook easily. Highly recommended.  James Cameron purchased the movie rights to her Brother Termite novel and John Sayles wrote a script, but the movie has not been produced. (Died 2013.)
  • Born March 29, 1950 Robbie Coltrane, 70. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in  GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film.
  • Born March 29, 1955 Marina Sirtis, 65. Counselor Deanna Troi in the Trekverse. Waxwork II: Lost in Time as Gloria is her true genre film role followed shortly by a one-off on the The Return of Sherlock Holmes series as Lucrezia. And then there’s her mid Nineties voice acting as Demona on Gargoyles, possibly her best role to date. Skipping some one-offs on various genre series, her most recent appearance was on Picard where she and Riker are happily married.
  • Born March 29, 1956 Mary Gentle, 64. Her trilogy of Rats and GargoylesThe Architecture of Desire and Left to His Own Devices is a stunning work of alternate history with magic replacing science. I also highly recommend her Grunts! novel. Gamers particularly will love it. She has a cyberpunk novel, Left To His Own Devices, but I’ve not read it. Who here has read it? 
  • Born March 29, 1957 Elizabeth Hand, 63. Not even going to attempt to summarize her brilliant career. I will say that my fav works by her are Wylding HallIllyria and Mortal Love. We did do an entire edition at Green Man on her and I need to update it to the present site. It’s got a neat conversation with her on what her favorite foods are. 
  • Born March 29, 1957 Yolande Palfrey. Yes, another Doctor Who performer. She was Janet in “Terror of the Vervoids”, a Sixth Doctor story. She was also in Dragonslayer as one of its victims, She was Veton in the “Pressure Point” episode of Blake’s 7 and she shows as Ellie on The Ghosts of Motley Hall series. She died far too young of a brain tumor. (Died 2011.)
  • Born March 29, 1968 Lucy Lawless, 52. Xena in Xena: Warrior Princess and Hercules: The Legendary Journeys, Cylon model Number Three D’Anna Biers on that Battlestar Galactica series. She also played Countess Palatine Ingrid von Marburg, the last of a line of Germanic witches on the Salem series. Her most recent genre role as Ruby Knowby, one of the Dark Ones, on the Ash vs Evil Dead series. Though not genre, she was Lucretia in Spartacus: Blood and Sand, its prequel Spartacus: Gods of the Arena and its sequel Spartacus: Vengeance. Let’s just say that her acting may not have been why folks watched those latter series to see her. 

(9) THINKING ABOUT OUR FRIEND, MICHAEL J. WALSH. [Item by Martin Morse Wooster.] A character in the episode of The Frankie Drake Mysteries I saw yesterday was named “Michael Walsh.”  In the episode, first broadcast in Canada in 2018. Walsh was an authenticator at the Field Museum who was sent to Toronto to verify a rare piece of Incan pottery, except he was killed and someone pretending to be Walsh was going to show up and replace the real piece of pottery with a fake.

Such lines as “Michael Walsh is running the con” reminded me that renowned Baltimore fan Michael Walsh has chaired Worldcons and World Fantasy Cons.  My favorite line was “I want you to know that Michael Walsh is tucked away at the Bethany Funeral Home.”

(10) FROM NANO TO STAYHO. “StayHomeWriMo Rallies Writers”Poets & Writers has the link.

Writers around the globe are gathering—virtually—to raise their spirits and keep creating through an initiative called StayHomeWriMo. Sponsored by National Novel Writing Month (NaNoWriMo), the organizers of the annual November write-a-thon in which authors pen a novel draft in a month, StayHomeWriMo invites writers to find comfort in their creativity and stay inside while the battle with COVID-19 continues.

The initiative launched on March 23 and will run “as long as it’s relevant,” says National Novel Writing Month’s executive director, Grant Faulkner. Each day writers can participate by visiting the StayHomeWriMo website or its social media channels for a daily checklist of four activities.

(11) STAY IN TOUCH. Essence of Wonder with Gadi Evron has a mission: “In these times of Covid-19 isolation we create online live sessions to explore interesting topics with interesting people.” Read descriptions and participant lists of planned offerings here.

(12) FREE MONTH-OF-STREAMING ACCESSES UPDATE. [Item by Daniel Dern.] A growing number of channels/streaming sites are offering free shows or months. Here’s key info from The Boston Globe’s TV Critic Corner, “Free trials give you access to TV’s best, updated March 25, 2020)” (March 26, 2020 in the paper edition)

Some of this info and offers may not necessarily be new. (It’s a paywalled site, so I’m conveying the essential info)

Note: Probably they all require you to create and account and provide a credit card number. Based on pre-C experiences, I suggest that if you don’t plan to continue a subscription, do the cancellation by the end of Week 3, to allow the site’s processing time to digest your “thanks but don’t start charging me.”

Consider doing the cancel like a day after you sign up (but read the rules first). For example, according to The Verge, “CBS also allows you to cancel the plan immediately and still use the entire month…To do that, head over to the CBS All Access account page, scroll down to the ‘Subscription’ line of the ‘Subscription & Billing’ section, and hit ‘Cancel Subscription.'”

I’m including some of my own what-to-watch suggestions. (My apologies if I mis-remember what’s where.)

  • Netflix: Lost In Space.
  • Amazon: Bosch (from Michael Connolly’s books). The Marvelous Mrs Maisel. Glow. The Boys. The Expanse.
  • CBS All Access (Free access through April 23, if I understand correctly, use “GIFT”, see https://t.co/i2IfFQN3I8 for more.) Star Trek: Picard. Star Trek: Discovery. The Good Fight (all 3 seasons) and more.
  • ACORN TV (Code FREE30): Murdoch Mysteries. Miss Fisher Mysteries (including the just-released Miss F movie.)
  • AMC’s Shudder (Code “SHUTIN” — scary and horror stuff, apparently.

(13) BEWARE PICARD SPOILERS. Interesting posts abound analyzing the conclusion of Picard’s first season. It’s possible that even quoting their headlines is too much – so YOU ARE WARNED!

(14) STAR TREK REVIVAL. This video should be safer – surely you’ve seen all these movies by now. (Or if you haven’t, won’t give a hoot.) “The Story of Star Trek’s Miraculous Resurrection – Movies with Mikey.”

Stardate 47634.44- Mikey discusses the resurrection of Star Trek after the cancellation of TOS, and examines all 6 of the original films.

(15) ‘BOY BRADBURY. Those who didn’t read Playboy for the articles may have missed these:

https://twitter.com/OptimisticPaint/status/1244039964347621376

(16) AUCTION BLOCKAGE? Will the epidemic dampen interest in Profiles in History’s “The Alex Raymond Flash Gordon Auction”? The Hollywood Reporter questioned Profiles CEO Joe Maddalena, who says they’re moving into “uncharted territory.” “‘Flash Gordon’ Comic Strip Auction to Test Collectors Interest During Coronavirus Crisis”.

The pencil and ink art by Alex Raymond, the creator of the strip, is expected to sell in the range of $400,000 to $600,000 but its historical significance could push it higher.

Or at least it could have. With America now in the throes of the pandemic, auction houses don’t know how collectors are feeling.

“I could have seen this go for a million but now I don’ t know,” says Profiles CEO Joe Maddalena. “In the last 30 days the world has changed. We’re truly in uncharted territory.”

There is some sign for optimism. Last week, Heritage Auctions saw a rare 1933 poster for Universal Pictures’ The Invisible Man sell for $182,000, with spirited bidding that exceeded the initial estimates of $125,000.

(17) A LONG, LONG, TIME AGO RIGHT NOW. If you’re still looking for something to help you fill the idle hours… In the Washington Post, David Betancourt gives a definitive chronology of all the Star Wars movies, animations, comics, and TV shows, including what you should watch between episodes two and three and where the Star Wars comics fit in the grand scheme. “The ultimate guide to your Star Wars binge”.

…Now, when a lot of us are spending more hours indoors than ever, we have the entirety of the Star Wars entertainment catalogue at our fingertips. And with a new season of “The Mandalorian” not coming until this fall, revisiting the finer moments of this far away galaxy with a good stream or two doesn’t seem like the worst idea. Especially if your viewing of “The Rise of Skywalker” felt like a disturbance in The Force….

(18) GOODNIGHT FILE. Tuck yourself in and listen to “’Goodnight Moon’ as read by LeVar Burton to Neil deGrasse Tyson.” Arranged by @Audible,

(19) FUTURE READS. And there are other pleasures in store for followers of LeVar Burton Reads. “Neil Gaiman Gives LeVar Burton ‘Blanket Permission’ to Read His Stories Online”CBR.com has the story.

When Star Trek actor LeVar Burton took to Twitter to explain his fruitless efforts in trying to find public domain short stories to read to audiences at home, superstar scribe Neil Gaiman answered the call.

[Thanks to Andrew Porter, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, JJ, Mike Kennedy, Michael Toman, N., and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 11/3/19 When You’re At The Bottom Of A Pixel, It’s Time To Put Down The Scroll

(1) FAN NONPROFIT CALLS FOR SUPPORT. Con-or-Bust, the organization that helps people of color/non-white people attend SFF conventions, has put out a call for workers to keep it going. Their Twitter thread about what’s needed starts here.

(2) FRESH MONSTERS. “Creepy Stories (and More) from Victor LaValle and Benjamin Percy” on Lit Hub links to an episode of the Lit Hub podcast Fiction/NonFiction, which features interviews with LaValle and Percy and each author reading three excerpts from their fiction.

LaValle explains how devices like monsters make it possible to write about how something feels, rather than merely what happened; Percy discusses doppelgängers, and asks whether politically, the call is coming from inside the house.

(3) COMPLETING THE ARC. John Scalzi had a good time at the movies — “Terminator: Dark Fate Review” on Whatever.

…As I walked out of the film last night I posted a five word recommendation of this film: “It gets Sarah Connor right.” This actually matters because despite the name of films, the “Terminator” films are about Sarah Connor, and the arc of her life dealing with the terrible fate that life has dealt her: Victim to fighter to avenger. Sarah Connor is realistically (with the context of these films) damaged by this fate of hers; particularly in this film she’s a PTSD wreck. And, well, she would be, wouldn’t she. It’s important that the Terminator films show her this way. It’s for better or worse the grounding the films need to make every other absurd thing that happens in them function on the level of plausibility.

(4) NOT SO BLITHE SPIRIT. In “Like It or Not, Damon Lindelof Made His Own Watchmen”, Vulture’s Abraham Reisman gets showrunner Damon Lindelof to answer several ethical questions about Watchmen, including the morality of how he is making the series without Allan Moore’s and Dave Gibbons’s permission because the rights were supposed to revert to them if the comic books were out of print, and they’ve never gone out of print, and how Robert Redford is “in the series” as the perpetual president but the actual Robert Redford was neither approached or asked because he had retired before the series started production.

Does it keep you up at night? Or have you made your peace with it?
It wakes me up at night, but much less so now that it’s done. I’m about to say something very ridiculous, but in all sincerity, I was absolutely convinced that there was a magical curse placed upon me by Alan [Moore]. I’m actually feeling the psychological effects of a curse, and I’m okay with it. It’s fair that he has placed a curse on me. The basis for this, my twisted logic, was that I heard that he had placed a curse on Zack [Snyder]’s [Watchmen] movie. There is some fundamental degree of hubris and narcissism in saying he even took the time to curse me. But I became increasingly convinced that it had, in fact, happened. So I was like, “Well, at least I’m completely and totally miserable the entire time.” I should be!

(5) ALL ABOARD PULLMAN. The new BBC/HBO His Dark Materials mini-series starts Monday, November 4. The credits alone are enough to leave Io9’s Julie Muncy bowled over: “The Opening Title Sequence for His Dark Materials Is Stunningly Good”.

His Dark Materials is a sweeping fantasy epic, and it deserves a title sequence to match. Fortunately, thanks to HBO and the BBC, it’s got one. Today, BBC released the opening for the upcoming His Dark Materials TV show, and it absolutely lives up to the pedigree of the series. If you’re looking for something to build hype, this is it. I’m especially partial to the graphics at the end. Like, wow.

(6) HIS BARK MATERIALS. The previous item also reminded Daniel Dern of a photo he shot at Arisia 2016 of an “Armored polar bear” from The Golden Compass.

DanielDern-Arisia2016-DSC08657-DogCosplay

(7) NANOWRIMO AT 20. The New York Times celebrates the anniversary: “Ready. Set. Write a Book.” Article includes tips and tools.

This year marks the 20th anniversary of the National Novel Writing Month project, which challenges people to write a 50,000-word novel in November. NaNoWriMo, as it is known, is a nonprofit that supports creative writing and education. Those who sign up for the group’s free annual event get community support, progress tracking and motivational advice to complete a book draft.

If you think you have a novel in you, here is a quick guide to digital tools to help you along your way.

(And if the thought of cranking out an average of 1,667 words a day in the NaNoWriMo challenge doesn’t fit in with your schedule or you need more prep time — don’t despair. You could write it at your own pace.)

(8) SLADE OBIT. Bernard Slade, who co-created The Flying Nun and wrote 17 episodes of Bewitched, has died at the age of 89 reports the New York Times. Outside of genre his successes were creating the 1970s television series The Partridge Family, and the Broadway play “Same Time, Next Year.”

(9) TODAY IN HISTORY.

  • November 3, 1954 — In Japan, Godzilla (Gojira) premiered. This is the very first film in the Godzilla franchise.  It was written by Honda, Takeo Murata, and Shigeru Kayama, and was produced by Tomoyuki Tanaka, with special effects by Eiji Tsuburaya.  It enjoys a 89% rating at Rotten Tomatoes among viewers and an even more impressive 93% among critics. It made almost nothing on its first run here on the States. 

And here is a good place to link to Funny or Die’s Rambo/Godzilla mashup (released in June).

  • November 3, 1967 — The Trek episode of “I, Mudd” first aired. Starring Roger C. Carmel as Harry Mudd with Richard Tatro as  Norman,  Alyce Andrece as Alice #1 through #250, Rhae Andrece as Alice 251 through 500 and, lest we forget, Kay Elliot as Stella Mudd. Written by Stephen Kandel as based on a story by Gene Roddenberry.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1921 Charles Bronson. He didn’t do he a lot of genre acting but I’ve got him in One Step Beyond as Yank Dawson in “The Last Round” and he’s in The Twilight Zone in “Two” as The Man opposite Elizabeth Montgomery as The Women. He was also in Master of The World which is  based on the Verne novels Robur the Conqueror and its sequel Master of the World. (Died 2003.)
  • Born November 3, 1932 Monica Vitti, 87. She’s best remembered in the English language movie going world for her performance as the lead agent in Modesty Blaise. It‘s rather loosely based upon the Modesty Blaise strip by Peter O’Donnell, who co-wrote the original story upon which Evan Jones based his screenplay. 
  • Born November 3, 1932 Jack Harness. Usually I’d give a précis of his fan bio based Fancyclopedia 3 and sources. Oh, this time you really need to go read the Fancyclopedia 3 write-up as the writer has detailed a true character among characters: Jack Harness (Died 2001.)
  • Born November 3, 1933 Aneta Corsaut. If you saw The Blob, the original Fifties version, she was Jane Martin. Her only other genre film work was as an uncredited tourist mother in Blazing Saddles. And unless I’m mistaken, she had no other genre series work at all though she was popular in Westerns. (Died 1995.)
  • Born November 3, 1933 Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1933 Ken Berry. He’s making the Birthday Honors for Disney’s The Cat from Outer Space in which he was Dr. Frank Wilson. No, the cat wasn’t Goose. And he played seven different roles on the original Fantasy Island which well may be a record. Oh, he like pretty much everyone else was a guest performer on Rowan & Martin’s Laugh-In. I know it’s not genre, I just find that amusing. (Died 2018.)
  • Born November 3, 1952 Eileen Wilks, 67. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well! 
  • Born November 3, 1953 Kate Capshaw, 66. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1953 Adam Ant, 66. He actually has a decent genre acting history having been on the Eighties Amazing Stories, in Out of Time (a time travel film), Love Bites (oh guess), Tales from The Crypt, voiced a role on Batman: The Animated Series and Cyber Bandits. Oh and voicing Sri Charge-A-Lot on The Sylvester & Tweety Mysteries!
  • Born November 3, 1956 Kevin Murphy, 63. Best known as the voice and puppeteer of Tom Servo for nine years on the Mystery Science Theater 3000. He was also the writer for the show for eleven years. I’m surprised the series was never nominated for a Hugo in the Long Form or Shot Form. Does it not qualify?
  • Born November 3, 1963 Brian Henson, 55. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.

(11) COMICS SECTION.

(12) CARTOON-LIKE SCULPTURE. This towering figure sits in front of a new high-rise on the waterfront in Greenpoint, NYC.

(13) KEEPING AHEAD. Steven James advises authors “How to Write Crime Fiction Set in the Near Future” at CrimeReads.

2) Trust your reader’s imagination.

In my latest novel, Synapse, I refer to slates, which are basically the tablets of the future. Who knows what phones thirty years from now or even five years from now will be able to do? Don’t make the smartphones of the future too dumb. If you can imagine it, there’s probably some software engineer somewhere out there who’s thought of the same thing.

So, when it comes to technology don’t try to get so specific that the technology will be outdated by the time the book comes out.

Here’s a prime example: years ago when I was writing my book The Rook, I thought it would be cool if someone could look up a song online just by humming it and search using sound-based search algorithms rather than just text-based ones. Cutting-edge, right? Well, as I was writing the manuscript, that technology was released. If I’d included it in my book as something new or innovative, readers would have shaken their heads: “They’ve been able to do that forever.” It’s important to keep an eye on current trends and technological breakthroughs.

(14) FANTASTIC ART. CBS’ Sunday Morning paid a visit to “Art collective Meow Wolf”.

What is Meow Wolf? An art collective founded in Santa Fe, N.M., whose name came from words picked out of a hat, and which puts on immersive exhibitions that tantalize audiences with vivid visuals and storytelling that is magical, mysterious, or just downright weird. Their latest exhibit, called “The House of Eternal Return,” is contained in a former bowling alley purchased by one of the group’s benefactors, “Game of Thrones” author George R.R. Martin. Conor Knighton reports.

(15) NEXT WEB. Looper sounds the alert: “Get ready for a Spider-Man: Into the Spider-Verse sequel”.

The news drop came after several days of teasing and a pair of cryptic tweets posted to the official Twitter account for Spider-Man: Into the Spider-Verse. On October 27, the account posted a GIF of a genetically modified spider silk-gliding down to the streets of New York and creepy-crawling toward the camera — a moment fans will remember from the aesthetically striking film. The post was accompanied by an emoji of a pair of eyes, often used to indicate that secrecy, sneaky behavior, or some kind of deceitful act is taking place. Then, on October 31, the Into the Spider-Verse Twitter page shared a hype-boosting warning: “Something’s up. Our Spidey sense is tingling. RT if yours is, too.”

(16) VIDEO OF THE DAY. In “How To Power Your House, With xkcd’s Randall Munroe” on YouTube, Randall Munroe offers all sorts of options for powering your house using the amount of space in a typical front yard.

[Thanks to Andrew Porter, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Darrah Chavey, Daniel Dern, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]